Return to The Taper's Database Music List for Jim Richardson
Last Update: June 04, 2014
Show Count: 67


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Grateful Dead
Approximate hours: 0

Date  Source Link Media {ColumnLabel6} {ColumnLabel7} {ColumnLabel8} {ColumnLabel9}

01/14/78

Source Detail
Bakersfield Memorial Auditorium, Bakersfield
SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

01/14/78

Source Detail
Bakersfield Memorial Auditorium, Bakersfield
flac16; source: aud > ??? > cdr > eac > wav > flac {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

12/27/79

Source Detail
Oakland Auditorium Arena, Oakland
flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

12/28/79

Source Detail
Oakland Auditorium Arena, Oakland
flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros. {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

01/13/80

Source Detail
Oakland-Alameda County Coliseum, Oakland
flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

01/13/80

Source Detail
Oakland-Alameda County Coliseum, Oakland
flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

03/30/80

Source Detail
Capitol Theater, Passaic
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

03/30/80

Source Detail
Capitol Theater, Passaic
flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

04/01/80

Source Detail
Capitol Theater, Passaic
flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386 {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

04/28/80

Source Detail
Boutwell Auditorium, Birmingham
flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

04/28/80

Source Detail
Boutwell Auditorium, Birmingham
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

04/29/80

Source Detail
Fox Theater, Atlanta
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/02/80

Source Detail
Hampton Coliseum, Hampton
flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/04/80

Source Detail
Baltimore Civic Center, Baltimore
flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.) {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/08/80

Source Detail
Glens Falls Civic Center, Glens Falls
flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/08/80

Source Detail
Glens Falls Civic Center, Glens Falls
flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/10/80

Source Detail
Hartford Civic Center, Hartford
flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/10/80

Source Detail
Hartford Civic Center, Hartford
flac24; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/10/80

Source Detail
Hartford Civic Center, Hartford
flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/10/80

Source Detail
Hartford Civic Center, Hartford
flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/10/80

Source Detail
Hartford Civic Center, Hartford
flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/11/80

Source Detail
Cumberland County Civic Center, Portland
flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/11/80

Source Detail
Cumberland County Civic Center, Portland
flac16; 2 Source Matrix By Dave Usborne;soundboard (shnid:89577); Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; Audience (shnid:98929);Recorded by Steve Rolfe;2 Nak 700s> Sony TC-D5;Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/11/80

Source Detail
Cumberland County Civic Center, Portland
flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087 {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/12/80

Source Detail
Boston Garden, Boston
flac16; Source: Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/12/80

Source Detail
Boston Garden, Boston
flac16; Matrix 70% sbd/30% aud; Soundboard source: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > Cool Edit Pro v2.0 > FLAC; All Transfers and Mastering By Charlie Miller and Audience source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 16; Transfer by Andrew F. {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/12/80

Source Detail
Boston Garden, Boston
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/12/80

Source Detail
Boston Garden, Boston
flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931) {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/14/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches: October 25 2013; Master played back on: Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/14/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac16; Analog Audience Source: FOB Master Cassettes (MAC); Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16; Taped By: Barry Glassberg {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/14/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac16; 2 source matrix by dusborne; Soundboard (shnid:3295) Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering by Scott Clugston and Audience (shnid:125962) Recording by Jim Wise: Master Audience Cassette 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/15/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/15/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:93426) Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:126082) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/15/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/16/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/16/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac16; Source: FOB Audience Recording Media: MAC = Maxell UDXLII; Lineage: 2 x Nakamichi CM700 w/ EQ 26th Row Center> Sony TC-D5 (dolby encode) Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] > ? > flac16; Taped by: Barry Glassberg {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/16/80

Source Detail
Nassau Veterans Memorial Coliseum, Uniondale
flac16; 2 source matrix by Dusborne; Soundboard (shnid:89473) Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (s101-s211) Source 2: Unknown nth generation audience cassette > Sony TC-KE500S > The Card > CoolEdit > shntool > FLAC (s211-s212) Source 3: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC (s213) and Audience (shnid:126104) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/30/80

Source Detail
Milwaukee Auditorium, Milwaukee
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/30/80

Source Detail
Milwaukee Auditorium, Milwaukee
flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

05/31/80

Source Detail
Metropolitan Sports Center, Bloomington
flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/05/80

Source Detail
Compton Terrace Amphitheatre, Tempe
flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/07/80

Source Detail
Folsom Field, University Of Colorado, Boulder
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole at soundboard> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/07/80

Source Detail
Folsom Field, University Of Colorado, Boulder
flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/07/80

Source Detail
Folsom Field, University Of Colorado, Boulder
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/08/80

Source Detail
Folsom Field, University Of Colorado, Boulder
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/08/80

Source Detail
Folsom Field, University Of Colorado, Boulder
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/12/80

Source Detail
Portland Memorial Coliseum, Portland
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from the left-side riser by Bob Morris {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/13/80

Source Detail
Seattle Center Arena, Seattle
flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/14/80

Source Detail
Spokane Coliseum, Spokane
flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/14/80

Source Detail
Spokane Coliseum, Spokane
flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 50' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/19/80

Source Detail
West High Auditorium, Anchorage
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/20/80

Source Detail
West High Auditorium, Anchorage
flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/20/80

Source Detail
West High Auditorium, Anchorage
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/21/80

Source Detail
West High Auditorium, Anchorage
flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

06/21/80

Source Detail
West High Auditorium, Anchorage
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

07/01/80

Source Detail
San Diego Sports Arena, San Diego
flac16; Source: SBD > ? > DAT, however there are clearly multiple sources patched together; Conversion: My DAT > Tascam DA-20 S/PDIF > M-Audio Audiophile S/PDIF > Total Recorder (PC) (44.1/16-bit) > WAV > Split with CDWave > Encode to FLAC (Traders Little Helper); Conversion: Justin Mason {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

08/16/80

Source Detail
Southern Illinois University, Edwardsville
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

08/17/80

Source Detail
Kansas City Municipal Auditorium, Kansas City
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

08/19/80

Source Detail
Uptown Theater, Chicago
flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

08/19/80

Source Detail
Uptown Theater, Chicago
flac24; Set 1 Recorded 1st row balcony Sennheiser 421>Sony TCD-5M>Nak 550; Patched into Neil (aka froggy RIP); transfered by Richie Stankiewicz; 1st Gen>DAT Cakewalk UA-1G {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

08/20/80

Source Detail
Uptown Theater, Chicago
Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

08/21/80

Source Detail
Uptown Theater, Chicago
flac24; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013 {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

08/21/80

Source Detail
Uptown Theater, Chicago
flac16; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013 {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

02/26/81

Source Detail
Uptown Theater, Chicago
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

02/26/81

Source Detail
Uptown Theater, Chicago
Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

02/26/81

Source Detail
Uptown Theater, Chicago
flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell {ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

Jerry Garcia Band
Approximate hours: 0

Date  Source Link Media {ColumnLabel6} {ColumnLabel7} {ColumnLabel8} {ColumnLabel9}

12/05/87


Wiltern Theater, Los Angeles
{ColumnValue6} {ColumnValue7} {ColumnValue8} {ColumnValue9}

Blues for Etree by Josh Simpson