Last Updated on December 31, 1969
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RonMexico's RoIO List:


10,000 Maniacs---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
07/04/93 10,000 Maniacs Silver Bootleg "In The Garden Of Eden" CD>EAC (Secure with C2, accurate stream, disable cache)>Trader's Little Helper (Flac,Align on sector boundaries,test encoded files,FFP File Created)>You Tracklist: Live at Kinks Music Theater, Toronto, Canada, 1993 1. 3:41 Candy Everybody Wants 2. 4:01 My Sister Rose 3. 4:57 What's The Matter Here 4. 5:08 Don't Talk 5. 3:11 If You Intend 6. 4:03 Jezebel 7. 2:02 I Beg Your Pardon (Rose Garden) 8. 3:47 These Are Days 9. 4:31 Hey Jack Kerouac 10. 3:41 Few And Far Between 11. 3:41 Every Day Is Like Sunday 12. 3:40 Because The Night This show sounds like an FM broadcast or Soundboard recording. Seeded to Dimeadozen.org April 2006 by Stranjluv101 Kingswood Music Theatre Toronto ON FLAC / CD-R

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Al Green---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
10/04/74 Thanks to mommacita on the Bootleg Archive hub for this. Al Green 1974-10-04 The Midnight Special Los Angeles CA 1. Sweet Talk 2. Tired Of Being Alone 3. Here I Am 4. Let's Get Married 5. Love And Happiness 6. Let's Stay Together 7. I'm Still In Love With You Source: SBD>?>CDR (A/A-) Transfer: CDR>EAC(secure/offset correct)>WAV>Flac Frontend v1.7.1(level 5)>FLAC (by bcc32065 7/9/04) Time: 34:25 Size: 174 MB (FLAC) Note: Edits between most songs The Midnight Special Los Angeles CA FLAC / CD-R

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Alice Coltrane---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
02/21/71 Alice Coltrane Carnegie Hall February 21, 1971 FM Alice Coltrane - piano, harp Pharoah Sanders - ts, ss,fl, perc, fife Archie Shepp - ts,ss,perc Jimmy Garrison - b Cecil McBee - b Clifford Jarvis - d Ed Blackwell - d Tulsi - tamboura Kumar Kramer - harmonium 1. Africa (28:35) ____________________________ Carnegie Hall New York NY FLAC / CD-R

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03/23/71 Alice Coltrane Berkeley, CA April 23, 1971 Audience Alice Coltrane, p, harp Archie Shepp reeds Pharoah sanders reeds Frank Lowe reeds Jimmy Garrison bass Clifford Jarvis drums 2. Journey in Satchidananda (Alice Coltrane) 11:47 3. unidentified 7:36 4. Africa (John Coltrane) 25:33 Unknown Berkeley CA FLAC / CD-R

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Ani Difranco---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
08/12/97 Montage Ski Resort Montage, PA 8/12/97 Openning act for Bob Dylan Schoeps MK4V's-> Schoeps VMS-> Sony SBM-> Sony Dat Deck Montage Ski Resort Scranton PA FLAC / CD-R

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08/20/97 Ani DiFranco CDR1: Mann Music Center Philadelphia, PA 8/20/97 Openning act for Bob Dylan Schoeps MK4V's-> Schoeps VMS-> Sony SBM-> Sony Dat Deck Mann Music Center Philadelphia PA FLAC / CD-R

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Babatunde Olatunji---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
12/31/91 Baba Olatunji 12-31-91 Oakland, CA Excellent SBD Baba Olatunji opened for the Grateful Dead on this New Years show at the Oakland Coliseum. Excellent sound quality and a great performance. If you have a good subwoofer, the drums will shake your walls, and be ready to dance! If you are into African Drumming, this is a must have. I read that Mickey Hart as a kid saw Olatunji in his school program teaching African drumming and that inspired him to become a drummer. Later Mickey and Baba became good friends and had him open many Grateful Dead shows, and played many shows together in Planet Drum, I saw several of those shows and they were great. Baba Olatunji 12-31-91 Oakland Coliseum, CA SBD > Sony TCD-D3 > DAT > TCD-D7 > Optical > Creative Audigy 2ZS> Wavelab > FLAC (sector aligned) 1 - Law Of The Lord 2 - The Beat Of My Drum 3 - Odun De! Odun De! (Happy New Year) 4 - Ife L'oju L'aiye (Love) 5 - Jewe No fades, 0 space between tracks. The world needs only 1 thing: LOVE - IFE. Oakland Coliseum Oakland CA FLAC / CD-R

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Bela Fleck & The Flecktones---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
01/13/06 BELA FLECK & THE FLECKTONES with the Nashville Symphony Orchestra 1/13/2006 T.P.A.C. - Jackson Hall Nashville, TN Source: DPA 4061 -> Sonosax SX-M2 -> M-Audio Microtrack -- Set 1 -- NASHVILLE SYMPHONY ORCHESTRA 01 Unforgettable 02 Soul Bossa Nova 03 As Time Goes By 04 One Mint Julep BELA FLECK & THE FLECKTONES 05 Next 06 Scratch & Sniff 07 Rococo* 08 Zona Mona* 09 Costa Brava* -- Set 2 -- 01 Kaleidoscope 02 Sleeper 03 Who's Got Three? 04 Bela solo 05 Jayme Lynn* 06 Sunset Road* 07 County Clare* encore: 08 Sleeping Dogs Lie *with the Nashville Symphony Orchestra TPAC - Andrew Jackson Hall Nashville TN FLAC / CD-R

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Bob Marley & The Wailers---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
04/23/76 Bob Marley & The Wailers Tower Theatre Upper Darby, PA 4/23/76 EX-SBD SBD > ? > CD-R > EAC > FLAC Disc 1 1. Intro - 1:36 2. Rastaman Chant - 4:36 3. Conquering Lion > Keep That Faith - 6:01 4. Roots, Rock, Reggae 5:04 5. Burnin' & Lootin' - 5:12 6. Them Belly Full (But We HUngry) - 4:10 7. Rebel Music - 6:04 8. I Shot The Sheriff - 7:10 9. Johnny Was - 6:31 10. No More Trouble - 3:58 11. No Woman No Cry - 4:34 12. Kinky Reggae - 9:39 Disc 2 1. Night Shift - 5:49 2. Lively Up Yourself - 7:07 3. Rat Race - 4:49 4. Want More - 9:43 Encore 5. Positive Vibration - 4:55 6. Get Up, Stand Up - 5:59 7. War - 6:31 8. Crazy Baldheads - 8:11 9. Jah Live - 4:32 Preserve Quality. Pass it on. hawkfan369 Verified lossless 3-8-06 Tower Theater (Late Show) Upper Darby PA FLAC / CD-R

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06/14/78 Bob Marley and the Wailers 1978-06-14 Pinecrest Country Club Shelton, CT Lineage: Master cassette > unknown cassette gens > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel File Size: 473 MB (FLAC) Setlist: Disc One [80:54] 01 [05:25] Positive Vibration 02 [03:47] Dem Belly Full 03 [06:23] Concrete Jungle 04 [04:55] Rebel Music 05 [05:38] War! -> No More Trouble 06 [04:43] Heathen 07 [03:20] Easy Skanking 08 [04:30] I Shot The Sheriff 09 [07:02] No Woman No Cry 10 [07:58] Jamming 11 [02:01] Crowd! 12 [06:03] Lively Up Yourself 13 [05:54] Get Up Stand Up 14 [03:36] Punky Reggae Party 15 [09:28] Exodus MD5/FLAC Fingerprints: bmw1978-06-14t01.flac:0e69321cce8e0f71eaf22527147badb7 bmw1978-06-14t08.flac:88629e6b1ee8bcfc807836845dca84b7 bmw1978-06-14t15.flac:5f38688132521d4eac3a46e2d1351c49 bmw1978-06-14t14.flac:47b4f2edd2fb5455ef1792162febe165 bmw1978-06-14t13.flac:456f84528edaa2a247cea4fea9460feb bmw1978-06-14t12.flac:6d55c0af1cea675faef64b7ead29be3d bmw1978-06-14t11.flac:a0de0fedf5875ec53be7778610e638e1 bmw1978-06-14t10.flac:c820a7c9b5aa586024ae0de7ce013325 bmw1978-06-14t09.flac:321a3d4ff9e9679bc12b927a1895036f bmw1978-06-14t07.flac:2d55c5b6149db2432d91b0c701a37774 bmw1978-06-14t06.flac:76770000cb53f583ac8047da38873b1c bmw1978-06-14t05.flac:c4268ea4447f6cc34d2594e45baddc3b bmw1978-06-14t04.flac:3cfebaa06df722575eaf1606480db81e bmw1978-06-14t03.flac:5993756d7a0723f716669b855a49a5b3 bmw1978-06-14t02.flac:40186105cdc86250300eb54f3e74919c I believe this transfer to be an upgrade. I'll attach a sample for y'all to check out. Here's the story. I got this show on cassette more than 25 years ago. I believe that it was recorded by Deadheads who really knew what they were doing. I recently made a digital transfer, and it sounds amazing (IMHO). I don't know the exact lineage, but it is very low gen, and having resided on cassette all this time, no digitally lossy generations have been introduced. The only evidence of anything missing is the very beginning of "Jamming," (a tape flip?) and I can't remember if this is common to all versions (I assume that all versions originated with the same audience source). I haven't recently listened to the version that circulates from the Bob Fried DAT, but my recollection is that my source generally sounds better and cleaner, plus there is a stretch in the DAT sourced version where all the highs disappear for several tracks. Also, some of the other circulating versions are off pitch. This one is pitch-perfect. I tracked it for a single disc with an overburn, but if you wanted to split into two discs, the logical place is between "No Woman No Cry" and "Jamming," since there seems to be a tape flip at the beginning of "Jamming" in any case. This source has often been confused for a soundboard, and you could excuse the mistake. This is one of the best audience recordings I've ever heard (and I've heard a few). It's also a tribute to Dennis Thompson (or whoever was mixing the sound at the time), because clearly it sounded great at the venue. You can hear the "creaky" sound as the taper adjusts the mic pole at various times in the first few minutes, until about 4:15 into "Positive Vibration" when the pole is extended into its final position, and the bass response receives a noticeable boost. This is one of my absolute favorite Bob performances, and as already noted, a very nice recording. As a total fanatic for Bob's studio work, and even having seen him perform, I didn't totally "get it" until I heard this recording in 1979 or so. I came to truly appreciate Al Anderson's phenomenal chops, Fams' killer bass sound, Wia's roots comping, and not to forget the sublime grooves of the greatest drummer who ever lived . . . our man Carly. Hope y'all enjoy. Check out the mp3 sample below. To be seeded in the near future: I also have another heretofore uncirculated BMW show -- it's a first gen audience of the early show in Vancouver on 07-14-78. It's not the greatest quality, but like repatriation . . . it's a must! Pinecrest Country Club Shelton CT FLAC / CD-R

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12/02/79 CD#3: Late show main set 65:21 01 crowd noise & intro before 1st song 0:23 [from alternate cassette source] 02 Rastaman Vibration 5:17 03 Wake Up and Live 5:06 04 I Shot The Sheriff 4:36 05 Them Belly Full 3:35 06 Concrete Jungle 5:42 07 Ambush In The Night 3:51 08 Running Away 3:13 09 > Crazy Baldheads 4:04 10 Heathen 4:28 11 Ride Natty Ride 4:16 12 War 4:15 13 > No More Trouble 1:46 14 Africa Unite 4:17 15 One Drop 3:59 16 Jammin' 6:24 CD#4: Late show encores 25:55 01 No Woman No Cry 02 Natty Dread 03 Is This Love? 04 > Exodus 05 > Get Up Stand Up Santa Cruz Civic Center (Early Show) Santa Cruz CA FLAC / CD-R

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12/02/79 Bob Marley & The Wailers December 2, 1979 Santa Cruz Civic Auditorium Santa Cruz, CA Excellent sound quality pre-broadcast soundboard recordings from best circulating copies. CD#1: Early show main set 67:28 01 crowd noise & Bob's talk before 1st song 0:29 02 > Rastaman Vibration 5:14 03 Wake Up and Live 5:19 04 Them Belly Full 3:25 05 Concrete Jungle 5:10 06 I Shot The Sheriff 4:28 07 Running Away 3:25 08 > Crazy Baldhead 4:19 09 Ambush In The Night 3:57 10 The Heathen 5:06 11 War 4:50 12 > No More Trouble 1:57 13 Ride Natty Ride 4:25 14 Africa Unite 4:25 15 One Drop 4:11 16 JamminÕ 6:33 17 thank yous & crowd noise before encores 0:08 CD#2: Early show encores 17:19 01 Is This Love? 3:28 02 Natty Dread 3:43 03 Exodus 4:26 04 > Get Up Stand Up 5:40 CD#3: Late show main set 65:21 01 crowd noise & intro before 1st song 0:23 [from alternate cassette source] 02 Rastaman Vibration 5:17 03 Wake Up and Live 5:06 04 I Shot The Sheriff 4:36 05 Them Belly Full 3:35 06 Concrete Jungle 5:42 07 Ambush In The Night 3:51 08 Running Away 3:13 09 > Crazy Baldheads 4:04 10 Heathen 4:28 11 Ride Natty Ride 4:16 12 War 4:15 13 > No More Trouble 1:46 14 Africa Unite 4:17 15 One Drop 3:59 16 Jammin' 6:24 CD#4: Late show encores 25:55 01 No Woman No Cry 02 Natty Dread 03 Is This Love? 04 > Exodus 05 > Get Up Stand Up These shows were recorded and at least one show was broadcast live by KUSP-FM, who still own the master reels but are not giving them out. These are copies made in 1980 from those masters for one of the sound crew who mixed the show. They loaned him the reels and a Revox A77 so more than one copy was made at the time and these transfers are the best sounding of them. I guess this wasn't the only live broadcast from their tour, but I remember that KUSP said that they convinced Bob Marley to let these shows be broadcast by telling Bob that KUSP was within range of Soledad Prison and that the prisoners would be allowed to listen to them, so he agreed. These recordings have circulated widely, but usually as just one show and either from the FM broadcast or from multi-generation copies of these tapes. Early show lineage: 7.5 ips 1/2 track reel master > Dolby B cassette recorded on Sony TCD5 transferred with Nakamichi Dragon > Macintosh with DigiDesign AudioMedia III card > Pro Tools > AIFF > Toast Titanium > CD. Late show lineage: 7.5 ips 1/2 track reel master > 3.75 ips 1/4 track Dolby B reel recorded & transferred with Tandberg 9241XD > Macintosh with DigiDesign AudioMedia III card > Pro Tools > AIFF > Toast Titanium > CD. This late show reel had a few dropouts, but they are barely noticeable and probably only when listening with headphones. CD extraction with Toast Titanium > xACT (Flac files created with sector boundaries verified). md5 filw created with checkSUM+. The encores from both shows can be burned onto one disk if you prefer to burn it that way to save a disc. ENJOY! Santa Cruz Civic Center (Early Show) Santa Cruz CA FLAC / CD-R

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12/15/79 Bob Marley and the Wailers Queen Elizabeth Sports Center Nassau, Bahamas December 15, 1979 Master soundboard cassette > cassette > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding EAC > FLAC by Jack Warner (jackmw1ATsbcglobalDOTnet) Disc One (13) [47:24] 1 Introduction [2:28] 2 Bob introduction [0:41] 3 Positive Vibration [5:06] 4 Wake Up And Live [4:37] 5 Them Belly Full [3:43] 6 I Shot The Sheriff [4:42] 7 Ambush in the Night [3:51] 8 Running Away > [3:17] 9 Crazy Baldhead [4:00] 10 The Heathen [4:58] 11 War > [4:05] 12 No More Trouble [1:51] 13 Africa Unite [4:02] Disc Two (10) [44:57] 1 One Drop > [4:15] 2 Exodus [5:39] --Encore-- 3 //Roots Rock Reggae [3:16] 4 Jammin' [4:49] 5 Get Up Stand Up [7:16] 6 Zimbabwe [3:58] 7 No Woman No Cry [5:49] 8 Rat Race [3:35] 9 Rebel Music [5:08] 10 Lively Up Yourself// [1:10] *Start of Roots Rock Reggae cut *Most of Lively Up Yourself cut Queen Elizabeth Sports Center Nassau Bahamas FLAC / CD-R

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07/12/80 Bob Marley & The Wailers July 12, 1980 Deeside Leisure Centre Queensferry, Flintshire, Wales 92 minute Soundboard recording. Very good sound quality but the bass is a bit too high in the mix (typical for Marley soundboard recordings) and there are a few dropouts mostly near the source tape's flip point. Remanstered October 2005 from previous seed. Flac files from previous seed > xACT > Digidesign Pro Tools > AIFF files > Toast Titanium > CD. Flac files re-encoded & sector boundaries verified with xACT. md5 file created with checkSUM+. CD#1: Main set 72:28 01 [cuts in] Precious Love [I-Three backed by The Wailers] 4:02 02 I-Three intros by Marcia Griffiths 0:24 03 Slave Queen [I-Three backed by The Wailers] 4:03 04 Steppin' Out Of Babylon [I-Three backed by The Wailers] 4:29 05 That's The Way [I-Three backed by The Wailers] 5:06 06 announcer I-Three outro 0:17 07 Marley Chant 2:20 08 > band intros by announcer over more of Marley Chant, with Bob's entrance & first comments 1:33 09 > Natural Mystic 4:22 10 Positive Vibration 5:02 11 Revolution 5:28 12 I Shot The Sheriff 4:59 13 War [a few seconds in this song is missing] 3:47 14 > No More Trouble [most of song is missing] 0:34 15 Zimbabwe 3:41 16 Zion Train 4:02 17 No Woman No Cry 6:52 18 Jammin' 4:34 19 Exodus 5:59 20 thank you by band member & crowd noise before encores 0:44 CD#2: Encores 19:39 01 talk: Bob's intro to Redemption Song 0:31 02 > Redemption Song 4:08 03 Coming In From The Cold 4:23 04 Natty Dread 4:48 05 Work 4:17 06 Could You Be Loved? [cut] 1:31 I'm reposting this because I think that I was able to improve it a lot. Besides the TAO errors, there were quite a few thumps and clicks associated with the transfer that I was able to edit out seamlessly. Also the cuts in War and No More Trouble have been made less noticeable with edits and level adjustments. I re-edited the disc change point to put just the encores on CD#2 and the I-Three songs at the beginning of CD#1 and removed the overlap. That way if anyone wants to do the disc transition point differently it can be done without much trouble. Thanks to the original seeder! ENJOY! Deeside Leisure Centre Queensferry Wales FLAC / CD-R

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Bunny Wailer---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
12/26/82 Bunny Wailer 12-26-82 Kingston, Jahmaica National Stadium Bunnys first solo show sbd?>cassx>UA-1A>cooleditpro>cdwav>wav>shn D1 (same circulating source for d1-sorry) 1.Intros > Rastaman Dub > 2.Bunnys Intro 3.Intro Speach 4.Rastaman 5.Blackheart Man 6.Armegideon 7.Dreamland 8.Fighting Against Conviction 9.Let Him Go 10.Love Fire 11.Struggle Sbd>Datx(@44.1)>SonyDTC-60es>DeltaDio2496> CoolEditPro>CdWav>Wav>Shn Thanks to Jah C for this great dat! -New Upgrade- D2 1.Dance Rock 2.Rock-n-Groove 3.Rootsman Skankin 4.Galong So 5.Jammins 6.Cool Runnings 7.Bunny Talks 8.Crucial 9.Rule This Land D3 1.Toughest 2.Ballroom Floor 3.No Woman No Cry * 4.Keep On Movin// # * w/Judy Mowatt,Peter Tosh + Jimmy Cliff # w/Peter Tosh Beans notes.... This is the full show!! This is as close as it got to a Wailers reunion.. Hearing Bunny + Peter sing together is incredible! Also you get a younger, more angry Bunny then recent years. This is a CLASSic Bunny show-Babylon feel this one!!!! National Stadium Kingston Jamaica SHN / CD-R

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Carlos Santana & John McLaughlin---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
09/01/73 Carlos Santana - John McLaughlin Sept 1, 1973 International Amphitheatre Chicago IL, USA John McLaughlin - guitar (6, 12 string) Carlos Santana - guitar Khalid Yasin (aka Larry Young) - organ Doug Rauch - bass Billy Cobham - drums Armando Peraza - congas Disc 1 1. 1:52 Meditation -> 2. 19:01 The Life Divine -> 3. 20:26 A Love Supreme 4. 29:25 Afro Blue 5. 1:26 introductions 6. 6:25 Naima ----- 78:37 Disc 2 1. 17:06 Flame Sky 2. 13:57 Taurian Matador -> 3. 7:06 Conga Solo -> 4. 5:25 Drum Solo -> 5. 3:01 Taurian Matador (reprise) 6. 26:36 Let Us Go Into the House of the Lord (encore) ----- 73:14 Total time - 151:51 Notes: This 30th anniversary release presents the complete show, in the order it was played. Note this is not from the for-profit bootleg CD, a cleaner source is used. There is a cut in Flame-Sky at 12:21. There is occasional overload (e.g. D1T2 1:15-1:35 ). These flaws were present in the master tape. Thanks to TomP, Bruce, the Dream Clinic and others too anonymous to mention :-) Special thanks to David Eape and Murray V. Classic art can be found on the web at http://www.cdrs.dial.pipex.com/list/cd.mcl.datfoml.shtml Chicago Amphitheatre Chicago IL SHN / CD-R

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Clifford Brown---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
07/28/55 Clifford Brown Practice Sessions\ \ July 28th, 1955 - Quebec, Canada\ \ I have seen one track from this tape up (the 17 minute shed by Clifford). This includes this track and some rehearsal tracks with an unknown group in Quebec, Canada. (He says 'province of Ontario' - Quebec is a province in itself...) If anybody can give any info about this tape that would be great - Clifford sounds incredible, and you get to hear him speak and buzz. Since the tracks are so rough and informal, I've labeled them with descriptions rather than titles.\ \ 1. (Piano Noodle) All The Things intro - 0:38\ 2. All The Things pt. 1\ 3. All The Things pt. 2\ 4. LOUD Bone, Trpt Noodling\ 5. Piano Noodling Blues intro\ 6. Blues Jam 1\ 7. Strike up the Band?\ 8. (Bebop Tune) pt.1\ 9. (Bebop Tune) pt.2\ 10. Blues Jam 2\ 11. Clifford Talk\ 12. CLIFFORD WOODSHED (The famous track)\ 13. Clifford Buzz\ 14. Piano Practice (Clifford?)\ \ Lineage Unknown. I got a CD of it from a Canadian musician who claimed to get it from the person who Clifford's wife gave it to. Any info? Does anybody recognize this tape?\ \ Encoded as FLAC\ \ Enjoy!} Unknown Unknown QC FLAC / CD-R

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David Bowie---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
04/27/83 DAVID BOWIE AND STEVIE RAY VAUGHAN DALLAS REHEARSALS VOL.1 DALLAS,LAS COLINAS, APRIL 27TH 1983 SOURCE : FROM SILVER FACTORY PRESSED CD STAR SPANGLED MUSIC SSM003. - FLAC Excellent sound quality. (NOW!) TRACK LISTING : 1.STAR 3.51 2.HEROES 5.07 3.WHAT IN THE WORLD 3.59 4.LOOK BACK IN ANGER 3.05 5.JOE THE LION 3.00 6.WILD IS THE WIND 4.49 7.GOLDEN YEARS 4.11 8.FASHION 2.51 9.LETS DANCE 5.40 10.RED SAILS 3.22 11.BREAKING GLASS 2.50 12.LIFE ON MARS 3.49 13.SORROW 2.52 14.CAT PEOPLE(PUTTING OUT FIRE) 4.05 15.CHINA GIRL 5.37 16.SCARY MONSTERS(SUPER CREEPS) 3.44 17.REBEL,REBEL 2.33 18.I CANT EXPLAIN 2.32 19.WHITE LIGHT,WHITE HEAT 4.26 DAVID BOWIE AND STEVIE RAY VAUGHAN DALLAS REHEARSALS VOL.2 DALLAS,LAS COLINAS, APRIL 27TH 1983 SOURCE : FROM SILVER FACTORY PRESSED CD STAR SPANGLED MUSIC SSM003. - FLAC setlist: 1. Station to Station 2. Cracked Actor 3. Ashes to Ashes 4. Space Oddity 5. Youn Americans 6. Soul Love 7. Hang onto Yourself 8. Fame 9. TVC15 10 Stay 11 Jean Genie 12 Modern Love Las Colinas Soundstage Dallas TX FLAC / CD-R

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Dido---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
06/11/04 Dido Live at the Tower Theater Upper Darby (Philadelphia), PA June 11th, 2004 Taper: Derek A. (fan1alanis219@aol.com) Source: SP CMC-8's (Cardioid) in hat mount-> SP SBSB-3 with bass roll-off @ 96hz -> Sharp MD-MT877 (SP mode) Location: Right-Center Orchestra, row DD, seat 125 (aisle seat) Transfer: Sony MDS-E10 ->Coaxial out->Coaxial in on SoundBlaster Live!Drive->Cool Edit Pro 2.0->CD Wave->MKW Act (SHN) ********************************************** ********DO NOT ENCODE TO LOSSY FORMATS******** ***********SUCH AS MP3, WMA, or OGG*********** ******TRADE FREELY, NEVER PAY FOR LIVE******** ******************RECORDINGS****************** ********************************************** Filesize: 686mb Setlist: Disc 1 01. Intro <1:45min> 02. Stoned <4:14min> 03. Here With Me <5:53min> 04. See You When You're 40 <6:37min> 05. Life For Rent <4:14min> 06. Hunter <4:27min> 07. Isobel <4:52min> 08. My Life <3:28min> 09. Honestly OK <7:00min> 10. Don't Leave Home <5:12min> Total Disc Time: 47:42min Disc 2 1. Who Makes You Feel <5:10min> 2. Take My Hand <7:12min> 3. Mary's In India <4:14min> 4. Thank You <5:01min> 5. Sand In My Shoes <6:12min> 6. White Flag <8:49min> 7. Do You Have A Little Time <3:02min) 8. All You Want <5:08min> 9. See The Sun <6:13min> Total Disc Time: 51:01min Total Time: 98:43min Notes: This show almost didn't get taped. My friend and I were just "eh" about going. We knew about Dido and were just 'occassional' listeners, not fans or anything. Anyways, I had to work late this night, and I tried to sell the tickets last minute (after all they were 4th row tickets), but couldn't get a buyer local enough, so the show day rolled around and it was 7pm, I left work and we decided to head on down to Philly, we got there just in time, I got my gear setup in the bathroom, sat in my seat, and within 30secs the lights dimmed! Perfect timing. After the show, my friend and I were just blown away by Dido's performance, it was STUNNING! She definately won me over. Recording Notes: If you have downloaded any of the other shows I posted, there's no need to question quality. And as always, I post an MP3 sample in the thread of my torrent, so there's no guessing games on quality. This is probably one of my best recordings I have ever done, the quality is just spectacular. The only problem I see in this, is during the encore, the one guy in front of me was a bit chatty for about 20-30seconds into the 2nd encore song (the same guy that announced it was his birthday earlier in the show). Nothing major...just wanted to throw that out there. There is also cover art included! Tower is a very lax venue and I took my camera with me and got some great shots, which I used to make the cover art from. Enjoy! The Tower Theatre Upper Darby PA SHN / CD-R

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Disco Biscuits---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
05/27/06 The Disco Biscuits Great Plaza at Penn's Landing Jam on the River Philadelphia, PA 5/27/06 Source: (fob/dfc/din) Schoeps CCM4v's > Lunatec V3 > Tascam HD-P2 (24/96) Conversion: Wavelab 5 (16/44.1) > CDWave > FLAC Frontend (level 6) > flac Taped, converted and seeded by Graham Munda (dueling@magpage.com) Disc 1 01) (intro) 02) Abraxis 03) Hope 04) Spacebirdmatingcall 05) I Remember Ray Disc 2 (set I cont.) 01) Caterpillar > 02) Run Like Hell > 03) The Great Abyss > 04) Caterpillar (encore) 05) Highwire *******************flac fingerprint********************* db2006-05-27d1t01.flac:cc708b0e23b9eb228ce3c9f39bc9da71 db2006-05-27d1t02.flac:70214d06bdc9c8a103e835ccd69a9d66 db2006-05-27d1t03.flac:288c83dc2b5653269fa494a3e78abea5 db2006-05-27d1t04.flac:07880dbda739e7129ec9b59f4d4af95d db2006-05-27d1t05.flac:4f77a78bc160f4f8ea6d2ba5baeac030 db2006-05-27d2t01.flac:89910d21ada16176b15ad51c13c33641 db2006-05-27d2t02.flac:02bd83c56612c5a99f349b616352d74b db2006-05-27d2t03.flac:0a79058583fbb83ac75f159fcf87e7c8 db2006-05-27d2t04.flac:f969570f33b8504551464ab4609ee90e db2006-05-27d2t05.flac:23e6f071acbd0f8ee2b16b0d0fa9aa57 *******************Shntool Output*********************** length expanded size cdr WAVE problems filename 1:39.39 17555372 --- -- ---xx db2006-05-27d1t01.flac 4:51.43 51433580 --- -- ---xx db2006-05-27d1t02.flac 13:59.56 148131356 --- -- ---xx db2006-05-27d1t03.flac 16:16.68 172326380 --- -- ---xx db2006-05-27d1t04.flac 6:34.72 69670988 --- -- ---xx db2006-05-27d1t05.flac 18:09.16 192137276 --- -- ---xx db2006-05-27d2t01.flac 7:50.42 83006828 --- -- ---xx db2006-05-27d2t02.flac 26:28.10 280146764 --- -- ---xx db2006-05-27d2t03.flac 5:04.66 53780876 --- -- ---xx db2006-05-27d2t04.flac 5:43.52 60627548 --- -- ---xx db2006-05-27d2t05.flac 106:39.14 1076.52 MB (totals for 10 files, 0.4948 overall compression ratio) Great Plaza at Penn's Landing Philadelphia PA FLAC / CD-R

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Erykah Badu---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
12/04/04 Erykah Badu live in Copenhagen December 4th 2004. Falconer salen. Sony mic - M1 - WAV - FLAC8. Tracked but no titles... Falconer salen Copenhagen Denmark FLAC / CD-R

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Flatt & Scruggs---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
06/15/58 Flatt and Scruggs and the Foggy Mountain Boys 06-15-1958 New River Ranch Rising Sun, MD Source: SBD>reel(unknown gen)>CDR>EAC>FLAC16(8) Lester Flatt - guitar Earl Scruggs - banjo, guitar Josh Graves - dobro Everette Lilly - mandolin Paul Warren? - fiddle Cousin Jake - bass, comedy, vocals, juice harp Set 1 01. Quick intro 02. Fire on the Mountain 03. Someday I'll See You Again, Sweetheart 04. Shuckin' the Corn 05. Big Black Freight Train 06. 07. 08. Foggy Mountain Special 09. Don't Forget Me, Little Darling 10. (instrumental bit...x) 11. (x...instrumental bit) > Earl's Breakdown 12. Let Those Brown Eyes Smile at Me 13. Six White Horses 14. Wildwood Flower 15. A Hundred Years From Now 16. Tragic Romance (x) Set 2* 17. Don't Let Your Deal Go Down 18. Cotton Eyed Joe 19. 20. Give Me My Flowers While I'm Living 21. Six White Horses 22. Sweetheart You Done Me Wrong 23. Cumberland Gap ****************** Notes: * This recording is clearly from multiple sets (they play Six White Horses twice). It was difficult to detect where the first set ended and the second began. I guessed it was after Tragic Romance due to the tape cut and the presence of a boisterous female in the audience who only seems to be there in tracks 17 on. - Most banter and stage talk had been removed by the time I received this recording. The archivist decided to fade out after each song; no band member introductions are therefore included. The personnel listed is my best guess. - The split-up instrumental part in tracks 10-11 is kinda strange. Just short parts of an instrumental. - That said, the quality is superb on this SBD recording. ****************** Seeded by Ryan F. Baker on 5 May 2006 The Bluegrass Hub - Legal, Live, Lossless Bluegrass Direct Connect: bluegrasshub.no-ip.com New River Ranch Rising Sun MD FLAC / CD-R

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Garcia---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
11/21/70 JERRY GARCIA, BOB WEIR & DUANE ALLMAN WBCN Studios, Boston November 21, 1970 1. advertisement 2. El Paso 3. banter 4. Big River 5. I Know You Rider 6. banter 7. Jam 8. banter 9. Dark Hollow 10. banter 11. Angie 12. Let Me In FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC WBCN-FM Studios Boston MA FLAC / CD-R

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11/23/72 Jerry Garcia, Phil Lesh, Bill Kreutzmann, Leon Russell, Mary Egan, Doug Sahm Armadillo World Headquarters Austin, TX 11/23/72 MSC>1C>Dat>cdr Set One: (10 songs) Hi-Heel Sneakers Honky Tonk Angel Closin' Time Me & Bobby McGee Stormy Monday That's All Right, Mama Come On Into My Kitchen T for Texas Mr. Tamborine Man San Antone ; Set Two: (7 songs) Sugar Foot Rag I'm So Lonely I Could Cry Jambalaya Today I Started Loving You Again Unknown Song > Honky Tonkin' Orange Blossom Special Set Three: (13 songs) Searchin' Lonely Lonely Nights > Shake A Hand Hey Bo Diddley It Takes A Lot To Laugh, It Takes A Train To Cry Hard Rain Wild Horses Slippin' Into Christmas Money Honey Chug A Lug Roll Over Beethoven > Good Golly Miss Molly > Roll Over Beethoven Comments: The beginning of Hi-Heel Sneakers is cut. UL2GDLmatty23 Happy Birthday Jerry!!!! Armadillo World Headquarters Austin TX SHN / CD-R

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Garcia & Kahn---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
05/05/82 Jerry Garcia and John Kahn Oregon State Prison Salem, Or 05/05/82 SBD> dat> cd> wav> shn 01. ...Deep Elm Blues 02. Friend of the Devil 03. Jack-a-Roe 04. Aint No Lie 05. Takes Alot to Laugh 06. Run for the Roses 07. Ripple 08. Been All Around This World 09. Valerie 10. Dire Wolf 11. Ruben and Cherise ul2gdlmatty23 lostsailor23@hotmail.com Oregon State Prison Salem OR SHN / CD-R

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06/30/82 Jerry Garcia and John Kahn Auditorium Theater, Rochester, NY June 30, 1982 Recorded by Jamie Herbst Master Audience Cassette>Cassette>Cassette (2nd Gen); Unknown Equipment Transfer and FLAC encoding by David Minches: 2nd generation cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC disc 1: Early Show: Tuning Deep Elem Blues Friend of the Devil Dire Wolf Little Sadie Valerie To Lay Me Down Run For the Roses disc 2: Late Show: Gomorrah I've Been All Around This World Birdsong Jack-A-Roe Oh, Babe Ain't No Lie Ripple E: Reuben and Cherise -------------------------------------------------------------------------------- MD5 #1 MD5 #1 Title: jg1982-06-30_ffp.txt jg1982-06-30d2t007.flac:2dab30735061a1bef71b713e645d3de0 jg1982-06-30d1t001.flac:9e8b7adba22d8dc8eb47336d1c46b137 jg1982-06-30d1t002.flac:576128635fc00f11e919468925866dfd jg1982-06-30d1t003.flac:6bce4d2f054347641ce91947816c3397 jg1982-06-30d1t004.flac:77a1757ffd5d552d8690bc4972bbea0d jg1982-06-30d1t005.flac:16d7565ee610e628dec6ba93ce25e0e4 jg1982-06-30d1t006.flac:9c7ebcb2d77be389738cda8495c240a2 jg1982-06-30d1t007.flac:e7d20437dbf586a4f174ec62cf9d12c0 jg1982-06-30d1t008.flac:15daca635c9e41c568737def1fdf5c98 jg1982-06-30d2t001.flac:6b76a6ab89bc972e61d605f23c674557 jg1982-06-30d2t002.flac:244512531475683801c4572baae4345b jg1982-06-30d2t003.flac:36103e19bd3825c8a401d86412320136 jg1982-06-30d2t004.flac:251a838f34328fa24a334398c40a36e7 jg1982-06-30d2t005.flac:08e6902f71df5daa9ee808ac5c729bf5 jg1982-06-30d2t006.flac:aed0e06beb00638806ebe1fbb7c86db3 Auditorium Theater Rochester NY FLAC / CD-R

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11/26/84 Jerry Garcia & John Kahn 11-26-1984 Bushnell Auditorium Hartford, CT Source: MSC > C > DAT > WAV > SHN Disc 1 - Set 1 01 Deep Elem Blues [08:46] 02 Little Sadie [04:41] 03 Peggy-O [07:56] 04 Valerie [07:49] 05 Run For The Roses [04:23] 06 Simple Twist Of Fate [13:33] Total time: 47:09 Disc 2 - Set 2 01 Reuben And Cherise [07:55] 02 Friend Of The Devil [08:51] 03 Jack-A-Roe [05:44] 04 Gomorrah [06:19] 05 Bird Song [18:16] Total time: 47:05 Comments: Very clean SBD . Third of only 4 non-GD Garcia Peggy-Os. 18 minute plus acoustic "Bird Song". DAE(EAC)>tracking(cdwav editor)>sector boundaries confirmed (shntool)>SHN(mkwact). misSHN in the rain, 7/04. shntool len output: length expanded size cdr WAVE probs filename 8:46.01 92788796 --- -- -xx jgjk84-11-26d1t01.shn 4:40.63 49540220 --- -- -xx jgjk84-11-26d1t02.shn 7:56.04 83975852 --- -- -xx jgjk84-11-26d1t03.shn 7:49.47 82842188 --- -- -xx jgjk84-11-26d1t04.shn 4:23.15 46428524 --- -- -xx jgjk84-11-26d1t05.shn 13:33.34 143493212 --- -- -xx jgjk84-11-26d1t06.shn 7:54.55 83743004 --- -- -xx jgjk84-11-26d2t01.shn 8:51.06 93682556 --- -- -xx jgjk84-11-26d2t02.shn 5:44.23 60735740 --- -- -xx jgjk84-11-26d2t03.shn 6:18.62 66825068 --- -- -xx jgjk84-11-26d2t04.shn 18:15.57 193292108 --- -- -xx jgjk84-11-26d2t05.shn 94:13.67 997347268 B (totals for 11 files) (totals for 11 files) Bushnell Auditorium Hartford CT SHN / CD-R

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Garcia & Saunders---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
09/24/71 Jerry Garcia & Merl Saunders The Lion Share San Anselmo, CA 09/24/71 Early and Late Shows MSR -> 1C -> D -> Digi001 -> SHN Early Show Set 1 Disc 1: 1. Save Mother Earth Instrumental -> 2. Imagine Instrumental 3. One Kind Favor 4. I Was Made To Love Her Instrumental 5. Baby, What Do You Want Me To Do? 6. Down Around Biloxi Late Show Set 1 Disc 2: 1. Hi-Heel Sneakers 2. Man-Child Instrumental -> 3. Summertime Instrumental 4. That's The Touch I Like -> 5. Annie Had A Baby -> WPLJ Notes: approximately 1/4 second dropout removed from "Down Around Biloxi" approximately 1/8 second dropout removed from "Georgia On My Mind" Transfer: Sony PCM-M1@44.1 -> Digidedesign 001 Optical S/PDIF -> HD as Sound Designer 2 @44.1 -> Pro Tools LE (Tracked, and converted to Wave) -> SHN Filler was recorded to HD @48 and downsampled in Pro Tools LE to 44.1 Personnel: Jerry Garcia (Guitar, Vocals) Merl Saunders (Keyboards, Vocals) John Kahn (Bass) Bill Vitt (Drums) Tom Fogerty (Rhythm Guitar, Vocals) Special Thanks to Ryan Shriver of The Jerry Site for providing the DAT. Transfer by D. Metz d1metz@pacbell.net The Lion Share San Anselmo CA FLAC / CD-R

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09/24/71 Jerry Garcia & Merl Saunders The Lion Share San Anselmo, CA 09/24/71 Early and Late Shows MSR -> 1C -> D -> Digi001 -> SHN Early Show Set 1 Disc 1: 1. Save Mother Earth Instrumental -> 2. Imagine Instrumental 3. One Kind Favor 4. I Was Made To Love Her Instrumental 5. Baby, What Do You Want Me To Do? 6. Down Around Biloxi Late Show Set 1 Disc 2: 1. Hi-Heel Sneakers 2. Man-Child Instrumental -> 3. Summertime Instrumental 4. That's The Touch I Like -> 5. Annie Had A Baby -> WPLJ Notes: approximately 1/4 second dropout removed from "Down Around Biloxi" approximately 1/8 second dropout removed from "Georgia On My Mind" Transfer: Sony PCM-M1@44.1 -> Digidedesign 001 Optical S/PDIF -> HD as Sound Designer 2 @44.1 -> Pro Tools LE (Tracked, and converted to Wave) -> SHN Filler was recorded to HD @48 and downsampled in Pro Tools LE to 44.1 Personnel: Jerry Garcia (Guitar, Vocals) Merl Saunders (Keyboards, Vocals) John Kahn (Bass) Bill Vitt (Drums) Tom Fogerty (Rhythm Guitar, Vocals) Special Thanks to Ryan Shriver of The Jerry Site for providing the DAT. Transfer by D. Metz d1metz@pacbell.net The Lion Share San Anselmo CA FLAC / CD-R

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01/19/72 Garcia/Saunders The Lion Share; San Anselmo, CA 1/19/72 set I MSR > C > D > CD Originally seeded by mike lai ** Fixed sector boundries using shntool on 4/19/2001 ** Single Disc 61:56 1. It Takes a Lot to Laugh, a Train to Cry [7:40] [0:55] 2. Expressway [11:19] -> 3. Imagine Instrumental [7:39] [1:12] 4. That's Alright Mama [6:07] [0:24] 5. Save Mother Earth Instrumental [16:37] [1:14] 6. [0:53] I Was Made to Love Her Instrumental [7:29] [0:19] Notes: d1t01 levels jump up @ 0:18 d1t05 and t06 Paul Butterfield on harp The Lion's Share San Anselmo CA SHN / CD-R

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01/20/72 Garcia & Saunders The Lion Share; San Anselmo, CA 1/20/72 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN. Extraction using EAC, tracking using CDWave, .shn encoding using mkwACT, and sector boundary verification using shntool. Disc One (5) 59:42 --Set I-- 1. That's The Touch I Like [8:46] [0:22] 2. Man-Child Instrumental [28:06] [0:39] 3. When I Paint My Masterpiece [5:44] [0:10] 4. Expressway (To Your Heart) [8:35] [0:14] 5. That's All Right Mama [6:55] [0:11] Disc Two (6) 68:43 --Set II-- 1. How Sweet It Is [9:23] [0:13] 2. It Takes A Lot To Laugh, It Takes A Train To Cry [8:01] [0:13] 3. My Problems Got Problems Instrumental [14:45] [0:02] 4. Lonely Avenue [13:08] [0:10] 5. Save Mother Earth Instrumental [11:39] -> 6. Imagine Instrumental [10:47] [0:13] Notes: A gorgeous recording, except for persistent vocal distortion. The Lion Share San Anselmo Ca SHN / CD-R

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02/06/72 Jerry Garcia, John Kahn, Bill Kruetzman & Merl Saunders Pacific High Studio, San Francisco, CA February 6, 1972 Source: FM > ? >dat [Note added 11/5/2004: had been listed as pre-FM, but appears not to be based on spectral analysis by Jay Ashley] transfer: da-20 > rme 96/8 pst > cd wave > mkw(shn) transfer by Tim Rossi (timothyrossi@yahoo.com) Disc 1 (47:31) 1. It Takes A Train To Cry* (07:51) 2. Expressway (13:32) 3. That's The Touch (08:03) 4. Save Mother Earth**> (09:29) 5. Imagine** (08:34) Disc 2 (54:18) 1. That's All Right Mama (10:20) 2. Who's Loving You Tonight? (09:46) 3. When I Paint My Masterpiece (06:48) 4. I Was Made To Love Her** (09:25) 5. Lonely Avenue (09:53) 6. How Sweet It Is (08:03) * first verse is instrumental ** instrumental errors: the crowd noise is missing between tracks d2t01 > d2t02, and d2t04 > d2t05 Pacific High Recording San Francisco CA SHN / CD-R

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06/30/72 Garcia & Saunders Keystone Korner San Francisco, CA 6/30/72 MSR? > ? > Barry Glassberg's mono reel (obtained "ages ago" from "P.L.") > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by Joe Jupille (jjoops AT attbi DOT com). Disc One (7) 62:17 --Set I-- 01. It's No Use [8:54] [0:06] 02. Expressway [11:15] [0:17] 03. One Kind Favor [7:41] [0:17] 04. Sick and Tired (1) [11:15] [0:07] 05. Down Around Biloxi [6:10] [0:13] 06. That's All Right, Mama [9:50] [0:12] 07. The Night They Drove Old Dixie Down [5:48] [0:09] Disc Two (6) 61:51 --Set II-- 01. ... It Takes a Lot to Laugh, It Takes a Train to Cry [#7:57] [0:12] 02. After //Midnight [15:#55] [0:05] 03. Announcement & Tuning [1:30] 04. Money Honey [7:00] [0:12] 05. Are You Lonely For Me Baby [22:06] -> 06. Jam// [6:46#] Notes/Flaws: - (1) Tom Fogerty lead vocals - Do not be frightened by the question marks in the lineage. This copy has more punch and less hiss than the previously circulating version, which had been labeled MSR>DAT>CD. Glassberg's reel was probably at most 2nd or 3rd generation, and this stuff just sounds absolutely wonderful. By contrast the old copy sounds hissy and muddy, and visual inspection reveals lots of square (clipped) wavs. This copy also has an extra three and a half minutes or so of the jam out of Are You Lonely for Me Baby, and the additional material is spectacular and precious! Great great stuff. - d2t01 Train to Cry fades in - d2t02 After Midnight channel fluctuations throughout; subtle splice @ 8:52 - d2t06 Jam fades out where the reel supposedly ends. Huge thanks to Mark Cohen for the source CDs! length expanded size cdr WAVE probs filename 9:00.10 95279564 --- -- --- jg+ms1972-06-30-glassberg-d1t01.wav 11:33.00 122245244 --- -- --- jg+ms1972-06-30-glassberg-d1t02.wav 7:58.63 84467420 --- -- --- jg+ms1972-06-30-glassberg-d1t03.wav 11:22.19 120349532 --- -- --- jg+ms1972-06-30-glassberg-d1t04.wav 6:23.52 67683548 --- -- --- jg+ms1972-06-30-glassberg-d1t05.wav 10:02.06 106206956 --- -- --- jg+ms1972-06-30-glassberg-d1t06.wav 5:57.49 63090092 --- -- --- jg+ms1972-06-30-glassberg-d1t07.wav 8:09.68 86419580 --- -- --- jg+ms1972-06-30-glassberg-d2t01.wav 16:00.14 169376972 --- -- --- jg+ms1972-06-30-glassberg-d2t02.wav 1:35.70 16922684 --- -- --- jg+ms1972-06-30-glassberg-d2t03.wav 7:12.16 76242476 --- -- --- jg+ms1972-06-30-glassberg-d2t04.wav 22:06.52 234028748 --- -- --- jg+ms1972-06-30-glassberg-d2t05.wav 6:46.51 71738396 --- -- --- jg+ms1972-06-30-glassberg-d2t06.wav Keystone Korner San Francisco CA SHN / CD-R

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12/20/72 Garcia and Saunders 12/28/72 Lion's Share San Anselmo, CA Disc 1 Set One After Midnight It's Too Late Baby Please Don't Go (1) Expressway (To Your Heart) > Jam > Space > Georgia On My Mind That's All Right, Mama Disc 2 Set Two When I Paint My Masterpiece I Second That Emotion Unknown Song (1) (2) > Jam (1) (2) > Sweet Cocaine (1) (2) Baby What You Want Me To Do? (1) (2) Further On Up The Road (1) (2) Disc 3 Set Two (Conclusion) The System (1) (2) (3) Comments: (1) with Roger Troy (aka Jellyroll). (2) with Danny ? on guitar. (3) with unknown horn player. The venue that used to be listed for this show was the Lion Share. However, a recently discovered handbill for the Keystone Berkeley lists this show as taking place there. The original FM in circulation mislabled 12/28/72 consists of It's Too Late through Georgia On My Mind from Set 1 and Baby What You Want Me To Do to the end of the show from Set 2. 12/28/72 was the date of the original FM broadcast of portions of this show, thus the reason for the date confusion. However, the entire show was broadcast on WBAI-New York in April of 1998 from the DAT listed here. And finally, a pre WBAI-FM is now circulating on DAT and analog. Recordings: 90 FM, 166 FM [WBAI], 166 SBD (DAT: MSR>D>1C>D) Contributors: Rob Eaton, Ryan Shriver Keystone Berkeley CA SHN / CD-R

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02/05/74 Jerry Garcia & Merl Saunders 02/05/1974 Great American Music Hall San Francisco, CA Source: MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)>PCM>DAT>DAT>WAV>FLAC. Transfer: DAT (plyback on Sony PCM-R500) > S/PIDF coaxial > Audiophile 2496/P4 2 GHz > recorded as 24 bit/48 KHz WAV with Wavelab 5 > Waves L3 Multimaximizer using hi res CD rendering settings > 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 5). DAT master provided by M.Townshend. Transfer and mastering via C.Ladner. DISC I - SET I 01 Someday Baby [17:03] 02 La-La [16:15] 03 (I'm A) Road Runner [15:51] 04 It's Too Late [16:10] 05 My Problems Got Problems [11:13] Total time: 76:33 DISC II - Set 1 (cont'd) 01 Night They Drove Old Dixie Down [06:03] SET II 02 Harder They Come [17:13] 03 Think [09:36] 04 Wondering Why [10:13] Total time: 43:05 DISC III - SET II (con'd) 01 Mystery Train [09:56] 02 My Funny Valentine [23:24] 03 Are You Lonely For Me, Baby? [13:10] 04 How Sweet It Is (To Be Loved By You) [11:54] Total time: 58:24 Comments: This source is an upgrade over the currently circulating source (SHNID=11254) with none of the previously noted flaws: - complete version of "Someday Baby" - no dropouts in "Road Runner" - no crackles in "My Problems Got Problems" - "Mystery Train" fades in very quickly but I think all of the notes are there. Thanks to Michael Townshend for letting me check out his DAT. SHNTOOL LEN OUTPUT: length expanded size cdr WAVE probs filename 17:03.09 180478412 --- -- -xx jgms1974-02-05d1t01.flac 16:15.62 172135868 --- -- -xx jgms1974-02-05d1t02.flac 15:51.03 167763500 --- -- -xx jgms1974-02-05d1t03.flac 16:10.65 171260924 --- -- -xx jgms1974-02-05d1t04.flac 11:12.55 118670204 --- -- -xx jgms1974-02-05d1t05.flac 6:03.01 64035596 --- -- -xx jgms1974-02-05d2t01.flac 17:12.64 182195372 --- -- -xx jgms1974-02-05d2t02.flac 9:35.73 101601740 --- -- -xx jgms1974-02-05d2t03.flac 10:13.44 108236732 --- -- -xx jgms1974-02-05d2t04.flac 9:56.08 105153260 --- -- -xx jgms1974-02-05d3t01.flac 23:24.18 247707980 --- -- -xx jgms1974-02-05d3t02.flac 13:10.12 139384268 --- -- -xx jgms1974-02-05d3t03.flac 11:53.51 125893196 --- -- -xx jgms1974-02-05d3t04.flac 178:03.15 1884517052 B (totals for 13 files) Great American Music Hall San Francisco CA FLAC / CD-R

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03/09/74 Jerry Garia/Merl Saunders March 9, 1974 The Keystone, Berkeley, CA SMR>DAT3x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC Disk #1 Someday Baby Instrumental I Second That Emotion My Funny Valentine Disk 2 Lonely Avenue Road Runner > The Harder They Come It's No Use Ain't No Women (instrumental) The Night They Drove Old Dixie Down (missing) This show was originally seeded by www.shnflac.net (Lossless Legs) PLease thank the moderators for encouaging fresh seeds. Keystone Berkeley CA FLAC / CD-R

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Good Old Boys---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
07/04/76 the Good Old Boys with Peter Rowan, David Grisman, & Vassar Clements Green Mountain Banjo Festival Essex Junction, Vermont July 4, 1976 SBD > Cassette master (Jerry Moore) from master cassette -- A/D conv. (1992): Nak CR2-A > Casio DA-7 Sony 59ES via {S/PDIF} > Tascam CD-RW4U (tracked on the fly) [extracted w/ Wavelab, unaltered and .wav files then converted to flac] Line-up: Frank Wakefield - mandolin, vocals Tom Stern - banjo - bass Peter Rowan - guitar, vocals Vassar Clements - fiddle David Grisman - mandolin disc 1: GOB w/ Rowan & Clements 01. intro...tuning 02. instr. 03. Deep Elem Blues 04. Jesse James 05. Knockin' on Your Door 06. instr. w/ David Grisman 07. instr. 08. New Camptown Races 09. Hobo Song 10. Panama Red 11. instr. 12. David, David 13. Blue Moon of Kentucky 14. Pistol Packin' Mama disc 2: David & Frank 01. Jesus Loves His mandolin Player #17 > 02. Jesus Loves His mandolin Player 36 everybody back up... 03. Swing Low 04. Going The Road Feelin' Bad 05. Here To Get My Baby Out of Jail 06. Wild Horses 07. Uncle Pen 08. MC Back in late Dec. 1992 Jerry gave me a few GOB shows on DAT that he had transfered, and he also brought a few casstte masters that we transfered to DAT. This was the crown jewel! Green Mountains Banjo Festival Essex Junction VT FLAC / CD-R

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Grateful Dead---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
10/10/68 Grateful Dead (aka Mickey and the Heartbeats) The Matrix San Francisco, CA 10/10/68 source: SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD) thanks to c.miller for seeds. Disc 1: 01 Jam [28:49] 02 It's A Sin [9:01] 03 Next Time You See Me Jam [9:24] 04 The Rub Jam [6:39] 05 Look On Yonder Wall [4:13] Disc 2: 01 Jam [24:56] > 02 Turn On Your Lovelight Jam [15:19] > 03 Drums [6:24] > 04 Jam [20:59] > 05 Death Don't Have No Mercy [9:57] Disc 3: 01 Dark Star Jam [15:30] > 02 The Eleven Jam [5:56] > 03 The Seven [9:59] DAE/shnv3 by neo_levo. The Matrix San Francisco CA SHN / CD-R

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10/20/68 10/20/68 - Grateful Dead Greek Theatre, Berkeley, CA SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD 1 Disc SHN / 1 Disc Audio Good Morning Little Schoolgirl Turn On Your Lovelight Dark Star > Saint Stephen > The Eleven > Caution (Do Not Stop On Tracks) Charlie Miller charliemiller87@earthlink.net Greek Theatre, U. Of California Berkeley CA SHN / CD-R

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02/22/69 THE OWEN BROTHERS VAULT The Grateful Dead - 22FEB69 Dream Bowl - Napa, CA SBD>MR>DAT>CDR Editing and CD mastering by The Wizard - Owenbrothersvault@hotmail.com Very nice sound with good balance in the instruments. Light continuous noise filter to reduce tape hiss. Some pops and other defects corrected. Break announcement moved to end of Disc One from start of Disc Two. All editing done with Diamond Cut Millennium software. Disc One - Set One : 57:02 01) Dupree's Diamond Blues (Start cut) 02)>Mountains Of The Moon 03)>Dark Star 04)>Cryptical Envelopment 05)>Drums 06)>The Other One 07)>Cryptical Envelopment 08)>Death Don't Have No Mercy (Splice) 09)> Crowd + Break Announcement Disc Two - Set Two : 53:14 01) Doin' That Rag 02)>Saint Stephen 03)>The Eleven 04)>Turn On Your Love Light length expanded size cdr WAVE probs filename 3:50.31 40644956 --- -- -xx gd69-02-22d1t01.shn 5:14.30 55460204 --- -- -xx gd69-02-22d1t02.shn 21:10.65 224180924 --- -- -xx gd69-02-22d1t03.shn 1:51.66 19735676 --- -- -xx gd69-02-22d1t04.shn 0:11.54 2067452 --- -- -xx gd69-02-22d1t05.shn 8:05.44 85657532 --- -- -xx gd69-02-22d1t06.shn 9:21.55 99089804 --- -- -xx gd69-02-22d1t07.shn 6:38.13 70237820 --- -- -xx gd69-02-22d1t08.shn 0:35.43 6275628 -b- -- -xx gd69-02-22d1t09.shn 6:40.68 70719980 --- -- -xx gd69-02-22d2t01.shn 6:34.51 69621596 --- -- -xx gd69-02-22d2t02.shn 17:43.24 187569692 --- -- -xx gd69-02-22d2t03.shn 22:13.29 235209880 -b- -- -xx gd69-02-22d2t04.shn 110:12.48 1166471144 B (totals for 13 files) Dream Bowl Vallejo CA SHN / CD-R

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02/27/69 Grateful Dead 2/27/69 Fillmore West, San Francisco, CA Source: SBD multitrack Lineage: 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN Seeded by Aoxoa =====> THANKS! DAT conversion to CD and initial archiving by R. Keshavan Subsequent editing and archiving by Seth Kaplan Properly aligned sector boundaries verified via .shntool Disc two requires an 80 minute disc Disc 1 Set 1 1. Bill Graham Intro > 0:10 2. Good Morning Little School Girl 9:40 3. Tuning > 2:13 4. Doin' That Rag 6:27 5. "Beyond the Pale..." > 2:28 6. Cryptical Envelopment > 1:55 7. Drums > 0:11 8. That's it for the Other One > 8:32 9. Cryptical Envelopment 9:05 10. Stage Banter 0:54 Total time: 41:40 Disc 2 Set 2 1. Dupree's Diamond Blues 4:02 2. Mountains of the Moon > 4:35 3. Prelude > 1:22 4. Dark Star > 21:44 5. Saint Stephen > 5:22 6. William Tell > 1:08 7. The Eleven > 14:21 8. Turn On Your Love Light 17:53 Encore: 9. Cosmic Charlie 6:27 Total time: 76:56 Notes: D2t07 (The Eleven): splice @ 9:50 The following edits were performed: 24:865 seconds (the 00:10 second Bill Graham Intro and 14:865 seconds of GMLSG) were patched from a previously circulating alternate SBD source with lineage of SBD > ? > C > CD. The multi-track volume was sampled where the track fades in and the patch was normalised and pitch corrected to match the multi- track's levels. The Eleven has a brief splice in which 1) a 9.5 second silent gap was removed and 2) the volume on the section following the splice was normalised to match the levels of the sampled section preceding the splice. The show was then re-tracked as indicated by the track timings per the setlist. ** shntool report: C:\burning>shntool -len *.shn 0:10 1914572 - gd69-02-27d1t01.shn 9:40 102392012 - gd69-02-27d1t02.shn 2:13 23520044 - gd69-02-27d1t03.shn 6:27 68412668 - gd69-02-27d1t04.shn 2:28 26154284 - gd69-02-27d1t05.shn 1:55 20368364 - gd69-02-27d1t06.shn 0:11 2001596 - gd69-02-27d1t07.shn 8:32 90441500 - gd69-02-27d1t08.shn 9:05 96295628 - gd69-02-27d1t09.shn 0:54 9537404 - gd69-02-27d1t10.shn 41:40 441038072 B (totals for 10 files) C:\burning>shntool -len *.shn 4:02 42712364 - gd69-02-27d2t01.shn 4:35 48552380 - gd69-02-27d2t02.shn 1:22 14488364 - gd69-02-27d2t03.shn 21:44 230065628 - gd69-02-27d2t04.shn 5:22 56890220 - gd69-02-27d2t05.shn 1:08 11995244 - gd69-02-27d2t06.shn 14:21 151953356 - gd69-02-27d2t07.shn 17:53 189331340 - gd69-02-27d2t08.shn 6:27 68405612 - gd69-02-27d2t09.shn 76:56 814394508 B (totals for 9 files) Fillmore West San Francisco CA SHN / CD-R

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02/28/69 Grateful Dead February 28, 1969 Fillmore West, San Francisco, CA Three Discs Source info: 16-Track Master Reel>DAT>CD>EAC>SHN (Extraction and.shn encoding by Seth Kaplan, Sdk022769@aol.com) (Initial seeds circulated by C. Miller via Aoxoa ====> THANKS!) Disc 1 Set One: 1. Bill Graham Intro (Set One) > 00:12 2. Morning Dew 10:43 3. Good Morning Little Schoolgirl 10:50 4. Doin' That Rag 06:04 5. King Bee 07:17 6. Turn On Your Lovelight 19:30 Total Disc Time: 54:39 Disc 2 Set Two: 1. Bill Graham Intro (Set Two) > 00:05 2. Cryptical Envelopment > 01:57 3. Drumz > 00:14 4. That's It For the Other One > 08:01 5. Cryptical Envelopment Reprise > 08:31 6. Dark Star > 19:55 7. St. Stephen > 05:05 8. William Tell > 01:08 9. The Eleven > 16:49 10. Death Don't Have No Mercy 10:00 Total Disc Time: 71:50 Disc 3 Set Two, cont. Encore: 1. "We've Got to Think of Something to Do!..."--->"Crocodile!" > 00:44 2. Alligator > 03:39 3. Drumz > Drummers' Chant > Drumz > 04:14 4. Power Jam > 12:29 5. Caution (Do not Stop on Tracks) > 11:23 6. Feedback > 05:25 7. And We Bid You Goodnight > Goodnight from All the Electronic Mice... 01:40 Total Disc Time: 39:38 Source info for spliced portions: 0:35.360 seconds of Lovelight: 2-Track SBDMR>C>C>DAT>CD 0:36.526 seconds of Pre-Encore stage banter: 2-track MSR>R2Rx2>DAT>CD 0:34.512 seconds of Alligator: 2-Track SBDMR>R>R>PCM>DAT>CD 0:00.895 seconds of Alligator from the Multi-Track Master Reel was replaced with 0:00.895 seconds of Alligator from the 2-Track SBDMR>R>R>PCM>DAT>CD where the Multi-Track Master Reel slowed down and ran out. The above splices from the alternative 2-Track sources were edited and patched by myself using Cool Edit 2000 FFT filters, Normalize/Amplification and Time/Pitch functions. A replicated section of crowd noise after King Bee was removed by me and a repeating error at the end of Dark Star was fixed by Jack Warner. I also re-tracked most of the show after completing the above edits. Dark Star splice at approximately 18:00 (drops off at 17:58 on the initial unpatched disc 2) from 2-Track DAT source supplied by Rob Bertrando: SBDMR>DAT>CD and was done by Aoxoa and C. Miller Proper extraction and sector boundaries verified via EAC and .shntool Fillmore West San Francisco CA SHN / CD-R

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03/01/69 Grateful Dead March 01, 1969 Fillmore West San Francisco, CA Two Discs Source info: SBD Lineage: 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD Disc 1: Set One: 1."We'd like to apologise for everything, always! > Tuning > Bill Graham Intro (Set One) > 1:07 2. Cryptical Envelopment > 1:57 3. Drumz > 0:11 4. That's It For the Other One > 10:05 5. Cryptical Envelopment Reprise > 8:41 6. New Potato Caboose > 11:42 7. Doin'That Rag > 5:57 8. Cosmic Charlie 5:58 Total Disc Time: 45:41 Disc 2: (requires an 80 minute disc) Set Two: 1."Paging Mr. Hart..." > Bill Graham Intro (Set Two) > 0:56 2. Dupree's Diamond Blues > 3:58 3. Mountains of the Moon 4:56 4. Dark Star > 23:22 5. St. Stephen > 5:36 6. William Tell > 1:09 7. The Eleven > 7:07 8. Turn On Your Lovelight > 18:14 9."We got a broken string here and we're gonna have to fix it and that's that, but then... we'll play!" > "I mean we can play, but we can only play something short..." > "It's OK man, we'll make it up as we go along!" > 6:34 10.Encore: Hey Jude 7:53 Total Disc Time: 79:49 Notes: (DAT conversion to CD by Aoxoa =====> THANKS!) (Extraction and initial .shn encoding by R. Keshavan) (Subsequent editing and.shn encoding by Seth Kaplan) (Properly aligned sector boundaries verified via .shntool) Known flaws: Light static of unknown origin on the last thirty seconds of Dark Star(22:52.611-23:22.480) > the first twenty five seconds of St. Stephen(0:00.000-0:25.467) Splice in Lovelight cuts at 0:17.815 on the master. A 0:01.355 silent gap after the splice was removed as well as a 0:00.300 segment prior to the splice in order to create a better flow from the splice > the section in which the selection continues. The start of Lovelight through to the splice was normalised +7.5db to better match the flow of the selection up to the splice with the segment in which the selection continues. The Lovelight cut is on ALL known sources. One possible suggested explanation for this is the possibility of a temporary power outage common to the areas where the various taping equipment setups were located. Sounds like a logical explanation for a bizarre happening! Anyway, it seems to have been only a couple of minutes (if anything) that were effected here. Various segments of tunings and onstage banter prior to the Bill Graham intros and the Hey Jude encore have been cut from the multi-track source. These were subsequently spliced in from the alternate sources noted below. The following alternate sources were used in editing the multi-track source: 1. SBD > Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV 2. SBD > 2-Track MSR > D > D > D > D > CD 3. SBD > 16-Track MSR > C2 > DAT > CD Alternate source info for spliced portions: 0:59.372 seconds of pre-Bill Graham Set One intro tuning: 2-Track MSR > D > D > D > D > CD 0:31.200 seconds of pre-Bill Graham Set Two intro tuning: 2-Track MSR > D > D > D > D > CD 2:26.538 seconds of pre-encore stage banter: 2-Track MSR > D > D > D > D > CD 3:32.318 seconds of pre-encore stage banter: Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV The majority of the show was re-tracked after completing the above edits. Fillmore West San Francisco CA SHN / CD-R

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03/02/69 Grateful Dead Fillmore West, San Francisco, CA Sunday, March 2, 1969 Lineage (entire show): Multi-track reel master > DAT > CD > EAC > SHN Disk 1 Extraction and SHN encoding by Seth Kaplan Disks 2-3 Extraction and SHN encoding by Darrin Sacks Disk 1: Set I 1. Dark Star > 2. St. Stephen > 3. The Eleven > 4. Turn on your Lovelight(complete) Disk 2 (First Disk of Set II) 1. Doin' That Rag 2. Cryptical > 3. TOO > 4. Cryptical > 5. Death Don't 6. AM Dew Disk 3 (Set II, Cont.) 1. Alligator > 2. Drumz > 3. Caution Jam > 4. Caution > 5. Feedback 6. And We Bid You Goodnight (cut) Note, ONLY DISK 1 of this version is different than that previously circulated and seeded to etree, in that this version lacks the glitch previously present in Dark Star. The remainder of this version is identical to that previously circulated on etree, except for the fact that the new version has been properly sector aligned by using shntool and encoded with shorten v3. Seeded to etree on 3/7/2001 by dnsacks@usa.net Fillmore West San Francisco CA SHN / CD-R

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04/05/69 4/5/69 - Grateful Dead Avalon Ballroom San Francisco, CA Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN (2 Discs Audio / 1 Disc SHN) Conversion By Charlie Miller charliemiler87@earthlink.net 7/29/03 Notes: Samplitude v6.0 was used to re-track the complete show. Set One: d1t01 - Dupree's Diamond Blues -> d1t02 - Mountains Of The Moon -> d1t03 - Dark Star -> d1t04 - St. Stephen -> d1t05 - The Eleven -> d1t06 - Turn On Your Lovelight Set Two: d2t01 - Hard To Handle -> d2t02 - Cosmic Charlie d2t03 - China Cat Sunflower -> d2t04 - Doin' That Rag d2t05 - Cryptical Envelopment -> d2t06 - Drums -> d2t07 - The Other One -> d2t08 - Cryptical Envelopment -> d2t09 - The Eleven -> d2t10 - It's A Sin d2t11 - Alligator -> d2t12 - Drums -> d2t13 - Feedback -> d2t14 - And We Bid You Good Night Comments: Just before Cryptical Envelopment and again before Alligator Bobby noodles the opening chords of Weather Report Prelude. SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 4:03.43 42966380 --- -- --- gd69-04-05d1t01.wav 6:10.17 65308028 --- -- --- gd69-04-05d1t02.wav 17:26.64 184664972 --- -- --- gd69-04-05d1t03.wav 5:37.50 59564444 --- -- --- gd69-04-05d1t04.wav 1:09.21 12221036 --- -- --- gd69-04-05d1t05.wav 15:44.48 166634540 --- -- --- gd69-04-05d1t06.wav 5:55.09 62643212 --- -- --- gd69-04-05d2t01.wav 8:39.05 91563404 --- -- --- gd69-04-05d2t02.wav 5:39.12 59827868 --- -- --- gd69-04-05d2t03.wav 7:47.31 82451756 --- -- --- gd69-04-05d2t04.wav 1:59.70 21156284 --- -- --- gd69-04-05d2t05.wav 0:23.26 4118396 --- -- --- gd69-04-05d2t06.wav 9:15.65 98054924 --- -- --- gd69-04-05d2t07.wav 6:05.55 64515404 --- -- --- gd69-04-05d2t08.wav 8:24.28 88971500 --- -- --- gd69-04-05d2t09.wav 5:23.22 57028988 --- -- --- gd69-04-05d2t10.wav 3:52.04 40934252 --- -- --- gd69-04-05d2t11.wav 4:30.42 47726828 --- -- --- gd69-04-05d2t12.wav 7:56.47 84076988 --- -- --- gd69-04-05d2t13.wav 3:27.61 36658316 --- -- --- gd69-04-05d2t14.wav 129:32.45 1371087520 B (totals for 20 files) MD5: 66ef0b7cae5072f5a296adeabe506052 *gd69-04-05d1t01.shn e58b23559bef0f60fd8dc8705a571756 *gd69-04-05d1t02.shn fb3e5c303a6a771321c7ccab08684cb7 *gd69-04-05d1t03.shn 1ac9bab0b459a27bd040b10ca3b4e56a *gd69-04-05d1t04.shn bfc0b26b61da389ead731cca0e051f3a *gd69-04-05d1t05.shn 062cd0959e9e38a4a4ab6a456e634f90 *gd69-04-05d1t06.shn 99bee310203f0b57048c898c7b5bc696 *gd69-04-05d2t01.shn dbf7be73515f52fe77edbd47b6e78601 *gd69-04-05d2t02.shn ad7ec8fb3dca34577ea67855169c5a4c *gd69-04-05d2t03.shn 12e44be9b6e061923cf904116f75bbf8 *gd69-04-05d2t04.shn 9170e8eb6d287fbe7d4a8c494c09531d *gd69-04-05d2t05.shn 48cab8d4270eb5bd6f7cd0d3b7b1657b *gd69-04-05d2t06.shn dc93f36c2f73cd9182f316e77bf9fbe9 *gd69-04-05d2t07.shn 3f8f7cf6cf234806f11f50fdae5d7188 *gd69-04-05d2t08.shn 3c7dfe0a0c584200a873646a87ca58f6 *gd69-04-05d2t09.shn 7a81c612c495cf72f8706036efb591d3 *gd69-04-05d2t10.shn a0145b50c37dbf4f2964fd5ac5210811 *gd69-04-05d2t11.shn 8bf1a97e8edc3ebddfad6bda77148ed6 *gd69-04-05d2t12.shn e71a937146929ff9a67cdcbdbf757cb0 *gd69-04-05d2t13.shn 378f8de67cb4c55bcd0f566f03d48dd5 *gd69-04-05d2t14.shn Avalon Ballroom San Francisco CA SHN / CD-R

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04/20/69 Grateful Dead 04/20/69 Clark University Worcester. MA -Disc 1 (73:38)- 1. Tuning 02:13 2. Morning Dew 09:38 3. Good Morning Little Schoolgirl 10:43 4. Doin' That Rag 06:25 5. Dark Star > 21:16 6. St Stephen > 06:17 7. The Eleven > 06:44 8. Death Don't Have Mercy 10:00 -Disc 2 (31:36)- 1. Lovelight 22:38 2. E1:Dupree's Diamond Blues > 03:46 3. E2:Mountains Of The Moon 05:12 Rahsaan Roland Kirk opened. Source: SBD>Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700>DAT(1)>DAT(2)>WAV via Sony SDT9000 DDS drive using VDAT0.6f>Soundforge 4.0 (see edits below) edits: crossfades of two short dropouts in Morning Dew at 3:29 and 7:19 crossfade of reel flip in the beginning of The Eleven fades to begin and end the set all other crossfades were edits of flips between songs where no music was disturbed no DAE, resampling, or bulk processing of waveform was performed Source DAT from Rob Eaton DAT>SHN by Jamie Lutch 6/2001 Clark University Worcester MA SHN / CD-R

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04/21/69 Grateful Dead 4-21-1969 (Discs: CDA-3/SHN-2) The Ark Boston, MA Bertha Remaster of the Master Reel source. SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN - Sound A Set1 d1t01-Intro (Patched from a different source) d1t02-Hard To Handle d1t03-Morning Dew d1t04 Cryptical Envelopment >> d1t05-Drums >> d1t06-The Other One >> d1t07-Cryptical Envelopment >> d1t08-Sitting On Top Of The World d1t09-Alligator >> d1t10-Drums >> d1t11-Jam >> d1t12-Doin' That Rag Set2 d2t01-Foxy Lady Jam d2t02-Dark Star >> d2t03-St. Stephen >> d2t04-The Eleven >> d2t05-Lovelight Encore d3t01-Tuning d3t02-Viola Lee Blues >> d3t03-Feedback// Notes: Digitally Remastered using a custom built Dual-DAW nicknamed Bertha, by jashley@deadacated.com in 2001. Thanks to Charlie Miller for the seed. The Ark Boston MA SHN / CD-R

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04/22/69 4/22/69 The Ark Boston, MA Updated gen: SMC>R>D (had been marked Master Soundboard Reel > Cassette > DAT x2 > CDR) Disc 1 1st Set 1. //Top of the World 2. Morning Dew 3. BIODTL 4. Schoolgirl 5. Doin' that Rag 6. Cryptical> 7. Drums> 8. The Other //One> 9. Cryptical> 10.Death Don't Have No Mercy Disc 2 2nd Set 1. Dupree's Diamond Blues 2. Mountains of the Moon> 3. Dark Star> 4. St. Stephen> 5. The Eleven> Disc 3 1. Lovelight> 2. Caution Jam> 3. Lovelight All cuts are on master reels. Seeded by Scott Clugston The Ark Boston MA SHN / CD-R

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04/23/69 Grateful Dead The Ark Boston, MA 4/23/69 MSR>C>D>CD (fix of http://db.etree.org/shninfo_detail.php?shnid=70) DISC ONE [78:39] set one: 01 [00:38] Introduction 02 [11:33] He Was A Friend Of Mine 03 [20:55] Dark Star > 04 [01:33] St. Stephen > 05 [02:06] It's A Sin > 06 [02:12] St. Stephen > 07 [01:58] Cryptical Envelopment > 08 [00:37] Drums > 09 [08:45] The Other One > 10 [06:26] Cryptical Envelopment > 11 [02:57] Sittin' On Top Of The World > 12 [18:25] Turn On Your Love Light D1 fixes: - Crossfaded the splice between St. Stephen (track 4) and It's A Sin (track 5). - Removed 27 seconds of redundant material from the Cryptical Envelopment Reprise (track 10). DISC TWO [23:51] set two-a: 01 [10:14] Morning Dew 02 [06:19] Hard To Handle 03 [07:18] Doin' That Rag DISC THREE [62:13] set two-end: 01 [03:55] Alligator > 02 [04:47] Drums > 03 [03:08] Jam > 04 [07:29] The Eleven > 05 [01:43] Jam > 06 [02:12] Mountain Jam > 07 [01:46] And We Bid You Good Night Jam > 08 [04:17] Jam > 09 [12:46] Caution (Do Not Stop On Tracks) > 10 [02:50] Feedback > 11 [03:33] And We Bid You Good Night 12 [03:14] "More! More! More!" encore: 13 [01:38] Not Fade Away tease 14 [08:48] It's All Over Now, Baby Blue D3 fixes: - Smoothed two splices during the jams following The Eleven. - Smoothed the splice during Caution (track 9) and the splice between Caution and Feedback (track 10) Edits by Sean Cribbs 2004 The Ark Boston MA SHN / CD-R

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08/16/69 DISC ONE: ------- Grateful Dead (track sourced from original Multitrack Master!! gaps in Lovelight filled in by alt. Soundboard tape) 1. Stage Announcements (Chip Monck/Ken Babbs)>St. Stephen 2. Mama Tried 3. Equipment Failure And Stage Raps 4. Dark Star 5. High Time DISC TWO: ------- Grateful Dead (from multi-track master, gaps filled w/ alt. soundboard tape) 1.(Turn on Your) Lovelight Max Yasgur's Farm Bethel NY FLAC / CD-R

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11/02/69 Grateful Dead - November 2, 1969 Family Dog at the Great Highway San Francisco, CA Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC (2 Discs Audio / 1 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net February 1, 2006 Notes: -- This has the fixed Dark Star. -- Seamless transition between discs. -- Master Reel source starts at 0:36 of Dark Star. Setlist: d1t01 - Cold Rain And Snow d1t02 - In The Midnight Hour d1t03 - Seasons d1t04 - Mama Tried d1t05 - Next Time You See Me d1t06 - Good Lovin' d1t07 - Big Boss Man d1t08 - Casey Jones d1t09 - Dancin' In//The Streets d2t01 - Dark Star -> d2t02 - St. Stephen -> d2t03 - The Eleven -> d2t04 - Death Don't Have No Mercy SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 6:02.26 63917996 --- -- --- gd69-11-02d1t01.wav 8:11.29 86680652 --- -- --- gd69-11-02d1t02.wav 4:34.33 48411260 --- -- --- gd69-11-02d1t03.wav 2:58.14 31432172 --- -- --- gd69-11-02d1t04.wav 5:21.63 56772620 --- -- --- gd69-11-02d1t05.wav 9:51.06 104266556 --- -- --- gd69-11-02d1t06.wav 6:54.47 73140188 --- -- --- gd69-11-02d1t07.wav 4:42.11 49770716 --- -- --- gd69-11-02d1t08.wav 3:43.39 39428972 --- -- --- gd69-11-02d1t09.wav 30:06.45 318684284 --- -- --- gd69-11-02d2t01.wav 7:31.04 79565852 --- -- --- gd69-11-02d2t02.wav 10:52.57 115146908 --- -- --- gd69-11-02d2t03.wav 11:31.69 122054732 --- -- --- gd69-11-02d2t04.wav 112:21.68 1189272908 B (totals for 13 files) Family Dog at the Great Highway San Francisco CA FLAC / CD-R

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02/13/70 Grateful Dead 2-13-70 Fillmore East, New York, NY mostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips Disc 1 (76:40) Early Show: 1. Cold Rain & Snow (5:35) 2. Beat It On Down The Line (2:43) 3. Good Lovin' (9:02) 4. Mama Tried--> (2:39) 5. Black Peter (9:19) 6. Hard To Handle (6:37) 7. St. Stephen--> (6:41) 8. Not Fade Away (9:17) 9. Casey Jones (4:54) Late Show: electric set 1: 10. stage banter/introduction (0:32) 11. China Cat Sunflower--> (4:42) 12. I Know You Rider (5:24) 13. Me & My Uncle (4:13) 14. Dire Wolf (4:57) Disc 2 (79:58) electric set 1 continued: 1. Smokestack Lightning (18:00) acoustic set: 2. stage banter (4:58) 3. Monkey & The Engineer (2:23) 4. Little Sadie (3:03) 5. Wake Up Little Susie--> (2:34) 6. Black Peter (9:30) 7. Uncle John's Band// (5:38) 8. Katie Mae (4:25) electric set 2: 9. Dark Star--> (29:22) Disc 3 (64:18) electric set 2 continued: 1. Cryptical Envelopment--> (1:56) 2. Drums--> (7:35) 3. The Other One--> (13:47) 4. Cryptical Envelopment--> (6:37) 5. Lovelight (30:29) encore: 6. We Bid You Goodnight (3:51) Notes: --the early show is from the David Gans seed --first known performance of Wake Up Little Susie --minor glitch at 0:15 in Uncle John's (probably on the master, as it is on multiple copies) --Uncle John's Band cuts out shortly before the end --Feelin' Groovy Jam at 18:10 in Dark Star Part of The Music Never Stopped Project 2003 Thanks to Paul Hartman, David Litfin, et al encoding by JCotsman Fillmore East (Late Show) New York NY SHN / CD-R

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02/14/70 Grateful Dead 2-14-70 Fillmore East, New York, NY mostly: SBD>MR>D>CD>EAC>SHN with portions from: SBD>MR>PCM>D>CD>EAC>SHN Disc 1 (75:43) Early Show: (missing Cold Rain & Snow) 1. stage banter (0:15) 2. Dark Star--> (23:39) 3. St. Stephen//(-->) (6:42) 4. //The Eleven--> (8:50) 5. Lovelight (23:56) Late Show: electric set 1: 6. stage banter/introduction (3:54) 7. Casey Jones (4:24) 8. Mama Tried (3:58) Disc 2 (78:16) electric set 1 continued: 1. Hard To Handle (6:10) 2. stage banter (7:19) acoustic set: 3. Monkey & The Engineer (2:15) 4. Dark Hollow (3:23) 5. I've Been All Around This World (4:24) 6. Wake Up Little Susie--> (2:27) 7. Black Peter--> (7:25) 8. Uncle John's Band (5:58) 9. stage banter (2:29) 10. Katie Mae (5:28) electric set 2: 11. Dancin' In The Streets (9:38) 12. China Cat Sunflower--> (4:49) 13. I Know You Rider--> (5:14) 14. High Time--> (6:49) 15. Dire Wolf (4:22) Disc 3 (62:33) electric set 2 continued: 1. Alligator--> (3:55) 2. Drums--> (12:32) 3. Me & My Uncle--> (3:12) 4. Not Fade Away--> (13:55) 5. Mason's Children--> (3:57) 6. Caution--> (14:52) 7. Feedback--> (8:09) 8. We Bid You Goodnight (1:57) Notes: --the early show is assumed to be derived from a David Gans seed --a significant reel flip cuts the end of St. Stephen, all of the William Tell Bridge, and the transition jam in The Eleven --dropout at 1:05 in Uncle John's Part of The Music Never Stopped Project 2003 encoding by JCotsman Fillmore East New York NY SHN / CD-R

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06/24/70 Ken & Judy Lee Proudly Present The Port Chester Resurrection Project GD-NRPS1970-6-24PCRP#005.flacf The Grateful Dead and The New Riders of the Purple Sage June 24th 1970 Early & Late Capitol Theatre, Port Chester N.Y Disc1-Dead-NRPS1970-6-24E -Dead Acoustic- D1T01-Direwolf.flac D1T02-DontEase.flac D1T03-Attics.flac D1T04-FOTD.flac D1T05-83968.flac D1T06-Candyman.flac D1T07-UncleJohns.flac -NRPS- D1T08-Intro.flac D1T09-WorkinManBlues.flac D1T10-WatchaGonnaDo.flac D1T11-LiveAndLetLive.flac D1T12-IfYouHearMe.flac D1T13-Henry.flac D1T14-PortlandWoman.flac D1T15-DirtyBusiness.flac Total = 74:35.53 Disc2-Dead-NRPS1970-6-24E partial D2T01-TruckDrivinMan.flac D2T02-LastLonelyEagle.flac D2T03-HonkeyTonkWomen.flac Total = 16:10.32 -Dead Electric- (missing*) *D2T04-CaseyJones.flac *D2T05-BlackPeter.flac *D2T06-GoodLovin.flac *D2T07-MamaTried.flac *D2T07-HighTime.flac *D2T08-Cryptical.flac *D2T09-Drums.flac *D2T10-OtherOne.flac *D2T11-Cryptical.flac *D2T12-CosmicCharlie.flac *D2T13-Minglewood Disc3-Dead-NRPS1970-6-24L partial -Dead Acoustic- (missing*) *D3T01-Intros *D3T02-BigRRBlues *D3T03-DeepElem *D3T04-TheRub *D3T05-SilverThreads *D3T06-FOTD *D3T07-Candyman *D3T08-Cumberland *D3T09-ColdJordan -NRPS- D3T11-Intros.flac D3T12-6DaysOnTheRoad.flac D3T13-Superman.flac Total = 9:04.00 Disc4-Dead-NRPS1970-6-24L D4T01-IDontKnowYou.flac D4T02-TogetherAgain.flac D4T03-FairChanceToKnow.flac D4T04-PortlandWoman.flac D4T05-GardenOfEden.flac D4T06-Henry.flac D4T07-AllIEverWanted.flac D4T08-Delia.flac D4T09-LouisianaLady.flac D4T10-HonkeyTonkWomen.flac -Dead Electric- D4T11-Intro.flac D4T12-NFA.flac D4T13-EasyWind.flac Total = 74:44.58 Disc5-Dead-NRPS1970-6-24L D5T01-MeAndMyUncle.flac D5T02-MickeysGong.flac D5T03-DarkStar.flac D5T04-Attics.flac D5T05-DarkStar.flac D5T06-SugarMag.flac D5T07-DarkStar.flac D5T08-StStephen.flac D5T09-ChinaCat.flac D5T10-Rider.flac D5T11-UncleJohns.flac D5T12-ExitMusic.flac D5T13-SwingLowSweetChariot.flac Total = 66:59.12 This is the best sounding yet from the Ken & Judy Lee collection. The late show has long been regarded as one the Dead's finest, and to hear it, in what is up till now the cleanest source available, is truly awesome. There are four TDK 120 cassettes from this night, however we have only three. Tape 1, 3 and 4. Tape 2 is missing. We will have to fill in the puzzle as the pieces emerge. And this poses a problem. We naturally want to bring you the complete show, but we have no idea when the missing piece will be found, so it was decided to release what we have. I included a text file for the missing sets in the torrent for the sake of continuity. This will have to do until the last tape is found. Noise Reduction was applied to the acoustic Dead set only. Some deterioration on the master tape during 83968 (D1T05), and some other small glitches, none of which should detract from enjoying this show. The original audience master cassette was recorded on a Sony TC124 with unknown Sony dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee,. The cassette was baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Noise Reduction by Peter G. Audio extraction via Peak 3.2.1 on a G4 Titanium Powerbook, Flac'd with xACT V 1.2 and seeded by BoldCaptain via BitTorrent 3.2.2a. It was a night that was filled with magic. The kind of night that legends are made of. All of the elements were in place. The band was on, the crowd was on, the energy was on, the tape was on. The X factor at a high. Disc 1 opens with the Grateful Dead acoustic. This set has circulated only as a fragment, a few songs that Mark Cohen, Judy's brother and Ken's brother-in-law, had tacked on as filler to 4-4-71, sometime in 1976. Though short, only 30 minutes, it set the mood for the night. The New Riders of the Purple Sage take the stage as the sun is setting... No ordinary evening, indeed. There is an electric set of the grateful dead still to come, and thats only the early show. Unfortunately this electric set has yet to be uncovered, along with the acoustic set from the late show. The rest of the show is here, and what a show it is. There is endless banter from the band, as they seem to REALLY be enjoying themselves.The New Riders open the third disc with their second set for the night. Garcia on pedal steel here, as well as the early show, and he really shines. But the electric set from the Dead is the real payoff. Open Not Fade Away, slow segue into Easy Wind, broken string banter into Me & My Uncle. "Mickey needs to get his gong together, where gonna do Dark Star.." What an understatement ! Dark Star into the second Attics of the evening, back into Dark Star, into Sugar Magnolia, back into Dark Star, St. Steven into China Cat - I Know You Rider. The crowd reels in applause as the band exits the stage. They return for the encore, and you can tell there is no hurry as they ease into Uncle Johns Band. He's come to take his children home... But his children don't want to leave. And they roar as the house lights come up, and Joan Baez plays thru the PA. Judy Lee recalls, "There was this energy in the air. We were all stunned at what we had just witnessed. The lights were on. Everyone was standing, clapping, stomping and yelling. Nobody was leaving. I looked at Ken, we knew it wasn't over. So I flipped the tape." Several minutes of crowd chanting to the exit music, turns into an eruption as the band, with members of the New Riders re-emerge on the stage with acoustic guitars. The crowd quiets as they tune and respectfully offer a prayer of Swing Low, Sweet Chariot. And with that, they sent the disciples into the early morning... --- To this Rob Berger adds: Make no mistake about it, these NRPS sets are not those of an opening act. The Riders in June of 1970 were not an offshoot of the Grateful Dead, but rather a thread in the fabric of the trip. I think their music speaks for itself on these recordings. I was fortunate to have grown up in a neighboring town of Port Chester and the Howard Stein era concerts at the Capitol Theatre were actually not legendary, but rather more of a rock n roll rumor by the late 70's. Unlike Bill Graham's fabled Fillmore East a mere 35 minutes away, a gig at Port Chester's Capitol Theatre was considered a fill-in date. Not high profile by any means. But, as anyone who has seen a show at the Capitol at any point in time can attest to, that room generates an energy that is truly charged and special. Very East Coast. Rowdy, but attentive and knowledgeable. Shows at the Capitol were all marked by a freedom of the artist to let loose and take chances without being scrutinized by the New York City press and jaded big city audience. Most groups really seemed to thrive off the boisterous enthusiasm of the crowd. Between 1988 -1997 I was lucky enough to have made a living promoting shows at, and managing the Capitol Theatre. It blew my mind that the shows we were putting on were so reminiscent of those tapes I remember. So full of energy and abandon. In May of 1990 we hosted John Dawson and his Riders at the still standing Capitol. Backstage over a corn cob pipe, Marmaduke shared with stage manager Dave - O and me a wonderful story of how Howard Stein painted the stage purple for their first gig there in that warm June of 1970 and how the cops were ready for the Dead to come to town after they freely gave out acid at their recent March gigs there. Enjoy the music, the memories, and thank you Ken, Judy, John Jay, and all those who make the music go round. Ken & Judy Lee present the Port Chester Resurrection Project as a loving tribute to Mark Cohen. A brother and friend to many in the community, his spirit lives on through the music. Capitol Theater (Late) Port Chester NY FLAC / CD-R

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09/19/70 Grateful Dead Fillmore East New York, NY 9-19-70 (d3 only) Sick Bits Vol. 14 Source: Matrix (SBD/AUD mix): SBD: (shnid=5217) - via Seth Kaplan MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD> EAC> SHN AUD: (shnid=25473) - via Jack Warner Source 1: MAC (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Source 2: MAR (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback> Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Toner A > D by Dwight Holmes Weinberg A > D by Steven Martin > Dr. Michael Parrish > Warner Patches and EAC > SHN by Jack Warner Transfer/Editing: Both sources were downloaded from the LlaMA and were converted to WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell ScarFire@liquidcity.com 11-11-05 ___________________________________________________________________ Set II: d3t01 - Dark Star -> d3t02 - St. Stephen -> d3t03 - Not Fade Away -> d3t04 - Darkness Jam -> d3t05 - China Cat Jam -> d3t06 - Not Fade Away -> d3t07 - Turn On Your Lovelight d3t08 - Crowd noise > Youngbloods: Get Together... -> d3t09 - Phil and Pigpen speak -> d3t10 - Youngbloods: Get Together -> Crowd noise Total Time:[68:14] ___________________________________________________________________ General Notes: After doing the 2-19-71, I was searching the LMA for some old boyz that would be suitable for a matrix when I found this gem in which only the end of the show existed in SBD. I did a test on a portion of Dark Star and nearly lost my mind when first hearing the combination. The SBD is excellent in quality although it lacks a little low end made up by the source 1 AUD which is quite nice for the "outside" sections of Dark Star. The source 2 AUD covers the end of St. Stephen through Lovelight, and the crowd interaction with Pig Pen is really amazing, something you just don't get with a soundboard recording. Worthy of noting (not captured in the tracking notes) are the following events: - d3t01 Feelin' Groovy Jam @ 16:09 - 17:35 - d3t07 Let It Rock riff @ 13:52 - d3t07 Pig Pen "let's fuck" @ 10:50 and "fuck!" @ 20:19 - d3t09 Pig Pen "Why don't you guys go home and fuck somebody" @ 0:16 Aside from the incredible Dark Star (with a prominent guiro in the mix), the NFA jams are really intense with Garcia and Weir totally going at it, at one point playing the same China Cat lick at the same time. The loony Lovelight is just that, with Pig imploring people from the crowd to say something into the mic, and one guy yells "hey, let's ball in the moonlight" (9:35) - the band on fire as they follow Pig through his crazy Saturday night rant in NYC. The band is so blown out (Garcia's hand gets a cramp and Bobby loses his voice) that they can't do an encore. No matter, this shit simply smokes. Ironically, this show was pretty easy to synch, with the pitch of both AUDs and the SBD being relatively close to each other. What posed more of a challenge was the multiple recording level changes in the Source 1 AUD which I tried to smooth out, mostly sucessfully. Also helping matters is Bear's SBD mix which is spot on, plus the quality is great, I just added some Fillmore ambience from the awesome AUD recordings, the result hopefully close to what is what like at the show - I wouldn't know, I had just turned 4. -------Reviews from the LlaMA: "Best dark star + lovelight. Pigpen is perfect. Best Dark Star for 1970. Pigpen's rap is so great in Lovelight. My favorite pre 1972 show." "The NFA>Darkness>China Cat Jam>NFA is ridiculous. I listen pretty seriously to this stuff (70-79) and I would put this up there with the top ten sets of the era." "This is one of the most beautiful transluscent Dark Stars ever played. The quiet passages are simply amazing. I can't believe this was performed live on a stage in front of an audience. It has such an intimacy to it." "On this night, something extra seemed to be in the air. Was it the fact that Jimi Hendrix had been found dead the night before (with Janis short to follow)? Something pursuaded the dead that night in NY, and the emotions were bold as love." -------Credits: Thanks to Seth Kaplan for the excellent SBD extraction & conversion. Thanks to Jack Toner and Marty Weinberg for their respective AUD recordings, and to Dwight Holmes and Steven Martin for their A>D conversions. Thanks to Dr. Michael Parrish for providing the Weinberg/Martin source. Thanks to Jack Warner for the editing, assembly and conversion of the AUDs. And, of course, thanks to the LlaMA for making this all possible. Front Cover found at: http://www.geocities.com/deadpieshop/ All other art and layout by yours truly. Enjoy! Cha Fillmore East New York NY FLAC / CD-R

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10/31/70 Grateful Dead 10/31/70 (Early/Late) School Gymnasium, S.U.N.Y. Stony Brook, NY DISC ONE - EARLY d1t01 - Till The Morning Comes d1t02 - Hard To Handle d1t03 - Mama Tried d1t04 - China Cat Sunflower > d1t05 - I Know You Rider// d1t06 - Dire Wolf d1t07 - Cold Rain And Snow d1t08 - Me And My Uncle d1t09 - Dark Hollow d1t10 - Brokedown Palace d1t11 - Viola Lee Blues > d1t12 - Cumberland Blues > d1t13 - Uncle John's Band DISC TWO - LATE (1) d2t01 - Casey Jones d2t02 - Sugar Magnolia d2t03 - Next Time You See me d2t04 - Cryptical Envelopment > d2t05 - Drums > d2t06 - The Other One > d2t07 - Cryptical Envelopment > d2t08 - Cosmic Charlie d2t09 - Big Boss Man d2t10 - Mama Tried DISC THREE - LATE (2) d3t01 - Drums > d3t02 - Good Lovin' > d3t03 - Drums > d3t04 - Good Lovin' d3t05 - St. Stephen > d3t06 - Not Fade Away > d3t07 - GDTRFB > d3t08 - Not Fade Away COMMENTS Two "shows" were advertised, at 8:00 and at 12:00, "featuring NRPS." SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC NOTES: Last Viola Lee Blues KNOWN FLAWS IN EARLY (also on many circulating versions): End Of I Know You Rider cut Drop Out at 2:13 in Brokedown KNOWN FLAWS IN LATE: Hard to Handle is missing Drop Out at :23 in GDTRFB SHNTOOL OUTPUT: length expanded size cdr WAVE problems filename 4:00.56 42467756 --- -- ---xx gd70-10-31d1t01.flac 8:53.25 94080044 --- -- ---xx gd70-10-31d1t02.flac 2:59.50 31693244 --- -- ---xx gd70-10-31d1t03.flac 5:06.01 53980796 --- -- ---xx gd70-10-31d1t04.flac 3:22.69 35795132 --- -- ---xx gd70-10-31d1t05.flac 4:34.74 48507692 --- -- ---xx gd70-10-31d1t06.flac 6:49.16 72185276 --- -- ---xx gd70-10-31d1t07.flac 3:48.35 40301564 --- -- ---xx gd70-10-31d1t08.flac 3:44.38 39603020 --- -- ---xx gd70-10-31d1t09.flac 6:05.68 64545980 --- -- ---xx gd70-10-31d1t10.flac 9:18.51 98551196 --- -- ---xx gd70-10-31d1t11.flac 4:35.17 48550028 --- -- ---xx gd70-10-31d1t12.flac 6:06.53 64687100 --- -- ---xx gd70-10-31d1t13.flac 5:09.14 54540572 --- -- ---xx gd70-10-31d2t01.flac 5:28.58 57995660 --- -- ---xx gd70-10-31d2t02.flac 3:57.39 41898572 --- -- ---xx gd70-10-31d2t03.flac 1:54.43 20210780 --- -- ---xx gd70-10-31d2t04.flac 7:24.17 78361628 --- -- ---xx gd70-10-31d2t05.flac 9:56.55 105263804 --- -- ---xx gd70-10-31d2t06.flac 3:39.03 38638700 --- -- ---xx gd70-10-31d2t07.flac 6:31.61 69115916 --- -- ---xx gd70-10-31d2t08.flac 4:23.66 46548476 --- -- ---xx gd70-10-31d2t09.flac 2:53.38 30606620 --- -- ---xx gd70-10-31d2t10.flac 0:55.37 9789068 --- -- ---xx gd70-10-31d3t01.flac 1:50.69 19566332 --- -- ---xx gd70-10-31d3t02.flac 5:12.25 55095644 --- -- ---xx gd70-10-31d3t03.flac 7:08.18 75541580 --- -- ---xx gd70-10-31d3t04.flac 5:50.63 61888220 --- -- ---xx gd70-10-31d3t05.flac 5:39.33 59877260 --- -- ---xx gd70-10-31d3t06.flac 5:03.15 53484524 --- -- ---xx gd70-10-31d3t07.flac 3:11.51 33812396 --- -- ---xx gd70-10-31d3t08.flac 155:37.58 1647184580 B (totals for 31 files) FFP: gd70-10-31d1t01.flac:4c21798e6bd08e1feb2279420176fd7e gd70-10-31d1t02.flac:61e431129f95feb5259ac02724df7b48 gd70-10-31d1t03.flac:ba8e53bb10bf256d228c2bb29176f931 gd70-10-31d1t04.flac:b651ab1666dd539819600ee1aa2d6ad9 gd70-10-31d1t05.flac:76684025122808c85e5d7bb2edf4eeef gd70-10-31d1t06.flac:6e9929426ed3baf17e834891609381dc gd70-10-31d1t07.flac:6665e121d230068e47c94a259b09015d gd70-10-31d1t08.flac:e8a6e9d4e922ef474ad2e6949fe60027 gd70-10-31d1t09.flac:214e3c8eeb929eeeb4fda9cfaa9f3cde gd70-10-31d1t10.flac:310ecbaa45a6b8341a33a32a94f18d2a gd70-10-31d1t11.flac:713652a67d6f454c23e4e23b5834924d gd70-10-31d1t12.flac:a4077ddc54ab390a53dce5e1e93b324c 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(Late) Stony Brook NY FLAC / CD-R

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11/08/70 Ken & Judy Lee Proudly Present: The Port Chester Resurrection Project PCRP#007NRPS-GD1970-11-8.shnf.torrent New Riders of The Purple Sage Grateful Dead Capitol, Theatre , Port Chester NY November 8, 1970 This is a very special release from Ken and Judy Lee. It serves as a commemoration of Mark Cohen's 2nd anniversary in heaven. Mark was a great friend, and a big part of the Dead community. And it is to him that this project is dedicated, and to whom we owe a huge debt of gratitude. If not for Mark's love of music, and love of this band in particular, we would never have known about the Lees' Port Chester archive. Aside from a few other brave souls known to have taped shows at this fantastic venue, Ken and Judy's work from the Capitol Theatre stands as the ultimate body of documentation. And if not for Mark's insistence that these shows be "liberated", much of what has previously circulated would never have been heard, and this show was one of his favorites. This show is a keystone of the Grateful Dead, one of those shows that really gives you pause and makes you wonder. A show of firsts and lasts, when it was all said and done, it had laid to rest some old lexicons, and created a new set of criteria by which the band would be judged. This was truly one of the legendary Grateful Dead shows. The Dead had a way of continually redefining themselves in performance, and this show buries the sixties and propels them into the seventies (much like the benchmark show at Lewiston, Maine 9-6-80 redefined them for the Eighties). This is the last official acoustic set of the 70's. ( Other than, or But for one Besides an) improptu set in 1978, most of the songs performed acoustically would not see the light of day again untill the fall of 1980, when they were showcased at the 10 night run at the Warfield in San Francisco, and 8 nights at NY's Radio City Music Hall. The final "Operator", and "Wake Up Little Suzie", Mystery Train > My Babe (only time played), New Orleans > Searchin', Main Ten (last time played), all standout in this performance, and then like a dream, are gone. Around and Around (first time played), and a long stretch before you hear "Baby Blue" again. This release also includes the complete New Riders set, known to circulate only as a fragment. Here's the complete set list... Disc One - Acoustic Set - 01) Tuning 02) Dire Wolf 03) I Know You Rider 04) Dark Hollow 05) Rosalie McFall 06) El Paso 07) Operator (Final time played) 08) Ripple 09) Friend Of The Devil 10) Wake Up, Little Suzie (Final time played) 11) Uncle John's Band Disc Two - NRPS - 01) Tuning 02) Six Days On The Road 03) Superman 04) Whatcha Gonna Do 05) Glendale Train 06) All I Ever Wanted 07) Fair Chance To Know 08) Portland Woman 09) Cecilia 10) Truck Drivin' Man 11) Last Lonely Eagle 12) Louisiana Lady 13) Honky Tonk Women Disc Three - Electric Dead - 01) Tuning 02) Morning Dew 03) Me And My Uncle 04) Mystery Train (Only time played) 05)>My Babe (Only time played) 06) Around And Around (First time played) 07) New Orleans 08)>Searchin' 09) It's All Over Now, Baby Blue 10) Casey Jones Disc Four - Electric Dead - 01) Truckin' 02)>Dark Star (First verse only) 03)>The Main Ten (Final time played) 04)>Dancin' In The Streets 05)>Not Fade Away 06)>Goin' Down The Road Feelin' Bad 07)>Not Fade Away 08)>Drums 09)>Good Lovin' 10)>Drums 11)>Good Lovin' Md5 Disc1 96afa712345bd14645c3cc7fe20f44de *PCRP#007NRPS-GD1970-11-8d1t01.aif.shn df845456e35fd4420b3181488cbb63f5 *PCRP#007NRPS-GD1970-11-8d1t02.aif.shn 082fd60f55d732ce2165484c2bf1d238 *PCRP#007NRPS-GD1970-11-8d1t03.aif.shn d28e3b1f0e040ba17c223d40ab042104 *PCRP#007NRPS-GD1970-11-8d1t04.aif.shn 69d0ed8a293a13046a368b036cb1733b *PCRP#007NRPS-GD1970-11-8d1t05.aif.shn 5a6609fe283837184f3586d0d93a1169 *PCRP#007NRPS-GD1970-11-8d1t06.aif.shn 91d8265e122e1902155367554c414c64 *PCRP#007NRPS-GD1970-11-8d1t07.aif.shn 7b7efedc3401ce0001ee534dd394779b *PCRP#007NRPS-GD1970-11-8d1t08.aif.shn c3eb4d40cba6461c4ae89f40a953db21 *PCRP#007NRPS-GD1970-11-8d1t09.aif.shn b31959bf891d2c0f102860d18191e008 *PCRP#007NRPS-GD1970-11-8d1t10.aif.shn 684972c7a24b5a17723afcb5a8dfc60c *PCRP#007NRPS-GD1970-11-8d1t11.aif.shn Disc2 0cedd9f9719bbf1dfafc4a6668f18307 *PCRP#007NRPS-GD1970-11-8d2t01.aif.shn f142f0805259603389fbd6f87e5cf19a *PCRP#007NRPS-GD1970-11-8d2t02.aif.shn 9c4cb542588a318b5048e443cc33cf15 *PCRP#007NRPS-GD1970-11-8d2t03.aif.shn 24b6923e1ea6e5e2ffc0569d5bfa85c5 *PCRP#007NRPS-GD1970-11-8d2t04.aif.shn 38c83e942818ed445db79053f19bbf3b *PCRP#007NRPS-GD1970-11-8d2t05.aif.shn b7d7c519cd8c975ef42ddcef86fc1b7e *PCRP#007NRPS-GD1970-11-8d2t06.aif.shn 00d3911613057828ca451f7d0baab2f4 *PCRP#007NRPS-GD1970-11-8d2t07.aif.shn 8450bfd04ec5fb7aed549e4a39a3cf9c *PCRP#007NRPS-GD1970-11-8d2t08.aif.shn 598d57f9cd02174aac62ffa84b63e19b *PCRP#007NRPS-GD1970-11-8d2t09.aif.shn 4285b7e2c4bc815eecff012bf5955ccd *PCRP#007NRPS-GD1970-11-8d2t10.aif.shn 8e46a5327882cf1744ab65297b535871 *PCRP#007NRPS-GD1970-11-8d2t11.aif.shn e7716c0f445dd673f8b41d02577d8c55 *PCRP#007NRPS-GD1970-11-8d2t12.aif.shn b9ac26307aafda84b79021fc6dfe511e *PCRP#007NRPS-GD1970-11-8d2t13.aif.shn Disc3 b1c7a1b505ce7b91f7a38e058b5e0f07 *PCRP#007NRPS-GD1970-11-8d3t01.aif.shn 53759a9cf70d2749513d51c77dfd3294 *PCRP#007NRPS-GD1970-11-8d3t02.aif.shn d3666ae57ad9d1553a3b6ab44cc58b74 *PCRP#007NRPS-GD1970-11-8d3t03.aif.shn 4d50cc0b2ee7866150adc2d3e93362fa *PCRP#007NRPS-GD1970-11-8d3t04.aif.shn 9696cb657ef22fd9bfd51337e5f1a98b *PCRP#007NRPS-GD1970-11-8d3t05.aif.shn 2383d51cc3f77decb1958f05152f3c3b *PCRP#007NRPS-GD1970-11-8d3t06.aif.shn b28b6812637f1371f874b121cfc49dcf *PCRP#007NRPS-GD1970-11-8d3t07.aif.shn c5d590f988b7ee0f0b5e8c00d8873a21 *PCRP#007NRPS-GD1970-11-8d3t08.aif.shn 0b6201d63c2e624f55192562622d4c4f *PCRP#007NRPS-GD1970-11-8d3t09.aif.shn c1c380246ee618b70d7026c048d1c5dc *PCRP#007NRPS-GD1970-11-8d3t10.aif.shn Disc4 a436cc4daeb3964a4865282695b0930d *PCRP#007NRPS-GD1970-11-8d4t01.aif.shn 2f1b75e38102b167a115a219bbfc0486 *PCRP#007NRPS-GD1970-11-8d4t02.aif.shn e2edb7dd4a22dde4a1c5158534fc989f *PCRP#007NRPS-GD1970-11-8d4t03.aif.shn d880ecb753484571303cd514e3102068 *PCRP#007NRPS-GD1970-11-8d4t04.aif.shn 2da631ffa21e047dc55fa208a6472a17 *PCRP#007NRPS-GD1970-11-8d4t05.aif.shn 0b418fe43352c72598827132e8a46649 *PCRP#007NRPS-GD1970-11-8d4t06.aif.shn dcba1578854c9283f7c7261fe101b4ad *PCRP#007NRPS-GD1970-11-8d4t07.aif.shn 82c3620c8a34392939d2722d5f71148d *PCRP#007NRPS-GD1970-11-8d4t08.aif.shn dae1f475726334ddede6691e092d1ea8 *PCRP#007NRPS-GD1970-11-8d4t09.aif.shn dd12a307b67bbe4d40c5865b2062630b *PCRP#007NRPS-GD1970-11-8d4t10.aif.shn dc49fe30861f543b421184ced2bd8a8d *PCRP#007NRPS-GD1970-11-8d4t11.aif.shn Technical Notes: The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The cassette tape was baked and re-shelled, then transferred via Tascam 122 MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing By Peter G. via Soundforge. No noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1. Tape flutter in Baby Blue, and in Truckin'. Tape flip in Dancin' In The Streets was seemlessly pieced together. Yet another reMARKable recording by Ken & Judy Lee. Enjoy! .. A Special Thank You goes out to: Peter G, Bold Captain, Lisa Biasi, Anne Cohen, Joe Jupille, Torbjorn Olofsson, Jim Parzych, Yubah. Capitol Theater Port Chester NY SHN / CD-R

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04/29/71 GRATEFUL DEAD 04-29-1971 "THE LAST SHOW AT THE FILLMORE EAST" FILLMORE EAST NEW YORK CITY, NY SET(S): I / II / ENCORES LINEAGE: SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified) AUDIO RATING: AR-2 MEDIA REQUIRED: CD-R / MINI DISC: 4x74 min. DAT: 1x120 min + 1x180 min. DVD: 1x4.7 GB DISC 1 [SET I] d1t01 11:11 Bill Graham Introduction -> Truckin' d1t02 10:37 Bertha d1t03 08:36 It Hurts Me Too d1t04 04:34 Cumberland Blues -> d1t05 04:09 -> Me & My Uncle d1t06 11:18 Bird Song d1t07 07:21 Playing In The Band d1t08 10:35 Loser d1t09 03:12 Dark Hollow Total time: 1:11:36.51 (h:mm:ss:frames) reported by SHNTOOL DISC 2 d2t01 13:07 Hard To Handle d2t02 05:17 Ripple d2t03 04:55 My & Bobby McGee d2t04 05:42 Casey Jones [SET II] d2t05 10:51 Morning Dew d2t06 06:46 Minglewood Blues d2t07 06:56 Sugar Magnolia d2t08 09:07 Black Peter Total time: 1:02:44.46 (h:mm:ss:frames) reported by SHNTOOL DISC 3 d3t01 04:04 Beat It On Down The Line (25) d3t02 05:24 I Second That Emotion d3t03 03:56 Alligator -> d3t04 13:31 -> Drums > Space > Prelude To GDTRFB Jam -> d3t05 04:24 -> Goin' Down The Road Feelin' Bad -> d3t06 05:53 -> Cold Rain & Snow Total time: 0:37:15.72 (h:mm:ss:frames) reported by SHNTOOL DISC 4 d4t01 04:22 China Cat Sunflower -> d4t02 04:21 -> I Know You Rider d4t03 02:47 Greatest Story Ever Told -> d4t04 06:24 -> Johnny B. Goode [ENCORES] d4t05 08:12 ENCORE 1: Uncle John's Band d4t06 04:39 Bill Graham Comments > BG Chastises Audience > Pre-Encore 2 Tuning & Noodling -> d4t07 09:55 -> ENCORE 2: The Midnight Hour -> d4t08 03:52 -> ENCORE 3: We Bid You Good Night Total time: 0:44:34.72 (h:mm:ss:frames) reported by SHNTOOL Originally uploaded exclusively to GDLive.com by: John "Jay" Serafin, owner & chief audio engineer of Serafin Station Studio B "Making Kindness Dubs For Everyone!" No Copyright Infringements... EVER! Web Info: http://home.attbi.com/~kinddubs E-Mail: surgeon_of_sound@attbi.com Fillmore East New York NY SHN / CD-R

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10/31/71 Grateful Dead 10/31/71 Ohio Theater - Columbus, OH Dicks Picks II outtakes SOURCE: PRE-FM (?) MR>DR (GDH) All That Circulates of outs Deal Playing In The Band One More Saturday Night ENCORE: Johnny B. Goode NOTES: Keith seems to be mixed better in this than DP II Ohio Theatre Columbus OH SHN

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03/21/72 3/21/72 - Grateful Dead Academy of Music, New York, NY *Set 2 Only* Lineage: Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano 2/12/2006 Notes: 1. This is the entire 2nd set from the Gans seed. 2. shnid 15041 did not include NFA->GDTRFB->OMSN. d1t01 - Intro d1t02 - Truckin' d1t03 - Drums d1t04 - Other One d1t05 - Wharf Rat d1t06 - Sugar Mag d1t07 - The Stranger (2 Souls) d1t08 - Ramble On Rose d1t09 - MAMU d1t10 - Big RxR Blues d1t11 - Dead Air d2t01 - NFA d2t02 - GDTRFB d2t03 - OMSN SHNTOOL OUTPUT: length expanded size cdr WAVE problems filename 0:12.37 2203868 --- -- ----- gd72-03-21d1t01.wav 10:28.28 110845100 --- -- ----- gd72-03-21d1t02.wav 3:22.12 35661068 --- -- ----- gd72-03-21d1t03.wav 17:48.40 188489324 --- -- ----- gd72-03-21d1t04.wav 10:43.55 113554604 --- -- ----- gd72-03-21d1t05.wav 7:34.53 80210300 --- -- ----- gd72-03-21d1t06.wav 6:53.40 72947324 --- -- ----- gd72-03-21d1t07.wav 6:23.32 67636508 --- -- ----- gd72-03-21d1t08.wav 3:15.40 34492124 --- -- ----- gd72-03-21d1t09.wav 4:03.18 42907580 --- -- ----- gd72-03-21d1t10.wav 0:59.05 10419404 --- -- ----- gd72-03-21d1t11.wav 3:56.59 41769212 --- -- ----- gd72-03-21d2t01.wav 5:45.15 60893324 --- -- ----- gd72-03-21d2t02.wav 4:54.43 51962780 --- -- ----- gd72-03-21d2t03.wav 86:21.27 913992520 B (totals for 14 files) Academy Of Music New York NY FLAC / CD-R

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04/14/72 Grateful Dead - April 14, 1972 Tivolis Koncertsal - Copenhagen, Denmark Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 2, 2006 Patch Info: FM -> Master Reel -> Cassette -> Cassette -> Dat -> CD supplies: d1t08 - Me And Bobby McGee (patched from 5:08 - 6:20) d1t09 - Cumberland Blues (patched from 0:00 - 0:37) d1t09 - Cumberland Blues (patched from 1:23 - 3:29) SBD -> Master Reel -> Cassette -> Dat -> CD supplies: d3t01 - Dark Star (patched from 0:00 - 0:43) d3t01 - Dark Star (patched from 18:01 - 22:48) d3t03 - Good Lovin' (patched from 14:37 - 15:12) Notes: -- Thanks to Steve Rolfe for the Dat Set 1: d1t01 - Bertha d1t02 - Me And My Uncle d1t03 - Mr. Charlie d1t04 - You Win Again d1t05 - Black Throated Wind d1t06 - Chinatown Shuffle d1t07 - Loser d1t08 - Me And Bobby McGee d1t09 - Cumberland Blues d1t10 - Playing In The Band d1t11 - Tennessee Jed d1t12 - El Paso d1t13 - Big Boss Man d2t01 - Beat It On Down The Line d2t02 - Casey Jones set 2: d2t03 - Truckin' d2t04 - It Hurts Me Too d2t05 - Brown Eyed Women d2t06 - Looks Like Rain d3t01 - Dark Star -> d3t02 - Sugar Magnolia -> d3t03 - Good Lovin' -> d3t04 - Caution (Do Not Stop On Tracks) -> d3t05 - Who Do You Love? -> d3t06 - Caution (Do Not Stop On Tracks) -> d3t07 - Good Lovin' d3t08 - Ramble On Rose d4t01 - Not Fade Away -> d4t02 - China Cat Sunflower Tease -> d4t03 - Goin' Down The Road Feeling Bad -> d4t04 - Not Fade Away Encore: d4t05 - One More Saturday Night SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 7:04.43 74894780 --- -- --- gd72-04-14d1t01.wav 3:15.15 34433324 --- -- --- gd72-04-14d1t02.wav 5:06.25 54037244 --- -- --- gd72-04-14d1t03.wav 4:00.32 42411308 --- -- --- gd72-04-14d1t04.wav 6:06.38 64651820 --- -- --- gd72-04-14d1t05.wav 2:56.15 31081724 --- -- --- gd72-04-14d1t06.wav 6:29.39 68711372 --- -- --- gd72-04-14d1t07.wav 6:20.09 67053212 --- -- --- gd72-04-14d1t08.wav 4:53.41 51781676 --- -- --- gd72-04-14d1t09.wav 12:00.46 127116236 --- -- --- gd72-04-14d1t10.wav 7:42.31 81569756 --- -- --- gd72-04-14d1t11.wav 4:30.04 47637452 --- -- --- gd72-04-14d1t12.wav 6:07.70 64903484 --- -- --- gd72-04-14d1t13.wav 3:26.61 36481916 --- -- --- gd72-04-14d2t01.wav 6:13.25 65856044 --- -- --- gd72-04-14d2t02.wav 10:52.62 115158668 --- -- --- gd72-04-14d2t03.wav 7:10.43 75953180 --- -- --- gd72-04-14d2t04.wav 5:02.09 53294012 --- -- --- gd72-04-14d2t05.wav 7:12.29 76273052 --- -- --- gd72-04-14d2t06.wav 29:44.54 314824652 --- -- --- gd72-04-14d3t01.wav 6:48.67 72128828 --- -- --- gd72-04-14d3t02.wav 18:57.00 200566844 --- -- --- gd72-04-14d3t03.wav 4:45.49 50389292 --- -- --- gd72-04-14d3t04.wav 0:24.55 4363004 --- -- --- gd72-04-14d3t05.wav 2:15.39 23905772 --- -- --- gd72-04-14d3t06.wav 3:45.09 39711212 --- -- --- gd72-04-14d3t07.wav 6:01.47 63790988 --- -- --- gd72-04-14d3t08.wav 5:20.70 56612684 --- -- --- gd72-04-14d4t01.wav 0:35.02 6178748 --- -- --- gd72-04-14d4t02.wav 7:08.28 75565100 --- -- --- gd72-04-14d4t03.wav 3:46.03 39873500 --- -- --- gd72-04-14d4t04.wav 4:50.12 51184268 --- -- --- gd72-04-14d4t05.wav 210:55.22 2232395152 B (totals for 32 files) Tivoli Theater Copenhagen Denmark FLAC / CD-R

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04/17/72 Grateful Dead Tivoli Gardens Copenhagen, Denmark 04/17/1972 source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac Disc 1 set 1 01 Cold Rain & Snow 02 Me And Bobby McGee 03 Chinatown Shuffle 04 China Cat Sunflower > 05 I Know You Rider 06 Jack Straw 07 He's Gone 08 Next Time You See Me 09 Black Throated Wind set 2 10 Casey Jones Disc 2 01 Playin' In The Band 02 Sugaree 03 One More Saturday Night 04 It Hurts Me Too 05 Ramble On Rose 06 El Paso 07 Big Railroad Blues 08 Truckin' Disc 3 set 2 con't'd 01 Dark Star-> 02 Sugar Magnolia > 03 Caution (Do Not Stop on Tracks) > encore 04 Johnny B Goode notes: This is a further clean up of shnid 33802, which incorporates those already made on shnid 34032. I have now repaired all digital errors that I was able to hear on d1 and 2, and two that were missed in Dark Star. Their was a particularly stubborn problem at approximately 0:42 into China Cat, which I eventually patched with a 36 ms sample from shnid 9390. I don't think it's noticeable. It was brought to my attention (thanks Phil) that according to The Tapers Compendium, set one ended after Black Throated Winded. Jerry says " We are gonna take a very short break here .....) so I've revised the setlist accordingly. edited by SIRMick April 2006 fingerprints: gd72-04-17d1t01.flac:55fe44c24298b79b4d3245044b2431d5 gd72-04-17d1t02.flac:5bae21aaa10d6584f81d4855849ca3b3 gd72-04-17d1t03.flac:487dd24317a7b5cffa5111cc890b30dd gd72-04-17d1t04.flac:27d33d07361830f081e3041aaecd7c73 gd72-04-17d1t05.flac:5f4a52813cccb6070edc070fcd72d649 gd72-04-17d1t06.flac:07fe411397928c862ed9be91fb695cbb gd72-04-17d1t07.flac:c8048562293801a59860247517f453e0 gd72-04-17d1t08.flac:1e33ba6d993430c55c13f0452cf35bca gd72-04-17d1t09.flac:2c3799a2755bc3dec2e766437ea213df gd72-04-17d1t10.flac:5b388c60f3d8d424baefb0fa9659b2be gd72-04-17d2t01.flac:e4804c6b4076de26760e41970f468d2b gd72-04-17d2t02.flac:a10c3d2e7680b640ebb7d31ee7a1e123 gd72-04-17d2t03.flac:67ea2fd642b5781e401db800120ee296 gd72-04-17d2t04.flac:9c1ae93e46abb9707ba49c4c84c87da0 gd72-04-17d2t05.flac:6062527bb10e76e4914807640e3bd1b8 gd72-04-17d2t06.flac:34ecd9b4c1d6a7727b853bb0910a3a0c gd72-04-17d2t07.flac:95e586e3fb1b6181d48172166c83e7ef gd72-04-17d2t08.flac:2fffb04ae3429c8cc749fbac5c213483 gd72-04-17d3t01.flac:216406922263b0f1b265e079f97a0f7b gd72-04-17d3t02.flac:ec1aaecd12bdae52dee3ea8538b03474 gd72-04-17d3t03.flac:bcfac21fc1f59e951dbbea3eea11f01d gd72-04-17d3t04.flac:4c20b7cca61e49f1537ac62df550ab7d Tivoli Concert Hall Copenhagen Denmark FLAC / CD-R

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04/26/72 Grateful Dead 04/26/72 Jahrhundert Halle Frankfurt, West Germany Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set http://db.etree.org/shninfo_detail.php?shnid=9197 The sound quality here is on par with the commercially released tracks, while the previous shn set I now believe to have been from an FM broadcast based on the spectral signature and hiss level. This new shn set also includes El Paso which was missing from the previous, "FM" shn set. Although I do not know the exact source/lineage information, it is probably from the same 16 track tapes used for the commercial release. shn encoding mvernon54@attbi.com. shntool provides track times and confirms no sector boundary errors submitted to etree ~ 10/31/02 Disk 1 [58:51] SET1 01. [05:40] [100 Year Hall] Bertha ; 02. [03:04] [100 Year Hall] Me And My Uncle % 03. [03:41] [100 Year Hall Outtakes] Mr. Charlie % 04. [07:33] [100 Year Hall Outtakes] He's Gone % 05. [06:06] [100 Year Hall Outtakes] Black Throated Wind % 06. [04:15] [100 Year Hall] Next Time You See Me ; 07. [05:14] [100 Year Hall] China Cat Sunflower > 08. [05:14] [100 Year Hall] I Know You Rider; 09. [04:46] [100 Year Hall] Jack Straw ; 10. [03:53] [100 Year Hall] Big Railroad Blues; 11. [09:20] [100 Year Hall] Playing In The Band% Disk 2 [37:27] 12. [02:34] [100 Year Hall Outtakes] Chinatown Shuffle ; 13. [06:28] [100 Year Hall Outtakes] Loser ; 14. [03:04] [100 Year Hall Outtakes] Beat It On Down The Line % 15. [03:21] [100 Year Hall Outtakes] You Win Again % 16. [12:05] [100 Year Hall Outtakes] Good Lovin' % 17. [04:08] [100 Year Hall Outtakes] Dire Wolf % 18. [05:45] [100 Year Hall Outtakes] Casey Jones Disk 3 [68:23] Identical to Disk 2 of the Commercial Release "100 Year Hall" SET2 01. [17:44] [100 Year Hall] Truckin' > 02. [36:29] [100 Year Hall] The Other One > 03. [06:45] [100 Year Hall] Comes A Time > 04. [07:23] [100 Year Hall] Sugar Magnolia Disk 4 [56:51] 05. [04:47] [100 Year Hall Outtakes] El Paso % 06. [07:29] [100 Year Hall Outtakes] Tennessee Jed % 07. [05:19] [100 Year Hall Outtakes] Greatest Story Ever Told % 08. [06:45] [100 Year Hall Outtakes] Two Souls In Communion % 09. [19:13] [100 Year Hall] Turn On Your Lovelight > 10. [07:32] [100 Year Hall] Goin' Down The Road Feeling Bad > 11. [05:44] [100 Year Hall] One More Saturday Night Note: To assemble the complete show in as played order - purchase the "100 Year Hall" GDM cd http://dead.net/merchandising/music/grateful_dead/Hundred_Year_Hall/album.html - EAC the "100 Year Hall" disk 1 and rename the tracks as shown above - extract the outtakes and burn disks 1,2 and 4 as shown - disk 2 of the commercial release is unchanged and is disk 3 of the complete show as defined here Jahrhundert Halle Frankfurt Germany SHN

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05/23/72 Grateful Dead Strand Lyceum London, England 5/23/72 Set 2 partial: upgrade of "Ramble On Rose" thru "Comes A Time," featuring an uncut "Dark Star" and "He's Gone." Special thanks to Andy Lemieux for this upgraded source. Genealogy: MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs 3/21/06 01 [06:04] Ramble On Rose 02 [01:36] Tuning 03 [29:32] Dark Star > 04 [11:51] Morning Dew 05 [07:58] He's Gone 06 [06:58] Sugar Magnolia 07 [06:37] Comes A Time ffp.txt contents: gd72-05-23t01.flac:14ef41de78b73659f56e25a41e130df2 gd72-05-23t02.flac:2f04957534f80900f1d2f578e1e8eb32 gd72-05-23t03.flac:e4122a6735508ff9e4395d29981a11f5 gd72-05-23t04.flac:12fa9e1c9a00769f213640d3352d04d6 gd72-05-23t05.flac:93745616fad8c24759a4810a4d4e52a4 gd72-05-23t06.flac:b01e982940be70237c4dc728b2b6a224 gd72-05-23t07.flac:eb3e7bf09591daed9250129d4540a925 Lyceum Ballroom London England FLAC / CD-R

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07/18/72 GRATEFUL DEAD Tuesday, July 18, 1972 Roosevelt Stadium - Jersey City, NJ Main Source: MSR>C>D>CD Patches: D3T04 03:35 - 06:36 D4T05 thru D4T07 MAC>?>R>D>CD (A>D transfer by Noah Weiner) Source switches to MAC>?>C>D where the reel ends at 6:17 of GDTRFB. Not Fade Away cuts very near end. These sources were originally compiled by David Hollister. The audience patches were subsequently massaged (normalized -9 db and crossfades added) by Sean Cribbs April 25, 2002. Thanks go to Andy Lemieux for providing me with a copy of David's original compilation, and to Noah Weiner for providing the audience recording and for his helpful advice. CD ONE Set I 01 06:12 //Bertha 02 03:09 Me And My Uncle 03 09:15 Bird Song 04 03:12 Promised 05 07:20 Sugaree 06 06:22 Black Throated Wind 07 07:01 China Cat Sunflower > 08 05:42 I Know You Rider 09 05:18 Jack Straw 10 06:51 Loser CD TWO 01 03:31 Beat It On Down The Line 02 07:45 Stella Blue 03 04:42 El Paso 04 07:00 Casey Jones Set II 05 14:40 Playin' In The Band 06 04:40 Brown Eyed Women 07 08:03 Tennessee Jed CD THREE 01 03:23 tuning 02 13:34 Truckin' > 03 27:18 Dark Star > 04 06:36 Comes A Time 05 08:21 Sugar Magnolia CD FOUR Set III 01 08:28 Ramble On Rose 02 04:57 Greatest Story Ever Told 03 07:08 Mississippi Half Step Uptown Toodeloo > 04 09:02 Sing Me Back Home 05 06:55 Not Fade Away > 06 07:58 Goin' Down The Road Feelin' Bad > 07 02:35 Not Fade Away// Missing: One More Saturday Night encore Roosevelt Stadium Jersey City NJ SHN / CD-R

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07/26/72 Grateful Dead 1972-07-26 Paramount Theatre Portland, OR (2 discs flac / 4 discs audio) Source: MR > PCM > DAT > CD > EAC > SHN Patch Source: Master Soundboard Reel > DAT > ZA2 > CDR x2 Edits: SHN > WAV > Sound Forge > CDWave > FLAC (level 8) Set 1: d1t01 - Tuning d1t02 - Cold Rain And Snow d1t03 - Black Throated Wind d1t04 - Mississippi Half-Step d1t05 - Mexicali Blues d1t06 - Sugaree d1t07 - El Paso d1t08 - China Cat Sunflower > d1t09 - I Know You Rider d1t10 - Jack Straw d2t01 - Tennessee Jed d2t02 - Playing In The Band d2t03 - Casey Jones Set 2: d2t04 - The Promised Land d2t05 - He's Gone d2t06 - Me And My Uncle d2t07 - You Win Again d2t08 - Greatest Story Ever Told d2t09 - Ramble On Rose d3t01 - Dark Star > d3t02 - Comes A Time d3t03 - Sugar Magnolia d3t04 - Brown Eyed Women d3t05 - Beat It On Down The Line d3t06 - Stella Blue d4t01 - Not Fade Away > d4t02 - Goin' Down The Road Feeling Bad > d4t03 - Not Fade Away Encore: d4t04 - One More Saturday Night NOTES: - Primary source shnid 8957 - Patch source (sbd) shnid 1411 - Greatest Story patched from alternate sbd source. The patch was adjusted with iZotope Ozone to brighten it up and better match the primary source. - Several sub-second dropouts @ 12:38 in Dark Star repaired. - The disc breaks were made seamless. - He's Gone was already patched from (I believe) the same alt. source used to patch GSET. - Dark Star has been left intact, tracked as a single cut. In the previous seed, there was a "Drums" track which was really a brief Drums followed by Phil/Drums and then an extended jam before the return to the theme. Dark Star breaks down like this: - Thanks to Charlie Miller for his comment under shnid 8957 which suggested this fix. - The only way to get this onto 3 audio discs would have been to cut out much of the tuning and banter, which is often entertaining. Jerry says to Weir before BTW, "You gonna bullshit all night or play..." - Put the kids to bed and enjoy this fine show. Andrew Long <fursink@gmail.com> May 27, 2006 SHNTOOL LEN: length expanded size cdr WAVE problems filename 1:55.69 20448332 --- -- ---xx gd1972-07-26d1t01.flac 7:36.33 80516060 --- -- ---xx gd1972-07-26d1t02.flac 7:26.43 78775580 --- -- ---xx gd1972-07-26d1t03.flac 8:44.44 92537132 --- -- ---xx gd1972-07-26d1t04.flac 5:07.47 54265388 --- -- ---xx gd1972-07-26d1t05.flac 9:06.66 96469676 --- -- ---xx gd1972-07-26d1t06.flac 6:30.07 68812508 --- -- ---xx gd1972-07-26d1t07.flac 6:35.51 69797996 --- -- ---xx gd1972-07-26d1t08.flac 8:05.44 85657532 --- -- ---xx gd1972-07-26d1t09.flac 9:05.63 96286220 --- -- ---xx gd1972-07-26d1t10.flac 10:21.03 109551500 --- -- ---xx gd1972-07-26d2t01.flac 15:10.31 160596956 --- -- ---xx gd1972-07-26d2t02.flac 5:41.64 60302972 --- -- ---xx gd1972-07-26d2t03.flac 3:32.67 37554428 --- -- ---xx gd1972-07-26d2t04.flac 11:18.10 119622764 --- -- ---xx gd1972-07-26d2t05.flac 4:12.48 44565740 --- -- ---xx gd1972-07-26d2t06.flac 5:16.68 55902380 --- -- ---xx gd1972-07-26d2t07.flac 5:53.74 62443292 --- -- ---xx gd1972-07-26d2t08.flac 7:45.25 82084844 --- -- ---xx gd1972-07-26d2t09.flac 30:49.30 326234204 --- -- ---xx gd1972-07-26d3t01.flac 8:32.45 90422684 --- -- ---xx gd1972-07-26d3t02.flac 10:00.43 105941180 --- -- ---xx gd1972-07-26d3t03.flac 5:20.61 56591516 --- -- ---xx gd1972-07-26d3t04.flac 3:25.01 36164396 --- -- ---xx gd1972-07-26d3t05.flac 9:42.33 102742460 --- -- ---xx gd1972-07-26d3t06.flac 5:12.71 55203836 --- -- ---xx gd1972-07-26d4t01.flac 8:22.09 88574012 --- -- ---xx gd1972-07-26d4t02.flac 4:39.22 49267388 --- -- ---xx gd1972-07-26d4t03.flac 4:47.44 50730332 --- -- ---xx gd1972-07-26d4t04.flac 230:21.16 2438063308 B (totals for 29 files, 0.5591 overall compression ratio) FLAC FFP: gd1972-07-26d1t01.flac:e720c39393ec94f35afa66d756c56de2 gd1972-07-26d1t02.flac:714d09f584d88b6c0128c7ed98575cd8 gd1972-07-26d1t03.flac:40e33aaffa5d3afd611b56cf87a9bf1c gd1972-07-26d1t04.flac:240ce6aaf3f307156be29641c8e7f59e gd1972-07-26d1t05.flac:e674e5dcb5c8e87097fbc474734be418 gd1972-07-26d1t06.flac:f81a49672b2975fac51269ee21ca285d gd1972-07-26d1t07.flac:0fe2ec2c09ecaba23052d4fbc98799a6 gd1972-07-26d1t08.flac:5b5b0b17209fedf08439603132d044dd gd1972-07-26d1t09.flac:45319319eb3b287fbda22fb124f4975c gd1972-07-26d1t10.flac:54ae59ee23bf8073527a2b518f6d1bdb gd1972-07-26d2t01.flac:5831d53b065a6b04d75d165bd7acd89a gd1972-07-26d2t02.flac:7516c8874d58ff7f0f0ead50c2f6e547 gd1972-07-26d2t03.flac:df838c9667dc792a4045549b146ca476 gd1972-07-26d2t04.flac:1db23c16166c16f815df376a8e071465 gd1972-07-26d2t05.flac:d6b38e87ddaf890b83717fb70e4224a4 gd1972-07-26d2t06.flac:92eb16138e39c1d8533536f0d80b9124 gd1972-07-26d2t07.flac:08c2091451ed452d98ade2325f3d75cb gd1972-07-26d2t08.flac:23536036444c5ebb744cf32d7135b891 gd1972-07-26d2t09.flac:70be67e75839ed47238faf5a729a2397 gd1972-07-26d3t01.flac:4ad4534e9a7a5a99f31028b53d83d96c gd1972-07-26d3t02.flac:e50ca1c38612c0452160d33fa82264d9 gd1972-07-26d3t03.flac:4d626f3132dbf6b9032b64fdd31aeb06 gd1972-07-26d3t04.flac:877975387411108f6d1c3c5bf75c90dd gd1972-07-26d3t05.flac:2790d42673f1e337a6c6d8359a05f7cb gd1972-07-26d3t06.flac:f8e079408c2055accd49217a21a92bb0 gd1972-07-26d4t01.flac:5f7200e8035c685a060683e346ce1758 gd1972-07-26d4t02.flac:a32c94f46f09796cd9afa645f8e9124a gd1972-07-26d4t03.flac:3a34349b485bcacf1530349f48c53228 gd1972-07-26d4t04.flac:1972ede79c87d625398a16d7c771e573 Paramount Theater Portland OR FLAC / CD-R

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08/27/72 The newest and greatest version (ha), seeded 10/7/01. This seed combines the 16-track master reel (so-called "dank") source with the between-song banter that was edited out of it. The splices should be, with one or two exceptions, inaudible. Full text file to follow. pb (braverman@earthlink.net) Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN Here's the dank text file: Grateful Dead August 27, 1972 Old Renaissance Faire Grounds Veneta, OR Benefit for Springfield Creamery Disc 1 47:55 -Set I- 1. Promised Land 03:06 2. Sugaree 07:13 3. Me & My Uncle 03:04 4. Deal 04:41 5. Black Throated Wind 06:31 6. China Cat Sunflower> 07:56 7. I Know You Rider 06:02 8. Mexicali Blues 03:35 9. Bertha 05:44 Disc 2 50:18 -Set II- 1. Playin 18:40 2. He's Gone 08:49 3. Jack Straw 04:59 4. Bird Song 12:19 5. Greatest Story 05:33 Disc 3 65:57 -Set III- 1. Dark Star> 31:26 2. El Paso 04:39 3. Sing Me Back Home 10:29 4. Sugar Magnolia 08:33 5. E1: Casey Jones 06:08 6. E2: Saturday Night 04:41 Source: SBD>16 Track Master Reels>DAT@44.1K>DAT>DAT>WAV>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below) WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b The songs from the reels were originally edited down to DAT very tightly, almost no banter is present in this version. Known Flaws: the first few notes of Sugar Magnolia were missing and were patched in from the circulating Gans CD source. The following spots were edited using pencil tool in Soundforge (small bits of analog static removed): d1t1, 2:18 - left channel click - smoothed, still slightly audible d1t1, 2:20-2:23 - left channel static - smoothed, still slightly audible d1t06, 2:12 - pop - fixed d2t01, 14:28 - right channel crackle - fixed d2t05, 3:37 - right channel click - fixed d2t05, 4:13 right channel click - fixed d2t05, 04:18 - right channel static - smoothed, still audible d2t05, 04:45 - right channel static - fixed d2t05, 04:00-05:00 - some other static, smoothed, but still audible d2t05, 5:05 - right channel click- still slightly audible d3t01, 0:28 - two right channel clicks - fixed d3t01, 0:38 - right channel click - fixed d3t01, 8:06, 8:11 - right channel crackles - fixed d3t01, 26:29 - right channel click - fixed There are a few other minor analog anomalies that were left alone: d1t01, 2:02 click in right channel d1t01, 2:26 slight pop d1t07, 3:48 click d2t01, 6:00 faint click d2t04, 10:12 pop d2t05, 3:36 click d2t05, 3:42 click d3t01, 28:24 click d3t04, 5:10-7:50 intermittent analog buzzing in right channel There's probably some more to be found, however, all are quite minor Reel>DAT transfer by Dick Latvala DAT clone supplied by Rob Eaton, 6/2001 DAT>SHN by Jamie Lutch, 6/2001 ------------------------ DAT transfer error logs: ------------------------ each of the two source dats were extracted twice and compared using EAC's wav compare feature DAT1: wav 1: 117 missing samples 0:27:21.540 wav 2: 0:00:00.003 longer (wav 2 used for this shn archive, extraneous samples at 27:21.540 deleted, not audible) DAT2: wav 1: 363 missing samples 0:58:45.741 wav 2: 363 missing samples 0:30:15.591 (wav 1 used for this shn archive, questionable spot at 58:45 was checked, no audible errors exist) ----------------------- ____________________________________________________________________________ *Dankseed Certification received 01-07-03* and posted at http://groups.yahoo.com/group/dankseeds/files/gd72-08-27/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO Old Renaissance Faire Grounds Veneta OR FLAC / CD-R

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08/27/72 Grateful Dead 8-27-1972 (Discs: CDA-3/SHN-2) Old Renaissance Faire Grounds Veneta OR (Benefit for Springfield Creamery) Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) Set1 d1t01-Intro d1t02-Promised Land d1i03-Sugaree d1t04-Me & My Uncle d1t05-Deal d1t06-Black Throated Wind d1t07-China Cat Sunflower >> d1t08-I Know You Rider d1t09-Mexicali Blues d1t10-Bertha Set2 d2t01-Playin' In The Band d2t02-He's Gone d2t03-Jack Straw d2t04-Bird Song d2t05-Greatest Story Set3 d3t01-Dark Star >> d3t02-El Paso d3t03-Sing Me Back Home d3t04-Sugar Magnolia Encore d3t05-Casey Jones d3t06-Saturday Night d3t07-Closing Banter Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on January 4, 2004. Thanks to Peter Braverman for his fine work. From the Braverman text file and prior to Bertha Remastering: Source: SBD>16 Track Master Reels>DAT@44.1K>DAT>DAT>WAV>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below) WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b The songs from the reels were originally edited down to DAT very tightly, almost no banter is present in this version. Known Flaws: the first few notes of Sugar Magnolia were missing and were patched in from the circulating Gans CD source. The following spots were edited using pencil tool in Soundforge (small bits of analog static removed): d1t1, 2:18 - left channel click - smoothed, still slightly audible d1t1, 2:20-2:23 - left channel static - smoothed, still slightly audible d1t06, 2:12 - pop - fixed d2t01, 14:28 - right channel crackle - fixed d2t05, 3:37 - right channel click - fixed d2t05, 4:13 right channel click - fixed d2t05, 04:18 - right channel static - smoothed, still audible d2t05, 04:45 - right channel static - fixed d2t05, 04:00-05:00 - some other static, smoothed, but still audible d2t05, 5:05 - right channel click- still slightly audible d3t01, 0:28 - two right channel clicks - fixed d3t01, 0:38 - right channel click - fixed d3t01, 8:06, 8:11 - right channel crackles - fixed d3t01, 26:29 - right channel click - fixed There are a few other minor analog anomalies that were left alone: d1t01, 2:02 click in right channel d1t01, 2:26 slight pop d1t07, 3:48 click d2t01, 6:00 faint click d2t04, 10:12 pop d2t05, 3:36 click d2t05, 3:42 click d3t01, 28:24 click d3t04, 5:10-7:50 intermittent analog buzzing in right channel There's probably some more to be found, however, all are quite minor Reel>DAT transfer by Dick Latvala DAT clone supplied by Rob Eaton, 6/2001 DAT>SHN by Jamie Lutch, 6/2001 Old Renaissance Faire Grounds Veneta OR SHN / CD-R

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03/26/73 Grateful Dead - March 26, 1973 Civic Center - Baltimore, MD Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC (4 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 23, 2006 Notes: -- Thanks to Steve Rolfe for the Dat -- All disc changes are seamless -- Last few notes of Looks Like Rain are cut -- Reel flip in Here Comes Sunshine -- Reel flip in Truckin' jam -- Reel flip in Morning Dew Set 1: d1t01 - The Promised Land d1t02 - Mississippi Half-Step Uptown Toodeloo d1t03 - The Race Is On d1t04 - Wave That Flag d1t05 - Jack Straw d1t06 - Sugaree d1t07 - Mexicali Blues d1t08 - Box Of Rain d1t09 - Row Jimmy d1t10 - Beat It On Down The Line d1t11 - Brown Eyed Women d1t12 - El Paso d1t13 - China Cat Sunflower -> d1t14 - I Know You Rider d2t01 - Looks Like Rain d2t02 - Don't Ease Me In d2t03 - Playing In The Band set 2: d2t04 - Wolfman Jack Introduction d2t05 - Ramble On Rose d2t06 - Big River d2t07 - Here Comes Sunshine d2t08 - Greatest Story Ever Told d2t09 - Candyman d2t10 - Me And My Uncle d3t01 - He's Gone -> d3t02 - Truckin' -> d3t03 - Weather Report Suite Prelude -> d3t04 - Wharf Rat -> d3t05 - Me And Bobby McGee d4t01 - Eyes Of The World -> d4t02 - Morning Dew d4t03 - One More Saturday Night SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 3:21.35 35538764 --- -- --- gd73-03-26d1t01.wav 7:39.04 80977052 --- -- --- gd73-03-26d1t02.wav 3:33.42 37672028 --- -- --- gd73-03-26d1t03.wav 6:45.66 71597276 --- -- --- gd73-03-26d1t04.wav 4:55.08 52056860 --- -- --- gd73-03-26d1t05.wav 7:39.41 81064076 --- -- --- gd73-03-26d1t06.wav 3:47.16 40080476 --- -- --- gd73-03-26d1t07.wav 5:17.60 56059964 --- -- --- gd73-03-26d1t08.wav 8:52.41 93941276 --- -- --- gd73-03-26d1t09.wav 3:24.23 36039740 --- -- --- gd73-03-26d1t10.wav 6:37.63 70179020 --- -- --- gd73-03-26d1t11.wav 5:02.67 53430428 --- -- --- gd73-03-26d1t12.wav 7:18.53 77387900 --- -- --- gd73-03-26d1t13.wav 5:31.57 58522508 --- -- --- gd73-03-26d1t14.wav 7:05.17 75010028 --- -- --- gd73-03-26d2t01.wav 3:54.54 41404652 --- -- --- gd73-03-26d2t02.wav 19:20.48 204736940 --- -- --- gd73-03-26d2t03.wav 1:43.47 18279788 --- -- --- gd73-03-26d2t04.wav 6:41.23 70790540 --- -- --- gd73-03-26d2t05.wav 4:44.57 50231708 --- -- --- gd73-03-26d2t06.wav 8:36.06 91036556 --- -- --- gd73-03-26d2t07.wav 5:35.03 59101100 --- -- --- gd73-03-26d2t08.wav 9:36.53 101731100 --- -- --- gd73-03-26d2t09.wav 2:56.07 31062908 --- -- --- gd73-03-26d2t10.wav 14:17.01 151177196 --- -- --- gd73-03-26d3t01.wav 15:19.33 162189260 --- -- --- gd73-03-26d3t02.wav 8:09.74 86433692 --- -- --- gd73-03-26d3t03.wav 9:51.30 104323004 --- -- --- gd73-03-26d3t04.wav 5:30.14 58244972 --- -- --- gd73-03-26d3t05.wav 14:20.41 151800476 --- -- --- gd73-03-26d4t01.wav 12:27.74 131944892 --- -- --- gd73-03-26d4t02.wav 4:40.25 49450844 --- -- --- gd73-03-26d4t03.wav 234:38.58 2483497024 B (totals for 32 files) Civic Center Baltimore MD FLAC / CD-R

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04/02/73 4/2/73 - Grateful Dead Boston Garden - Boston, MA Recording Info: SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN CD -> SHN Conversion Done By Charlie Miller charliemiller87@earthlnk.net 5/18/03 Thanks to David Gans for lending me his master discs!!! Set 1: d1t01 - Promised Land d1t02 - Deal d1t03 - Mexicali Blues d1t04 - Brown-Eyed Women d1t05 - Beat It on Down the Line d1t06 - Row Jimmy d1t07 - Bobby's Spider Rap d1t08 - Looks Like Rain d1t09 - Wave That Flag d1t10 - Box of Rain d1t11 - Big River d1t12 - China Cat Sunflower-> d1t13 - I Know You Rider d1t14 - You Ain't Woman Enough d1t15 - Jack Straw d2t01 - Don't Ease Me In d2t02 - Playing in the Band Set 2: d2t03 - Stage Banter d2t04 - Ramble On Rose d2t05 - Me and My Uncle d2t06 - Mississippi Halfstep d2t07 - Greatest Story Ever Told d2t08 - Loose Lucy d2t09 - El Paso d2t10 - Stella Blue d2t11 - Around and Around d3t01 - Here Comes Sunshine -> d3t02 - Me and Bobby McGee -> d3t03 - Weather Report prelude -> d3t04 - Eyes of the World -> d3t05 - China Doll d3t06 - Sugar Magnolia d3t07 - Casey Jones ENCORE: d3t08 - Stage Banter d3t09 - Johnny B. Goode-> d3t10 - We Bid You Good Night SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 3:13.12 34073468 --- -- --- gd73-04-02d1t01.wav 4:29.28 47517500 --- -- --- gd73-04-02d1t02.wav 3:29.52 36989948 --- -- --- gd73-04-02d1t03.wav 6:12.00 65620844 --- -- --- gd73-04-02d1t04.wav 3:22.55 35762204 --- -- --- gd73-04-02d1t05.wav 8:00.03 84679100 --- -- --- gd73-04-02d1t06.wav 0:23.15 4092524 --- -- --- gd73-04-02d1t07.wav 7:41.42 81419228 --- -- --- gd73-04-02d1t08.wav 5:47.13 61241420 --- -- --- gd73-04-02d1t09.wav 5:06.62 54124268 --- -- --- gd73-04-02d1t10.wav 4:40.48 49504940 --- -- --- gd73-04-02d1t11.wav 7:19.42 77538428 --- -- --- gd73-04-02d1t12.wav 5:41.68 60312380 --- -- --- gd73-04-02d1t13.wav 3:10.60 33657164 --- -- --- gd73-04-02d1t14.wav 4:50.60 51297164 --- -- --- gd73-04-02d1t15.wav 4:28.17 47315228 --- -- --- gd73-04-02d2t01.wav 17:31.00 185396444 --- -- --- gd73-04-02d2t02.wav 0:33.50 5938844 --- -- --- gd73-04-02d2t03.wav 6:32.43 69249980 --- -- --- gd73-04-02d2t04.wav 3:30.57 37178108 --- -- --- gd73-04-02d2t05.wav 7:02.43 74541980 --- -- --- gd73-04-02d2t06.wav 5:07.10 54178364 --- -- --- gd73-04-02d2t07.wav 6:59.65 74064524 --- -- --- gd73-04-02d2t08.wav 4:23.07 46409708 --- -- --- gd73-04-02d2t09.wav 7:46.18 82244780 --- -- --- gd73-04-02d2t10.wav 4:44.55 50227004 --- -- --- gd73-04-02d2t11.wav 20:27.70 216607484 --- -- --- gd73-04-02d3t01.wav 6:25.10 67937564 --- -- --- gd73-04-02d3t02.wav 2:47.65 29611724 --- -- --- gd73-04-02d3t03.wav 16:08.17 170795228 --- -- --- gd73-04-02d3t04.wav 5:55.03 62629100 --- -- --- gd73-04-02d3t05.wav 9:00.52 95378348 --- -- --- gd73-04-02d3t06.wav 6:54.18 73071980 --- -- --- gd73-04-02d3t07.wav 0:28.20 4986284 --- -- --- gd73-04-02d3t08.wav 3:36.71 38269436 --- -- --- gd73-04-02d3t09.wav 2:14.11 23663516 --- -- --- gd73-04-02d3t10.wav 216:07.62 2287526208 B (totals for 36 files) Boston Garden Boston MA SHN / CD-R

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05/26/73 Grateful Dead Kezar Stadium San Francisco, CA 5/26/73 MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003 Disc 1/4 Set 1 01 [03:27] The Promised Land 02 [06:24] Deal 03 [05:37] Jack Straw 04 [08:52] Tennessee Jed 05 [03:46] The Race Is On 06 [09:46] Sugaree 07 [04:17] Mexicali Blues 08 [08:53] Row Jimmy (splice @ 03:32) 09 [07:34] Looks Like Rain 10 [07:32] They Love Each Other TT [66:12] Disc 2/4 Set 1, cont. 01 [18:38] Playing In The Band Set 2 02 [12:42] Here Comes Sunshine 03 [06:30] El Paso 04 [07:54] Loser 05 [03:59] Beat It On Down The Line 06 [03:54] You Ain't Woman Enough 07 [05:45] Box Of Rain 08 [07:41] China Cat Sunflower > (splice @ 03:17) 09 [05:50] I Know You Rider TT [72:55] Disc 3/4 Set 2, cont. 01 [05:31] Big River 02 [05:49] Bertha 03 [04:51] Around & Around Set 3 04 [09:25] Mississippi Half-Step Uptown Toodeloo 05 [03:41] Me & My Uncle TT [29:19] Disc 4/4 Set 3, cont. 01 [13:51] He's Gone > 02 [13:47] Truckin' > 03 [12:20] The Other One > 04 [13:39] Eyes Of The World > 05 [06:34] China Doll 06 [10:51] Sugar Magnolia 07 [06:56] E: Casey Jones TT [78:02] Kezar Stadium San Francisco CA SHN / CD-R

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07/27/73 7/27/73 - Grateful Dead Grand Prix Racecourse Watkins Glenn, NY Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 1 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 1/19/05 Notes: -- The circulating 1st Set came labled Master Reel, but obviously is not. -- Cleaned up cuts in the first set and cuts in d2t01 and d2t03. Set 1: d1t01 - The Promised Land d1t02 - Sugaree d1t03 - Mexicali Blues d1t04 - Bird Song d1t05 - Big River d1t06 - Tennessee Jed d1t07 - "We're Gonna Take A Short Break" Set 2: d2t01 - Mississippi Half-Step Uptown Toodeloo d2t02 - Me And My Uncle d2t03 - Jam -> d2t04 - Wharf Rat d2t05 - Around And Around SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 3:14.40 34315724 --- -- --- gd73-07-27d1t01.wav 8:01.41 84944876 --- -- --- gd73-07-27d1t02.wav 3:37.70 38443484 --- -- --- gd73-07-27d1t03.wav 16:00.31 169416956 --- -- --- gd73-07-27d1t04.wav 4:57.09 52412012 --- -- --- gd73-07-27d1t05.wav 7:41.41 81416876 --- -- --- gd73-07-27d1t06.wav 0:50.19 8864732 --- -- --- gd73-07-27d1t07.wav 6:49.27 72211148 --- -- --- gd73-07-27d2t01.wav 3:07.16 33024476 --- -- --- gd73-07-27d2t02.wav 19:35.24 207326492 --- -- --- gd73-07-27d2t03.wav 10:10.28 107669900 --- -- --- gd73-07-27d2t04.wav 4:56.66 52369676 --- -- --- gd73-07-27d2t05.wav 89:02.37 942416352 B (totals for 12 files) FLAC FINGERPRINT: gd73-07-27d1t02.flac:c321d6e24052c418dee2b59d98f7cbf9 gd73-07-27d1t01.flac:d9ade977fb667dcf1541bb9b7482f400 gd73-07-27d1t03.flac:0388f6ad4e7f2eeebb5a0c6a188ba53d gd73-07-27d1t04.flac:0d8222afefe4fd7a13cb1a2fbd38e063 gd73-07-27d1t05.flac:cb62274234443b611db212865f229d2b gd73-07-27d1t06.flac:0dae73484eabc9f14fc232f439f2aa77 gd73-07-27d1t07.flac:dc3a39904ca5e256b799119541f35420 gd73-07-27d2t01.flac:67c7b7bb316622c7808811384839d874 gd73-07-27d2t02.flac:22398488f47e3829d3674ddc9ea5e5e0 gd73-07-27d2t03.flac:d8a5a50eb3947583ad944428f47a9fc7 gd73-07-27d2t04.flac:58152b59372bea6e9233c64a2f4c2c9d gd73-07-27d2t05.flac:c2fe1e9f4a97088d5cc2ed162f28db59 Grand Prix Racecourse Watkins Glen NY FLAC / CD-R

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09/26/73 Grateful Dead 09/26/73 Community War Memorial Auditorium Buffalo, NY Source: SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN Disc 1 - Set 1 01 Here Comes Sunshine 02 Beat It On Down The Line 03 Deal 04 Looks Like Rain 05 Tennessee Jed 06 Mexicali Blues 07 Loser 08 Big River 09 Brown-Eyed Women 10 The Race Is On 11 Row Jimmy 12 El Paso Disc 2 - Set 1 (cont.) 01 China Cat Sunflower > I Know You Rider 02 Around & Around Set 2 03 Sing Me Back Home 04 Me And My Uncle 05 He's Gone > Truckin'> 06 Truckin' Jam> 07 Eyes Of The World>* Disc 3 - Set 2 (cont.) 01 WRS Prelude*>WRS Part 1* 02 Let It Grow* 03 Sugar Magnolia* Community War Memorial Auditorium Buffalo NY SHN / CD-R

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10/25/73 Grateful Dead Dane County Coliseum Madison, WI 10/25/73 Set 2 Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003 DISC ONE [65:33] 01 [00:10] "squashed" 02 [08:48] China Cat Sunflower > 03 [05:48] I Know You Rider 04 [03:01] Me And My Uncle 05 [04:59] Dark Star > 06 [01:53] Mind Left Body Jam > 07 [16:19] Dark Star > 08 [15:51] Eyes Of The World > 09 [08:41] Stella Blue note: first 15 seconds of China Cat Sunflower patched with 11/20/73 Denver, CO DISC TWO [37:29] 01 [05:41] Weather Report Suite Prelude > Part One > 02 [10:59] Let It Grow 03 [08:37] Goin' Down The Road Feeling Bad 04 [04:47] One More Saturday Night 05 [07:24] Uncle John's Band note: added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow Dane County Coliseum Madison WI FLAC / CD-R

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10/30/73 Grateful Dead - October 30, 1973 Kiel Auditorium - St. Louis, MO Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC (4 Discs Audio / 2 Disc FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net July 4, 2004 & February 10, 2006 Patch Info: The following songs have patches from a 3rd Gen AUD: Me And My Uncle 0:00 - 0:01 Eyes Of The World 6:27 - 6:42 Notes: -- This source doesn't have some of the flaws that other sources have. -- You can combine Discs 2 and 4 onto one CD if you want. -- Thanks to Rob Eaton for letting me copy his dats. -- Thanks to Matt Smith for the patch source discs. Set 1: d1t01 - Here Comes Sunshine d1t02 - Me And My Uncle d1t03 - Ramble On Rose d1t04 - Looks Like Rain d1t05 - Deal d1t06 - Mexicali Blues d1t07 - They Love Each Other d1t08 - El Paso d1t09 - Row Jimmy d1t10 - Jack Straw d1t11 - China Cat Sunflower -> d1t12 - I Know You Rider d2t01 - Playing In The Band Set 2: d2t02 - Mississippi Half-Step Uptown Toodeloo d2t03 - Big River d3t01 - Dark Star -> d3t02 - Mind Left Body Jam -> d3t03 - Dark Star -> d3t04 - Stella Blue -> d3t05 - Eyes Of The World -> d3t06 - Weather Report Suite -> d3t07 - Let It Grow d4t01 - Goin' Down The Road Feeling Bad -> d4t02 - Johnny B. Goode Encore: d4t03 - One More Saturday Night SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 11:39.01 123305996 --- -- --- gd73-10-30d1t01.wav 3:16.37 34661468 --- -- --- gd73-10-30d1t02.wav 6:30.58 68932460 --- -- --- gd73-10-30d1t03.wav 8:15.66 87473276 --- -- --- gd73-10-30d1t04.wav 4:57.32 52466108 --- -- --- gd73-10-30d1t05.wav 3:24.15 36020924 --- -- --- gd73-10-30d1t06.wav 5:32.38 58654220 --- -- --- gd73-10-30d1t07.wav 4:21.24 46096892 --- -- --- gd73-10-30d1t08.wav 9:19.12 98635868 --- -- --- gd73-10-30d1t09.wav 5:23.56 57108956 --- -- --- gd73-10-30d1t10.wav 8:47.61 93106316 --- -- --- gd73-10-30d1t11.wav 5:25.31 57402956 --- -- --- gd73-10-30d1t12.wav 20:20.01 215210396 --- -- --- gd73-10-30d2t01.wav 8:03.57 85335308 --- -- --- gd73-10-30d2t02.wav 4:41.30 49639004 --- -- --- gd73-10-30d2t03.wav 12:57.64 137213372 --- -- --- gd73-10-30d3t01.wav 3:08.73 33334940 --- -- --- gd73-10-30d3t02.wav 12:04.36 127798316 --- -- --- gd73-10-30d3t03.wav 7:54.11 83639516 --- -- --- gd73-10-30d3t04.wav 17:40.44 187087532 --- -- --- gd73-10-30d3t05.wav 6:20.56 67163756 --- -- --- gd73-10-30d3t06.wav 9:19.08 98626460 --- -- --- gd73-10-30d3t07.wav 8:23.12 88757468 --- -- --- gd73-10-30d4t01.wav 4:10.27 44163548 --- -- --- gd73-10-30d4t02.wav 5:07.15 54190124 --- -- --- gd73-10-30d4t03.wav 197:05.40 2086025180 B (totals for 25 files) Kiel Auditorium St. Louis MO FLAC / CD-R

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11/10/73 Grateful Dead 11/10/73 Winterland Arena, San Francisco, CA MSR> reel > PCM > DAT > CD Disc 1, Set 1 1. Bertha 2. Jack Straw 3. Loser 4. Looks Like Rain 5. Deal 6. Mexicali Blues 7. Tennessee Jed 8. El Paso 9. Brokedown Palace 10. Beat It On Down The Line 11. WRS Prelude > WRS Part 1 > Let It Grow Disc 2, Set 2 1. Playing In The Band > 2. Uncle John's Band > 3. Morning Dew > 4. Uncle John's Band Reprise > 5. Playing Reprise Disc 3, Set 2, cont. 1. Big River 2. Stella Blue 3. Truckin' > 4. Wharf Rat 5. Sugar Magnolia \ (missing encores) Notes: Somewhat hissier than usual D2t02 (UJB): splice @ 3:20 (sounds like source tape running out) D3t04 (Wharf Rat): split-second diginoise @ 3:35 D3t05 (Sugar Mag): runs out @ 1:56 Winterland Arena San Francisco CA SHN / CD-R

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11/11/73 Grateful Dead Winterland Arena San Francisco, CA November 11, 1973 Source: Disks 1-2 MSR>Cass>Cass>DATs>CDRs>EAC>SHN Disk 3 MSR>Cass>DATs>CDRs>EAC>SHN Disk 1 ~ Set 1 Promised Land > Bertha > Greatest Story Sugaree Black Throated Wind To Lay Me Down El Paso Ramble On Rose Me & Bobby McGee China Cat Sunflower > Know You Rider Me and My Uncle Disk 2 ~ Set 1 (cont.) Loose Lucy Weather Report Suite Prelude > Weather Report Suite Part 1 > Let It Grow Set 2 Mississippi Half-Step Big River Disk 3 ~ Set 2 (cont.) Dark Star > Eyes Of The World > China Doll Sugar Magnolia ENCORE Uncle John's Band Johnny B. Goode > And We Bid You Good Night Thanks to Bob Murphy for the Seed Disks Eac/Shn by Darrin (dnsacks@usa.net) Patch in Eyes from 7:50-8:16 provided by Ben Neuman MSR>?>DAT>CDR>EAC>SHN Original gdlive seed had SBE's. I used shntool to fix the SBE's one set at a time then converted to shn with seek tables appended. (spreaddead@bellsouth.net) Patch in Eyes was pitch corrected by Alan Schlissel on 11-11-2002 and edited using CE2k, SB verified with shntool. Special thanks to Tony Gardner for the source material and Charles Wier for technical guidance. Enjoy! Winterland Arena San Francisco CA SHN/ CD-R

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11/17/73 Grateful Dead 11/17/73 Pauley Pavillion, U.C.L.A. Los Angeles, CA SBD>MR>C>DAT>CDR>EAC>SHN Disc 1 ~ Set 1 Me And My Uncle Here Comes Sunshine Looks Like Rain Deal Mexicali Blues Tennessee Jed The Race Is On China Cat Sunflower > I Know You Rider Big River Brown Eyed Women Around And Around Disc 2 ~ Set 2 Row Jimmy Jack Straw Ramble On Rose Playing In The Band > Uncle John's Band > Morning Dew > Uncle John's Band > Playing In The Band Disc 3 Stella Blue El Paso Eyes Of The World > Sugar Magnolia ENCORE Casey Jones Thanks to Paul B. for the discs Splice between ROR and Playin' (no music affected) seeded by Tony G (gdtrfb@bellsouth.net) Pauley Pavilion, UCLA Los Angeles CA SHN / CD-R

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11/30/73 DP14 Leftovers Show Date: 11/30/73 Venue: Boston Music Hall City: Boston State: MA sbd > ? > CDR > EAC(secure) > mkwact(seekable) shn convernon mvernon54@attbi.com original cdrs from Seth Kaplan Disk 1 [64:33] Set 1 04. [03:39] Beat It On Down The Line 05. [04:52] Brown Eyed Women 08. [04:30] El Paso 11. [07:11] Loser Disk 2 [56:24] Set2 02. [09:35] Bertha-> Promised Land 03. [06:29] Row Jimmy 04. [04:58] Jack Straw Music Hall Boston MA SHN

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12/02/73 DP14 Leftovers 12/2/73 Music Hall Boston, MA Master Soundboard Reel > Cassette > DAT > CDR There are a few seconds of overlap between Discs 2 and 3 EAC'ed / SHN'ed by Scott Clugston Circulated 2/01 Disc 1 3. Dire Wolf 4. The Race Is On 9. El Paso 10.Row Jimmy 11.Big River 12.Deal Disc 3 4. Sugar Magnolia Music Hall Boston MA SHN

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12/06/73 Grateful Dead 12/6/73 Cleveland Convention Center, Cleveland, OH Source: SBD Lineage: S:MR > cassette > DAT > CD > EAC > SHN Seed provided by Seth Kaplan through Alan Fink: Thanks guys! Slight retracking (CDWav) by G.S. Hamilton Note: Disc 3 requires an 80 minute disc Disc 1 Set 1 1. Bertha 6:25 2. Mexicali Blues 3:27 3. Loser 6:27 4. Black-Throated Wind 6:55 5. They Love Each Other 5:19 6. Beat It On Down The Line 3:17 7. Deal 4:52 8. El Paso 4:26 9. Row Jimmy 9:09 10. Greatest Story Ever Told 5:37 Total time: 55:58 Disc 2 Set 2, cont. 1. China Cat Sunflower > 9:15 2. I Know You Rider 5:30 3. Around And Around 5:06 Set 2 4. Ramble On Rose 7:04 5. Me And My Uncle 2:58 6. Stage Talk 0:56 7. Here Comes Sunshine 15:43 8. Big River 4:48 Total time: 51:23 Disc 3 Set 2, cont. 1. Dark Star > 43:27 2. Eyes Of The World > 13:57 3. Stella Blue 9:21 4. Sugar Magnolia 9:33 Total time: 76:21 Jim Powell's notes: There are conflicting reports whether the SBD master is on cassettes or reels, but it sounds like it would have to be reels. The last 26 seconds of Here Comes Sunshine is missing on our copy of the SBD and is patched in using an AUD master from a cassette copy of unknown low generation. 22 seconds in Eyes Of The World are patched from this AUD source also. The 22-second cut in Eyes looks like a cassette tape flip introduced when the reels were transcribed to 1st gen cassette. The missing conclusion of Here Comes Sunshine is harder to account for on this hypothesis, but there seems a reasonable chance that both missing segments are intact on the master reels. Meanwhile, this tree. First set highlights include TLEO, Row Jimmy, GSET and China Cat > Rider. The Here Comes Sunshine times almost 16 minutes, is the longest known on circulating tape and probably the best. The Dark Star is the third longest known at 43:28, and one of the all time best. It is the fraternal twin of 11/11/73.D Dave Greenberg did the patches. David Gans supplied DATs of the 1st gen cassette SBD and Jim Powell instigated the project, supplied the AUD cassette used to patch the SBD's defects, and wrote this note. Public Hall Cleveland OH SHN / CD-R

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12/19/73 Grateful Dead Curtis Hixon Hall Tampa, FL 12.19.73 Dick's Picks 1 Leftovers David Gans seeded tree Promised Land Sugaree Mexicasli Blues Dire Wolf Black Throated Wind Candy Man Jack Straw El Paso Ramble On Rose Me and Bobby McGee Row Jimmy Casey Jones dfinney@cts.com Curtis Hixon Convention Hall Tampa FL SHN

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02/22/74 Grateful Dead [ 02/22/74, apparently mislabeled 02/24/74 ] Winterland Arena San Francisco, CA 80+ PERCENT OF THE SOUNDCHECK A-SBD OPEN REEL RECORDING SSSB Audio Rating: AR1a LINEAGE: SBD > RTR @ 7.5 i.p.s. > D > SSSB This is the majority of the soundcheck for that evening's show; due to this being a version which does NOT have the PCM tape in it's lineage, it is released as a NEW SHOW "Let It Grow" is missing 02:18 from it's beginning, "Instrumental Jam is missing approx. first 2 minutes and last 1:38 seconds (both of these verified by my Marin County source) due to RTR tape decks being patched in and out; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 08/01] DISC I (ONLY DISC) Track 01: Let It Grow (04:51.789) Track 02: They Love Each Other (06:56.092) Track 03: U. S. Blues #1 (06:03.467) -> Track 04: U. S. Blues #2 (05:50.149) Track 05: Attics Of My Life (03:47.289) Track 06: It Must Have Been The Roses (13:34.552) -> Track 07: Instrumental Jam (song unknown) (02:36.380) TOTAL RUNNING TIME: 0:43:39.718 Uploaded exclusively to GDLive.com by: John "Jay" Serafin, owner/audio engineer @ Serafin Station Studio B "Making Kindness Dubs For Everyone!" No Profits Or Copyright Infringements EVER! Web Info: http://members.home.com/kinddubs E-Mail: kinddubs@home.com JAY'S PERSONAL COMMENTS: To begin with, this recording has been listed as a NEW RELEASE (rather than a re-release), due to the fact that this version was put onto the DAT master directly from the 2-track RTR tape, bypassing the PCM archive tape. By not having the 8-bit PCM media in the lineage can make a big difference in the amount of overall hiss, sound quality, etc. Many of the sound check recordings from the 70's were never kept (unless they were Betty Board shows). This particular one was (as were most of the early 1974 shows), as new equipment was being tried out during the late Winter/early Spring tour. It is my understanding that a new monitor mixing console, updated outboard effects, and newer microphones for Jerry and Phil were being used for this run. By having these tapes on hand, the band and the audio engineers would be able to use this recording for comparison and reference purposes, hearing how the new gear worked when compared against their older equipment. While not "really stellar" in overall quality (if you compare this to my version of 7/16/66 for example), this sound check is still VERY CLEAN, crisp, and unusual (but very easy) to listen to. This is why I gave it the highest possible analog media-originated rating. I mentioned "unusual" in the fact that this wasn't the mix which would have been used at the show, but was just to "isolate" Jerry's guitar (he's only in the LEFT channel). The keyboards don't get put into the mix until part way into U.S. Blues #1 (Keith was late getting there), etc. You can hear the engineers making small (and sometimes overly "compensated") adjustments to the mix. Phil's bass is sometimes louder and softer, Keith's piano gets distorted (but not louder) in the mix, due to the compression/limiting used, etc. You'll notice, right from the first few notes of "Let It Grow", that the right channel is LOWER in overall volume by an average of 4.2 dB. This is because of how the mix was made. You will hear the vocals, Phil, and the percussion "dead center" (which is pretty much a clear indication that neither channel is loudest than the other). Jerry's guitar (left channel) is MUCH louder than Keith's piano (right channel), and this accounts for the appearance of the mix being out of balance. But it's not, if you go by the "standards" that the Dead used... vocals, bass, and (when they had only one drummer) the snare drum in the percussion mix were equal in the left and right channel, this giving the "illusion" of those items being "right in the middle of the mix". So, if you turn your balance control more to the right channel, you're going to lose the "stereo center" effect. Phil really starts to get pissed off when the stage monitors and the overall venue aren't loud enough (track 5), and he let's the responsible person know this in no uncertain terms! Jerry even questions how the stage monitors are being utilized, which is pretty unusual for Jerry. The Dead almost always relied on Phil's excellent knowledge of mixing techniques, what works at any given venue or situation (and what doesn't!). Phil was very adamant a lot of times during setup and sound checks on letting the audio engineers know what he expected of them and what was not acceptable. The only person he never really gave any lip to was Betty Cantor-Jackson. Phil knew that Betty had a great "ear" for mixing at venues, and he almost never questioned her techniques. During track 3, and in several other short sections during this recording, you can hear where the compression and limiting is pushed too far on Keith's piano, giving it almost a digital keyboard sound. Slightly annoying, but since he's not really loud on the mix, it's 100% bearable. These are things which MUST be worked out at a sound check, and only fine-tuning should ever be needed for the actual show. The Watkins Glen sound check (which turned into a complete show!) was a great example of how a sound check should be once everything was "in place" and 90% balanced. Bobby is in his Country & Western mode for his rhythm chops. To me, the early and mid-70's were a very much a C&W time for Weir. And, to me, it's better than hearing his late 80's until the end of the Dead "angular" style of playing, and being less in the mix. Bobby added so much to the overall sound, even though you can't always hear what he's playing. But if he was very quiet in a show's mix on any given night, one could sense that the band's "balance" was off. The vocals are great, as they were already balanced. Billy was just playing "mildly", as there was no need for any type of showing off... he just was needed to keep the tempo steady for the session. "It Must Have Been The Roses" was played much faster than normal, and it sounds quite unusual to listen to this faster tempo. Both versions of "U.S. Blues" had a "New Orleans jazz / honky-tonk feeling to them... it's subtle but it's there. Just goes to show that the Dead were quite versatile with their musical stylings. This has always been a trademark which I've enjoyed, and when I hear an unusual styling, I will always make mention of it, either in the "Detailed List" objective comments as well as my "Personal Comments". While this is not a "show", per se, it's very nice to sit back and listen to, just to hear how things were done. If you want to really hear Jerry's playing (as he's always "center of the mix"), this is an excellent selection to get. You really hear how he never stops playing for a moment, once the song starts! Even when you hear him "noodling" during regular shows, there's this feeling you get that if he stopped playing or paused for any reason, he wouldn't start again! To just listen to his hammer-ons, pull-offs, and slides are a work of art for the years. And you can really get to hear every note he plays on this sound check. I think this recording is worth having just to be able to hear the Fat Man playing on his own, to hear Donna in very good harmony vocals, Billy just performing "basic drumming", Weir's C&W noticeable chord progressions, and a number of "Phil Bombs", as they had him pretty high in the mix. Because this was just a rehearsal, the RTR deck wasn't using the high quality grade of open reel tape they would normally use, so there was quite a bit of hiss. Thanks to the digital editing system, I was able to drop the total level of hiss by almost 60% (which is VERY noticeable) and yet keep the high frequencies of Jerry's guitar and Billy's cymbals from being affected. It took 8 noise reduction passes to get the hiss down to a very low level and not introduce any unwanted musical distortion. This is something a lot of people who try to reduce hiss do not try. Rather than attempting to reduce this hiss "all at once", which can lead to phasing and "flanging" (the metallic-sounding result of overly ambitious hiss reduction), try doing a MINIMUM of TWO passes, reducing the hiss slowly. You know when you've hit the limit of noise reduction when those audio anomalies I mentioned begin to occur. Yes, it takes more time, and requires more work. But you'll be happier with the end result (as will anyone who gets dubs from you!) by trying it the way it's done in professional studios. Winterland Arena San Francisco CA SHN / CD-R

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02/22/74 2/22/74 - Grateful Dead Winterland Arena, San Francisco, CA Main Lineage: Soundboard->Vault Master Reel->DAT 48k, transferred 1991 Gans, 1st 45 minutes (US Blues->Big River) Soundboard->Master Reel->Cassette->DAT 44.1k, transferred 2/94 Dick, Rest of show (Loose Lucy->UJB) Patch Lineage: Soundboard->Master Reel->Cassette->DAT->CD Transfer: DAT->Audiphile 2496->Samplitude v7.02 Professional->SHN De-clicked/popped using Cool Edit Pro v2.0 Patched using crossfades with Samplitude v7.02 Professional Transfer, editing, and SHN by Joe Samaritano 11/10/2004 Notes: 1. Upgrade over previously circulating copies 2. Thanks to Michael P. Weitzman for getting this started, David Gans for the main Dat sources, and Charlie Miller for the patch source. 3. Small patches in Nobody's Fault and China Doll to cover missing parts, likely due to tape changes. Set 1: d1t01 - U.S. Blues d1t02 - BIODTL d1t03 - Brown-Eyed Women d1t04 - Mexicali Blues d1t05 - IMHBTR d1t06 - BT Wind d1t07 - TLEO d1t08 - Big River d1t09 - Loose Lucy d1t10 - El Paso d1t11 - Row Jimmy d2t01 - Tico Tico d2t02 - PITB Set 2: d2t03 - Tennessee Jed d2t04 - MAMU d2t05 - Ship of Fools d2t06 - Race is On d2t07 - China Cat d2t08 - IKYR d2t09 - Truckin' d2t10 - Nobody's Fault d2t11 - GDTRFB Set 3: d3t01 - 1/2 Step d3t02 - Promised Land d3t03 - Brokedown Palace d3t04 - Jack Straw d3t05 - Eyes of the World d3t06 - China Doll d3t07 - Wharf Rat d3t08 - Sugar Mag d3t09 - E: UJB SHNTOOL OUTPUT: length expanded size cdr WAVE problems filename 5:45.38 60947420 --- -- ----- gd1974-02-22d1t01.wav 4:11.59 44415212 --- -- ----- gd1974-02-22d1t02.wav 5:11.13 54891020 --- -- ----- gd1974-02-22d1t03.wav 3:55.31 41526956 --- -- ----- gd1974-02-22d1t04.wav 4:41.40 49662524 --- -- ----- gd1974-02-22d1t05.wav 6:43.23 71143340 --- -- ----- gd1974-02-22d1t06.wav 5:49.46 61671836 --- -- ----- gd1974-02-22d1t07.wav 5:19.15 56306924 --- -- ----- gd1974-02-22d1t08.wav 7:31.50 79674044 --- -- ----- gd1974-02-22d1t09.wav 4:47.54 50753852 --- -- ----- gd1974-02-22d1t10.wav 8:35.74 91020092 --- -- ----- gd1974-02-22d1t11.wav 0:55.05 9713804 --- -- ----- gd1974-02-22d2t01.wav 20:48.22 220198988 --- -- ----- gd1974-02-22d2t02.wav 8:28.68 89771180 --- -- ----- gd1974-02-22d2t03.wav 3:56.67 41788028 --- -- ----- gd1974-02-22d2t04.wav 6:28.21 68492636 --- -- ----- gd1974-02-22d2t05.wav 3:21.49 35571692 --- -- ----- gd1974-02-22d2t06.wav 3:51.07 40764908 --- -- ----- gd1974-02-22d2t07.wav 10:29.25 111014444 --- -- ----- gd1974-02-22d2t08.wav 7:31.11 79582316 --- -- ----- gd1974-02-22d2t09.wav 5:19.67 56429228 --- -- ----- gd1974-02-22d2t10.wav 6:18.33 66756860 --- -- ----- gd1974-02-22d2t11.wav 8:51.29 93736652 --- -- ----- gd1974-02-22d3t01.wav 3:37.41 38375276 --- -- ----- gd1974-02-22d3t02.wav 5:33.37 58828268 --- -- ----- gd1974-02-22d3t03.wav 4:47.69 50789132 --- -- ----- gd1974-02-22d3t04.wav 12:49.17 135691628 --- -- ----- gd1974-02-22d3t05.wav 6:56.36 73467116 --- -- ----- gd1974-02-22d3t06.wav 9:34.34 101333612 --- -- ----- gd1974-02-22d3t07.wav 8:54.68 94357580 --- -- ----- gd1974-02-22d3t08.wav 7:20.49 77731292 --- -- ----- gd1974-02-22d3t09.wav 208:27.73 2206407860 B (totals for 31 files) MD5: 5a35efd8405f22a32a41e23cbfc667f3 *gd1974-02-22d1t01.shn 1f1e186d8b8000d3fc2dbe2511fb33fd *gd1974-02-22d1t02.shn 350e2d55046c27c2be75a3d063e21cb9 *gd1974-02-22d1t03.shn 2cba153ef3ca2c1bad76689ceffd4f8c *gd1974-02-22d1t04.shn e47ca06dedcc4cb43138ebc389c56bc5 *gd1974-02-22d1t05.shn 56c607ba5aaed300159a140b45235faa *gd1974-02-22d1t06.shn 939dfda58ddeafaf70604a6a41e6e290 *gd1974-02-22d1t07.shn 50e66957c9d8c7d29fb54fb1e2839ea7 *gd1974-02-22d1t08.shn d2aa0365919f7ec908842f303ef7f01e *gd1974-02-22d1t09.shn 9990b701bc8e3a7103c257d5a5deda9c *gd1974-02-22d1t10.shn 60778e02f939a4c3cff9fe891867e6a4 *gd1974-02-22d1t11.shn b2e7ce895176c7fd3a94eec266c4521c *gd1974-02-22d2t01.shn dced1d5a3330c3a66944ee5133971ead *gd1974-02-22d2t02.shn 05eb97a3b04db5423a0a174c99eba916 *gd1974-02-22d2t03.shn 099446ca0cb218a47f269e1e49df5e95 *gd1974-02-22d2t04.shn 1d18635cf8a8c69de8ead82dd3d94cf6 *gd1974-02-22d2t05.shn d144e56b913fe1750d979dd07b77411e *gd1974-02-22d2t06.shn 681abc4d1ff834f640e35e973ec3dda8 *gd1974-02-22d2t07.shn bbfc8e3f390068ac9424637e35e9a Winterland Arena San Francisco CA SHN / CD-R

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02/23/74 Grateful Dead 2-23-1974 (Discs: CDA-3/SHN-2) Winterland Arena San Francisco CA Bertha Remaster of the Master Reel source. SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Set1 d1t01-Around & Around d1t02-Dire Wolf d1t03-Me & Bobby McGee d1t04-Sugaree d1t05-Mexicali Blues d1t06-Here Comes Sunshine d1t07-Beat It On Down The Line d1t08-Ship of Fools d1t09-Jack Straw d1t10-Deal d1t11-Promised Land >> d1t12-Bertha >> d1t13-Greatest Story Ever Told d1t14-Intermission Set2 d2t01-Row Jimmy d2t02-WRS Prelude > Part 1 >> d2t03-Let It Grow >> d2t04-Stella Blue d2t05-Big River d2t06-Ramble On Rose d2t07-Me & My Uncle d3t01-He's Gone >> d3t02-Truckin' >> d3t03-Drums >> d3t04-The Other One >> d3t05-Eyes of the World d3t06-//One More Saturday Night Encore d3t07-Casey Jones// d3t08-Johnny B. Goode >> d3t09-And we Bid You Goodnight Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com . Completed on October 15, 2004. I had originally planned on using a source I had for a couple of years now. Unfortuantely, I discovered it to have mp3 compression in its lineage. Therefore, I was forced to use this source downloaded from Tol. The quality is similar, and is very good, however, this source is chopped up. It's just a shame when they get chopped up like this. Winterland Arena San Francisco CA SHN /CD-R

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02/23/74 2/23/74 Winterland Arena San Fran., CA Source: Master Soundboard Reel > DAT > CDR Previous SHN copy is incomplete, this transcription is complete. Disc 3 requires an 80 min disc CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 3/14/01 Disc 1 1st Set 1. A & A 2. Dire Wolf 3. Me & Bobby McGee 4. Sugaree 5. Mexicali Blues 6. Here Comes Sunshine 7. BIODTL 8. Ship of Fools 9. Jack Straw 10.Deal 11.Promised Land> 12.Bertha> 13.GSET Disc 2 2nd Set 1. Row Jimmy 2. WRS Prelude> Part 1> 3. Let It Grow> 4. Stella Blue 5. Big River 6. Ramble On Rose 7. Me & My Uncle Disc 3 1. He's Gone> 2. Truckin'> 3. Drums> 4. The Other One> 5. Eyes of the World 6. //OMSN Encore 7. Casey Jones// 8. JBG> 9. AWBYGN Winterland Arena San Francisco CA SHN / CD-R

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02/24/74 Grateful Dead Winterland Arena, San Francisco, CA 02/24/74 SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net Disc One 1. US Blues 2. Mexicali Blues 3. Brown Eyed Women 4. Beat It On Down The Line 5. Candyman 6. Jack Straw 7. China Cat Sunflower -> 8. I Know You Rider 9. El Paso 10. Loser Disc Two 1. Playin' in the Band 2. Cumberland Blues (second set) 3. It Must Have Been the Roses 4. Big River 5. Bertha Disc Three 1. Weather Report Suite Prelude -> 2. Weather Report Suite Part I -> 3. Let it Grow -> 4. Row Jimmy 5. Ship of Fools 6. Promised Land Disc Four 1. Dark Star -> 2. Morning Dew 3. Sugar Magnolia -> 4. Not Fade Away -> 5. Going Down the Road Feeling Bad -> 6. Not Fade Away 7. Encore: It's All Over Now, Baby Blue This is not sourced from the current 2-24-74 tree. There is no dropout in the China->Rider Segue. [GSH NOTE: Disc 4 does NOT require an overburn, as stated in the info file. The length of disc 4 is 73:52, not 74:06.] (Note: Disc4 requires an overburn as it is 74:06.) CDRs which i know permit overburn are: Maxell, TDK. I hear Sonys will also. Mitsuis will NOT. My subjective quality grade: A-. No Dropouts, Clicks, or Digital Noise are present as far as I know.There is a small amount of guitar distortion in Cumberland Blues in Garcia's solo. Microsoft Word7 CD labels for each disc are provided, in B/W. EAC extracted, verified and shorten encoded by stephen windsor swindsor@wesleyan.edu ********************************************************************************** sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com) Winterland Arena San Francisco CA SHN / CD-R

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03/23/74 Grateful Dead 3/23/74 Cow Palace Cow Palace Daly City, CA Master Soundboard Reel > DAT > CDR Master Soundboard Reel > Cassette > DAT source supplies first 0:10 of "Ship of Fools". Audience source supplies patch in "Morning Dew" from 0:21 thru 0:43, as well as the patch in "Sugar Magnolia" from 6:57 thru 7:22 The "meat" of the show is captured on Disc 2 and requires an 80 min disc patching/CD re-mastering by Scott Clugston EAC > SHN by Scott Clugston Disc 1 1st Set 1. US Blues 2. Promised Land 3. Brown Eyed Women 4. Nexicali Blues 5. Tennessee Jed 6. BTW 7. Scarlet Begonias 8. BIODTL 9. IMHBTR 10.El Paso 11.Deal 12.Cassidy Disc 2 1. China Cat Sunflower> 2. I Know You Rider 3. WRS Prelude> Part 1> Let It Grow 2nd Set 4. Playin' (with false start)> 5. UJB> 6. M//orning Dew> 7. UJB> 8. Playin' Disc 3 1. //Ship of Fools 2. Big River 3. Ramble On Rose> 4. Me & My Uncle 5. Bertha 6. A & A 7. Wharf Rat> 8. Sugar Magno//lia Encore 9. Casey Jones 10. OMSN ** additional background from Scott: for those who care about this sort of thing: not long ago, a very nice copy of this show surfaced that purportedly derived from Dick Latvala's cassettes made directly from the master soundboard reels. This copy has cuts at the beginning of "Morning Dew" and in "Sunshine Daydream", and is also missing "Casey Jones" and "One More Saturday Night". Very recently, a "new" copy has surfaced without the extraneous cassette generation and, purportedly, is derived directly from the master soundboard reels. This copy is currently beginning to circulate (10/00) via a "Tree" on The Well, and also has the cuts at the beginning of "Morning Dew" and "Sunshine Daydream", but, includes "Casey Jones" and "One More S aturday Night" which are missing from the previous version. The "new" copy,however, introduces anomalies not present on the previous version. Specifically, there are 2 drop-outs present during the banter which occurs between the aborted "Playin' in the Band" and the actual "Playin' in the Band"(disc 2 track 5), a minor digi-snit at approximately the 4:15 mark of "Morning Dew" (disc 2 track 6),as well as missing the first several seconds of "Ship of Fools" (disc 3 track 1). Subsequently,the 2 drop-outs in the banter between the "Playin' in the Band"'s and the digi-snit in "Morning Dew" were patched in from the MSR>Cassette>DAT version. That same MSR>C>D version also provided the first 10 seconds of "Ship of Fools". The reel flips in "Morning Dew" and "Sunshine Daydream" were patched using an audience source. Please be aware that the occassional static/crackle- an example of which occurs during the banter between the end of the false start of "Playin' in the Band" and the restart of "Playin'in the Band"- is present on both versions, so are presumed to be on the master reels as well. Bottom line, I believe this to be the best available copy of this show, compiled from 4 different sources,patched with TLC, and made possible through the efforts of the usual group of suspects/mental patients. Cow Palace Daly City CA SHN / CD-R

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05/12/74 Grateful Dead -- University of Nevada -- Reno, NV May 12, 1974 Source: MSR>C>DAT>CDRs>EAC>SHN Disk 1: 1. Promised Land 2. Sugaree 3. Mexicali 4. Tennessee Jed 5. Jack Straw 6. Brown Eyed Women 7. BIODTL 8. China -> 9. Rider Disk 2: 1. El Paso 2. US Blues 3. GSET 4. Must Have Been the Roses 5. Bobby McGee 6. Deal 7. Around And Around 8. Mississippi 1/2 Step Disk 3: 1. Truckin' -> 2. Nobody's Fault Jam -> 3. The Other One -> 4. Mind Left Body Jam -> 5. Row Jimmy 6. Big River 7. Ship Of Fools 8. Sugar Magnolia Notes: Previously Uncirculated :) I have purposely failed to include set designations. DeadBase IX listed Set 2 as starting with China Cat. My ears, however, don't hear BIODTL closing down set 1. The post-song tuning after BIODTL doesn't suggest to me the close of a set (why tune up if you're leaving the stage?). Similarly, the tuning after Around and Around doesn't suggest to me that this is the end of the second set (as listed in DB IX) either . . . EAC/SHN by darrin (dnsacks@usa.net) -- University Of Nevada Reno NV SHN / CD-R

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05/14/74 Grateful Dead 5/14/74 Adams Field House Univ. of Montana Missoula, MT MSR>cassette>DAT>CD-R>TAE>shn Note: There is a splice in China Doll Disc 1 1st Set 1. Bertha 2. Me & My Uncle 3. Loser 4. Black Throated Wind 5. Scarlet Begonias> 6. IMHBTR 7. Jack Straw 8. Tennessee Jed 9. Mexicali Blues 10. Deal 11. Big River 12. Brown Eyed Women Disc 2 1. Playing In The Band 2nd Set 2. US Blues 3. El Paso 4. Row Jimmy Disc 3 1. WRS Prelude> 2. WRS Part 1> 3. Let It Grow> 4. Dark Star> 5. China //Doll 6. Promised Land 7. NFA> 8. GDTRFB Encore 9. OMSN Adams Field House, University Of Montana Missoula MT SHN / CD-R

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05/17/74 Grateful Dead May 17, 1974 Vancouver, BC 6/26/00, updated source: A. Gustin and J. Ashley report this could be the SBD cass master>1 cass> DAT>1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR>DAT>CDR>TAE>SHN) Enjoy! Andy Gustin gustin@leland.stanford.edu disc 1 1. Promised 2. Deal 3. Race is On 4. Ramble On Rose 5. Jack Straw 6. Dire Wolf 7. BIODTL 8. Loose Lucy 9. Big River 10. Roses 11. Mexicali Blues 12. Row Jimmy disc 2 1. Playin -set 2- 2. US Blues 3. Me & My Uncle 4. Ship of Fools 5. Money Money 6. China > Rider 7. Greatest 8. Sugaree disc 3 1. Truckin> 2. Nobody's Fault> 3. Eyes> 4. /China Doll> 5. Sugar Magnolia P.N.E. Coliseum Vancouver BC SHN / CD-R

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05/19/74 Grateful Dead 5/19/74 Memorial Coliseum Portland, Oregon Master Soundboard Reel > PCM > DAT> CDR many copies in circulation are missing Tennessee Jed, Me & Bobby McGee, Sugaree, Jack Straw, IMHBTR, El Paso and Ship of Fools. This transcription is complete. EAC'ed / SHN'ed by Scott Clugston 12/24/01 Disc 1 1st Set 1. //Half-Step 2. Mexicali Blues 3. Big RR Blues 4. BTW 5. Scarlet Begonias 6. BIODTL 7. T Jed 8. Bobby McGee 9. Sugaree 10.Jack Straw 11.IMHBTR 12.El Paso 13.Loose Lucy Disc 2 1. Money MOney 2. China Cat Sunflower> 3. I Know You Rider 2nd Set 4. Promised Land> 5. Bertha> 6. GSET 7. Ship of Fools 8. WRS Prelude> 9. Part 1> 10.Let It Grow> 11.Wharf Rat Disc 3 1. Big River 2. Peggy O 3. Truckin'> 4. Jam> 5. Mind Left Body Jam> 6. NFA> 7. GDTRFB> 8. OMSN Encore 9. US Blues Portland Memorial Coliseum Portland OR SHN / CD-R

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05/21/74 GRATEFUL DEAD Edmundson Pavilion, University of Washington, Seattle, WA 5/21/74 SBD (shnid=2597) patched with AUD (shnid=10150) DISC ONE 64:47 set one-a: 01 Me And My Uncle 3:15 02 Brown Eyed Women 5:54 03 Beat It On Down The Line 4:02 04 Deal 5:06 05 Mexicali Blues 4:31 06 It Must've Been The Roses 6:27 07 The Race Is On 3:13 08 Scarlet Begonias 6:36 09 El Paso 5:26 10 Row Jimmy 9:13 11 Money Money 5:01 12 Ship Of Fools 6:02 1/ total time: 56:14 DISC TWO 69:10 set one-end: 01 Weather Report Suite Prelude > 1:08 02 Weather Report Suite Part One > 5:03 03 Let It Grow > 10:50 04 China Doll 5:43 set two-a: 05 Playin' In The Band 46:27 total time: 69:16 DISC THREE 62:43 set two-end: 01 U.S. Blues 6:55 02 Big River 4:53 2/ 03 Stella Blue (aud) 8:23 3/ 04 Around And Around (aud) 5:10 3/ 05 Eyes Of The World > 13:49 4/ 06 Wharf Rat > 9:43 07 Sugar Magnolia 9:47 encore: 08 /Johnny B. Goode 4:02 total time: 61:23 SBD SOurce (shnid=2597) MSR>C>Dats>CD>EAC>SHN>.WAV>Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD. Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip. AUD Patch source (shnid=10150) AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck, recorded by Pat Lee, hand held mics in right balcony Patches SHN > WAV > CE Pro (patching) > sector boundary correction (CE Pro & shntool v1.2.3) > SHN V3 encoding (shntool) by Charles Wier SBEs fixed manually and with shntool, as the crowd is cut between most songs on both the SBD and AUD master. Transitions are smooth, but not continual due to missing crowd. Minor cut at beginning of JBG also cut on AUD and could not be patched. 1/ patch beginning ~0:13.8 w/ aud; 0:12.6 of silence removed from end 2/ trim silence from end 3/ patch w/ aud; -2 dB to R ch & trim/fade crowd 4/ 10 dB boost to R ch fadein for 1st 5 secs (barely detectable) Disc 1 length expanded size cdr WAVE probs filename 3:14.67 34379228 --- -- -xx gd74-05-21d1t01.shn 5:53.58 62405660 --- -- -xx gd74-05-21d1t02.shn 4:02.36 42773516 --- -- -xx gd74-05-21d1t03.shn 5:05.65 53954924 --- -- -xx gd74-05-21d1t04.shn 4:30.56 47759756 --- -- -xx gd74-05-21d1t05.shn 6:26.71 68257436 --- -- -xx gd74-05-21d1t06.shn 3:12.57 34002908 --- -- -xx gd74-05-21d1t07.shn 6:35.71 69845036 --- -- -xx gd74-05-21d1t08.shn 5:26.30 57577004 --- -- -xx gd74-05-21d1t09.shn 9:13.30 97619804 --- -- -xx gd74-05-21d1t10.shn 5:01.12 53124668 --- -- -xx gd74-05-21d1t11.shn 6:02.16 63894476 --- -- -xx gd74-05-21d1t12.shn 64:46.44 653.83 MB (totals for 12 files, 0.5578 overall compression ratio) Disc 2 length expanded size cdr WAVE probs filename 1:08.12 12023468 --- -- -xx gd74-05-21d2t01.shn 5:02.52 53395148 --- -- -xx gd74-05-21d2t02.shn 10:49.43 114584780 --- -- -xx gd74-05-21d2t03.shn 5:42.52 60451148 --- -- -xx gd74-05-21d2t04.shn 46:26.55 491579804 --- -- -xx gd74-05-21d2t05.shn 69:09.64 698.12 MB (totals for 5 files, 0.5837 overall compression ratio) Disc 3 length expanded size cdr WAVE probs filename 6:55.03 73213100 --- -- -xx gd74-05-21d3t01.shn 4:53.15 51720524 --- -- -xx gd74-05-21d3t02.shn 8:22.71 88719836 --- -- -xx gd74-05-21d3t03.shn 5:10.17 54724028 --- -- -xx gd74-05-21d3t04.shn 13:49.29 146303852 --- -- -xx gd74-05-21d3t05.shn 9:43.29 102909452 --- -- -xx gd74-05-21d3t06.shn 9:46.51 103490396 --- -- -xx gd74-05-21d3t07.shn 4:02.27 42752348 --- -- -xx gd74-05-21d3t08.shn 62:43.17 633.08 MB (totals for 8 files, 0.5986 overall compression ratio) Total 196:39.50 1985.04 MB (totals for 25 files, 0.5799 overall compression ratio) Edmundson Pavilion, University Of Washington Seattle WA SHN / CD-R

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05/25/74 Grateful Dead Saturday, May 25th, 1974 Campus Stadium University of California, Santa Barbara Santa Barbara, CA Disc One - Set One: 1. U.S. Blues 2. Mexicali Blues 3. Deal 4. Jack Straw 5. Scarlet Begonias 6. Beat it on Down the Line 7. Brown-Eyed Women 8. Me & My Uncle 9. Sugaree 10. El Paso 11. China Cat Sunflower > 12. I Know You, Rider 13. Around & Around Disc Two - Set Two: 1. Promised Land 2. Ship of Fools 3. Big River 4. Tennessee Jed 5. Truckin' > 6. Let it Grow > 7. Wharf Rat Disc Three - Set Two cont. 1. Sugar Magnolia > 2. Going Down the Road, Feeling Bad > 3. One More Saturday Night Encore: 4. Casey Jones Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn Originally seeded to phlash.etree.org by Johnathan Miller. Questions? Contact adam at a-roux@nwu.edu Additional: > CDR > EAC > SHN by dbm3@po.cwru.edu, 12/00, md5 files generated for these SHNs. Campus Stadium, UCSB Santa Barbara CA SHN / CD-R

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06/08/74 6/8/74 Oakland Coliseum Stadium Oakland, California Sources: Master Audience Reel > Reel to Reel > PCM > DAT Master Soundboard Reel > DAT supplies Playin' in the Band>Wharf Rat>Playin' in the Band, as well as Eyes of the World The audience source (a big thanks to Skankweed, btw) was also used for Weir's "countdown" into Playin' in the Band, then the Soundboard kicks in at the 1st note of Playin'. The reel to reel being turned off and back on in between songs has been edited out for your listening pleasure. The beginning of Ship of Fools is cut on the master. disc 3 requires an 80 minute disc CD Mastering / Re-Mastering by Scott Clugston EAC'ed/SHN'ed by Scott Clugston Uploaded 11/21/00 by Scott Clugston Disc 1 1st Set 1. Stage Banter 2. Promised Land 3. BEW 4. Bobby McGee 5. Scarlet Begonias 6. Mexicali 7. IMHBTR 8. Me & My Uncle 9. Tennessee Jed Disc 2 1. GSET 2. China Cat> 3. IKYR 4. A & A 2nd Set 5. US Blues 6. Big River 7. //Ship of Fools Disc 3 1. Playin'> 2. Wharf Rat> 3. Playin' 4. Eyes of the World 5. "Dead Air" 6. Sugar Magnolia Encore 7. Casey Jones> 8. OMSN Oakland-Alameda County Coliseum Oakland CA SHN / CD-R

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06/16/74 Grateful Dead Iowa State Fairgrounds Des Moines, IA 6/16/74 - Sunday Per Andy Lemieux, the source of this is as follows: Set 1: MSR>C>DAT>CD Set 2 & 3: MSC>DAT>CD (except for patch in Wharf Rat which is MSR>?>DAT>CD) DISC ONE [70:06] set one-a: 01 [08:04] Bertha 02 [04:16] Mexicali Blues 03 [08:56] Row Jimmy 04 [05:53] Beat It On Down The Line 05 [09:22] Scarlet Begonias 06 [08:00] Black-Throated Wind 07 [08:39] Sugaree 08 [05:27] El Paso 09 [06:10] It Must Have Been The Roses 10 [05:14] Jack Straw note: splice in Bertha at 4:05; splice in Sugaree at 2:25. DISC TWO [56:49] set one-end: 01 [10:24] China Cat Sunflower > 02 [05:39] I Know You Rider 03 [04:48] Around And Around set two-a: 04 [06:35] U.S. Blues 05 [03:17] The Race Is On 06 [15:24] Eyes Of The World > 07 [05:01] Jam 1 > 08 [05:37] Big River DISC THREE [59:03] set two-end: 01 [29:19] Playing In The Band set three-a: 02 [08:17] Tennessee Jed 03 [03:07] Me And My Uncle 04 [06:00] Deal 05 [06:11] Greatest Story Ever Told 06 [06:05] Ship Of Fools DISC FOUR [46:22] set three-end: 01 [07:11] Truckin' > 02 [05:15] Nobody's Fault But Mine Jam > 03 [04:03] Jam 2 > 04 [04:41] Jam 3 > 05 [09:43] Wharf Rat > 06 [08:14] Goin' Down The Road Feeling Bad encore: 07 [07:14] Casey Jones note: splice in Wharf Rat at 2:51 Based on Alan Fink's patched version: ...I used Steve Windsor's notes from his version: ...to verify and make the fixes myself. I also made several additional fixes, including... -- Removed two additional pops from Eyes Of The World at 14:35 and 15:10. -- Patched the splice in Wharf Rat with MSR>?>DAT>CD. Even after patching, it sounds like there may be a small chunk of material missing. -- Removed four additional pops from GDTRFB at 6:41, 6:43, 6:45 and 6:47. -- Patched the start of Casey Jones with alternate MSC>DAT>CD source. -- Retracked each disc so that tuning follows songs at the end of tracks. Kudos to Alan and Steve for their hard work. Thanks to Andy for the patch material for Wharf Rat. Sean Cribbs, 10/22/2004 length expanded size cdr WAVE problems filename 8:04.70 85542284 --- -- ----- gd1974-06-16d1t01.wav 4:16.39 45250172 --- -- ----- gd1974-06-16d1t02.wav 8:56.73 94722140 --- -- ----- gd1974-06-16d1t03.wav 5:53.32 62344508 --- -- ----- gd1974-06-16d1t04.wav 9:22.19 99181532 --- -- ----- gd1974-06-16d1t05.wav 8:00.05 84683804 --- -- ----- gd1974-06-16d1t06.wav 8:39.13 91582220 --- -- ----- gd1974-06-16d1t07.wav 5:27.66 57838076 --- -- ----- gd1974-06-16d1t08.wav 6:10.31 65340956 --- -- ----- gd1974-06-16d1t09.wav 5:14.49 55504892 --- -- ----- gd1974-06-16d1t10.wav 10:24.67 110231228 --- -- ----- gd1974-06-16d2t01.wav 5:39.38 59889020 --- -- ----- gd1974-06-16d2t02.wav 4:48.20 50850284 --- -- ----- gd1974-06-16d2t03.wav 6:35.39 69769772 --- -- ----- gd1974-06-16d2t04.wav 3:17.66 34906076 --- -- ----- gd1974-06-16d2t05.wav 15:24.36 163078316 --- -- ----- gd1974-06-16d2t06.wav 5:01.22 53148188 --- -- ----- gd1974-06-16d2t07.wav 5:37.53 59571500 --- -- ----- gd1974-06-16d2t08.wav 29:19.69 310449932 --- -- ----- gd1974-06-16d3t01.wav 8:17.58 87807260 --- -- ----- gd1974-06-16d3t02.wav 3:07.73 33158540 --- -- ----- gd1974-06-16d3t03.wav 6:00.70 63668684 --- -- ----- gd1974-06-16d3t04.wav 6:11.21 65493836 --- -- ----- gd1974-06-16d3t05.wav 6:05.25 64444844 --- -- ----- gd1974-06-16d3t06.wav 7:11.17 76068428 --- -- ----- gd1974-06-16d4t01.wav 5:15.04 55575452 --- -- ----- gd1974-06-16d4t02.wav 4:03.04 42874652 --- -- ----- gd1974-06-16d4t03.wav 4:41.35 49650764 --- -- ----- gd1974-06-16d4t04.wav 9:43.53 102965900 --- -- ----- gd1974-06-16d4t05.wav 8:14.01 87143996 --- -- ----- gd1974-06-16d4t06.wav 7:14.05 76569404 --- -- ----- gd1974-06-16d4t07.wav 232:21.48 2459306660 B (totals for 31 files) Des Moines State Fair Grandstand Des Moines IA SHN / CD-R

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06/18/74 Greetings one and all! Please enjoy this tasty tidbit from Louisville, KY June 18, 1974 courtesy of some anonymous sources, as well as the collective efforts of Darrin Sacks and David Hollister Here's what we have...Lineage: S:MR>1 cass>DAT>ZA2>SHN [revised from original info file] This version sounds nothing like the previously-circulating "sbd>reel>reel>dat" version and represents a MAJOR upgrade. The music actually comes to us from two different tapes with very similar qualities. However, one tape had about the first 1 minute and 40 seconds missing on Promised Land, so I spliced it in from the other tape. The other tape had some other problems, not to mention a good portion of the between song banter cut out, so needless to say, we used the good tape for that. Here's the setlist: Grateful Dead, Freedom Hall, Louisville, KY June 18, 1974 Disc 1: Set I: 1. Promised Land 2. Roses 3. B.T. Wind 4. Ramble On Rose 5. BIODTL 6. Loser 7. Mexicali 8. Eyes -> 9. China Doll 10. Around Set II: 11. Loose Lucy Disc 2: Set II, cont. 1. El Paso 2. Row Jimmy 3. WRS -> 4. Let It Grow -> 5. Other One -> 6. It's A Sin -> 7. Stella Blue Disc 3: Set II, cont. 1. Big River 2. Tennessee Jed 3. Sugar Magnolia 4. Encore: Morning Dew Questions? comments? got uncirculated/undercirculated shows you'd like to get into circulation? Email dnsacks@usa.net Freedom Hall Louisville KY SHN / CD-R

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06/18/74 Grateful Dead Freedom Hall, Louisville, KY June 18, 1974 SPEED-CORRECTED VERSION Original lineage: SBD>MR>1 cass>DAT>ZA2>SHN Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8) Disc 1: Set I: 1. Promised Land 2. Roses 3. B.T. Wind 4. Ramble On Rose 5. BIODTL 6. Loser 7. Mexicali 8. Eyes -> 9. China Doll 10. Around Disc 2: Set II: 1. Loose Lucy 2. El Paso 3. Row Jimmy 4. WRS -> 5. Let It Grow -> 6. Other One -> 7. It's A Sin -> 8. Stella Blue Disc 3: Set II, cont. 1. Big River 2. Tennessee Jed 3. Sugar Magnolia 4. Encore: Morning Dew Speed corrected using Cool Edit Pro: - joined wavs using 'Open Append' - speed/pitch adjusted using 'Pitch Bender' - removed small gaps at the end of discs 2 and 3 to make disc transitions seamless again. - retracked - encoded to FLAC (level 8) using Flac Frontend The proper pitch was determined by comparing to a guitar tuned to A=440. The adjustment required was -28 cents for the entire show. Tracking: The original source had the first song of set 2 (Loose Lucy) tracked on the end of disc 1 with set 1 for no apparent reason. It fits easily on disc 2 with the other set 2 material, so it's been moved there, which is better imo, but it can easily be burned either way. The only problem with the new tracking was that all of the artworks around for this show reflected the old tracking, so I made a revised version of one of the best ones to match the new tracking: gd061874Cover-revised.pdf & gd061874tray-revised.pdf in the 'covers' folder. joshd Feb. 15, 2006 ffp: gd74-06-18-sc-d1t01.flac:232e1b9c0942883593efe50df8dd8d0b gd74-06-18-sc-d1t02.flac:2e657d68f88e0332cf608c87d6fa96f9 gd74-06-18-sc-d1t03.flac:de111545d7d2ac082a012eec51054978 gd74-06-18-sc-d1t04.flac:cae2906642a4df8619beab46475ed90b gd74-06-18-sc-d1t05.flac:d655a037799093190cb10d5a75fe93e6 gd74-06-18-sc-d1t06.flac:30a633a2314df40fcba048980b540713 gd74-06-18-sc-d1t07.flac:79664aa9e69875820efb29ed250ceb38 gd74-06-18-sc-d1t08.flac:14f898c2c4066cbf5a9168e19cc07eee gd74-06-18-sc-d1t09.flac:734c722f101bad1616313043f3e7286d gd74-06-18-sc-d1t10.flac:cb45585f5005f8ae457cc252c552423d gd74-06-18-sc-d2t01.flac:8655f7017dab05fda5de710bd38ed65b gd74-06-18-sc-d2t02.flac:8502944703201eaafb50b43d271f3a80 gd74-06-18-sc-d2t03.flac:5c4f1be20d709a117e88d428b9a7a5c2 gd74-06-18-sc-d2t04.flac:505f230fc1f136338ca2d9eb88504016 gd74-06-18-sc-d2t05.flac:0263de460fbee822eab41abc06870881 gd74-06-18-sc-d2t06.flac:f7794d8381b79c9702265036583b5f14 gd74-06-18-sc-d2t07.flac:dba1f405c7428905d254434127211acd gd74-06-18-sc-d2t08.flac:2cc48c051fb59203ec3de8594a170c11 gd74-06-18-sc-d3t01.flac:e2c449271d8ab792fa084db18585ff7c gd74-06-18-sc-d3t02.flac:18380176f91f9ba70eafad45fbfeaf9e gd74-06-18-sc-d3t03.flac:3c78d8b92b925ace9d9f541793a22671 gd74-06-18-sc-d3t04.flac:8091de0bf46c55c9e285ea3dda6faf5f Freedom Hall Louisville KY FLAC / CD-R

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06/20/74 6/20/74 The Omni Atlanta, GA Master 7 inch, 2 track Soundboard Reel > Cassette > DAT > CDR uploaded 10/00 by Scott Clugston made possible by the usual group of suspects/mental patients disc 1 requires an 80 minute disc Disc 1 1st Set 1. US Blues 2. BIODTL 3. BEW 4. Mexicali 5. IMHBTR 6. Jack Straw 7. Scarlet Begonias 8. Me & My Uncle 9. To Lay Me Down 10.El Paso 11.China Cat> 12.IKYR 13.A & A Disc 2 2nd Set 1. Big River 2. Ship of Fools 3. Truckin'> 4. Space> 5. Ey//es> 6. Slipknot Jam> 7. China Doll> 8. OMSN The Omni Atlanta GA SHN / CD-R

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06/22/74 THE OWEN BROTHERS VAULT CD: MCO-370 = 740622-01 MCO-371 = 740622-02 The Grateful Dead - 22JUN1974 MCO-372 = 740622-03 Jai-Alai Fronton - Miami, FL DVD-A: DVDA-008 = 740622-04 SBD>MR>CASS>DAT>CD>EAC>SHN>DC6>CD AUD Patches:AudMC > DAT Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com Both the Audience and the Soundboard are available from The Owen Brothers Vault. This was a nice SBD recording with only minor issues. Most tunings were cut. These were patched from the AUD source where available. A light Continuous Noise filter was used to minimize tape hiss. The sound was a bit flat so equalization was used to bring up the top and bottom ends a bit. Other specific issues corrected: The old SBD patch in Playin' was cleaned up and adjusted to better match the rest. Mix was bad on Promised Land on both SBD and AUD - couldn't fix that! All AUD patches were matched up as well as possible through EQ, Noise reduction and gain adjustments. Misc. loud handclaps, pops and other anomalies were corrected. All editing done with Diamond Cut DC6 software. Disc One - 74:36 01) Tune Up 02) Promised Land (Bad Mix) 03) >Bertha 04) Greatest Story Ever Told 05) Tune Up 06) Deal 07) Tune Up 08) Me and Bobby McGee 09) Tune Up 10) Scarlet Begonias 11) Tune Up 12) Jack Straw 13) Tune Up 14) Loose Lucy 15) Tune Up 16) Mexicali Blues 17) Tune Up 18) Sugaree 19) Tune Up 20) The Race Is On 21) Tune Up 22) It Must Have Been The Roses 23) Tune Up 23a) Fade Out Track Disc Two - 52:53 23b) Fade In Track 24) Playin' In The Band 25) Tune Up 26) China Cat Sunflower 27)>I Know You Rider 28) Tune Up 29) Me And My Uncle 30) Tune Up 30a) Fade Out Track Disc Three - 56:06 30b) Fade In Track 31) Ship Of Fools 32) Tune Up 33) El Paso 34) Tune Up 35) Eyes Of The World 36)>Wharf Rat 37)>Sugar Magnolia 38) Crowd/Tune Up (AUD) 39)E:Johnny B. Goode 40) Crowd + PA Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks. Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz Jai-Alai Fronton Miami FL SHN / CD-R

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06/23/74 THE OWEN BROTHERS VAULT CD: MCO-356 = 740623-01 MCO-357 = 740623-02 The Grateful Dead - 23JUN1974 MCO-358 = 740623-03 Jai-Alai Fronton - Miami, FL DVD-A: DVDA-003 = 740623-04 SBD>MR>DAT (from Andy Lemieux)>DC6>CD AUD Patches:AudMC > DAT Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com Both the Audience and the Soundboard are available from The Owen Brothers Vault. This was a nice SBD recording with only minor issues. Most tunings were cut. These were patched from the AUD source where available. A light Continuous Noise filter was used to minimize tape hiss. The sound was a bit flat so equalization was used to bring up the top and bottom ends a bit. Other specific issues corrected: Start of Ramble on Rose on the SBD had a horrible mix and was replaced by AUD. Rose was also recorded hot with clipping and this was corrected. The cut in Weather Report Suite was patched with an alternate SBD. The AUD Splice in US Blues was redone. All AUD patches were matched up as well as possible through EQ, Noise reduction and gain adjustments. Misc. loud handclaps, pops and other anomalies were corrected. All editing done with Diamond Cut DC6 software. Disc One - 78:56 01) Tune Up (AUD) 02) Ramble On Rose (AUD at start) 03) Tune Up (AUD) 04) Black Throated Wind 05) Technical Difficulties/Bermuda Triangle (AUD+SBD) 06) Tico Tico Tuning 07) >Mississippi Half Step Uptown Toodleloo 08) Beat It On Down The Line 09) Tune Up (AUD) 10) Row Jimmy 11) Tune Up (AUD) 12) Jack Straw 13) Tune Up (AUD) 14) Let It Rock (First and Only Time Played) 15) Tune Up (AUD) 16) Cumberland Blues 17) Tune Up (AUD) 18) El Paso 19) Tune Up (AUD) 20) To Lay Me Down 20a) Fade Out Track Disc Two - 71:35 20b) Fade In Track 21) Tune Up 22) Weather Report Suite 23)>China Doll 24) Seastones (First Time Played) (AUD) 25) Tune Up (AUD) 26)>Jam 27)>Ship Of Fools 28) Big River 29) Tune Up (AUD) 30) Black Peter 31) Tune Up (AUD) 32) Around And Around 32a) Fade Out Track Disc Three - 57:38 32b) Fade In Track 33) Tune Up (AUD) 34) Dark Star 35)>Spanish Jam 36)>U.S. Blues 37) Tune Up (AUD) 38) Uncle John's Band 39) One More Saturday Night 40) Crowd/Tune Up (AUD) 41)E:Casey Jones Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks. Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz Jai-Alai Fronton Miami FL SHN / CD-R

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06/26/74 Grateful Dead 6/26/74 Providence Civic Center, Providence, RI Source for disk 1: SBD>MR>C>DAT>CDR Contributed by Skankweed Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) Contributed by John Oleynick (previous d1 from this source had problems, was withdrawn) Disc 1 ---- Set 1 ---- 1. Big River 2. Brown-Eyed Women 3. Beat It On Down the Line 4. Scarlet Begonias 5. Black-Throated Wind 6. Row Jimmy 7. Mexicali Blues 8. Deal 9. The Race Is On 10. Mississippi Halfstep 11. El Paso 12. Ship of Fools Disc 2 ---- Set 1 Continued ---- 1. Weather Report Suite Prelude > 2. Weather Report Suite Part 1 > 2. Let It Grow > 3. It Must Have Been the Roses ---- Set 2 ---- 4. // U.S. Blues 5. Me & My Uncle 6. Jam > 7. China Cat Sunflower > 8. I Know You Rider Disc 3 ---- Set 2 Continued ---- 1. Beer Barrel Polka Tuning 2. Truckin' > 3. The Other One Jam > 4. Spanish Jam > 5. Wharf Rat > 6. Sugar Magnolia ---- Encore ---- 7. Eyes of the World Providence Civic Center Providence RI SHN / CD-R

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06/28/74 Grateful Dead Boston Garden, Boston, MA June 28, 1974 - Set I Source: SBD>MR>DAT>Sonic Solutions>CD>?>EAC>SHN EAC'ed / SHN'ed by Tom Snider, Jr. 07/25/2002 Thanks to Jeff Cook for sending me the cd audio of this fine first set. 01. Mississippi Half Step-> 7:29 02. It Must Have Been The Roses-> 4:59 03. Jack Straw 5:16 04. Beat It On Down The Line 3:24 05. "Gold Plated Reconing" 0:40 06. Deal 5:02 07. Mexicali Blues 3:21 08. Tennessee Jed 8:02 09. Me And Bobby McGee 5:30 10. "The Sound Of Time Passing" 1:58 01. Loose Lucy 5:02 12. El Paso 4:21 13. Sugaree 7:03 14. Around & Around 5:22 Total Play Time: 1:07:36 Boston Garden Boston MA SHN / CD-R

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06/30/74 GRATEFUL DEAD Sunday, June 30, 1974 Springfield Civic Center Arena - Springfield, MA SBDMR > DATx2 > CD > SHN > WAV > SHN Soundboard: DAT > CD > SHN transfer by Dan Lynch Final editing and AUD patching by Noah Weiner - June, 2003 DAT > via optical cable > CD (via HHb CDR-800 Pro) > WinDAC32 > WAV > MKW Audio Compression Toolkit (shn) > WAV > Sound Forge (track edits, normalizing, cross fades) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn) AUD portions and patches from: AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. SBD patches from: SBDMR > DATx3 > C > DATx2 > ZA2 > CDRx1 > EAC > SHN (see technical notes below) DISC ONE [78:10] set one: 01 [03:43] Don't Ease Me In 02 [06:55] Black Throated Wind 03 [05:18] Peggy-O 04 [05:07] Jack Straw 05 [06:26] Loser 06 [06:28] Greatest Story Ever Told 07 [06:26] Cumberland Blues* 08 [04:31] Dire Wolf 09 [18:34] Playing In The Band > 10 [08:32] Uncle John's Band > 11 [06:10] Playing In The Band *SBDMR flip in Cumberland patched with AUD, cross faded 05:12 to 05:35 DISC TWO [55:11] set 1.5*: 01 [03:21] taper talk & crowd 02 [16:48] Seastones set two-a: 03 [11:05] China Cat Sunflower > 04 [05:19] I Know You Rider 05 [05:10] Big River 06 [09:14] Scarlet Begonias 07 [04:14] El Paso *set 1.5 is taken from AUD; missing on SBDMR DISC THREE [72:27] set two-end: 01 [05:38] U.S. Blues > 02 [13:39] Truckin' > 03 [23:09] Eyes Of The World > 04 [07:34] Stella Blue 05 [10:01] Not Fade Away > 06 [07:29] Goin' Down The Road Feeling Bad > 07 [04:57] One More Saturday Night no encore played *SBDMR flip in Eyes patched with AUD, cross faded 10:27 to 10:54 note: Truckin' contains a loose Nobody's Fault But Mine Jam technical notes: There are mix adjustments, typical of this era of GD SBD recordings, in the early minutes of Don't Ease Me In There were a number of spots on the source DAT that exhibited digital snits and pops. These were either removed with the pencil tool in Sound Forge, or, when they were of the nature that could not be eliminated by digital tools, patched over with the previously circulating SBD version, SBDMR > DATx3 > C > DATx2 > ZA2 > CDRx1 > EAC > SHN (source 2), as listed below: d01t04 00:54 - digi-zap patched from source 2 d01t05 00:03 - digi-zap patched from source 2 d01t05 00:05 to 00:08 - digi-crackle patched from source 2 d02t06 02:06 - digi-zap patched from source 2 d03t02 10:13 - digi-pop penciled out d03t02 13:15 - digi-pop penciled out One digi-snit appearing in US Blues (d03t01 at 01:34) existed on both sources and thus could not eliminated completely. SHNTOOL: D:\Music\gd1974-06-30\gd1974-06-30d1.shnf>shntool len *shn length expanded size cdr WAVE probs filename 3:43.14 39370172 --- -- -xx gd1974-06-30d1t01.shn 6:55.07 73222508 --- -- -xx gd1974-06-30d1t02.shn 5:18.55 56224604 --- -- -xx gd1974-06-30d1t03.shn 5:07.47 54265388 --- -- -xx gd1974-06-30d1t04.shn 6:26.50 68208044 --- -- -xx gd1974-06-30d1t05.shn 6:28.18 68485580 --- -- -xx gd1974-06-30d1t06.shn 6:26.56 68222156 --- -- -xx gd1974-06-30d1t07.shn 4:31.00 47804444 --- -- -xx gd1974-06-30d1t08.shn 18:34.64 196660172 --- -- -xx gd1974-06-30d1t09.shn 8:32.43 90417980 --- -- -xx gd1974-06-30d1t10.shn 6:10.68 65427980 --- -- -xx gd1974-06-30d1t11.shn 78:15.47 828309028 B (totals for 11 files) D:\Music\gd1974-06-30\gd1974-06-30d2.shnf>shntool len *shn length expanded size cdr WAVE probs filename 3:21.17 35496428 --- -- -xx gd1974-06-30d2t01.shn 16:48.46 177919436 --- -- -xx gd1974-06-30d2t02.shn 11:05.71 117473036 --- -- -xx gd1974-06-30d2t03.shn 5:19.14 56304572 --- -- -xx gd1974-06-30d2t04.shn 5:10.44 54787532 --- -- -xx gd1974-06-30d2t05.shn 9:14.66 97880876 --- -- -xx gd1974-06-30d2t06.shn 4:14.54 44932652 --- -- -xx gd1974-06-30d2t07.shn 55:15.12 584794532 B (totals for 7 files) D:\Music\gd1974-06-30\gd1974-06-30d3.shnf>shntool len *shn length expanded size cdr WAVE probs filename 5:38.47 59733788 --- -- -xx gd1974-06-30d3t01.shn 13:39.46 144579836 --- -- -xx gd1974-06-30d3t02.shn 23:09.12 245047868 --- -- -xx gd1974-06-30d3t03.shn 7:34.28 80151500 --- -- -xx gd1974-06-30d3t04.shn 10:01.05 106028204 --- -- -xx gd1974-06-30d3t05.shn 7:29.35 79285964 --- -- -xx gd1974-06-30d3t06.shn 4:57.18 52433180 --- -- -xx gd1974-06-30d3t07.shn 72:29.41 767260340 B (totals for 7 files) Springfield Civic Center Springfield MA SHN / CD-R

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07/19/74 Grateful Dead - July 19, 1974 Selland Arena - Fresno, CA Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) Mastering By Charlie Miller charliemiller87@earthlink.net March 5, 2006 Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night Notes: -- Seamless transition between Discs 1 and 2 -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat Soundcheck: d1t01 - Jam Set 1: d1t02 - Bertha d1t03 - Mexicali Blues d1t04 - Deal d1t05 - Beat It On Down The Line d1t06 - Row Jimmy d1t07 - Me And Bobby McGee d1t08 - Scarlet Begonias d1t09 - El Paso d1t10 - Tennessee Jed d2t01 - Playing In The Band Set 1.5: d2t02 - Seastones Set 2: d2t03 - Brown Eyed Women d2t04 - Me And My Uncle d2t05 - It Must Have Been The Roses d2t06 - Jack Straw d3t01 - He's Gone -> d3t02 - U.S. Blues d3t03 - Weather Report Suite -> d3t04 - Let It Grow -> d3t05 - Spanish Jam -> d3t06 - Eyes Of The World -> d3t07 - China Doll d3t08 - One More Saturday Night SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 10:45.59 113916812 --- -- --- gd74-07-19d1t01.wav 7:14.63 76705820 --- -- --- gd74-07-19d1t02.wav 3:51.48 40861340 --- -- --- gd74-07-19d1t03.wav 4:44.65 50250524 --- -- --- gd74-07-19d1t04.wav 4:51.14 51365372 --- -- --- gd74-07-19d1t05.wav 8:09.31 86332556 --- -- --- gd74-07-19d1t06.wav 6:16.74 66500492 --- -- --- gd74-07-19d1t07.wav 8:50.35 93574364 --- -- --- gd74-07-19d1t08.wav 4:43.71 50088236 --- -- --- gd74-07-19d1t09.wav 8:24.01 88907996 --- -- --- gd74-07-19d1t10.wav 29:24.30 311240204 --- -- --- gd74-07-19d2t01.wav 13:00.00 137592044 --- -- --- gd74-07-19d2t02.wav 5:23.48 57090140 --- -- --- gd74-07-19d2t03.wav 3:04.55 32587004 --- -- --- gd74-07-19d2t04.wav 5:57.53 63099500 --- -- --- gd74-07-19d2t05.wav 5:29.27 58099148 --- -- --- gd74-07-19d2t06.wav 15:04.33 159543260 --- -- --- gd74-07-19d3t01.wav 5:40.70 60140684 --- -- --- gd74-07-19d3t02.wav 6:15.13 66180620 --- -- --- gd74-07-19d3t03.wav 15:16.36 161667116 --- -- --- gd74-07-19d3t04.wav 5:56.67 62956028 --- -- --- gd74-07-19d3t05.wav 16:32.03 174995900 --- -- --- gd74-07-19d3t06.wav 6:29.44 68723132 --- -- --- gd74-07-19d3t07.wav 4:57.40 52484924 --- -- --- gd74-07-19d3t08.wav 206:26.05 2184903216 B (totals for 24 files) Selland Arena Fresno CA FLAC / CD-R

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07/21/74 Grateful Dead - July 21, 1974 Hollywood Bowl - Los Angeles, CA Recording Info: (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) Recorded By Rob Bertrando All transfers and Remastering By Charlie Miller charliemiller87@earthlink.net November 5, 2005 Patch Info: The end of Scarlet Begonias and part of Truckin' patched with AUD (Unknown Mics) -> Cassette Master -> Cass -> Cass Recorded By Ed Friedman Tape supplied by Ken Stuart Notes: -- Mind Left Body and Spanish Jam teases in Playin' In The Band. -- Seamless transition between Discs 2 & 3. -- I got the Dat around 1999 from the DNC PermaTree. Set 1: d1t01 - The Promised Land d1t02 - Tennessee Jed d1t03 - Me And My Uncle d1t04 - Sugaree d1t05 - Jack Straw d1t06 - Mississippi Half-Step Uptown Toodeloo -> d1t07 - It Must Have Been The Roses d1t08 - El Paso d1t09 - Scarlet Begonias d1t10 - Around And Around Set 2: d1t11 - Seastones (Phil & Ned) Set 3: d2t01 - China Cat Sunflower -> d2t02 - I Know You Rider d2t03 - Big River d2t04 - Row Jimmy d2t05 - Playin' In The Band -> d2t06 - Wharf Rat -> d2t07 - Truckin' -> d2t08 - Nobody's Fault But Mine Jam -> d2t09 - Playin' In The Band d3t01 - Ship Of Fools d3t02 - Sugar Magnolia Encore: d3t03 - U.S. Blues SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 4:28.23 47329340 --- -- --- gd74-07-21d1t01.wav 8:02.42 85123628 --- -- --- gd74-07-21d1t02.wav 3:35.38 38015420 --- -- --- gd74-07-21d1t03.wav 7:17.70 77251484 --- -- --- gd74-07-21d1t04.wav 6:40.20 70607084 --- -- --- gd74-07-21d1t05.wav 7:23.25 78204044 --- -- --- gd74-07-21d1t06.wav 6:24.61 67881116 --- -- --- gd74-07-21d1t07.wav 5:08.29 54399452 --- -- --- gd74-07-21d1t08.wav 6:55.40 73300124 --- -- --- gd74-07-21d1t09.wav 5:01.63 53244620 --- -- --- gd74-07-21d1t10.wav 12:45.38 135035420 --- -- --- gd74-07-21d1t11.wav 8:49.33 93393260 --- -- --- gd74-07-21d2t01.wav 5:13.49 55328492 --- -- --- gd74-07-21d2t02.wav 5:12.11 55062716 --- -- --- gd74-07-21d2t03.wav 8:28.21 89660636 --- -- --- gd74-07-21d2t04.wav 20:53.18 221071580 --- -- --- gd74-07-21d2t05.wav 8:54.63 94345820 --- -- --- gd74-07-21d2t06.wav 9:22.39 99228572 --- -- --- gd74-07-21d2t07.wav 1:11.68 12684380 --- -- --- gd74-07-21d2t08.wav 7:07.23 75376940 --- -- --- gd74-07-21d2t09.wav 7:36.57 80572508 --- -- --- gd74-07-21d3t01.wav 9:39.62 102281468 --- -- --- gd74-07-21d3t02.wav 5:31.24 58444892 --- -- --- gd74-07-21d3t03.wav 171:45.17 1817842996 B (totals for 23 files) Hollywood Bowl Los Angeles CA FLAC / CD-R

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07/25/74 7/25/74 - Grateful Dead International Amphitheatre Chicago, IL SBD -> Rm -> Dat -> Sonic Solutions -> CD 2 Discs Audio / 2 Discs SHN Disc 1: First Set + Encore Disc 2: Second Set Set 1: Me And My Uncle Loose Lucy Black-Throated Wind Loser Beat It On Down The Line Sugaree Mexicali Blues Brown-Eyed Women El Paso Row Jimmy Weather Report Suite -> Let It Grow -> Around & Around Set 2: Scarlet Begonias Big River It Must Have Been The Roses Jack Straw Dark Star -> Slipknot! Jam -> Stella Blue Johnny B. Goode -> Uncle John's Band U.S. Blues One More Saturday Night Encore: Ship Of Fools Charlie Miller charliemiller87@earthlink.net International Amphitheater Chicago IL SHN / CD-R

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07/27/74 Grateful Dead 07/27/74 Roanoke Civic Center Roanoke, VA Two Discs Lineage: SBD>MR>C>DAT>CDR Extraction and Shortening by Seth Kaplan via EAC and MKW. Correct sector boundaries verified using .shntool. Disc 1 of 2 Set I Bertha Mexicali Blues Row Jimmy Jack Straw Mississippi Half Step Uptown Toodeloo It Must Have Been The Roses Me & Bobby McGee Tennessee Jed Playin' In The Band Disc 2 of 2 Set II ChinaCat Sunflower > I Know You Rider Me & My Uncle Ramble On Rose Big River U.S. Blues > Jam > The Promised Land Brokedown Palace Not Fade Away > Goin' Down The Road Feelin' Bad Johnny B. Goode SBD>MR>C>DAT>CDR Roanoke Civic Center Roanoke VA SHN / CD-R

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07/29/74 Grateful Dead Capital Centre Landover, MD 7-29-74 Sick Bits Vol. 8 Source: Matrix (SBD/AUD mix): SBD: (SHN ID # 2277) MR> C1> DAT*> CD via Teddy Goodbear AUD: FOB (SHN ID # 17968) AudMC > DAT > WAV > SHN via Jerry Moore Transfer/Editing: All three sources were SHN files downloaded from LMA and converted to WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell 6-05-05 scarfire@liquidcity.com ________________________________________________________________________ Set I: d1t01 - crowd & tuning d1t02 - Promised Land d1t03 - Sugaree d1t04 - Black Throated Wind d1t05 - It Must Have Been The Roses d1t06 - Cumberland Blues d1t07 - Scarlet Begonias d1t08 - Jack Straw d1t09 - Deal d1t10 - El Paso d1t11 - To Lay Me Down d1t12 - crowd & tuning d2t01 - Weather Report Suite Prelude > d2t02 - Weather Report Suite Part One > d2t03 - Let It Grow [missing: set 1.5 Seastones] Set II: d2t04 - crowd & tuning d2t05 - He's Gone > d2t06 - Truckin' > d2t07 - Nobody's Fault But Mine > d2t08 - Other One (1st verse only) > d2t09 - Spanish Jam > d2t10 - Wharf Rat > d3t01 - Around & Around d3t02 - Peggy-O d3t03 - US Blues d3t04 - Sugar Magnolia Encore: d3t05 - Casey Jones Total Times: Disc 1 [76:39] Disc 2 [71:24] Disc 3 [38:31] - for track times see shntool output * Sick Bits Vol. 7 fits nicely as filler on disc 3 ________________________________________________________________________ General Notes: Two sources from the LMA provided coverage for this matrix: a relatively dry SBD, and a pretty nice sounding FOB AUD recorded by strangers with Jerry Moore's rig (see Jerry's notes). The result is an excellent matrix, justifying the blending of two sources to breathe life back into a relatively unrecognized but excellent show. Check out these reviews from the Llama: "I have the soundboard version of this show and I must admit that it is clear but clinical. No Character. This audience version has the ambience that is lacking in the soundboard. Do yourself a favor and download both!" "You've heard the classics, now try this one! Recommended." -Dr. Flashback This is the first show of 29 played at Capital Centre, and Bill Graham starts off by letting the crowd know to stay out of the isles, probably concerned with the fire marshall, who I'm sure was not impressed by the firecrackers (M80s?) that were let off periodically during the show - the most loud and notable is during To Lay Me Down, the crowd in a very intimate space, an explosion even clearly loud on the SBD. Listener beware! The whole show is played well, from the gumption of Sugaree through the excellent Weather Report Suite (nice Keith); and the second set starts with a slow but funky He's Gone (Phil), a freaky Spanish Jam out of the "space" of a 1 verse Other One, and a rare Peggy-O (6th time played). Garcia takes a different approach throughout, both refreshing and daring. The band delivers on the crowd request for Casey Jones, and Phil sums it up at the end: "We really appreciate it folks, you don't know how much." Thanks to Jerry Moore for making the FOB AUD happen (see notes), Mark Cohen for the analog > DAT transfer, Noah Weiner for the DAT > SHN/CD; Teddy Goodbear for the SBD along with the rest of the Compendium crew, and Doug Johnson for uploading it to abgd. Enjoy! Chappy Editing/SBD & AUD source Notes [see attached] Shntool Notes [see attached] FLAC Fingerprint [see attached] MD5 checksum [see attached] ________________________________________________________________________ Excerpt from AUD text file: (*) Notes from Jerry Moore - June, 2003: "Had piss poor taping seats, and was unable to negotiate better ones. Best I was able to do was dicker with some total strangers who were sitting reasonably close, on the left side off the floor, if I remember. They weren't willing to trade seats, but WERE willing to try taping it themselves in exchange for a copy. So I crossed my fingers real hard, and handed over the rig. They weren't at all familiar with it, but I managed to squeeze in before the show and check in a couple of times. All things considered, they did a pretty decent job. Some artless level juggling, and overall levels lower than I would've run, but better than no tape or a rotten one. The taping the weird noise at intermission was a nicety I didn't think to mention, and they didn't bother with. IE, no L&L recording on my tapes... I haven't the foggiest who they were or what their names were. Never crossed paths again." Capital Centre Landover MD FLAC / CD-R

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07/31/74 Grateful Dead - July 31, 1974 Dillon Stadium - Hartford, CT Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net February 9, 2006 Patch Info: Reel flip in Row Jimmy and WRS Intro patched with Bill Degen's AUD Unknown Mics -> Master Cassette -> Reel (7inch) -> Dat -> SHN Notes: -- This is shnid 1019 cleaned up and patched. -- Beginning of Scarlet is cut. Set 1: d1t01 - Scarlet Begonias d1t02 - Me And My Uncle d1t03 - Brown Eyed Women d1t04 - Beat It On Down The Line d1t05 - Mississippi Half-Step Uptown Toodeloo -> d1t06 - It Must Have Been The Roses d1t07 - Mexicali Blues d1t08 - Row Jimmy d1t09 - Jack Straw d1t10 - China Cat Sunflower -> d1t11 - I Know You Rider d1t12 - Around And Around Set 2: d1t13 - Bertha d1t14 - Big River d2t01 - Eyes Of The World -> d2t02 - China Doll d2t03 - The Promised Land d2t04 - Ship Of Fools d2t05 - Weather Report Suite -> d2t06 - Let It Grow Set 2.5: d2t07 - Seastones Set 3: d2t08 - El Paso d3t01 - Ramble On Rose d3t02 - Greatest Story Ever Told d3t03 - To Lay Me Down d3t04 - Truckin' -> d3t05 - Mind Left Body Jam -> d3t06 - Spanish Jam -> d3t07 - Wharf Rat d3t08 - U.S. Blues d3t09 - One More Saturday Night Encore: d3t10 - Uncle John's Band SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 7:56.01 83968796 --- -- --- gd74-07-31d1t01.wav 3:26.45 36444284 --- -- --- gd74-07-31d1t02.wav 4:50.64 51306572 --- -- --- gd74-07-31d1t03.wav 3:30.73 37215740 --- -- --- gd74-07-31d1t04.wav 7:55.58 83926460 --- -- --- gd74-07-31d1t05.wav 5:13.69 55375532 --- -- --- gd74-07-31d1t06.wav 3:21.32 35531708 --- -- --- gd74-07-31d1t07.wav 8:20.61 88343516 --- -- --- gd74-07-31d1t08.wav 4:54.41 51958076 --- -- --- gd74-07-31d1t09.wav 9:02.45 95714684 --- -- --- gd74-07-31d1t10.wav 5:44.10 60705164 --- -- --- gd74-07-31d1t11.wav 4:55.11 52063916 --- -- --- gd74-07-31d1t12.wav 5:37.10 59470364 --- -- --- gd74-07-31d1t13.wav 4:48.08 50822060 --- -- --- gd74-07-31d1t14.wav 18:24.16 194783276 --- -- --- gd74-07-31d2t01.wav 4:40.40 49486124 --- -- --- gd74-07-31d2t02.wav 3:31.22 37272188 --- -- --- gd74-07-31d2t03.wav 6:06.29 64630652 --- -- --- gd74-07-31d2t04.wav 5:33.26 58802396 --- -- --- gd74-07-31d2t05.wav 11:25.14 120866972 --- -- --- gd74-07-31d2t06.wav 21:29.45 227485484 --- -- --- gd74-07-31d2t07.wav 4:18.16 45548876 --- -- --- gd74-07-31d2t08.wav 6:13.10 65820764 --- -- --- gd74-07-31d3t01.wav 5:54.18 62487980 --- -- --- gd74-07-31d3t02.wav 8:06.52 85852748 --- -- --- gd74-07-31d3t03.wav 17:52.52 189223148 --- -- --- gd74-07-31d3t04.wav 9:18.61 98574716 --- -- --- gd74-07-31d3t05.wav 3:14.62 34367468 --- -- --- gd74-07-31d3t06.wav 9:31.47 100834988 --- -- --- gd74-07-31d3t07.wav 5:37.20 59493884 --- -- --- gd74-07-31d3t08.wav 5:18.52 56217548 --- -- --- gd74-07-31d3t09.wav 6:24.46 67845836 --- -- --- gd74-07-31d3t10.wav 232:39.31 2462441920 B (totals for 32 files) Dillon Stadium Hartford CT FLAC / CD-R

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08/04/74 Grateful Dead -- Civic Convention Hall Auditorium, Philadelphia, PA -- August 4, 1974 Lineage: MSR>DATs>CDRs>EAC>SHN Disk 1: Set I 1. Bertha 2. Mexicali Blues 3. Scarlet Begonias 4. Black Throated Wind 5. Deal 6. BIODTL 7. Peggy-O 8. Jack Straw 9. Loser 10. El Paso 11. Row Jimmy Disk 2: Set I, cont. 1. Playin' Set II 2. Phil and Ned 3. Ship Of Fools 4. Big River 5. Loose Lucy 6. Me And My Uncle 7. It Must Have Been The Roses Disk 3: Set II, cont. 1. Weather Report Suite Prelude -> Part 1 -> 2. Let It Grow -> Space -> 3. Wharf Rat -> 4. U.S. Blues 5. Sugar Magnolia 6. Encore: Casey Jones Notes: Small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia. Thanks to Bob Fishman for the Source Disk, EAC/SHN by dnsacks@usa.net seeded to etree 9/24/00 Philadelphia Civic Arena Philadelphia PA SHN / CD-R

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08/05/74 Grateful Dead -- Philadelphia Civic Arena, Philadelphia, PA -- August 5, 1974 Source: MSR>C>C>DATs>CDRs>EAC (best circulating source as of 10-16-00) Disk 1: Set I 1. Promised Land 2. Brown Eyed Women 3. BIODTL 4. Dire Wolf 5. Me And Bobby McGee 6. Tennessee Jed 7. Jack Straw 8. Deal 9. Take a Step Back 10. El Paso 11. China Cat Sunflower-> 12. I Know You Rider Disk 2: Set I, cont. 1. Take a Step Back 2. Around & Around Set II 3. Phil & Ned (*) 4. Mississippi Half Step-> 5. It Must Have Been The Roses 6. Take a Step Back 7. Big River 8. Ramble On Rose 9. Me & My Uncle 10. Scarlet Begonias Disk 3: Set II, cont. 1. He's Gone-> 2. Truckin'-> 3. Stella Blue-> (*) 4. One More Saturday Night (*) 5. E: U.S. Blues (*) (*) -- The last half of Seastones and the last part of Stella Blue > end of show were patched with Jerry Moore's MC>D>CD (AKG D1000s>Sony TC-152) audience recording. Note -- The folks that circulated this show scoured high and low for the best possible version (incl. ALL of the "usual suspects"), and the best copy ANYONE had was MR>C2>D, so that's what was used. I have followed up on this as well, including a comparison of the alleged "MR>PCM>DAT>CD" version, and have concluded that this copy is the best that's "out." EAC/SHN by Darrin (dnsacks@usa.net) seeded 10-16-00 Philadelphia Civic Arena Philadelphia PA SHN / CD-R

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08/06/74 Grateful Dead Roosevelt Stadium Jersey City, NJ 8/6/74 MR > DAT > CD > Sonic Solutions > CD Circulation shn: Plextor SCSI 40x Reader > EAC As of Sept 00, this copy is just entering circulation. For more info on the source of this copy, read Jim Powell's comments below. .shn and .md5 created by Mike Hall (myko@well.com) >From Jim Powell: "OK, I just got the master of the DeadLists Edition of Roosevelt Stadium, Jersey City 8/6/74: a digital copy of the master SBD reels with the 20 second flip cut in Scarlet Begonias patched with an excellent AUD master. This is the entire show including Seastones, in perfect condition, on 4 CDs. ... We owe thanks especially to Hugh Barroll, who passed along CDs of a digital copy of the master SBD; to Ihor Slabicky, who supplied a copy of his AUD master of the show; and to Dave Greenberg, who used Soundforge to patch the tape flip in Scarlet Begonias on the SBD and produce our masters. Noah Weiner also helped with the project, forwarding a copy of Barry Glassberg's AUD master." and later Jim reiterated: "The lineage of this copy of 8/6/74 is MR > DAT > CDs. It is the entire show, uncut, including Seastones (and the encore). The flip chop in Scarlet is expertly patched with excellent AUD. It very markedly upgrades the copy that came around a year or so ago, as well as all other circulating copies. Until and unless they release this as a Dick's Picks, and do as good or better a job than we have with the patch, this is the ultimate copy of this alltime great show, hands down, no shit." ********** FURTHUR: More work was done on this by David Gans using Sonic Solutions. A digital copy of Ihor Slabicky's tape and the cd's from Dave Greenberg were used to further patch the reel flips in Eyes of the World and Truckin'. David also edited the reel starts and stops between songs. Nothing that was said was removed. What we have here is the *FINAL* copy of this, my first show, to be circulated! These .shn's have been generated from the discs David Gans made. MD5's have been generated for both the .wav and .shn files. Jim said it first, " .. this is the ultimate copy of this alltime great show, hands down, no shit." *****CD1: 1. Bertha 5:29 2. Talk :26 3. Mexicali Blues 3:31 4. Don't Ease Me In 3:25 5. Beat It Down The Line 3:37 6. Sugaree 7:31 7. Jack Straw 5:13 8. Eyes of the World 18:59 9. Don't Climb on the fence, idiot! :23 10. Promised Land 3:13 11. Deal 4:49 Total Time: 56:38 *****CD2: 1. Playin' In The Band -> 22:38 2. Scarlet Begonias -> 8:15 3. Playin' In The Band Reprise 5:44 ***2nd Set*** 4. Phil & Ned 16:30 Total Time: 53:13 *****CD3: 1. Uncle John's Band 11:15 2. Black Peter 10:38 3. El Paso 4:21 4. Chatter :15 5. Loose Lucy 5:15 6. Big River 5:01 7. Ship of Fools 6:31 8. Me & My Uncle 2:50 9. Row Jimmy 8:03 Total Time: 54:16 *****CD4: 1. Sugar Magnolia -> 6:36 2. He's Gone -> 12:08 3. Truckin' -> 13:52 4. Spanish Jam -> 7:01 5. Other One Jam -> 4:38 6. The Other One -> 5:37 7. Goin' Down The Road Feelin' Bad -> 6:15 8. Sunshine Daydream 2:43 9. E: U.S. Blues 5:33 Total Time: 64:27 Roosevelt Stadium Jersey City NJ SHN / CD-R

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09/09/74 09-09-74 Monday London, England Alexandra Palace Single set played due to late start First night of seven night European Mini Tour SBD>MR>DAT(X2)>CDR>EAC> mkwACT Disc 1 Jack Straw (Sound Check) - Apologies and Tuning Bertha The Promised Land - More Apologies and Tuning It Must Have Been the Roses Jack Straw Scarlet Begonias Mexicali Blues Row Jimmy Disc2 Playin' in the Band Deal El Paso Ship Of Fools (Missing) Tennessee Jed (Missing) Truckin*> Wharf Rat*> Uncle John (Missing) Johnny B. Goode (Missing) E1: U. S. Blues (Missing) E2: Saturday Night (Missing) Vocals during Sound check low Bouncy Bertha Warning Minor Static at 0:27, 1:26 of Promised Land Hum before Playin' (unless you know the words, then you can sing along) *appears on "Dick's Picks Vol 7" Muchos Gracias to Pablo B. aka Raoul Duke for the show And Jerrys Kids for the Moral Fortitude, Knowledge and Fraternity Another Installment Of The Music Never Stopped Project Sly_Wow@Yahoo.com 10.31.02 Alexandra Palace London England SHN / CD-R

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09/10/74 9/10/74 - Grateful Dead Alexandra Palace, London, England Lineage: Vault Soundboard Reels->Cassette-> DAT->PCM->DAT DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano 8/7/2003 Notes: 1. This may or may not be the same as the 8/24/2002 Willy/etree seed. This seed does have a definitive lineage and is likely closer to the original source. 2. *Tracks appear on Dick's Picks #7, Please go buy it, it's really goooooood! Set 1: d1t01 - Around d1t02 - 1/2 Step* d1t03 - BIODTL d1t04 - Peggy-O d1t05 - BT Wind* d1t06 - China Cat d1t07 - IKYR d1t08 - Loser Set 1 (con't) d2t01 - WRS Prelude* d2t02 - WRS Part 1* d2t03 - Let it Grow* d2t04 - Stella Blue* Set 2: d2t05 - MAMU* d2t06 - Dire Wolf d2t07 - NFA d2t08 - Ramble On d2t09 - Big River Set 2 (con't) d3t01 - Dark Star* d3t02 - Morning Dew* d3t03 - Sugar Mag d3t04 - E: U.S. Blues* Alexandra Palace London England SHN / CD-R

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09/11/74 Source Information - Download Text | Download Zip Grateful Dead Alexandra Palace London, England Wednesday September 11, 1974 Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD This is the Candelario matrix SBD reel recording. From 2:10 to 3:00 of Scarlet Begonias the mix gets strange while Kid adjusts his levels. We have left this passage intact (there is another version in circulation where it is patched with AUD). We have patched in from an AUD master the first 15:22 of Seastones, the tail end of Sunshine Daydream, and US Blues, all missing on the circulating MSR D. Naturally this set supplements and does not supplant the portions of this show released as parts of Dick's Picks #7, but until GDM releases the show complete, this will do the trick nicely. Dave Greenberg did the final mastering of these discs. We don't know who mastered the patch of SSDD and US Blues; we extracted this portion from a CD of the MSR D containing Eyes through the end of the show, with this patch already in place, and nicely done -- our compliments to whoever mastered it. HB also provided important assistance. This project was instigated and these notes written by Jim Powell. SHN conversion by Jay Gerland (jay@theblackdog.org) with seed provided by Jed Distler (jdistler@composerscollab.org). Disc #1 59:55 First Set, Part 1 Scarlet Begonias Mexicali Blues Brown Eyed Women Beat It On Down The Line Sugaree Jack Straw Row Jimmy Me And Bobby McGee Tennessee Jed ; Disc #2 49:31 First Set, Part 2 Big River It Must Have Been The Roses Playing In The Band Second Set, Part 1 Seastones > Disc #3 70:08 Seastones > space jam > Eyes Of The World > space jam > Wharf Rat > space Disc #4 35:54 Third Set Around And Around Ship Of Fools Goin' Down The Road Feeling Bad > Sugar Magnolia Encore U.S. Blues Alexandra Palace London England SHN / CD-R

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09/14/74 Grateful Dead - September 14, 1974 Olympiahalle - Munich, West Germany Recording Info: SBD -> Master Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net August 23, 2005 Notes: -- Bertha through 5:20 of Scarlet patched from AUD>Rm>Dat>CD. -- I did a 10db bass boost on the AUD patch (not that you can tell). -- Cut in Truckin' Jam removed with crossfade. -- Last few seconds of Sugar Magnolia missing (Fade Out). -- Cut in U.S. Blues. Set 1: d1t01 - Bertha d1t02 - Me And My Uncle d1t03 - Deal d1t04 - Jack Straw d1t05 - Scarlet Begonias d1t06 - The Promised Land d1t07 - Loser d1t08 - El Paso d1t09 - Row Jimmy d2t01 - Weather Report Suite -> d2t02 - Let It Grow d2t03 - Tennessee Jed d2t04 - Around And Around Set Two: d2t05 - Phil and Ned Set Three: d2t06 - Big River d2t07 - Sugaree d2t08 - Mexicali Blues d2t09 - Mississippi Half-Step Uptown Toodeloo d2t10 - It Must Have Been The Roses d3t01 - Truckin' -> d3t02 - Mind Left Body Jam -> d3t03 - Wharf Rat -> d3t04 - Sugar Magnolia Encore: d3t05 - Eyes Of The World -> d3t06 - One More Saturday Night d3t07 - U.S. Blues SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 7:15.64 76884572 --- -- --- gd74-09-14d1t01.wav 4:19.63 45835820 --- -- --- gd74-09-14d1t02.wav 5:33.72 58910588 --- -- --- gd74-09-14d1t03.wav 6:39.40 70477724 --- -- --- gd74-09-14d1t04.wav 12:41.16 134278076 --- -- --- gd74-09-14d1t05.wav 3:35.22 37977788 --- -- --- gd74-09-14d1t06.wav 7:22.65 78121724 --- -- --- gd74-09-14d1t07.wav 5:25.21 57379436 --- -- --- gd74-09-14d1t08.wav 8:56.68 94710380 --- -- --- gd74-09-14d1t09.wav 5:45.34 60938012 --- -- --- gd74-09-14d2t01.wav 12:51.38 136093820 --- -- --- gd74-09-14d2t02.wav 8:09.63 86407820 --- -- --- gd74-09-14d2t03.wav 4:38.25 49098044 --- -- --- gd74-09-14d2t04.wav 18:40.03 197575100 --- -- --- gd74-09-14d2t05.wav 4:59.09 52764812 --- -- --- gd74-09-14d2t06.wav 7:23.06 78159356 --- -- --- gd74-09-14d2t07.wav 3:37.61 38422316 --- -- --- gd74-09-14d2t08.wav 7:45.21 82075436 --- -- --- gd74-09-14d2t09.wav 5:30.46 58320236 --- -- --- gd74-09-14d2t10.wav 14:22.37 152143868 --- -- --- gd74-09-14d3t01.wav 1:43.46 18277436 --- -- --- gd74-09-14d3t02.wav 9:41.43 102589580 --- -- --- gd74-09-14d3t03.wav 8:47.03 92969900 --- -- --- gd74-09-14d3t04.wav 14:16.03 151005500 --- -- --- gd74-09-14d3t05.wav 4:44.58 50234060 --- -- --- gd74-09-14d3t06.wav 5:36.33 59348060 --- -- --- gd74-09-14d3t07.wav 200:23.60 2120999464 B (totals for 26 files) Olympiahalle Munich Germany FLAC / CD-R

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09/18/74 9/18/74 - Grateful Dead Parc des Expositions - Dijon, FR. Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03 This shn set has fixed a pop on d1t07 (see notes). Otherwise it is unchanged from the original seed (http://db.etree.org/shn/20675) Set One: d1t01 - Uncle John?s Band ; d1t02 - Jack Straw % d1t03 - Friend Of The Devil % d1t04 - Black Throated Wind % d1t05 - Scarlet Begonias % d1t06 - Mexicali Blues ; d1t07 - Row Jimmy ; d1t08 - Beat It On Down The Line % d1t09 - Deal % d1t10 - The Race Is On ; d1t11 - To Lay Me Down % d2t01 - Playin? In The Band % Set Two: d2t02 - Phil And ned % Set Three: d2t03 - Loose Lucy ; d2t04 - Big River d2t05 - Peggy-O % d2t06 - Me & My Uncle % d3t01 - Eyes Of The World -> d3t02 - China Doll % d3t03 - He?s Gone -> d3t04 - Truckin? -> d3t05 - Drums -> d3t06 - Caution Jam -> d3t07 - Ship Of Fools % d3t08 - Johnny B. Goode Encore: d3t09 - U.S. Blues Notes: -Two pops removed in Peggy-O with Cool Edit Pro v1.2 Note added 11/29/2003 by Matt Vernon - fixed pop d1t07 ~ 6:17. If you have the original source you only need this "fixed" track, the rest are uneffected (sector boundaries unchanged) - added notations where between song tuning appears not continuous SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 9:31.67 100882028 --- -- --- gd74-09-18d1t01.wav 5:21.05 56636204 --- -- --- gd74-09-18d1t02.wav 4:28.40 47369324 --- -- --- gd74-09-18d1t03.wav 7:05.10 74993564 --- -- --- gd74-09-18d1t04.wav 8:49.30 93386204 --- -- --- gd74-09-18d1t05.wav 3:21.70 35621084 --- -- --- gd74-09-18d1t06.wav 11:02.28 116842700 --- -- --- gd74-09-18d1t07-fixed.wav 3:27.17 36554828 --- -- --- gd74-09-18d1t08.wav 4:41.13 49599020 --- -- --- gd74-09-18d1t09.wav 3:46.60 40007564 --- -- --- gd74-09-18d1t10.wav 8:17.20 87717884 --- -- --- gd74-09-18d1t11.wav 23:11.05 245384204 --- -- --- gd74-09-18d2t01.wav 13:22.18 141515180 --- -- --- gd74-09-18d2t02.wav 8:32.11 90342716 --- -- --- gd74-09-18d2t03.wav 6:44.02 71270348 --- -- --- gd74-09-18d2t04.wav 6:41.65 70889324 --- -- --- gd74-09-18d2t05.wav 2:52.17 30380828 --- -- --- gd74-09-18d2t06.wav 14:50.20 157043084 --- -- --- gd74-09-18d3t01.wav 6:35.42 69776828 --- -- --- gd74-09-18d3t02.wav 14:06.13 149265020 --- -- --- gd74-09-18d3t03.wav 8:56.42 94649228 --- -- --- gd74-09-18d3t04.wav 4:08.51 43867196 --- -- --- gd74-09-18d3t05.wav 9:52.74 104602892 --- -- --- gd74-09-18d3t06.wav 6:44.50 71383244 --- -- --- gd74-09-18d3t07.wav 7:15.05 76745804 --- -- --- gd74-09-18d3t08.wav 5:34.29 58985852 --- -- --- gd74-09-18d3t09.wav 209:20.54 2215712152 B (totals for 26 files) MD5: 79c09e223fd5ec1c30ccb20ff637819d *gd74-09-18d1t01.shn 1f4e3db845d5b90b14c117501ac75b61 *gd74-09-18d1t02.shn 6e30c8a09dd5c85dc70a322660f61e4d *gd74-09-18d1t03.shn 8005f7bbd5c20d5f5cc425ed1bb8f508 *gd74-09-18d1t04.shn 7f1959fdd3057c9e5423caa37e2fcc88 *gd74-09-18d1t05.shn a910908d41af5571cb5ef3b07199779b *gd74-09-18d1t06.shn 6d06a5de2bf0f11b6218ed2659215ebe *gd74-09-18d1t07-fixed.shn 1749bcf1e10a6d9e85b94a032597e0b7 *gd74-09-18d1t08.shn a4964f5452522f39b4bbbe35ac36ee9a *gd74-09-18d1t09.shn 782133665f9198d899a439425c535a5a *gd74-09-18d1t10.shn cfd47cc3212266ef32d1fc207a832661 *gd74-09-18d1t11.shn 261dc296df8e2f7fef3d8c15d6ce2d83 *gd74-09-18d2t01.shn cc2f7bf3eed74fbd4b620aae5a7e6b3d *gd74-09-18d2t02.shn 72f84cacf5047520b0c5f4d04d4b3e08 *gd74-09-18d2t03.shn 8fb70ab3215af997780839e9184ca1a0 *gd74-09-18d2t04.shn 474b0067d3341279431b7a6f0ba455dc *gd74-09-18d2t05.shn 1ce55efb8cfd772819b55d969c253b9c *gd74-09-18d2t06.shn ea4d1da850eda8eaaa5079dac4b9d1e5 *gd74-09-18d3t01.shn 4a7260f2dff31c7c34f17ed3f71d0b94 *gd74-09-18d3t02.shn af6fed214a096d83c2166d9e231924d0 *gd74-09-18d3t03.shn 2c6147f37bf476f1373efce081b3f074 *gd74-09-18d3t04.shn 982708b0d0705f1b48a6a6b2702012ab *gd74-09-18d3t05.shn 4c756629e82d4dfb6128087b43a423ee *gd74-09-18d3t06.shn 15bf98c65453cce672e6974230f06486 *gd74-09-18d3t07.shn b5a8ee6c2efc5d0356fa739363b4aa15 *gd74-09-18d3t08.shn eeb075b8dafdd4d2eb701c72dfb3a766 *gd74-09-18d3t09.shn Parc Des Expositions Dijon France SHN / CD-R

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09/18/74 Grateful Dead - September 18, 1974 Parc des Expositions - Dijon, FR. **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller charliemiller87@earthlink.net November 19, 2003 Soundcheck: d1t01 - Jerry Space (8:13.50) d1t02 - Cumberland Blues (3:00.46) d1t03 - Brokedown Palace (5:54.17) ---------------------------------------------------------------- This is how I have the show laid out onto 3 discs, feel free to do it however you want. Soundcheck: d1t01 - Jerry Space d1t02 - Cumberland Blues d1t03 - Brokedown Palace Set One: d1t04 - Uncle John?s Band d1t05 - Jack Straw d1t06 - Friend Of The Devil d1t07 - Black Throated Wind d1t08 - Scarlet Begonias d1t09 - Mexicali Blues d1t10 - Row Jimmy d1t11 - Beat It On Down The Line d1t12 - Deal d1t13 - The Race Is On d2t01 - To Lay Me Down d2t02 - Playin? In The Band Set Two: d2t03 - Phil And Ned Set Three: d2t04 - Loose Lucy d2t05 - Big River d2t06 - Peggy-O d2t07 - Me And My Uncle d3t01 - Eyes Of The World -> d3t02 - China Doll d3t03 - He?s Gone -> d3t04 - Truckin? -> d3t05 - Drums -> d3t06 - Caution Jam -> d3t07 - Ship Of Fools d3t08 - Johnny B. Goode Encore: d3t09 - U.S. Blues Parc Des Expositions Dijon France FLAC / CD-R

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09/20/74 Grateful Dead 9-20-74 Palais des Sports, Paris FR. source: SBD > master reel > reel to reel > DAT > CD > SoundForge > CD CD1 (57:47) I: Cumberland Blues Jack Straw It Must Have Been The Roses Beat It On Down The Line Scarlet Begonias Black-Throated Wind Friend Of The Devil El Paso Row Jimmy CD2 (62:50) Weather Report Suite Prl. & Pt. 1 > Let It Grow > Stella Blue Around & Around II: Chinacat Sunflower > I Know You Rider Big River Greatest Story Ever Told Brokedown Palace dead air CD3 (64:51) tuning Truckin'> jam> Eyes of the World> Not Fade Away Goin' Down the Road Feelin' Bad> One More Saturday Night E: U.S. Blues notes: - CD 1 was supplied from Marcello Gasperini?s MR>DAT source, which has much less analog crackling than Julian?s source (which supplies the rest of the show). The first notes of Cumberland have been repaired using Julian?s MR>R>R>D source and at @ 2:20, a glitch was removed. - the entire CD1 has been channel-switched to place the band members in their correct stage positions - false start to Around - very carefully reduced digital jitter @ 0:11 in Chinacat - missing Brown Eyed Women between Big River & Greatest Story - Brokedown Palace: moderate denoising & decrackling; channels swapped - dropout @ 1:24 in Eyes - GDTRFB clipped @ 6:38 - NFA fade/cut repaired (there was an overlap either side of the cut, so it is repaired from within the recording) - Last 8.52 mins (part OMSN + USB) patched from SBD cassette Palais Des Sports Paris France SHN / CD-R

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09/21/74 Grateful Dead - September 21, 1974 Palais des Sports - Paris, France Recording Info: SBD -> Master Reel -> Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net August 23, 2005 Notes: -- 2nd and 3rd sets SBD>Master Reel>Reel>Dat>CD>Sound Forge>CD -- 3:40 added from SBD cassette at start of Seastones. -- Dropout between Seastones and Playin? repaired with a crossfade. -- Around & Around patched in from unknown gen AUD by Alasdair Macdonald. Set 1: d1t01 - Bertha d1t02 - Mexicali Blues d1t03 - Sugaree d1t04 - The Promised Land d1t05 - Peggy-O d1t06 - Me And My Uncle d1t07 - Deal d1t08 - The Race Is On d1t09 - Loose Lucy d1t10 - El Paso d1t11 - Eyes Of The World -> d1t12 - China Doll Set 2: d2t01 - Seastones -> d2t02 - Playin' In The Band Set 3: d2t03 - Row Jimmy d2t04 - Big River d2t05 - Ship Of Fools d2t06 - Uncle John's Band d2t07 - Around And Around d3t01 - Morning Dew d3t02 - Sugar Magnolia Encore: d3t03 - Casey Jones SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 5:55.13 62652620 --- -- --- gd74-09-21d1t01.wav 4:06.27 43457948 --- -- --- gd74-09-21d1t02.wav 8:18.13 87877820 --- -- --- gd74-09-21d1t03.wav 4:42.38 49834220 --- -- --- gd74-09-21d1t04.wav 7:07.30 75393404 --- -- --- gd74-09-21d1t05.wav 2:46.15 29317724 --- -- --- gd74-09-21d1t06.wav 5:16.54 55869452 --- -- --- gd74-09-21d1t07.wav 3:26.60 36479564 --- -- --- gd74-09-21d1t08.wav 5:13.15 55248524 --- -- --- gd74-09-21d1t09.wav 4:15.38 45071420 --- -- --- gd74-09-21d1t10.wav 17:24.22 184213388 --- -- --- gd74-09-21d1t11.wav 6:30.02 68800748 --- -- --- gd74-09-21d1t12.wav 10:55.68 115701980 --- -- --- gd74-09-21d2t01.wav 18:15.16 193195676 --- -- --- gd74-09-21d2t02.wav 9:09.10 96867164 --- -- --- gd74-09-21d2t03.wav 4:53.33 51762860 --- -- --- gd74-09-21d2t04.wav 7:22.26 78029996 --- -- --- gd74-09-21d2t05.wav 9:14.34 97805612 --- -- --- gd74-09-21d2t06.wav 5:11.32 54935708 --- -- --- gd74-09-21d2t07.wav 17:09.47 181626188 --- -- --- gd74-09-21d3t01.wav 10:24.66 110228876 --- -- --- gd74-09-21d3t02.wav 7:13.67 76538828 --- -- --- gd74-09-21d3t03.wav 174:52.51 1850909720 B (totals for 22 files) Palais Des Sports Paris France FLAC / CD-R

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10/16/74 Grateful Dead Winterland Arena San Franscisco, CA 10/16/1974 Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT Sound Rating: 9.5 (out of 10) Disk 1 1 //Deal 2 Mexicali Blues 3 The Roses 4 BIODTL 5 Scarlet Begonias 6 Me and Bobby McGee 7 Tennessee 8 Cumberland 9 Row Jimmy Disk 2 (conclusion set 1) 1 Playin' (34 minutes) * star Set 2) 2 JBG (encore 1) 3 Phils Happy Birthday 4 US Blues (encore 2) (Start Set 2) 5. Phil and Ned > Deep Meditative Space ... Disk 3 1 Space continues > 2. Wharf Rat > Space > 3. Space 4. Eyes of the World > 5. Big River 6. Ship of Fools Disk 4 1. Truckin > 2. Going Down the Road > UJB // (fragment) Transcription by JR Fishman NY, NY fishmanj_98@yahoo.com Transcribers Notes: 1. The quality of these tapes far exceed the multi gen versions that have circulated since the late 70's. These came from DATS that were procured in 1995/1996 and were originally played back on a Fostex D-10 DAT recorder and recorded to CD using an standalone hhb-800 CD-r. For purists, I would strongly suggest moving D2.T2 thru D2.D4 to D4 (after UJB). 2. Some of the Track Markings can be better maintained. Somebody might want to retrack. 3. "To Patch or not to Patch - that be the question". There are at-best below-average audience recordings that can be used to patch. It was decided it was not worth the effort to paste in an inferior source to such a fine SBD. Winterland Arena San Francisco CA SHN / CD-R

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10/17/74 The Grateful Dead Winterland Arena San Francisco, Calif. October 17, 1974 MultiTrack Master Reel > DAT > Sonic Solutions > CD Disc 1 ~~Set 1 BG Introduction Promised Land Mississippi Half Step Uptown Toodleoo Black Throated Wind Friend of the Devil Jack Straw Loser El Paso technical difficulty China Cat Sunflower > I Know You Rider Me and My Uncle It Must Have Been the Roses Disc 2 Weather Report: Prelude > Part 1 > Let it Grow ~~Set 2 Scarlet Begonias Big River Ramble On Rose Mexicali Blues Disc 3 He's Gone > The Other One > Spanish Jam > Mind Left Body Jam > The Other One > Stella Blue Sugar Magnolia ~~Encore Casey Jones US Blues (missing) Tape Notes: -"pause edits" in set 1 between several songs. -Rider is patched with unknown source from ~3:34 thru 4:54 -As in many of the other concerts in this period, periodic buzzing noises from PA are captured on recording. (these existed on both sources that were used to compile this show) Some minor wave edits, EAC, SHN, and upload by Steve Barbella, March, 2003 More significant CoolEdits by Matt Vernon EAC secure test and copy, offsets configured, no errors reported Tracks indexed via CDWave shns via mkw v.97 seek enabled shntool verified sector boundaries were fine. SS Source discs contributed by Rich Danyko. Alternate sbd source (sbd reel>dat) supplies Ramble On Rose, Casey Jones, and some short tuneup segments in set 1 Another installaSHN of The Music Never Stopped Project "the bus came by and Skins got on, that's when it all began" what a way to start, dude. enjoy- Winterland Arena San Francisco CA SHN / CD-R

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10/18/74 10/18/74 - Grateful Dead Winterland Arena San Francisco, CA Recording Info: Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II:SBD -> Reel Master -> Dat Master (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 Notes: -- Normalized and removed pops with Cool Edit Pro v2.0 -- I couldn't get the first set from the Master Reel, so it is supplied from SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN -- The first 17:25 of d2t01 (Phil And Ned) are also patched from that same source. Set One: d1t01 - Around And Around d1t02 - Sugaree d1t03 - Beer Barrel Polka d1t04 - Mexicali Blues d1t05 - Peggy-O d1t06 - Beat It On Down The Line d1t07 - Brown Eyed Women d1t08 - Cumberland Blues d1t09 - El Paso d1t10 - Tennessee Jed d1t11 - Jack Straw d1t12 - Row Jimmy d1t13 - Weather Report Suite Prelude -> d1t14 - Weather Report Suite Part 1 -> d1t15 - Let It Grow Set Two: d2t01 - Phil And Ned -> d2t02 - Jam -> d2t03 - Dark Star -> d2t04 - Morning Dew d2t05 - Crowd Set Three: d3t01 - Promised Land -> d3t02 - Bertha -> d3t03 - Greatest Story Ever Told d3t04 - Ship Of Fools d3t05 - Not Fade Away -> d3t06 - Goin' Down The Road Feeling Bad -> d3t07 - One More Saturday Night d3t08 - Crowd Encore: d3t09 - U.S. Blues d3t10 - Crowd/Green Sleeves SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 5:31.25 58447244 --- -- --- gd74-10-18d1t01.wav 7:23.58 78281660 --- -- --- gd74-10-18d1t02.wav 1:09.64 12322172 --- -- --- gd74-10-18d1t03.wav 3:36.72 38271788 --- -- --- gd74-10-18d1t04.wav 7:09.29 75743852 --- -- --- gd74-10-18d1t05.wav 3:21.69 35618732 --- -- --- gd74-10-18d1t06.wav 4:52.64 51659372 --- -- --- gd74-10-18d1t07.wav 6:15.59 66288812 --- -- --- gd74-10-18d1t08.wav 4:14.02 44810348 --- -- --- gd74-10-18d1t09.wav 6:24.26 67798796 --- -- --- gd74-10-18d1t10.wav 5:28.73 58030940 --- -- --- gd74-10-18d1t11.wav 8:37.60 91339964 --- -- --- gd74-10-18d1t12.wav 1:17.35 13665164 --- -- --- gd74-10-18d1t13.wav 4:38.62 49185068 --- -- --- gd74-10-18d1t14.wav 9:34.38 101343020 --- -- --- gd74-10-18d1t15.wav 25:24.19 268878332 --- -- --- gd74-10-18d2t01.wav 11:36.53 122899100 --- -- --- gd74-10-18d2t02.wav 23:51.21 252477836 --- -- --- gd74-10-18d2t03.wav 14:04.51 149001596 --- -- --- gd74-10-18d2t04.wav 3:50.72 40741388 --- -- --- gd74-10-18d2t05.wav 3:15.39 34489772 --- -- --- gd74-10-18d3t01.wav 5:20.46 56556236 --- -- --- gd74-10-18d3t02.wav 6:04.46 64317836 --- -- --- gd74-10-18d3t03.wav 9:42.47 102775388 --- -- --- gd74-10-18d3t04.wav 8:50.08 93510860 --- -- --- gd74-10-18d3t05.wav 7:43.30 81743804 --- -- --- gd74-10-18d3t06.wav 4:37.00 48862844 --- -- --- gd74-10-18d3t07.wav 5:56.68 62958380 --- -- --- gd74-10-18d3t08.wav 5:19.27 56335148 --- -- --- gd74-10-18d3t09.wav 3:15.41 34494476 --- -- --- gd74-10-18d3t10.wav 218:31.29 2312849928 B (totals for 30 files) MD5: 0a250f16e183e32f32af7a1950609740 *gd74-10-18d1t05.shn a293bb93707f74743d5b7779937cdc29 *gd74-10-18d1t02.shn 303254e6e3524be43a7b5febcfbf89f9 *gd74-10-18d1t03.shn f4880b0babb67d8ecb2b6b1726b4d0e5 *gd74-10-18d1t04.shn b9c6413d2386601223f1d57c1f5c6ad7 *gd74-10-18d1t01.shn 3aa77903f0fa66797973554292da85b6 *gd74-10-18d1t06.shn 8a97a73c1413cc2eb9a7213e43c36121 *gd74-10-18d1t07.shn fa9441a6ac1a1d26b12939d28cb0c872 *gd74-10-18d1t08.shn 869b2b99dd71e44bdc4a6a55386ee012 *gd74-10-18d1t09.shn 815507062818eb2bc5510e3b3deb1bef *gd74-10-18d1t10.shn ac65e3acb731594915da0ac71f0550e7 *gd74-10-18d1t11.shn e939f460409acb5f068a33f3ef7ce68b *gd74-10-18d1t12.shn f9955bada2169d43b9d928de00b98ce5 *gd74-10-18d1t13.shn 953fd72738e4fd18888983c5204fef57 *gd74-10-18d1t14.shn f438cb3a1f2aa08247068230d7e2a4c4 *gd74-10-18d1t15.shn 0db3b7cb1a4506e6023093b258c27114 *gd74-10-18d2t01.shn 49e5d0693ec8396e96c50f14816dcd16 *gd74-10-18d2t02.shn 62f08977ed9266179cd8ee8679a12f37 *gd74-10-18d2t03.shn 9eb4c2d55902a8ba2f17583452f87eef *gd74-10-18d2t04.shn a6359cd66d2009528a25590e0f983b22 *gd74-10-18d2t05.shn d808990664f1c20658decf3f4eb7001f *gd74-10-18d3t01.shn 4a3f705d6a9631bddc0 Winterland Arena San Francisco CA SHN / CD-R

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10/19/74 10/19/74 - Grateful Dead Winterland Arena San Francisco, CA Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 Notes: -- * Indicates songs that are from patch source -- Normailzed and Removed pops with Cool Edit Pro v2.0 -- There are hardly any back-up vocals in the first set mix. Set One: d1t01 - Mississippi Half-Step Uptown Toodeloo * d1t02 - Me And My Uncle * d1t03 - Friend Of The Devil * d1t04 - Beat It On Down The Line d1t05 - It Must Have Been The Roses d1t06 - El Paso d1t07 - Loose Lucy d1t08 - Black Throated Wind d1t09 - Scarlet Begonias d1t10 - To Lay Me Down d1t11 - Mama Tried d2t01 - Eyes Of The World -> d2t02 - China Doll d2t03 - Big River Set Two: d2t04 - Phil And Ned * Set Three: d2t05 - Uncle John's Band d2t06 - Big Railroad Blues d2t07 - The Race Is On d2t08 - Tomorrow Is Forever * d2t09 - Mexicali Blues d2t10 - Dire Wolf d3t01 - Tuning d3t02 - Sugar Magnolia -> d3t03 - He's Gone -> d3t04 - Truckin' -> d3t05 - Caution Jam -> d3t06 - Drums -> d3t07 - Jam -> d3t08 - Truckin' -> d3t09 - Black Peter d3t10 - Sushine Daydream Encore: d3t11 - One More Saturday Night * d3t12 - U.S. Blues * SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 8:39.06 91565756 --- -- --- gd74-10-19d1t01.wav 2:58.36 31483916 --- -- --- gd74-10-19d1t02.wav 4:44.36 50182316 --- -- --- gd74-10-19d1t03.wav 3:21.49 35571692 --- -- --- gd74-10-19d1t04.wav 6:22.06 67398956 --- -- --- gd74-10-19d1t05.wav 4:20.67 46021628 --- -- --- gd74-10-19d1t06.wav 4:58.43 52668380 --- -- --- gd74-10-19d1t07.wav 7:27.07 78867308 --- -- --- gd74-10-19d1t08.wav 12:58.56 137370956 --- -- --- gd74-10-19d1t09.wav 8:07.00 85906844 --- -- --- gd74-10-19d1t10.wav 2:37.37 27781868 --- -- --- gd74-10-19d1t11.wav 18:29.66 195782876 --- -- --- gd74-10-19d2t01.wav 6:06.34 64642412 --- -- --- gd74-10-19d2t02.wav 5:06.57 54112508 --- -- --- gd74-10-19d2t03.wav 13:38.46 144403436 --- -- --- gd74-10-19d2t04.wav 8:47.11 92988716 --- -- --- gd74-10-19d2t05.wav 4:41.22 49620188 --- -- --- gd74-10-19d2t06.wav 3:18.14 34960172 --- -- --- gd74-10-19d2t07.wav 5:59.73 63499340 --- -- --- gd74-10-19d2t08.wav 3:34.12 37777868 --- -- --- gd74-10-19d2t09.wav 4:29.73 47623340 --- -- --- gd74-10-19d2t10.wav 0:57.27 10118348 --- -- --- gd74-10-19d3t01.wav 5:46.68 61194380 --- -- --- gd74-10-19d3t02.wav 12:12.72 129294188 --- -- --- gd74-10-19d3t03.wav 1:37.47 17221388 --- -- --- gd74-10-19d3t04.wav 4:29.40 47545724 --- -- --- gd74-10-19d3t05.wav 1:20.24 14168492 --- -- --- gd74-10-19d3t06.wav 11:09.15 118046924 --- -- --- gd74-10-19d3t07.wav 7:56.58 84102860 --- -- --- gd74-10-19d3t08.wav 10:32.04 111494252 --- -- --- gd74-10-19d3t09.wav 3:57.42 41905628 --- -- --- gd74-10-19d3t10.wav 4:50.58 51292460 --- -- --- gd74-10-19d3t11.wav 5:19.28 56337500 --- -- --- gd74-10-19d3t12.wav 210:58.34 2232952620 B (totals for 33 files) MD5: 08782e213fed0924b3eda219fca482ec *gd74-10-19d3t07.shn 3f1e01c62ac263ca6680691aa5cd8e41 *gd74-10-19d1t02.shn 2f06e3ad717d6e36cab55cde4d6891ec *gd74-10-19d1t03.shn 0d882a3b7045bec156cae702a2216752 *gd74-10-19d1t04.shn 560c7199a2beb37da20533a05867c167 *gd74-10-19d1t05.shn c3b900824289d35b252680648c171320 *gd74-10-19d1t06.shn d0e048762bd8586ba7c70d279f3d2c96 *gd74-10-19d1t07.shn a9a51234a063883936d87773a6b15784 *gd74-10-19d1t08.shn 28bccfb23018909486a75d51b0c24ed7 *gd74-10-19d1t09.shn 55c46d851c692d9ac753c4e35f48e7e9 *gd74-10-19d1t10.shn 26d74fb7f3a817d7d0fbcd0c5ffbb36f *gd74-10-19d1t11.shn 98d664c4500bd3b25f3e29fb10d74cf5 *gd74-10-19d3t01.shn 83a52923a356717978fe928441b0d897 *gd74-10-19d3t02.shn 3f79567e3ac4c76c48402b520afd8a3e *gd74-10-19d3t03.shn 89dff7835d7ab4304b478f7b0e416b61 *gd74-10-19d3t04.shn 034d95051db5b015b72fd1397e14a7c9 *gd74-10-19d3t05.shn f7a35ed75aff2ecc5875afc559abbfaf *gd74-10-19d3t06.shn 90ecfcf391f43b0e0fd0b Winterland Arena San Francisco CA SHN / CD-R

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10/20/74 From: David A. Finney [dfinney@cts.com] Sent: Friday, April 21, 2000 7:26 PM To: siteops@etree.org Subject: Hosting Request gd74-10-20 I just got this show from the Frank's Picks round 4 tree. This date has apparently not yet been circulated on etree, so I'll upload it to your site if you'd like it. The tree also included 10-18 and 10-19, but these seem to have been circulated already. If anyone feels that these copies should be cuirculated as well, I'm happy to oblige. from the web page (http://frankspicks.org/fp4_Source_tape_info.htm): [snip] From: Rob Bertrando Date: Tue, 14 Mar 2000 17:17:22 -0800 Subject: Oct 1974 Winterland AUDs The best sounding AUDs of this run (all 5 nights) were made by Charles Conner (sp?), using a Sony ECM-22P into a highly modified Sony mono portable. There is occasional wow/flutter, but the frequency response is great, and the hiss low. I started the distribution of the "audiency"-sounding SBDs of the last three nights, in late 1976. They came to me on cassette, from Jerry Wexler's (of Atlantic Records fame) son or nephew, I forget the exact connection. I and about 4 others copied them to reel at that time, and copies have flowed since. Much more recently, SBDs of the 16th and 17th have surfaced, without the audience mix. I don't know if anyone has similar mixes of the last three nights for trade or listening. [/snip] Grateful Dead Winterland San Francisco, CA 10.20.74 sbd (thought to be rough mix tapes made for 'Steal Your Face' song selection) [soapbox] I already own 'Steal Your Face', both on vinyl and on CD. IMHO, it would show appropriate support for a band that is so generous with their copyrighted material for parties interested in this show to buy/already own a copy of 'Steal Your Face' as well. 'Steal Your Face' songs and dates, From Deadbase: 10-17 Casey Jones 10-18 Sugaree, BIODTL, Ship of Fools 10-19 Miss. 1/2 Step, El Paso, BT Wind, Big River, US Blues 10-20 CR&S, Around, Roses, Promised, Stella [/soapbox] disc 1 ------ * Cold Rain and Snow Mama Tried Deal Beat it on down the Line Loser Jack Straw Tennesse Jed El Paso Brokedown Palace China Cat Sunflower I Know You Rider Around and Around disc 2 ------ Playin' in the Band Drums Not Fade Away Drums The Other One Wharf Rat Playin' in the Band disc 3 ------ Good Lovin' It Must Have Been the Roses Promised Land Eyes of the World Stella Blue ** Sugar Magnolia ** Johnny B. Goode *** Mississippi Half-Step Uptown Toodeloo *** And We Bid You Good Night * slight splice during Cold Rain and Snow at 1:38. ** different source: unknown aud rig>Reel Master>dat *** different source: unknown aud rig>?>dat, not as good as the first. dfinney@cts.com Winterland Arena San Francisco CA SHN / CD-R

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02/26/77 The Owen Brothers Vault The Grateful Dead 26FEB77 - Swing Auditorium - San Bernardino, CA SBD>MR>DAT>CD Editing and mastering by The Wizard - Owenbrothersvault@hotmail.com This is the older of two currently circulating soundboard sources for this show. The newer one is highly compressed and I think the older one has better dynamics. Both will be available from the OBV. Most tunings were cut on this source. They were restored from a SBD>MR>C>C>CD source that I have had for some time. Other patches were supplied by the AUD tape, AUD: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR. Here is a general summary. The cut start of Estimated was restored from the Aud source. The glich in Sugaree patched with the Aud source. The glich in Sampson patched with the Aud source. The glich in Music was was patched with the alt SBD source. The glich in Franklin's was patched with the alt SBD source. The flip in Around patched with the Aud source. Lots of misc. pops removed. All patches were processed to match the source as best as possible. All editing and mastering done with DCArt Millennium Software. Disc One - Set One - 65:15 01) Terrapin Station (First One!) 02) Technical Difficulties + Tune Up 03) New Minglewood Blues 04) Tune Up 05) They Love Each Other 06) Tune Up 07) Estimated Prophet (First One!) 08) Tune Up 11) Mama Tried 12) Deal Disc Two - Set One + Two - 79:55 Set One 01) Playin' In The Band 02)>The Wheel 03)>Playin' In The Band Set Two 04) Tune Up 05) Sampson And Delilah 06) Tune Up 07) Tennessee Jed 08) Tune Up 09) The Music Never Stopped 10) Tune Up 11) Help On The Way 12)>Slipknot! 13)>Franklin's Tower Disc Three - Set Two - 50:02 01) Tune Up 02) The Promised Land 03) Tune Up 04) Eyes Of The World 05)>Dancin' In The Street 06)>Around And Around 07) Crowd + Tune Up 08) E: U.S. Blues 09) Crowd Swing Auditorium San Bernardino CA SHN / CD-R

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05/05/77 Grateful Dead Veterans Memorial Coliseum New Haven, CT May 5, 1977 Source: 7" 2-track BBD reel w/DBX-1 @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > Panasonic SV-3700 @ 48 kHz > Db 924 96kHz/24bit D/A > Dolby 361 module w/ DBX K9-22 cards(DBX decoded) > Db 1225 96kHz/24bit A/D >Db 3000s noise shaper/SBM > Panasonic SV-4100 > Panasonic SV-3700 > Sony PCM-R300 > Sony PCM-R300 (new transfer by R. Eaton as of 02/98) DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) Disc 1: Set I 01 - Tuning -> - 02:03 02 - Promised Land - 07:00 03 - Sugaree* - 18:20 04 - Mama Tried -> - 02:37 05 - El Paso - 06:12 06 - Tennessee Jed - 11:51 07 - Looks Like Rain - 11:28 08 - Deal - 08:15 09 - Lazy Lightning -> - 03:31 10 - Supplication - 07:54 Total: 79:11 Disc 2: Set I continued 01 - Peggy-O - 10:03 02 - Music Never Stopped - 07:10 Set II 03 - Tuning -> - 02:25 04 - Bertha - 09:32 05 - Estimated Prophet - 12:48 06 - Scarlet Begonias -> - 10:46 07 - Fire On The Mountain - 11:59 08 - Good Lovin' - 11:42 Total: 76:25 Disc 3: Set II continued 01 - St. Stephen -> - 11:41 02 - Sugar Magnolia - 08:31 03 - E: Johnny B. Goode - 04:28 Total: 24:40 * <1 second digi-snit (reel artifact?) at 13:08 compiled by Dan Stephens 04/01/2002 Veterans Memorial Coliseum New Haven CT SHN / CD-R

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05/07/77 The Grateful Dead May 7, 1977 - Boston Garden - Boston, MA Soundboard Recording Digital encoding and DBX decoding by Rob Eaton CD editing and mastering by The Wizard - Owenbrothersvault@hotmail.com Here is how Rob did his part: Master 1/2 trk 7" reels @7.5ips (DBX encoded)-> PCM beta digital->Sony 2500 dat-> DB Technologies DB3000S for digital emphisis decode-> DB Technologies 924 for D->A conversion-> Dolby 361 modules W/K9-22 DBX cards for DBX decode-> Neve Capricorn Digital mixing colsole (24 bit/ 32bit floating point processing (for level adjustment)-> Panasonic SV4100 Pro Dat recorder (master Decode Dat)-> Master Clone (panasonic Sv3700->Sv3800 via AES interlink) Here is what the Wiz did: Rob's DAT clone>Tascam DA-20 mkII>Digital Audio Labs Card Deluxe>WAVE> Diamond Cut Audio DC-6 (for editing)>WAVE>CD and SHN. Here is what was used for the AUD patches: AudMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner - November, 2001 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for normalizing and editing. Note: US Blues encore from an unknown SBD source. DBX reel source was unusable. Summary of editing: Rob's decode was masterful and made my job easy. Nothing was done to the sound of the DBX decoded material. Just cleaned up a few issues and made AUD patches. Cut after Peggy-O cleaned up - Aud source cut there also so no patch available... Over the top guitar chord at start of Half-Step toned down a bit to save ears... Two small gliches in Half-Step repaired. Cut in Tuning after Tennessee Jed patched with AUD source. Two small pops in Music corrected. Tuning at start of Set Two patched from AUD source. Small glich in Estimated repaired Cut in Tuning after Estimated patched with AUD source. Pop in Wharf Rat corrected. Cut in Around and Around patched with AUD source. Cut in Crowd before encore patched from AUD source. About 10 bad pops removed from US Blues and it was Equalized and gain adjusted to better match up with the rest. All AUD patches were sonically adjusted to better match up and cross-faded in to prevent a jarring change. Disc One - Set One - 73:37 01) Equipment Repairs 02) Bertha 03) More repairs 04) Cassidy 05) Tune Up 06) Deal 07) Tune Up 08) Jack Straw 09) Fennario (Pretty Peggy-O) 10) New Minglewood Blues 11) Repairs - Billy K's Birthday! 12) Mississippi Half Step Uptown Toodle-Loo 13)>Big River Disc Two Set One + Two - 60:39 Set One 01) Tune Up 02) Tennessee Jed 03) Tune Up (Aud patch) 04) The Music Never Stopped Second Set 05) Tune Up (Aud patch) 06) Terrapin Station 07)>Sampson And Delilah 08) Tune Up 09)> Friend Of The Devil 10) Estimated Prophet Disc Three - Set Two - 61:28 01) Tune Up (Aud patch) 02) Eyes Of The World 03)>Drums 04)>The Wheel 05)>Wharf Rat 06)>Around And Around (Aud patch) 07) FCrowd (Aud patch) - Jerry's Guitar is Broke!\ 08) U.S. Blues (Alt soundboard source) Boston Garden Boston MA SHN / CD-R

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05/08/77 Grateful Dead Barton Hall, Cornell Univ. Ithaca, NY May 8, 1977 SBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) Disc 1 - Set I 01 [05:16] Minglewood Blues 02 [07:54] Loser 03 [04:40] El Paso 04 [07:35] They Love Each Other 05 [07:38] Jack Straw 06 [06:49] Deal 07 [03:32] Lazy Lightning > 08 [05:07] Supplication 09 [06:01] Brown Eyed Women 10 [03:34] Mama Tried 11 [11:28] Row Jimmy 12 [16:40] Dancin' In The Streets TT [88:13] **requires a 90 min CDR** Disc - Set II 01 [01:48] Take A Step Back 02 [09:37] Scarlet Begonias > 03 [16:45] Fire On The Mountain 04 [08:45] Estimated Prophet 05 [04:44] Saint Stephen > 06 [16:21] Not Fade Away > 07 [01:54] Saint Stephen > 08 [14:29] Morning Dew Encore 09 [05:20] Saturday Night TT [79:41] --------------------------------------------------------- Source Info SBD SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD1 Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN AUD2 Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & both AUD sources. CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix. - Mixed by dan@am-dig.com - FLAC conversion 08-MAY-2005 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. So, although not complete, you will get a good idea of what was done to bring these recordings to this point. ALLOT of editing was done to keep the flow btwn songs. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. These patches are numerous and I think completely smooth and most likely undetectable. The SBD+AUD matrix details. The stereo matrix it is approx 60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD. The matrix mix on the center channel is a 50/50 with just the SBD and Steve Maizner's AUD. I also D'EQ'd both sources to pull up the vocals and give the center channel a unique sound as not to detract from the front stereo imaging or the rear surround effect. You will also note that the rear channels are just Jerry's AUD and not a matrix of the 2 AUD sources. I did give that configuration a listen but opted for the single rear source. It was clearer and had more definition on its own. d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. Starting this monster project with an unrecoverable flaw was unacceptable to me. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. As this patch ends you will hear some slight phasing as the stereo field moves. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. Maybe you disagree. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^) d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. I also tried to match the volume on the SBD. A switch in sources is obvious to the listener but this is still pretty good. The switch back to SBD is actually really good as there are no vocals at that point. d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap. This is smooth and most likely undetectable. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- FLAC fingerprint gd1977-05-08-mtx-d1t01.flac:58a4158b97476842f3f83554d8856914 gd1977-05-08-mtx-d1t02.flac:d31b11773bb87006d5fd441032be9d2c gd1977-05-08-mtx-d1t03.flac:860e05153cb35fdda81e04b6218e3fa1 gd1977-05-08-mtx-d1t04.flac:83841cc9b8c69060cb134a54e191c44e gd1977-05-08-mtx-d1t05.flac:c5136a198cbd0934f1dd36ff7da6be96 gd1977-05-08-mtx-d1t06.flac:62773726e710465cde1ea5742d5fe29b gd1977-05-08-mtx-d1t07.flac:906431609611a91ff6c8fc903e8388cf gd1977-05-08-mtx-d1t08.flac:555e3419186c47bd1244a0e6fb079c89 gd1977-05-08-mtx-d1t09.flac:8ba19acb5780049cc68a54855c7d78fd gd1977-05-08-mtx-d1t10.flac:a1d5653935b1ead58ba6e9f4a444121c gd1977-05-08-mtx-d1t11.flac:0465b249bde4b76d43951046b3acb529 gd1977-05-08-mtx-d1t12.flac:9c2b6765abef7d53eca4da5254993b7c gd1977-05-08-mtx-d2t01.flac:9b8170cb2df2d8f1810ba15e6bce136c gd1977-05-08-mtx-d2t02.flac:31dce0f8c1d030de1d16e534a725f67a gd1977-05-08-mtx-d2t03.flac:8eb49a1331fd562221a4a7d152faa4e8 gd1977-05-08-mtx-d2t04.flac:f44215dc8ea478646fc583176de5e5cf gd1977-05-08-mtx-d2t05.flac:e8deb1798032d88ffc954de412c18330 gd1977-05-08-mtx-d2t06.flac:038fd15c8e8fa21964c0a8330ac13cbd gd1977-05-08-mtx-d2t07.flac:9eab3579b1f320596ecfc526e1637175 gd1977-05-08-mtx-d2t08.flac:7ec3211710e59532dd66d102ad92bc61 gd1977-05-08-mtx-d2t09.flac:f66d24ac7072aee2b0cbdd36a5b8987f Barton Hall, Cornell University Ithaca NY FLAC / CD-R

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05/09/77 Grateful Dead War Memorial Auditorium Buffalo, New York May 9, 1977 Sources: Soundboard Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn Audience Source: Master Audience Cassette>Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Original Shn Seed provided by Joe Samaritano Aud source provided by Scott Clugston Aud Patches were performed using Steinberg's Wavelab 3.0 by Charlie Connor Seeded via Fungus and abgd by Charlie Connor 3/21/02 Thanks to Joe Samaritano for the show and to Scott Clugston for the Aud Source!!!!!!! CD1 SET 1 1. Help On The Way> 2. Slipknot!> 3. Franklin's Tower> 4. Cassidy 5. Brown Eyed Women 6. Mexicali Blues 7. Tennessee Jed 8. Big River 9. Peggy-O CD2 Set 1 Continued 1. Sunrise 2. Music Never//Stopped SET 2 3. Bertha> 4. Good Lovin' 5. Ship Of Fools CD3 SET 2 Continued 1. Estimated Prophet> 2. Other One> 3. Drums> 4. Not// Fade Away> 5. Comes A Time> 6. Sugar Magnolia Encore: 7. Uncle John's Band Buffalo Memorial Auditorium Buffalo NY SHN / CD-R

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06/07/77 Grateful Dead June 7th, 1977 Winterland, San Francisco, CA Updated Lineage: SBD>MR>DAT with AUD Patches in Peggy-O and UJB from source: AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT [patch source had been marked: AMR>DAT by Rob Bertrando using AKG D220 mic's into a Tandberg 10X reel to reel.] DAT>CD transfers, including patches by David Hollister. CD>WAV(EAC Secure mode)with editing of patches to raise volume of patches to audibly match adjacent SBD source, conversion to SHN, and uploading by Keith Bode. David Hollister's original transfer done approximately 1999. Editing of patches, SHN conversion, and uploading done in May, 2004. I believe this transfer of the show has not been widely spread, and I am glad to have been involved in the editing and making of the show available. Keith Bode Disk 1: 1. Bertha 2. Jack Straw 3. Tennessee Jed 4. Looks Like Rain 5. Peggy-O** 6. Finiculi Finicula 7. El Paso 8. Friend Of The Devil 9.The Music Never Stopped Disk 2: 1. Scarlet-> 2. Fire-> 3. Good Lovin' 4. Candyman 5. Estimated Prophet-> 6. He's Gone-> 7. Drums-> 8. Samson & Delilah-> Disk 3: 1. Terrapin Station-> 2. Morning Dew-> 3. Around & Around 4. E: Uncle John's Band** 5. E: U.S. Blues ** Origial reel flips patched with Rob Bertrando's AMR>DAT source Thanks David for another gem. Posted by Keith Bode, tunakebo@verizon.net. Winterland Arena San Francisco CA SHN / CD-R

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06/08/77 6/8/77 - Grateful Dead Winterland Arena San Francisco, CA Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN (3 Discs Audio / 2 Discs SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 9/3/04 Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD Patch in d3t01 (The Other One) from 12:41-13:08 All other reel flips take place between songs, no patches needed. Notes: -- This is an upgrade to all previously circulating copies. -- Thanks to Paul Scotton for the source discs. -- Thanks to David Minches for the patch source upload. -- Seamless transition between discs 2 and 3. -- Booby teases China Cat in Not Fade Away. Set 1: d1t01 - New Minglewood Blues d1t02 - Sugaree d1t03 - Mexicali Blues d1t04 - Row Jimmy d1t05 - Passenger d1t06 - Sunrise d1t07 - Brown Eyed Women d1t08 - It's All Over Now d1t09 - Jack-A-Roe d2t01 - Lazy Lightnin' -> d2t02 - Supplication Set 2: d2t03 - Bertha -> d2t04 - Good Lovin' d2t05 - Ramble On Rose d2t06 - Estimated Prophet -> d2t07 - Eyes Of The World -> d2t08 - Drums -> d3t01 - The Other One -> d3t02 - Wharf Rat -> d3t03 - Not Fade Away -> d3t04 - Goin' Down The Road Feeling Bad -> d3t05 - Johnny B. Goode Encore: d3t06 - Brokedown Palace SHNTOOL OUTPUT: length expanded size cdr WAVE problems filename 7:45.17 82066028 --- -- ---- gd77-06-08d1t01.wav 19:35.19 207314732 --- -- ---- gd77-06-08d1t02.wav 6:48.52 72093548 --- -- ---- gd77-06-08d1t03.wav 10:02.20 106239884 --- -- ---- gd77-06-08d1t04.wav 4:43.43 50022380 --- -- ---- gd77-06-08d1t05.wav 4:49.58 51116060 --- -- ---- gd77-06-08d1t06.wav 6:52.02 72681548 --- -- ---- gd77-06-08d1t07.wav 10:47.44 114234332 --- -- ---- gd77-06-08d1t08.wav 7:04.66 74948876 --- -- ---- gd77-06-08d1t09.wav 3:29.48 36980540 --- -- ---- gd77-06-08d2t01.wav 5:43.11 60531116 --- -- ---- gd77-06-08d2t02.wav 6:35.60 69819164 --- -- ---- gd77-06-08d2t03.wav 7:14.73 76729340 --- -- ---- gd77-06-08d2t04.wav 7:44.73 82021340 --- -- ---- gd77-06-08d2t05.wav 9:40.06 102326156 --- -- ---- gd77-06-08d2t06.wav 19:20.56 204755756 --- -- ---- gd77-06-08d2t07.wav 3:47.09 40064012 --- -- ---- gd77-06-08d2t08.wav 13:57.09 147668012 --- -- ---- gd77-06-08d3t01.wav 11:13.32 118792508 --- -- ---- gd77-06-08d3t02.wav 13:46.26 145767596 --- -- ---- gd77-06-08d3t03.wav 8:07.68 86066780 --- -- ---- gd77-06-08d3t04.wav 4:24.55 46699004 --- -- ---- gd77-06-08d3t05.wav 8:04.20 85424684 --- -- ---- gd77-06-08d3t06.wav 201:40.42 2134363396 B (totals for 23 files) MD5: 0774f542e5549600142732074c8886c7 *gd77-06-08d3t06.shn 61543a44699c10786d39c58b80b107bd *gd77-06-08d1t02.shn 6065360e4b92ba6ac0dd2ed4853aeb10 *gd77-06-08d1t03.shn bc692fed884a67d8baa70eb8a155ffbf *gd77-06-08d1t04.shn 2f4a28882721b8950fe245611f8b4bdc *gd77-06-08d1t05.shn 8292b41c11e6c35f3a61218dd896e7f3 *gd77-06-08d1t06.shn 508b2badfbbc3ef1b7e9e0d85c5dfe38 *gd77-06-08d1t07.shn 0ae44cddc0f9dc36aecd5725daa7b0f5 *gd77-06-08d1t08.shn 6096121ff4276399a503b7bdddf145af *gd77-06-08d1t09.shn 3e5a5c6db3e0316891d858c81adfd39b *gd77-06-08d2t01.shn 861afacf855276051111d9a8e918ee0e *gd77-06-08d2t02.shn 3d7b68f766adbbe78cea60bc09920b05 *gd77-06-08d2t03.shn 963cd0b91aedb1a631ef84993742b44e *gd77-06-08d2t04.shn 14ad2c205ad17f49cd619a4abbd814de *gd77-06-08d2t05.shn 1b05dcf9df19222327be520add173a92 *gd77-06-08d2t06.shn 46dffd530761bf6645373dea0a0e1f65 *gd77-06-08d2t07.shn e646235b2f389ce9b5dd075646f194e6 *gd77-06-08d2t08.shn b28b8329dccb6cd4f988f3c59e3d4c20 *gd77-06-08d3t01.shn 4e93c78e9fa45b6eeb4450cd5d64ea5b *gd77-06-08d3t02.shn 132ad191f9640700ef302ba699cd21e6 *gd77-06-08d3t03.shn 5506a085d48b756b267efad011c6717c *gd77-06-08d3t04.shn f19f30ff369ac8c4fe812e2c5f32b36c *gd77-06-08d3t05.shn bb0667f82c396c1d307211eec3a748b4 *gd77-06-08d1t01.shn Winterland Arena San Francisco CA SHN / CD-R

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06/09/77 6/9/77 - Grateful Dead Winterland Arena San Francisco, CA Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/4/05 Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD Patch in d3t02 (St. Stephen) from 4:50 - 4:54 Patch in d3t07 (Sugar Magnolia) from 0:53 - 1:14 All other reel flips take place between songs, no patches needed. Notes: -- This is an upgrade to all circulating copies. -- Thanks to Paul Scotton for the source discs. -- There are some kind of low-frequency pops in Franklin's Tower. -- Mind Left Body tease at end of Not Fade Away. Set 1: d1t01 - Mississippi Half-Step Uptown Toodeloo d1t02 - Jack Straw d1t03 - They Love Each Other d1t04 - Cassidy d1t05 - Sunrise d1t06 - Deal d1t07 - Looks Like Rain d1t08 - Loser d1t09 - The Music Never Stopped Set 2: d2t01 - Samson And Delilah d2t02 - Funiculi Funicula d2t03 - Help On The Way -> d2t04 - Slipknot! -> d2t05 - Franklin's Tower d3t01 - Estimated Prophet -> d3t02 - St. Stephen -> d3t03 - Not Fade Away -> d3t04 - Drums -> d3t05 - St. Stephen -> d3t06 - Terrapin Station -> d3t07 - Sugar Magnolia Encore: d3t08 - U.S. Blues d3t09 - One More Saturday Night SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 11:15.53 119194700 --- -- --- gd77-06-09d1t01.wav 5:43.57 60639308 --- -- --- gd77-06-09d1t02.wav 7:20.29 77684252 --- -- --- gd77-06-09d1t03.wav 6:56.74 73556492 --- -- --- gd77-06-09d1t04.wav 4:02.04 42698252 --- -- --- gd77-06-09d1t05.wav 5:24.30 57224204 --- -- --- gd77-06-09d1t06.wav 8:49.46 93423836 --- -- --- gd77-06-09d1t07.wav 7:30.49 79495292 --- -- --- gd77-06-09d1t08.wav 7:44.09 81870812 --- -- --- gd77-06-09d1t09.wav 8:40.48 91840940 --- -- --- gd77-06-09d2t01.wav 2:04.45 21979484 --- -- --- gd77-06-09d2t02.wav 5:20.30 56518604 --- -- --- gd77-06-09d2t03.wav 9:03.45 95891084 --- -- --- gd77-06-09d2t04.wav 17:37.53 186579500 --- -- --- gd77-06-09d2t05.wav 10:20.53 109492700 --- -- --- gd77-06-09d3t01.wav 5:35.34 59174012 --- -- --- gd77-06-09d3t02.wav 6:32.68 69308780 --- -- --- gd77-06-09d3t03.wav 4:27.30 47169404 --- -- --- gd77-06-09d3t04.wav 0:50.38 8909420 --- -- --- gd77-06-09d3t05.wav 11:17.47 119533388 --- -- --- gd77-06-09d3t06.wav 8:56.62 94696268 --- -- --- gd77-06-09d3t07.wav 6:01.00 63680444 --- -- --- gd77-06-09d3t08.wav 5:24.17 57193628 --- -- --- gd77-06-09d3t09.wav 167:01.21 1767754804 B (totals for 23 files) FLAC FINGERPRINT: gd77-06-09d2t04.flac:ed6ad5d2b202de8f27307ea35e3c7a1b gd77-06-09d1t02.flac:40618c814f617aaccb616c12de311eb0 gd77-06-09d1t03.flac:53badccb976b4305d32ac9a22c32b4fb gd77-06-09d1t04.flac:e2f786080760b44e1c69c5b3312e37e9 gd77-06-09d1t05.flac:d28300d44a4731c4315cbbb4e272bfb9 gd77-06-09d1t06.flac:74967bf729630c43dc91240d37dd56df gd77-06-09d1t07.flac:8e172308d1d0d080f66989549868d76b gd77-06-09d1t08.flac:85888c1dc44305f15b77787fa9ff555c gd77-06-09d1t09.flac:7a34ab88914bb2f8d92337d58e3229ff gd77-06-09d2t01.flac:bc598f3ff1f64dcdeb5c2d5112b327ca gd77-06-09d2t02.flac:b2717217802ea8ea1ad1f2080ae60176 gd77-06-09d2t03.flac:e5ba646fd91ca69208678cfcc4d1f011 gd77-06-09d1t01.flac:c9f14935aa7515dcdb2756c9ecf40fa9 gd77-06-09d2t05.flac:74ff9a3f6697abbd84b344f103ce4e7d gd77-06-09d3t01.flac:c57f590e330be75b9b2f97c7ef5bc9ca gd77-06-09d3t02.flac:2a86d76c2ee441da62fd12f03570d319 gd77-06-09d3t03.flac:2f5bb44629d0d2a3b6e5ac0677cc3b3a gd77-06-09d3t04.flac:e05ab54e0f0ffbc01816099d169304e5 gd77-06-09d3t05.flac:9eb6c526669fe7dc8e2b3e92faa216b2 gd77-06-09d3t06.flac:066c74c65ce1de72a03a6c7a241e4275 gd77-06-09d3t07.flac:0655f0c115ca1154f872e8bd0ac0886f gd77-06-09d3t08.flac:9435eaa6e48547bf7afb9df37af7c212 gd77-06-09d3t09.flac:d216d13d2fcf77556ae92777024cecbd MD5: 910908adbc80dbdc42192a0632c310b6 *gd77-06-09d1t01.flac 027c6e29cc967bb727d0a86bb9336b53 *gd77-06-09d1t02.flac cd3aca339ab061d3e8a25626c56a3961 *gd77-06-09d1t03.flac 1090d8fa720e97a4317eb5cf0595758b *gd77-06-09d1t04.flac 17c119f580ccaa72b35dc567e7dbd66a *gd77-06-09d1t05.flac bb7b8722b1f470f2d60cc105881a9734 *gd77-06-09d1t06.flac 73bda3a04aab3d7a22cbc00309a0d6d8 *gd77-06-09d1t07.flac c5b0ebea4edad676240b1796fde87946 *gd77-06-09d1t08.flac ccbccbf8b9b1e3266712dbc952034c6c *gd77-06-09d1t09.fl Winterland Arena San Francisco CA FLAC / CD-R

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11/06/77 Grateful Dead Broome County Arena Binghamton, NY 11.6.77 Source: Reel -> DAT -> CDR Transfer: EAC -> Shorten 32 By Doug Nawrocki If you have any comments, good or bad, please email me at supplicationjam@hotmail.com. Peace. CD 1/Set 1: Mississippi Half-Step Uptown Toodleloo Jack Straw Tennessee Jed Mexicali Blues -> Me And My Uncle Friend Of The Devil New Minglewood Blues Dupree's Diamond Blues Passenger Dire Wolf CD 2: The Music Never Stopped Set 2: Samson And Delilah Sunrise Scarlet Begonias -> Fire On The Mountain -> Good Lovin' CD 3: Saint Stephen -> Drums -> Not Fade Away -> Wharf Rat -> Saint Stephen -> Truckin' Encore: Johnny B. Goode Broome County Arena Binghamton NY SHN / CD-R

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04/12/78 Grateful Dead 1978-04-12 Cameron Indoor Stadium, Duke University Durham, NC Source: SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) Transfer: All digital processing performed at 24-bit/96 kHz sampling rate at Serafin Station Studio B using the "Harpoon" editing software V1.084.782; Post release - d1t06 - CD Wave (split to 06 and 07) > SHN - Dub Irie Setlist Disk 1: 01 - Jack Straw 02 - Dire Wolf 03 - Beat It On Down The Line 04 - Peggy-O 05 - Mama Tried > 06 - Mexicali Blues 07 - Finiculi Finicula 08 - Row Jimmy 09 - Minglewood Blues 10 - Loser 11 - Lazy Lightning > 12 - Supplication Disk 1 Total Time: 65:53 Disk 2: 01 - Bertha > 02 - Good Lovin' 03 - It Must Have Been The Roses 04 - Estimated Prophet > 05 - Eyes Of The World > Disk 2 Total Time: 46:37 Disk 3: 06 - Drums > 07 - Truckin'> 08 - Wharf Rat > 09 - Around & Around 10 - U.S. Blues (Encore) Disk 3 Total Time: 59:02 --------------------------------------------------------------------------- Here is a show that is worthy of any good collection of Grateful Dead concerts - among the great shows from 78. This board is as clean as they get, and from a classic performance. Read Jay's extensive notes for more info than you ever knew could exist about a concert... - Dub --------------------------------------------------------------------------- JAY'S PERSONAL COMMENTS: As the "first show released in 2003", I figured I should make it a hell of a show to what I hope will be a hell of a year. I hope you agree with me that this show hits the nail on the head. LET'S BEGIN WITH A BIT OF "FYI TRIVIA": This is a little-known "set of factoids" about this show, which is almost always overlooked in the major "publications and set list" of Grateful Dead shows: this concert was simulcast over Duke's on-campus 50 watt FM radio station! On the date of this concert, the University's FM station (which was 94.7 MHz at that time) broadcasted it live; it's low power transmitter allowed it to be received by FM receivers within a 0.5 mile radius of the University grounds (per their FCC license). Many years later, in May of 1984, Duke University "donated" their RTR copies of this show to the Grateful Dead's Vault, when the station was undergoing renovation. Almost all of the oldest or "worst condition" equipment was being totally replaced with (at that time) "state of the art eight track cassette decks" and PCM decks; a brand new mixing consoles was designed and built by their engineering department students; and even a small, but very nicely designed, "live studio" was added, where bands could perform a song or two if they were doing interviews (live or for future broadcasts). To make room for all of this renovation, the station needed to "clean house" of all their archived RTR (80%) and cassette recordings (20%); these were recordings that the station personnel felt they longer were either required to keep (per FCC rules), or the large quantities of stored RTR/cassette media were no longer of any "musical and/or historical" value to the University as a whole. There were literally 1,500 RTR and cassette total recordings which were auctioned off (to past and present Duke University students and faculty only!), to help to defray the costs of the new equipment, and the renovation and expansion; any of the media which were not auctioned off were DESTROYED, not simply tossed into a dumpster. But, there were NO Dead/related concerts or interview recordings auctioned off! The students and faculty who ran the station agreed that rather than destroy the media that contained this particular show (and the other GD concerts and/or interviews which were made during previous Duke performances), this media would be better off going to their "rightful owners"; they shipped ALL of these recordings to the Dead! This was a very Kind gesture, and one which eventually led to a favor in return being done: the Phil "requested" (aka "demanded") that the Vault people clean up and send back to the University brand new copies of EVERY ONE of the donated shows! These were made on PCM, DAT, and other "modern day media"!. Because of this returned Kindness gesture, Duke's radio station will play these shows each year, on the day of the actual original performance, as a "treat to the students and faculty". This information has been verified by the both Lemieux as well as my MCS. LET'S GET ON TO THE SHOW: Mere words cannot come close to accurately describing what a phenomenal performance this was show actually was! Just the comedic overtones alone, in many parts of the show, have to be heard to be appreciated! Listen to the section where the Stadium's personnel were "asked to adjust the lighting"... it shows how "nice" Weir could be when asking that something be done! This show is a COLLECTOR'S DREAM! the size of the collection is irrelevant; just "owning" a good to high quality copy of this performance makes it invaluable to one's Show Library You need to LISTEN to this show, and to EXPERIENCE the dynamics (the loudness and softness of the overall volume during any of the songs performed) that the Dead pulled out their "Uncle Sam's Hat" with amazing results. There are possibly a dozen shows, over the 30 years the Dead had recorded their performances to crowds both large and small, which come close to, or possibly excel this evening's performance! This recording showcases the talents and craftsmanship of an "experience" which allows it to be admired and enjoyed, over and over, and you'll never grow tired of this recording. It was accomplished, not by "slight of hand", not by the people involved in the mixing and recording, not by some the guidance of some sort of a "higher power"... this was totally and completely the Dead doing this, both collectively as well as individually! They Boyz absorbed the energy from the audience and the venue were radiating, multiplying it to the umpteenth degree, and shot it back out, wave after wave after wave, to every atom of every individual inside the Stadium! This show was a unique experience for the audience... being able to both audibly and visually getting a glimpse of just one part of the overall "Grateful Dead Experience" which was very rarely heard, and even rarer to be experienced first-hand! This recording hopefully will allow you to mentally visualize what took place that night, and for you to be able to hear this most unusual version of their music and their manipulation of it. THE SONGS: Every single one was an excellent choice in and of itself; the order in which they were played could never have been scripted. Every song includes everything ranging from "well above average" to excellent solos, vocals which are to die for, perfectly performed jams, and each of the segues, with a single exception, all flowed flawlessly. Personally, I think the only song they should have played, and this concert would have been the place for it to be performed, would have been "Weather Report Suite", or at least "Let It Grow". All in all, this is one hell of an unusual show, but definetly NOT in any negative sense; it was a mixture of immense energy, fun and frolic, hilarity, musicanship of a calibre worthy the Dead, and 100% upbeat and strong... even when the slow ballads were played. By the SBD engineers not using the usual level of compression and limiting, in either the vocal or instrumental busses, the audience that evening, and us enjoying this classic recording today, this recording stands apart from almost every other show the band had ever performed. Some of the Betty Board shows have come close in this respect. And, in fact, until parts of "Drums" were peformed, or when Jerry went "vocally ballistic" during "U. S. Blues", the C&L equipment was set to "very conservative parameters", according to my MCS! THE MIX: Set I is good, for the most part: Keith's grand piano is clear, but not as audible (compared to his electric piano) as it should have been for the first 6 songs; Garcia's and Weir's guitars are also well balanced throughout the show, although Set II had their mix and channel balance slightly improved. The percussion could have been a little better in Set I, as Mickey's individual drums can just a little buried beneath everything else in the right channel... this did improve during Set II. Billy's mix and balance was great for the entire show. The mix for Set II had all of those little kinks and the balancing worked out; is about as perfect as one could ask for, especially for the 1977-1978 years! There is another version of this show in circulation, one which supposedly was worked on by a person named "J. Henry"; I will say, for the record, it is good in many respects. There is slightly more hiss (the Harpoon editing software confirms that there is an increase of +3.86 dB hiss in that version). I cannot tell you the reason for this, as the lineage for the "Henry" version states that it did not have any additional analog generations. The "advantage" of my MCS version has is that it is "direct from the Vault"; and it is one of the newly archived shows which have recently been made, using analog RTR media to keep the "warmth" of the audio intact and to keep the "harsher" sound of a digital recording from altering the overall sound. This "re-archiving" is an ongoing process the Vault personnel, with Lesh and Hart overseeing all the final details, are doing to assure that many excellent, and very rare shows, do not going to deteriorate any more than they already have. THE VENUE: The Dead had played at Cameron Indoor Stadium a number of times before. There seems to be something about this venue that always brought out the somethig extra in the Dead's performance. There always seemed to be a bit more "fun" to their playing there (I have several other shows from that venue to back up that personal statement). Maybe it was the "college campus atmosphere", maybe it was just the audience itself that always showed up; there's nothing I can't pin it down to, except to say that there was just "something" about Duke that made it more like a festival or carnival atmosphere. JACK STRAW kicks off this night's show, and it 1s a REALLY KIND rendition. While this was never an uncommon opener, you immediately begin to sense that this is going to be a "different" concert in some manner; a pair of very subtle (but necessary) adjustments to the mix are taken care of by the engineers at the mixing console in the first 2 minutes (bet you can't find them!); Donna's levels in the mix are right on the money... not too "hot", not too soft. Phil and the SBD mixing crew, during the sound checks, got it right when she's doing her duet with Bob. And it didn't change once the show itself began. Weir has got that unmistakable "crystal, but slightly edgey" effect set up for his 2 guitars this evening, which makes listening to his playing just that much more enjoyable. And you think all is well, and Jerry moves forward to the mike for his part of the song... HIS VOICE IS AWOL! You can hear his mike is on, as his vocals are bleeding over into the mikes picking up the stage monitor mix, but his voice is just not going out to the "house"! The Dead appear to be unaware of what's going on, as they can hear themselves in the stage monitors just fine. The mixing console is set up correctly; no one accidentally hit the "mute buttons" for Jerry main and vocal FX channels, and his mike is turned on. Listen closely, and you can hear the crew switching the input cables for Jerry's mike on the mixing console (there's a little audio sound that is the unmistakable sound of a cables being (un)plugged... but the question still remains: where's Garcia's voice gone? After JS is finished, the crew thinks they have the situation solved. DIRE WOLF kicks off. Still no dice; now, not only are we missing Jerry, but Donna's vocal levels lower, and now Bob is getting quieter in the mix, during the chorus. About 38 seconds into the song, you can hear when the engineers put Jerry's vocal channel into "PFL Solo" mode on the console (which means it only allows Jerry to be heard and all other channels are muted) for a few seconds. All this time, the RTR deck, which is being fed by the "house buss" mix" is picking everything up, including the burst when the PFL is tried. You can hear that Jerry's voice IS coming into the mixer just fine, albeit it slightly distorted, along with the audio from the stage amps and monitors. The "solo" mode is cancelled and the regular mix continues to be recorded. By the 1 minute mark, there's NO vocals left in the house mix at all. I know the crew is scurrying around trying to reroute cables and busses on the console (as that's what they're paid for!), but it's kind of funny to hear the Dead playing... and you KNOW they're singing... but the vocals that were so great in the opener have now faded away into the sunset. Let's forget about the vocal issues for a moment, and talk about Jerry's guitar solo during Dire Wolf. He has his FX pedals, and amplifier adjustments set just right, and it sounds exactly like he's sitting down playing a pedal steel! This is both spooky, yet so "comfortable", to hear this unique sound that Jerry was able to obtain for many of the '77-'78 era shows. His guitar sound, because of the effects pedals as well as his guitars' highly-modified pickups, is able to faithfully reproduce that unique "slightly twangy" sound which all pedal steel guitars are known for; you hear he is not using a slide, and you also can pick up Garcia's "trademark" fingering and playing style techniques, so you know he's not sitting down on the pedal steel's bench... he's just standing there upright, doing his little side-to-side wobble, and playing his heart and soul out on a regular old guitar. Dire Wolf is now complete, and there's a small bit of noodling going on; listen close, and you will hear (mainly in the right channel) one of the engineers yelling up to the stage, telling the band what's going on. You can't quite hear what's being said. And all the audience can do is hope that the problems have been resolved. BEAT IT ON DOWN THE LINE snaps to attention with a 12-beat intro; Bobby's and Donna's vocals are once again back in the mix, sounding good, with their levels back just like they had during Jack Straw. So, what's the verdict when Garcia is ready to sing his "answer phrase" during the chorus? SUCCESS! YIPPEE! Garcia's voice is resurrected from the ashes, rising up like the proverbial Phoenix! Well, ok, so Jerry's vocals are a little hotter than they should be, compared with the other vocalists singing; but at least the bearded one has his echoing throughout the entire venue, and onto the reel of tape! His levels were adjusted during the song, very professionally done little bit by little bit, and the show keeps on sailing along. For the 2nd verse, Bobby, Donna, and the rest of the band did a "quieter" opening portion of it, as they were trying to get this new rendition down pat. This alteration/variation from their usual version sounds really nice; remember, this is the Dead we're talking about, and they are staying true to their never playing the same song the same way tradition. I REALLY loved hearing this new version the moment I heard it... I wish they would have kept it for many more shows. But it was probably Phil was the one who vetoed this "change", and after a few more times they played this song in this new way, they went back to the old version. As Gomer Pyle used to say "For shame, for shame, for shame." Phil, as many of us know, was the one who really pushed hard for rehearsals, trying new things to keep songs from sounding stale, and the like; he always tried to listen a "quick mix to cassette version" of a few of the most recent shows during their travels to the next venue, and even when the band had a well deserved day off. Phil would say "let's keep this, or let's change that". A task master sometimes, a perfectionist ALWAYS... but he was also someone who has a very good "ear" for what worked more than just one time, and what was only a "one show wonder" version. And that still holds true at the present time, with his current bands and constant touring; his bandmates still play loose and slightly varied versions for the more than appreciative audiences, even though there is still the basic underlying sound beneath the various sound layers. Billy broke from his traditional percussion style, and used his cowbell more than usual during BIODTL (and a number of other songs this evening; just another example of this show being "something that is more than the usual great performance". There's something that I like to hear when a drummer/percussionist uses a cowbell, IN THE CORRECT MANNER (i.e., not going overboard or just "teasing us" with a cople of hits), that can add that "little extra something" to the correct song. It's not a piece of percussion equipment which (when played correctly) you notice being played, and pick up on ir right away; but it's unique sound when used in the right proportion rounds out the percussion sound. It's a matter of a drummer's personal taste or particular style of playing, and it's always something Mickey or Billy would use IN MODERATION... not like something Fleetwood Mac or the Stones (think "Honky Tonk Woman") would use to excess and not just as an adjunct in a more than just a couple of those bands' songs. MEANWHILE, BACK ON THE PLAYING FIELD... Garcia's vocals are pretty much back to where it should be by the end of the song; things are really back to their festive moods once more. FYI: According to my MCS, the TRUE reason for JG's "missing vocals" was the EQ unit, which fed the "house mix / RTR busses", had a defective mute/bypass switch. This is why, when you heard the little "burst" of Jerry's voice during Dire Wolf, it sounded very "flat" and unnatural (don't consider the distortion as part of the equation). None of the techs and engineers had looked at the level indicator on the compressor/limiter unit, which the EQ unit fed. No one looked at the little round VU meters for the input to the compressor/limiter. That would have shown them that there was no output coming from the EQ unit in the onstage equipment rack. That's what the yelling was all about, to tell Harry to look at the meters on that unit. Once the switch had been "played with" (there was just dirt on the switch's contacts!), there was now audio the mixer buss. Harry stayed at the back of the stage so that he could keep tabs on the unit, and be ready to bypass, or change the unit out if need be, without delaying the show. This is why Jerry could be heard in the stage monitors, as well as by the venue's audience, but not the recording decks; these EQ and C&L units were not part of the stage monitor feeds. NOTE: I was "requested to include this information" in this text file, so that anyone who wanted to know what actually happened would not have to play "the guessing game", or try to believe which of the many rumors (which are still being bantered about to this day) were true. Some people have said it was a bad mike, a bad cable, incompetance, and even done on purpose to get back at Jerry for an incident which allegedly took place a month prior to the show! For the last rumor, I have not heard any specifics on the alleged incident, so I have no idea where that one came from. PEGGY-O is the next song tonight... it's so sweet to hear a "younger" Jerry singing this one tonight. He had that "little innocent boy" sound to his voice at times (prior to his many health problems from the 80's onward), especially during ballads performed around this time. The intertwining of Weir and Garcia's guitars in this song is a thill to listen to. Sometimes Bob will play a short lead riff, then Jer would imitate it, and on a couple of occasions, you get confused as to who was playing what part! Never, and I mean never, will we hear playing like this again from any band. As the years passed by, Bob's guitar sound became less prominent in the mix, and his playing style become more "angular" (his term for the chord progressions and the runs of notes he would play that began in the early-to-mid 80's!); his guitar work became almost impossible to hear during some shows; some people and music reviews began to call his playing "obnoxious". The time frame from 1969 through 1981, in my opinion, was the best time to really enjoy Weir's guitar work, and to REALLY hear how excallent of a musician he actualy was! This song, played this evening, really showcased Bob's excellence as an extrememly competant musician. MAMA TRIED gets the house rockin' again after the really beautiful Peggy-O. You can almost sense the energy coming from the stage before the first notes are even played. Even following a very soft, sad, and one of the most "soulful" Peggy-O versions I have ever heard just being played, the Boyz are in a "playful mood". You can't always make out what they're saying between songs this show... but just the noodling, Keith's little piano passages (sure wish they had him mixed louder in the left channel), Bobby's little chord playing, Phils bass run, and such, these things all "add up" and tell the audience (and those of us fortunate to own this recording) that there's a hell of a lot more to come, and that it's ALL going to be good! During Mama Tried, you hear Garcia's 5th and 6th string low on the neck (the "tiger roar sound") run of notes, ones that he's played on many songs for many hears, and just one of his "signature riffs". As unmistakable as the growl from Duane Allman's or Brent Mydland's Hammond B3 (think of the opening of such songs as "Don't Ease Me In"), how the organ starts low and grown higher in pitch), Jerry lets a few of these little riffs and runs blare out in the opening minute; many of us remember just how great it is to hear the "old way" many songs were played. Durings the small solos, Jerry lets out with the "C&W bending twang" that many Southern musicians made famous in the 50's and 60's. Damn, you can hear the versatility in Jerry's repitoire of playing styles so far durinh this show, and we're only up to the 5th song! Keith is slightly louder in the mix now, but it almost sounds like he's banging, not just playing, on the keys in order to get the volume loud enough. That's definetly not Keith's style, and it sound like he's pushing things a little too hard just to get noticed by the sound people; Keith always was the "riff here, riff there, fill here, etc." type of musician when he's ticking the ivories, and this just sounded like he was not happy with the current mix levels. Everything segues right into a smokin' MEXICALI! No doubt this one was "going to be called", rather than "Big River" being chosen. The overall scene is just too cool, the pace is too quick, and everyone's having too good of a time to let any other song be played. Jerry's got his "Tex-Mex" playing style going full throttle (you can hear those "signature" 5th and 6th string notes I talked about, being played "loud and proud"); Bobby "put his cowboy boots and 10 gallon hat back on" to do some sweet, fast, down and dirty 3 and 4 string power chords throughout; Mickey's got his best snare groove going (most of his other drums are still buried in the mix); Billy has got to be smiling throughout this song, not with his usual stone face, really having a blast; and Donna, who's been absent for the last 3 songs, has to be off to the side of the stage, dancing and spinning for the crowd. Ok, this great version is finished, so it's time for a small break in the action. Wait a minute... what's this I hear? Funiculi Funicula? Not just played half-assed version, but totally out there, in all it's glory! Whoa! Where'd that one come from? "I don't know, it must have been the venue..." (Sorry... got carried away there. Now back to our regularly scheduled program...) A little noodling happend, Weir steps up to the mike to make an observation about the venue's illumination. The commentary begins to segue into a rant of sorts. Something doesn't quite go the way Bob wants it to, and now he's becoming "irked", in a little more than a tongue-in-cheek manner. Phil has to get into this fracus... I'm not going to reveal any more; just listen for yourselves. Like I've been saying, this venue brings out the "Best Of The Dead", in more ways than just music! I do believe that the "full-blown FF" that was just played was "requested" by the sound people, so that adjustments could be made to the mix. The reason I say this is that things changed a little bit beginning with... ROW JIMMY. Keith is now playing his usual laid-back style, and can be heard much clearer. Bith his grand and electric pianos are used during this song, and they are equal in volume. Gee, it only took a bit over 6 songs to do this (satirical mode off). Keith's fills and runs, during ANY song, can really help make any song sound full and rich, even if every other band member is a little more "incolved" in the song. You really do not know how much Keith's stylings can be missed until you realize they're not being heard (bad mix, or he nodded off). Jerry really gives us, both vocally and instrumentally, a quite satisfying and soulful rendition of this song; the "unique chord pattern", which is only played once during the song, is just somehow "accented" tonight. You always hear it being played (it's that little section right after they sing "And don't you run off no more"); but this evening, you just really "notice" this more than usual, and it kind of hits you like "Hey, this is new!". And it's strictly due to the dynamics of the music which have been put to "good use" so far this evening. MINGLEWOOD comes up next. No real surprises, just a very solid performance of this "better-than-the-original-version" song. Everyone does their part, and they're all done it "The Dead's Way". Everyone and everything's fast-paced, from the percussion and the back beat, to both Bob & Jer's guitar licks. Nothing laid back in this one. And Bob is belting this one out loud and proud! LOSER takes front and center next. Bob had a few problems with his EFX pedals, and you can hear him hitting a cord with his foot (little clicks) to get one of them to work. His volume then comes up to it's normal volume. Jerry's embellishing the words, adding a few well-placed accents in just the right places, not letting this song "go down". After the 2nd chorus, Mickey and Billy do what sounds like a "military drum beat" effect, similar to what they'd done many times during the last part of Wharf Rat. It sound weird when you read about it here, but if you listen to how it is done, it's actually quite effective, and tonight, it works well! As I said before, this venue brought out the best in the Dead, for whatever the reason(s). Jerry just wants to keep going when his solo comes up. Not the usual "one verse" length, but THREE TIMES the normal amount. And he's really working the upper part of the guitar neck like there's no tommorow. Sit back and you can picture him not wanting to let go of this song and let it come to an end... it sounds like he could have played "variations" on this song for the remainder of the evening. Even when the song finally winds down, JG just doesn't want to let that last vocal note go away. What a treat and a pleasure to sit through this song longer than normal version! Stepping up to the plate is the dynamic duo of LAZY LIGHTNING > SUPPLICATION. The pitcher gets the sign and he throws a smokin' fastball... the batters all take a big roundhouse swing, and connects! Going back... way back.... they hit it out of the park! Jerry's solo in "LL" reminds me lot of older "Slow Hand" Clapton licks: simplicity, yet with a specific flare and style and just the "perfect notes" being played! Don't expect an "all hell breaks loose, crazy jams, fire and brimstone energy" from this version, it's just REALLY DAMN GOOD; and the use of the "dynamics" in the songs (building crescendoes, then the band suddenly going "very quiet" to really place accents during parts of songs) shows up in this song! In fact, EVERY SONG, during set I has this happen, to some degree! Hey, maybe this band will become popular one day :) Some people may say that this performace sounds more like a "studio recording", and to a small degree, this argument holds water. But in the studio, you'd be using the mixing console and overdubs to do the dynamics, where as for this performace, it's done LIVE, in your face, no doubt about it's validity; no trickery, no smoke and mirrors (well, maybe for the drug crowd!), you simply can't deny this show and all it's excellence... and this is only Set I! And lets face it, in ALL of the Dead's studio work, their energy had never come through to any degree. Even the releases like "Without A Net" had the compression and limiting and more effects added, which dampened the energy that their dynamics would help unleash. I can only imagine what the audience was thinking during intermission. You've got to understand that at this point in the Dead's career, you had the Tour Heads there in force, the Faithful who couldn't go to many shows, as well as the "uninitianted" virgins here. I can't think of anything other than talk of "Whoa!" or "What just happened?" and "Did we just hear what we thought we just heard?", and other such collective discussions between brothers and sisters who simply loved this band going on. Well, the house light have gone down (hopefully The Dummy got it right!), and the members take to the stage again. Mind you, as I type these "Personal Comments", many times it's done "on the fly" as I am working on the show; this is the case with this show. I have NOT heard "note one" from the 2nd set yet. So, I'm in as much anticipation as anyone who attended this show was in. Let's see what transpired... BERTHA... ah, the old standby! But, wait, something sounds different... hmmm... Mickey's now more in the mix, and Jerry's voice doesn't sound as flat! Looks like the techs got the job done during the break, and now I think we're gonna get an even tastier and toastier sound! And from the sound of things so far, I'm right. If you listen REAL close when Disc 2 begins, at about the 15 seconds mark, you hear Mickey ask "Looks Like Rain"?... possibly meaning he's not sure what song is to be played next. Even though Bob has been doing his "metronome" strum for a bit, and there were a few of the opening chords played softly, the tempo would have been too fast for LLR. It's possible Mickey didn't hear Jerry playing the chords, so he wanted to be 100% certain of the song coming up. Everyone needed to be on the "same page". Bob hears this question asked, and then a few beats later, stops the "click strum" and begins to draw his pick along either the 3rd or 4th string (you'll hear the sound)... just to be the "Confusion Prince" and comically add to the little bit of the "what's next?" question. The song goes off without a hitch (well, a few of the words were blown... big deal!), the mix is beautiful, and it sounds like tonight is going to continue to be one of those extra special nights! Donna did not doing her usual "screeching" at the end! (I knew there is a God somewhere!) And when Bertha's over and done with, they keep things moving with a really special... GOOD LOVIN'! "Rock Star Bobby" is in great form tonight, not just with the excellent guitar riffs, fills, and little solos of his own (let's not forget his sometimes "cheesy" vocals), but the energy and the vibes he's giving off as well. When Jerry goes off into his extended solo, you can hear "the leader of the band" very subtly switching back and forth between the Latin style "La Bamba" sound and that form of note progressions, and the good old American rock and roll style. He make is so seamless, so fluent, but you still can pick out where each of these two styles begin and end. I found it just so wonderful to hear this mixture of "cultures" from such a talented musician who kept perfecting and experimenting with his style of playing for the remainder of his short life. IT MUST HAVE BEEN THE ROSES. Can't beat this song to mellow out any crowd. Soft, slow, yet still giving off a sliver of positive energy all it's own. The opening riff, with Jerry and Bob playing that wonderful harmony, it's unmistakable as to what the song is going to be. A love song, a good ballad, and a simple yet complex composition. Like the Dead themselves, it's an oxymoron; you have this mix of a low-key song that still stirs some powerful emotions and conjures up some great images. A timeless song in the Dead's repritoire, I feel it is one which has never failed to be appreciated when played. A little lull follows, and the Boyz decide what's coming next. No real tuning or noodling to give it away. A single, heavy reverb, powerful dual tom-tom strike by Billy can only mean one thing: ESTIMATED PROPHET! Surprisingly, it begins without Keith playing. But it still sounds good. You know there's something missing, and you can't quite put your finger on it; but listen closely and you will only hear Billy's percussion (and Jerry's guitar, slightly lower in volume) until the first chorus. Then Keith kicks it into gear. My MCS say that Keith was NOT nodding out, but making some adjustments to his electric piano settings. During the middle, when Jerry takes off on a great solo, Keith's playing imitates, accentuates, and syncopates with almost every one Garcia's notes! People say "I miss Jerry"... well, I miss Keith's stylings and playing! I personally believe that his keyboard playing fit the band better than anyone else's, before or after! Sure, he didn't sing, but Donna did, and that added the other piece to the music puzzle and anomoly known as The Grateful Dead! At about the 6 minute mark, you can picture Bobby slowly stepping back from the mike, allowing his voice to trail off naturally; the audience knows there's going to be a jam coming up, the you can hear their applause and cheering, waiting to hear what magic is going to come from everyone's flying fingers and drum sticks! And the following jam should NOT dissapoint anyone to any degree! Phil kicks it off with his usual adjacent/tangent riffs and runs; and you just can't wait to hear what's going to be transferred from Jerry's brain to his hands. Garcia makes the audience wait a bit, allowing Phil to really set the mood... Jer wants to follow Phil's lead, not the other way around. Say what you will, but Jerry was NEVER one to intentionally steal the show; it just happpens that way some nights. But it took every other member to build the framework for Jerry to work around! The old man begins the first few notes with his wah-wah pedal almost half way down, setting the stage, by using this "sound" in the first set of notes that unloads begins an unforgettable soaring solo. It swells and quiets in little bursts, like a miniature ocean with it's tide rolling in and out in slow motion. After a bit of Jerry blowing everyone's mind apart, Bob purposely begins to play slightly louder; this is the cue to begin a nice and long segue / tempo change into the next song; everyone else in the band hears Weir's "change in style", and little by little, the tempo changes... the chord progressions begin to alter... the tempo begins to get faster and faster, and now we get another chance to hear one of the Dead's "staple" songs... EYES OF THE WORLD. Faster than "normal" in it's tempo, not your "usual" laid back version. Every note played, every drum beat, every little bit of this version could have been easily slowed down to a mellow and slow version, and still not lose anything. Played at about 1.5 times the usual the tempo, just sit back listen to Jerry's solo work. Now imagine it played at "normal Eyes speed". The notes still would fit perfectly, and even Weir's quick-draw 3-string riffs and fills would have worked; a wonderful song, and this upbeat and quick performance seemed to be just right and fitting, not only for evening's show, but because of the venue itself. As I said early on, this venue had some excellent past shows here (and more would come later), so this evening's concert was just another in a long line of "WOW" shows done at Duke. During the song, the drummers begin to purposely "slow down the tempo" to the usual speed version, and by about 4 minutes in, the song is now at the beats per minute "we" normally hear it played at in most shows. Listen at about the 7:15 mark in this song... Bob does something I have NEVER heard him do before (or since)... he begings playing the "harmonics" on the 5th, 7th and 12th frets, and with the tone settings for his guitat, it sounds just like a vibraphone (think "Lionel Hampton" for those of you who don't know what that instrument it)! Although it's only for a few notes, but when I heard it, I could picture old Lionel up there on stage, with the 5 mallets in his hands! This is another "effect" Bobby did only on VERY rare occasions in the late 70's... I wish he would have used it more, as it just added something to his effects repritoire and didn't require a ton of effects of MIDI samples. This song is edited down, due to the master having problems. Another version in circulation has many edits in this area, causing the song to NOT stay "in time", with the 4-beat per chord progression staying valid; some parts would have 2 or 3 beats missing (and this is unacceptable)! That being said, Eyes does end quite nicely... guitars, bass, and piano fading out slowly, and you can hear the Twins begin their tribal frenzy... DRUMS! (Disc 3 begins here) Ah, the "Percussion Pair" are going after each other! Billy and Mickey try to "screw with the other one" by changing rythmns in mid-stream, but it ain't working! 3 strikes, you're in! They finally quite the "goofing around", and they begin to just get into their individual and syncronized grooves. Things slow down, and come down in power and volume after about a minute and a half. Billy goes off to the side and begins playing with his other toys, and Hart winds up wreaking havoc with the equipment! Just past 2 minutes in, Mickey hits a kick drum a little to hard, and blows out a diaphragm on one of the drum mikes. Listen closely, and you can hear Jerry moan "Oh, there goes the microphone" in the right channel! Hilarious stuff. I keep telling you this was a good venue! The techs replace it during Drums; you can hear them moving it, repositioning it, as well as turning the mike on and off a number of times. A while later, you hear Harry yell for Mickey to play louder, just to make sure everything else is going to hold up. And LOUDER IT IS! After a bit of time, each of the drummers sense that it is no longer time to "play off of each other"; so they go and begin the own unique grooves, beats, and playing on many different percussion equipment. It can sound very disjointed at times, and really, it is. But isn't this the whole point of a Dead show? I don't like when they did this, as I always felt they played so much better when they were in sync and working off of each other's beat and tempo. But other people like it when they played this way... and that's cool with me. After a while, they both get back in sync again, and although they're playing slightly different patterns, the basic tempo is the same (syncopation). And they must have been running arond like crazy, as you've got Billy going over and playing Mickey's steel drum set(!) at times, then going back over to his own toy set, and back and forth. I would LOVE to see a video tape of this show, in it's entirety. I'm sure that the AV Department of Duke has this archived somewhere. You can also hear when the mike(s) being changed, moved, and manipulated, beginning at around 10:00. How much equipment did they really go through this night? I heard a few drum sticks crack, and while those are pretty inexpensive, I know that the Sennheiser and Shure percussion mikes they often are not (0 and up at that time!). And, just for the hell of it, Mickey reached over and bangs on one mike pretty hard with a percussion mallet (there's a really nice "thud" that put the SBD racks' compressor/limiter into overdrive!. Hey, it's a percussion sound, isn't it? You can hear the crowd begin to get whipped up into a frenzy as the remainder of the Boyz take the stage and begin plugging in. Jerry and Phil were near Keith's piano for most of Drums, drinking something fro paper cups. Slowly, the drummers begin working their way back to their own drum sets areas, seeming almost reluctant to do so... almost wanting not to let go of their playing on the steel drums and the other percussion toys. It's a very smooth transition, worthy of a Dead show. The segue, however, was really not smooth, as they do take close to a 10 second break. Again, maybe one or more of the band members were unsure of the next-up song. But once the next song begins, it's a definite winning choice. TRUCKIN' kicks off with only a few opening chords, and then "somebody blows the whistle" on them! Again, this is Cameron, so anything goes! The whistle was a cue to start over, just to screw with the audience. Either way, it was a nice way to get out of their segue flub. Truckin' begins again in earnest, and it is a very good version... I don't think there would have been a chance that they could have picked a wrong song this evening. And speaking of flubs, Weir once again blows the words to the first verse. And it's so bad that even he laughs at it! We all know that there's something about Truckin' that almost always threw Bob off and he would get at least a few words, if not an entire sentence wrong. But you DO have to admire musicians who admit when they make mistakes like this. I believe that this is the only song, in the Dead's very expansive repritoire, that Bob almost always had a problem with. A lot of us think "Jerry", when asked who was really bad at not getting the words right; but Bob is a very close second as far as I am concerned. I believe that Weir is too "conscious of getting the words right", and that is why he made so many mistakes with Truckin' over the decades. It's subconscious, that's al. Hey, if Garcia could get through Visions of Johanna on 7/8/95 without a hitch (and ket's not forget Jer's triumphant "fist in the air" movement!), you'd think Weir would get this one song down! But, it's live, it's fun, it's The Dead! For this song, it's Mickey who "leads" the rest of the band members in their "dynamics" during the performance. When everyone else is playing softly, Hart starts with a couple of really loud drum beats, and the rest of the band takes their cue from him. It sounds REALLY GOOD to hear him take control for a song. Mickey has that flair for knowing just where and when to place beats, and set the rythmic patters (not knocking Billy, as he is more than adequate when it comes to this); but Hart sometimes likes to play like a man possessed. Hell, I've seen him use actual bones from animals as drums sticks during many late 80's shows, all the way up to their final performance; not only during Drums, but during many other songs as well which had a strong percussion presence. Soldier Field in 1994 was a good example of Mickey using unusual drum sticks during Set II! During this song, this night, Mickey really shows he can be very much a leader as to how songs sound, not just being one of the guys playing the drums. WHARF RAT... man, here is one of the saddest songs the Dead ever played (outside of Loser, which is more of a desperation song). Bluesy and ballsy in it's tempo, faith and failure in it's words, what a powerful song, even when compared to Morning Dew. And tonight's version does this song justice; there is no doubt that the people who collaborated in this song were more than pleased when they heard this show! Every single member of the Dead plays their hearts out, backing up Jerry 150 percent. And Donna Jean, who had been absent for a few songs, puts her wonderful voice to good use when she does her duet sections with Jerry; she sings it in a heartfelt manner: not to loud, not to soft, and she had the knack to know how to belt out lyrics with Jer, or lay back and just be her part of the whole. Her voice blends with Jerry's "angelic" young sounding voice (at this point in his life) in a manner than defies description. Just sit back and enjoy these two voices and souls blending and weaving the tapestry which this tragic song is made of. Every other band member knows that this is "Jerry's time to shine" in the show, almost more than during any other song this evening. They're all in sync, their dynamics are totally on the mark, and even Bobby knows when to strike a harder or softer chord, or even put insert a very slow strum. Keith does a number of one-handed fills, just loud enough to be heard but not alter the musical balance. Mickey is alternating between snare beats and rim shots, while Bill is doing some soft tom-tom rolls. It's almost pure perfection! And I would be amiss in NOT stating that this song also involved the engineers at the board! Making sure that the mix brought out EVERY little nuance, especially during this song, where the quiet passages reveal all the subtle things that this group of individuals are able to pull together so well. I can't really call it a "team effort", since everyone on stage has their own peculiarities and styles; but we have always known the Dead can be so versatile, I don't believe there was ANY genre, or form, of music they could not perform, and be able to pull it off without compromising their individial ways (EXCEPT with the exception of "Hip Hop" music, but not the "Fire On The Mountain Rap" that Mickey did)! From opening note to the final fade, this version of Wharf Rat is nothing short of total bliss to listen to. Everyone knows we're coming to the end of this show, so you got to break down the walls of Cameron with a high-power closer. They chose AROUND & AROUND to caps off Set II. (SEE "KNOWN PROBLEMS" TO UNDERSTAND THE NEXT FEW SENTENCES) I tried my best to make sure that the necessary crossfade between Wharf and A&A was as "clean" as possible. I opted to go for the "making sure the drum beats match up" over several other possible ways to get around the problem. This method turned out to be the "cleanest sounding, least harsh, and more pleasing" of any of 8 versions I attempted and listened to over and over. Yes, a few words of Around are missing, and were not at full volume, due to the process chosen. Or would you rather just one song suddenly stop and the next one abruptly begin? That last option was never one which I would choose to ever perform, unless it was a totally "last resort / nothing else to do / only way out" situation. I would say that the "last resort" option may only have had to be done only ONCE in a couple hundred instances of reel changes or tape flips. Granted, most people do not have the studio equipment (both hardware and software), nor do they have the expertise to do what I am capable of doing in my Studio; so I would not flame anyone if they went and did the "chop" option. People can only do things with what they possess. Bob can't resist the urge to inject a little humour into thr lyrics when he gets to the point "When thr police knocked"; again I won't spoil the surprise. Otherwise, this is a great closer, shooting back the energy to the audience at full force. They haven't let up with their energy levels all night long. And even though this has been a great and enthusiastic show to this point, even if they left a little bit out, I wouldn't blame them. NOW, ONTO THE SHOCKER OF THE CONCERT: THE ENCORE: U. S. Blues... Okay, it's an "old song" by now (played SEVENTY THREE times prior to this show, and used many times as an Encore)... And okay, probably more than "a few dozen" people decided to bolt for the exits when the first chords of this song began to be played. It initially sounded like a "typical show closer", just being played for the sake of having something to play, and the Boyz just wanting to get it over with. All that I can say to the people who left early is: "TOO FRIGGIN' BAD"! When I think that they missed out on what has to be the BEST version of this song EVER PERFORMED LIVE! EVERY single member of The Dead are still totally immersed in this inexplicable "Cameron Energy Vortex"! They have proved that they are "A Band Beyond Description" for the past TWO HOURS AND FORTY-THREE MINUTES! They have given the audience a performance that is aurally reflected in this recording; taking colors, which represent the many huge and many subtle aspects of performing in this show, and painted a picture which no one can describe but everyone "understands". The encore in this show had to have the building shaking to a point where people outside the venue may have thought that there was a 8.0 magnitude earthquake going on inside the building! Jerry is literally going crazy on stage, like an whirling dervish who downed 2 gallons of Starbuck's finest brew! Never have I heard him sing ANY encore with such enthusiasm and volume levels that made him appear to be a "screaming wild man" bouncing off the padded walls of an asylum! And there's nothing that can stop release of energy that was being bottled up prior to this song... it prevails, it pulses, and it's permiating EVERY atom one each of the band members. I know Jerry was up there on stage, grinning from ear to ear, for the entire song; Phil was off into his own universe of the cosmos; Bobby had to be doing his Rock Star act "Vaudville-style"; Keith isn't tickling the ivories, but banging on them like some guy trying to get a bartender's attention in a crowded pub; Donna's dancing her butt off, whirling and spinning near her microphone; and Mickey and Billy are just playing like 2 peas in a pod... so identical in their riffs and styles and sounds, and yet still being unique in their own ways. Jerry's vocal and guitar playing levels, starting in the first third of the song all the way to the very last string plucked, that you KNOW the sound people are constantly adjusting his compression and limiting, not to mention the mixer channel levels, just to keep any distortion at bay! You can hear them making adjustments once they realize what is going on. So even though you KNOW that Jerry is screaming into his mike, the recorded sound is not as loud as you would imagine; but you certainly can tell how much he's pushing the envelope! I'm wondering how many throat lozenges he had to toss back once they began to unwind after the show... THE AFTERMATH... CRAWLING FROM THE WRECKAGE: After U.S. Blues is complete, when the band is ready to exit the stage for good this evening, Bobby does his high-pitched farewell "Thank You"... but the icing on the cake is when Phil does an eerie (and VERY close to actually imitating the voice perfectly) "Wavy Gravy impersonation" thanking the audience and saying good night! The Grateful Dead are finally walking off the stage for the last time this evening (actually, it's past midnight!), and one has to wonder about the audience... I know it had to take a few minutes the experience to begin to sink in, and the people are finally realizing what just happened to them! "Whadda hell just happened" had to be the "community thought" going through everyone's blown minds! And luckily, we have my Marin County Source to thank for sending me this most unusual show to give to all of you; PLEASE SPREAD THIS SHOW, UNALTERED, TO EVERYONE YOU KNOW WHO IS INTO THE DEAD! I really have no clue how to finish this Personal Review. Right now, I am at a loss for words! And you folks know that is a very difficult thing for me to have happen! BOTTOM LINE: JUST ENJOY! SSSB SIDENOTE: Outside of the technical problems on my copy, which I overcame as much as possible, I hope you all understand why I made a few of the decisions I did, in respect to correcting them. The U.S. Blues one is going to be talked about for a while, and I still believe I did the right thing. Hopefully, people who are trying to learn how to properly edit and process shows will learn by listening to this version of the Vault's copy, and the "corrections" I had to make; to see that subtle edits, crossfading, and processes like the ones I did, can be accomplished by using the built-in options which are found on many of the less expensive/free music software programs, can be done. It takes time and it takes patience. Sometimes it takes trying multiple versions of a "fix", and having to walk away from your work for 30 minutes, just to clear your head. Never be in a hurry to release a show. Take your time, take pride in your work, and if need be, ask someone who has more equipment and/or experience to lend you a hand. Take the piece of audio that needs work, and send it to people willing to help you learn. Quality over quantity is going to allow the shows you work on to be more sought after... this takes a while. For me, I've been an audio engineer for over 30 years... and I am STILL learning new techniques! Yes, having a full Studio to work with beats just having a simple DAW sitting on a desk, but everyone has to start somewhere. The biggest point I can make is that people should never release crappy shows into circulation just for the sake of "giving back". That is sometimes looked at as being worse than a "file leech"! Don't be afraid to ask someone for advice on how to do things. Many knowldgable people will be more than happy to give you pointers, tips, and sometimes will yould your hand the process(es). Not everyone is going to agree on software, techniques, and the like... but the more options and opinions you have at your disposal, the better off you are. Hey, my ,000 editing software I beta test is going to blow away programs which run ... but you would be surprised at how many of the same "options" are available in either software package. You may be limited in what you can do, compared to what I am capable of doing, but again, you have to begin learning somewhere and somehow! I began to edit shows using the old splicing block and Scotch tape as a way to remove error! Hell, nobody really does that anymore, since damn near everything is in the digital realm now. But it taught me the importance of PATIENCE, as well as knowing what exactly was needed to be done. When us "old farts of yesteryear" made those edits using the "cut and splice" method, there was NO GOING BACK! There was no "undo" button on a keyboard that allowed you to do things over again! If you screwed up, you had to go and make another copy to work on! This taught us that taking our time, and doing things right the first time, takes less time than having to do everything over again from the beginning! A perfect recording we had worked for hours on could be easily ruined because of the final edit we performed! I've had that happen... I've made my share of mistakes over the years. But I have never made the same mistake twice. E-Mail me, or others who release excellent shows to the legal music servers, and ask us for advice. Most of us will be more than willing to help people who are willing to take out advice. Yes, there are a handful of people who won't share their "trade secrets", and to me, that's a piss-poor attitide to take. That's being selfish and greedy and egotistical. . . . KNOWN PROBLEMS WITH THIS RELEASE: D1 TRACK 01: "JACK STRAW" Due to a media defect on the ADAT copy I received, Jack Straw had 9 small sections of diginoise which were not able to be corrected without being noticed. I used a different copy of this song (the "J. Henry" version), and replaced about 15% of the song with this "alternate version". I was able to match up the audio, as far as the sound quality, EQ curve [comparing it to the original version] and such, so the replacement is 98.266% identical to the original. This percentage is what the Harpoon editing software displayed to me when it performed the 27 unique and separate comparative processes required when asked to show how close two pieces of audio are to each other. There were also 2 spots on this song, which were, allegedly, PURPOSELY ALTERED by someone who worked on this "replacement version" earlier in it's life. I can say this will near 100% certainty, as the alterations occur in the same riff in the same place where they appear. These "alterations" were corrected by myself as much as possible; small, yet slightly noticable, remnants of this can still be heard. The first one appears at 02:10 and again at the end. If this was NOT done on purpose, then I could have easily taken the 2nd riff, and replaced the 1st one with it. NOTE: This is very similar to a type of "alteration" which was prevelant during the heyday of DAT trading, and was done by 2 "very respected" traders! The premise of doing the following "alteration" was to insure that only these two people (besides the Vault) would be in possession of the "complete" shows; this was to assure that these could be used as "prized trade bait". What this pair of Un-Kind people would do is to insert about 0.1 second of silence somewhere during 1 or 2 songs (usually the opening song was chosen, and the gap would almost always appear during the 1st verse); they would then delete a different amount of the show's audio (about 0.2 to 0.3 sconds long, so the "gap" could not just be "closed" or "cross-faded" to repair without being noticed. This "practice" quickly became highly frowned upon by many people who received these shows within about 90 days after they began to appear; most of the shows affected by this were on 1993 > 1995 high quality SBD shows. . . . D1 TRACK 03: "BEAT IT ON DOWN THE LINE" There is a fluctuation in the RTR Deck 1's speed, from 02:11 through 03:12, where the original RTR recording sped up, which resulted in the audio being slightly "too slow" when played back. This problem was corrected by digitally altering the speed of the affected area to match the "calibrated" speed of the recording. The resulting fix is within 3 hertz of being "100% correct", according to both the spectrum analyzer/frequency readout of the Harpoon editing software and "an old friend", my Korg DT-1 Pro digital chromatic instrument tuner. I felt that this problem should be corrected, as the audience did not hear this problem when the show was being performed. The pitch was shifted with a 38.296 cent shift, which also properly "shrunk" the time of this affected area 0.718 seconds. . . . D1 TRACK 11: "SUPPLICATION" At (originally) 03:15, there was a 0.58 second occurance of diginoise (-3.4 dB in volume, and very noticable); I performed a cross-fade, 3.78 seconds in duration, and match up both the song beats as well as Jerry's guitar solo. The cross-fade is 100% seamless; it cannot be detected unless compared with another version of this show. . . . D2 TRACK O2: "GOOD LOVIN'" At 06:15, lasting for approx. 2 seconds, there is a speed fluctuation in the RTR deck. This is from the original deck beginning to fail. The secondary deck is NOT yet pressed into use, . . . D2 TRACK O3: "IT MUST HAVE BEEN THE ROSES" At end of song, after Weir talks to the audience, there was a 20 second gap when the 2nd RTR deck is gotten ready to be pressed into service; the lead tech vetoes the idea for right now, and the show continues on Deck 1; the cross-fade to join the 2 segments back together is not as transparent as I would have liked it to be; it is only slightly noticable. . . . D2 TRACK O4: "ESTIMATED PROPHET" The RTR deck is beginning to fail again around the 01:04 mark (slight warble); it is still the decision to stay with this deck. . . . D2 TRACK O5: "EYES OF THE WORLD" The RTR deck fails (stopped recording) at approx. 08:36, and lasted for 28.17 second; I took the next "complete section" and crossfaded it in, so there's a seamless point. In total, there is 1:07 of totally or partially blank audio on the Vault's SAFETY copy! The GD Vault original recording is fine, but it could not be accessed again by my for the copy that was sent to me. . . . D3 TRACK Ox: "WHARF RAT > AROUND & AROUND" There was a reel change here; both the end of Wharf Rat and the beginning of Around & Around were cut; a 3.2 second crossfade was made to join the 2 sections, matching the tempo and drum beats to make it very seamless . . . D3 TRACK O4: "AROUND & AROUND" The VAULT SAFETY COPY RTR AUDIO FEED was shut off "just prior to the band walking off stage"... only EIGHTEEN SECONDS of applause was dubbed; the audio feed to the deck was turned back on less than 1/2 second prior to the opening note of US Blues, which is why that song sounds like it is mssing something. I took these 2 pieces of applause, mixed them together, and gave you as much as I could; I left some of the A&A applause "fade out" into the first 3 seconds of US Blues so it would not sound abrupt. I was told by MCS that this was done "due to the original reel having deterioration problems in this area". This is what was written down on the dozens of sheets of paper which are included in each shipment sent to me; these notes contain verified information about the recordings, little tid-bits of sometimes important info about the recordings, as well as specific "mixing instructions" if the recordings are other than 2-track versions inside the shipment. . . . D3 TRACK O5: "ENCORE: U.S. BLUES" There is a lot of volume overload distortion from Jerry's over-energetic singing in one verse that could NOT be fixed to any degree of normality way (this is on the Vault Master copy as well). The "J. Henry" version seems to have had some audio patched", but it did not match the audio tempo, and was "quite disturbing" at best. With the "Harpoon" editing software, I can remove (sometimes) quite a bit of the harshness from analog/digital volume overload distortion, but once it's been recorded onto ehatever medium, it's there forever to some degree. Rather than having the distortion ruin this extraordinary performance, I removed the two offending sentences, performed a 0.35 second cross-fade, thus making this release sound like the verse just was never played. Yes, this was probably not the best choice to some "purists", because of my beliefs of always trying "to keep the performance as natural as possible and to let people hear what the audience heard"; but the audience never heard the distortion occur. As such, I based my final decision on "quality vs. what wasn't heard", so the end listener would more enjoy this spectacular performance. . . . PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent) Audio Mix: 9.8 (Mickey's snare, Keith's grand piano, Jerry's guitar (the last one was only for a short time) were too low only during Set I; Set II's mix was right on the money. Audio Quality: 9.95 [the RTR Deck 1 problems keep this show from being a perfect 10] Energy Level: 15 [the between-song comedy, the musical dynamics, and the Encore adds the 5 extra points!!!] Show "Completeness": 9.8 (the reel changes at the show, as well as the "cut applause" at the end are the "-0.2") Song Selection: usual songs for the '77-'78 era; very good song choices/order played for this show. Surprises: the Dead's aural dynamics during their songs, which is something I had only heard in less than 5 shows I have in my Show Library, was the best surprise I could choose from; even though 1978 is probably one of the bands' best years, as far as their music goes, the energy level from this particular venue surpasses other '78 shows; and Bobby, Phil and "The Dummy" segment rounds this rating section off.Notes: Released: 01/22/03 Cameron Indoor Stadium, Duke University Durham NC SHN / CD-R

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07/07/78 Grateful Dead 1978-07-07 Red Rocks Amphitheater Morrison, CO Source: "Betty" SBD > MR > DAT > CD > EAC > SHN --------------------------------------------------- Disk 1 - Set 1: 01 - Jack Straw 02 - Candyman 03 - Me And My Uncle 04 - Big River 05 - Friend Of The Devil 06 - Cassidy 07 - Tennessee Jed 08 - Passenger 09 - Peggy-O 10 - The Music Never Stopped Disk 1 Time: 69:14 Disk 2 - Set 2: 11 - Cold Rain And Snow 12 - Beat It On Down The Line 13 - Scarlet Begonias 14 - Fire On The Mountain 15 - Dancin' In The Streets 16 - Drums Disk 2 Time: 58:50 Disk 3 - 17 - Not Fade Away 18 - Nobody's Jam 19 - Not Fade Away 20 - Black Peter 21 - Around And Around Encores: 22 - U.S. Blues 23 - Johnny B. Goode Disk 3 Time: 41:42 ----------------------------------------------------- The first of a very successful two night run at Red Rocks. Don't get thrown by the comments below about the "mono" nature of this tape. It is really excellent Betty Board quality listening and a great show worth the cost of admission. It is hard to hear Keith here but he can be heard some. I think his part in the mix suffered most from this channel misfortune. Everyone else sounds fine. - Dub Irie 06/07/2006 ----------------------------------------------------- known flaw: d3t02 d/o @ 10:14; note summary of J. Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. Red Rocks Amphitheatre Morrison CO SHN / CD-R

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07/08/78 Grateful Dead 1978-07-08 Red Rocks Amphitheatre Morrison, CO Source: "Betty" SBD > DAT > CD > EAC Rip > SHN --------------------------------------------------- Disc One (1st Set) 01 - Bertha > 02 - Good Lovin' 03 - Dire Wolf 04 - El Paso 05 - It Must Have Been The Roses 06 - New Minglewood Blues 07 - Ramble On Rose 08 - The Promised Land 09 - Deal Dsk One Time: 58:05 Disc Two (2nd Set) 10 - Samson And Delilah 11 - Ship Of Fools 12 - Estimated Prophet > 13 - The Other One > 14 - Eyes Of The World > 15 - Drums > Space > Disk Two Time: 64:34 Disc Three 16 - Wharf Rat > 17 - Franklin's Tower > 18 - Sugar Magnolia (encores) 19 - Terrapin Station > 20 - One More Saturday Night 21 - Werewolves Of London Disk Three Time: 52:28 -------------------------------------------------- From the opening piano roll in Bertha it is apparent that this is not an ordianry show. It's an excellent, crispy-clean and nearly flawless recording which was very focused and energetic all the way through - it ranks #9 in the Deadbase list of favorite shows. Jerry shines over and over again and the band is tighter than usual this night. Donna gets a wee bit too excited and loses control of her voice at the end of Deal, which is a good example of how she got her reputation as a show wrecker, but all is quickly forgiven as the 2nd set takes on epic proportions. The amazing Estimated > Other One > Eyes here is all-time classic. One of the last GD Betty Boards made. - Dub Irie Red Rocks Amphitheatre Morrison CO SHN / CD-R

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09/16/78 Grateful Dead Giza Sound and Light Theatre Cairo, Egypt Saturday September 16, 1978 Source: SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN Disc 1 1. Bertha > 2. Good Lovin 3. Candyman 4. Looks Like Rain 5. Row Jimmy 6. El Paso 7. Ramble on Rose 8. New Minglewood Blues 9. Deal Disc 2 Set 2 1. Hamza El-Din 2. Ollin Arageed > Fire on the Mountain > 3. Iko Iko 4. I Need A Miracle > 5. It's All Over Now Disc 3 1. Shakedown Street > 2. Drums > 3. Truckin' > 4. Stella Blue > 5. Around and Around Encore 6. One More Saturday Night Missing from my source is Set 2 Sunrise Gizah Sound and Light Theater Cairo Egypt SHN / CD-R

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11/20/78 GRATEFUL DEAD Cleveland Music Hall Cleveland, OH 11-20-78 II Sick Bits Vol. 16a Matrix: SBD/AUD mix Sources: SBD: (shnid=12947) Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN via Art Cohen? AUD: (shnid=302) MAC>Reel>Reel>?>DATs>CDRs>EAC>SHN (thought to be Nak 300s) A/D by Dr. Rob Bertrando and encoded by Darrin Sacks - taper unknown, although Jack Warner confirms that it is not recorded by Hugh Barroll Transfer/Editing: Both sources were shn files downloaded from LMA and converted to WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 (level 8) Matrixed by Chris Chappell ScarFireATliquidcityDOTcom 2/9/06 Set II only s2t01 - Jam -> s2t02 - Drums -> s2t03 - Jam-> s2t04 - Jack A Roe s2t05 - Playin' in the Band -> s2t06 - Shakedown Street -> s2t07 - If I Had the World to Give -> s2t08 - Jam -> s2t09 - Playin' Reprise -> s2t10 - Around & Around Total Time: 65:08 ___________________________________________________________ General Notes: When the LlaMA had to pull the SBDs, one source I never got was the updated multiple SBD source (shnid=21727) that included the first set. Also mentioned is the Scott Jones AUD which runs through Jack-a-roe but is not listed in the db, and I have not seen either source circulate as of late (hint hint). If both sources surface I can then put together the first set as well, so for now this fileset is Sick Bits Vol. 16a and the first set would be Vol. 16b (I'm naming this fileset "a" hoping that there will be a "b"). This SBD is not that bad (fast though), but Jerry's tone gets very big when coupled with the added dimension of the AUD, which, all in all, is fairly decent for the time period. The SBD has some holes and finally cuts for good before the Playin' Reprise. The first set is about 76 mins. in length whereas this second set is about 65 mins. without an encore. One of the strangest second sets in terms of format, song selection, and plain old jamming - they essentially start with Space and play two distinctive jams (the second with Jerry using the Mutron) sandwiched around Drumz before finally settling into Jack A Roe, a 17 month rezi, 8th time played, only version of 1978, and only version which involves a segue. After they stop playing after the Jack A Roe (the only break in the set), Weir can clearly be heard on the SBD laying out the sequence: Playin > Shakedown > World To Give > Playin (it's unclear if he mentions Round & Round) - so this is very much planned, most likely because this is only the 5th Shakedown (no reprise) and the third and final If I Had The World To Give. Also, according to those that were there, Weir was ill for the early part of this set, so they opened with "jam". Thanks to whomever recorded the AUD, to Rob Bertrando for converting it to digital, and Darrin Sacks for encoding and seeding it. Since the SBD source is a mystery, thanks to all of you who had a hand in the lineage. Enjoy! Chappy ___________________________________________________________ LlaMA reviews: "The Grateful Dead - yep....that's right.... enough said..." "Take a careful look at that second-set list. Bobby got sick -- was missing at the start of the set (hence the start with a jam) appeared briefly to start Playing in the Band, vanished for the rest of the show, and then reappeared to finish the show. We pestered Healy the next night in Rochester: 'What happened last night?' 'Aw...Bobby was sick as a dawg, throwing up in the dressing room...'" "The whole [second] set just scorches. Has a very nice jazzy feel and a rare (and in my opinion, the best version of) "World to Give". Get this show!" "...favorite of mine since it was my first show..the beginning of the second set with jam-drums-jam is without weir. what the problem was i don't know but he doesn't join in until jackaroe. this venue was an excellent place to see them because it was on the lake downtown and small with great acoustics." "without a doubt the funkiest shakedown i have ever heard. very good sandwiched between playin & world to give. get it for the unusual 2nd set. the shakedown is for the ages. so funky it hurts." Cleveland Music Hall Cleveland OH FLAC / CD-R

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09/06/80 Grateful Dead 9/6/80 - Saturday Maine State Fairgrounds Lewiston, ME FOB Nak 700s > Sony TC-D5 (Steve Rolfe’s) > Sony TC-D5 (Jim Wise’s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. Disc 1 Set One 01 [02:52] tuning 02 [05:16] Alabama Getaway > 03 [05:14] Greatest Story Ever Told 04 [15:32] Sugaree 05 [03:12] Me And My Uncle > 06 [05:19] Mexicali Blues 07 [09:56] Tennessee Jed 08 [12:24] Feel Like A Stranger 09 [09:34] Friend Of The Devil Disc 2 01 [00:48] tuning 02 [04:09] Far From Me > 03 [09:56] Little Red Rooster 04 [06:06] China Cat Sunflower > 05 [05:21] I Know You Rider > 06 [05:37] The Promised Land Set Two 07 [11:50] Shakedown Street 08 [05:59] Lost Sailor > 09 [06:39] Saint Of Circumstance 10 [09:35] Althea Disc 3 01 [03:36] tuning 02 [09:39] Playing In The Band > 03 [07:49] Uncle John's Band > 04 [14:00] Drums > 05 [02:52] Space > 06 [06:36] Not Fade Away > 07 [05:10] The Wheel > 08 [03:21] Uncle John's Band > 09 [03:03] Playing In The Band > 10 [10:10] Sugar Magnolia Encore 11 [04:46] One More Saturday Night > 12 [05:26] Brokedown Palace SHNTOOL: length expanded size cdr WAVE problems filename 2:52.18 30383180 --- -- ----- gd1980-09-06d1t01.wav 5:16.49 55857692 --- -- ----- gd1980-09-06d1t02.wav 5:14.64 55540172 --- -- ----- gd1980-09-06d1t03.wav 15:32.25 164463644 --- -- ----- gd1980-09-06d1t04.wav 3:12.08 33887660 --- -- ----- gd1980-09-06d1t05.wav 5:19.53 56396300 --- -- ----- gd1980-09-06d1t06.wav 9:56.15 105169724 --- -- ----- gd1980-09-06d1t07.wav 12:24.41 131338076 --- -- ----- gd1980-09-06d1t08.wav 9:34.18 101295980 --- -- ----- gd1980-09-06d1t09.wav 0:48.05 8479004 --- -- ----- gd1980-09-06d2t01.wav 4:09.08 43942460 --- -- ----- gd1980-09-06d2t02.wav 9:56.00 105134444 --- -- ----- gd1980-09-06d2t03.wav 6:06.46 64670636 --- -- ----- gd1980-09-06d2t04.wav 5:21.42 56723228 --- -- ----- gd1980-09-06d2t05.wav 5:37.39 59538572 --- -- ----- gd1980-09-06d2t06.wav 11:50.50 125361644 --- -- ----- gd1980-09-06d2t07.wav 5:59.65 63480524 --- -- ----- gd1980-09-06d2t08.wav 6:39.45 70489484 --- -- ----- gd1980-09-06d2t09.wav 9:35.47 101540588 --- -- ----- gd1980-09-06d2t10.wav 3:36.53 38227100 --- -- ----- gd1980-09-06d3t01.wav 9:39.53 102260300 --- -- ----- gd1980-09-06d3t02.wav 7:49.58 82868060 --- -- ----- gd1980-09-06d3t03.wav 14:00.08 148194860 --- -- ----- gd1980-09-06d3t04.wav 2:52.69 30503132 --- -- ----- gd1980-09-06d3t05.wav 6:36.57 69988508 --- -- ----- gd1980-09-06d3t06.wav 5:10.43 54785180 --- -- ----- gd1980-09-06d3t07.wav 3:21.01 35458796 --- -- ----- gd1980-09-06d3t08.wav 3:03.01 32283596 --- -- ----- gd1980-09-06d3t09.wav 10:10.50 107721644 --- -- ----- gd1980-09-06d3t10.wav 4:46.11 50476316 --- -- ----- gd1980-09-06d3t11.wav 5:26.57 57640508 --- -- ----- gd1980-09-06d3t12.wav 212:01.49 2244101012 B (totals for 31 files) State Fairgrounds Lewiston ME SHN / CD-R

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06/28/85 Grateful Dead 06/28/85 Hershey Park Stadium Hershey, PA Source: 2 Sennheiser 441's > Sony D5 > Master Cassettes Mic Config: pointed at the stacks Location: 10 yard line, DFC Taper: Mark McCue Transfer: MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>wav files joined>CD Wave Editor(retracking)>Flac Frontend>FLAC16. Sector boundaries verified with TLH. .wav files encoded to .flac at level 6. Transfer by Mark McCue. Retracking, conversion and seeding to bt.etree.org by Alex Ford Disc 01 Set I: 01. Crowd/Tuning > 02. Cold Rain and Snow > 03. Promised Land 04. Ramble On Rose 05. Ain't Superstitious/Down In The Bottom > 06. Bird Song > 07. Comes A Time > 08. Deal Set II 09. The Music Never Stopped 10. Tom Thumb's Blues* Disc 02 Set II (cont): 01. Estimated Prophet > 02. Terrapin Station > 03. Drums > 04. Space > 05. I Need A Miracle > 06. Morning Dew > 07. Throwing Stones > 08. Not Fade Away Encore: 09. Keep Your Day Job Notes: - * d1t10 Phil's vocal mic cuts in @ 0:16 - 2 Sennheiser 421's were also on mic stand - 8 other decks were connected to this rig - photo labled taper's view00.jpg was taken from exact recording location Shntool Output: length expanded size cdr WAVE problems filename 0:44.67 7919228 --- -- ----- gd1985-06-28mccue-d1t01.wav 5:38.61 59766716 --- -- ----- gd1985-06-28mccue-d1t02.wav 4:18.73 45682940 --- -- ----- gd1985-06-28mccue-d1t03.wav 6:56.32 73457708 --- -- ----- gd1985-06-28mccue-d1t04.wav 7:02.65 74593724 --- -- ----- gd1985-06-28mccue-d1t05.wav 7:00.40 74182124 --- -- ----- gd1985-06-28mccue-d1t06.wav 6:42.35 70995164 --- -- ----- gd1985-06-28mccue-d1t07.wav 7:26.68 78834380 --- -- ----- gd1985-06-28mccue-d1t08.wav 8:52.67 94002428 --- -- ----- gd1985-06-28mccue-d1t09.wav 5:07.11 54180716 --- -- ----- gd1985-06-28mccue-d1t10.wav 11:54.52 126071948 --- -- ----- gd1985-06-28mccue-d2t01.wav 11:14.19 118938332 --- -- ----- gd1985-06-28mccue-d2t02.wav 11:15.69 119232332 --- -- ----- gd1985-06-28mccue-d2t03.wav 8:11.09 86633612 --- -- ----- gd1985-06-28mccue-d2t04.wav 4:04.62 43187468 --- -- ----- gd1985-06-28mccue-d2t05.wav 10:46.43 114055580 --- -- ----- gd1985-06-28mccue-d2t06.wav 8:58.10 94926764 --- -- ----- gd1985-06-28mccue-d2t07.wav 7:41.08 81339260 --- -- ----- gd1985-06-28mccue-d2t08.wav 4:13.36 44713916 --- -- ----- gd1985-06-28mccue-d2t09.wav 138:12.02 1462714340 B (totals for 19 files, 1.0000 overall compression ratio) MD5: 9e9ee8969a1272943793801a2e1d3673 *gd1985-06-28mccue-d1t01.flac 08be01ce46f3dab1e814c5d71670a12a *gd1985-06-28mccue-d1t02.flac 1bdb00a23ce44f535dd7b5bc2bb064ca *gd1985-06-28mccue-d1t03.flac 131b3a0e3c1de0fe2271f8016e914dad *gd1985-06-28mccue-d1t04.flac 0a8119fac247e0891f7cd29a8cab6c02 *gd1985-06-28mccue-d1t05.flac f146918c132b2ba24c117807bde45e59 *gd1985-06-28mccue-d1t06.flac a59a9b8f887b9c3f58ed93ea74da7f40 *gd1985-06-28mccue-d1t07.flac 031e907595113f47a0d1c0157f4f9910 *gd1985-06-28mccue-d1t08.flac 5a7e38286d75bbd3990ff407f51311a6 *gd1985-06-28mccue-d1t09.flac 597863bee2d0f8bdade076b44af4541a *gd1985-06-28mccue-d1t10.flac a9f3d9e16135ee663de5abac203dafb0 *gd1985-06-28mccue-d2t01.flac a3d55c0f1419b6fa5ffe60e0a623b085 *gd1985-06-28mccue-d2t02.flac 850027b4af8f44224e20445214482e48 *gd1985-06-28mccue-d2t03.flac 92fe98ad8d2731d8230ced33a298525e *gd1985-06-28mccue-d2t04.flac c31a56d078bb5f17d781d6b1678bf547 *gd1985-06-28mccue-d2t05.flac 4e1ca48d348deb281ec5cff12c2e93b1 *gd1985-06-28mccue-d2t06.flac 4d62c180bee0ac2c85e9a27962fab7fa *gd1985-06-28mccue-d2t07.flac 1c4527b3cc89017be0048c72bda7196a *gd1985-06-28mccue-d2t08.flac 37f17483e1f591908bbd8755251660d0 *gd1985-06-28mccue-d2t09.flac Flac Fingerprint: gd1985-06-28mccue-d1t01.flac:93aed3940df05e64f6e9910559a41250 gd1985-06-28mccue-d1t02.flac:a22c2ca2657e5c0ef5350c820c27281e gd1985-06-28mccue-d1t03.flac:024883a456f291d657c226026d3b9385 gd1985-06-28mccue-d1t04.flac:5bfa5f3b28f1aec9d8f77f905c68183b gd1985-06-28mccue-d1t05.flac:52b90c088cb96d1ba1269b7b87af3b4e gd1985-06-28mccue-d1t06.flac:6b9a0e43bb3a50b05047be4281a000f6 gd1985-06-28mccue-d1t07.flac:7e6fd1a207b8231f5ddbc28f5608cbd7 gd1985-06-28mccue-d1t08.flac:c0b37308399f1e0dc712f5ba2c8e38d9 gd1985-06-28mccue-d1t09.flac:0a6af1cd473e4b7af5b4da3fa76e45c5 gd1985-06-28mccue-d1t10.flac:f246f1c0ee05ab2659898561609381e6 gd1985-06-28mccue-d2t01.flac:617595d43c0d1d8db3307ecce3a9a228 gd1985-06-28mccue-d2t02.flac:abb65cdfe919672833a598823f0b844f gd1985-06-28mccue-d2t03.flac:2434202a7f062d8fc714826777cf5369 gd1985-06-28mccue-d2t04.flac:c412a383dd68e3500749ab8011e39a37 gd1985-06-28mccue-d2t05.flac:c174b27e392521719f9fb1f16f68027c gd1985-06-28mccue-d2t06.flac:30b5ebc00905d424d301bd7d432b1296 gd1985-06-28mccue-d2t07.flac:7fc0bc9798ed1e0198f95bd37f388af6 gd1985-06-28mccue-d2t08.flac:c9331498d9b7d1bb0af0d150fee39895 gd1985-06-28mccue-d2t09.flac:63e551f7668418f75c41a66267e68890 Hershey Park Stadium Hershey PA FLAC / CD-R

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06/30/85 Grateful Dead - June 30, 1985 Merriweather Post Pavilion Columbia, MD Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC (2 Discs Audio / 2 Discs FLAC) Converted By Charlie Miller charliemiller87@earthlink.net July 25, 2005 Notes: I've had these discs since 1999 and they are better than what currently circulates. I can't confirm the lineage 100%, but as I said, it is an upgrade. Set 1: d1t01 - Mississippi Half-Step Uptown Toodeloo -> d1t02 - C C Rider d1t03 - Brown Eyed Women d1t04 - Mama Tried -> d1t05 - Mexicali Blues d1t06 - Keep On Growing d1t07 - Big Railroad Blues d1t08 - Looks Like Rain -> d1t09 - Don't Ease Me In Set 2: d1t10 - Shakedown Street -> d1t11 - Samson And Delilah d2t01 - Gimme Some Lovin' -> d2t02 - He's Gone -> d2t03 - Cryptical Envelopment -> d2t04 - Drums -> Space -> d2t05 - The Other One -> d2t06 - Stella Blue -> d2t07 - Around And Around -> d2t08 - Sugar Magnolia Encore: d2t09 - U.S. Blues SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 8:30.52 90086348 --- -- --- gd85-06-30d1t01.wav 8:13.69 87127532 --- -- --- gd85-06-30d1t02.wav 6:05.08 64404860 --- -- --- gd85-06-30d1t03.wav 2:47.20 29505884 --- -- --- gd85-06-30d1t04.wav 5:10.41 54780476 --- -- --- gd85-06-30d1t05.wav 4:40.57 49526108 --- -- --- gd85-06-30d1t06.wav 4:18.04 45520652 --- -- --- gd85-06-30d1t07.wav 7:57.72 84312188 --- -- --- gd85-06-30d1t08.wav 3:51.26 40809596 --- -- --- gd85-06-30d1t09.wav 13:20.52 141242348 --- -- --- gd85-06-30d1t10.wav 8:00.26 84733196 --- -- --- gd85-06-30d1t11.wav 5:30.68 58371980 --- -- --- gd85-06-30d2t01.wav 11:22.09 120326012 --- -- --- gd85-06-30d2t02.wav 2:38.52 27993548 --- -- --- gd85-06-30d2t03.wav 21:32.19 227953532 --- -- --- gd85-06-30d2t04.wav 5:49.07 61580108 --- -- --- gd85-06-30d2t05.wav 8:55.03 94381100 --- -- --- gd85-06-30d2t06.wav 3:49.52 40517948 --- -- --- gd85-06-30d2t07.wav 8:55.03 94381100 --- -- --- gd85-06-30d2t08.wav 4:50.54 51283052 --- -- --- gd85-06-30d2t09.wav 146:20.19 1548837568 B (totals for 20 files) Merriweather Post Pavilion Columbia MD FLAC / CD-R

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09/18/87 9/18/87 - Grateful Dead Madison Square Garden, New York, NY Lineage: Soundboard (Healy Ultra Box)->Cassette Master Transfer: Cassette Master->HHb CDR-850 (pass-through only)-> ZA2->.wav->mkw->SHN Transfer and SHN by Joe Samaritano 12/21/2003 Notes: 1. I am seeding another source of this show because it is one of the best latter days shows, IMO. 2. The beginning of Shakedown is *not* clipped and most of Space is *not* missing, as they are on the PCM source. 3. The cassettes have a 45 second gap between Walkin' Blues and Candyman, with Candyman fading in and missing a few seconds. This was likely due to a lost connection, fade-out, or deck pause. I shortened the gap and left it as is. This can be patched from the PCM source, if desired. 4. Cassette flips are between Masterpiece and Bird Song and towards the end of Space. I split discs 2 and 3 right at the Space cassette flip. I don't know how much Space was lost due to the flip, likely just a few seconds. Set 1: d1t01 - Bucket d1t02 - Sugaree d1t03 - Walkin' Blues d1t04 - Candyman d1t05 - Masterpiece d1t06 - Bird Song Set 2: d2t01 - Shakedown Street d2t02 - Man Smart d2t03 - Terrapin d2t04 - Drums d2t05 - Space Set 2 (con't) d3t01 - Space (con't) d3t02 - GDTRFB d3t03 - Watchtower d3t04 - Morning Dew d3t05 - Good Lovin' d3t06 - La Bamba d3t07 - Good Lovin' d3t08 - E: Heaven's Door Madison Square Garden New York NY SHN / CD-R

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10/09/89 Grateful Dead - October 9, 1989 Hampton Coliseum - Hampton, VA **Formerly The Warlocks** Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net Patch Info: The following songs were patched from SBD>Cm>Dat>CD>Samplitude>WAV Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy There is also a patch in Row Jimmy from 0:09 - 0:15 from Schoeps CMC4/MK21>Dat>SEK'D Prodif32>Sound Forge>CD>Samplitude>WAV Notes: -- Discs 2 and 3 can be re-joined seamlessly -- Parts of Row Jimmy mono due channel loss in left channel -- Feel Like A Stranger appears on Without A Net Set 1: d1t01 - Tuning d1t02 - Feel Like A Stranger d1t03 - Built To Last d1t04 - Little Red Rooster d1t05 - Ramble On Rose d1t06 - We Can Run d1t07 - Jack-A-Roe d1t08 - Stuck Inside Of Mobile With The Memphis Blues Again d1t09 - Row Jimmy d1t10 - The Music Never Stopped Set 2: d2t01 - Tuning d2t02 - Playing In The Band -> d2t03 - Uncle John's Band -> d2t04 - Playing In The Band Reprise -> d2t05 - Dark Star -> d2t06 - Drums -> d3t01 - Space -> d3t02 - Death Don't Have No Mercy -> d3t03 - Dear Mr. Fantasy -> d3t04 - Hey Jude -> d3t05 - Throwing Stones -> d3t06 - Good Lovin' Encore: d3t07 - Crowd/Tuning d3t08 - Attics Of My Life SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 1:59.57 21125708 --- -- --- gd89-10-09d1t01.wav 7:51.73 83256140 --- -- --- gd89-10-09d1t02.wav 5:22.37 56887868 --- -- --- gd89-10-09d1t03.wav 9:30.07 100564508 --- -- --- gd89-10-09d1t04.wav 8:06.14 85763372 --- -- --- gd89-10-09d1t05.wav 6:41.21 70785836 --- -- --- gd89-10-09d1t06.wav 4:39.22 49267388 --- -- --- gd89-10-09d1t07.wav 11:26.67 121168028 --- -- --- gd89-10-09d1t08.wav 11:13.05 118729004 --- -- --- gd89-10-09d1t09.wav 8:12.69 86951132 --- -- --- gd89-10-09d1t10.wav 4:04.73 43213340 --- -- --- gd89-10-09d2t01.wav 10:42.31 113321756 --- -- --- gd89-10-09d2t02.wav 12:05.40 127984124 --- -- --- gd89-10-09d2t03.wav 2:20.61 24839516 --- -- --- gd89-10-09d2t04.wav 19:22.67 205134428 --- -- --- gd89-10-09d2t05.wav 9:11.04 97205852 --- -- --- gd89-10-09d2t06.wav 7:41.06 81334556 --- -- --- gd89-10-09d3t01.wav 8:34.64 90820172 --- -- --- gd89-10-09d3t02.wav 4:37.26 48923996 --- -- --- gd89-10-09d3t03.wav 3:47.66 40198076 --- -- --- gd89-10-09d3t04.wav 10:19.07 109208108 --- -- --- gd89-10-09d3t05.wav 6:52.71 72843836 --- -- --- gd89-10-09d3t06.wav 2:28.25 26166044 --- -- --- gd89-10-09d3t07.wav 5:31.73 58560140 --- -- --- gd89-10-09d3t08.wav 182:45.11 1934252928 B (totals for 24 files) Hampton Coliseum Hampton VA FLAC / CD-R

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12/06/89 12/6/89 - Grateful Dead Oakland Coliseum - Oakland, CA Earthquake Relief Benefit ---------------------------------------------------------------------------------------- Fix of shnid 14917 The following fix was made to this source: the transition between disks 2 and 3 was made seamless. The original SHNs were seekable but had the seek tables as separate files, so I converted them to FLAC to make things easier. Thanks to Charlie Miller for providing the overlap that made this fix possible. Bill Tetzeli, btet@adelphia.net 2/16/2006 ---------------------------------------------------------------------------------------- Recording Info: SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/21/03 Set 1: d1t01 - Shakedown Street -> d1t02 - Walkin' Blues d1t03 - Friend Of The Devil d1t04 - Queen Jane Approximately d1t05 - Jack-A-Roe d1t06 - Just A Little Light d1t07 - Victim Or The Crime d1t08 - Don't Ease Me In Set 2: d2t01 - Scarlet Begonias -> d2t02 - Sugar Magnolia -> d2t03 - Ship Of Fools* -> d2t04 - Terrapin Station -> d2t05 - Drums -> d3t01 - Space* -> d3t02 - The Wheel* -> d3t03 - All Along The Watchtower* -> d3t04 - Standing On The Moon* -> d3t05 - Sunshine Daydream* d3t06 - (Encore) Black Muddy River* * With Clarence Clemons MD5: bdbe3eb7ee9e775a439d502d9f4bb951 *gd89-12-06d1t01.flac 6fdb5919ea556569931ddb4a4469ed73 *gd89-12-06d1t02.flac 97622ac26476381b9e608a8807a04b74 *gd89-12-06d1t03.flac d261e7f0b4e27ea1c11220a600c9beb3 *gd89-12-06d1t04.flac 4dc213ccc27dc79973aa94024d6b0d10 *gd89-12-06d1t05.flac 523c420b1d2acf684e71dc2dbacb6a7b *gd89-12-06d1t06.flac d6cd3f39664959fa9ca8fa3279d18d77 *gd89-12-06d1t07.flac 9b32d87a3f245524de753be5ff4eb658 *gd89-12-06d1t08.flac 5828f0017ba163499aee2f0aad792e75 *gd89-12-06d2t01.flac f9b365c5c7621d6d542474dbe7d6f8a0 *gd89-12-06d2t02.flac 32e661cdc39562516dd34d4ca397f7a7 *gd89-12-06d2t03.flac 5dc767946a25951187f6f68590fb9ee9 *gd89-12-06d2t04.flac d49142db18ac00372520747e98d1f01f *gd89-12-06d2t05.flac 03000debbbbba87ba7965f25532fef27 *gd89-12-06d3t01.flac a9b01ab46aa14f64cdeb2e6289413e6c *gd89-12-06d3t02.flac e67ffc3aa9ee9c8c703e6844c5b4c3c3 *gd89-12-06d3t03.flac 3c9b2089d805e2624360bd179b1fd336 *gd89-12-06d3t04.flac fd128ac970bbdf9627c0fabe169f2be0 *gd89-12-06d3t05.flac 8c5900b4033a2c21c0d6bd7d07264c86 *gd89-12-06d3t06.flac FLAC fingerprint: gd89-12-06d1t02.flac:fe6c3f2657cde6a3a6cfa013ac36cc13 gd89-12-06d1t03.flac:889fee7cbf0f040ec4d8d590f04311dc gd89-12-06d1t04.flac:37ccc9b272abdc6f44624dfbdfb5c2d8 gd89-12-06d1t05.flac:60a890383f3cf29bfcc2c8deadb3a8cc gd89-12-06d1t06.flac:aa8469e4f20be0c97f4d64283a985cb0 gd89-12-06d1t07.flac:8b450764abdf034945b8148b22fe2c3e gd89-12-06d1t08.flac:2dbb80da42462fe3241698578652e2b8 gd89-12-06d2t01.flac:3bd844ee0ecc1c2ffb5f0da09312e5c7 gd89-12-06d2t02.flac:76c74b3037d0beff531d229ca27a711b gd89-12-06d2t03.flac:40a0bdf4eae6e77042c236b5a6abe86b gd89-12-06d2t04.flac:be315267d72414695e758f3fd03f65c2 gd89-12-06d2t05.flac:6c769b42a9ef8578a672e09e469f86ab gd89-12-06d3t01.flac:6b0080f9733fd75ea5d2c85a0dcc9e8f gd89-12-06d3t02.flac:7431f6e3d0a085068202e1417a126ce6 gd89-12-06d3t03.flac:b7742d5d58357ad3183af2c68294e7f2 gd89-12-06d3t04.flac:ce86111d3b72ae0a87b65615032b15cf gd89-12-06d3t05.flac:8a7b59091d9f65d3348172168271473b gd89-12-06d3t06.flac:614b37a85017f8fb010c97989d182d43 gd89-12-06d1t01.flac:33c33da428bba76effb77a9a33ba47c9 SHNTOOL OUTPUT: length expanded size cdr WAVE problems filename 12:57.21 137112236 --- -- ---xx gd89-12-06d1t01.flac 7:24.12 78349868 --- -- ---xx gd89-12-06d1t02.flac 9:33.14 101110172 --- -- ---xx gd89-12-06d1t03.flac 8:29.65 89940524 --- -- ---xx gd89-12-06d1t04.flac 6:35.66 69833276 --- -- ---xx gd89-12-06d1t05.flac 7:10.12 75880268 --- -- ---xx gd89-12-06d1t06.flac 8:26.31 89331356 --- -- ---xx gd89-12-06d1t07.flac 3:25.45 36267884 --- -- ---xx gd89-12-06d1t08.flac 8:05.71 85721036 --- -- ---xx gd89-12-06d2t01.flac 2:56.57 31180508 --- -- ---xx gd89-12-06d2t02.flac 7:43.58 81809660 --- -- ---xx gd89-12-06d2t03.flac 22:46.39 241054172 --- -- ---xx gd89-12-06d2t04.flac 8:24.13 88936220 --- -- ---xx gd89-12-06d2t05.flac 9:47.24 103603292 --- -- ---xx gd89-12-06d3t01.flac 4:46.37 50537468 --- -- ---xx gd89-12-06d3t02.flac 5:52.65 62245724 --- -- ---xx gd89-12-06d3t03.flac 10:39.08 112738460 --- -- ---xx gd89-12-06d3t04.flac 6:20.33 67109660 --- -- ---xx gd89-12-06d Oakland-Alameda County Coliseum Oakland CA SHN / CD-R

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03/29/90 3/29/90 - Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY ------------------------------------------------------------------------------------ Fix of shnid 26341 At first I wasn't going to fix this because there was no overlap between CDs 2 and 3, but then on a faint hope I went to archive.org looking for a suitable AUD for patch material; sure enough, I very tasty purported FOB of set 2 is sitting there, ripe for the download. I say purported because it's extremely clean, and per my ears and comments both on archive and etree it's most likely a board or matrix. The only flaw is Branford is either very low or missing entirely during space, where in the Miller seed he's very prominent. I used this source to patch in about 15 seconds of missing space between the end of CD 2 and the beginning of CD 3 (1:06-1:20 on the new d3t01) using CE Pro. Shntool was used to correct resulting SBEs and the SHNs were converted to FLAC (I was going to reconvert them back to seekable shns as they were originally, but after reading about the problems some people have with them I decided on the flac route). ------------------------------------------------------------------------------------ Recording Info: Main source: SBD -> Dat -> CD Patch source: purported FOB > DAT > ? > CDR, likely SBD or matrix (shnid 1317) SHN Conversion By Charlie Miller charliemiller87@earthlink.net 10/18/04 Notes: --This source doesn't have any of the flaws that the other etree sources have. Set 1; d1t01 - Jack Straw -> d1t02 - Bertha d1t03 - We Can Run d1t04 - Ramble On Rose d1t05 - When I Paint My Masterpiece d1t06 - Bird Song -> d1t07 - The Promised Land Set 2: d2t01 - Eyes Of The World -> d2t02 - Estimated Prophet -> d2t03 - Dark Star -> d2t04 - Drums -> d3t01 - Space -> d3t02 - Dark Star -> d3t03 - The Wheel -> d3t04 - Throwing Stones -> d3t05 - Turn On Your Lovelight Encore: d3t06 - Knockin' On Heaven's Door Notes: -- Branford Marsalis plays saxophone on Bird Song and Promised in Set 1 and the entire 2nd Set, except for Drums. MD5 checksum: 6870e8e1fd865c37ed056fb871f82bb4 *gd90-03-29d1t01.flac ba6d989583e83b444f924a2fc45e2b61 *gd90-03-29d1t02.flac a752388e479654395c0101fd052de315 *gd90-03-29d1t03.flac 5da73852685895d845f28a2cf89ae6c4 *gd90-03-29d1t04.flac ae4d8b133b430106fc0cdd435908dd4b *gd90-03-29d1t05.flac b1fa6bdd5d050bee60db2c705ed3588e *gd90-03-29d1t06.flac 2b4fe00bed296abe7b155e18a4816d62 *gd90-03-29d1t07.flac b3ca384d5179a1d035d1cee0111b4cd7 *gd90-03-29d2t01.flac edce9a5d01ec16e33702b0f1b0babfa6 *gd90-03-29d2t02.flac 6122f28ad72f09a5bf2c066fa5bd2253 *gd90-03-29d2t03.flac cb91e8eedf16a7d79f53eb51e39d5e52 *gd90-03-29d2t04.flac 06a00e6fb95f9151182bb5833473dbee *gd90-03-29d3t01.flac 73c76354135beea7e181ef99e9817715 *gd90-03-29d3t02.flac 17612fe7072b86b3711fae43e2bde02f *gd90-03-29d3t03.flac e51d931453cca09faa94b342168c6e71 *gd90-03-29d3t04.flac 274ddbc7336cc55f562f991da73384b0 *gd90-03-29d3t05.flac 1a964e78a7723565da282192c25b0b6b *gd90-03-29d3t06.flac FLAC ffp: gd90-03-29d1t01.flac:3055d5c12803271873f12e11a81816ae gd90-03-29d1t02.flac:5dcba1fa599b9ce144b7f4e15d4e9ecd gd90-03-29d1t03.flac:6aec558a0e0f44b3cf8a82b715552f93 gd90-03-29d1t04.flac:99b41571978a2dd379dc83ddd79268f7 gd90-03-29d1t05.flac:44d66357a851aab2cf79a726eb196fa9 gd90-03-29d1t06.flac:f10ceae779fad3482451d011e84b33aa gd90-03-29d1t07.flac:67a9a493ba3aa91b7c442d110645539c gd90-03-29d2t01.flac:005f19985b024bc7587fed2506233129 gd90-03-29d2t02.flac:91261b049c7d42fd91dfc16843bfc0c9 gd90-03-29d2t03.flac:c5b62388c2aa72632c58c6d12d447d5e gd90-03-29d2t04.flac:8759399d6393e96181ded678f2f36943 gd90-03-29d3t01.flac:a842e0e641b57dbc2d51bc080f447227 gd90-03-29d3t02.flac:aab0d0cee6e4482b13f7dc82ab7c9ecb gd90-03-29d3t03.flac:570cb6b5492c4c729e7f119963153706 gd90-03-29d3t04.flac:bf638ad9409ad0d58ea8b113986b9fb4 gd90-03-29d3t05.flac:f51d3876d9d6e388e0d4befa82ea17cc gd90-03-29d3t06.flac:4c117972431fb20d7aec19640d18f140 shntool output: length expanded size cdr WAVE problems filename 6:04.00 64209644 --- -- ---xx gd90-03-29d1t01.flac 6:58.35 73817564 --- -- ---xx gd90-03-29d1t02.flac 6:14.13 66004220 --- -- ---xx gd90-03-29d1t03.flac 8:01.02 84853148 --- -- ---xx gd90-03-29d1t04.flac 6:09.08 65110460 --- -- ---xx gd90-03-29d1t05.flac 13:06.34 138730412 --- -- ---xx gd90-03-29d1t06.flac 4:41.03 49575500 --- -- ---xx gd90-03-29d1t07.flac 16:25.66 173909276 --- -- ---xx gd90-03-29d2t01.flac 14:48.24 156699692 --- -- ---xx gd90-03-29d2t02.flac 18:19.20 193910684 --- -- ---xx gd90-03-29d2t03.flac 9:24.07 99506108 --- -- ---xx gd90-03-29d2t04.flac 8:39.29 91619852 --- -- ---xx gd90-03-29d3t01.flac 2:46.69 29444732 --- -- ---xx gd90-03-29d3t02.flac 4:23.05 46405004 --- -- ---xx gd90-03-29d3t03.flac 9:25.03 99673100 --- -- ---xx gd90-03-29d3t04.flac 7:10.32 75927308 --- -- ---xx gd90-03-29d3t05.flac 8:28.70 89775884 --- -- ---xx gd90-03-29d3t06.flac 151:05.45 1599172588 B (totals for 17 files, 0.5667 overall compression ratio) Nassau Coliseum Uniondale NY FLAC / CD-R

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03/30/90 Grateful Dead 03/30/90 Nassau Veterans Memorial Coliseum Uniondale, NY ---------------------------------------------------------------------------------------- Fix of shnid 8511 The following fix was made to this source: the transition between disks 2 and 3 was made seamless. CD 3 was retracked in CDWave to fix SBEs resulting from fix. Bill Tetzeli, btet@adelphia.net 2/16/2006 ---------------------------------------------------------------------------------------- SOURCE: 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN Disc 1 Set I: 01. Help On The Way > (03:14:52) 02. Slipknot! > (06:22:24) 03. Franklin's Tower (03:19:62) 04. Little Red Rooster (08:41:73) 05. Dire Wolf (03:20:68) 06. It's All Over Now (06:41:04) 07. Just Like Tom Thumb's Blues (05:49:54) 08. Picasso Moon (07:45:11) 09. Don't Ease Me In (03:19:07) Total Time: (54:34) Disc 2 Set II: 01. Iko Iko (06:55:09) 02. Playing In The Band > (09:16:13) 03. China Doll > (05:39:28) 04. Uncle John's Band > (07:59:13) 05. Terrapin Station > (13:08:06) 06. Drums > (9:23:46) Total Time: (52:21) Disc 3 Set II (Cont.) 01. Space > (11:36:34) 02. I Need A Miracle > (04:00:28) 03. Gimme Some Lovin' > (04:52:57) 04. Standing On The Moon > (08:52:36) 05. Not Fade Away (09:52:29) Encore: 06. Attics Of My Life (05:00:24) Total Time: (44:14) Known Flaws: d1t05 (Dire Wolf) - silence during crowd noise at end of track. d1t08 (Picasso Moon) - momentary drop off in left channel sound level @ 00:07. d2t06 (Drums) - some diginoise at beginning. d2t06 (Drums) - dropout/splice @ 02:35. d2t06 (Drums) - possible diginoise @ approx. 07:20 to end. Sounds like it might be from the equipment. Contributors: Thanks to Glenn Gillis for making these great soundboards from the 1990 Nassau Coliseum run available. etree seeding done by Gerald Gorinsky (elgilhooley@aol.com) MD5 checksum: c3da7aba29d25e81e99812079978265f *gd90-03-30d1t01.shn 24497cc8f1b95a4e31275e19b3653fd2 *gd90-03-30d1t02.shn 1a2ff0166ae0f2985ed0526ed3b0913b *gd90-03-30d1t03.shn 3b5ebf7bc73ae0fbed4dcec96933e825 *gd90-03-30d1t04.shn 25715fd9287c6ccf8000a7d572da26aa *gd90-03-30d1t05.shn 82ad6e5f7ffbc7fb88c7426b40346230 *gd90-03-30d1t06.shn 77016e597be0ee321ca447763bdf0e11 *gd90-03-30d1t07.shn cfd12a0cf584b3f7e38baaa98362f69a *gd90-03-30d1t08.shn d2c0af7bc33c7980ae032aeb57c29572 *gd90-03-30d1t09.shn bfd26096f8e07bd06201903d9caee592 *gd90-03-30d2t01.shn b8dc1ece8405c803ab8868a5a9404898 *gd90-03-30d2t02.shn 3c7f1e1af763cba24313f5d45aba9165 *gd90-03-30d2t03.shn 53f4f7aaf0a2686abce5e07aa0a057f1 *gd90-03-30d2t04.shn 569ffe53c7f250f82be43249e83c1cb6 *gd90-03-30d2t05.shn 286e29ca1132f64066ff7f31132b8208 *gd90-03-30d2t06.shn d03c3d1c87a1a6430139f3afe16b7547 *gd90-03-30d3t01.shn 8892892f491976221ce6dce3f35b5294 *gd90-03-30d3t02.shn 6cca75d254c7430c2d33c546956d615b *gd90-03-30d3t03.shn 13feac9fa798ffb65b97e580ed355508 *gd90-03-30d3t04.shn 10209ab3003c103544cabf7334874f49 *gd90-03-30d3t05.shn 281df744c002f947654bf1960d0feee7 *gd90-03-30d3t06.shn shntool: length expanded size cdr WAVE problems filename 3:14.52 34343948 --- -- ---xx gd90-03-30d1t01.shn 6:22.24 67441292 --- -- ---xx gd90-03-30d1t02.shn 9:19.62 98753468 --- -- ---xx gd90-03-30d1t03.shn 8:41.73 92076140 --- -- ---xx gd90-03-30d1t04.shn 3:20.68 35439980 --- -- ---xx gd90-03-30d1t05.shn 6:41.04 70745852 --- -- ---xx gd90-03-30d1t06.shn 5:49.54 61690652 --- -- ---xx gd90-03-30d1t07.shn 7:45.11 82051916 --- -- ---xx gd90-03-30d1t08.shn 3:19.07 35120108 --- -- ---xx gd90-03-30d1t09.shn 6:55.09 73227212 --- -- ---xx gd90-03-30d2t01.shn 9:16.13 98109020 --- -- ---xx gd90-03-30d2t02.shn 5:39.28 59865500 --- -- ---xx gd90-03-30d2t03.shn 7:59.13 84526220 --- -- ---xx gd90-03-30d2t04.shn 13:08.06 139017356 --- -- ---xx gd90-03-30d2t05.shn 9:22.32 99212108 --- -- ---xx gd90-03-30d2t06.shn 11:14.01 118895996 --- -- ---xx gd90-03-30d3t01.shn 4:00.42 42434828 --- -- ---xx gd90-03-30d3t02.shn 4:52.60 51649964 --- -- ---xx gd90-03-30d3t03.shn 8:52.38 93934220 --- -- ---xx gd90-03-30d3t04.shn 9:49.36 103984316 --- -- ---xx gd90-03-30d3t05.shn 5:03.10 53473068 -b- -- ---xx gd90-03-30d3t06.shn 150:47.43 1595993164 B (totals for 21 files, 0.5673 overall compression ratio) Nassau Coliseum Uniondale NY SHN / CD-R

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06/10/90 Grateful Dead 06/10/90 Cal Expo Amphitheatre Sacramento, CA Source: SBD/Matrix > DAT > CDR > WAV > SHN Disc 1 - Set 1 01 Bertha 02 Jack Straw 03 we want phil - 'there's this rumor goin' round...' 04 Dire Wolf 05 Wang Dang Doodle 06 Row Jimmy 07 Picasso Moon 08 Tennessee Jed* 09 The Promised Land Disc 2 - Set 2 01 Box Of Rain 02 Eyes Of The World > 03 Playing In The Band > 04 Crazy Fingers > Playing Jam > 05 Drums > 06 More Drums > 07 Space > Disc 3 - Set 2 (cont'd) 01 Gimme Some Lovin' > 02 Standing On The Moon > 03 Throwing Stones > 04 Not Fade Away encore 05 The Last Time comments: *d/o fixed with splice from mike lai's audience source at 1:29 - 1:30 - (beeeeee.... bay-be) to be more specific. Seeds via C. Miller. EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo getting by with a little help from his friends.... Cal Expo Sacramento CA SHN / CD-R

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09/10/91 Grateful Dead 9/10/91 Madison Square Garden New York, NY -------------------------------------------------------------------------------------- Fix of shnid 511 I made the transition between CDs 2 and 3 seamless and cleaned up the resulting SBEs using shntool. I also converted the nonseekable SHNs into FLAC. Many thanks to whomever did the DAT>CD transfer and provided the unfaded overlap between the two discs that made this fix possible. (I also renamed d3t01 Space (had been "drums continued") because Jerry and other members of the band are audible for a considerable portion.) Overlapping fade tracks were added to the end of CD2 and the beginning of CD 3 for those wishing to burn to CD. Remove the fade tracks for seamless play. Bill Tetzeli (btet@adelphia.net) 11:52 AM 4/9/2006 -------------------------------------------------------------------------------------- Source: DSBD>DATs>CDRs>EAC>SHN Disk I: SET 1 1. Shakedown Street 2. C.C. Rider > 3. It Takes A Lot To Laugh It Takes A Train To Cry 4. Black-Throated Wind 5. High Time 6. Cassidy 7. Deal Disk II SET 2 1. Help On The Way > Slipknot! > Franklin's Tower 2. Estimated Prophet > 3. Dark Star > 4. Drums > Disk III Set 2, Cont. 1. Space > 2. Dark Star Reprise > 3. I Need A Miracle > 4. Standing On The Moon > 5. Turn On Your Love Light 6. E. It's All Over Now Baby Blue Entire show with Branford Marsalis Shorten encoded by dnsacks@usa.net MD5 checksum: 19a009ae9b09144a2af58a342e2e665a *gd91-09-10d1t01.flac 53cbaaab40af8e94a5fa060ab1c73036 *gd91-09-10d1t02.flac 6d1abd4460fbaba189db95311d8c6634 *gd91-09-10d1t03.flac 0a68f6ee7471fa7da33bc01f11cd88b3 *gd91-09-10d1t04.flac 83ed3be496e51585a0a12739450ef292 *gd91-09-10d1t05.flac 885b1b25d38e306d3622dee8eb6d9d01 *gd91-09-10d1t06.flac 25300eb196b96e00ddb406d247a1c732 *gd91-09-10d1t07.flac 7b144a57e8d67457babeb66f9cf5c7f6 *gd91-09-10d2t01.flac c7b528abe04c417bbabc7a5dddd06a47 *gd91-09-10d2t02.flac 6c9e26d7e31393106b5b0fd2a7bb555a *gd91-09-10d2t03.flac db9890ef2c896c63102047f3f1e99d2e *gd91-09-10d2t04.flac b86043a9108d73827e7ce1eb22b64dec *gd91-09-10d2t04fade.flac dbe51594d885ce769f9630155681eee4 *gd91-09-10d3t01fade.flac 34d19355ee19caee620805970b47f5a7 *gd91-09-10d3t01.flac ca08b7ad843e9e1b03f1cbda8c953daa *gd91-09-10d3t02.flac 154c5b6f5d3f67ff31caeccbe5797dd4 *gd91-09-10d3t03.flac 0674472a5c07c5a1bc703a9c47c8aaee *gd91-09-10d3t04.flac a6827e7e186217fb80fa2a6223924f4b *gd91-09-10d3t05.flac 721d1ec2c8b88d0b3be40a3ab7b36275 *gd91-09-10d3t06.flac FLAC fingerprint: gd91-09-10d1t01.flac:09652833dfb9467bbe70df46d9757627 gd91-09-10d1t02.flac:91a43b283502676a4d2102ca7cadac60 gd91-09-10d1t03.flac:19a72b043eeb7e59ff34469cfdc9adeb gd91-09-10d1t04.flac:8e73cde1ea01e75ed6f57c399ea02d2b gd91-09-10d1t05.flac:2c02766c625bb6a6d29c045979bef26c gd91-09-10d1t06.flac:9ca611d6d12b92825d23fb2ec8b05286 gd91-09-10d1t07.flac:7ca6ed66298fa22581f95b88fd39b421 gd91-09-10d2t01.flac:89190e25b4c65b4fd20e25c9953931cc gd91-09-10d2t02.flac:eaf1501634ef32ec4cad01019f308bd8 gd91-09-10d2t03.flac:53a29af67adc38d5dcd12f9fba7ecb85 gd91-09-10d2t04.flac:b91e55984b1759c83fb7685a98aadc2b gd91-09-10d3t01.flac:1d6401aa54ed9419abdff3263773a78b gd91-09-10d3t02.flac:25363317848e7f737752f1d3acc55a2e gd91-09-10d3t03.flac:4ad050838490d6fb4ef9cc7a4b8c08a0 gd91-09-10d3t04.flac:508d3873dd2b8778e35531eff9e67cf1 gd91-09-10d3t05.flac:9a002a2962fc757498eff7d43d4761db gd91-09-10d3t06.flac:8a2c4bbfca08aed8532b2c192f91045f shntool output: length expanded size cdr WAVE problems filename 13:53.19 146985932 --- -- ---xx gd91-09-10d1t01.flac 5:55.19 62666732 --- -- ---xx gd91-09-10d1t02.flac 6:24.16 67775276 --- -- ---xx gd91-09-10d1t03.flac 7:10.39 75943772 --- -- ---xx gd91-09-10d1t04.flac 9:00.18 95298380 --- -- ---xx gd91-09-10d1t05.flac 8:33.65 90646124 --- -- ---xx gd91-09-10d1t06.flac 9:23.01 99315596 --- -- ---xx gd91-09-10d1t07.flac 23:13.62 245871068 --- -- ---xx gd91-09-10d2t01.flac 13:04.67 138455228 --- -- ---xx gd91-09-10d2t02.flac 12:18.45 130289084 --- -- ---xx gd91-09-10d2t03.flac 8:14.48 87254540 --- -- ---xx gd91-09-10d2t04.flac 0:11.39 2032172 --- -- ---xx gd91-09-10d2t04fade.flac 4:53.67 51842828 --- -- ---xx gd91-09-10d3t01.flac 0:07.57 1368908 --- -- ---xx gd91-09-10d3t01fade.flac 12:11.69 129110732 --- -- ---xx gd91-09-10d3t02.flac 4:16.40 45252524 --- -- ---xx gd91-09-10d3t03.flac 9:00.35 95338364 --- -- ---xx gd91-09-10d3t04.flac 9:26.58 99978860 --- -- ---xx gd91-09-10d3t05.flac 6:42.54 71039852 --- -- ---xx gd91-09-10d3t06.flac 164:03.68 1736465972 B (totals for 19 files, 0.5128 overall compression ratio) Madison Square Garden New York NY FLAC / CD-R

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Howard Wales & Friends---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
01/26/72 Howard Wales and Friends (with Jerry Garcia) Symphony Hall, Boston, MA 1/26/72 - 2 cds -------------------- From Dick Hitche analog collection. Dick is a friend of Dan's who we have gotten a number of Quicksilver cd's from. He has an amazing collection of other bands and some very tasty and rare dead. I believe that he recorded this show from FM to Reel to Reel and then to stand alone cd. He doesn't have a computer so he sent me the cds. I extracted using EAC and then converted to shn. FMSBD>RR>CD>EAC>SHN The material of this show is I quess mainly Howard Wales tunes, not the normal Jerry songs that evolved later with M Saunders. The tracks do not quite match all of the differtent songs listed for the show, but some nice long "funky" jams. This I believe is one of the earliest Jerry Shows on tape and the sound quality is good. Hope you enjoy. -------------------------------------------- 01/26/72 Symphony Hall, Boston, MA top cd1 Set One: (21 songs) Southside Strut > Up From The Desert > One AM Approach > Come On Baby > Jam Outer Space Regions > Carry Me Back > Bass Solo > Get Funky Brother > A Trip To What Next > Would You Leave Me > Wale's Boogie cd2 Get Down Mama (1) > DC 502 (1) > Drums (1) > DC 502 (1) Sweet Little Angel > Sweet Cocaine > Jam > Fighting For Madge > Don't Judge A Book (2) Encore: Gypsy Woman Comments: (1) without Garcia. (2) Roger Troy introduces the band after Don't Judge A Book. Jerry introduces the band after Wale's Boogie. Band consists of Jerry Garcia, Howard Wales, Jim Vincent, Jerry Love & Roger Troy (aka Jellyroll). FM Broadcast WBCN. Many tapes don't contain the encore, and honestly, I'm unsure of the correct name, though an encore was played. Recordings: 100 FM Contributors: Jeff Tiedrich, Ryan Shriver, Steve McHenry f Tiedrich, Ryan Shriver, Steve McHenry Symphony Hall Boston MA SHN / CD-R

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Janis Joplin---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
08/12/70 Janis Joplin Live at Harvard Stadium 1970-08-12 The rarest Janis boot! This outdoor festival-style recording was made into the rarest Janis Joplin bootleg "Wicked Woman". I was *extremely lucky* to find a mint copy of this LP, and to be able to restore it for you. This is one of the last known recordings of Janis and her band. It's quite listenable to. Janis does a great rendition of "Mercedes Benz". The only photo I could find of the album cover is included in the torrent. Intro Tell Mama Half Moon Mercedes Benz My Baby Try Maybe Summertime Untitled Instrumental Lineage -> LP ->Sound Forge ->3x notch filtering ->"Dead Space" noise reduction ->Flac Enjoy! A DoinkerTape Harvard Stadium Cambridge MA FLAC / CD-R

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Janis Joplin & The Kozmic Blues Band---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
02/12/69 Janis Joplin : 2/12/69 Fillmore East, New York Soundboard Recording>CDR>FLAC>CDR>SHN Transfered and Seeded on 6/15/04 By "The Katt" Raise Your Hands As Good As You've Been (To This World) Maybe Summertime To Love Somebody Your The Only One Who Really Knows Walk Right Eord Me Lord Piece Of My Heart Ball And Chain If you like Janis, Don't pass this one up! This is a very low generation Soundboard Recording of an excellent show. I recieved this show on CDR and I used Soundforge 6.0 to apply speed correction. The original CDR was Very Slow....Almost two full steps down . Enjoy ~ Lestatkatt Fillmore East New York NY SHN / CD-R

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Jeff Buckley---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
09/11/94 JEFF BUCKLEY Loft, Berlin 11. Sep. 1994 01. Mojo Pin 02. 'Tune Up Song' 03. Dream Brother 04. Last Goodbye 05. What Will You Say, When You See My Face 06. So Real 07. Lilac Wine 08. Grace 09. Lover, You Should've Come Over 10. Eternal Life 11. Hallelujah OKM IIr > SONY D100 >CD >EAC >CDwave >FLAC The Loft Berlin Germany FLAC / CD-R

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Jefferson Airplane---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
10/04/70 Jefferson Airplane - October 4, 1970 - Fillmore West, San Francisco, CA Source: KSAN FM broadcast Sound Rating: A- Lineage:FM>?>Trade CD-R>EAC (Secure)>WAV>FLAC Frontend 1.1>FLAC (8) One 80 min Disc. Total Time:76:37 Station ID hidden within. Uncensored comments by Grace. Paul Kantner (vocals, guitars), Marty Balin (vocals), Jack Casady (Bass), Jorma Kaukonen (guitars, vocals), Joey Covington (percussion), Grace Slick (vocals). 1. Have You Seen the Saucers 2. Crown of Creation 3. Somebody to Love 4. Mexico 5. Up or Down 6. Whatever the Old Man Wants 7. Emergency 8. Wooden Ships 9. Bludgeon of a Bluecoat 10. Greasy Heart 11. You Wear Your Dresses Too Short 12. We Can Be Together 13. Volunteers ************************************************************************************* * FOR TRADE ONLY - NEVER FOR SALE ! * * DO NOT ENCODE TO MP3 (OR OTHER LAME LOSSY FORMATS) AND REDISTRIBUTE * ************************************************************************************* Fingerprints: ja1970-10-04d1t13.flac:a023fcf0deec92235d8fa81d5400a9d6 ja1970-10-04d1t02.flac:02c0b7ef474ffae766f9edfab6d49e2a ja1970-10-04d1t03.flac:412123811baa9d5b268e4ec0e4762efc ja1970-10-04d1t04.flac:931980f69b562be9c69b7b0ffc34fc13 ja1970-10-04d1t05.flac:04d77ab67400c3aac8cf297c3b446f94 ja1970-10-04d1t06.flac:a9b7e6e5de537563b5f818460980006b ja1970-10-04d1t07.flac:49a2283e15cb968fd7d55a7d9b226bc9 ja1970-10-04d1t08.flac:24a7a4af23a4ed56c07b3bc851495ad4 ja1970-10-04d1t09.flac:d15cfd8b0837af1638cef0e4768f3dc7 ja1970-10-04d1t10.flac:404d7ac674b4fc7335c0b32631536d67 ja1970-10-04d1t11.flac:d6d9fcade414bfad9fb47fe4b3c509de ja1970-10-04d1t12.flac:8f8555492d6fe01823c14b34873aaedd ja1970-10-04d1t01.flac:545ec74002fe1bef6ab7ab86dc6d4be9 Notes edited from Ahuka's Choice Volume 6: This is one of Jefferson Airplane's most visible live performances. On Sunday night, October 4, 1970, the Airplane played the first of two headlining evenings at Fillmore West, sharing the bill with The Grateful Dead, Quicksilver Messenger Service, The New Riders of the Purple Sage (with ex-Airplane drummer Spencer Dryden), and of course, Hot Tuna. The concert was simulcast on KSAN-FM in stereo, and also televised on public television station KQED, with a quadrophonic signal broadcast on KQED-FM. It was to be an historic evening. It had been an historic day. Janis Joplin had died the night before, in Hollywood, California, of a heroin overdose. Marty Balin, deep in mourning for her, wanted to cancel the Fillmore performance but was a minority vote. Taking the stage with a full beard that made him look even more melancholy, Balin sounded distinctly out of place throughout the show. He steers a resplendent "Have You Seen The Saucers" toward a quiet place, but is abruptly overruled by the band, who proceed to turn it into a lacerating Grace Slick rave-up that seems to be fighting the spectre of Death itself off the stage. It only follows with musicians of this caliber that the concert packs some incredibly hot moments -- bassist Jack Casady powerfully upping the ante in the homestretch of "Somebody to Love", and a rare live performance of drummer Joey Covington's "Bludgeon of the Bluecoats" (an outcry against police brutality that the band later recorded in the studio with Little Richard, and never released) that is played with such superhuman speed and dexterity by lead guitarist Jorma Kaukonen that Covington actually begs him to slow down -- but this is definitely music born under a bad sign. The poignancy of "Wooden Ships" seems to weigh on Balin particularly, and even the good-natured sexual braggadoccio of his white soul number "Emergency" rings hollow. As an extended, chugging "Volunteers" threatens to keep him onstage longer than he can bear, Balin interrupts the jam with "Look what's happenin' out in the streets," forcing the wind-up. As the song careens to its sloppy, aggravated end, Balin sings what would be his last line as an active member of Jefferson Airplane until 1989: "Gotta revolution -- oh yeah, and I need a new band!" Marty Balin would not sing again as an active member of Jefferson Airplane until their short-lived reunion album and tour of 1989. (He was coaxed onstage at the Airplane's final concert at Winterland in 1972 for an encore of "Baby You Wear Your Dresses Too Short.") The simulcast of the concert ensured that high quality tapes were in circulationg the very next day, and it was not long before bootleg albums surfaced. Both ALMOST STARSHIPSHAPE (Ze Anonym Plattenspieler #ZAP 7855) and TALES FROM THE MOTHERSHIP (Mammary Productions #MM6) were prevented by vinyl limitations from using the entire concert; STARSHIPSHAPE sacrificed "Up or Down", "The Old Man" and "Bludgeon of the Bluecoat", and MOTHERSHIP dropped "Crown of Creation," "Somebody to Love," "Bludgeon" and "Greasy Heart." The next night, Jefferson Airplane returned to Fillmore West without Balin. Joining them was a new member, electric jazz violinist Papa John Creach, recruited by drummer Covington. Black, bald, in his mid-fifties but comporting himself like a much older man, Creach was easy to mistake at first sight for the latest Airplane prank, but when he plugged in and sweetly sawed his way up the neck of his fiddle, it was impossible not to be astounded by his musicality and charmed by his stage presence. No tapes have surfaced over the years of the band's first show with Creach, nor from the two week tour of the Midwest that immediately followed. Winterland Ballroom San Francisco CA FLAC / CD-R

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Jerry Garcia Band---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
11/25/83 Jerry Garcia Band Cleveland Music Hall Cleveland, OH 11-25-83 Sick Bits Vol. 17 Source: Matrix (SBD/AUD mix) SBD: SBD>? orginal seed by Mike Lai, retracked by jakemerc AUD: (FOB) Unknown Mics -> Master Cassette -> Cassette -> Cassette via Charlie Miller (edits and transfer) via Dave Lisuch (tapes): Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC/16 Matrix: Both sources were downloaded FLACs/SHNs > WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Edited, mixed and converted by Chris Chappell scarfireATliquidcityDOTcom 3/18/06 Set 1: d1t01 - tuning d1t02 - I'll Take A Melody d1t03 - Cats Under The Stars d1t04 - They Love Each Other d1t05 - Knockin' On Heaven's Door d1t06 - The Way You Do The Things You Do d1t07 - Run For The Roses Set 2: d2t01 - Sugaree d2t02 - Love In The Afternoon d2t03 - Rhapsody In Red d2t04 - Night They Drove Old Dixie Down -> d2t05 - Dear Prudence -> d2t06 - Tangled Up In Blue Total Times: Disc 1 [54:40] Disc 2 [69:08] _________________________________________ General Notes: Since Charlie Miller recently seeded a very nice 1st or 2nd row FOB AUD, with plenty of Garcia's guitar in the mix, I decided to couple it with the well circulated SBD since that source was woefully lacking in the guitar in the mix factor, due to the fact that Garcia's stage volume was plenty loud and little reinforcement was needed from the SBD, especially in the first few tunes of the first set. The mix of the SBD improves by Knockin', but Jerry stays relatively low in the mix for the rest of the show; thus, having plenty of him in the AUD, allow the two sources to work well together. The fact that Cleveland Music Hall is a nice sounding room also helps. This is a great show with a very tasty setlist. The whole band is on, and Jerry never lets up, all the way from Melody through Tangled. Thanks to everyone involved. For the FOB AUD, thanks to the person who recorded it, to Dave Lisuch for the 2nd gen cassettes which Charlie Miller transfered, edited and coverted to FLAC; for the SBD, thanks to whoever recorded it, to Mike Lai for the original seed which jakemerc edited and converted to SHN. _________________________________________ Editing Notes: - Pitch/speed Both sources were pitched differently, the AUD being the sharpest or fastest. The AUD had to be pitched or slowed down between -.62 (62 cents) and -.79 (79 cents). This is almost a semitone (100 cents) difference. The SBD had to be pitched or slowed down between -.04 (4 cents) and -.10 (10 cents). - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched (too many edits to list). - Sonic Quality/Matrix ratio The only dynamic processing I employed was Waves L2 (limiter) to the master 2 buss to keep things contained. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is hopefully close to how it sounded at the show, albeit some phase is present. If I had to guess, the SBD/AUD ratio would be somewhere between 1.5:1 and 1:1, which has more AUD than usual, but I needed Garcia's guitar present which was coming primarily from the AUD. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t01 (0:00 - 0:47) - missing (crowd) d1t02 (0:00 - 0:11) - missing d1t02 (13:48 - 13:55) - missing (crowd) d1t04 (7:39 - 7:46) - missing (crowd) d1t05 (12:26 - 12:27) - missing (crowd) d2t01 (14:44 - 14:45) - missing (crowd) d2t04 (0:00 - 0:07) - missing d2t05 (1:54 - 5:53) - missing AUD: d1t03>4 (8:19 - 0:02) - missing (tuning - 3 secs total) d1t06 (0:00 - 0:08) - missing d2t03 (8:07:44 - 8:07:53) - sub sec. tape warble/drop out (edited out) Note that a lot of the audio missing from the SBD is crowd noise from in between songs. Where there is music missing from either source, the other source covers those holes, thus full coverage has been achieved. The only major hole in the SBD is 4 minutes during Dear Prudence. _________________________________________ Shntool output: length expanded size cdr WAVE problems filename 0:48.18 8509580 --- -- ---xx jgb83-11-25d1t01.flac 13:54.38 147207020 --- -- ---xx jgb83-11-25d1t02.flac 8:20.63 88348220 --- -- ---xx jgb83-11-25d1t03.flac 7:45.63 82174220 --- -- ---xx jgb83-11-25d1t04.flac 12:27.63 131919020 --- -- ---xx jgb83-11-25d1t05.flac 6:31.22 69024188 --- -- ---xx jgb83-11-25d1t06.flac 4:52.03 51515900 --- -- ---xx jgb83-11-25d1t07.flac 15:04.38 159555020 --- -- ---xx jgb83-11-25d2t01.flac 10:21.22 109596188 --- -- ---xx jgb83-11-25d2t02.flac 9:32.27 100964348 --- -- ---xx jgb83-11-25d2t03.flac 8:53.51 94141196 --- -- ---xx jgb83-11-25d2t04.flac 13:16.39 140506172 --- -- ---xx jgb83-11-25d2t05.flac 11:59.61 126975116 --- -- ---xx jgb83-11-25d2t06.flac 123:48.58 1310436188 B (13 files, 0.6242 overall compression ratio) _________________________________________ FFP: jgb83-11-25d1t01.flac:bf78b90d7b5648c7fba3913ab5b54285 jgb83-11-25d1t02.flac:e204f176dd3fb1dafaca7b3fb55f27d7 jgb83-11-25d1t03.flac:172aed48436f4f2733dce28fc170a258 jgb83-11-25d1t04.flac:f83fdac2fba078eabda9a2bb27aa8890 jgb83-11-25d1t05.flac:9d73572ad1f6796173f74d9f8b27b9bb jgb83-11-25d1t06.flac:ca148fa2cd7e7c92d7d77c9e9dab71a0 jgb83-11-25d1t07.flac:c13bace0fa7cef58f5cc2ff1413aef0d jgb83-11-25d2t01.flac:ee9f2a78a3e1b524dcb00efb68fbccd7 jgb83-11-25d2t02.flac:04d6b77c791b7912241904434c7620ad jgb83-11-25d2t03.flac:1ea3bbcc6becd7f9a73fb2f98016e737 jgb83-11-25d2t04.flac:29b69a8151e166bd95f28f242ff24dc6 jgb83-11-25d2t05.flac:c5e6416c9e321a877ce8436d034b62e6 jgb83-11-25d2t06.flac:d763b37d997dac8a0dcca6bfb601595c _________________________________________ SBD Source text file: Jerry Garcia Band 11-25-1983 Cleveland Music Hall Cleveland, OH Source: SBD>? Disc 1: Set I 1. /I'll Take A Melody (13:32) 2. Cats Under The Stars (08:24) 3. They Love Each Other (07:43) 4. Knockin' On Heaven's Door (12:28) 5. /The Way You Do The Things You Do (06:30) 6. Run For The Roses (04:53) Total: (53:30) Disc 2: Set II 1. Sugaree (15:04) 2. Love In The Afternoon (10:17) 3. Rhapsody In Red (09:31) 4. /The Night They Drove Old Dixie Down (08:43) 5. Dear Prudence (09:24) 6. Tangled Up In Blue/ (11:50) Total: (64:49) / indicates a small fade, presumably for a analog tape flip. There's very little music missing. Notes: It appears from listening that there is applause/silence edited out between songs. Songs that flow into each other have no edits. I <jakemerc@attbi.com> rearranged the tracks so that set I is on disc 1 and set II is on disc 2. The original track arrangement, and text from info file, is at the bottom of this file. I also boosted the recording/volume level of each track 200%, taking the peak volume to mid-80 percent. ******** from www.thejerrysite.com ******** Comments: The beginning of Dixie Down and end of Tangled Up are cut. Recordings: 121 SBD (DAT: MSC>D) Contributors: Ryan Shriver ******** from www.thejerrysite.com ******** ORIGINAL TEXT FILE Jerry Garcia Band Music Hall Cleveland, Ohio 11-25-83 sdb CD1 1 i'll take a melody 2 cats down under the stars 3 they love each other 4 knockin' on heaven's door 5 the way you do the things you do 6 run for the roses 7 sugaree CD2 1 love in the afternoon 2 rhapsody in red 3 the night they drove old dixie down 4 dear prudence 5 tangled up in blue any info send to mike lai usalai@nycap.rr.com stellablue.etree.org _________________________________________ AUD Source text file: Jerry Garcia Band - November 25, 1983 Cleveland Music Hall, Cleveland, OH Recording Info: (FOB) Unknown Mics -> Master Cassette -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net February 8, 2006 Notes: -- Taped first or second row. -- Thanks to Dave Lisuch for the tapes. Set 1: d1t01 - I'll Take A Melody d1t02 - Cats Under The Stars d1t03 - They Love Each Other d1t04 - Knockin' On Heaven's Door d1t05 - The Way You Do The Things You Do d1t06 - Run For The Roses Set 2: d2t01 - Sugaree d2t02 - Love In The Afternoon d2t03 - Rhapsody In Red d2t04 - Night They Drove Old Dixie Down -> d2t05 - Dear Prudence -> d2t06 - Tangled Up In Blue SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 14:09.50 149881244 --- -- --- jgb83-11-25d1t01.wav 7:57.16 84180476 --- -- --- jgb83-11-25d1t02.wav 7:27.18 78893180 --- -- --- jgb83-11-25d1t03.wav 11:56.70 126467084 --- -- --- jgb83-11-25d1t04.wav 6:09.31 65164556 --- -- --- jgb83-11-25d1t05.wav 4:41.10 49591964 --- -- --- jgb83-11-25d1t06.wav 14:33.17 154037228 --- -- --- jgb83-11-25d2t01.wav 9:58.09 105508412 --- -- --- jgb83-11-25d2t02.wav 9:09.57 96977708 --- -- --- jgb83-11-25d2t03.wav 8:32.06 90330956 --- -- --- jgb83-11-25d2t04.wav 12:45.42 135044828 --- -- --- jgb83-11-25d2t05.wav 11:31.73 122064140 --- -- --- jgb83-11-25d2t06.wav 118:52.24 1258141776 B (totals for 12 files) Cleveland Music Hall Cleveland OH FLAC / CD-R

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Jimi Hendrix---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
02/01/70 Jimi Hendrix w/ Mitch Mitchell Jimi's apartment, 59 West 12th Street, Greenwich Village, NYC, NY 1970-02-01? Jimi's reel > ? > APE > WAV > EAC > FLAC 1. Jam [32:34] (hints of Stepping Stone, Sending My Love To Linda, Freedom, Here Comes The Sun, Cherokee Mist, Calling All Devil's Children) A short but quite a special recording. This is a very rare home recording by Jimi. What's really nice about this is it's one of the few recordings with Jimi playing an acoustic guitar!! It seems Jimi seems to be teaching Mitch some of his new material. The date can't be confirmed, but it's somewhere along this time. I got this date from the wonderful "Plug Your Ears" site. Share and enjoy! 59 West 12th Street, Greenwich Village New York NY FLAC / CD-R

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05/30/70 Jimi Hendrix 05-30-1970 Berkeley Community Theater Berkeley, CA Early Show Band: Jimi Hendrix: guitar, vocals Billy Cox: bass Mitch Mitchell: drums lineage: SBD > reel to reel > ? >CD-r > EAC > wave > FLAC (level 8) Track Listing: 01 Fire 02 Johnny B. Goode 03 Hear My train A Comin' 04 Foxy Lady 05 Machine Gun 06 Freedom 07 Red House 08 Message To Love 09 Ezy Rider 10 Voodoo Child (slight return) Fingerprint: 01 Fire.flac:13faed58792f73fac4b0d0b75dbc9ac0 02 Johnny B. Goode.flac:55981c179431c832c5316114b32bbd8e 03 Hear My train A Comin'.flac:0b4b14eec4975aa927dce7f885a2a237 04 Foxy Lady.flac:981a1cb9586881e23a35726762daab84 05 Machine Gun.flac:278ed69c981bab06776cb1d5163c7eca 06 Freedom.flac:f600c3425f5ff066310c62832304366e 07 Red House.flac:5562103ec49239a22e0d52eeed417ed1 08 Message To Love.flac:ba87f2cf205f0c9fb206a6fcab87054a 09 Ezy Rider.flac:758f66866df215e332dcd77438064863 10 Voodoo Child (slight return).flac:4a8e59e408d9bf7a3fb06eb3672f13aa Berkeley Community Theater Berkeley CA FLAC / CD-R

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05/30/70 The Jimi Hendrix Experience Berkeley Community Theatre Berkeley, CA May 30, 1970 Complete soundboard of afternoon rehearsal Soundboard>Reel to Reel>CDR(2x)>EAC>WAV>FLAC Frontend>FLAC Band: Jimi Hendrix: guitar, vocals Billy Cox: bass Mitch Mitchell: drums Setlist: 01. Message To Love 02. Blue Suede Shoes 03. Hey Baby (New Rising Sun) 04. Earth Blues (take 1) 05. Earth Blues (take 2) 06. Room Full of Mirrors 07. Villanova Junction/ Keep On Groovin' 08. Freedom 09. Power Of Soul (intro) 10. Machine Gun Up Next: 05-30-70 Early Show 05-30-70 Late Show Enjoy boys & girl Max The Cat Fingerprint: 01 - Message To Love.flac: 49d6efc7fe4dda646dfb568115f1a1f9 02 - Blue Suede Shoes.flac: 6c65727194d36b4fab536f6bb0bf7ddc 03 - Hey Baby (New Rising Sun).flac: 75b3d9d822f501636c81d0d057a272e4 04 - Earth Blues (Take 1).flac: 10b463507dfc1bedb074a07b7d5a38ce 05 - Earth Blues (Take 2).flac: 39559f5770420922daa72326f2fae148 06 - Room Full Of Mirrors.flac: a9af615eda0305dd6a2344a0d1decc03 07 - Villanova Junction-] Keep On Groovin'.flac: 9eac4314a9bf67f7872eba0dbeae25da 08 - Freedom.flac: 98e07b926df5db617f4c37d77e84a54f 09 - Power Of Soul (Intro).flac: 7094a15274ba04b1971ad6fffa5138c7 10 - Machine Gun.flac: 0226cef9cf357d5c01804bb5fdc77967 Berkeley Community Theater Berkeley CA FLAC / CD-R

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07/04/70 First Row Fireworks II July 4th 1970 Atlanta A Vibratory 3 Source Merge This merge is kind of a composite/merge reconstruction effort. The 5 sources used are: SBD from Stages SBD from VHS AUD stereo recording. SBD Space Mix SBD Message To Love (non-space mix) All 5 sources have their good, bad and ugly points. 1.The Stages and VHS soundboard has irritating fake audience noise loops .. yes, Alan Douglas even inserted FAKE booing-loops that sound the same throughout the concert .. .. bah.. of course there’s no trace of them anymore in the merge. 2.Only Red House, All Along The Watchtower and Hey Joe were taken from VHS Video. 3.The Audience recording contains the most accurate atmosphere of the actual concert and thus I built the merge around it. Only the end of Freedom, Foxy Lady and the beginning of Purple Haze are missing on this one. 4.The Space mix has no fake audience noises but has ugly reverb added to it (hence ‘space’ mix). But it acted as a good ‘in between song banter’ filler especially the parts not recorded by the audience tape and to fill the gaps left due to the deletion of the ‘fake audience noises’. 5. This Message to Love is the only version I came across without echo. This is actually in itself a merge >5000Hz was used on top of this track from the space mix. Though no echo comes through. All in all, the sources pretty much complement each other giving a more realistic listening experience than that officially released crap with fake ‘Boo’s and AAaa’s’ inserted by Mister Douglas. This is the alternate mix that runs AUD SPACE and SBD simultaneously from MTL to the end. (3 source merge) Tracklist JHx3sVIBmatrix7-4-70d2t0 Disc One 1 Intro* 2 Fire* 3 Lover Man* 4 Spanish Castle Magic* 5 Red House* 6 Room Full Of Mirrors* 7 Hear My Train* 8 Message To Love 9 All Along The Watchtower 10 Freedom Disc Two 1 Foxy Lady 2 Purple Haze 3 Hey Joe 4 Voodoo Child (Slight Return) 5 Stone Free 6 Star Spangled Banner 7 Straight Ahead 8 Hey Baby *same as Version 1.0 Greetings Vibratory Vibratory@home.nl Middle Georgia Raceway Byron GA FLAC / CD-R

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07/17/70 Jimi Hendrix Downing Stadium, Randall's Island, New York, NY 07/17/1970 source: soundboard except * 01- Stone Free 02- Fire 03- Red House 04- Message To Love 05- Lover Man 06- All Along the Watchtower* 07- Foxy Lady 08- Ezy Rider 09- Star Spangled Banner 10-Purple Haze 11-Voodoo Child (Slight Return) * Aud recording fingerprints: hendrix70-07-17t01.flac:fd3a01deac4996ac0713590bdca2f004 hendrix70-07-17t02.flac:910f4270bc7af936345c5ca5995e017f hendrix70-07-17t03.flac:cef1f82e4b2ef94388b30b8d9b696501 hendrix70-07-17t04.flac:511095e7774f86377d0890a6b6cd68d1 hendrix70-07-17t05.flac:328b62775c790a2778503e953e402dac hendrix70-07-17t06.flac:14a26d32256c1fb0974824505a36705c hendrix70-07-17t07.flac:79539604caf8076ce1e7673ff415d69d hendrix70-07-17t08.flac:871f7ae1883fd24e9fabead4441b014d hendrix70-07-17t09.flac:fd3bfc3918bb93cec03f680f1e2884d6 hendrix70-07-17t10.flac:f8c7ddf70ecba5e2c6b99ad770868c7c hendrix70-07-17t11.flac:b7b2a56658a873123b0c981b6cf8f718 Downing Stadium Randall's Island NY FLAC / CD-R

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09/03/70 Jimi Hendrix / Mitch Mitchell / Billy Cox K.B Hallen, Copenhagen, Denmark September 3, 1970 A great Vibratory 3 Sources Merge, probably the best of Jimi's last concerts. Lineage: Very Low Gen. Sources 1, 2 & 5 > Wav > Vibratory Merge > Flac Artwork Included (Reworked by myself) Original Vibratory Notes: Hi Folks this is my final Copenhagen '70 merge. The last one was kind-a crappy.(for me anyway....) This one sounds more like a stereo recording then a merge, though at times you are reminded of the fact you're listening to a merge, nonetheless it's one of the best merges I've heard. Up until "Freedom" I mixed 3 sources: Source 1 left, Source 5 right and Source 2 in the middle. A lot of pitch corrections were done on source 1 and 5. No EQ or filter smilters were applied. Since Source 5 ends with "Freedom" the rest of the concert consists of the two remaining sources: Source 1 left and Source 2 on the right. I remixed the 'pre-Red House' part to omit source 2, leaving Source 1 and 5 left and right respectively. I am tempted to re-do "Hey Baby" since some phasing occurs at the very beginning. This occurs a few times throughout the merge, though very briefly. Also source 5 begins to stutter violently during "Hey Baby" followed by a gap then resumes and continues to stutter well into "AATW". I chose to cover it up with source 2 and by keeping source 5 lower in the mix until the 'stutter-part' was over (this isn't the case with the 1 and 5 mix). Source 2 is the most complete source and fills gaps from the original tapes left and right so you'll hear some panning going on a few times. My guess is Jimi played in Eb that evening tuning down only 1/2 step. His voice sounds like at IOW. When I tried E tuning suddenly Jimi sounded like 1967. D was even worse. Since I wasn't there I'm not 100% sure ! Tracklisting: STONE FREE FOXY LADY MESSAGE TO LOVE HEY BABY ALL ALONG THE WATCHTOWER MACHINE GUN SPANISH CASTLE MAGIC DRUM SOLO EZY RIDER FREEDOM RED HOUSE IN FROM THE STORM PURPLE HAZE VOODOO CHILD (Slight Return) HEY JOE FIRE length expanded size cdr WAVE problems filename 4:37.31 48935756 --- -- ---xx D1_Track01.flac 4:40.29 49460252 --- -- ---xx D1_Track02.flac 4:11.44 44379932 --- -- ---xx D1_Track03.flac 7:21.69 77954732 --- -- ---xx D1_Track04.flac 4:24.33 46647260 --- -- ---xx D1_Track05.flac 12:12.52 129247148 --- -- ---xx D1_Track06.flac 4:01.51 42632396 --- -- ---xx D1_Track07.flac 3:40.07 38824508 --- -- ---xx D1_Track08.flac 4:10.34 44180012 --- -- ---xx D1_Track09.flac 3:52.28 40990700 --- -- ---xx D1_Track10.flac 10:55.54 115669052 --- -- ---xx D1_Track11.flac 4:06.13 43425020 --- -- ---xx D1_Track12.flac 3:09.50 33457244 --- -- ---xx D1_Track13.flac 14:57.18 158273180 --- -- ---xx D2_Track01.flac 4:19.63 45835820 --- -- ---xx D2_Track02.flac 3:57.52 41929148 --- -- ---xx D2_Track03.flac 94:39.28 1001842160 B (totals for 16 files, 0.5626 overall compression ratio) Enjoy, Share & Preserve Quality !!! Brought to You by BP (All Credits goes to Vibratory, thanks for this great job !) [May 2006] K. B. Hallen Copenhagen Denmark FLAC / CD-R

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John Coltrane---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
11/20/61 John Coltrane Falkonerteatret, Copenhagen 1961-11-20 1. intro by Norman Granz 2. Delilah 3. Every Time We Say Goodbye 4. Impressions 5. Naima 6. My Favourite Things (false start) 7. My Favourite Things John Coltrane: tenor & soprano sax Eric Dolphy: alto sax, bass clarinet, flute McCoy Tyner: piano Reggie Workman: bass Elvin Jones: drums FM > reels [1-track 3¼ ips, probably 2nd generation copy] > Revox A-77 > Soundblaster AWE-64 > CDR > EAC > FLAC Speed Correction: FLAC > WAV > Adobe Audition (Pitch Bender: -25 cents) > FLAC 68:58 min Transfer by Mr. Grumpy Originally upped by Carville. Reseed by Nocturnal_n productions© 11:21 PM 10/12/2005 Pitch was approximately 25 cents sharp. Corrected by goody - 12/16/05 New FLACs by twat - 12/16/05 coltrane_1961-11-20_t01.flac:1504710dd34a16841cefb4add7c56c49 coltrane_1961-11-20_t02.flac:e1daf4beb9c7dfb723d3e81f035e8dce coltrane_1961-11-20_t03.flac:b858d86e3fc574dbda8b71031e261952 coltrane_1961-11-20_t04.flac:d38596b9d1d62a5cad483cda5832eee9 coltrane_1961-11-20_t05.flac:df315e05352eace00f0edf9ac86815aa coltrane_1961-11-20_t06.flac:2694b6fe9ca8442e3887c0915032dff6 coltrane_1961-11-20_t07.flac:a375a6a9a8846581884f15f26550a3fb Falkonercentret Copenhagen Denmark FLAC / CD-R

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John Coltrane Quartet---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
11/28/62 John Coltrane 11/28/62 Stefaniensall, Graz, Austria Personnel: Coltrane, ss, ts McCoy Tyner, p Jimmy Garrison, b Elvin Jones, dr SBD->?->DAT (radio broadcast) 1. "The Inchworm" (F. Loesser) 11:50 2. "Everytime We Say Goodbye" (C. Porter) 5:47 3. "Impressions" (J. Coltrane) 20:59 Plus 1. Autumn Leaves (10:33) John Coltrane (soprano sax) McCoy Tyner (piano) Jimmy Garrison (bass) Elvin Jones (drums) fm -> CD -> Exact Audio Copy V0.9 beta 4 (offset 66) -> wav -> mkwACT 0.97 beta 1 -> shn md5 0c4510e21ee5be605f39ab2500a37cbb *coltrane-LiveTraneUnderground-d08t1.shn 57810a7cac836f2aa93d5d4bb10455fe *coltrane-LiveTraneUnderground-d08t2.shn 3f787f518ecc68c1eb84f1564ebd56c4 *coltrane-LiveTraneUnderground-d08t3.shn 73ef677cbdcf8a1d70f542304b688ae9 *coltrane-LiveTraneUnderground-d08t4.shn b182f3ca36232a10d3c3715455e79029 *coltrane-LiveTraneUnderground-d08t5.shn *txt file updated This re-seed brought to you by Nocturnal_n productions© 10:19 PM 26/06/2005 ENJOY! Stefaniensaal Graz Austria SHN / CD-R

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Legion of Mary---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
03/08/75 Legion of Mary 03-08-1975 Pitchell Players Cabaret Los Angeles, CA Source: Early show: SBD*>?>C>D>WAV>SHN. * see comments below. Disc 1 - Early Show 01 Let It Rock [10:08] 02 Boogie On Reggae Woman [19:44] 03 Going, Going, Gone [17:51] 04 Finders Keepers [14:19] 05 Last Train From Poor Valley [11:31] Total time: 73:34 Disc 2 - Early Show (cont'd) 01 Mystery Train [16:12] Comments: Early show recording is of relatively poor audio quality with some hiss Pitchell Players Cabaret Los Angeles CA SHN / CD-R

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03/08/75 Legion of Mary 03-08-1975 Pitchell Players Cabaret Los Angeles, CA Late show: AUD(unknown mic/taper)>?>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II. DAT>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact). No noise reduction or selective frequency augmentation was performed. 01 Harder They Come [18:34] 02 Wondering Why > [23:57] 03 People Make The World Go Round [04:05] 04 Neighbor, Neighbor [12:29] Disc 3 - Late Show (cont'd) 01 I Feel Like Dynamite [14:07] 02 Night They Drove Old Dixie Down [08:06] 03 How Sweet It Is (To Be Loved By You) [07:32] Pitchell Players Cabaret Los Angeles CA SHN / CD-R

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04/09/75 Legion Of Mary The Bottom Line New York, NY 4-9-75 (early) Sick Bits Vol. 19 Martix: (SBD/AUD mix) SBD: (shnid=30942) - recorded by Betty Cantor 2 track 7" reels @ 7.5ips recorded on Nagra SL11183 reel to reel deck > 1st generation 2 track 7" reels @ 15ips recorded on Otari MX5050 rxr > ??? > dat > flac file (as reported by d. oade) > flac frontend > cdwav (tracks) > flac frontend (via David Barfield to bt.etree.org) AUD: (shnid=14606) MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Matrix: Both sources were downloaded FLACs/SHNs > WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) Edited, mixed and converted by Chris Chappell scarfireATliquidcityDOTcom 4/10/06 Early Show: d1t01 - tuning d1t02 - Think d1t03 - Freedom Jazz Dance d1t04 - Feel Like Dynamite d1t05 - That's What Love Will Make You Do d1t06 - Mississippi Moon d2t01 - Harder They Come d2t02 - The Night They Drove Old Dixie Down Total Times: Disc 1 [63:40] Disc 2 [33:15] Lineup: Jerry Garcia - guitar, vocals Merl Saunders - keyboards, vocals John Kahn - bass Martin Fierro - saxophone, flute Ron Tutt - drums _________________________________________ General Notes: I just couldn't resist trying the combo of a Betty board with a Jerry Moore AUD, especially given the intimate atmosphere of the Bottom Line, a small venue in the Village, and sure enough the positive/negative mesh effect of the matrix worked wonders. Garcia and Fierro's tone both improve, while Suanders is more balanced in the mix. Jerry's vocals are now also more present, and the rhythm section doesn't predominate the mix as on the SBD. This is the entire early show, and it would seem that Moore did not record the late show. There are some tunes on the Betty reels from the late show, but apparently reels 3 and 5 are missing (thus no SBD for Dixie Down). Jerry is on from the start with his comping during Martin's solo in Think being very spirited and tasty. The Dynamite and TWLWMYD are both great. Mississippi Moon has a nice living room feel, and the Harder They Come runs almost 22 mins. What I like about this matrix is that you hear the band for how they really sounded - I've had some great BBDs and SBDs of LOM shows throughout the years, but Fierro's tone was always shrill and Jerry was never that loud - not so here - the mix is nice and balanced with all members well represented. What a band!! Having never seen them, it's like hearing them for the first time. Thanks to Jerry Moore for recording this show and especially those involved with the Moore's Masters Productions like David Minches and Joe Jupille. Thanks to Betty Cantor for recording the SBD, and thanks to David Barfield for seeding it to bt.etree.org last year. Thanks to Bill Zormeir (aka Zman) for doing the cover art. Enjoy! Chappy _________________________________________ Editing Notes: - Pitch/speed/channels Both sources were pitched differently, the AUD being the closest to A=440. The SBD had to be pitched or slowed down between -.19 (19 cents) and -.26 (26 cents). This is about a quarter of a semitone (100 cents) difference. The SBD also had to have its channels swapped to mimic the stereo image of the AUD. - Synch Because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched (too many edits to list). The AUD was the master and the SBD was synched to it. - Sonic Quality/Matrix ratio The only dynamic processing I employed was Waves L2 (limiter) to the master 2 buss to keep things contained. All I was trying to do here is to add some dimension to the SBD by using the ambience of the AUD. The result is hopefully close to how it sounded at the show. If I had to guess, the SBD/AUD ratio would be somewhere around 2:1 for most of the set except for the quieter numbers where the ratio is probably closer to 1:1. - Edits The following are places where the SBD and AUD had splices, holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t01 (0:00 - 1:43) - missing (crowd) d1t02 (6:13 + 6:14) - static removed d1t04 (6:29 - 6:33) - missing d1t04 (11:20 - 12:11) - missing (crowd) d2t01 (21:33 - 23:55) - missing (crowd) d2t02 (0:00 - 9:20) - missing all AUD: d1t03 (0:25) - static removed d1t03 (2:03) - static removed (other static points left alone) d1t06 (12:19 - 12:55) - missing (crowd) Note that a lot of the audio missing from the SBD is crowd noise from in between songs. Where there is music missing from either source, the other source covers those holes, thus full coverage has been achieved. The only major missing piece in the SBD is the Dixie Down which may exist on one of the missing reels (#3). _________________________________________ FFP: lom75-04-09earlyd1t01.flac:6f7362c295c89710c7c409414753c5eb lom75-04-09earlyd1t02.flac:8fa265a1f4911cc0bab6ec88aea00966 lom75-04-09earlyd1t03.flac:31a469e112f37efd9a6e8b6406fd6873 lom75-04-09earlyd1t04.flac:a303f9d49e478ce9099658b229986d20 lom75-04-09earlyd1t05.flac:2094439c09ad800f1adfb8a349ca55e8 lom75-04-09earlyd1t06.flac:2275bd36178aab6c54b09262730e2001 lom75-04-09earlyd2t01.flac:4cd11259f0d5378b24f97ba16b1aa6f7 lom75-04-09earlyd2t02.flac:d00e6d809a2056207bd7139ae645f1cb _________________________________________ md5: 06f0ff32295fd37d3a9feb9effe4d741 *lom75-04-09earlyd1t01.flac 035aafa0ad236ef69bf2f9eb6ee963e9 *lom75-04-09earlyd1t02.flac 1a56e9ff064b606aa0ef9ad8f5977679 *lom75-04-09earlyd1t03.flac eb6630b56fe3f78ef92bdc2dd549f78b *lom75-04-09earlyd1t04.flac d778096bec0a176180b0c444b74b7d83 *lom75-04-09earlyd1t05.flac 0075b3aeac44f954e849c87ed7ec4a80 *lom75-04-09earlyd1t06.flac 0bdd934f51af1a247de3e75f3df31a04 *lom75-04-09earlyd2t01.flac 9c5ae7fa4e0e68962c78c8d1338906b3 *lom75-04-09earlyd2t02.flac _________________________________________ SHNTOOL: length expanded size cdr WAVE problems filename 1:43.64 18319772 --- -- ---xx lom75-04-09earlyd1t01.flac 9:25.02 99670748 --- -- ---xx lom75-04-09earlyd1t02.flac 14:38.23 154933340 --- -- ---xx lom75-04-09earlyd1t03.flac 12:44.60 134910764 --- -- ---xx lom75-04-09earlyd1t04.flac 14:57.69 158393132 --- -- ---xx lom75-04-09earlyd1t05.flac 10:05.44 106825532 --- -- ---xx lom75-04-09earlyd1t06.flac 24:06.08 255093260 --- -- ---xx lom75-04-09earlyd2t01.flac 9:14.07 97742108 --- -- ---xx lom75-04-09earlyd2t02.flac 96:55.52 1025888656 B(totals for 8 files, 0.5886 overall compression ratio) _________________________________________ SBD Text file: legion of mary 4/9/1975 bottom line nyc, ny Jerry Garcia - guitar, vocals Merl Saunders - keyboards, vocals John Kahn - bass Martin Fierro - saxophone, flute Ron Tutt - drums source data: betty-board > dat > flac file (as reported by d. oade) > flac frontend > cdwav (tracks) > flac frontend disc 1 1 - think 2 - freedom jazz dance 3 - feel like dynomite 4 - that's what love will make you do 5 - mississippi moon disc 2 1 - harder they come 2 - i second that emotion 3 - you can leave your hat on *note* this lineup is exactly what was played. the early show is above with the exception of the night they drove old dixie down (closer). the "sec that emotion" and "leave your hat on" are the first two songs of the late show. sorry, that's just the way it goes. there's a bit more information on the shows here: http://www.thejerrysite.com/Performance.do?action=previous&id=385 it seems as though reels, people, and time have a way of getting lost, confused, and in the way of exactly recreating the experience with precision. oh well. just one more thing: the "second that emotion" is smokin', imo. _________________________________________ AUD Text file: Legion of Mary The Bottom Line New York, NY 4/9/75 Early Show MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. Disc One (5) 50:50 01. Crowd & Tuning [1:43] 02. Think [8:17] [1:08] 03. Freedom Jazz Dance [12:19] [2:18] 04. Feel Like Dynamite [11:04] [1:41] 05. That's What Love Will Make You Do [12:11] [1:08] Disc Two (4) 45:30 01. Crowd & Tuning [2:02] 02. Mississippi Moon [8:21] [1:42] 03. Harder They Come [21:35] [2:31] 04. The Night They Drove Old Dixie Down [9:00] [0:17] Notes/Flaws: - A very nice recording of a very good show. - No flaws noted. A Moore's Masters Production. The Bottom Line New York NY FLAC / CD-R

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07/04/75 Legion of Mary 07/04/75 Great American Music Hall, San Francisco, CA Source Info: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC >SHN *The cassette generation was not included in the lineage that I received. However, there is more audible hiss than would normally be expected from one gen of reels and the only known source (comment copied below) includes the cassette gen. The sound is still very good for a 1975 recording. Set I Disc 1 1. I Feel Like Dynamite 15:36 2. Someday Baby 13:22 3. That's All Right, Mama 13:56 4. Mississippi Moon 10:06 5. Boogie On Reggae Woman 13:21 Set II Disc 2 1. Tough Mama 11:20 2. Little Sunflower 18:04 3. Tore Up Over You 10:08 4. Every Word You Say 9:39 5. My Problems Got Problems 12:31 Disc 3 1. It's Too Late 13:20 2. Harder They Come 18:48 Filler JGB 76-01-28 3. Let's Spend the Night Together 17:49 4. How Sweet It Is 7:36 Known flaws d2t01: Starts abruptly, first few notes may be missing. d2t05: Dropout 7:57 to 8:02 d3t02: Dropout 17:37 to 17:39 ****from www.thejerrysite.com**** Comments: Tapes with different setlists are partial mislabeld copies of 04/12/75b re-arranged. This setlist looks very similar to the one for 07/05/75, and in fact this show could really be from that date. However, the cassette used to make the DAT was labelled 07/04/75 so that's where this date comes from. Recordings: 150 SBD (DAT: MSR>1C>D) Contributors: Ryan Shriver, Scott Allan ****from www.thejerrysite.com**** Seeded to etree by walkerb@telus.net Please get in touch asap about corrections, problems or flaw information. Great American Music Hall San Francisco CA SHN / CD-R

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Matisyahu---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
12/28/05 Matisyahu Showplace Theatre Buffalo, NY 12/28/05 Source: SBD > mobile pre > Soundforge 7.0 > Audacity(Speed Correction) > CDWave > .flac (Level 8) Recorded by Stephen Sockol (kindsound@gmail.com) Tracked, Encoded and Uploaded by Leib (go2leib@hotmail.com) disc 1 1. crowd 2. Sea To Sea 3. Nigun 4. Chop 'Em Down 5. Dispatch The Troops 6. Exaltation 7. Tzam L'Cha Nafshi 8. Got No Water 9. King Without A Crown 10. Beat Box 11. Fire And Heights 12. Aish Tamid 13. nigun w/ Menorah Lighting 14. Aish Tamid (conclusion) disc 2 1. Fire of Heaven / Altar of Earth 2. Close My Eyes > Jerusalem > Close My Eyes 3. crowd Encore 4. Heights note: Jason Fraticelli on bass instead of Josh Werner speed was corrected from 6:45 to 17:53 Showplace Theatre Buffalo NY FLAC / CD-R

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Medeski Martin & Wood---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
10/21/00 Magic Science: A Tribute to Jimi Hendrix 2000-10-21 BAM Opera House New York, NY Medeski Martin & Wood + DJ Logic + Marc Anthony Thompson (Chocolate Genius) * + Gil Evans Orchestra w/ Miles Evans (trumpet), + Hiram Bullock, Vernon Reid, others... + Glenn McKay light show Source: Schoeps MK 64 (FOB, in hat) > MP-2 > D100 Transfer: Sony R-500 > AES > Marantz CDR 631 > CD > EAC > SoundForge 4.5 > Plextor 16x CD1 [73:31] 1. Intro 2. Star Spangled Logic 3. Fire > 4. Third stone from the Sun 5. Electric Ladyland * 6. EXP (?) 7. Castles Made of Sand * 8. ? 9. Burning of the Midnight Lamp 10. Red House 11. Drifting 12. Are You Experienced? CD2 [49:01] 1. Manic Depression > 2. Little Wing 3. Up From The Skies 4. Spanish Castle Magic * 5. Hey Joe Encore: 6. Friends tease > Crosstown Traffic * 7. If 6 Was 9 * Time: 122:26.45 SHNs: 665MB --- from http://bt.etree.org/details.php?id=8680 additional notes collated by Scott Shannon: Notes: http://www.emplive.com/visit/press_room/pr_releases.asp?id=146 Seattle Debut of "A Magic Science: Celebrating Jimi Hendrix" Kicks Off EMP's First Innovators Series November 26 Medeski Martin & Wood, The Gil Evans Orchestra, Vernon Reid and Others Celebrate the life of the Late Rock Giant Benaroya Hall's S. Mark Taper Foundation Auditorium November 26, 7:30 p.m. Tickets: ; on sale October 21 Purchase tickets: EMP, Benaroya Hall Box Office, all Ticketmaster outlets or by phone (206) 628-0888 SEATTLE (October 16, 2000) — EMP, the museum that drew its inspiration from Jimi Hendrix’s musical imagination and is dedicated to inspiring creativity and innovation through music, is proud to present the Seattle debut of "A Magic Science: Celebrating Jimi Hendrix" to kick off EMP's semi-annual Innovator Series. "I'm working on music to be completely, utterly a magic science." — Jimi Hendrix Premiering first at the Brooklyn Academy of Music on October 20, A Magic Science, addresses the oft-asked question of what Jimi Hendrix might have been doing had he not died so young. Hendrix, the mythic guitarist and composer behind the albums Are You Experienced, Axis: Bold as Love and Electric Ladyland, was exploring rock-jazz fusion ideas before his death on September 18, 1970. He was one week away from recording with renowned arranger Gil Evans (who worked with Miles Davis on Sketches of Spain and Porgy and Bess). In 1974 Evans unveiled his ingenious arrangements of Hendrix songs at Carnegie Hall as part of the New York Jazz Repertory Company’s season and standout versions of Hendrix classics like "Castles Made of Sand" and "Little Wing" were performed. A Magic Science is a contemporary, expanded reprise of that famous Evans-arranged concert. The production will feature funk/jazz/rock masters Medeski Martin & Wood and the jazz luminaries of The Gil Evans Orchestra, now conducted by Gil’s son Miles Evans. These artists are joined by Vernon Reid and Chris Whitley, two of the most innovative guitarists making music today. In addition, the evening will feature the scratching techniques of one of the world’s premiere DJs, DJ Logic on turntables and Marc Anthony Thompson and Sandra St. Victor on vocals. Glenn McKay, the famed lighting designer for Jefferson Airplane and the Monterey Pop Festival, will create his trademark liquid color landscapes along with new digitized, brilliantly colored projected images, completing this fantastical tribute to an American guitar legend. EMP’s first Innovators Series begins on the eve of Jimi Hendrix’s fifty-eighth birthday with Magic Science and continues with a week- long celebration featuring workshops, films, artist presentations, and live performances dedicated to exploring Jimi’s musical legacy. "Our goal is to make EMP the vanguard music institution in the world. The program we have put together embraces our mission, featuring an artist who is known for changing the way we embrace rock ‘n’ roll, and music in general," said Bob Santelli, EMP’s deputy director of public programs. "We’re excited to be able to present such a stellar production along with a week of educational events that examine Jimi’s incredible contributions to American popular music." EMP's premiere Innovator Series takes place Nov. 26-Dec. 2, 2000. A complete schedule of other events and ticket information to follow. About Experience Music Project Dedicated to exploring creativity and innovation in American popular music, EMP is a new kind of museum that strives to capture and reflect the essence of rock ‘n’ roll, its roots in jazz, soul, gospel, country and the blues, as well as rock music’s influence on hip-hop, punk and other recent genres. A total sensory experience awaits visitors inside EMP’s dynamic structure. Patrons can make their own music, see and learn about rare artifacts and memorabilia from EMP's collection of more than 80,000 items, explore various musical milestones within unique interpretive exhibits, and discover the power and joy of music in all its forms. Founded by investor and philanthropist Paul G. Allen, under the direction of co-founder Jody Patton and designed by architect Frank O. Gehry, the 140,000-square-foot multi-colored and "swoopy" museum rises up in the heart of the city at Seattle Center and provides visitors a musical experience unparalleled anywhere in the world. A 501(c)(3) nonprofit organization, EMP opened on June 23, 2000 and is online at www.emplive.com. Notes 2: http://www.emplive.com/visit/press_room/pr_releases.asp?id=158 EMP Explores the Genius of Jimi Hendrix with the Inaugural Innovators Series, Nov. 26-Dec. 2 Schedule includes live music performances, exclusive film showings and special guests Experience Music Project today announces the final line-up for its inaugural EMP Innovators Series, a semi-annual program designed to explore the music and legacy of an artist who has significantly changed the course or direction of popular music. The first innovators week examines the inspiring creativity and musical innovations of Jimi Hendrix and runs Sunday, November 26 through Saturday, December 2. “Hendrix was an artist who dramatically affected rock guitar by exploring sonic distortion and incorporating jazz and blues,” said Bob Santelli, EMP’s deputy director of public programming. “Hendrix almost single-handedly created heavy metal, jazz-fusion and made important contributions to the evolution of funk. This month he would have celebrated his 58th birthday.” The fall 2000 EMP Innovators Series begins on the eve of Hendrix’s birthday with A Magic Science: Celebrating Jimi Hendrix, a live performance at Benaroya Hall featuring Medeski Martin & Wood, Miles Evans with The Gil Evans Orchestra, Vernon Reid, Chris Whitley and others. The series continues with a variety of activities featuring workshops, exclusive films, presentations and live performances all dedicated to exploring Jimi’s musical legacy. Following is the line-up of scheduled activities and performances. Sunday, November 26 7:30 p.m., Benaroya Hall’s Mark Taper Foundation Auditorium A Magic Science: Celebrating Jimi Hendrix A live performance featuring funk/jazz/rock masters Medeski Martin & Wood and the jazz luminaries of Miles Evans with The Gil Evans Orchestra. These artists are joined by Vernon Reid and Chris Whitley, two of today’s most innovative guitarists. In addition, the evening will feature of one of the world’s premiere turntablists, DJ Logic along with Marc Anthony Thompson and Sandra St. Victor on vocals. Glenn McKay, the famed lighting designer for Jefferson Airplane and the Monterey Pop Festival, will create his trademark liquid color landscapes along with new digitized, brilliantly colored projected images, completing this fantastical tribute to an American guitar legend. Brooklyn Academy of Music Opera House New York NY SHN / CD-R

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09/27/01 Medeski, Martin, and Wood September 27, 2001 Michigan Theatre, Ann Arbor MI Source: FOB on lip of stage DFC > mics run on 7' stand ORTF > Neumann AK 40 > LC3KA > KM100 > AD1000 > D8 Transfer: D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 Taped, Transferred, and Seeded by John D'Auria, sativa@etree.org http://sativa.etree.org Disc 1 Set I 1. Intro> Smoke > 2. Improv > 3. Felic > 4. Improv 5. Big Time 6. Is There Anybody Here That Love My Jesus? Disc 2 Set II 1. Macha > 2. Partido Alto 3. Brigas Nuncas Mais > 4. The Dropper 5. Seven Deadlies > 6. Africa > 7. Bass Solo Disc 3 Set II continued 1. Shacklyn Knights 2. Night Marchers 3. Crosstown Traffic Encore: 4. Gonzo * * Billy Martin walks up to the microphones on the lip of the stage and plays into them Another TEAM FOB creation http://sativa.etree.org Michigan Theatre Ann Arbor MI SHN / CD-R

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04/07/06 Medeski, Martin & Wood Kimmel Center, Philadelphia, PA April 7th, 2006 One Set Improv Improv Tuttie Ma unknown/new (far east) New New Orleans unknown/new (dark blues) unknown/new (latin groove) Chubb Sub encore: Paris source: Neumann AK40/LC3/KM100 > MP2 > M1 @ 16/48 (HRTF/DFC/2nd row) transfer: Tascam DA-20 > Hosa ODL-276 > Spark XL 2.8.2 (resample/tracks/fades) > xACT > FLAC taped & transfered by jeffrykennedy@gmail.com FLAC Fingerprint: mmw2006-04-07d1t01.flac:33268a5213206b0fbdf98ac3f03d21c0 mmw2006-04-07d1t02.flac:5d3fcd0a2f149d5aa1e1137d8d031c21 mmw2006-04-07d1t03.flac:853c54b25ee76f84ccc5e19906f6844b mmw2006-04-07d1t04.flac:477005ae9fbd98b9fe47585737c65d5c mmw2006-04-07d1t05.flac:674115105ec8ec7e9939eef66591de2b mmw2006-04-07d1t06.flac:c32b65306875f5bbf8c214eea54d53c0 mmw2006-04-07d1t07.flac:92ab4701974ff2d52b9245cbc413299b mmw2006-04-07d1t08.flac:7c886a4d4562a32e12f1f5ac01b5c580 mmw2006-04-07d1t10.flac:329589b607e57d0b5bedd8410940d15e Kimmel Cemter Philadelphia PA FLAC / CD-R

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MF Doom---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
01/30/06 BAND: MF Doom w/ Hassan Chop DATE: 2006-01-30 VENUE: Fox Theatre CITY: Boulder, CO SOURCE: LC-CSB > Sharp MDMs722 (used as preamp) > Nomad JB3 LOCATION: Front drink rail (25ft from stage), slightly right of center. CONVERSION: JB3 > Firewire > Soundforge 7.0 (slight Eq > Waves L2) > FLAC Frontend (level 6) SETLIST: [Hassan Chop solo]: 1. [Maria] 2. 3. 4. I Wonder [enter: MF Doom] 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. Fox Theatre Boulder CO FLAC / CD-R

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Michael Jackson---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
09/27/87 Michael Jackson Venue: Korakuen Stadium, Yokohama, Japan Date: 27 Sep 1987 Taper: Unknown Source: Radio Broadcast Transfer: CD-R from trade > EAC > FLAC Level 8 > you Sound Quality: A+ in my rating and ears.... Disc 1 1 Wanna Be Startin Somethin 2 Human Nature 3 Heartbreak Hotel 4 Medley Jackson 5 5 She's Out Of My Life 6 Things I Do For You 7 Off The Wall 8 Rock With You Disc 2 1 Lovely One 2 Working Day And Night 3 Beat It 4 Billie Jean 5 Shake Your Body 6 Thriller 7 I Just Can't Stop Loving You 8 Bad Notes: Thought I should check if there's some interest for Michael Jackson. By an accident I found some dusty Jackson stuff in my closet I forgot I had. This one is an excellent radio broadcast from the Japanese leg of Bad World Tour 1987-1989. Since I got this in a trade I dont have any info about lineage, taping equipment etc. Do NOT encode to MP3 or any other lossy compression format!! This is intended for free trade only. Do not buy or sell!! Enjoy!! Hanshcv Yokohama Stadium Yokohama Japan FLAC / CD-R

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Miles Davis---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
10/31/69 Miles Davis (tp), Wayne Shorter (ts, ss), Chick Corea (el-p), Dave Holland (b), Jack DeJohnette (dr). "Stadthalle", Vienna, October 31, 1969. [TV>reel-to-reel tape>CD>flac 8] 1 Announcements 2 Bitches Brew 3 Agitation 4 Miles Runs The Voodoo Down 5 I Fall In Love Too Easily 6 Sanctuary 7 The Theme Stadthalle Vienna Austria FLAC / CD-R

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04/09/70 [This is supposed to be the best version available as of March 2005, a one generation upgrade over the Miles Tree version. This is the Miles Davis show from the same night as the Grateful Dead show - a poster for the joint concert is included. Here are the original notes by "milesian" on DIME:] MILES DAVIS SEXTET April 9, 1970 Fillmore West Auditorium San Francisco, CA Track Listing (1:07:34): 1. Directions (J. Zawinul) - 7:10 2. Miles Runs the Voodoo Down (M. Davis) - 10:24 3. This (C. Corea) - 4:39 4. It's About That Time (M. Davis) - 12:18 5. I Fall in Love Too Easily (S. Cahn-J. Styne) - 2:02 6. Sanctuary (W. Shorter-M. Davis) - 3:24 7. Spanish Key (M. Davis) - 13:23 8. Bitches Brew / The Theme (M. Davis) - 14:11 Musicians: Miles Davis - trumpet Chick Corea - electric and acoustic piano Steve Grossman - soprano saxophone Dave Holland - electric and acoustic bass Jack DeJohnette - drums Airto Moreira - percussion Source: FM broadcast >master reel-to-reel >TDK SA-C90 cassette tape on Nakamichi Dragon CDR/ SHN Transfer: -Cassette >hard drive using Sony R-500 DAT machine with Super Bit Mapping as A/D converter at 44.1 kHz -Front/back ends trimmed and audio enhanced using SoundForge 6.0 audio tools -Cuesheet prepared and tracks split with CD Wave -MKW Audio Compression Tool 0.97 Beta 1 >SHN with seek files appended Fillmore West San Francisco CA SHN / CD-R

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04/11/70 April 11, 1970 (9 items, 64:40) Fillmore West Auditorium, San Francisco Soundboard recording Miles Davis Sextet Miles Davis (tpt); Steve Grossman (ss); Chick Corea (el-p); Dave Holland (b, el-b); Jack DeJohnette (d); Airto Moreira (perc) Directions (J. Zawinul) 9:32 Theme stated at 1:26, 2:58. Miles Runs the Voodoo Down (M. Davis) 13:21 During the el-p solo the rhythm section plays Corea's "Sundance." Paraphernalia (W. Shorter) 10:40 Footprints (W. Shorter) 10:48 From 1:08-2:40 Davis repeatedly alludes to the theme from "My Favorite Things". I Fall in Love Too Easily (S. Cahn-J. Styne) 2:13 Sanctuary (W. Shorter-M. Davis) 3:29 It's About That Time (M. Davis) 10:16 Willie Nelson (M. Davis) 3:58 The Theme (M. Davis) (with applause) 0:23 -------------------------------------------------------------------------------- Super Sonic SS 201056 purports to include an excerpt of this concert, but it's actually the April 9 show. The Davis Sextet opened for the Grateful Dead and Stone the Crows for four nights at the Fillmore West, April 9-12. Complete tapes of all four shows are in wide circulation. In addition to the Fillmore West shows, the Sextet played the fourth annual University of California Jazz Festival at the Berkeley Greek Theater (April 24), and the Both/And Club, San Francisco (April 28). After this Davis returned to New York for another period of intense studio activity -- five dates in the period from May 17-June 4. FILLER: August 18, 1970 Berkshire Music Center, Tanglewood Miles Davis Septet Miles Davis (tpt); Gary Bartz (ss, as); Chick Corea (el-p); Keith Jarrett (org); Dave Holland (b, el-b); Jack DeJohnette (d); Airto Moreira (perc) Fillmore West San Francisco CA SHN / CD-R

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04/12/70 MILES DAVIS April 12, 1970 Fillmore West Auditorium San Francisco, CA Track List (74:20): 1. It's About That Time - 10:38 2. Directions - 11:58 3. I Fall in Love Too Easily - 1:46 4. Sanctuary - 3:46 5. Footprints - 10:23 6. Agitation - 1:46 7. No Blues - 7:40 8. Bitches Brew - 14:20 9. Spanish Key - 11:11 10. The Theme - 0:46 Source: Soundboard Lineage: SBD >? >DAT @ 48 kHz >.wav via S/PDIF and M-Audio Audiophile 2496 digital soundcard >SoundForge 6.0 >CD Wave > FLAC Frontend (level 8, SBE OK) Technical Note: During the transfer from DAT to hard drive the source DAT snapped. The portion remaining after the break was then copied to hard drive and 1:58 from the Miles Trees source was spliced in to complete the recording. Channels were swapped and pitch adjusted on the Miles Trees portion to minimize differences in acoustic character. Milesian June 2005 Fillmore West San Francisco CA FLAC / CD-R

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04/05/73 1. Ife 25:47 2. Zimbabwe 07:41 Miles Davis - trumpet Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Khalil Balakrishna - sitar Lonnie Liston Smith - keyboards Michael Henderson - electric bass Al Foster - drums Badal Roy - tabla James Mtume Forman - congas and percussion recorded April 5, 1973 at Paramount Northwest, Seattle, WA Paramount Northwest Seattle WA FLAC /CD-R

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04/13/73 1. Turnaroundphrase 11:46 2. Tune in 5 11:04 3. Black Satin 10:33 4. Tune in 5 09:59 Miles Davis - trumpet Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Khalil Balakrishna - sitar Lonnie Liston Smith - keyboards Michael Henderson - electric bass Al Foster - drums Badal Roy - tabla James Mtume Forman - congas and percussion Recorded April 13, 1973 (first concert) at Crampton Auditorium, Howard University, Washington, DC Crampton Auditorium, Howard University Washington DC FLAC / CD-R

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04/13/73 1. Turnaroundphrase 10:47 2. Tune in 5 05:58 3. Zimbabwe 08:49 4. Agharta Prelude 10:09 5. Ife 06:53 6. Tune in 5 03:17 Miles Davis - trumpet Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Khalil Balakrishna - sitar Lonnie Liston Smith - keyboards Michael Henderson - electric bass Al Foster - drums Badal Roy - tabla James Mtume Forman - congas and percussion Recorded April 13, 1973 (second concert) at Crampton Auditorium, Howard University, Washington, DC Crampton Auditorium, Howard University Washington DC FLAC / CD-R

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05/01/73 1. Turnaroundphrase 05:26 2. Zimbabwe 03:46 3. Tune in 5 02:59 Miles Davis - trumpet Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Khalil Balakrishna - sitar Lonnie Liston Smith - keyboards Michael Henderson - electric bass Al Foster - drums Badal Roy - tabla James Mtume Forman - congas and percussion recorded May 1, 1973 at Civic Auditorium, Santa Monica, CA Civic Auditorium Santa Monica CA FLAC / CD-R

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05/02/73 1. Tune in 5 02:12 2. Zimbabwe 02:49 Miles Davis - trumpet Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Khalil Balakrishna - sitar Lonnie Liston Smith - keyboards Michael Henderson - electric bass Al Foster - drums Badal Roy - tabla James Mtume Forman - congas and percussion recorded May 2, 1973 at Ahmanson Theatre, Los Angeles, CA Ahmanson Theater Los Angeles CA FLAC / CD-R

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06/19/73 1. Applause 00:15 2. Turnaroundphrase 12:29 3. Tune in 5 09:24 4. Right Off 03:33 5. Funk [Prelude, part 1] 08:34 6. Tune in 5 10:34 1. Applause 00:22 2. Ife 21:53 3. Agharta Prelude 09:48 4. Zimbabwe 13:30 Miles Davis - trumpet and organ Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Michael Henderson - electric bass Al Foster - drums James Mtume Forman - congas and percussion Recorded June 19, 1973 (first set) at Shinjuku Kohseinenkin Hall, Tokyo Shinjuku Kohseinenkin Hall Tokyo Japan FLAC / CD-R

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07/10/73 1. Turnaroundphrase 11:54 2. Tune in 5 10:24 3. Unknown Title 730620 21:29 1. Right Off 13:38 2. Ife 20:49 3. Calypso Frelimo 12:19 Miles Davis - trumpet and organ Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Michael Henderson - electric bass Al Foster - drums James Mtume Forman - congas and percussion Recorded July 10, 1973 (first set) at Rainbow Theatre, London Rainbow Theatre London UK FLAC / CD-R

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10/17/73 1. Ife 34:04 2. Agharta Prelude 13:17 3. Zimbabwe 11:19 Miles Davis - trumpet and organ Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Michael Henderson - electric bass Al Foster - drums James Mtume Forman - congas and percussion Recorded October 17, 1973 (probably second set) at Jazz Workshop, Boston, MA Jazz Workshop Boston MA FLAC / CD-R

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11/01/73 1. Introduction/band warming up 00:53 2. Turnaroundphrase 11:12 3. Tune in 5 04:26 4. Ife 14:01 5. Unknown Title 730620 11:44 6. Tune in 5/closing announcement 06:12 Miles Davis - trumpet and organ Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Michael Henderson - electric bass Al Foster - drums James Mtume Forman - congas and percussion Recorded November 1, 1973 (first concert) at Philharmonie, Berlin Berliner Philharmonie West Berlin West Germany FLAC / CD-R

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11/03/73 1. Turnaroundphrase 12:31 2. Tune in 5 05:52 3. Ife 13:14 4. Right Off 05:01 5. Funk [Prelude, part 1] 06:30 6. Calypso Frelimo 19:40 Miles Davis - trumpet and organ Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Michael Henderson - electric bass Al Foster - drums James Mtume Forman - congas and percussion Recorded November 3, 1973 at Stadthalle, Vienna Stadthalle Vienna Austria FLAC / CD-R

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11/07/73 1. Turnaroundphrase 08:56 2. Tune in 5 04:18 3. Turnaroundphrase 10:35 4. Calypso Frelimo 15:32 5. Tune in 5 05:04 Miles Davis - trumpet and organ Dave Liebman - soprano and tenor saxophone and flute Pete Cosey - guitar and percussion Reggie Lucas - guitar Michael Henderson - electric bass Al Foster - drums James Mtume Forman - congas and percussion Recorded November 7, 1973 at Dom Sindikata, Belgrade Dom Sindikata Belgrade Yugoslavia FLAC / CD-R

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11/13/73 1. You Know I Love You (B.B. King) 05:15 Miles Davis - trumpet Edward Rowe - trumpet Cato Walker III - alto saxophone Bobby Forte - tenor saxophone Louis Hubert - baritone saxophone B.B. King - guitar Milton Hopkins - guitar Ron Levy - percussion Wilbert Freeman - electric bass Sonny Freeman - drums Recorded November 13, 1973 at Palau de Musica, Barcelona Palau de la Musica Barcelona Spain FLAC / CD-R

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01/22/75 SBD>?>DAT>CDR>EAC>SHNv.3 EXTRACTED AND SHORTENED BY CHRIS SWEET (CSWEET at HFX.EASTLINK.CA) FEB 18,2002 Converted to flac, 2/2004 steveb at tigerose.com INFO FROM PETER LOSIN'S MD SITE http://www.wam.umd.edu/~losinp/music/miles_ahead.html MILES DAVIS LIVE January 22, 1975 (7 items, 1:21:58) Shinjuku Kohseinenkin Hall, Shinjuku Kohseinenkin Hall Unknown radio broadcast Miles Davis Septet Miles Davis (tpt, org); Sonny Fortune (ss, as, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc) First set Band warming up 2:12 Introductory announcement 0:00-0:30. 1)Funk (M. Davis) [Prelude, part 1] 21:40 2)Maiysha (M. Davis) (with applause) 15:47 Second set 3)Ife (M. Davis) 18:20 Thumb piano solo 17:00-18:28. 4)Mtume (M. Davis) 4:10 5)Turnaroundphrase (M. Davis) 5:20 6)Tune in 5 (M. Davis) 4:05 "Willie Nelson" vamp 0:10-1:24 7)Untitled original 741106a (M. Davis) (with applause) 10:24 -------------------------------------------------------------------------------- THE BAND WARMING UP HAS BEEN DELETED SO THE SHOW CAN FIT ON ONE 80 MIN CDR NO MUSIC WAS LOST Shinjuku Kohseinenkin Hall Tokyo Japan SHN / CD-R

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Neil Young---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
01/19/71 Neil Young Massey Hall Toronto January 12th 1971 Stereo Soundboard 01. On The Way Home 02. Tell Me Why 03. Old Man 04. Journey Through The Past 05. Helpless 06. Love In Mind 07. A Man Needs A Maid/ Heart Of Gold 08. Cowgirl In The Sand 09. Don't Let It Bring You Down 10. There's A World 11. Bad Fog Of Loneliness 12. The Needle And The Damage Done 13. Ohio 14. See The Sky About To Rain 15. Down By The River 16. Dance, Dance, Dance 17. I Am A Child Massey Hall Toronto ON FLAC / CD-R

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01/21/71 neil young boston music hall 01-21-71 early aud>liberated boot>eac>flac On The Way Home Tell Me Why Old Man Journey Through The Past Cowgirl In The Sand Love In Mind A Man Needs A Maid Heart Of Gold Don't Let It Bring You Down Sugar Mountain There's A World* The Needle And The Damage Done Ohio See The Sky About To Rain Down By The River Dance Dance Dance ny71-01-21t01.flac:6dbe756ff45dc652b40344f8510e0b3b ny71-01-21t02.flac:e29b85427552a92989cd1b354bff635f ny71-01-21t03.flac:4dff9f4666f4cb3e2c2ed8e0181de262 ny71-01-21t04.flac:f2d7d88d4e42b32a3c4dd0f20ed553d1 ny71-01-21t05.flac:e583662d33b1bba862f19b8314644ed7 ny71-01-21t06.flac:dd34073fe37afadb2e04eef7e96ddb2c ny71-01-21t07.flac:7e4fa9763b3cec2d4bb6c927d39064d9 ny71-01-21t08.flac:a632ffc5249d2186edded2d5cb9c37df ny71-01-21t09.flac:516e6a40605ada291ae63181244ced6e ny71-01-21t10.flac:257f875bdcccc115fe3f54dc6978119a ny71-01-21t11.flac:537352269693520c294a37ed1e1b9c22 ny71-01-21t12.flac:6fe8fc60006d93429212ce2baca38b7a ny71-01-21t13.flac:caad2280fc916a243a350583ed8bbc21 ny71-01-21t14.flac:a9d6a76ba81a25ed8eab8fae22fa0040 ny71-01-21t15.flac:1cbb37d12146a8b7f6f2d073bf399dcf ny71-01-21t16.flac:46ac285ad22e71dbc081ec94bacd37d7 ny71-01-21t17.flac:8561b3315edea4d798d531551409af7d Music Hall Boston MA FLAC / CD-R

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02/27/71 Neil Young 1971 February 27 Royal Festival Hall London, England 1971 Journey Through The Past Solo Tour Neil Young - vocals, guitar, banjo, keyboards, harmonica SBD > reel > ? > CDR > EAC > (clean-up edits) > CDR > EAC > SHN (seekable) Final DAE and SHN conversion by John Cook john_e_cook@yahoo.com Treed August 2002 Size 473MB Total time 84:52 Disc 1 (37:09) 01. On The Way Home 3:07 02. Tell Me Why 2:34 03. Old Man 4:36 04. Journey Through The Past 4:45 05. Cowgirl In The Sand 4:39 06. The Bridge 3:58 07. The Loner 5:27 08. Don't Let It Bring You Down 3:58 09. See The Sky About To Rain 4:02 Disc 2 (47:43) 01. Out On The Weekend 4:32 02. I Am A Child 3:10 03. Ohio 3:29 04. Love In Mind 2:24 05. Only Love Can Break Your Heart 4:39 06. Heart Of Gold 3:41 07. A Man Needs A Maid 5:44 08. Harvest 3:58 09. The Needle And The Damage Done 3:29 10. Nowadays Clancy Can't Even Sing 6:17 11. Dance, Dance, Dance 3:18 12. Expecting To Fly 2:57 Royal Festival Hall London England SHN / CD-R

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New Riders of the Purple Sage---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
11/08/70 NEW RIDERS OF THE PURPLE SAGE Sunday, November 8, 1970 Capitol Theater - Port Chester, NY audience recording AudMC > DAT > CD > EAC > SHN Note: This is the same original source as The Port Chester Resurrection Project: (http://db.etree.org/shninfo_detail.php?shnid=26975). However, track IDs that needed adjustment got it. Re-editing by - Noah Weiner, Dec 2004 Technical Notes (from shnid=26975): The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee,. The cassette tape was baked and re-shelled, then transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing by Peter G. via Soundforge. No noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1. Tape flutter in Baby Blue, and in Truckin'. Tape flip in Dancin' In The Streets was was seemlessly pieced together. NRPS Set 01 crowd & tuning 02 Six Days on the Road 03 Superman 04 Whatcha Gonna Do 05 Glendale Train 06 All I Ever Wanted 07 Fair Chance to Know 08 Portland Woman 09 Cecilia 10 Truck Drivin' Man 11 Last Lonely Eagle 12 Louisiana Lady 13 Honky Tonk Woman SHNTOOL: D:\Music\NewRiders\nrps1970-11-08.aud.shnf>shntool len *shn length expanded size cdr WAVE probs filename 3:19.31 35176556 --- -- -xx nrps1970-11-08t01.shn 3:45.19 39734732 --- -- -xx nrps1970-11-08t02.shn 3:42.21 39210236 --- -- -xx nrps1970-11-08t03.shn 4:33.56 48288956 --- -- -xx nrps1970-11-08t04.shn 6:50.63 72472220 --- -- -xx nrps1970-11-08t05.shn 8:21.05 88388204 --- -- -xx nrps1970-11-08t06.shn 5:57.42 63073628 --- -- -xx nrps1970-11-08t07.shn 5:39.21 59849036 --- -- -xx nrps1970-11-08t08.shn 4:39.01 49217996 --- -- -xx nrps1970-11-08t09.shn 3:19.10 35127164 --- -- -xx nrps1970-11-08t10.shn 7:22.07 77985308 --- -- -xx nrps1970-11-08t11.shn 4:08.13 43777820 --- -- -xx nrps1970-11-08t12.shn 5:06.48 54091340 --- -- -xx nrps1970-11-08t13.shn 66:44.37 706393196 B (totals for 13 files) Capitol Theater Port Chester NY SHN / CD-R

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Norah Jones---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
07/14/02 Nora Jones Grand Opera House 7/14/02 Wilmington, DE Trade>CDR>EAC>FLAC lvl6 on track AUD EX Disc 1 Turn Me On, Cold Cold Heart, Nightingale, Seven Years, Feelin' The Same Way, It Makes No Difference, Something Is Calling You, In The Morning, Come Away With Me, What Am I To You Disc 2 Peace, Painter Song, Lonestar, I've Got To See You Again, Don't Know Why, Toes Just Touched The Water, Bessie Smith, Hallelujah I Love Him So (messed up second verse), Moon Song, Tennessee Waltz Wilmington Opera House Wilmington DE FLAC / CD-R

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Old & In The Way---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
03/02/73 Old And In The Way FRI 03/02/73 The Record Plant, Sausalito, CA Early Show? Recordings: FM MSR>R>D>CD 01 - Going To The Races 02 - Dark Hollow 03 - Katie Dear 04 - New Camptown Races 05 - Two Little Boys 06 - Home Is Where the Heart Is 07 - Down Where the River Bends 08 - Knockin' On Your Door 09 - Old & In The Way Breakdown Comments: Radio show broadcasted on KSAN-San Francisco. The Record Plant Sausalito CA SHN / CD-R

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04/16/73 Old & In the Way Boarding House San Francisco, CA 4/16/73 set I Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN. EAC > SHN by Joe Jupille. Single Disc (14) 51:23 01. Going To The Races [2:54] 02. Tragic Romance [3:59] 03. Instrumental [3:40] 04. The Willow Garden [5:39] 05. 'Til The End Of The World Rolls 'Round [4:02] 06. Pig In A Pen [2:46] 07. Panama Red [4:07] 08. Lonesome L.A. Cowboy [4:51] 09. Hard Hearted [3:43] 10. Wild Horses [5:01] 11. Lost [4:59] 12. Blue Mule false start [0:24] 13. Blue Mule [4:57] 14. Outro [0:14] Personnel: Peter Rowan: guitar, vocals John Kahn: bass Richard Greene: fiddle Jerry Garcia: 5-string banjo, vocals David Grisman: mandolin, vocals Notes/Comments: - This is pretty clearly a soundboard, and Grisman does a station/program id at some point identifying this as from WBAI's "Morning Dew" program. Rob (Eaton?) and a DJ speak at the very end of the segment. WBAI-FM broadcast this material on 7/31/99. Beyond that, I don't know if this is pre- or post-f.m., nor what media might be involved along the way. It sounds quite good, and this material is lots of fun! Thanks to Harry Angus for the source CDs! The Boarding House San Francisco CA SHN / CD-R

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07/23/73 Old And In The Way MON 07/23/73 The Boarding House, San Francisco, CA Recordings: SBD (DAT: MSR>?>D>CD) Disc 1 01 - Cheyenne 02 - Down Where The River Bends 03 - Love Please Come Home 04 - Midnight Moonlight 05 - Fanny Hill 06 - Hard Hearted 07 - Lonesome L.A. Cowboy 08 - Pig In A Pen 09 - Panama Red 10 - Wild Horses 11 - White Dove Disc 2 01 - Wicked Path Of Sin 02 - Blue Mule 03 - Orange Blossom Special 04 - Old & In The Way Breakdown 05 - On And On 06 - Lonesome Fiddle Blues 07 - The Fields Have Turned Brown 08 - Mule Skinner Blues 09 - Catfish John 10 - Land Of The Navajo 11 - Hobo Song Comments: Wicked Path Of Sin, Blue Mule and Hobo Song are all cut and appear to be cut on the Master SBD Reel. The Boarding House San Francisco CA SHN / CD-R

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07/24/73 Old And In The Way TUE 07/24/73 Homer's Warehouse - Palo Alto, CA Recordings: FM MSR>D>CD 01 - Billy In The Lowground 02 - Going To The Races 03 - Catfish John 04 - Good Woman's Love 05 - Lonesome Fiddle Blues 06 - Eating Out Of Your Hand 07 - Lonesome L.A. Cowboy 08 - Hobo Song 09 - Pig In A Pen 10 - Panama Red 11 - Workin' On A Building 12 - Hard Hearted Comments: It appears as if this was the complete show. Asleep at the Wheel opened. FM Broadcast KZSU Palo Alto. Homer's Warehouse Palo Alto CA SHN / CD-R

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11/04/73 Old And In The Way SUN 11/04/73 California State College Sonoma - Cotati, CA Recording: SBD (DAT: MSR>?>D>CD) Disc 1 01 - Going To The Races 02 - Catfish John 03 - Eating Out Of Your Hand 04 - Lonesome Fiddle Blues 05 - Land Of The Navajo 06 - Old & In The Way Breakdown 07 - Panama Red 08 - Pig In A Pen 09 - Fanny Hill 10 - Hobo Song 11 - Wild Horses 12 - White Dove Disc 2 01 - Lonesome L.A. Cowboy 02 - Drifting Too Far From The Shore 03 - Wicked Path Of Sin 04 - Knockin' On Your Door 05 - Uncle Pen 06 - High Lonesome Sound 07 - Just A Tramp On The Street (1) 08 - All Around The Watertank (1) 09 - Midnight Moonlight 10 - Orange Blossom Special Comments: (1) with Ramblin' Jack Elliot on lead vocals. The college is known today as Sonoma State University, but at the time of the concert it was known as California State College Sonoma. The beginning of Going To The Races is cut. California State College Sonoma Cotati CA SHN / CD-R

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Pearl Jam---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
04/12/92 Pearl Jam 04-12-92 Limelight New York, NY Source: AKG 451 cardioid mics -> Sony TCD-D3 Generation: DAT(M) -> aEQ via studio console/mixer -> DAT(c) 48khz -> FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC 01 Intro 02 Oceans 03 Even Flow 04 Why Go 05 Jeremy 06 Suggestion 07 Deep 08 Alive 09 Black 10 State of Love and Trust 11 Once 12 Porch 13 encore break 14 Leash 15 Rockin' in the Free World 16 I've Got a Feeling 17 Release Notes: aEQ was done by the taper and all circulating copies are EQ'ed. There is minor right channel static/mic noise in places and 2 small dropouts during Black. This is a smoking recording and a great show. Thanks to cps for the DAT. Transfer by BLG compiled on 12-17-04 Limelight New York NY FLAC / CD-R

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Pharoah Sanders---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
07/20/68 Pharoah Sanders 1968-07-20 Antibes Jazz Festival Antibes, France Pharoah Sanders ts, perc Lonnie Liston Smith p Norris Jones (Sirone) b Majeed Shabazz dr 1. unknown [fade out] 7:11 2. FM Intro > Venus (Sanders) 7:18 3. The Creator Has a Master Plan (Sanders) [fade/outro] 3:50 Time: 18:20 FLAC: 99 MB Notes: http://www.pharoahsanders.prv.pl/ There are some problems with the statement of the real dates of original recordings from this time. This especially concerns the 20 July and 22 July performances. The tape circulating as Antibes 68 or Antibes 20 July 68 of over 100 min. lenght is in fact a combination of 21 and 24 July performances. There are 2 other shorter tapes (about 45 min each) with the dates 20 or 22 July. The first tape of quiet poor quality consists of 2 longer fragments - the first one comes from the french radio transmission and is a quartet recording with Lonnie Liston Smith jr on piano, Norris Jones (Sirone) on bass and Majeed Shabazz on drums. This is just a fragment of a longer performance and the titles played by the group are Venus and Creator. The second part is much longer (ca 37 min) - a quintet performance with the musicians mentioned above + a bongo player. This 37 min. fragment + closing announcement and applause is also the main part of the second tape of a much better quality. This tape has also an additional shorter fragment different than this one on the first tape but also played in quartet. Consequently - it seems we have here to do with 2 different performances. If the dates given below are correct? I don't know. Maybe this question finds its answer someday ;) length expanded size cdr WAVE probs filename 7:11.20 76075484 --- -- --- pharoah1968-07-20t01.wav 7:18.38 77352620 --- -- --- pharoah1968-07-20t02.wav 3:50.54 40699052 --- -- --- pharoah1968-07-20t03.wav 18:20.37 185.13 MB (totals for 3 files) Jazz Festival Antibes France FLAC / CD-R

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07/21/68 Pharoah Sanders 1968-07-21 Early Bird Jazz Club Juan Les Pins, France Pharoah Sanders ts Michel Roques ts prob. Lonnie Liston Smith p Norris Jones (Sirone) b Majeed Shabazz dr 1. unknown 16:58 2. Sunny (Hebb-Laurent) 5:43 3. The Creator Has a Master Plan (Sanders-Thomas) 15:56 4. unknown [fade out] 6:03 Time: 44:43 FLAC: 244 MB length expanded size cdr WAVE probs filename 16:58.37 179662268 --- -- --- pharoah1968-07-21t01.wav 5:43.53 60629900 --- -- --- pharoah1968-07-21t02.wav 15:56.72 168807788 --- -- --- pharoah1968-07-21t03.wav 6:03.72 64202588 --- -- --- pharoah1968-07-21t04.wav 44:43.09 451.38 MB (totals for 4 files) Early Bird Jazz Club Antibes France FLAC / CD-R

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07/22/68 Pharoah Sanders 1968-07-22 Antibes, France Pharoah Sanders ts, perc Lonnie Liston Smith p Norris Jones (Sirone) b Majeed Shabazz dr unidentified bongo player 1. unknown 9:30 2. The Creator Has a Master Plan (Sanders-Thomas) > 20:35 3. Colors (Sanders-Thomas) > Band intro 6:20 Time: 36:25 FLAC: 225 MB length expanded size cdr WAVE probs filename 9:30.10 100571564 --- -- --- pharoah1968-07-22t01.wav 20:35.13 217884620 --- -- --- pharoah1968-07-22t02.wav 6:20.51 67151996 --- -- --- pharoah1968-07-22t03.wav 36:25.74 367.74 MB (totals for 3 files) Unknown Antibes France FLAC / CD-R

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07/24/68 Pharoah Sanders 1968-07-24 La Chunga Jazz Club Nice, France Pharoah Sanders ts prob. Lonnie Liston Smith p Norris Jones (Sirone) b Majeed Shabazz dr 1. The Creator Has a Master Plan (Sanders-Thomas) 28:49 2. Colors (Sanders-Thomas) 4:45 3. unknown 9:11 4. unknown 11:11 5. unknown 12:24 6. The Creator Has a Master Plan (Sanders-Thomas) [fade out] 4:31 Source: audience recording Time: 70:54 FLAC: 247 MB length expanded size cdr WAVE probs filename 28:49.73 305167340 --- -- --- pharoah1968-07-24t01.wav 4:45.10 50297564 --- -- --- pharoah1968-07-24t02.wav 9:11.72 97365788 --- -- --- pharoah1968-07-24t03.wav 11:11.17 118404428 --- -- --- pharoah1968-07-24t04.wav 12:24.23 131295740 --- -- --- pharoah1968-07-24t05.wav 4:31.41 47900876 --- -- --- pharoah1968-07-24t06.wav 70:54.11 715.67 MB (totals for 6 files) La Chunga Jazz Club Nice France FLAC / CD-R

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Phil Lesh & Friends---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
09/24/94 Phil and Friends Berkeley Community Theater September 24, 1994 Source: SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon > EAC(secure) > mkwact(seekable) by mvernon54@attbi.com 12/26/2002 Lineup: Jerry Garcia - Guitar and Vocals Bob Wier - Guitar and Vocals Vince Welnick - Keyboards and Vocals Phil Lesh - Bass and Vocals Disk 1 [62:00] Set 1 - Acoustic 01. Tuning & Bob Weir intro 02. Walking Blues, 03. Lazy River Road, 04. K.C. Moan, 05. Dupree's Diamond Blues, 06. Childhood's End, 07. When I Paint My Masterpiece*, 08. Attics Of My Life, 09. Cassidy > 10. Bird Song > 11. Throwing Stones (only acoustic version ever) This was probably the first official "Phil and Friends" concert. The fact that it was Jerry, Bob, Vince and Phil "unplugged" at Berkeley Community Theater made it a special event. The show sold out in 15 minutes. From the Live Music Archive at http://www.archive.org/audio/etree-details-db.php?id=21611 I posted it here because it is one of the most incredible shows from the 90s and I don't think it has circulated well. Hopefully you enjoy it as much as I do. Support Phil and go see him live sometime! - Dub Irie ------------------------------------------------------------------ Rave Reviews: 5 out of 5 stars March 30, 2006 Reviewer: RocknRoll Soldier Subject: download and be merry I think this is the first real Phil and Friends show. If this isn't 5 stars I don't know what is. Gotta be the best Attics of My Life I ever heard and the Cassidy is awesome if only because of the casual acoustic setting and magic in the air. It seems like they knew it was a send-off in a way. Berkeley Community is where after 30 years of touring the Dead had come full circle to their roots at a classic home venue with this unusual spur of the moment show. Vince stands out here folks. Jerry sounds good but more like Father Time than ever. He always enjoyed acoustic stuff more than the Dead anyway. This board is too clean. Soldier says download and be merry. 5 out of 5 stars March 16, 2006 Reviewer: tivo Subject: Excellent Thanks, Phil!! Rock on... 5 out of 5 stars December 28, 2005 Reviewer: 24inchkick Subject: vinny dubya first of all this is a great, crisp SBD of a tasty show. jerry's flubs aside, everyone's playing is at their acoustic best. and for you anti-welnicks out there, check out the bird song and tell me he's not a great player. one of my favorite 90's performances for sure. 5 out of 5 stars December 28, 2005 Reviewer: Dub Irie Subject: Epic Gem This rare Berkeley event was near impossible to record from the audience because the crowd was so explosive. You can hear it faintly on this recording, but at the show it was uproarious and thundering applause. I tried to tape and gave up. I am grateful to Phil this SB exists here in such beautiful condition. The event was pure acoustic magic and the last acoustic event with Jerry (I believe). It is a refined, short show, but very well played. Notable to me is the vocal harmonies in Attics of My Life, and an exotic Cassidy>Birdsong jam. If you like the acoustic Dead, this is must have. 5 out of 5 stars December 28, 2005 Reviewer: Dub Irie Subject: Epic Gem This rare Berkeley event was near impossible to record from the audience because the crowd was so explosive. You can hear it faintly on this recording, but at the show it was uproarious and thundering applause. I tried to tape and gave up. I am grateful to Phil this SB exists here in such beautiful condition. The event was pure acoustic magic and the last acoustic event with Jerry (I believe). It is a refined, short show, but very well played. Notable to me is the vocal harmonies in Attics of My Life, and an exotic Cassidy>Birdsong jam. If you like the acoustic Dead, this is must have. 5 out of 5 stars December 28, 2005 Reviewer: Dub Irie Subject: Epic Gem This rare Berkeley event was near impossible to record from the audience because the crowd was so explosive. You can hear it faintly on this recording, but at the show it was uproarious and thundering applause. I tried to tape and gave up. I am grateful to Phil this SB exists here in such beautiful condition. The event was pure acoustic magic and the last acoustic event with Jerry (I believe). It is a refined, short show, but very well played. Notable to me is the vocal harmonies in Attics of My Life, and an exotic Cassidy>Birdsong jam. If you like the acoustic Dead, this is must have. 5 out of 5 stars December 28, 2005 Reviewer: Dub Irie Subject: Epic Gem This rare Berkeley event was near impossible to record from the audience because the crowd was so explosive. You can hear it faintly on this recording, but at the show it was uproarious and thundering applause. I tried to tape and gave up. I am grateful to Phil this SB exists here in such beautiful condition. The event was pure acoustic magic and the last acoustic event with Jerry (I believe). It is a refined, short show, but very well played. Notable to me is the vocal harmonies in Attics of My Life, and an exotic Cassidy>Birdsong jam. If you like the acoustic Dead, this is must have. 4 out of 5 stars November 07, 2005 Reviewer: dmilks Subject: 9-24-94 Well, I forgot all about this one, and since it is listed in the Phil & Friends category, it took me a while to come across it as I am not huge on Phil & Friends post 8-9-95. But, indeed this is technically the first Phil Lesh & Friends show. So, I guess I can't say I don't like ALL the Phil & Friends shows. This is nothing against Phil, I absolutely love the guy, and saw enough Dead concerts to have probably paid for a year of Grahame's college education, I just don't jive with the Phil & Friends thing. The show itself is a little on the sloppy side on Garcia's and Weir's part. Phil is barely audible in this mix (but he gets slightly louder throughout the set), and even with some EQ magic, he is a little distant. Vinnie, believe it or not in my opinion, gives the most solid performance of the night. Still 4 stars just for the cause which was most worthy, and the fact that it happened. 5 out of 5 stars October 02, 2005 Reviewer: doug01 Subject: Very Nice My favorite "Dead" show of 94, and the only acoustic Throwing Stones by the boys ever....Download! 5 out of 5 stars October 02, 2005 Reviewer: doug01 Subject: Very Nice My favorite "Dead" show of 94, and the only acoustic Throwing Stones by the boys ever....Download! 5 out of 5 stars September 27, 2005 Reviewer: Lynch Subject: I echo all the previous reviews One of my favorite things to listen to in this life of mine is acoustic GD. This show is everything a person with such an affinity could ever want. 5 out of 5 stars August 29, 2005 Reviewer: rollthembones Subject: Great concert The best of the last year. If someone knows of a better Childhood's End, then I'll be damned because this one is fantastic. 5 out of 5 stars August 15, 2005 Reviewer: Peacefuljon Subject: Acostic Dead Great show, lazy river, is acoustic, Jerry sounds great Overall great sound can't lose...a grateful Jem 5 out of 5 stars May 31, 2005 Reviewer: StrawRider Subject: Background This marvelous show, the very first "Phil Lesh and Friends", is this result of Phil Lesh responding to the need of his old school's music program at Berkeley High. Tickets sold out in 20 minutes! For a complete story: http://www.philzone.com/philbase/ You can find a review link (RV) in the show detail box on the 1958-1998 page. It's a very honest and informative review by a certain Nicholas Meriwether who, according to my search engine, apparently was born in 1631 and settled in Virginia. Talk about dead. Probably another Nicholas Meriwether went to this benefit I'm thinking. Maybe the one who worked on the deadlettersmagazine.com a few years ago. Anyway, read the review! 5 out of 5 stars May 27, 2005 Reviewer: muchabrats Subject: Sound 6 Stars, Playing 5 Stars I’m in the process of downloading the rest of the show right now but my first impression is WOW. Sound quality is worth 6 stars. The introduction is actually quite amusing. Cassidy is excellent, shades of acoustic 1980. Garcia’s playing sounds superb. I must admit I only saw three Dead shows after Brent died and I was working for the opening band so I didn’t get to experience the shows like I used to. I was unaware of Jerry’s carpal tunnel. It doesn’t seem to be an issue here. Dupree's Diamond Blues sounds phenomenal as well. I’ve never been a fan of Vince but he’s actually quite good on a piano. Worth the download for certain. 5 out of 5 stars May 27, 2005 Reviewer: Grapefruit Fred Subject: Tasty.........Tasty.........Tasty I just stumbled across this one. What a gem. If you like acoustic music, this is definitely for you. Sweet playing AND singing as well. Does anyone know the background of this performance? Was this some kind of benefit show? Regardless, it is a real treat, and a million thanks to Archive.com and all of the selfless people that make it happen for all of us. ENJOY!!!!!!!! 5 out of 5 stars April 21, 2005 Reviewer: skwimite Subject: Sweet Sound To echo other sentiments here, this really does belong in the GD section, but I'm NOT complaining. I've had an audience version that ended halfway through "Attics", a truely painful experience. The sound is great, the performance great, and why are you wasting time reading, when you should be downloading this treasure? Thank you to those responsible. A big 5 stars! 5 out of 5 stars February 04, 2005 Reviewer: dead trail Subject: A must have It's a toss-up between this crispy, very fine sound board and the scheops audience recording. The show itself: anyone who loved Jerry Garcia and his incredible musical contribution to humanity needs to hear this. A late career acoustic performance with longtime mates Bobby and Phil, makes for a very special evening of music. Vince adds some wonderful color and flourishes. Stand out tunes for me are the "Dupree's" and "Attics of my Life" (and kudos to Robert Hunter for penning such a sweet and lonesome soliloquy). Consider doing what Im doing: Download, grab a cold bottle of Brooklyn Lager, put on some good quality headphones and smile, smile, smile. P.S. In agreement with the previous review, adding this show into the Grateful Dead category would not be a bad move at all. 4 out of 5 stars January 31, 2005 Reviewer: phildarkside Subject: cool! This is the famous "unplugged" show with Bobby's rap in the beginning. Very cool as I have never seen a soundboard of this. The widely circulated AUD source is pretty good, especially during Throwing Stones where you can hear the taper going "Ashes ashes all fall down" along with the band. Anyway the soundboard version is much cleaner and clearer. The beand seems to be in a very good mood and are talkative in the beginning. Great to hear some of the last days of real good Jerry acoustic. This is a must have! It really should be in the GD section IMHO. length expanded size cdr WAVE probs filename 2:17.57 24300908 --- -- --- phil94-09-24d1t01.wav 5:40.73 60147740 --- -- --- phil94-09-24d1t02.wav 6:18.15 66714524 --- -- --- phil94-09-24d1t03.wav 2:26.40 25848524 --- -- --- phil94-09-24d1t04.wav 4:59.27 52807148 --- -- --- phil94-09-24d1t05.wav 4:05.58 43354460 --- -- --- phil94-09-24d1t06.wav 5:19.15 56306924 --- -- --- phil94-09-24d1t07.wav 4:47.02 50631548 --- -- --- phil94-09-24d1t08.wav 6:45.73 71613740 --- -- --- phil94-09-24d1t09.wav 10:15.00 108486044 --- -- --- phil94-09-24d1t10.wav 9:04.72 96130988 --- -- --- phil94-09-24d1t11.wav 62:00.57 656342548 B (totals for 11 files) Berkeley Community Theater Berkeley CA FLAC / CD-R

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Phish---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
11/03/84 Phish 11/3/84 Slade Hall Basement, University of Vermont - Burlington, VT Source: Aud > Cass/2 > DAT Conversion: DA-P1 > Fiji > Sound Forge 4.5 > CD Wave > SHN v3 Conversion and Encoding by Mike Wren 11/3/00 Thanks Shaggy for the seed! -------------------------------------------------------------- http://etree.org - The standard in lossless audio distribution -------------------------------------------------------------- 01 Ignition Sequence (00:30) 02 The Midnight Hour (Wilson Pickett) (06:22) 03 Wild Child (Lou Reed) (05:20) 04 Bertha (Grateful Dead) (13:39) 05 Can't You Hear Me Knockin' (Rolling Stones) * (09:39) 06 Camel Walk (01:17) 07 Eyes of the World (Grateful Dead) (17:54) 08 Whipping Post (Allman Brothers) (16:03) *With "St. Stephen" (Grateful Dead) jam. Total Time: 70:44 Slade Hall, UVM Burlington VT SHN / CD-R

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12/01/84 Phish - 12/1/84 (w/ full 10/17/85 filler on disc two) Nectar's, Burlington, VT The First Circulated Phish Show Source: SBD > Cass1 > DAT > CD-R > EAC > WAV > Cool Edit for Re-mastering (see notes at bottom) > SHN Re-mastering, Shortened, md5sums & uploaded by Mike Wren - mikew@etree.org Released to commemorate the one year anniversary of etree.org ----- 12/1/84 Disc 1: 1) Scarlet Begonias > 2) Fire > 3) Fire on the Mountain 4) Makisupa Policeman 5) Slave to the Traffic Light 6) Spanish Flea 7) Don't Want You No More > 8) Cities > 9) Drums 10) Skippy the Wondermouse Disc 2: 1) Fluffhead Encore: 2) Eyes of the World ----- 10/17/85 3) Star Trek Jam > 4) Alumni Blues > 5) Mike's Song 6) Dave's Energy Guide 7) Revolution > 8) Anarchy 9) Camel Walk 10) Run Like an Antelope 11) McGrupp and the Watchful Hosemasters ----- NOTES: * Thanks to Lee Farber for the original seed! * There was some re-mastering done to clean up the original tape hiss from this classic show. The processes I took are as follows: 1) Amplified both discs 175% across the board. 2) Sampled a section of silence to obtain a decent noise floor sample (25,000 sample points used). 3) Applied this sample against both discs at 64 percent. 4) Applied a graphic equalizer to boost the high and low spectrums (specifically between 600 - 800 Hz and 8k & 10 kHz). ***Note: I cut everything above 11 kHz 18dB because nothing existed above that freq. range on the original recording. * I've also included the EAC logs from my initial DAE (the files that have the .eac extension) * If you have any additional question, please let me know: mikew@etree.org Nectar's Burlington VT SHN / CD-R

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10/17/85 Circulates as filler on 12-1-1984 disc two 10/17/85 3) Star Trek Jam > 4) Alumni Blues > 5) Mike's Song 6) Dave's Energy Guide 7) Revolution > 8) Anarchy 9) Camel Walk 10) Run Like an Antelope 11) McGrupp and the Watchful Hosemasters ----- NOTES: * Thanks to Lee Farber for the original seed! * There was some re-mastering done to clean up the original tape hiss from this classic show. The processes I took are as follows: 1) Amplified both discs 175% across the board. 2) Sampled a section of silence to obtain a decent noise floor sample (25,000 sample points used). 3) Applied this sample against both discs at 64 percent. 4) Applied a graphic equalizer to boost the high and low spectrums (specifically between 600 - 800 Hz and 8k & 10 kHz). ***Note: I cut everything above 11 kHz 18dB because nothing existed above that freq. range on the original recording. * I've also included the EAC logs from my initial DAE (the files that have the .eac extension) * If you have any additional question, please let me know: mikew@etree.org Finbar's Burlington VT SHN / CD-R

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12/29/89 Phish 12-29-89 Source: SBD > Cass/0 > DAT Transfer: (Jeff Ishaq jishaq@earthlink.net) CDR > Verified flawless EAC > WAV > CDWav for retrack > SHN v3 Notes: d1t01 fades-into rhombus narration with "up... and we look up at the rhombus. And we begin to climb up a rope, up the rhombus, until we're standing..." Be advised that there exist clones of this show that contain less narration. This is the lenghtiest I've found (thanks to Ben Mohr!) d1t03 02:07 -> 02:08 and 02:15 -> 02:17, dn zap Disc 1: [56:35] Set I: 01. [00:24] Rhombus -> 02. [11:46] Divided Sky 03. [06:46] Ya Mar 04. [01:44] Oh Kee Pa Ceremony -> 05. [06:35] AC/DC Bag 06. [12:42] Lizards 07. [02:31] Lawn Boy 08. [05:55] Mike's Song -> 09. [02:24] I Am Hydrogen -> 10. [05:51] Weekapaug Groove Rare show. Excellent sound quality! Trey implies they're coming back for Set II, but it's not in circulation and probably was not recorded. Bummer. -Jeff Ishaq 12/10/00 Burlington, VT Brownie's 23 East Cabaret Ardmore PA SHN / CD-R

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11/03/90 Phish 11/03/90 Boulder Theater - Boulder, CO Source: Separate from Soundboard 16 track Mix (see notes below) > DAT@44.1 Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE or resampling at all** Minor Edits: None "Sbd/Aud mixes: The following shows were recorded to DAT from a separate recording board at the shows. They are some of the highest quality Phish tapes in existence: 4/22/90, 10/30/90, 10/31/90, 11/2/90, 11/3/90, 11/4/90, 3/13/91, 3/15/91, 3/16/91, 3/17/91, 3/22/91, 3/23/91, 4/5/92. Except for the 4/5/92 tape, they have all been fairly widely circulated. They were done on a large recording console (not EQ) and mixed completely separately from the board mix, rumoredly done in a truck outside the venue. The engineer used 2 audience mics to mix in crowd/hall ambience (on most of them). See also, PA info." Quoted from: http://www.phish.net/PhishFAQ/tquality.html Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4) were all done by Mike Grace through a separate 16 track mixer and ran direct to 2 track DAT. He basically used the same setup in Spring 1991 too." Mastered by Mike Grace, DATs for this transfer provided by Mikey Perrott. Thanks Mikey! Transferred and uploaded by Jim Raras via Dankseeds Please contact me with questions etc. ____________________________________________________________________________ *Dankseed Certification received 01-03-23* and posted at http://groups.yahoo.com/group/dankseeds/files/ph90-11-03/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO ___________________________________________________________________________ Disc 1 / Set I 01:07:02 01. Intro/Crowd 00:22 02. Dinner and a Movie -> 03:39 03. Bouncing Around the Room 03:51 04. Llama 04:35 05. The Squirming Coil 06:03 06. The Oh Kee Pa Ceremony 01:45 07. Suzy Greenberg 05:08 08. Magilla -> 05:39 09. Foam 08:24 10. Runaway Jim 06:08 11. You Enjoy Myself 16:30 12. Good Times Bad Times 04:58 Disc 2 / Set II 01:13:40 01. Crowd/Tuning 00:38 02. The Landlady 03:47 03. Mike's Song > 06:09 04. I Am Hydrogen > 02:31 05. Weekapaug Groove 05:40 06. Paul and Silas 03:13 07. Stash 08:00 08. Fee 05:20 09. Uncle Pen 04:24 10. Reba 10:52 11. Possum 07:58 12. HYHU > 01:33 13. Love You > 03:53 14. HYHU > 00:36 15. Run Like an Antelope 09:06 Disc 3 / Encore 00:21:50 01. Encore Break/Crowd 01:10 02. Fluffhead 14:20 03. Crowd 01:37 04. Fire 04:43 Setlist from "The Phish Companion" http://www.phish.net/mockingbird/ Boulder Theater Boulder CO SHN / CD-R

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02/20/93 Phish 02.20.1993 Roxy Theater - Atlanta, GA Source: SBD > ? > Trade from Craig Davis (craigdavis1@email.msn.com) > EAC > SHN EAC: Eric Stoick (eric@stoick.com) Seeded to: dylan.etree.org Date Seeded: 08.31.2000 Notes: This show is ultra dank! A must have! Qualitiy is digity, the show is superb! EACed all 100% These Discs will CDDB! Disc 1: 01 - Crowd 00:13 02 - Golgi Apparatus 04:35 03 - Foam 08:56 04 - The Sloth 03:38 05 - Possum 10:22 06 - Weigh 05:05 07 - All Things Reconsidered 02:52 08 - The Divided Sky 13:39 09 - The Horse > 01:32 10 - Silent in the Morning 05:08 11 - Fluffhead 14:23 Disc 2: 01 - Cavern 04:29 02 - Wilson 07:12 03 - Reba 13:36 04 - Tweezer > 04:34 05 - Walk Away > 04:38 06 - Tweezer > 01:45 07 - Glide > 04:34 08 - Mike's Song > 08:03 09 - My Mind's Got a Mind of its Own > 01:57 10 - Kung > 03:11 11 - I Am Hydrogen > 03:33 12 - Weekapaug Groove > 02:10 13 - Have Mercy > 02:58 14 - Rock and Roll All Night > 00:57 15 - Weekapaug Groove > 01:22 16 - Fast Enough for You 05:11 Disc 3: 01 - Big Ball Jam 03:30 02 - HYHU 04:08 03 - Terrapin 07:44 04 - Harry Hood 13:10 05 - Tweezer Reprise 02:56 06 - E: Sleeping Monkey 06:22 Questions, Comments, Concerns? Email me: eric@stoick.com Roxy Theater Atlanta GA SHN / CD-R

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04/09/94 Phish April 9, 1994 Broome County Arena Binghamton, NY source: (FOB) AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz) recorded FOB on stand transfer: Sony PCM-R500 > Tascam HD-P2 > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8) recorded by Dave Flaschner transferred by Jason Sobel (jasonsobel@gmail.com) seeded May 9, 2006 notes: The master DAT was used in this transfer, thanks Dave! The original DAT recording was made with pre-emphasis. The Waves 5.0 Paragraphic EQ plug-in was used to de-emphasize the recording. The 48 kHz .wav files from the DAT transfer have been archived, and are available upon request. Disc 1 - [63:49] Set I 01 - [04:21] - Magilla 02 - [05:55] - Wilson 03 - [06:05] - Rift 04 - [09:09] - Bathtub Gin 05 - [03:05] - Nellie Kane 06 - [07:03] - Julius 07 - [05:18] - Fee -> 08 - [03:06] - All Things Reconsidered 09 - [10:41] - Stash 10 - [09:07] - The Squirming Coil Disc 2 - [78:12] Set II 01 - [05:25] - Sample in a Jar 02 - [13:51] - Reba 03 - [03:09] - Peaches en Regalia > 04 - [02:20] - Big Ball Jam 05 - [01:53] - Demand 06 - [09:08] - Mike's Song > 07 - [02:57] - I Am Hydrogen > 08 - [09:33] - Weekapaug Groove 09 - [06:44] - Tela > 10 - [09:09] - Slave to the Traffic Light 11 - [04:31] - Cavern 12 - [03:41] - encore break 13 - [02:13] - Amazing Grace 14 - [03:38] - Highway to Hell show notes: This show marked the first performance of Demand. This non-standard, free-form Weekapaug included quotes from The Little Drummer Boy, Divided Sky, and Dave's Energy Guide. Little Drummer Boy was also teased during the end of Peaches and the ensuing Big Ball Jam. Highway to Hell was jokingly dedicated to some fans in the front row, who were chanting for AC/DC Bag and not an AC/DC song. Broome County Arena Binghamton NY FLAC / CD-R

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04/18/94 PHiSH 04-18-94 Bob Carpenter Center, University of Delaware, Newark, DE source: akg 460b>D7 transfered: tascam da20mkII>za2>wav>shn using soundforge, and cdwav. probably my last hometown show ever :( enjoy!!! jimmy sellers pjimmy@delanet.com disc 1: 1. Chalk Dust Torture 2. Glide-> 3. Poor Heart 4. Julius 5. My Friend My Friend 6. Rift 7. Split Open and Melt 8. Dog Faced Boy* 9. Oh Kee Pa Ceremony-> 10.AC/DC Bag disc 2: 1.Also Sprach Zarathustra 2.Sample in a Jar 3.Sparkle-> 4.Bathtub Gin-> 5.Big Ball Jam 6.Ya Mar** 7.Mike's Song-> 8.TMWSIY-> 9.Avenu Malkenu-> 10.TMWSIY-> 11.Down With Disease-> 12.HYHU-> I Wanna Be Like You-> HYHU 13.Cavern 14.E: Good Times Bad Times *Electric. **Dedicated to Sue. Bob Carpenter Center Newark DE FLAC / CD-R

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06/11/94 Phish 06-11-94 Red Rocks Amphitheater, Morrison, CO Source: DSB FM Broadcast > DAT Extraction and conversion by Phulcrum http://gamehendge.dyndns.org Set I Disc 1: 1: Wilson 2: Chalkdust Torture 3: You Enjoy Myself 4: Rift 5: Down With Disease 6: It's Ice 7: Tela 8: Stash Set II Disc 2 1: Also Sprach Zarathustra-> 2: Run Like an Antelope 3: Fluffhead 4: Scent of a Mule 5: Split Open and Melt 6: The Squirming Coil Disc 3 1: Maze 2: Contact-> 3: Frankenstein Encore: 4: Suzy Greenberg * Last "Frankenstein", 07-26-91 Red Rocks Amphitheatre Morrison CO SHN / CD-R

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06/11/94 Phish Red Rocks Amphitheater, Morrison, CO June 11, 1994 Source: FM Broadcast-> DAT-> CDR Original extraction and conversion by Phulcrum. Edits (as noted below) by Jimbo. Disc 1, Set 1: 01. Wilson 02. Chalk Dust Torture 03. You Enjoy Myself 04. Rift 05. Down With Disease 06. It's Ice 07. Tela 08. Stash Disc 2, Set 2: 01. Also Sprach Zarathustra-> 02. Run Like an Antelope 03. Fluffhead 04. Scent of a Mule 05. Split Open and Melt 06. The Squirming Coil 07. Maze Disc 3, Set 2: 01. Contact-> 02. Frankenstein Encore: 03. Suzy Greenberg The following edits have been made to the original etree seeds using an FM Broadcast DAT: 1. Rift - Dropout at 4:39 corrected. 2. It's Ice - Diginoise at 4:58 and skip at 7:37 corrected. 3. The Squirming Coil - Skip at 6:03 corrected. 4. Maze/Contact - missing segment (with station ID) replaced. 5. Suzy Greenberg - missing beginning added In addition, some extra intro/outro crowd noise was added for continuity. The two Set 2 discs have NOT been faded to allow the set to be put together seamlessly. All three discs have been retracked using CDWave. Red Rocks Amphitheatre Morrison CO SHN / CD-R

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07/08/94 Phish 07-08-94 Great Woods, Mansfield, MA -------------------------------------------------------------------------------------------- This show is included in the 1994 Phish Project. http://people.atl.mediaone.net/danmarq/1994_phish_project.html ---------------- Source: [DFOB; Master DAT] Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz; Sec 7, Row B, Seat 4 Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0 (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all** Minor Edits: Fades (in/out at begginning/end of sets) ---------------- Transferred by Dan Marquardt <danmarq@msn.com>, please contact me with questions/comments. There are also 48KHz shn's of this seed for archival. -------------------------------------------------------------------------------------------- CD/Set 1: (complete "Gamehendge" narration) 71:08 01. Llama-> 03:55 02. N2O*-> [drop-out at the start] 04:25 03. Lizards-> 09:59 04. Tela-> 11:07 05. Wilson-> 05:34 06. AC/DC Bag-> 07:53 07. Colonel Forbin's Ascent-> 06:59 08. Fly Famous Mockingbird-> 07:16 09. The Sloth-> 04:41 10. McGrupp and the Watchful Hosemasters-> 09:16 CD 2/Set 1: 61:33 01. The Divided Sky 15:34 Set 2a: 45:59 02. Rift 06:06 03. Sample in a Jar 04:49 04. Reba-> 12:32 05. Y-Rushalayim Schel Zahav 01:16 06. It's Ice 08:59 07. Stash 12:17 CD 3/Set 2b: 47:06 01. You Enjoy Myself-> 12:57 02. Frankenstein-> 04:47 03. You Enjoy Myself 07:12 04. Julius 07:38 05. Golgi Apparatus 06:42 Encore: 06. Nellie Cane 03:01 07. Cavern 04:47 -------------------------------------------------------------------------------------------- *The idea was being in a dentist's chair, with the gas slowly putting you to sleep, and on your way to Gamehendge. Great Woods Center for the Performing Arts Mansfield MA SHN / CD-R

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11/19/94 Phish November 19, 1994 Indiana University Auditorium - Bloomington, IN Post Show - Parking Lot Set Source: AKG 522 Sterio mic(msmode) > d8 Taped by Jason Loomis Transfer: DA30mk2 > HHBCDR800 Transfered By Rick Ramirez 01. Blackberry Blossom (in progress) 02. Tennessee Waltz 03. The Old Home Place 04. Dooley 05. Mountain Dew 06. John Hardy 07. Sweet Baby's Arms 08. Long Journey Home 09. Little Tiny Butter Biscuits 10. I'm Blue I'm Lonesome 11. Midnight Moonlight 12. Will The Circle Be Unbroken cd via guy gimbrone shn(mkw) and seeded by jimmy cronk---dreadycubfan@yahoo.com SHN (MKW) > .WAV > FLAC (id tag'd) by Medlhuber@hotmail.com Indiana University Auditorium Bloomington IN FLAC / CD-R

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10/21/95 Phish 10/21/95 Pershing Auditorium Lincoln, Ne Source: Akg 451's > Dat Transfer: (set 1 @ 44.1 set 2 @ 48) Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Sf 6.0 > Cd Wave > Flac (Set II was resampled to 44.1 w/anti alias filet @ highest setting) Transferred By; Greg Lance gotfob@hotmail.com Disc 1/Set I 1. Tweezer Reprise 2. Chalk Dust Torture 3. Guelah Papyrus 4. Reba 5. Wilson 6. Cars Trucks Buses 7. Kung > 8. The Lizards 9. Strange Design 10. Acoustic Army 11. Good Times Bad Times > 12. Tweezerprise Disc 2/Set II 1. Chess Move * 2. Also Sprach Zarathustra > 3. David Bowie [0:00- ;5:01-14:26] 4. Lifeboy 5. Sparkle 6. You Enjoy Myself > 7. Purple Rain > 8. HYHU Disc 3: 1. Harry Hood 2. Suzy Greenberg -Encore- 3. Highway to Hell *Minor Digi Zap at beginning. Show Notes: Black or White tease before GTBT. Beat It tease before and in Hood. beat it tease in Suzy Greenberg, also included a Tweezer Reprise tease. Pershing Auditorium Lincoln NE FLAC / CD-R

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12/15/95 Phish 12/15/95 The Spectrum, Philadelphia, PA Source: AKG 396's>D7>ZA2>Soundforge 4.0>CD Wave Editor>SHN DAT>HD>SHN transfer:Mike Ayers mayers@vt.edu SHN Upload: Byron Poland byron@vt.edu note: level adjustment up at 0:25 during chalkdust one digi spot at 0:56 during chalkdust and at 1:24 during Good Times, Bad Times (both very minor and quiet). Disc 1: 1. Chalkdust> 2. Harry Hood> 3. Wilson> 4. Maze> 5. Ha Ha Ha> 6. Suspicious Minds> 7. HYHU> 8. Cars Trucks Buses 9. Bouncin 10. Free> 11. Possum Disc 2: 1. Tweezer reprise> 2. Jim> 3. Ice> 4. Bathtub Gin> 5. Jam> 6. Mallory>* 7. 2001> 8. Bowie 9. Adeline Encores: 10. Tuning:"Are You Ready" 11. Good Times Bad Times> 12. Tweezer reprise reprise *fishman solo piano The Spectrum Philadelphia PA SHN / CD-R

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08/04/96 Phish 8.4.96 Red Rocks Morrison, Co Taped By J.P. Transferred & Seeded By: Greg Lance gotfob@hotmail.com Source: FOB > DFC/9th row/Seat #38 > Sonic Studios Dsm6'/Pa6lc3s (w/60khz bass rolloff) > D7 @48k > Clone Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (Fades, 48 to 44.1) Cd Wave > FLAC Disc I/Set I 1. Chalkdust Torture 2. Funky Bitch 3. Guyute 4. Fee 5. Split Open & Melt 6. Mango Song 7. The Sloth 8. Maze 9. Lovin' Cup Disc II/Set II 1. AC/DC Bag > 2. Reba 3. Scent Of A Mule > 4. Sample In A Jar 5. David Bowie 6. Sweet Adaline 7. Slave To The Traffic Light -Encore- 8. Star Trek Theme* 9. Rocky Top *Page Solo On Theraminph ph1996-08-04d1t01.flac:c3ff098636c96bee419f9231e417913e ph1996-08-04d1t02.flac:59f62d2264eff55430a5cf92c028f78f ph1996-08-04d1t03.flac:fd67b3424ec4c8130792d42c50babb94 ph1996-08-04d1t04.flac:00d2686cf53c7de802a03b1eb326cba5 ph1996-08-04d1t05.flac:77620233a8d8ac75b65ab85e23388b19 ph1996-08-04d1t06.flac:ea0ec44915c1eec9ca100173d029977f ph1996-08-04d1t07.flac:12dfed889fc2e3af227b29393d156916 ph1996-08-04d1t08.flac:bc02ecab3293821f6cd9d127a3c8fdfd ph1996-08-04d1t09.flac:6b04ece86fd7c96818229d1596cb2b7a ph1996-08-04d2t01.flac:7e9aa8d16c7e4018e94e17fc023ed5fa ph1996-08-04d2t02.flac:3a96660385f8696a1b65d01c29101ac8 ph1996-08-04d2t03.flac:e7d8e9e37e51552a91cc144a57352ace ph1996-08-04d2t04.flac:f6f3ebc5e5db6a2538628a154d24f111 ph1996-08-04d2t05.flac:b9e1a15875de94696feac5c0c2cc4d8c ph1996-08-04d2t06.flac:d5871252a5742e854b000dff8f66fd8b ph1996-08-04d2t07.flac:b163f0dc1c2a5dfbc9efc25ceda88547 ph1996-08-04d2t08.flac:602f378afed3c8443e70c5c13006c41c ph1996-08-04d2t09.flac:fe57b7b1e073384831692f6e3bddbbcc Red Rocks Amphitheatre Morrison CO FLAC / CD-R

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08/14/96 PHiSH - 08/14/96 Hershey Park Stadium, Hershey, PA source: Schoeps CMC60 > Sonosax > D10 Pro II > DAP1 (m) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, BBE > L2 > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 01/18/04 DISC ONE set I: 01. Wilson > Jam > 02. Down with Disease 03. Fee > 04. Poor Heart 05. Reba 06. Mango Song 07. Gumbo 08. Stash 09. Hello My Baby DISC TWO set II: 01. Runaway Jim > 02. You Enjoy Myself 03. The Horse > 04. Silent in the Morning 05. Cars Trucks Buses 06. Tweezer > 07. Theme from the Bottom DISC THREE set II(cont): 01. HYHU > Cracklin' Rosie > HYHU 02. Sample in a Jar 03. Tweezer Reprise encore: 04. Julius SHOW NOTES: Julius was dedicated to Matty Sands Read Charlie Dirksen's YEM review here: http://www.phish.net/reviews/yem/08-14-96.html and while you're at it, read his Tweezer review here: http://www.phish.net/reviews/tweezer/08-14-96.html Hershey Park Stadium Hershey PA SHN / CD-R

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03/01/97 PHiSH 03/01/97 Markthalle Hamburg, Germany Source: SBD > Pre-FM Feed > DAT > SHN v3 (seekable) Disc 1: Cities Oh Kee Pa Ceremony Down with Disease Weigh Beauty of My Dreams Wolfman's Brother -> Jesus Just Left Chicago -> Reba Hello My Baby* Possum Carini Dinner and a Movie -> Mike's Song -> Lawn Boy -> Weekapaug Groove The Mango Song Billy Breathes Theme From the Bottom E: Taste Sweet Adeline* NOTES: * Since these were not fed through the SBD, the radio staion decided to use those opportunities to take their station identification breaks. The breaks were edited out flawlessly, and if it wasn't a known fact that these songs were played you wouldn't even notice they are missing :-) Seeded by Mr. Marmar 32798040e0f45c0149c048a4924ba642 *ph97-03-01d01t01.shn 68d15d404cf02dc3d08713346acf34d2 *ph97-03-01d01t02.shn 49948dd44ddd81a955f0de54b43a619a *ph97-03-01d01t03.shn 4104c33eaf9e9c42050f96fe0ba25e08 *ph97-03-01d01t04.shn e9d8221d55637fb3d4d1b004cdffe418 *ph97-03-01d01t05.shn 7c1278e7ef085c0d74235a60b2e38dc4 *ph97-03-01d01t06.shn 3a77c607eacf33642af4e7bf7410d48e *ph97-03-01d01t07.shn 79c4e8050fb0c1031163a6ff5b1b2b3c *ph97-03-01d01t08.shn 04f812139dbd8dcc659e674845fed61a *ph97-03-01d01t09.shn 64cdc874d4692a4ef5afda89c6a6ff5a *ph97-03-01d02t01.shn fde1669485fd5c0948f848abcfcf892f *ph97-03-01d02t02.shn 3cc255d6dd855b6ca6e4ce5c3e6c08eb *ph97-03-01d02t03.shn 4e3cf27f2e82df23ba34c32ded455c6c *ph97-03-01d02t04.shn 8f467d73612d9452989c79c899c39bd8 *ph97-03-01d02t05.shn 82fc8ca2825cc49187f91c2a9ca706ef *ph97-03-01d02t06.shn 9dc6ff62352a2ac51422b1fbb7480dae *ph97-03-01d02t07.shn fa3e2f82dc84884331b4c1d3ad6c0b01 *ph97-03-01d02t08.shn 630b06821fa7aa854e6dda05ff01e982 *ph97-03-01d02t09.shn Markthalle Hamburg Germany SHN / CD-R

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07/01/97 Phish 07-01-97 Paradiso- Amsterdam, Netherlands Source: Neumann TLM170->Sonosax Transfer: Stewart McCloskey Upload: Mike Fischer (phishsdank@aol.com) note: This show is SICK! Thats all I have to say >:) Disc One set I 1. Ghost 0:21:19.32 2. Horn 0:04:08.36 3. Ya Mar 0:09:58:00 4. Limb By Limb 0:11:40:00 5. Funny As It Seems 0:05:51:00 6. I Saw It Again 0:06:49:00 7. Dirt 0:04:34:50 Disc Two 1. Reba 0:17:36:10 2. Dogs Stole Things 0:05:19:24 Set II 3. Jam*-> 0:02:33:35 4. Timber Ho 0:08:14:44 5. Bathtub Gin->Jam-> 0:14:27:00 6. Cities-> 0:09:33:30 7. Jam 0:15:09:00 Disc Three 1. Loving Cup 0:06:09:11 2. Slave to the traffic Light 0:12:03:00 Encore 3. When the Circus Comes to Town 0:05:05:60 *with Fishman on piano Questions, Comments, problems send an email to me @ Phishsdank@aol.com Enjoy, and thank to Stewart again for another DANK euro 97 show!! Paradiso Amsterdam Netherlands SHN / CD-R

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11/27/98 Phish 11-27-98 The Centrum - Worcester, MA Source: FOB Schoeps CMC621 > Sonosax 3 Discs Disc 1 (61:51) Set I 1) Funky Bitch (6:41) 2) Ya Mar -> (10:40) 3) Carini (5:51) 4) Runaway Jim (9:22) 5) Meat (4:53) 6) Reba* (15:49) 7) The Old Home Place (3:59) 8) Dogs Stole Things (4:36) Disc 2 (43:50) 1) Vultures (7:25) 2) When the Circus Comes (5:30) 3) Birds of a Feather (9:11) Set II 4) Buried Alive (3:19) 5) Wipe Out** (2:04) 6) Chalk Dust Torture*** -> (3:15) 7) Mirror in the Bathroom -> (1:14) 8) Chalk Dust Torture -> (4:05) 9) Dog Log^ -> (1:54) 10) Chalk Dust Torture > (0:58) 11) Sanity (4:55) Disc 3 (71:56) 1) Buffalo Bill > (3:39) 2) Mike's Song^^ -> (10:20) 3) I Am Hydrogen -> (6:59) 4) Weekapaug Groove^^^ -> (7:52) 5) Wipe Out -> (1:38) 6) Weekapaug Groove (1:36) 7) Weekapaug Groove Reprise^^^^ (9:07) 8) Run Like an Antelope (17:28) Encore 9) Wading in the Velvet Sea (6:46) 10) Golgi Apparatus -> (4:29) 11) Wipe Out+ (2:02) * - with whistling ** - Fishman introduced by Trey *** - with Wipe Out teases mirror in the bathroom originally appreared on the album "just can't stop it" by the english beat. it is *not* a "special beat" song. it may have appeared on a special beat album (since they were formed from the english beat) but the song was written before that happened. -nate ^ - possibly inspired by a dog show taking place next door to the Centrum; very bluesy ^^ - with spacy, ambient jamming ^^^ - with recurring Wipe Out jamming and spacy jam ^^^^ - spacy jamming, basically they stopped the jam out of Weekapaug Groove and restarted Weekapaug and its jam; about 9 minutes long + - with Fishman drum solo before being introduced by Trey again and finishing Wipe Out Worcester Centrum Worcester MA SHN / CD-R

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07/17/99 Phish 7/17/99 Oswego County Airport - Volney, New York Source: Schoeps cmbi + mk2s > AD1000 15" spread 130 degrees FOB Disk One: Set One: 1. Tube 2. Boogie on Reggae Woman 3. Birds of a Feather 4. Guelah Papyrus 5. My Sweet One 6. Roggae 7. Tweezer -> 8. Have Mercy* Disk Two: 1. Taste 2. Character Zer0 Set Two: 3. Funky Bitch** 4. "Southern Fried"**^ 5. Blues Outro^^ 6. Down With Disease Disk Three: 1. Wolfman's Brother -> 2. Sneaking Sally Through the Alley -> 3. Timber 4. You Enjoy Myself encore: 5. The Squirming Coil 6. Tweezer Reprise * w/ Trey on keys ** w/ Son Seals (composer of Funky Bitch) ^ title may be incorrect ^^ short blues jam played as Son Seals left the stage Seed provided by: Craig Savarick <css@well.com> http://www.teamschoeps.org Re-tracked and Uploaded by: Steve Hormell <steveh@etree.org> Sent onto the Internet by: http://etree.org, because analogue sucks! Oswego County Airport Volney NY SHN / CD-R

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07/18/99 Phish - 7/18/99 Oswego County Airport Volney, NY Source: FOB Neumann U89i (Omni, Split 6') > Apogee AD1000 (recorded at 44.1kHz; no SRC) Conversion: SGI 8000 > dat2wav > CDwav Converted by Mike Chesnut (mdchesnu@uiuc.edu) Distribution by John Tambroni (LiverLobes@aol.com) Disc 1 1. Punch You in the Eye 2. Farmhouse 3. Water in the Sky 4. Bathtub Gin 5. Get Back on the Train* 6. Call Me if You Need a Fool* 7. I'm Blue I'm Lonesome* 8. "Duo Breakdown"* 9. Beauty of My Dreams* 10. The Moma Dance * = With the Del McCoury Band Disc 2 1. Reba 2. Chalkdust Torture 3. Runaway Jim -> 4. Free Disc 3 1. The Meatstick 2. Guyute 3. Axilla -> 4. Llama Disc 4 1. My Soul 2. Piper -> 3. Prince Caspian -> 4. Wilson -> 5. Catapult/Banter 6. Icculus 7. Quinn the Eskimo Disc 5 1. Fluffhead Encore: 2. Harry Hood (and Fireworks) Setlist (borrowed from phish.net) 1: Punch You in the Eye, This Is a Farmhouse, Water in the Sky, Bathtub Gin, Back on the Train*, If You Need a Fool*, I'm Blue I'm Lonesome*^, Beauty of My Dreams*, The Moma Dance, Reba, Chalk Dust Torture 2: Runaway Jim# -> Free, The Meatstick**, Guyute, Axilla##, Llama (1:00) 3: My Soul, Piper### > Prince Caspian > Wilson -> Catapult^ -> Icculus^^, Quinn the Eskimo, Fluffhead E: Harry Hood^^^ (3+E 1:50) *With the Del McCoury Band. ^Del McCoury broke a string. **Trey explains the record attempt; Sofi Dillof dances on-stage dancing; Guinness Book of World Records staff videotaping the event; the record was not set. #With "Psycho Killer" jam. ##Entire Part I. ###With glowrings, and Trey on keys. ^Followed by banter and toying, all continuing an E chord from the end of "Wilson" (which was never finished). Trey gabbed about TV, books, and Deep Purple, teased "Smoke on the Water," compared it to "Cat Scratch Fever," and more. ^^Followed by more talking, band introductions, a mention of the fan group CK5, and teases of "Miss You" (Rolling Stones). ^^^With fireworks. Oswego County Airport Volney NY SHN / CD-R

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12/11/99 Phish 12-11-99 Corestates Spectrum Philadelphia, PA Source: Neumann U89 (hypercard setting, DFC TS) > Apogee AD-1000 @ 44.1kHz Transfer: DA20mkII > Audio Magic Presto II > ZA2 > Soundforge XP 4.5 > CDWAV > SHN Transfer and encoding by Eric McRoberts Disk 1 Set I: 1. Harry Hood 2. Mike's Song > 3. Simple > 4. I Am Hydrogen > 5. Weekapaug Groove 6. When The Circus Comes to Town 7. Scent Of A Mule 8. Cavern Total Time: 73:59 Disk 2 Set II: 1. Boogie On Reggae Woman 2. Sneakin Sally Through the Alley > 3. Ghost > 4. 2001 > 5. Down With Disease Encore: 6. Possum Total Time: 78:04 First Union Spectrum Philadelphia PA SHN / CD-R

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07/03/00 Phish July 3, 2000 E Centre Camden, NJ source: (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony D100 (@ 48kHz) recorded from the 16th row transfer: Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave v1.94.7 > FLAC (level 8) recorded by Dave Flaschner transferred by Jason Sobel (jasonsobel@gmail.com) seeded 12/15/05 The original 48kHz files from the DAT transfer have been archived, and are available upon request Disc 1 - [73:32] Set I 01 - [11:18] - Down with Disease * 02 - [06:05] - Guelah Papyrus 03 - [02:42] - My Mind's Got a Mind of It's Own 04 - [09:21] - Foam 05 - [15:17] - Bathtub Gin 06 - [08:02] - My Soul 07 - [05:57] - Heavy Things 08 - [14:50] - Fluffhead Dics 2 - [67:54] Set I continued 01 - [05:04] - When the Circus Comes 02 - [12:03] - Run Like an Antelope ** Set II 03 - [34:21] - Runaway Jim 04 - [06:14] - Glide ## 05 - [10:13] - Theme From the Bottom Disc 3 - [40:18] Set II continued 01 - [13:25] - Sand 02 - [04:40] - Meat > 03 - [09:01] - Chalk Dust Torture > 04 - [03:48] - Bittersweet Motel 05 - [02:04] - encore break 06 - [07:20] - Waste * With a golf cart on stage; Trey's daughters ran out from the side of the stage after the song to hug their dad, who then had to lead them off-stage before "Guelah Papyrus." ** Tom Marshall came out to do his lyrics # with "All Fall Down" language. E Centre Camden NJ FLAC / CD-R

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07/15/00 07/15/2000 Polaris Amphitheatre - Columbus, Ohio TS front and center: Schoeps CMC64V --> Sonosax SX-M2 --> Graham Patton ADC-20 --> DAT DAT --> Soundforge 4.5 --> CDR taper: Nick Michels Patcher, DAT --> CDR: Bill Gardner Set I (1:11): ACDC Bag First Tube Limb by Limb NICU Dirt Roses are Free Wolfman's Brother My Soul Julius Disc 2 Set II (1:36): Down with Disease ->* While My Guitar Gently Weeps, Makisupa Policeman**, Piper -> Mango*** Disc 3 Bug You Enjoy Myself Encore: Loving Cup Polaris Amphitheatre Columbus OH SHN / CD-R

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06/21/04 Phish! 06-21-2004 Late Show, Ed Sullivan Theater On the Marquee! New York, NY taped a few feet from the mini-stacks across the street from the marquee, on stand 4ft high. source: Schoeps MK4 -> KC5 actives -> CMC5 -> Sonosax SX-M2 -> D100 Transfer: DAP1 -> Echo Mia 2496 -> CD Wave -> flac taped by Eliot Byron (he's back!!!) 1. Scents and Subtle Sounds 2. Scents and Subtle Sounds 3. 2001 4. Wilson 5. Chalkdust Torture 6. Tweezer 7. Tweezer Reprise this is a GEM!!!!! Ed Sullivan Theatre Marquee New York NY FLAC / CD-R

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Pink Floyd---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
04/29/70 Pink Floyd Interstellar Fillmore Fillmore West April 29, 1970 Stereo Soundboard Harvested HRV CDR 016 This is the best-known circulating version of this show and is complete, though it's not clear if some of that "completeness" is due to careful patching from another show. This version supersedes "Interstellar Encore". It's an excellent performance, though all versions of it suffer from a persistent, annoying "squeak" throughout disc one. This performance occurred on the evening of the same day as the "KQED" video recording. Disc One: 01 - Grantchester Meadows 02 - Astronomy Domine 03 - Cymbaline 04 - Atom Heart Mother 05 - Embryo Disc Two: 01 - Green Is the Colour 02 - Careful with that Axe, Eugene 03 - Set the Controls for the Heart of the Sun 04 - A Saucerful of Secrets 05 - Interstellar Overdrive KQED TV Studios San Francisco CA SHN / CD-R

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04/29/70 Pink Floyd - INTERSTELLAR ENCORE - Live at the Fillmore West California April 29, 1970 Original Master Series (OMS-002B) A STEREO S O U N D B O A R D Recording 24kt gold (pressed) CD > eac > wav > flac (6) Liner notes read: "SO YOU THOUGHT YOU HAD HEARD THIS SHOW BEFORE? NEVER LIKE THIS! FOR THE FIRST TIME WE BRING YOU A COMPLETE STEREO SOUNDBOARD RECORDING OF THIS SHOW THAT HAS OFTEN BEEN CONFUSED WITH THIER APPEARANCE AT THE KQED STUDIOS EARLIER THAT DAY." 10 Tracks cd 1 1. Grantchester Meadows 2. Astronomy Domine 3. Cymbaline 4. Atom Heart Mother 5. Embryo cd 2 1. Green Is The Color 2. Careful With That Axe, Eugene 3. Set The Controls For The Heart Of The Sun 4. Saucerful Of Secrets (1st Encore) 5. Interstellar Overdrive (2nd Encore) This is a excellent Recording!!!!! No more Information!!! If for some reason you don't believe this is a true soundboard recording, delete it after downloading, but don't bug me about it, cause I LIKE IT, and think you will too. Have fun with your iPod, **** BUT DON'T TRADE THIS IN ANY LOSSY FORMAT - EVER!!! **** For trade only. NOT FOR SALE. ENJOY!!!!!! KQED TV Studios San Francisco CA FLAC / CD-R

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11/06/71 Pink Floyd Emerson Gym Case Western Reserve University Cleveland, Ohio November 6, 1971 For Reasons I Don't Understand Free Range Pigs (FRP CDR-022/23) Disc One: 1. The Embryo 2. Fat Old Sun 3. Set The Controls For The Heart Of The Sun 4. Atom Heart Mother 5. One Of These Days Disc Two: 1. Careful With That Axe, Eugene 2. Cymbaline 3. Echoes 4. Blues Roger Waters: Bass, Vocals David Gilmour: Guitar, Vocals Rick Wright: Keyboards Nick Mason: Drums ------------------------------------- ------------------------------------- Comments: A long, strange trip for this gem. It ended up in our intrepid hero's hands as the surprise diamond in a trade. In his own words-- "The person who I received this show from was not able to provide me with any useful information. He actually told me it was from a radio show in 1967 with the songs Astronomy Domine and Green is the Colour among others. There was no artwork, just multi-colored stick on labels with the name Pink Floyd, the letters CWRU, and 1967 on them. When I inquired about the source he just said that he was glad I liked it. Further inquiries were given answers unrelated to the question or not answered at all... Either he was just reluctant to reveal anything or was just unaware of what it was he had." So for once we have no lineage information for you. However what we do have is an amazing and complete document of the Floyd in their prime giving us an utterly stunning performance. Of special note is the "jam sessions" mid-song that seems to take place during each track. FOS gets a bit of a Beatlee-sque/Abbey Road type of treatment, Set The Controls is a free for all about half way through, and is that a bow solo ala Jimmy Page during the break during One Of These Days? Careful With That Axe is full of angst and just... well, rocks! Echoes is perfect as well! Finally, we get a rare treat with Blues included for good measure. As a result of our cleanup efforts there's great definition of the instruments and you can hear some things that I know I've never heard before in these live recordings. These surprises make this one a keeper and a welcome addition to the collection. ------------------------------------- ------------------------------------- Technical Notes: It looks as though some NR was performed in the past as part of the upper end has been completely removed (from 165000 Hz -22050 Hz). ------------------------------------- ------------------------------------- Credits: Jim Canale and Free Range Pigs would like to thank the following people for their contributions to this effort: The Taper (whoever he is and wherever he may be). Ted Mast for providing the source recording to us all. The Pentagon Pig for providing Project Coordination and Quality Assurance. Doug Collins for providing Tree Admin Services. Aleksi Manninen for providing the Cover Art. Emerson Gym Cleveland OH SHN / CD-R

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11/16/74 Pink Floyd Empire Pool Wembly, London, UK November 16, 1974 SBD + AUD Matrix Mix (60%-SBD/40%-AUD) 01 [02:08] Speak To Me 02 [03:02] Breathe 03 [05:04] On the Run 04 [06:35] Time 05 [06:48] The Great Gig In The Sky 06 [08:14] Money 07 [07:46] Us And Them 08 [07:42] Any Colour You Like 09 [03:39] Brain Damage 10 [02:05] Eclipse Encore 11 [23:28] Echoes TT [76:31] --------------------------------------------------------- Source Info SBD Pre FM Master Reel (SBD) > DAT > ? > SHN Recorded by BBC Radio One broadcasted on the Alan Freeman Show on 11th January 1975. This is taken from the original pre-broadcast master tapes. AUD Unknow AUD Recording > ? > DAT > SHN This is likely off cassette masters. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 65% SBD, 35% AUD mix. - Mixed by dan@am-dig.com - FLAC conversion 01-APR-2005 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim single jewel case. - Special thanks to unknown artist that helped with lots of the images used in this artwork. --------------------------------------------------------- Notes d1t01 The line "I've been mad for fucking years" in Speak To Me was removed from the Pre FM (SBD) source. This was not cut out as the length of the song was still the same as the AUD. I tried a number of edits to mix that line from the AUD into the SBD source. I could not come up with an edit I considered smooth. I was able to perform the same edit of this line on the AUD source with a smooth and natural result. So this line has been removed from both the SBD and the AUD source. This is smooth and most likely undetectable. d1t05 The Pre FM (SBD) source was missing 3.875 seconds between The Great Gig In The Sky and Money. The AUD was the trimmed accordingly to match. Being at the repetitive portion on the end of the song, this is smooth and most likely undetectable. d1t08 The AUD source cuts at 41:07.515 and is missing 1:36.33 of Any Colour You Like. I used the Pre FM (SBD) source mixed with a repeating crowd cheer portion from the AUD recording to add depth. I then applied a 1:46.333 patch with 5 second crossfades on each end. The result is good but as this is a source change it is still somewhat noticeable. d1t09 You can get a good feel for the effect of sound travel during the line "The lunatic is on the grass.". The sound travel results in a small echo on the AUD source and can be heard in the rear channels on the 5.1 and the matrix mix. This is very interesting. d1t10 The Pre FM (SBD) has a long portion of cheering and tuning prior to the encore Echoes. Unfortunately this was missing from the AUD source. The SBD was trimmed to match and both sources has multiple edits, mixing and crossfades were performed to keep the flow btwn the last song and the encore sounding as natural as possible. The result was good and this is smooth and most likely undetectable. --------------------------------------------------------- FLAC fingerprint pinkfloyd1974-11-16-MTX-t01.flac:cbe7320b5fda8cc93cf31a6ef31b8172 pinkfloyd1974-11-16-MTX-t02.flac:bb37ecf3f8c70acc9d2ac5a9e4efc715 pinkfloyd1974-11-16-MTX-t03.flac:e83e67d928148a7d85684ee3a9e211f4 pinkfloyd1974-11-16-MTX-t04.flac:31debb58654a79a291b186e397e3a68c pinkfloyd1974-11-16-MTX-t05.flac:e263bae8e3b5af55514e9d832b5631d0 pinkfloyd1974-11-16-MTX-t06.flac:73c614eedc6854b41097b1a54a1d940a pinkfloyd1974-11-16-MTX-t07.flac:845998f6a019fa9f51ad40afef2ca2db pinkfloyd1974-11-16-MTX-t08.flac:e6382a59687d37b09144d9625d5dd86c pinkfloyd1974-11-16-MTX-t09.flac:c9d38f4e51c840671816da95bf45ca63 pinkfloyd1974-11-16-MTX-t10.flac:7a1109b75e9191b10c58ffc4a385b2e7 pinkfloyd1974-11-16-MTX-t11.flac:323d1ccc31f32d005ea39ee8bba9beeb Empire Pool London England FLAC / CD-R

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11/17/74 Pink Floyd Empire Pool, Wembley London, England November 17, 1974 British Winter Tour - 1974 Getting Better All The Time Free Range Pigs (FRP CDR-012/013/014) Disc One: 1. Raving And Drooling 2. Gotta Be Crazy 3. Shine On You Crazy Diamond (Parts I-IX) Disc Two: 1. Speak To Me 2. Breathe 3. On The Run 4. Time / Breathe (Reprise) 5. The Great Gig In The Sky 6. Money 7. Us & Them 8. Any Colour You Like 9. Brain Damage 10. Eclipse Disc Three: 1. Echoes 2. Shine On You Crazy Diamond * 3. Raving And Drooling * 4. Gotta Be Crazy * Roger Waters: Bass, Vocals David Gilmour: Guitar, Vocals Rick Wright: Keyboards Nick Mason: Drums Dick Parry: Saxophone Carlene Williams: Vocals Vanetta Fields: Vocals Comments: Source: A(0)>CDR(4) Entire show, including tuneups and the recorded radio announcer lead-in to Raving & Drooling. Great vocals from David during "You've Gotta Be Crazy". The taper's comments to his friend between songs really add to the ambience of the recording -- "They keep getting better all the time". * Taken from 'Britain 1974' Volume III (a copy of the misdated 'Raving And Drooling' LP -TAKRL1973 or 'The Screaming Abdab' LP - WRMB330. This source is also 11/17/74. Empire Pool, Wembley London England FLAC / CD-R

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02/28/80 Pink Floyd Brick By Brick 2-28-1980 Nassau Coliseum, NY Aud>CD>xACT>flac Disc 1 1. Introduction 1:59 2. In The Flesh 3:32 3. The Thin Ice 3:10 4. Another Brick In The Wall (pt.1) 5:01 5. The Happiest Days Of Our Lives 1:46 6. Another Brick In The Wall (pt.2) 6:15 7. Mother 7:50 8. Goodbye Blue Sky 3:44 9. What Shall We Do Now 4:36 10. Young Lust (Gilmour,Waters) 5:16 11. One Of My Turns 3:44 12. Don't Leave Me Now 4:06 13. Another Brick In The Wall (pt.3) 4:37 14. Goodbye Cruel World 1:51 Total 57:33 Disc 2 1. Hey You 5:30 2. Is There Anybody Out There 2:58 3. Nobody Home 3:30 4. Vera 1:14 5. Bring The Boys Back Home 1:20 6. Comfortably Numb (Gilmour,Waters) 7:25 7. The Show Must Go On 2:37 8. Isn't This Where We Came In 2:55 (announcement) 9. In The Flesh 4:48 10. Run Like Hell (Gilmour,Waters) 7:50 11. Waiting For The Worms 4:04 12. Stop 0:30 13. The Trial 6:23 14. Outside The Wall 4:01 Total 55:05 Disc 3 1. The Thin Ice 2:55 2. Another Brick In The Wall (pt.1) 5:13 3. The Happiest Days Of Our Lives 1:28 4. Another Brick In The Wall (pt.2) 6:30 5. Mother 7:18 6. Goodbye Blue Sky 4:32 7. Empty Spaces 1:25 8. What Shall We Do Now 1:48 9. Young Lust (Gilmour,Waters) 5:03 10. One Of My Turns 3:30 11. Sort Yourself Out James 1:53 12. Another Brick In The Wall (pt.3) 2:46 13. Goodbye Cruel World 2:59 14. Hey You 7:06 15. Don't Start The Tapes James 1:14 16. Is There Anybody Out There 3:32 17. Nobody Home 3:50 18. Vera 1:26 19. Bring The Boys Back Home 1:36 20. Comfortably Numb (Gilmour,Waters) 7:04 21. The Show Must Go On 2:47 Total 75:55 Notes This show is probably EX+ as far as sound quality goes. A great performance altogether. The rehearsals are interesting as you can hear the tension between the members of a band on the verge of breaking up. Enjoy! Nassau Veterans Memorial Coliseum Uniondale NY FLAC / CD-R

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R.L. Burnside---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
04/26/98 New Orleans Jazz & Heritage Fest New Orleans LA SHN / CD-R

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07/31/98 mr.l. Burnside, R.I.P. i'm happy to have witnessed the mam in the flesh twice....enjoy people. 7-31-98 CRYSTAL CORNER BAR ~ MADISON,WI. 103 MIN. no info.... GREAT SHOW. unknown gen cassette>cdwave>flac enjoy!!!!!!!!!! fucking awesome recording to whomever is responsible.....much thanks!!! Crystal Corner Bar Madison WI FLAC / CD-R

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02/18/00 R. L. Burnside & the family men George Street Grocery Jackson, Mississippi February 18th, 2000 disc 1 (Guitarist Kenny Brown opening) Intro instrumental Can I Ride In Your Automobile You Don't Know My Mind Slide Guitar Boogie Kokomo You're Gonna Miss Me When I'm Gone (RL Intro) Poor Black Mattie Fireman Ring the Bell Skinny Woman Long Haired Doney Feelin' Good Walkin' Blues R.L. talk Whiskey and Woman Disc II Poor Boy Roolin' and Tumblin' Dust My Broom Going Away Baby Jumper On the Line Goin' Down South Snake Drive Gotta Find My Baby I'm a Man Source: mackie sbd analog>sharp md-ms722 @ 44.1 khz Transfer: analog out from md-ms722>soundcard>wavelab 2.0>flac Taper: Steve S. R. L. Burnside.......guitar and vocals Cedric Burnside......drums Kenny Brown..........guitar and vocals George Street Grocery Jackson MS FLAC / CD-R

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04/29/00 R.L. Burnside 4-29-00 Double Decker Arts Festival Oxford, MS Source: SBD>DAP1 Coversion: DAP1>Peak2.5 wav>shorten SHN 01 Poor Black Mattie 02 Long Haired Doney 03 Fireman Ring The Bell 04 Boogie Chillen 05 Shake 'Em On Down 06 Walkin Blues 07 Story Time 08 Whiskey & Women 09 Poor Boy 10 Goin' Down South 11 Jumper On The Line 12 Goin Away Baby 13 Dust My Broom 14 Let My Baby Ride 15 Hoochie Coochie Man Double Decker Fest Oxford MS SHN / CD-R

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Ratdog---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
03/24/06 Ratdog 3/24/2006 (Friday) Electric Factory Philadelphia, PA Source: Neumann SKM 184's {DIN 90* (17cm)} > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1) Location : Clamped to Right Center Rail of the VIP section above the SBD, Left Center 14 Feet Tall Taped, transferred and tracked by Larry-FLDEADHEAD Lineage: JB3 > Creative Play Center > CD Wave Editor > CDR > EAC(no errors) > WinXP Pro > Flac Frontend > FLAC16. Files encoded @ level 6. Sector boundaries verified with TLH. EAC, conversion and seeding to bt.etree.org by Alex Ford Set I: d1t01 Crowd/tuning d1t02 Bertha > d1t03 Jack Straw > d1t04 Bird Song > d1t05 Easy To Slip > d1t06 Supplication, d1t07 Lazy River Road, d1t08 Odessa, d2t01 Bury Me Standing > d2t02 West L.A. Fadeaway Set II: d2t03 K.C. Moan@, d2t04 Me and My Uncle@, d2t05 When I Paint My Masterpiece@, d2t06 Jus' Like Mama Said, d2t07 China Cat Sunflower > d2t08 I Know You Rider > d3t01 Stuff > d3t02 Sugaree > d3t03 Bird Song > d3t04 Two Djinn Encore: d3t05 Ripple Notes: - Stuff - Jeff/Jay/Mark/Kenny > Jeff/Jay/Mark/Kenny/Robin Shntool Output: length expanded size cdr WAVE problems filename 0:38.14 6736172 --- -- ----- rd2006-03-24d1t01.wav 7:17.35 77169164 --- -- ----- rd2006-03-24d1t02.wav 9:04.21 96011036 --- -- ----- rd2006-03-24d1t03.wav 11:18.17 119639228 --- -- ----- rd2006-03-24d1t04.wav 5:57.69 63137132 --- -- ----- rd2006-03-24d1t05.wav 8:37.30 91269404 --- -- ----- rd2006-03-24d1t06.wav 8:36.63 91170620 --- -- ----- rd2006-03-24d1t07.wav 7:37.20 80661884 --- -- ----- rd2006-03-24d1t08.wav 10:57.13 115925420 --- -- ----- rd2006-03-24d2t01.wav 11:52.32 125672108 --- -- ----- rd2006-03-24d2t02.wav 5:13.18 55255580 --- -- ----- rd2006-03-24d2t03.wav 5:26.26 57567596 --- -- ----- rd2006-03-24d2t04.wav 6:08.42 65014028 --- -- ----- rd2006-03-24d2t05.wav 11:11.64 118514972 --- -- ----- rd2006-03-24d2t06.wav 6:41.18 70778780 --- -- ----- rd2006-03-24d2t07.wav 8:08.52 86205548 --- -- ----- rd2006-03-24d2t08.wav 6:16.10 66349964 --- -- ----- rd2006-03-24d3t01.wav 14:52.59 157487612 --- -- ----- rd2006-03-24d3t02.wav 4:27.15 47134124 --- -- ----- rd2006-03-24d3t03.wav 13:09.08 139198460 --- -- ----- rd2006-03-24d3t04.wav 6:01.37 63767468 --- -- ----- rd2006-03-24d3t05.wav 169:33.63 1794666300 B (totals for 21 files, 1.0000 overall compression ratio) Flac Fingerprint: rd2006-03-24d1t01.flac:712ccf9f6e3cdd011f58675cbceb4978 rd2006-03-24d1t02.flac:7deb8f8f71539f50cf1822e0edfbdb37 rd2006-03-24d1t03.flac:2491ad009101a0a2dd89b3681b51b73a rd2006-03-24d1t04.flac:9b5639193ff6c3c52bc6505ac591360e rd2006-03-24d1t05.flac:bef7d55eee4635d3cc955b635844c436 rd2006-03-24d1t06.flac:7e136c6da0b99d294343b308cf5502ad rd2006-03-24d1t07.flac:9a87ac78320d04cd152e02d4c910cc48 rd2006-03-24d1t08.flac:840e6b14bae75efd9a053efbb7032ab3 rd2006-03-24d2t01.flac:be5f13c042bd9f89ef792a8dc7ff1b5d rd2006-03-24d2t02.flac:7bc38020137966f25a40746b1df00af7 rd2006-03-24d2t03.flac:33e544c75f2333adb243cd028f4deafa rd2006-03-24d2t04.flac:211bab0d7eb44ac8e2d9d435786fd727 rd2006-03-24d2t05.flac:fae5daf303faa75417abcf537f336064 rd2006-03-24d2t06.flac:11afef404f9b87dd6e0394e21900df2e rd2006-03-24d2t07.flac:d7b138931e6d35d0b8003b86ddd9cd51 rd2006-03-24d2t08.flac:c70c44eedf2fa44fb2c0ba8e8c6512fd rd2006-03-24d3t01.flac:b31a541c51322ce037a80b003b45e408 rd2006-03-24d3t02.flac:08fa83795eb4eb1fcbff6058bb64834b rd2006-03-24d3t03.flac:a377f19c5c3f85434d4e8b3b4a6927a6 rd2006-03-24d3t04.flac:dca2c5ec6e458f53176db3d51198334c rd2006-03-24d3t05.flac:9a9f26827e7849d377c4b88335d74a54 MD5: fa3f03338f2be3e2745815b8c71c2a26 *rd2006-03-24d1t01.flac b196eb805548b66ac9b370be5bb7610c *rd2006-03-24d1t02.flac 8a7a90cf21d19ee7047c7f05adc88970 *rd2006-03-24d1t03.flac fb7b8f4d009fbde25cd537758dd04575 *rd2006-03-24d1t04.flac 9dc2251955f47589192f5747673a775c *rd2006-03-24d1t05.flac c2bb0bbc4b4b8910fbeba8103f98efcd *rd2006-03-24d1t06.flac a1c29e5cb4c32d96951b4249c031d657 *rd2006-03-24d1t07.flac 757c383ecd9c6ec0840250d1ab7fc3b0 *rd2006-03-24d1t08.flac fde41b98cccb3cc91f0bca7924dedade *rd2006-03-24d2t01.flac 6ee604730a64d923c840f56d20d066ac *rd2006-03-24d2t02.flac 3f9a0652cc522d895c3732bc6284deb6 *rd2006-03-24d2t03.flac ddc51b9817958a97bd64b8b61bb70eac *rd2006-03-24d2t04.flac ada263bc09a652918f28afe5a81e31a4 *rd2006-03-24d2t05.flac e846358bbd57a842ab874a393e070bef *rd2006-03-24d2t06.flac 728 Electric Factory Philadelphia PA FLAC / CD-R

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03/25/06 Ratdog 3/25/2006 (Saturday) Electric Factory Philadelphia, PA Source: Neumann SKM 184's {NOS (30cm)} > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1) Location : Clamped to Right Center Rail of the VIP section above the SBD, Left Center. 14 Feet Tall Taped and transferred and tracked by Larry-FLDEADHEAD Lineage: JB3 > Creative Play Center > CD Wave Editor > CDR > EAC > Win XP Pro > Flac Frontend > FLAC16. Files encoded @ level 6. Sector boundaries verified with TLH. EAC, conversion and seeding to bt.etree.org by Alex Ford Disc 01 Set I: 01. Crowd 02. Jam > 03. Truckin' > 04. Brown-Eyed Women, 05. Josephine > 06. Truckin' Jam > 07. Josephine > 08. Row Jimmy, 09. It's All Over Now > 10. She Says > 11. Liberty > 12. Truckin' Jam > 13. Deal Disc 02 Set II: 01. Blackbird@bw-mk-rs-jc, 02. Friend Of The Devil@, 03. A Hard Rain's Gonna Fall@, 04. Jam > 05. Silvio > Tequila > Silvio > Tequila > Silvio > 06. Althea > 07. Lady with A Fan > Terrapin Station > Disc 03 (Set II cont): 01. Stuff > 02. Dear Prudence > 03. One More Saturday Night Encore: 04. A-11, 05. Touch Of Grey Notes: - A sweet recording! Thank you Larry! - @ = acoustic - "Bon voyage Buck [Owens]" before A-11; - Stuff - Jeff/Jay/Robin/Mark/Kenny > Jay > Jeff/Jay/Kenny > Jeff/Jay/Kenny/MK - First "A-11" - (Kenny Brooks's 400th Show) Shntool Output: length expanded size cdr WAVE problems filename 0:29.58 5252060 --- -- ----- rd2006-03-25d1t01.wav 4:45.16 50311676 --- -- ----- rd2006-03-25d1t02.wav 9:06.03 96321500 --- -- ----- rd2006-03-25d1t03.wav 5:43.68 60665180 --- -- ----- rd2006-03-25d1t04.wav 5:44.57 60815708 --- -- ----- rd2006-03-25d1t05.wav 2:41.11 28426316 --- -- ----- rd2006-03-25d1t06.wav 1:07.61 11962316 --- -- ----- rd2006-03-25d1t07.wav 10:02.74 106366892 --- -- ----- rd2006-03-25d1t08.wav 7:16.02 76915148 --- -- ----- rd2006-03-25d1t09.wav 8:27.17 89474828 --- -- ----- rd2006-03-25d1t10.wav 6:51.63 72648620 --- -- ----- rd2006-03-25d1t11.wav 2:48.58 29771660 --- -- ----- rd2006-03-25d1t12.wav 6:39.62 70529468 --- -- ----- rd2006-03-25d1t13.wav 5:24.72 57322988 --- -- ----- rd2006-03-25d2t01.wav 6:27.20 68313884 --- -- ----- rd2006-03-25d2t02.wav 9:19.53 98732300 --- -- ----- rd2006-03-25d2t03.wav 1:35.41 16854476 --- -- ----- rd2006-03-25d2t04.wav 5:32.15 58600124 --- -- ----- rd2006-03-25d2t05.wav 9:28.07 100211708 --- -- ----- rd2006-03-25d2t06.wav 12:59.12 137443868 --- -- ----- rd2006-03-25d2t07.wav 4:15.73 45153740 --- -- ----- rd2006-03-25d3t01.wav 10:12.00 107956844 --- -- ----- rd2006-03-25d3t02.wav 7:18.50 77380844 --- -- ----- rd2006-03-25d3t03.wav 4:20.53 45988700 --- -- ----- rd2006-03-25d3t04.wav 7:23.44 78248732 --- -- ----- rd2006-03-25d3t05.wav 156:03.15 1651669580 B (totals for 25 files, 1.0000 overall compression ratio) MD5: 69c3da3a6b98e286aa523bfa9398aab4 *rd2006-03-25d1t01.flac 519dfed9fb576a68c4470805a4612e8e *rd2006-03-25d1t02.flac 2f03b70a89f105ed1d233bb46d72e01e *rd2006-03-25d1t03.flac 97f0a64bec1b3b9df06822ef423de222 *rd2006-03-25d1t04.flac e87035aad506751c4a68123f906089eb *rd2006-03-25d1t05.flac f42ad481ba2a7488264268a401140164 *rd2006-03-25d1t06.flac b78b8ac9dd2fe21c959e3f45c40b6fb4 *rd2006-03-25d1t07.flac 3d857c0cb2bed38efb0f664b33599f95 *rd2006-03-25d1t08.flac bf92a2b52feda39c08ed9f0d0ed16606 *rd2006-03-25d1t09.flac f5dc5228a4610b7bbbad87b38b845277 *rd2006-03-25d1t10.flac a0db9a9cad44a9e5b78964510a3b67ba *rd2006-03-25d1t11.flac e86d0e7af8d8b9ed665eabd952948395 *rd2006-03-25d1t12.flac 8dcf7a1ae533b7efd2565cde4771ce39 *rd2006-03-25d1t13.flac 44f04050aaa8857ad1eb825ae631224a *rd2006-03-25d2t01.flac a8c8ffa91e2f036f5b51544197ef6a3c *rd2006-03-25d2t02.flac 8c24a0c59ac6a79699c61f599d039c9b *rd2006-03-25d2t03.flac 79a1f1e839a5e013600bcc6fccf24784 *rd2006-03-25d2t04.flac 3f3179d690823caccc9ac628bc956d8b *rd2006-03-25d2t05.flac 9ecf789b0284f0ee9edc64b5eee2572a *rd2006-03-25d2t06.flac b9ef83b98193f10ca45db5c6d27e0fb9 *rd2006-03-25d2t07.flac cd5626306da1800eb4e5e1daea69a55e *rd2006-03-25d3t01.flac e1d74aea8efb271716e88a4b531010b1 *rd2006-03-25d3t02.flac 22c604a24e1a111774fe9b7c73e70dbc *rd2006-03-25d3t03.flac 0747d9a9c4e371e608bedc4517431b45 *rd2006-03-25d3t04.flac 6fb5dc766993094e6828ccf68dff8997 *rd2006-03-25d3t05.flac Flac Fingerprint: rd2006-03 The Electric Factory Philadelphia PA FLAC / CD-R

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Reconstruction---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
07/08/79 Reconstruction 07.08.1979 (Tue) The Keystone - Berkeley, CA MSR(7" @ 7.5ips) > 2 PCM > DAT > CD > EAC > SHN > WAV > FLAC16 (level 8) One Set: d1t01 Make It Better d1t02 Someday Baby d1t03 Soul Roach d1t04 What You Won't Do For Love d1t05 Lyinda d1t06 It's No Use d2t01 Tellin' My Friends d2t02 The Jealous Kind d2t03 That's What Love Will Make You Do d2t04 Fast Tone d2t05 Dear Prudence from thejerrysite.com: It is not certain that "Lyinda" is the correct song title. Venue formerly incorrectly listed as Keystone Berkeley. Chris Rowan opened . Keystone Palo Alto Palo Alto CA FLAC / CD-R

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07/08/79 Reconstruction 07.08.1979 (Tue) The Keystone - Berkeley, CA MSR(7" @ 7.5ips) > 2 PCM > DAT > CD > EAC > SHN > WAV > FLAC16 (level 8) One Set: d1t01 Make It Better d1t02 Someday Baby d1t03 Soul Roach d1t04 What You Won't Do For Love d1t05 Lyinda d1t06 It's No Use d2t01 Tellin' My Friends d2t02 The Jealous Kind d2t03 That's What Love Will Make You Do d2t04 Fast Tone d2t05 Dear Prudence from thejerrysite.com: It is not certain that "Lyinda" is the correct song title. Venue formerly incorrectly listed as Keystone Berkeley. Chris Rowan opened . Keystone Palo Alto Palo Alto CA FLAC / CD-R

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Return to Forever---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
08/09/74 TheTooleMan Presents: Return to Forever 1974-08-09 Denver, Colorado Ebbets Field Source: pre-FM soundboard Mastered by: TheTooleMan, June 2003 Audio quality: A+++ (modesty prevents me from assigning more "+"s) Personnel: Chick Corea Al DiMeola Lenny White Stanley Clarke Tracks: Beyond the Seventh Galaxy Vulcan Worlds The Shadow of Lo Chick's Solo Al's Solo Stanley's Solo Lenny's Solo Song to the Pharoah Kings Notes: The original recording was in excellent condition, sounding like an original tape made at the radio station from the feed from the club. There is slight audible tape damage during the first minute or so of the the first track. The original tape ran about 83 minutes and included about three minutes of Chick blabbering and filling time while Stanley's acoustic bass was miked. Parts of this and some other empty spaces been removed to fit the entire program on an 80-minute CD. No music has been lost. Audio levels and dynamics were adjusted and EQ were applied. Audio quality is top-notch. Any additional details about the source of this recording, including the radio station which broadcast it, would be appreciated! TheTooleMan September, 2005 Ebbet's Field Denver CO FLAC / CD-R

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RJD2---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
03/11/06 RJD2 March 11, 2006 Swamp Tent Langerado Festival (Markham Park) Sunrise, FL SOURCE: schoeps mk4v (DINa, on stand at 11') > vms02ib > edirol r4 (24/96) TRANSFER: soundforge 8.0 (fades, tracking, resample, dither) > flac 1.1.2 01 02 03 04 05 06 07 08 09 10 length expanded size cdr WAVE probs filename 1:09.60 12312764 --- -- -xx rjd2_060311_mk4v_d1t01.flac 4:40.11 49417916 --- -- -xx rjd2_060311_mk4v_d1t02.flac 2:28.55 26236604 --- -- -xx rjd2_060311_mk4v_d1t03.flac 3:36.34 38182412 --- -- -xx rjd2_060311_mk4v_d1t04.flac 4:12.41 44549276 --- -- -xx rjd2_060311_mk4v_d1t05.flac 4:37.20 48909884 --- -- -xx rjd2_060311_mk4v_d1t06.flac 10:02.45 106298684 --- -- -xx rjd2_060311_mk4v_d1t07.flac 5:53.21 62318636 --- -- -xx rjd2_060311_mk4v_d1t08.flac 6:26.10 68113964 --- -- -xx rjd2_060311_mk4v_d1t09.flac 10:02.73 106364540 --- -- -xx rjd2_060311_mk4v_d1t10.flac 53:09.70 562704680 B (totals for 10 files, 0.4865 overall compression ratio) Swamp Tent, Langerado Festival, Markham Park Sunrise FL FLAC / CD-R

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Rolling Stones---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
03/13/71 Rolling Stones "Get Your Leeds Lungs Out" Leeds University Leeds, England Source: SBD (BBC mono) The Swingin Pig TSP-CD-030 Silvers>EAC>FLAC Tracks 1- Dead Flowers 2- Stray cat Blues 3- Love in Vain 4- Midnight Rambler 5- Bitch 6- intro 7- Honky Tonk Women 8- Satisfaction 9- Little Queenie 10- Brown Sugar 11- Street Fighting Man 12- Let it Rock Leeds University Leeds Yorkshire FLAC / CD-R

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07/20/72 RESEED - SAME CONTENT AS BEFORE The Rolling Stones with Mick Taylor “Philadelphia Special” From the great Rattlesnake collection “The Rolling Stones Touring Party 1972 Volume 2” Spectrum Sports Arena These are the greatest recordings of the 1972 tour. If you don’t have this get it! Tracks 2 – 9 were recorded and mixed (including a great overdub backing vocal from Keith on Tumbling Dice) for broadcast in Europe as a promotion for the 1973 tour. The quality is excellent! Enjoy. Disc 1 7-20-72 01. Brown Sugar (Spoken by Keith from the film “Cocksucker Blues”) 02. Brown Sugar 03. Bitch 04. Rocks Off 05. Gimme Shelter 06. Tumbling Dice 07. Bye Bye Johnny 08. Rip This Joint 09. Uptight / Satisfaction The Spectrum Philadelphia PA FLAC / CD-R

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07/21/72 RESEED - SAME CONTENT AS BEFORE The Rolling Stones with Mick Taylor “Philadelphia Special” From the great Rattlesnake collection “The Rolling Stones Touring Party 1972 Volume 2” Spectrum Sports Arena These are the greatest recordings of the 1972 tour. If you don’t have this get it! Tracks 2 – 9 were recorded and mixed (including a great overdub backing vocal from Keith on Tumbling Dice) for broadcast in Europe as a promotion for the 1973 tour. The quality is excellent! Enjoy. Disc 1 7-21-72 1st Show 01. Brown Sugar 02. Bitch 03. Rocks Off 04. Gimme Shelter 05. Happy 06. Tumbling Dice 07. Love in Vain 08. Sweet Virginia 09. You Can’t Always Get What You Want 10. All Down the Line The Spectrum (1st Show) Philadelphia PA FLAC / CD-R

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07/21/72 RESEED - SAME CONTENT AS BEFORE The Rolling Stones with Mick Taylor “Philadelphia Special” From the great Rattlesnake collection “The Rolling Stones Touring Party 1972 Volume 2” Spectrum Sports Arena These are the greatest recordings of the 1972 tour. If you don’t have this get it! Tracks 2 – 9 were recorded and mixed (including a great overdub backing vocal from Keith on Tumbling Dice) for broadcast in Europe as a promotion for the 1973 tour. The quality is excellent! Enjoy. 7-21-72 2nd Show 05. Happy 06. Tumbling Dice 07. Love in Vain 08. All Down the Line 09. Midnight Rambler 10. Introductions 11. Bye Bye Johnny 12. Rip This Joint 13. Jumping Jack Flash 14. Street Fighting Man The Spectrum (1st Show) Philadelphia PA FLAC / CD-R

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07/13/75 Rolling Stones July 13, 1975 The Forum, Inglewood, CA SQ: EX Lineage: Millard Master > VHS > DAT > CDR(x) > EAC/Flac frontend > flac8 01 Fanfare For The Common Man 02 Honky Tonk Women 03 All Down The Line 04 If You Can't Rock Me/Get Off My Cloud 05 Star Star 06 Gimme Shelter 07 Ain't To Proud To Beg 08 You Gotta Move 09 You Can't Always Get What You 10 Happy 11 Tumbling Dice 12 Band Introductions 13 It's Only Rock'n Roll 01 Doo Doo Doo Heartbreaker 02 Fingerprint File 03 Angie 04 Wild Horses 05 That's Life (Billy Preston) 06 Outta Space (Billy Preston) 07 Brown Sugar 08 Midnight Rambler 09 Rip This Joint 10 Street Fighting Man 11 Jumpin' Jack Flash 12 Sympathy For The Devil Mick Jagger - Vocals Keith Richards - Guitar, Vocals Ian Stewart - Piano Billy Preston - Keyboards Ron Wood - Guitar Charlie Watts - Drums Ollie Brown - Percussion Bill Wyman - Bass *** Do not encode to MP3 or other lossy formats *** Comments: This appears to be a complete show. All track transitions appear normal both to the ear and eye. The set list is a little different from the other '75 Forum shows. There appears to have been some equipment problem after "Tumbling Dice" causing Mike to stall for while then do the band introductions before "It's Only Rock and Roll" instead of after it. It also appears that most bootlegs do not include Billy Preston's two songs which are present here. <plagiarized from this web page: http://www.bahnhof.se/~hasu/Ulflist/bruhn.txt> “THE ROLLING STONES NORTH AMERICAN TOUR 1975” The tour was called the “1975 Tour Of The Americas” but as the South American leg was cancelled, and a few more U.S dates was added the name is a bit misleading. The´75 tour was interesting in many aspects, the Stones had not toured for almost two years and Mick Taylor had left the band just before the first recording sessions for the Black& Blue album. To make a tour without him must have been a big challenge as he had become a very important part in the Stones sound, especially during live shows. I think the decision to add a percussion player (Ollie Brown) and to use both Billy Preston and Ian Stewart was a smart way to fill the gap. This tour was also the first of three 75, 76, and 78 when they performed without a brass section in the regular line-up. Ron Wood from The Faces was hired as Mick Taylor’s replacement, and he made this summer tour with The Stones in between The Faces two last tours. When The Faces broke up after the1975 autumn tour he could join as a permanent member. But I think that Ronnie was an employee until 1992! My ambition with this document is to make a guide to all the 1975 shows that have been released either on regular CDs or by well known CDR companies in the bootleg jungle of The Rolling Stones live shows. Most of the CDs are done from audience tapes, just a few soundboard recordings can be found on the market (no one is perfect) The Forum Inglewood CA FLAC / CD-R

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08/21/76 CDr > EAC > WAV > TLH > FLAC 6 - http://www.fingerprint-file.com/stones/h/h.html ROLLING STONES HOT AUGUST NIGHT VINYL GANG VGP 146 Knebworth, UK 8/21/76 8.5 - SBVID CD-1 Satisfaction Ain't Too Proud To Beg Medley: If You Can't Rock Me/Get Off Of My Cloud Hand Of Fate Around And Around Little Red Rooster Stray Cat Blues Hey Negrita Hot Stuff Fool To Cry Star Star Let's Spend The Night Together You Gotta Move You Can't Always Get What You Want CD-2 Dead Flowers Route 66 Wild Horses Honky Tonk Women Country Honk Tumbling Dice Happy Nothing From Nothing Outta Space Midnight Rambler It's Only Rock 'N Roll Brown Sugar Rip This Joint Jumping Jack Flash Street Fighting Man "recorded live'r than you'll ever be at KNEBWORTH FAIR, August 21, 1976. It's an excellent stereo line recording (forget all these inferior audience tapes released before!), made by the ROLLING STONES MOBILE UNIT. Many thanks to Bill Graham for lending us the original master tape - without his help this project would not have been possible. Sometimes you can get what you want!" - Vinyl Gang - http://www.faqs.org/faqs/music/rollingstones-faq/part2/ Knebworth 8/21/76; 148 min; 8.0/6.5 s; "Hot August Night"/many others One of the Stones longest concerts, definitely the longest of the '60s and '70s, before a large crowd. The Stones worked up a special expanded set list for this show only. Interesting performance, if only to hear the unusual songs. Many audience tape recorders were running, so was one at the soundboard, plus there's a pro-shot video! There are many boots from various sources. The listed VGP CD is the definitive edition, using the soundboard source for the first 90 min except for Stray Cat Blues, then splicing together a top notch video source and a so-so audience recording to include every song on two lengthy CDs. The "Best of Knebworth Fair" CD is worthwhile for those on a budget and a nice package: 64 min; 7.5 m; it's made from the videos though not as good a source as VGP's. VGP's title and graphics are lifted from a beautiful German LP from the mid '80s made from the soundboard recording, which runs very fast. Thankfully the CD is correct. - http://iorr.org/cd/frame.htm Hot August Night 2 CD VGP 146 Complete show from Knebworth August 21, 1976. Exc. stereo soundboard quality except for the following tracks which are in very good audience quality: Stray Cat Blues, Happy, Nothing From Nothing, Outta Space, It's Only Rock'n Roll, Brown Sugar, Rip This Joint and Jumping Jack Flash. These tracks are nowhere available in soundboard quality. Finally, after so many releases, this is the perfect Knebworth release. The only negative thing is the short whistle in You Gotta Move. Knebworth Park Knebworth England FLAC / CD-R

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11/30/81 he Rolling Stones - DAC 034 - Going To A Go Go - 30th November 1981: Pontiac, Michigan, Silverdome - Soundboard 30th November 1981 Disc 1-2 Take A Train Under My Thumb When The Whip Comes Down Let’s Spend The Night Together Shattered Neighbours Black Limousine Just My Imagination Twenty Flight Rock Going To A Go Go Let Me Go Time Is On My Side Beast Of Burden Waiting On A Friend Let It Bleed You Can’t Always Get What You Want Band introduction Little T & A Tumbling Dice She’s So Cold Hang Fire Miss You Honky Tonk Women Brown Sugar Start Me Up Jumping Jack Flash Satisfaction Silverdome Pontiac MI FLAC / CD-R

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12/01/81 The Rolling Stones - DAC 034 - Going To A Go Go - 1st December 1981: Pontiac, Michigan, Silverdome - Soundboard 1st December 1981 Disc 1-2 Take A Train Under My Thumb When The Whip Comes Down Let’s Spend The Night Together Shattered Neighbours Black Limousine Just My Imagination Twenty Flight Rock Going To A Go Go Let Me Go Time Is On My Side Beast Of Burden Waiting On A Friend Let It Bleed You Can’t Always Get What You Want Band introduction Little T & A Tumbling Dice She’s So Cold Hang Fire Miss You Honky Tonk Women Brown Sugar Start Me Up Jumping Jack Flash Satisfaction Silverdome Pontiac MI FLAC / CD-R

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Stetsasonic---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
05/12/88 And now it's time for some rap and hiphop from the box of old tapes of homie Fredheadset ! STETSASONIC blowing the roof off Paradiso, Amsterdam, The Netherlands at the Tegen Tonen Festival at May 12. 1988. I don't know any titles at all from this NY gang of rappers, SO PLEASE HELP ME OUT ! VPRO Radio recorded the show. setlist : 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Source : SBD > Cassette > Audacity > CD Wave Editor > FLAC ENJOY ! Paradiso Amsterdam Netherlands FLAC / CD-R

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Sting---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
06/26/93 Sting opened for the Grateful Dead, and Jerry and Don joined him on stage for a few tunes. I'm sure this has been uploaded to DIME before, but it's a great show, and since it's not on the tracker now, why not? Excellent sound. I got this in a vine with the following lineage info: SBD Master(HiFiBeta) -> HiFiVHS -> CDR(AIFF) My part: FLAC > CDR > EAC > FLAC8 > You I'll post a couple of samples for you to try out. And yes, Sting covers both the Beatles and Jimi Hendrix. ENJOY - And share the music! Sting 26 June 1993 Washington, DC RFK Stadium 1. All This Time 2. Why Should I Cry For You 3. Synchronicity II > 4. Every Little Thing She Does Is Magic 5. Roxanne 6. Fortress Around Your Heart 7. Love is Stronget Than Justice 8. Penny Lane 9. Purple Haze 10 Bring on the Night > When the World is Running Down 11. Walking on the Moon* > Consider Me Gone* > Been Down So Long*# *with Jerry Garcia #with Don Henley Robert F. Kennedy Stadium Washington DC FLAC / CD-R

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Talking Heads---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
08/05/83 Talking Heads 8/5/83 Saratoga Performing Arts Center (SPAC) Saratoga Springs, NY source: SBD transfer: CDR (from trade)>EAC>WAV>FLAC Disc 1 (set 1) - total time 45:18 01. (05:11) Psycho Killer 02. (04:09) Heaven 03. (02:18) Thank You For Sending Me An Angel 04. (03:20) Building On Fire 05. (04:51) Book I Read 06. (05:29) Slippery People 07. (04:55) Cities 08. (04:55) Big Blue Plymouth (Eyes Wide Open) 09. (04:16) Burning Down The House 10. (05:40) Life During Wartime Disc 2 (set 2) - total time 73:27 01. (05:50) Making Flippy Floppy 02. (05:26) Swamp 03. (06:20) What A Day That Was 04. (05:27) This Must Be The Place (Naive Melody) 05. (05:29) Once In A Lifetime 06. (05:43) Big Business > 07. (02:52) I Zimbra 08. (06:46) Houses In Motion 09. (07:40) Genius Of Love (Tom Tom Club) 10. (06:08) Girlfriend Is Better 11. (08:24) Take Me To The River ~encore~ 12. (07:08) Crosseyed And Painless Comments: This recording sounds different than the SBD that was seeded here this week by goold - this one sounded brighter and louder to me in an A/B comparison using the computer speakers... I love this show (which is why I have it on CDR twice, and cassette too!) - it's got everything, from the gorgeous stripped-down "Heaven" (dig that bass sound Tina gets!) to the full-on funk of most of the rest of the show - culminating in a monstrous "Crosseyed and Painless"!! Enjoy! - Zeb Saratoga Performing Arts Center Saratoga Springs NY FLAC / CD-R

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The Doors---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
06/05/70 (medley)back door man-love hides roadhouse blues when the music’s over people get ready (medley) train i ride-baby please don’t go-train I ride bull frog blues break on through someday soon Seattle Center Coliseum Seattle WA SHN / CD-R

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06/06/70 Roadhouse blues back door man five to one money rock me baby little red rooster who do you love medley)light my fire-fever summertime-st. james infirmary the end Pacific Coliseum Vancouver BC SHN / CD-R

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Thelonious Monk---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
02/23/64 Thelonious Monk Quartet February 23, 1964 - Paris, France possibly from boot cd: "Live in Paris, 1964" (see http://home.achilles.net/~howardm/recordsd.shtml) Disk 1: 1. Four in One 2. I'm Getting Sentimental Over You 3. Straight No Chaser 4. Well You Needn't 5. Epistrophy Disk 2: 1. Blue Monk 2. Sweet and Lovely 3. Hackensack 4. Rhythm-a-ning 5. Bright Mississippi 6. Epistrophy Thelonious Monk - piano Charlie Rouse - tenor Butch Warren - bass Ben Riley - drums Maison De La Radio Paris France SHN / CD-R

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12/02/69 Thelonious Monk Quartet Sartory, Cologne, Germany December 2, 1969 FM? > ? > CDR > EAC > WAV > CD Wave Editor (split tracks) > FLAC 1 My Ideal 2 I Mean You 3 Bright Mississippi 4 Straight No Chaser 5 Epistrophy 6 Three O'Clock In The Morning (p-solo) 7 Anouncement 8 Blue Monk 9 Nutty 10 Trinkle Tinkle 11 Something In Blue 12 unknown title Thelonious Monk (p) Charlie Rouse (ts) Nate Hygelund (b) Paris Wright (d) Monk01.flac:8fb21b00fc04eb599329ba46d022877c Monk02.flac:5f703d8725eaa2208fffff5ffcd361c6 Monk03.flac:4956df22987fdefbd79e169f133ea116 Monk04.flac:438270425ac17d30fe154f492a305ff0 Monk05.flac:daf218f3c01cd0fc31934eb28656a687 Monk06.flac:44aa11f991471aaa2271abab10142ed5 Monk07.flac:60d3cfd96035f931864bf3068e7e6e56 Monk08.flac:046a9f17bcb92ef6319967fc81578f63 Monk09.flac:049f801b7c1c0a6de2a1c5602b1834e0 Monk10.flac:d99b38c1a7b566a57f297374a8189680 Monk11.flac:0ff34d735fd8d57908a02b08b78e30f8 Monk12.flac:d81cb058c9e7b7ff9115d07c033565b9 I received this recording on two discs with no track markers. This is the first time I used CD Wave Editor to split tracks. Please let me know if you encounter any problems. I deleted two minutes of applause between tracks 11 and 12 so that the entire performance could fit on one disc. Sartory Cologne Germany FLAC / CD-R

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Tower Of Power---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
05/14/74 TOWER OF POWER ULTRASONIC STUDIOS,HEMPSTEAD MAY 14,1974 CD1 1-Intro 2-Oakland Stroke 3-Squib Cakes 4-This Time It's Real 5-Soul Vaccination 6-You're Still A Young Man 7-Clean Slate 8-So Very Hard To Go 9-Get Your Feet Back On The Ground CD2 1-Time Will Tell 2-Man From The Past 3-Down To The Nightclub 4-Just When We Start Makin' It 5-Knock Yourself Out 6-What Is Hip? 7-Outro WLIR PRE-FM MASTER REEL > REEL > PHILIPS STAND ALONE AUDIO CD RECORDER > AUDIO CD > SONY SCREENBLAST SOUND FORGE 7.0 FOR EXTRACTION > RETRACKED WITH CD WAVE EDITOR > FLAC Ultrasonic Studios Hempstead NY FLAC / CD-R

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11/04/75 TOWER OF POWER CALDERONE CONCERT HALL,HEMPSTEAD,NY APRIL 11,1975 CD1 1-OAKLAND STROKE 2-SQUIB CAKES 3-IT'S NOT THE CRIME 4-THIS TIME IT'S REAL 5-YOU STRIKE MY MAIN NERVE 6-WILLIN'TO LEARN 7-DOWN TO THE NIGHTCLUB 8-ONLY SO MUCH OIL IN THE GROUND 9-SPARKLING IN THE SAND CD2 1-I BELIEVE IN MYSELF 2-WHAT IS HIP? 3-SO VERY HARD TO GO 4-KNOCK YOURSELF OUT 5-YOU'RE STILL A YOUNG MAN 6-TO SAY THE LEAST YOU'RE THE MOST WLIR-FM REEL MASTER > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC The Bushnell Hartford CT FLAC / CD-R

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Van Halen---Approximate Hours: 0
Date RoIO Name Venue City State Media Type Media Count Audio CDs
05/09/76 Goldenwest Ballroom 1976 SBD Original cd > waw > flac Artwork Included Van Halen Was Opened For U.F.O That Evening 01 On Fire 02 Show Your Love 03 Last Child (aerosmith cover) 04 Tush (zz top cover) 05 The Rover (led zeppelin cover) 06 Let's Get Rockin' (never released) 07 Ice Cream Man 08 Last Nigth (early version of "hang em high") 09 Eruption 10 We Die Young (never released) 11 Somebody Get Me A Doctor 12 Baby Don't Leave Me Alone (unreleased 1st album outtake) 13 Let Me Swim In Your Ocean (never released) 14 She's The Woman (unreleased 1st album outtake) Track 2 is actually "I'm The One". Track 10 is actually "We Die Bold". Track 13 is actually "Oceanside". Enjoy! Goldenwest Ballroom Norwalk CA FLAC / CD-R

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05/29/76 Van Halen Conference Building Pasadena Convention Center May 29th, 1976 Bootleg title: "Civic Disobedience" Lineage of show: SB >1st gen cass>Kenwood KX-77CW tape deck>Creative Labs Audigy 2 24bit>WAV>Adobe Audition>WAV>FLAC Frontend>FLAC(level 6) Quality of show: A+ Transferred by Wooda File Size: 371 MB, FLAC Total Time: 60:42 1. On Fire 3:40 2. Somebody Get Me A Doctor 4:40 3. Babe Don't Leave Me Alone 3:54 4. Show Your Love 4:53 5. Runnin' With The Devil 3:56 6. Let Me Swim 6:34 7. Let's Get Rockin' 3:01 8. Eyes Of The Night 4:46 9. Simple Rhyme 5:11 10. La Grange 5:54 11. Honolulu Baby 2:43 12. Eruption 2:50 13. House Of Pain 3:20 14. I Live With Fools 5:20 Notes from Wooda: QUALITY: What can I say about this show except that it smokes all other versions you will find. Unlike "The Eyes Of Night", this show is complete and not spliced together from other club days shows, and the sound is amazing. The other little problem is that the date and location have been reported wrong for years. The show was played on Saturday May 29th, 1976 and not Sunday May 30th, 1976 which has is the incorrectly circulated date. NOTES: They play an extremely energetic set, and even hint about hearing the day we would all hear their songs on the radio. This is a must have show. Transferred, edited and brought to you by Wooda and LIVE1 Productions Pasadena Convention Center Pasadena CA FLAC / CD-R

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06/01/78 Van Halen First UK Invasion 1978 Soundboard A+ Original cd > waw > flac Artwork Included 01 Introduction/On Fire 02 I'm The One 03 Bass Solo 04 Runnin' With The Devil 05 Atomic Punk 06 Little Dreamer 07 Feel Your Love Tonight 08 Ain't Talkin' 'Bout Love 09 Guitar Solo 10 You Really Got Me 11 D.O.A. 12 Bottoms Up!(cuts in the end) Hammersmith Odeon London England FLAC / CD-R

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05/29/83 Van Halen Glen Helen Park San Bernadino, CA USA May 29, 1983 **The `1983 US Festival** *****NOTES from Daves PA rental****** This is the best version of the VH set at the US Festival that I have ever heard. It is from the Video Master...very clean. On d01track01 there are two minor "pops". I forgot to save the log file for d01track08. There were no errors. There is an edit at the beginning of "You Really Got Me" where the VHS source runs out. I spliced together "You Really Got Me" from the "Van Halen Mix Tape: Live And Demos" that I posted a few months ago. Almost a flawless splice, except the croud gets a bit louder. Given to me (Daves PA rental) to share with the STG community by Matt Fuggi (thanks Matt!!!) Lineage: Master Video > VHS copy > CDR > EAC (Secure) .WAV > .SHN Taped by: ? Transfered by: Daves PA rental Bootleg Title: "Old No. 7" File Size: 966 MB (SHN) ********************************** *****Do NOT Convert To Mp3!!!(Except for your own iPod)***** *********DO NOT SELL!!!!!********* ********************************** Setlist: Disc 1: 1. Romeo Delight 2. Unchained > Drum Solo 3. Full Bug 4. Running With The Devil 5. Jamie's Cryin' 6. So This Is Love 7. Little Guitars 8. Bass Solo > Dancing In The Streets 9. Somebody Get Me A Doctor > Girl Gone Bad Jam > I'm So Glad > Somebody Get Me A Doctor 10. Dance The Night Away 11. Cathedral > Secrets 12. Everybody Wants Some Disc 2: 1. Ice Cream Man 2. Intruder > Pretty Woman 3. Guitar Solo 4. Ain't Talkin' Bout Love 5. Bottoms Up 6. You Really Got Me >Happy Trails > You Really Got Me MD5/FLAC Fingerprints: 911111aa9b68c3add2488ec197eb1113 *d01Track01.shn 461d7f12c74d4ec13fd112988de5cd4a *d01Track02.shn be774e9ca5ae74e6c91fbc2546d39206 *d01Track03.shn 902c33029a413a745390ac0c9acadf31 *d01Track04.shn 7d999b3b3f4679589b9e0371db6fdf22 *d01Track05.shn b471cdc0b4595fb4c9dfd74d2dd27d43 *d01Track06.shn 45e5d8ac72b7bd017fdd0670912ee5fb *d01Track07.shn eacfabdcdfe512386a133e6b94512c13 *d01Track08.shn 768e8ece7bb6fd2f0d301ebaa3d5cc3d *d01Track09.shn 6969cd7916782264c57e1bd57b9387e0 *d01Track10.shn cde431782221cdd92b3875740094f078 *d01Track11.shn 7b12a57cea870af125c1a9f7e8d2c2d2 *d01Track12.shn 7bbf39db6cd431bce00cbf8ad5445ad8 *d02Track01.shn 82babf0aa10426b75846a49acd3de04a *d02Track02.shn 68f4ab37171a848bc4a037d7d1254e5f *d02Track03.shn 6cdc4b8e8d3fee6e9c84e7b38dce650b *d02Track04.shn e14a963a38a4c0c4df860ffcfd5bdb3d *d02Track05.shn c3bcce4b93ee06ee303232d0e07d8283 *d02Track06.shn ******Notes from Matt Fuggi********* THIS SHOW IN THIS FORM HAS NOT CIRCULATED. The only copies until now are mine and my friend who I borrowed the VHS from. *****Notes From Nickdfresh****** This is an upgrade over another SBD sourced version of The 1983 US Festival called "California Calling: Listen to this Jimmy" torrented here: http://www.dimeadozen.org/torrents-details.php?id=57674 While both versions are soundboards, this version differs quite a bit in sound quality. In "Cali. Calling," the audience tends to overwhelm the music, in "Old No. 7," the instrument and vocal clarity is amazing, almost to a studio release quality. So now you can hear Van Halen in all their drunken glory as, ironically, possibly the best Van Halen recording is one of their worst recorded live performances. But what a fun boot to listen too! Dave or the grave motherf***ers! Glen Helen Regional Park Devore CA SHN / CD-R

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