Return to The Taper's Database Music List for Jackson
Last Update: June 11, 2006
Show Count: 989


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Bivouac Jaun
Approximate hours: 1.25

Date  Venue Media Show Quality Sound Quality Source Notes

11/??/83

Trey's Basement
Princeton, NJ
1

Phish
Approximate hours: 3137.5

Date  Venue Media Show Quality Sound Quality Source Notes

11/03/84

Slade Hall, UVM
Burlington, VT
2 Source: Aud > Cass/2 > DAT Conversion: DA-P1 > Fiji > Sound Forge 4.5 > CD Wave > SHN v3 Conversion and Encoding by Mike Wren 11/3/00

12/01/84

Nectar's
Burlington, VT
2 Source: SBD > Cass1 > DAT > CD-R > EAC > WAV > Cool Edit for Re-mastering (see notes at bottom) > SHN

05/03/85

Last Day Party at UVM-Redstone
Burlington, VT
2 Source: CS1 > DAT > CD Transfer: Tascam DA-302 > HHB CDR-850 Encoding: CD > EAC (secure Mode) > WAV > SHNTool > Flac (1.1.0)

10/17/85

Finbar's
Burlington, VT
1 Source: SBD > Cass1 > DAT > CD-R > EAC > WAV > Cool Edit for Re-mastering (see notes at bottom) > SHN

10/30/85

Hunt's
Burlington, VT
2 SBD > Cass/1 > DA-P1 > D8 > CDR > EAC > NR (see notes) > SHN

11/23/85

Goddard College
Plainfield, VT
2 Cass/1 > digital remastering > D8 > CDR

02/03/86

Hunt's Bar
Burlington, VT
2 Source: unknown audience Transfer: CD>EAC>WAV>SHN Seeded by Paul Giunta (widespreadcheeseaccident@yahoo.com)

05/04/86

Goddard College
Plainfield, VT
2 Source: SBD > Cass/x > DAT Transfer: Sony TCD-D7 > SP/DIF > Korg 1212 I/0 > 48k->44.1k Cool Edit Pro > SHN

10/12/86

Haybarn Theater - Goddard College
Plainfield, VT
2 Source: AUD > Cass/2 (see notes) Transfer: Sony TC-KA3ES > ST Audio DSP24 (24/48) > Mastering > FLAC16 *24/48 masters are archived*

10/15/86

Hunt's
Burlington, VT
2 Source: MCS > DAT > CD Transfer: Tascam DA-302 > HHB CDR-850 Encoding: CD > EAC (secure Mode) > WAV > SHNTool > Flac (1.1.0)

10/31/86

Sculpture Room, Goddard College
Plainfield, VT
2 10-31-86 Sculpture Room at Goddard College Plainfield, VT SBD?> Cass(x) > DAT > CDR Transferred by Travis from Miha's DAT

12/06/86

The Mead Ranch
Shelburne, VT
2 SBD > Cass/1 > DAT; Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > WAV > shntool > FLAC; CDR transfer by Chris Warren; FLAC conversion by Mark Kerchoff

02/13/87

Johnson State College
Johnson, VT
2 Source: unknown > CDR > EAC > .SHN

02/21/87

Slade Hall, University of Vermont
Burlington, VT
2 Mockinbird Tree #2 Source: Aud> Cass0> SBM> DAT Transfer by Phil Nazzaro: DA-20> Zefiro> Quantum Scuzzy HD> Yamaha 4260 Uploaded by Ben Greenfield (superszabe@home.com)

03/23/87

Nectar's
Burlington, VT
3 SBD>Cass(4)>DAT NAK MR2>SV255 DAT>ZA2>Soundforge 4.0>CD WAV>.SHN

04/24/87

Billings Lounge, University of Vermont
Burlington, VT
3 Mockinbird Tree #2 Source: Aud> Cass0> SBM> DAT Transfer by Phil Nazzaro: DA-20> Zefiro> Quantum Scuzzy HD> Yamaha 4260 Uploaded by Ben Greenfield (superszabe@home.com)

04/29/87

Nectar's
Burlington, VT
3 SBD > Cass/x > DAT > S/PDIF > HD > SHN

05/11/87

Nectar's
Burlington, VT
2 Source: unknown > CDR > EAC > .SHN

05/20/87

The Ranch
South Burlington, VT
1 Source: VHS/x Transfer: Sylvania 4head Hi-Fi VCR > DSP24 @ 24/48 > Wavelab > FLAC16 Transfer, mastering, and FLAC16 by Marmar- imthemarmar@gmail.com Thanks to Jeff Prettyman for the VHS to transfer!

06/??/87

Ernest Anastasio Demo
Burlington, VT
1

08/09/87

Nectar's
Burlington, VT
2 unknown source cd > eac (secure mode) > sound forge 7.0 > shntool > flac16 hiss reduction and level reduction in sound forge

08/09/87

Nectar's
Burlington, VT
2 Source: unknown AUD > CDR > EAC > SHN > Editing > FLAC

08/10/87

Nectar's
Burlington, VT
3 Source: unknown AUD> CassX> DAT> Cass0 (recorded 10/97) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/10/05 by EEE

08/21/87

Ian McLean's Farm
Hebron, NY
4 source: aud > cass > dat, taper Eric Larson (commonly mislabelled as SBD> cass> DAT) transfer: dat > s/pdif [sb live] > hd [forge 4.0 / cdwav] > shn

08/21/87

Ian McLean's Farm
Hebron, NY
4 aud>cass>dat, taper Eric Larson, commonly mislabelled as sbd>cass>dat

08/29/87

The Ranch
South Burlington, VT
2 Source: SBD > Cass/x > DAT Transfer: Tascam DA20mkII > ZA2 > Soundforge 4.5 > CDWav > SHN

08/29/87

The Ranch
South Burlington, VT
1 SOURCE: SBD > Cass/0 > DAT @ 48kHz TRANSFER: Python DDS > dDeck > Wavelab (mastering) > FLAC16 Thanks to Ryan Mann for the DAT used for the transfer. Set III:

10/14/87

Hunt's
Burlington, VT
2 Source: SBD > Cass/x > CDR > EAC > SF XP 4.5 > mkwACT > SHN > Cool Edit NR > SHN

11/18/87

Hunt's
Burlington, VT
2 cd > eac (secure mode) > sound forge 7.0 > shntool > flac16 low end reduction and volume reduction in sound forge -no other edits performed-

11/19/87

Hunt's
Burlington, VT
2 Source: SBD> CassX (recorded 10/95) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/13/05 by EEE

01/27/88

Gallagher's
Waitsfield, VT
2 SOURCE:SBD>CASS(0)>DAT DAT>SHN:Tascam DA-20>COAX>WAV>COOL EDIT>CDWAV>SHN Via MKW.These SHN files are seekable in your SHNamp.

02/07/88

Nectar's
Burlington, VT
3 Source: AUD > Sony Walkman (Cass/0) > WAV > SHN by Rob Grego Fixes and notes by Ben Mohr (bmohr@udel.edu) Pitch correction and Retracked on 7/18/2004 by Mike Wren (mw@mikewren.com) Converted to FLAC on 7/18/2004 by mw@mikewren.com

02/08/88

Nectar's
Burlington, VT
3 AUD Cass/x (Maxell XLII 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +16dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 3/14/2004 Mastering, tracking, and FLAC16 by Marmar- imthemarmar@gmail.com 3/29/2005

02/20/88

ATO Fraternity House, St. Lawrence Univ.
Canton, NY
2 cass>NAD 6300 tape deck>midiman p.c. card>wav>soundforge noise reduction>cdwav>shn

02/24/88

Gallagher's
Waitsfield, VT
3 Source: aud>c0>dat NakCR-1A>A7

02/26/88

Living and Learning Center, UVM
Burlington, VT
3 Source: SBD > Cass/2 Transfer: Nak deck > HD > CDWav > SF XP 4.5 > mkwACT > SHN > CoolEdit NR > SHN

03/11/88

Johnson State College
Johnson, VT
2 Source: AUD > Cass/x > DAT Transfer: Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3

03/12/88

Nectar's
Burlington, VT
3 SBD > Cass/0 > DAT > CDR > EAC > SF4.5 pitch shift > SHN

03/21/88

Nectar's
Burlington, VT
2 Source: Unknown Aud > Cass/2 > DAT > CDR Transfer: CDR > EAC > Audacity 1.0.0 > CDWAV >FLAC

04/22/88

Billings Hall, UVM
Burlington, VT
3 source: (set 1) AUD > Cass/x > CDR > EAC (secure) > SF4.5c > shntool > FLAC (set 2) Aud > Cass/x >Sony TC-WE305>Acoustic Research AP031 RCAs>Tascam US 122>CDWav @44.1Khz>FLAC

05/14/88

Springfest at Goddard College
Plainfield, VT
2 Source: SBD > Page McConnell?s analog master > Cass1 (metal) > Philips 870 Stand alone CD Recorder > CDR > EAC > Soundforge XP 4.5 > mkwACT > SHN

05/15/88

Vermont Farm Festival
Hinesburg, VT
3 From 2nd Gen Cassette SBD recording

05/21/88

Nectar's
Burlington, VT
3 Source: Master Cassette Audience > DAT Transfer: Tascam DA-302 > HHB CDR-850 Conversion: CD > EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

05/23/88

Nectars
Burlington, VT
3 Source: SBD > Cass/3 > WAV > CDWAV > EAC > FLAC

05/24/88

Nectar's
Burlington, VT
3 Source: SBD > Cass/x > DAT Transfer: Tascam da20 mkII > ZA2 > SF4.5 > CDWav > SHN > SF4.5 pitch shift > SHN

06/15/88

The Front
Burlington, VT
3 Source: SBD > Cass0 > Nakamichi tape deck > Soundforge XP 4.5 > CDWAV > mkwACT > SHN

06/20/88

Nectars
Burlington, VT
3 Source: Unknown Aud> Cass/x >CDr Transfer: CDr> EAC> WAV> SHN

06/21/88

Nectar's
Burlington, VT
2 Source: SBD > Cass/0 Transfer: Nakamichi tape deck > Monster RCA cable > HD > CDWav > Soundforge XP 4.5 > mkwACT > SHN

06/24/88

Halverson's
Burlington, VT
2 unknown source cd > eac (secure mode) > sound forge 7.0 > shntool > flac16 hiss reduction and level reduction in soundforge

07/12/88

Sam's Tavern
Burlington, VT
3 Source: SBD > Cass/0 > Cass/1 (Maxell XLIIS) > DAT Transfer: Tascam DA20 mkII > ZA2 > SF 4.5 > CDWav > SHN Patch source: SBD > Cass/3 > DAT (master) Patch A>D transfer: Technics RS-BR465 > Tascam DA-P1 Patch DAT>SHN transfer: Sony D7 > Zoltrix > SF 4.5 > CDWav > SF 4.5 > shntool > SHN

07/23/88

Pete's Fabulous Phish Fest.
Underhill, VT
2 Source: SBD > Cass/3 > DAT Transfer: Tascam DA20 mkII > ZA2 > SF4.5 > CDWav > SHN

07/29/88

The Roma
Telluride, CO
2 SBD Cass/x (Maxell XLII 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 3/28/2004 Mastering, tracking and FLAC16 by Marmar- imthemarmar@gmail.com

08/03/88

Fly Me to the Moon Saloon
Telluride, CO
2 Source: SBD > Cass/1 > DAT Transfer: Tascam DA-20mkII > ZA2 > SF4.5 > CDWav > SHN

08/05/88

The Roma
Telluride, CO
2 Source: Master SBD > Cass(0) > DAT Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling (*no DAE at all) Louie Rendek CDWAV used for tracking by Mike Woellert WAV > SHN: mkwACT > SHN: Mike Woellert

08/13/88

The Front
Burlington, VT
2 SBD (unknown lineage) > CD retracked and encoded to flac via cdwav by car no other edits performed

08/27/88

Penn State
Mont Alto, PA
1 Source: (SBD > DAT > CASS (? Gen.) > WAV > SHN) Transfer and Seeded by: KCMoeJoe (jhutchison@kc.rr.com)

09/08/88

The Front
Burlington, VT
2 Source: MCS > DAT Transfer: Sony PCM R-500 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks extracted with 100% quality.

09/08/88

The Front
Burlington, VT
2 Source: SBD > Marantz PMD-420 w/Dolby C > My DAT > WAV > SHN Transfer: (by Jeff Ishaq jishaq@earthlink.net) DAT > WaveTerminal 2496 > CDWav > WAV > SHN

09/24/88

Full Moon at The Zoo, U. Mass.
Amherst, MA
2 Source: MCS > DAT Transfer: Sony PCM R-500 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks extracted with 100% quality.Source: MCS > DAT

10/29/88

Sculpture Room, Goddard College
Plainfield, VT
2 SBD Cass/1 (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

11/03/88

Molly's
Boston, MA
2 SBD Cass/1 (Maxell XLII-S 90 min from John Redmond)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes)> SHNv3 Set 1 and Partial Set 2: SOURCE SBD > Cass/x SBD Cass/x (Maxell XLII 90 min from Josh Porter)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes)> SHNv3

11/05/88

Hamilton College
Clinton, NY
2 Source: Master SBD Cass > Cass(?) > DAT Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling (*no DAE at all) Louie Rendek CDWAV used for tracking by Mike Woellert WAV > SHN: mkwACT > SHN: Mike Woellert

11/11/88

The Stone Church
Newmarket, NH
2 Source: SBD > Cass > Cass (XLII) > Goldwave 44k (via Tascam 202 MK III) > mkw (shn)

12/10/88

The Red Barn at Hampshire College
Amherst, MA
2 SBD > cass? > DAT > CDR > EAC > SHN Seeded by Ben Mohr (bmohr@udel.edu)

01/26/89

The Paradise
Boston, MA
2 Source: SBD > ?(will assume 1 cassette gen) > CDR > EAC > .SHN > Mastering > FLAC16 Mastering, FLAC16 by Marmar- imthemarmar@gmail.com

02/06/89

The Front
Burlington, VT
2 unknown source cd > eac (secure mode) > shntool > flac16 -no edits performed-

02/06/89

The Front
Burlington, VT
2 Set 1/2 Source: SBD Cass/x (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes)> SHNv3 **24/48 Masters do exist at the unedited/pre-processed level** Set 3 Source: SBD > ? > CD > EAC (secure mode) > FLAC16 > Mastering

02/07/89

The Front
Burlington, VT
3 Source: Set I MCS > Dat; Set II & III CS1 > Dat Transfer: Tascam DA-302 > HHB CDR-850 Encoding: CD > EAC (Secure Mode) > WAV > ShnTool > Flac (1.1.0)

03/03/89

UVM
Burlington, VT
2 Source: AUD>?>Cass/x>CDR>EAC>FLAC Transfer Info: I transferred my cassette using a Sony TC-WR665S for cassette playback and an Aiwa XC-RW700 stand alone burner for recording. I then eac'ed the resulting CDR to my hard drive.

03/04/89

Wetlands Preserve
New York, NY
3 Source: unknown > CDR > EAC > .SHN Mastering, retracking, FLAC16 by Marmar Thanks to Alec Swensen for the source SHNs!

03/12/89

Nectar's
Burlington, VT
2 SBD > cass/3 > CD CD > EAC (secure) > Sound Forge 7.0 > Pitch > BBE > [WAVES] Q10, Rbass, L2, X-noise > shntool > flac16

03/14/89

Nectar's
Burlington, VT
3 SBD (unknown lineage) > CD CD > EAC (secure mode) > sound forge 7.0 > shntool > flac16 by car hiss reduction via waves x-noise and level reduction via bbe sonic maximizer no other edits performed

03/30/89

The Front
Burlington, VT
3 Source: SBD> Cass/3 (recorded 1/95) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/12/05 by EEE Remastering: Flac > Wavelab (Pitch Correction/Editing/Mastering) > FLAC 6/20/05 by Marmar

04/14/89

Chez Pierre (Base Lodge), Johnson State College
Johnson, VT
3 Source: SBD > D6 (Cass/0) > DAT(x3) Transfered: Tascam DA20 mkII > ZA2 > SF4.5 > CDWav > SHN

04/20/89

The Zoo
Amherst, MA
3 Source: SBD>Cass/X (recorded 11/95) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> Samplitude 5.5> CD Wave Editor to track> FLAC on 11/9/04 by EEE

04/20/89

The Zoo
Amherst, MA
3 Source: SBD > Cass/x > Nak DR-1 > DAT Transfer: Sony PCM R500 > HHb 800 > CDR (master) > EAC (secure) > SF4.5 > FLAC FLAC Conversion by Ben Mohr (benjamin.mohr@ce.gatech.edu)

04/27/89

University of New Hampshire
Durham, NH
2 Source: Unknown AUD Transfer: Tascam DA-20-> Coax-> Waveterminal 2496-> Cool Edit Pro 2.0-> CDWav-> mkwACT-> .shn

04/30/89

Nightstage
Cambridge, MA
3 Source: Unknown AUD > Cass/x Transfer: Sony TC-KA3ES > DSP24 > Wavelab 24/48wavs > FLAC16 Transfer, mastering, FLAC16 by Marmar- imthemarmar@gmail.com Tape provided by Doug Madden

05/05/89

Hamilton College
Clinton, NY
2 Source: SBD > Cass/2 > DAT Transfer: Sony D7 > Zoltrix > SF4.5c > CDWav > shntool > FLAC

05/06/89

Collis Center, Dartmouth College
Hanover, NH
2 unknown source CD > EAC (secure mode) > Sound Forge 7.0 > Shntool > Flac16 hiss reduction in soundforge -no other edits performed- This is an effort to put rare shows into circulation. Sound quality will vary depending on the show and source. Assume some of these are from higher generation cassettes. Until an upgrade surfaces...enjoy.

05/09/89

The Front
Burlington, VT
2 SBD (unknown lineage) > CD CD > EAC (secure mode) > sound forge 7.0 > shntool > flac16 hiss reduction via x-noise no other edits done transfer from cd > flac by car

05/13/89

Orange Grove
Syracuse, NY
3 Source: DSBD > Cass4 Transfer: Nakamichi tape deck > Soundforge XP 4.5 > CDWav > wav > SHN

05/20/89

Northfield Mt. Hermon School
Northfield, MA
2 Source: SBD> Cass/X (recorded ?/94) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/14/05 by EEE

05/20/89

Northfield Mt. Hermon School
Northfield, MA
3 Source: SBD > (possible DAT stage) > Cass/2 (XL II-100) Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @ 24/48kHz Mastering: REBA > Wavelab Stereo Montage > Crossfaded Tape flip > Editing > Rendered 24/48 No alterations. 24/48kHz waves > Waves Linear Wideband EQ > Waves RBass +2 @ 32Hz > BBE 0/3/0 > Waves L1+ > 24/48kHz processed wave. 24/48Khz processed wave > 192kHz Resampler- 48/44.1 > L1 > reduced to 16bit w/TPDF > SHN V3 **24/48 FLAC archives of the unedited transfer are available**

05/21/89

320 Spear St.
Burlington, VT
2 SBD > Cass/0 > DAT > CDR > EAC > SHN

05/26/89

Valley Club
Ruttland, VT
3 Source: SBD> Cass/3 (recorded 12/95) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/13/05 by EEE

05/26/89

Valley Club
Ruttland, VT
2 Source: SBD> Cass/3 (recorded 12/95) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/13/05 by EEE Remastering: FLAC > Wavelab 5.01b (pitch correction/mastering/retracking) > FLAC16 on 6/25/05 by Marmar

05/28/89

Ian McClain's Farm
Hebron, NY
2 SOURCE: SBD > Cass/0 > DAT > CD > EAC > CD > "REBA" > SHN v3 (seekable)

06/23/89

The Paradise
Boston, MA
3 Source: SBD> CassX (recorded ?/96) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/12/05 by EEE Remastering: Flac16 > Wavelab 5.0b (pitch correction/mastering) > FLAC16 by Marmar 6/23/05

06/30/89

Pearl Street Ballroom
Northampton, MA
3 source: sbd>cass>dat transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

06/30/89

Pearl Street Ballroom
Northampton, MA
3 Source: SBD > Sony D6 > Cass/0 > DAT Taper: Kevin Greene Transfer: Tascam DA20 mkII > ZA2 > SF4.5 > CDWav > SHN

08/26/89

Townshend Family Park
Townshend, VT
3 Live Phish

09/09/89

Bennington College
Bennington, VT
3 Set 1: sbd > cass/x > ? > CD > EAC(secure) > SOundforge 7.0 > SHNtool > Flac16 Amplitude Modulation, Pitch Shift, BBE enhancement, and X-noise hiss reduction in SF7.0 Set 2: sbd > cass/x > ? > CD > EAC(secure) > SHNtool > Flac16 no edits performed

09/21/89

Pearl Street Ballroom
Northampton, MA
3 Source: SBD > Cass/0 > DAT Transfer: DA-20 mkII > ZA2 > SF 4.5 > CDWav > SHN

10/01/89

The Front
Burlington, VT
3 Source: SBD > Cass/x > DAT Transfer: Tascam DA-30 mkII > HHb CDR850 > CDR (master) > EAC > SHN

10/07/89

Chase Hall, Bates College
Lewiston, ME
3 source: sbd>cass0>dat>sv3800>digi32>cdwav seeder: Dave Koorey = phrog@etree.org

10/13/89

The Orange Grove
Syracuse, NY
3 Source: SBD>cass/x Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @ 24/48kHz

10/20/89

The Front
Burlington, VT
3 Source: SBD>Cass>DAT Xfer: ARCHIVE Python>vDAT>WaveLab>CDWave> Flac/CDR

10/26/89

Wetlands Preserve
New York, NY
3 SBD > Cass (x) > MCass > D8 (from Patrick Metsker, massedgadget@hotmail.com) CD-R > EAC > SHN by Mike Shumsky (michael.shumsky@yale.edu)

11/03/89

Tree Cafe
Portland, ME
3 Source: Set 1: SBD > Cass/0 > DAT Set 2p: SBD > Cass/x > DAT Transfer: Tascam DA-20mkII > ZA2 > SF4.5 > CDWav > SHN A>D: Nakamichi CR1A > Sony PCM-M1

11/09/89

Mission Park Dining Hall, Williams College
Williamstown, MA
3 Source: MCS > DAT Transfer: Tascam DA-302 > HHB CDR-850 Conversion: CD > EAC (Secure Mode) > WAV > ShnTool > Flac (1.7.1) All tracks were extracted with 100% quality.

11/10/89

Sigma Phi Society House, Hamilton College
Clinton, NY
3 Source: SBD > Cass0 > Nakamichi tape deck > Soundforge XP 4.5 > CDWAV > mkwACT > SHN

11/16/89

Pearl Street Night Club Ballroom
Northampton, MA
3 Source: SBD>CassX (recorded 11/95) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> Samplitude 5.5> CD Wave Editor> FLAC on 11/16/04 by EEE

11/30/89

The Paradise
Boston, MA
3 DAT > shn conversion by Mike Masse Thanks to Chad Plemons for loaning the DATs. Source info: SBD > Cass1 > DAT > HD > Cool Edit noise reduction > CDWav > shn

12/01/89

Paradise Rock Club
Boston, MA
3 Source: SBD > Cass(0) > DAT Transfer: DA-P1 > digicoax > HHb CDR-850 > Shorten (shn)

12/07/89

8x10 Club
Baltimore, MD
3 Source: SBD/Matrix Mix (unknown mics) > Cass0 > Tascam DA-P1 Conversion: DA-P1 > S/PDIF Coax > Zefiro ZA2 (44.1k) > Sound Forge XP > CDRWIN > HP6020i > CDR Encoding: CDR > EAC (perfect extraction) > WAV > MKW Audio Compression > SHN Encoding by Julia Mordaunt (FahtHarpua@aol.com)

12/08/89

Green Mountain College
Poultney, VT
3 Source: MCS > Dat > CD Encoding: CD > EAC (secure Mode) > WAV > SHNTool > Flac (1.1.0)

12/09/89

Huden Dining Hall, Castleton State College
Castleton, VT
3 Source: MCS > Dat > CD Transfer: Panasonic SV-3800 > HHB CDR-850 Encoding: CD > EAC (secure Mode) > WAV > SHNTool > Flac (1.1.0)

12/29/89

Brownie's 23 East Cabaret
Ardmore, PA
3 Source: SBD > Cass/0 > DAT Transfer: (Jeff Ishaq jishaq@earthlink.net) CDR > Verified flawless EAC > WAV > CDWav for retrack > SHN v3

12/31/89

World Trade Center Boston Exhibition Hall
Boston, MA
3 Source: unknown AUD Conversion: Tascam DA-20-> Coax-> Waveterminal 2496-> Cool Edit Pro-> CDWav-> mkwACT-> .shn

01/20/90

Webster Hall
Hanover, NH
2 TAPER: John Redmond SOURCE Unknown mics > Nak CR-3A - lined out of a Tascam (DAT?) AUD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~7dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering > SHNv3

01/26/90

Tree Cafe
Portland, ME
2 SOURCE 2nd gen SBD SBD Cass/2 (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3

01/28/90

The Front
Burlington, VT
2 Source: SBD > Cass/1 > DAT (master) A>D Transfer: Denon 3-head deck > Fostex D5 @44.1kHz DAT>SHN Transfer: CTD8000H-S > DAT2WAV > SHN > CDWav > SHN

02/05/90

Myskyns Tavern
Charleston, SC
1 Source: SBD > Cass/x > DAT > CDR > EAC (secure) > SF4.5c > shntool > FLAC SHN Conversion by Ben Mohr (benjamin.mohr@ce.gatech.edu)

02/09/90

Chameleon Club
Lancaster, PA
2 Source: SBD > Cass/X > DAT (see notes) Transfer: Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1) > CDWave > flac16 Transferred by: Daniel Shay

02/10/90

Brownie's 23 East Cabaret
Ardmore, PA
2 Source: DMIX: SBD + Sennheiser ME80 > DAT Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling: Louie Rendek

02/10/90

Brownie's 23 East Cabaret
Ardmore, PA
2 Source: DMIX: SBD + Sennheiser ME80 > DAT Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling: Louie Rendek

02/15/90

The Living Room
Providence, RI
2 source: SBD>?>DAT Transfer: Tascam DA20-MkII > SBLive Platinum > SoundForge 5.0

02/16/90

The Paradise
Boston, MA
2 Source: SBD > Cass/x > DAT Transfer: D100 > WaveTerminal 2496 > WAV > SHN Transferred by Jeff Ishaq (jishaq@earthlink.net) Remastered by Ben Mohr (bmohr@udel.edu)

02/16/90

The Paradise
Boston, MA
1 SOURCE SBD > D5 (deck was possibly a Nak CR-3A) SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +8dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)

02/17/90

Student Union Ballroom
Amherst, MA
0 Taper: John Redmond SOURCE SBD > D5 (deck was possibly a Nak CR-3A) SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24

02/22/90

Keene State College
Keene, NH
1 SOURCE SBD > Nak CR-3A SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/27/2003)

02/23/90

Haverford College
Haverford, PA
3 Source [From Phil's Soundboard List and Dan Marquardt]: SBD>Cass0>DAT>CD CD-R > EAC > SHN and upload by Mike Shumsky (michael.shumsky@yale.edu)

02/25/90

The 8x10 Club
Baltimore, MD
2 Source: FOB AKG 451 > Cass/0 > DAT CDR > EAC > SHN and upload by Mike Shumsky (michael.shumsky@yale.edu) Fixes by Ben Mohr (bmohr@udel.edu) Splice Source: AKG 451 (ORTF) > Sony D5 (Cass/0) > DAT @ 48kHz

03/01/90

Toad's Place
New Haven, CT
1 Source: SBD> Cass/x (recorded 12/94) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> WAV> CD Wave Editor to track> FLAC on 10/4/04 by EEE

03/08/90

Aiko's
Saratoga, NY
3 Source: SBD > cass/0 > DAT Conversion: D8 > SEK'd Prodif Plus > CD Wave @ 48KHz > Sound Forge 4.5 48KHz to 44.1KHz by Ryan McKinney

03/09/90

The Front
Burlington, VT
3 Transfer: Sbd > Cass/x >Sony TC-WE305 > Acoustic Research APo31 RCA's > Tascam US-122 > CDWAV Transferred by james_dineen@yahoo.com

03/11/90

The Front
Burlington, VT
3 Source: SBD > Cass/2 > DAT (master) A>D Transfer: Denon 3-head deck > Fostex D5 @44.1kHz DAT>SHN Transfer: CTD8000H-S > DAT2WAV > SHN > CDWav > SHN

03/17/90

Brownie's 23 East Cabaret
Ardmore, PA
1 Source: SBD+AUD Matrix (R-SBD,L-AUD*) > Cass/0 > DAT * AUD source is most likely Sennheiser ME80 (see 2-10-90) Transfer: D7 > Zoltrix > SF4.5c > CDWav > shntool > FLAC

03/28/90

Denison University
Granville, OH
3 Source: SBD > Marantz PDM > Cass0 > DAT(?) > Cass1 > Nak CR-7a (A>D) > DAT > CDR > EAC > mkwACT > SHN

04/04/90

Colorado University
Boulder, CO
1 Source: SBD > Cass/4 > DAT > CDR > EAC (secure) > shntool > FLAC SET 2

04/04/90

Colorado University
Boulder, CO
1 Source: SBD> CassX (recorded 12/96) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/11/05 by EEE

04/04/90

Colorado University
Boulder, CO
1 Source: SBD> CassX (recorded 12/96) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/11/05 by EEE 1. Golgi Aparatus

04/04/90

Colorado University
Boulder, CO
1 Source: SBD> CassX (recorded 12/96) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/11/05 by EEE Remastering: FLAC > Wavelab (pitch correction/editing) > FLAC16 by Marmar

04/05/90

J.J. McCabes
Boulder, CO
3 SBD > Cass/0 > DAT > CDR > EAC > SHN

04/09/90

Fly Me to the Moon Saloon
Telluride, CO
2 Source: SBD > Cass/4 > DAT > CDR > EAC (secure) > shntool > FLAC

04/18/90

Herman's Hideaway
Denver, CO
3 SBD > Cass/0 > DAT > CDR > EAC > SHN

04/22/90

Cutler Quad
Colorado Springs, CO
2 Source: SBD > DAT > Plexwriter

04/25/90

Notre Dame University
South Bend, IN
2 Source SBD > ? > Cass/x Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> WAV> CD Wave Editor to track> FLAC by EEE Mastering, tracking, FLAC16 by Marmar- imthemarmar@gmail.com

04/28/90

Strand Theater
Boston, MA
3 Taper: John Redmond SOURCE Sony ECM-MS5 > Nak CR-3A (Nak CR-3A was lined out of a DAT) AUD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > mastering (see notes) > SHNv3 Mastering: 24bit FLAC > Wavelab 4.01 (X-Noise (de-hiss each cassette side independantly; then merge files) and L1+ (Limiter @ -2dB input and +5dB threshold, and Dithering to 16 bits) 48 > 44.1.) > CDWave (tracking) > mkwACT > SHN transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/28/2003 editing and WAV > SHN were performed by mgoldey (12/2003)

04/29/90

Woodbury Ski & Racquet Club
Woodbury, CT
2 TAPER: John Redmond SOURCE Unknown mics > Nak CR-1A AUD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SHNv3 (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/28/2003)

05/04/90

Colonial Theater
Keene, NH
2 ource: SBD > Nak CR-3A Transfer: SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) Mastering: Nuendo 2.2 in conjunction with Wavelab 5.01

05/04/90

Colonial Theater
Keene, NH
3 SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes) > SHNv3 NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/4/2003)

05/04/90

Colonial Theater
Keene, NH
3 Source: SBD > Nak CR-3A Transfer: SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) Mastering: Nuendo 2.2 in conjunction with Wavelab 5.01

05/06/90

Toad's Place
New Haven, CT
2 SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > mastering (see notes) > SHNv3

05/10/90

Pearl Street Night Club
Northampton, MA
2 SOURCE SBD > Nak CR-3A SBD MCass (Maxell XLII-S 90min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/27/2003)

05/11/90

The Living Room
Providence, RI
2 Source: AUD > Cass/1 > DAT (master) A>D Transfer: Denon 3-head deck > Fostex D5@44.1kHz SHN Transfer: CTD8000H-S > DAT2WAV > SHN > CDWav > SF 5.0 > SHN

05/11/90

The Living Room
Providence, RI
2 AUD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3

05/13/90

The Front
Burlington, VT
2 Source: SBD > Cass/1 > DAT (master) A>D Transfer: Denon 3-head deck > Fostex D5 @44.1kHz SHN Transfer: CTD8000H-S > DAT2WAV > SHN > CDWav > SF 4.5 > SHN

05/15/90

McKewen Quad
Clinton, NY
2 SOURCE SBD SBD Cass/1 (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +16dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes) > SHNv3 NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/5/2003)

05/23/90

The Library
Richmond, VA
3 Source: SBD > Sony D5 (Cass/0) > Cass/1 > Lucid AD2496 > DAT Transfer: Archive Python DDS > dat2wav > CDWav > mkwACT > SHN > WAV > SF4.5 (48>44.1kHz) > SHN

05/24/90

The Brewery
Raleigh, NC
3 Source: SBD > Cass/0 > DAT Transfer: Tascam DA-30 mkII > HHb CDR850 > CDR (master) > EAC > SF4.5 > SHN

05/31/90

Variety Playhouse
Atlanta, GA
3 Source: Reported Matrix Source (Matrix>8mmPCM>DAT), but sounds like just an AUD Conversion: Tascam DA-20-> Coax-> Waveterminal 2496-> Cool Edit Pro-> CDWav-> mkwACT-> .shn

06/01/90

The Cotton Club
Atlanta, GA
1 SOURCE: Unknown AUD > ? > CD > EAC > SHN > Mastering > FLAC

06/05/90

Cat's Cradle
Carrboro, NC
2 Soundboard > CAS0 > DAT DAT > CD Conversion by Dave Pecoraro (davepeck79@home.com): Tascam DA-P1 > Philips CDR870 > EAC > Sound Forge 4.5 > CDWave > SHN via MKWACT.

06/07/90

The Bayou
Washington, DC
2 Unknown AUD > ? > CD > EAC > ReTracking > FLAC

06/08/90

23 East Cabaret
Ardmore, PA
2 Source: SBD > Cassette master > DAT > SHN Transfer: DAT > Fostex D5 > WaveTerminal 2496 > CDWav > SHN Transferred by Jeff Ishaq (jishaq@earthlink.net)

06/09/90

Wetlands Preserve
New York, NY
2 Source: MCS > AD1000 > DAT Transfer: MCS > AIWA AD-F850 3-Head Cassette Deck > Apogee AD1000 > Tascam DA-302 DAT Deck Tascam DA-302 > HHB CDR-850 Encoding: CD > EAC (secure Mode) > WAV > SHNTool > Flac (1.1.0)

06/16/90

Townshend Family Park
Townshend, VT
2 source: Unknown AUD transfered: cd/r>EAC>Soundforge5.0>cdwave>flac16bit

06/17/90

Wendell Studios
Boston, MA
2 ******Do not encode to MP3 or any lossy format or sell this recording****** Source: Studio SBD > ??? > CD-R > EAC > CD-R > EAC > FLAC This is the complete Wendell Studio sessions.

09/13/90

Wetlands Preserve
New York, NY
3 Source: SBD > DAT x ? Transfer: ctd8000 > HD using vdat > 16/48kHz wave > DVD > Wavelab 5.01a > FLAC16

09/14/90

Living Room
Providence, RI
2 Source: AUD > Cass/x > Onkyo MSE-U33HB > Powerbook G4 > SHN

09/15/90

Colonial Theater
Keene, NH
3 NAK300s > Sony D-10 > metal tape > TDK hi-bias tape > mixed on a Trident board w/EQ to a G4 Mac using Logic Audio > splice edit beginning of YEM (first 2:16 from 6-16-90) > tracking, stereo spread and intelligent tape hiss reduction using Waveburner Pro > Waveburner Pro master disc image > Master CDR CD > EAC[secure] > WAV > FLAC16 CD > FLAC transfer by mbalch

09/16/90

Wesleyan University
Middletown, CT
2 AUD MCass (Maxell MX 100)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3

09/20/90

Somerville Theater
Somerville, MA
2 TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s

09/21/90

Somerville Theater
Somerville, MA
2 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3

09/22/90

University of Massachusetts
Amherst, MA
3 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3

09/28/90

The Chance
Poughkeepsie, NY
3 Source: AUD > Sony D5 (Cass/0); Cass/0 > Aiwa AD-F850 > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > WAV > FLAC

09/29/90

Brownie's 23 East Cabaret
Ardmore, PA
3 Source: SBD > Cass(?) > Pioneer PDR 555 > CD-R > DAE/x > FLAC Transfer: FLAC > WAV > Wavelab 5 (tracks reassembled by set, between-track pops removed) > BBE > L1+ > CDWAVE > FLAC Bill Mitchell whmitchell@gmail.com

10/04/90

Field House
Durham, NH
3 TAPER: John Redmond SOURCE SBD > D5 SBD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3 **24/48 Masters do exist at the unedited/pre-processed level**

10/05/90

Skidmore College
Saratoga Springs, NY
2 AUD > Sony D5 (Cass/0); Cass/0 > Aiwa AD-F850 > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > WAV > FLAC - no edits performed -

10/06/90

Capitol Theater
Port Chester, NY
3 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHN

10/07/90

Club Bene
South Amboy, NJ
2 Source: SBD > ? > CDR > EAC > SHN

10/08/90

The Bayou
Washington, DC
2 MICS: AKG 451>Sony D10 Pro Transfer: Tascam DA20-mkII >SBLive Platinum >SoundForge 4.0

10/12/90

Cat's Cradle
Carrboro, NC
2 Source: FOB Sennheiser ME80 > DAT > CDR(master) > EAC (secure) > SF4.5c > shntool > FLAC DAT>CDR Transfer by Rob Harrison FLAC Conversion by Ben Mohr (benjamin.mohr@ce.gatech.edu)

10/30/90

El Dorado Cafe
Crested Butte, CO
3 Source: Separate from Soundboard 16 track Mix (see notes below) > DAT@44.1 Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0e (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

10/31/90

Armstrong Hall, Colorado College
Colorado Springs, CO
3 Source: LivePhish.com (DSBD) Original Files came as SHN files, with MD5's

11/02/90

Glenn Miller Ballroom
Boulder, CO
2 SOURCE: SBD>DAT>CD TRANSFER: CD>AIFF(via Discribe) >WAV(via SoundEdit16) >SHN(via Shorten)

11/03/90

Boulder Theater
Boulder, CO
2 Source: Separate from Soundboard 16 track Mix (see notes below) > DAT@44.1 Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE or resampling at all**

11/04/90

Fort Ram Nightclub
Fort Collins, CO
3 DSBD>DAT>ZA2 (48kHz)>CoolEditPro (48kHz>44.1kHz)>SHN

11/08/90

Great Hall
Madison, WI
2 Source: SBD > DAT > Cass/x Transfer: Sony TC-KA3ES > ST Audio DSP24 {24/48} > Mastering > FLAC16

11/10/90

Earlham College
Richmond, IN
2 Source: SBD > Cass/x Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > SLOTH

11/10/90

Earlham College
Richmond, IN
2 Source: SBD> Cass/2 Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> Samplitude 5.5> CD Wave Editor to track> FLAC on 12/29/04 by eee Remastering, tracking,edits, FLAC16 by Marmar- imthemarmar@gmail.com

11/15/90

Lengyel Gym
Orono, ME
2 Source: Unknown Aud>Cass1>Sont TC-WE305>Acoustic Research AP031 RCAs>Tascam US-122>CDWav>FLAC

11/16/90

Campus Club
Providence, RI
1 SOURCE: SBD > D5 TRANSFER: SBD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) Transfer>24bit FLAC files by: Weave- Weave@furthurnet.org on 11/2/2003 5.1 Mastering, AC3-DTS encoding, DVD authoring by: Marmar- imthemarmar@gmail.com

11/16/90

Campus Club
Providence, RI
3 SBD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

11/17/90

Somerville Theater
Somerville, MA
3 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHN

11/24/90

Capitol Theater
Port Chester, NY
1 DTS 5.1

11/24/90

Capitol Theater
Port Chester, NY
3 TAPER: John Redmond SOURCE SBD > D5 SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

11/26/90

The Haunt
Ithaca, NY
2 Source: Aud(unknown mics)> Cass/x (recorded 10/95) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> WAV> CD Wave Editor to track> FLAC on 9/23/04 by EEE

11/30/90

Colonial Theater
Keene, NH
3 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHN

12/07/90

Robert Crown Center
Amherst, MA
3 Unknown AUD > Cass/X > Sony D6 > Echo MIA analog in (16/48khz) > Soundforge 4.5 > Normalized and Resampled (SF 4.5 level 4/anti-alias) > CDwave (for splits) > mkw 0.97b1 > shn Transfer by Jonathan Epstein

12/28/90

The Marquee
New York, NY
3 DSBD>DAT>ZA2>CD

12/29/90

Campus Club
Providence, RI
1 Source: DSBD/DAUD Matrix

02/01/91

Brown University
Providence, RI
3 SBD MCass (Sony Metal-SR 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

02/02/91

Bates College
Lewiston, ME
3 AUD MCass (Sony Metal-SR 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHN

02/03/91

The Front
Burlington, VT
3 Source: Nak CM300 cardioid > Sony D5M (Cass/0) > Tascam CDR700 Conversion: Tascam DA-20 > Coax > Waveterminal 2496 > Cool Edit Pro > CDWav > mkwACT > .shn

02/07/91

Pickle Barrel Nightclub
Killington, VT
2 Source: Sbd>CM>?*>DAT

02/08/91

Portsmouth Music Hall
Portsmouth, NH
3 SBD MCass (Sony Metal-SR 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

02/08/91

Portsmouth Music Hall
Portsmouth, NH
3 SBD MCass (Sony Metal-SR 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

02/15/91

Colonial Theater
Keene, NH
3 AUD MCass (Sony Metal-SR 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c>

02/16/91

The Marquee
New York, NY
3 unknown aud CD > EAC (secure mode) > Shntool > Flac16 - no edits performed - CD > FLAC transfer by Otto Thanks to Scott B. for the Discs

02/19/91

The Bayou
Washington, DC
3 Source: AKG460 > Sony D10 @ 48k; Transfer: Sony DTC-790 > optical S/PDIF > Edirol UA-1D > Sound Studio 2.1.1 (48k > 44.1k) > Shorten for Mac > SHN

02/20/91

Kahootz
Richmond, VA
2 Taper: Matt Hiles Source: FOB Nakamichi 300 + CP-1 > Casio DA7 > VHS Hi-Fi > DAT **see notes about lineage**

02/22/91

Cat's Cradle
Carrboro, NC
1 SOURCE: Unknown AUD > Cass/x TRANSFER: Sony TC-KA3ES > ST Audio DSP24 {24/48} > FLAC16*NOTE* This tape was in really bad shape...I can not stress that enough before you listen to this. This transfer represents an effort for those who are completists out there....if you are looking for sound quality, this is definitely not for you. The tape basically disintegrated before my eyes durring the transfer. After making the first pass, the metal oxide was peeling away from the backing, flaking off, and turning to dust inside my deck. This caused many problems to be present. There are warbles and dropouts through out the set that were left as-is. This is basically for historical purposes only. Hopefully, someone who has a better source will come forth and bless us with that....until then, this is what we have.

02/28/91

Sarrat Theater
Nashville, TN
3 source: Unknown Audience (possibly Nakamichi CM300's) transfered: DA-20 mkii>Marantz PMD430 deck>CDR>EAC>SHN EAC had no errors and 100% track quality on all tracks Received From: Mike Rhodes

03/13/91

Boulder Theater
Boulder, CO
3 Source: SBD->16-track mixer->DAT@44.1khz->PC via Event Gina Transferred by James Treworgy jamie@treworgy.com on 2/20/05

03/15/91

Gothic Theater
Denver, CO
2 Source: Audience/soundboard multitrack mix (mixed separately from soundboard) > DAT (48k) > PC via Event Gina SP/DIF > 44.1 (Cool Edit Pro) > CD

03/16/91

Ten Mile Room
Breckenridge, CO
3 DAT SBD > DAT (x3) > SHN files I talked to the person I borrowed the DAT from and he said that it might be (x2) but he isn't completely sure (I'm going with x3 which is worst case). My process for 3/16 was: Sony DTC-670 -> Prodif24 (optical) -> SoundForge(no edits) -> CDWAV (to break up the tracks into separate files) -> shn file

03/17/91

Wheeler Opera House
Aspen, CO
3 DATSBD -> DAT(x3) -> Prodif24 -> Samplitude (48k->44.1k on the fly re-sample) -> SHN

03/17/91

Wheeler Opera House
Aspen, CO
0 Transferred by Mike Bryan, DAT supplied by Bill Martin DATSBD -> DAT(x3) -> Prodif24 -> Samplitude (48k->44.1k on the fly re-sample) -> SHN

03/22/91

Inferno
Steamboat, CO
3 Source: SBD > ? > Cass/X Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @ 24/48kHz

03/22/91

Inferno
Steamboat, CO
2 Source: SBD "from 24 track"> ?> Cass/x Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> WAV> CD Wave Editor to track> FLAC on 9/22/04 by EEE

03/28/91

Catalyst
Santa Cruz, CA
3 transfer: sony D10 > sony dtc ze700(optical) > teac rwcd-22 audio burner > cdr > EAC > soundforge(normalization and cutting of tracks) > ez cd creator

03/29/91

DNA Lounge
San Francisco, CA
1 DAUD (48khz) DAT > Montego II (44.1khz)

03/31/91

Berkeley Square Theater
Berkeley, CA
3 Source: FOB Calrad 10-30 > Panasonic SV-255 Transfer: Sony D7 > Zoltrix > SF 4.5c > CDWav > SF 4.5c > WAV > FLAC

04/02/91

International Beer Garden
Arcata, CA
2 Source: Unknown AUD > ? > CD > EAC > Editing > FLAC Source Discs from Alec Swenson

04/04/91

WOW Hall
Eugene, OR
3 Source: SBD -> Cassette Master -> DAT

04/05/91

Starry Night
Portland, OR
3 Source: SBD>cass>DAT Transfer: DA-20mkII>coax>Hoontech DSP24 S/PDIF>Soundforge 4.5 (resampled 48k>44.1k with anti-alias filtering)>CDWave> mkwACT v.96f>SHN by Mattress (mattress_shns@hotmail.com)

04/11/91

The Cave
Northfield, MN
3 Source: SBD> Cass/2 (recorded 5/95) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> WAV> CD Wave Editor to track> FLAC on 9/25/04 by EEE Remastering, tracking, FLAC16 by Marmar- imthemarmar@gmail.com 4/6/2005

04/12/91

Barrymore Theatre
Madison, WI
3 Fostex D5 > Tascam CDRW 700 > CDR (master) > EAC (secure) > CDWav > SF4.5 > shntool > FLAC

04/13/91

Biddy Mulligan's
Chicago, IL
2 source: a>aud (sony boombox - built in mic) conversion: master casette>protools (pitch correction)>cd>eac (secure)>shn taped by: jon transfered by kevin shapiro seeded by steve szaks (www.phatdats.com)

04/15/91

Northwestern University
Evanston, IL
2 From SBD 4th Gen cassette>DAT>Opcode DigCoaxial Soundcard in>Soundforge CDWav>MKW>shn

04/16/91

Rick's American Cafe
Ann Arbor, MI
3 Source: SBD > Cass(0) > DAT

04/19/91

Nietzche's
Buffalo, NY
2 source : unknown analog audience>wav @ 44.1>cdwave>flac frontend no alterations have been made to the recording. this is exactly how it came off of the casette. cassettes provided by m.cotton. transfer by j.barnes (heyitsmejess@suscom.net)

04/22/91

Billings Student Center
Burlington, VT
1 Source: Master Cassette Audience (unknown mics) > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

04/25/91

UNH Field House
Durham, NH
2 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

04/25/91

UNH Field House
Durham, NH
3 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

04/27/91

Capitol Theater
Port Chester, NY
3 SOURCE: DSBD DAT > S/PDIF > HD > CDR > EAC > SHN

05/03/91

Somerville Theater
Somerville, MA
3 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3

05/03/91

Somerville Theater
Somerville, MA
3 Source: DSBD > CD Transfer: Tascam DA-302 > HHB CDR-850 Encoding: CD > EAC (Secure Mode) > WAV > ShnTool > Flac (1.1.0)

05/04/91

Somerville Theater
Somerville, MA
3 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3.

05/04/91

Somerville Theater
Somerville, MA
1 Source: Soundboard Master DAT Panasonic SV-225 DAT Unknown Taper > Analog Cassette Master Transfer: Nakamichi BX-100 > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac May 11, 2006 Transfers by Bill Koucky

05/09/91

Portland Performing Arts Center
Portland, ME
1 AUD -> Cassette Master -> Cassette 1st Gen -> FLAC **Set I Only** Transfer and Lineage Detail: Unknown Mics. > Sony D5 (Cass/0). - Playback of Master immediately after the show from taper's Sony D5 direct to my 3-head Nakamichi BX-300 > Sony UX90 (1st Generation - Cass/1).

05/09/91

Portland Performing Arts Center
Portland, ME
1 AUD -> Cassette Master -> Cassette 1st Gen -> FLAC **Set I Only**

05/09/91

Portland Performing Arts Center
Portland, ME
1 AUD -> Cassette Master -> Cassette 1st Gen -> FLAC **Set I Only**

05/10/91

Student Center
Waterville, ME
3 Source: Audience Unknown Mics. (at Soundboard) > Nakamichi BX-150 > Maxell XL-II (Cass/0) > Nakamichi BX-300* > Sony UX90 (Cass/1). Transfer: Cass/1 > Nakamichi BX-300 > Powerbook G3 > Roxio Spin Doctor > SHN > CDWav > mkwACT > SHN (seekable).

05/17/91

Campus Club
Providence, RI
3 AUD(FOB) MCass (TDK MA 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHN v3

07/11/91

Battery Park
Burlington, VT
2 source: DSBD->DAT@48K transfer: DAP1-> echo MIA-> SF7.0-> cdWave-> Flac

07/13/91

Berkshire Performing Arts Center
Lenox, MA
2

07/14/91

Townshend Family Park
Townshend, VT
3 Main source Source: SBD > (Master Cass >DAT or Master DAT >Cass?)* Transfer: DAT clone > standalone > CDR (untracked) > EAC (secure, offset corrected) > CD Wav > shntool > CDR > EAC (secure, offset corrected)** > .wav > flac16 ripping and flac encoding by Tilli (tilliATrealtilliDOTndoDOTcoDOTuk) thanks to Marcello for the DAT > CDR copy Patch source Source: FOB NAK300's>SHURE M267>SONY D5 Conversion: MAC>SONY DSR45>AVID EXPRESS>WAV>SHORTEN FOR MAC

07/14/91

Townshend Family Park
Townshend, VT
3 ource: FOB NAK300's>SHURE M267>SONY D5 Conversion: MAC>SONY DSR45>AVID EXPRESS>WAV>SHORTEN FOR MAC

07/14/91

Townshend Family Park
Townshend, VT
3 Patched version Main source Source: SBD > (Master Cass >DAT or Master DAT >Cass?)* Transfer: DAT clone > standalone > CDR (untracked) > EAC (secure, offset corrected) > CD Wav > shntool > CDR > EAC (secure, offset corrected)** > .wav > flac16 ripping and flac encoding by Tilli (tilliATrealtilliDOTndoDOTcoDOTuk) thanks to Marcello for the DAT > CDR copy Patch source Source: FOB NAK300's>SHURE M267>SONY D5

07/15/91

The Academy
New York, NY
2 DSBD

07/18/91

The Casino Ballroom
Hampton Beach, NH
3 AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

07/19/91

Somerville Theater
Somerville, MA
3 Source: FOB Neumann KM-86 > ? > CDR > EAC (secure) > FLAC Mastering, re-tracking, FLAC16 by Marmar- imthemarmar@gmail.com Thanks to Brandon Johnston for the source discs.

07/20/91

Arrowhead Ranch
Parksville, NY
2 ource:akg 451+ck8a in sbd b00th, by kevin shapiro....

07/21/91

Arrowhead Ranch
Parksville, NY
2 Source: SBD > CASS/0 > DAT > CD > SHN > WAV (SoundEdit 16) > SHN

07/23/91

The Bayou
Washington, DC
2 Source: sbd>dat>cdr>cdwav>shn

07/24/91

Trax
Charlottesville, VA
2 Source: A:D, Gen. M, Mics: Schoeps CMC64->Aerco->Apogee500E (Bob Silver's DAT) Received from Scott Levitt DAT->SHN by Rob Leytze D8

07/26/91

Georgia Theater
Athens, GA
0 Source: Shure 57 > Casio D7 > SPDIF > ? > CDR Thanks to Brandon Johnston for the EAC'd files. Mastering and FLAC by Marmar

08/03/91

Amy Skelton's Larrabee Farm
Auburn, ME
4 My Source said DSBD but this is obviously not a SBD. My best guess is it is the FOB Schoeps that is going around. DAT -> SGI Digi/IO -> CoolEdit 48/44.1 resample -> CDWAV -> SHN by Pete (the other1)

09/25/91

Colonial Theater
Keene, NH
3 Source: FOB Nak 300/CP1 > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

09/26/91

The State Street Theater
Ithaca, NY
3 Nak cm300/CP4 > DAT > CD-R > EAC > SHNv3

09/28/91

The Rink
Buffalo, NY
3 Reported Source: Unknown AUD>1CassGen>DAT>CDR

09/29/91

The Agora Ballroom
Cleveland, OH
3 Source: Neumann 190s @ 90 degrees Transfer: D8>coresound>Prodif Plus>Samplitude>Soundforge (normalize)>CDwav>SHN Transfer by: Mike Fischer (phishsdank@aol.com)

09/30/91

The Dugout
Athens, OH
3 Audience MC (boombox hanging from ceiling rafters on hooks) with autogain on MC (TDK-SA 90) > MAC > AIFF > CDR > EAC > CDWave > mkwACT Originally Recorded by Mark Miller

10/02/91

The Cubby Bear
Chicago, IL
2 Source: AUD/Neumann RSM-191 @ 90deg,8ft>SV255>D DAT>FLAC Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC

10/03/91

Mabel's
Champaign, IL
3 Source: AUD > ? > Cass (low Gen) Transfer: Sony TC-WE305 > Coax > Audigy > Soundforge 6.0 > CD Wave > Flac Tape provided by Fonky1. Transfer by TeddyDunski.

10/04/91

Barrymore Theatre
Madison, WI
3 Source: SBD>Cass/3 Transfer: Sony TC-KA3ES > BBE 882i Sonic Maximizer > Lucid AD 9624 A/D > REBA @ 24/48kH

10/10/91

Erb Memorial Union Ballroom
Eugene, OR
3 SOURCE: SBD > Page's Master > C0 > DAT w/ SMB > C1 TRANSFER: C1 > WAV (N-Track Studio) > CDWAV > SHN Transfered by Mike Train (miketrain@canada.com). ENJOY!!

10/13/91

North Shore Surf Club
Olympia, WA
3 North Shore Surf Club - Olympia, WA Source: SBD->Cass(0)->DAT Transfer: Tascam DA-20 mkII->Apogee S/PDIF->ZA2

10/15/91

International Beer Garden
Arcata, CA
0 Source: NAK 100->analog master->DAT->Lucid PCI24

10/17/91

Great American Music Hall
San Francisco, CA
3 Source: FOB Calrad 10-30 > Panasonic SV-255 Transfer: CTD8000 (SCSI) @ 48kHz (w/VDAT)> CD Wave (to split sets) The master DAT indicates that the tape ends after YEM. Transfer by: John Florek- vooopa@gmail.co

10/19/91

The Catalyst
Santa Cruz, CA
2 DSBD --> Dat (that's all I know) Sound great!!!

10/24/91

Prescott College
Prescott, AZ
3 Source: Sbd>CassM>DATx2 Transfer: Tascam DA20mkii> Zoltrix Nightengale> Soundforge> CDwav >Mkwact Seed: Zach Andersson-Zandersson@aol.com Covers can be found at: http://www.phish102491.50megs.com

10/27/91

Elk Ballroom
Telluride, CO
2 Source: Unknown AUD > ? > CDR > EAC (secure) > FLAC (much thanks to Brandon Johnston for the flacs) Transfer: FLAC > WAV > Wavelab 5 (time stretched to correct pitch, Q10, R-Bass, X-Crackle, REQ 6, X-Noise, L1+) > tracked with CDWAVE > Flac (thanks to Marmar for the advice and encouragement) Note: This is a mono recording with some distortion. The source sounded like it was recorded underwater. This is a huge improvement, but it is not stellar sound quality. Bill Mitchell whmitchell@gmail.com

10/28/91

Elk Ballroom
Telluride, CO
3 Source: SBD > cass/? > DAT Conversion: CD-R > EAC (secure) > SHN by J.Barnes (heyitsmejess@aol.com) Seed provided by E. Tipton Pitch Correction of Set II by mw@mikewren.com on 7/20/2004 Text File update and Converted to FLAC on 7/20/2004 by mw@mikewren.com (phish.net & Mockingbird incorrectly list Whipping Post before Harpua)

11/01/91

Gothic Theater
Denver, CO
3 Source: dSBD>DAT>ZA2>PC>CDR (3 discs) jmann@vt.edu

11/02/91

Lory Theater
Fort Collins, CO
3 Sbd>cass?>SonyTC-WE305>Acoustic Research AP031 RCAs>Tascam US-122>CDWAV Mastering and FLAC by Marmar- imthemarmar@gmail.com

11/07/91

Tipitina's
New Orleans, LA
3 Source: AUD/FOB Nakamichi 100 cardioids @ 110 deg>Casio Consumer Dat>Casio 75ES DAT Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC Taper: Rick Supan Transferred and tracking: Chris Moore from Kevin Shapiro's dat

11/07/91

Tipitina's
New Orleans, LA
3 Source: Shure SM-57 > Casio D-7 > Cass/x Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > SLOTH

11/08/91

The Ivory Tusk
Tuscaloosa, AL
3 Source: AUD/FOB Nakamichi 100 cardioids>D DAT>FLAC Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC Taper: Rick Supan Transfer and tracking: Chris Moore from Kevin Shapiro's dat

11/08/91

The Ivory Tusk
Tuscaloosa, AL
3 Source : FOB Shure SM-57's > Casio D7 DAT Deck Transfer : Tascam DA-302 > HHB CDR-850 Conversion : CD > EAC (Secure Mode - all extracted with 100% Quality) > WAV > SHNTool > Flac (1.1.0)

11/09/91

Variety Playhouse
Atlanta, GA
3 Source: AUD/FOB Nakamichi 100 cardioids @ 110degXY>casio portable consumer dat>Sony 75 ES DAT Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC Taper: Rick Supan Transfer and tracking: Chris Moore using Kevin Shapiro's dat

11/12/91

Georgia Theater
Athens, GA
3 Source: AUD/FOB Nakamichi 100 cardioids @ 110degXY>casio portable consumer dat>Sony 75 ES DAT>FLAC Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC Taper: Rick Supan Transfer and Tracking: Chris Moore from Kevin Shapiro's dat

11/12/91

Georgia Theater
Athens, GA
3 Source: Shure SM57 > Casio DA-7 @ 48kHz Transfer: Tascam DA-20 > Delta DiO 2496 > Soundforge 6.0 (48>44.1) > CDWave > flac16 Transferred by: Daniel Shay

11/12/91

Georgia Theater
Athens, GA
3 Source: AUD/FOB Nakamichi 100 cardioids @ 110degXY>casio portable consumer dat>Sony 75 ES DAT>FLAC Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC Taper: Rick Supan Transfer and Tracking: Chris Moore from Kevin Shapiro's dat

11/13/91

Love Auditorium
Davidson, NC
3 Source: (FOB) AKG > Sony 75ES > Zefiro Acoustics ZA2 > SF4.5 > CDRWin > CD-R > EAC > MKW > SHN. Taped and transferred by Rob (Odeo) Harrison (www.odeo.net). Archived (SHN'ed) by Timothy Henningsen (ulysses@umphreaks.com).

11/14/91

Cat's Cradle
Carrboro, NC
3 AKG>Sony 75ES (FOB)

11/15/91

Trax
Charlottesville, VA
3 (fob/dfc) AT 4053 @48kHz; Sony 59ES->Audio Magic Presto II->ZA2->Soundforge 4.5(48->44.1)->CDWav->.shn Transfer and encoding by Eric McRoberts

11/16/91

The Bayou
Washington, DC
3 source: NAK100's (cm100/cp1) -> Marantz PMD-430-> Mcass transfer: Mcass->Apogee AD-1000->Echo MIA->Soundforge7.0->CDwave->flac

11/16/91

The Bayou
Washington, DC
3 Source: AUD/Senn ME80>Cass Master>D DAT>FLAC Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC Taper: Steve Logan Seed: Kevin Shapiro DAT>FLAC Transfer by Chris Moore Tracking by Chris Moore

11/19/91

The Sting
New Britain, CT
2 Source: Master Cassette Audience (mics unknown) Transfer: MCA > Standalone CD Burner (No other infomation available) Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks extracted with 100% quality.

11/20/91

Campus Club
Providence, RI
3 ource: Unknown Aud>Tascam 4 Track>Cass0>Sony TC-WE305>Acoustic Research AP031 RCAs>CDWav>CoolEdit Pro>FLAC Taped, transferred, edited, encoded, and seeded by james_dineen@yahoo.com original FLACs were 48 khz fix by shnfamily: FLAC > WAV > WaveLab 5.01a > Batch Processor > 192kHz Stereo Resampler to 44.1kHz > FLAC @ Level 8

11/21/91

Somerville Theater
Somerville, MA
3 Source: SBD > DAT@48kHz Transfer: Archive Python DDS > vDAT > FLAC16/48 Transfer by Rusty Grey- rusty@ontheflyrecording.com Editing, mastering, and FLAC16/44.1 by Marmar- imthemarmar@gmail.com

11/21/91

Somerville Theater
Somerville, MA
1 Source: SBD>DAT>Cass/3 Transfer: Sony TC-KA3ES>Lucid AD 9624 A/D>REBA @ 24/48kHz -Mastering- 24/48 Master > Montage to x-fade tape flip > BBE 1/2/-2 > TC Works Parametric EQ > L1 > R-Bass -1.5 @ 45Hz > 24/48wav 24/48wav > 192kHz ReSampler 48->44.1kHz (highest setting) > 24->16bit Mode 1/Ultra via L1+ > 16/44.1wav > FLAC **24/48 Masters do exist**

11/22/91

University of Southern Maine Gym
Portland, ME
3 Source: FOB Nak 300/CP1 > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

11/23/91

Barre Memorial Auditorium
Barre, VT
3 Source: Master Cassette Audience (unknown mics) > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

11/24/91

Webster Hall
Hanover, NH
3 Source: Master Cassette Audience (unknown mics) > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

11/24/91

Webster Hall
Hanover, NH
3 Source: Master Cassette Audience (unknown mics) > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

11/24/91

Webster Hall
Hanover, NH
3 Source: Master Cassette Audience (unknown mics) > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

11/30/91

Capitol Theatre
Port Chester, NY
3 SBD > DAT(CLONE) > SOUNDFORGE4.5 > CDWAV > SHN BY J9HN W. FOLEY IV LOVINCUP@HOTMAIL.COM THX TO SHOEY

12/04/91

Glitz Auditorium, Hawkins Hall, SUNY Plattsburgh
Plattsburgh, NY
3 Source: Unknown AUD Rig> DAT> Cass/?> DAT> REBA> SHNv3 Transfer: Cass/? Sony TC-KA3ES> Tascam DA-40 DAT@48kHz> REBA> Wavelab 4.0g (editing, processing, tracking)> SHN

12/05/91

Greenfield Armory Castle
Greenfield, MA
3 Source: SBD > ?>Cass0>Sony TC-WE305>Acoustic Research APO31 RCA's>Tascam US-122>CDWAV> Cool Edit Pro>MKWAct>Shn

12/06/91

Middlebury College
Middlebury, VT
3 Source: Sbd->DATM->Cassette->Sony TC-WE305->Acoustic Research AP031 RCA's->Tascam US-122-> CDWAV->CoolEdit Pro->MKWAct->Shn

12/07/91

Portsmouth Music Hall
Portsmouth, NH
3 Source: SBD > Cass/x Transfer: Sony TC-KA3ES > DSP24 > Wavelab 24/48wavs > FLAC16 Transfer, mastering, and FLAC16 by Marmar Thanks to Matt Lauten for the tapes!

12/31/91

Worcester Memorial Auditorium
Worcester, MA
3 Source: SBD>?>CDR>EAC>SHN by Derek Java

12/31/91

Worcester Memorial Auditorium
Worcester, MA
3 Source: AKG451(in FOH booth)>D>patchbay>Cass mstr>D>Protools>CDR>EAC>FLAC Taper: Kevin Shapiro Cass>D>CDR transfer: Kevin Shapiro CDR>EAC>FLAC transfer: by Chris Moore

03/06/92

Portsmouth Music Hall
Portsmouth, NH
2 Source: Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr (benjamin.mohr@ce.gatech.edu) Pitched-corrected on 7/16/2004 by Mike Wren (mw@mikewren.com)

03/07/92

Portsmouth Music Hall
Portsmouth, NH
1 Source: DSbd Transfer: Dat->???->CDR->EAC->CDWAV->Shntool->Shn EAC and Shn Encoding by: Brandon Johnston -- http://db.etree.org/bisq

03/12/92

Flynn Theater
Burlington, VT
1 Source: SBD > ? (Unknown DAT/Analog Gens) > CD > EAC > Wavelab (mastering) > FLAC16

03/12/92

Flynn Theater
Burlington, VT
1 This is a compilation of two different sources: Source 1: SBD > ? (Unknown DAT/Analog Gens) > CD > EAC > Wavelab (mastering) > FLAC16 Provided by previous Marmar seed, whom is responsible for the mastering. Discs received from Alec Swenson. Source 2(*): Master Cassette Audience (unknown mics) > Sony D5 Transfer: Aiwa AD-F850 3-Head > Apogee AD1000 > Sony PCM R-500 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

03/13/92

Campus Club
Providence, RI
3 S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN

03/13/92

Campus Club
Providence, RI
3 Lineage: S:MCass>(DAT ?)>PCM>CD>EAC>SHN **update** S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN

03/14/92

Roseland Ballroom
New York, NY
3 Source: DSBD Conversion: DSBD->DAT->Opcode Datport via HOSA coax cable from a Denon DTR-80P->Cool Edit Pro v1.2->Hard Drive ->48->44.1 resampling via Dart Pro 98->tracking via CDWAV->wav->shn mo DAE!!!

03/17/92

Lisner Auditorium
Washington, DC
2 Source: SBD > DAT > Cass/3 Transfer: Sony TC-KA3ES > DSP24 > Wavelab 24/48wavs (mastering) > FLAC16

03/17/92

Lisner Auditorium
Washington, DC
3 Source: B&K 4011 (xy) > Sony D10pro Taper's Section Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling (*no DAE at all) Louie Rendek

03/19/92

Palace Theatre
New Haven, CT
3 TAPER: John Redmond SOURCE Nak 300s (11th Row center, seat 46) > D5 AUD MCass (Maxell XLII-S Cass1= 90 min, Cass2= 100min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3 Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 12/6/2003) Mastering, editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com

03/20/92

The Forum
Binghamton, NY
3 Source: SBD > (cass?) > DAT > CD > SHN slight diginoise during Wilson (only flaw I know of)

03/21/92

Chestnut Cabaret
Philadelphia, PA
3 DAUD(?)>?>CD>EAC>CD Wave>SHN

03/22/92

Mountain Stage Live
Charleston, WV
1 reported: fm > cass/1 > cd-r > eac > wav secure

03/24/92

The Flood Zone
Richmond, VA
3 source: AKG451->b18's->D5 (X-Y center of balcony) transfer: mcass0-> Apogee AD1000-> Echo Mia-> SF7.0-> CDwave-> flac

03/25/92

Trax
Charlottesville, VA
3 source AT 4053 FOB

03/25/92

Trax
Charlottesville, VA
3 Source: SBD > C0 > DAT Xfer: DAT > VxPocket V2 > WaveLab4 > CDWave > Flac/CDR Transferred by rusty@ontheflyrecording.com

03/26/92

Ziggy's
Winston Salem, NC
2 Source: Nak 100's > Cass/1 Transfer: Sony TC-KA3ES > DSP24 (24/96kHz) > Wavelab

03/28/92

Variety Playhouse
Atlanta, GA
1 AKG-460B/CK8 (FOB)> DAT (clone from master) > CD-R (standalone master)

03/30/92

Mississippi Nights
St. Louis, MO
2 Source: Unknown Aud (see note) > DAT > Cass/x > CD > EAC > Mastering > FLAC Mastered, tracked, and FLAC16 by Marmar- imthemarmar@gmail.com Thanks to Alec Swenson for the source discs.

03/31/92

The Blue Note
Columbia, MO
3 Aud:Sony PV200x2 mics>D5(MC)>CDR (Taped by John Lysen) Cassette to CDR conversion: D5 (same deck recorded with)> Tascam CDRW700 (by Chris Mrachek) CDR to SHN Conversion: CDR>EAC (extracted as range)>CDWav (tracks added)>SHN; EAC by Jason Schneider)

04/01/92

Liberty Hall
Lawrence, KS
3 Source: Aud (Sennheiser ME80's ?) > Cass.M > DAT > DAT Transfer details: Tascam DA20MKII > Audiophile 24/96 > Soundforge > CDWAV > Flac

04/04/92

Fieldhouse
Boulder, CO
1 Source: Unknown AUD > ? > CDR > EAC > FLAC16 Thanks to Alec Swensen for the source disc. Tracking, editing, FLAC16 by Marmar- imthemarmar@gmail.com

04/05/92

Fox Theater
Boulder, CO
3 Source: Separate from Soundboard 16 track Mix (see notes below) > DAT@44.1 Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0e (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97

04/06/92

Western State College Gym
Gunnison, CO
3 SBD -> Cass(unknown gens) -> DAT -> CoolEdit Digital NR -> CoolEdit Digital EQ to boost high end -> SHN, Pete Pokrandt

04/07/92

Fine Arts Auditorium, Fort Lewis College
Durango, CO
1 Source: SBD > Cass/x > DAT Transfer: Tascam DA-20 > Coax > Waveterminal 2496 > Cool Edit Pro > CDWav > mkwACT > SHN

04/12/92

University of Arizona Ballroom
Tucson, AZ
1 SET ONE ONLY Source: Sbd>Cass1>Sony TC-WE305>Acoustic Research AP031 RCAs>Tascam US-122>CDWav>FLAC>Mastering>FLAC

04/13/92

After the Gold Rush
Tempe, AZ
3 Source: SBD > Sony D6c Transfer 1: Analog Master > Cass/1 > Pioneer CT-W606DR > ESS Allegro > Cool Edit Pro v1.01 > CD Transferred by: Ryan NeRoy Transfer 2: CD > EAC > shntool > Sound Forge 7.0 > CDWave > flac16 Transferred by: Daniel Shay

04/15/92

Variety Arts Theater
Los Angeles, CA
3 Source: SBD > Cass/0 > DAT > HHb CDR880 > CDR > EAC > SHN

04/16/92

Anaconda Theater, UCSB
Santa Barbara, CA
3 ***SBD***(maybe DSBD?) Liberated Bootleg - 'Follow Me To Gamehenge' cd>.wav>.shn by brett at bmhollander@home.com 11-26-00

04/16/92

Anaconda Theater, UCSB
Santa Barbara, CA
3 Source 2: SBD > cass/1 > Tascam 103 > Event Gina @44.1/32bits > PC Transferred from cassette and mastered by J. Treworgy on 5/6/2005 - 5/21/05 Patches from "Liberated Bootleg"

04/18/92

Wilbur Field
Palo Alto, CA
3 Source: Neumann KM140s @90deg(XY) > D-3 (FOB) Transfer: D8 > Active Oade (Monster Coax) > cmi8738 spdif in > Sforge 4.5@48khz(resampled with highest settings and Anit-Alias)>CDWAV>SHNv3

04/19/92

The Catalyst
Santa Cruz, CA
2 Source: FOB(20ft from stage, DFC) Nak300's>Panasonic 255(@48K) Transfer: Master DAT on PCM-R300>Optical Cable> Zoltrix Nightengale>SoundForge v5.0b(resample with anti-alias filter set at highest setting)>CD Wave v1.61>mkwACT v.97b1(seek tables appended) *NO DAE* 48KHz DAT Archive SHNs also available

04/21/92

Redwood Acres Fairgrounds
Eureka, CA
3 Source: SBD > C1 > DAT Xfer: DAT > Zoltrix > WaveLab > CDWave > Flac transferred by rusty@ontheflyrecording.com

04/22/92

Hilton Ballroom
Eugene, OR
3 Set 1 and end of set 2 are from: Source/Conversion: SBD Cass/4 (Maxell XLII 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 4/1/2004 Thanks to Josh Porter for the source cassette. Set 2 is from: Source: SBD-> C0-> DAT->DAT Clone Cassette mastered (by Bill H.) on an unknown "vintage 80s 3-head Nak deck (not a DR-1)" -> Maxell XL-II cassette -> Played back by a Nak DR1 deck -> Recorded to DAT on Sony R500 DAT w/SBM* (by Clay Ellwood) -> Cloned on Sony R500 + Tascam DA20 MKII @ 48KHz Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0e (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97**No DAE at all** Transferred by Dan Marquardt <danmarq@msn.com> **Mastering** Set 1 and the end of set 2 were running slow/flat....since there was some overlap, bringing the material into tune with the rest of the show was easily done. The cuts were faded where necessary...The Fade out of the SBD/0 was matched exactly with the SBD/4, but then a cut happens shortly after...then the rest of the set finishes without incident. Sadly, the best part of Set 1 is missing...

04/25/92

Rec Center, Evergreen State College
Olympia, WA
3 Source: SBD> Cass/x (first set recorded 9/2/93, second set 11/14/93 - same source, I'd guess 4th gen) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> WAV> CD Wave Editor to track> FLAC on 10/4/04 by EEE Mastering, re-tracking, FLAC16 by Marmar- imthemarmar@gmail.com

04/30/92

Barrymore Theatre
Madison, WI
3 Source: SBD > (possible DAT stage) > Cass/2 Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @ 24/48kHz Mastering: REBA > Wavelab Stereo Montage > Crossfaded Tape flip > Editing > Rendered 24/48 No alterations. 24/48kHz waves > Waves Linear Braodband EQ > Waves RBass +2 @ 32Hz > Waves L1+ > 24/48kHz processed wave. 24/48Khz processed wave > 192kHz Resampler- 48/44.1 > L1 > reduced to 16bit w/TPDF via tc electronics Finalizer 96k > SHN V3 **24/48 FLAC archives of the unedited transfer are available**

05/03/92

Michigan State University Union Ballroom
East Lansing, MI
3 Source: Neumann RSM191A-S>Neumann MTX191A>Panasonic SV255(@48KHz) Taped at the soundboard on Paul's right by Kevin Shapiro Transfer: Sony PCM-R300>Zoltrix Nightengale via optical cable> Sound Forge 4.5h(record, remaster, 48>44.1 conversion with anti- alias filer, highest setting 4 of 4)>CD Wave>mkwACT v.97b1 (seek tables appended) Remastered using Steinberg Magneto and Loudness Maximizer plugins in Sound Forge, done prior to 48>44.1 conversion Edits: Small error after Cold As Ice Intro removed (on master DAT - occurs between songs) Master DAT clones provided by Kevin Shapiro, Seeded and transfered by Brian Feller (getjams@yahoo.com)

05/06/92

St. Andrew's Hall
Detroit, MI
2 Source: DAUD/FOB (~30 ft. from stage, DFC) Neumann RSM191A-S > Neumann MTX191S > Panasonic SV-255@48k Master(on SV-255 listed above) > clone used in below transfer

05/07/92

The Agora
Cleveland, OH
2 Source: Neumann RSM-191s (150deg X-Y, 7.5ft high) > SV255 > D3 Taped by: Bryon Sosinski, Kevin Shapiro Source CD's provided by Kevin Shapiro. EAC logs included. EAC, editing, FLAC by Marmar- imthemarmar@gmail.com

05/07/92

The Agora
Cleveland, OH
3 Neumann RSM191-s @ 150degree X-Y @ 7.5' high > Panasonic SV255 I got a clone of this from Kevin in the beginning of March of 2005...." -Mr. Marmar 04/12/2006 ----------------------------------------- Transfer Details: Transfer by Todd Evans March 2006 DAT Clone > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 16/48 kHz wav

05/08/92

The Riviera Theater
Buffalo, NY
3 Source: Nakamichi 300 cards(FOB)->Casio DA-2 Transfer: Pansonic SV-3700->HHB CDR-800->EAC->Shn Known flaws: on disc one, Bouncin' and David Bowie are tracked as one recorded, transferred, and seeded by Jim Duffy (joeblow6967@yahoo.com)

05/09/92

The Syracuse Armory
Syracuse, NY
3 CONVERSION: CTD8000H-S > DAT2WAV > SOUNDFORGE 5.0 (Resampling from 48kHz to 44.1kHz, level 4 w/anti alias filtering) > CD WAVE (track splits) > SHN

05/09/92

The Syracuse Armory
Syracuse, NY
1 SOURCE: SBD > Cass/0 > DAT CONVERSION: CTD8000H-S > DAT2WAV > SOUNDFORGE 5.0 > WAVELAB 3.3 > CD WAVE > SHN (see notes for details)

05/10/92

University of Massachusetts
Amherst, MA
1 TAPER: John Redmond SOURCE Nak 300s > D5 AUD/FOB MCass (Sony Metal-SR 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SHNv3

05/12/92

St. Lawrence University
Canton, NY
2 Source: SBD>Cass1>DAT Xfer: ARCHIVE Python>vDAT>WaveLab4>CDWave>Flac/CDR

05/12/92

St. Lawrence University
Canton, NY
2 Source: Aud(unknown mics)> Cass/x (recorded 12/93) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> WAV> CD Wave Editor to track> FLAC on 10/7/04 by EEE

05/14/92

The Capitol Theater
Port Chester, NY
3 Source: SBD->cass/1>DAT@48khz->Tascam DA-20 MK-II->Event Gina>PC.

05/16/92

Orpheum Theatre
Boston, MA
3 source set1 and set2 thru Its Ice: SBD->denon dtr-80p(dat)->sonyd5 (cass0) source set2: shotguns? > D5 transfer: cass0-> Apogee AD-1000-> Echo MIA-> SF7.0-> CDWave -> flac

05/17/92

The Achilles Rink
Schenectady, NY
3 Source: NAK 300>D5>PCM R500>SBM-1 (My DAT was recorded @44.1) Transfer: DA-20 mkii>Delta Dio 2496>Soundforge 4.5>CDWAV>SHN (no resampling involved) Transfer by: Brandon Johnston http://db.etree.org/bisq

05/18/92

Flynn Theater
Burlington, VT
2 Source: SBD>Cass/0>DAT (see notes below)

06/19/92

Stadtpark/Freilichtbuhn
Hamburg, Germany
1 sbd > cass/x > cd cd > EAC(secure) > Sound Forge 7.0 > Flac16 BBE enhancement and X-noise hiss reduction in SF7.0 -no other edits performed-

06/20/92

Waldbuhn
Nordheim, Germany
1 Source: SBD > Cass/1 > DAT A>D Transfer: Marantz PMD430 > Sony DTC ZE700 (w/SBM) @44.1kHz DAT>SHN Transfer: Tascam DA-302 > Coax > Dio 24/48 > CDWav > mkwACT > SHN

06/23/92

Philipshalle
Düsseldorf, Germany
1 Source: SBD > Cass/x > ? > CD > EAC > Mastering > Flac16 Thanks to Alec Swenson for the source discs. Mastering, tracking, FLAC16 by Marmar- imthemarmar@gmail.com

06/24/92

Resi
Nuremberg, Germany
1 Source: SBD > Cass/1 > DAT A>D Transfer: Marantz PMD430 > Sony DTC ZE700 (w/SBM) @44.1kHz DAT>SHN Transfer: Tascam DA-302 > Coax > Dio 24/48 > CDWav > mkwACT > SHN

06/28/92

Animal Showgrounds
Roskilde, Denmark
1 Source: Unknown DAUD @ 48 kHz (plus a few Seconds Cass/3 in Track 01) Taper: Unknown

07/09/92

Cumberland County Civic Center
Portland, ME
1 TAPER: John Redmond SOURCE Nak 300s > D5 Notes with the master cassette: Nak 300's > D-5. Front center of SBD. 150 yds off stage. AUD/FOB MCass (Maxell MX 110 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (See notes)> FLAC (16-bit, v1.1.0)

07/09/92

Cumberland County Civic Center
Portland, ME
3 Thanks to Kevin Shapiro for the transfers and source CD's! Col. Bruce Hampton & Aquarium Rescue Unit SOURCE: SBD > Cass/0 > DAT Recorded by: Big Phil CD's provided by: Kevin Shapiro EAC, and FLAC16 by: Marmar

07/10/92

Empire Court
Syracuse, NY
1 Source: AKG 460s (no other source info given) Transfer: ???> CDR > EAC > CDWAV > Soundforge 6.0 > Shntool > SHN SHN Encoding by: Brandon Johnston

07/10/92

Empire Court
Syracuse, NY
3 SOURCE: AKG460b CK8X (110deg X-Y) > Casio DA-7 Recorded by: Ricky Supon, Bryon Sosinski, and Kevin Shapiro Transfer by: Kevin Shapiro EAC and FLAC16 by Marmar- imthemarmar@gmail.com Thanks to Kevin Shapiro for the transfers and source CD's!

07/11/92

Garden State Arts Center
Holmdel, NJ
1 Source: SBD --> DAT DAT>optical cable>Marantz pro-burner (w/ sample rate conversion)>CDR>EAC>WAV>MKW>SHN by Charlie Kidder

07/11/92

Garden State Arts Center
Holmdel, NJ
2 SOURCE: DSBD > DAT > Protools > CD Transfer by: Kevin Shapiro EAC, remastering, FLAC16 by Marmar- imthemarmar@gmail.com Thanks to Kevin Shapiro for the transfers and source CD's!

07/12/92

Jones Beach Ampitheater
Wantagh, NY
1 Master: Neumann RSM-191-S (110 degrees XY) handheld>D10-Pro, FOB by Bryon Sosinski DAT>CD by Kevin Shapiro, transfer unknown Conversion: CD>xACT 1.4d19 (cdparanoia)>AIFF>xACT 1.4d19>FLAC by Dave Mallick [greenone@bluestraveler.net]

07/14/92

The Boathouse
Norfolk, VA
3 Source: Nak300>Nak mx100>D5>SHN

07/14/92

The Boathouse
Norfolk, VA
3 Source: Nak300>Nak mx100>D5>SHN Editing, mastering, FLAC16 by Marmar- imthemarmar@gmail.com

07/14/92

The Boathouse
Norfolk, VA
3 Shure pro mics XY 90deg center>D3 dat Cloned: D3>D3 Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC

07/15/92

Trax
Charlottesville, VA
3 Neumann RSM 191 @125degXY>D3; stand 8 1/2 ft, left of ctr; D>Protools>CDR>FLAC

07/15/92

Trax
Charlottesville, VA
3 source: akg451/ck1 > b18 > sony D5 > Mcass (X-Y 90) transfer: Mcass -> Apogee AD-1000 -> soundforge7.0 -> CDwave -> flac

07/15/92

Trax
Charlottesville, VA
3 Soundboard > CAS0 > DAT (48k). DAT>CD conversion by Dave Pecoraro (davepeck79@home.com):

07/16/92

The Flood Zone
Richmond, VA
2 source: SBD/DAUD matrix Transfer : Tascam DA-20MKII >SBLive Platinum> SoundForge 5.0

07/16/92

The Flood Zone
Richmond, VA
3 Neumann RSM 191 @125degXY>D3; stand 8 1/2 ft, right of ctr;D>Protools>CDR>FLAC

07/16/92

The Flood Zone
Richmond, VA
3 Soundcheck Source: Sony PZM's->Sony D5 Soundcheck Transfer: Sony TC-K615S->Maudio 410->Wavelab 5.0->wav->FLAC 16/48 Taped by: Ben Miller Source: Neumann RSM 191-S (only info given) Transfer: Tascam DA-20->Monster Coax->Maudio 410->Wavelab 5.0->wav->FLAC 16/48 Transfered and FLAC 16/48 by Chris Hall- orechall@gmail.com Editing, mastering, FLAC 16/44.1 by Marmar- imthemarmar@gmail.com

07/21/92

Great Woods Center for the Performing Arts
Mansfield, MA
1 Source: DSBD Transfer: Dat clone in Tascam DA20mkII -> RME digi 96/8 PST -> CDwav editor -> mkw -> .shn (no editing except tracking) transferred by SnowRide

07/24/92

Jones Beach Music Theater
Wantagh, NY
1 Source: DSBD Transfer: dat clone in tascam da20mkII -> RME digi 96/8 PST -> CDwav -> mkw -> .shn (no editing except tracking)

07/25/92

Stowe Performing Arts Center
Stowe, VT
1 Source: DSBD > ? > etc, etc > SHN

08/02/92

Riverport Amphitheatre
Maryland Heights, MO
1 Source: Unknown Daud->2nd gen cass->Sony CDR-W33->CDR->EAC (log included)->Soundforge 6.0->CDWAV->shntool->shn Shn Encoding by: Brandon Johnston -- http://db.etree.org/bisq

08/13/92

Greek Theater
Los Angeles, CA
1 Source: SBD -> Cass0 -> DAT Transfer: DAT -> Digi Coax -> SB Live 2 -> SF 6.0 -> wav -> shn Taper: Unknown Transfer: Greg Prenatt(pernads@hotmail.com)

08/14/92

Greek Theater
Los Angeles, CA
1 Source: SBD -> Cass0 -> DAT Transfer: DAT -> Digi Coax -> SB Live 2 -> SF 6.0 -> wav -> shn Taper: Unknown Transfer: Greg Prenatt(pernads@hotmail.com

08/17/92

The Coach House
San Juan Capistrano, CA
3 SOURCE:SBD>CASS(0)>DAT DAT>SHN:Tascam DA-20>COAX>WAV>COOL EDIT>CDWAV>SHN Via MKW.These SHN files are seekable in your SHNamp. I have included both shn and wav md5s.

08/29/92

Shoreline Amphitheatre
Mountain View, CA
1 HiFi VHS > CD Wave > FLAC

08/29/92

Shoreline Amphitheatre
Mountain View, CA
1 ?? (Labeled as SBD>Cass 1st Gen.) > CDR

10/30/92

Boston Garden
Boston, MA
1 Source: unknown aud > CD-R(s) > EAC > SHN EAC > SH

10/30/92

Boston Garden
Boston, MA
1 AUD/FOB MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3

11/19/92

Ross Arena, St. Michael's College
Colchester, VT
3 Source: SBD > C1 > DAT Transfer: Archive Python DDS > vDAT > FLAC16@48kHz Transferred by Rusty Gray- rusty@ontheflyrecording.com Tracking, editing, mastering and FLAC16 by Marmar- imthemarmar@gmail.com

11/19/92

Ross Arena, St. Michael's College
Colchester, VT
3 Source: Nakamichi CM3000 DAT>SHN Transfer: Stewart McCloskey (xxmccloskeyxx@mindspring.com) PCM R500>AES/EBU>ZA2>Cooledit>SHN

11/19/92

Ross Arena, St. Michael's College
Colchester, VT
3 Source: SBD > C1 > DAT Xfer: d100 > zoltrix > WaveLab4 > CDWave > Flac/CDR

11/20/92

Palace Theater
Albany, NY
3 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 110 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 2/8/2004 Mastering, tracking and 16bit FLAC by Marmar- imthemarmar@gmail.com 3/28/2005

11/20/92

Palace Theater
Albany, NY
3 SOURCE: AUD (2 AKG 460b/ck63-FOB,Tripod) > DAT (Teac DA-P20) CONVERSION: CTD8000H-S > DAT2WAV > Resampling From 48kHz to 44.1kHz w/ Soundforge 5.0 (level 4 with anti-alias filter) > CD Wave (track splits) > SHN

11/21/92

Sports Complex at SUNY Stony Brook
Stony Brook, NY
3 Source: AKG 460/ck61 > TEAC DA-P20 @ 48kHz Transfer: Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1) > CDWave > flac16 Transferred by: Daniel Shay

11/22/92

Bailey Hall, Cornell University
Ithaca, NY
3 SOURCE: AUD (2 AKG 460b/ck63-TS) > DAT (Teac DA-P20) CONVERSION: CTD8000H-S > DAT2WAV > Resampling From 48kHz to 44.1kHz w/ Soundforge 5.0 (level 4 with anti-alias filter) > CD Wave (track splits) > SHN

11/23/92

Broome County Forum
Binghamton, NY
3 SOURCE: 2 AKG460b/ck63 > DAT (Teac DA-P20) CONVERSION: CTD8000H-S > DAT2WAV > SOUNDFORGE 5.0 (Resampling from 48kHz to 44.1kHz, level 4 w/anti alias filtering) > CD WAVE (track splits) > SHN

11/25/92

Keswick Theater
Glenside, PA
3 Taper: Ben Miller Source: Sony ECM 260's->Sony D5 (master cassette) Transfer: Sony TCK-615S->M Audio Delta410->wavelab 5.0->FLAC16/48 Transfered and FLAC16/48 by: Chris Hall- orechall@gmail.com

11/27/92

Capitol Theater
Port Chester, NY
3 Source: Neumann RSM190i>Neumann matrix box>Pan. SV-255 Transfer: Unknown (dat>CDR) >verified flawless EAC>SHN

11/28/92

Capitol Theater
Port Chester, NY
3 Source: Neumann U87 (additional unknown) > DAT. Taper section at Portchester was FOB.

11/30/92

Metropol
Pittsburgh, PA
3 source: Nak100 (xy90) -> Sony D5 transfer: Mcass->Apogee AD1000->SF7.0->CDwave->flac

12/03/92

Bogart's
Cincinnati, OH
2 Transfer: Sony PCM-M1 > Delta DIO 2496 > Wavelab 4.0 > CD-WAV> Shn (shntool verified) by b.gard@attbi.com

12/03/92

Bogart's
Cincinnati, OH
3 source: neumann km140>sony d5>cass1>dat>cdr>eac>shn except rift, which is from an unknown analog source.

12/04/92

Mississippi Nights
St. Louis, MO
3 Realistic PZM microphones (12v each, even with SBD, spread approx 10') > Marantz PMD-430 (DBX NR ENCODE)> Maxell XLII, XLII-S CrO2 master cassettes

12/05/92

Vic Theater
Chicago, IL
3 Source: SBD > DAT > ? > CD > EAC > SLOTH > FLAC

12/05/92

Vic Theater
Chicago, IL
3 Source: Schoeps CMC5/mk21 @100 deg./xy > VMS52 > D3; 7' height FOB/Center FOB note: Paul's mixing position and as far as we know all other tapers were located in the balcony. This recording was done from the floor approximately 25' "in front" of the SBD.

12/06/92

Vic Theater
Chicago, IL
3 Source: Neumann RSM-191-s @ 150 deg. XY > SV255 DAT. 7' height front center at the SBD Recorded by Mark Lamke, Steve Johnson, Kevin Shapiro

12/07/92

First Avenue
Minneapolis, MN
3 Source: Unknown :( Transfer: CDR > EAC(Secure Mode) > WAV > SHN(MKWact)

12/08/92

Barrymore Theatre
Madison, WI
2

12/10/92

State Theater
Kalamazoo, MI
3 Source: Neumann RMS 190i->Neumann PS->Panasonic SV255 Transfer: DA-20 mkii> Delta Dio 2496 > Soundforge 4.5 (resampled on highest accuracy setting 48>44.1 kHz)> CDWAV > SHN Transfer by: Brandon Johnston

12/10/92

State Theater
Kalamazoo, MI
3 Source: Neumann RMS 190i->Neumann PS->Panasonic SV255 Transfer: DA-20 mkii> Delta Dio 2496 > Soundforge 4.5 (resampled on highest accuracy setting 48>44.1 kHz)> CDWAV > SHN Transfer by: Brandon Johnston

12/11/92

Michigan Theater
Ann Arbor, MI
3 Set I Source: Schoeps cmc5/21 @ 100 deg./XY>D3 DAT Center at the SBD Recordist: Ian VanHuysen Set II Source: Neumann RSM-191-S @ 150 deg./XY>SV255 DAT Center at the SBD Recordist: Scott Pridgeon

12/12/92

The Spectrum
Toronto, ON
3 SBD -> CASS0 -> DAT DAT -> CD (S/PDIF, TB Fiji) -> PC, 48->44.1 Resample via CoolEdit2000 @ 999 qs w/Pre/Post filter Adam Shiffman - adam@rift.com 01/30/01

12/12/92

The Spectrum
Toronto, ON
3 Source: Neumann RSM-191-S @ 100 degree X/Y -> Sony TCD-D3 Mastered by Bryan Sosinski & Kevin Shapiro DAT->CD Transfer by Kevin Shapiro (kevin@phish.com) CD->EAC by Adam Shiffman (adam@rift.com) [12/03/03]

12/13/92

Le Spectrum
Montreal, QC
3 Source: Neumann RSM191-S @ 110degree XY>Neumann MTX191A>DAT Transfer: DAT>Protools (tracking/gain adjust)>CDR; Master CDR>EAC (secure mode extraction)>MKW 0.97b1>SHN Taped and transferred by Kevin Shapiro SHNed by Blane Harvey (12-11-2002)

12/28/92

Palace Theater
New Haven, CT
3 source: Schoeps CMC5/mk4->Sonosax->DAP20

12/29/92

Palace Theater
New Haven, CT
3 Source: SBD > DAT > Cass/x Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > SLOTH Patch Source: Schoeps MK4/CMC5-> Sonosax SX-M2-> Sony D10 FOB 10th row dfc on stand

12/30/92

Symphony Hall
Springfield, MA
3 Source: SBD > DAT > Cass/x Transfer: Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @ 24/48kHz **24/48 Master waves do exist at the pre-processed level**

12/31/92

Matthews Arena, Northeastern University
Boston, MA
3 Source Info: Matrix(DSBD+Elektra AUD) DAT>CD Info: Fostex D5 > HHb 850 by Dave Eisenberg(Tr168@aol.com/Lckid1@aol.com) WAV>SHN Plextor Ultraplex40 using EAC

02/03/93

Portland Expo
Portland, ME
3 Source: Sennheiser 421 > Sony TCD-D3 > CD Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality. Debut of Page's Baby Grand Piano!

02/04/93

Providence Performing Arts Center
Providence, RI
3 source: AKG 451 from tapers area, immediately behind soundboard in open floor area of orchestra section (NOT under balcony overhang) (no further mic info available, patched with Sony D3)

02/05/93

Roseland Ballroom
New York, NY
3 Source: FOB Scheops CMC54 Transfer: DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1 resampling on highest accuracy setting)>> CDWAV > SHN

02/06/93

Roseland Ballroom
New York, NY
3 Source: FOB Schoeps CMC5/mk4 Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN

02/07/93

Lisner
Washington, DC
3 unknow audience source transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

02/09/93

Auditorium Theater
Rochester, NY
3 Source: Sennheiser ME-40's -> Telefunken Pre -> DAT -> ProTools [small fixes] -> CD-R Protools and CD-R tracking by Kevin Shapiro - kevin@phish.com

02/10/93

Smith Opera House
Geneva, NY
3 source:FOB akg 460b's transfered:tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

02/11/93

Haas Center for the Arts
Bloomsburg, PA
2 Sony PZMs > D3 > CD CD > EAC (secure mode) > shntool > flac16 - no edits performed -

02/12/93

Mid Hudson Civic Center
Poughkeepsie, NY
3 source: akg 460b's transfered: tascam da20mkII>za2 using soundforge, and cdwav.

02/13/93

Bob Carpenter Center
Newark, DE
3 source: akg 460b+ck8"shotguns">custom preamp>teac da-p20 (in TS)

02/15/93

Memorial Hall, UNC
Chapel Hill, NC
3 Source: 2 NAK 300's+2 SENN 441's >DC3

02/18/93

Electric Ballroom
Knoxville, TN
3 Source: SBD > ? > CD > EAC > FLAC

02/18/93

Electric Ballroom
Knoxville, TN
3 *Fixes* After getting the FLAC's I noticed that there were small clicks that dotted the show all over the place. These were not clicks associated with the SBD becomming fried from the drink incident. I performed well over 1000 edits on the show removing as many of these clicks as I could. Even though this is a VAST improvement over the originals, there are still some clicks that could not be edited. The cuts that were present were also edited as best they could be with the exception of the Weekapaug/Mound. There was no mastering done to the files.....also, just as clarification, this is most likely a SBD>DAT>Cass/0>DAT as were most of the 1993 shows. Edited and re-FLAC'd on REBA by Marmar- imthemarmar@stny.rr.com

02/19/93

Roxy Theater
Atlanta, GA
3 source:AKG 460b's>OADE>PANASONIC 255 transfered through a za2 card using soundforge, and cdwav.

02/20/93

Roxy Theater
Atlanta, GA
3 Source: SBD > ? > Trade from Craig Davis (craigdavis1@email.msn.com) > EAC > SHN

02/21/93

Roxy Theater
Atlanta, GA
3 source: AKG 460b's>OADE>PANASONIC 255 transfered through tascam dap20mkII>za2 card,using software resampling however,soundforge, and cdwav

02/21/93

Roxy Theater
Atlanta, GA
1 Master Soundboard DAT@48 kHz->DAT x 2 Sony R500 ->Emagic AudiowerkII ->Soundforge (record/resample)-> CDWAV (track) ->FLAC Converted by Mark Lynn(Lynnzzz@comcast.net) on 12/28/04 FLAC > 16/44.1 Wave > Wavelab > Q10 EQ > RBass +2.7 @ 35Hz > BBE > L1 > L3 MultiMaximizer > FLAC **Mastering done by Marmar** Edits, mastering, retracking and FLAC'ed by Marmar 1/2005

02/25/93

Cameo Theater
Miami Beach, FL
0 SOURCE: Unknown (possibly FOB Schoeps cmc54's) TAPER: Unknown CONVERSION: CD Audio > WAV (EAC), WAV > SHN (MKW)

02/26/93

Ritz Theater
Tampa, FL
0 Source: Aud(unknown mics)>Cass/X (recorded 11/4/93) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> Samplitude 5.5> CD Wave Editor to track> FLAC on 10/26/04 by EEE

02/27/93

Florida Theater
Gainesville, FL
2 SOURCE Sony R300>TB Fiji>SF4.5>CDarch>CD TAPER: Unknown CONVERSION: CD Audio > WAV (EAC), WAV > SHN (MKW) RETRACKING: Merged using Cooledit2000, Cut using CDWave and Verified with shntool EAC'ed and SHN'ed by JeffZ of SHNShare.dyndns.org FLAWS: There is a cut in the master between PYITE and Lawnboy but no music is missing. Big Ball Jam, Amazing Grace and Rocky Top in set 2 are completely missing :(

02/27/93

Florida Theater
Gainesville, FL
3 Source: DSBD > C1 > DAT Xfer: d100 > zoltrix > WaveLab4 > CDWave > Flac/CDR

02/??/93

February 1993 Soundchecks
Various, Various
1 source: cSBD > DAT (44.1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab > CD-WAV > SHNv3

03/02/93

Tipitina's
New Orleans, LA
3 Source: Unknown Transfer: Unknown

03/02/93

Tipitina's
New Orleans, LA
3 Source: Unknown AUD > Cass/x Transfer: Sony TC-KA3ES > DSP24 > Wavelab 24/48wavs > FLAC16 Transfer, mastering, and FLAC16 by Marmar Thanks to Matt Lauten for the tapes!

03/05/93

Deep Ellum Live
Dallas, TX
3 Source: Sonic Studios omnis > Sony d7 Conversion: Archive Python DDS/dat2wav > .wav; no soundcard

03/06/93

Liberty Lunch
Austin, TX
3 Source: FOB Sonic Studio omnis > D3 > EQ > D7 Transfer: D7 > Zoltrix > SF4.5c > CDWav > shntool > FLAC

03/09/93

Pike's Peak Center
Colorado Springs, CO
3 Source: SBD> Cass/3 (recorded 7/95) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> CD Wave Editor> FLAC on 10/14/04 by EEE

03/12/93

John A. Dobson Arena
Vail, CO
3 Source: SBD > DAT > Cass/x > ? > CD > EAC > Mastering > FLAC Mastering and FLAC by Marmar- imthemarmar@gmail.com

03/13/93

Field House
Boulder, CO
3 Source: Aud(unknown mics)>DAT>Cass/3 (recorded 4/15/93) Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> CD Wave Editor> FLAC on 10/21/04 by EEE

03/14/93

Paul Wright Gymnasium - Western State College
Gunnison, CO
1 Source: Sbd>Cass>DAT Transfer: DA-20 mkii->Delta Dio 2496->Soundforge 4.5 (resmapled 48->44.1 on setting 4 w/anti alias filter)->CDWAV->SHN Remastering done by Marmar

03/14/93

Paul Wright Gymnasium - Western State College
Gunnison, CO
1 Source: SBD > ? > XLII Transfer: HK TD4400 Cassette Deck > Steinberg VSL2020 > Wavelab > WAVs > FLAC

03/14/93

Paul Wright Gymnasium - Western State College
Gunnison, CO
2 Western State College Gym - Gunnison, CO Source: Sbd>Cass>DAT Transfer: DA-20 mkii->Delta Dio 2496->Soundforge 4.5 (resmapled 48->44.1 on setting 4 w/anti alias filter)->CDWAV->SHN

03/16/93

Celebrity Theater
Phoenix, AZ
3 source:aud(unknown mics)cass(2)>CDR>EAC>Soundforge(normalized)>CDwave>mkw

03/17/93

The Palace
Hollywood, CA
3 Source: Unknown AUD (possibly Schoeps) Transfer: Tascam DA-20-> Coax-> Waveterminal 2496-> Cool Edit Pro 2.0-> CDWav-> mkwACT-> .shn

03/18/93

The Palace
Hollywood, CA
3 unknown

03/19/93

Greek Theatre
Redlands, CA
3 Source: Unknown AUD > Cass/x Transfer: Sony TC-KA3ES > DSP24 > Wavelab (24bit/48k > 16bit/44.1k) > FLAC16 Transfer, mastering, and FLAC16 by Marmar Thanks to Dave Hope for the tapes!

03/21/93

Ventura Theatre
Ventura, CA
3 Source: Nakamichi CM300/CP4 > Sony D3 @ 48kHz Transfer: Sony PCM-R500 > Delta Di0 2496 > Soundforge 8 (48>44.1 resampling on highest accuracy setting w/anti alias filter)> CDwav > FLAC v1.7.1 48kHz FLACs are available for archival purposes. Transferred, Encoded, and Seeded by Matt Edl

03/22/93

Crest Theater
Sacramento, CA
3 Source: SBD > Cassette Master > DAT clone Conversion: joe Najera (dmbandfan1@juno.com), 4/4/2000 Equipment: DAP1 > SEK'D PRODIF Plus > WAV > SHN (no DAE)

03/24/93

Luther Burbank Center for the Performing Arts
Santa Rosa, CA
3 source: FOB schoeps cmc54 transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

03/25/93

Santa Cruz Civic Auditorium
Santa Cruz, CA
3 Source: FOB Schoeps CMC54>SV-255(@48K) Transfer: Master DAT on PCM-R300>Optical Cable>Zoltrix

03/26/93

Warfield Theater
San Francisco, CA
3 Source: Fob->Drink Rail->Nuemann km 54's->Dat(unknown model)

03/26/93

Warfield Theater
San Francisco, CA
3 Source: (FOB) Schoeps MK4/CMC5 (ORTF) > Stewart P.S. > Panasonic SV-255 @ 48kHz Taped by: Jeff Zimmer

03/26/93

Warfield Theater
San Francisco, CA
3 Source: (FOB) Schoeps MK4/CMC5 (ORTF) > Stewart P.S. > Panasonic SV-255 @ 48kHz Taped by: Jeff Zimmer Transfer: Sony PCM-R500 > Delta Di0 2496 > Soundforge 8 (48>44.1 resampling on highest accuracy setting w/anti alias filter)> CDwav > FLAC

03/27/93

Warfield Theater
San Francisco, CA
3 Source: FOB Schoeps CMC 54 ORTF>Canore Cables>Stewart P.S.>SU255

03/28/93

East Gym, Humboldt State University
Arcata, CA
3 Source: SBD > DAT Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN

03/30/93

Hilton Ballroom
Eugene, OR
3 Source: Nakamichi 300's > D5 (analog) preamp > D3 > CDR > EAC > SHN

03/31/93

Roseland Theater
Portland, OR
3 TOA k1's Balcony > DTR-80P > CDR > SHN (Cool Edit 2000 on 3 tracks)

04/01/93

Roseland Theater
Portland, OR
3 Source: TOA K1->Denon DTR-80p Transfer: DAT->???->CDR->EAC->CDWAV->Soundforge 6.0->shntool->shn

04/02/93

Mt. Baker Theater
Belligham, WA
2 Source: Nakamichi CM300 @ 48 kHz Transfer: Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1) > CDWave > flac16 Transferred by: Daniel Shay

04/03/93

86th Street Music Hall
Vancouver, BC
3 nak 300's > D7 > CD

04/05/93

HUB Ballroom
Seattle, WA
3 source: (FOB) Neumann km140 > Sonosax SX-M2 > Sony D-10 II pro (@48 kHz

04/09/93

State Theater
Minneapolis, MN
1 Source: SBD > DAT Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN

04/09/93

State Theater
Minneapolis, MN
3 source: sbd>cass>dat transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

04/10/93

Aragon Ballroom
Chicago, IL
3 source: Sbd->Cass/0->DAT (see notes below) transfered: da-20mkii>montego II plus s/pdif>soundforge>cdwav>shn Received From : Brandon Johnston

04/12/93

Second Floor Ballroom, Student Union, U. of Iowa
Iowa City, IA
3 Source: SBD> CASS(0)> DAT Transfer: DA-20mkII > ZA2 > CDWAV > FLAC

04/13/93

Memorial Hall
Kansas City, KS
2 Source: Set 1: AKG 451/CK1's > SONY T2-D5M (Cass) > CDR Set 2: AKG 451/CK1's > TEAC DAP20 > DAT > CDR

04/14/93

American Theater
St. Louis, MO
3 Source: Unknown Aud > 2nd Gen Maxell XLII Cassette > Sony CDR-W33 > CDR > EAC > CDWAV > Soundforge 4.5 > Shntool > SHN

04/16/93

Macauley Theater
Louisville, KY
3 Source: AKG 460b/ck8 > Casio DA-7 Transfer: Tascam DA-30 > HHb 850 > CDR > EAC > SHN

04/17/93

Michigan Theater
Ann Arbor, MI
3 SOURCE: Master DAT soundboard @ 48Khz > DAT > CDR

04/18/93

Michigan Theater
Ann Arbor, MI
3 Source: SBD > Cass/0 > DAT Transfer: Tascam da20 mkII > ZA2 > SF 4.5 > CDWav > SHN

04/20/93

Newport Music Hall
Columbus, OH
3 Source: Radio Shack PZM's (1st row balcony) > MC(?) > ? > DAT @44.1 Transfer: DA-20 mkii> Delta Dio 2496 > Soundforge 4.5 > CDWAV > SHN

04/21/93

Newport Music Hall
Columbus, OH
3 source: FOB B&K 4011's transfered: tascam da20 mkII>za2>wav>shn using soundforge

04/22/93

The Agora Theater
Cleveland, OH
3 source: FOB schoeps cmc521 transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

04/23/93

Reed Athletic Center, Colgate U.
Hamilton, NY
3 SOURCE: AKG460B/CK61 (TS)> CUSTOM PREAMP> DAT (TEAC DA-P20) CONVERSION: CTD8000H-S> DAT2WAV> SOUNDFORGE 5.0 (RESAMPLING FROM 48kHz TO 44.1kHz, LEVEL 4 WITH ANTI-ALIAS FILTERING)> CD WAVE (TRACK SPLITS)> SHN (WITH SEEK FILES APPENDED)

04/24/93

Cheel Arena, Clarkson University
Potsdam, NY
3 Mic source was Sony ECM 260F. Transfer was done with: Tascam DA20/mkII->ZA2->Sound Forge XP.

04/25/93

Kuhl Gym, SUNY Geneseo
Geneseo, NY
3 source: akg460b/ck61>Teac DA-P20 transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

04/27/93

Concert Hall
Toronto, ON
3 Naks(? Model)>Tascam DA-P1>CDR CDR>EAC (secure mode extraction)>MKW 0.97b1>SHN

04/29/93

Le Spectrum
Montreal, QC
3 Set 1: Nakamichi 300/cp-1>Cass Deck in Patch Chain (not an analog generation)>Sony D3 Set 2: Sennheiser 421>Marantz PMD430 (Analog deck) Soundcheck: SBD>Cass(x)

04/30/93

Sports Center
West Hartford, CT
3 Source: Schoeps CMC5/mk4 > DA-P20 Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN

05/01/93

The Tower Theatre
Upper Darby, PA
3 Source: (Fresh Transfer On 5.14.05) FOB? > Schoeps Cmc5/Mk4's > Sonsax Sx-M2 > Sony D10 ProII @ 48k Conversion: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Normalized to -1.0 db > Fades > Resampled to 44.1 > Cd Wave > FLAC

05/01/93

The Tower Theatre
Upper Darby, PA
1 Source: SBD > DAT Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > S

05/01/93

The Tower Theatre
Upper Darby, PA
3 Source: SBD > DAT > Cass/x Transfer: Denon DRM800a > ESI Juli@ 24bit/48kHz > Mastering > FLAC16 Soundcheck Source: SBD > DAT Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN > FLAC

05/02/93

The Tower Theatre
Upper Darby, PA
3 source: Schoeps CMC5/Mk4(FOB) >Sonosax SX-M2>Sony D10 Pro II transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

05/03/93

State Theater
New Brunswick, NJ
3 source: schoeps cmc54>sonosax sx-m2>sony d10 pro transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

05/03/93

State Theater
New Brunswick, NJ
2 Source: SBD > Cass/1 > DAT Transfer: Archive Python > vDAT > 16/44.1FLAC Transfer by Rusty Gray- rusty@ontheflyrecording.com Mastering, FLAC 16 by Marmar- imthemarmar@gmail.com

05/05/93

Palace Theater
Albany, NY
3 Source: DSBD>DAT>CDR via Montego(optical)>CDWav

05/06/93

Palace Theater
Albany, NY
3 SOURCE: Master DAT soundboard > DAT > CDR

05/07/93

Bangor Auditorium
Bangor, ME
3 Source:Schoeps of unknown lineage - DAT trade received from Tim Treytak

05/08/93

UNH Fieldhouse
Durham, NH
3 Source: Schoeps CMC5/MK4s > SBM-1 > DAT > CDR (CDR > EAC > SHN via G. Peters)

05/08/93

UNH Fieldhouse
Durham, NH
3 DSBD > FLAC (LivePhish.com download)

05/29/93

Laguna Seca Raceway
Monterey, CA
1 Sony DTC-A6 > Dio 2448 > CDWAV > SF 4.5 (add fades) > SHN mkwACT0.97 w/ seek tables appended to shn files (no DAEgeneration)

05/30/93

Laguna Seca Raceway
Monterey, CA
2 Source: SBD > C0 > DAT Xfer: d100 > zoltrix > WaveLab4 > CDWave -> Flac/CDR

05/30/93

Laguna Seca Raceway
Monterey, CA
2 Source: (FOB) Schoeps MK21/CMC5 > Sonosax SX-M2 > Modified Sony D10 PRO II > DAT @ 48kHz @ 48kHz Taper: Unknown

05/30/93

Laguna Seca Raceway
Monterey, CA
2 Source: Source: SBD > C0 > DAT Transfer: Archive Python > vDAT > 16/48FLAC Transferred by Rusty Gray- rusty@ontheflyrecording.com Mastering, FLAC 16 by Marmar- imthemarmar@gmail.com

07/15/93

Cayuga County Fairgrounds
Weedsport, NY
2 source: akg 460/ck61 transfered: tascam da20 mkII>za2>wav>shn using soundforge, and cdwav.

07/15/93

Cayuga County Fairgrounds
Weedsport, NY
1 soundcheck + complete rift

07/16/93

Mann Music Center
Philadelphia, PA
2 SOURCE: SBD > Cass0 > DAT TRANSFER: DA-P1 > Lexicon CORE2 (via S/PDIF) > CEP (downsample) > CD-WAV > MKW (no DAE)

07/17/93

Filene Center at Wolf Trap
Vienna, VA
2 source: schoeps mk4

07/17/93

Filene Center at Wolf Trap
Vienna, VA
3 Source: FOB (10th row, 7? stand, ortf) Nakamichi 301?s-> Nakamichi MX100-> Teac DAP-20 (16/48) Transfer: Fostex D5-> Tascam DV-RA1000 (24/48)-> DSD Analog Output-> HHb 830 (16/44.1)-> EAC-> CD Wave> FLAC16

07/18/93

IC Light Amphitheater
Pittsburgh, PA
3 source: Schoeps CMC4 -> SX-M2 -> SV250

07/18/93

IC Light Amphitheater
Pittsburgh, PA
1 Source:Scheops CMC 4>sonosax preamp>Sony D-10 Transfer:DA-P1>Audigy 4 Pro>CD Wave(tracking)>Flac Frontend

07/21/93

Orange County Fairgrounds
Middletown, NY
1 Source: FOB Schoeps CMC5/MK4 > SAX > D10

07/22/93

Stowe Performing Arts Center
Stowe, VT
2 Source: AKG460's w/ CK-61 cardioid capsules> 45v custom built phantom power supply> Sony D-10 Pro I

07/23/93

Jones Beach Music Theater
Wantagh, NY
2 SOURCE: 2xAKG460b/ck61 (FOB) > DAT (Teac DA-P20)

07/24/93

Great Woods Center for the Performing Arts
Mansfield, MA
2 source: F.O.B. akg 460b>custom preamp>dap20

07/24/93

Great Woods Center for the Performing Arts
Mansfield, MA
3 Source: (FOB) Schoeps MK4 > KC5>CMC5>Sonosax SX-M2>Apogee AD-500E>Sony D10 ProII @ 48kHz

07/25/93

Waterloo Village
Byram Township, NJ
3 SOURCE: SBD> CASS/x> DAT

07/25/93

Waterloo Village
Byram Township, NJ
3 Source: 2 Nakamichi CM300/CP4 (shotgun,L/R)+ 1 Nakamichi CM300/CP2- (omni,Center)-> Nakamichi MX100-> Teac DAP-20 (16/48) Transfer: Fostex D5-> HHb 830 (16/44.1)-> EAC-> CD Wave-> FLAC

07/27/93

Classic Amphitheater
Richmond, VA
3 Source: FOB Neumann KM150's > Neumann Power Supply > Panasonic SV-255 Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN v3

07/28/93

Grady Cole Center
Charlotte, NC
3 source: (F.O.B.) Nak 300's transfered: tascam da20 mkII>Delta Dio 2496>soundforge 4.5 (48->44.1 s/w resampling)>cdwav>shn

07/29/93

Tennessee Theater
Knoxville, TN
3 Source: AKG 461's (Cassette Master?? see notes below) Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->SHN

07/30/93

Starwood Amphitheater
Antioch, TN
3 SET 1/DISC 1: CROWN STEREO PZM MIC> SONY PCM DAT> SSL SBD> API EQ> PULTEC COMPRESSION> DAT SET 2/DISCS 2 & 3: AUD (MICS UNKNOWN)> DAT

07/30/93

Starwood Amphitheater
Antioch, TN
1 Source: 2 Nak 300 Shotguns/1 Nak 300 Omni->Nak MX100->Teac DAP-20->DAT Transfer: Sony 59ES->MarantzCDR630->EAC(Secure Mode with correct offset)->WAV (set normalized in Soundforge as one big track)->CD-WAV->SHN

07/31/93

Masquerade Music Park
Atlanta, GA
3 Source: AKG 414 Thanks to Jeff Wright for supplying the dat Conversion: LEVI HUNT PRODIF PLUS> SAMPLITUDE> CDRWAV> MKW> SHN

08/02/93

The Ritz Theater
Tampa, FL
2 Source: AKG 460 + CK61 (FOB) > Oade 48vt PS > Pana SV-255 > Master DAT

08/03/93

Bayfront Park Amphitheater
Miami, FL
3 Source: cAUD (NAK 100 > Sony Analog Deck > cass/1 > DAT > SHN) Thanks to Mikey K (Nugs) for this one who is one sweet dude. Cassette tape transferred to DAT and then to my DAT. Conversion with DIO 2448 using SP/DIF cables from a Panasonic SV380

08/06/93

Cincinnati Zoo Peacock Pavilion
Cincinnati, OH
2 Source: FOB Schoeps cmc3/mk4 > Oade Custom > Panasonic SV-255 Conversion: Tascam DA-P1 > TB Montego II Plus > Sound Forge XP 4.5 > CD Wave > shn

08/07/93

Darien Lake Performing Arts Center
Darien Center, NY
2 Source: AUD (FOB)>AKG460b/ck61>Custom Preamp>Sony D10>Sony D7 Taped on a tripod from section C, row 15, seat 128, set at 7ft height until midway through set 1, then lowered to ~6ft. Transfer: Sony DTC-670>Zoltrix Nightengale via optical cable> Samplitude v5.32(48>44.1)>CDwav v1.6>mkwACT v.97b1 (seek tables appended) *No DAE*

08/08/93

Nautica Stage
Cleveland, OH
3 source: (F.O.B.) AKG 460/ck63>D7 transfered: da-20mkii>montego II plus s/pdif>soundforge>cdwav>shn

08/08/93

Nautica Stage
Cleveland, OH
3 source: akg 460/ck63>d7(FOB) transfered: tascam da20mkII>za2>wav>shn using soundforge, and cdwav.

08/08/93

Nautica Stage
Cleveland, OH
3 source: Schoeps cmc34 > Oade > Panasonic sv-255, FOB transfer: Fostex D-5 > VX Pocket 440 > Spark XL 2.8.2 > xACT > .flac (16/44)

08/09/93

The Masonic Temple
Toronto, ON
2 Source: AKG 460b > Custom Preamp > Teac DA-P20 Mastered by Derek Java

08/11/93

Club Eastbrook
Grand Rapids, MI
3 transfered: da-20mkii>montego II plus s/pdif>soundforge>cdwav>shn

08/12/93

Meadow Brook Music Theater
Rochester Hills, MI
2 source: FOB B&K 4011>neumann ps transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

08/13/93

Murat Theatre
Indianapolis, IN
1 SBD -> Cass -> DAT -> CD.

08/13/93

Murat Theatre
Indianapolis, IN
3 Source: Nakamichi CM-300's (TS, at back of room, w/ cardioid caps) --> Sony D7 @ 48K

08/14/93

World Music Theatre
Tinley Park, IL
3 source: Unknown Source (AKG 460's??)

08/14/93

World Music Theatre
Tinley Park, IL
3 Live Phish

08/15/93

McCauley Theater
Louisville, KY
3 AKG 460b+CK8>D7>DA-20>Lucid PC124>dat>cdr>EAC>wav>shn

08/15/93

McCauley Theater
Louisville, KY
3 Source: AKG 460b/CK8 > D7 Transfer: DA-20 > Lucid PC124 > CDR > EAC > Cool Edit Pro 2.0 > mkwACT

08/16/93

American Theater
St. Louis, MO
3 Source: Nakamichi 300 Omnis > Sony D7 > Cass > Cass > Sony CDR-W33 > CDR > EAC > CDWAV > Soundforge 4.5 > Shntool > SHN

08/17/93

Memorial Hall
Kansas City, KS
3 Source: AKG 414 > D5 > DAP20 Conversion: Transferred through a za2 card (software resampled) using soundforge and cdwav.

08/20/93

Red Rocks Ampitheatre
Morrison, CO
3 SBD:(FM)D>CD>SHN(via EAC by elevy@ytv.com)

08/21/93

Saltair Pavilion
Magna, UT
2 SOURCE: AUDIENCE: SONY MC80'S> DAT CONVERSION: DAT (FOSTEX D-5)> M-AUDIO DELTA DIO 2496 (TOSLINK S/PDIF IN)> SAMPLITUDE MASTER 6.0 (CAPTURE, THEN RESAMPLED TO 44.1 kHz ON "ULTRA HIGH" SETTING)> CDWAVE (TRACK SPLITS)> SHN (WITH SEEK FILES APPENDED)

08/24/93

Commodore Ballroom
Vancouver, BC
1 Source: SBD > DAT Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN

08/24/93

Commodore Ballroom
Vancouver, BC
3 cSBD> DAT clone> Tascam DA-20> ZA2 (coax)> SoundForge XP 4.5> CDRwin DAT>CD by Scott Thornton

08/25/93

Paramount Theater
Seattle, WA
3 source: TOA K1 -> DTR 80P->WAV->EAC->SHN transfered: Unknown

08/26/93

Arlene Schnitzer Concert Hall
Portland, OR
3 source: TOA K1's>denon dtr 89p transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

08/28/93

Greek Theatre, Univ. of California
Berkeley, CA
3 source: F.O.B. km 54's>dap20 transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

08/28/93

Greek Theatre, Univ. of California
Berkeley, CA
3 Source: SBD > Cass/1 > DAT Transfer: ARCHIVE Python > vDAT > 16/48 wav (**16/48 masters are archived**) Mastering: 16/48wav > Wavelab 5.01b (pitch correction, editing, level/pan adjustments) > FLAC16

12/28/93

Bender Arena, American University
Washington, DC
3 source: FOB akg 460b's transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

12/29/93

Veterans Memorial Coliseum
New Haven, CT
3 source: neumann RSM 190i's from section transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

12/29/93

Veterans Memorial Coliseum
New Haven, CT
3 source: AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/30/93

Cumberland County Civic Center
Portland, ME
3 Source: SBD > Panasonic 3700 (master DAT); Master DAT played back on 3700 > Tascam pro analog deck (1st gen cass); Playback of 1st gen cass on Nak CR3A > Sony DTC700 @48kHz Master (from Sony DTC700) used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/edits/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all**

12/30/93

Cumberland County Civic Center
Portland, ME
3 SBD + AUD Matrix Mix (50%-SBD/50%-AUD)

12/31/93

Worcester Centrum
Worcester, MA
3 Source info: FM > DAT 48.1 > PC via Event Gina SP/DIF > 44.1 (CEP at maximum quality) > CDR CDR>SHN via EAC on Plextor Ultraplex, no suspicious positions noted.

12/31/93

Worcester Centrum
Worcester, MA
3 source: neumann RSM 190i's from section transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

04/04/94

Flynn Theater
Burlington, VT
3 Original DAT from ??Source: B+K 4011 > DAT

04/05/94

Le Métropolis
Montréal, QC
3 source: B&K 4011> ?> DAT Transfer: DAT>CDR(master)>EAC>SHN Taped and transferred to CD by Kevin Shapiro. SHNed by Phil Joubert

04/06/94

The Masonic Temple
Toronto, ON
3 ource: DAUD Transfer: Panasonic SV-3700> RCA cable(S/PDIF)> Tascam PCI-822(48k)> Cool Edit Pro(44.1k)> CDWav> MKWshn

04/08/94

Recreation Hall
University Park, PA
3 DAUD/OTS/DFC >Neumann rsm 190i> neumann m/s preamp> Teac DA-p20> Oade Active > Sony D-7 @ 48k

04/09/94

Broome County Arena
Binghamton, NY
1 SOURCE: SBD > Cass/x > DAT (44.1 kHz)

04/09/94

Broome County Arena
Binghamton, NY
3 AKG 460/ck61>DAP20 R500>AES/EBU>ZA2>CoolEdit>SHN

04/10/94

Alumni Arena
Amherst, NY
3 SOURCE: 2 AKG460b/ck61 Front row of tapers section, with mics split 20-25ft aimed directly at repeaters from close range (3-5ft) > DAT (Teac DA-P20) CONVERSION: CTD8000H-S > DAT2WAV > SOUNDFORGE 5.0 (Resampling from 48kHz to 44.1kHz, level 4 w/anti alias filtering) > CD WAVE (track splits) > SHN

04/11/94

Snively Arena - University of New Hampshire
Durham, NH
2 Source: AKG 460b/ck61 > Custom Preamp > TEAC DAP-20 @48kHz by Dave Flashner Thanks to Joe Morrison and Jim Pollock for helping acquire these elusive DATs Transfer: Sony D8 > Zefiro ZA2 > Soundforge 5.0 (48>44.1) > CDWave > mkwACT (.shn) Transferred by Benjamin Fleahman and Daniel Shay

04/13/94

WNEW Studios
New York, NY
1 FM->DAT->echo mia->SF7.0->CDwave->flac

04/14/94

Beacon Theatre
New York, NY
3 Source: [DFOB; Master DAT] Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz; Row Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97

04/16/94

Mullins Center
Amherst, MA
3 SOURCE: AKG460b/ck61 (FOB-17th Row Ctr) > DAT (Teac DA-P20) CONVERSION: CTD8000H-S > DAT2WAV > SOUNDFORGE 5.0 (Resampling from 48kHz to 44.1kHz, level 4 w/anti alias filtering) > CD WAVE (track splits) > SHN

04/17/94

Patriot Center
Fairfax, VA
2 SOURCE: 2xAKG460b/ck8 > DAT CONVERSION: CTD8000H-S > DAT2WAV > SOUNDFORGE 5.0 (Resampling from 48kHz to 44.1kHz, level 4 w/anti alias filtering) > CD WAVE (track splits) > SHN

04/17/94

Patriot Center
Fairfax, VA
2 Source: SBD>?>DAT (Earphones Mix; digi-noise in various places throughout the tape) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias

04/18/94

Bob Carpenter Center
Newark, DE
2 source: akg 460b>D7 transfered: tascam da20mkII>za2>wav>shn using soundforge, and cdwav.

04/20/94

Virginia Horse Center
Lexington, VA
3 DAT > CD > SHN: Mike Vernal Equip: Sony R500 > Audiomedia III > Pro Tools 4.3.2 > Panasonic 7502 (burn/extract)

04/21/94

Lawrence Joel Veterans Memorial Coliseum
Winston-Salem, NC
3 AKG 460 Cards>XLR's>Power Supply>XLR"S>1/4's> TEAC>DAT.

04/22/94

Township Auditorium
Columbia, SC
3 SOURCE:AKG 460 CARDS>TEAC>DAT DAT CLONING:Panasonic 3700>COAX>Panasonic 3700 DAT>SHN TRANSFER:Technics SV 260A>COAX>WAV>CDWAV>SHN: Via MKW.These SHN files are seekable in your SHnamp. I have include both WAV and SHN md5s

04/23/94

Fox Theater
Atlanta, GA
3 Source: DAUD/OTS: ORCH Row BB, Seat 106 Neumann TLM170i(90deg/hypercard) > Oade M118 Deluxe Pre/PS > Panasonic SV-250(modified by Doug to bypass deck's mic pre-amp)@48k Master(on SV-250 listed above) > clone > clone used in below transfer

04/24/94

Grady Cole Center
Charlotte, NC
3 elcome to my masterclone copy of this show. My friends Brad and Larry from Richmond VA taped, here's their setup: 15 Ft. pole; Front Row; Center AKG 460 Cards>XLR's>Power Supply>XLR's>1/4's> TEAC>DAT.

04/25/94

Knoxville Civic Auditorium
Knoxville, TN
3 Source: SBD>C0>DAT @ 48KHz (Unknown DAT generations) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all**

04/26/94

Purple Dragon Recording Studios
Atlanta, GA
1 Source: FM>C?>DAT (Unknown DAT generations) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

04/29/94

Boatyard Village
Clearwater, FL
3 Location: Taper's Section Source: AKG 460s > Panasonic SV255 Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling (*no DAE at all) Louie Rendek

04/29/94

Boatyard Village
Clearwater, FL
3 Senn ME-80's/KU-3's x Senn 421's > Boss BX-4 > Denon DTR-80P Wavelab > cd wave > flac *48 kHz*

04/30/94

The Edge
Orlando, FL
2 Source: DAUD1, unknown mic source --------- unknown transfer process, CDR>EAC>SHN

04/30/94

The Edge
Orlando, FL
3 Source: DSBD>DAT>?>DAT>clone>clone used for transfer Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

05/03/94

Starwood Amphitheater
Antioch, TN
3 Source: DAUD/OTS>AKG 460b ck61>AKG B-18 Phantom Power>Sony D-10 Pro II(@ 48khz) Transfer: Master Dat from D-10>Sony DTC-690> Audioquest Optilink 1> SEK'D Prodif Plus> Samplitude v5.5> Soundforge xp 4.5 (resample @ 4/4 with anti alias filter)> Cdwav 1.6> flac

05/06/94

Tower Theater
Houston, TX
2 Source: Unknown DAUD > Cassette(X) > WAV > SHN Conversion: Onkyo TA-2055 > Teac RW CD22 standalone burner > HDD > MKW Normalized and EQ'd in Soundforge 7.0

05/08/94

The Backyard Bee Cave
Austin, TX
3 Source: ? Transfer: ?

05/10/94

Paolo Soleri Amphitheater
Santa Fe, NM
2 (Taped by Beemer from Summit County) Pzm's ? > Sony D5 (Master Cass) > Eq'ed by Taper > 1st Gen Cass Transfer: 1st Gen Cass > Aiwa F850 3-Head > V3 @ 32db (W/ANSR On) @ 44.1 > Vx Pocket 440 > Toshiba 3480ct > Sf 6.0 > Fades > Cd Wave > Flac

05/12/94

Buena Vista Theater
Tucson, AZ
3 Source: [DAUD] Unknown DAUD Source (Probably AKG 460's) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7 (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.91-> mkwACT v0.97 **No DAE**

05/13/94

Hayden Square
Tempe, AZ
2 Source: [DAUD] AKG 460-> DAT Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7 (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.91-> mkwACT v0.97 **No DAE**

05/14/94

Montezuma Hall
San Diego, CA
3 NAK 300 Omnis>D-7>DAT.

05/14/94

Montezuma Hall
San Diego, CA
3 Source: [DAUD] AKG461>DAT (most of Cavern > end of show is Technics SV-260A) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7 (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.93-> mkwACT v0.97 **No DAE**

05/16/94

Wiltern Theater
Los Angeles, CA
2 Source: [DAUD] B&K 4021>DAT Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7 (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.93-> mkwACT v0.97 **No DAE**

05/16/94

Wiltern Theater
Los Angeles, CA
2 Source: (FOB) Schoeps MK4/CMC5-> Sony D10 Pro Transfer: DAT Clone-> HHb CDR-830-> EAC-> PC-> MKWACT(SHN)>.wav>FLAC v1.7.1

05/17/94

Arlington Theater
Santa Barbara, CA
3 Source: [DAUD] AKG 461 > DAT Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7a (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.93-> mkwACT v0.97 **No DAE**

05/19/94

Hult Center
Eugene, OR
3 NAK 300 Omnis>D-7>DAT.

05/20/94

Evergreen College Recreation Center
Olympia, WA
3 Source: [Master DAT>clone used for transfer] B&K 4010 (20' spread omni's)-> Sony D3 Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

05/21/94

Moore Theater
Seattle, WA
2 Here's his setup: NAK 300 Omnis>D-7>DAT.

05/22/94

Vogue Theater
Vancouver, BC
3 NAK 300 Omnis>D-7>DAT

05/23/94

Civic Auditorium
Portland, OR
3 Source : Audio-Technica 4053(flat)S from balcony TS >Dat>Digital Audio Labs Deluxe Soundcard>SF4.5>Resampled to 44,100>Cdwave>Shns

05/25/94

Warfield Theater
San Francisco, CA
3 Source: [DFOB; Master DAT] Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97

05/26/94

Warfield Theater
San Francisco, CA
3 Source: [DFOB; Master DAT] Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all**

05/27/94

Warfield Theater
San Francisco, CA
3 Source: [DFOB; Master DAT] Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all**

05/28/94

Laguna Seca Raceway
Monterey, CA
2 Source: DSBD>DAT (Unknown DAT generations) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all**

05/29/94

Laguna Seca Raceway
Monterey, CA
3 Source: [DFOB] Neumann KM84's @ 48KHz Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

06/09/94

Triad Amphitheater
Salt Lake City, UT
2 Source: B&K 4011 > ??? > DA-P1 > ??? > CDR > EAC > CDWAV > Soundforge 4.5 > Shntool > SHN

06/09/94

Triad Amphitheater
Salt Lake City, UT
1 Source: SBD> CassX> (recorded 9/95) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/11/05 by EEE Remastering: FLAC > Wavelab (pitch correction/EQ/editing) > FLAC16 by Marmar

06/10/94

Red Rocks Amphitheatre
Morrison, CO
2 Source: Nuemann TLM 170i>DAT [Set 1: Sub-cariods; Set 2: Cariods) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

06/11/94

Red Rocks Amphitheatre
Morrison, CO
3 Source: FM Broadcast-> DAT-> CDR

06/13/94

Memorial Hall
Kansas City, KS
2 Akg 460/ck61's > Dat > Clone

06/13/94

Memorial Hall
Kansas City, KS
3 (DAUD): More to come...

06/14/94

Civic Center
Des Moines, IA
3 DAUD/OTS>AKG 460b ck61>AKG B-18 Phantom Power>Sony D-10 Pro II(@ 48khz)

06/16/94

State Theater
Minneapolis, MN
2 SBD>C0>DAT (Unknown DAT generations)

06/17/94

Eagles Auditorium
Milwaukee, WI
2 SBD>C0>DAT @ 48KHz (Unknown DAT generations

06/18/94

UIC Pavilion
Chicago, IL
3 Remastered Version 02/10/2002 SBD>Cass1>DAT>CD>EAC>Cool Edit 2000 (Editing)>SHN (See below for SBD>Cass1>DAT>CD>EAC>complete details)

06/19/94

State Theater
Kalamazoo, MI
2 DAUD/OTS>AKG 460b ck61>AKG B-18 Phantom Power>Sony D-10 Pro II(@48kHz)

06/21/94

Cincinnati Music Hall
Cincinnati, OH
2 DAUD/OTS>AKG 460b ck61>AKG B-18 Phantom Power>Sony D-10 Pro II(@ 48khz)

06/22/94

Veterans Memorial Auditorium
Columbus, OH
3 Live Phish

06/23/94

Phoenix Plaza
Pontiac, MI
3 AKG 460b's -> B18 -> D10proII @ 48 Khz

06/24/94

Murat Theater
Indianapolis, IN
3 DAUD/OTS>AKG 460b ck61>AKG B-18 Phantom Power>Sony D-10 Pro II(@ 48khz)

06/25/94

Nautica Stage
Cleveland, OH
0 SOURCE: AUD (2 AKG 460b/ck63) > DAT (Teac DA-P20)

06/25/94

Nautica Stage
Cleveland, OH
3 Digital Audience Recording Schoeps CMC34 Cardiod mics -> Oade Pre -> Panasonic sv255 First Set to Tela FOB; Then Walked behind board fr remainder of show Taped by Todd Evans and Adman Gross

06/26/94

Municipal Auditorium
Charleston, WV
3 Source info DAUD (FOB AKG 460s) > ZA2 (resampled from 48 to 44.1) > HD > track split w/ CD Wav There was no DAE done for these wav files--shn files made directly from original wav files. : )

06/29/94

Walnut Creek Amphitheater
Raleigh, NC
2 Source: AKG460+ck61-> DAT-> CD-R Conversion: CD-R-> EAC (paranoid mode)-> mkwACT v0.97

06/30/94

Classic Amphitheater
Richmond, VA
3 Source: Akg 451's>DA-20p>ZA2>Soundforge4.0>CD Wav ed>SHN DAT>HD>SHN Transfer: Mike Ayers mayers@vt.edu

07/01/94

Mann Music Center
Philadelphia, PA
3 [DFOB; Master DAT] Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz* (See NOTES)

07/02/94

Garden State Arts Center
Holmdel, NJ
3 Source: FOB B+K 4011 Transfer: Fostex D5 -> optical cable -> HOSA ODL-276 -> digi coax cable -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (resample, fades, fix) -> CD Wave v1.71 -> mkwACT 0.97b1

07/03/94

The Ballpark
Old Orchard Beach, ME
3 Source: AKG460>ck61>DA-P1 Conversion: Sony PCM-M1-> RK-DA10 7-pin Coax-> Waveterminal 2496-> Cool Edit Pro-> Wav-> mkwACT-> .shn

07/05/94

The Congress Center
Ottawa, ON
3 Source: AKG 460/CK61 -> Custom Pre-amp -> Teac DAP20 @ 48Khz DSBD [Rift opener only] Transfer: DAT -> PC (S/PDIF, TB Fiji) 48->44.1 Khz resample via CoolEdit Pro v1.2 @ 999 qs w/ Pre/Post Filter -> SHN [No DAE] [07-26-00] Adam Shiffman - adam@rift.com

07/06/94

Theatre St. Denis
Montréal, QC
2 SET I Source: Sennheiser 442>Marantz PMD430 Tape Deck>Cass 1>Sony WA9ES Tape Deck>Tascam DA302 Transfer: Tascam DA302>MAudio Dio 24/48>CDWave>SoundForge (editing)>SHN Taped by Pierre Perault Analog>Dat/Dat>SHN by Blane Harvey

07/08/94

Great Woods Center for the Performing Arts
Mansfield, MA
3 FOB Schoeps CMC6/mk4

07/08/94

Great Woods Center for the Performing Arts
Mansfield, MA
2 SBD/mix > DAT@44.1k (see source notes below)

07/09/94

Great Woods Center for the Performing Arts
Mansfield, MA
3 DFOB; Master DAT] Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz

07/10/94

Saratoga Performing Arts Center
Saratoga Springs, NY
3 Source: Set I: FOB Schoeps cmc5/mk4 > Sax > AD-500e > D10 (through Rift, Apogee battery died) Stash to end of Set I : OTS AT- 4053 Set II: FOB Schoeps cmc5/mk4 > Sax > D10

07/13/94

Big Birch Concert Pavilion
Patterson, NY
3 Source: B&K 4011 fob Transfer: Da-20 mkII > rme 96/8 > soundforge 5.0 > cd wave > mkw(shn)

07/15/94

Jones Beach Music Theater
Wantagh, NY
3 source: AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

10/07/94

Stabler Arena
Bethlehem, PA
3 Source: [DAUD; Clone] AKG 460 + ck 61 -> ? Minor Edits: Fades (in/out at beginning/end of sets) ----------------

10/08/94

Patriot Center
Fairfax, VA
3 Source: DAUD/OTS Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all**

10/10/94

The Palace Theater
Louisville, KY
3 Source: (probably AKG 460>DAT)>?>CDR>EAC>WAV>SHN through MKW Seek tables appended to end of files

10/12/94

The Orpheum Theater
Memphis, TN
2 SRC: akg461->Dennon DAT Transfer from DAT to CD done on pro equipment (most likely Panisonic 3800->Otari CDR-18) EACed and SHNed by JC soundphan@hotmail.com taped and transferred by CC? **Note: there may be 1 extra "generation" of EAC but no more than that

10/14/94

McAllister Auditorium
New Orleans, LA
3 Source: AKG460's>ck61 Conversion: Tascam DA-20 > Coax > Waveterminal 2496 > Cool Edit Pro 2000 > CD Wav > MKW Act > Shn

10/15/94

Oak Mountain Amphitheater
Pelham, AL
3 Source: Audio Technica 822>Sony D8 Extraction/Compression: CD-R>EAC>Monkey's Audio

10/16/94

Soldiers And Sailors Memorial Auditorium
Chattanooga, TN
3 SOURCE: AKG 460/CK61 DAT PROVIDED BY: JEFF WRIGHT CONVERSION: LEVI HUNT PRODIF PLUS> SAMPLITUDE> CDWAV> MKW> SHN

10/18/94

Memorial Gymnasium, Vanderbilt University
Nashville, TN
3 Source: SBD>C0>DAT (unknown DAT generations) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all**

10/20/94

Mahaffey Theatre
St. Petersburg, FL
3 Source: DFOB: AKG 460>DAT Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

10/21/94

Sunrise Musical Theatre
Sunrise, FL
3 Digital audience: AKG 460 Transfer: da-20mkii>montego II plus s/pdif>soundforge>cdwav>shn Received From : Brandon Johnston

10/22/94

The Edge Concert Field
Orlando, FL
2 Source: [DFOB; Master DAT>clone used for transfer] Schoeps MK4's [CMC341 -> Sony D-10(?)] @ 48KHz (Detailed source info, in brackets, speculated.) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0d (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

10/23/94

The Band Shell, University Of Florida
Gainesville, FL
3 Schoeps CMC54 > D10 PCM R500>AES/EBUmonstercable>ZA2>Cooleditpro>SHN

10/26/94

Varsity Gym
Boone, NC
3 AKG 460's>DAT Cloned for me via: Panasonic 3700>COAX>Panasonic 3700 Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN.

10/27/94

University Hall
Charlottesville, VA
3 Source: AKG460s(in X-Y pattern)>Shure PreAmp>DAP-20>DAT(1) DAT>SHN by scottz (metawhy@yahoo.com)

10/28/94

Galliard Auditorium
Charleston, SC
3 Source: AKG 460's+ck61 Transfer: DA-20 mkII->Delta Dio 2496->Soundforge 4.5 (resampled 48>44.1 on highest accuracy setting w/ anti alias filter)->CDWAV->SHN

10/31/94

Glens Falls Civic Center
Glens Falls, NY
4 Source: FOB:Schoeps CMC6+MK4>DAT>ZA2>Soundforge 4.0>CDWav Editor>.shn DAT>ZA2>.shn transfer by Mike Ayers upload by Jim Mann

11/02/94

Bangor Auditorium
Bangor, ME
3 Source: DAUD/OTS Schoeps CMC3/mk41 > Oade Deluxe 12v PS > Denon dtr80p(mic input)@48k Master(on dtr-80p listed above) > clone used in below transfer Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1@highest setting[4of4], with anti-alias filter and Fade in/outs) > CD Wave > mkwACT v0.97

11/02/94

Bangor Auditorium
Bangor, ME
3 source: AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

11/02/94

Bangor Auditorium
Bangor, ME
3 source: AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

11/03/94

Mullins Center
Amherst, MA
3 Source: DAUD/OTS AKG460B/ck61 > Custom Pre-amp > Teac DAP-20 @48kHz Master (from DAP-20) > clone used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE at all**

11/04/94

Onondaga War Memorial Auditorium
Syracuse, NY
2 Source: DAUD/OTS Schoeps CMC3/mk41(XY 90 deg) > Oade Deluxe 12v PS > Denon dtr80p(mic input)@48k Master(on dtr-80p listed above) > clone used in below transfer Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1@highest setting[4of4], with anti-alias filter) > CD Wave > mkwACT v0.97

11/04/94

Onondaga War Memorial Auditorium
Syracuse, NY
3 source: AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

11/12/94

The Mac Center
Kent, OH
3 source Scheops CMC64>Aerco>apogee>DAT>AES/EBU>ZA2>CDr

11/13/94

Erie Warner Theatre
Erie, PA
3 Unknown,First set probably a great fob schoeps, i do know there is an fob schoeps source going around. Second set is definately DSDB. The first 4 seconds of suzie is cut, amazing grace is on the setlist, but cant be heard because it was sang without mics. Therefore making me further believe that the second set is soundboard. Thanks to CASH MCCALL for the dats. DA-P1>PRODIF PLUS>SAMPLITUDE>CDWAV>SHN CONVERSION AND UPLOAD: Levi Hunt AC_DC_BAG@HOTMAIL.COM

11/14/94

Devos Hall
Grand Rapids, MI
3 Neumann KM140>Aerco>Casio>D100 SonyR500>AES/EBU>ZA2>plexwriter8x20

11/16/94

Hill Auditorium
Ann Arbor, MI
3 Source: AKG460cK61>Aerco>DTR80P Audio CD>EAC>SHN

11/17/94

Hara Arena
Dayton, OH
3 Source: DAUD/OTS Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48k Master(on DA-R100 listed above) > clone used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all**

11/18/94

MSU Auditorium
East Lansing, MI
2 SOURCE: AUD (mics unknown) > DAT > CD > EAC > CD

11/19/94

Indiana University Auditorium
Bloomington, IN
3 Source: Unknown Audience Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->SHN Transfer by: Brandon Johnston

11/19/94

Indiana University, Parking Lot
Bloomington, IN
1 SOURCE: AUD(AKG322)>Cass/x>DAT>CD>EAC>CD Jam outside the tour bus with Mike (banjo and electric bass), Page (upright bass), Trey (fiddle and guitar), Fish (mandolin), Rev. Jeff Mosier (banjo), Eric Merrill (fiddle and guitar), and Jeremy (banjo and jaw harp).

11/22/94

Jesse Auditorium
Columbia, MO
3 Source: DFOB: AKG 460(?)>DAT Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

11/23/94

The Fabulous Fox Theatre
St. Louis, MO
3 4 mic mix: Sen. ME-80/KU-3's x AKG 409B's > Boss BX-4 > Denon DTR-80P @ 48kHz transfer dat master > m-audio usb > Dell laptop > Wavelab > cd wave > flac

11/23/94

The Fabulous Fox Theatre
St. Louis, MO
3 Source: [DAUD; Clone] AKG C1000 -> ? Conversion: Tascam DA-20 MkII-> Coax-> Philips CDR-870 (Standalone)-> WAV -> EAC (Extracted file as one track) -> CD Wave Editor -> Soundforge 4.5 -> mkwACT (shn) **DAE was used**

11/25/94

UIC Pavilion
Chicago, IL
3 Source: AKG480 > DAT Transferred: Sony R500 > AES/EBU > ZA2 > CoolEdit > SHN

11/26/94

The Orpheum Theatre
Minneapolis, MN
2 Source: DAUD/OTS AKG SE 10's > Marantz PMD-700@48kHz Mics were XY 90 degrees directly behind Paul. 1st generation clone of master used in this transfer. Conversion: Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Samplitude v5.5 > Soundforge 4.5a (48>44.1@highest setting[4of4], with anti-alias filter and Fade in/outs) > CD Wave > mkwACT v0.97 (shn files have seek tables appended)

11/28/94

Field House
Bozeman, MT
2 Source: Coresound Binurals>DAT>clone>clone used for transfer Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all**

11/30/94

Campus Recreation Center
Olympia, WA
3 Live pHish

12/01/94

Salem Armory
Salem, OR
3 Live Phish

12/02/94

Recreation Hall at UC Davis
Davis, CA
3 Source: [DAUD] Neumann KM140-> Oade PS-> Denon DTR-100P @ 48k Transfer: CTD8000H-S-> VDAT 0.6f (each dat extracted twice and compared)-> Sound Forge 5.0d (48->44.1 (highest setting w/ anti-alias filter), edits)-> CDWave 1.62-> shorten 3.3-> SHN3 (w/ seek tables)

12/03/94

Event Center
San Jose, CA
3 Source: [DAUD] Neumann KM140-> Oade PS-> Denon DTR-100P @ 48k Transfer: CTD8000H-S-> VDAT 0.6f (each dat extracted twice and compared)-> Sound Forge 5.0b (48->44.1 (highest setting w/ anti-alias filter), edits)-> CDWave 1.61-> mkwACT 0.91b1-> SHN3 (w/ seek tables) Edits: 5 second fades at the beginning and end of both sets

12/04/94

Acker Gym
Chico, CA
3 source: AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/06/94

UCSB Event Center
Santa Barbara, CA
2 Source: Neumann KM140's (no other source info given) Transfer: DA-20 mkii> Philips CDR 870 > EAC > CDWAV > Soundforge 4.5 > Shntool > SHN Transfer by: Brandon Johnston

12/06/94

UCSB Event Center
Santa Barbara, CA
3 source: AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/07/94

Spreckels Theatre
San Diego, CA
2 Source: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE at all**

12/08/94

Spreckels Theatre
San Diego, CA
2 Source: DSBD > Master DAT > My first-generation DAT clone (Taped by Mr. Anonymous) Transfer: My DAT (First Gen Clone) > Fostex D5 > optical cable > HOSA

12/09/94

Mesa Amphitheatre
Mesa, AZ
3 Source: Set I: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer Set IIpt: DAUD/OTS Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer

12/10/94

Civic Auditorium
Santa Monica, CA
3 AKG 460 Cards>10 ft XLR's>Power Supply>3 ft XLR's> Technics SV 260A>DAT. Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN.

12/28/94

Philadelphia Civic Center
Philadelphia, PA
3 Source: (F.O.B.) Schoeps mk4 (no other source info given) Transfer: DA-20mkII->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq

12/29/94

Providence Civic Center
Providence, RI
3 Source: Schoeps CMC34 FOB (Taper unknown, no further source info) Transfer: Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 48 kHz > Samplitude 2496 (resampled to 44.1kHz) > CD Wave > Sound Forge (fades) > mkwACT 0.97 w/ seeking enabled. Performed by Rob Garland

12/30/94

Madison Square Garden
New York, NY
3 Source: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Set 1: Master (from D10) used in below transfer Set 2: Master > clone(s) (backup) used in below transfer (see below)

12/30/94

Ed Sullivan Theater
New York, NY
3 source: AKG 460B/ck61 > custom pre-amp > Teac DAP-20 > Casio DAT deck (@48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/31/94

Boston Garden
Boston, MA
3 Source: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer

06/07/95

Boise State University Pavillion
Boise, ID
2 Source: AKG 398s > OADE M118 > Sony SBM-1 > Sony D7 Transfer: DAT > CD via D8 > HHb Burn It Taped and transfered by "Meatball" Conversion: CD(.wav) > EAC > CDWave > .shn(mkwACT) Done by Adam Heckelsmiller

06/08/95

The Delta Center
Salt Lake City, UT
2 Source: AKG 460B > CK6 > DAT > CDR > EAC > SHN Eac'd by: James Dunnican (jdunnican@earthlink.net) (any taper info please email to correct the source)

06/09/95

Red Rocks Amphitheatre
Morrison, CO
2 Source: B&K 4006 (8'high/10' spread/5rows back of SBD)>Lunatec 316>Audio Magic cables>Panasonic SV250 @48kHz Taper: Marc Nutter Transfer: SV3800>Nuendo Multiset>Wave Lab4.0>wav>CDWave>wav>FLAC Transferer: Phil Lucks (lucks@sonicsense.com)

06/10/95

Red Rocks Amphitheatre
Morrison, CO
2 Field: Microtech Gefell M270 (spread 8') > Oade M148 > Oade mod Panasonic SV-250 Transfer: Panasonic SV-3800 > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)

06/13/95

Riverport Amphitheatre
Maryland Heights, MO
3 Source: AKG C1000s > D7 Transfer: DA-20 > Delta Dio 2496 (resampled on highest accuracy setting 48>44.1) > Soundforge 4.5 > CDWAV > SHN

06/14/95

Mud Island Amphitheater
Memphis, TN
3 Transfer: DA-20->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq

06/15/95

Lakewood Amphitheatre
Atlanta, GA
3 Source: Nak 300 w/ cp-4 & Senn 441 > Sony Mixer > D10 Pro Location: Taper Section Conversion: DAT (48kHz)>MIT s/pdif>Delta DiO 2496>Samplitude v5.55 (44.1kHz conversion)>CD Wav>MKW v0.97 (with seek tables appended)

06/16/95

Walnut Creek Amphitheatre
Raleigh, NC
3 Source: Neumann RSM190i > Neumann PS > D7 > JVC XD-P1 [patch master used in xfer] Transfer: DA-20mkII->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq

06/17/95

Nissan Pavillion at Stone Ridge
Gainesville, VA
3 Source: DAUD/OTS Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48k Master(on DA-R100 listed above) > clone used in below transfer Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1@highest setting[4of4], with anti-alias filter and Fade in/outs) > CD Wave > mkwACT v0.97

06/20/95

Blossom Music Center
Cuyahoga Falls, OH
3 Source: OTS Schoeps CMC5/mk4v > Aerco Preamp > Apogee AD500e@48kHz Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 > **No DAE or resampling at all at all** Conversion by: Jim Raras using Franklin Malemud's DAT clone of the master.

06/22/95

Finger Lakes Performing Arts Center
Canandaigua, NY
3 Source: DAUD/OTS Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48k Master(on DA-R100 listed above) > clone used in below transfer Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1@highest setting[4of4], with anti-alias filter and Fade in/outs) > CD Wave > mkwACT v0.97

06/23/95

Waterloo Village Music Center
Stanhope, NJ
2 Source: AKG 460b --> Sony D10 Pro II Transfer: Tascam DA-P1 --> Audio Magic Presto II cable --> Audiowerk II --> Waveburner --> Adaptec Jam --> SHN

06/24/95

The Mann Music Center
Philadelphia, PA
3 Source: Cardoid 460's > TEAC > Technics 260 > DAT Transfer: CD > EAC > .WAV > MKW > .SHN

06/25/95

Mann Center for the Performing Arts
Philadelphia, PA
2 Source: SBD > DAT > Cass/1 > Nakamichi CR7 > Lucid AD9624 > AES/EBU > Fostex D5 @48kHz DAT Conversion: Louie Rendek Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling

06/25/95

Mann Center for the Performing Arts
Philadelphia, PA
2 Source: SBD > DAT > Cass/1 > Nakamichi CR7 > Lucid AD9624 > AES/EBU > Fostex D5 @48kHz DAT Conversion: Louie Rendek Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling

06/26/95

Saratoga Performing Arts Center
Saratoga Springs, NY
3 Source: AKG 460's Transfer: DA-20 mkII->Delta Dio 2496->Soundforge 4.5 (resampled 48>44.1 on highest accuracy setting w/ anti alias filter)->CDWAV->SHN Received From: Brandon Johnston

06/28/95

Jones Beach Amphitheatre
Wantagh, NY
2 Source: Cardiod 460's>TEAC>Technics260>DAT>WAV>CDR

06/29/95

Jones Beach Amphitheatre
Wantagh, NY
3 Source: B&K4011's > D8 > WAV > SHN

06/30/95

Great Woods Center for the Performing Arts
Mansfield, MA
3 SOURCE:AKG 460 CARDS>TEAC>TECHNICS SV 260A>DAT DAT>SHN TRANSFER:Technics SV 260A>COAX>WAV>CDWAV>SHN:

07/02/95

Sugarbush Summerstage
North Fayston, VT
3 source: B&K4011's>DAT>ZA2>Soundforge XP>CD Wav Ed>SHN

07/03/95

Sugarbush Summerstage
North Fayston, VT
3 SOURCE: AKG 460 CARDS > TEAC > TECHNICS SV 260A > DAT TRANSFER: Technics SV 260A > COAX > wAV > CDWAV > SHN (Via MKW)

09/27/95

Cal Expo Amphitheatre
Sacramento, CA
2 Source: (F.O.B.) Schoeps MK4 (no other source info given) Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting w/anti alias filter)->CDWAV->SHN Transfer by: Brandon Johnston (bisq1@yahoo.com)

09/28/95

Summer Pops
San Diego, CA
2 Source: (F.O.B.) Schoeps mk2 (no other source info) Transfer: DA-20 mkii> Philips CDR 870 > EAC > CDWAV > Soundforge 4.5 > Shntool > SHN Transfer by: Brandon Johnston -- http://db.etree.org/bisq

09/29/95

Greek Theatre
Los Angeles, CA
3 Source: AudioTechnica 4031 > Tascam DA-P1 Taper: Don Wright Conversion: Sony D8 DAT>MIT Terminator S/PDIF>DiO 24/96>Cool Edit 2000>CD Wav>MKW *tape converted from 48kHz to 44.1kHz by CoolEdit software Conversion by: Jered Haddad

09/30/95

Shoreline Amphitheatre
Mountain View, CA
2 SOURCE: NOT AVAILABLE DAT PROVIDED BY: JEFF WRIGHT CONVERSION: LEVI HUNT PRODIF PLUS> SAMPLITUDE> CDWAV> MKW>SHN

10/02/95

Seattle Center Arena
Seattle, WA
2 Source: Neumann KM140 Transfer: Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN

10/03/95

Seattle Arena
Seattle, WA
2 Source: Neumann KM140's (no other source info) Transfer: DA-20 mkii> Delta Dio 2496 > Soundforge 4.5 (resampled on highest accuracy setting 48>44.1 kHz)> CDWAV > SHN Transfer by: Brandon Johnston

10/05/95

Portland Memorial Coliseum
Portland, OR
2 Source: Neumann KA100 Transfer: Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit)

10/06/95

Orpheum Theatre
Vancouver, BC
2 Source:DAUD - AT4031 mics->DAT->?->DAT->SGI->CDR->EAC->SHN(MKW ACT) 48->44.1Khz conversion via SGI sfconvert program.

10/07/95

Opera House
Spokane, WA
2 Source: Neumann KM140 (No other source info given) Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting w/anti alias filter)->CDWAV->SHN Transfer by: Brandon Johnston (bisq1@yahoo.com)

10/08/95

Adams Fieldhouse, University of Montana
Missoula, MT
2 Source: DAUD1 Mics: AKG460/ck61>DAT unknown transfer>CDR>EAC>SHN

10/11/95

Compton Terrace
Phoenix, AZ
3 source: unknown (possibly Tascam PE125>DAP1) if it didn't sound so good I probably would have not transfered this show. transfer: by Matt Vallo mvallo@snet.net Tascam DA-302>Turtle Beach Fiji (S/PDIF)>Sound forge 4.5>CDWAVE>SHN

10/13/95

Will Rogers Auditorium
Fort Worth, TX
2 Source: Tascam PE-125 > D7 > DAT (Bill Shaw's Rig) Transfer: Jeff Ishaq (jishaq@earthlink.net) Fostex D5 > WaveTerminal 2496 > CDRWin > SHN Seeded by: Barton Hodges (barton@gcmcomputers.com) DATs provided by: cdub (cdubbydub@juno.com) and Bryan (wking@flash.net) Note: d2t06: 00:08-00:09, background noise might be confused for a DAE skip -- it's not!

10/14/95

Austin Music Hall
Austin, TX
3 AKG 460 Cards>10ft XLR's>Power Supply>3ft XLR's> Technics SV 260A>DAT. Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN.

10/14/95

Austin Music Hall
Austin, TX
3 source info: schoeps>DA-P1 transfer info: Tascam DA-20 mkII @ 48->SPDIF->Wavelab->resampled to 44.1->CDWav->shn

10/15/95

Austin Music Hall
Austin, TX
2 Tascam PE-125 > D > D(1?) > D (mine)

10/17/95

State Palace Theatre
New Orleans, LA
2 Source: Neumann KM140>SBM-1>D7

10/19/95

Municipal Auditorium
Kansas City, MO
2 source: akg 398 > oade m118 > SBM-1 > d7 transfer: d8 > soundforge 7.0(resampled to 44.1) > CDwave > shn(mkw seekable)

10/20/95

Five Seasons Arena
Cedar Rapids, IA
2 Source: AKG 398s > Sonosax(unknown model) > D-

10/21/95

Pershing Auditorium
Lincoln, NE
2 Source: AKG 460's > DAT Transfer: DA-20 mkii> Philips CDR 870 > EAC > CDWAV > Soundforge 4.5 > Shntool > SHN Transfer by: Brandon Johnston -- http://db.etree.org/bisq

10/22/95

Assembly Hall, University Of Illinois
Champaign, IL
3 Source: Nakamichi CM300 > DAT > CDR Seed: CDR > EAC > Seekable SHN via MKWact 0.97b1 by Paul Hofferkamp (gruven42@yahoo.com)

10/22/95

Assembly Hall, University Of Illinois
Champaign, IL
3 Source: Nakamichi CM300 > DAT > CDR Seed: CDR > EAC > Seekable SHN via MKWact 0.97b1 by Paul Hofferkamp (gruven42@yahoo.com)

10/24/95

Dane County Colseum
Madison, WI
3 Source: Neumann KM140 > Beyer MV100 > D7 Seed: DAT > Seagate Archive Python 01931 > dat2wav 1.2 > Sound Forge 4.5 (to 44.1k @ highest accuracy; anti-alias filter) > CDWav > shnXP (updated shn2k) by Paul Hofferkamp (gruven42@yahoo.com)

10/25/95

St. Paul Civic Center
St. Paul, MN
2 Source: AKG398 Guns>Sonosax?>Dat?>D7 Transfer: DAT>Standalone(HHb Burn It) Done by Guy Gimbrone CD>EAC>CDWAV>SHN(W/MKWact) Done by Adam Heckelsmiller

10/27/95

Wing Stadium
Kalamazoo, MI
2 AKG 460s > unknown pre-amp > DA-P1 > CDR> eac> shn

10/28/95

The Palace
Detroit, MI
3 Source: Akg 460/Ck61 Aerco> DTR80 Dat Seed: Pat Harvey Conversion: Prodif Plus> Samplitude> CD Wav> SHN LEVI HUNT AC_DC_BAG@HOTMAIL.COM

10/29/95

Louisville Gardens
Louisville, KY
2 Source: AKG 460/ck61-> Sony d7-> PCI24-> CD-> EAC-> SHN

10/31/95

Rosemont Horizon
Rosemont, IL
4 Source: B&K 4021 > DA-P1 [had been marked B&K 4011] Conversion: D8 > Montego II > CEP 1.2 > CD-WAV Converted, tracked and uploaded to etree by Mike Wren Thanks to psn and Bill Gardner for the seed!

10/31/95

Rosemont Horizon
Rosemont, IL
4 source: AKG 460B/ck61 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz) transfer: Sony PCM-R500 > Tascam HD-P2 > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

11/09/95

Fox Theater
Atlanta, GA
3 AKG 460 Cards>10ft XLRS>Power Supply>3 ft XLRS> Technics SV 260A>DAT>

11/10/95

Fox Theater
Atlanta, GA
3 13 Ft. Pole; Front Row; Slightly Left of Center; AKG 460 Cards>10ft XLRS>Power Supply>3 ft XLRS> Technics SV 260A>DAT>

11/11/95

Fox Theater
Atlanta, GA
3 SOURCE: TS Schoeps MK5 (Cardiods) > BR Box > Denon DTR80P CONVERSION: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN

11/12/95

O'Connell Center
Gainesville, FL
2 ource: Unknown Audience (Dat received via Aldo Torre) Transfer: DA-20mkII->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq

11/14/95

University of Central Florida Arena
Orlando, FL
3 Source: Mics-Neumman KM-140>Dat 48Hz Conversion: Tascam DA-20 48Hz>M Audio DiO 2448>Sound Forge>44.1Hz Wav>Shn

11/15/95

Sundome
Tampa, FL
3 Transfer: DA-20mkii->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn

11/16/95

West Palm Beach Auditorium
West Palm Beach, FL
2 Source: AKG C1000s (no other info given) Transfer: DA-20mkii->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn

11/18/95

North Charleston Coliseum
North Charleston, SC
2 Source: AKG SE300B/CK98 > AKG B-18 > Teac DA-P20 @ 48kHz Transfer: Sony TCD-D8 > Audiophile 2496 > Wavelab v4.0c (resample 48 > 44.1 kHz; fade in/out) > CD Wave v1.94.2 beta (tracking; flac encoding- level 8)

11/18/95

North Charleston Coliseum
North Charleston, SC
2 Source: (FOB) Scheops MK4/CMC6 > DAT @ 48kHz Transfer: Sony PCM-R500 > Delta Dio 2496 > Samplitude 4.5 > CDWav > FLACv1.7.1 Transfered & Encoded by Matt Edlhuber aka CrazyED

11/19/95

Charlotte Coliseum
Charlotte, NC
3 Source: Neumann KM184 (no other source info) Transfer: DA-20 mkii> Delta Dio 2496 (resampled on highest accuracy setting 48>44.1) > Soundforge 4.5 > CDWAV > SHN Transfer by: Brandon Johnston

11/21/95

Lawrence Joel Veterans Coliseum
Winston-Salem, NC
3 Source: Akg460's+CK61's>DAT>ZA2>Teac 55-S CD-R Comments: At the beginning of Set II, Simple comes in during "what is a band" This is the heaviest circualated source of the show I believe.

11/22/95

U.S Air Arena
Landover, MD
2 Source: Schoeps MK4 (front row TS) -> Schoeps Power Supply -> Sony D7 Transfer: Sony 59ES>Marantz CDR630>EAC(Secure Mode with correct offset)>WAV> Soundforge (5 sec fades at beginning and end of sets)>MKW>SHN

11/24/95

Civic Arena
Pittsburgh, PA
3 Source: DAUD1 Mics: Audio Technics 4031> TASCAM DA-P1 unknown transfer>CDR>EAC>SHN

11/25/95

Hampton Coliseum
Hampton, VA
3 13 Ft. Pole, Front Row, Center AKG 460 Cards>10 ft XLR's>Power Supply>3 ft XLR's> Technics SV 260A>DAT. Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN.

11/25/95

Hampton Coliseum
Hampton, VA
2 source: (FOB) AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

11/28/95

Civic Coliseum
Knoxville, TN
2 Source: Audio Technica 4031 -> DA-P1 Transfer: DA-20mkII->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq

11/29/95

Nashville Municipal Auditorium
Nashville, TN
3 Source: AT4031 -> DA-P1 (Don Wright's rig) transfer: Fostex D5 -> optical cable -> HOSA ODL-276 -> digi coax cable -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (resample, fades, edits) -> CD Wave v1.71 -> mkwACT 0.97b1

11/30/95

Ervin J. Nutter Center
Dayton, OH
3 Source: Set I: (F.O.B.) Schoeps mk21 Set II: B&K 4011 (no other source info given) Transfer: DA-20mkII->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn

12/01/95

Hersheypark Arena
Hershey, PA
2 Source: AKG 414's->DA-P1 (no other info given) Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->SHN Transfer by: Brandon Johnston

12/02/95

Veterans' Memorial Coliseum
New Haven, CT
2 Neumann KM184 DAT(48)>Montego II(44.1)

12/02/95

Veterans' Memorial Coliseum
New Haven, CT
3 source: B+K 4011 > custom pre-amp > Teac DA-P20 (@ 48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/04/95

Mullins Center, University of Massachusetts
Amherst, MA
3 Source: Sennheiser ME80 Shotgun (no other source info) Transfer: DA-20 mkii> Delta Dio 2496 > Soundforge 4.5 (resampled on highest accuracy setting 48>44.1 kHz)> CDWAV > SHN Transfer by: Brandon Johnston

12/05/95

Mullins Center, University of Massachusetts
Amherst, MA
3 Source: Neumann KM184 (no other source info given) Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting w/anti alias filter)->CDWAV->SHN Transfer by: Brandon Johnston (bisq1@yahoo.com)

12/07/95

Niagara Falls Convention Center
Niagara Falls, NY
3 Source: AT 4031 --> Tascam DA-P1 Taper: Don Wright DAT --> CDR --> SHN Transfer: Sony DTC-A6 --> DIO Maudio 2448 --> SF 4.5b --> CDArchtect --> Plex 8x CDR --> EAC --> SHN

12/08/95

CSU Convocation Center
Cleveland, OH
2 Source: Schoeps CMC34 --> Sonosax SX-M2 --> Panasonic SV-255

12/09/95

Knickerbocker Arena
Albany, NY
3 Source: B+K 4011> Neumann p/s> Sony D10 PRO II> DAP1> ZA2 3 Discs

12/11/95

Cumberland County Civic Center
Portland, ME
3 Source: Neuman KMR-82i

12/11/95

Cumberland County Civic Center
Portland, ME
3 Source: B&K 4011 > Neumann PS > Teac DA-P20 @ 48kHz (pre-emphasis on) Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed and converted to 44.1kHz* > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig *Pre-emphasis removed with FFT filter in Cool Edit Pro 1.2 at 32-bit resolution. See http://webclub.kcom.ne.jp/ma/takabin/eng/emphasis.html; downsampled with Cool Edit Pro 1.2 at best setting.

12/11/95

Cumberland County Civic Center
Portland, ME
3 source: B+K 4011 > custom pre-amp > Teac DAP-20 (@48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/12/95

Providence Civic Center
Providence, RI
3 Source: Neumann km184 (no other source info available) Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting w/anti alias filter)->CDWAV->SHN Disc I:

12/12/95

Providence Civic Center
Providence, RI
3 source: AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz) transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/14/95

Broome County Arena
Binghamton, NY
3 source: AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz) transfer: Sony PCM-R500 > Tascam HD-P2 > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz, patch edits) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

12/15/95

The Spectrum
Philadelphia, PA
0 Source: AKG 396's>D7>ZA2>Soundforge 4.0>CD Wave Editor>SHN DAT>HD>SHN transfer:Mike Ayers mayers@vt.edu SHN Upload: Byron Poland byron@vt.edu

12/16/95

Olympic Center
Lake Placid, NY
3 B&K4011 PCM R500>AES/EBU>ZA2>Cooledit>SHN

12/16/95

Olympic Center
Lake Placid, NY
2 source: B+K 4011 > custom pre-amp > Teac DAP-20 (@48kHz) transfer: Sony D8 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades) > CD Wave v1.94.7 > FLAC (level 8)

12/17/95

Olympic Center
Lake Placid, NY
3 Source: Schoeps CMC64 > BPS-1 > DA-P1 Transfer: DA-20 mkii> Philips CDR 870 > EAC > CDWAV > Soundforge 4.5 > Shntool > SHN Transfer by: Brandon Johnston -- http://db.etree.org/bisq

12/17/95

Olympic Center
Lake Placid, NY
2 source: AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz) transfer: Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b

12/28/95

The Centrum
Worcester, MA
3 13 Ft. pole; Front Row; Somewhere Akg 460 Cards>10ft XLR's>Power Supply>3ft XLR's> Technics SV 260A>DAT. Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN.

12/29/95

The Centrum
Worcester, MA
2 ource: Schoeps CMC64 (split 10 ft, OTS) > Stewart BPS-1 power supplies > Sony TDC-D7 @ 48k by Tim Ural Transfer: DAT(1); Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > converted to 44.1kHz in Cool Edit Pro 1.2 in best setting with pre/post filtering > CD Wave 1.62 > MKWAct 0.97b by Craig Hillwig

12/30/95

Madison Square Garden
New York, NY
3 source: akg 460b/ck63 -- thanx to matt urban for donating the master copy as a seed!!! transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.

12/30/95

Madison Square Garden
New York, NY
3 Source: [fob]Schoeps mk4/cmc5>Sonosax SX-M2>AD500e>D10 Transfer: Tascam DA20MKII>Hosa ODL>JB3>wav>SF7>CDWave>wav>FLAC Transferer: Phil Lucks (luckspATcomcast.net)

12/31/95

Madison Square Garden
New York, NY
0 Live Phish

12/31/95

Madison Square Garden
New York, NY
3 Source: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz Master (from D10) used in below transfer Patch Source: DAUD/OTS Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @ 48kHz Master (from DA-P1) used in below transfer

04/26/96

Fair Grounds Race Course
New Orleans, LA
3 Live Phish

04/26/96

Fair Grounds Race Course
New Orleans, LA
2 The original DAT had an odd quality to the high frequencies, with some occasional noise (wind, perhaps). This was NOT the result of the DAT > CDR transfer, which was purely digital. In spite ofthe imperfections, this is a rare show of which not many sources are available, so I figured I'd spread it. Source:DAUD (Schoeps CMC461 (FOB) > Sonosax SX-M2 > Tascam DA-P1) CD-R Transfer and Mastering:Tascam DA-P1 > SBLive via S/PDIF > 48-44.1 resample (Andy Carlson, ac@interaccess.com) Disc 1

06/06/96

Joyous Lake
Woodstock, NY
1 lineage: ILLEGAL BOOTLEG CD > eac > shn

07/03/96

Stadia Bratmasco
Trento, Italy
1 Source: AKG 414 Dat Seed: Jeff Kemp Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM PRODIF PLUS> SAMPLITUDE 2496> CDWAV> MKW> SHN

07/05/96

Stadio Olimpico, Curva Sud
Rome, Italy
1 Source: AKG 414 Dat Seed: Jeff Kemp Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM PRODIF PLUS> SAMPLITUDE 2496> CDWAV> MKW> SHN

07/06/96

Duommo Square
Pistoia, Italy
1 Source: AKG 414's Dat Seed: Jeff Kemp Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM PRODIF PLUS> SAMPLITUDE 2496> CDWAV> MKW> SHN

07/07/96

Parco Aquatica
Milan, Italy
1 Source: AKG 414's Dat Seed: Jeff Kemp Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM PRODIF PLUS> SAMPLITUDE 2496> CDWAV> MKW> SHN

07/09/96

Centre International de Deauville
Deauville, France
1 Source: FOB Schoeps MK4V (ORTF, 8' stand, row H, center) --> KC5 --> CMC6 Sonosax SX-M2 --> Tascam DA-P1 @ 48K Tranfer: Sony PCM-2600 (One off master) > Dio MAudio 2448 > Cool Edit Pro 2 (add fades, resample, 999 setting) > CD WAV > .shn via MKW .97 by Bill Gardner bgard@speakeasy.net

07/10/96

Le Zénith
Paris, France
1 Source: FOB Schoeps MK4V (ORTF, 8' stand, 50' back, center) --> KCY actives --> Sonosax SX-M2 --> Tascam DA-P1 @ 48K Tranfer: Sony PCM-2600 (One off master) > Dio MAudio 2448 > Cool Edit Pro 2 (add fades, resample, 999 setting) > CD WAV > .shn via MKW .97 by Bill Gardner bgard@speakeasy.net

07/11/96

Shepherds Bush Empire
London, England
2 Source: DSBD Transfer: Tascam DA-20 > Delta DiO 2496 > Sound Forge 6.0 (48>44.1) > CDWave > flac16 Transferred by: Daniel Shay

07/12/96

The Melkweg
Amsterdam, Netherlands
2 source: AKG 414 > DA-P1 transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, sample rate conversion) > CD-WAV > SHNv3

07/13/96

The Dour Festival
Dour, Belgium
1 Source:Unknown Aud Conversion:CasXXX > CD > EAC > MKW > SHN converted by : Volker Skrzeba (BigV)

07/13/96

The Dour Festival
Dour, Belgium
1 Source: AKG391's> Sound devices> DAT> D5 Transfer: Cass/2> Dennon DRW-840>Audiophile 2496>FLAC 6/7/06 by EEE My Cass/2 was recorded in 10/96 from my friend Miles Abrahm's master cassette tape.

07/15/96

La Marna
Sesto Calende, Italy
2 Source: Neumann km140> Beyer mv100 Dat Seed: JEFF KEMP Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM PRODIF PLUS> SAMPLITUDE 2496> CDWAV>MKW>SHN

07/17/96

Théâtre Antique
Vienne, France
1 Source:Unknown Aud Conversion:CasXXX > CD > EAC > MKW > SHN converted by : Volker Skrzeba (BigV)

07/17/96

Théâtre Antique
Vienne, France
1 Source: AKG391's> Sound Devices> DAT> D5 Transfer Cass/2> Dennon DRW-840>Audiophile 2496>FLAC 6/7/06 by EEE

07/18/96

Theater de Verdure
Nice, France
1 source: Unknown Aud conversion : CD > EAC > SHNTOOL > CDWAV > MKW > SHN converted by : Volker Skrzeba (BigV)

07/19/96

Les Arenes
Arles, France
1 source: AKG 414 > DA-P1 transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 12/18/2003

07/21/96

The Forum
Nürnberg, Germany
3 source: AKG391(all the info i have) conversion : DAT > Phillips CDR880(Standalone Burner) > CD > EAC > MKW > SHN converted by : Ralf Karpa from DAT to Standalone , Volker Skrzeba (BigV) from CD to SHN checked with SHNTOOL no errors reported

07/22/96

Tanzbrunnen
Cologne, Germany
1 Unknown AUD > ? > CD > EAC > Mastering > FLAC16 Thanks to Volker Skrzeba for the source discs. Mastering, tracking, FLAC16 by Marmar- imthemarmar@gmail.com

07/23/96

Markthalle
Hamburg, Germany
2 Source: Schoeps CMC6/MK41 > SBM-1 > DA-P1 (said to be) Taper: Unknown Transfer: Unknown; This .shn bases on a bad tracked .shn that came in here. I've extracted it to wav and tracked and .shn'ed it new, that's all. The text info of the basis-.shn included just the source info, no transfer info. The md5's of the basis-.shn are listed below for your information (I decided to NOT add them as a MD5-file). Extracted, tracked new and .shn'ed new by Friedemann Rothfuchs;

07/24/96

Music Hall
Hannover, Germany
1 Source: Unknown Daud > cass > cass Transfer: Onkyo TA-6510->Philips CDR 870->EAC->Soundforge 6.0->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq Mastered and FLAC16 by Marmar -- imthemarmar@gmail.com

07/25/96

Stadtpark
Hamburg, Germany
1 Source: Unknown Daud > cass > cass Transfer: Onkyo TA-6510->Philips CDR 870->EAC->Soundforge 6.0->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq

08/02/96

Wolf Mountain Amphitheater
Park City, UT
2 Source: AKG 391 > Aerco Transfer: Fostex D-5 > EgoSys U2A > Cool Edit > shn

08/04/96

Red Rocks Amphitheatre
Morrison, CO
2 Source: FOB > DFC/9th row/Seat #38 > Sonic Studios Dsm6'/Pa6lc3s (w/60khz bass rolloff) > D7 @48k > Clone Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (Fades, 48 to 44.1) Cd Wave > FLAC

08/04/96

Red Rocks Amphitheatre
Morrison, CO
2 Source: FOB > DFC/9th row/Seat #38 > Sonic Studios Dsm6'/Pa6lc3s (w/60khz bass rolloff) > D7 @48k > Clone Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (Fades, 48 to 44.1) Cd Wave > FLAC

08/05/96

Red Rocks Amphitheatre
Morrison, CO
2 Source: FOB > DFC/9th row/Seat #26 > Sonic Studios Dsm6'/Pa6lc3s (w/60khz bass rolloff) > D7 @48k > Clone Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (Fades, 48 to 44.1) Cd Wave > FLAC

08/06/96

Red Rocks Amphitheatre
Morrison, CO
2 Source: FOB > DFC/9th row/Seat #26 > Sonic Studios Dsm6'/Pa6lc3s (w/60khz bass rolloff) > D7 @48k > Clone Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (Fades, 48 to 44.1) Cd Wave > FLAC

08/07/96

Red Rocks Amphitheatre
Morrison, CO
3 Source: FOB > DFC/9th row/Seat #25 > Sonic Studios Dsm6'/Pa6lc3s (w/60khz bass rolloff) > D7 @48k > Clone Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (Fades, 48 to 44.1) Cd Wave > FLAC

08/10/96

Alpine Valley Music Theatre
East Troy, WI
3 source: B&K4021 > PSP-2 > DA-P1(1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, BBE > L2 > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3

08/12/96

Deer Creek Music Center
Noblesville, IN
3 source: Schoeps CMC6 MK4 (ORTF/OTS) > Sonosax > D10 Pro II > DAP1 (m) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, L2 + BBE > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 02/03/2004

08/13/96

Deer Creek Music Center
Noblesville, IN
3 Source: AKG 3000 Transfer: Fostex D-5 > U2A > CoolEdit > shn

08/14/96

Hershey Park Stadium
Hershey, PA
3 source: Schoeps CMC6/mk4 > Sonosax > D10 Pro II > DAP1 (m) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, BBE > L2 > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3

08/15/96

Plattsburgh Air Force Base
Plattsburgh, NY
1 Source: AUD1 Nak300 > DAT > XLII-S Transfer: HK TD4400 > Steinberg VSL2020 > Wavelab > WAV > FLAC

08/15/96

Plattsburgh Air Force Base
Plattsburgh, NY
3 Source: 88.9 KA2XZE FM > D7 by Marcus Thunich Conversion: DA-P1 > Turtle Beach Fiji > Sound Forge 4.5 > CD Wave > SHN v3 by Mike Wren Info File: Caleb Epstein with thanks to Kevin Shapiro.

08/16/96

Plattsburgh Air Force Base
Plattsburgh, NY
4 Source: SBD>DAT(99% of the show) SOAM Sources: AUD SHN(1st minute), 44.1kHz FM DAT For the remainder Conversion: Tascam DA40 DAT@48kHz > REBA > Wavelab 4.0e > 44.1kHz Wav > CD Wave > SHNv3 **NO DAE WAS INVOLVED**

08/17/96

Plattsburgh Air Force Base
Plattsburgh, NY
3 Source: DSBD -> DAT (99% of the show) Old Home Place: Pre-FMSBD DAT PYITE: 1st 1:05 DAUD DAT Suzie Greenberg: 1st second taken from DAUD DAT Slave Source: FMSBD Broadcast -> DAT -> CD -> EAC

08/17/96

Plattsburgh Air Force Base
Plattsburgh, NY
2 Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.

10/16/96

Olympic Center
Lake Placid, NY
2 source: Schoeps64V > OADE > DA-P1 transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 10/14/03

10/17/96

Bryce Jordan Center, Penn State Univ.
State College, PA
3 source: Microtech Geffel M210 > Beyer MV100 > DAP1 > DAP1(m) - x/y mid center OTS transfer: Tascam DAP1 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 11/08/03

10/18/96

Civic Arena
Pittsburgh, PA
3 Schoeps cmc64>Sonosax SX-M2>SV-255>BTP@48 DA20mkII>Audio Magic Presto II>ZA2>Soundforge 4.5(48>44.1)>CDWav>.shn Transfer and encoding by Eric McRoberts

10/19/96

Marine Midland Arena
Buffalo, NY
2 Source: Schoeps CMC64 > Sonosax > Panasonic sv-255 ? Transfer: Sony D8 > Zefiro ZA2 > CDWave > mkwACT > .shn (Benjamin Fleahman / destinyunbound@excite.com)

10/21/96

Madison Square Garden
New York, NY
3 source: B&K 4021s > EAA PSP-2 > DA-P1 > D(1) - ORTF / OTS (10F10 row 5) transfer: Tascam DAP1 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 11/08/03

10/22/96

Madison Square Garden
New York, NY
3 source: B&K 4021s > EAA PSP-2 > DA-P1 > D(1) - ORTF / OTS (10F10 row 5) transfer: Tascam DAP1 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 11/08/03

10/23/96

Hartford Civic Center
Hartford, CT
3 source: B&K 4021s > EAA PSP-2 > DA-P1 > D(1) - ORTF / OTS (row 2 center) transfer: Tascam DAP1 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 11/08/03

10/25/96

Hampton Coliseum
Hampton, VA
3 source: Unlabelled DAT, probably Schoeps mk41>DAP1 transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize) > CD-WAV > SHNv3

10/26/96

Charlotte Coliseum
Charlotte, NC
3 Source: AKG 463 > Oade > Casio Transfer: Fostex D5 > m-audio DiO 2496 > CD Wave > Adobe Audition > CDWave (tracking) > FLAC Thanks to Kevin Davis for transferring the Dat!

10/27/96

North Charleston Coliseum
North Charleston, SC
3 source: Sennheiser ME-67's transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 6/24/03

10/31/96

The Omni
Atlanta, GA
4 source: AKG 460B/ck61 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz) transfer: Sony PCM-R500 > Tascam HD-P2 > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

11/02/96

Coral Sky Amphitheater
West Palm Beach, FL
1 Source: SBD-> DAT-> ?-> CD-> EAC-> SHN

11/02/96

Coral Sky Amphitheater
West Palm Beach, FL
2 source: Microtech Geffel M300 > DAP1 > D(1) transfer: transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3

11/07/96

Rupp Arena
Lexington, KY
3 source: Shure V P88 > Refrence Audio Design Preamp > D7 > D(1) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, BBE > L2 > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3

11/08/96

Assembly Hall
Champaign, IL
3 Source: AKG 393 (TS, at 103 degrees) --> AKG B18's --> Sony SBM1 --> D8 @ 48K Taped by Bill Gardner, bgardner@telocity.com Tranfer: Sony DTC-A6 --> Maudio Dio 2448 card --> SF 4.5 (resample, add fades) -> CD Wav --> SHN by Bill Gardner

11/09/96

The Palace Of Auburn Hills
Auburn Hills, MI
2 Source: Schoeps CMC64>Sonosax>SV-255 (FOB) Transfer: Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 48kHz > Samplitude 2496 (48kHz > 44.1) > CD Wave > mkwACT (SHN). Performed by Rob Garland. Disc One

11/11/96

Van Andel Arena
Grand Rapids, MI
3 Source: AT 4031/414> Oade> DA-P1 Dat Seed: Pat Harvey Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM Prodif Plus> Samplitude> CD Wav> SHN

11/13/96

Target Center
Minneapolis, MN
2 Source: Schoeps CMC64 > Sonasax > SV-255 > DAT > CDR > WAV > SH

11/14/96

Hilton Coliseum
Ames, IA
3 source: Schoeps CMC6/MK41 > Beyer MV-100 preamp; from Chris Tweedy transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 10/16/03

11/16/96

Omaha Civic Auditorium
Omaha, NE
2 Source info: DAUD - Micotech Gefell 300 > Sonosax SX-M2 > DAT > ZA2 > CDR > EAC > SHN Transferred by John Choe (choey@erols.com) DAE'ed and Shortened by Jeremy Clark (RubyBroom@Bigfoot.com)

11/18/96

Mid-South Coliseum
Memphis, TN
2 Source: AKGc1000>D7 ~ by Shannon Thompkins Transfer: Clone of master DAT>MIT s/pdif>Delta DiO 24/96>Samplitude 2496 v5.55>CDWav>MKW v.97 Transferred by: Jered Haddad April 12, 2003

11/19/96

Municipal Auditorium
Kansas City, MO
2

11/19/96

Municipal Auditorium
Kansas City, MO
3 Source: AKG451s transferred by Steve (many thanks), mastered/SHNd by me (mz)

11/22/96

Spokane Arena
Spokane, WA
3 Source: AKG 414/AT 4031 > Soundcraft Mixpad > DA-P1 Taper: Don Wright Transfer: Aiwa XD-001 DAT > Black&White DigiCoax > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro@16/44.1 kHz > CD Wav > mkwACT 0.97 BETA 1 > SHN. by Friedemann Rothfuchs, kushelphish@gmx.de; used DAT is 2nd Generation digital clone and was provided by Aldo Torre (thanks!) There also is a 48 kHz .shn of this transfer.

11/24/96

Memorial Coliseum
Portland, OR
2 Source: AKG 414 > DAT Transfer: Fostex D-5 > EgoSys U2A > Cool Edit > shn

11/29/96

Cow Palace
Daly City, CA
3 Source: AKG C 568 EB's (OTS, aimed at the stacks)->Aerco Pre-Amp->MDAT (Sony D-8 record; Sony PCM-R500 for playback)->MCD-R (via coax->Tascam CD-RW700) Flac conversion info: MCD-R -> Plextor (PX708A) -> EAC -> CDWAVE -> Flac Frontend -> Flac

11/30/96

Arco Arena
Sacramento, CA
3 Source: DFOB (Neumann KM 140>DA-P1@44.1k)>ZA2>SF 4.0(fades and minor glitch removal)>CDWAV>SHNv3(w/seek tables appended)

12/01/96

Pauley Pavilion
Los Angeles, CA
3 Source: FOB Neumann KM-140 > DA-P1 Seed: DAT > Seagate Archive Python 01931 > dat2wav 1.2 > Sound Forge 4.5 (to 44.1k @ highest accuracy; anti-alias filter; edits shown below) > CDWav > shnXP (updated shn2k) by Paul Hofferkamp (gruven42@yahoo.com)

12/02/96

America West Arena
Phoenix, AZ
3 Source: AKG 391’s (FOB) > Graham Patten DMIC-20 > Tascam DA-P1 > Master DAT Transfer: Master DAT > Sony PCM-M1 > Oade 7-Pin > Hosa DRA-501 > Creative Extigy > Magix Samplitude v7.02 Professional > CD Wave Editor v1.93b2 > FLAC Frontend v1.1.0 (Level 5) > FLAC

12/04/96

Sports Arena
San Diego, CA
3 source: FOB Nuemann km 140 -> DA-P1 (FOB right side around 3rd to 5th row) transfer: Fostex D5 -> optical cable -> Hosa ODL-276 -> S/PDIF coax cable -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (48->44.1kHz, fades) -> CD Wave v1.71 -> mkwACT 0.97b1 transferred by: Jason Sobel (jasonsobel@hotmail.com) note: both discs require 80 minute discs.

12/06/96

Aladdin Theater
Las Vegas, NV
3 source: Schoeps621>Oade>DAP1>D(3) transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, L2 + BBE > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3

12/28/96

The Spectrum
Philadelphia, PA
3 ource: Schoeps MK4 > CMB1 > HHB PDR1000 > DAT > 7-Pin > CardD+ > Samplitude > CD Uploaded by Ben Greenfield; email me with any questions etc. at superszabe@home.com

12/29/96

The Spectrum
Philadelphia, PA
3 source: Schoeps CMC6/MK41 > Sonosax SX-M2 > SBM-1 > DAP1 (x3) > this DAT transfer: Tascam DAP1 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 transfer by shakedown@furthurnet.org on 11/08/03

12/30/96

FleetCenter
Boston, MA
3 Source: Akg 461's> sbm-1> d8

12/31/96

FleetCenter
Boston, MA
3 Source: FM > DAT > ZA-2 > CDR - Recorded by Jon Sriberg (jonathan@thecia.net) - Transferred by Matt - Retracking and compression by Miha Zupanek

12/31/96

FleetCenter
Boston, MA
3 source: Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Tascam DA-P1 (@48kHz) transfer: Sony PCM-R500 > Tascam HD-P2 > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

02/13/97

Shepherd's Bush Empire
London, England
3 Source: Schoeps cmc64

02/14/97

Le Botanique
Brussels, Belgium
3 Neumann KM140>Oade>D8

02/16/97

Alter Wartesaal
Köln, Germany
2 Source: DSBD > DAT > CDR > ( EACed > MKWact 0.97Beta >SHN )

02/17/97

Paradiso
Amsterdam, Netherlands
3 SCHOEPS CMC64>OADE>SBM1>DAP1

02/18/97

Olympia Theater
Paris, France
2 Source: Schoeps CMC64V>Sonosax>Apogee AD-500>DA-P1>Turtle Beach Fiji SPDIF> Samplitude 48>44.1 Resample>CdWav>SHN

02/20/97

Teatro Smeraldo
Milan, Italy
2 Source: DSBD > CD > EAC > SHN

02/21/97

Tenax
Florence, Italy
2

02/21/97

Tenax
Florence, Italy
2 Source: Schoeps CMC64 -> Oade -> Sony SBM-1 -> DA-P1 Transfer: DA-20mkii->Delta Dio 2496->Soundforge 6.0 (resampled 48>44.1 on highest accuracy setting w/anti alias filter)->CDWAV->shntool->shn Transfer by: Brandon Johnston -- http://db.etree.org/bisq

02/22/97

Teatro Olympico
Rome, Italy
3 Schoeps CMC6/mk4 > Oade > SBM-1 > DA-P1

02/23/97

Fillmore
Cortemaggiore, Italy
2 Source: Schoeps CMC6/mk4>SBM-1>DA-P1 Transfer/shn/upload: by Matt Vallo (mvallo@snet.net) Tascam DA-302>Turtle Beach Fiji(S/PDIF)>Sound forge4.0>CDcue>CD>EAC>SHN

02/25/97

Olympia Halle
Munich, Germany
2 Source: Schoeps cmc64>oade>sbm-1>dap1 Transfer: Stewart McCloskey Uploaded by: Mike Fischer (phishsdank@aol.com)

02/26/97

Longhorn
Stuttgart, Germany
2 Source: schoeps cmc64>oade>sbm-1 Transfer: Stewart McCloskey Uploaded by: Mike Fischer (phishsdank@aol.com)

02/26/97

SWF 3 Studios
Baden-Baden, Germany
1 Received in trade on audio CDR Source: FM Broadcast > Cass/0 > HD > CDR880 Taper: Guenter Klemm Transfer: Cass>HD>CDR Hanno http://db.etree.org/hanno CDR>EAC>SHN bmitchellATcitlinkDOTnet June 2, 2002

02/28/97

Internationales Congress Centrum
Berlin, Germany
3 Source: unknown Transfer: Stewart McCloskey Uploaded by: Mike Fischer (phishsdank@aol.com)

03/01/97

Markthalle
Hamburg, Germany
3 Source: SBD > Pre-FM Feed > DAT > SHN v3 (seekable)

03/02/97

Forum Theater
Copenhagen, Denmark
2 Source: Schoeps CMC6/mk4>Oade>SBM Transfer : Matt Vallo (mvallo@snet.net) Tascam DA-302>Turtle Beach Fiji (S/PDIF)>Sound forge 4.0> CDR(master copy)>EAC>SHN

03/18/97

Flynn Theatre
Burlington, VT
2 Source: FM broadcast (WIZN) -> DAT SHN Encoding: Caleb Epstein . Thanks to Mike Gent for providing the discs.

03/18/97

Flynn Theatre
Burlington, VT
3 Source: FOB Schoeps mk4+mk8->Schoeps PS->SBM1->D8 Xfer: ARCHIVE Python>vDAT>WaveLab4>CDWave>Flac/CDR

06/06/97

Brad Sand's House
Charlotte, VT
3 Source: Sbd/Aud mix (unverified source) Tracked/CD Transfer: DAT clone>MIT s/pdif>Dio 2496>Cool Edit 2000>CD Wav (w/ mkw) by Jered Haddad (donswank@hotmail.com) Pitch correction: SHN -> AIFF -> Audacity (speed change +10%) -> WAV -> SHN

06/13/97

The S.F.X. Centre
Dublin, Ireland
3 source: AKG 414(cartoid)>Oade>D8 transfered: da-20mkii>Turtle Beach s/pdif>soundforge>cdwav>shn Received From : Brandon Johnston

06/14/97

The S.F.X. Centre
Dublin, Ireland
3 Source: AKG 414 TL2>Oade>SBM-1 Trnasfer/SHN : Matt Vallo (mvallo@snet.net) Tascam DA-302>Turtle Beach Fiji(S/PDIF)>Sound forge4.0>CDcue>CD>EAC>SHN

06/16/97

Royal Albert Hall
London, England
2 Schoeps CMC64 > Sonosax SX-M2 > DA-P1 > CDR > SHN Seeded to jojosarfo.org by Matt LaBarge

06/19/97

Arena
Vienna, Austria
3 Source: Schoeps CMC 64 > DAT @ 48 kHz (all Info I have) Taper: Unknown Transfer: Aiwa XD-001 DAT > Black&White DigiCoax > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro@16/44.1 kHz > CD Wav > mkwACT 0.97 BETA 1 > SHN. by Friedemann Rothfuchs, kushelphish@gmx.de; used DAT is at least 2nd Generation digital clone

06/20/97

Divadlo Archa
Prague, Czech Republic
3 Source: Schoeps cmc6/mk4 > Sonosax SX-M2 > DA-P1 > Clone (unknown gen) Transfer: Tascam DA-20 mkII > HHb CD-R 850 > EAC > CD Wav > FLAC **ALL tracks extracted with 100% quality in secure mode (see eaclog)**

06/21/97

The Hurricane Festival Eichenring
Scheesel, Germany
3 Source: Received in audio CDR form. Reported as ?>Cas1>DAT>CDR880 CDR>EAC>SHN bmitchel@citlink.net June 2, 2002

06/22/97

Loreley Freilichtbühne
St. Goarshausen, Germany
1 Source: DSBD > FM Satellite Broadcast > DAT (dsat/c); Transfer: Sony D8 > Montego II > SoundForge 4.0 > CDWave > Wav > Shn

06/24/97

La Laiterie
Strasbourg, France
3 Source: Schoeps CMC6/mk4v>SX-M2>D8 Transfer/shn: Matt Vallo (mvallo@snet.net) Tascam DA-302>Turtle Beach Fiji (S/PDIF)>Sound forge 4.0>CD>EAC>SHN

06/25/97

L'Aeronef
Euralille (Lille), France
3 Source: Schoeps CMC6/mk4v>SX-M2>DA-P1 Transfer/SHN: Matt Vallo (mvallo@snet.net) Tascam DA-302>Turtle Beach Fiji (S/PDIF)>Sound forge 4.0>CDR>EAC>SHN

07/02/97

Paradiso
Amsterdam, Netherlands
3 MIC source: taper unknown Neumann TLM-170>SX-M2>HHb transfer/shn : MATT VALLO tascam DA-302>Turtle Beach Fiji (S/PDIF)>Sound forge 4.0>CDwave>shn Non-canonical headers stripped and new MD5s by CJ on 12-29-2003 Original MD5's from this source: http://db.etree.org/shninfo_detail.php?shnid=669 are included in the "Old MD5s" folder.

12/07/97

Ervin J. Nutter Center
Dayton, OH
2 Source: LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

11/20/98

Hampton Coliseum
Hampton, VA
3 Live Phish

11/21/98

Hampton Coliseum
Hampton, VA
3 Live Phish

06/30/99

Sandstone Ampitheatre
Bonner Springs, KS
3 Source: OTS/Sbd left > Earthworks Sr 71's(ortf) > Dmic-20 (@ 30db) > M1 (Master Dat) Transfer: (Master Dat)Fostex D5 > Zoltrix > Sound Forge 6.0 (w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac

07/01/99

First American Music Center
Antioch, TN
3 Tapers: Dave Pecararo and Matt Vallo (People for a Clearer Phish) Source: AKG 480/ck63>dmic-20>dap1>Panasonic 7502-b>HD using RDACD>Soundforge XP4.5>Shorten Philler Source: DSBD>dap1>Panasonic 7502-b>HD using RDACD>Soundforge XP4.5>Shorten

07/03/99

Lakewood Amphitheater
Atlanta, GA
3 Tapers: Dave Pecararo and Matt V. (People for a Clearer Phish) Source: AKG 480/ck63>dmic-20>dap1>Panasonic 7502-b>HD using RDACD>Soundforge XP4.5>Shorten

07/04/99

Lakewood Amphitheater
Atlanta, GA
3 Tapers: Dave Pecararo and Matt V. (People for a Clearer Phish) Source: AKG 480/ck63>dmic-20>dap1>Panasonic 7502-b>HD using RDACD>Soundforge XP4.5>Shorten

07/07/99

Blockbuster Pavillion
Charlotte, NC
3 SchoepsM222/DV> LunatecV2> ApogeAD1000> HHb >DAT >PCM-R500> AES/EBU MonsterCable> ZA2> CoolEdit>SHN; via S. McCloskey, TFBT tree

07/08/99

Virginia Beach Amphitheatre
Virginia Beach, VA
3 Source: Set I: Schoeps CMC6+MK41>Apogee AD-1000>>DA-P1>ZA2>Soundforge 4.0>CD Wav editor>SHN Set II: Schoeps CMC6+MK41>Sonosax SX-M2>DA-P1>ZA2>Soundforge 4.0>CD Wav editor>SHN DAT>HD>SHN transfer: Mike Ayers mayers@vt.edu SHN Upload: Mike Ayers

07/09/99

Merriweather Post Pavillion
Columbia, MD
3 Source: Schoeps MK4's(DFC 120degrees/30cm)>KCY 5i cable>VMS 02ib>Tascam DA-P1 Transfer: Tascam DA20mkII>Vx Pocket>Sony Vaio TR2A>Wavelab4.0(48>44.1)>CDwav>FLACfrontend Taped, Transfered, and Seeded by David Bigham

07/12/99

Tweeter Center
Mansfield, MA
3 Source: Lemon's Mystery Patch....Let your ears be the judge!

07/13/99

Tweeter Center
Mansfield, MA
3 source: B&K4011's>DAT>ZA2>Soundforge 4.0>CDWav Editor>SHN DAT>HD>SHN transfer: Mike Ayers SHN Upload: Jim Mann

07/15/99

PNC Bank Arts Center
Holmdel, NJ
3 Source: Schoeps CMC641 > Apogee AD-1000 @ 44.1 (OTS) by Craig Hillwig Transfer: DAT Master; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > CDWave 1.62 > mkwAct 0.97b (seek tables appended). No DAE. by Craig Hillwig

07/16/99

PNC Bank Arts Center
Holmdel, NJ
3 Set I: Schoeps CMC6 Mk41 -> AD-1000 @ 44.1 -> D7 Set II: FOBSchoeps Mk21 -> KC5 -> CMC6 -> AD-1000 @ 44.1 -> D8 Conversion:DA-20 -> Turtle Beach Fiji Digi I/O -> SoundForge -> CDWav

07/17/99

Oswego County Airport
Volney, NY
3 Source: Schoeps cmbi + mk2s > AD1000 15" spread 130 degrees FOB

07/18/99

Oswego County Airport
Volney, NY
5 Source: FOB Neumann U89i (Omni, Split 6') > Apogee AD1000 (recorded at 44.1kHz; no SRC) Conversion: SGI 8000 > dat2wav > CDwav

07/20/99

Molson Amphitheater
Toronto, ON
3 Source: Schoeps Mics (That is all that is known at the moment) Transfer: DAT>HD>CDR by Larry Winton, CDR>HD>SHN by Daniel Solomon (MADCAP`) Uploaded by MADCAP` madcap@home.com

07/21/99

Star Lake Amphitheatre
Burgettstown, PA
3 Schoeps cmc64-> Apogee AD-1000 @48kHz: DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5(48>44.1)-> CDWav->.shn Recorded by Chaz; DA-P1 patch, transfer and encoding by Eric McRoberts

07/23/99

Polaris Amphitheatre
Columbus, OH
3 Source: AKG c480b/ck63 (hypercard. capsules) > Lunatec V2 > Sony TCD-D8 DAT -> CD-R Performed by Bob Haas CD-R -> DAE (EAC v 0.85b) -> SHN Performed by Dan Goodman (goodman.64@osu.edu)

07/24/99

Alpine Valley Music Theatre
East Troy, WI
3 Source: AKG c1000s>D8 @ 48 kHz X,Y Configuration Transfer: D8>Hercules GT-XP>Samplitude 2496 (re-sampled to 44.1 kHz, Normalized to 100%)>CDWave>mkwACT v.97>.shn (NO DAE) Taped & Transferred by: Rob Robar dattaper_2000@yahoo.com Seeded on: 05/04/2002

07/25/99

Deer Creek Music Center
Noblesville, IN
3 Source: Schoeps mk4v/m222>NT222>V2>AD-1000>HHb PDR-1000 Transfer: Tascam DA-302 > Digipro 002 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit)

07/26/99

Deer Creek Music Center
Noblesville, IN
3 source: Schoeps CMC641>Lunatec v2>Graham Patten adc20>dap1 (Cash's rig) DAT provided by the mighty kind Chris Wood... DAT>CD by matt@xsite.net: DAP1>TB Fiji S/PDIF>cdwav

07/30/99

Naeba Ski Resort
Naeba, Japan
2 Source: SBD>C1>DAT>ZA2>Soundforge 4.0>CD Wav editor>Soundforge Pitch Shift>SHN DAT>HD>SHN conversion:Mike Ayers mayers@vt.edu SHN Upload:Byron Poland byron@vt.edu A pitch shift of -90 cents (plus antialias filter) was applied to the entire show to compensate for a tape deck with a bad speed somewhere in the cassette chain. I also retracked the show due to the longer track lengths to get the sectors boundaries right. Some crowd noise was edited out of both disks to make them fit (since the songs were now longer after the speed change).

07/31/99

Naeba Ski Resort
Naeba, Japan
3 Source: at4050/cm5>Sonosax>sbm1 Transfer: using za2 card, soundforge, and cdwav

08/01/99

Naeba Ski Resort
Naeba, Japan
3 Source: SBD >DAT >CDR >EAC >SHN Converted to shn and uploaded by Marcus Karlstad.

09/09/99

GM Palace
Vancouver, BC
3 Source: DFOB Norman's Conversion: Fostex D-10 DAT>optical cable>HHB 800>HD>SHN ?'s, email: taholden@home.com

09/10/99

The Gorge Ampitheatre
George, WA
3 Source: FOB Schoeps mk4v>vms>sbm-1>d8@44.1kHz Transfer: clone from dat master da-20mkII>RME96/8>CDwavEditor>MKW>.SHN

09/11/99

The Gorge Ampitheatre
George, WA
3 Source: Schoeps mk4v's>kcy>vms021b>sbm1>dap1>d8 master@44.1K(in hat. Transfer: dat master in tascam da20mkII>rme96/8>cd wave>mkw>shn.(seekable shn's)

09/12/99

Portland Meadows
Portland, OR
3 Source: Schoeps MK-4>VMS02iB>SBM-1>DA-P1-> DA-20>Soundforge 4.5>CDR

09/14/99

BSU Pavillion
Boise, ID
2 Source: DFOB....unfortunately, i am unable to disclose rig info (per taper request). Conversion: D8 -> RMR-D3 -> Monster Coax -> SB Digital I/O 2 -> CoolEdit Pro v1.2a -> CDWave -> mkwACT (shn v3) Conversion by: chris buford (sdasilva@ec.rr.com)

09/14/99

BSU Pavillion
Boise, ID
2 Source: DFOB....unfortunately, i am unable to disclose rig info (per taper request). Conversion: D8 -> RMR-D3 -> Monster Coax -> SB Digital I/O 2 -> CoolEdit Pro v1.2a -> CDWave -> mkwACT (shn v3) Conversion by: chris buford (sdasilva@ec.rr.com)

09/16/99

Shoreline Amphitheatre
Mountain View, CA
3 Source: FOB Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8 DAT supplied by Steven James DAT Conversion by: Jeff Kempka DAT > WAV via Turtle Beach Fiji w/Digi I/O (S/PDIF) > SHN

09/16/99

Shoreline Amphitheatre
Mountain View, CA
3 Source: FOB Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8 DAT supplied by Steven James DAT Conversion by: Jeff Kempka

09/17/99

Shoreline Amphitheatre
Mountain View, CA
3 DAT > HD transfer, shortening and uploading by Mike Masse This is from Adam Braman's rig, via a DAT clone. Source info: DAUD (Schoeps M222 tubes/Mk4 > Elvo NT222 > HHB PortaDAT) > ZA2 (48 kHz to 44.1 kHz resampling) > HD > CDWav (track splitting) > shn

09/18/99

Coors Amphitheater
Chula Vista, CA
3 Source:Schoeps CMC6 + mk41->Oade m148->DA-P20 Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting w/anti alias filter)->CDWAV->SHN Transfer by: Brandon Johnston (bisq1@yahoo.com)

09/19/99

Irvine Meadows
Irvine, CA
3 The correct source info is Schoeps cmc641->oade custom->dap1

09/21/99

Pima County Fairgrounds
Tucson, AZ
3 Source: FOB Schoeps MK4V (ORTF in a hat)> Schoeps KC5 > Schoeps CMC6 > Apogee AD-1000 > Sony D8/Tascam DAP1 Transfer: Sony D8 > Lucid Technology PCI-24 (S/PDIF)

09/22/99

Pan American Center
Las Cruces, NM
3 Transfer and shortening done by Eric McRoberts Source is mk4v>kc-5 actives>cmc6>sonosax sx-m2>apogee ad-1000>d8>btp Transferred done with da-p1>audio magic presto II>za2>forge/cdwav>.shn

09/24/99

South Park Meadows
Austin, TX
3 AKG480's>BeyerMV100>SBM1>DAP1

09/25/99

Woodlands Pavillion
Houston, TX
3 SOURCE: AKG480/CK61> BeyerMV100> SBM1> DAP1

09/26/99

University of New Orleans Lakefront Arena
New Orleans, LA
3 Sets I&II: Schoeps CMC64 -> Apogee A/D1000 -> DAP-1 Encore: AKG480+ck61 -> Beyer MV100 -> SBM1 -> DAP1 -> ZA2 -> SoundForge 4.0 -> CDR conversion: DAT > Cool Edit Pro > MKWact 0.97 (seekable shn) db.etree.org/chillywater

09/28/99

Oak Mountain Amphitheatre
Pelham, AL
3 Source: Schoeps CMC641 > Apogee AD-1000 > DA-P1> D8 > Spdif > Sound Forge/CD Architect > HP 8100 > DAE > SHN

09/29/99

Pyramid Arena
Memphis, TN
3 Source: Schoeps mk4v>kc5 actives>cmc6>sonosax sx-m2>apogee ad-1000>d8>btp Transfer: da-p1>audio magic presto II>za2>forge/cdwav>.shn Transfer and shortening done by Eric McRoberts

10/01/99

Hilton Coliseum
Ames, IA
3 Source: Schoeps CMC64's>ApogeeAD1000>DA-P1>CD-R

10/02/99

Target Center
Minneapolis, MN
3 Source: Schoeps CMC6MK4 > V2 > Graham Patten ADC20 > DAP1 Conversion: D8 > Montego II > CEP 1.2 > CD-WAV

10/03/99

Allstate Center
Rosemont, IL
3 FOB/DFC Schoeps mk4>kc5>cmc6 -> Sonosax SX-m2 -> Apogee AD1000 Transfer: Dat patch master in tascam da20mkII -> RME digi 96/8 PST -> CDwav editor -> mkw -> .shn

10/04/99

Redbird Arena
Normal, IL
3 fob/dfc Schoeps MK4V>Schoeps KCY>Schoeps VMS02IB>Sony SBM1>Sony D8 in Captains hat,levels: Crow/ hat: Milt transfer: dat patch master in tascam DA20mkII->CdWE->mkw->.shn

10/07/99

Nassau Veterans Memorial Coliseum
Uniondale, NY
3 Source: DPA 4011's > Lunatec V2 > Apogee AD500e > Tascam DA-P1 Conversion: DA-P1> Prodif Plus> Samptlitude 2496> CDWAV> MKW

10/08/99

Nassau Coliseum
Uniondale, NY
3 Source: DPA 4011's> V2> Apogee AD500> DA-P1 Conversion: Dat> CDR> EAC> MKW Taper: Ron Dalton Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM DUDLEYS KITCHEN TRADING GROUP

10/09/99

Pepsi Arena
Albany, NY
3 Source: DPA 4011's> V2> Apogee AD500> DA-P1 Conversion: Dat> CDR> EAC> MKW Taper: Ron Dalton Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM DUDLEYS KITCHEN TRADING GROUP

10/10/99

Pepsi Arena
Albany, NY
3 Source: DPA 4011's> V2> Apogee AD500> DA-P1 Conversion: Dat> CDR> EAC> MKW Taper: Ron Dalton Conversion: LEVI HUNT AC_DC_BAG@HOTMAIL.COM DUDLEYS KITCHEN TRADING GROUP

12/02/99

The Palace
Auburn Hills, MI
3 Source: Neumann KM-184 -> Apogee AD1000 -> Tascam DAP1 Conversion: Turtle Beach Montego II -> Soundforge 4.5 -> CDWav -> Mitsumi 4x -> EAC -> Shorten

12/03/99

Firstar Center
Cincinnati, OH
3 Source: Nakamichi 300 Guns -> SBM-1 -> D8 by Pete Delgado Transfer: D8 -> Montego II digi I/O -> CDWAV by Doug Nawrocki

12/04/99

Firstar Center
Cincinnati, OH
3 Source: Nakamichi 300 Guns -> SBM-1 -> D8 by Pete Delgado Transfer: D8 -> Montego II digi I/O -> CDWAV by Doug Nawrocki

12/05/99

BlueCross Arena
Rochester, NY
3 SOURCE: Microtech Gefell M210 > Aerco > SBM1 DAT>CD conversion by Dave Pecoraro (dave_peck@snet.net). Tascam DA-P1 > Philips CDR870 > Panasonic 7502b > CDRWin > Sound Forge 4.0 > CDWave

12/07/99

Cumberland County Civic Center
Portland, ME
3 Source: Schoeps CMC641 > Lunatec V2 > Apogee > DAT > CD-R > EAC > CDWAV > SHN

12/08/99

Cumberland County Civic Center
Portland, ME
3 B&K 4021 FOB--> Lunatec V2--> DAT--> ZA2(48/44.1)--> CEP (.wav)--> .shn

12/10/99

First Union Spectrum
Philadelphia, PA
3 mic source: AKG 480/ck63 > DMIC-20 > DA-P1 transfer and shorten: Matt Vallo Tascam DA-302 > Turtle Beach Fiji (S/PDIF) > Soundforge 4.0(Fading/Normalizing) >Plexwriter8/20

12/11/99

First Union Spectrum
Philadelphia, PA
3 Neumann U89(hypercard setting, dfc ts)>Apogee AD-1000@44.1; DA20mkII>Audio Magic Presto II>ZA2>Soundforge XP 4.5>CDWAV>.shn Transfer and encoding by Eric McRoberts

12/12/99

Hartford Civic Center
Hartford, CT
2 Source: Schoeps mk41 > KCY5 Acitve Cables > VMS 02IB > SBM-1 > DAT Transfer: Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

12/13/99

Providence Civic Center
Providence, RI
3 Source: Schoeps mk41 > KCY5 Active Cables > VMS 02IB > SBM-1 > DAT Transfer: Tascam DA-302 > HHB CDR-850 Conversion: EAC (Secure Mode) > WAV > ShnTool > FLAC (1.7.1) All tracks were extracted with 100% quality.

12/15/99

MCI Center
Washington, DC
3 source: schoeps mk4v>lunatec v2>apogee ad100 transfered through a za2 card,using software resampling however, soundforge, and cdwav.

12/16/99

Reynolds Coliseum
Raleigh, NC
3 Source: Phulcrum's Mystery Patch by Conversion: Montego II DIGI I/O > GoldWave > SHN/CD-R by

12/17/99

Hampton Coliseum
Hampton, VA
3 FOB DFC (in hat) Source: Schoeps mk4v -> kcy actives-> VMS02iB -> SBM1 -> DAP1 Transfer: DAP1-> Echo MIA-> Soundforge7.0-> CDwave-> flac

12/18/99

Hampton Coliseum
Hampton, VA
3 FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat Remastered on Behringer DSP 8000 Conversion: DAT @ 48 > via Zefiro ZA2 > HD @ 44.1

12/30/99

Big Cypress Seminole Reservation
Big Cypress, FL
5 Source: Neumann U89(omni Setting) Split 7' -> Apogee AD1000 FOB

12/31/99

Big Cypress Seminole Reservation
Big Cypress, FL
10 Source: FOB Neumann U89(omni Setting) Split 12' -> Apogee AD1000 Conversion: Eric Pearson Lineage: DAT(44.1k master)-> Montego II Plus-> HD via Soundforge-> CDWav->Plextor 820

06/28/00

PNC Bank Arts Center
Holmdel, NJ
3 B&K 4011's > Lunatec V2 > Apogee AD-500 > Tascam DA-P1 (@48kHz) recorded from the front row, center, of the taper's section transfer: Fostex D5 > AES Cable > Sound Devices 722 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)

10/07/00

Shoreline Amphitheatre
Mountain View, CA
3 Source: LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

12/31/02

Madison Square Garden
New York, NY
3 Source: LivePhish.com (DSBD) Original Files came as WinZip files, without MD5's. MD5s and this info file were created for the purpose of archiving. These files are not meant for trading!!!

01/02/03

Hampton Coliseum
Hampton, VA
3 Source: LivePhish.com (DSBD) Original Files came as WinZip files, without MD5's. MD5s and this info file were created for the purpose of archiving. These files are not meant for trading!!!

01/03/03

Hampton Coliseum
Hampton, VA
3 Source: LivePhish.com (DSBD) Original Files came as WinZip files, without MD5's. MD5s and this info file were created for the purpose of archiving. These files are not meant for trading!!!

01/04/03

Hampton Coliseum
Hampton, VA
3 Source: LivePhish.com (DSBD) Original Files came as WinZip files, without MD5's. MD5s and this info file were created for the purpose of archiving. These files are not meant for trading!!!

02/14/03

Great Western Forum
Inglewood, CA
3 Source: http://livephish.com/ DSBD

02/15/03

Thomas & Mack Center
Las Vegas, NV
2 Source: http://livephish.com/ DSBD

02/16/03

Thomas & Mack Center
Las Vegas, NV
2 Source: http://livephish.com/ DSBD

02/18/03

Pepsi Center
Denver, CO
3 Source: http://livephish.com/ DSBD

02/20/03

Allstate Arena
Rosemont, IL
3 Source: http://livephish.com/ DSBD

02/21/03

US Bank Arena
Cincinnati, OH
3 Source: http://livephish.com/ DSBD

02/24/03

Continental Airlines Arena
East Rutherford, NJ
3 Source: http://livephish.com/ DSBD

02/25/03

First Union Spectrum
Philadelphia, PA
3 Source: http://livephish.com/ DSBD

02/26/03

Worcester Centrum Centre
Worcester, MA
3 Source: http://livephish.com/ DSBD

02/28/03

Nassau Veterans Memorial Coliseum
Uniondale, NY
3 Source: http://livephish.com/ DSBD

03/01/03

Greensboro Coliseum
Greensboro, NC
3 Source: http://livephish.com/ DSBD

07/07/03

The Cricket Pavilion
Phoenix, AZ
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files. This info file was created for the purpose of archiving. These files are not meant for trading!!!

07/08/03

Coors Amphitheatre
Chula Vista, CA
3 http://www.livephish.com/show.asp?show=276 Source: LivePhish.com (DSBD) Original Files came as FLAC files. This info file was created for the purpose of archiving. These files are not meant for trading!!!

07/09/03

Shoreline Amphitheatre
Mountain View, CA
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

07/10/03

Shoreline Amphitheatre
Mountain View, CA
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

07/12/03

The Gorge Amphitheatre
George, WA
3 Source: DSBD Live Phish Download

07/13/03

The Gorge Amphitheatre
George, WA
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

07/15/03

USANA Amphitheatre
West Valley City, UT
3 Source: DSBD Live Phish Download

07/17/03

Verizon Wireless Amphitheatre
Bonner Springs, KS
3 Source: DSBD Live Phish Download

07/18/03

Alpine Valley Music Theatre
East Troy, WI
3 Source: DSBD Live Phish Download

07/19/03

Alpine Valley Music Theatre
East Troy, WI
3 Source: DSBD Live Phish Download

07/21/03

Verizon Wireless Music Center
Noblesville, IN
3 Source: DSBD Live Phish Download

07/22/03

Verizon Wireless Music Center
Noblesville, IN
3 Source: DSBD Live Phish Download

07/23/03

Verizon Wireless Music Center
Noblesville, IN
3 Source: DSBD Live Phish Download

07/25/03

Verizon Wireless Amphitheatre
Charlotte, NC
3 Source: DSBD Live Phish Download

07/26/03

HiFi Buys Amphitheatre
Atlanta, GA
3 Source: DSBD Live Phish Download

07/27/03

Alltel Pavilion at Walnut Creek
Raleigh, NC
3 Source: DSBD Live Phish Download

07/29/03

Post Gazette Pavillion at Star Lake
Burgettstown, PA
3 Source: DSBD Live Phish Download

07/30/03

Tweeter Center
Camden, NJ
3 Source: DSBD Live Phish Download

07/31/03

Tweeter Center
Camden, NJ
3 Source: DSBD Live Phish Download

08/01/03

IT soundcheck
Limestone, ME
1 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

08/02/03

IT Festival Tower Set Ambient Jam
Limestone, ME
2 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

08/02/03

Loring Air Force Base
Limestone, ME
5 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

08/03/03

Loring Air Force Base
Limestone, ME
4 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

11/28/03

Nassau Veterans Memorial Coliseum
Uniondale, NY
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

11/29/03

Wachovia Spectrum
Philadelphia, PA
2 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

12/01/03

Pepsi Arena
Albany, NY
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

12/02/03

FleetCenter
Boston, MA
3 Source: LivePhish.com (DSBD) Original Files came as FLAC fi

12/28/03

American Airlines Arena
Miami, FL
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

12/29/03

American Airlines Arena
Miami, FL
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

12/30/03

American Airlines Arena
Miami, FL
3 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

12/31/03

American Airlines Arena
Miami, FL
4 Source: LivePhish.com (DSBD) Original Files came as FLAC files.

Trey Anastasio
Approximate hours: 1.25

Date  Venue Media Show Quality Sound Quality Source Notes

12/07/82

Taft School
Watertown, CT
1

Blues for Etree by Josh Simpson