|
Grateful Dead
Approximate hours: 125
|
| Date |
Venue |
Info File |
Notes |
|
11/03/65
|
Golden State Studios
San Francisco, CA |
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|
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03/25/66
|
Trouper's Hall
Los Angeles, CA |
MR>DAT>ZA2>CD |
|
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07/03/66
|
Fillmore Auditorium
San Francisco, CA |
MR>DAT>ZA2>CD |
|
|
07/16/66
|
Fillmore Auditorium
San Francisco, CA |
SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive |
|
|
07/17/66
|
Fillmore Auditorium
San Francisco, CA |
SBD > RTR @ 15 I.p.s. > PCM > D > SSSB |
|
|
09/16/66
|
Avalon Ballroom
San Francisco, CA |
SBD>MR>??>CDR |
|
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11/19/66
|
Fillmore Auditorium
San Francisco, CA |
|
|
|
06/18/67
|
Monterey County Fairgrounds
Monterey, CA |
SBD> MR> ? > DAT x 2> Sonic Solutions> cd |
There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. |
|
09/03/67
|
Dance Hall
Rio Nido, CA |
|
|
|
10/22/67
|
Winterland Arena
San Francisco, CA |
SBD -> Rm -> Cass -> Dat(Sony D8) ->CD (Tascam CDRW700) ->EAC (Plextor 48/24/48 - Secure Mode) ->Samplitude v7.0 ->SHN (1 Disc SHN / 1 Disc Audio) |
|
|
11/11/67
|
Shrine Exhibition Hall
Los Angeles, CA |
MSR>R>R>DAT>CDR |
|
|
01/17/68
|
Carousel Ballroom
San Francisco, CA |
|
|
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01/20/68
|
The Eureka Municipal Auditorium
Eureka, CA |
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|
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01/22/68
|
Eagles Auditorium
Seattle, WA |
SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN |
|
|
01/23/68
|
Eagles Auditorium
Seattle, WA |
|
|
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02/02/68
|
Crystal Ballroom
Portland, OR |
|
|
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02/03/68
|
The Crystal Ballroom
Portland, OR |
|
|
|
03/16/68
|
Carousel Ballroom
San Francisco, CA |
SBD>MR>C>DAT>CDR> EAC(secure) > Cool Edit(minor fixes) > |
Notes:
1. d1t3 ~8:09 very brief drop out;~11:01 several very brief partial drop outs
2. d2t5 ~ brief diginose ~ 4:56
3. This show has a pH of 1!!
4. Dark Star > China Cat > Eleven is found on the SMR box set. |
|
03/26/68
|
Melodyland Theater
Anaheim, CA |
AUD>MR>D>PCM>D>CD>EAC>SHN |
|
|
05/18/68
|
Santa Clara County Fairgrounds
San Jose, CA |
|
Two audience masters are in circulation, one recorded in mono on 3" reels made by tom Ordon
with a single handheld mic in the audience, the other with mics on the stage, supposedly
by Jorma.
I'm unsure as to which one this is. |
|
06/19/68
|
Carousel Ballroom
San Francisco, CA |
SBD>MC>D>CD |
This is a very strange show. The start of Lovelight is clipped, with
the recording improving from what is a ragged condition at first. The
sound system has technical difficulties, with an intermittent buzz
during portions of Lovelight from a bad electrical connection. There
is some minor static at 9:30 of the first track. The vocals are very
low in the mix, and difficulties with the sound system might explain a
lack of singing during the second set, though the jams are very
inspired. The recording includes a group chant between sets, which may
include members of the band, crowd, a woman who sounds like Grace Slick,
a child, an imposter-drummer, security etc.
|
|
08/21/68
|
Fillmore West
San Francisco, CA |
sdb>>reel master>>cassette>>dat>>cdr |
|
|
08/22/68
|
Fillmore West
San Francisco, CA |
source 1: SBD>MR>C>D>CD>EAC>SHN (mono) source 2: SBD>MR>C>D>CD>EAC>SHN (stereo) |
|
|
08/23/68
|
Shrine Exposition Hall
Los Angeles, CA |
|
|
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08/28/68
|
Avalon Ballroom
San Francisco, CA |
S>?>Latvala's Reel>PCM>CDr>EAC>CD |
|
|
10/08/68
|
The Matrix
San Francisco, CA |
SBD MR->Reel (x2?)->CDR |
show billed as "Mickey and the Heartbeats". Bobby and Pigpen
were absent.
(1) all of third set with Elvin Bishop.
(2) Jack Casady, Hart, and Bishop only. |
|
10/10/68
|
The Matrix
San Francisco, CA |
|
show billed as "Mickey and the Heartbeats". Bobby and Pigpen were absent.
|
|
10/12/68
|
Avalon Ballroom
San Francisco, CA |
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD |
|
|
10/13/68
|
Avalon Ballroom
San Francisco, CA |
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD |
|
|
10/20/68
|
Greek Theatre, U. Of California
Berkeley, CA |
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD |
|
|
11/01/68
|
Armory Building, Silver Dollar Fairgrounds
Chico, CA |
SBD>MSR>C>DAT>CDR> EAC(secure) > CDWav(retracking) > mkwact(seekable) |
|
|
11/22/68
|
Columbus Veterans Hall
Columbus, OH |
AUD>MR>C>C>C>CD>SHN |
--this recording is in mono
--a heavy dosage of digital noise reduction was almost certainly applied to this recording, probably just before the previous shn set was encoded.
--Bill Kreutzman was absent for this show due to sickness, leaving Mickey Hart as the sole drummer |
|
12/20/68
|
Shrine Exhibition Hall
Los Angeles, CA |
Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN |
end of show |
|
12/21/68
|
Shrine Exhibition Hall
Los Angeles, CA |
Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN |
|
|
12/24/68
|
The Matrix
San Francisco, CA |
SBD>MR>??>DAT>CDR> EAC(secure) > mkwact(seekable) |
" The tapes circulating with this date are from a "Heartbeats" show,
without Bobby and Pigpen. (1) with Harvey Mandel (and George Chambers?)
. This jam has previously circulated as "Set 3" of 12/16/68, but Bill
Gadsden says that it's "with Harvey Mandel from 12/24/68".
From the San Francisco Chronicle newspaper of Monday December 23, 1968
pg 35: "At the Matrix tonight and tomorrow night: Jerry Garcia, Jack
Casady, open end jam, no door charge" and elsewhere on the same page
under the heading "OPENING TODAY": "ROCK CLUB - Jam Session with Jerry
Garcia, Jack Cassady and others, from 9:30 p.m., the Matrix, 3138
Fillmore. Free."
On page 26 of issue #34 (Summer 1996) of Dupree's Diamond News, Dick
Latvala stated in an interview "There are tapes of 12/16/68 marked
Hartbeats at the Matrix, but I don't know if that's really accurate.
You know [David] Crosby was playing with them quite a lot that month."
He makes no other mention of 12/68 Matrix tapes in that article, but he
has stated on another occasion that the tapes in the vault of 12/24/68
are labeled as Garcia jamming with the Harvey Mandel Band. This show
is not listed in DeadBase XI. |
|
04/21/69
|
The Ark
Boston, MA |
MSR > DAT > CDR |
|
|
04/22/69
|
The Ark
Boston, MA |
Updated gen: SMC>R>D (had been marked Master Soundboard Reel > Cassette > DAT x2 > CDR) |
|
|
04/23/69
|
The Ark
Boston, MA |
MSR>Cassette>DATs>CDRs>EAC>SHN |
|
|
09/03/72
|
Folsom Field, U of Colorado
Boulder, CO |
primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3) |
Caveat:
--The audience recording that supplies the first set is fairly decent through Tennessee Jed, though the quality drops to quite poor once BTW begins, and never improves for the rest of the first set.
Notes:
--the tape was stopped between songs on the audience master, leaving many minor cuts at the beginnings of songs during the first set.
--minor tape stoppage at 5:50 in Bird Song
--Bertha is provided by the audience recording
--aud patch in O1 from 12:23 to 13:57; (from 13:41 to 13:57, a higher gen aud was needed for the patch); there is still some missing material here at 13:57, as both the AUD and SBD sources had overlapping tape/reel flips.
--the first few seconds of Cold Rain are clipped
--aud patch provides the end of Sugar Magnolia
--the encore, OMSN, is provided by the audience recording (first few notes are clipped)
--Sound Forge was used for normalization, minor pitch corrections, and other edits |
|
10/28/72
|
Cleveland Public Hall
Cleveland, OH |
SBD>MC>D>CD>EAC>SHN |
|
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University
Palo Alto, CA |
SBD>MR>R>DAT>CDR |
1st performances of Loose Lucy, Here Comes Sunshine, They Love Each Other,
Eyes Of The World, China Doll and Wave That Flag.
|
|
02/15/73
|
Dane County Coliseum
Madison, WI |
|
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|
02/17/73
|
St. Paul Auditorium
St. Paul, MN |
MR>PCM>DAT>CD |
|
|
03/21/73
|
Utica Memorial Auditorium
Utica, NY |
SBD>MR>?>D>CD>SHN |
|
|
03/22/73
|
Utica Memorial Auditorium
Utica, NY |
MSR>DATs>CDRx1>EAC>SHN |
|
|
10/19/73
|
Oklahoma City Fairgrounds Arena
Oklahoma City, OK |
mR>DAT>CDR |
|
|
08/06/74
|
Roosevelt Stadium
Jersey City, NJ |
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|
09/20/74
|
Palais Des Sports
Paris, France |
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|
06/15/76
|
Beacon Theatre
New York, NY |
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|
06/23/76
|
The Tower Theatre
Upper Darby, PA |
[Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
|
|
10/10/76
|
Oakland-Alameda County Coliseum
Oakland, CA |
Master Soundboard Reel > DAT > CDR |
|
|
04/22/77
|
The Spectrum
Philadelphia, PA |
Source 1: AUD>MC>D>CD>EAC>SHN Source 2: SBD>MR>D>CD>EAC>SHN Source 3: SBD>MR>?>CD>EAC>SHN |
*first performance of I've Got My Mojo Workin'
Notes:
--Source 1 is a decent audience recording with fairly loud crowd noise, and provides all of the 1st set except for Estimated, and It Must Have Been The Roses from set 2.
--Source 2 is a pretty crisp SBD, and provides Estimated from set 1, and Dancin' through to the end of Terrapin from set 2.
--Source 3 is a slightly lesser quality SBD, and provides Scarlet through Samson.
--there is a blemish from recording levels @ 1:55 in El Paso
--dropout @ 5:06 in Playin'
--no encore was played
--Sound Forge was used to normalize the audience portion of the recording, and to remove several crackles from the SBDs. |
|
05/11/77
|
St. Paul Civic Center
St. Paul, MN |
MR> DAT> CD> SHN |
|
|
04/21/78
|
Rupp Arena, University Of Kentucky
Lexington, KY |
SBD>MR>C>D>CD>EAC>SHN patched with: AUD>MC>R>D>CD>EAC>SHN |
|
|
05/16/78
|
Uptown Theater
Chicago, IL |
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12/31/79
|
Oakland Auditorium Arena
Oakland, CA |
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09/02/83
|
Boise State University Pavillion
Boise, ID |
cassette master>DAT>CDR |
|
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06/14/85
|
Greek Theatre, U. Of California
Berkeley, CA |
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|
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12/31/86
|
Henry J. Kaiser Convention Center
Oakland, CA |
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08/12/87
|
Red Rocks Amphitheatre
Morrison, CO |
|
|
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12/27/87
|
Oakland-Alameda County Coliseum
Oakland, CA |
SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN |
|
|
12/31/87
|
Oakland-Alameda County Coliseum
Oakland, CA |
|
|
|
09/09/88
|
The Spectrum
Philadelphia, PA |
SBD > Cass Master > DAT > CDR > CDR > EAC > SHN |
|
|
03/24/90
|
Knickerbocker Arena
Albany, NY |
SBD > Dat x 3 > CDR > SHN |
|
|
06/08/90
|
Cal Expo
Sacramento, CA |
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