|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/29/03
|
Van Hoy Farm-Smilefest
Union Grove, NC |
2 CDR |
|
A |
SBD -> ? -> CDR |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/10/02
|
Grassroots Music Festival
Cockeysville, MD |
2 CDR |
|
A |
ADK A51TL (see notes) |
Source:
ADK A51TL->GP A-D converter->DA-P1-> patch->digital converter
Encore with Keller Williams |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/03/63
|
Studs Terkel's Wax Museum
Chicago, IL |
1 CD-R |
|
A |
FM Broadcast |
Radio interview mainly, with a few songs included |
|
|
11/10/78
|
Hec Edmondson Pavilion, Univ. Washington
Seattle, WA |
2 CD-R |
|
A |
|
|
|
|
11/14/99
|
Worcester Centrum Centre
Worcester, MA |
2 CDR |
|
A-/ |
Aud |
Technincally fine, but audience recording makes it sound muffled/soft. Volume on the vocals is very soft. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/18/69
|
Columbia Records Studio
Nashville, TN |
1 CDR |
|
A |
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/73
|
Redemption Live 1973 To 1980
Unknown, Unknown |
2 CDR |
|
A |
unknown - see notes |
Bob Marley
BMW-Dennis Thompson mixes
source: unknown
Collection of rare songs obtained via Phishook vine
Disc One: (41:57)
----------------------------------------
1. Coming in from the Cold (5:10)
2. Coming in from the Cold (different version) (6:11)
3. Bad Card (2:49)
4. Real Situation (3:05)
5. Trenchtown (3:24)
6. Could You Be Loved (4:11)
7. Pimpers Paradise (3:23)
8. Stiff Necked Fools (3:22)
9. Forever Loving Jah (3:52)
10. We and Them (2:33)
11. -instrumental- (3:57)
Disc Two: (39:00)
----------------------------------------
1. Top Rankin' (3:51)
2. Babylon System (4:16)
3. Jump Nyabinghi (3:52)
4. One Drop (5:01)
5. Running Away (3:16)
6. Sun is Shining (2:45)
7. -instrumental- (3:02)
8. -instrumental- (3:18)
9. Survival (2:17)
10. Zimbabwe (3:40)
11. -instrumental- (3:42)
flaws:
-one dropout ~ 3 seconds
-one abrupt end to song
|
|
|
07/07/75
|
The Boarding House
San Francisco, CA |
1 CDR |
|
A- |
sbd |
Sound drops out at the end of each track |
|
|
09/23/80
|
Stanley Theatre
Pittsburgh, PA |
1 CDR |
|
A |
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/31/02
|
The Lion's Den
New York, NY |
3 CDR |
|
A |
SBD (see notes for transfer) |
Transfer: D8 -> DBX 1531 Graphic EQ -> Mackie SR32-4 Board -> Crystal Soundcard -> SF4.5 (record and normalise) -> CDwav (split) -> SF4.5 & Cooledit (repair) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/18/98
|
Carnegie Mellon University
Pittsburgh, PA |
1 CDR |
|
A- |
DAUD (see notes) |
As of now, this show is not tradeable. I've been unable to extract. |
|
|
02/05/02
|
The Opera House
Toronto, ON |
2 CDR |
|
A |
DPA 4023->Lunatec v2->Tascam DA-P1->Sony PCM-M1/Sony SDT |
|
|
|
08/17/02
|
Darien Lake Performing Art Center
Darien, NY |
1 CDR |
|
A |
DPA 4023(DFC Lawn)->Lunatec v2->Sonic AD2K+@44.1kHz |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/08/91
|
Warfield Theater
San Francisco, CA |
2 CD-R |
|
A |
|
|
|
|
05/??/92
|
Warfield Theater (composite)
San Francisco, CA |
1 CDR |
|
A |
DSBD->DAT->CDR->EAC->SHN->CDR->CDR |
Original source is a mix tape of the 5 night Garcia/Grisman run (5/7-11/92). Tape was given to David Gans by Grisman for GDH. The tape was subsequently stolen from Gans and put into circulation. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/05/82
|
Oregon State Prison
Salem, OR |
1 CD-R |
|
A |
|
|
|
|
06/03/84
|
Kabuki Theater
San Francisco, CA |
2 CD-R |
|
B+ |
See Notes |
Sound quality is fine, but lots of editing problems.
Sound is cut/spliced before end of the track on Run for the Roses (end Set I) until beginning of Little Sadie (open Set II).
Disk 2 is only 26 minutes. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/01/69
|
Fillmore West
San Francisco, CA |
2 CDR |
|
A |
16 Track MR -> DATx2 -> CDR |
|
|
|
??/??/70
|
Pacific High Recording Studio
San Francisco, CA |
3 CDR |
|
A- |
See notes |
Unknown lineage. Volume jumps around a bit (some songs louder, some softer.)
DISC ONE:
Complete Acoustic Set - 2.28.70:
1.Jerry and Bob at the mic - 2.28.70
2.The Monkey and The Engineer - 2.28.70
3.Little Sadie - 2.28.70
4.Black Peter - 2.28.70
5.The Race Is On - 5.1.70
6.Wake Up Little Susie - 5.1.70
7.New Speedway Boogie - 5.1.70
8.Cold Jordan - 5.1.70
9.Ballad of Casey Jones - 5.15.70
10.Silver Threads and Golden Needles - 5.15.70
11.Long Black Limousine - 5.15.70
12.The Rub - 5.15.70
13.I Know You Rider - 6.5.70
14.Me & My Uncle - 6.5.70
15.Cumberland Blues - 6.7.70
16.Candyman - 6.7.70
total time: 73:08
DISC TWO:
1.Dire Wolf - 7.14.70
2.Dark Hollow - 7.14.70
3.How Long Blues - 7.14.70
4.El Paso - 8.5.70
5.Rosalie McFall - 8.5.70
6.Cocaine Blues - 8.5.70
7.Drink Up and Go Home - 8.5.70
8.I Hear A Voice Callin - 8.5.70
9./10.Swing Low Sweet Chariot - 8.5.70
11.Mama Tried - 8.5.70
12.She's Mine - 5.15.70
13.Katie Mae - 5.15.70
Complete Acoustic Sound Check - 11.6.70:
14.Candyman take one - 11.6.70
15.Candyman take two - 11.6.70
16.Uncle John's Band take one - 11.6.70
17.Uncle John's Band take two - 11.6.70
18. The Attics of My Life - 11.6.70
19.Drums and Bass tuning and solo - 11.6.70
total time: 74:06
DISC THREE:
Complete Acoustic Set - 9.20.70:
1.Uncle John's Band - 9.20.70
2.Deep Elem Blues - 9.20.70
3.Friend Of The Devil - 9.20.70
4.Big Railroad Blues - 9.20.70
5.Dark Hollow - 9.20.70
6.Ripple - 9.20.70
7.To Lay Me Down - 9.20.70
8.Truckin'- 9.20.70
9.Rosalie McFall - 9.20.70
10.Cumberland Blues - 9.20.70
11.New Speedway Boogie - 9.20.70
12.Brokedown Palace - 9.20.70
13.Katie Mae - 7.12.70
14.Bring Me My Shotgun > She's Mine - 7.12.70
15.Cocaine Blues - 7.12.70
16.How Long Blues - 7.12.70
total time: 79:57 |
|
|
02/18/71
|
Capitol Theater
Port Chester, NY |
2 CD-R |
|
A |
BettyBoard (MR->PCM->DAT->CD |
|
|
|
02/19/71
|
Capitol Theatre
Port Chester, NY |
3 CD-R |
|
A |
SBD (see notes) |
Inability to hear vocals for first half of Bertha indicates microphone problems during the show (not a problem with the disk mind you).
Filler included on Disk 3:
Dick Latvala on GDH ->
Unknown Dark Star/Phil Jam (Fall 1972)->
Sunshine Daydream |
|
|
03/14/71
|
Camp Randall Field House, University of Wisconsin
Madison, WI |
2 CD-R |
|
A |
SBD->MR->DAT->CD->CD |
|
|
|
04/27/71
|
Fillmore East
New York, NY |
3 CD-R |
|
A |
see notes |
This sounds the same as all my other Dead soundboards. |
|
|
10/19/71
|
Northrop Auditorium, U. of Minn.
Minneapolis, MN |
3 CD-R |
|
A |
PreFM SBD Reels -> DAT -> CDR |
|
|
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University
Palo Alto, CA |
3 CD-R |
|
A |
SBD->DAT->CD |
|
|
|
11/11/73
|
Winterland Arena
San Francisco, CA |
3 CDR |
|
A |
see notes |
Songs are out of sequence on Disks 2 and 3, presumably to keep the entire Dark Star->Mind Left Body Jam intact on Disk 3.
Set II is edited after Big River, which should be followed by DS->MLBJ->Eyes->China Doll (all on D3), but instead contains Sugar Mag -> UJB -> Johnny B. Goode, Bid You Goodnight. |
|
|
11/20/73
|
Denver Coliseum
Denver, CO |
3 CD-R |
|
B |
see notes |
digi-noise throughout |
|
|
08/06/74
|
Roosevelt Stadium
Jersey City, NJ |
4 CD-R |
|
A- |
MR->DAT->CD->SHN->CDR->EAC->CDR |
|
|
|
02/26/77
|
Swing Auditorium
San Bernardino, CA |
3 CD-R |
|
A |
BettyBoard |
|
|
|
05/07/77
|
Boston Garden
Boston, MA |
3 CD-R |
|
A- |
SBD->MR->PCM->DAT->CD (see notes) |
Skips/flickers 3 times at beginning of "Jack Straw" (mid-Disk 1).
Skips/flickers twice in middle of "Peggy-O" (mid-Disk 1).
Missing Encore: U.S. Blues |
|
|
05/08/77
|
Barton Hall, Cornell University
Ithaca, NY |
3 CD-R |
|
A |
SBD (see notes) |
Sound quality is fine.
Small flicker at beginning of Set II (mid-Disk 2) while Bobby is talking to the crowd.
St. Stephen cut on Disk 2 - included in entirety on Disk 3.
My copy has numerous songs in one track (3-4 songs per track).
Disk 3 filler: 7/16/66 - Filmore Aud
Viola Lee Blues
Don't Ease Me In
Pain in My Heart
Minglewood Blues
Sitting On Top of the World
You Don't Have to Ask |
|
|
05/09/77
|
Buffalo Memorial Auditorium
Buffalo, NY |
3 CD-R |
|
A |
see notes |
Sounds the same as all my other Dead soundboards. |
|
|
07/08/78
|
Red Rocks Amphitheatre
Morrison, CO |
2 CD-R |
|
A |
SBD |
|
|
|
12/10/79
|
Soldiers & Sailors Memorial Hall
Kansas City, KS |
3 CDR |
|
A |
SBD->MC->C->DAT->CDR |
Sound is a little grainy but still quality |
|
|
10/11/80
|
Warfield Theater
San Francisco, CA |
1 CD-R |
|
A |
SBD->Reel->PCM->CDR->CDR (EAC)->CDR (EAC) |
Acoustic Set. Set I only. |
|
|
10/27/80
|
Radio City Music Hall
New York, NY |
3 CDR |
|
A |
AUD > DAT > CDR |
Set 1:
The Race Is On [3:00]
I've Been All Around This World [4:51]
Monkey And The Engineer [2:29]
To Lay Me Down [9:27]
Heaven Help The Fool [6:28]
Rosalie McFall [2:52]
On The Road Again [2:43]
Bird Song [10:26] >
Ripple [4:35]
Set 2:
Alabama Getaway [4:45] >
Greatest Story Ever Told [4:09]
Friend Of The Devil [10:30]
New Minglewood Blues [7:15]
Peggy-O[6:38]
Passenger[4:46]
Row Jimmy
Lost Sailor >
Saint Of Circumstance >
Deal
Set 3:
Truckin' >
Scarlet Begonias >
Fire On The Mountain >
Drums >
Space >
Wharf Rat >
I Need A Miracle >
Bertha >
Johnny B. Goode
Encore: Casey Jones |
|
|
02/21/82
|
Pauley Pavilion, UCLA
Los Angeles, CA |
2 CDR |
|
A-/ |
SBD->DAT->Soundforge->mkw->shn->mkw->CDR |
Received via Phishhook vine.
Quality sound, but a few technical flaws.
Know flaws:
There are 3 dropouts during the beginning of bird song (2:14-2:21, 2:25-2:27, 2:31-2:34)
There are 5 seconds of silence before the China > Rider and almost all of China Cat is missing.
|
|
|
09/06/83
|
Red Rocks Amphitheatre
Morrison, CO |
1 CD-R |
|
A |
Master SBD Cassette -> Cassette -> DAT -> DCR w/ Aud patches from 2 Master Aud. Cassettes |
|
|
|
11/11/85
|
Meadowlands Arena
East Rutherford, NJ |
3 CDR |
|
A |
Master Aud. Cassette -> DAT -> CDR -> CDR |
|
|
|
07/15/88
|
Greek Theatre, U. Of California
Berkeley, CA |
3 CDR |
|
A-/ |
SchoepsCMC42S->SonyPCM-F10->PCM Master->Sony PCM601ES->RMW Hammerfall->Soundforge 4.5/CD Architect->CDR |
No technical flaws, average quality aud
Source: 2nd row behind Healy, SchoepsCMC42S>SonyPCM-F1>PCM Master>Sony PCM601ES>RMW Hammerfall>Soundforge 4.5/CD Architect>CDR |
|
|
09/20/88
|
Madison Square Garden
New York, NY |
2 CD-R |
|
A |
see notes |
Source:
SBD->DAT->Cassette Master->DAT->Montego II->CDR->EAC->SHN->CDR
Excellent sound - one of my favorite shows.
Known flaws:
1. D1T7 - first 5-10 seconds of Masterpiece are cut (I have checked around and this seems to be the best and only copy circulating. All other source info I have seen say this is cut as well)
2. D2T5 @ 4:31 - pause
|
|
|
12/31/88
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CD-R |
|
A |
DSBD |
|
|
|
05/06/89
|
Frost Amphitheatre
Palo Alto, CA |
3 CD-R |
|
A |
DSBD |
|
|
|
06/21/89
|
Shoreline Amphitheatre
Mountain View, CA |
3 CDR |
|
A- |
see notes |
Digital PPV feed -> Master VHS -> 1st gen digitally dubbed VHS -> DAT -> CDR -> CDR -> CDR -> SHN -> CDR (all CDR transfers using EAC)
|
|
|
07/04/89
|
Rich Stadium
Orchard Park, NY |
3 CDR |
|
A- |
FOB: B&K 4011's->DAT->Mastered from DAT clone with digital connections |
Source:
FOB - B&K 4011's>DAT. Mastered from a DAT clone with digital connections.
Technically fine - good quality aud |
|
|
07/17/89
|
Alpine Valley Music Theatre
East Troy, WI |
3 CD-R |
|
A |
SBD->DAT->CDR |
|
|
|
07/18/89
|
Alpine Valley Music Theatre
East Troy, WI |
3 CD-R |
|
A |
see notes |
The slightest of clicks can be heard between tracks |
|
|
10/09/89
|
Hampton Coliseum
Hampton, VA |
3 CD-R |
|
A |
see notes |
Sounds the same as all my other Dead soundboards. |
|
|
03/22/90
|
Copps Coliseum
Hamilton, ON |
3 CDR |
|
A |
SBD->MC->DAT->CDR |
|
|
|
03/25/90
|
Knickerbocker Arena
Albany, NY |
3 CDR |
|
A- |
SBD |
Disk 1 - sound drops out at the end of each track
Disks 2&3 are fine |
|
|
03/26/90
|
Knickerbocker Arena
Albany, NY |
2 CDR |
|
A- |
SBD |
Sound kind of jumps in at the beginning of each track - probably due to amateur editing |
|
|
03/28/90
|
Nassau Coliseum
Uniondale, NY |
2 CDR |
|
A |
SBD/32 Track Mix -> MC -> Dat -> CDR -> SHN -> WAV -> AddAWave -> retracking -> shn -> WAV |
Source:
SBD/32 Track Mix > Master Cass > Dat > CD-R > SHN > WAV > AddAWave > retracking > shn > WAV
Set II begins on Disk 1
Slight cut before Encore on Disk 2 |
|
|
03/29/90
|
Nassau Coliseum
Uniondale, NY |
3 CDR |
|
A |
SBD -> DAT -> CDR |
|
|
|
03/30/90
|
Nassau Coliseum
Uniondale, NY |
3 CD-R |
|
A |
32Track SBD -> Healy 2Track Mixdown -> DAT -> SHN -> CDR |
|
|
|
04/03/90
|
The Omni
Atlanta, GA |
3 CDR |
|
A |
Master Cassette -> Sonic Solutions @ 24 bits -> CD |
|
|
|
06/10/90
|
Cal Expo
Sacramento, CA |
3 CDR |
|
A |
SBD/Matrix->DAT->CDR->WAV->SHN->CDR |
|
|
|
07/16/90
|
Rich Stadium
Orchard Park, NY |
3 CDR |
|
A |
SBD |
|
|
|
07/19/90
|
Deer Creek Music Center
Noblesville, IN |
3 CDR |
|
A |
DSBD |
|
|
|
09/14/90
|
Madison Square Garden
New York, NY |
3 CDR |
|
A |
FOB (see notes) |
Source: 15th Row Center FOB (Schoeps)->DAT->CDR
Conversion: EAC->CD Wav->SHN->CDR |
|
|
11/01/90
|
Wembley Arena
London, England |
3 CDR |
|
A |
sennheiser 421 fob |
|
|
|
12/31/90
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 CDR |
|
A |
see notes |
Source:
Pre-FM Satellite Feed (matrix mix?) -> 1/2 inch reel @ 15 ips -> DAT -> CDR
I received this show via vine and was unable to extract or copy Disk 3. |
|
|
06/05/93
|
Giants Stadium
East Rutherford, NJ |
3 CD-R |
|
A |
SBD |
|
|
|
06/06/93
|
Giants Stadium
East Rutherford, NJ |
3 CD-R |
|
A |
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/11/69
|
Concertgebouw
Amsterdam, Netherlands |
1 CDR |
|
A |
|
|
|
|
08/08/70
|
Capitol Theatre
Port Chester, NY |
1 CDR |
|
A-/ |
Cassette Master -> Soundforge 6.0 -> cd -> EAC-> SHN->WAVE |
Port Chester Restoration Project #1
Janis Joplin & Full Tilt Boogie
Capiol Theatre
Port Chester, New York
August 8, 1970
Cassette Master> Soundforge 6.0> cd> EAC> SHN
-Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a TDK normal bias tape. Microphones were set up in the balcony with a 10-20 foot spread.
-Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance (johnjayhance@optonline.net).
-Cleanup performed by Peter G with Soundforge 6.0.
-EAC performed with correct offsets. SHN conversion with MKW & extra tracking of soundcheck (track1) & retracking of beginning of "Piece of My Heart" (track 12) CD Wave and EAC by Evan Bellaff (theelevan@yahoo.com).
1. "Check" 00:16
2. Tell Mama 06:44
3. Half Moon 06:09
4. Mercedez Benz* "Acapulco" 2:11
5. Mercedes Benz 1:54
6. My Baby 07:57
7. Kozmic Blues 05:06
8. Maybe 05:09
9. Instrumental 06:18
10. ??? 07:05
11. Move Over 05:02
12. Piece of My Heart 04:37
Janis Joplin- vocals
Brad Campbell- bass
John Till- guitar
Richard Bell- piano
Ken Pearson- organ
Clark Pierson- drums
Total running time (58:35)
* Janis mentions writing "Mercedez Benz" in the bar on the corner, right before the show.
This is Janis' last performance in New York and third to last performance, ever.
Several instances of tape speed distortion exist on the master between:
track 7 (1:39- 4:58)
track 12 (3:22- 4:17)
------------------------------------------------------------------------------------------------------
The Port Chester Restoration project
Capitol Theatre- Port Chester, NY
Audience recordings by Ken and Judy Lee
1970-1971
Ken and Judy Lee didn't think anyone would be interested in hearing their recordings...
Between the years 1970 and 1971, Ken worked security at The Capitol Theatre in Port Chester, New York, while his girlfriend Judy ran movie projections between sets. One of a few live music taping enthusiasts of the time, Ken was granted exclusive permission by club promoter Howard Stein to record the shows at the theatre for his own personal use. Judy was on hand to perform the tape flips while Ken was busy doing his job.
In 1968, the couple took Judy's brother Mark, who was nine years old to his first concert at "Cafe Wha?" in New York City. The Monkees were on tour and Jimi Hendrix was along for the ride as their opening act.
Several years later, Mark was introduced to the music of the Grateful Dead at the Nassau Coliseum on March 19th, 1973 in Uniondale, Long Island. This single event marked the beginning of a life long odyssey of musical experiences with the band that affected him most deeply. Along with his good friend, John Jay Hance, who Mark met at a Dead show in 1979, the two traveled around the United States with the band in search of the ultimate musical experience, attending over 350 shows together. The two also shared a common interest in seeing live music of a wide variety of genres, and during the 23 years that they knew each other attended more than 1000 total concerts together, until Mark's untimely death in November of 2002.
Mark knew of brother in-law Ken's recordings from the Capitol Theatre, and had a strong interest in having the shows circulated; however, being true to his word to Howard Stein, Ken kept the recordings under wraps and the tapes never saw the light of the trading domain (One noteworthy bending of this rule occurred when Ken agreed at Mark's request to circulate the late show that the Grateful Dead did on June 24th of 1970. This show is highly regarded as an all-time magical performance by the Dead during their 30 year history as a band).
It was not until John Jay, who also knew Ken Lee, and of the Port Chester tapes, ran into Ken at Mark's funeral in 2002 that the fateful discussion of having the recordings released occurred. At that time, Ken didn't think anyone would have any desire to listen to his tapes. They had been sitting up in the attic of his present home for over 20 years going through the early stages of decay.
Because such a great deal of time had elapsed since Ken made his agreement with Howard Stein, and the fact that John Jay was insisting that there was an overwhelming interest by music lovers to hear these recordings, Ken agreed to open the flood gates and the Port Chester Restoration Project began, which is ultimately a tribute to Mark Cohen's passion for live music.
By fortune and coincidence, John Jay Hance, a master at the art of recording and restoring live music himself had already developed his own method for preserving fragile, decaying audio tapes with a heating method commonly known as "baking." The process of restoring Ken's recordings presents an even greater challenge, however. The cassette shells which encase the audio tapes first have to be removed and replaced because they are too fragile to be played. This is extremely difficult, being that these cassettes were glued together during manufacturing (as opposed to the use of screws, today). The halves of the shell must be carefully removed without doing damage to the tape inside.
Once the analog tape is restored and rebuilt, it must then be then played back one time through an analog to digital converter onto a cd, which is then cleaned of hiss and other extraneous noises. Then it can be replicated and introduced to the world of music trading. For the cleanup job, John Jay enlisted the help of "Sound Forge" software guru Peter G to help make what exists from the master tapes sound just exactly perfect. Having listened to the first installment of this project, Janis Joplin and Full Tilt Boogie from August 8, 1970 several times, I can tell you that the sound is brilliant!
Keep in mind that Ken and Judy recorded nearly EVERY show at the Capitol during '70 and '71, on an estimated 300-500 cassettes (one box of cassettes is believed to be missing). While many are labeled with correct dates and the music they contain, much of what exists is still a mystery. Several gems containing long forgotten performances and musical collaborations have already surfaced. Expect some nice surprises in the years to come.
Enjoy Ken and Judy's recordings from the Capitol Theatre and appreciate the great care and quality of craftsmanship that went into their creation and is currently going into their preservation.
Evan Bellaff
9/03
theelevan@yahoo.com |
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/07/76
|
Club Front
San Rafael, CA |
1 CD-R |
|
A |
SBD->DAT->SEKD Prodif 32->CDWav->wav->CDR |
|
|
|
02/14/76
|
Keystone
Berkeley, CA |
2 CDR |
|
A |
SBD->MR->Cassette->DAT->CDR->EAC(WAV) |
|
|
|
02/02/80
|
The Stone
San Francisco, CA |
2 CDR |
|
A |
Nakamichi 700's-> Sony TCD-D5->CDR |
|
|
|
03/08/80
|
The Stone
San Francisco, CA |
2 CDR |
|
A |
AUD->MC->DAT->CDR |
|
|
|
03/07/82
|
The Saddlerack
San Jose, CA |
1 CD-R |
|
A |
FM Broadcast (see notes) |
Recording is not complete and is most likely from a radio broadcast.
Sugaree (song 1) and Midnight Moonlight (last song) are missing.
Voice of DJ can be heard from time to time in between songs. |
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12/02/83
|
The Tower Theatre
Upper Darby, PA |
2 CDR |
|
A |
94 SBD (DAT: MSC->D) |
All cuts are minor and probably due to tape flips on the master. |
|
|
12/04/83
|
Gym, S.U.N.Y.
Stony Brook, NY |
2 CDR |
|
A- |
see notes |
Not a complete show. "Run for the Roses" and "Cats..." (set I) are not present on the Master, as the tapers were busted. Set II begins on Disk 1.
Slightest of clicks between songs.
Recording: Sennheiser 421's->Sony D5->Master Cassette
CD Mastering: Master Cassette->SBM->WaveTerminal 2496->Soundforge 4.5-> Plextor burn->CD Masters
CD Masters->EAC->MkWToolkit->SHN->CDR->CDR |
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|
08/29/87
|
French's Camp, Eel River
Piercy, CA |
3 CDR |
|
A |
SBD |
|
|
|
03/01/91
|
Warfield Theater
San Francisco, CA |
0 CDR |
|
A- |
FOB->B+K 4011->Neumann PS->Dat->CD |
|
|
|
08/24/91
|
Goldcoast Concert Bowl
Squaw Valley, CA |
2 CD-R |
|
A |
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/28/66
|
Village Vanguard
New York, NY |
1 CDR |
|
A |
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/06/99
|
New Daisy Theatre
Memphis, TN |
2 CD-R |
|
A |
SBD |
|
|
|
11/17/01
|
The Fillmore Auditorum
Denver, CO |
3 CD-R |
|
A |
|
|
|
|
12/31/01
|
Paramount Theatre
Denver, CO |
3 CD-R |
|
A |
DSBD->D-8->CDR->EAC->SHN->CDR |
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|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/12/75
|
Masonic Temple
Scranton, PA |
2 CDR |
|
A |
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/17/00
|
Bimbos 365
San Francisco, CA |
2 CDR |
|
A |
DAUD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/26/96
|
Waterloo Records
Austin, TX |
1 CD-R |
|
A |
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/28/67
|
Konigin Elizabethzaal
Antwerp, Belgium |
1 CDR |
|
A |
SBD |
Short dropouts in T5, T7 (tape flip?) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/29/02
|
House of Blues
Cambridge, MA |
1 CDR |
|
A |
SBD-> ? ->CDR |
|
|
|
02/25/02
|
The Acoustic Cafe
San Francisco, CA |
1 CDR |
|
A |
FM Broadcast |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/02/91
|
Gothic Theater
Denver, CO |
1 CDR |
|
A |
SBD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/26/70
|
Fillmore West
San Francisco, CA |
1 CDR |
|
A |
|
|
|
|
01/05/02
|
Tilgorg
Tilborg, The Netherlands |
2 CDR |
|
A- |
Aud |
2002-01-05
Concertzaal 13
Tilburg, The Netherlands
Think(*NE), Celtic Swing, Whatever Happened To PJ Proby, Meet Me In The Indian Summer, Naked In The Jungle, Don't Worry About A Thing, Satisfied, That's Life, Real Real Gone, Stop Drinkin' Wine, Baby Please Don't Go, In The Afternoon > Alfie > Let It Roll > Ancient Highway > Meditation, Have I Told You Lately 2001, That Lucky Old Sun, Help Me, St James Infirmary, All Work And No Play, Star Of The County Down, Brown Eyed Girl, Gloria > I Feel Alright
Comment: 1h40m;
Lineup: Richard Dunne, Ned Edwards, Lee Goodall, Matt Holland, Pete Hurley, Bobby Irwin, Martin Winning; Guest: Candy Dulfer |
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|
05/04/02
|
Olympia Theatre
Dublin, Ireland |
2 CDR |
|
A |
Aud |
2002-05-04 Late Show
Olympia Theatre Dublin, Ireland
Inarticulate Speech Of The Heart #1(*instru), Celtic Swing, Whining Boy Moan > Jumpin' With Symphony Sid, Days Like This, Hey Mr DJ, Into The Mystic, Don't Worry About A Thing, Baby Please Don't Go, It Once Was My Life, I Have Finally Come To Realise, All Work And No Play, Only A Dream, Northern Muse(Solid Ground), Back On Top, That's Life, Have I Told You Lately 2001, In The Afternoon > Alfie > Ancient Highway > Coney Island > Meditation > Get Up I Feel Like A Sex Machine, Star Of The County Down, It's All In The Game > You Know What They're Writing About > No Prima Donna > Rainbow '65, Madame George > Backstreets
Comment: Green Energy Festival; Late Show - 1h40m
Lineup: Richard Dunn, Ned Edwards, Lee Goodall, David Hayes, Matt Holland, Bobby Irwin, Martin Winning
2 audio discs. Last of 3 shows in Dublin for Green Energy Festival. Great versions of Into The Mystic, Coney Island & Sex Machine in the In The Afternoon segment, It's All In The Game workshop. Instead of Brown Eyed Girl and Gloria type of encore Van plays the seldom heard Madame George. Very good aud recording.
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|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/27/00
|
Celebrity Theater
Phoenix, AZ |
3 CD |
|
A- |
2nd row, DFC - Schoeps CMC6, MK4> OadeM148> HHB> Zefiro ZA2 |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/02/00
|
High Sierra Music Festival
Quincy, CA |
2 CD-R |
|
A |
DSBD |
|
|
|
08/08/00
|
Sunshine Daydream
Terra Alta, WV |
1 CDR |
|
A |
SBD |
|
|
|
09/16/00
|
Brewgrass Festival
Asheville, NC |
1 CD-R |
|
A |
DSBD |
|
|
|
10/15/00
|
The Cabooze
Minneapolis, MN |
2 CD-R |
|
A |
SBD->D7->CDR |
|
|
|
04/21/01
|
Little Turniptown Festival
Ellijay, GA |
2 CD-R |
|
A |
SBD |
|
|
|
06/08/01
|
Pickin in the Pines
Cincinnati, OH |
2 CDR |
|
A |
|
|
|
|
10/10/01
|
Smith's Olde Bar
Atlanta, GA |
2 CDR |
|
A |
SBD -> DA-P1 -> D8 |
|
|
|
10/14/01
|
The Station Inn
Nashville, TN |
2 CDR |
|
A |
SBD->Benchmark AD2K->DA P1->DA40->SPDIF/CDWAV 1.56 |
|
|
|
12/31/01
|
Mississippi Nights
St. Louis, MO |
3 CD-R |
|
A |
|
|
|
|
02/13/02
|
Belly Up Tavern
Solano Beach, CA |
2 CD-R |
|
A |
see notes |
Sounds the same as all my other Yonder soundboards. |
|
|
04/12/02
|
Paradise Rock Club
Boston, MA |
3 CD-R |
|
A |
SBD (see notes) |
Sound on the encore is faded as it was performed unplugged |
|
|
05/30/02
|
The Bear Tooth Theater
Anchorage, AK |
2 CD-R |
|
A |
SBD->DAT->Wav->SHN->CDR |
|
|
|
07/03/02
|
The Meadows
Steamboat Springs, CO |
1 CD-R |
|
A |
SBD (early show) |
|
|
|
07/03/02
|
The Meadows
Steamboat Springs, CO |
2 CD-R |
|
A |
SBD (late show) |
|
|
|
08/17/02
|
Alpine Valley Music Theatre
East Troy, WI |
1 CDR |
|
A |
SBD->DAT Chain->D7->SoundForge->SHN->CDR |
|
|
|
12/30/02
|
Boulder Theater
Boulder, CO |
3 CDR |
|
A |
|
|
|
|
12/31/02
|
Paramount Theater
Denver, CO |
4 CDR |
|
A |
|
|
|
|
02/13/03
|
The Orange Peel
Asheville, NC |
1 CDR |
|
A |
sbd ->xlr ->dat ->dap1 (see notes for transfer) |
Transfer: dap1>coax>tdk standalone>EAC>CD WAV>SHN (mkwACT)
Set I only |
|
|
02/20/03
|
Theater of Living Arts
Philadelphia, PA |
3 CDR |
|
A |
Aud |
|
|
|
02/21/03
|
Irving Plaza
New York, NY |
2 CDR |
|
A |
Aud |
|
|
|
07/12/03
|
The Stage Stop
Rollinsville, CO |
2 CD |
|
A |
Single Mic Show - AKG461 > MV100 > SBM-1 > D8 (onstage just below single mic) |
YMSB ? 7/12/03
?Cosmic Thumpy Grumper String Band?
The Stage Stop
Rollinsville, CO
(Single Mic Show)
Disc 1
Intro
Spanish Harlem Incident
June Apple >
Bloody Mary Morning
Brown Mt. Light
Loneliness & Desperation
Sharecropper?s Son
Mossy Cow *
Idaho *
You?re No Good
Troubled Mind
Disc 2
Boatman >
2 Hits
E: Pan American
Rocky Top
Holding
Molly & Tenbrooks ^
Angeline the Baker ^
Over the Waterfall ^
Chatter
*w/ Ed Caner ? fiddle
^w/ Bruce Lish & members
of High On The Hog
|
|
|
09/04/03
|
Orpheum Theater
Flagstaff, AZ |
2 CD |
|
A |
MBHO603/ka200n > V3 (24bit, 48Khz) > vxpocket > Sound Forge (Fujitsu Lifebook) |
Source: MBHO603/ka200n > V3 (24bit, 48Khz) > vxpocket > Sound Forge (Fujitsu Lifebook)
Lineage: Dithered and Resampled to 16bit, 44.1 with Wavelab, tracked with CDWav > CD > EAC > SHN
Taped by: Brian Hendricks
Transfered by: Brian Hormann
|
|
|
09/05/03
|
Marquee Theater
Tempe, AZ |
2 CD |
|
A- |
KA200N/MBHO603a(FOB, ORTF, 45'/8') > Apogee Mini-Me > DA-P1(@48) |
Source: KA200N/MBHO603a(FOB, ORTF, 45'/8') > Apogee Mini-Me > DA-P1(@48)
Lineage: Sony PCM-R300 > Echo Mia > Sound Forge 6.0(Fades, Resampling) > CD Wave (Tracking) > MKW(shn)
Taped by: Brian Hormann
Transfered by: Brian Hormann
Set 1
01. Intro
02. Rambler's Anthem
03. Romance Blues
04. Mossy Cow
05. Bloody Mary Morning >
06. Little Rabbit
07. Left Me In A Hole
08. County Boy Rock and Roll
09. Big Spike Hammer
10. Deep Pockets
11. Bolten Stretch
12. *Ramblin' In the Rambler >
13. Dominated Love Slave >
14. Ramblin' In the Rambler
Set 2
15. Your No Good
16. &Steep Grades, Sharp Curves
Disc 2
Set 2 Cont.
01. Walkin' Shoes
02. Yes She Do, No She Don't
03. Mental Breakdown
04. Alone and Blue
05. Going Across the Sea
06. Spoonful ?? Jam >
07. Traffic Jam >
08. Pow Wow Little Indian Boy >
09. Jesus on the Main Line >
10. Keep on Going >
11. Northern Song >
12. Keep on Going >
13. Traffic Jam
14. Crowd & Banter
Encore:
15. My Gal
16. Four Walls of Raiford
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|
Blues for Etree by Josh Simpson
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