|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/22/02
|
The Comfort Zone
Toronto, ON |
2 CDR |
|
A |
Matrix: SBD & AKG C4000's> Samson Mixpad 4> Midiman Flying Calf 24bit (@ 44.1khz)> Tascam DA-P1> Sony PCM-M1 |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/20/01
|
4th Street Tavern
San Rafael, CA |
3 CDR |
|
A |
4 Mic Mix-On Stage Rode NT2(cadioid)And Crown PZM>Behringer MX 1604 A>Sony SBM 1>D8>Tascam CDRW 7oo>EAC>CDWave>Plextor 16 X |
Set #3 with Les Claypool and Trey Anastasio. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/04/02
|
Ludlow's
Columbus, OH |
2 CDR |
|
A |
Schoeps CMC 64>Sonosax>SU255 3700>Makantz CDR |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/11/94
|
Club Metronome
Burlington, VT |
2 CDR |
|
A |
SBD>DAT>CDR |
w/ Michael Ray, Dave Grippo, all of Leftover Salmon, Trey Anastasio, Page McConnell, and Dave Gordon of portions of the set. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/23/80
|
Stanley Theatre
Pittsburgh, PA |
1 CDR |
|
A |
SBD>?>DAT>Delta DJO 2496>Soundforge 4.5>CDWav>SHN>CDR |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/11/01
|
9:30 Club
Washington, DC |
3 CDR |
|
A |
Neumann KM184->V2->Sony SBM-1->D7->CD |
|
|
|
02/21/02
|
Hard Hat Concert Hall
Toledo, OH |
3 CDR |
|
A |
FOB/DFC/XY @ 90* AKG 481>PS-2>modSBM-1>DAT>DA-20mkII>CDRW700>EAC>CDR |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/01/69
|
Fillmore West
San Francisco, CA |
2 CDR |
|
A |
SBD 2-track reel > DAT > ZA2 > WAVs |
Reel flip in Lovelight; ~10 sec at beginning missing.
|
|
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University
Palo Alto, CA |
3 CDR |
|
A+ |
SBD>MR>DAT>CDR |
debut of the wall of sound |
|
|
04/23/77
|
Springfield Civic Center
Springfield, MA |
3 CDR |
|
A+ |
SDB>MR>DATCD |
|
|
|
05/05/77
|
Veterans Memorial Coliseum
New Haven, CT |
3 CDR |
|
A |
SBD>MR>DAT>CDR |
|
|
|
05/26/77
|
Baltimore Civic Center
Baltimore, MD |
3 CDR |
|
A+ |
Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN |
|
|
|
07/07/78
|
Red Rocks Amphitheatre
Morrison, CO |
3 CDR |
|
A |
SBD>DAT>CDR |
|
|
|
02/27/81
|
Uptown Theater
Chicago, IL |
3 CDR |
|
A+ |
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) |
~Missing Encore
~reel flip in Wharf Rat> Sugar Magnolia segue, crossfaded slightly
All other edits and crossfades were between songs with no music disturbed
|
|
|
06/14/85
|
Greek Theatre, U. Of California
Berkeley, CA |
3 CDR |
|
A+ |
SBD > MR > DAT > CDR |
|
|
|
06/15/85
|
Greek Theatre, U. Of California
Berkeley, CA |
3 CDR |
|
A+ |
SBD > MR > DAT > CDR |
|
|
|
06/16/85
|
Greek Theater, U. of California
Berkeley, CA |
2 CDR |
|
A+ |
SBD > RR > DAT > CDR |
|
|
|
10/09/89
|
Hampton Coliseum
Hampton, VA |
3 CDR |
|
A |
SBD>DAT>CDR |
|
|
|
09/10/91
|
Madison Square Garden
New York, NY |
3 CDR |
|
A |
SBD>DAT>CDR |
W/ Bradford Marsalis throughout. |
|
|
10/31/91
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 CDR |
|
A |
DSBD>DAT>CDR |
-with Gary Duncan on guitar
-Ken Kesey gives spoken eulogy to Bill Graham
-Some minor flaws during about 20 sec of "Franklin's Tower."
-VERY small breaks between tracks. (not bad) |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/06/00
|
Mill Stree Entry
Pontiac, MI |
2 CDR |
|
A |
unknown-audience |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/27/69
|
Fillmore West
San Francisco, CA |
2 CDR |
|
A |
sndbd Master > DAT + Aud 2nd gen > DAT > CDR > SHN |
|
|
|
09/04/70
|
The Forum
Inglewood, CA |
2 CDR |
|
A |
SB-AUD / 8.5 ~9 |
|
|
|
moe.
Approximate hours: 225
|
 |
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/27/95
|
Slider's
Fernandina Beach, FL |
3 CDR |
|
A+ |
Soundboard (4 subouts) > Mackie 1202 > Tascam DA-P20 DAT master (band's archive) ev's DAT(1) > DAT(2) > Zefiro ZA-2 > PC (SoundForge + CD Architect) > 3x74 CDRs |
|
|
|
03/01/96
|
Broadway Joe's
Buffalo, NY |
3 CDR |
|
A |
SBD - Stereo mix |
|
|
|
01/25/97
|
Iron Horse Music Hall
Northampton, MA |
2 CDR |
|
A |
B&K 4021 > AD1000 > DAT // DAT > CDR > CDWAV > CDR |
|
|
|
02/06/97
|
Newby's
Memphis, TN |
1 CDR |
|
A |
DAUD with unknown mics: D20MkII> coax> DR700 (Audio CDr)> PC (eac)> |
|
|
|
03/01/97
|
Great American Music Hall
San Francisco, CA |
3 CDR |
|
A |
Brenmix (DMatrix): pair of AKG 414's (onstage) + DSBD > Mackie 1202 mixer |
|
|
|
05/09/97
|
Theater of Living Arts
Philadelphia, PA |
3 CDR |
|
A |
FOB/Schoeps CMC64v ORTF > Dade Preamp > Sony SBM-1 > DAT(m) |
|
|
|
10/17/97
|
Metro
Chicago, IL |
4 CDR |
|
A |
SBD>D8>DAT>CDR |
|
|
|
11/18/97
|
Ivory Tusk
Tuscaloosa, AL |
3 CDR |
|
A |
DMTX: SBD+AKG 414 |
|
|
|
06/10/98
|
The Muse
Nantucket, MA |
2 CDR |
|
A |
B&K 4021 (FOB Center)>Apogee AD-1000>DAT(m) |
|
|
|
09/18/98
|
Warfield Theater
San Francisco, CA |
3 CDR |
|
A |
cmc64 > VMS021B > D7 |
|
|
|
11/05/98
|
Somerville Theater
Somerville, MA |
3 CDR |
|
A |
FOB: cmc4/mk4 > Oade > DA-P1 |
|
|
|
03/01/99
|
Holy Cow
Salt Lake City, UT |
2 CDR |
|
A |
SBD Matrix (SBD+AKG 414) |
|
|
|
12/31/99
|
The Chance
Poughkeepsie, NY |
4 CDR |
|
A |
FOB AudienceB&K 4021s (~12' split front of balcony) >Apogee AD-1000 (+20db, 44.1 kHz) >Sony M1 DAT |
|
|
|
04/10/00
|
Wetlands Preserve
New York, NY |
3 CDR |
|
A |
B+K 4021’s Apogee AD1000 Sony M1 |
2nd set is Timmy Tucker Rock Opera. |
|
|
04/15/00
|
New World Records
Buffalo, NY |
1 CDR |
|
A+ |
B+K 4021’s Apogee AD1000 Sony M1 |
Acoustic set. |
|
|
06/10/00
|
Irving Plaza
New York, NY |
3 CDR |
|
A |
B+K 4021> Apogee AD-1000 @44.1khz |
|
|
|
09/01/00
|
Snow Ridge Ski Resort
Turin, NY |
3 CDR |
|
A |
Neumann u89i (FOB, 12’ Split, omni)> AD1000> D8 |
|
|
|
09/24/00
|
Bay Hall
Yokohama, Japan |
3 CDR |
|
A |
SBD> SBM-1> D100> Panasonic SV-3800> Hhb CDR-850 |
|
|
|
10/31/00
|
The Tower Theatre
Upper Darby, PA |
4 CDR |
|
A- |
4021s(XY,~7)>AD1000 |
Pink Floyd's "Dark Side of the Moon" is played in full. |
|
|
03/09/01
|
Newport Music Hall
Columbus, OH |
4 CDR |
|
A |
Neumann TLR 170r's (cardioid, 90 deg, split)>Lunatec V2>Sonci Sense AD2K + (48khz)>Tascam DA-P1 |
|
|
|
04/22/01
|
Veterans Memorial Auditorium
Providence, RI |
3 CDR |
|
A |
FOB: schoeps cmc6/mk4v > AD1000 > HHb |
Final "Timmy Tucker Rock Opera" |
|
|
06/22/01
|
Nautica Stage
Cleveland, OH |
2 CDR |
|
A |
FOB, AKG 391 > AKGB-18 > Tascam DA-P1 |
|
|
|
07/07/01
|
Plumas-Sierra County Fairgrounds
Quincy, CA |
3 CDR |
|
A |
MBHO 603>SD MP-2>GPADC-20>DAT |
w/ guests Jeff Coffin, Ari Hoenig, Fareed Haque, Kai Eckhardt, and Jamie Masefield. |
|
|
07/12/01
|
The Makor (Late show)
New York, NY |
3 CDR |
|
A |
Neumann TLM 170's>AD1000 |
|
|
|
07/14/01
|
Democratic Music Hall
Annapolis, MD |
2 CDR |
|
A |
unknown |
|
|
|
07/15/01
|
Harbor Center
Portsmouth, VA |
2 CDR |
|
A |
AT882 fob > md-mt-15 -> sblive > soundforge -> wav -> cdr |
|
|
|
07/20/01
|
Masquerade Park
Atlanta, GA |
3 CDR |
|
A |
Earthworks SR77>Lunatec V2>DAP1(fob/dfc) |
|
|
|
07/21/01
|
Masquerade Park
Atlanta, GA |
3 CDR |
|
A |
Earthworks SR-77's>Lunatec V2>Tascam DA-P1 |
|
|
|
07/23/01
|
Lion's Den
New York, NY |
3 CDR |
|
A |
FOB dead center in the room / Brüel & Kjær 4021s (on t-bar with windscreens clamped to ceiling pipe) > Apogee AD-1000 (+20db, 44.1kHz) > Sony PCM-M1 DAT master |
|
|
|
08/31/01
|
Snow Ridge Ski Area
Turin, NY |
2 CDR |
|
A |
Source is Stan's rig: Schoeps CMC64V (cards, 30'split @FOB) > Apogee AD-1000(+20db, 44.1kHz) > HHB PDR1000 > Zefiro ZA2 > Soundforge > CDarchitect > CD |
|
|
|
09/01/01
|
Snow Ridge Ski Area
Turin, NY |
3 CDR |
|
A |
Source is Stan's rig: Schoeps CMC62S (omnis, 30'split @FOB) > Apogee AD-1000(+20db, 44.1kHz) > HHB PDR1000 > Zefiro ZA2 > Soundforge (mild bass roll-off EQ) > CD Architect > CD |
|
|
|
09/02/01
|
Snow Ridge Ski Area
Turin, NY |
3 CDR |
|
A |
Source is Stan's rig: Schoeps CMC62S (omnis, 30'split @FOB) > Apogee AD-1000(+20db, 44.1kHz) > HHB PDR1000 > Zefiro ZA2 > Soundforge (mild bass roll-off EQ) > CD Architect > CD |
|
|
|
09/14/01
|
Orpheum Theater
Boston, MA |
3 CDR |
|
A |
shoeps cmc6/mk41>Lunatec V2> Sony SBM1>Tascam DAP-1 |
|
|
|
09/16/01
|
Big Kahuna Summer Stage
Wilmington, DE |
3 CDR |
|
A |
Neumann km 185>Denecke PS2 Phantom power>zefiro In-box>DAT |
|
|
|
09/19/01
|
Newport Music Hall
Columbus, OH |
3 CDR |
|
A |
km 184 > d mic 20 > d8 |
|
|
|
09/20/01
|
Egyptian Room - Murat Theatre
Indianapolis, IN |
3 CDR |
|
A |
CAD Equitek 200 (ortf) > Graham Patten DMIC-20 |
|
|
|
09/21/01
|
Michigan Theatre
Ann Arbor, MI |
3 CDR |
|
A |
Neumann AK40>LC3>KM100>AD1000>D8 @ 48kHz AD1000 @ +20db, softlimit off (FOB/DFC 14th Row Seat 107 @ 90º by John D'Auria) Transfer: D8>Delta DiO 2496>Samplitude 2496>CDWAVE>MKWact (SHNv3) |
|
|
|
09/22/01
|
Aragon Ballroom
Chicago, IL |
4 CDR |
|
A |
Schoeps MK4V>KC5>CMC6>LunatecV2>AD2K+>DAP1@48kHz (FOB/DFC/ORTF 20' from stage by Chris Olson) |
|
|
|
09/29/01
|
The Fillmore Auditorum
Denver, CO |
3 CDR |
|
A |
DAUD with Neumann km140>mp-2>adk |
|
|
|
10/05/01
|
Crystal Ballroom
Portland, OR |
3 CDR |
|
A |
(DFC/FOB)AKG3000's>Bps-1's>Inbox>optical>D8@44.1khz DAT>SHN- D8>optical>U2a>SF5.0>CdWave |
|
|
|
10/07/01
|
John Anson Ford Theater
Hollywood, CA |
2 CDR |
|
A |
Schoeps cmc4/mk4 > oade custom > AT8202 > Zefiro > DA-P1 > HHb 830CDR (Julie Glendenning's rig) |
|
|
|
10/31/01
|
Shea's Center For The Performing Arts
Buffalo, NY |
3 CDR |
|
A |
AudioTechnica AT-KPStudio Mics > Samaon Mixpad 4 >MZR 37 |
|
|
|
11/02/01
|
Warner Theater
Erie, PA |
2 CDR |
|
A |
FOB Schoeps cmc44 > Oade Custom > AT8202 > Zefiro |
|
|
|
11/03/01
|
Taft Theatre
Cincinnati, OH |
3 CDR |
|
A |
DAUD with KM 184> DMIC-20> D8 |
|
|
|
11/06/01
|
Madison Theater
Peoria, IL |
3 CDR |
|
A |
akg483>m248>adc24-sbm>da-p1 |
"Waiting For The Punchline reprise" |
|
|
11/09/01
|
Tipitina's
New Orleans, LA |
3 CDR |
|
A |
ak40->lc3->km100->mp-2->adk->dap1 |
|
|
|
11/10/01
|
Stubb's BBQ
Austin, TX |
3 CDR |
|
A |
AKG 391 > Wendt X2 > SBM1 > D7 |
|
|
|
11/23/01
|
Hammerstein Ballroom
New York, NY |
3 CDR |
|
A |
Neumann KM140 (split 15' clamped to balcony rail)>EAA PSP-2>DA-P1 |
|
|
|
11/24/01
|
Hammerstein Ballroom
New York, NY |
3 CDR |
|
A |
Neumann KM140 (split 15' clamped to balcony rail)>EAA PSP-2>Tascam DA-P1 |
|
|
|
11/30/01
|
Siena College
Loudonville, NY |
3 CDR |
|
A |
AKG 480161@110 ORTF>AerocoMP2>Sony Dioproll, 25-30’ from stage |
|
|
|
12/30/01
|
Convention Center
Asbury Park, NJ |
4 CDR |
|
A |
AKG c3000>SX202>DA-P1>CDR |
w/ Robert Randolph and The Family Band filler from 12/30/01. |
|
|
12/31/01
|
Convention Center
Asbury Park, NJ |
4 CDR |
|
A |
Neumann KM140 (split 8' FOB) -> EAA PSP-2 -> DA-P1 |
|
|
|
02/22/02
|
Tabernacle
Atlanta, GA |
3 CDR |
|
A |
Microtech Gefell/M200 (XY) > Audio Technica Trans > D-100 |
|
|
|
02/23/02
|
Tabernacle
Atlanta, GA |
3 CDR |
|
A |
Neuman KM140 (split 15")->MP2->ADK->DA-P1->PCM-M1 |
|
|
|
02/27/02
|
Read House
Chattanooga, TN |
3 CDR |
|
A |
AKG C391B's>Sound Devices MP-2>Graham Patten ADC-20(48kHz)>Sony TCD-D8 (mic's ~ORTF, dead center behind SBD) |
|
|
|
02/28/02
|
Music Farm
Charleston, SC |
3 CDR |
|
A |
Set I: Schoeps CCM4ug (ortf at board) > Oade m148 > mod-sbm-1 > D8 @ 48kHz (Ben Morrison) Set II: AKG 483 (DIN at board) > Denecke ps-2 > mod-sbm-1 > DA-P1 @ 48kHz (Wade Cooper) |
|
|
|
03/01/02
|
The Ritz
Raleigh, NC |
3 CDR |
|
A |
AKGSE300B/CK91 > Oade Mod. Edirol UA-5 > USB Laptop (Tim Murray) CDWAVE @ 44.1 |
|
|
|
03/02/02
|
The Ritz
Raleigh, NC |
3 CDR |
|
A |
AKGSE300B/CK91 > Oade Mod. Edirol UA-5 > Sony PCM-M1 (48Khz) |
|
|
|
03/03/02
|
The NorVa
Norfolk, VA |
3 CDR |
|
A |
Schoeps CMC4/MK4 > Oade Custom > AT8202 > Zefiro > DA-P1 (DAT Master) |
|
|
|
03/22/02
|
King Pine Room, Sugarloaf Ski Mountain
Carrabassett, ME |
3 CDR |
|
A |
Scheops CMC 64's>Apogee AD1000 |
|
|
|
03/23/02
|
King Pine Room, Sugarloaf Ski Mountain
Carrabassett, ME |
3 CDR |
|
A |
Scheops CMC 64's>Apogee AD1000>Sonosax |
|
|
|
04/21/02
|
Theater of the Living Arts
Philadelphia, PA |
3 CDR |
|
A |
Schoeps CMC4mk4->Oade Custom Pre-Amp->AT8202->Zefiro Inbox->DA-P1->DA-P1->Phillips 24 Bit Digi Remaster (Expanded sound and booster the Treble a touch)->Tascam Stand Alone CD Unit. |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/04/00
|
Saenger Theatre
New Orleans, LA |
2 CDR |
|
A+ |
Schoeps cmc6/mk4v > Sonosax > Apogee AD1000 M1 > philips cdr870 > EAC |
|
|
|
11/04/01
|
Hill Auditorium
Ann Arbor, MI |
2 CDR |
|
A |
FOB 9th Row DFC>Mics in Hat @ 90 degrees>Neumann AK40>LC3K A >KM100>AD1000>D8 |
|
|
|
Phish
Approximate hours: 202.5
|
 |
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/01/84
|
Nectar's
Burlington, VT |
2 CDR |
|
A |
SBD > Cass(1) > DAT > CD-R |
|
|
|
10/17/85
|
Finbar's
Burlington, VT |
1 CDR |
|
A |
SBD > Cass(1) > DAT > CD-R |
|
|
|
04/01/86
|
Hunt's
Burlington, VT |
2 CDR |
|
A |
AUD > Cass/1 > DA-P1 > D8 > CDR > EAC > SHN |
|
|
|
10/31/86
|
Sculpture Room, Goddard College
Plainfield, VT |
2 CDR |
|
A |
SBD>DAT>CDR |
|
|
|
04/29/87
|
Nectar's
Burlington, VT |
3 CDR |
|
A |
SBD>Cass/x>DAT>S/PDIF>HD>SHN |
|
|
|
10/20/89
|
The Front
Burlington, VT |
2 CDR |
|
A+ |
ASBD >DAT>CDR |
|
|
|
11/02/90
|
Glenn Miller Ballroom
Boulder, CO |
3 CDR |
|
A+ |
SBD>DAT>CDR |
|
|
|
03/15/91
|
Gothic Theater
Denver, CO |
2 CDR |
|
A |
Audience/soundboard multitrack mix (mixed separately from soundboard) > DAT (48k) > PC via Event Gina SP/DIF > 44.1 (Cool Edit Pro) > CDR |
|
|
|
04/27/91
|
Capitol Theater
Port Chester, NY |
3 CDR |
|
A+ |
DSBD>DAT>CDR |
|
|
|
07/21/91
|
Arrowhead Ranch
Parksville, NY |
2 CDR |
|
A |
SBD>D>C>DAT |
~Small gaps between tracks. (not that bad) |
|
|
08/03/91
|
Amy Skelton's Larrabee Farm
Auburn, ME |
4 CDR |
|
A |
SBD>DAT>CDR |
|
|
|
10/13/91
|
North Shore Surf Club
Olympia, WA |
3 CDR |
|
A |
SBD>DAT>CDR |
TMWSIY narration. |
|
|
03/13/92
|
Campus Club
Providence, RI |
3 CDR |
|
A+ |
SBD>DAT>CDR |
Trey explains the secret language. |
|
|
06/20/92
|
Waldbuhn
Nordheim, Germany |
1 CDR |
|
A |
SBD>Cass1>DAT > shn>CDR |
|
|
|
07/25/92
|
Stowe Performing Arts Center
Stowe, VT |
1 CDR |
|
A+ |
SBD>DAT>CDR |
w/ Carlos Santana for YEM, Llama, and Funky Bitch. |
|
|
08/13/92
|
Greek Theater
Los Angeles, CA |
1 CDR |
|
A+ |
SBD>DAT>CDR |
This is on the same disc as 8/14/92. |
|
|
08/14/92
|
Greek Theater
Los Angeles, CA |
1 CDR |
|
A+ |
SBD>DAT>CDR |
This is on the same disc as 8/13/92. |
|
|
12/12/92
|
The Spectrum
Toronto, ON |
3 CDR |
|
A |
SBD > Cass/0 > DAT |
|
|
|
12/31/92
|
Matthews Arena, Northeastern University
Boston, MA |
3 CDR |
|
A+ |
SBD>DAT>CDR |
|
|
|
02/20/93
|
Roxy Theater
Atlanta, GA |
3 CDR |
|
A+ |
SBD>D>C>DAT |
|
|
|
03/22/93
|
Crest Theater
Sacramento, CA |
3 CDR |
|
A+ |
SBD>Master Cassette>DAT Clone |
Complete Gamehenge narration in second set. |
|
|
03/31/93
|
Roseland Theater
Portland, OR |
3 CDR |
|
A |
TOA k1's Balcony > DTR-80P > CDR > SHN (Cool Edit 2000 on 3 tracks) |
|
|
|
05/05/93
|
Palace Theater
Albany, NY |
3 CDR |
|
A+ |
DSBD > DAT > CDR via Montego(optical) > CDWav |
YEM w/ Aquarium Rescue Unit! |
|
|
05/29/93
|
Laguna Seca Raceway
Monterey, CA |
1 CDR |
|
A |
FOB Neumann KM54 --> Teac DAP-20 @ 44.1 KHZ |
|
|
|
08/09/93
|
The Masonic Temple
Toronto, ON |
2 CDR |
|
A |
AKG460/CK61 b18 PS>DAP20 |
|
|
|
12/30/93
|
Cumberland County Civic Center
Portland, ME |
2 CDR |
|
A |
Neumann RSM 190i's (in TS) |
|
|
|
04/04/94
|
Flynn Theater
Burlington, VT |
3 CDR |
|
A |
B&K 4011?DAT>D8>Oade>CoaxialS/PDIF>ZA2>CDWave>Soundforge>SHN |
|
|
|
04/20/94
|
Virginia Horse Center
Lexington, VA |
2 CDR |
|
A |
AKG 460/ck61s > Custom Pre-Amp (FOB) > DAT > CD > SHN |
|
|
|
04/26/94
|
Purple Dragon Recording Studios
Atlanta, GA |
1 CDR |
|
A |
FM>C?>DAT (Unknown DAT generations)Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 |
|
|
|
06/17/94
|
Eagles Auditorium
Milwaukee, WI |
3 CDR |
|
A |
AKG460>PCM-M1>PCMR300>PCM R500>SP/DIF>HHB CDR 800 |
|
|
|
06/22/94
|
Veterans Memorial Auditorium
Columbus, OH |
2 CDR |
|
A |
AKG 460+CD61>DAT>CDR |
|
|
|
06/26/94
|
Municipal Auditorium
Charleston, WV |
3 CDR |
|
A |
DAUD (FOB AKG 460s) > ZA2 (resampled from 48 to 44.1) > HD > track split w/ CD Wav |
Set 1 contained a complete Gamehendge narration. Set 2 contained the album "Hoist" in its entirety. |
|
|
07/02/94
|
Garden State Arts Center
Holmdel, NJ |
2 CDR |
|
A |
Schoeps CMC54s>Sonasax>DA-P20 |
|
|
|
07/05/94
|
The Congress Center
Ottawa, ON |
3 CDR |
|
A |
AKG 460/CK61 -> Custom Pre-amp -> Teac DAP20 @ 48Khz DSBD [Rift opener only] |
|
|
|
07/13/94
|
Big Birch Concert Pavilion
Patterson, NY |
2 CDR |
|
A |
Schoeps CMC-5 MK-21>Apogee AD1000>Sonosax>d10 |
|
|
|
10/31/94
|
Glens Falls Civic Center
Glens Falls, NY |
4 CDR |
|
A |
FOB CMC6/MK4>DAT>CDR |
The White Album |
|
|
11/17/94
|
Hara Arena
Dayton, OH |
3 CDR |
|
A |
Schoeps CMC54>Aerco>Casio DAR 100>CDR(DA20mkII)>Audio Magic Presto II>ZA2>SoundForge>CDWAV>SHN |
|
|
|
12/03/94
|
Event Center
San Jose, CA |
2 CDR |
|
A |
NAK 100s > D7 |
|
|
|
12/10/94
|
Civic Auditorium
Santa Monica, CA |
2 CDR |
|
A |
AKG 460 Cards>10 ft XLR's>Power Supply>3 ft XLR's>Technics SV 260A>DAT. |
|
|
|
12/31/94
|
Boston Garden
Boston, MA |
3 CDR |
|
A+ |
AKG 460's>DA-20>ZA2>Soundforge 4.0>CD Wav editor>SHN |
|
|
|
06/17/95
|
Nissan Pavillion at Stone Ridge
Gainesville, VA |
3 CDR |
|
A |
DAUD/OTS Schoeps CMC5/mk4 > Aerco > Casio DA-R100@48k Master(on DA-R100 ) > clone |
|
|
|
07/03/95
|
Sugarbush Summerstage
North Fayston, VT |
3 CDR |
|
A |
AKG460>TEAC>SV260A>DAT |
|
|
|
10/31/95
|
Rosemont Horizon
Rosemont, IL |
4 CDR |
|
A- |
AUD |
Quadrophenia |
|
|
08/16/96
|
Plattsburgh Air Force Base
Plattsburgh, NY |
4 CDR |
|
A+ |
SBD>DAT>CD-R>EAC>SHN (Digital Clone) |
The Clifford Ball |
|
|
08/17/96
|
Plattsburgh Air Force Base
Plattsburgh, NY |
3 CDR |
|
A+ |
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN EXCEPT Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN seeded by Art H. |
The Clifford Ball |
|
|
10/31/96
|
The Omni
Atlanta, GA |
4 CDR |
|
A |
SchoepsCMC6/Mk41 > Sonosax SX-M2 > Tascam DA-P1> d i/o > Cool Edit Pro > SHN (no DAE) |
Performance of the Talking Head's "Remain In Light" in it's entirety. |
|
|
12/01/96
|
Pauley Pavilion
Los Angeles, CA |
2 CDR |
|
A |
Schoeps CMC641 > Oade > DA-P1 |
|
|
|
12/06/96
|
Aladdin Theater
Las Vegas, NV |
3 CDR |
|
A |
Schoeps CMC64's>Beyer Mv-100>ApogeeAD 500E>DAT>CD-R |
Some minor recording flaws on the second disc. |
|
|
08/14/97
|
Darien Lake Performing Arts Center
Darien, NY |
3 CDR |
|
A |
B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC |
Second disc is flawed. |
|
|
08/03/98
|
Deer Creek Music Center
Noblesville, IN |
3 CDR |
|
A |
FOB Schoeps CMC5/mk21> Sonosax SX-M2 > Apogee AD-1000 |
|
|
|
08/09/98
|
Virginia Beach Amphitheatre
Virginia Beach, VA |
3 CDR |
|
A |
Schoeps CMC6/MK4-> Lunatec V2-> Apogee A/D converter-> Tascam DA-PI-> M1 (DAT Master)-> SB Live Sound Card Via S/PDIF-> Cool Edit Pro@48 KHz-> 44.1 Resampling-> HD-> Ricoh MP6200A CD-RW; early pcp tree; via D. Lenz |
|
|
|
08/15/98
|
Loring Air Force Base
Limestone, ME |
5 CDR |
|
A |
AUD |
|
|
|
10/31/98
|
Thomas & Mack Center
Las Vegas, NV |
4 CDR |
|
A |
Schoeps CMC6/MK41 -> Sonosax SX-M2 -> Apogee AD-1000 @ 44.1 khz; DAT->PC (S/PDIF, TB Fiji) ->CD-R |
LOADED |
|
|
11/02/98
|
E Centre
West Valley City, UT |
3 CDR |
|
A |
B&K 4011>audio magic sorcerer's cables>Lunatec V2>Apogee AD1000>HD>CD |
Pink Floyd's "Dark Side of the Moon" is played in full. |
|
|
11/08/98
|
UIC Pavilion
Chicago, IL |
2 CDR |
|
A |
Schoeps CMC641 > Sonosax > InBox |
|
|
|
07/09/99
|
Merriweather Post Pavillion
Columbia, MD |
3 CDR |
|
A |
FOB Schoeps MK4>VMS 02iv>SBM-1>Tascam DA-P1> |
|
|
|
12/31/99
|
Big Cypress Seminole Reservation
Big Cypress, FL |
10 CDR |
|
A |
Neumann U89(omni Setting) Split 12' -> Apogee AD1000 FOB 44.1k master Coversion: Eric Pearson |
|
|
|
07/11/00
|
Deer Creek Music Center
Noblesville, IN |
3 CDR |
|
A |
AUD |
|
|
|
10/07/00
|
Shoreline Amphitheatre
Mountain View, CA |
3 CDR |
|
A |
OTS Schoeps CMC641v > Lunatec V2 > Sonic AD2k @ 48k |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/14/01
|
Court Tavern
New Brunswick, NJ |
2 CDR |
|
A |
B&K 4021s (t-bar, center ceiling clamp) > Apogee AD-1000 (+20db, 44.1kHz) > Sony PCM-M1 DAT master (~2:08) |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/31/99
|
Electric Factory
Philadelphia, PA |
4 CDR |
|
A+ |
DSDB Matrix>Schoeps CM4Vxy>DAT>CDR>EAC>SHN>WAV>CDR |
|
|
|
10/31/00
|
State Theatre
Portland, ME |
4 CDR |
|
A+ |
Sonic AD2K+ > SBD (XLR) >TASCAM DAP1 > SONY M1(DAT CLONED) > HHB 850(CD) > EAC > CD > EAC > SHN |
|
|
|
11/15/00
|
Alabama Theatre
Birmingham, AL |
3 CDR |
|
A+ |
SBD>DAT>CDR |
|
|
|
11/17/00
|
Tabernacle
Atlanta, GA |
3 CDR |
|
A+ |
SBD>AD2K>DA-P1 |
Tony Furtado sits in on banjo and guitar. |
|
|
03/10/01
|
Warfield Theatre
San Francisco, CA |
3 CDR |
|
A |
Schoeps CMXY-4 > Audio Magic cables > Lunatec V2 > Yamaha O1V Digital mixer SBD> Apogee Rosetta 24 bit A/D > Yamaha O1V Digital mixer |
|
|
|
03/12/01
|
Hult Center
Eugene, OR |
4 CDR |
|
A+ |
neumann km 184's>lunatec v2@35db>apogee ad1000>tascam da-p1 harmonic tech cables |
Some flaws on 3rd disc. |
|
|
04/27/01
|
Veteran's Memorial
Columbus, OH |
3 CDR |
|
A+ |
Mbho603/ka200n > Sound Devices MP2 > Tascam DA-P1 (first row balcony) |
|
|
|
07/27/01
|
Aladdin Theatre
Las Vegas, NV |
3 CDR |
|
A |
schoepps cmc6-mk4>dmic-20>pcm-1 |
Karl Denson, Andy Cleaves and Mike Dillon sit in for the second set. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/31/00
|
Somerville Theatre
Somerville, MA |
3 CDR |
|
A+ |
SBD>DAT>CDR |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/26/01
|
State Theater
Cleveland, OH |
3 CDR |
|
A+ |
Neumann U87ai(cardioid)> AD1000> D8; D8> Delta DiO 2496> Soundforge 45>SHN v3 |
|
|
|
03/02/01
|
Thomas Wolfe Auditorium
Asheville, NC |
3 CDR |
|
A |
Neumann u89; (Cardiod,ORTF)>EAA-PSP2 (Set 1 @ 35dB, Set 2 @41dB)>Graham Patten ADC-20>Sony PCM-M1>MontegoII S/PDIF>Cool Edit 2000/CDWav>SHN V3.0 |
Mike Gordon on acoustic guitar for "Hard Hearted" and "Possum" in the Encore. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/21/01
|
Thursday's
Victoria, BC |
2 CDR |
|
A+ |
SBD + ATM33As > Mackie 1202 > DA-P1 > D8 |
|
|
|
07/09/02
|
Crystal Ballroom
Portland, OR |
3 CDR |
|
A+ |
SBD(Delayed 56ms via TC D-Two)+AKG414B-ULS>Allen Heath WZ14:4:2+>PCM-R500>DA-P1 |
|
|
|
08/15/02
|
The Vogue
Indianapolis, IN |
3 CDR |
|
A+ |
SBD+AKG 414 @ sbd>Allen Heath WZ14:4:2+>Oade Midified SBM-1 |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/31/01
|
Roseland Ballroom
New York, NY |
2 CDR |
|
A |
Neumann TLM 170r (hypers) --> Apogee AD1000 (@48) --> D7 taping section center stand @ 10 ' |
w/ Trey Anastasio and Mike Gordon for "Light Up or Leave Me Alone." |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/10/01
|
Nautica Stage
Cleveland, OH |
3 CDR |
|
A |
schoeps ccm4 > mv100 > da-p1 |
|
|
|
10/16/01
|
Paramount Ballroom
Seattle, WA |
3 CDR |
|
A |
B&K 4011>V2>AD2000+>DA-P1 |
w/ Trey Anastasio in second set. |
|
Blues for Etree by Josh Simpson
|