|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/25/66
|
Ivar Theater
Los Angeles, CA |
1 CD-R |
|
|
MR>DATx>CD |
Total time 56:36
Note: track 9 From late summmer 66.
Note: Tracks 10-12 from mid-to-late 66 |
|
|
03/25/66
|
Trouper's Hall
Los Angeles, CA |
1 CD-R |
|
|
MR>DAT>ZA2>CD |
30 SB. The complete list circulates in SBD.
The beginning of Stealin' is clipped with a significant portion
missing. The end of Next Time You See Me cuts with a significant
portion missing. Sometimes this recording incorrectly circulates
as 01/??/66 or 01/22/66. |
|
|
06/??/66
|
Scorpio Studio Outtakes
San Francisco, CA |
1 CD-R/.wav |
|
|
SBD > MR > DAT > CDR |
|
|
|
07/16/66
|
Fillmore Auditorium
San Francisco, CA |
1 CD-R |
|
|
SBD > RTR > PCM > SSSB |
|
|
|
07/17/66
|
Fillmore Auditorium
San Francisco, CA |
1 CD-R |
|
|
SBD > RTR @ 15 I.p.s. > PCM > D > SSSB |
|
|
|
11/19/66
|
Fillmore Auditorium
San Francisco, CA |
1 CD-R |
|
|
|
Notes: This is a liberated bootleg that sounds pretty damn good for how old the show is. According to Deadbase, this is the complete show except for Dancin from the end of the first set. If you want to hear some old Dead, I highly recommend this disc. |
|
|
12/01/66
|
The Matrix
San Francisco, CA |
2 CD-R |
|
|
|
|
|
|
08/04/67
|
O'Keefe Center
Toronto, ON |
1 CD-R |
|
|
Source: SBD>MR>R>DAT>CDR Conversion: CDR > EAC(secure) > Cool Edit(remove pops) > CDWav (retrack) > mkwact(seekable) mvernon54@attbi.com |
Bill Graham presents "The San Francisco Scene in Toronto". Other
artist(s): Jefferson Airplane ; Luke And The Apostles.
One looking at the concert poster (which can be see at the following):
< http://www.geocities.com/SunsetStrip/Palms/2635/jcards/ja_4.jpg > can determine:
There were shows from 31st July to 5th August according to the poster, ("evenings at 8.30, matinees on Wednesday and Saturday") which would mean a total of 8 shows [Mon. 7/31, Tues. 8/1, Weds. 8/2 matinee, 8/2 evening, Thurs.
8/3, Fri. 8/4, Sat. 8/5 matinee, 8/5 evening].
David Sorochty:
"Before New Potato Caboose Jerry says "This is a song called New Potato Caboose, don't you know". Viola Lee Blues goes into a short Feedback and cuts off right near the very end, just as Jerry and then Pigpen start playing the
Merry-Go-Round Broke Down (Looney Tunes) melody. A silly kind of ending to an intense song".
RECORDINGS 30 SB. Master reel > 1 reel generation > DAT > circulation. Most tapes in circulation are missing the fragmentary (cuts in and has two splices in it) Lindy.
3. Commonly circulates with 8/5/67. I've created separate md5 and info text files for each.
Part of The Music Never Stopped Project 2002 shn em up initiative 4/28/2002
Thanks to Raoul Duke for the disks! |
|
|
08/05/67
|
O'Keefe Center
Toronto, ON |
1 CD-R/.wav |
|
|
SBD>MR>R>DAT>CDR |
Notes:
1. shntool confirms tracks cut on sector boundaries
2. From www.deadlists.com
COMMENTS Evening show. Bill Graham presents "The San Francisco Scene in Toronto". Other artist(s): Jefferson Airplane ; Luke And The Apostles.
One looking at the concert poster (which can be see at the following):
<http://www.geocities.com/SunsetStrip/Palms/2635/jcards/ja_4.jpg > can determine: There were shows from 31st July to 5th August according to the poster, ("evenings at 8.30, matinees on Wednesday and Saturday") which would mean a total of 8 shows [Mon. 7/31, Tues. 8/1, Weds. 8/2 matinee, 8/2 evening, Thurs. 8/3, Fri. 8/4, Sat. 8/5 matinee, 8/5 evening].
Before Alligator Bobby says "We only have time for one more unfortunately and we're gonna do a song we laughingly refer to as 'Alligator'. Ha, Ha!"
David Sorochty:
"Alligator ends with one of the most dramatic endings ever for this song. It finishes with Jerry's guitar cranking and screeching eeeeoowww!! It has a reverb type echo to it that adds to the cranking effect and its pretty stunning. You have to hear it to appreciate it."
3. Commonly circulates with 8/4/67. I've created separate md5 and info text files for each. |
|
|
10/22/67
|
Winterland Arena
San Francisco, CA |
1 CD-R |
|
|
SBDmR>Cass>DAT>Sonic Solutions via D. Gans>CDR |
Marijuana Defense Benefit |
|
|
11/10/67
|
Shrine Exposition Hall
Los Angeles, CA |
2 CD-R |
|
|
MR>R>DAT>CD |
Note: Splice in Viola Lee is minor. |
|
|
11/11/67
|
Shrine Exhibition Hall
Los Angeles, CA |
1 CD-R |
|
|
MSR>R>DAT>CDR |
Total time: 57:31 |
|
|
05/??/68
|
Unknown
Unknown, Unknown |
1 CD-R/./wav |
|
|
Vault Reel > DAT > CD > EAC > SHN |
Unknown Location |
|
|
09/02/68
|
Betty Nelson's Organic Raspberry Farm
Sultan, WA |
1 CD-R |
|
|
SBD > Reel > DAT > WAV via ZA2 > CD > EAC > SHN |
Set 1 (14 Songs in 8 Tracks)
There is a cut in at the end of Death Don't Have No Mercy; and it cuts back in at the beginning of the 1st verse of Cryptical Envelopment. |
|
|
10/13/68
|
Avalon Ballroom
San Francisco, CA |
1 CD-R |
|
|
??? |
|
|
|
10/30/68
|
The Matrix
San Francisco, CA |
2 CD-R |
A+ |
A+ |
This was a liberated bootleg. (Sounds GRATE !!!!!) |
|
|
|
01/17/69
|
Robertson Gym, U.C.S.B.
Santa Barbara, CA |
2 CD / .wav |
|
|
|
|
|
|
01/24/69
|
Avalon Ballroom
San Francisco, CA |
1 CD-R |
|
|
MSR>C>DAT>CD |
Pigpen plays harp on Dupree's. The Avalon Ballroom insisted that
bands, including the Dead, play short sets of an hour or less. This may
well be the complete first set.
|
|
|
01/25/69
|
Avalon Ballroom
San Francisco, CA |
1 CD-R |
|
|
MSR>C>DAT>CD |
|
|
|
02/07/69
|
Stanley Theater (Early, Late)
Pittsburgh, PA |
2 |
|
|
|
|
|
|
02/11/69
|
Fillmore East (Early show)
New York, NY |
1 CD-R/.wav |
|
|
|
|
|
|
02/11/69
|
Fillmore East (Late show)
New York, NY |
1 CD / .wav |
|
|
|
|
|
|
04/05/69
|
Avalon Ballroom
San Francisco, CA |
2 CD-R |
|
|
SBD > REEL > REEL > DAT > SP/DIF > HD > SHN |
|
|
|
04/21/69
|
The Ark
Boston, MA |
3 CD-R |
|
|
MSR > DAT > CDR |
filler: 1/20/68
Municipal Auditorium
Eureka, CA
3. //Clementine>
4. New Potato Caboose>
5. Born Cross-Eyed>
6. Spanish Jam>
7. Caution Jam//
|
|
|
04/22/69
|
The Ark
Boston, MA |
3 CD-R |
|
|
Master Sounndboard Reel > Cassette > DAT x2 > CDR |
|
|
|
04/27/69
|
Labor Temple
Minneapolis, MN |
2 CD-R/.wav |
|
|
SBD > MR > D > CD > SHN |
|
|
|
05/03/69
|
Winterland Arena
San Francisco, CA |
1 CD-R |
|
|
Reel > PCM > Dat > Tascam DA20 > Audio Magic Presto > Prodif Plus > Soundforge > cdwav > shn |
1.He Was a Friend
2.Cryptical>
3.Drumz>
4.The Other One>
5.Cryptical
6.//Doin That Rag
7.Me and My Uncle
// indicates a cut
|
|
|
05/23/69
|
Seminole Indian Village
Hollywood, FL |
1 CD-R |
|
|
Reel > PCM > DAT > conversion:Tascam DA-20 > Audio Magic Presto > Prodif Plus > Soundforge > cdwav > shn |
1.Morning Dew
2.Me and My Uncle
3.Dark Star>
4.St. Stephen>
5.The Eleven//
//indicates cut
|
|
|
05/31/69
|
McArthur Court, University of Oregon
Eugene, OR |
2 CD-R |
|
|
SBD > ? > CDR > EAC > SHN |
The encore has been moved out of order so this will fit onto 2 disks, but nothing was cut so you can restore it's original order by moving Friend of Mine.. Cosmic Charlie and the encore onto a 3rd disk. |
|
|
06/27/69
|
Veterans Auditorium
Santa Rosa, CA |
2 CD-R/.wav |
|
|
|
|
|
|
07/07/69
|
Piedmont Park
Atlanta, GA |
2 CD-R |
|
|
Master Soundboard Cassette > Cassette > DAT > CDR |
This was a free concert in a city park. The Allman Bros. also
performed. |
|
|
09/07/69
|
Family Dog at the Great Highway
San Francisco, CA |
1 CD-R |
|
|
DHH pre-FM: 4.6, 080min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k,7inch Master Reel@7.5ips 1/2trk->Tascam 122mkIII Cass 1s xt Gen->3800 x0 |
From www.deadlists.com:
Grateful Dead with members of Jefferson Airpane (definitely Jorma, Jack, and Joey Covington, who handles some vocals). Baby What You Want Me To Do is also known as Peepin & Hidin. The drummers start Wipe Out (apparently also sometimes referred to as "Pipeline") in response to a request from the audience for "Wipe Out."
Eaton lists:
09/07/69 The Family Dog, San Francisco Ca - excerpt
4.6, 080min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k,
7inch Master Reel@7.5ips 1/2trk->Tascam 122mkIII Cass 1s xt Gen->3800 x0
RECORDING 35 FM 80 SB (vault)
CONTRIBUTORS Jim Powell Rob Eaton
dfinney@cts.com
|
|
|
01/23/70
|
Honolulu Civic Auditorium
Honolulu, HI |
2 CD-R/.wav |
|
|
SBD > Reel > Cass > DAT > CDR |
|
|
|
02/11/70
|
Fillmore East (late show)
New York, NY |
1 CD-R |
|
|
|
Comment: Late Show. *with Duane and Gregg Allman and Peter Green. |
|
|
02/??/70
|
Pacific High Recording
San Francisco, CA |
1 CD-R/.wav |
|
|
|
Outtakes of "Workingman's Dead" |
|
|
05/02/70
|
Harpur College
Binghamton, NY |
3 CD-R/.wav |
|
|
Dicks Picks 8 |
Dicks Picks 8 |
|
|
05/06/70
|
Kresge Plaza, M.I.T.
Cambridge, MA |
2 CD-R |
|
|
MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN |
Free Concert -- nationwide campus strikes to protest Kent State killings |
|
|
06/06/70
|
Fillmore West
San Francisco, CA |
2 CD-R |
|
|
|
|
|
|
06/07/70
|
Fillmore West
San Francisco, CA |
3 CD-R |
|
|
S:MR>Cass>DAT>ZA2>CD>EAC>shn |
|
|
|
08/19/70
|
Fillmore West
San Francisco, CA |
2 CD-R |
|
|
AUD>MC>R>PCM>D>CD>EAC>SHN |
Notes:
--a quote from deadlists: "The Taper's Compendium seriously misrepresents the quality of this AUD master, and of the previous night's."
--many songs have a minor clip at the beginning due to taper conservation
--dropout/blemish in Truckin' @ 3:03
--Truckin' cuts out shortly before the end
part of The Music Never Stopped Project 2002
(missing Cumberland Blues)
(missing Wake Up, Little Susie)
(missing New Speedway Boogie)
(missing Cold Jordan)
(missing Swing Low, Sweet Chariot) |
|
|
10/31/70
|
Gym, S.U.N.Y. (Early)
Stony Brook, NY |
1 CD_R |
|
|
Source: SBD > Reel > DAT Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN |
COMMENTS:
Two "shows" were advertised, at 8:00 and at 12:00, "featuring NRPS."
SET 2 is the Early Show electric Dead set.
#The last minute or so of Rider is clipped; this sounds like it's on the master.
##There is also a brief cut starting 2:13 into Brokedown.
%This is the final Viola Lee Blues and Jerry slips out the backdoor without a goodbye.
|
|
|
02/18/71
|
Capitol Theater
Port Chester, NY |
2 CD-R |
|
|
|
|
|
|
02/19/71
|
Capitol Theatre
Port Chester, NY |
2 CD |
|
|
Three from the Vault |
Three from the Vault |
|
|
04/15/71
|
Allegheny College
Meadville, PA |
2 CD-R |
|
|
SBD>MR>DAT>CD |
|
|
|
08/06/71
|
Hollywood Palladium
Hollywood, CA |
2 CD-R |
|
|
AKG 330 > Sony 770 Reel to Reel (50ft back from the stage) > DD > CD Fostex D5 > SB Live Digi I/O > Cool Edit Pro (By Ben Kasper) |
WRS tease after Me & My Uncle
Sugaree and El Paso from the previous night appear on some audience tapes |
|
|
10/19/71
|
Northrop Auditorium, U. of Minn.
Minneapolis, MN |
3 CD-R |
|
|
PreFM Soundboard Reels > DAT > CDR |
Keith Godchaux's first show
Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time,
One More Saturday Night and Ramble On Rose are performed
for the 1st time. |
|
|
10/29/71
|
Allen Theatre
Cleveland, OH |
1 CD-R |
|
|
SBD>MR>DAT>CDR>EAC>SHN |
|
|
|
11/07/71
|
Harding Theater
San Francisco, CA |
4 CD-R |
|
|
sdb>>MR>>D>>CD |
|
|
|
12/04/71
|
Felt Forum, Madison Square Garden
New York, NY |
2 CD-R |
|
|
SBD>MR>DAT>C>DAT>CDR |
missing JB Goode, Cumberland fades in at ?help you with your trouble?
|
|
|
12/05/71
|
Felt Forum, Madison Square Garden
New York, NY |
3 CD-R |
|
|
Pre-FM > MR > DAT > CD |
Disc One: 60:07
Disc Two: 60:33
Disc Three: 62:40
"Johnny B. Goode" encore not broadcast |
|
|
12/06/71
|
Felt Forum, Madison Square Garden
New York, NY |
3 CD-R |
|
|
MSR>DAT>CD |
|
|
|
12/07/71
|
Felt Forum, Madison Square Garden
New York, NY |
2 CD-R |
|
|
SBD=>MR@ 10 ½ IPS=>DAT=>CD (From Merry Prankster tree) |
Disc One, 74:51
Disc Two: 74:23 |
|
|
03/05/72
|
Winterland Arena
San Francisco, CA |
1 CD-R |
|
|
sbd>cass>cass>cass>dat>cd |
1 Tennessee Jed
2 Jack Straw
3 //China Cat Sunflower>
4 I Know // You Rider
5 Mexicali Blues
6 //You Win Again
7 //El Paso
8 //Casey Jones
9 //Good Lovin'
10 Not Fade Away
11 Goin Down The // Road Feeling Bad
12 Not Fade Away
13 //One More Saturday Night
thanks to jools for the upload |
|
|
03/21/72
|
Academy Of Music
New York, NY |
2 CD-R |
|
|
Source: SBD>MR>DAT>CDR Conversion: CDR > EAC(secure) > Cool Edit > CDWav(retracking) > mkwact(seekable) mvernon54@attbi.com |
[Missing] SET1 Bertha ; Black Throated Wind ; Sugaree ; Next Time You See Me ;
Greatest Story Ever Told ; Loser ; Mr. Charlie ; Looks Like Rain ; Tennessee Jed ;
Playing In The Band ; You Win Again ; Cumberland Blues ; Chinatown Shuffle ;
El Paso ; Good Lovin' > Casey Jones
|
|
|
04/08/72
|
Wembley Empire Pool
London, England |
3 CD-R |
|
|
SBD>MR (16 track)>DAT>[Disc 3 only: SS]>Sound Forge 4.5>CDR |
|
|
|
04/08/72
|
Wembley Empire Pool
London, England |
3 CD-R/.wav |
|
|
Disc 1&2: MR > DAT > CD > EAC > SHN / Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN |
|
|
|
04/11/72
|
Newcastle City Hall
Newcastle, England |
3 CD-R |
|
|
SBD MC>D>CD>SoundForge>CD (See Notes) |
Sound is generally a bit muddy, some hiss
Pigpen's voice is almost inaudible at times
and sometimes distortion & pops from Keith's piano pick-up,
the best & most complete version currently in circulation
A lot of minor anomalies (mainly clicks) throughout discs 1 + 2
d3t03: tape warble @18:47-18:52, sounds like a master cassette flaw
d1t06: very beginning is missing (a few seconds worth)
Bill Giles remastering notes:
"What do you do with an excellent concert that circulates digitally on
muddy CD only and for which cassette copies, while superficially brighter, carry a lot
of noise and distortion? Frustrating. I suspect the CD's lack of edge is the
result of an uninspired noise reduction job [which makes the MC>D>CD lineage questionable]. I've simply tried to brighten it
up by re-equalisation. I've also rebalanced the tracks (the right track was
relatively overweight) and attenuated a few glitches. It ain't great, but it's
definitely better. From the master disc, the opening notes of Big Boss Man are
missing, and the start of Good Lovin' is an AUD patch; and there are some
crackles, particularly in Brown-Eyed Women and Truckin', and a number of
drop-outs and wobbles throughout the concert.
I would not describe it as 'remastered' - just 'tidied up'. I guess linage
should read: MR>??>CDR>Sound Forge 4.5>CDR" |
|
|
04/14/72
|
Tivoli Theater
Copenhagen, Denmark |
4 CD-R |
|
|
SBD>mR>C>D>CD master ...except (see notes) |
SBD>mR>C>D>CD master except
Me And Bobby McGee, Cumberland Blues (d1t8 5:05 thru d1t9 end) SBD>FM>mR>C>C>D>CD master
It Hurts Me Too alternate source SBD>mR>C>D>CD master
Caution tape flip (d3t6 0:01-0:34) SBD>FM>mR>C>D>CD master |
|
|
04/14/72
|
Tivoli Theater
Copenhagen, Denmark |
1 VHS |
|
|
VHS - Pro Tape |
VHS - Pro Tape |
|
|
05/03/72
|
Olympia Theater
Paris, France |
4 |
|
|
SBD > reel > DAT > CDR > EAC > shn |
Some tunes from this show were used on "Europe '72."
|
|
|
05/04/72
|
Olympia Theater
Paris, France |
4 CD-R/.wav |
|
|
|
|
|
|
05/07/72
|
Bickershaw Festival
Wigan, England |
5 |
|
|
Various: see notes (there are 4 GD discs plus 1 NRPS disc, Total=5 discs |
Discs 1 & 2 are a compilation of multiple Audience sources which were used to piece together
the complete 1st set and first 4 songs of the 2nd set. A big thanks to Mick Etherington,
Dave Lang, Simon Mould, Simon Phillips, as well as Chris Jones- the only taper we can
identify- for supplying their copies of this show, as well as Alan Schlissel and Steve Barbella
for getting the different versions all in one place. The various versions were all speed
corrected, but there are still some speed fluctuations and "wow and flutter" here and there.
Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source. The previously
circulating, 2nd set partial Betty Board was used to patch "The Other One".
There is a 5th disc which contains the NRPS set and is not for the faint of heart. |
|
|
05/10/72
|
Concertgebouw
Amsterdam, Netherlands |
4 CD-R |
|
|
SBD > S:MR > Cassette > DAT > CDR > SHN |
Known flaws: Bertha fades in.
Extraction and SHN encoding by Seth Kaplan
Thanks Seth for this excellent show! |
|
|
05/11/72
|
Rotterdam Civic Hall
Rotterdam, Netherlands |
3 CD-R |
|
|
Bertha Remaster of (Master Reel) source SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN |
Encore:One More Saturday Night (missing)
d2-Drums//(*)
d3-//Drums/Phil Jam >>(*)
(*) Disc change without fades so tracks can be cleanly rejoined in the future. |
|
|
05/13/72
|
Lille Fairgrounds
Lille, France |
3 CD-R |
|
|
source: sbd > mr > cass > dat > cda > wav > shn v3 dae: eac, high secure mode, offsets in place, wav md5's included. |
encore missing (one more saturday night)
deadlists has GDTRFB going back into NFA - not so here.
seeded to easywind.etree.org (4/01)
comments to Chris L. <neo_levo@yahoo.com>.
mments to Chris L. <neo_levo@yahoo.com>.
|
|
|
05/16/72
|
Theatre Hall
Luxembourg, Luxembourg |
2 CD-R/.wav |
|
|
Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN |
Notes: Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S
Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate
conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via
CDWave and SHN conversion via mkwACT
Updated 6/29/2002:
Corrected sector boundary errors on d1t13 and d2t04 using SHNTOOL. |
|
|
05/18/72
|
Kongressaal Deutsches Museum
München, Germany |
3 CD-R |
|
|
master reel>>sdb>>?>>dat>>cdr |
|
|
|
05/23/72
|
Lyceum Ballroom
London, England |
4 CD-R |
|
|
lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT>1 cassette generation>circulation listed at www.resourcesfortraders.com |
This is a speed corrected and restored version of the complete 4-disc set that is
circulating. It replaces that set and an older 3-disc version that cut off during
"Comes A Time".
The 4-disc source was missing the beginning of "Dark Star" and "He's Gone".
Those parts were restored using clips from the 3-disc set. Also restored was
a short blurb from Weir at the end of "Morning Dew". "Ramble On Rose" has been
moved to the beginning of disc 3 where it belongs. Detailed notes on the
restoration are below.
Thanks to terrapinstation for providing the newer 4-disc set that this was based on. |
|
|
05/26/72
|
Lyceum Ballroom
London, England |
4 CD-R |
|
|
S:MR>DATx5>CD |
Note: This is superior to all circulating copies. The lineage of the DAT
is guaranteed. I did the transfer myself. The DAT was played on a Panasonic
SV-3700, transferred to my Delta DiO 2496, recorded with SoundForge 4.5, and
tracked and burned with CD Architect. EAC was used to create the SHN files.
There is a <1 second patch in Playin' to fix a small spot of tape warble.
The Morning Dew was patched from another previously circulating version with
10-second crossfades on each side to minimize the difference in quality.
There is also a small patch in Sugar Magnolia.
All of these patches came from previously circulating copies.
|
|
|
07/16/72
|
Dillon Stadium
Hartford, CT |
4 CD-R |
|
|
source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN |
|
|
|
07/25/72
|
Paramount Theater
Portland, OR |
4 CD-R |
|
|
SBD>MR>C>D>CD>EAC>SHN |
The splice in BIODTL is minor. Only the first few notes of Sing Me Back
Home are clipped. The Other One contains a short bass solo that follows a
thematic jam that I have not heard anywhere else.
thanks to Mark Sweeney
encoding by J. Cotsman |
|
|
07/26/72
|
Paramount Theater
Portland, OR |
4 CD-R |
|
|
Master Soundboard Reel > DAT > ZA2 > CDR x2 |
This differs from the currently circulating copy in that this one includes "He's Gone", has a complete "Greatest Story Ever Told" and the master reel flips in "Casey Jones" and "Brown Eyed Women" have been smoothed over (the flip in "BEW" is virtually transparent, however, it appears that several verses are missing).
CD Re-Mastering, SHN encoding by Scott Clugston
Uploaded to Lee Revell by Scott Clugston 9/00 |
|
|
08/12/72
|
Sacramento Memorial Auditorium
Sacramento, CA |
3 CD-R |
|
|
Source: SBD Lineage: Reel master > unknown* > DAT > CDR > EAC > SHN (*Per Jeff Tiedrich) |
Thanks to Seth Kaplan for this copy!
Retracked (Cool Edit/CDWav) by G.S. Hamilton
Notes:
D1t09 (El Paso): ending cut
D1t10 (Tennessee Jed): first half cut
D2t03 (Jack Straw): large cut @ 3:11
D2t05 (GSET): First couple of seconds cut |
|
|
08/21/72
|
Berkeley Community Theater
Berkeley, CA |
3 CD-R |
|
|
Source: SBD>MR>PCM>DAT>CD>EAC>SHN |
D1t03 (Black-Throated Wind): brief buzziness/possible digi-snit @ 5:04
D1t06 (China Cat): brief buzziness/possible digi-snit @ 2:09
D1t09 (Sugareee): brief buzziness/possible digi-snits @ 1:32 and 6:24
D2t04 (Casey Jones): reel splice @ 1:01
D2t06 (Ramble On Rose): brief digi-snit @ 3:11
D3t01 (Dark Star): occasional transient distortion (for example, @ 21:30); minor diginoise @ 20:14 and 20:30 |
|
|
08/22/72
|
Berkeley Community Theater
Berkeley, CA |
3 CD-R |
|
|
SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2) |
The first set has an unknown lineage, though it seems like no more than 3 analog generations could be involved. The 2nd set is a re-shn of the previous Kaplan seed, with some minor edits involved. |
|
|
08/24/72
|
Berkeley Community Theater
Berkeley, CA |
3 CD-R |
|
|
Probably: SBD>Rm>Cass>Cass>Cass>Dat>CD |
There's a little digi-noise over the first line of Sing Me Back Home. These .shns came from CD-Rs burned from the circulating DAT SBD; I don't know anything else about the show's descent. |
|
|
08/25/72
|
Berkeley Community Theater
Berkeley, CA |
1 CD-R |
|
|
7" Betty Board Reel > PCM501ES analog out > |
|
|
|
08/27/72
|
Old Renaissance Faire Grounds
Veneta, OR |
3 CD-R |
|
|
SBD->two-track MR->DAT->Sonic Solutions->CDR->EAC->Sound Forge Edit (analog pop removal using pencil tool)->Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents) |
Note: This is *not* the Betty Board source which has circulated before.
This source came from a different two-track master reel (made by the
folks filming the Sunshine Daydream movie) and is mixed differently.
|
|
|
09/09/72
|
Hollywood Palladium
Hollywood, CA |
4 |
|
|
Sbd: MR>DAT>CDR>SHN |
|
|
|
09/10/72
|
Hollywood Palladium
Hollywood, CA |
3 |
|
|
Source: SBD>MR>Cassette>DAT>CD>EAC>CoolEdit2000>SHN |
Notes:
- Missing Sugar Magnolia* and OMSN(Encore).
- (*) with David Crosby on guitar
- Bertha cuts in during Jerry's solo.
- Casey Jones cuts in during the second chorus, just before the "Trouble ahead, lady in red" verse.
- Jack Straw cuts off at the end and is missing the final "We can share..." chorus and Sing Me Back Home picks up during the guitar intro. Sounds like very little music is lost.
|
|
|
09/16/72
|
Music Hall
Boston, MA |
3 |
|
|
Source 1: AUD>MC>C>D>CD>EAC>SHN & Source 2: SBD>MR>C>D>CD>EAC>SHN |
SBD supplies: Playin', Dew, Greatest Story, Dark Star>Brokedown (with aud patch), NFA>GDTRFB>NFA
The audience tape was probably stopped in between songs, and only the first couple notes are clipped from many of the songs. The audience recording also supplies a patch for the last few seconds of Dark Star as well as several seconds of Brokedown.
|
|
|
09/21/72
|
The Spectrum
Philadelphia, PA |
4 CD-R |
|
|
SBD > reel > DAT > CDR > EAC > shn |
Notes: FOTD is missing the 10-15 seconds from the beginning of the track.
Whether or not this blip appears on the original reels is unknown. |
|
|
09/23/72
|
Palace Theater
Waterbury, CT |
3 |
|
|
Source: SBD>MR>Cass>DAT>CDR>EAC>SHN |
|
|
|
09/24/72
|
Palace Theater
Waterbury, CT |
3 |
|
|
Source:SBD>MR>CASS>DAT>CDR>EAC>SHN |
Known Flaws: d1t08 cut at beggining of Tennessee Jed;
d2t01 cut during 15:00 minute mark of Playin' in the Band;
d3t05 I Know You Rider cuts at 4:02 (rest is missing).
These flaws exist on all known to be circulating soundoard sources of this rare show.
If someone has the even rarer aud., It would be nice to patch the rest of Rider in.
Below is a couple extra flaw notes added by G.S. Hamilton:
Known Flaws: transient static occurs throughout the first
half of disc 1; the specific cases annotated below are just
examples. It does not sound like diginoise,
but rather seems likely to be on the source reels.
d1t03 (Loser): brief static 3:02-3:06; subsecond discontinuity @ 3:49
d1t04 (Black Throated Wind): static 0:22-0:24
d1t08 cut at begining of Tennessee Jed
d2t01 cut during 15:00 minute mark of Playin' in the Band
d3t05 I Know You Rider cuts at 4:02 (rest is missing).
These flaws exist on all known to be circulating soundoard
sources of this rare show.If someone has the even rarer
aud., It would be nice to patch the rest of Rider in.
DAE(EAC) and SHN Encoding by Jeff M.email: fy1220_jeffm@snet.net
or lost_sailor1620@hotmail.comcdrlist> http://db.etree.org |
|
|
09/26/72
|
Stanley Theatre
Jersey City, NJ |
3 cd-r/.wav |
|
|
M SBD Reel>unknown dat gens>digital noise reduction>3dat gens>za/2 48-41 |
Donor comments: "This represents the best known lineage of this show, and the most complete.
It is extremely rare, so please spread it around." |
|
|
09/26/72
|
Stanley Theatre
Jersey City, NJ |
1 cd-r/.wav |
|
|
DAT>WAV>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) |
Splice upgrade:
Primary Source: SBD (probably sbd>mr>dat>cdr) - http://db.etree.org/shninfo_detail.php?shnid=19198
Splice source: MAC > Cx > DAT > WAV >SHN (see below).
Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II.
DAT>WAV>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact).
d1t07 - Cumberland Blues [06:07]
- audience splice patches the missing gap on the SBD source from 02:14 - 03:54.
d3t01 - Truckin' > Other One Jam [34:51]
- audience splice patches the missing gap during TOO jam from the SBD source from 21:30 - 28:13.
the spliced tracks have been renamed d1t07spliced and d3t07 spliced. the remainder of the tracks from the entire show have md5s that match the primary source above.
|
|
|
09/28/72
|
Stanley Theatre
Jersey City, NJ |
3 cd-r/.wav |
|
|
SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA - Sound A- / UNK.AUD>>CASS>>???>>DAT>>WAV>>FLAC - Sound D |
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm
Source used 26933 via Tol, by Chris Ladner.
Light Digital Noise Reduction was found with Spectral Analysis prior to Bertha Remastering. The same DNR was found on source 12657, which is the source Chris used for 26933. It is not known who applied the noise reduction, but they did a decent job, producing no audible artifacts. The noise reduction had only minor effects on the remastering process. Spectral Analysis also shows three different fingerprints for the soundboard portion. This would tend to indicate that the soundboard portion did not all come from the same source.
The AUD patches are pretty rough. I considered removing them, but decided to leave them in. As the AuD portions transition back into the board, one gets a pretty good feel for the quality of this 72 board.
The soundboard mix is all over the place at the start. No vocals on d1t02 until 5:47. It takes a couple tracks to settle in. Strangely, the channels were swapped towards the beginning of The Other One and I swapped them back.
There are lots of small digiblips throughout. These were, most likely, caused during the transfer. I removed Between 40 and 50 of them by editing individual samples. In addition, a few fade-out/ins were added to clean up transitions.
There is some very sweet sounding early 72 bass in this one.
Enjoy!
From the original text file, prior to Bertha Remastering:
Primary Source: SBD>MR>DAT>CDR>WAV>SHN>WAV>FLAC
Secondary source: Unknown audience > C > ? > DAT >WAV > FLAC
Comments/flaws:
d1t01 - Truckin' completely absent from all previous sources; from audience.
d1t02 - muted vocals for 1st ~5:50 of Loser - on all copies.
d1t06 - missing 01:52 seconds of Half Step starting at "Across the rio grand-e-o... (04:00) spliced from audience source
d1t11 - splice from audience source completes the cut in IKYR.
d2t03 - removed short redundancy 05:23.4 - 05:45.7.
d3t05 - Fixed pop at 0:24.4 & 26.9 due to L&R channel inversion & dropout at 12:27.1
d3t06 - Removed 0.77 sec dropout at 0:48.3
|
|
|
09/30/72
|
American University
Washington, DC |
3 cd-r/.wav |
|
|
SB>MR>Cassette>DAT>CD / except OMSN SB>MR>cass(2)>DAT>CD |
Resource for tapes suggests "It's possibly an FM as there is a WMAL station announcement on the tape"; however I think it's far more likely that this is radio station interference with the PA/recording equipment.
In conversion from source discs it was necessary to remove 4118-sample gaps from Disc #1 (this corresponds to approx 1/10th of a second, not the 2-second gaps one would expect with TAO) between most tracks. For disc #2, the gaps were 89377 samples (2 seconds + a little bit). Removal of these gaps from discs #1 & #2 left seamless joins. For disc #3, there were 133477 sample-gaps (3-and-a-bit seconds!!), and minor repairs were necessary at each gap to avoid clicks. A very small number of additional clicks and gaps were removed - many remain, especially right at the beginning of disc #1.
|
|
|
10/02/72
|
Springfield Civic Center
Springfield, MA |
3 cd-r/.wav |
|
|
master reel sdb>>cassette>>dat>>cdr |
|
|
|
10/09/72
|
Winterland Arena
San Francisco, CA |
3 cd-r/.wav |
|
|
Source: SBD > MR > C > DAT > CDR / SHN Conversion by mvernon54@home.com / EAC (secure with correct offsets) > Cool Edit (remove some pops see below) > SHN (mwkact with seektables appended) |
Noted flaws:
D1T11: [02:08] pop (fixed)
D1T11: [02:25] drop out right channel (fixed by copying left channel into right)
D1T13: [03:15] pop (fixed)
D1T13: [04:27] drop out (can't fix) |
|
|
10/17/72
|
Fox Theatre
St. Louis, MO |
3 CD-R |
|
|
Source: MSR>C>DATs>CDRs>EAC>SHN |
(Missing Tennessee Jed)
(missing Jack Straw)
(missing Friend Of The Devil)
(Missing Beat It On Down The Line)
(missing Ramble On Rose)
Notes: Previously uncirculated. |
|
|
10/18/72
|
Fox Theatre
St. Louis, MO |
3 cd-r/.wav |
|
|
Unknown Source |
|
|
|
10/19/72
|
Fox Theatre
St. Louis, MO |
3 cd-r/.wav |
|
|
SBD > MR > Cass > DAT > CDR |
|
|
|
10/23/72
|
Milwaukee Performing Arts Center
Milwaukee, WI |
3 cd-r/.wav |
|
|
AUD>MR>?>D>CD>EAC>SHN |
*final Rockin' Pneumonia
Warning:
This is one of the more distant sounding audience recordings from '72, and should be recommended only to completists.
otes:
--many of the songs have only a few notes clipped from the beginning from recorder conservation of tape/batteries ("/").
--Playin' cuts out during the minor key jam; a large chunk is missing
--Bertha is missing at least a minute from the beginning
--splice in Half Step @ 0:13
--Tomorrow is Forever cuts out; over a minute is missing
--OMSN cuts out; over a minute is missing
|
|
|
10/24/72
|
Milwaukee Performing Arts Center
Milwaukee, WI |
1 cd-r/.wav |
|
|
Source: MR > 1 cassette gen. > DAT > CDR 2x / DAE and .shn conversion by G. Hamilton |
|
|
|
10/26/72
|
Cincinnati Music Hall
Cincinnati, OH |
2 cd-r/.wav |
|
|
SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN |
This is Set 2 Only
(1 Disc SHN / 2 Discs Audio) |
|
|
10/26/72
|
Cincinnati Music Hall
Cincinnati, OH |
3 cd-r/.wav |
|
|
SBD -> Cassette Master -> Dat (48k) / Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
Notes:
-- The Promised Land is mono
-- Note updated recording info
|
|
|
10/27/72
|
Veterans' Memorial Hall
Columbus, OH |
3 cd-r/.wav |
|
|
SBD(a) Source: MSR>R>C>DAT>WAV>SHN // SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN // AUD Source: MAR>C>D>CD>EAC>SHN |
Notes:
Missing Bird Song, Big River, Casey Jones from end of 1st Set
The SBD(a) source supplies all of Disk 1 and Disk 3
except Sugar Magnolia and UJB
The SBD(b) source supplies only Sugar Magnolia.
The MAR Source is a very good audience recording, credited to Bear. Sound Forge was used for a slight pitch correction.
Splice in Truckin' @ 3:37
The banter bewteen songs on disc 1 has Bobby in rare form.
I know there is the SBD(a) version of Sugar Mag>UJB but unfortunately, I cannot find my source of it as it is undocumented filler on one of my tapes. I would guess and hope Birdsong thru Morning Dew might be out there somewhere in the this source.
|
|
|
10/27/72
|
Veterans' Memorial Hall
Columbus, OH |
1 cd-r/.wav |
|
|
first set upgrade - unknown generation soundboard cassette |
first set upgrade - unknown generation soundboard cassette
This first set is an upgrade over #10286. It's still not a great
tape, but there is much less hiss, oversaturation and distortion.
Also, the beginnings of Bertha and Brown-Eyed Women are intact here,
and there is no dropout in Tennessee Jed.
Some dead air was cut out to make the set fit on an 80-minute disc.
The cassette was played back on Nak CR7E with azimuth adjustment.
Sound Forge was used for noise reduction and pitch adjustment.
Research and A>D transfer by Uli Teute
Sound tweaking and SHN seeding by Hanno Bunjes
August 2003 |
|
|
12/31/72
|
Winterland Arena
San Francisco, CA |
3 |
|
|
Pre-FM KSAN Reel > DAT > SHN SHN > WAV (Shntool) > SHN V3 (mkwACT) |
Other One (pt. 2) and Morning Dew with David Crosby. Clips at the start of Candyman, Promised Land, and Big River appear on all circulating copies. CD-R covers available at http://www.angelfire.com/rock/gdcdrcovers/index.html |
|
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University
Palo Alto, CA |
3 CD-R |
|
|
MR 2 Track Reel >> 7.5 IPS 1/4 tack dolby B reel >> DAT >> Sonic Solutions >> CDR: Some cuts between tracks |
Note that there were many technical failures during this show including loss of all tweeters on the first note of "Promised". "Casey Jones" has alot of distortion.
|
|
|
02/15/73
|
Dane County Coliseum
Madison, WI |
3 CD-R |
|
|
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD |
Track 1 on CD1 are Jack Straw and Box of Rain from the Sound Check.
The following layout is based on 2x74min plus 1x80min. I originally
received these with the encore on cd2. I like the sequential flow of
a show and so bumped cd3 to 80min to put the encores at the end while
keeping the DS>Eyes> China Doll intact. To make this 3x74, simply
move d3t07 and t08 to d2t10 and 11.
|
|
|
02/17/73
|
St. Paul Auditorium
St. Paul, MN |
2 CD-R |
|
|
SBD:MR>PCM>DAT>CD |
notes from Matt Vernon:
- shntool provides timings and confirms tracks cut on sector boundaries
- Truckin' starts around "Flashing Marquees .."
- first few notes of You Aint Woman cut
notes from reSHN by Randy Carman rcarman@cogeco.ca:
- cuts between most songs
- all tracks had shntool properties: non-canonical headers and extra RIFF chunks.
all tracks stripped and fixed using shntool
- merged disk 2 and disk 3 into disk 2 (requires 80min CD-R)
- retracked HCS > China > Rider into 3 tracks with CDWave
- retracked NFA > GDTRFB > NFA into 3 tracks with CDWave
- SHN's made seekable and new md5's generated with mkwACT |
|
|
03/26/73
|
Civic Center
Baltimore, MD |
4 CD-R |
|
|
SBD>>MR>>DAT>>CDA |
|
|
|
07/27/73
|
Grand Prix Racecourse
Watkins Glen, NY |
2 CD-R |
|
|
See Tech Notes |
|
|
|
07/27/73
|
Grand Prix Racecourse
Watkins Glen, NY |
2 cd-r/.wav |
|
|
Audience RecordingAudMC > ? > C > DAT > WAV > SHN > unknown taper; stereo recordingA > D by Noah Weiner, October, 2004Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > |
notes:d1t03 - Bird Song: tape cut at 11:21. Approximately 00:26 missing.Currently no alternate AUD circulating for patch. Cut was not edited in any way. Alternate AUD (Siniawsky & Smith Uher AudMR > R > DAT > WAV > SHNetree shnid=25509) used to patch following:d1t05 - Tennessee Jed: cross fade patch from 7:25 - 7:37d2t03 - Me And My Uncle: cross fade patch to cover first 00:26d2t05 - Wharf Rat: cross fade patch from 06:33 - 07:03 |
|
|
07/28/73
|
Grand Prix Racecourse
Watkins Glen, NY |
4 CD-R |
|
|
|
I got the show from GDLive.com, and there was no Notepad document stating the show's info. |
|
|
08/??/73
|
Record Plant
Sausalito, CA |
1 CD-R/.wav |
|
|
Betty > BCM > DAT > DIO 2448 > SHN |
|
|
|
09/12/73
|
College Of William & Mary Hall
Williamsburg, VA |
3 CD-R |
|
|
Source: SBD>MR>C>DAT>CD>WAV>SHN |
Notes:
*digi-snits
**mix problems
***with Martin Fierro and Joe Ellis on horns (I don't hear them on Eyes as the Compendium and other sources state)
I haven't seen this show making the rounds as a soundboard so I thought I'd get it out there. A great show in the same vein as the previous night (9/11/73). The song order on these discs differs somewhat from other printed and on-line sources so I'm not sure what is correct. Given reel-to-reel stoppage and possible editing between each song it's hard to pin down the song order, much less when Set 1 ends and Set 2 begins. |
|
|
10/29/73
|
Kiel Auditorium
St. Louis, MO |
3 CD-R |
|
|
MSR>C>DAT>Circulation>EAC>SHN |
|
|
|
11/09/73
|
Winterland Arena
San Francisco, CA |
3 CD |
|
|
Winterland 1973: The Complete Recordings Box Set |
Winterland 1973: The Complete Recordings Box Set |
|
|
11/10/73
|
Winterland Arena
San Francisco, CA |
3 CD |
|
|
Winterland 1973: The Complete Recordings Box Set |
Winterland 1973: The Complete Recordings Box Set |
|
|
11/11/73
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
|
|
|
|
11/11/73
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
Disks 1-2 MSR>Cass>Cass>DATs>CDRs>EAC>SHN Disk 3 MSR>Cass>DATs>CDRs>EAC>SHN |
Thanks to Bob Murphy for the Seed Disks
Eac/Shn by Darrin (dnsacks@usa.net) |
|
|
11/11/73
|
Winterland Arena
San Francisco, CA |
3 CD |
|
|
Winterland 1973: The Complete Recordings Box Set |
Winterland 1973: The Complete Recordings Box Set |
|
|
11/17/73
|
Pauley Pavilion, UCLA
Los Angeles, CA |
3 CD-R |
|
|
SBD>MR>C>DAT>CDR>EAC>SHN |
|
|
|
11/20/73
|
Denver Coliseum
Denver, CO |
3 CD-R |
|
|
Source: SBD Genealogy: S:MR > DAT > CD > EAC > SHN |
Notes:
D1t01 (Ramble On Rose): some sound system problems
D3t05 (UJB): appears to be from different source, lineage
possibly S:MR > cassette > DAT > CDR |
|
|
11/25/73
|
Feyline Field
Tempe, AZ |
3 CD-R |
|
|
Source: MSR>Cass.>DATs>CDRs>EAC>SHN |
filler from 12.4.71 Felt Forum
Known flaws:
Promised 3.14 rt chan ?
China 3.55 Splice?
r Jimmy 6:37-8 Static
Playin' 7.29 splice
WRSPre :02 pop rt chan
"" 1:23 "" "" ""
LTG 0:01 pop
"" 6.34 reel change
SMAG 8.14 click |
|
|
12/01/73
|
Music Hall
Boston, MA |
1 cd-r/.wav |
|
|
SBD>MR>DAT>SS>CDR |
***This is the soundcheck for this show***
Soundcheck
01. Blue Suede Shoes
02. Working Man's Blues |
|
|
12/04/73
|
Cincinnati Gardens
Cincinnati, OH |
1 CD |
|
|
From the Winterland 1973: The Complete Recordings Box Set |
From the Winterland 1973: The Complete Recordings Box Set
CD Includes:
1. China Cat Sunflower >
2. I Know You Rider
3. Truckin' >
4. Stella Blue
5. Eyes of the World >
6. Space >
7. Sugar Magnolia >
8. GDTRFB >
9. Casey Jones
|
|
|
12/06/73
|
Public Hall
Cleveland, OH |
3 CD-R |
|
|
Source: SBD Lineage: S:MR > cassette > DAT > CD > EAC > SHN |
Jim Powell's notes:
There are conflicting reports whether the SBD master is on cassettes or reels, but it sounds like it would have to
be reels. The last 26 seconds of Here Comes Sunshine is missing on our copy of the SBD and is patched in using an
AUD master from a cassette copy of unknown low generation. 22 seconds in Eyes Of The World are patched from this
AUD source also. The 22-second cut in Eyes looks like a cassette tape flip introduced when the reels were
transcribed to 1st gen cassette. The missing conclusion of Here Comes Sunshine is harder to account for on this
hypothesis, but there seems a reasonable chance that both missing segments are intact on the master reels. First
set highlights include TLEO, Row Jimmy, GSET and China Cat > Rider. The Here Comes Sunshine times almost 16
minutes, is the longest known on circulating tape and probably the best. The Dark Star is the third longest known
at 43:28, and one of the all time best. It is the fraternal twin of 11/11/73.
Dave Greenberg did the patches.
David Gans supplied DATs of the 1st gen cassette SBD and Jim Powell instigated the project, supplied the AUD
cassette used to patch the SBD's defects, and wrote this note. |
|
|
12/12/73
|
The Omni
Atlanta, GA |
1 cd-r/.wav |
|
|
SBD : MR > C > DAT > CDR |
***This is the soundcheck for this show***
Sound Check
01. Rip It Up
02. Blue Suede Shoes
03. Tuning
04. Peggy-O
05. Jack Straw
06. Cumberland Blues
07. Thirty Days? |
|
|
02/22/74
|
Soundcheck - Winterland Arena
San Francisco, CA |
1 CD-R |
|
|
LINEAGE: SBD > RTR @ 7.5 i.p.s. > D > SSSB |
This is the majority of the soundcheck for that evening's show; due to this being a version which does NOT have the PCM tape in it's lineage, it is released as a NEW SHOW "Let It Grow" is missing 02:18 from it's beginning, "Instrumental Jam is missing approx. first 2 minutes and last 1:38 seconds (both of these verified by my Marin County source) due to RTR tape decks being patched in and out; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 08/01] |
|
|
02/22/74
|
Winterland Arena
San Francisco, CA |
1 cd-r/.wav |
|
|
SBD > RTR @ 7.5 i.p.s. > D > SSSB |
***This is the soundcheck for this show***
DISC I (ONLY DISC)
01. Let It Grow (04:51.789)
02. They Love Each Other (06:56.092)
03. U. S. Blues #1 (06:03.467) ->
04. U. S. Blues #2 (05:50.149)
05. Attics Of My Life (03:47.289)
06. It Must Have Been The Roses (13:34.552) ->
07. Instrumental Jam (song unknown) (02:36.380)
TOTAL RUNNING TIME: 0:43:39.718
This is the majority of the soundcheck for that evening's show; due to this
being a version which does NOT have the PCM tape in it's lineage, it is
released as a NEW SHOW "Let It Grow" is missing 02:18 from it's beginning,
"Instrumental Jam is missing approx. first 2 minutes and last 1:38 seconds
(both of these verified by my Marin County source) due to RTR tape decks
being patched in and out; any/all editing, fades, NR, hiss elimination,
phase shifting/"time smear" correction, jitter elimination, EQ, and
quantization noise elimination (when down-converting audio to 16-bit /
44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz
digital realm processing at Serafin Station Studio B [this show was
released 08/01
|
|
|
02/23/74
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
Source info: SBD > Reel > PCM > DAT > CD > EAC > SHN |
Notes:
Missing Big River, Ramble On Rose, Me And
My Uncle, Casey Jones |
|
|
02/24/74
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
|
|
|
|
05/17/74
|
P.N.E. Coliseum
Vancouver, BC |
3 CD-R |
|
|
mSR>DAT>CDR>TAE>SHN |
|
|
|
05/19/74
|
Portland Memorial Coliseum
Portland, OR |
3 CD-R |
|
|
SBDMR -> DAT DAT -> CD -> EAC -> SHN conversion by AJ - a2k@pacbell.net - seeded May 19th |
Recordings: SBD: The complete show, in SBD except
Tennessee Jed through El Paso & Ship Of Fools |
|
|
05/21/74
|
Edmundson Pavilion, University Of Washington
Seattle, WA |
3 CD-R |
|
|
MSR > C > DATS > CD > EAC > SHN > WAV > |
Playin' has no Cassette gen, and is patched w/ 26 sec of AUD at reel flip. |
|
|
06/18/74
|
Freedom Hall
Louisville, KY |
3 CD-R |
|
|
S:MR>1 cass>DAT>ZA2>SHN [revised from original info file] |
Please enjoy this tasty tidbit from Louisville, KY June 18, 1974 courtesy of some anonymous sources, as well as the collective efforts of Darrin Sacks and David Hollister
This version sounds nothing like the previously-circulating "sbd>reel>reel>dat" version and represents a MAJOR upgrade.
The music actually comes to us from two different tapes with very similar qualities. However, one tape had about the first 1 minute and 40 seconds missing on Promised Land, so I spliced it in from the other tape. The other tape had some other problems, not to mention a good portion of the between song banter cut out, so needless to say, we used the good tape for that. |
|
|
06/23/74
|
Jai-Alai Fronton
Miami, FL |
3 CD-R/.wav |
|
|
|
|
|
|
06/26/74
|
Providence Civic Center
Providence, RI |
3 CD-R/.wav |
|
|
MSR > Reel > DAT x4 > CDR > Shn |
|
|
|
07/19/74
|
Selland Arena
Fresno, CA |
1 CD-R |
|
|
MR>DAT>CDR (Gans) |
The only songs that I have are:1. He's Gone
2. U.S. Blues
3. Weather Report Prelude/Part 1
4. WRS - Let It Grow
5. Spanish Jam
6. Eyes of the World
7. China Doll
MD5 checksums provided for both SHNs and wavs.dfinney@CTS.com |
|
|
07/31/74
|
Dillon Stadium
Hartford, CT |
4 CD-R |
|
|
Lineage: SBDMR>DATx>CD>DAT>CD>EAC>SHN |
Known Anomalies:
1. Beginning of Scarlet is clipped -- slight bit of diginoise too
2. Reel flip in the middle of Row Jimmy
3. Warble/ Mixing problems in Jack Straw
4 Cut in the beginning of WRS Prelude |
|
|
08/04/74
|
Philadelphia Civic Arena
Philadelphia, PA |
3 CD-R |
|
|
Lineage: MSR>DATs>CDRs>EAC>SHN |
Notes: Small aud patches in PITB (14:28-14:41) and LIG
(16:20-16:35) and the first few seconds of Sugar Magnolia. |
|
|
08/06/74
|
Roosevelt Stadium
Jersey City, NJ |
4 CD-R |
|
|
MR > DAT > CD > Sonic Solutions > CD Circulation |
|
|
|
09/09/74
|
Alexandra Palace
London, England |
1 cd-r/.wav |
|
|
sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac |
***This is the soundcheck for this show***
01. Jack Straw (sound check) |
|
|
09/11/74
|
Alexandra Palace
London, England |
4 CD-R |
|
|
|
|
|
|
09/18/74
|
Parc Des Expositions
Dijon, France |
3 CD-R |
|
|
SBD>MR>?>DAT>CDR>EAC>SHN |
SET 1.5 (Phil and Ned) and Encore (U.S. Blues) are missing |
|
|
09/21/74
|
Palais Des Sports
Paris, France |
2 CD-R |
|
|
SBD > master reel > reel to reel > DAT > CD > SoundForge > CD |
notes:
- set I doesn?t circulate
- 3:40 added from SBD cassette at start of Seastones.
master reel (probably) dropout between Seastones and Playin? repaired with a crossfade
- Around & Around patched in from unknown generation AUD tape by Alasdair Macdonald
- 1-24-69 Filler is the first set and all that circulates from that date.
Lineage: Master reel > cassette > DAT > CD. This complements the 1-25 & 26-69 shows from tree #6.
finally, 9/20 runs a bit slow and 9/21 a bit fast, but within normal bounds of tolerance |
|
|
10/18/74
|
Winterland Arena
San Francisco, CA |
2 CD-R |
|
|
Source: SBDGenealogy: MR > PCM > DAT 44.1kHz > CD > .shn |
Have a wonderful listening experience.
Jack Romanski |
|
|
03/23/75
|
Kezar Stadium
San Francisco, CA |
1 CD / .wav |
|
|
FM > ??? > WAV > SHN |
|
|
|
03/23/75
|
Kezar Stadium
San Francisco, CA |
1 CD-R |
|
|
FM > ??? > WAV > SHN |
Complete Show - First "Blues For Allah" - First "Stronger Than Dirt" - with Merl Saunders and Ned Lagin - without Donna - FM broadcast KIOI-San Francisco - Students Need Athletics Culture & Kicks (SNACK) benefit - also: Doobie Brothers; Graham Central Station; Mimi Farina; Jefferson Starship; Joan Baez; Santana; Tower Of Power; Bob Dylan with Neil Young |
|
|
03/??/75
|
Studio (Blues for Allah Outtakes)
Unknown, CA |
1 CD-R/.wav |
|
|
Liberated Bootleg: CD > EAC > .wav > .shn |
Liberated Bootleg |
|
|
09/28/75
|
Lindley Meadows, Golden Gate Park
San Francisco, CA |
2 CD-R |
|
|
SBD : MR > DAT > CDR (HHb850) > EAC > SHN DAT > CDR transfer by Dan Sisler |
Editing by Alan J. Fink
Both discs retracked
Overlap in Stronger Than Dirt (d2t04) from 5:50:468 thru 6:46:500
removed using Cool Edit
touch of fuzz in Roses at 4:00ish |
|
|
06/03/76
|
Paramount Theatre
Portland, OR |
3 CD-R |
|
|
MR > Reel > PCM > DAT > DAT Clone > .wav > .shn > CD-R |
Notes:
Missing Saturday Night and Wheel (Encore) after Franklin's Tower. |
|
|
06/11/76
|
Boston Music Hall
Boston, MA |
3 CD-R |
|
|
MR > DAT >DAT Clone @ 44.1 kHz (Tascam DA20) > SBLive Platinum SPDIF In > WAV Edit (Sound Forge) > SHN (mkw audio compression tool) > CD-R |
Hey, the notes for gd6-11-76(1) and gd6-11-76(2) in the shn archive are the same, but
the files are not. They still have the cuts and splices, most notably in
in Scarlet and Stella Blue, not to mention the first bit of Johnny b.
goode is cut off. Toss both of those and listen to this uninterrupted
recording....... |
|
|
06/21/76
|
The Tower Theatre
Upper Darby, PA |
3 CD-R/.wav |
|
|
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
Notes:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Some sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors
D1T1 - Fade-in during music
D1T1 1:10 thru ~3:00 amplitude of right channel was adjusted up to compensate for low and slowly varying volume level.
D1T1 had a repeating section of music ~ 6:21 that was removed
D1T2 4:22 brief skip or garbled section mostly fixed
D1T6 1:14 pop removed
D2T7 6:27 skip partially removed/lessened
D3T1 Roses was out of order on the seed disks. It was put into the Compendium song order as seamlessly as possible.
D3T3 start of Wharf Rat has a few notes missing |
|
|
06/22/76
|
The Tower Theatre
Upper Darby, PA |
3 CD-R/.wav |
|
|
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
Notes:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Some sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors
5. Normalized by sets to 98%
Flaws:
D1T1 Fade-in during music
D1T1 ~0:43 brief noise left channel fixed
D1T2 ~0:56 drop out fixed
D1T4 1:57 brief drop out fixed
D1T7 Last note(s) cut short
D3T1 8:50 skip/cut ~11:39 cut (tape flip?) |
|
|
06/23/76
|
The Tower Theatre
Upper Darby, PA |
3 CD-R/.wav |
|
|
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
Notes:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Some sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors
Flaws:
D1T3 ~ 0:07 skip/cut
D2T4 ~ 2:00 cut/flip
D3T2 - removed maybe one repeat of refrain to cover skip |
|
|
06/24/76
|
The Tower Theatre
Upper Darby, PA |
3 CD-R/.wav |
|
|
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
Notes:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors |
|
|
06/28/76
|
Auditorium Theatre
Chicago, IL |
2 CD-R |
|
|
Main Source: AUDMR > ? > DAT > SHN Patch Source: AUDMR > DAT > CD > EAC > SHN (Noah Weiner) |
DAT > SHN Conversion:
Dat > Sek'd Prodif+ Card (48>44.1) >
Sek'd Red Roaster (fades, edit*) > Cdwav (splits) > Mkw
Boundaries verified with Shntool
Source Dats, Cool Edit cleanup, source patches - Matt Vernon
Dat > Shn Transfer- Dale Shepherd |
|
|
06/29/76
|
Auditorium Theatre
Chicago, IL |
3 CD-R |
|
|
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN |
This is the complete Betty Board recording (interleaf reels spliced in & all)
Thank You David Hollister & Jeff Tiedrich for this seamless beauty!
Uploaded to cryptical.etree.org 10/24/00
by Mike Parrillo (dankstar@mediaone.net)
-Enjoy! |
|
|
06/29/76
|
Auditorium Theatre
Chicago, IL |
3 CD-R |
|
|
CD (Left In The Vaults Vol. 1) ->EAC->SHN |
Note:
All the files are labeled incorrectly...all files are listed as gd1977.10.29__.
|
|
|
07/12/76
|
Orpheum Theatre
San Francisco, CA |
1 cd-r/.wav |
|
|
SBD->Master VHS->DAT->CD |
***This is the soundcheck for this show***
01. Dancin' in the Streets
02. They Love Each Other
03. The Music Never Stopped #1, #2
04. Stella Blue #1, #2, #3, #4, #5, #6, #7
05. Let It Grow
06. Eyes of the World
|
|
|
12/31/76
|
Cow Palace
Daly City, CA |
3 CD-R |
|
|
FM-SB (KSAN-FM)>?>CDA |
Uploaded by darkstar13311@hotmail.com
any problems, let me know. |
|
|
02/26/77
|
Swing Auditorium
San Bernardino, CA |
3 CD-R |
|
|
|
|
|
|
02/26/77
|
Swing Auditorium
San Bernardino, CA |
3 CD / .wav |
|
|
|
|
|
|
03/18/77
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
SBDMR @ 7.5 ips>DAT>CD>EAC>SHN ///// (*) Audience info: Master (J. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN |
(*) Audience info: Master (J. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN
Disc 1:
Set I
1. Promised Land (*)
2. Mississippi Half-Step (*)
Disc 2:
Set 2
6. Ship of Fools (*)
|
|
|
03/19/77
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
SBD>MR>DAT>DAT>Sonic Solutions>CDRcd |
|
|
|
04/23/77
|
Springfield Civic Center
Springfield, MA |
3 CD-R |
|
|
Source: SBD->MR->DAT->CD |
d3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks)to cover missing SBD source due to reel flip.
No other known flaws.
Discs #1 and #2 have tuning tracks between songs.
Special thanks to Sam Esla for providing the seed.
Enjoy!
Aud patch & CD->EAC->SHN conversion & upload by AJ - a2k@pacbell.net - September 26th 2000. |
|
|
04/27/77
|
Capitol Theater
Passaic, NJ |
3 CD-R/.wav |
|
|
Unknown |
Unknown |
|
|
05/01/77
|
The Palladium
New York, NY |
1 CD-R/.wav |
|
|
|
Set 1 is Missing |
|
|
05/05/77
|
Veterans Memorial Coliseum
New Haven, CT |
3 CD-R |
|
|
BettyBoard / master reels > dat / tascam dap1 > zefiro za2 > soundforge >cdwave > shn |
master reels > dat
tascam dap1 > zefiro za2 > soundforge >cdwave > shn
*other transfers of this show do exist, and are tracked differently.
*known errors:
drops gd1977-05-05d1t05 1:02 -> 1:08 and 6:00->6:10
*please email wallwork@uab.edu with other errors.
-Troy Wallwork
etree shnid = 7725 |
|
|
05/07/77
|
Boston Garden
Boston, MA |
3 CD-R |
|
|
SBD -> Betty Reels ->PCM -> DAT -> |
Encore (US Blues) is missing |
|
|
05/08/77
|
Barton Hall, Cornell University
Ithaca, NY |
3 CD-R |
|
|
Betty Board Soundboard sections (all but 47 seconds of the show): |
|
|
|
05/08/77
|
Barton Hall, Cornell University
Ithaca, NY |
3 CD / .wav |
|
|
Betty Board Soundboard sections (all but 47 seconds of the show): |
Betty Board Soundboard sections (all but 47 seconds of the show): |
|
|
05/09/77
|
Buffalo Memorial Auditorium
Buffalo, NY |
3 CD-R |
|
|
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Soundforge>Shn |
|
|
|
05/11/77
|
St. Paul Civic Center
St. Paul, MN |
3 CD-R |
|
|
SBD>Rm>Dat>Sonic Solutions>CD |
*Patched w/SBD>Rm>Dat>Cass>Dat>CD
All patching and editing was done with Cool Edit Pro by Charlie Miller.
charliemiller87@earthlink.net
CD 1
Promised Land*
TLEO*
Big River
Loser
Look Like Rain
Ramble On Rose*
Jack Straw
Peggy-O
CD 2
El Paso*
Deal
Lazy Lightning>
Supplication
//Sugaree*
Samson and Delilah
Brown Eyed Women
Estimated Prophet
CD 3
Scarlet Begonias>
Fire On The Mountain>
Good Lovin'
Uncle John's Band>
Jam>
Wharf // Rat>*
Around and Around
Brokedown Palace |
|
|
05/13/77
|
Auditorium Theatre
Chicago, IL |
3 CD-R |
|
|
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD................(Post Drums - Fp -> Dat -> CD) |
The Post Drums Pre-FM recording is degraded and flawed. I doubt that it is a Pre-FM Master Reel recording, but then again, stranger things have happened. The ONLY reason I included it was to circulate the complete show. As for the SBD, David Gans said that the Post-Drums segment was unusable. |
|
|
05/17/77
|
Memorial Coliseum, University Of Alabama
Tuscaloosa, AL |
3 CD-R |
|
|
SBD > MR 7" (Baked) > DAT > Cass > DAT > CD |
Tuning pauses have been shortened in some cases.
Very, very slight hiss
Encore (Sugar Mags) is missing
|
|
|
05/18/77
|
Fox Theatre
Atlanta, GA |
3 CD-R |
|
|
source: SBD > MR > DAT > CDR > WAV > SHNv3 |
thanks to bear g. for the seed. DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo. |
|
|
05/26/77
|
Baltimore Civic Center
Baltimore, MD |
3 CD-R |
|
|
SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB |
All editing & processing performed at 24-bit/96 kHz (100% digital realm) by:
Jay Serafin, chief audio/video engineer at Serafin Station Studio B, using
the (code name) "Harpoon" editing software (beta Ver. 0.948.7 Build 103) |
|
|
05/28/77
|
Hartford Civic Center
Hartford, CT |
3 CD-R |
|
|
SBD : MR > DAT > CD > SHN > DAW (Bertha) > CD |
|
|
|
06/07/77
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
Soundboard -> Vault Reels ->DAT ->David Gans' Sonic Solutions Digital Editing ->CDR -> EAC -> CDR -> EAC -> SHN |
|
|
|
06/08/77
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
|
|
|
|
06/09/77
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
|
|
|
|
10/02/77
|
Paramount Theatre
Portland, OR |
3 CD-R |
|
|
|
|
|
|
10/02/77
|
Paramount Theatre
Portland, OR |
3 CD-R |
|
|
Source: SBD source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; |
SHN Info: WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set |
|
|
10/07/77
|
University Arena, University Of New Mexico
Albuquerque, NM |
1 CD-R |
|
|
Master Reels-> DAT-> DAT-> Sonic-> CD-> CD-> SHN |
Incomplete show:
SET 2
Disk 1
The Wheel -> [5:26]
Wharf Rat -> [13:31]
Sugar Magnolia [9:43]
Encore:
One More Saturdy Night [4:56]
SHN extracted from Grateful Dead Hour 490
From a David Gans CD |
|
|
10/29/77
|
Evans Field House, Northern Illinois University
DeKalb, IL |
2 CDR/.wav |
|
A |
|
|
|
|
11/01/77
|
Cobo Arena
Detroit, MI |
2 |
|
|
Source: SBD>Master(Betty Board)Reels>PCM>DAT>CDR>EAC>SHN |
Known Flaws: d1t05 cuts into friend of the devil(about 1st 20 seconds
missing)
Note: I notice that a lot of peoples copies of this show are missing the
U.S. Blues encore.
It is present on my copy and included here in all its glory;-)
|
|
|
11/02/77
|
Field House, Seneca College
Toronto, ON |
3 |
|
|
Source:SBD>Master Cass>Reels 1x>DAT>CDR>EAC>SHN |
|
|
|
11/04/77
|
Cotterell Gym, Colgate University
Hamilton, NY |
3 |
|
|
|
*The NEW track (d2T01) contains a patch for the complete famous "Jones Gang" introduction to 11/4/77. This has been patched to contain the complete intro from a quite good audience tape (AUD: MR> R> C> C). The crowd is prominent, but the AUD is fun because they're absolutely nuts. In fact, the whole show circulates in AUD and it's fantastic.
|
|
|
11/05/77
|
Community War Memorial Auditorium
Rochester, NY |
3 |
|
|
Master Soundboard Cassette > 1 Reel to Reel gen > DAT |
Sources:
Master Soundboard Cassette > 1 Reel to Reel gen > DAT
Master Audience Cassette> unknown mics/deck > possible analog gen> DAT source supplies from 0:00 thru 2:35 of "Take A Step Back" (d1t01), as well as patches in "Big River" (d1t08) from 5:49 thru 6:10, "Samson & Delilah" (d2t04) from 0:39 thru 1:07 and in the "Billy, Mickey & Phil jam" (d3t03) from 1:54 thru 2:14.
there is some minor "crackling" present, most noticeable during the 1st set. This "crackle" is present on both copies I've heard of this show.
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
|
|
|
11/06/77
|
Broome County Arena
Binghamton, NY |
3 |
|
|
Source:Reel -> DAT -> CDR Transfer:EAC -> Shorten 32 (By Doug Nawrocki) |
|
|
|
12/27/77
|
Winterland Arena
San Francisco, CA |
3 CD-R |
|
|
|
|
|
|
01/31/78
|
Uptown Theater
Chicago, IL |
2 CD-R |
|
|
SBDMR>Cass>DAT>CDR>EAC>SHN |
Incomplete 1st Set.
|
|
|
02/03/78
|
Dane County Coliseum
Madison, WI |
2 CDR /.wav |
|
|
Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01)> .shn encoding (mkwACT v0.97 beta 1) |
DAT > CD by David Minches
EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)
missing: (encore) Johnny B. Goode> ]
*D1T3 opening notes cut
*D1T5 opening notes cut
*D1T8 beginning cut
*D1T11 opening notes cut
*D2T3 cuts at 3:38
*D2T6 short tape flip at 0:20
*D2T6 2 seconds of bad tape drag excised at 0:22
*D2T7 tape flip at 18:49
*Missing encore
Uploaded to tol.etree.org 9/16/03 |
|
|
04/10/78
|
Fox Theater
Atlanta, GA |
1 cd-r/.wav |
|
|
SBD -> Rm -> PCM -> Dat |
***This is the soundcheck for this show***
01. Salt Lake City |
|
|
04/12/78
|
Cameron Indoor Stadium, Duke University
Durham, NC |
3 CD-R |
|
|
LINEAGE: SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. >MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) |
OFFICIAL SHOW NOTES: LINEAGE: SBD > GD Master 2" 8 Track RTR @ 15 i.p.s. (two decks) > GD Vault 1" Mixdown
Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified); this show was "simulcast"
on Duke University's FM campus radio station; any/all necessary editing, fades, noise reduction, hiss
elimination, phase shifting, time smear correction, digital jitter elimination, equalization, quantization
noise elimination (when converting audio sampling rates for CD-R or DVD mastering), and/or any other
processes, were all digitally performed at 24-bit/96 kHz sampling rate at Serafin Station Studio B using the
"Harpoon" editing software V1.084.782 |
|
|
04/12/78
|
Cameron Indoor Stadium, Duke University
Durham, NC |
2 VHS |
|
|
VHS - Pro Tape B/W |
VHS - Pro Tape B/W |
|
|
04/16/78
|
Huntington Civic Center
Huntington, WV |
2 CD-R |
|
|
|
|
|
|
05/11/78
|
Springfield Civic Center
Springfield, MA |
3 CD-R |
|
|
sdb>>reel master>>cassette>>dat>>cdr |
|
|
|
07/07/78
|
Red Rocks Amphitheatre
Morrison, CO |
3 CD-R |
|
|
SBD> MR> ?> DAT; DAT> CD> EAC> SHN conversion & upload by A. Jerugim; |
known flaw: d3t02 d/o @ 10:14;
note summary of J. Palmer's and AJ's reports:
This is not in stereo: the same channel is spread over both using a splitter technique.
The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil,
is missing; Keith is minimally audible. This the only SBD source available.
If you have a superior source, please contact AJ. |
|
|
07/08/78
|
Red Rocks Amphitheatre
Morrison, CO |
3 CD-R |
|
|
SBD>DAT>CDR |
|
|
|
09/16/78
|
Gizah Sound and Light Theater
Cairo, Egypt |
3 CD-R |
|
|
SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN |
Missing from my source is Set 2 Sunrise |
|
|
10/17/78
|
Winterland Arena
San Francisco, CA |
3 CD-R/.wav |
|
|
SBD:Master Reel>PCM>DAT>CD>(EAC)WAV>SHN |
NOTES:
One splice in Eyes
U.S. Blues cuts off missing approximately 45 seconds |
|
|
12/31/78
|
Winterland Arena
San Francisco, CA |
4 CD |
|
|
Official Release: Closing of Winterland |
Official Release |
|
|
12/31/78
|
Winterland Arena
San Francisco, CA |
2 VHS |
A+ |
|
Pro Tapes: Channel 9 - San Francisco, CA |
Pro Tapes: Channel 9 TV - San Francisco, CA |
|
|
05/11/79
|
Billerica Forum
Billerica, MA |
3 CD-R |
|
|
Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling) |
*Brent stays on and jams with the drummers for a while |
|
|
12/27/79
|
Oakland Auditorium Arena
Oakland, CA |
2 CD-R |
|
|
nak 700's > d5 > DAT > CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable) |
|
|
|
06/20/80
|
West High Auditorium
Anchorage, AK |
3 CD-R |
|
|
Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN |
All discs will fit onto 74 min.
|
|
|
08/26/80
|
Cleveland Public Hall
Cleveland, OH |
2 CD-R |
|
|
|
|
|
|
09/02/80
|
Community War Memorial Auditorium
Rochester, NY |
3 cdr / .wav |
|
|
AUD (FOB)>MC>DAT>CDR>EAC>SHN |
This is essentially a complete reseed of http://db.etree.org/shninfo_detail.php?shnid=4954 except it is the complete audience. I did not have the SHNs archived, so i extracted with EAC from the original source audio CDs. This was presented by popular demand. |
|
|
09/02/80
|
Community War Memorial Auditorium
Rochester, NY |
3 cdr / .wav |
|
|
|
Recording Info:
Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC
Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD
Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD
Transfer Info:
WAV -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
2/20/05 |
|
|
09/03/80
|
Springfield Civic Center
Springfield, MA |
3 cdr / .wav |
|
|
MAC > ? > CD > EAC > SHNv3 |
Comments:
d1t02 - small dropout ("cried" is missing from the 2nd line of the song)
d2t07 - Brent and Drummers only
EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass (cbass@usa.net) |
|
|
09/03/80
|
Springfield Civic Center
Springfield, MA |
3 cdr / .wav |
|
|
Master Audience Cassette > CD-R > EAC > SHN |
Genealogy: Master Audience Cassette > CD-R > EAC > SHN
Recorded FOB by Jim Wise and Eddie Claridge (Sony ECM-280 mics > Sony TC-D5)
A>D Transfer by Jim Wise
Thanks for the discs Jim!
EACed, SHNed, and re-tracked by Sean Cribbs using CD wave
|
|
|
09/04/80
|
Providence Civic Center
Providence, RI |
2 cdr / .wav |
|
|
AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700 |
Notes-
-First few notes of ROR missing
-First Supp Jam according to DBXI
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 09/30/02
Audio discs provided by Paul B |
|
|
09/04/80
|
Providence Civic Center
Providence, RI |
2 cdr / .wav |
|
|
Source: SBD>?>DAT>CDR // Conversion: EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable) |
Comments:
Removed small dropouts in between almost all of the tracks.
d1t01 - First 17 seconds the levels are way lower than the rest of the show.
d1t07 - cuts in at second line.
Thanks to Joey Browning for the source disc.
Another Installment Of The Music Never Stopped Project!!
|
|
|
09/06/80
|
State Fairgrounds
Lewiston, ME |
3 cdr / .wav |
|
|
MAC > ? > CD > EAC > .SHNv3 |
|
|
|
09/06/80
|
State Fairgrounds
Lewiston, ME |
3 cdr / .wav |
|
|
Nak Dragon > Sony PCM r-500 DAT > CDR |
|
|
|
09/06/80
|
State Fairgrounds
Lewiston, ME |
3 cdr / .eav |
|
|
|
|
|
|
10/11/80
|
Warfield Theater
San Francisco, CA |
1 CD-R |
|
|
Soundboard->Reel->PCM->DAT->CDR->Plexwriter CD-R(EAC)->HP 8200i CDRW Drive(EAC) |
|
|
|
11/29/80
|
Alligator Alley Gymnasium, University Of Florida
Gainesville, FL |
3 CD-R |
|
|
FOB - Beyer M-160's>Sony TC-D5>CDR via Alesis Masterlink |
|
|
|
11/30/80
|
Fox Theater
Atlanta, GA |
3 CD-R |
|
|
MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II) /// Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show) |
Notes: 1) Digital Static removed from first several seconds of Stranger (thanks Mike Parillo) & level fluxuations in Stranger smoothed (thanks Scott Clugston); 2) First 10 seconds of Lost Sailor>St. patched from unknown audience master>1 cassette gen>cdr source (thanks Scott Clugston); 3) 10 seconds of missing music at the St.->Deal transition spliced in from same audience Source (thanks Scott Clugston); 4) First 0:07 of Scarlet patched from Barry Glassberg's Nak CM700 aud source (thanks Scott Clugston).
Seeded to Etree 12.31.00 by Darrin -- dnsacks@usa.net -- Enjoy! |
|
|
12/06/80
|
Mill Valley Recreation Center
Mill Valley, CA |
1 CD-R |
|
|
Source: Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR |
Acoustic Set Only. |
|
|
12/30/80
|
Oakland Auditorium Arena
Oakland, CA |
1 cd-r/.wav |
|
|
Sennheiser 421 -> Cassette Master -> Cassette Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 |
***This is the soundcheck for this show***
**ACOUSTIC SOUNDCHECK**
Setlist:
snchk1 - It's All Over Now, Baby Blue
snchk2 - To Lay Me Down
snchk3 - Youngblood
snchk4 - Searchin'
From Paul Scotton:
Set up was done on the fly with the soundcheck already underway.
There is lots of boom because the hall is empty but it still is a fun listen.
|
|
|
02/26/81
|
Uptown Theater
Chicago, IL |
3 CD-R |
|
|
SBD>Cassette Master>DAT(0)(Cassette>DAT transfer by Dick)>>DAT(1)>ZA2>Soundforge (15db sampled tape hiss noise reduction filter)>CD Architect>Master CD-R>>CD-R Master>EAC>Soudforge (minor editing and crossfading)> |
|
|
|
02/27/81
|
Uptown Theater
Chicago, IL |
3 CD-R |
|
|
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) |
|
|
|
03/21/81
|
Rainbow Theatre
London, England |
3 CD-R |
|
|
AUD>MC>DAT>CDR>EAC>CDWAV(retrack)>SHN(W/seek tables appended) A>D by Rich Gastwirt D>CD Sony R-700>HHB CDR 800 by Jim Wise |
|
|
|
04/25/81
|
Berkeley Community Theater
Berkeley, CA |
1 cd-r/.wav |
|
|
AUD>MC>??>DAT>CDR |
***This is the soundcheck for this show***
Notes-
-Sing Out For Sight Benefit; Garcia, Weir, Kruetzman, Hart, JKahn
-This show is a good candidate for an upgrade, but it does have rare 80's acoustic versions of Friend of the Devil and Oh Boy
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
Acoustic Set
Deep Elem Blues
Dark Hollow
Jack-A-Roe
Monkey & The Engineer
Friend Of The Devil
El Paso
Babe It Ain't No Lie
On The Road Again
Encore
Oh Boy |
|
|
05/12/81
|
Veterans Memorial Coliseum
New Haven, CT |
3 CD-R |
|
|
Source: SBD>Master Cassette>Cassette>DAT>CDR |
**Dedicated to Bob Marley |
|
|
05/16/81
|
Barton Hall, Cornell University
Ithaca, NY |
2 CDR/.wav |
|
|
FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release) |
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
|
|
09/25/81
|
Stabler Arena, Lehigh University
Bethlehem, PA |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
12/03/81
|
Dane County Coliseum
Madison, WI |
3 CD-R |
|
|
|
|
|
|
12/31/81
|
Oakland Auditorium Arena
Oakland, CA |
3 CD-R |
|
|
Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded) |
LINEAGE: Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded); NRPS opened; *=w/Joan Baez; **=w/Matt Kelly; ***=w/John Cippolina; Bill Graham flies in on a giant joint; LAST "Dark Star": 01-20-79 [232]; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01] |
|
|
04/02/82
|
Cameron Indoor Stadium, Duke University
Durham, NC |
3 cd-r/.wav |
|
|
Master Soundboard Cassette > Cassette > DAT> CDR |
|
|
|
05/21/82
|
Greek Theatre, University Of California
Berkeley, CA |
2 CD-R |
|
|
Sbd Mcassette > DAT > CDR CDR > EAC (secure mode, test and copy) > SHN |
|
|
|
04/13/83
|
Patrick Gymnasium, U of Vermont
Burlington, VT |
3 CD-R |
|
|
Source: MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink / ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN |
NOTE: Disk 3 is 78:05 and as such will need an 80 disk
Source: MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
|
|
|
04/20/83
|
Providence Civic Center
Providence, RI |
3 cd-r/.wav |
|
|
SBD -> Master Cassette -> Reel -> Dat (SV3800/48k) / Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
Patch Info:
(FOB) Sennheiser 421 -> Master Cassette (Sony D5) -> Dat -> CD
Recorded By Charlie Miller
d2t04 Estimated Prophet Patched from 8:11-10:38
Notes:
There were PA problems during Touch Of Grey (I was there and can confirm this). There are numerous split second zaps of diginoise throughout the first set. I wasn't going to circulate it because of the amount of time it will take to fix them. I have decided to let the show out as is. The patching is hard to do since the flaws are very short. The 2nd set does NOT have this problem.
|
|
|
09/07/83
|
Red Rocks Amphitheatre
Morrison, CO |
3 CD-R |
|
|
3 Beyer Dynamics M160> Sony TCD5m // Sound Forge 5> Power Post 2K |
|
|
|
10/11/83
|
Madison Square Garden
New York, NY |
3 CD-R |
|
|
Lineage: SBD > Cassette Master > Dat x 2 > CDR > SHN |
|
|
|
10/15/83
|
Hartford Civic Center
Hartford, CT |
2 CD-R |
|
|
Unknown |
|
|
|
10/17/83
|
Olympic Center
Lake Placid, NY |
3 CD-R |
|
|
FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD > (EAC/WAV) SHN |
Filler: 4/17/84 Convention Center, Niagra Falls NY
05 Space >
06 Black Peter >
07 Throwing Stones >
08 Not Fade Away
09 E: Touch Of Grey |
|
|
10/21/83
|
The Centrum
Worcester, MA |
3 CD-R |
|
|
Lineage: SBD > PCM > Dat X 3 > CDR > SHN |
|
|
|
10/05/84
|
Charlotte Coliseum
Charlotte, NC |
3 CD-R |
|
|
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT |
Disks from Alan Matta
Editing and Seeding by MattMan (mcole@sun.science.wayne.edu)
Very nice audience recording.
The only edting I did was retracking, fixing loud burst at 0:01 of Promised Land, fades, and cleaning up the dropouts. Although there was a nice piece of cassette his at the end of Might as Well that I could have used for NR, I opted not to as the overall signal-to-noise ratio is high, precluding any need for NR.
A few words from the recordists, in their own words:
-Mike Grace "I recorded both those shows on a Sony TcD5-M recorder and Nakamichi 300 super-cardiod mics. We were set up about 30 feet in front of the sound board. This was one of the last tours before the official 'Tapers Section' was established. We had to sneak the equipment into the show although security was not too tight. The tapes were transferred from the same Sony deck to a highly modified Sony 75ES DAT recorder." |
|
|
04/03/85
|
Providence Civic Center
Providence, RI |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
04/04/85
|
Providence Civic Center
Providence, RI |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
04/06/85
|
The Spectrum
Philadelphia, PA |
2 CD-R |
|
|
|
|
|
|
04/06/85
|
The Spectrum
Philadelphia, PA |
2 CD-R |
|
|
SBD>Cm>Cass>Dat>CD>EAC>SHN |
|
|
|
04/07/85
|
The Spectrum
Philadelphia, PA |
2 CD-R |
|
|
Source: Csbd>DAT>CDR>EAC>SHN |
|
|
|
06/15/85
|
Greek Theatre, U. Of California
Berkeley, CA |
3 CD-R |
|
|
SBD> ?> CD-R |
Known errors:
Minor dropout before d2t05.
Dropout between d3t04 & d3t05.
Extraction and Shortening on 10/07/2001 by Randy Griesman(randyg@ameritech.net) via EAC and MKW.
Correct sector boundaries verified using shntool.
Retracked using CDwave. |
|
|
06/16/85
|
Greek Theater, U. of California
Berkeley, CA |
2 CD-R |
|
|
SBD>MVHS>DAT>CD-R |
|
|
|
06/24/85
|
River Bend Music Center
Cincinnati, OH |
3 CD-R |
|
|
Source: SBD -> CM -> PCM -> DAT // Transfer: D8 -> Montego II -> Cool Edit 2k |
*Alabama fades in
**From Patrick Murphy (patrick_e_murphy@yahoo.com):
I got these shn disks directly from Doug Nawrocki the seeder. I found that from about 2:55 in Samoson until about 3:35 in He's Gone the right channel drops way down. I used Goldwave just to boost the right channel during this section. It's not perfect, but it's as good as it gets. This show is definitely worth keeping. |
|
|
06/25/85
|
Blossom Music Center
Cuyahoga Falls, OH |
2 CD-R/.wav |
|
|
SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN |
|
|
|
06/27/85
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
3 CD-R |
|
|
Source: Amy's Soundboard VHS > Cassette > DAT> CDR |
|
|
|
06/28/85
|
Hershey Park Stadium
Hershey, PA |
2 CD-R/.wav |
|
|
Liberated Bootleg: Probably DSBD |
|
|
|
06/30/85
|
Merriweather Post Pavilion
Columbia, MD |
3 CD-R |
|
|
SBDmc>DAT>CD |
|
|
|
07/02/85
|
Civic Arena
Pittsburgh, PA |
2 CD-R/.wav |
|
|
SBD>MC>D> |
|
|
|
09/06/85
|
Red Rocks Amphitheatre
Morrison, CO |
2 CDR/.wav |
|
|
SBD > ? > CDR > EAC > .shn |
Notes:
-d2t04 suffered from a serious bout of diginoise on the original source. I patched in about
2 min 10 seconds from an audience source of unknown lineage(0:08 - 2:18)
-retracked disc 2 of the original SBD source
-original SBD courtesy of Howard Weiner
-audience used for splice courtesy of Chad Magdanz
|
|
|
09/07/85
|
Red Rocks Amphitheatre
Morrison, CO |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
11/17/85
|
Long Beach Arena
Long Beach, CA |
2 CD-R |
|
|
Schoeps MK41’s > PCM > DAT > CDR |
|
|
|
11/17/85
|
Long Beach Arena
Long Beach, CA |
2 CD-R |
|
|
Master Soundboard Cassette > DAT > CDR |
|
|
|
04/21/86
|
Berkeley Community Theater
Berkeley, CA |
2 CD-R |
|
|
Source:SBD>Master Cassette>DAT>CDR>EAC>SHN |
** Brent and the Drummers only-no space this night
DAE(EAC)+SHN Encoding by Jeff M. email: fy1220@aol.com or lost_sailor1620@hotmail.com |
|
|
12/31/86
|
Henry J. Kaiser Convention Center
Oakland, CA |
3 CD-R |
|
|
Source: Pre-FM SBD > DAT > CDR > WAV > SHNv3 |
|
|
|
12/31/86
|
Henry J. Kaiser Convention Center
Oakland, CA |
1 VHS |
|
|
VHS |
VHS Video |
|
|
03/01/87
|
Henry J. Kaiser Convention Center
Oakland, CA |
3 CD-R |
|
|
SBD>MC>DAT>SF>CDR |
The 'SF' in the lineage was from the seed discs. No edits were done.
|
|
|
03/02/87
|
Henry J Kaiser Convention Center
Oakland, CA |
2 CD-R |
|
|
sdb |
|
|
|
03/03/87
|
Henry J Kaiser Convention Center
Oakland, CA |
2 CD-R |
|
|
SBD > MC > DAT > CDR > WAV > SHN DAE(EAC) > tracking (cdwav) > SHN (mkwact) via neo_levo/candyman FTP. |
|
|
|
03/24/87
|
Hampton Coliseum
Hampton, VA |
3 CD-R |
|
|
Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 >DIO 2448 > CDWAV > SHN |
This version has the corrected Loser.
|
|
|
03/27/87
|
Hartford Civic Center
Hartford, CT |
2 CD-R |
|
|
Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN |
|
|
|
04/11/87
|
UIC Pavilion
Chicago, IL |
2 CD-R |
|
|
|
|
|
|
05/03/87
|
Frost Amphitheatre
Palo Alto, CA |
3 CD-R |
|
|
DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR // 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR |
|
|
|
06/12/87
|
Ventura County Fairgrounds
Ventura, CA |
2 CD-R |
|
|
Master Soundboard Cassette > PCM > DAT> CDR |
|
|
|
06/13/87
|
Ventura County Fairgrounds
Ventura, CA |
3 CD-R |
|
|
Master Soundboard Cassette > PCM > DAT> CDR |
|
|
|
06/14/87
|
Ventura County Fairgrounds
Ventura, CA |
3 CD-R |
|
|
Master Soundboard Cassette > PCM > DAT> CDR |
|
|
|
07/06/87
|
Civic Arena
Pittsburgh, PA |
2 CD-R |
|
|
AUD > ??? CDR>EAC>cdwav>shn |
Comment: * with the Neville Bros.
|
|
|
07/07/87
|
Roanoke Civic Center
Roanoke, VA |
3 CD-R |
|
|
Aud > Schoeps > PCM > DAT > CD > EAC > SHN |
|
|
|
08/22/87
|
Calaveras County Fairgrounds
Angels Camp, CA |
2 CD-R |
|
|
SBD>Master PCM>DAT>CDR |
*With Carlos Santana |
|
|
08/23/87
|
Calaveras County Fairgrounds
Angels Camp, CA |
3 CD-R |
|
|
SBD>MC>DAT>CDR>EAC>shn |
*With Carlos Santana
|
|
|
09/09/87
|
Providence Civic Center
Providence, RI |
2 CD-R |
|
|
Nak 300's >> Sony D5 Cassette Master >> Sound Forge (wav) >> SHN |
|
|
|
09/18/87
|
Madison Square Garden
New York, NY |
2 CD-R |
|
|
|
|
|
|
10/03/87
|
Shoreline Amphitheatre
Mountain View, CA |
2 CD-R |
|
A+ |
Bertha Remaster of Master Cassette source. SBD>>MC>>DAT>>WAV>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN |
|
|
|
03/26/88
|
Hampton Coliseum
Hampton, VA |
3 CD-R |
|
|
SBD Analog Cass Master-> DAT-> CDR |
|
|
|
03/27/88
|
Hampton Coliseum
Hampton, VA |
3 CD-R |
|
|
DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN |
DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN conversion by AJ - a2k@pacbell.net - 1/23/00
Known Flaws - last minute of Let it Grow is cut
If you have an uncut, digital source of this track please contact me - thanks & Enjoy! |
|
|
04/03/88
|
Hartford Civic Center
Hartford, CT |
2 CD-R |
|
|
SBD>?>CD (Possible Matrix) |
Tools:
CD audio extraction done in Secure Mode with EAC 0.93b3
WAV splitting done with CDWave 1.7
Sector boundaries verified with SHNTOOL 1.01
Seeking SHN encoding done with MKWact 0.97b1
|
|
|
04/04/88
|
Hartford Civic Center
Hartford, CT |
2 CD-R |
|
|
Main - SBD>DAT>CD (Possible Matrix) Alternate - SBD>MC>DAT>CD |
Notes:
D1T04 - Level fluctiations at ~2:50 repaired with alternate SBD source patch.
D1T09 - Dropout at ~3:49 repaired with alternate SBD source patch.
D2T02 - Dropouts at ~0:44 and ~7:38 repaired with alternate SBD source patch.
The Second Set is seemless across discs for future use.
Disc Two requires an 80 minute disc as tracked above.
Tools:
CD audio extracted with EAC 0.93b3 in Secure Mode
Pitch and EQ adjustments applied to Alternate SBD source with Multiquence 2.50
Main SBD source patched with Alternate SBD with Multiquence 2.50
WAV files split with with CDWave 1.7
Sector boundaries verified with SHNTOOL 1.01
Seeking SHN encoded with MKWact 0.97b1
------------
Major domo arigato to Ankh-af-na-khonsu for the source discs!
Another installment of The Music Never Stopped Project!
PainoMan - June 2002 |
|
|
04/05/88
|
Hartford Civic Center
Hartford, CT |
2 CD-R |
|
|
AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!) |
Disc One requires an 80 minute disc as tracked above.
Tools:
CD audio extracted with EAC 0.93b3 in Secure Mode
WAV files split with with CDWave 1.7 |
|
|
07/02/88
|
Oxford Plains Speedway
Oxford, ME |
3 CD-R |
|
|
Source: SBD>Master Cassette>DAT>CDR>EAC>SHN |
This is a new sbd. seed of this fine show meant to compliment the various aud. sources of previous circulation.
|
|
|
07/15/88
|
Greek Theatre, U. Of California
Berkeley, CA |
3 CD-R |
|
|
PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR |
Rex Benefit, FM Broadcast KPFA Berkeley. |
|
|
09/03/88
|
Capital Centre
Landover, MD |
2 CD-R |
|
|
|
|
|
|
09/11/88
|
The Spectrum
Philadelphia, PA |
3 CD-R |
|
|
Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- |
|
|
|
09/20/88
|
Madison Square Garden
New York, NY |
2 CD-R |
|
|
|
|
|
|
09/23/88
|
Madison Square Garden
New York, NY |
1 cd-r/.wav |
|
|
SBD -> Cassette Master (Sony D6/Maxell MX90) / Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
***This is the soundcheck for this show***
Setlist:
d1t01 - Tuning
d1t02 - Every time You Go
d1t03 - Every Time You Go
d1t04 - Tuning
d1t05 - What's Goin' On
d1t06 - What's Goin' On
d1t07 - What's Goin' On |
|
|
10/15/88
|
Bayfront Center Arena
St. Petersburg, FL |
3 CD-R |
|
|
|
|
|
|
12/28/88
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN >>>>>Healy Mix = SBD+AKG C 424b mic. |
Disc One - Set One -62:23
Disc Two - Set Two - 34:00
Disc Three - Set Two -59:18 |
|
|
12/29/88
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
sbd>dats>wave>shn |
|
|
|
02/07/89
|
Henry J Kaiser Convention Center
Oakland, CA |
3 CD-R |
|
|
Source: SBD>MC>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
|
|
|
02/11/89
|
Great Western LA Forum
Inglewood, CA |
3 CD-R |
|
|
Source: SBD>MC>DAT>CDR Conversion: EAC(secure)>CD WAV>SHN(seekable) |
* with Airto and Diana Moreira, Flora Purim
** with Airto Moreira
Comments: D1t08 cuts off. |
|
|
05/06/89
|
Frost Amphitheatre
Palo Alto, CA |
3 CD-R |
|
|
Source: DSBD |
|
|
|
05/07/89
|
Frost Amphitheatre
Palo Alto, CA |
3 CD-R |
|
|
SBD >> DAT >> DAL CardDeluxe >> Wav >> CD >> SHN |
|
|
|
05/07/89
|
Frost Amphitheatre
Palo Alto, CA |
3 CD-R |
|
|
SBD>DAT>DALCardDeluxe>WAV>CD>SHN |
Billy K's 43 birthday!
THE OWEN BROTHERS VAULT |
|
|
06/21/89
|
Shoreline Amphitheatre
Mountain View, CA |
2 VHS |
|
|
VHS - Pro Tape |
VHS - Pro Tape |
|
|
07/15/89
|
Deer Creek Music Center
Noblesville, IN |
3 CD-R |
|
|
SBD > MR > DAT > C > DAT > CDR - TRANSFER: EAC > Wave Trim > Add-A-Wave > CDWave > mkwACT |
*Close Encounters Of The Third Kind theme during Space
|
|
|
07/18/89
|
Alpine Valley Music Theatre
East Troy, WI |
3 CD-R |
|
|
DSBD>DAT>CD |
|
|
|
08/18/89
|
The Greek Theatre - University of California
Berkeley, CA |
3 CD-R |
|
|
Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3 source: DAT > CDR transfer via D-10 > HHb800 via fishman. |
And We Bid You Good Night was a second encore |
|
|
10/09/89
|
Hampton Coliseum
Hampton, VA |
3 CD-R |
|
|
SBD>CASS(x)>DAT>CDR>EAC>SHN |
|
|
|
10/16/89
|
Meadowlands Arena
East Rutherford, NJ |
2 CD-R |
|
|
|
*Bob Weir's 42nd Birthday
SHNcoded by Dave Barrick
Hurtsme2@etree.org |
|
|
10/23/89
|
Charlotte Coliseum
Charlotte, NC |
3 CD-R |
|
|
SBD>DAT>Sonic Solutions>CD>FM>DAT>CDR>EAC>SHN |
|
|
|
10/23/89
|
Charlotte Coliseum
Charlotte, NC |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
12/06/89
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN(2 Discs SHN / 3 Discs Audio) |
* With Clarence Clemons |
|
|
03/22/90
|
Copps Coliseum
Hamilton, ON |
2 CD-R |
|
|
Original Source Unknown>CD>EAC>WAV>SHN |
|
|
|
03/25/90
|
Knickerbocker Arena
Albany, NY |
0 |
|
|
(FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) / Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN |
|
|
|
03/26/90
|
Knickerbocker Arena
Albany, NY |
2 cd-r/.wav |
|
|
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN |
|
|
|
03/28/90
|
Nassau Coliseum
Uniondale, NY |
3 cd-r/.wav |
|
|
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN |
Known Flaws
d1t06 (Loose Lucy) - dropout @ 05:56 during tuning.
d2t01 (Foolish Heart) - cut in opening notes.
d2t01 (Foolish Heart) - rise in level @ 03:06.
d2t06 (Drums) - splice @ 09:27.
|
|
|
03/29/90
|
Nassau Coliseum
Uniondale, NY |
3 CD-R |
|
|
|
Comment * with Branford Marsalis on saxophones! Marsalis played throughout the second set and encore.
seeded to Etree by: System
Show Added By: Jingo 10-24-01
Last Update 1996-01-07 00:00:00
|
|
|
03/29/90
|
Nassau Coliseum
Uniondale, NY |
3 cd-r/.wav |
|
|
SBD > DAT > CDR |
Birdsong and Set2 w/ Branford Marsalis |
|
|
03/30/90
|
Nassau Coliseum
Uniondale, NY |
3 cd-r/.wav |
|
|
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN |
Known Flaws:
d1t05 (Dire Wolf) - silence during crowd noise at end of track.
d1t08 (Picasso Moon) - momentary drop off in left channel sound level @ 00:07.
d2t06 (Drums) - some diginoise at beginning.
d2t06 (Drums) - dropout/splice @ 02:35.
d2t06 (Drums) - possible diginoise @ approx. 07:20 to end. Sounds like it
might be from the equipment. |
|
|
04/01/90
|
The Omni
Atlanta, GA |
3 cd-r/.wav |
|
|
aud MC>DAT>CD-R |
|
|
|
04/02/90
|
The Omni
Atlanta, GA |
3 cd-r/.wav |
|
|
Nak 300's/cp 4's > *Marantz PMD420 > dat > cdr / Transfer: **eac > cdwave > mkwac |
|
|
|
04/03/90
|
The Omni
Atlanta, GA |
3 cd-r/.wav |
|
|
aud MC>DAT>CD-R / Nak 300/CP4's > PMD 420 |
First few seconds of Promised Land were missing on the source discs. |
|
|
05/05/90
|
Cal State Dominguez Hills
Carson, CA |
2 CD-R |
|
|
Source: DSBD>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
* ENCORE is at the end of disk # 1 and is from the FM source.
COMMENTS: D1t05 (Franklin's Tower) drop out @ 3:53 removed.
Conversion/Edit/Seeded to Etree by T. Wiley 8/24/2002.
EAC: Secure to extract both disks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: Used only on tracks noted above. See comments.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Thanks to Paul B. for the source disks.
ENJOY!! |
|
|
05/06/90
|
Cal State Dominguez Hills
Carson, CA |
3 CD-R |
|
|
Source: SBD>MC>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
COMMENTS: There maybe another Cassette gen. in the lineage there is a
noteable hiss. D1t02 (Mississippi Half-Step Uptown Toodleloo) static
@ :22 unremovable. D2t07 (Drums) Cass. flip @ 1:27.
Conversion/Edit/Seeded to Etree by T. Wiley 8/25/2002.
EAC: Secure to extract all disks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: Preformed only on tracks noted. (See comments above)
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Thanks to Paul B. for the source disks.
ENJOY!! |
|
|
06/08/90
|
Cal Expo
Sacramento, CA |
3 CD-R |
|
|
|
|
|
|
06/09/90
|
Cal Expo
Sacramento, CA |
3 CD-R |
|
|
|
|
|
|
06/10/90
|
Cal Expo
Sacramento, CA |
3 CD-R |
|
|
|
|
|
|
06/23/90
|
Autzen Stadium - University of Oregon
Eugene, OR |
3 CD-R |
|
|
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. |
|
|
|
06/24/90
|
Autzen Stadium, U. of Oregon
Eugene, OR |
3 CD-R |
|
|
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. |
|
|
|
07/14/90
|
Foxboro Stadium
Foxboro, MA |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
07/19/90
|
Deer Creek Music Center
Noblesville, IN |
3 CD-R |
|
|
DSBRDDATCD-REACSHN |
|
|
|
07/19/90
|
Deer Creek Music Center
Noblesville, IN |
3 CDR/.wav |
|
A |
|
|
|
|
09/14/90
|
Madison Square Garden
New York, NY |
3 CD-R |
|
|
Source: FOB-AUD(Scheops)>DAT>CDR> Conversion: EAC(secure)>CD WAV>SHN(seekable) |
COMMENTS: No noteable flaws. |
|
|
09/15/90
|
Madison Square Garden
New York, NY |
3 CD-R |
|
|
DSBD> Transfer: Sony SDT-9000> VDAT> WAV> CDWAV> mkwACT> SHN V.3 (no sound card no resampling) |
Comment: Bruce Hornsby's first show |
|
|
12/12/90
|
McNichols Sports Arena
Denver, CO |
3 CD-R |
|
|
Source: S:D->CDR->(eac'd)SHN |
Ripped by John Zei
If you find any errors please contact me.
jszei@hotmail.com |
|
|
12/13/90
|
McNichols Sports Arena
Denver, CO |
3 CD-R |
|
|
sbd->dat->cdr |
|
|
|
12/14/90
|
McNichols Sports Arena
Denver, CO |
3 CD-R |
|
|
DSBD>DAT>Cass>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT) |
|
|
|
12/28/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
Source: (Healy Mix)SBD>??>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
Comments: First of all I have to say this show SMOKES! Second I only
used Cool Edit Pro to connect the end of disk 2 to the
beginning of disk 3 to retrack D2t06(Drums) and D3t01(Space).
When I connected them I noticed NO cassette flip so this show
might (but not confirmed) be a DSBD! Enjoy this one! |
|
|
12/30/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
Source: SBD>??>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
* Disk 1 requires 80 minute disk.
|
|
|
12/31/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 CD-R |
|
|
|
|
|
|
12/31/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR Montego II > CDWave > Sound Forge XP 4.5 |
*w/ Branford Marsalis
**w/ Hamza El-Din
featuring Bill Graham as a witch doctor accompanied by fire eaters |
|
|
04/01/91
|
Greensboro Coliseum
Greensboro, NC |
2 CD-R |
|
|
LINEAGE: SBD > D > A > D > SSSB |
(Missing part of Set 1)
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ were performed using 100% digital processing (24-bit/96 kHz) at Serafin Station Studio B [this show was released in 07/00] |
|
|
06/09/91
|
Buckeye Lake Music Center
Hebron, OH |
3 cd-r/.wav |
|
|
SBD>DAT>CD>SHN |
|
|
|
06/16/91
|
Giants Stadium
East Rutherford, NJ |
3 CD-R |
|
|
|
|
|
|
06/17/91
|
Giants Stadium
East Rutherford, NJ |
3 CD-R.wav |
|
|
Unknown |
|
|
|
09/08/91
|
Madison Square Garden
New York, NY |
3 CD-R |
|
A+ |
DSBD>>DAT>>CDA - Sound A+ |
|
|
|
09/09/91
|
Madison Square Garden
New York, NY |
3 CD-R |
|
A+ |
DSBD>>DAT>>CDA - Sound A+ |
|
|
|
09/10/91
|
Madison Square Garden
New York, NY |
3 CD-R |
|
|
DSBD>DATs>CDRs>EAC>SHN |
Entire show with Branford Marsalis
|
|
|
09/20/91
|
Boston Garden
Boston, MA |
2 CD-R |
|
|
|
|
|
|
09/21/91
|
Boston Garden
Boston, MA |
3 CD-R |
|
|
SBD->DAT->CDR->EAC->SHN |
Notes:
* Hornsby is prominent on the "Jam" after "Eyes" |
|
|
09/22/91
|
Boston Garden
Boston, MA |
3 CD-R |
|
|
LINEAGE: SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB |
OFFICIAL SHOW NOTES: LINEAGE: SBD > GD MASTER MULTI-TRACK ADAT > MARIN COUNTY SOURCE MIXDOWN 2-TRACK ADAT > SSSB; Bruce Hornsby on grand piano/accordion/vocals for entire show; technical problems with main digital ADAT decks, resulting in numerous "cuts" when backup deck was used during Set I only; Garcia's voice was slightly hoarse for his first 2 songs; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1 kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 01/02] |
|
|
09/24/91
|
Boston Garden
Boston, MA |
3 CD-R |
|
|
Lineage: SBD > GD Digital Multi-Track Master > Marin County Source Mixdown DAT > SSSB |
OFFICIAL SHOW NOTES: Bruce Hornsby on grand piano and vocals the entire show; according to the Marin County source, "Jerry wasn't himself" for this show (vocal problems); Garcia did not have the usual amount and type of effects added to his vocals, and his levels were slightly louder in overall mix; technical problems with Hart's percussion and MIDI interface cut "Drums" short; GD master digital recording was paused for approx. 4 min. while the problem was attempted to be corrected, w/o success, on the master SBD mixer; the venue's audio was not affected as much/as long as the engineers switched some channels and bypassed the main mixer for about 5 minutes; for "Space" > "Miracle", Phil's bass level was low, due to the master mixer's channel reassignments and pre-set levels; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1 kHz for CD-R mastering), were all performed using 32-bit / 96 kHz digital realm processing at Serafin Station Studio B
|
|
|
11/03/91
|
Polo Field, Golden Gate Park
San Francisco, CA |
1 CD-R/.wav |
|
|
Unknown |
|
|
|
12/31/91
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
SBD > Satellite Feed > DAT> CDR > WAV > SHNv3 [DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact)] |
comments: *NYE broadcast banter starts out the second set.
d3t03 - balloon pop at beginning.
|
|
|
05/31/92
|
Sam Boyd Silver Bowl, U.N.L.V
Las Vegas, NV |
3 CD-R |
|
|
Source: SBD > DAT > SONY D8 (S/PDIF) > HD > SHN |
**with Steve Miller |
|
|
06/20/92
|
Robert F. Kennedy Stadium
Washington, DC |
3 CD-R |
|
|
DSBD |
|
|
|
06/25/92
|
Soldier Field
Chicago, IL |
3 CD-R |
|
|
LINEAGE (SET I/II):SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) >Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB // LINEAGE (ENCORE):SBD > GD MASTER D > D > SSSB |
|
|
|
03/10/93
|
Rosemont Horizon
Rosemont, IL |
3 CD-R |
|
|
Source: Sbd > DAT master > analog > DAT > CDR > EAC > SHN |
comments: sound wise - no known flaws - very clean.
Seed provided by Doug Nawrocki.
EAC, SHNV3 encoding by Chris Ladner (neo_levo@yahoo.com).
Seeded 11/00. |
|
|
03/16/93
|
Capital Centre
Landover, MD |
3 CD-R |
|
|
sbd>dat>c>dat>cdr |
|
|
|
03/28/93
|
Knickerbocker Arena
Albany, NY |
3 CD-R |
|
|
DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) |
|
|
|
06/05/93
|
Giants Stadium
East Rutherford, NJ |
3 CD-R |
|
|
DSDB master>DAT Clone>?>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) |
|
|
|
06/06/93
|
Giants Stadium
East Rutherford, NJ |
3 CD-R |
|
|
DSBD master>Dat Clone>?>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) |
Comment: Don't let the flaws scare you. The show is great! It just
needed a little TLC :) |
|
|
06/26/93
|
Robert F. Kennedy Stadium
Washington, DC |
3 CD-R |
|
|
sbd > dat > cass > dat > cd |
entire show with Bruce Hornsby on accordion |
|
|
08/21/93
|
Autzen Stadium, University of Oregon
Eugene, OR |
2 CD-R |
|
|
SBD > D > ILLEGAL BOOTLEG CD > SSSB / LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D |
|
|
|
09/13/93
|
The Spectrum
Philadelphia, PA |
3 CD-R |
|
|
Source: SBD>DAT>CM>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
COMMENTS: D2t01 (Scarlet Begonias) Healy's mics. for the crowd mix the levels change in
the first few seconds. After that it's fine :) D2t02 (Fire On The Mountain) Static @
10:34 thought 10:38 right channel. I deleted right channel and replaced with left channel.
D2t06 (Drums) Static @ :58 throught 1:04 right channel. I deleted right channel and replaced
with left channel. Also a cassette flip and drop out @ 8:44 removed. End of D2t06 (Drums)
and beginning of D3t01 (Jam) there is a drop out or blank space of music that was removed
for seemless future use. I also chose to keep D2 track 1 through 5 uncut to keep the jam's
together. This is one 3 disks but could be place on to 2 80 minutes disks but taking D2t01
and D2t02 onto the end of disk 1 but as you will see it would be a shame to break it up.
Shntool confirms all sector boundries. |
|
|
09/14/93
|
The Spectrum
Philadelphia, PA |
3 CD-R |
|
|
Source: DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
COMMENTS: FOB? This recording is really remarkable for an AUD. I suspect it being a FOB but
the source/lineage I was given had no info. for the mic. location or taper. The transition
between Disk 2 and Disk 3 the tracking was off. Drums was on both Disk 2(end) and
Disk 3(begining). I spliced the song together to make it seemless and Drums is now complete
on Disk 2(end). D2t06 pop @ 12:51.474 right channel removed and replaced with left channel,
pop also on same track on left channel @ 12:51.476 thru 12:51.478 removed and replace with
right channel. |
|
|
02/27/94
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
|
Source: DSBD>CM(?)>DAT DAT > WAV > SHN: Dan Stephens (dms@well.com) |
+ = Supplication Jam during Uncle John's
* = 1 sec. dropout at track boundary of Other One
also diginoise at 00:09-00:11 and 00:17-00:19
This came to me labeled DSBD>CM>DAT, but im not sure that is correct.
This copy of this epic show has some weirdness with cymbals throughout.
I have not seen this show circulate
in any fashion, so I thought I'd transfer
this and maybe inspire someone to come forward with a better copy.
compiled by Dan Stephens
06/25/2001 |
|
|
03/28/94
|
Nassau Coliseum
Uniondale, NY |
2 CD-R |
|
|
DSBD>CD (1gen)> EAC> SHN ///// FM>DAT & DAUD clones > PCM-M1 > CO2 > Zoltrix > CE2K (record/resample) > CDWAV for tracking > SHN (((mixing of two sources done whith CoolEdit 2000))) |
|
|
|
07/16/94
|
Robert F. Kennedy Stadium
Washington, DC |
3 CD-R |
|
|
FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 >DAT > Tascam CDR 700 |
|
|
|
08/01/94
|
The Palace
Auburn Hills, MI |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
09/18/94
|
Shoreline Amphitheatre
Mountain View, CA |
3 CD-R |
|
|
|
|
|
|
10/05/94
|
The Spectrum
Philadelphia, PA |
2 CD-R |
|
|
|
|
|
|
10/06/94
|
The Spectrum
Philadelphia, PA |
3 CD-R |
|
|
Source**Nakamichi300>?>D7 >>>> Cd Via**Tascam DAP1>Egosys U2A Waveterminal USB>Soundforge4.5xp>CDWave>mkwACT.shn |
|
|
|
10/09/94
|
USAir Arena
Landover, MD |
0 CD-R |
|
|
|
|
|
|
03/17/95
|
The Spectrum (soundcheck)
Philadelphia, PA |
1 CD / .wav |
|
|
|
|
|
|
03/19/95
|
The Spectrum
Philadelphia, PA |
3 CD-R |
|
|
|
|
|
|
03/23/95
|
Charlotte Coliseum
Charlotte, NC |
3 CD-R |
|
|
SBD > D > A > D > CD-R > EAC > SHN |
|
|
|
03/23/95
|
Charlotte Coliseum
Charlotte, NC |
3 CD-R |
|
|
SBD>D>A>D>CD-R>EAC>SHN; A=analog cassette |
Bruce Hornsby on grand piano for entire show. |
|
|
05/24/95
|
Memorial Stadium
Seattle, WA |
1 cd-r/.wav |
|
|
Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT / Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 / Mastering with: Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC |
***This is the soundcheck for this show***
Primitive in parts with tuning static, otherwise good full sound considering the source. |
|
|
05/29/95
|
Portland Meadows
Portland, OR |
3 CD-R |
|
|
|
|
|
|
07/09/95
|
Soldier Field
Chicago, IL |
2 CD-R |
|
|
dsbd(pre-FM)>dat>spdif>cdr>eac>shn |
.....The End of the Golden Road |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/17/76
|
Fairfax
Fairfax, CA |
2 CD-R/.wav |
|
|
SBD > Cass x3 or 4 > CDR > Soundforge > CDR |
This was Phil's bar band during the '76 hiatus. |
|
|
12/19/76
|
Keystone Berkeley
Berkeley, CA |
1 CD-R / .wa |
|
|
Possibly SBD -> Cass x3 or 4 -> CDR -> Soundforge -> CDR |
There's a noticeable buzz on the p.a. system on tracks 5 & 6 prompting Phil's comments on track 7.
Brief dropout on track 8 at 0:34.
Track 10 has a 2 second left channel dropout at 4.27 patched from the right channel and a quick fade at the end where it cut abruptly.
|
|
|
05/11/94
|
Zellerbach Hall
Berkeley, CA |
1 CD-R |
|
|
Source: FM(GDH) > DAT > CDR via David Minor // Encoding: EAC > Cool Edit > CDWAV > mkwact > SHN(seekable) by Matt Vernon |
|
|
|
09/24/94
|
Berkeley Community Theater
Berkeley, CA |
1 CDR /.wav |
|
|
Source: SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon > EAC(secure) > mkwact(seekable) by mvernon54@attbi.com 12/26/2002 |
Lineup:
Jerry Garcia - Guitar and Vocals
Bob Wier - Guitar and Vocals
Vince Welnick - Keyboards and Vocals
Phil Lesh - Bass and Vocals |
|
|
06/16/96
|
Davies Symphony Hall
San Francisco, CA |
1 CDR/ .wav |
|
|
Track 1: Source: AUD (unknown mics/deck)> ? > DAT > CDR via David Minor /// Track 2: Source: FM(GDH) > DAT > CDR via David Minor |
San Francisco Symphony
Michael Tilson Thomas conducts
An American Festival
Bob Weir, Phil Lesh, Mickey Hart, Vince Welnick, (Bob Bralove,)
and Michael Tilson Thomas (on MIDI piano):
"Space" for Henry Cowell
Setlist information from ftp://gdead.berkeley.edu/pub/gdead/set-lists/06.16.96 |
|
|
02/27/98
|
Fillmore Auditorium
San Francisco, CA |
3 CD-R .wav |
|
|
Recorded with 3 CM 300 Naks X-Y, 2 CP4's (Guns) 1 CP3 (Omni)>DAT>CD |
|
|
|
03/26/98
|
Fillmore Auditorium
San Francisco, CA |
3 CD-R |
|
|
Recorded with 3 CM 300 Naks X-Y, 2 CP4's (Guns) 1 CP3 (Omni)DAT>CD |
Lineup: Phil Lesh - Bass and & vocals, Vince Welnick - Keyboards & Vocals
Bobby Strickland - Saxophones, oboe, didjeridu & vocals ,
Gary Lambert guitar & vocals , Stan Franks - guitar ,
Scott Amendola - drums. |
|
|
04/20/98
|
Warfield Theater
San Francisco, CA |
3 CD-R /.wav |
|
|
source: (FOB) Neumann KM184>V2>Zefiro InBox>Dat>CD // conversion: cdr > eac(secure) > cdwav(re-tracking) > mkwact(seekable) |
|
|
|
08/08/98
|
Fillmore Auditorium
San Francisco, CA |
3 CD-R /.wav |
|
|
No source info was given to me for this show. |
No source info was given to me for this show.
|
|
|
04/15/99
|
Warfield Theatre
San Francisco, CA |
4 CDR/.wav |
|
|
SBD > DAT > CDR > EAC > SHN |
|
|
|
04/16/99
|
Warfield Theater
San Francisco, CA |
3 CDR/.wav |
|
|
SBD > DAT > CD > EAC > SHN |
|
|
|
04/17/99
|
Warfield Theatre
San Francisco, CA |
3 CDR/.wav |
|
|
SBD > DAT > CD |
|
|
|
04/27/99
|
Luther Burbank Center
Santa Rosa, CA |
2 CDR/.wav |
|
|
Source: DAT > CDR > Toast Audio Extractor > SHN |
Notes: This is part of a benefit show in Santa Rosa, CA for help buy land in Sonoma County to make into a park that was otherwise scheduled to be logged.
First Sammy Hagar played a set, then Mickey Hart and Planet Drum, and then this set.
This was also the first time that Phil played with Bobby and Mickey after his liver transplant.
If you're interested, feel free to read a story I wrote on the show for SonicNet at http://seff.net/lesh.html.
|
|
|
05/29/99
|
Mountain Aire Music Festival, Calavaras County Fai
Angels Camp, CA |
3 CD-R /.wav |
|
|
DSBD>Sony P300>S/PDIF coax>LynxOne>Soundforge>crdwin |
DSBD>Sony P300>S/PDIF coax>LynxOne>Soundforge>crdwin |
|
|
06/04/99
|
Warfield Theater
San Francisco, CA |
3 CD-R /.wav |
|
|
Source: SBD > DAT > RMEdigi96/8pro > WAV > SHN // Transfer: DAT clone > Sony PCM R300 > RMEdigi96/8pro > Soundforge 4.5a (recording and normalizing) |
Source: SBD > DAT > RMEdigi96/8pro > WAV > SHN
Transfer: DAT clone > Sony PCM R300 > RMEdigi96/8pro > Soundforge 4.5a (recording and normalizing)
CDWAV (splits) > WAV > mkwAct seekable > SHN
SHNtool used to verify sector boundaries
Transfered by Marc Pujol on 3/20/2002. Source DAT provided by Matt Vernon
|
|
|
06/04/99
|
Warfield Theater
San Francisco, CA |
3 CD-R /.wav |
|
|
SBD (24 Track Recording Mix) -> Master Dat -> Dat Clone (44.1k) // Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude Professional v8.0 -> FLAC |
Notes:
-- Seamless transition between discs 2 and 3. |
|
|
06/05/99
|
Warfield Theater
San Francisco, CA |
3 CD-R /.wav |
|
|
Neumann 254, stealth, center behind drink rail-->DAT-->CDR-->EAC-->digital edit*-->CDR |
*spliced Half-Step-->Franklin's back together, retracked entire show
|
|
|
06/28/99
|
Club Front
San Rafael, CA |
2 CD-R/.wav |
|
|
Unknown |
|
|
|
07/02/99
|
Warfield Theater
San Francisco, CA |
3 CD-R /.wav |
|
|
SBD>DAT>spdif>Delta 66>Sound Forge WAV's>CDWAV>SHN's |
Note: Track 1 on disc 1 fades in, w/ slight digi-noise 1st few seconds. |
|
|
07/03/99
|
Warfield Theater
San Francisco, CA |
3 CD-R |
|
|
??? |
|
|
|
07/03/99
|
Warfield Theater
San Francisco, CA |
3 CDR/.wav |
|
|
SBD>DAT>spdif>Delta 66>Sound Forge WAV's>CDWAV>SHN's |
|
|
|
08/12/99
|
The Fillmore Auditorum
Denver, CO |
2 CD-R /.wav |
|
|
Source: FOB Schoeps MK4>VMS>SBM-1>DA-P1>CDR>EAC>SHN>CDR |
|
|
|
08/13/99
|
Red Rocks Ampitheatre
Morrison, CO |
2 CD-R /.wav |
|
|
DAUD: AKG -> DAT -> CDR -> EAC -> WAV -> SHN |
*Phil dedicates the show and this song in particular to Dick Latvala. |
|
|
08/13/99
|
Red Rocks Ampitheatre
Morrison, CO |
2 CD-R /.wav |
|
|
AUD from the Taper's Section AKG 451s->Lunatec->DA-P1->Digi Patched D-8 ->DA-P1->Computer->SHN |
I received this show in a trade from Susan Gibons as audio very shortly after it occurred.
I ripped it right away in a bit-accurate manner with EAC and archived the SHN's.
Since my md5's don't match those at db.etree.org I am including them here for clarification
in case my "version" gets into the trading community at large. Upon re-listening to this show
I noticed a few odd noises throughout. Claps seem to have a very fast attack rate and sound
similar to digi-pops. Also, there are sections (e.g. Scarlet and Fire) where it sounds as if
something is clipping....cause is unknown. |
|
|
08/14/99
|
Red Rocks Amphitheatre
Morrison, CO |
2 CD-R /.wav |
|
|
FOB B&K 4021s (XY, stealth, sweetest spot imaginable & not in a hat^)> Apogee AD-1000 (44.1kHz)>HHb PDR-1000>DAT(m)>ZA-2>PC (SoundForge 4.0 for)fades & peak normalization>Audio CDR>EAC (X2 with 0 error wav compare)>shn |
(total time: 2:10) |
|
|
08/14/99
|
Red Rocks Amphitheatre
Morrison, CO |
2 cdr/.wav |
|
|
Earthworks Sr 71's > Audio Magic Sceptor II's > Dmic-20 @ 35db > Sony M1 @ 48k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0/Resampled,Fades > Cd Wave > Flac |
*Dat was paused,fades added between tracks |
|
|
08/17/99
|
Cuthbert Ampitheater
Eugene, OR |
2 cdr/.wav |
|
|
Master Dat>cdr |
|
|
|
08/18/99
|
Cuthbert Ampitheater
Eugene, OR |
2 CD-R /.wav |
|
|
Source: FOB Neumann u89's(Card)>AD1000>Dat/clone // Transfer: Sony PCM-r500> Audiophile 2496> CD Wave Editor> FLAC on 6/25/04 by EEE |
Note: The OTS was behind the board and there was no FOB recording allowed.
These guys with the u89's were in with moe. and got permission to set up
right in front of the board and tape moe. They never broke down their rig
and they recorded Phil there too. Cutler was not to pleased when he realized
that at the end of the show when it was to late. All of the tapers in the
section were waiting for them to get busted by Cutler, but they lucked out,
and so did those of us who get to listen to this source. |
|
|
08/20/99
|
Greek Theatre
Berkeley, CA |
2 CD-R/ .wav |
|
|
Unknown Mics > DAT > CDR > EAC > SHN |
|
|
|
08/21/99
|
Greek Theatre
Berkeley, CA |
2 CD-R /.wav |
|
|
unknown > cdr > eac > shn |
|
|
|
08/22/99
|
County Bowl
Santa Barbara, CA |
2 CD-R /.wav |
|
|
Schoeps mk41-cmcg->Sonosax SX2->DAP1->D8 R300->ZA-2->CDR->EAC->WAV->SHN |
|
|
|
10/21/99
|
The Fillmore Auditorum
Denver, CO |
3 cdr/.wav |
|
|
AKG 4801"(AKG C480+CK61 cardiod capsules)-> Lunatec V-2-> Graham-Patten ADC-20-> D8 Transfer: D8-> CDRs-> EAC (x2 with wav compare) -> SHN |
(Birdsong themes throughout set 2) |
|
|
10/22/99
|
The Fillmore Auditorum
Denver, CO |
3 cdr/.wav |
|
|
B&K 4011 > Lunatec V2 > AD1000 |
|
|
|
10/23/99
|
The Fillmore Auditorum
Denver, CO |
3 cdr/.wav |
|
|
FOB Schoepps CMC6 > MK4 > V2 > DA-P1 |
|
|
|
10/23/99
|
The Fillmore Auditorum
Denver, CO |
2 cdr/.wav |
|
|
B&K 4011 (@ 48k) Transfer: Sony TCD-D7> 7-pin optical> Creative Nomad Jukebox 3> FireWire> Sound Forge (resample to 44.1k @ highest accuracy)> CDWav> FLAC |
--No DAE-- |
|
|
10/27/99
|
University Of Illinois
Champaign, IL |
2 cdr/.wav |
|
|
Schoeps MK4V->SBM CD>wav>shn |
|
|
|
10/29/99
|
Miami University
Oxford, OH |
2 cdr/.wav |
|
|
Source: Neumann KM-184s-> Denecke PS-1s-> SBM-1-> M1 FOB Row 7 Ctr conversion CDR > EAC(secure) > Cool Edit (fix minor gap) > shntool > mkwact > shn(seekable) |
|
|
|
10/30/99
|
Milwaukee Arena
Milwaukee, WI |
2 cdr/.wav |
|
|
unknown |
|
|
|
10/31/99
|
UIC Pavilion
Chicago, IL |
2 cdr/.wav |
|
|
Source : Unknown Audience Tape / Conversion : Unknown |
Opened for Bob Dylan |
|
|
11/02/99
|
Breslin Center (Michigan State University)
East Lansing, MI |
2 cdr/.wav |
|
|
Source: unknown aud > ? > CDR > EAC(secure) > Cool Edit(fix a few pops) > mkwact(seekable) |
opened for Bob Dylan |
|
|
11/03/99
|
Schottenstein Center, OSU
Columbus, OH |
2 cdr/.wav |
|
|
Unknown audience source |
|
|
|
11/05/99
|
Pittsburgh Civic Arena
Pittsburgh, PA |
2 cdr/.wav |
|
|
FOB, Sony ECM-DS70P > Sony MD > CD > SHN |
Some mic distortion during Franklin's |
|
|
11/05/99
|
Pittsburgh Civic Arena
Pittsburgh, PA |
2 cdr/.wav |
|
|
SOURCE: Core Sound Cardiods(FOB)->D8 |
|
|
|
11/08/99
|
Baltimore Arena
Baltimore, MD |
2 cdr/.wav |
|
|
Unknown aud > ? > cdr > EAC(secure) > Cool Edit > mkwact(seekable) |
Notes:
1. Cool Edit used to remove small gaps near track boundaries
2. shntool confirm tracks on sectors |
|
|
11/09/99
|
Temple University
Philadelphia, PA |
2 cdr/.wav |
|
|
Source: FOB / Schoeps MK4V (in a hat) > SBM1 > PCM-M1 / Transfer: DAT Clone > PCM-R300/Toslink > SB Live Platinum > Soundforge 4.5a > WAV > CDWave (splits) > SHN (via mkwAct-seekable) |
Extra Track: (08:27) Tapers talking from beginning of show (optional track)
Flaws:
There is some clipping in the end of Lovelight approx. 07:29 - 07:41
where the sound overloaded the record levels on the master DAT.
There is some loud clapping near the mics between songs, but luckily not much during the music
Notes:
DAT>WAV>SHN conversion by Marc Pujol 3/3/02
Phil and Friends opened for Bob Dylan
Since this was a Dylan / Phil tour, due to Dylan's anti-taping policy the tapers had to stealth tape,
which is why the mics were hidden in a hat for this FOB source.
The source DAT included about 8-9 minutes of the tapers talking before the show.
It's very funny to listen to the conversation so I've included it in the SHN files.
You can hear them discussing the mics hidden in the hat and getting them setup just right.
It is also funny to hear them discuss shows they recently taped and trades they made.
This track is totally optional, but well worth listening to for a laugh.
|
|
|
11/10/99
|
New Haven Coliseum
New Haven, CT |
2 cd-r/.wav |
|
|
AUD>DAT>CDR>EAC>WAV>Mkw 0.96f>SHN |
|
|
|
11/11/99
|
Augusta Civic Center
Augusta, ME |
2 cd-r/.wav |
|
|
Source : FOB AKG 391 -> Aerco PreAmp -> DAT -> CD / Conversion: CD > EAC > Cool Edit (remerge into one set, add fades) > CD |
opened for Bob Dylan |
|
|
11/13/99
|
Continental Airlines Arena
East Rutherford, NJ |
2 cd-r/.wav |
|
|
AUD from the Taper's Section AKG 451s->Lunatec->DA-P1->Digi Patched D-8->DA-P1->Computer->SHN |
Notes by brian@thewalkers.ca 2002-02-11
I received this show in a trade from Susan Gibons as audio very shortly after it occurred.
I ripped it right away in a bit-accurate manner with EAC and archived the SHN's.
Since my md5's don't match those at db.etree.org I am including them here for clarification
in case my "version" gets into the trading community at large. Upon re-listening to this show
I noticed a few odd noises throughout. Claps seem to have a very fast attack rate and sound
similar to digi-pops. Also, there are sections (e.g. Scarlet and Fire) where it sounds as if
something is clipping....cause is unknown. |
|
|
11/13/99
|
Continental Airlines Arena
East Rutherford, NJ |
2 cd-r/.wav |
|
|
AKG 393's->Aerco preamp->Dap1 / Transfered:Tascam DA-20 mkII->HHB CDR850 (Dat->cd) |
opened for Bob Dylan |
|
|
04/14/00
|
The Tower Theatre
Upper Darby, PA |
3 CD-R |
|
|
btk 4011's>lunatech>apogee>dat >>>>> Conversion: dat > sek'd prodif plus card (48>44.1 )>sek'd red roaster(edit, fades) > cd wave (splits) > mkw> |
Note:
1. Box of Rain cut on supplied DAT's. I have patched the missing portion from a previously seeded complete encore but that version looks to have a cassette generation because the speed is variable and there is obvious hiss. For this reason I have included the original cut encore in case someone comes up with a better patch to complete it. |
|
|
10/01/00
|
Memorial Auditorium
Burlington, VT |
3 CD-R |
|
|
|
|
|
|
10/05/00
|
Orpheum Theater
Boston, MA |
3 CD-R |
|
|
Sony 59ES->Audio magic Presto II->ZA2(48->44.1)->Soundforge 4.5->CDWav->.shn |
Phil Lesh, John Molo, Warren Haynes, Jimmy Herring, Rob Barraco, Jimmy Herring, Rob Barraco |
|
|
10/27/00
|
House of Blues
Las Vegas, NV |
2 CD-R |
|
|
|
|
|
|
04/14/01
|
Sunrise Musical Theater
Fort Lauderdale, FL |
3 CD-R |
|
|
Schoeps CMC6 MK21/MK8>KC5(actives)>Apogee AD1000. Matrixed thru AEA's MK38M/SII>DAT >>>>>Transfer: DA-20mkII > RME DIGI96/8 PST > CDWAV > SHN |
|
|
|
04/20/01
|
Independence Hall - Cricket Arena
Charlotte, NC |
3 CD-R |
A+ |
A+ |
DSBD > SHN |
|
|
|
04/29/01
|
Asbury Park Convention Hall
Asbury Park, NJ |
3 CD-R |
|
A+ |
DSBD > SHN |
|
|
|
04/30/01
|
Roseland Ballroom
New York, NY |
3 CD-R |
|
|
DSBD > SHN |
From Philzone.routeflap |
|
|
06/27/01
|
The Greek Theatre
Los Angeles, CA |
3 CD-R |
|
|
Mastered & Tracked by Mike Boden: Tascam DA-P1 > Apogee PSX-100 DA convertor > Behringer PEQ 2200 EQ> dbx 166XL Compressor > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.55.0.0 > Conv |
uploaded to etree mvernon54@home.com 7/23/2001
balance adjusted ~5:00 Tennessee Jed
Requires 1 80 minute disk |
|
|
06/30/01
|
Greek Theater
Berkeley, CA |
3 CD-R |
|
|
Tascam DA-P1 > Apogee PSX-100 DA convertor > Behringer PEQ 2200 EQ> dbx 166XL Compressor > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.55.0.0 > Converted to SHNs w/ MkwACT 1.0.0.1 |
|
|
|
07/07/01
|
Red Rocks Ampitheatre
Morrison, CO |
3 CD-R |
|
|
Microtech-Gefell m210 ->Oade m248 ->Sony sbm1 ->Dat (Sony D8/48k) ->CD (Tascam CDRW700) |
|
|
|
07/07/01
|
Red Rocks Ampitheatre
Morrison, CO |
3 CD-R |
|
|
source info: DSBD > SHN |
Official www.phillesh.net digital soundboard release. |
|
|
07/09/01
|
Zoo Amphitheatre
Oklahoma City, OK |
3 CD-R |
|
|
AT 4051a > AETA PSP-2 > Tascam DA-P1 >>>>> Tascam DA-P1 > Echo Gina 24 > Cool Edit 2000 > CDWAV > EAC > SHN |
setlist from http://www.PhilLesh.net |
|
|
07/18/01
|
Polaris Amphitheatre
Columbus, OH |
3 CD-R |
|
|
DA-P1 > Delta Audiophile 2496 > Samplitude (48>44.1) > CDWave > mkwACT |
w/Bob Weir |
|
|
07/28/01
|
Tweeter Center
Camden, NJ |
3 CD-R |
|
|
Conversion: DAT> Zoltrix Nightingale> SoundForge 4.5 (rec,fades)> CDWav (splits)> .shn |
Phil Lesh
Rob Baracco
Jimmy Herring
Warren Haynes
John Molo
*w/ Willie Nelson
Disc #1 (78:16)
Disc #2 (48:28)
Disc #3 (77:05) |
|
|
07/31/01
|
Merriweather Post Pavilion
Columbia, MD |
3 CD-R |
|
|
source info: FOB > SHN |
|
|
|
11/08/01
|
Aragon Ballroom
Chicago, IL |
3 CD-R |
|
|
DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN |
Notes: There was PA static/popping at the beginning of Set 2, it'll be on every tape.
* First time played by Phil & Friends |
|
|
11/17/01
|
Stabler Arena
Bethlehem, PA |
3 CD-R |
|
|
source info: FOB > SHN |
*No More Do I (* new Lesh/Hunter tune, warren sings) |
|
|
11/30/01
|
Beacon Theater
New York, NY |
3 CD-R |
|
|
MBHO603a/KA200 (active)> MP-2> DAP1 Transfer: CD > EAC > mkwact(seekable) > shn mvernon54@attbi.com |
|
|
|
12/01/01
|
Beacon Theater
New York, NY |
3 CD-R |
|
|
MBHO603a/KA200 (active)> MP-2> DAP1 Transfer: CD > EAC > mkwact(seekable) > shn mvernon54@attbi.com |
|
|
|
12/01/01
|
Beacon Theater
New York, NY |
3 CD-R |
|
|
CD > EAC > mkwact(seekable) > shn mvernon54@attbi.com |
Lineup:Phil Lesh, Rob Barraco, Jimmy Herring, Warren Haynes, John Molo
*with Dickey Betts |
|
|
12/02/01
|
Beacon Theater
New York, NY |
3 CD-R |
|
|
MBHO603a/KA200 (active)> MP-2> DAP1 Transfer: CD > EAC > mkwact(seekable) > shn mvernon54@attbi.com |
|
|
|
12/02/01
|
Beacon Theater
New York, NY |
3 CD-R |
|
|
CD > EAC > mkwact(seekable) > shn mvernon54@attbi.com |
Lineup:Phil Lesh, Rob Barraco, Jimmy Herring, Warren Haynes, John Molo |
|
|
12/03/01
|
Beacon Theatre
New York, NY |
3 CD-R |
|
|
CD > EAC > Cool Edit (normalization) > mkwact(seekable) > shn mvernon54@attbi.com |
Lineup:Phil Lesh, Rob Barraco, Jimmy Herring, Warren Haynes, John Molo |
|
|
12/03/01
|
Beacon Theatre
New York, NY |
3 CD-R |
|
|
Tascam DA-20 MKII > Ego Sys Waveterminal 2496 > cdwav > .wav's > fades with Soundforge 4.0 > .shn's |
Notes: Crowd noise between set II and encore not present on master.
Lineup: Phil Lesh - bass and vocals, Bob Weir - guitar and vocals, Rob Barraco - keyboards and vocals, Jimmy Herring - guitar, Warren Haynes - guitar and vocals*, John Molo - drums, Ornette Coleman for 2nd set only, not Encores.
Setlist courtesy of setlist.com (modified slightly)
Compiled 12-5-01 (arijaffess@hotmail.com)
Updated 12-6-01 (the mics used were actually 393 hypercards, not the 391 cards as originally posted, arijaffess@hotmail.com) |
|
|
12/31/01
|
Henry J Kaiser Convention Center
Oakland, CA |
4 CD-R |
|
|
Tascam DA-P1 > Waves L2 > Sontec 250C > Manley Variable-MU > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.50.0.0 > Yamaha 8x4x24 CDRW external SCSI |
Notes:
Mics were placed front and center in taper's section and about eight feet high. Furthermore, I have normally used a Denecke AD-20 pre-amp and A/D convertor up until this point, but the piece of shit crapped out on me the night before during the Ratdog set. Oh well! |
|
|
03/30/02
|
Warfield Theater
San Francisco, CA |
3 CD-R |
|
|
Source: (FOB) Neumann KM150 -> Lunatec V2 ->Sony SBM1 ->Dat ->Samplitude v5.9 ->CD |
|
|
|
04/06/02
|
Dobson Arena
Vail, CO |
3 CD-R |
|
|
|
|
|
|
04/07/02
|
Dobson Arena
Vail, CO |
3 CD-R |
|
|
Source: AKG483 > Lunatec V2 > Graham Patten ADC-20 > Tascam DAP1 @ 48k Transfer: by Marc Pujol 5/26/2002 48k DAT clone> Sony PCM-R300 > Mosnter SPDIF digital cable > RMEdigi96/8PAD >CDWav (splits)> mkw > shn> SHNtool us |
Phil Lesh
John Molo
Rob Barraco
Warren Haynes
Jimmy Herring |
|
|
05/21/02
|
Irving Plaza Early and Late Shows
New York, NY |
3 CD-R |
|
|
Source:Neumann 140>Lunatec V2>SBM1>DA-P1>DA-P1 SHN>WAV: DA-P1>Midiman Dio 2448>CDWav |
"There & Back Again" Record Release Party |
|
|
06/23/02
|
Great Stage Park
Manchester, TN |
2 CD-R |
|
|
|
Jeff Chimenti from RatDog on Keyboards. |
|
|
07/19/02
|
Star Pavillion
Hershey, PA |
3 CD-R |
|
|
|
|
|
|
07/23/02
|
nTelos Pavillion @ Harbor Center
Portsmouth, VA |
3 CD-R |
|
|
source info: FOB > SHN |
entire Set 1 with Bob Weir & Billy Kreutzmann |
|
|
09/25/03
|
Warfield Theater
San Francisco, CA |
3 CD-R |
|
|
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
The band is Phil Lesh (b), Rob Barraco (k), Warren Haynes (g), Jimmy Herring (g), John Molo (d) |
|
|
09/25/03
|
Warfield Theater
San Francisco, CA |
3 CD-R |
|
|
OTS, as center as possible, Oktava MC012's (hype caps, pointed at the stacks) > EdirolUA-5 > Sony TCD D-100 > DAT. DAT > Sony TCD D-100 > Edirol UA-5 > PC > CDWave(recording and retracking) > .WAV or .SHN(MKWAct) > CDR. by |
|
|
|
09/26/03
|
Warfield Theater
San Francisco, CA |
3 CD-R |
|
|
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
The band is Phil Lesh (b), Rob Barraco (k), Warren Haynes (g), Jimmy Herring (g), John Molo (d)
CD Covers available at:
http://www.phillesh.net/philzonepages/friends_stuff/download.html |
|
|
09/26/03
|
Warfield Theater
San Francisco, CA |
3 CD-R |
|
|
Oktava MC012's (hyper caps, pointed at the stacks) > EdirolUA-5 > Sony TCD D-100 > DAT. DAT > Sony TCD D-100 > Edirol UA-5 > PC > CDWave(recording and retracking) > .WAV or .SHN(MKWAct) > CDR. by Mikey V. |
|
|
|
09/27/03
|
Warfield Theatre
San Francisco, CA |
3 CD-R |
|
|
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
The band is Phil Lesh (b), Rob Barraco (k), Warren Haynes (g), Jimmy Herring (g), John Molo (d)
CD Covers available at:
http://www.phillesh.net/philzonepages/friends_stuff/download.html |
|
|
11/19/03
|
Riviera Theater
Chicago, IL |
3 CDR/.wav |
|
|
(FOB) Schoeps MK4V > KC5 > CMC6 (DFC/ORTF) > Lunatec V3 > Sony D8 /// Transfer: D8 > Oade 7-pin > Delta Dio 24/96 > Samplitude > CDWav > MKW |
|
|
|
11/19/03
|
Riviera Theater
Chicago, IL |
3 CDR/.wav |
|
|
Tascam DA20MKII > Delta Dio 2496 > Samplitude(48>44.1) > CDWAV > SHN |
|
|
|
11/19/03
|
Riviera Theater
Chicago, IL |
3 CD-R/.wav |
|
|
AK40 > LC3 actives > Neumann KM100 > Apogee MiniMe > D8@48k // Transfer: Tascam DA20MKII > Delta Dio 2496 > Samplitude(48>44.1) > CDWAV > SHN |
|
|
|
11/21/03
|
Riviera Theater
Chicago, IL |
3 CD-R |
|
|
source: Microtech Gefell m210>V2>sbm-1>d8@48kHz (DIN) / transfer: Tascam DA-20 MKII>EgoSys Waveterminal U2A>Samplitude(48>44.1)>cdwav>MKWact |
|
|
|
11/23/03
|
Orpheum Theater
Boston, MA |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
11/24/03
|
Orpheum Theater
Boston, MA |
3 CD-R/.wav |
|
|
Unknown Info |
|
|
|
11/25/03
|
Orpheum Theater
Boston, MA |
3 CD-R |
|
|
Source: nakcm100s > v3 > dap1 from OTS by David Minor / Encoding: EAC(secure) > CEPro > mkwact > SHN(seekable) by Matt Vernon |
notes
- some minor clipping on the waveforms
- tracking as on source disks
- seamless across disks 2 and 3
Band -
Phil Lesh
John Molo
Rob Barraco
Warren Haynes
Jimmy Herring |
|
|
12/02/03
|
Beacon Theater
New York, NY |
3 CD-R |
|
|
Loge front center A 104/105 / B&K(DPA)4021s (shock mounts on t-bar, ~80d, clamped to front rail) > Apogee AD-1000 (+20db, 16bit/44.1kHz) > Digigram VX Pocket / Sony Vaio PCG-162N / Soundforge 4.5 (trim & fades) > CD Wave 1.6 > mkwACT 0.97 bet |
(Warren Haynes, John Molo, Jimmy Herring & Rob Barraco) |
|
|
12/17/04
|
Warfield Theater
San Francisco, CA |
3 CDR/.wav |
A |
A+ |
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
|
|
|
12/18/04
|
Warfield Theater
San Francisco, CA |
3 |
|
|
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
|
|
|
12/19/04
|
Warfield Theater
San Francisco, CA |
3 CDR/.wav |
A |
A+ |
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
|
|
|
12/04/05
|
Washington St. Armory
Albany, NY |
3 CDR / .wav |
|
A+ |
Soundboard |
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
|
|
07/11/06
|
Toyota Pavilion @ Montage Mountain
Scranton, PA |
3 cd-r/.wav |
|
|
Source: AKG CK1x(din@90%)>JWMod AKG 460's>722(24/96) / Transfer: 722>Adobe Aud>16/44>CDwav>flac |
*Set two with Trey
#level adjust after Sittin' On Top Of The World |
|
|
04/10/07
|
S.O.B.'s
New York, NY |
3 CDR/.wav |
|
|
B+K 4021's/PSP3/PMD660 |
|
|
|
09/28/07
|
Fillmore Auditorium
Denver, CO |
3 CDR/ .wav |
|
|
AKG C 480 B comb/ CK61-ULS (DIN a) > Lunatec V3 (optical out) > iRiver iHP-120 |
Source: AKG C 480 B comb/ CK61-ULS (DIN a) > Lunatec V3 (optical out) > iRiver iHP-120 Location: OTS, center, 8' up Master format: 44.1 kHz, 16 bit, stereo (.WAV) Digital transfer: iRiver iHP-120 > USB > PC Digital editing: Wavelab (pre and post set fades) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller |
|
|
10/12/07
|
Tweeter Center at the Waterfront
Camden, NJ |
3 CDR/ .wav |
|
|
Schoeps MK4V's>NBOX+>Korg MR-1 (1Bit/2.8MHZ)>Audiogate(Conversion to 24bit/48khz)>Wavelab5(Fades)>CDWAV>FLAC |
|
|
|
10/12/07
|
Tweeter Center at the Waterfront
Camden, NJ |
3 cd-r/.wav |
|
|
Source: 2-Sennheiser-MD421's(u5-2's) >Digi-Mod Edirol UA5>optical out>(44.1khz)>NJB3>(44.1khz) / Transfer: JB3>Nomad Explorer>PoulderbitS(fades/cuts)Flacfontend(level8)>FLAC 16 |
|
|
|
11/05/07
|
Nokia Theater
New York, NY |
3 CD-R /.wav |
|
|
B+K 4021's / PSP3 / PMD660 |
|
|
|
01/25/08
|
The Fillmore
San Francisco, CA |
3 CDR/ .wav |
|
|
Milab VM-44 Link > Lunatec v2 > Korg MR-1000 (1bit/2.8MHz DSD) |
|
|
|
01/25/08
|
The Fillmore
San Francisco, CA |
3 CDR / .wav |
|
|
ADK 51tImp (hyper) > UA5(t+mod) > mt24/96 > CDWave > CD |
|
|
|
01/26/08
|
Bill Graham Civic Auditorium
San Francisco, CA |
3 CDR/.wav |
|
|
Nakamichi 300 shotguns > Lunatec V3 > Sound Devices 744T /// Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC |
|
|
|
01/29/08
|
Crystal Ballroom
Portland, OR |
3 CDR / .wav |
|
|
Neumann KMF4i > Denecke PS2 > Modified D8 (OTS) /// Tascam DA-20mkII > Prodif Gold > Soundforge 6.0 (fades & Normalization) > CD wave (tracks) > Flac(8) |
|
|
|
01/29/08
|
Crystal Ballroom
Portland, OR |
3 CDR / .wav |
|
|
Milab VM-44 Link > Lunatec v2 . Korg MR-1000(1bit/2.8MHz DSD) > Audiogate (16/44) > CD Wave > FLAC |
levels drop during Shakedown Street from 5:16 to 6:10 due to temporary shutdown. |
|
|
02/04/08
|
Warfield Theatre
San Francisco, CA |
3 CD-R /.wav |
|
|
Source: Schoeps mk41>kc5>cmc6>lunatec v2>sound devices 722 @24/48 at taper's section, right of center. |
Taped & Seeded by: Ian Stone (stone.ian@gmail.com) |
|