|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/68
|
various
san francisco, ca |
3 shn |
|
|
|
compilation and package by Alan Bershaw
shn discs by TaW
Note 1: I split the 1h Jerry interview on disc 4 into 3 smaller pieces (a-c).
Note 2: The shn-tracks for audio disc 4 are split between shn-discs 2 and 3! |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/23/88
|
Birchmere
Alexandria, VA |
2 shn |
|
|
SBD->cassette sound board master>cassette copy metal tape> |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/21/02
|
Great Stage Park
Manchester, TN |
1 shn |
|
|
unk |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/29/75
|
Wollman Skating Rink - Central Park
New York, NY |
1 shn |
|
|
Recorded in New York City - 1975 |
|
|
|
08/18/90
|
Castle Donington
Donington, UK |
1 shn |
|
|
sbd>CD/boot>SHN |
Libertaed Boot: Train Kept A Rolling
Jimmy Page joins group for last 2 songs.
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/03/70
|
Middle Georgia Raceway
Byron, GA |
1 shn |
|
|
Master Soundboard Reel > Cassette > DAT > CDR |
|
|
|
07/26/70
|
S.U.N.Y. Gym
Stony Brook, NY |
1 shn |
|
|
Sbd->Reel->DAT->CDR->SHN |
I question the source's validity. The person who gave this to me said it
was from a friend who works for the Allman's so who knows. It does sound
damn good. It must be on a 80 min. disc. |
|
|
04/01/71
|
Gatlinburg Tapes
Gatlinburg, TN |
1 shn |
|
|
see notes |
Allman Brothers - Gatlinburg Tapes April 1971. This is from a CDR. Ripped to wave with Toast Audio Extractor, porcessed with Shorten for Mac. Track one is the important one. Long dialogue. mostly of Duane, talking and singing and playing acoustic. Dickie's in there too. Fascinating. |
|
|
07/22/71
|
A&R Studios
New York, NY |
1 shn |
|
|
|
Delaney, Bonnie and Friends
Show Date 07/22/71
Venue A&R Recording Studios
City New York
State NY
Set 1
Come On In My Kitchen,
Goin'Down The Road Feeling Bad,
Poor Elijah,
The Ghetto,
Livin'On The open Road,
Better Relations,
Don't Want Me Around,
Only You Know & I Know
SBD Featuring:
Duane Allman, Greg Allman, King Curtis, Kenny Gradney, Richie Heywood & Sam Clayton |
|
|
08/26/71
|
A&R Studios
New York, NY |
1 shn |
|
|
A&R Studios via WPLJ-FM |
|
|
|
04/16/72
|
Academy of Music
New York, NY |
1 shn |
|
|
rtr>CDr>skip remaster>CDr>eac>wav>shn |
the original rtr recording had substantial buzz most likely from one of the guitar amps
(and generally unlistenable!) and so several iterations of noise reduction were done
(by Skip and others) to remove the buzz while retaining as much ambiance of the recording
as possible (complete reduction of the humm resulted in a flat sound).
This final version is from Skip.
This is a very nice performance. On many of the 1972 shows Berry really
carries the band. The bass figures strongly throughout the performance.
Dickey is playing slide and is doing some very interesting things that are
not present in other versions of these songs. |
|
|
06/09/73
|
RFK Stadium
Washington, DC |
2 shn |
|
|
sbd>mr>production cassette>dat>cdr>shn>wav |
|
|
|
06/10/73
|
Robert F. Kennedy Stadium
Washington, DC |
1 shn |
|
|
SBD>MR>Production Cassette>DAT>CDR |
|
|
|
12/31/73
|
Cow Palace
Daly City, CA |
4 shn |
|
|
master reel-> DAT-> CDR-> SHN |
Jerry Garcia, Bill Kreutzman & Boz Scaggs on discs 3&4 |
|
|
07/19/79
|
Merriweather Post Pavilion
Columbia, MD |
1 shn |
|
|
FM > Master Cassette > CD |
|
|
|
08/30/94
|
New York State Fairgrounds Grandstand
Syracuse, NY |
2 shn |
|
|
SBD>DAT Master (48KHz) |
DAT master provided by Jeff Miller (crypticaldevelopment@austin.rr.com)
Conversion: DAT Master>Tascam DA-30 MKII>Digital Audio Labs CardDeluxe>SoundForge 5.0(converted to 44KHz at 4 setting)>Shntool>SHN2k>SHN
Converted by Craig Schilling (cschilling@austin.rr.com) |
|
|
08/04/00
|
Jones Beach Amphitheater
Wantagh, NY |
2 shn |
|
|
matrix, onstage or FOB |
Encore features Hot Tuna. Entire show features Jimmy Herring
subbing for Dickey.
I had originally posted this as sbd or matrix, due to the
extremely low level of crowd noise. Upon closer inspection,
it lacks some qualities of a board feed. The mics were
obviously close to a sound source; whether onstage or a PA
speaker. It certainly doesn't sound like a typical audience
recording. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/19/01
|
Spirit of the Swannee Music Park
Live Oak, FL |
1 SHN |
|
A |
SBD>DAP-1>D-8>CDR>EAC>SHN |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/21/98
|
Heat Beat
Osaka, Japan |
1 shn |
|
|
SBD |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/29/91
|
Music Farm
Charleston, SC |
1 shn |
|
|
SBD > Cass/0 |
Notes: Tape Flip during 'Time Is Free' ... spliced together with SoundForge;
Transfer: Cass/0 > Oade mod-sbm-1 @ 44.1 > Audiophile 2496 > WavLab 4.0 (record) > SoundForge 4.5 (splice) > CDWave (track) > mkwACT > shn |
|
|
10/31/92
|
WOW Hall
Eugene, OR |
1 shn |
|
|
Audio Technica 822 > Sony D5 > DAT > Sony 59ES > Monster coax > Audiophile 2496 > Wave Lab 4.0 > CDWave > mkwACT > shn |
Dropout (tape flip?) in Space is the Place, fixed with SoundForge; |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/27/00
|
Buckeye Lake Music Center
Hebron, OH |
1 shn |
|
|
24-channel stage split-feed->Yamaha O2R digital mixer |
A studio mix. NOT a soundboard recording; this is an
isolated mix done from within a mobile recording studio
at Hookaville. Not from the audience or Front of House board.dience or Front of House board. |
|
|
05/27/00
|
Buckeye Lake Music Center
Hebron, OH |
1 shn |
|
|
24-channel stage split-feed->Yamaha O2R digital mixer |
A studio mix. NOT a soundboard recording; this is an
isolated mix done from within a mobile recording studio
at Hookaville. Not from the audience or Front of House board.dience or Front of House board. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/20/95
|
Vic Theatre
Chicago, IL |
1 shn |
|
|
FM -> DAT |
This is a WXRT Radio show . |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/30/69
|
Apple Records Rooftop
London, England |
1 shn |
|
|
Rooftop & Acetate |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/13/02
|
Power Center for the Performing Arts
Ann Arbor, MI |
1 shn |
|
|
FOB in hat @ 90° 6th row (25ft) DFC > AK40 >LC3KA >KM100 > AD1000 > D8 |
The applause was cut in volume due to the exessively loud noises otherwise,
there is no other alterations. Levels in the first tune may have fluttered a bit and two
"pops" heard are the gains on the apogee being raised and me turning off the soft-limit.
Thanks to those that made this possible... |
|
|
06/23/02
|
Stadium Stage, Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
|
no text file |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/26/97
|
MerleFest
Wilkesboro, NC |
1 shn |
|
|
FOB |
|
|
|
02/16/00
|
Mershon Auditorium, OSU
Columbus, OH |
1 shn |
|
|
Audio Technica AT853 Cardiods -> BRBox @ 107Hz |
* Power went out on the stage and Bela played this for a few minutes
while Futureman was rebooting his drum machine. |
|
|
04/11/00
|
University of Virginia
Charlottesville, VA |
1 shn |
|
|
AKG 481> M1 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/09/93
|
Hobart and William Smith Colleges
Geneva, NY |
1 shn |
|
|
SBD (Mono signal |
Recorded from SBD (Mono signal, 2 channels out of board into DAT deck but it was the same signal) > Tascam DA-P1 |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/21/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
MBHO 603a/ka200's > V2 > mod.SBM-1 > M1 > CD-RW700 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/20/70
|
L'Olympia
Paris, France |
1 shn |
|
|
unk |
Black Sabbath
??/??/70
The Beat Club
Bremen, Germany
01. Black Sabbath
02. Iron Man
03. Blue Suede Shoes
12/20/70
L'Olympia
Paris, France
04. Paranoid
05. Hand Of Doom
06. Rat Salad
07. Iron Man
08. Black Sabbath
09. N.I.B.
10. Behind The Wall Of Sleep
11. War Pigs
12. Fairies Wear Boots |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/23/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
AT831's > SP SB-2 > Sony PCM-M1 @ 44.1kHz |
Taper: Boogie Shafer
The Blind Boys started the show with a guest appearance from
Robert Randolph and the Family Band
There is a small amount of distortion at the end of "Take My Hand"
before i got the levels adjusted. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/18/69
|
Konserthallen Liseberg, Liseberg Nöjespark
Göteborg, Sweden |
1 shn |
|
|
see notes |
80 min CD required.
The complete show comes from 2 different sources.
The first three tracks come from a bootleg called Can't Find My Way Home.
The source of the last six tracks is unknown but is of higher quality.
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/05/99
|
Camp Mather
Yosemite, CA |
2 shn |
|
|
Hog DFM>>DAT>>CD |
|
|
|
10/06/99
|
Thomas Wolfe Auditorium
Asheville, NC |
2 shn |
|
|
B&K 4022> Lunatec V2> DA-P1 @ 48kHz, stealth/mics in a hat from Row L |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/08/01
|
Miller Oasis- Summerfest
Milwaukee, WI |
1 shn |
|
|
Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN |
|
|
|
12/21/01
|
Asheville Civic Center
Asheville, NC |
1 shn |
|
|
Schoeps MK21>KC5>CMC6>AD1000>D8 @ 44.1kHz |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/25/62
|
Gaslight Cafe
New York, NY |
1 shn |
|
|
unk |
"The Gaslight Tapes 1962" |
|
|
10/31/64
|
Philharmonic Hall
New York, NY |
1 shn |
|
|
sbd>mr>?>dat>cd |
Comment Recorded by CBS for a possible live album but never released.
|
|
|
05/17/66
|
Free Trade Hall
Manchester, England |
1 shn |
|
|
unk |
Guitars Kissing and the Contemporary Fix
Free Trade Hall (Manchester, UK); May 17, 1966 |
|
|
10/31/75
|
War Memorial Auditorium
Plymouth, MA |
1 shn |
|
|
unknown |
w/11-11-75 |
|
|
11/11/75
|
Palace Theater
Waterbury, CT |
1 shn |
|
|
unknown |
w/10-31-75 |
|
|
07/05/78
|
Pavillon de Paris
Paris, France |
2 shn |
|
|
unknown |
|
|
|
07/19/87
|
Autzen Stadium, U. of Oregon
Eugene, OR |
1 shn |
|
|
Soundboard |
1 Maggie's Farm
2 Dead Man, Dead Man
3 Watching The River Flow
4 Simple Twist Of Fate
5 The Ballad Of Frankie Lee And Judas Priest
6 Stuck Inside Of Mobile
With The Memphis Blues Again
7 Heart Of Mine
8 It's All Over Now, Baby Blue
9 Rainy Day Women # 12 & 35
10 Queen Jane Approximately
11 Ballad Of A Thin Man
12 Highway 61 Revisited
13 Tangled Up In Blue |
|
|
10/19/88
|
Radio City Music Hall
New York, NY |
1 shn |
|
|
unk |
Stuck Inside of New York
Radio City Music Hall (New York, NY); October 19, 1988 |
|
|
10/13/02
|
Harrah's Casino
Lake Tahoe, NV |
2 shn |
|
|
unk |
both early and late shows. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/17/69
|
Columbia Studio A
Nashville, TN |
1 shn |
|
|
see notes |
67min
Also The Johnny Cash Show with Dylan from 5/1/69.
Also Nahsville Skyline quad mix. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/24/73
|
Paris Theatre
London, England |
1 shn |
|
|
SBD>MR>Boot>CD>EAC>SHN |
Notes:
- Bootleg is called: Jah's Love |
|
|
10/31/73
|
The Record Plant
Sausalito, CA |
1 shn |
|
|
sbd? |
|
|
|
11/27/73
|
Leeds Polytechnic
Leeds, UK |
1 shn |
|
|
SBD>mr>?>cd |
|
|
|
06/10/75
|
Quiet Knight Club
Chicago, IL |
1 shn |
|
|
sbd>mr?>dat>cd |
|
|
|
07/07/75
|
The Boarding House
San Francisco, CA |
1 shn |
|
|
SBD>MR>?CD>EAC>SHN |
|
|
|
??/??/76
|
Yvette Crichton Household
Unknown, Jamaica |
1 shn |
|
|
unk |
|
|
|
07/21/79
|
Harvard Stadium
Boston, MA |
2 shn |
|
|
SDB |
This is the Sbd version and the sound on the rare video
of this show.The encore was not DAO from the original source.
D2 was 'redone' to get rid of the gaps..
Thanks Chaz for the work on this!!!
|
|
|
12/02/79
|
Santa Cruz Civic Center (Early Show)
Santa Cruz, CA |
1 shn |
|
|
sbd>mr>?>cd |
|
|
|
06/13/80
|
Westfalenhalle
Dortmund, Germany |
2 shn |
|
|
sbd>mr>?>cd |
|
|
|
09/23/80
|
Stanley Theatre
Pittsburgh, PA |
1 shn |
|
|
SBD>?>DAT>Delta DiO 2496>Soundforge 4.5>CDWave>SHN |
This was Bob Marley's last live show I hope you enjoy it |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/21/89
|
Madison Square Garden
New York, NY |
1 shn |
|
|
SBD |
|
|
|
06/01/94
|
E-Werk
Cologne, Germany |
1 shn |
|
|
Satellite (?)>DAT |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/24/96
|
Miller Auditorium
Kalamazoo, MI |
1 shn |
|
|
Matrix Master Soundboard > DAT > CD > SHN |
with Bela Fleck |
|
|
08/16/01
|
Caribou Stage "A La Carte" Milwaukee County Zoo
Milwaukee, WI |
1 shn |
|
|
Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > D8 FOB/DFC 35' from stage, ORTF on Stand |
|
|
|
08/24/01
|
Garden Theatre - Villa Montalvo
Saratoga, CA |
2 shn |
|
|
FOB Schoeps CMC5MK4 > Lunatec V2 > Tascam DA-P1 |
|
|
|
07/24/02
|
Westbury Music Fair
Westbury, NY |
2 shn |
|
|
Oktava Mc012(Hyper Card)>Mp2>Sony D10 Pro |
Sony D10 Pro>Audiophile 2496>Soundforge 4.5(48k>44.1K)>Cdwave>Mkw(shn)
All Taping and Transfer by Hoobash@hotmail.com
2nd 1/2 of 1st set with Branford Marsalis |
|
|
10/05/02
|
Haymaker Festival
Fredericksburg, VA |
1 shn |
|
|
SBD + Neumann TLM 170s |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/19/78
|
Capitol Theater
Passaic, NJ |
2 shn |
|
|
sbd>?>cd |
sound check is missing
Radio broadcast and soundboard tapes
Probably one of the best all time concert recordings,
this version from the Soundboard. Great version of Because The Night & Fire,
and also includes what many consider to be the best versions of Racing In The Street
and the best band Thunder Road ever! - Essential, |
|
|
03/18/99
|
Convention Hall
Asbury Park, NJ |
2 flac |
|
|
DAUD |
12/9/98 Paris, FR(tv broadcast) |
|
|
12/08/01
|
Convention Hall
Asbury Park, NJ |
2 shn |
|
|
unk |
Night five of five. You got chocolate in my peanut butter! You got night three in my night four! An extra long show, as most of the week's guests--Jeffreys, Hornsby, the South Community Choir-- make encore appearances. Oh, and Elvis (Costello) was in the building. As was Tony Soprano (James Gandolfini, in the crowd). But Silvio, alas, was not.
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/09/78
|
Agora Theatre and Ballroom
Cleveland, OH |
2 shn |
|
|
FM? |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/09/93
|
Warner Theatre
Washington, DC |
1 shn |
|
|
unk |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/22/99
|
Centennial Hall, University of Arizona
Tucson, AZ |
2 shn |
|
|
SBD > CDR |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/22/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
AKG 480 w/ck61> |
Source: DAUD/FOB about five feet in front of board>AKG 480 w/ck61>
Lunatec v2 (35db)>da-p1 @ 44.1
Transfer:Master dat>Sony DTC-690>Audioquest Optilink 1>SEK'D Prodif Plus>SamplitudeV5.5>cdwav1.6>mkwact0.97
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/06/01
|
Leede Arena, Dartmouth College
Hanover, NH |
1 SHN |
|
|
DPA (B&K) 4061s > DPA MPS 6010 > Sound Devices MP-2 > Sonic AD2k+@16NS3, +20 >Sony D8 DAT >CD > SHN: Tascam DA-20 mkii > Audiowerk2 > PowerMacG4/733 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/13/02
|
The Tower Theatre
Upper Darby, PA |
1 snh |
|
|
SONY-ECM717 > SONY-D8 > PC using CoolEditPro > .WAV >mkwACT > SHN >CDR |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/12/93
|
Century Plaza Hotel Ballroom
Los Angeles, CA |
1 shn |
|
|
Hawk - HAWK 048 - sb4 (1)/sb5 (2) |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/15/70
|
The Matrix
San Francisco, CA |
1 shn |
|
|
SBD>MR>?>DAT>ZA2>CD |
w/ 12-17-70
Comments: (from Dead List Reader)
This is Crosby, Garcia, Lesh & Hart, sometimes known as
David And The Dorks. 12/17/70 is of the band in performance;
it may be a complete set. 12/15/70 is part of a soundcheck or
rehearsal, almost certainly a tape run by the band for work
purposes (as we know was Jerry's practice); reportedly there
is a 49 minute version of this rehearsal tape also in circulation,
but unexamined at this writing. DeadBase IX lists gigs by these
musicians at the Matrix on December 15, 16 & 17, billed as "Jerry Garcia & Friends." |
|
|
12/17/70
|
The Matrix
San Francisco, CA |
1 shn |
|
|
SBD>MR>?>DAT>ZA2>CD |
w/12-15-70
Comments: (from Dead List Reader)
This is Crosby, Garcia, Lesh & Hart, sometimes known as
David And The Dorks. 12/17/70 is of the band in performance;
it may be a complete set. 12/15/70 is part of a soundcheck or
rehearsal, almost certainly a tape run by the band for work
purposes (as we know was Jerry's practice); reportedly there
is a 49 minute version of this rehearsal tape also in circulation,
but unexamined at this writing. DeadBase IX lists gigs by these
musicians at the Matrix on December 15, 16 & 17, billed as "Jerry Garcia & Friends." |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/22/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
Neumann KM140 shockmounted -> X-Stream -> Sound Device MP-2 |
Neumann KM140 shockmounted -> X-Stream -> Sound Device MP-2 ->
SBM-1 (Oade mod) -> D-7 @48kHz
farthest stand forward DFC (~25ft back from stage lip) ~12 ft up.
There were ~8 or so stands behind me. I was glad my stand was up
so high here because the crowd was super loud...Del seemed
quite surprised several times by our enthusiasm. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/20/00
|
Macon Music City Grill
Macon, GA |
1 shn |
|
|
Sbd & Sony ECM MS 907> Toshiba Satelite 2060> CD |
Approx 80%sdb and 20% matrix mix |
|
|
09/21/01
|
Everybody's Day Festival
Thomasville, NC |
1 shn |
|
|
DSBD > DAT > CD |
DSBD > DAT > CD by Kelly Craver
Posted by Thomas Pope (tbonep@mindspring.com) |
|
|
10/05/01
|
Magnolia Street Pub
Spartanburg, SC |
2 shn |
|
|
SBD |
Last 2 songs with Susan Tedeschi, Rico's Birthday.
Count M'Butu on Congas for the whole show |
|
|
11/07/02
|
The State Theatre
Falls Church, VA |
2 shn |
|
|
Neumann KM 184’s > Lunatec V2 > D8 > |
Recorded in the tapers section, and converted by Justin Carlson
jacarlson8@comcast.net |
|
|
11/30/02
|
Somerville Theater
Somerville, MA |
1 flac |
|
|
MBHO 603As (KA200 cardioid) > Sound Devices MP-2> |
This show was masterfully taped by Tom (pf_santa@hotmail.com)
Source: MBHO 603As (KA200 cardioid) > Sound Devices MP-2> Tascam DA-P1 > HHB 830 > SoundForge 6 (wav) > Flac
Seeded by Ramius (mramius@attbi.com) |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/16/79
|
WDR Studio L
Köln, Germany |
1 shn |
|
|
Sbd>Boot CD>CDR>EAC>SHN |
Early Dire Straits off the German TV. |
|
|
04/01/79
|
The Boarding House
San Francisco, CA |
1 shn |
|
|
sbd>mr>dat>cd>shn |
|
|
|
08/05/85
|
Blossom Music Center
Cuyahoga Falls, OH |
2 shn |
|
|
S:?-> DAT-> CDR-> SHN |
|
|
|
06/11/88
|
Wembley Stadium
London, England |
1 shn |
|
|
unk |
All Songs w/ Eric Clapton |
|
|
10/14/91
|
Hallenstadion
Zürich, Switzerland |
2 shn |
|
|
mic>dat>cd |
|
|
|
06/20/92
|
Woburn Abbey
Bedfordshire, England |
2 shn |
|
|
sbd/fm>?>cd |
From the original bootleg "Les Inrockuptibles". |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/09/53
|
Salle Pleyel
Paris, France |
1 shn |
|
|
THIS IS AN OUT OF PRINT RECORDING |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/25/97
|
Walker Center
Wilkesboro, NC |
1 shn |
|
|
DSBD |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/19/01
|
All Good Festival - Beale Family Farm
Spotsylvania, VA |
1 shn |
|
|
SBD>DAT>CDR>EAC>MKW |
|
|
|
12/31/02
|
The Lion's Den
New York, NY |
2 shn |
|
|
SBD (Graham’s In-Ear Monitor mix*) |
There was at least one more song played (definitely Street Music), but I don?t believe it got recorded.
Overall I feel this is a good sounding recording. The only problems I have with it are that the guitar is a bit quiet, and some of the keyboards are a bit loud.
Disc 1, Track 8 There was a nasty glitch about 3.6 seconds in, caused by switching cables on the monitor board. I patched in about 0.2 seconds of sound from 8 beats earlier, and I don?t think anyone will be able to spot the repair.
The track titles and edit points in the improv stuff are somewhat arbitrary, but for me they represent major sections with a particular theme, and hopefully provide easy access to ?good bits? that you want to find again. I have also placed edit points after the initial ?shaka-shaka? didg loop on some tunes. For me the ?shaka-shaka? is a framework to build the loop, and when I am listening I often want to skip to where the first full riff comes in.
Bandmembers:
Graham Wiggins: Didgeridoo, Keyboards, Melodica, Loops
Geoff Gersh: Guitar
Mike Weafer: Bass
Ryan Krieger: Drums
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/06/73
|
Ultrasonic Studios, WLIR-FM
Hempstead, NY |
1 shn |
|
|
sbd/fm>mr>dat>cd |
|
|
|
11/17/01
|
First Avenue
Minneapolis, MN |
1 shn |
|
|
AT853>SP-BPF-2 @888hz>MZ-R70 MD>PDR 509>EAC>SHNv3 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/23/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
|
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/28/99
|
Buckeye Lake Music Center
Hebron, OH |
1 shn |
|
|
DSBD; |
DSBD; AMEK Recall SBD>XLR>ApogeeAD>coaxial>Tascam DA-30mkII>AES/EBU>ZA2 |
|
|
07/20/02
|
Sunshine Daydream
Terra Alta, WV |
2 shn |
|
|
SBD + (FOB) Neumann AK40 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/21/02
|
House Of Blues, Chicago
Chicago, IL |
1 shn |
|
|
Sbd>FM>Soundblaster Live!>Soundforge 5.0> |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/23/70
|
Criterion Studios
Miami, FL |
2 shn |
|
|
|
Filler: Derek & the Dominos 10-23-70 (Late)
6. Key to the Highway
7. Tell the Truth
8. Why Does Love have to Be so Sad |
|
|
07/18/74
|
ASU Diablo Stadium
Tempe, AZ |
1 shn |
|
|
SBD>?>CD>EAC>CR-R |
|
|
|
07/19/74
|
Long Beach Arena
Long Beach, CA |
2 shn |
|
|
unk |
|
|
|
03/30/76
|
Shangri-La Studios
Malibu, CA |
1 shn |
|
|
sbd>mr>?>cd>shn |
Eric Clapton w/friends
The Band w/Bob Dylan
Van Morrison
Billy Preston
Ron Wood
Jesse Ed Davis
Very Blues oriented show.
friends jaming on Eric's birth day. |
|
|
07/10/86
|
Le Casino
Montreux, Switzerland |
2 shn |
|
|
sbd>fm>rr>dat>cd |
|
|
|
10/06/87
|
Ronnie Scott's Jazz Club
London, England |
1 shn |
|
|
audience recording |
Note: A stunning performance, highly recommended. Several sources refer to this disc as a soundboard but it's actually a good quality audience recording. Recorded in a small club, it does not have the "boominess" associated with many audience recordings. Buddy Guy's guitar is clearly audible, and at the same volume level in the mix as EC's - this is not the case with the soundboard material recorded and broadcast from the show, in which Guy's guitar is very low in the mix and almost inaudible. A careful listen during quiet passages reveals that all instruments have some room reverb, as opposed to the "close" sound associated with being close-miked. In particular, listen carefully on headphones during the (stunning) performance of "Wanna Make Love to You" and the room echo on all instruments is easy to identify during quietpassages. A stunning performance, highly recommended. |
|
|
01/18/90
|
Royal Albert Hall
London, England |
2 shn |
|
|
sbd>dat>cd |
|
|
|
09/11/98
|
Edmonton Coliseum
Edmonton, AB |
1 shn |
|
|
unknown |
|
|
|
11/04/99
|
"L.A. Studio Sessions"
Los Angeles, CA |
1 shn |
|
|
sbd>dat>?>cd |
some hiss present, might be a tape gen.
in lineage.
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/29/01
|
Wetlands Preserve
New York, NY |
1 shn |
|
|
Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Sonosax sx-m2 > Audio Magic X-Stream XLRs > Sonic ad2k+ @ 44.1 16ns3 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/07/70
|
Olympic Auditorium
Los Angeles, CA |
1 shn |
|
|
Aud |
This is how I received the show, no remastering, no digital wonderment. Not a perfect recording, but an historic and rare one. Historic because it's one of Frank's greatest line-ups and rare because there are only two known recordings and this is the better one. I hope you enjoy it. |
|
|
05/24/80
|
The Ahoy
Rotterdam, Netherlands |
2 shn |
|
|
FM |
OK, here's the scoop on this one. FZ played in Rotterdam in May 24, 1980 and
it was originally broadcast at that time. The show was booted ferociously but
here we have a recent re-broadcast captured to CDR from a master FM recording.
I'm not 100% sure if it was a master cassette or if it was a pure digital
recording, either way, this is sonically superior to any version that has
circulated before. |
|
|
11/25/81
|
Cobo Hall
Detroit, MI |
2 shn |
|
|
Master analog>Gina>SF>CDWAV>SHN |
Filler:
1975 WABX, Detroit Interview |
|
|
08/18/84
|
UIC Pavilion
Chicago, IL |
1 shn |
|
|
D8 > MAudio DiO 2448 > Soundforge 5.0 > CDWave 1.62 > SHN |
|
|
|
03/04/88
|
Auditorium Theater
Chicago, IL |
2 shn |
|
|
AUCMC |
|
|
|
06/09/88
|
Palasport
Genova, Italy |
2 shn |
|
|
unk |
The very last concert of the very last Frank Zappa tour... |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/23/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
AKG1000s > DMIC 20 > M1 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/23/01
|
McDonald Theatre
Eugene, OR |
1 shn |
|
|
(Stage) Rode NT2 ->Sound Devices MP2 ->Sony sbm1 ->Dat (Sony D8) -> |
|
|
|
07/05/02
|
Grandstand Stage, High Sierra Music Festival
Quincy, CA |
1 shn |
|
|
(FOB) Schoeps MK4> KC5 > CMC6 > V2 > MOD SBM-1 > D8 @ 48khz |
|
|
|
08/16/02
|
Horning's Hideout
North Plains, OR |
1 shn |
|
|
DPA 4011>V2>AD2K>D8>CDR>SHN |
|
|
|
08/17/02
|
Horning's Hideout
North Plains, OR |
1 shn |
|
|
DPA 4011>V2>AD2K>D8>CDR>SHN |
|
|
|
08/23/02
|
Great American Music Hall
San Francisco, CA |
2 shn |
|
|
SBD (9 Individual Feeds) + |
|
|
|
08/31/02
|
Quixote's True Blue
Denver, CO |
2 shn |
|
|
AT3528 > PS2 > AD20 + SBD >>> AL96 > PCG-C1VN |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/02/91
|
Warfield Theatre
San Francisco, CA |
2 shn |
|
|
DSBD > DATs > CDs > EAC > SHN |
Notes:
d1t01 Walkin' Boss cuts in
d1t01 Walkin' Boss anomaly @ 0:01
d2t06 FOTD levels drop @ 5:51, had been a bit hot
d2t08 Russian Lullaby cuts in |
|
|
12/08/91
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
sbd > dat > cdr > eac > shn |
flaws: first couple o' notes in an otherwise spectacular, soul-penetrating Red Rockin' Chair. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/16/85
|
Catalyst Club
Santa Cruz, CA |
1 shn |
|
|
MSP>DAT>CDR>EAC>SHNv3 |
Was a two show night.
Songs 1-6 are from Early show.
Songs 7-12 are from Late Show.
Rueben And Cherise is missing from end of Early Show after Oh Babe.
Thanks to Andrew D. Schwartz for up'ing the seed to Dopeys
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/22/74
|
Keystone
Berkeley, CA |
1 shn |
|
|
MSR>C>DAT>CDRs>EAC>SHN |
Notes/Flaws: Set 2 is incomplete. The end of How Sweet It Is (To Be
Loved By You) and the beginning of You Can Leave Your Hat On are both
cut. What's Going On Instrumental is based on Marvin Gaye's song and is
also cut. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/19/73
|
The Roxy
Los Angeles, CA |
2 shn |
|
|
(SBD from master) |
Genesis - BURP 10
Remastered by Mark Bataitis
CDR > EAC > WAV > MKW > SHN by Charlie Kidder <chaz@take3soft.com> |
|
|
??/??/73
|
SEBTP Studio Sessions Outtakes
Unknown, England |
1 shn |
|
|
unk |
|
|
|
04/21/74
|
Centre Sportif
Montreal, QC |
2 shn |
|
|
unk |
FADE 04 |
|
|
05/04/74
|
Academy of Music
New York, NY |
2 shn |
|
|
??? |
Hogweed 7 |
|
|
01/10/75
|
West Palm Beach Convention Hall
West Palm Beach, FL |
2 shn |
|
|
See notes |
The Show
The Florida Lamb shows are a source of some confusion for several reasons. Traditionally it has been understood that Genesis's first two shows in the US to recommence the Lamb tour at the beginning of 1975 were at West Palm Beach on Jan 10th, followed by the Civic Centre, Lakeland on Jan 11th.
However, Alan Hewitt has recently suggested, based upon his research, that they played the 9th of January also, and that both the 9th and 10th were performed at the Gusman Auditorium, University of Miami, Miami, Florida - a venue they were familiar with from the Selling England Tour. This information comes directly from a set of tour itineries given to Alan by David Lawrence, Genesis's Chief Lighting Engineer on the Lamb Tour.
I presume the West Palm Beach date comes from an official tour list, so in the lack of any corroborating evidence for either venue, it seems the jury is out on this one.
To avoid confusion, I'm going to stick with the West Palm Beach date for no other reason than that it makes the following confusion a bit more resolvable...
There are two known soundboard tapes which are reputed to be of these Florida concerts. Both are nearly complete, each missing sections around the 'Anyway-Colony of Slippermen' part of the concert, and the intro to 'Musical Box'. These missing sections correspond to the running out of the C90 cassette tapes that were used.
Apparently Genesis recorded every night of their Lamb tour off the mixing desk in this manner, with the exception of those evenings such as the Shrine Auditorium when a professional multi-channel recording was made. Most of these tapes have found their way to The Farm, Genesis's recording studios in the UK. Here they await cataloguing and possibly some of them may be released in the future officially, if the Genesis Archive Club project proceeds.
Meanwhile, the two Florida tapes have become well known and widely bootlegged. It remains a mystery how these tapes became available at all, but the story I have heard (from an experienced collector who was in contact with the person who owned these master tapes) is that they were obtained from Mike Rutherford at the time of the performances. It seems that he may have given them to, or inadvertently left them behind with, a friend or colleague in Florida. The alternative I guess, is that someone copied them at the time (unlikely, as the masters don't seem to be amongst The Farm's collection), or just plain 'acquired' them.
Whatever, they are wonderful examples of Genesis's Lamb show, certainly among the best sounding that are currently available.
There remains the question of which tape is which performance. The two tapes are generally credited as being from the following dates, which is corroborated from audience recordings of both nights, and are recognised by;
10th January West Palm Beach:
This master tape begins a few seconds into Tony's keyboard intro, and cuts out just before the guitar solo in 'Anyway'. Side 2 runs from the middle of Steve's solo in 'Slippermen', through to the applause after 'it!'. A 3rd side picks up about 2 minutes into 'The Musical Box'.
Peter's intro before Lilywhite Lilith begins: "At this point in time our hero is taken by a blind lady named Lilywhite Lilith, into a large, round, dark, cave. And, two hovering balls, a few feet above the ground enter the cave and fill it with this very bright light and Rael becomes overcome with fear...
RoIOs include: 'The Lamb Descends on Waterbury' and 'Supper's Ready with a Little Lost Lamb'. 'Lamb Descends' has excellant quality sound, but uses extensive sections from the Providence, Rhode Island 74 audience recording to fill the gap in the middle of the show, and adds Lamb rehersal tracks from Headley Grange 1974. 'Lost Lamb' has poorer sound, and adds 'Suppers Ready' from the Rainbow 73 radio broadcast.
11th January, Lakeland:
Master tape begins similarly a few seconds into Tony's keyboard intro, but runs out earlier about 2/3 of the way through 'Waiting Room'. Side 2 picks up similarly during Steve's solo in 'Slippermen', going through to audience applause after 'it!'. Side 3 cuts in about 1 minute into 'The Musical Box'.
Peter's intro before Lilywhite Lilith begins: "At this point, our hero... no, not in... (pauses, someone in the audience calls out "Suppers Ready") No. Our hero is taken by a blind lady by the name of Lilywhite Lilith, into a large round cave, (bass pedal note from Mike), with a big, bass floor, and the floor of the cave is covered with wet rocks, and this little tunnel which lights up as two, golden, hovering globes, hover into the cave filling it with a big bright light. And our hero is overcome with fear..."
RoIOs include: 'The Lamb Lives', 'From One Fan to All Others'. These two discs are identical, and which plagiarised the other I don't know. Both edit sections from the Providence, Rhode Island audience tape to fill the omitted sections.
Both these dates are confirmed by the existence of audience recordings. And by the way, the 'Rael Imperial Aerosol Kid' boot is not a soundboard recording (as I mistakenly thought for quite a while) but the Providence Rhode Island audience recording, minus the second encore 'Watcher'.
The Sources
I have remastered this recording from a known 1st generation tape, thus made directly from the master soundboard tapes.
To fill the missing sections of the concert, I have chosen to use the audience recording of the actual concert rather than a better sounding recording from another night, particularly one such as Rhode Island which dates from a month earlier and a different leg of the tour. Whilst this provides an authenticity to the final edit, the sound quality of this audience recording is not the best. It has some pretty heavy overload distortion throughout, especially in the bass, and is a fairly distant recording which lacks detail. On the up side; it is in stereo, and is nearly complete, running out toward the end of the intro to 'The Musical Box'.
I know my decision to use this recording may be not to the taste of all, but it just sounded right. I did try other sources, and none of them blended in as well as the correct one, despite the poor audio quality. To be honest, all the audience tapes sound noticably poorer compared with the soundboard one, so which ever source I used you are going to hear a pronounced drop in fidelity. Also, the distortion problems prevalent throughout much of this recording didn't seem to be too abnoxious during the sections required, especially Peter's intros.
Also, to use another recording (and Rhode Island does stand out) would simply be to create another version of 'Lamb Descends on Waterbury'. With this remaster, you can hear the complete concert as it was originally performed. And besides, I hope to be remastering the Rhode Island tape seperately in the near future.
The W Palm Beach audience recording is sourced from a low, but unknown, generation tape.
Restoration
This soundboard tape is in stereo, and is bright and clear, with good dynamics. Apart from doing a clean transcription, little needed to be done to it. I have taken care to get the stereo phasing correct, as it wandered a little during the playing of the tape (only noticable if you're playing this in mono).
The treble is very clean but a little bright, giving a 'thin' sound, which is evident on the 'Lamb Descends' boot. I have balanced this a little, and boosted the sub-bass harmonics, giving Tony's pedals the required oomph!
I have not denoised it, as the hiss levels seem to come primarily from the mixer. You can hear how they vary throughout the performance. Where tapes were used during the performance (such as the bridge from 'Cage' into 'Grand Parade', and the end of 'Slippermen') the hiss from these is quite noticable. There are also times when onstage equipment buzzes are quite prominent as well. To try to denoise a recording like this would just not work.
There is not a lot of stereo infomation. Most of the mix is near-mono, with Steve's guitar adding a few nice spacial moments (eg; Musical Box) or Tony's keyboards (Ravine). I have not added reverb or any other enhancements, so what you hear is the clean soundboard mix, complete with whatever effects were used on the night (and some are very noticable, particularly on Gabriel's voice and Hackett's guitar).
One puzzling feature of this tape is a strange high frequency noise during quiet sections such as Gabriel's intros. It sounds like a bird 'twittering'. I have no idea where this noise comes from, but may be interference from the mixing desk somehow. Anyway, I have carefully removed it because, whilst it may be 'authentic', it sounds downright wierd and distracting. If you want to hear this noise in its original state, listen to 'Lamb Descends'.
The audience tape was frequency balanced to blend in as best as possible with the soundboard tape. I have used it as little as possible, chosing to edit in the middle of songs to exploit the most of the soundboard tape that exists. This means some very obvious edits. I reason that any edit between these two sources would be obvious, so please use a little listening license :-))
I'm sure it pretty obvious, but the audience tape is heard at the very beginning as Gabriel introduces the show, during the missing Anyway-Slipperman section, and for Gabriel's intro to Musical Box. More subtely, I have also blended it into the applause and Gabriel's story interludes, so you can hear the audience's interaction, and the reverb from the hall.
The first 2 minutes of Musical Box is missing from both the soundboard and audience tapes. I have chosen to use the Rhode Island 74 tape to begin the song, blending to the Lakeland soundboard after that first minute and a half, and then editing into the West Palm Beach tape when it picks up a minute or so later.
There are two gaps in proceedings not represented on either recording; one at the end of the audience applause after 'it!' and before Peter begins introducing 'Musical Box', and the other when the audience tape runs out before Musical Box begins. Both these missing sections give the impression of being quite short, possibly only 10 secs or so, and I have simply cross faded the existing tapes together.
There is no recording of a second encore; 'Watcher of the Skies', if it was played during this concert. |
|
|
05/01/75
|
The Hippodrome
Birmingham, UK |
2 shn |
|
|
unk |
HW11
This was the first of two evenings that Genesis played their Lamb show at the Hippodrome. The second night's gig has been widely known from an excellent audience recording, originally in circulation as the TAKRL double vinyl boot 'Swelled and Spent', and variously reissued on CD, culminating recently in the FAde project's debut release, FAde01. |
|
|
01/20/77
|
Gaumont Theater
Southampton, UK |
2 shn |
|
|
(SBD 2nd generation) |
Remastered by Mark Bataitis
CDR > EAC > WAV > MKW > SHN by Charlie Kidder <chaz@take3soft.com> |
|
|
04/17/80
|
Sheffield City Hall
Sheffield, England |
2 shn |
|
|
See notes |
This recording came from a 1st generation tape from the actual radio
broadcast of this gig `radio Trent` and `Hallam` this set includes all
the missing stories and most importantly put`s the song`s in the correct
running order (If you have the Highland Hallam tapes you will see that
that set is all over the place) Before Squonk on disc 1 is the radio
D.J. intro and believe me the sound on this set pisses all over the
Highland release Believe me you wont hear a better version of this
Sheffield gig anywhere.Also disc two from track 2 to 7 are taken from
the actual hallam tapes dis because the tape was a bit crappy there
soundwise and also Afterglow was not recorded and so the performance
from may 5 lyceum show has been added for the sake of completeness.
Apperently the tape of this was lying in his loft for the better part
of 20 year`s and has only just come to light he forgot he had it and
it is as clear as the day it was recorded Except for the middle bit!!
Steve h. |
|
|
10/02/82
|
Milton Keynes Bowl
Milton Keynes, England |
2 shn |
|
|
|
FADE 003 |
|
|
11/27/83
|
The Spectrum
Philadelphia, PA |
1 shn |
|
|
SBD CDR > EAC > WAV > MKW > SHN |
|
|
|
07/04/87
|
Wembley Stadium
London, England |
2 shn |
|
|
FM stereo broadcast by BBC Radio 1 |
This recording was made from an FM stereo
broadcast by BBC Radio 1 and remastered by
our resident expert, Mr. Barnes using
Steinberg software. This was the last
night of the 10 month Invisible Touch tour
and in the audience that night were the
Prince and Princess Of Wales. Listening
to Phil's introduction to That's All,
"this is a song about living with someone
who's a pain in the arse", I wonder whether
there was any chord struck with the Royal
guests?
When we heard the clarity and detail in this
recording, we were blown away. A careful balance
between noise reduction and preserving dynamics
has been achieved. Sonically, the listener is
placed somewhere near the centre circle at
Wembley Stadium! --i4detail July 2002
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/22/74
|
Tarrant County Convention Center
Fort Worth, TX |
2 shn |
|
|
no source info |
Billy Preston
Ravi Shankar
Tom Scott |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/17/91
|
Tokyo Dome
Tokyo, Japan |
1 shn |
|
|
unk |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/21/01
|
Asheville Civic Center
Asheville, NC |
1 shn |
|
|
Schoeps MK21>KC5>CMC6>AD1000>D8 @ 44.1kHz |
Schoeps MK21>KC5>CMC6>AD1000>D8 @ 44.1kHz
13th Row FOB/DFC/ORTF @ 9'
Transfer: DA-20mkII>RME DIGI96/8>CDWAV>MKWact (SHNv3)
Taped and Transfered by mikey.k/unidecker@mediaone.net |
|
|
10/31/02
|
Orpheum Theatre
New Orleans, LA |
2 shn |
|
|
Neumann AK50+LC3+KM100(DIN) -> Oade m148 -> mod SBM1 |
Recorded By Mike Falcon(michel0749@hotmail.com) |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/16/66
|
Fillmore Auditorium
San Francisco, CA |
1 shn |
|
|
SBD > RTR > PCM > SSSB |
with 7-17-66 |
|
|
07/17/66
|
Fillmore Auditorium
San Francisco, CA |
1 shn |
|
|
SBD > RTR @ 15 I.p.s. > PCM > D > SSSB |
with 7-16-66 |
|
|
09/15/67
|
Hollywood Bowl
Hollywood, CA |
1 shn |
|
|
AUD>MC>R>R>NR>DAT>CDR |
Part of The Music Never Stopped Project 2002 shn em up initiative 4/29/2002 |
|
|
02/14/68
|
Carousel Ballroom
San Francisco, CA |
2 shn |
|
|
MR>DAT>DAT>CD>EAC>SHN |
Some portions (Tuning Break->Midnight Hour) may be
from another source, probably the FM broadcast of the show -G
(*) The Encore has been placed on Disc 1 in order to
retain the continuity of the First and Second Sets. However,
if you have the capability of burning 80 min CDs, you can place
the Encore as track 11 on the Disc 2 (with about 20 seconds
to spare). |
|
|
03/16/68
|
Carousel Ballroom
San Francisco, CA |
1 shn |
|
|
SBD>MR>C>DAT>CDR |
1. d1t3 ~8:09 very brief drop out;~11:01 several very brief partial drop outs
2. d2t5 ~ brief diginose ~ 4:56
3. This show has a pH of 1!!
4. Dark Star > China Cat > Eleven is found on the SMR box set. |
|
|
06/19/68
|
Carousel Ballroom
San Francisco, CA |
1 shn |
|
|
SBD>MC>D>CD |
This is a very strange show. The start of Lovelight is clipped, with the recording improving from what is a ragged condition at first. The sound system has technical difficulties, with an intermittent buzz during portions of Lovelight from a bad electrical connection. There is some minor static at 9:30 of the first track. The vocals are very low in the mix, and difficulties with the sound system might explain a lack of singing during the second set, though the jams are very inspired. The recording includes a group chant between sets, which may include members of the band, crowd, a woman who sounds like Grace Slick, a child, an imposter-drummer, security etc. |
|
|
12/29/68
|
Gulfstream Park Racetrack
Hallandale, FL |
1 shn |
|
|
MSC>D>CD>EAC>SHN |
Dark Star: Drop out @ 7:22
Saint Stephen: Drop out @ 7:17
|
|
|
01/24/69
|
Avalon Ballroom
San Francisco, CA |
1 shn |
|
|
SBD>MSR>C>DAT>CD>SHN |
From Deadlists:
COMMENTS Pigpen plays harp on Dupree's. The Avalon Ballroom insisted that
bands, including the Dead, play short sets of an hour or less. This may
well be the complete first set.
Notes:
The length of all these sets supports the short set restriction by the Avalon.
Lovelight fades in. |
|
|
01/25/69
|
Avalon Ballroom
San Francisco, CA |
1 shn |
|
|
SBD>MSR>C>DAT>CD>SHN |
Dark Star fades in (T.C. is high in the mix)
Brief light static around the middle of St. Stephen.
Small splice in Lovelight @ 16:27. And We Bid
You Good Night cuts @ 02:38.
|
|
|
01/26/69
|
Avalon Ballroom
San Francisco, CA |
1 shn |
|
|
MSR>C>D>CD |
The Eleven > Lovelight are the versions that appear on Live Dead.
Known flaws:
SBD adjustments on the first Cryptical Envelopment.
Splice in Dark Star at 8:12. Resumes just before the second verse.
** NOTE **
Some files were not cut on sector boundries... they were fixed using
shntool and a new md5 checksum file was made. The sector boundries
were the only reason the files are now named as "fixed." (12/14/00) |
|
|
02/05/69
|
Soldiers & Sailors Memorial Auditorium
Kansas City, KS |
1 shn |
|
|
SBD>MC>C>D>CD>EAC>SHN |
tape warble @ 5:10 Caution
Sound Forge was used to normalize the recording, remove a number of crackles and discontinuities, and splice together an overlap in The Eleven.
thanks to Chuck Gannon
edits/encoding by J. Cotsman |
|
|
02/05/69
|
Soldiers & Sailors Memorial Auditorium
Kansas City, KS |
1 shn |
|
|
SBD>MC>C>D>CD>EAC>SHN |
tape warble @ 5:10 Caution
Sound Forge was used to normalize the recording, remove a number of crackles and discontinuities, and splice together an overlap in The Eleven.
thanks to Chuck Gannon
edits/encoding by J. Cotsman |
|
|
02/07/69
|
Stanley Theater (Early, Late)
Pittsburgh, PA |
1 shn |
|
|
SBD>MC |
early and late shows
Another Installment Of The Music Never Stopped Project |
|
|
02/27/69
|
Fillmore West
San Francisco, CA |
1 shn |
|
|
SBD multitrack |
Lineage: 16-Track Master Reel > Rough Mix DAT > DATx3 >
Digital Sound Card > WAV > SHN > WAV > Cool Edit >
CDWAV > SHN
Notes:
D2t07 (The Eleven): splice @ 9:50
The following edits were performed:
24:865 seconds (the 00:10 second Bill Graham Intro
and 14:865 seconds of GMLSG) were patched from a
previously circulating alternate SBD source with
lineage of SBD > ? > C > CD. The multi-track volume
was sampled where the track fades in and the patch
was normalised and pitch corrected to match the multi-
track's levels.
The Eleven has a brief splice in which 1) a 9.5
second silent gap was removed and 2) the volume on the
section following the splice was normalised to
match the levels of the sampled section preceding the
splice.
The show was then re-tracked as indicated by the
track timings per the setlist. |
|
|
02/27/69
|
Fillmore West
San Francisco, CA |
1 shn |
|
|
SBD multitrack |
D2t07 (The Eleven): splice @ 9:50
The following edits were performed:
24:865 seconds (the 00:10 second Bill Graham Intro
and 14:865 seconds of GMLSG) were patched from a
previously circulating alternate SBD source with
lineage of SBD > ? > C > CD. The multi-track volume
was sampled where the track fades in and the patch
was normalised and pitch corrected to match the multi-
track's levels.
The Eleven has a brief splice in which 1) a 9.5
second silent gap was removed and 2) the volume on the
section following the splice was normalised to
match the levels of the sampled section preceding the
splice.
The show was then re-tracked as indicated by the
track timings per the setlist. |
|
|
02/28/69
|
Fillmore West
San Francisco, CA |
2 shn |
|
|
16-Track Master Reel>DAT>CD>EAC>SHN |
Source info for spliced portions:
0:35.360 seconds of Lovelight: 2-Track SBDMR>C>C>DAT>CD
0:36.526 seconds of Pre-Encore stage banter: 2-track MSR>R2Rx2>DAT>CD
0:34.512 seconds of Alligator: 2-Track SBDMR>R>R>PCM>DAT>CD
0:00.895 seconds of Alligator from the Multi-Track Master Reel
was replaced with 0:00.895 seconds of Alligator from the 2-Track
SBDMR>R>R>PCM>DAT>CD where the Multi-Track Master Reel slowed down
and ran out.
The above splices from the alternative 2-Track sources were edited
and patched by myself using Cool Edit 2000 FFT filters, Normalize/Amplification
and Time/Pitch functions.
A replicated section of crowd noise after King Bee was removed by me and a
repeating error at the end of Dark Star was fixed by Jack Warner.
I also re-tracked most of the show after completing the above edits.
Dark Star splice at approximately 18:00 (drops off at 17:58 on the initial
unpatched disc 2) from 2-Track DAT source supplied by Rob Bertrando:
SBDMR>DAT>CD and was done by Aoxoa and C. Miller
Proper extraction and sector boundaries verified via EAC and .shntool
Proper extraction and sector boundaries verified via EAC and .shntooll |
|
|
03/01/69
|
Fillmore West
San Francisco, CA |
2 shn |
|
|
SBD |
Known flaws:
Light static of unknown origin on the last thirty seconds of
Dark Star(22:52.611-23:22.480) > the first twenty five seconds
of St. Stephen(0:00.000-0:25.467)
Splice in Lovelight cuts at 0:17.815 on the master. A 0:01.355
silent gap after the splice was removed as well as a 0:00.300
segment prior to the splice in order to create a better flow from
the splice > the section in which the selection continues. The start
of Lovelight through to the splice was normalised +7.5db to better
match the flow of the selection up to the splice with the segment
in which the selection continues.
The Lovelight cut is on ALL known sources. One possible suggested
explanation for this is the possibility of a temporary power outage
common to the areas where the various taping equipment setups were
located. Sounds like a logical explanation for a bizarre happening!
Anyway, it seems to have been only a couple of minutes (if anything)
that were effected here.
Various segments of tunings and onstage banter prior to the Bill Graham
intros and the Hey Jude encore have been cut from the multi-track source.
These were subsequently spliced in from the alternate sources noted below.
The following alternate sources were used in editing the multi-track source:
1. SBD > Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV
2. SBD > 2-Track MSR > D > D > D > D > CD
3. SBD > 16-Track MSR > C2 > DAT > CD
Alternate source info for spliced portions:
0:59.372 seconds of pre-Bill Graham Set One intro tuning: 2-Track MSR > D > D >
D > D > CD
0:31.200 seconds of pre-Bill Graham Set Two intro tuning: 2-Track MSR > D > D >
D > D > CD
2:26.538 seconds of pre-encore stage banter: 2-Track MSR > D > D > D > D > CD
3:32.318 seconds of pre-encore stage banter: Cassette Master > C > DAT > ZA2 >
WAVs >SHN > CDR > DAT > WAV
The majority of the show was re-tracked after completing the above edits.
|
|
|
04/05/69
|
Avalon Ballroom
San Francisco, CA |
2 shn |
|
|
Source: SBD > REEL > REEL > DAT > SP/DIF > HD > SHN |
|
|
|
04/05/69
|
Avalon Ballroom
San Francisco, CA |
1 shn |
|
|
SBD > REEL > REEL > DAT > SP/DIF > HD > SHN |
|
|
|
04/21/69
|
The Ark
Boston, MA |
2 shn |
|
|
MSR > DAT > CDR |
Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR);
intro from alternate SBD; d1t6, d3t2 have cuts from reel;
1/20/68 filler; via S. Clugston, L. Revell
|
|
|
06/13/69
|
Fresno Convention Center
Fresno, CA |
1 shn |
|
|
Master Soundboard Cassette > Cass > DAT > ZA2 > SF |
Comments:
Ronnie Hawkins appears on Good Morning Little Schoolgirl and
Lovelight. Someone adds flute on Lovelight. Some speculate
that it's Charles Lloyd, but this seems unlikely.
Tape Notes:
tape splice in Saint Stephen @ 0:37 (probably no music missing)
tape splice in The Eleven @ 11:00 (a few minutes might be clipped)
Digital Mastering Notes:
Pitch shifted in SoundForge up 70 cents on highest
accuracy with anti-alias filter. Normalized prior
to doing the pitch shift.
distributed as a party favor to all attendees
of eD's Best Outrageous Northeast Gathering
March 16th, 2002 M'town, NJ
EAC>SHN transfer by Steve Barbella
EAC Secure test and copy, w/offsets config'd, no errors
SHN via MKW v.97 (seek enabled)
shntool used to verify sectors. They were fine. |
|
|
06/14/69
|
Monterey Performing Arts Center
Monterey, CA |
1 shn |
|
|
MCass>Cass>DAT>ZA2>SF>CD |
Comments (from Mr. Hollister):
Normalized in SoundForge, then pitch shifted down 89 cents on highest accuracy. |
|
|
06/27/69
|
Veterans Auditorium
Santa Rosa, CA |
1 shn |
|
|
SBD: MR>?>Cas>CDR |
D1T7- Glitch at about 4:23
"From Good Ole San Francisco, the Good Ole Grateful Dead". This
is a very interesting tape, recorded as the band was moving from
the Live/Dead sound to the Workingman's Dead sound. Note the C&W
twang in Bob Weir's voice and the alternative arrangements in some
familiar songs. According to Deadlists, Jerry plays pedal steel
guitar on "Slewfoot" , on "Dire Wolf" (Weir on vocals!) and on
"Green Grass".
Digitized from a cassette which, reportedly,
was made by Dick Latvala.
Apparently, the original recording of "Slewfoot" had the levels set too high
for the first several seconds of the song. On the cassette, this portion
didn't appear to be saturated, but did have higher levels than the rest of
the tape. This portion was captured separately from the rest of the tape,
then spliced together later. This explains the distorted sound at the
beginning even though the average level is the same throughout. The rest of
the song is in pretty good shape, but the subsequent songs sound much
better.
There is some tape noise in "Dire Wolf", which is sung by Bob Weir. "Baby
Blue" has an internal cut, plus it is clipped at the end.
dfinney@cts.com (w/slight mods by cpelz@alaska.net) |
|
|
07/11/69
|
NY State Pavilion, Flushing Meadows Park
Queens, NY |
1 shn |
|
|
SBD MC>C>D>CD + patch |
patch (Alligator > Drums) from
AUD master > low-gen reel > cassette > CD
Deadlists comments: The soundboard cassette tape breaks off during
High Time at the end of Side A; Side B cuts in during the drums after
Alligator and breaks off during Lovelight. The audience tape in
circulation runs from Alligator into The Other One before breaking
off. |
|
|
08/16/69
|
Max Yasgur's Farm
Bethel, NY |
1 shn |
|
|
Apparently SBD |
|
|
|
12/31/69
|
Boston Tea Party
Boston, MA |
2 shn |
|
|
sbd>reel master>2 cassette generations>dat>cdr>shn |
add to lineage: >MKWact>DART Pro98>EAC WAV Processor>MKWact
Most tracks were edited to eliminate between songs chatter and
tuning using DART Pro98 and then trimmed to correct CD sector
size with EAC's WAV Processor. The intro on d1t1 was trimmed
and the level raised to match the band's level.
All files were normalized to 98% and corrected for DC offset
with EAC's WAV Processor and then checked for noise with
DART Pro 98.
Noise was removed with DART Pro98's retouch tool if possible.
1. removed a bit of noise from d1t01 (left channel) at 1:50.224
2. reconstructed audio to fill a gap in d1t01 at 3:46.375 to 3:46.395
3. removed click from d1t02 at 0:0.014
4. removed click from d1t06 (left channel) at 0:31.790
5. removed noise from d2t01 at 3:40.580 to 3:40.605
6. removed noise from d2t02 at 0:9.295 to 0:9.306
7. removed click from d2t05 at 1:21.306
8. reconstructed audio to fill a gap in d2t05 at 4:47.551 to 4:47.725
9. removed gap (reel flip?) in d2t09 at 11:07.889 to 11:08.961
(original timing) and blended the transition.
10. removed gap (reel flip?) in d3t08 at 1:01.560 and blended the transition.
Bob Clevenger
bob@bobclevenger.com |
|
|
01/10/70
|
Golden Hall
San Diego, CA |
1 shn |
|
|
Master Soundboard Reel > Reel to Reel > DAT> CDR |
it is unclear whether this represents the entire show,
or only the last 85 minutes |
|
|
05/06/70
|
Kresge Plaza, M.I.T.
Cambridge, MA |
1 shn |
|
|
MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN |
Free Concert -- nationwide campus strikes to protest Kent State killings
Reel splice at China/Rider transition (track boundary at splice) |
|
|
06/06/70
|
Fillmore West
San Francisco, CA |
2 shn |
|
|
SBD Lineage: Reel master > cassette > DAT > CD > SHN |
Seeded by jashley@deadacated.com
Notes:
D1t01 (Morning Dew): Fades in
D2t04 (Jam): dropout @ 14:06
D2t05 (Lovelight): splice/dropout @ 15:55
|
|
|
11/08/70
|
Capitol Theater
Port Chester, NY |
2 shn |
|
|
see notes |
The various sources for this composite recording make an accurate genealogy
impossible, but the bulk of the recording seems to be MAC>C>D>CD,
with a couple of mystery gens in there somewhere. The DAT>CD conversion was
done by one Miles Garrett, and CD>SHN by Morgan Evans. Enjoy.
|
|
|
12/31/70
|
Winterland Arena
San Francisco, CA |
1 shn |
|
|
see notes |
SOURCE:*
Disc 1 Tracks 1-6: FMS (KSAN)>??>Cass>DAT>CDR
Disc 1 Tracks 7-9: SBD MR>Cass>DAT>CDR (Pre-FM GDH)
Disc 2 Tracks 1-2: FMS (KSAN)>??>Cass>DAT>CDR
Disc 2 Tracks 3-4: SBD MR>??>Cass>DAT>CDR
*Source for the KSAN stuff is questionable. It might be the audience taper that is heard being busted for at least the first part of disc 1. There is little audience noise throughout, so, it is likely that the KSAN source is correct, although the degradation of the sound is enough to make one think that it could be an audience.
** Taper being busted by band was moved by Gans to before Sugar Magnolia, but, it belongs before China Cat (both are present). |
|
|
12/31/70
|
Winterland Arena (aftershow)
San Francisco, CA |
1 shn |
|
|
sbd>?reel?>dat>cd |
SEED NOTES:
This seed comes from the generousity of Jim Oade at www.oade.com. The show was
labeled as 12-31-70aftershow. Unfortunately there is little to no information
regarding this performance since I can't find any evidence of it circulating
prior to this. Please contact me at cole7007@yahoo.com if you have any
additional information relating to this performance.
d1t03 ?Rock Me Baby? - Not sure if this is the correct title or not.
d1t05 I Know You Rider - A very interesting early version of this song. This
version has a different tempo at times and some strange lyrics.
d1t06-d1t11 - These were patched at the end of the performance so I kept them
on the seed. They are some pretty interesting promos. The names are in quotes
because this was the best description that I could come up with.
d1t08 "We're Sorry We're Not Playing Portchester Jam" - Jerry and Mickey in a
bluegrass jam apologizing for not playing Portchester.
Enjoy this rare treat!
w/1-22-71 as filler |
|
|
01/22/71
|
Lane Community College
Eugene, OR |
1 shn |
|
|
SBD>?>C>CD>EAC>SHN |
w/12-31-70 aftershow
Caveat:
--This recording undoubtedly has a number of analog generations and is therefore quite worn and muddy. This show has not circulated in digital as of October 2002, though. I might only recommend this to the completists or serious fans of early '71 Dead.
Notes:
--This is almost certainly not the complete show. The order and set markers are also uncertain. It seems likely that JBG would end the first set, and it is purely speculation that China->Rider is from the 2nd set. The other songs are vaguely indicated as 1st set material according to deadlists.
--Sound Forge was used for normalization and to correct the pitch.
part of The Music Never Stopped project 2002
Thanks to Walter Schnell for the analog->CD conversion
edits/encoding by JCotsman
|
|
|
03/18/71
|
Fox Theatre
St. Louis, MO |
2 shn |
|
|
SBD(7")MR>Cass>DAT>CD |
Transfer: ?
EAC and SHN Encode/Upload: Ben Yerys
Thanks to M. Wienke for this wonderful show! |
|
|
08/06/71
|
Hollywood Palladium
Hollywood, CA |
2 shn |
|
|
AKG 330->Sony 770 Reel to Reel |
Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D
D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper)
SHN and upload by Ben Yerys (contact me at: byerys@nova.psy.du.edu if any problems come up |
|
|
10/19/71
|
Northrop Auditorium, U. of Minn.
Minneapolis, MN |
2 shn |
|
|
PreFM Soundboard Reels > DAT > CDR |
Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time,
One More Saturday Night and Ramble On Rose are performed
for the 1st time.
EAC'ed / SHN'ed by Scott Clugston
03/03/01 |
|
|
11/07/71
|
Harding Theater
San Francisco, CA |
2 shn |
|
|
sdb>>MR>>D>>CD |
ripped and seeded by Mike Lai
any info send to usalai@nycap.rr.com
|
|
|
11/15/71
|
Austin Municipal Auditorium
Austin, TX |
2 shn |
|
|
SBD>MR>C>D>CD>EAC>SHN |
This shn set is compiled from two different sources, both listed with one cassette generation. The secondary source is slightly degraded, but was more complete and supplies:
--tracks d1t04-->d1t08
--tracks d2t01-->d2t02
Notes:
--Sound Forge was used to correct the pitch of the secondary source, and to remove a number of minor crackles within several songs.
part of The Music Never Stopped Project 2002
Thanks to Michael Dixon & Chuck Kiefe
edits/encoding by JCotsman |
|
|
12/10/71
|
Fox Theatre
St. Louis, MO |
2 shn |
|
|
MR>Latvala's Cassette>D>CDR |
Transfer: ?
EAC and SHN'd: Ben Yerys <byerys@nova.psy.du.edu
Thanks to Seth Kaplan and Jared Minkoff for getting
this gem into my hands!
|
|
|
01/02/72
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
Soundboard Master> Reel > Reel > CD |
Soundboard Master> Reel > Reel > CD > SonicSolutions Workstation > CD> SHN
Audio discs seeded by Charlie Miller. |
|
|
04/11/72
|
Newcastle City Hall
Newcastle, England |
2 shn |
|
|
SBD MC>D>CD>SoundForge>CD |
sound is generally a bit muddy, some hiss
Pigpen's voice is almost inaudible at times
and sometimes distortion & pops from Keith's piano pick-up,
the best & most complete version currently in circulation
a lot of minor anomalies (mainly clicks) throughout discs 1 + 2
d3t03: tape warble @18:47-18:52, sounds like a master cassette flaw
d1t06: very beginning is missing (a few seconds worth)
I would not describe it as 'remastered' - just 'tidied up'. I guess linage
should read: MR>??>CDR>Sound Forge 4.5>CDR"
|
|
|
04/16/72
|
Stakladen, Aarhus University
Aarhus, Denmark |
2 shn |
|
|
SBD |
part of The Music Never Stopped Project
1: SBD>MR>?>C>Sound Forge>SHN
source 2: SBD>MR>D>CD>EAC>SHN |
|
|
04/17/72
|
Tivoli Concert Hall
Copenhagen, Denmark |
1 shn |
|
|
SBD>??>French TV Broadcast>C>DAT>CDR |
Part of The Music Never Stopped Project 2002 |
|
|
08/21/72
|
Berkeley Community Theater
Berkeley, CA |
2 shn |
|
|
S:MR > PCM > DAT > CD > EAC > SHN |
Extraction and SHN encoding by G.S. Hamilton
Thanks to David Hollister for this fine copy!
Notes:
D1t03 (Black-Throated Wind): brief buzziness/possible digi-snit @ 5:04
D1t06 (China Cat): brief buzziness/possible digi-snit @ 2:09
D1t09 (Sugareee): brief buzziness/possible digi-snits @ 1:32 and 6:24
D2t04 (Casey Jones): reel splice @ 1:01
D2t06 (Ramble On Rose): brief digi-snit @ 3:11
D3t01 (Dark Star): occasional transient distortion
(for example, @ 21:30); minor diginoise @ 20:14
and 20:30 |
|
|
08/25/72
|
Berkeley Community Theater
Berkeley, CA |
1 shn |
|
|
7" Betty Board Reel |
7" Betty Board Reel > PCM501ES analog out >
Fostex D5 optical S/PDIF out (Jace's tape) > disk
(Tim Deibert)
Disc 1 of 1: [46:21]
1. Intro (1:04)
2. Cold Rain & Snow (7:56)
3. Black Throated Wind (6:36)
4. He's Gone (8:54)
5. Tuning/Stage Banter/Stars & Stripes (3:55)
6. Beat It On Down The Line (3:22)
7. Loser (7:13)
8. Frozen Logger/Banter (2:29)
9. El Paso (4:47)
NOTES:
* Sound Forge 5.0 volume raised to +2.4dB.
* Sound Forge 5.0 peak normalization to 99%. |
|
|
08/27/72
|
Old Renaissance Faire Grounds
Veneta, OR |
2 shn |
|
|
SBD MR > DAT > CDR > EAC > SHN |
Extraction and shortening by G.S. Hamilton
I am deeply indebted to Seth Kaplan for this copy of this
epic show. I have had several different copies over the past five years,
and this is the cleanest I've heard. Notably, it lacks the small
clicks/pops in Dark Star that mar most circulating copies. It also
has both encores.
Known flaws:
There are moments of sound system disortion/buzziness at places,
such as the beginning of Promised Land, which are present on
all versions I've heard.
Specific glitches:
D1t07 (Rider): Subsecond dropout @ 11:14
D2t06 (Greatest): Subsecond discontinuity @ 3:36; may be
sound system. Brief bit of static @ 5:07.
|
|
|
09/21/72
|
The Spectrum
Philadelphia, PA |
2 shn |
|
|
GDH CD (Pre-FM) |
digi-pop at 24:27 of d3t01
dfinney@cts.com
|
|
|
09/24/72
|
Palace Theater
Waterbury, CT |
2 shn |
|
|
SBD>MR>CASS>DAT>CDR>EAC>SHN |
Known Flaws: d1t08 cut at beggining of Tennessee Jed;
d2t01 cut during 15:00 minute mark of Playin' in the Band;
d3t05 I Know You Rider cuts at 4:02 (rest is missing).
These flaws exist on all known to be circulating soundoard sources of this rare show.
If someone has the even rarer aud., It would be nice to patch the rest of Rider in. |
|
|
10/30/72
|
Ford Auditorium
Detroit, MI |
2 shn |
|
|
AUD>MR>C>C>C>D>CD>EAC>SHN |
part of The Music Never Stopped Project 2002
--This is an outstanding audience recording for the era, reportedly recorded by Bear on 7 inch open reels. This recording also sounds nearly too good to have 3 analog generations before the transfer to digital.
--there were quite a few areas of diginoise during the first 2:20 of Bertha, and during portions of BTW, El Paso, and Sugaree. Sound Forge was used to stifle or remove many of them, though some are still somewhat abrasive. These flaws seem to exist on all CD copies of the show.
--splice @ 5:58 in Bird Song
--Playin' cuts in during the minor key jam; a large portion is missing
--a higher gen (or alternate source) aud patch from 1:02 to 2:25 in NFA
--Sound Forge was used for normalization and slight pitch corrections for certain sequences
|
|
|
02/15/73
|
Dane County Coliseum
Madison, WI |
2 shn |
|
|
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD |
|
|
|
02/26/73
|
Pershing Municipal Auditorium
Lincoln, NE |
2 shn |
|
|
S:MR > cassette > DAT > CDR > EAC > SHN |
D1t09 (Looks Like Rain): intermittent light static throughout
D3t02 (Eyes): splice @ 3:25
|
|
|
03/16/73
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
2 shn |
|
|
Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN Set 2: MSR > Reel > DAT > CD > EAC > SHN |
Known flaws (many are due to the usual '73 sound system problems or
waterlogging of the set 1 reels):
D1t02 (Rider): brief bits of static/diginoise @ 2:37, 2:39, 4:34, 4:36
D1t03 (Jack Straw): some hum in right chanel at beginning (sound system problem); some
mix problems
D1t08 (BIODTL) some mix problems
D2t04 (Playin'): dropout @ 19:03
D2t05 (Promised Land): bit of staticky sound first minute
D2t09 (Big River): dropout/splice @ 1:21
D3t03 (Dark Star): brief minor bit of diginoise @ 5:00;
brief dropout @ 18:18.
D3t04 (Truckin'): reel splice @ 7:37
|
|
|
03/24/73
|
The Spectrum
Philadelphia, PA |
3 shn |
|
|
SBD |
Lineage S:MR > cassette > cassette > DAT > CDR
D1t01 (Bertha): sound system problems in beginning
D1t09 (TLEO): cut/splice @ 1:04; subscecond static @ 2:24
D3t03 (Jam): Splice @ 4:24
|
|
|
03/26/73
|
Civic Center
Baltimore, MD |
2 shn |
|
|
SBD>>MR>>DAT>>CDA |
Seeded by Charlie Miller and uploaded by jashley@deadacated.com |
|
|
05/26/73
|
Kezar Stadium
San Francisco, CA |
2 shn |
|
|
SBD>REEL>PCM>DAT>DIGI I/O>WAV |
Missing:
ENCORE Casey Jones 7:24
|
|
|
06/10/73
|
Robert F. Kennedy Stadium
Washington, DC |
3 shn |
|
|
SBD |
Lineage: S:MR > DAT > CD > EAC > SHN
Extraction and SHN encoding by G.S. Hamilton
Notes:
D2t01 (Bird Song): very brief tape waver @ 2:44
D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54
D4t06 (GDTRFB): reel flip/splice @ 6:42
|
|
|
06/22/73
|
P.N.E. Coliseum
Vancouver, BC |
3 shn |
|
|
unk |
|
|
|
06/24/73
|
Memorial Coliseum
Portland, OR |
1 shn |
|
|
MSBDR > ? > CD > EAC > SHN |
One disc
Set 2, partial
1. Dark Star >
2. Eyes Of The World >
3. China Doll
|
|
|
06/24/73
|
Memorial Coliseum
Portland, OR |
1 shn |
|
|
MSBDR > ? > CD > EAC > SHN |
One disc
Set 2, partial
1. Dark Star >
2. Eyes Of The World >
3. China Doll
|
|
|
06/30/73
|
Universal Amphitheatre
Universal City, CA |
2 shn |
|
|
SBD>?>DAT>CD>EAC>SHN |
According to Tiedrich's Grateful Dead Tapes In Circulation:
reel master>1 reel generation>DAT>1 cassette generation>DAT>circulation
Known Flaws:
- Some digi-noise at the beginning of Promised Land (d1t1)
- Reel flip in the middle of Bird Song (d1t6).
- Reel flip seconds before Eyes begins (d3t2).
-This is one of my favorite shows of all time - two words - Dark Star. Enjoy!
|
|
|
07/27/73
|
Grand Prix Racecourse
Watkins Glen, NY |
1 shn |
|
|
read the story |
A member or two of the Compendium Mail List expressed some interest
in just how Gordon Gullahorn and I managed to get the tapes together
for the recent Watkins 25th Anniversary Tree. So, if you'll pardon a
bit of rambling on, here it is.
As many of you know, this show has only circulated in really bad Aud
quality. The tapes are always incomplete, and of unknown generation.
They have this horrendous wow and flutter all over the best parts of
set two, and really leave the listener saying "Is that a good show
under there? Well, I'll never know because I can't bear to listen to
it again!" If you have a copy, you know what I mean. If you don't
have a copy, you don't want one. Anyway, there was this discussion
going on at rmgd about this "rare gem" of a show back in February, I
think (I guess some people *had* listened again). I piped in because
I had just come across this show on some one's list who had the Aud
listed as a 2nd gen. I had NEVER seen a known gen at all, let alone
2nd. So having set up the trade, I told the folks in the thread at
rmgd that I'd be happy to spin it for anyone if it was any good once
I got it. Another person in the thread, Gordon Gullahorn, and I
started talking about doing a tree if it was really good. After all,
the 25th Anniversary was coming up, and the show hardly circulated.
It would be fun if the tapes merited doing a tree.
A little time passed and the tapes came and, yes, they were good.
Let's put a few qualifiers on this "good" here. The taper, at that
time still a mystery, was certainly near the stage, lending a nice
presence to the music. It wasn't the best 1973 Aud I had ever
gotten, but I was perfectly happy to give these tapes a fair amount
of latitude given the circumstances surrounding the recording
conditions, size of the crowd, and what else there was circulating on
tape from the show. Even with the various audience nuances -- every
kind you can think of from the guy yelling HELLO into the mic at the
start of Eyes, to the off time clapper and the off key singer -- the
tapes still left my jaw on the floor because the show was so
terrific, and when the band was jamming the crowd into silence, the
sound quality was truly quite fine. Gordon and I set about trying to
track up the gen line to the original taper, as well as dig up the
rest of the show. The Aud/3 I had was not the whole show, only the
end of set one, and most of set two. The first problem was that Andy
(the guy with the Aud/2) couldn't remember who he got the show from.
Gordon and I started posting around, but it felt like looking for a
needle in a haystack. After many fruitless posts at rmgd, DNC, etc.,
I was prodding Andy's memory some more and he said that he remembered
getting the show from the taper himself and that he thinks he met
this guy in one of the AOL Dead chat rooms. He said the guy was very
friendly and would probably come right out of the wood work for us if
we asked around. Well, the thought of sticking my head in AOL's 710
Ashbury chat room like some private detective held little charm for
me. For every good soul in there you have fifteen or twenty people
that make the experience more like drinking a warm beer at a high
school party. We seemed to be destined to come up empty. We also
found that more often than not, any time we thought we had a good
lead, it would fizzle away, or get off track. Gordon and I agreed
that there was some strange mystique shrouding this show.
I can't really recall just how the idea struck me, but I started
putting 2 and 2 and probably 7 together and thought it could be this
guy Bill Degen who I have been trading with for well over a year. He
was an East Coast taper at the time, and I had gotten a few of his
shows in the past. he did have an AOL address and the friendly
personality. He fit the bill (no pun intended). Bill couldn't
remember this Andy guy, but he identified all the unique crowd noises
on the tape as coming from the tapes he made at the show. Bingo!
And once I got his personal tapes (his original masters burned in a
house fire back in the 80's so these are copies he personally made
some time back, bless him!), the stuff sounded even better than my
copy that was 2 gens removed. So everything that goes MC>R>seed and
MC>C>seed is from him. he also provided the Mountain Jam and JBG
encore (unknown, low gen SBD).
Now Gordon and I were cooking. But because Bills tape recorder
suffered from a faulty battery cable, we were still short most all of
set one. Sure we had the crappy Audience that goes around, but that
wasn't worthy of comprising almost 40% or the treed tapes. We
thought maybe we'd just tree the stuff from Bill and leave it at
that. Then Gordon uncovered a SBD/6 copy of the first 40mins of the
show. Thanks to some still functioning brain cells, or at least good
note taking on Jeff Tiedrich's part, we were able to track another
generation off that tape. Eric Doherty happily sent me his SBD/5
copy for use on the tree. That was as far up the generational line
we could climb before the source of the next gen up had been
forgotten. We think this might be a bit of the fabled FM broadcast
that, despite many an e-mail and inquiry on Gordon's part to East
Coast radio stations, never surfaced for us. On the subject of the
SBD, I've had a few e-mail exchanges with Dick Latvala on the subject
of the tapes of 7/28/73 in the Vault since starting the tree last
week. He said he pulled out the reels some six months back, and due
to some technical problems with the tapes, they left him with a less
than glorious impression of the show itself. Though he said he's
willing to give them another listen, I wouldn't think they'd be
making it out of the Vault any time soon. The tunes that were not
seeded from Bill's or Eric's tapes come from the three or so copies
of the show Gordon and I kept trading for while looking for a good
copy. But having listened to them all to find the best one, I can
say for sure that all of these come from the same original, crappy
tapes.
The assembly of the seeds was a bear. And I don't envy Gordon's task
of doing it all over with his DATs. As it happened we decided to do
an Analog Only and a DAT Only tree for the show. Work, life and the
like kept us from meeting the actual anniversary of the show with
both trees. Since I had all the masters here, I thought it would be
nice to do a large tree that had no DATing in the generational line.
Kind of unique these days. Gordon's DAT tree will get rolling soon.
There are some half a dozen or more spots where Bills tapes were
missing things (the start of Big River, end of IKYR, the second verse
of Playin' etc, etc...). So I did a LOT of editing and pitch
adjustment. It took about three full days worth of time to get them
just right. I've got an old Nak deck that makes completely
undetectable splices, so it became a challenge to do it all well,
since no one would hear the edits, just the quality *of* the edits.
Now I didn't kill myself doing it. Some of the cuts are not
perfection on earth, but I'm just crazy enough to have done them over
and over enough to get everyone who listens to say "Ahhhhh...." And
when you start to think that each edit represents a point on the
originals where there was a bummer of a cut, you can't help but
smile. The Analog tree ended up with over 180 people on it, and most
of the ten first gen from seed tapes have been sent off already. So
if your on the tree, the show's a-comin'. And if you're not, it
shouldn't be too hard to track down in a few weeks time. Once the
DAT tree happens, it will spread all the more.
Here is how the show went down onto the seed tapes. The gens listed
are that of the seeds themselves:
Tape One:
Bertha thru LL Rain - sbd/6
Jack Straw, Deal - unknown aud
Row Jimmy, Playin' - master cassette>reel>cassette
Side A:
Bill Graham intro
Bertha
Beat It On Down The Line
Brown Eyed Women
Mexicali Blues
Box of Rain
Here Comes Sunshine
Looks Like Rain
(Bill Graham intro and start of Bertha
spliced from aud/?)
Side B:
Row Jimmy
Jack Straw
Deal
Playin' in the Band
(splice in Row Jimmy after
opening bars. First verse is missing.
Second verse thru third chorus of Playin'
spliced from aud/?.)
Tape Two:
Around, Lucy - unknown aud
Big River thru Sugar Mag - aud master cassette>cassette2
Side A:
Around and Around
Loose Lucy
Big River
He's Gone>
Truckin'>
Nobody's Jam>
El Paso
(start of Big River spliced
from aud/?)
Side B:
China Cat Sunflower>
I Know You Rider
Stella Blue
Eyes of the World>
Sugar Magnolia
(end of IKYR spliced
from aud/?)
Tape Three:
Encore One - aud master cassette>cassette2
Encore Two - unknown sbd
07/27/73 - aud master cassette>reel>cassette
Side A:
Encore One:
Sing Me Back Home(cut)
Encore Two:
Not Fade Away
Mountain Jam
Johnny Be Goode
(Encore Two with Allman Brothers Band
and The Band)
Side B:
Filler: 07/27/73 Aud
Watkins Glen Sound Check
Jam>
Wharf Rat
Me and My Uncle
(Jam is cut when taper is busted by
a roadie. Aud picks up again at the
start at Wharf Rat. The missing portion
is supplied by SBD>D>cass>seed)
Thanks for listening,
Noah Weiner (nbw000@a...) |
|
|
07/28/73
|
Grand Prix Racecourse
Watkins Glen, NY |
2 shn |
|
|
read the story |
A member or two of the Compendium Mail List expressed some interest
in just how Gordon Gullahorn and I managed to get the tapes together
for the recent Watkins 25th Anniversary Tree. So, if you'll pardon a
bit of rambling on, here it is.
As many of you know, this show has only circulated in really bad Aud
quality. The tapes are always incomplete, and of unknown generation.
They have this horrendous wow and flutter all over the best parts of
set two, and really leave the listener saying "Is that a good show
under there? Well, I'll never know because I can't bear to listen to
it again!" If you have a copy, you know what I mean. If you don't
have a copy, you don't want one. Anyway, there was this discussion
going on at rmgd about this "rare gem" of a show back in February, I
think (I guess some people *had* listened again). I piped in because
I had just come across this show on some one's list who had the Aud
listed as a 2nd gen. I had NEVER seen a known gen at all, let alone
2nd. So having set up the trade, I told the folks in the thread at
rmgd that I'd be happy to spin it for anyone if it was any good once
I got it. Another person in the thread, Gordon Gullahorn, and I
started talking about doing a tree if it was really good. After all,
the 25th Anniversary was coming up, and the show hardly circulated.
It would be fun if the tapes merited doing a tree.
A little time passed and the tapes came and, yes, they were good.
Let's put a few qualifiers on this "good" here. The taper, at that
time still a mystery, was certainly near the stage, lending a nice
presence to the music. It wasn't the best 1973 Aud I had ever
gotten, but I was perfectly happy to give these tapes a fair amount
of latitude given the circumstances surrounding the recording
conditions, size of the crowd, and what else there was circulating on
tape from the show. Even with the various audience nuances -- every
kind you can think of from the guy yelling HELLO into the mic at the
start of Eyes, to the off time clapper and the off key singer -- the
tapes still left my jaw on the floor because the show was so
terrific, and when the band was jamming the crowd into silence, the
sound quality was truly quite fine. Gordon and I set about trying to
track up the gen line to the original taper, as well as dig up the
rest of the show. The Aud/3 I had was not the whole show, only the
end of set one, and most of set two. The first problem was that Andy
(the guy with the Aud/2) couldn't remember who he got the show from.
Gordon and I started posting around, but it felt like looking for a
needle in a haystack. After many fruitless posts at rmgd, DNC, etc.,
I was prodding Andy's memory some more and he said that he remembered
getting the show from the taper himself and that he thinks he met
this guy in one of the AOL Dead chat rooms. He said the guy was very
friendly and would probably come right out of the wood work for us if
we asked around. Well, the thought of sticking my head in AOL's 710
Ashbury chat room like some private detective held little charm for
me. For every good soul in there you have fifteen or twenty people
that make the experience more like drinking a warm beer at a high
school party. We seemed to be destined to come up empty. We also
found that more often than not, any time we thought we had a good
lead, it would fizzle away, or get off track. Gordon and I agreed
that there was some strange mystique shrouding this show.
I can't really recall just how the idea struck me, but I started
putting 2 and 2 and probably 7 together and thought it could be this
guy Bill Degen who I have been trading with for well over a year. He
was an East Coast taper at the time, and I had gotten a few of his
shows in the past. he did have an AOL address and the friendly
personality. He fit the bill (no pun intended). Bill couldn't
remember this Andy guy, but he identified all the unique crowd noises
on the tape as coming from the tapes he made at the show. Bingo!
And once I got his personal tapes (his original masters burned in a
house fire back in the 80's so these are copies he personally made
some time back, bless him!), the stuff sounded even better than my
copy that was 2 gens removed. So everything that goes MC>R>seed and
MC>C>seed is from him. he also provided the Mountain Jam and JBG
encore (unknown, low gen SBD).
Now Gordon and I were cooking. But because Bills tape recorder
suffered from a faulty battery cable, we were still short most all of
set one. Sure we had the crappy Audience that goes around, but that
wasn't worthy of comprising almost 40% or the treed tapes. We
thought maybe we'd just tree the stuff from Bill and leave it at
that. Then Gordon uncovered a SBD/6 copy of the first 40mins of the
show. Thanks to some still functioning brain cells, or at least good
note taking on Jeff Tiedrich's part, we were able to track another
generation off that tape. Eric Doherty happily sent me his SBD/5
copy for use on the tree. That was as far up the generational line
we could climb before the source of the next gen up had been
forgotten. We think this might be a bit of the fabled FM broadcast
that, despite many an e-mail and inquiry on Gordon's part to East
Coast radio stations, never surfaced for us. On the subject of the
SBD, I've had a few e-mail exchanges with Dick Latvala on the subject
of the tapes of 7/28/73 in the Vault since starting the tree last
week. He said he pulled out the reels some six months back, and due
to some technical problems with the tapes, they left him with a less
than glorious impression of the show itself. Though he said he's
willing to give them another listen, I wouldn't think they'd be
making it out of the Vault any time soon. The tunes that were not
seeded from Bill's or Eric's tapes come from the three or so copies
of the show Gordon and I kept trading for while looking for a good
copy. But having listened to them all to find the best one, I can
say for sure that all of these come from the same original, crappy
tapes.
The assembly of the seeds was a bear. And I don't envy Gordon's task
of doing it all over with his DATs. As it happened we decided to do
an Analog Only and a DAT Only tree for the show. Work, life and the
like kept us from meeting the actual anniversary of the show with
both trees. Since I had all the masters here, I thought it would be
nice to do a large tree that had no DATing in the generational line.
Kind of unique these days. Gordon's DAT tree will get rolling soon.
There are some half a dozen or more spots where Bills tapes were
missing things (the start of Big River, end of IKYR, the second verse
of Playin' etc, etc...). So I did a LOT of editing and pitch
adjustment. It took about three full days worth of time to get them
just right. I've got an old Nak deck that makes completely
undetectable splices, so it became a challenge to do it all well,
since no one would hear the edits, just the quality *of* the edits.
Now I didn't kill myself doing it. Some of the cuts are not
perfection on earth, but I'm just crazy enough to have done them over
and over enough to get everyone who listens to say "Ahhhhh...." And
when you start to think that each edit represents a point on the
originals where there was a bummer of a cut, you can't help but
smile. The Analog tree ended up with over 180 people on it, and most
of the ten first gen from seed tapes have been sent off already. So
if your on the tree, the show's a-comin'. And if you're not, it
shouldn't be too hard to track down in a few weeks time. Once the
DAT tree happens, it will spread all the more.
Here is how the show went down onto the seed tapes. The gens listed
are that of the seeds themselves:
Tape One:
Bertha thru LL Rain - sbd/6
Jack Straw, Deal - unknown aud
Row Jimmy, Playin' - master cassette>reel>cassette
Side A:
Bill Graham intro
Bertha
Beat It On Down The Line
Brown Eyed Women
Mexicali Blues
Box of Rain
Here Comes Sunshine
Looks Like Rain
(Bill Graham intro and start of Bertha
spliced from aud/?)
Side B:
Row Jimmy
Jack Straw
Deal
Playin' in the Band
(splice in Row Jimmy after
opening bars. First verse is missing.
Second verse thru third chorus of Playin'
spliced from aud/?.)
Tape Two:
Around, Lucy - unknown aud
Big River thru Sugar Mag - aud master cassette>cassette2
Side A:
Around and Around
Loose Lucy
Big River
He's Gone>
Truckin'>
Nobody's Jam>
El Paso
(start of Big River spliced
from aud/?)
Side B:
China Cat Sunflower>
I Know You Rider
Stella Blue
Eyes of the World>
Sugar Magnolia
(end of IKYR spliced
from aud/?)
Tape Three:
Encore One - aud master cassette>cassette2
Encore Two - unknown sbd
07/27/73 - aud master cassette>reel>cassette
Side A:
Encore One:
Sing Me Back Home(cut)
Encore Two:
Not Fade Away
Mountain Jam
Johnny Be Goode
(Encore Two with Allman Brothers Band
and The Band)
Side B:
Filler: 07/27/73 Aud
Watkins Glen Sound Check
Jam>
Wharf Rat
Me and My Uncle
(Jam is cut when taper is busted by
a roadie. Aud picks up again at the
start at Wharf Rat. The missing portion
is supplied by SBD>D>cass>seed)
Thanks for listening,
Noah Weiner (nbw000@a...) |
|
|
09/20/73
|
The Spectrum
Philadelphia, PA |
2 shn |
|
|
Source 1: AUD>MR>?>CD>EAC>SHN Source 2: SBD>MR>R>PCM>D>CD>EAC>SHN |
part of The Music Never Stopped Project 2002
the audience portion supplies:
--Promised Land through BIODTL;
--patch in China Cat from 5:30-->5:51
--El Paso
--the final 1:30 of Eyes through to the end of the show
|
|
|
09/26/73
|
Community War Memorial Auditorium
Buffalo, NY |
2 shn |
|
|
SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN |
-Playin', the set 2 opener, is missing, as is the Saturday Night encore
-a very nice show which has somehow never been circulated in shn
-final performance of "Sing Me Back Home" |
|
|
10/21/73
|
Omaha Civic Auditorium
Omaha, NE |
2 shn |
|
|
MSR->C->D->CD |
Some static in spots, which are most likely on the
master reel. It sounds like some sort of feed
problem. Present on several tracks in set 1. Once
you get past the first few minutes of playin',
its gone for good.
reel-change splices noted at 6:45 in Half Step, and at
7:50 in Wharf. All other flips fall harmlessly between
songs.
Uploaded to the Crypt by Jeff Fishman Feb '02 as
offering #5 of the Big Feb. Push.
files were stripped of their non-canonical header and verified
in shntool prior to hosting
enjoy...
|
|
|
10/29/73
|
Kiel Auditorium
St. Louis, MO |
2 shn |
|
|
Reel master > 1 cassette gen > DAT > CD > SHN |
Notes:
D1t01 (Cold Rain and Snow): Splice @ 2:12
D1t10 (Eyes): Brief bit of static @ 1:05
D3t01 (Truckin'): brief right-channel static @3:25 and 17:25; splice @ 7:21
D3t03 (The Other One): Dropout @ 14:19
|
|
|
11/09/73
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
SBD>MR>C>DAT>CDR |
Known flaws: First few seconds of Here Comes Sunshine are clipped. Small splice at the start of Eyes of the World. |
|
|
11/11/73
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
Disks 1-2 MSR>Cass>Cass>DATs>CDRs>EAC>SHN Disk 3 MSR>Cass>DATs>CDRs>EAC>SHN |
|
|
|
11/21/73
|
Denver Coliseum
Denver, CO |
2 shn |
|
|
MR -> Cass -> DAT -> ZA2 -> CD |
|
|
|
11/25/73
|
Feyline Field
Tempe, AZ |
2 shn |
|
|
MSR>Cass.>DATs>CDRs>EAC>SHN |
Known flaws:
Promised 3.14 rt chan ?
China 3.55 Splice?
r Jimmy 6:37-8 Static
Playin' 7.29 splice
WRSPre :02 pop rt chan
"" 1:23 "" "" ""
LTG 0:01 pop
"" 6.34 reel change
SMAG 8.14 click |
|
|
11/30/73
|
Music Hall
Boston, MA |
2 shn |
|
|
sbd |
Some songs from this date are featured on Dick's Picks 14. |
|
|
12/02/73
|
Music Hall
Boston, MA |
2 shn |
|
|
Master Soundboard Reel > Cassette > DAT > CDR |
There are a few seconds of overlap between Discs 2 and 3 |
|
|
12/08/73
|
Cameron Indoor Stadium, Duke University
Durham, NC |
2 shn |
|
|
SBD:MR>C>DAT>CD |
Beginning of Bertha is clipped
J.B.Goode is from an AUD source |
|
|
12/12/73
|
The Omni
Atlanta, GA |
2 shn |
|
|
SBD : MR > C > DAT > CDR |
COMMENTS FROM DEADLISTS
13-beat Beat It On Down The Line. After I Know You Rider is a Merry
Go Round Brokedown tuning. On cassette tapes the first set flip follows El
Paso. The second set flip occurs during Let It Grow, though nothing is missing.
RECORDING 200 SBD: The complete show except for Sugar Magnolia and Casey Jones
(7/98)
CONTRIBUTORS buller@math.ukans.edu, paleo550@philly.infi.net,
kevinw@shallwego.net
|
|
|
12/18/73
|
Curtis Hixon Convention Hall
Tampa, FL |
2 shn |
|
|
SBD |
Known flaws:
Reel change in Wharf Rat (d3t04) @ 6:36
Further notes:
I got this show from Diana Hamilton (thanks, Diana!) and retracked it
even more so that set 1 all goes on disc 1 if you use an 80 minute CDR.
I also smoothed out the reel change mentioned above so that there is no loud POP!
Enjoy,
Bob Clevenger
bob@bobclevenger.com |
|
|
02/23/74
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
Master Soundboard Reel > DAT > CDR |
|
|
|
02/24/74
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
SBD->Master Reel |
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional
PMD-320 CD Master->Ricoh MP-6200 series CD-R->
HP 8200i CDRW Drive (EAC)->SHNCD
Mastered by Jay Serafin gdtrfb95@flash.net
This is not sourced from the current 2-24-74 tree.
There is no dropout in the China->Rider Segue.
[GSH NOTE: Disc 4 does NOT require an overburn, as stated in
the info file. The length of disc 4 is 73:52, not 74:06.]
(Note: Disc4 requires an overburn as it is 74:06.)
CDRs which i know permit overburn are:
Maxell, TDK. I hear Sonys will also.
Mitsuis will NOT.My subjective quality grade: A-
No Dropouts, Clicks, or Digital Noise are present
as far as i know.There is a small amount of guitar
distortion in Cumberland Blues in Garcia's solo.
Microsoft Word7 CD labels for each disc are provided,
in B/W.
EAC extracted, verified and shorten encoded by
stephen windsor swindsor@wesleyan.edu |
|
|
03/23/74
|
Cow Palace
Daly City, CA |
2 shn |
|
|
Master Soundboard Reel > DAT > CDR |
Master Soundboard Reel > Cassette > DAT source supplies first 0:10 of "Ship of Fools".
Audience source supplies patch in "Morning Dew" from 0:21 thru 0:43, as well as the patch in "Sugar Magnolia" from 6:57 thru 7:22 |
|
|
05/21/74
|
Edmundson Pavilion, University Of Washington
Seattle, WA |
2 shn |
|
|
MSR>C>Dats>CD>EAC>SHN>.WAV> |
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
|
|
|
05/25/74
|
Campus Stadium, UCSB
Santa Barbara, CA |
2 shn |
|
|
Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn |
Originally seeded to phlash.etree.org by Johnathan Miller. Questions? Contact
adam at a-roux@nwu.edu
Additional: > CDR > EAC > SHN by dbm3@po.cwru.edu, 12/00, md5 files generated for these SHNs.
|
|
|
06/16/74
|
Des Moines State Fair Grandstand
Des Moines, IA |
3 shn |
|
|
SBDMR>DAT>CD>EAC>SHN |
Bertha- splice @ 4:04; serious mix problems prior to this
Sugaree- MR flip @ 3:59
Playin'- d/o @0:01, d/o @3:16
T.Jed- <1 sec. digi-noise @0:02
W.Rat- MR flip @2:50
|
|
|
06/18/74
|
Freedom Hall
Louisville, KY |
2 shn |
|
|
SBDMR>DAT>CD>EAC>SHN |
Bertha- splice @ 4:04; serious mix problems prior to this
Sugaree- MR flip @ 3:59
Playin'- d/o @0:01, d/o @3:16
T.Jed- <1 sec. digi-noise @0:02
W.Rat- MR flip @2:50
This is the source info that came with these discs. Jeff Tiedrich's
Tapes in Circulation page lists the SBD geneaology for the known
circulating SBD of this show as
Set 1 from cassette master>DAT
Sets 2 and 3 from unknown generation reel source
DAE, using EAC, and conversion to .shns was done with loving care
by Michael Bryan. Thank you Mike for providing this great show!
--G.S. Hamilton (gshamilton@home.com)
|
|
|
06/26/74
|
Providence Civic Center
Providence, RI |
2 shn |
|
|
MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN |
*Disc I of this seed has some static from Big River through Row Jimmy (Possible PA issue?) and some channel droputs in BT Wind. |
|
|
07/21/74
|
Hollywood Bowl
Los Angeles, CA |
2 shn |
|
|
Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR |
Seeded by Andy Gustin via Tony Gardner's spreaddead server. Feb. 2002
To the best of my knowledge, no SBDs currently circulate. Thanks are
due to Dr. Rob Bertrando, the pioneering taper who captured this show
so well for the future enjoyment of all! |
|
|
07/25/74
|
International Amphitheater
Chicago, IL |
2 shn |
|
|
MSR > Cassette > DAT > CD-R |
|
|
|
07/27/74
|
Roanoke Civic Center
Roanoke, VA |
2 shn |
|
|
SBD>MR>C>DAT>CDR |
|
|
|
07/29/74
|
Capital Centre
Landover, MD |
2 shn |
|
|
SBD:MR>C1>DAT*>CD |
|
|
|
07/31/74
|
Dillon Stadium
Hartford, CT |
2 shn |
|
|
SBDMR>DATx>CD>DAT>CD>EAC>SHN |
Known Anomalies:
1. Beginning of Scarlet is clipped
-- slight bit of diginoise too
2. Reel flip in the middle of Row Jimmy
3. Warble/ Mixing problems in Jack Straw
4 Cut in the beginning of WRS Prelude |
|
|
08/04/74
|
Philadelphia Civic Arena
Philadelphia, PA |
2 shn |
|
|
SBD>MR>DAT>CDR |
Problems with Jerry's Guitar on the 1st two tracks (sounds kind of
distorted) fixed before Scarlet |
|
|
08/05/74
|
Philadelphia Civic Arena
Philadelphia, PA |
2 shn |
|
|
MSR-> C-> C-> DAT-> CDRs-> EAC |
* - The last half of Seastones and the last part of Stella Blue > end of show were patched with Jerry Moore's MC>D>CD (AKG D1000s>Sony TC-152) audience recording.
Note -- The folks that circulated this show scoured high and low for the best possible version (including ALL of the "usual suspects"), and the best copy ANYONE had was MR-> C2-> D, so that's what was used. I have followed up on this as well, including a comparison of the alleged "MR-> PCM-> DAT-> CD" version, and have concluded that this copy is the best that's "out." EAC/SHN by Darrin dnsacks@usa.net |
|
|
08/06/74
|
Roosevelt Stadium
Jersey City, NJ |
2 shn |
|
|
MR > DAT > CD > Sonic Solutions > CD Circulation |
As of Sept 00, this copy is just entering circulation. For more info on the source of this copy, read Jim Powell's comments below.
.shn and .md5 created by Mike Hall (myko@well.com)
>From Jim Powell:
"OK, I just got the master of the DeadLists Edition of Roosevelt
Stadium, Jersey City 8/6/74: a digital copy of the master SBD reels
with the 20 second flip cut in Scarlet Begonias patched with an
excellent AUD master. This is the entire show including Seastones, in
perfect condition, on 4 CDs.
...
We owe thanks especially to Hugh Barroll, who passed along CDs of a
digital copy of the master SBD; to Ihor Slabicky, who supplied a copy of
his AUD master of the show; and to Dave Greenberg, who used Soundforge
to patch the tape flip in Scarlet Begonias on the SBD and produce our
masters. Noah Weiner also helped with the project, forwarding a copy of
Barry Glassberg's AUD master."
and later Jim reiterated:
"The lineage of this copy of 8/6/74 is MR > DAT > CDs. It is the
entire show, uncut, including Seastones (and the encore). The flip chop
in Scarlet is expertly patched with excellent AUD. It very markedly
upgrades the copy that came around a year or so ago, as well as all
other circulating copies. Until and unless they release this as a Dick's
Picks, and do as good or better a job than we have with the patch, this
is the ultimate copy of this alltime great show, hands down, no shit."
**********
FURTHUR: More work was done on this by David Gans using Sonic Solutions. A digital copy of Ihor Slabicky's tape and the cd's from Dave Greenberg were used to further patch the reel flips in Eyes of the World and Truckin'. David also edited the reel starts and stops between songs. Nothing that was said was removed. What we have here is the *FINAL* copy of this, my first show, to be circulated!
These .shn's have been generated from the discs David Gans made. MD5's have been generated for both the .wav and .shn files. I, before sending Greenbergs disks to Gans, retracked the original Disk 2 as there were 2 leadin tracks that were orphaned from the main song track.
Jim said it first, " .. this is the ultimate copy of this alltime great show, hands down, no shit. |
|
|
09/14/74
|
Olympiahalle
Munich, Germany |
2 shn |
|
|
AUD MR>D>CD |
Summer 2001 marked the first time the master AUD reels for this show were transferred
to DAT and came into circulation. All prior versions have analog generations in them.
This versions also includes *all* of the dead air.
Sugar Magnolia dropout at 3:50 (seems to be on all copies)
|
|
|
09/18/74
|
Parc Des Expositions
Dijon, France |
2 shn |
|
|
SBD>MR>?>DAT>CDR>EAC>SHN |
SET 1.5 (Phil and Ned) and Encore (U.S. Blues) are missing |
|
|
09/20/74
|
Palais Des Sports
Paris, France |
2 shn |
|
|
SBD > master reel > reel to reel > DAT > CD |
- CD 1 was supplied from Marcello Gasperini?s MR>DAT source, which has much less analog
crackling than Julian?s source (which supplies the rest of the show). The first notes
of Cumberland have been repaired using Julian?s MR>R>R>D source and at @ 2:20, a glitch was removed.
- the entire CD1 has been channel-switched to place the band members in their correct stage positions
- false start to Around
- very carefully reduced digital jitter @ 0:11 in Chinacat
- missing Brown Eyed Women between Big River & Greatest Story
- Brokedown Palace: moderate denoising & decrackling; channels swapped
- dropout @ 1:24 in Eyes
- GDTRFB clipped @ 6:38
- NFA fade/cut repaired (there was an overlap either side of the cut,
so it is repaired from within the recording)
- Last 8.52 mins (part OMSN + USB) patched from SBD cassette
|
|
|
09/21/74
|
Palais Des Sports
Paris, France |
2 shn |
|
|
SBD > master reel > reel to reel > DAT > CD |
notes:
- set I doesn?t circulate
- 3:40 added from SBD cassette at start of Seastones.
master reel (probably) dropout between Seastones and Playin? repaired with a crossfade
- Around & Around patched in from unknown generation AUD tape by Alasdair Macdonald
- 1-24-69 Filler is the first set and all that circulates from that date.
Lineage: Master reel > cassette > DAT > CD. This complements the 1-25 & 26-69 shows from tree #6.
finally, 9/20 runs a bit slow and 9/21 a bit fast, but within normal bounds of tolerance
|
|
|
10/16/74
|
Winterland Arena
San Francisco, CA |
3 shn |
|
|
SBD:MR>R>C>D>CD>EAC>SHN |
Playin' is split into two tracks because a nine
second drop out on the master was removed.
Known flaws -
reel flip - 1:02 disc three
Eyes cut at 6:30 and 11:08
UJB cut at 4:11
cut at ~19:06 in playin' - drop out removed.
Posted to abgd 5/2000 by Skank... seeded by Aaron Kowalski.. |
|
|
10/17/74
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
MSR>DAT>CDR |
NOT ETREE distributed show. As it is, the SHN distributed copies on etree are missing the entire encore.
Missing:
E: U.S. Blues & Phil and Ned Between Sets |
|
|
10/19/74
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
SBD |
Flaws: d3t01 beginning of Sugar Magnolia is cut
Some material from this show appears on the album Steal Your Face
Traded in shn format from Troy Richey |
|
|
06/12/76
|
Boston Music Hall
Boston, MA |
2 shn |
|
|
SBD> FM(WBCN)> MR(7.5ips) |
My entire recording is included on these discs, including radio announcer (Old Saxophone Joe) intro and outro. Only material missing are two promos for Ampex tape.
- ~2 sec. dropout on Mission (3:28) was during broadcast and not a tape artifact.
- d2t05 - The Wheel from unknown AUD source (not included in original broadcast).
- d3t05 - 5:54 Around ends; remainder of track consists of crowd noise waiting for encore; 7:27 radio announcer comes on discussing encore.
- d3t08 - 2:56 Weir says "Thank y'all and good night"; 3:17 radio announcer comes in and continues through end of track. |
|
|
07/17/76
|
Orpheum Theatre
San Francisco, CA |
1 shn |
|
|
Master Reel > DAT > CD |
"Eyes of the World" has a 45-second AUD splice |
|
|
10/03/76
|
Cobo Arena
Detroit, MI |
2 shn |
|
|
1st set: AUD>?>CD>EAC>SHN 2nd set: SBD>MR>D>CD>EAC>SHN |
part of The Music Never Stopped Project 2002 |
|
|
02/26/77
|
Swing Auditorium
San Bernardino, CA |
2 shn |
|
|
unk |
Since there were no md5s when I originally downloaded this show, after re-encoding into the new seekable shn format, I created md5s. I ripped the tracks using EAC at no less than 99.9% accuracy. Enjoy
Like most older shows.. there are a few dropouts and reel changes.
This is a BettyBoard show and sound incredible.
This is the first Dead show I've tracked, I hope I did okay.
Thanks to other1 for reading in Datsit!'s DAT.
Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04.
|
|
|
04/22/77
|
The Spectrum
Philadelphia, PA |
2 shn |
|
|
see notes |
--Source 1 is a decent audience recording with fairly loud crowd noise, and provides all of the 1st set except for Estimated, and It Must Have Been The Roses from set 2.
--Source 2 is a pretty crisp SBD, and provides Estimated from set 1, and Dancin' through to the end of Terrapin from set 2.
--Source 3 is a slightly lesser quality SBD, and provides Scarlet through Samson.
--there is a blemish from recording levels @ 1:55 in El Paso
--dropout @ 5:06 in Playin'
--no encore was played
--Sound Forge was used to normalize the audience portion of the recording, and to remove several crackles from the SBDs.
part of The Music Never Stopped Project 2002 |
|
|
05/03/77
|
The Palladium
New York, NY |
2 shn |
|
|
AUD>MR>DAT>CDR |
AUD>MR>DAT>CDR > EAC (secure mode, test and copy) > SHN |
|
|
05/04/77
|
The Palladium
New York, NY |
2 shn |
|
|
DISK2 (MASTER REEL>DAT>DAT>CD) |
COMMENTS No encore performed that night.
Special thanks to David Gans for supplying the second set, Dan Roche for
getting me the second set, Neil Sturtevant for the first set, Dave Cohen
for BEW from the "Around the Fire" soundtrack, and also for transferring
from DAT to CD for me. Also thanks to the many people along the way who
helped guide this project to the finish.
And extra special thanks to all the people in all the groups who have given
me their time and effort to get me all these great shows! |
|
|
05/05/77
|
Veterans Memorial Coliseum
New Haven, CT |
2 shn |
|
|
BettyBoard master reels > dat |
tascam dap1 > zefiro za2 > soundforge >cdwave > shn
*other transfers of this show do exist, and are tracked differently.
*known errors:
drops gd1977-05-05d1t05 1:02 -> 1:08 and 6:00->6:10
*please email wallwork@uab.edu with other errors.
-Troy Wallwork |
|
|
05/08/77
|
Barton Hall, Cornell University
Ithaca, NY |
2 shn |
|
|
Betty Board Soundboard |
Filler - 05/07/77
Master Reel->PCM->DATs->CDRs->SHN (etree source)
6. Terrapin (10.38)
7. Samson & Delilah (7.18)
8 Friend Of The Devil (8.12)
|
|
|
05/09/77
|
Buffalo Memorial Auditorium
Buffalo, NY |
2 shn |
|
|
SBD-> Betty Reel-> P-> DAT -> CDR |
|
|
|
05/28/77
|
Hartford Civic Center
Hartford, CT |
2 shn |
|
|
SBD>MSR>DAT>CD |
Bettyboard 7 inch master reel @ 7 ? ips > DAT(zero gen)>
CDR(zero gen) (via sony pcm r-700 dat playback >
hhb cdr-800) > CDR (first gen) > EAC > .Shn |
|
|
10/01/77
|
Paramount Theatre
Portland, OR |
2 shn |
|
|
Betty Reel>PCM x2>DAT>CDR |
Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. |
|
|
10/02/77
|
Paramount Theatre
Portland, OR |
2 shn |
|
|
7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz |
|
|
|
10/11/77
|
Lloyd Noble Center, University Of Oklahoma
Norman, OK |
2 shn |
|
|
Dat >wav > shn |
upload done by Steve Anderson
Post-processing done by Leigh Orf , who seeded the show
on orp.etree.org
Post-processing involved minor cuts/fades. |
|
|
11/01/77
|
Cobo Arena
Detroit, MI |
2 shn |
|
|
SBD>Master(Betty Board)Reels>PCM>DAT>CDR>EAC>SHN |
Known Flaws: d1t05 cuts into friend of the devil(about 1st 20 seconds missing)
Note: I notice that a lot of peoples copies of this show are missing the U.S. Blues encore.
It is present on my copy and included here in all its glory |
|
|
11/04/77
|
Cotterell Gym, Colgate University
Hamilton, NY |
2 shn |
|
|
MASTER REEL SBD > DAT > CDR |
|
|
|
11/06/77
|
Broome County Arena
Binghamton, NY |
2 shn |
|
|
Reel -> DAT -> CDR |
|
|
|
12/27/77
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
MSR>>DAT>Sonic Solutions remastering>CDR |
Skipping in Lazy Lightning from 1:06 - 1:09 was present on my source shn.
"F***er" in Wharf Rat was muted out during remastering.
David Gans, who supplied the discs, says that the sonic glitch in Around is present on the master reel.
Missing: Samson & Delilah |
|
|
01/06/78
|
Swing Auditorium
San Bernardino, CA |
2 shn |
|
|
Master Soundboard Cassette > Cassette > DAT > CDR |
disc 2 requires an 80 min disc
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
12/25/01 |
|
|
01/07/78
|
Golden Hall, Community Concourse
San Diego, CA |
2 shn |
|
|
Master Soundboard Cassette > Reel to Reel > DAT> CDR |
no Jerry vocals due to laryngitis |
|
|
01/08/78
|
Golden Hall, Community Concourse
San Diego, CA |
2 shn |
|
|
Master Soundboard Cassette > Cassette > DAT> CDR |
Audience source of unknown provenance supplies patch in "The Other One" (d2t04)
from 0:54 thru 7:58
special thanks to Lawrence Peryer for the Audience source and
to Charlie Connor for tracking it down
no Jerry vocals due to laryngitis
disc 1 requires an 80 minute disc
CD Mastering / Patching by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
1/10/02 |
|
|
01/22/78
|
McArthur Court, University Of Oregon
Eugene, OR |
2 shn |
|
|
see notes |
Discs1 & 3: sbd>??>cd>eac>shn
Disc 2: Source: Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 >mkw>wav>mkw appended w/seek files>shn
Thanks to Yoga Pete for providing the audio cdrs
|
|
|
05/06/78
|
Patrick Gymnasium, University Of Vermont
Burlington, VT |
2 shn |
|
|
Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's |
Dat Tascam DA-P1 > Sek'd Prodif+ card >
Sek'd Red Roaster (edits*, fades at beginning & end of sets) >
Cdwav (splits) > mkw. Boundaries verified with Shntool
No dae, no eq, no signal processing
*edits
tape flip after d1t04 biodtl "gap removed"
tape flip after d2t02 big river "gap removed
tape flip during d3t03 drums "thud removed, gap remains"
tape flip after d3t06 sugar magnolia "gap removed & crossfaded"
unknown edit just a few seconds after final tape flip was edited out completely with a crossfade
|
|
|
05/07/78
|
Field House, Rensselaer Polytechnic Institute
Troy, NY |
2 shn |
|
|
SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD |
d1t7 aud patch from 7:10 thru 9:20
d2t1 ~0:40 - 0:4 skip, 1:30 minor static, 3:48 static/glitch?
d3t1 2:41 drop out and/or cut
d3t2 3:58 drop out, 6:57 drop out
d3t4 1:38-1:40 drop out, 5:22 very brief drop out
d3t4 aud patch 9:22 thru 9:26 and from 10:55 on
d3t5 8:40 2 sec gap
d3t6 4:40 warble
shntool confirms tracks on sector boundaries
uploaded to jerry's kids 3/02 |
|
|
05/11/78
|
Springfield Civic Center
Springfield, MA |
2 shn |
|
|
sdb>>reel master>>cassette>>dat>>cdr |
|
|
|
05/11/78
|
Springfield Civic Center
Springfield, MA |
2 shn |
|
|
sdb>>reel master>>cassette>>dat>>cdr |
|
|
|
06/04/78
|
Campus Stadium, UC Santa Barbara
Goleta, CA |
2 shn |
|
|
SBD>MC>C>D>CD>EAC>SHN patched with: AUD>MC>R>D>CD>EAC>SHN |
audience patches:
--banter following Good Lovin'
--all of Tennessee Jed
--a small portion of Drums
Notes:
--there is frequent oversaturation/distortion during loud portions of the show.
--brief dropout @ 7:22 in LLR
--dropout @ 4:15 in U.S. Blues
part of The Music Never Stopped Project 2002 |
|
|
07/05/78
|
Omaha Civic Auditorium
Omaha, NE |
2 shn |
|
|
AUD(Sony 54P’s>Sony TC-158)>MC>C>DAT>CDR> |
Another Installment Of The Music Never Stopped Project!
COMMENTS: Encore(The Promised Land) was not recorded, a fresh tape was
inserted and it jammed. D1t01(Sugaree) first couple of notes is
clipped. D1t02 (BIODTL) First couple of note is clipped. D1t05 (Dire
Wolf) drop out inbetween songs @ 3:22 removed. D1t06 (It's All Over
Now) drop out inbetween songs @ 7:32. D2t07 (Drums) Drop out @ :10
removed and Cass. flip @ 5:23.
|
|
|
08/30/78
|
Red Rocks Amphitheatre
Morrison, CO |
2 shn |
|
|
AUD>MC>DAT>CDR |
Another Installment Of The Music Never Stopped Project!
COMMENTS: D1t01(Promised Land) fades in at "CA on my mind". D1t04
(Mama Tried) Digital pop @ 3:27 (not in music) removed. D1t05 (Stagger
Lee) Drop out @ 5:41 removed. D1t06(Looks Like Rain) Digital pop @
9:04 (not during music) removed). Opening notes of D2t01(Miracle) and
a drop out @ 9:35(not music) removed. D2t02(BE Women) are clipped and a
drop out @ 4:57 removed. D3t03(Around And Around) drop out @ 8:43
removed. |
|
|
08/31/78
|
Red Rocks Amphitheatre
Morrison, CO |
2 shn |
|
|
AUD>MC>DAT>CDR |
Another Installment Of The Music Never Stopped Project!
Comments: Heart of Me and Johnny B Goode missing! D1t01(Mississippi
Half-Step Uptown Toodeloo) first couple of notes are clipped.
D2t03(Ship Of Fools) first couple of notes are clipped.
D2t04(Samson And Delilah) a drop out @ 8:27 removed. D3t01(Space) drop
out @ :18 removed. |
|
|
09/13/78
|
Gizah Sound and Light Theater
Cairo, Egypt |
1 shn |
|
|
SBD>MR>??>CDR |
Soundchecks for 09/14,15,16/78
Comments: This soundcheck is truely something! Intresting
instrumental Ollin Arrageed type jams.
Conversion/Seeded to Etree by T. Wiley 8/18/2002
EAC: Secure to extract disk @ 100% quality no reported errors.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
|
|
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10/17/78
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
SBD:Master Reel>PCM>DAT>CD>(EAC)WAV>SHN |
One splice in Eyes
U.S. Blues cuts off missing approximately 45 seconds |
|
|
11/13/78
|
Music Hall
Boston, MA |
2 shn |
|
|
AUD>MC>DAT>CDR |
Comments: Encore is at the end of Disk 1. Disk 2 requires 80 minute
disk for audio. D2t04(Friend Of The Devil) Digital Pop @ :01 removed
and a drop out @ 8:32 removed.
Another Installment Of The Music Never Stopped Project!
|
|
|
01/10/79
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
2 shn |
|
|
FOB Cass. Master > DAT |
|
|
|
05/09/79
|
Broome County Arena
Binghamton, NY |
2 shn |
|
|
FOB Naks > Teac PC-10 (cassette master) > DAT x2 |
There are tape flips after Minglewood and during Drums. The end of Whart Rat has an Around and Around tease. Fades are only at the beiginning and end of sets, so you can arrange the tracks however you like and they will still flow properly. |
|
|
08/05/79
|
Oakland Auditorium Arena
Oakland, CA |
2 shn |
|
|
SBD>MC>C>DAT>CDR |
-d1t03 (MAMU); d/o @ :46; 12 seconds missing
-d1t06 (All Over Now); d/o @ 8:13; 2-3 seconds missing
-d1t09 (Althea); Minor splice @ :04; Cuts @ 7:11
-d2t01 (Scarlet); Cuts @ 10:43
-d2t05 (Drums); d/o @ 10:27; This is also the disc break
-d3t03 (Wharf Rat); Splice @ :03; 2 1/2 minutes missing;
Cuts back @ 'Id come to no good'
-d3t06 (Good Lovin'); d/o @ :07, 1 second missing; d/o @ 1:09, 5 seconds missing; Static @ 3:14
-d3t07 (JBG); Cuts; Last minute missing
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 05/23/02
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
|
09/06/79
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR |
Barry Glassberg's Master Audience Cassette; Nakamichi CM700's source supplies
a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41 |
|
|
05/31/80
|
Metropolitan Sports Center
Bloomington, MN |
2 shn |
|
|
AUD>MC>DAT>CD |
Another installment of The Music Never Stopped Project!
-Tape flip @ 3:55 Drums
-Minor shots of static @ 4:54 US Blues; 3:28, 5:39 Brokedown
|
|
|
06/20/80
|
West High Auditorium
Anchorage, AK |
2 shn |
|
|
SBD>MC>1C>CD-R |
Editing notes:
Splice in Let It Grow at tape flip, portion of lyrics missing
Splice in Drums at tape flip, portion of drums missing
Splice locations chosen to enhance the listening experience and not
for archival purposes. Original wav file from Cass/1 available.
Minor splices between songs where taper paused during tuning, etc.
Fade ins/outs at beginning/end of each disc
Noise recuction,tracking at sector boundaries and bass boost applied
via Cool Edit 2000 (noise reduction via tape hiss sample without crowd noise)
Mastered, edited, and shn'd from first gen cassette by
Brian Donohue, Kodiak, Alaska.
http://db.etree.org/deadfishhead |
|
|
06/21/80
|
West High Auditorium
Anchorage, AK |
2 shn |
|
|
Master Soundboard Cassette > Reel To Reel > DAT> CDR |
Master Audience Cassette; AKG 414 mics source supplies the
"Announcements / Intro"(d1t01), the first 0:49 of "Sugaree" (d1t02),
from 4:44 thru 5:27 of "Loser" (d1t08), the first 2:03 of
"Big Railroad Blues" (d2t04), as well as from 4:24 thru 5:50 of
"Drums" (d3t03)
Disc 3 requires an 80 minute disc
Patching / CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
3/11/02
|
|
|
08/17/80
|
Kansas City Municipal Auditorium
Kansas City, MO |
2 shn |
|
|
AUD>?>CD |
Another installment of The Music Never Stopped Project!
-Minor pop in first second Truckin'
-Series of left channel d/o's from 7:23-7:40 Wharf rat; I patched the right channel over the entire segment |
|
|
08/23/80
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
Unknown equipment>Cass>CDR>EAC>HD>Minor Editing>SHN |
An excellent quality audience. The drums are quite nice this evening. Good jam out of He's Gone. TN Jed is not too shabby either. Solid all around. Get this if for nothing else because it is the first Alpine Valley GD appearance.
|
|
|
08/26/80
|
Cleveland Public Hall
Cleveland, OH |
2 shn |
|
|
sbd-> cassette-> unknown digital xfer(s) |
Don't Ease Me In is not cut on this version. |
|
|
09/27/80
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
AUD>NAK CM700 mics X 3>Mixer>Sony D5 |
Source: AUD>NAK CM700 mics X 3>Mixer>Sony D5>Master Cassette>Cassette
Playback: JVC TD-W309 (Pitch Correction)>Tascam DA-20mkII (A/D)>
Tascam CD-RW700>CD
seeded by Jeff M.
email fy1220_jeffm@snet.net |
|
|
10/11/80
|
Warfield Theater
San Francisco, CA |
1 shn |
|
|
Soundboard->Reel->PCM->DAT->CDR-> |
Recvd from Andy (Aka Bear), atgprod@mindspring.com
SHN by stephen windsor, swindsor@wesleyan.edu
***************************
Files were renamed to be consistent with the rest of the Dead files
on my system. No data was changed.
MD5's were edited to reflect the new file names, but the digital
"fingerprints" were not changed.
Bob Clevenger
bob@santhemermaid.com |
|
|
02/27/81
|
Uptown Theater
Chicago, IL |
2 shn |
|
|
SBD > Cassette master > DAT(0) |
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise)
CDR Master > EAC in secure mode> Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
Known Flaws:
reel flip in Wharf Rat> Sugar Magnolia segue, crossfaded slightly
All other edits and crossfades were between songs with no music disturbed |
|
|
10/03/81
|
Rainbow Theatre
London, England |
2 shn |
|
|
SBD>MC>DAT>CDR |
The etree database only lists the 2nd set as being
in circulation. I thought that to be a shame
so here's the whole show:-) Enjoy---Jeff M.
DAE(EAC) and SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net or lost_sailor1620@hotmail.co
|
|
|
12/26/81
|
Oakland Auditorium Arena
Oakland, CA |
2 shn |
|
|
AUD(Senn. 421’s)>MC>DAT>CDR>EAC>SHN |
Known flaws:
d1t03 6:29 drop out left channel
d2t02 splice @ 0:18 occational skips next 30 secs & skipping from 4:24 to 4:55
d2t05 7:55 cut
Another installment of The Music Never Stops Project |
|
|
12/28/81
|
Oakland Auditorium Arena
Oakland, CA |
2 shn |
|
|
AUD(Senn. 421’s)>MC>DAT>CDR>EAC>SHN |
Known flaws:
d2t02 0:45 splice
Eac in secure mode with proper offsets, 100% track quality, no errors.
Shntool used to confirm sector boundries
MKWact was used to convert to shn, seekable.
Convertion/Seeding done 7/14/02 by Glyde (glyde@masonschildren.org)
Thanks to Paul for the discs
Another installment of The Music Never Stops Project
|
|
|
12/31/81
|
Oakland Auditorium Arena
Oakland, CA |
2 shn |
|
|
Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B |
LINEAGE: Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded); NRPS opened; *=w/Joan Baez; **=w/Matt Kelly; ***=w/John Cippolina; Bill Graham flies in on a giant joint; LAST "Dark Star": 01-20-79 [232]; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01]
JAY'S PERSONAL COMMENTS:
NOTE: This is NOT the version of the show which is in circulation now; that copy is the "regular SBD" mix, while this version is the Monitor Mix version (differences in mix and volume for each instrument and vocalist). This information was verified by my Marin County source, who sent me this version to work on and release.
It was told to me, by my Marin County source, that Phil wanted each band member to hear how the slightly different way they played a lot of the electric songs actually sounded, and then it would be decided whether to keep playing them in this manner, revert back to the "old ways", or to try a different approach. You can hear this on the "staggered chorus vocals" on Shakedown Street, the opening of Me & My Uncle, CR&S, Playin' In The Band (the opening is distinctly "old school"), as is Dark Star), etc. You'll notice that the vocals are slightly more prominent in the mix, as well as they're "dry"... no reverb, delay, etc., and no compression/limiting, so you'll hear it when Jerry (especially) and Bobby back off from their microphones a little bit, or go off their "pickup axis"... their voices kind of trail off slightly. It's more realistic that hearing them at their C&L form, as you can mentally picture Jerry moving back slightly when he's ending a line in a sing. The kick drums, and some of the toms, aren't as much in the mix either, as they could be hear more by the musicians on stage naturally, and didn't need to be in the mix as much. You can hear, on Disc 1 Track 6, where the sound crew started to put the effects onto Jerry's vocals, but they got the "wave off", and stopped it. So, you can hear what the "normal mix" would have been, compared to this monitor mix. You'll also hear some of the levels of the instruments being raised and lowered, slightly and slowly, as not to be abrupt and annoying.
The Ken Kesey opening of Electric Set II (Countdown to Midnight) has Ken really, and literally, freaking out on stage when the band begins to play BEFORE the stroke of midnight! Ken's trying to tell the "You're starting too soon", but to no avail. This isn't a "knock" on Ken, but simply an example of how he was on stage sometimes. And it was the day Ken dies is when I was working on that part of the show... the master had a LOT of volume problems (cycling up and down), and I was having a very tough time getting the parts to match up without having to delete a lot of the Countdown (only 15 seconds were lost, due to the mixing console getting knocked out of whack). But when Ken died, it was almost like he was "guiding me", and the solutions came to me so clearly, it was unreal. Personally, I do think that Ken had his hand in me getting the Countdown correct. Thanks, my friend!
The BAD NEWS: The Acoustic Set was not being on the masters I received from my MC source. The good news is that all 3 of the Electric Sets are complete. The encore is from the regular SBD mix, and as such, has a slightly different audio difference. I did make every attempt to match the encore's EQ curve to that of the show itself, with very good results. Only 2 reel changes were needed in this recording, and they were during lulls or very low-volume sections of the show. Only one cross-fade, which was between songs, is evident, as I didn't have a lot of "working room" to do a longer cross-fade. This is the end of Good Lovin' into the Encore. But, it was better than the original, and is the best I could do.
The RTR (especially the Encore, which was quite noisy) was a bit on the hissy side, even with the Dolby B (or because of it, take your pick!). The hiss has been brought down to "damn near inaudible", and it's only the opening couple of seconds of Dark Star where you actually can hear the hiss in the audio. So, this is a VERY CLEAN show, audio-wise, and very energetic to boot.
Ok... on with the "Set by Set" breakdown of the show:
The opener, Shakedown Street, is LONG! Very refreshing to hear an extended set of solos, and it set the tone for the remainder of the night. Close to 16 minutes, it's rockin' and smokin' from the first chord. I really liked the "staggered chorus vocals" towards the end of the song. It's hard to explain in words, but you'll hear it... similar to how a group of people would sing "Row, Row, Row Your Boat"). This was one of those "new ways" ideas of Phil's, it was new to me, and I thought it gave the song that little extra touch... it took the usually "monotonous" way the 3 vocalists would do the chorus, and made it sound "brand new" again. An "old time" opening to Me & My Uncle > Mexicali was nice to hear. Reminiscent of the early '70's "C&W Style" the Boyz did a lot of their songs in. Again, not disappointing at all.
Cold Rain & Snow, sort of the same "older opening", and again, nice on the ears. Big Boss Man -> Minglewood was a nicely staged segue. Well done, and on the unusual side. Don't Ease Me In had NOT segue to it, which was NOT ordinary.
Onto Set II...
The Ken Kesey opening had quite a lot of SBD problems, as the audio was constantly fluctuating feeding the RTR deck. That was all edited out, rather than trying to alter the volume, as there was simply too much to do (and to make it sound right, as there were audible effects changes going on). About 30 seconds of this opening track were edited out, and only a couple of Ken's words wound up "on the cutting room floor". A very "Space-oriented" early Countdown To Midnight started early, and Ken simply was in a panic. I could picture him running around the stage trying to keep everyone from starting the song! The band, by my calculations, started Aiko about 25 seconds too early... oh well, that's life in a live show. Aiko had nothing special to offer, in my opinion, just a slight party feel to it. Playin' In The Band, well it was too short for my personal taste. They went into the Playin' Jam after just 3 minutes into the song. But it was a GOOD and HOT Jam, a bit over 11 minutes. The PITB Jam into Terrapin was nice, with Bobby leading the segue, not Jerry. Jerry was on the mark for his solos and riffs in Terrapin, and the audience was not left "wanting" at all. A good and smooth segue back into Playin' (again, 3 minutes!) was just wonderful. The band started to drift off going into Drums (which starts on Disc 3), so there was almost silence, so real segue. You can hear the instruments being unplugged before Mickey and Billy got their groove on.
Drums began with the audience ambience microphones turned on, and there was a very noticeable jump in the volume. This was a good place to start Disc 3, since there weren't any other members playing their instruments at the time. Drums is slightly "overloaded", because of the levels of the up front monitors kept feeding into the percussion mics, and the audience ambience just added to this. So, on the very low-frequency sections of Drums, there's noticeable (albeit slight) distortion. It detracts from the enjoyment a little, but there's nothing I could do about this. The ambience mikes were lowered down once Space began, and by the time Space was over, they were only slightly on. This is the opposite of what was going on before Drums, where I believe the ambience mikes were totally turned off.
In keeping with this "new style" tryout, TOO wasn't set off with the usual Phil riff, but more of a subtle opening. I wasn't upset with this, but it did surprise me, especially with it being New Year's Eve. I wanted to hear a good, resounding Phil riff and a couple of Phil Bombs thrown in for good measure, but all of us were denied this. Ah, such is life. The remainder of Electric Set II, which was TOO > NFA > GDTRFB > Morning Dew (great energy, and very good "dynamics") were not disappointing. These were mostly their current forms of the songs, so I need not go into details of these songs.
A slight break (I believe it was about 15 minutes) took place, and the Dead set up for the 3rd electric set. And we would not be denied for good music.
SET III:
I had to keep looking (literally!) at my editing sheets to remind myself of the year... Dark Star's keyboards were almost identical to the typical Keith riffs and fills, except that it was Brent on the electric piano. This 14+ minute song was a dream! You could picture Keith playing, rather than Brent, and Jerry was just letting it rip. Hard on the vocals, well done with his solos and fills, he spanned his repertoire of playing. The verses were short, leaving the audience a lot of music to absorb. This is a Dark Star which you want to play over and over again, as it was a 1970's style version. Well received (remember, the audience mikes were still on slightly!) and very much enjoyed, the audience had to be disappointed to hear it end.
The DS > Bertha segue was SHORT... and I mean THREE MEASURES SHORT! No, this wasn't a tape splice, this is how it was. And because of the lack of compression and limiting, Jerry was really belting out the vocals, and I was in heaven. Damn, this man could sing when he wanted to, and this Bertha is one of my all-time favorites!
Upon first (and maybe 2nd or 3rd) listening, you would think that I started Track 3 (Good Lovin') way too soon. But the GL riffs were in there, buried in the rest of the music. So, I start the songs where the actual song becomes apparent, not from any "teaser". Bobby, worn and weary from this night, mustered up his energy and did a Pigpen-energy Good Lovin'. Weir was not going to leave the audience disappointed, and he dished up this song in high-octane-Dead style.
The most unusual thing about the Electric sets: NOT A SINGLE BRENT SONG. Those of you who are Brent fans are going to be disappointed that all you get are his backup vocals (which were very good), and his style of playing that night (which was VERY good). I don't know why it was this way, but since I haven't heard the Acoustic opening set at all, I don't know how much Mydland contributed in that set.
Now comes the "downer of the night". Probably the most disappointing Baby Blue I have ever been graced with listening to. I'm sorry if this offends anyone, but the combo of Jerry and Joan Baez DOES NOT WORK. Here's a man who keeps his vocals short and sweet, and a folk singer who stretches out each word in that (sometimes unbearable) falsetto/vibrato voice of hers. Picture in your mind the worse Donna/Jerry vocal duet, multiply it by about 500, and that's the Baby Blue for the closer. It simply didn't work. My mind kept telling me to leave the song out, and just lie about it not being in the masters I got, but my Marin County source would be a little upset (my source doesn't tell me how to write my comments, I'm just given information I would have not known by listening to the show) if the entire show wasn't released. My personal feeling: just end your listening of this great show before the encore starts.
All I can say about this show: very 70's style in many ways, high energy, Kesey was being Kesey, and the Dead did not disappoint the audience that night. It's a wonderful NYE show in many ways, and I hope you enjoy it as much as I did.
PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 10
Audio Quality: 10
Energy Level: 9.8
Show "Completeness": 10 (not counting the missing Acoustic Set)
Song Selection: No Brent songs
Surprises: The openings of many of the songs reverted back to the 1970's era style of playing... this monitor mix (rare), and the show as a whole |
|
|
04/15/82
|
Providence Civic Center
Providence, RI |
2 shn |
|
|
AUD(NAK 700's)>MC>DAT>CDR>EAC>SHN |
Known Flaws:
d1t01 warble in MC first minute or so
d1t06 cuts in
d2t01 0:57 to 1:54 right channel drop out, cloned left channel over
d2t05 cut at 4:17, also glitch removed same spot
Eac in secure mode with proper offsets, 100% track quality, no errors.
Shntool used to confirm sector boundries
MKWact was used to convert to shn, seekable.
All editing done with Cool Edit 2000
Convertion/Seeding done 9-10-02 by Glyde (glyde@masonschildren.org)
Thanks to Paul for the discs
Another installment of The Music Never Stops Project
|
|
|
07/17/82
|
Ventura County Fairgrounds
Ventura, CA |
2 shn |
|
|
Senn 421's>MC>DAT>CDR |
Believed to be Jim Wise recordings
I used CD Wave to retrack and Shntool to verify sb's.
This show fits easily on 2x74 as tracked, with the encore (Baby Blue) at the end of disc one.
d/o @ the very beginning (pre :01) of d1t07 (Rooster)
Static bursts @ 7:08 and 7:14, and a minor glitch @ 10:00 of d2t01 (Playin')
Cassette Flip @ 7:12 of d2t06 (Drums)
|
|
|
07/28/82
|
Red Rocks Amphitheatre
Morrison, CO |
2 shn |
|
|
Senn 421's>Sony TC-D5 |
FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR (Jim Wise transfer/master |
|
|
08/01/82
|
Zoo Amphitheater
Oklahoma City, OK |
2 shn |
|
|
SBD>MC>DAT>CD |
Notes-
-Jerry's 40th Birthday
-Splice/half beat missing at 1:05 of They Love Each Other
-Splice/half beat missing at 4:35 of Big River
-MC Flip @ start of Drums
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 06/26/02
Audio discs provided by Steve Wigley |
|
|
09/15/82
|
Capital Centre
Landover, MD |
2 shn |
|
|
see notes |
Crazy Fingers" thru "Lost Sailor//": MSC>1 Reel Gen>CD
Analog > Digital transfer by Jim Wise
Normalized from 65% to 100% using Cool Edit 96 by Sean Cribbs
"Playing In The Band > Crazy Fingers//" opener, start of jam
following "Must Have Been The Roses" to cover a flip on the
MSC, and "//Lost Sailor" thru encore: MAC>CD
Recorded by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5M
Analog > Digital transfer by David Howard
No other sound processing was done
Patching, tracking and Shn encoding by Sean Cribbs 8/4/01 |
|
|
04/13/83
|
Patrick Gymnasium, U of Vermont
Burlington, VT |
2 shn |
|
|
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) |
Source: MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) ->
Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) ->
CDRs -> EAC -> SHN
Notes: Digital Transcription beautifully performed by Jim Wise -- THANKS! -- This is a new transcription of this show. Enjoy! Darrin -- dnsacks@usa.net -- seeded to etree 10.2.00 |
|
|
06/20/83
|
Merriweather Post Pavilion
Columbia, MD |
2 shn |
|
|
see notes |
Source:
Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD
Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD
Encore: It's All Over Now Baby Blue (Missing) |
|
|
06/22/83
|
City Island
Harrisburg, PA |
2 shn |
|
|
Sony D5M using (2) Senheiser ME-80 and (2) AKG D-1000 mikes run through mixer. |
|
|
|
10/15/83
|
Hartford Civic Center
Hartford, CT |
2 shn |
|
|
Sbd > Cassette Master > Dat x 2 > CDR > SHN |
No NR of any kind was used in the production of these discs.
All editing was performed with Cool Edit Proand and Soundforage
I made several splices to patch cassette flips using the etree
audience version of this show and used many different technics
to make these splices as transparent as possible. Patches are
found on the following tracks:
Disc 1
d1t07 0:00.00 -> 0:18.07
Disc2
d2t01 12:38.22 -> 12:59.69
d2t07 0:02.41 -> 0:09.02
patch source:
FOB Sennheiser 441's > Technics PCM master > DAT
Transfer: DAT > ZA2 > SoundForge
Taper: Jeff Silberman
I would like to thank my friend Bob for getting me the etree
discs to make the patches and thank Jay Silberman for taking
the time to record these wonderful audience tapes.
Any questions or commennts feel free to contact me at
drgseeds@hotmail.com |
|
|
10/17/83
|
Olympic Center
Lake Placid, NY |
2 shn |
|
|
FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD > (EAC/WAV) SHN |
Seeded to alt.binaries.gdead by Skankweed (the first ever a.b.gdead SHN post!) |
|
|
04/01/84
|
Marin County Veterans Auditorium
San Rafael, CA |
2 shn |
|
|
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source: Steve Ziemba's Cassette Master Aud>Nak300>D5>CM>CDR>EAC>Shn |
The secondary source supplies the Baby Blue encore.
CD mastering, EAC'ed/Shn'ed by Charlie Connor
Seeded to fungus and abgd by Charlie Connor 3/30/02
Correct Sector Boundaries Verified with Shntool
Special Thanks To Scott Clugston for providing the CDR's, and to Doug
Oade for bringing me to the realization I should throw out every aud
master I ever recorded (and just collect Oade's). Thanks for another
awesome recording Doug!!!! |
|
|
06/21/84
|
Kingswood Music Theater
Maple, ON |
2 shn |
|
|
"liberated" Bootleg CD > EAC > SHN |
|
|
|
10/05/84
|
Charlotte Coliseum
Charlotte, NC |
2 shn |
|
|
FOB Nak 300 mics>Sony TCD5-M>DAT |
from Alan Matta
-Editing and Seeding by MattMan (mcole@sun.science.wayne.edu)
-Very nice audience recording.
-The only edting I did was retracking, fixing loud burst at 0:01 of Promised Land, fades,
and cleaning up the dropouts. Although there was a nice piece of cassette his at the
end of Might as Well that I could have used for NR, I opted not to as the overall signal-to-noise ratio is high, precluding any need for NR.
A few words from the recordists, in their own words:
-Mike Grace
"I recorded both those shows on a Sony TcD5-M recorder and Nakamichi 300 super-cardiod mics. We were set up about 30 feet in front of the sound board. This was one of the last tours before the official 'Tapers Section' was established. We had to sneak the equipment into the show although security was not too tight. The tapes were transferred from the same Sony deck to a highly modified Sony 75ES DAT recorder." |
|
|
10/06/84
|
Richmond Coliseum
Richmond, VA |
2 shn |
|
|
FOB Nak 300 mics>Sony TCD5-M>DAT |
from Alan Matta
-Editing and Seeding by MattMan (mcole@sun.science.wayne.edu)
-Very nice audience recording.
-The only edting I did was retracking, fixing drop out at end of China Jam (tape flip?),
and cutting level of Day Job by 6 db.
-Drums can flow seemlessly into Space with longer media.
*Day Job may be from an unknown AUD source.
A few words from the recordists, in their own words:
-Mike Grace
"I recorded both those shows on a Sony TcD5-M recorder and Nakamichi 300 super-cardiod mics. We were set up about 30 feet in front of the sound board. This was one of the last tours before the official 'Tapers Section' was established. We had to sneak the equipment into the show although security was not too tight. The tapes were transferred from the same Sony deck to a highly modified Sony 75ES DAT recorder." |
|
|
10/11/84
|
Augusta Civic Center
Augusta, ME |
2 shn |
|
|
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). |
|
|
|
10/12/84
|
Augusta Civic Center
Augusta, ME |
2 shn |
|
|
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). |
|
|
|
10/20/84
|
Carrier Dome, Syracuse U
Syracuse, NY |
2 shn |
|
|
SBD>CM>DAT>computer processing>CDR>EAC>SHNTOOL>MKWACT |
Disks from Alan Matta
Editing by MattMan (mcole@sun.science.wayne.edu)
-EAC: secure w/o normalization
-CE2K: +3db boost; retracking; fades; L channel click @ 1:41 of d2t01 fixed w/R channel;
-SHNTOOL: sector boundary alignment
-MKWACT: shorten w/seek |
|
|
03/31/85
|
Cumberland County Civic Center
Portland, ME |
2 shn |
|
|
Oade's Master Audience PCM > Schoeps CMC-441 mics |
|
|
|
04/01/85
|
Cumberland County Civic Center
Portland, ME |
2 shn |
|
|
See notes |
Sources:
Primary Source:
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony
PCM-F1 > DAT> CDR>EAC>Shn
Secondary Source:
Steve Ziemba's Cassette Master
Aud>Nak300>D5>CM>CDR>EAC>Shn
The secondary source supplies the Baby Blue encore
CD mastering, EAC'ed/Shn'ed by Charlie Connor
Seeded to fungus and abgd by Charlie Connor 3/30/02
Correct Sector Boundaries Verified with Shntool
Special Thanks To Scott Clugston for providing the CDR's, and to Doug
Oade for bringing me to the realization I should throw out every aud
master I ever recorded (and just collect Oade's). Thanks for another
awesome recording Doug!!!! |
|
|
06/24/85
|
River Bend Music Center
Cincinnati, OH |
2 shn |
|
|
SBD -> CM -> PCM -> DAT |
**From Patrick Murphy (patrick_e_murphy@yahoo.com):
I got these shn disks directly from Doug Nawrocki the seeder.
I found that from about 2:55 in Samoson until about 3:35
in He's Gone the right channel drops way down. I used Goldwave
just to boost the right channel during this section.
It's not perfect, but it's as good as it gets.
This show is definitely worth keeping |
|
|
09/03/85
|
Starlight Theater
Kansas City, MO |
2 shn |
|
|
sbd |
Seeded by Todd Campbell
EAC & Decoded to Shn by Jim Keith
COMMENTS: An excellent sbd!!!
Can fit on (2) 74s if you move the first 3 tracks from set 2 to disk 1
any problems contack rosieak@peakonline.com |
|
|
09/10/85
|
Henry J. Kaiser Convention Center
Oakland, CA |
1 shn |
|
|
SBD>Reel>DAT |
Known problems: Tiny dropout in Jack Straw |
|
|
08/12/87
|
Red Rocks Amphitheatre
Morrison, CO |
2 shn |
|
|
Nak CM 100>DAT>CD |
Another installment of The Music Never Stopped Project!
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 1/30/03
Audio discs provided by Mike Murray
-Tape flip @ :52 Space |
|
|
08/15/87
|
Town Park
Telluride, CO |
2 shn |
|
|
AUD:FOB > PCM > DAT > CD > EAC > SHNv3 |
DAE (EAC - secure mode, offsets in place; sector boundaries confirmed with shntool).
seeded to etree 5/2001 - neo_levo |
|
|
08/16/87
|
Town Park
Telluride, CO |
2 shn |
|
|
PreFM > Rm > DAT > CDR > EAC > SHN |
known flaws:
d2t6:digipop@7:19
d2t7: song cuts @ 6:56
DAE (EAC - secure mode, offsets in place, sector boundaries confirmed with shntool).
seeded to etree 5/2001 - C. Ladner |
|
|
08/23/87
|
Calaveras County Fairgrounds
Angels Camp, CA |
2 shn |
|
|
SBD>MC>DAT>CDR>EAC>shn |
With Carlos Santana |
|
|
09/18/87
|
Madison Square Garden
New York, NY |
2 shn |
|
|
SBD |
|
|
|
09/20/87
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN |
There 5 instances of multiple songs tracked together on the original Gans source.
I recut them for my (anal)collection and offer them up to the rest of yas
this way. Don't mean to look a gift horse in the mouth... thanks so much for this
great and long awaited show David!
... remember this is _my_ problem ; )
Show retracked on "natural" song indexes via CDWav.
03-20-03 - eD
|
|
|
11/08/87
|
Henry J. Kaiser Convention Center
Oakland, CA |
2 shn |
|
|
SBD |
*Dankseed Certification received 2002-08-30* |
|
|
03/18/88
|
Henry J. Kaiser Convention Center
Oakland, CA |
2 shn |
|
|
SBD>DAT>CD |
|
|
|
03/26/88
|
Hampton Coliseum
Hampton, VA |
2 shn |
|
|
SBD Analog Cass Master-> DAT-> CDR. |
Comments:
Loud "static burst" in Mexicali Blues. 3 dropouts in The Wheel.
New version circulated 01/01/2002. Contains patches in Mexicali and The Wheel. Mexicali patch is 0:27 to 0:31; The Wheel is simply a fix. Patch is AUD (Nak 300/Sony D5)> Nak BX300> AIFF> WAV> SHN. By Peter Braverman (braverman@earthlink.net) |
|
|
04/01/88
|
Meadowlands Arena
East Rutherford, NJ |
2 shn |
|
|
Ultramatrix (SBD/AUD mix) |
This is a very crispy Matrix, with lots of audience mixed in. Very good sound.
There is no break between I Know You Rider and Estimated Prophet, so those who want to assemble this as a three-disk show can do so seamlessly.
Tape flip between drums and space suggests a cassette generation in there somehwere; missing very little.
An early installment of The Music Never Stopped Project. Thanks to Raul for the discs. Normalized, retracked, and seeded by Peter Braverman (braverman@earthlink.net), July, 2002. |
|
|
07/02/88
|
Oxford Plains Speedway
Oxford, ME |
2 shn |
|
|
SBD>Master Cassette>DAT>CDR>EAC>SHN |
|
|
|
07/03/88
|
Oxford Plains Speedway
Oxford, ME |
2 shn |
|
|
SBD>DAT>Sonic Solutions>CDR>EAC>CD>EAC>SHN |
EAC's were done secure mode with offsets onfigured. Test and Copy matched shn encoded
with Mkw tool. |
|
|
09/03/88
|
Capital Centre
Landover, MD |
2 shn |
|
|
SBD/AUD MATRIX |
SBD/AUD MATRIX > MC > DAT > SOUND FORGE > CDR > EAC > MKW > SHNv3
***Me & My Uncle>Big River*** source is FOB AUD > Senn ME80 > MC> DAT > CDR > EAC > MKW > SHNv3
COMMENTS:
Source discs provided by Charlie Miller, EAC > MKW > SHNv3 by DES.
SBD level adjustments during d1t1,2.
Disc 2 requires 80 Minute disc.
Sector boundaries confirmed via shntool.
Please leave any comments about this show in the shn database, found here-
http://db.etree.org/shninfo_detail.php?shnid=5913 |
|
|
09/09/88
|
The Spectrum
Philadelphia, PA |
2 shn |
|
|
SBD > Cass Master > DAT > CDR > CDR > EAC > SHN |
The cut in "I Will Take you Home is on the master according to the
document that came with the discs.
There were a few Dropouts at the end of d1t09 Don't Ease Me In
during the audience, I removed them with Cool Edit.
EAC/SHN done by Darryl Hinko (flyerfanatic) |
|
|
09/14/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
SBD>>CM>>DAT>>CDA>>DAW(Bertha)>>CDA |
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on December 27, 2001.
Queen Jane cuts quickly at end and Ramble On Rose Cuts in on next track.
Drums fades out//Space fades in.
(*) This version is from the the pre dehissed master cassette source. The other source circulating that is purported to be sbd>>dat is actually this same master cassette source which has been dehissed with Sound Forge DNR. If you do not hear hiss in your copy, but hear a warbly metalic sound between songs, you have the version with Sound Forge DNR. |
|
|
09/15/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
SBD>MC>DAT>CDR>EAC>CDwave>SHN |
Sound:A+
Performance:A++ (just ask phil...) |
|
|
09/16/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Soundboard>Master Cassette>DAT>CD |
Seeded by Charlie Miller
Converted to SHN and treed by Frank Venezia |
|
|
09/18/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
SBD>MC>C?>DAT>CDR |
Purported lineage of this was SBD>MC>DAT>CDR. Both Jools and I agree that
There is at least one more C gen in the mix due to the slight hiss.
Nevertheless it is a very listenable SBD that has been "missing" for far
too long.
Another installment of The Music Never Stopped Project! |
|
|
09/20/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
SBD>DAT>Casette Master>DAT>Montego II>CDR>EAC>SHN |
DAE(EAC)+ SHN Encoding by Jeff M.
Note: I received this show on cd directly from the dat transfer. I noticed after extraction that eac was reading the peak levels at a maximum of 28%. I then extracted each disc as one big .wav and normalized peak to 98%. I then used CDWAV to remark the tracks and edit out some interminably long pauses in between a couple of tracks. The end result sounds pretty good IMHO.---Enjoy--Jeff M.
Known Flaws: D1t07: first 10-15 seconds of masterpiece are cut
|
|
|
09/22/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Soundboard>Master Cassette>DAT>CD |
Seeded by Charlie Miller
Converted to SHN and treed by Frank Venezia
|
|
|
09/23/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Soundboard>Master Cassette>DAT>CD |
Seeded by Charlie Miller
Converted to SHN and treed by Frank Venezia |
|
|
09/24/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
unk |
Missing >> E: Good Lovin', Knockin' On Heaven's Door
Comment: Show was a Rain Forrest Benefit,
Other Artist(s):
Mick Taylor on West LA and Rooster,
Suzanne Vega on Chinese Bones,
Neighborhood Girls and Heavan's Door,
Daryl Hall and John Oats on Every Time and What's Going On,
Baba Olatunji & Michael Hinton on Drums,
Bruce Hornsby on NFA,
Jack Cassady on both encores,
Bruce Hornsby and the Range openned.
|
|
|
12/31/88
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 shn |
|
|
Healy Mix = SBD+AKG C 424b mic. |
|
|
|
03/27/89
|
The Omni
Atlanta, GA |
2 shn |
|
|
AUD(Schoeps CMC-441's)>DAT>CDR |
Comments: D3t04 Digital Pop @ 6:24(removed).
D3t06 Pop @ :00.235 (removed).
Conversion/Edit/Seeded to etree by Tim W. 4/1/02
EAC: Secure to extract disks 1 and 2 @ 100 % and disk 3 @ 99.9%
quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
|
03/28/89
|
The Omni
Atlanta, GA |
2 shn |
|
|
AUD>DAT>CDR |
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Comments: D2t01 pop @ :53 (removed).
Conversion/Edit/Seeded to etree by Tim W. 4/30/02
EAC: Secure to extract disk 1 @ 100% quality disks 2 and 3 @ 99.9%
quality no reported errors.
CD WAV: To select track splits.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
|
05/06/89
|
Frost Amphitheatre
Palo Alto, CA |
2 shn |
|
|
DSBD |
|
|
|
05/27/89
|
Oakland-Alameda County Stadium
Oakland, CA |
2 shn |
|
|
Dan Healy's Master Soundboard Cassette > CDR |
"In Concert Against AIDS" |
|
|
06/19/89
|
Shoreline Amphitheatre
Mountain View, CA |
2 shn |
|
|
SBD>DAT>CDR |
static in right channel 0:20-0:40 - d1t02
EAC (secure mode with proper offsets)
and shn conversion by Tony G (spreaddead@bellsouth.net)
03/09/02 |
|
|
07/07/89
|
John F. Kennedy Stadium
Philadelphia, PA |
2 shn |
|
|
(Healy Mix) SBD>MC>DAT>CDR>EAC>SHN |
|
|
|
07/17/89
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN |
Almost all of set one and all of set two appears on the film Downhill from Here. If you don't own this, you probably should. This SBD sounds very hot, I almost prefer it to the Healy Matrix on the video. |
|
|
07/18/89
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
DSBD>DAT |
|
|
|
07/19/89
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
DSBD -> DAT -> CD -> eac -> SHN |
|
|
|
12/30/89
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 shn |
|
|
Ultramatrix (SBD/AUD mix) |
Lineage: DAT> CD> SHN
SECTOR BOUNDARY ERRORS REPAIRED JUNE 2002.
I believe this is the first copy of this Matrix source on CD. I looked long and hard for a soundboard for this excellent show, and traded at least five times over two years for supposed Matrix recordings, only to find each time that set I was a Matrix and set II was an audience recording. D'oh! This is -- FINALLY! -- the real deal. Thanks to Rob Harrison for the DAT>CD transfer
Known issues
Airto Moriera plays on Sugaree > West LA in set I, and I Know You Rider > One More Saturday Night on set II. He is sometimes audible and often not.
Intermittent diginoise in Jack Straw has been replaced with a patch from the Matrix (oops I mean audience) source, from 4:24 to 5:18.
Drums and space are seamless, and can be reassembled effortlessly when those DVD burners finally become popular and we're all listening to recordings by mind-travel.
----------
Seeded by Peter Braverman (braverman@earthlink.net), April 2002. |
|
|
03/22/90
|
Copps Coliseum
Hamilton, ON |
2 shn |
|
|
SBD -> DAT -> CD -> EAC -> SHN |
|
|
|
03/30/90
|
Nassau Coliseum
Uniondale, NY |
2 shn |
|
|
SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD |
EAC Secure Mode w/correct offest>Plextor SCSI 40X>MKW>SHN
COMMENTS
1 very small dropout at 2:35 into Drums.
The FC/DD2496 refers to the A/D transfer. The FC is a Flying Calf external
24-bit A/D converter. This provided the A/D conversion (@ 44.1KHz) which was
then fed into my Delta DiO 2496 soundcard. Minor Editing done in Sound Forge
Transfer and Mastering by David Hollister |
|
|
06/23/90
|
Autzen Stadium - University of Oregon
Eugene, OR |
2 shn |
|
|
SBD>Cm>Dat>Samplitude>CD. |
Extremely bodacious and full sounding recording with enough audience to make me think matrix.
*** This version does NOT have the cut in the middle of Jerry's solo in UJB as on previously circulated analog versions of this show.
- minor digi fuzz at 00:55 of Me and My Uncle
- "battle hymn" tuning right before start of Cassidy.
- lengthy noodling jam preceding Eyes
- very intense 'thunder' sounds during LLR - speaker alert.
Thanks to Charlie Miller for seeding/uploading another June '90 SBD gem.
Hosted via candyman FTP/posted to alt.binaries.gdead via neo_levo - 6/2002. |
|
|
07/04/90
|
Sandstone Ampitheatre
Bonner Springs, KS |
2 shn |
|
|
AUD (AKG 414’s) > DAT (Sony D-3) > CDR > WAV > SHNv3 |
Comments:
First Bonner Springs show.
KICK-ASS audience recording - one of the best i've heard.
Level for first 2 tracks lower than the rest of the show.
d2t07 and disc 3t02 are contiguous - the fade in (d3t01) is redundant w/ last few seconds of space from d2. |
|
|
07/06/90
|
Cardinal Stadium
Louisville, KY |
2 shn |
|
|
SBD>Dat>Sonic Solutions>CD |
EAC'd and SHN'd By Charlie Miller
charliemiller87@earthlink.net
10/19/02 |
|
|
07/23/90
|
World Music Theatre
Tinley Park, IL |
2 shn |
|
|
Master Soundboard DAT > CDR |
EAC'ed / SHN'ed by Scott Clugston
2/20/02 |
|
|
09/08/90
|
Richfield Coliseum
Richfield, OH |
2 shn |
|
|
AUD>DAT>CDR> |
COMMENTS: Crowd can be a little intense at times. No known flaws. No
mic. or deck info. provided.
Another Installment Of The Music Never Stopped Project!
|
|
|
10/13/90
|
Ice Stadium
Stockholm, Sweden |
2 shn |
|
|
SBD>MC>C>DAT>CDR |
COMMENTS: The noteable hiss is tolerable. D1t01 (Cold Rain & Snow)
fades in and first couple of notes are clipped. D1t08 (The Promised
Land) cuts in with a drop out in the beginning removed. D2t08 (Space)
A cass. flip/ drop out @ 1:23 removed.
Another Installment Of The Music Never Stopped Project! |
|
|
10/17/90
|
GrugaHalle
Essen, Germany |
2 shn |
|
|
DSBD>DAT>CDR> |
* Disk 2 requires an 80 minute disk
COMMENTS: D1t07 (High Time) digital pops after the song is over @ 7:28
removed.
Another Installment Of The Music Never Stopped Project! |
|
|
10/30/90
|
Wembley Arena
London, England |
2 shn |
|
|
dsbd>dat>cd>shn |
Piped in By Steve Barbella
October 2001
|
|
|
11/01/90
|
Wembley Arena
London, England |
1 shn |
|
|
SBD > DAT > CDR > WAV > SHNv3 |
|
|
|
12/12/90
|
McNichols Sports Arena
Denver, CO |
2 shn |
|
|
S:D->CDR->(eac'd)SHN |
Ripped by John Zei
If you find any errors please contact me.
jszei@hotmail.com |
|
|
09/10/91
|
Madison Square Garden
New York, NY |
2 shn |
|
|
|
|
|
|
09/24/91
|
Boston Garden
Boston, MA |
2 shn |
|
|
SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB |
OFFICIAL SHOW NOTES: Bruce Hornsby on grand piano and vocals the entire show; according to the Marin County source, "Jerry wasn't himself" for this show (vocal problems); Garcia did not have the usual amount and type of effects added to his vocals, and his levels were slightly louder in overall mix; technical problems with Hart's percussion and MIDI interface cut "Drums" short; GD master digital recording was paused for approx. 4 min. while the problem was attempted to be corrected, w/o success, on the master SBD mixer; the venue's audio was not affected as much/as long as the engineers switched some channels and bypassed the main mixer for about 5 minutes; for "Space" > "Miracle", Phil's bass level was low, due to the master mixer's channel reassignments and pre-set levels; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1 kHz for CD-R mastering), were all performed using 32-bit / 96 kHz digital realm processing at Serafin Station Studio B |
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|
10/28/91
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 shn |
|
|
SBD>DAT(n clones)>PCM>DAT |
Fits on two 80-minute discs.
- d1t1 drop outs ~ 5:30, 5:36
- d1t2 drop out ~ 3:18
- d1t9 minor diginoise fixed with CE2K ~ 5:30
- d1t10 minor diginoise fixed with CE2K ~ 2:56
- shntool used to place tracks on sector boundaries by set
- set 2 can be rejoined seemlessly when longer media is available |
|
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10/31/91
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 shn |
|
|
unk |
set 1 seeded by David Finney
set 2 uploaded by The Ghost, with thanks to Andrew Elborgen for the seed. |
|
|
02/22/92
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 shn |
|
|
SBD>MC>C>DAT>CDR |
COMMENTS
missing U.S. Blues, Watchtower cuts at 3:50
static 0:34-0:36 of Bertha
two small digipops at 0:12 of Space
Another installment of The Music Never Stopped Project!
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02/23/92
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 shn |
|
|
AUD>DAT>CDR (Schoeps CMC 34’s) |
COMMENTS
rude noises from 2:45-3:40 of drums while the taper
screws with the mics
fades at end of disc 2 and start of disc 3 were on
source discs
Another installment of The Music Never Stopped Project! |
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03/01/92
|
The Omni
Atlanta, GA |
2 shn |
|
|
Schoeps CMC3/MK4>Oade M118>Panasonic SV-250 FOB |
|
|
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03/06/92
|
Hampton Coliseum
Hampton, VA |
2 shn |
|
|
AUD>DAT>CDR (Nak 700’s>Sony D-3) |
Another installment of The Music Never Stopped Project!
splice at 3:58 of Bucket (removed d/o)
fades at end of d2 and start of d3 were on source discs |
|
|
06/23/92
|
Star Lake Amphitheatre
Burgettstown, PA |
2 shn |
|
|
SBD>Dat>c>Dat>Cool Edit>cd>EAC>SHN (seekable) |
Discs provided by John Valter
EAC and SHN transfer by Steve Barbella
seeded sept 28, 2001
EAC secure w/offsets, 100% track quality, all tracks.
SHN transfer via MKW V.97 |
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|
06/25/92
|
Soldier Field
Chicago, IL |
2 shn |
|
|
SBD |
LINEAGE (SET I/II):
SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) >
Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB
LINEAGE (ENCORE):
SBD > GD MASTER D > D > SSSB |
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06/21/93
|
Deer Creek Music Center
Noblesville, IN |
2 shn |
|
|
SBD |
This is another installment of the Music Never Stopped Project.
Known flaws:
Jack Straw begins immediately, though there is no music missing.
Digi-sizzle in Jack Straw at 5:07, <1/4 second, left channel only, not edited.
Scarlet fades in, missing only a few seconds.
A little sizzle in Scarlet at 1:49 and 1:53, which I judged not significant enough to fix.
Serious intermittent sizzle in Scarlet 4:14 to 4:49, patched with FOB Soundfield source.
There were significant channel imbalances between left and right that varied from track to track, and at times within tracks. I have done my best to balance these.
Scarlet had serious balance problems and what sounded like radio interference for the first 6:54. Despite several attempts at balancing and eliminating the problems in the left channel, I was unable to fix this satisfactorily, and settled for duplicating the right channel. Scarlet, therefore, is in mono for the first 6:54.
A tiny crackle in Ship of Fools at 6:43.
A few bouts of static from 10:23 of Corrina to 0:06 of drums, about eight seconds total.
Very quick dropout in drums at 2:00.
The EQ on this show was terrible, and while I wouldn't ordinarily muck with the original, this one was sufficiently depressed in the higher octaves that I took liberties so that more people might enjoy the recording. If you have access to an equalizer and want to reverse my shenanigans, in the first set there is a +6 dB shelf centered at 2K Hz, declining to zero at 1K Hz and 20K Hz. In the second set, there is a +3 dB shelf at 2K (again declining to zero at 1K and 20K) -- this EQ begins with drums and continues for the remainder of the set.
All editing in Peak.
Other issues:
Ship of Fools and Corrina are not faded, so those who prefer to split the disks between drums and space may do so easily. |
|
|
06/22/93
|
Deer Creek Music Center
Noblesville, IN |
2 shn |
|
|
SBD |
This is another installment of the Music Never Stopped Project.
Known issues:
Digi-sizzles in Help on the Way were patched at 0:28, 0:41, and 0:55 from the FOB Soundfield source; each patch is three to five seconds long. There is a very short sizzle at 1:16, less than 1/4 second, which I did not patch. There is also a dropout of about a 1/10 second at 1:08 that remains.
Sizzle patched in Slipknot! at 2:21; light static remains at 3:52, less than 1/4 second.
Drums and space are seamless and may be reassembled if desired. |
|
|
06/23/93
|
Deer Creek Music Center
Noblesville, IN |
2 shn |
|
|
SBD |
This is another installment of the Music Never Stopped Project.
Known issues:
Static in Stuck Inside of Mobile from 3:18-3:35 and 3:41-3:48 patched with FOB Soundfield source.
Drums fades out on the copy of the CDs I received; I left it alone.
Hearing the tunes from Eternity through Wave to the Wind makes me want to listen to Top 40 radio for the rest of my life. (What can you say when "Samson" is a welcome relief?) This is almost -- almost -- rectified by the Terrapin, one of the most monumental of the 1990s, with a stunning jam of about 10 minutes following the tune itself. |
|
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08/21/93
|
Autzen Stadium, University of Oregon
Eugene, OR |
2 shn |
|
|
SBD > D > ILLEGAL BOOTLEG CD > SSSB |
SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE
RELEASED ON: 10/25/01
JAY'S PERSONAL COMMENTS:
First off, I want to thank "SuperNova" ( Jerry Ford... supernova2112@hotmail.com ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy.
Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003.
Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show.
This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were.
Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS.
Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land.
Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information).
Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right.
Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them.
A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated.
PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 9.9
Audio Quality: 10
Energy Level: 9.6
Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level)
Song Selection: Nothing special
Surprises: None
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|
|
09/13/93
|
The Spectrum
Philadelphia, PA |
2 shn |
|
|
SB> DAT> CM> DAT> CD |
drumz notes:
-tape flip splice in drumz @ 8:46
-portion of drumz is missing
seeded by Charie Miller
spread jan 2002 by Chris Frisco |
|
|
09/16/93
|
Madison Square Garden
New York, NY |
2 shn |
|
|
FOB/DFC AMS St-250 run Blumlein on stand both sets > |
FOB/DFC
Sec. 2 - Row R - Seats 1 & 2
AMS St-250 run Blumlein on stand both sets >
Apogee AD 500 > D-10 Pro mod (48k)
recorded by Clay Brennecke and Jamie Young
DAT > SHN via: Clone of master DAT played
through Sony PCM-M1 > active 7 pin cable >
Zoltrix Nightingale > recorded/downsampled
on PC with Cool Edit 2000 tracked with CDWAV
SHN encoding with MKW-ACT (seeking) |
|
|
03/30/94
|
The Omni
Atlanta, GA |
2 shn |
|
|
SBD -> Dat |
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN (2 Discs SHN / 3 Discs Audio)
Transfered By Charlie Miller
charliemiller87@earthlink.net
12/1/02 |
|
|
03/31/94
|
The Omni
Atlanta, GA |
2 shn |
|
|
SBD -> Dat |
Encore Is Missing (I Fought The Law)
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN (2 Discs SHN / 2 Discs Audio)
Transfered By Charlie Miller
charliemiller87@earthlink.net
12/1/02 |
|
|
04/01/94
|
The Omni
Atlanta, GA |
2 shn |
|
|
SBD -> Dat |
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN (2 Discs SHN / 3 Discs Audio)
Transfered By Charlie Miller
charliemiller87@earthlink.net
12/1/02 |
|
|
07/13/94
|
Franklin County Airport
Highgate, VT |
2 shn |
|
|
AKG-460-CKIX>Sony D-7>CDR>WAV>SHNv3 |
Another installment of TMNSP - 6/2002.
Comments:
- highly listenable AUD with mild audience intrusion.
- fade out d2/fade in d3 without enough overlap to render seamless, so i left it as is. |
|
|
07/17/94
|
Robert F. Kennedy Stadium
Washington, DC |
2 shn |
|
|
AMS-S250’s(ambisonic)>Sony D-10 pro 2>CDR>WAV>SHNv3 |
Comments:
Below average audience recording with thin phasing sound.
- diginoise beginning at 0:58, 02:04 fixed with soundforge 5 (multiple small dropouts) & 4:16 of Bucket, a few real minor glitches in Way To Go Home.
- noisy audience member during Eyes.
I included a more extensively declicked version of track 1.
Thanks to Henry Wankleswurth for the seeds-
DAE(EAC0.9 beta 4)>glitch removal (SF5)>tracking (cdwav)>SHN(shorten 3.4)>FTP via neo_levo/candyman FTP.
Another installment of TMNSP - 6/2002.
|
|
|
10/02/94
|
Boston Garden
Boston, MA |
2 shn |
|
|
Unknown Schoeps audience recording > DAT > CD |
unknown DAT>CD transfer information
CD > eac in secure mode > SHN
encoding by nick@nickspicks.com |
|
|
10/03/94
|
Boston Garden
Boston, MA |
2 shn |
|
|
FOB Schoeps mk4>Rutthueber>DAT |
Last night of 6 night run
Last performance in the gahden |
|
|
11/29/94
|
McNichols Sports Arena
Denver, CO |
2 shn |
|
|
AUD(Schoeps MK4)>DAT>CDR>WAV>SHNv3 |
TMNSP - 07.02.
Outstanding audience recording with an amazing second set, especially considering the vintage.
Vince on a good night! Killer Baba > TNK>drums.
No drop outs or glitches detected.
D2>D3 transition restored to seamlessness using sound forge 5/cdwav. |
|
|
11/30/94
|
McNichols Sports Arena
Denver, CO |
2 shn |
|
|
AUD(Schoeps MK4)>DAT>CDR>WAV>SHNv3 |
TMNSP
Above average audience recording.
Disc 2>3 transition restored to seamlessness using soundforge 5.
Digipop @ 02:16 of cassidy remedied using SF 5. |
|
|
02/21/95
|
Delta Center
Salt Lake City, UT |
2 shn |
|
|
DSBD > 1C > DAT |
At least one other SHN version of this show circulates as
of April 7, 2002. The previous version circulates with an "if
any digital editing" boilerplate. This new version is a direct
copy from a DAT clone, and has undergone no digital editing
of any form.
There are some problems with the recording at the end
of "That Would Be Something" and the beginning of "Drums".
Sounds like it could be a mic overloading. Also, during
various points of the second set, soundboard static is
audible. It is most noticeable at the end of "Foolish Heart"
and at the end of "Sugar Magnolia". These flaws are believed
to exist on all circulating copies.
compiled by Dan Stephens
04/07/2002 |
|
|
04/02/95
|
Pyramid Arena
Memphis, TN |
2 shn |
|
|
DSBD?>Bootleg CD>EAC>SHN |
EAC>SHN conversion (mkwact secure with proper offsets) & Seeding by: Justin Snyder
*Note* The bootleg that I 'liberated' this show from split the discs between Crazy Fingers and Estimated. 'Deadbase" and 'Deadlists' have it as Crazy Fingers>Estimated. |
|
|
04/04/95
|
Jefferson Civic Center Coliseum
Birmingham, AL |
2 shn |
|
|
AUD(Schoeps MK4s)>DAT>CDR>WAV>SHNv3 |
Another installment of TMNSP - July 2002.
Comments: Above average audience recording with lots of talking. Seems like it should be trackable to 2 discs, but the long Iko Iko "messes" things up. |
|
|
04/05/95
|
Jefferson Civic Center Coliseum
Birmingham, AL |
2 shn |
|
|
AUD(Schoeps MK4's)>DAT>CDR>WAV>SHNv3 |
Another installment of TMNSP - July 2002.
Comments: * with Willie Green, drummer for the Neville Brothers.
Above average audience recordings which suffers from intrusive vocal convulsions and ramblings of nearby attendees. |
|
|
06/02/95
|
Shoreline Amphitheatre
Mountain View, CA |
2 shn |
|
|
SBD > DAT > CD > Toast Audio Extractor > SHN |
This is liberated bootleg of a very nice SBD recording. This was the second-to-last show I saw, and a great one at that. The Bird Song near the end of the first set is amazing, and the Monks chanting between drums and space made for a very unusual experience. Also a very emotional Standing on the Moon. Overall, this was an excellent show, and the whole thing fits on two 74min CDs. |
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|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/08/94
|
Sloss Furnaces
Birmingham, AL |
2 shn |
|
|
DSBD(master\matrix)>CD>EAC>SHN |
Featuring the Muscle Schoals session cats (old & new):
Gregg Allman - vocals, organ, guitar
Bill Stewart - drums
David Hood - bass
Clayton Ivey - keyboards
Jack Pearson, Scott Boyer, Kevin Holley - guitars
Count Mbutu - percussion
Jim Horn, Dennis Taylor - saxes
Dennis Goode - trombone
Terry Townsend - trumpet
Thom Doucette - harp
Jimmy Hall - harp, vocals
Topper Price - vocals
N.C. Thurman - organ
Disc 1
1 Trouble No More 5:49
2 Can't Turn You Loose 3:26
3 Sweet Feelin' 5:04
4 The Sky is Cryin' 11:08
5 Band Intro 2:24
6 Can't Lose What You Never Had 5:56
7 Slip Away 5:01
8 Don't Keep Me Wonderin' 4:23
9 When Something is Wrong
With My Baby 4:25
Disc 2
1 Melissa 5:17
2 Midnight Rider 5:15
3 Queen of Hearts 7:15
4 Stormy Monday 10:34
5 Neighbor, Neighbor 4:20
6 B.B. King Medley 10:34
7 Will the Circle Be Unbroken 8:15
Disc 3 is the pre-production version of the studio project
that culminated from this show. It was originally recorded
in Decatur, AL at Ducktape Studios by Mark Harrelson (11/95) and
then sent to L.A. for production where it was butchered and then
released as "Searching for Simplicity". Here in lies
"The Ducktape Mixes".
Gregg Allman - vocals
Bill Stewart - drums
David Hood, Oteil Burbridge - bass
Jack Pearson, Kevin Holley, Scott Boyer,
Derek Trucks, Johnny Sandlin - guitars
Clayton Ivey, N.C. Thurman, Chalmers Davis,
Jay Wilson - keyboards
Jimmy Hall, Topper Price - harmonica
Mickey Buckins, Roger Hawkins - percussion
Ava Aldridge, Jessica Boucher, Cindy Richardson-Walker,
Scott Boyer, George Soule, Carla Russell - vocals
Jim Horn, Harvey Thompson, Sam Levine - saxes
Vinnie Ciesielski, Gary Armstrong - trumpet
Charles Rose - trombone
Hank Crawford - alto sax
Robert Mason - cello
Disc3
1 Whipping Post 4:28
2 House of Blues 4:27
3 Come Back & Help Me 3:48
4 Silence Ain't Golden 3:35
5 Rendevous with the Blues 3:50
6 Wolf's A'Howlin' 4:14
7 Poison 3:53
8 Don't Deny Me 5:03
9 Dark End of the Street 3:18
10 Neighbor, Neighbor 3:58
11 I've Got News for You 5:08
12 Please Let Me Know 2:27
*converted to SHN by Henry M. Johnson III > nicktrudge@home.com
questions and comments welcomed > ENJOY! |
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|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/21/96
|
Wetlands
New York, NY |
2 shn |
|
|
DSBD > DAT > CDR's > EAC [logs incl.] > Cool Edit Pro |
this came to me on 3 CDR's with filler on d2.
i EAC'd the discs edited two tracks [w/Cool Edit Pro] to fit onto to 80min. discs.
- no music was lost -
a small fade was done to the front of d2t02
.wav's re-split with CDWave and checked with Shntool (reports incl.)
**THIS SOURCE WILL STOP CIRULATING WHEN A NON-EAC/CDR SOURCE SHOWS UP**
errors:
% - a couple of glitches @ 4:09 & 4:20 - sounds like DAT transfer errors.
$ - a digipop @ ~ 0:48 [fixed with Cool Edit Pro] (saved as gba1996-06-21d1t04-alt)
j howe (08-27-2002) <db.etree.org/nakko>
|
|
|
11/17/97
|
The 5 Spot
Philadelphia, PA |
2 shn |
|
|
DAT(brand & mic's unknown) > (transfer unknown) > cd |
some of the gap could not be removed without disturbing
the show more than it already was . when the last bit
of the gap was removed the timing of the audience noise
just didn't sink up , and sounded stranger than the gap
itself . none of the actual music has been affected by
any of this , and the remaining gap is very insignificant .
There is a tape splice at the end of d1t03 @10:57
( some stage banter is lost to the splice )
eac & shn by Eric Mohl 8/23/01 |
|
|
12/31/98
|
Great American Music Hall
San Francisco, CA |
2 shn |
|
|
DSBD |
no setlist at this time |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/03/72
|
Carnegie Hall
New York, NY |
1 shn |
|
|
sdb cassette master>>cassette>>cd |
w/papa john creech |
|
|
10/02/73
|
Winterland Arena
San Francisco, CA |
1 shn |
|
|
unk |
Hell's Angels Benefit |
|
|
12/08/99
|
The Aladdin Theater
Portland, OR |
2 shn |
|
|
sbd > DAT |
w/ Michael Falzarano, Pete Sears, Harvey Sorgen, *w/ Derek Trucks |
|
|
12/08/01
|
Broadway Theatre
Pitman, NJ |
1 shn |
|
A |
4th row left> Cores Sound Binural Mics > DAT D5 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/18/90
|
Guthrie Theater
Minneapolis, MN |
3 shn |
|
|
SBD > Master Reel > DAT (48kHz) |
Early Show Transfer:
D8 > Waveterminal 2496 (@44.1kHz) > Soundforge > CD Wave > mkwACT > SHN
Late Show Transfer:
DA-20 > ZA2 (@44.1kHz) > Cool Edit > Gold Wave > SHN
D4t04-06
DAT > ? > CDR > EAC > SHN (Spliced in with Wave Merge and CD Wave)
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/22/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
(FOB ORTF)Neumann KM184> Lunatec V2 > DAP1 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/05/96
|
Centennial Hall, University of Arizona
Tucson, AZ |
2 shn |
|
|
dsbd>dat>cd |
Comment recorded for FM radio. Some songs (only 8) were released on the commercial bootleg CD "The Barricades Of Heaven"
Show Added By: hamilton
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/04/02
|
Plumas-Sierra County Fairgrounds
Quincy, CA |
2 shn |
|
|
onstage Km140 > V2 > AD500E |
w/7-02&7-07-02 |
|
|
07/06/02
|
High Sierra Music Fest - Showcase Stage
Quincy, CA |
1 shn |
|
|
onstage Km140 > V2 > AD500E |
w/7-04&7-07-02 |
|
|
07/07/02
|
High Sierra Music Hall
Quincy, CA |
2 shn |
|
|
Neumann AK40's(stage lip)>LC3>KM100 Mic Bodies |
w/7-02&7-04-02 |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/23/89
|
Beacon Theatre
New York, NY |
1 shn |
|
|
sbd>dat?>cd>shn |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/27/01
|
McLaughlin-Norcross Memorial Dell
Haddon Heights, NJ |
1 shn |
|
|
Oktava MC012 > Samson Mixpad 4 > Sony MZR-37 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/29/72
|
Paris Theatre
London, England |
1 shn |
|
|
XM Broadcast -> Sony PCM-R500 DAT |
Source: XM Broadcast -> Sony PCM-R500 DAT ->
Zoltrix Nightingale Pro6 via S/PDIF ->
Cool Edit Pro -> CDWav -> mkwACT (no DAE) |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/14/70
|
Fillmore West
San Francisco, CA |
2 shn |
|
|
unk |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/24/73
|
The Boarding House
San Francisco, CA |
1 shn |
|
|
MSR -> P -> DATs -> Digi001 -> SHN |
Jerry Garcia & Merl Saunders
Notes: There is a bit of random digi-noise at various points in the show, though most is very minor. The one exception to this being Dixie Down. There is some pronounced digi-noise throughout the first 30 seconds of the song. I removed 2 silent dropouts totaling approximately 2.5 seconds.
Personnel:
Jerry Garcia (Guitar, Vocals)
Merl Saunders (Keyboards, Vocals)
John Kahn (Bass)
Bill Vitt (Drums)
Tom Fogerty (Rhythm Guitar, Vocals)
Sarah Fulcher (Vocals)
|
|
|
01/07/76
|
Club Front
San Rafael, CA |
1 shn |
|
|
see notes |
Lineage: The person who I traded with to get this show only knows the following: he thinks it's
a SBD>CAS (a few gens)>SoundForge>CDRWIN.
I was delighted with the sound quality considering the dodgy lineage. This rehersal is a wonderful
glimpse into the genius of New Orleans piano king James Booker, bringing a new (Orleans) dimension to
the JGB sound.
Seeded by Dave Kingston kingstondave@hotmail.com |
|
|
07/09/76
|
Keystone
Berkeley, CA |
1 shn |
|
|
MSR>1R>P>DAT>CDR>wav>shn3 |
|
|
|
02/12/80
|
Lisner Auditorium, G.W.U.
Washington, DC |
2 shn |
|
|
no source listed |
no text file |
|
|
03/01/80
|
Capitol Theater
Passaic, NJ |
1 shn |
|
|
MSC>DAT>CDR |
1-2 sec. clipping due to fade ins on both Sugaree and How Sweet It Is
Slight 2-3 sec. flutter during beginning of Sugaree
No other known flaws
|
|
|
03/08/80
|
The Stone
San Francisco, CA |
2 shn |
|
|
possibly be a SBD-AUD matrix mix |
The DAT appears to possibly be a SBD-AUD matrix mix, but I'm not for sure.
Recordings: AUD (DAT: MAC>D)
De-noised in CoolEdit 96
Re-tracked in CDWAV |
|
|
02/28/82
|
The Stone
San Francisco, CA |
1 shn |
|
|
MSC -> DAT -> CDRs -> Track Thief -> ProTools 5.0.1 ->SHN |
Comments:The beginnings of They Love Each Other and Sugaree are cut. The DAT is missing How Sweet It Is, but this does appear on the analog version.
Recordings: 73 SBD (DAT: MSC>D), 80 SBD |
|
|
03/07/82
|
The Saddlerack
San Jose, CA |
1 shn |
|
|
CDR>TAE>WAV>SHN |
FM broadcast
CDR>TAE>WAV>SHN
Jerry Garcia - Guitar
John Kahn - Bass
Melvin Seals - Keyboards
Jimmy Warren - Keyboards
Essra Mohawk - Vocals
Liz Stires - Vocals
Bill Kreutzmann - Drums |
|
|
05/05/82
|
Oregon State Prison
Salem, OR |
1 shn |
|
|
unk |
Jerry Garcia & John Kahn |
|
|
11/29/83
|
Veterans Memorial Auditorium
Providence, RI |
1 shn |
|
|
SBD > CM > DAT > CDR > WAV > SHNv3 |
Comments: Very clean seed. Jerry finishes off each set quite colorfully. Master tape paused between some tracks, first notes clipped on some tracks. While the lineage was only 'SBD' >DAT>CDR, I'm pretty sure this is from a master cassette given the tape flip in d2t05.
* Tape flip w/ drop out @ 05:08.420 removed using SF5.
|
|
|
03/09/84
|
Keystone Palo Alto
Palo Alto, CA |
1 shn |
|
|
Sony ECM939LT>Cassette Master (Sony TCS-350) |
Note: Beginning of "Tore Up" is missing due to cassette flip.
Taping-related story from this show:
The basic taping scene at the Keystone back in this era was be low key and the venue might not hassle you, but taping officially was not allowed.
A lot depended on the specific security for the show but running stealth or otherwise being descrete was wise. This was the night I first met
Bob "Cave Bud" Damico and he and I, along with one other taper, all ran hand-held mics next to each other from the bar tables behind the dance floor.
One other unknown taper decided to set up a stand just across the center aisle from us. He was running either Nakamichi 300s or Sennheiser 441s
into a Sony D5. During the early part of "Second That Emotion", the venue security came and told him to lower his stand as it was too obvious.
We were suprised that they let him continue but they definitely told him to drop the stand down below head level. The guy seemed preturbed that he
was asked to do this but begrudgingly accomodated them for the rest of the song. Before the beginning of "Love In The Afternoon", the guy raised
his stand back up. Needless to say the security was back shortly into this song, telling the guy again to lower the stand. This time the guy got
belligerent with the security, yelling at them and eventually shoving one of the security guys. That was all it took...the guy was dragged off,
kicking and screaming, and the security was seen tossing him out the side entrance. They then returned and gathered up all of his gear in a big
pile and threw it all out the same door. You can hear Bob and the other stealth taper commenting on the whole scene between each song. Just a bizarre
taping memory from this show...
|
|
|
03/10/84
|
Keystone
Berkeley, CA |
1 shn |
|
|
Sony ECM939LT>Cassette Master (Sony TCS-350) |
Transfer: Cassette Master (NAD 6050C)>SBM>DAT @44.1k (PCM-R500)>VXPocket v2>Sound Forge (v. 4.5a)>WAV>CDWAV (v.1.71)>mkwACT (v.0.97b1)>SHN
Recorded and Transfered by Dan Gale (dgale@loslobos.org)
http://LosLobos.setlist.com |
|
|
08/04/85
|
The Stone
San Francisco, CA |
1 shn |
|
|
Aud>Unknown mics |
Taper: Charlie Connor
Aud>Unknown mics (stealth in hat)>Sony TCD5M(CM)(3rd deck patch)>
Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)
Correct Sector Boundaries verified with Shntool
Analog and Digital Mastering by Charlie Connor
Shn'ed, Vined (to Cdead) and seeded to fungus and abgd August 1, 2002 |
|
|
08/05/85
|
The Stone
San Francisco, CA |
1 shn |
|
|
see notes |
Source:
Taper: Charlie Connor
MAC (John Corley's disassembled Nak 700s clipped to brim of
hat for stealth [20' from stage, first row of tables, dead center] >
Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) >
Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 >
Steinberg's Wavelab 3.0 (bit resolution & resampling to
CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) >
SHNv3 (MKW ACT).
Analog and Digital Mastering by Charlie Connor
Shn'ed, Vined (via Cdead) and seeded to fungus and abgd August 6, 2002 |
|
|
08/09/85
|
The Stone
San Francisco, CA |
1 shn |
|
|
see notes |
Taper: Charlie Connor
MAC (John Corley's disassembled Nak 700s clipped to brim of
hat for stealth [20' from stage, first row of tables, dead center] >
Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) >
Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 >
Steinberg's Wavelab 3.0 (bit resolution & resampling to
CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) >
SHNv3 (MKW ACT).
Analog and Digital Mastering by Charlie Connor
Shn'ed, vined and seeded to fungus and abgd August 6, 2002 |
|
|
08/10/85
|
Keystone Palo Alto
Palo Alto, CA |
1 shn |
|
|
see notes |
Taper: Charlie Connor
MAC (John Corley's disassembled Nak 700s clipped to brim of
hat for stealth [20' from stage, first row of tables, center] >
Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) >
Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 >
Steinberg's Wavelab 3.0 (bit resolution & resampling to
CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) >
SHNv3 (MKW ACT).
Correct Sector Boundaries verified with Shntool
Analog and Digital Mastering by Charlie Connor
Shn'ed, Vined (to Cdead) and seeded to fungus and abgd August 7, 2002 |
|
|
10/21/87
|
Lunt-Fontanne Theatre
New York, NY |
2 shn |
|
|
SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Both Sets Early show and partial Accustic Set Late Show
Have all of early show and most of late show accustic.
Only mono recording because Dano and friend were able
to tap into a line feed until caught during late accustic
set where they had to stop abrubtly. |
|
|
11/26/88
|
Wiltern Theater
Los Angeles, CA |
2 shn |
|
|
SBD > Cassette Master > DAT > CDR > WAV > SHNv3 |
Outstanding recording with one major and a few minor glitches -
d1t01 - static @ 07:05 - left as is.
d1t02 - static @ 00:42, 03:49 repaired.
d1t07 - static pop @01:46 repaired.
d2t01 - Lt channel static @ 00:04 repaired.
d2t04 - CUTS OFF at the end...
Clapping (in time) by either Gloria or Jaclyn can be heard throughout. |
|
|
08/24/91
|
Goldcoast Concert Bowl
Squaw Valley, CA |
1 shn |
|
|
unk |
short dropout at 6:02 in d1t02 (also on the master). |
|
|
04/30/92
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
FOB Schoeps CMC34 > Oade Custom Power Supply > |
Source: FOB Schoeps CMC34 > Oade Custom Power Supply >
Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) >
Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV >
SHN via MKW .97 (no DAE) by Bill Gardner, bgardner@telocity.com |
|
|
10/31/92
|
Oakland-Alameda County Coliseum Arena
Oakland, CA |
2 shn |
|
|
cass>dAT>cdr>shn |
KNOWN FLAWS:
Levels a tad high throughout the show
d1t7 Splice @ 03:46
d1t7 Digi-Noise @ 05:25
d1t7 Digi-Noise @ 06:12
First few seconds of d2t8 are cut |
|
|
02/27/93
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
Neumann mics (vintage 1957, tube electronics)>MAC>CDR> |
Flaws:
d1t01 There are a few slight digi pops. I removed the big ones
manually. But some of the less offensive ones remain. I don't like
using De-click programs as they mess up the quality of the overall
recording.
d2t01 digi pop at 5:58 removed and is transparent
EAC extraction logfile from 26. October 2002, 15:32 for CD
Jerry Garcia Band / Warfield Theater, San Francisco CA |
|
|
11/07/93
|
USAir Arena
Landover, MD |
1 shn |
|
|
AUD(Schoeps MK4)>DAT>CDR>WAV>SHNv3 |
Comments: Show originally tracked onto 3 discs. I retracked the show to fit on 2 discs by moving the first track of the second set to the first disc. I restored the d2>d3 transition to seamlessness prior to retracking using soundforge 5.
DAE(EAC 0.9 beta 4, offset corrected, high&secure)>edit (soundforge 5)>tracking(CDWAVE)>boundaries confirmed (shntool) > shorten 3.4 > FTP via C.Ladner/candyman FTP.
Brought to you by the MisSHN in the Rain initiative of TMNSP - 2/15/03.n initiative of TMNSP - 2/15/03. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/26/01
|
Rolling Summer Festival
Huntsville, UT |
2 shn |
|
|
SBD > D8 (rest is unknown) |
|
|
|
04/14/02
|
Good Sunday Party
Richmond, VA |
2 shn |
|
|
see notes |
Source:mbho603a/ka200 (ortf/dfc/15") (20%) > mp-2
+ B&K 4022 (ortf/onstage) (40%) > Sonosax
+ sbd (40%) > Behringer MX-802A (mixer) > ad1000 > DAP1
Transfer: Fostex D5 -> optical cable -> HOSA ODL-276 -> digi coax cable -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (48->44.1) -> CD Wave v1.71 ->mkwACT 0.97b1
Tapers: Craig Davis/Carrington Crawford/Keith Stroat
Transfered by: Jason Sobel (jasonsobel@hotmail.com)
Big thanks to Craig for sending me the DATs so quickly. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/16/80
|
Congresgebouw
Den Haag, Netherlands |
1 shn |
|
|
unk |
|
|
|
11/13/87
|
Nassau Coliseum
Uniondale, NY |
2 shn |
|
|
Audience master -> DAT |
Sound : A/A-, good mics, close to PA, |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/25/99
|
Woodstock 99, Griffiss Air Force Base
Rome, NY |
1 shn |
|
|
SBD>CDR |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/10/68
|
Winterland Ballroom
San Francisco, CA |
1 shn |
|
|
SBD>?>Liberated Bootleg CD>EAC>SHN |
This is one of 3 days worth of shows at the Winterland Ballroom. Each day had an early and a late
show, which was standard for Bill Graham n those days. These shows were compiled in the Rykodisc
release "Live at Winterland" that release only featured portions of each show. These liberated
Bootleg releases feature all that was recorded. Any flaws are on the source discs and I have not
cleaned anything up. All in all the sound quality on these discs are very good. Enjoy!
|
|
|
??/??/68
|
Jimi Hendrix's Apartment
New York, NY |
1 shn |
|
|
Hendrix'sRig > EAC > SHN |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/26/01
|
Red Rock Outfitters
Huntsville, UT |
1 SHN |
|
|
SBD > Tascam DAP1 > Zefiro ZA2 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/17/93
|
Rick Rubin's Living Room
Los Angeles, CA |
1 shn |
|
|
unk |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/13/02
|
The Bottom Line
New York, NY |
2 shn |
|
|
unk |
|
|
|
07/20/02
|
Shelburne Museum
Shelburne, VT |
1 shn |
|
|
Unknown Source |
Part of "Jam Grass 2002"
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/22/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
AT831's > SP SB-2 > Sony PCM-M1 @ 44.1kHz |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/22/02
|
The Ballroom, Bonnaroo Music Festival
Manchester, TN |
3 shn |
|
|
DAUD/FOB>DPA 4023>Lunatec V2 (35db)>Da-p1>D-7 |
Karl Denson sx.
Michael Kang gtr.
Eric Krasno gtr.
DJ Logic trn.
Chris Littlefield trmp.
Brian Jordan gtr.
David Veith keys.
Dross bas.
Zak Najor drms.
Samson perc. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/25/02
|
Orbit's Downtown Eatery
Fredericksburg, VA |
1 shn |
|
|
SBD (a/b outs from Keller's mixer) |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/12/00
|
Berkshire Mountain Music Festival
Great Barrington, MA |
1 shn |
|
|
Neumann tlm170(NOS-cards @ soundboard)>Sonosax |
|
|
|
06/21/02
|
Bonnarroo Music Festival
Manchester, TN |
2 shn |
|
|
AKG480/ck63's > Audio Magic active cables >Graham-Patten DMIC-20 > Sony D8 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/19/66
|
Fillmore & Avalon (Various Bands)
San Francisco, CA |
6 shn |
|
|
KSAN Production Reel, broadcast on KSAN, Soundboard Reel |
These are recordings from the heyday of Underground Radio in San
Francisco. This set includes 82(I only found 81) tracks on 6 CDs (most are 80 minute
CDs), featuring many live performances, primarily produced and
broadcast by radio station KSAN FM. Many of the most popular (and a
few lesser known) musicians are represented during the key three
years
when Bay Area psychadelic music was peaking; from 1966 to 1968. The
majority of these recordings came from the Avalon Ballroom and the
Fillmore Auditorium, where KSAN often recorded sets and created
production reels for local FM transmission. Since the production
reels
primarily featured edited highlights, theres a consistantly high
caliber of performances documented here.
This collection is not, I repeat not, a duplication of the excellent
"San Franciscan Nights" compilation. Duplicating that material was,
as
much as possible, intentionally avoided. However, there are some
exceptions. 9 of the 82 tracks in this collection were also included
on the SFN compilation. These 9 tracks were repeated here because
they
were either in different or more complete form, as per KSAN
production
reels, and/or were of improved quality. Here are those details:
CD#2: COUNTRY JOE & THE FISH:
Thought Dream (now part of an expanded Avalon set)
CD#4: CAPTAIN BEEFHEART & THE MAGIC BAND
Old Folks Boogie (now part of expanded Avalon set was mistitled on
SFN as "Woe Is Uh Me Bop")
CD#4: BIG BROTHER & THE HOLDING COMPANY
Bye Bye Baby, Women Is Losers, Call On Me, Ball & Chain (1st 3 are
Avalon 67, not 68 as notated on SFN. Upgraded.)
CD#5: CREEDENCE CLEARWATER REVIVAL
Suzy Q (Upgraded)
CD#5 SANTANA
Treat>drums>Jingo (Upgraded. These were the two Santana tracks not
listed on the SFN tracklists.)
Other than those 9 exceptions, the 82 tracks on these CDs are all
different recordings than "San Franciscan Nights"
Theres a surprisingly strong continuity when listening to all these
bands together. The only set questioned was the Bo Diddley set. It
was decided to include this because unlike many/most of his
contemporaries, he wasn't just regurgitating his hits by the
mid1960s. Check out the spacey modal jamming on "Eastern Thang," and
the approach of his band and you'll hear how well it fits. (He even
has an electric violinist on this 1966 Avalon Ballroom set! If anyone
knows or has recollections who backed him around this time, we'd all
enjoy hearing about it.)
Although the majority of these recordings came from KSAN production
reels, several related nonKSAN recordings are also included.
Thanks to Harvey Lubar and the distribution people of San Franciscan
Nights. All the people that helped spread that collection around for
free directly inspired the start of this project. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/11/70
|
Musikhalle
Hamburg, Germany |
1 flac |
|
|
Most Likely CASS1>DAT>CDR remastered |
This one really required some editing job so it's not really an exact clone anymore. Here's what's been done to it. - all occurrences of DAT diginoise were removed by replacing the 3.5 kHz-20kHz range in affected areas with "clean" range from a nearby area. It might not be "politically correct", but in most cases is able to solve the diginoise problems without producing dropouts and things like that so you won't even be able to hear the places where the noise originally was. - There were a lot of faint, yet audible analog static's in the right channel. However, the waveform looked exactly like that of the left channel (the recording is mono) throughout the whole tape. I also viewed the data spectrally and indeed, both channels seemed to contain the same data. So I decided to replace the right channel with the left one, having cut the volume at 1dB to restore the original difference between the channels. It sounds exactly like the original version, but the static's are not there anymore.
In addition, I have converted this to the FLAC format, so that it fits on one disc (compressed.) |
|
|
02/12/75
|
Madison Square Garden
New York, NY |
2 shn |
|
|
sbd>mr?>cd |
Recorded live in pure stereo direct from the board. Best sounding Led Zep show ever |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/12/75
|
Masonic Temple
Scranton, PA |
1 shn |
|
|
SBD (DAT: MSR>1R>P>D>ZA/2>SHN) |
|
|
|
04/19/75
|
Oriental Theater
Milwaukee, WI |
1 shn |
|
|
SBD (MSR>1R>P>D>ZA/2>SHN) |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/21/93
|
Kongresshalle
Zürich, Switzerland |
2 shn |
|
|
FM > ? > Original Silverpressed CDs |
Liberated bootleg "The Presence", Kiss no 35. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/21/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
DAUD/OTS>AKG 480 w/ck61>Lunatec v2 |
Source: DAUD/OTS>AKG 480 w/ck61>Lunatec v2 (35db)>da-p1 @ 44.1
Transfer:Master dat>Sony DTC-690>Audioquest Optilink 1>SEK'D Prodif Plus>SamplitudeV5.5>cdwav1.6>mkwact0.97
Edits:Fade in/out of set.(Five seconds)
Taped and Transferred by: Chris "sparki" Ace (sparki@iwon.com) |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/11/02
|
Berkshire Mountain Music Festival, Lower Lodge
Great Barrington, MA |
2 shn |
|
|
(On Stage) Schoeps mk21(ortf)->kc-5->cmc6-> |
Filler: Ekene & Kraz 08-10-02 Berkfest, Main Stage Tweener, Great Barrington, MA
(fob/dfc @50') Schoeps mk4(ortf)->kc-5->cmc6->Apogee AD-1000 @44.1kHZ;R500->Audio Magic Presto II->Zefiro ZA2->Soundforge 4.5->CDWav->.shn |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/10/73
|
Ultrasonic Studios
Hempstead, NY |
1 shn |
|
|
SBD>FM>CDR>SHN |
|
|
|
07/19/73
|
Ebbet's Field
Denver, CO |
1 shn |
|
|
Soundboard |
|
|
|
05/05/76
|
Orpheum Theater
Boston, MA |
1 shn |
|
|
Soundboard |
|
|
|
08/24/88
|
The Center Stage
Atlanta, GA |
1 SHN |
|
A |
Pre-FM>Metal Cass Master>HDD>CDR Tracked with CD WAV |
|
|
|
04/03/02
|
Visulite Theatre
Charlotte, NC |
2 shn |
|
|
SBD |
|
|
|
09/14/02
|
Blues & Brew Festival
Telluride, CO |
1 shn |
|
|
SBD |
* with Robert Randolph
** with Bob Weir
|
|
|
10/14/02
|
Lisner Auditorium, George Washington University
Washington, DC |
2 shn |
|
|
Schoeps MK-4V (ORTF in hat)-> KCY-> VMS02IB |
"Little Feat & Friends"
Great guest performers |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/01/96
|
Ventura County Fairgrounds
Ventura, CA |
1 shn |
|
|
Sbd>DAT @48hz |
Transfered by Dan Gale (dgale@loslobos.org)
http://LosLobos.setlist.com |
|
|
10/03/96
|
The Old Lantern
Charlotte, VT |
1 shn |
|
|
Sennheiser 441s>Beyer MV100>DAT master(Sony D8) |
Taper: Casey Coniff
Source: Sennheiser 441s>Beyer MV100>DAT master(Sony D8)
Transfer: DAT>CDR unknown; CDR>EAC(v0.85 b4)>WAV>SHNtool(sector boundary errors identified and fixed)>mkwACT(v.0.97b1)>SHN
CDR copy used for SHN seed courtesy of Dan Gale
EAC, SBE fix and SHN encoding by Hans Voight (salmonjock@hotmail.com) |
|
|
06/16/99
|
Harpers Ferry
Allston, MA |
1 shn |
|
|
Digital Soundboard |
Three bonus extra tracks at the end of disc 2 are from an xmas promo
that the band put out.
Thanks Adam from cdrtree for the show!
--Leigh Orf
http://orf.cx
p.s. originally the shnf folder and file names were misnamed (implied
2000 show, not 1999). Changed 1AM 2/24/01
|
|
|
02/25/00
|
Bimbo's 365 Club
San Francisco, CA |
2 shn |
|
|
Sbd>SBM-1>DAT @48hz (D7) |
Private Party - Wedding and Birthday Party
Mastered and Transfered by Dan Gale (dgale@loslobos.org)
http://LosLobos.setlist.com |
|
|
02/26/00
|
The Fillmore
San Francisco, CA |
2 shn |
|
|
Sbd>SBM-1>DAT @48hz (D7) |
Mastered and Transfered by Dan Gale (dgale@loslobos.org)
http://LosLobos.setlist.com |
|
|
02/27/00
|
The Fillmore
San Francisco, CA |
2 shn |
|
|
Sbd>SBM-1>DAT @48hz (D7) |
Mastered and Transfered by Dan Gale (dgale@loslobos.org)
http://LosLobos.setlist.com |
|
|
06/11/02
|
Bottom Of The Hill
San Francisco, CA |
1 shn |
|
|
SchoepsCCM4's>Sonosax SX-M2>DAT (D100) master |
(Invite Only Show)
***FOR TRADE ONLY***Please Do Not encode to MP3
Unknown>CDR(master)>EAC(v0.93b1)>WAV>
SHNtool (verify SB's)>mkwACT (v0.97b1)>SHN(seeking).
CDR copy used for DAE and SHN encoding courtesy of Dan Gale
DAE, sector boundary verification, and SHN encoding by Hans Voight (salmonjock@hotmail.com)
setlist courtesy of http://LosLobos.setlist.com |
|
|
07/05/02
|
Summerfest, Harley Davidson Roadhouse Stage
Milwaukee, WI |
1 shn |
|
|
d>aud FOB/DFC, 50' from stage akg 460/ck61>lunatec v2>ad1000>esi u24>soundforge 5.0>cdwav>shn |
|
|
|
07/30/02
|
North Carolina Museum of Art
Raleigh, NC |
1 shn |
|
|
Microtech Gefell M210>Sound Devices MP-2> Graham-Patten ADC-20>Sony D8 |
Transfer: Sony D8>Sony 7-pin to optical cable>EgoSys Waveterminal U2A>Spark LE> Adaptec CD SpinDoctor (track marks)>Adaptec Toast 4.1.3>LaCie 120424>CDR master>EAC (v0.85b4)>WAV>SHNtool (identified and fixed sector boundary errors)>mkwACT (v0.97b1)>SHN(seeking)
DAT to CDR transfer by Jamie Lykos (jlykos@nc.rr.com)
CDR master copy courtesy of Dan Gale
EAC, SBE fix, and SHN encoding by Hans Voight (salmonjock@hotmail.com)
|
|
|
04/03/03
|
Mystic Theatre
Petaluma, CA |
2 shn |
|
|
Neumann KM 140's SD MP-2>SBM-1>DAT @48kHz (D8) |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/25/99
|
Spodek Hall
Katowice, Poland |
1 shn |
|
|
FM Broadcast > ?? > CDR > WAV > SHN |
no set list |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/09/60
|
Kurhaus
Scheveningen, Holland |
1 shn |
|
|
SBD/8 46(DATC1)>--CD>DAT1>CDR1 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/30/01
|
Siena College
Loudonville, NY |
2 shn |
|
|
MBHO 603a/KA200 (X-Y)> |
Source: MBHO 603a/KA200 (X-Y)> Sound Devices MP-2> Midiman Flying Calf A/D> Sony D8
Transfer: Sony D8> Cd Wav.> .shn> CDR
Location: DFC, Front Row Taper's Section
Taper: Mike Haley (haleymf@clarkson.edu)
Transfer: Mike Haley |
|
|
02/28/02
|
Music Farm
Charleston, SC |
2 shn |
|
|
Set I: Schoeps CCM4ug (ortf at board) Set II: AKG 483 (DIN at board) |
Source:
Set I: Schoeps CCM4ug (ortf at board) > Oade m148 > mod-sbm-1 > D8 @ 48kHz (Ben Morrison)
Set II: AKG 483 (DIN at board) > Denecke ps-2 > mod-sbm-1 > DA-P1 @ 48kHz (Wade Cooper)
Transfer: Sony 59ES > s/pdif > Audiophile 2496 > SoundForge 4.5 (record/resample/fade) > CDWave (track) > mkwACT > shn
|
|
|
06/22/02
|
Bonnaroo Music Festival
Manchester, TN |
4 shn |
|
|
Schoeps cmc4/mk4 > Oade custom power supply > AT-8202 >Zefiro Inbox > Tascam DA-P1 @ 44.1 kHz |
|
|
|
06/28/02
|
FleetBoston Pavilion
Boston, MA |
2 shn |
|
|
AKG SE300/CK91 > Oade Mod. Edirol UA5 > Sony PCM-M1 |
Transfer: Sony PCM-M1 > Midiman AP 24/96 > Cooledit Pro (Normalize) > CD Wave > MKW/SHN
Taped and transferred by Kris Kjellquist (kjellquist@worldnet.att.net) |
|
|
06/29/02
|
FleetBoston Pavilion
Boston, MA |
2 shn |
|
|
AKG SE300/CK91 > Oade Mod. Edirol UA5 > Sony PCM-M1 |
Transfer: Sony PCM-M1 > Midiman AP 24/96 > Cooledit Pro (fades) > CD Wave > MKW/SHN
Taped and transferred by Kris Kjellquist (kjellquist@worldnet.att.net)
|
|
|
06/30/02
|
Meadowbrook Farm
Gilford, NH |
2 shn |
|
|
AKG SE300/CK91 > Oade Mod. Edirol UA5 > Sony PCM-M1 |
Transfer: Sony PCM-M1 > Midiman AP 24/96 > Cooledit Pro (fades) > CD Wave > MKW/SHN
Taped and transferred by Kris Kjellquist (kjellquist@worldnet.att.net) |
|
|
07/01/02
|
Piggly Wiggly MusicMarket Stage @ Summerfest
Milwaukee, WI |
1 shn |
|
|
SBD>SBM1>D8@48kHz |
Notes: This SBD patch was not stolen or obtained illegally. The band flew in just for this show from the northeast, and they did not have all their normal gear (instruments or soundequipment). The soundguy asked the tapers to borrow some gear and he borrowed an sbm1, d8 and cables. He told scott that normally they dont give out board access but he could do whatever with it. So the band ran a copy and there were 2 patchers. Peace, enjoy~ |
|
|
10/02/02
|
B.B.King Blues Club & Grill
New York, NY |
2 shn |
|
|
(DPA) 4021s (dfc |
"After Jammys Rex Foundation Benefit" |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/31/01
|
Fox Theater
Boulder, CO |
2 shn |
|
|
SBD>DA-P1>CDR via The Motet (thanks Dave Ratner!)>EAC>shnV3.0 |
Taped and Transferred by: Dave Werber(Motet Archivist)
shn'd by: Mike (Cole) Colon
Note: All songs are Herbie Hancock and the Headhunters tunes. The evening
was called "Night of the Living Headhunters. |
|
|
12/13/01
|
San Juan Room
Durgano, CO |
2 shn |
|
|
SBD > DA-P1 > CDR > EAC > shnV3.0 |
Taped by: Dave Tash(Motet Sound Engineer)
Transferred by: Dave Werber(Motet Archivist)
shn'd by: Mike (Cole) Colon |
|
|
12/31/01
|
NedMex
Nederland, CO |
2 shn |
|
|
SBD > Tascam DA-P1 > DAT via OpCode DatPort |
Taped by: Dave Ratner(Motet Manager)
Transferred by: Dave Werber(Motet Archivist)
shn'd by: Mike (Cole) Colon |
|
|
02/14/02
|
Paleo Sun Cafe
Wilmington, NC |
2 shn |
|
|
Soundcraft Spirit LX7 SBD ("mix L/R" outputs) > Apogee AD1000 > Tascam DA-P1 > Sony CD-W33 > CD > Soundforge 4.5 > Various plug-ins > CD |
|
|
|
02/16/02
|
Stella Blue
Asheville, NC |
2 shn |
|
|
SBD>DA-P1>CDR via The Motet (thanks Dave Ratner!)>EAC>shnV3.0 |
Taped by: Dave Tash(Motet Sound Engineer)
Transferred by: Dave Werber(Motet Archivist)
shn'd by: Mike (Cole) Colon
|
|
|
04/18/02
|
3rd&lindsey
Nashville, TN |
2 shn |
|
|
DSBD > DA-P1 > DAT |
Transfer: via OpCode DatPort > Soundforge > CDR > EAC > shnv3
Taped by: Dave Tash (Motet Sound-Engineer)
Transferred by: Dave Werber (Motet Archivist)
Seeded by: Mike (Cole) Colon MColon@VisionAIR.com
|
|
|
05/31/02
|
Fox Theater
Boulder, CO |
2 shn |
|
|
SBD > DA-P1> CDR > EAC > shnV3.0 |
Taped by: Dave Tash(Motet Sound Engineer)
Transferred by: Dave Werber(Motet Archivist)
shn'd by: Mike (Cole) Colon |
|
|
07/04/02
|
Wolf Den
Steamboat Springs, CO |
2 shn |
|
|
Microtech Gefell M200s > Lunatec V2 >DA-P1 > DAT > CD > EAC > shnV3.0 |
Taped and Transferred by: Dave Werber(Motet Archivist)
shn'd by: Mike (Cole) Colon |
|
|
10/13/02
|
Paleo Sun Cafe
Wilmington, NC |
2 shn |
|
|
B&K 4011 > V2 > AD2k > CDWav > shnV3.0 |
|
|
|
11/14/02
|
The State Theatre
Falls Church, VA |
1 shn |
|
|
DSBD/Shure57 matrix |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/22/81
|
Checkerboard Lounge
Chicago, IL |
1 shn |
|
|
unknown |
CDR>SHN conversion by Eric Walker (ejwalker@mislabs.com)
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/08/01
|
Beacon Theatre
New York, NY |
1 shn |
|
|
DCBL>MD>CDR |
with 12-07-01
Television Special Up Close And Personal
With Natalie Merchant.
Date reflects date of taping. |
|
|
12/07/01
|
KLRU Studios
Austin, TX |
1 shn |
|
|
DCBL>MD>CDR PBS TV Austin City Limits |
with 12-18-01 |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/25/70
|
Music Hall
Cincinnati, OH |
0 |
|
|
SBD reels > DAT > CDR > EAC > SHN |
DAE and SHN conversion by John Cook john_e_cook@yahoo.com
August 2002
|
|
|
02/27/71
|
Royal Festival Hall
London, England |
1 shn |
|
|
SBD>???>bootleg 'London 71' |
The sound quality is stellar throughout, with a minimum of hiss and audience noise. Even the most novice fan would/should enjoy it. |
|
|
03/23/75
|
Kezar Stadium
San Francisco, CA |
1 shn |
|
|
unk |
|
|
|
05/10/02
|
Fox Theater
Redwood City, CA |
2 shn |
|
|
Schoeps MK4's>"Rick Colby"preamp>Sony SBM |
Poncho and The MG's Band Lineup: Neil Young - vocals, guitar, harmonica
Frank Sampedro - guitar, keyboards, vocals
Booker T. Jones - keyboards
Donald "Duck" Dunn - bass
Steve "Smokey" Potts - drums
Pegi Young - background vocals
Astrid Young - background vocals, keyboards |
|
|
05/18/02
|
Rock am Ring
Nürburgring, Germany |
2 shn |
|
|
TV-HiFi Video-Master>Acoustica Wave Editor>HD>CDWav>MKW |
|
|
|
10/27/02
|
Shoreline Amphitheatre
Mountain View, CA |
1 shn |
|
|
Neumann KM 140's (in a hat)>EAA_PSP-2>Sony SBM |
(Neil with Pegi, Vanessa Carlton, Jack Black,
Kyle Gass, Ryan Adams, Jack Johnson, Thom
Yorke, Mickey Hart, Bob Weir, Rob Barraco, Jeff
Chimenti, Jimmy Herring and James Taylor)
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/01
|
A Perfect Echo
Compilation, Compilation |
6 shn |
|
|
soundboards, while others are FM, TV, ALD, or video-sourced |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/16/00
|
Freight & Salvage Coffeehouse
Berkeley, CA |
1 sh |
|
|
soundboard > Sony PCM-601 esd |
|
|
|
03/02/01
|
Lynagh's
Lexington, KY |
1 shn |
|
|
SBD > D7 > Cool Edit Pro > CD Wav > CDRWin > CDR |
Seeded By David Ward
David writes: I recorded this show at Lynaugh's in Lexington, KY. They had a warmup band, so NC didn't start until 11pm and played straight through till 1am. In fact, I didn't think they would play that long, and only had a 2 hour tape in the DAT, and it ran out 8 seconds after the final encore ended. |
|
|
07/29/01
|
Rockygrass Bluegrass Festival
Lyons, CO |
1 shn |
|
|
Schoeps mk4 > vms box > sbm-1 > za2 > cd |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/11/01
|
Proud Larry's
Oxford, MS |
2 shn |
|
|
SBD>DAP1>RolandUA30>Peak2.53wav>shn |
Taped by DeMatt Harkins Converted by Peter Cleary
Notes: Please send any setlist corrections to pcleary@omspirit.com
They played a lot of new songs. Thanks to DeMatt for this killer show. |
|
|
07/02/01
|
Lennie Lodge at the Koss Pavillion @ Summerfest
Milwaukee, WI |
1 shn |
|
|
|
|
|
|
02/08/02
|
Miramar Theatre
Milwaukee, WI |
2 shn |
|
|
Schoeps MK4Vs>CMC6>KC5>AD1000>D8 Tascam DA20MKII>Delta Dio 2496>Samplitude>CDWAV>SHN via MKW |
|
|
|
04/06/02
|
The Culture Room
Fort Lauderdale, FL |
2 shn |
|
|
Schoepscmc6>kc5>mk4v's |
Taper: Mikey k- aka-unidecker@attbi.com
****teambtpirc.etree.org**** |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/03/02
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
1. FM Broadcast (93.1 WXRT chicago)>Soundforge>cdr>EAC>MKWact>shn 2. FOB/DFC Schoeps MK4>KC5>CMC6 |
1. Notes: *Encore break was over 5 mins and had station promos
and liners and i edited it down to 1 minute worth of crowd
cheering.
Recorded by RAEL75@aol.com
.shned by DrPhunk420@aol.com
2. FOB/DFC Schoeps MK4>KC5>CMC6>Apogee AD-1000>Sony D7 (48khz) Mics run ORTF @ 6' High from Section 202 row AA Seat 125
Transfer: D8>Prodif Plus>Samplitude 5.5>CDwav>MKWact>SHN(v3)
Taped/Transferred/Seeded bt: Mike Fischer (Phishsdank@aol.com)
*Music gets quiet, because the guys whos seats we were taping at got all pissed at us,
and finally made us move our gear being dicks! We told them that we would move
at set break, but they were just asses!! Moved to row BB, seat 124.
Fischer |
|
|
08/03/02
|
Alpine Valley Music Theatre
East Troy, WI |
4 shn |
|
|
STAGE MICROPHONES > SEPARATE MIXING CONSOLE AT VENUE MIXING AREA > DIGITAL SATELLITE FEED TO WXRT-FM |
MEDIA REQUIRED: DAT:1x180min. CD-R / MINI DISC: 4
ONLY TWO PROBLEMS WITH THIS RECORDING EXISTS:
1) When the pre-recorded Hart/McNally interviews were inserted, the deck which played those interviews was
inadvertently not hooked up to the 24-bit clock system, so you will hear low volume random little "ticks"
where the digital signals "dropped bits". I lowered the volume of these timing errors, but could not
eliminate them, without affecting the audio itself.
2) I could NOT get permission from GDP to include the song "The Wheel" that contained many Garcia and a few
other sound bytes mixed in. This was because the version of The Wheel was the one from Jerry's commercial
release. I tried, and the people I spoke with pushed for this to be included, but the legal eagles at GDP
stated that allowing this to occur could open the door for future problems in pursuing and prosecuting people
who profit from "Kindness shows". I can understand their point of view, and I respect that. I wish you
could have heard it, as it was a very well-edited piece that showed how humble Jerry was about his playing
abilities, as well as some sound bytes (from others) concerning his passing away. |
|
|
08/04/02
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
FOB Schoeps MK4V>KC5>CMC6 |
Source: FOB Schoeps MK4V>KC5>CMC6 > Apogee Mini-Me > Sony D8 (48khz) Mics run ORTF @ 6' High from the 28th row center
Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/09/86
|
Le Casino
Montreux, Switzerland |
0 |
|
A |
sbd>fm>rr>dat>cd |
Special Guests. Eric Clapton & Robert Cray |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/22/02
|
Bonnaroo Music Festival - The Ballroom
Manchester, TN |
1 shn |
|
|
DSBD > DAT > WAV > CDR > SHN |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/12/94
|
Giardini Del Frontone
Perugia, Italy |
2 shn |
|
|
Soundboard |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/16/98
|
Ohne Filter Extra
Baden-Baden, Germany |
1 shn |
|
|
TV |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/21/02
|
Nassau Coliseum
Uniondale, NY |
2 shn |
|
|
Master DAT>CDR>EAC>SHN |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/04/92
|
Kaufman Astoria Studios
Queens, NY |
1 shn |
|
|
SBD |
|
|
|
05/04/01
|
Fair Grounds Race Course
New Orleans, LA |
1 shn |
|
|
FOB DFC > Neumann AK40 > LC3KA > KM100 > AD1000 > D8 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/09/03
|
Brisbane Entertainment Center
Brisbane, Australia |
2 shn |
|
|
EAC > mkwact > SHN |
Official Bootleg #2 |
|
|
02/13/03
|
Sydney Entertainment Center
Sydney, Australia |
2 shn |
|
|
Official release > EAC V0.9b4 > wav > mkwACT V0.97b1 > shn |
extracted from original release 2/22/03 |
|
|
02/14/03
|
Sydney Entertainment Center
Sydney, Australia |
2 shn |
|
|
Official release > EAC V0.9b4 > wav > mkwACT V0.97b1 > shn |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/07/77
|
Doelen
Rotterdam, The Netherlands |
1 shn |
|
|
audience recording |
PGWEEDS 01
The buzzing noise is on original tape as well. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/21/01
|
Asheville Civic Center
Asheville, NC |
1 shn |
|
|
Schoeps MK21>KC5>CMC6>AD1000>D8 @44.1kHz |
|
|
|
06/23/02
|
Great Stage Park
Manchester, TN |
2 shn |
|
|
FOB, on stand, ~50' from stage Schoeps mk4v (on ORTF bar backwards) > KC5> CMC6 > |
Source: FOB, on stand, ~50' from stage
Schoeps mk4v (on ORTF bar backwards) > KC5> CMC6 >
Sonosax SX-M2> Apogee AD1000 @ 44.1 > S/PDIF > VX Pocket V2 (no
DAT gen) >Vegas Audio 2.0 > .wav >Soundforge 5.0 (fades at beg.
and end of set only) > mkw 0.97b> .shn w/ seek tables appended
Recording by Sean Yockus
Patch and .wav>.shn by Jamie Lutch
no DAE, resampling, or normalization was performed |
|
|
07/02/02
|
Blossom Music Center
Cuyahoga Falls, OH |
1 shn |
|
|
B&K 4023's > Sonosax > DA-P1 > D8 |
|
|
|
07/03/02
|
Riverbend Amphitheater
Cincinnati, OH |
1 shn |
|
|
FOB Slightly Right of Center MBHO 603's/KA 200's |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/19/92
|
The Catalyst
Santa Cruz, CA |
2 shn |
|
|
FOB(20ft from stage, DFC) Nak300's>Panasonic 255(@48K) |
*Dankseed Certification received 01-08-01* |
|
|
12/30/93
|
Cumberland County Civic Center
Portland, ME |
2 shn |
|
|
SBD > Panasonic 3700 (master DAT); |
Source: SBD > Panasonic 3700 (master DAT);
Master DAT played back on 3700 > Tascam pro analog deck (1st gen cass);Playback of 1st gen cass on Nak CR3A > Sony DTC700 @48kHz Master (from Sony DTC700) used in below transfer
Conversion:R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/edits/48>44.1 at highest setting[4of4]with anti-alias filter) > CD Wave > SHNv3 via monnkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all**
Transfer was done twice, then inverted over itself to determine transfer
errors. No errors were present or the errors that were present were inaudible and due to
differing error correction on the DAT playbacks not transfer errors.
Detailed info:This was the seed for the phish.net tree in early 1994; see google files (txt)contained in this file set for more info. During this show there was occasional distortion in one of the drum channels--due to either a mic or mixer. This is present in all versions of the show, as it came through the PA. This same noise is also present in the 8/20/93 Red Rocks SBD.
Minor Edits:Fades in/out beg/end of sets--5 sec in all cases All of the below was done at the 48k level, so there are edited and unedited 48k archive .shn's for archival:First set cass flip: patched at the sample level as the music overlapped on the first gen cass and subsequently on the DAT--nothing missing at all!Second set cass flip: cut out 45f and crossfade (duration of 2s26f)
Break between set-2 & encore: cut several frames of silence and crossfade(duration of 4s45f)All crossfades were done at: source: -infdb to 0db and the destination:
0db to -infdb. Edits took place after Paul and Silas, Weekapaug and Slave.
Taper: Paul Languedoc
Huge thanks to Shelly who supplied Mikey Perrott with the cassettes to make the DATs and to
Mikey for sending me the master DATs for this transfer!
Transferred and uploaded by Jim Raras via Dankseeds
Please contact me with questions etc. There are also 48k shn's of this seed for archival.
|
|
|
02/20/97
|
Teatro Smeraldo
Milan, Italy |
2 shn |
|
|
DSBD > CD > EAC > SHN |
Cut: Sweet Adeline, Encore: Julius
|
|
|
07/10/97
|
Espace Julien
Marseille, France |
2 shn |
|
|
DAUD - Neumann TLM-170i (hyper setting) -> Sonosax SX-M2 -> |
*Dankseed Certification received 01-02-26* |
|
|
08/17/97
|
Loring Air Force Base
Limestone, ME |
3 shn |
|
|
B&K 5000 |
Source: B&K 5000 > ? > DAT > CD > EAC (Plextor 24/10/40 Read Offset @ +98, secure) > MKW (SHNv3)
Taper: unknown
EAC: Chris Buford (harpualope@alsovinezarathustra.org)
These discs were acquired thru a friend who transferred them from DAT. I have not seen this source circulated as SHN so I EAC'd my discs to get these shns. I've listened for errors and have found none. If you have any questions, feel free to email me.
Enjoy!!
Chris |
|
|
08/03/98
|
Deer Creek Music Center
Noblesville, IN |
2 shn |
|
|
Schoeps CMC521 (BTP) > Sonosax SX-M2 > Apogee AD-1000 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/16/70
|
Paris Cinema
London, England |
1 shn |
|
|
sbd>mr>boot>cd |
|
|
|
09/26/70
|
Electric Factory
Philadelphia, PA |
1 shn |
|
|
unk |
Another quality Harvested Release
www.harvested.org
Encoded by Goatlungs@aol.com |
|
|
09/30/71
|
Paris Cinema
London, UK |
1 shn |
|
|
BBC radio broadcast |
|
|
|
11/06/71
|
Emerson Gym
Cleveland, OH |
2 shn |
|
|
unk |
For Reasons I Don't Understand
Free Range Pigs (FRP CDR-022/23)
So for once we have no lineage information for you. However what we do have is an amazing and complete document of the Floyd in their prime giving us an utterly stunning performance. Of special note is the "jam sessions" mid-song that seems to take place during each track. FOS gets a bit of a Beatlee-sque/Abbey Road type of treatment, Set The Controls is a free for all about half way through, and is that a bow solo ala Jimmy Page during the break during One Of These Days? Careful With That Axe is full of angst and just... well, rocks! Echoes is perfect as well! Finally, we get a rare treat with Blues included for good measure.
As a result of our cleanup efforts there's great definition of the instruments and you can hear some things that I know I've never heard before in these live recordings. These surprises make this one a keeper and a welcome addition to the collection. |
|
|
11/16/74
|
Empire Pool
London, England |
1 shn |
|
|
SBD (BBC broadcast), SHN |
This is the same as the previous Brain Damage by Sigma 6 records.
In fact, I think it's probably made by the same company.
The performance is great, with incredible sound quality,
thanks to its BBC broadcast origin. |
|
|
11/17/74
|
Empire Pool, Wembley
London, England |
2 shn |
|
|
A(0)>CDR(4) |
Getting Better All The Time
Free Range Pigs (FRP CDR-012/013/014)
Comments: Source: A(0)>CDR(4) Entire show, including tuneups and the recorded radio announcer lead-in to Raving & Drooling. Great vocals from David during "You've Gotta Be Crazy". The taper's comments to his friend between songs really add to the ambience of the recording -- "They keep getting better all the time".
* Taken from 'Britain 1974' Volume III (a copy of the misdated 'Raving And Drooling' LP -TAKRL1973 or 'The Screaming Abdab' LP - WRMB330. This source is also 11/17/74.
|
|
|
06/18/75
|
Boston Garden
Boston, MA |
2 shn |
|
|
unknown |
Recorded live at the Boston Gardens in Boston,Mass. on June 18, 1975.
This is the best audience recording you will ever hear of Pink Floyd.
It is even more remarkable considering when it was recorded. It litterally
sounds as if the taper was on the stage. Everything is clear and precise.
Unlike other versions of this show, this mix is nowhere near as harsh in the midrange.
And, it fits nicely on 2cds. If you like the Shine On Tour, you need this show! |
|
|
06/28/75
|
Ivor Wynne Stadium
Hamilton, ON |
2 shn |
|
|
unk |
There are a few drop-outs and partial muffling of channels. |
|
|
05/09/77
|
Oakland Coliseum
Oakland, CA |
2 shn |
|
|
mic>mc>?>cd |
It's an audience recording but of such good quality that
this show has been bootlegged many times. Titles like
'Oakland Coliseum', 'Plays the Animals' and 'In The Flesh'
are among the most popular and common boots.
The bonus track 'Pigs On The Wing' is a studio recording
but not as can be found on the 'Animals' album.
|
|
|
06/27/77
|
Boston Garden
Boston, MA |
2 shn |
|
|
unk |
|
|
|
02/28/80
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
1 shn |
|
|
AUD>DAT>Turtle Beach Fiji>Samplitude(48>44.1)>wav>shn |
|
|
|
07/09/94
|
Robert F. Kennedy Stadium
Washington, DC |
2 shn |
|
|
FOB Schoeps>Sony D-10 Pro>MasterDAT>ZA2>CD>EAC>SHN |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/29/76
|
Koseinenkin Hall
Osaka, Japan |
1 shn |
|
|
unk |
A once legendary 'cookie', released in a limited edition
of only 150 vinyls of which 100 were confiscated by the
police. Now available on (also limited) double-CD.
It's the ONLY known recording of the 'A night At The Opera'
tour. Great show (bit short, only 95 minutes) in pretty
nice sound-quality. Great version of 'Now I'm Here' and
a rare (and outstanding) performance of 'The Prophet Song'
The audience can be heard though. There are a few females
screaming their heads off and the audience is very clap-happy.
Special thing: Freddy talking Japanese! |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/07/68
|
Fillmore East
New York, NY |
1 shn |
|
|
SBD > unknown 90-minute tape > CD > SHN > repairs > SHN |
Due to severe channel drops on the 1st song -
I edited it in Sound Forge, minimizing 2 spikes (left channel suddenly comes back)
and a couple of low areas (left channel drops out!).
I included the edited version with this disc, along with the original -
Edited version is called - qms06-07-68t01_edited.shn -
Included is the md5 for the edited track.
This 1 edited track is now "CD > SHN > repairs > SHN" > Sound Forge > SHN
You can listen to both and decide which to use. - BillBo
Quicksilver played two nights at the Fillmore East on June 7th and 8th of
1968, their first time playing in New York. Both nights Steppenwolf opened,
Quicksilver played next, and Electric Flag headlined. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/29/00
|
Double Decker Fest
Oxford, MS |
1 shn |
|
|
SBD>DAP1 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/01/02
|
8X10 Club
Baltimore, MD |
2 shn |
|
|
|
|
|
|
09/19/02
|
Great American Music Hall
San Francisco, CA |
2 shn |
|
|
SBD>Patchbay>Sony TCD-D8>DAT |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/01/01
|
Recher Theater
Towson, MD |
1 shn |
|
|
SBD |
|
|
|
06/05/02
|
Baker Ballroom
Dover, NJ |
2 shn |
|
|
SBD + AKG 460s w/ CK61 caps > Mackie 1202 > TCD-D8 |
This was the "Bird in a House" CD release show. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/26/62
|
Villa Venice Night Club
Chicago, IL |
1 shn |
|
|
sbd>mr>?>cd |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/26/02
|
Paramount Theatre
Denver, CO |
2 shn |
|
|
FOB 13th row, 7' on stand, ORTF, DFC, Neumann AK40's |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/07/79
|
Rancho Nicasio
San Rafael, CA |
1 shn |
|
|
MSR -> PCM -> DAT -> Digi001 -> SHN |
|
|
|
03/09/79
|
Cabaret Cotati
Cotati, CA |
1 shn |
|
|
SBD > master reel > DAT(s) |
note - this lineage is different from that known to be in circulation on Deadlists.com,
which includes a PCM stage: MSR > P > D. My DAT came from a trade on The Well,
and may be a true MSR > DAT. I have no way to know for sure.
Track Order Note: The tracks have been left the way they were on the DAT, however this
is not fully consistent with what is listed on thejerrysite.com for this date. Audibly,
the track arrangement as we received them seems to flow. When the tracks were arranged according to thejerrysite.com discrepancies could be heard in the segues between tracks.
send any info to jerrylives2000aol.com
|
|
|
06/16/79
|
Keystone Palo Alto
Palo Alto, CA |
1 shn |
|
|
MSR -> PCM -> DATs -> Digi001 -> SHN |
|
|
|
08/10/79
|
Temple Beautiful
San Francisco, CA |
2 shn |
|
|
MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) |
This is not a great audience recording, but it is solid.
The Sama Layuca -> Jam -> Dear Prudence alone makes this
one worth having (IMO!).
Flaws:
d1t05 TWLWMYD fades in, not much missing |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/27/92
|
Paul Masson Vineyards
Napa Valley, CA |
1 shn |
|
|
sdb? |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/16/01
|
Fox Theater and Cafe
Boulder, CO |
2 shn |
|
|
Schoeps MK4 > KC5 > CMC6 > V2 > AD2K ORTF /FOB / DFC 16NN2 Nyquist setting |
Taped by Eric Scott Audience Seed : Scott Sherwood Transfer by Ted Rockwell: Tascam DA20MKII > Roland UA-30 > Mac G3 >
Peak TDM 2.53 (master, convert to 44.1, export regions) > Shorten for Mac
Notes: Recorded from the front rail of the Fox.
There were two one second gaps (@ 5.5 sec. and 7.5 sec.) that I repaired
using the soundboard source for this show
- which has it's own problems which do not warrant conversion to SHN (yet! |
|
|
12/04/01
|
Visulite Theatre
Charlotte, NC |
1 shn |
|
|
Schoeps MK-4V (ORTF)-> KC5-> CMC6-> Lunatec V2-> Oade |
|
|
|
12/07/01
|
Starr Hill Music Hall
Charlottesville, VA |
2 shn |
|
|
B&K 4022-> Sonosax SX-M2-> Apogee AD1000- |
|
|
|
12/08/01
|
Starr Hill Music Hall
Charlottesville, VA |
2 shn |
|
|
B&K 4022-> Sonosax SX-M2-> Apogee AD1000 |
|
|
|
12/13/01
|
12th & Porter
Nashville, TN |
2 shn |
|
|
AKG 480/ck61 > Oade M248 > Tascam DA-P1 > |
---Recording: NashPhil & Jai Saunders---
Audience - Up Front Center - 20' From Stage
AKG 480/ck61 > Oade M248 > Tascam DA-P1 >
Digigram VX-Pocket V2 > Sound Forge 5.0 >
16bit/48k PCM.WAV > Sony Vaio PCG-C1VSX/K
---Mastering: NashPhil---
16bit/48k PCM.WAV > 16bit/44.1k > CDR
Resampled, dithered, & edited using
Sonic Foundry Sound Forge 5.0
|
|
|
06/23/02
|
Bonnaroo Festival - Ballroom Stage
Manchester, TN |
1 shn |
|
|
B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB |
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
|
|
|
07/04/02
|
Plumas-Sierra County Fairgrounds
Quincy, CA |
1 shn |
|
|
(FOB) Schoeps MK4> KC5 > CMC6 > V2 |
Source: (FOB) Schoeps MK4> KC5 > CMC6 > V2 > MOD SBM-1 > D8 @ 48khz
Transfer: Sony A7 > Sony CDRW-33 (Analog w/SBM on) > EAC > CDWave > MKW
Taper: Brett Saul (sphun@yahoo.com) |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/30/02
|
Gothic Theatre
Englewood, CO |
2 shn |
|
|
DPA 4023's > Lunatec v2 |
Line Up Includes:
Robert Randolph - Pedal Steel
-------from The Word and Family Band
Robert Walter - Keys
-------from Robert Walter's 20th Congress
Brian Jordan - Guitar
-------from Karl Denson's Tiny Universe
Dave Watts - Drums
-------from The Motet and Shockra
Cecil 'P-nut' Daniels - Musical Instrument Digital Interface Sax
-------San Francisco Bay area and Widespread Panic guest
Danyel Morgan - Bass
-------from The Family Band
Marcus Randolph - Split time with Dave on Drums
-------from The Family Band
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/10/69
|
San Diego Sports Arena
San Diego, CA |
1 shn |
|
|
20 bit digital mastering from original analog master tapes |
The Swingin' Pig
TSP-CD-214
commercial bootleg>unclekurty's wallet>eac>wav>shn(seekable)
|
|
|
??/??/73
|
Metamorphosis
Unknown, Unknown |
1 shn |
|
|
unk |
Bedsprings Revisited |
|
|
08/29/89
|
JFK Stadium
Philadelphia, PA |
2 shn |
|
|
soundboard |
This is a soundboard from a warm-up show in the then closed JFK
stadium. There was a small crowd of people who won tickets from
a local radio station that you can hear between tracks. There is
some tape hiss between tracks and the bass could have been a
little higher. |
|
|
09/15/97
|
Masonic Hall
Toronto, ON |
1 shn |
|
|
sbd>dat>?>cd |
|
|
|
12/12/97
|
TWA Dome
St. Louis, MO |
2 shn |
|
|
Sbd/FM feed>DAT>CDR |
|
|
|
08/16/02
|
Palais Royale
Toronto, ON |
1 shn |
|
|
DSBD>?>eac>wav>mkwACT>shn |
|
|
|
01/18/03
|
Madison Square Garden
New York, NY |
2 shn |
|
|
Sattelite HBO feed>dvdr>cd |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/19/00
|
Septimo TV show
Madrid, Spain |
1 shn |
|
|
sbd>digital broadcast>dat>cd |
Septimo TV show
Madrid, Spain |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/21/98
|
Theater of the Clouds (Rose Quarter)
Portland, OR |
2 shn |
|
|
SBD source info unknown>eac>shn |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/23/02
|
Variety Playhouse
Atlanta, GA |
2 shn |
|
|
(DFC)35' AKG 481> v2> adc-20> p1, da-40> u2a>cdwave> mkw |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/06/00
|
The Rave Bar
Milwaukee, WI |
1 shn |
|
|
(On Stage) Schoeps cmc621->VMS52UB(+20dB)->Mackie 1202 vlz->Benchmark AD2K+ (+16dB, nn3, @44.1kHz)Sony 59ES->Audio Magic Presto II->ZA2->Soundforge 4.5->CDWav->.shn |
|
|
|
02/04/01
|
The NorVa
Norfolk, VA |
1 shn |
|
|
Matrix: Schoeps CMC6/mk21 (ortf/dfc |
Source: Matrix: Schoeps CMC6/mk21 (ortf/dfc on stage on 4' pole 70%)>Sonosax & sbd (30%)>Mackie 1202>adc-20>dap1
Transfer: Tascam DA-20 > Tascam CD-RW700 > wav > CDR
Taper: Craig Davis
Shn. Transfer by Jon Cameron: Master CDRs > EAC V0.9 prebeta 7 > wav > mkwACT 0.97 Beta 1 > shn.
Notes: One level flutter early on (the gainmay have been changed on the Sonosax). Hooked up w/ Pete Costello, Soulive's mrg. He ran the on stage mics & the Mackie. Put it w/ my Sonosax & adc-20 to complete the set up. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/21/96
|
Nissan Pavilion
Bristow, VA |
2 shn |
|
|
SBD>DAT>HHB800>CDR>EAC>SHN |
Band:
Donald Fagen - Fender Rhodes Keyboard
Walter Becker - Guitar
Wayne Krantz - Guitar
Art Crimes '96 Neuraesthenic Horns:
Cornelius Bumpus - Alto Sax
Ari Ambrose - Tenor Sax
Michael Leonhart - Trumpet
Ricky Lawson - Drums
Tom Barney - Bass
John Beasley - Piano
Carolyn Leonhart - Background Vocals
Michelle Wiley - Background Vocals
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/11/02
|
Berkshire Mountain Music Festival
Great Barrington, MA |
1 shn |
|
|
(Stage) Rode NT2 -> |
Recorded By Charlie Miller and Arielle Phares
charliemiller87@earthlink.net
arielle@kimocksphere.com
sector boundary problem fixed for d1t06 - Alan Dorchak (alan_dorchak@yahoo.com) |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/79
|
Austin Blues Festival
Austin, TX |
1 shn |
|
|
These SHNS were liberated from a bootleg entitled: "First Thunder" |
|
|
|
06/19/85
|
Red Rocks Amphitheatre
Morrison, CO |
1 shn |
|
|
Lib Boot? |
|
|
|
07/30/89
|
Legends
Chicago, IL |
1 shn |
|
|
unk |
This is Set 3 of a show Buddy played on his birthday in 1989.
Stevie Ray plays on the last 3 'songs'. This is basically a big
jammin' mutual love fest between Stevie and Buddy.
Buddy has obviously had a few drinks.
Some of the interaction between the two is jaw dropping!!
Each song starts as the song listed, but after a verse or two,
they each morph into a big jam. Buddy touches on many
of his classics during the course of the set, and Stevie Ray
just blazes along behind him, taking the vocal here and there.
Lotsa fun!! |
|
|
10/10/89
|
Austin City Limits
Austin, TX |
1 shn |
|
|
TV |
Tracks 1 - 6 are from the original ACL show and Tracks 7 - 13 are taken from the ACL Outtakes which were broadcasted in 2001. The ACL Outtakes are sourced from Digital Cable, but I don't know where the original ACL tracks are taken from, I would imagine that they came from VHS. I extracted the CDR's with EAC and compressed to SHN with mkwACT. Enjoy! |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/23/98
|
The Brewery
Louisville, KY |
2 shn |
|
|
SBD -> D8 |
By Jerry "Garcia" Rush
Transfer:
D8 -> 7 pin/digi coax -> Montego II digi I/O -> CD WAVE -> Shorten 32
By Doug Nawrocki
* This is one of the best sounding shows I have and have heard. I know my connection speed leaves something to be desired, bear with it to get this! If you have any comments, good or bad, email me at supplicationjam@hotmail.com. Peace.
|
|
|
12/31/99
|
Oregon Convention Center
Portland, OR |
2 shn |
|
|
SBD mix > DAT > SP/DIF > Sound Forge > WAV > SHN |
|
|
|
04/13/00
|
McGaw Chapel
Wooster, OH |
2 shn |
|
|
SBD XLR > AD2K+ Rosetta > TCD-D8 |
SPECIAL ALL-ACOUSTIC INCIDENT. |
|
|
04/28/00
|
Merlefest
Wilkesboro, NC |
1 shn |
|
|
DSBD |
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 4.5 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Transferred By: Jim Pollock (jpollock@sc.rr.com)
A little history (for those who care):
This set was the second of three that SCI played at their first (and only to date) Merlefest.
It was played at about 1PM during a pouring rainstorm. It didn't seem to stop the action and
to this date remains probably the single best set of SCI I've had the honor to witness.
This DSBD surfaced a little while back. Merlefest is a notoriously non-taping festival, to
the extent that when JonO extended a patch at the Main Stage on 4/27, festival authorities
made him pull it back. It is essentially flawless, aside from a few spots of static here
and there which are minor, but should be noted. I would assume they are related to the
miserable weather that was happening.
For the transfer, I ran the Clipped Peak Restoration tool in Soundforge to remove some of
areas where my tape was overblown. In addition, the first two minutes of the show were
balanced from a level standpoint with how the rest of the show sounds. I hope you enjoy
the results of the work and hope this set brings you as much enjoyment as it has brought me. |
|
|
10/31/00
|
State Theatre
Portland, ME |
2 shn |
|
|
Sonic AD2K+ > SBD (XLR) >TASCAM DAP1 > SONY M1(DAT CLONED) > HHB 850(CD) > EAC > CD > EAC > SHN |
Seeded By: Grout (azbigwufan@home.com)
Seed Date: 12/08/2000
Note: This was part of the SCI Halloween Tree that was created by: Aaron Sleight [adsl8@earthlink.net]
There is a ~20 second gap during Outside Inside. However, this cut was a result of the entire PA power cutting out. During those 4 seconds, there was no sound coming through the
stacks on the stage either. Tapers using mics will have a similar "cut" in their tapes save for the faint drum beat and the crowd's reaction when the sick jam suddenly cut out completely |
|
|
11/11/00
|
Thomas Wolfe Auditorium
Asheville, NC |
2 shn |
|
|
Oktava MC012 > Samson Mixpad 4 > Sony MZR-37 |
Taper: Craig Davis
SHN Transfer by Rob Heros: CDR > Wav > eac v0.9 prebeta 7 > shn |
|
|
11/17/00
|
Tabernacle
Atlanta, GA |
2 shn |
|
|
soundboard>ad2k>dap1 >sonyr500 dat to cd phillips880>EAC>wav>soundforge>mkwact>shn. |
|
|
|
03/08/01
|
Warfield Theatre
San Francisco, CA |
2 shn |
|
|
DSBD Matrix |
** THIS IS A HIGH FIDELITY CHEESE RELEASE **
All HFC releases pass through multiple quality checks to ensure the highest possible quality for you, the SCI fan. Enjoy with confidence.
** THIS IS A HIGH FIDELITY CHEESE RELEASE * |
|
|
05/04/01
|
Saenger Theatre
New Orleans, LA |
3 shn |
|
|
AKG480/ck63's > Audio Magic active cables > Graham-Patten DMIC-20 > Sony D8 |
|
|
|
08/01/01
|
Greek Theatre
Los Angeles, CA |
2 shn |
|
A |
dsbd (except first 3 1/2 minutes which is daud) Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3 |
Eyes of the World!!! A well played show overall with nice jams throughout.
Big props to LLF for without him this seed would not be possible!
Sit down, kick back, turn on, and enjoy this fine soundboard...
Skips between tracks |
|
|
12/31/01
|
Bill Graham Civic Auditorium
San Francisco, CA |
2 shn |
|
|
shoeps cmc6/mk4v>lunatecV2>GPadc20>patchbay>dap1 tascam dap-1>audiowerk2>soundforge4.5>wav>shn |
|
|
|
04/28/02
|
Saenger Theatre
New Orleans, LA |
2 shn |
|
|
Schoeps MK41>Sound Devices MP-2>Sonic AD2K+@48/24 |
Dank
Schoeps MK41>Sound Devices MP-2>Sonic AD2K+@48/24>
VX Pocket V2>Soundforge 5.0(fades,and resample
to 44.1 using Anti-alias filtering at 4/4 quality,
then dither to 16 bit using highpass triangular
dither and high-pass contour noise shaping)>
CDWAV 1.53>MKW0.97b>.shn w/ seek tables appended
Recording by John Hart
Patch and .wav>.shn by Jamie Lutch
This show is also available as 24bit, 48K .ape files
*Dankseed Certification received 2002-05-14*
|
|
|
06/22/02
|
Bonnaroo Music Festival
Manchester, TN |
2 flac |
|
|
B&K 4022 (ORTF)-> Lunatec V2-> Apogee AD500E DFC FOB |
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
shn>wav>flac:
Tom Buder |
|
|
07/05/02
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
DPA 4023's (DFC taper section) > Lunatec v2 |
|
|
|
10/26/02
|
Berkeley Community Theatre
Berkeley, CA |
2 shn |
|
|
Schoeps CMC6/MK41/MP2/AD2K+/DAP1 DAT |
Transfer from DAT->CD by Don Turner, Dudleys Kitchen
Transfer from CD->SHN by Larry Fox, Dudleys Kitchen |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/23/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB |
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)-> CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
NOTE: I did the best I could on this one......I tracked it into major themes and noted any known titles. Personnel are what has been indictated to me by someone who was actually there. I cannot verify that I have broken the tunes exactly where they were playing, though.
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/04/02
|
Plumas-Sierra County Fairgrounds
Quincy, CA |
1 shn |
|
|
(FOB) Schoeps MK4> KC5 > CMC6 > V2 > MOD SBM-1 > D8 @ 48khz |
Transfer: Sony A7 > Sony CDRW-33 (Analog w/SBM on) > EAC > CDWave > MKW
Taper: Brett Saul (sphun@yahoo.com)
on same disc as Topaz 02-07-05
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/07/00
|
Boulder Theatre
Boulder, CO |
2 shn |
|
A |
Jon-O feed > D-8 > HHb > CDR |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/16/78
|
Paradise Rock Club
Boston, MA |
1 shn |
|
|
sbd>mr/fm>?>cd |
|
|
|
11/04/93
|
O'Connell Center, University of Florida
Gainesville, FL |
1 shn |
|
|
SBD>DAT>PRE-FM>CD |
|
|
|
04/23/99
|
Docks
Hamburg, Germany |
2 shn |
|
|
sbd>tv-fm>dat>cd |
|
|
|
07/04/01
|
Marcus Amphitheater
Milwaukee, WI |
2 shn |
|
|
Schoeps mk4v > kcy active cables > Schoeps VMS 02 IB > |
Location: Section 6, Row Q, Seat 27 (Slightly behind SBD, DFC) Mics ORTF in hat, about 6'4" from the ground
Conversion: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus >
Samplitude v5.5 (48>44.1) > CDWAV
|
|
|
11/16/02
|
American Airlines Center
Dallas, TX |
1 shn |
|
|
CSB > SPSB-3 > MT-877 |
Notes: t20 ~3:00 it sounds like a mic or guitar
was shorting out on their amp. |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/05/78
|
Austin City Limits
Austin, TX |
1 shn |
|
|
TV broadcast >? >CDRx? >WaveLab |
A WOLF HiQuality Remastering -- A 2003 vmtrades.de tree
Lineage:
- Common Lineage:
TV broadcast >? >CDRx? >WaveLab (DAE & Digital Remastering)
>SHN >WAV >FLAC v1.0.3 with sector alignment option set
- Additional Lineage for SHN sourced discs:
>WAV >shorten v3.3
Comment:
These flac/shn files decode to the original remastered wav files
as received from WOLF himself. No DAE was involved since then.
They have been used for burning the tree's seed discs.
Responsible for this FLAC/SHN release:
rolf.wagner@vmtrades.de |
|
|
05/02/79
|
State Theatre
Sydney, Australia |
1 shn |
|
|
see notes, remastered |
Lineage:
- Common Lineage:
? >CDRx? >WaveLab (DAE & Digital Remastering)
>SHN >WAV >FLAC v1.0.3 with sector alignment option set
- Additional Lineage for SHN sourced discs:
>WAV >shorten v3.3
Comment:
These flac/shn files decode to the original remastered wav files
as received from WOLF himself. No DAE was involved since then.
They have been used for burning the tree's seed discs.
The date of this show is not completely assured. It might be
March 21, 1979 instead.
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/05/02
|
Showcase Stage, High Sierra Music Festival
Quincy, Ca |
1 shn |
|
|
(FOB) Schoeps MK4> KC5 > CMC6 > V2 > MOD SBM-1 > D8 @ 48khz |
Transfer: Sony A7 > Sony CDRW-33 (Analog w/SBM on) > EAC > CDWave > MKW
Taped & Transfered: Brett Saul (sphun@yahoo.com)
7 tracks
on same disc as
tea leaf green 7-04-02 |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/23/02
|
Great Stage Park
Manchester, TN |
2 shn |
|
|
Neumann ak40's (ortf) > lc-3 > km100 > Lunatec V2 |
|
|
|
05/31/03
|
Warfield Theatre
San Francisco, CA |
2 shn |
|
|
MK4>KC5>CMC6>Lunatec V3 @ 16/44.1>S/PDIF>VX Pocket>Vegas Video 3.0>.wav |
with Carlos Santana
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/21/02
|
Bonnaroo Music Festival, The Theatre
Manchester, TN |
2 shn |
|
|
SBD (Delayed via TC D-Two) + AKG414B-ULS |
Notes:
there were power problems during Push the Pig |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/25/00
|
The Barbican
York, England |
2 shn |
|
|
|
|
|
|
06/06/02
|
Berlin Tempodrom
Berlin, Germany |
1 shn |
|
|
unk |
no text |
|
|
06/06/02
|
Berlin Tempodrom
Berlin, Germany |
1 shn |
|
|
unk |
no text file |
|
|
10/02/02
|
Colston Hall
Bristol, UK |
1 shn |
|
|
Audience recording > ? > SHN |
Known Digital Errors:
"Hey Mr. DJ" and "Gloria" have some gain distortion. |
|
|
11/02/02
|
Olympia Theatre
Dublin, Ireland |
1 shn |
|
|
Digital Audience recording |
Shows were encoded from the master discs to SHN Via MKW by alen.ewart@btinternet.com
The discs have been scrutinised & found to be flawless. The Saturday show does have a small amount of audience noise (talking) but this in no way detracts from the quality of the recordings. The recording of the Sunday show is a killer.
Many of those who attended these shows (myself included) rate them as the best Van Morrison performances for a number of years.
Please enjoy the shows and trade freely. Under no circumstances should these shows be traded onanything but a one for one basis nor should they be sold. The unidentified instrumental on each of the two performances I believe to be a Charlie Parker composition but I cant name it. If you can identify it please let me know. |
|
|
11/03/02
|
Olympia Theatre
Dublin, Ireland |
1 shn |
|
|
Digital Audience recording |
Shows were encoded from the master discs to SHN Via MKW by alen.ewart@btinternet.com
The discs have been scrutinised & found to be flawless. The Saturday show does have a small amount of audience noise (talking) but this in no way detracts from the quality of the recordings. The recording of the Sunday show is a killer.
Many of those who attended these shows (myself included) rate them as the best Van Morrison performances for a number of years.
Please enjoy the shows and trade freely. Under no circumstances should these shows be traded onanything but a one for one basis nor should they be sold. The unidentified instrumental on each of the two performances I believe to be a Charlie Parker composition but I cant name it. If you can identify it please let me know. |
|
|
11/21/02
|
Gewandhaus
Leipzig, Germany |
1 shn |
|
|
|
no text file |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/06/01
|
The Brandyhouse
Atlanta, GA |
1 shn |
|
|
sbd > sbm-1 > d100 conversion: d100 > delta dio 2496 > samplitude 4.5 > wav |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/21/01
|
Asheville Civic Center
Asheville, NC |
3 shn |
|
|
Schoeps MK21>KC5>CMC6>AD1000>D8 @ 44.1kHz 13th Row FOB/DFC/ORTF @ 9' |
1 disc of shn each
Blues Traveler
Mule
Phil & Friends |
|
|
12/21/02
|
Asheville Civic Center
Asheville, NC |
4 shn |
|
|
Neumann SKM-140's->Lunatec V3->Digigram VX-Pocket V2-> |
Warren Haynes
Sons of Ralph
Jerry Joseph
Edwin McCain
Robert Randolph and the Family Band
moe.
John Hiatt & the Goners
Bob Weir and Friends
Gov't Mule |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/23/02
|
Great Stage Park
Manchester, TN |
1 shn |
|
|
schoeps cmc621>sonosax>dap1 |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/06/86
|
Uptown Lounge
Athens, GA |
2 shn |
|
|
unk |
Source:
CD extraction and SHN compression by Andrew Nix (anix@vt.edu) and Mike Ayers (mayers@vt.edu) |
|
|
02/02/87
|
Uptown Lounge
Athens, GA |
1 shn |
|
|
SBD>Cass>Analog SC>CoolEdit NR>CD |
Remastered by Alan Schwartz |
|
|
11/17/93
|
La Luna
Santa Fe, NM |
2 shn |
|
|
SB > Panasonic 3700 x 1 digital |
Conversion:
Sony M-1 > Optical Midiman > SPDIF Front Bay SB Platinum >
CoolEdit WAV >
CDWav > MKW > SHN |
|
|
10/26/94
|
Newport Music Hall
Columbus, OH |
2 shn |
|
|
unknown |
|
|
|
07/13/95
|
Bricktown Amphitheater
Oklahoma City, OK |
2 shn |
|
|
Digital soundboard>Analog Cassette (D6)>recording studio>CD>EAC>Sound Forge>WAV>SHN |
Known Flaws:
Blackout is missing at the end of set 1(not a tragedy). Drums pt. 1 fades out and then back in on d2 due to analog tape flip.
Out of papas, the beginning bass riffs of MSTM start, then fade, then fade back in to MSTM before it starts. This was edited this way to fit on two disks.
All of the fades are very clean and not annoying.
Notes:
-CD2 requires a 80 min disk.
-Drums 1: Very Short
-Drums 2: Sunny never stopped playing between MSTM & the encore, Mr. Soul. (as with many other songs as well,
listen closely as sunny plays and plays and plays!) JB mumbles something about sunny right before they start Mr. soul, but I can't understand what he says, but I think he was poking fun at him.
-Encore was moved to end of cd 1 so it show would fit on two disks.
|
|
|
01/18/96
|
Fox Theater
Boulder, CO |
2 shn |
|
|
FOB, Neumann KMi84 |
|
|
|
01/22/96
|
Ten Mile Room
Breckenridge, CO |
2 shn |
|
|
DSBD>DAT>Standalone >EAC Encores: Aud |
|
|
|
01/23/96
|
Ten Mile Room
Breckenridge, CO |
2 shn |
|
|
DSBD>DAT>Standalone>EAC |
Filler: Bald-Headed Woman & Benefactor (122 Carrs hill) |
|
|
01/25/96
|
Wheeler Opera House
Aspen, CO |
2 shn |
|
|
DSBD>DAT>Standalone>EAC |
Thanks again to Steve Bohannon for the hookup.. Small DO in Wooly.. Seeded by Alan Schwartz. |
|
|
01/28/96
|
Garton's
Vail, CO |
2 shn |
|
|
AKG 463>sv-2501>DAT>Standalone |
Thanks to Steve Bohannon for getting these to me.. half second dropout in LGDTB, I did some quick fades.. Seeded by Alan Schwartz. |
|
|
01/28/96
|
Garton's
Vail, CO |
2 shn |
|
|
AKG 463>sv-2501>DAT>Standalone |
Thanks to Steve Bohannon for getting these to me.. half second dropout in LGDTB, I did some quick fades.. Seeded by Alan Schwartz. |
|
|
02/02/96
|
Zephyr Club
Salt Lake City, UT |
2 shn |
|
|
DSBD>DAT>Standalone>EAC |
Thanks to Steve Bohannon for getting these to disc.. There was a little digi before Stoned me started so I pulled it.. There is also a little static as No Sugar comes in(a bit late as well).. Seeded by Alan Schwartz.
|
|
|
02/03/96
|
Zephyr Club
Salt Lake City, UT |
2 shn |
|
|
DSBD>DAT>Standalone>EAC |
Thanks to Steve Bohannon for all the work.. I did some minor cleanup.. TLight cuts a little early.. Seeded by Alan Schwartz. |
|
|
02/06/96
|
Grand Room, Snow King Center
Jackson Hole, WY |
2 shn |
|
|
B&K 4011>lunatec 316>sv255 |
This show smokes.. You should really be looking forward to the rest of these.. Enjoy!
Converted and Seeded by Alan Schwartz. |
|
|
02/07/96
|
Grand Room, Snow King Center
Jackson Hole, WY |
2 shn |
|
|
Microtech Geffel m210>DAT>Standalone>EAC |
Thanks to Steve Bohannon for the discs.. Sweet show, sounds real nice.. Seeded by Alan Schwartz. |
|
|
02/09/96
|
Ogden Theater
Denver, CO |
2 shn |
|
|
Set 1: AKG 461; Set 2: AKG 463 >DAT>Standalone>EAC |
Thanks again to Steve Bohannon for hooking me up with this real nice show.. A Little static about a minute into Little Kin(sounds like PA static), also a DO about 3:30 into Glory.. Sounds great though.. Seeded by Alan Schwartz. |
|
|
02/10/96
|
Sheraton Ballroom
Steamboat Springs, CO |
2 shn |
|
|
First 3 songs(AUD: AKG 451 > Oade m148) - rest DSBD>DAT>Standalone>EAC |
There is some PA hum throughout the show.. There is quite a bit of digi during Wonderin', there was also a DO in Radio Child, and one in Mercy.. Some Board Static during JKMB, 2 pieces of digi at about 2:30 in Parsons and static at the start of D3.. Mr. Soul also cuts a bit early....Sounds real nice though.. All cleaned as best I could.. Thanks to Steve Bohannon for the show.. Fixed, and seeded by Alan Schwartz. |
|
|
02/11/96
|
Sheraton Ballroom
Steamboat Springs, CO |
2 shn |
|
|
DSBD>DAT>Standalone>EAC |
Thanks to Steve Bohannon for getting these out! Chunk of digi during Chilly I faded out and in.. Other than that is was real nice.. Seeded by Alan Schwartz. |
|
|
02/13/96
|
Gothic Cafeteria
Crested Butte, CO |
2 shn |
|
|
AKG 463 > Oade >DAT>Standalone>EAC |
anks to Steve Bohannon for the discs.. Problem at about 4:30 in ALG.. other than that sounds nice.. Seeded by Alan Schwartz |
|
|
02/14/96
|
Gothic Cafeteria
Crested Butte, CO |
2 shn |
|
|
AKG 463 > Oade >DAT>Standalone>EAC |
Filler: Soundboard -> Cassette x? -> DAT -> Zefiro ZA2 -> CoolEdit NR -> CD
The second set will fit on an 80 min disc, just take d3t1-4 and add them on to d2.. The filler is from my latest Remaster - I think it sounds quite nice(Sleepy monkey cuts after awhile).. Seeded by Alan Schwartz. |
|
|
12/31/96
|
Fox Theatre
Atlanta, GA |
3 shn |
|
|
Microtech Gefell m210 > Oade M248 > DAP1 |
Source: Microtech Gefell m210 > Oade M248 > DAP1
DAT > CD: Sony DTC790 > (optical) Zefiro > SF 4.5 > CDWAV > mkw
Conversion by: wsptexas@hotmail.com (Fav 3 night run of my life!)
Note: I cut out lots of dead air around encores. No need for 15 minutes of crowd noise between encores. Only Westport Ferry and only appearence ever of Vic. |
|
|
04/29/97
|
Rochester Auditorium
Rochester, NY |
2 shn |
|
|
DSBD |
Notes: Here's a '97 board you don't have ;)~ Great recording. Panic plays flawlessly and the mix at the soundboard is perfect. Enjoy. Seeded by Ash Mosley via wayside.dyndns.org |
|
|
05/07/97
|
Palace Theater
Louisville, KY |
2 shn |
|
|
DSBD > DAT > CDR |
|
|
|
05/08/97
|
The Vic Theater
Chicago, IL |
2 shn |
|
|
SBD > DAT > Seagate CTD8000H-S DDS DAT Drive |
|
|
|
03/08/98
|
Great Northern Hotel
Byron Bay, Australia |
1 flac |
|
|
Sony ECM-150>D6 |
shn>wav>flac by Tom Buder |
|
|
03/11/98
|
Mercury Lounge
Melbourne, Australia |
2 shn |
|
|
Sony ECM-150>D6 |
**This is the only copy of this show located** |
|
|
05/01/98
|
Riverfront Park
Nashville, TN |
2 shn |
|
|
B&K 4011>Lunatec 316>Apogee AD1000>DA-P1>D8 |
Transfer: D8>Opcode DATPort>CDWav>Soundforge 4.5c>MKWAct 0.97
Transferred: 2 November 2002 by J.Kollath |
|
|
10/20/98
|
City Auditorium
Colorado Springs, CO |
2 shn |
|
|
B&K 4011 > Lunatec V2 > AM Sorc. Cables > AD1000 > HHb |
Conversion: Ken Kieffer
Equipment: Sony TCD-D7 > Opcode DATPort > Pentium III 550 > Samplitude 2496 > CDWAV > SHN |
|
|
10/27/98
|
Backyard
Bee Cave, TX |
2 shn |
|
|
Beyer M201 (xy) > Tascam DA-P1 (48kHz |
Taped & Converted by Craig Schilling (cschilling@austin.rr.com)
DAT > Illuminations DV-30 > Digital Audio Labs CardDeluxe > SoundForge 5.0 (converted to 44kHz at "4" setting) > Shntool fix> SHN |
|
|
11/21/98
|
Roseland Ballroom
New York, NY |
2 shn |
|
|
fob Schoeps MK4's > Reutelhuber > DA-P1 |
Conversion: Tascam DA20MKII > Audiophile 2496 > CDWave >
Samplitude (48>44.1) > MKW > SHN
Sound Forge 5.0 used to put fades at the beginning and end of sets.
Converted and seeded by Graham Munda (dueling@magpage.com) |
|
|
06/19/99
|
Mud Island Amphitheater
Memphis, TN |
2 shn |
|
|
AKG 483>V2>AD1000 |
Source: AKG 483>V2>AD1000
Conversion: DAP1>Roland UA30>MacG4>Peak 3.0 WAV(48k>44.1)>SHN |
|
|
06/30/99
|
House Of Blues
West Hollywood, CA |
2 shn |
|
|
(FOB) AKG 483 > Oade m248 > sbm-1 @ 48 kHz |
Dirty Dozen Brass Band |
|
|
07/14/99
|
City Market
Kansas City, MO |
2 shn |
|
|
AKG 482 > V2 > Adc-20 FOB 40'spread > dat >cdr > eac > shnv3 |
|
|
|
07/21/99
|
First American Music Center
Antioch, TN |
2 flac |
|
|
Unknown Audience DAT |
with Dirty Dozen Brass Band
Transfer: DAT > Tascam DA-302 > hk CD-R2 > CD > EAC > FLAC Frontend
Transfer by Martin Medley. Questions / Comments? (mlm1218@charter.net) |
|
|
07/28/99
|
Roseland Ballroom
New York, NY |
2 shn |
|
|
Schoeps CMC6/MK4's > Lunatec V2 > DA-P1 |
|
|
|
11/27/99
|
Hampton Coliseum
Hampton, VA |
2 shn |
|
|
akg483>oade m248>hhb>za2>cd>eac>shn |
with Dirty Dozen Brass Band |
|
|
12/31/99
|
Philips Arena
Atlanta, GA |
2 shn |
|
A |
Source: fob Schoeps MK2H > KC2.5 > CMC6 > Sonosax SX-M2 > HHb > CDWave > Samplitude (48>44.1) > SHN |
|
|
|
05/03/00
|
House of Blues
Myrtle Beach, SC |
2 shn |
|
|
Neumann KM 143's (spread 25') > Sonosax SX-M2 > DA-P1 |
Conversion: Tascam DA20MKII > Audiophile 2496 > CDWave > MKW > SHN
Conversion and Seed by Graham Munda (dueling@magpage.com) |
|
|
07/01/00
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
DFC, First drink rail AKG483>OadeM148>HHB |
DFC, First drink rail AKG483>OadeM148>HHB >Zefiro ZA2>CD
D>CD conversion and extraction by Alan Schwartz. Taping by Julian Eldridge(thanks!)
Tapes smoke! Enjoy! |
|
|
07/02/00
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
1st Drink Rail, DFC Schoeps MK4V>KC5>CMC6>Sonosax>HHB >Zefiro ZA2 |
Taping by Don Hess CD Mastering by Alan Schwartz
One of my favorite shows of the run. My first Dirty Business and BofD(believe it or not). Smokin' show, what do you expect from Panic at the Warfield? Alan
|
|
|
07/03/00
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
1st Drink Rail, DFC Schoeps MK41>KC5>CMC6>Sonosax>HHB >Zefiro ZA2 |
Taping by Don Hess CD Mastering by Alan Schwartz
Also quite a nice show - enjoy! Alan |
|
|
07/04/00
|
Warfield Theatre
San Francisco, CA |
3 shn |
|
|
1st Drink Rail, DFC AKG483(17cm/90degrees)>Oade M148>HHB >Zefiro ZA2 |
Taping by Julian Eldridge CD Mastering by Alan Schwartz
Balloon pop at about 2 minutes in PAYMH
I think everyone will enjoy these mighty fine tapes - Especially when Jorma sits in. I was able to squeeze it onto 3 discs. Alan |
|
|
08/13/00
|
Oak Mountain Amphitheatre
Pelham, AL |
2 shn |
|
|
FOB, DFC(14th row) AKG481>Oade248>GP ADC20 |
|
|
|
08/20/00
|
River Run
Keystone, CO |
2 shn |
|
|
FOB Schoeps CMC6+Mk4 > Sonosax SX-M2 > Panasonic SV-250 |
with Dirty Dozen Brass Band, Stanley Jordan, and Karl Denson |
|
|
10/27/00
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
|
Schoeps mk4v>KC5>M222>NT222>AD1K>HHb |
fob/dfc/ortf/elvo pre (NT222) > Zefiro ZA2>CDwav
Taped by Charles Fox. Converted to CD and Seeded by Alan Schwartz
First show was HOT right from the start.. enjoy this improved schoeps tubes source..
|
|
|
10/28/00
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
|
Schoeps mk4v>KC5>M222>NT222>AD1K>HHb |
fob/dfc/ortf/elvo pre (NT222) > Standalone>CDR>EAC>SHN
Taped by Charles Fox, Converted to CD by Steve Bohannon, Seeded by Alan Schwartz |
|
|
10/29/00
|
University of New Orleans Lakefront Arena
New Orleans, LA |
3 shn |
|
|
Schoeps cmc641>Oade m248>ad2k>dap20 >Zefiro ZA2 >CDwav |
This source smokes the other source, IMO. FOB was busted during Sympathy, some did go in hat but Sympathy is fubar -
may do a splice job later if I find one is much better. Enjoy this copy!
Taped by Bill Mixon(Thanks!). Converted and Seeded by Alan Schwartz. |
|
|
11/04/00
|
Bill Graham Civic Auditorium
San Francisco, CA |
2 shn |
|
|
Taper Section, AKG 483>V2>AD2k |
Taped by Eric Scott(thanks for the tapes!). Converted and Seeded by Alan Schwartz. |
|
|
11/22/00
|
Asheville Civic Center
Asheville, NC |
2 shn |
|
|
fob/dfc/ortf/40' from stage, Schoeps mk41v>KC5>M222>NT222>AD1000>HHb > Zefiro ZA2>CDWav |
|
|
|
11/24/00
|
Mid-South Coliseum
Memphis, TN |
2 shn |
|
|
fob schoeps mk4(ortf)>kc5>cmc6>sonosax>Panasonic SV-250 >Zefiro ZA2>CDwav |
|
|
|
11/25/00
|
Mid-South Coliseum
Memphis, TN |
2 shn |
|
|
FOB schoeps cmc6 +mk41 (hypers) > oade 248 > ad2k > D8 > Tascam cdrw 700 > EAC > SHN |
|
|
|
11/30/00
|
MSU Special Events Center
Murray, KY |
2 shn |
|
|
Taper Section, AKG481>Oade248>SBM1 >Zefiro ZA2>CDWav |
|
|
|
12/01/00
|
Southern Illinois University Arena
Carbondale, IL |
2 shn |
|
|
FOB, Neumann KM140>Lunatec V2>AD2K >Zefiro ZA2>CDwav |
Definitely a very hot show. This source smokes the others, IMO. Thanks to
Julian for the tape.
Taped By: Chris Olsen?(Thanks!). Converted and Seeded by Alan Schwartz. |
|
|
04/29/01
|
Center Cityfest
Charlotte, NC |
2 shn |
|
|
Source: FOB, Scheops MK4v>KC5>M222>NT222>VMS5U>AD1000>HHB-fob/dfc > Zefiro Za2>CDwav |
|
|
|
05/03/01
|
Fair Grounds Race Course
New Orleans, LA |
2 shn |
|
|
FOB: Schoeps MK4 (ortf) > KC5 > CMC6 > HHB > D8 > Tascam cdrw700 > EAC > SHN |
a good show, yet VERY windy, lots of swirls. also due to cops shuting down one taper next to us, don unclamped and move
10 feet over, |
|
|
05/26/01
|
Sam Boyd Stadium
Las Vegas, NV |
1 shn |
|
|
FOB MBHO 603/200>MP-2> OADE ADC-24> D8 |
|
|
|
06/22/01
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
src: fob/dfc/ortf/4th row, Schoeps mk4v>KC5>M222>NT222>VMS5U>AD1000>HHb > CDWave >Samplitude (48>44.1) > SHN |
Taped by Charles Fox, shn conversion by Graham Munda, seeded by Robert Collins: rsciii@nc.rr.com
and Graham Munda: dueling@magpage.com
Disc 1 requires an 80 minute disc. |
|
|
06/23/01
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
Source: Schoeps Mk4>Kc5>Cmc6>Lunatec V2>AD2K+(Nyquist 16 NN2) ortf/fob/dfc |
taped by Eric Scott of Denver
Transfer: Sony D8 > Digital Coax > HHB830 > EAC > MKW > SHN
HHB 830 is the CD-R converter
DAT>CD transfer by Eric Scott
CD>Shn seeding by Kevin Gallagher
|
|
|
06/24/01
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
dfc/ts/ortf/row 17,(set I: NT pre/set II): VMS pre, Schoeps mk4v>KC5>M222>NT222>VMS5U>AD1000>HHb >CDWave > Samplitude (48>44.1) > SHN |
Taped by Charles Fox, shn conversion by Graham Munda, seeded by Robert Collins: rsciii@nc.rr.com
note: There is one quick pop of diginoise in track one of disc one, around 1:32. |
|
|
07/10/01
|
Nautica Stage
Cleveland, OH |
2 shn |
|
A |
Schoeps CCM4>MV100>DA-P1 |
JB solo 8/26/01
included |
|
|
07/15/01
|
I.C. Light Ampitheater
Pittsburgh, PA |
2 shn |
|
A |
Source: (fob/dfc) Schoeps mk4v>KC5>M222>NT222>VMS5U>AD1000>HHb |
|
|
|
07/21/01
|
Harbor Center
Portsmouth, VA |
2 shn |
|
|
(Don Hess' rig) fob/dfc/ortf Schoeps MK4>KC5>CMC6>LunatecV2>HHb |
|
|
|
07/27/01
|
Oak Mountain Amphitheatre
Pelham, AL |
2 shn |
|
|
mk4>kcy>cmc6>m248>ad1K>d8>D>Tascam cdrw5000>CD |
|
|
|
07/28/01
|
Oak Mountain Amphitheatre
Pelham, AL |
2 shn |
|
|
FOB, DFC Schoeps CMC64 > Oade 248> AD1k >Zefiro ZA2> CDWAV |
|
|
|
07/29/01
|
Oak Mountain Amphitheatre
Pelham, AL |
2 shn |
|
|
FOB mk4+kc5+cmc6 > m248 > AD1000 |
|
|
|
10/12/01
|
Greek Theatre, Univ. of California
Berkeley, CA |
2 shn |
|
|
Tapers Section AKG481> V2> ADC-20> DAP1> DA-20MKII> Zefiro ZA2> CDWAV |
|
|
|
10/13/01
|
Greek Theatre, Univ. of California
Berkeley, CA |
2 shn |
|
|
Tapers Section AKG481> V2> ADC-20> DAP1> DA-20MKII> Zefiro ZA2> CDWAV> MKW |
|
|
|
10/14/01
|
Greek Theatre, Univ. of California
Berkeley, CA |
2 shn |
|
A |
AKG481 about 45 degrees (DIN) > V2 set at 35 > Graham Patten ADC-20 calibrated to the V2 by Nutter > DAP1 |
Carlos Santana on excellent 2nd set |
|
|
10/22/01
|
Cricket Pavilion
Phoenix, AZ |
2 shn |
|
A |
MBHO603'S>DMic20>DA-P1>CDR>EAC>SHN |
|
|
|
10/24/01
|
Frank Erwin Center
Austin, TX |
2 shn |
|
|
Schoeps MK4V > Sonosax SX-M2 > Sony M1 (48kHz) |
d2t4 mistracked by
about 10 sec |
|
|
10/26/01
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
A |
AKG 483>Oade M248>AD500e 44.1>DAT>Audiophile 2496>CD Wave |
|
|
|
10/27/01
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
|
AKG 483 (din, 17cm) > Oade M248 > AD500e 44.1 frt row of tapers section DFC |
|
|
|
10/28/01
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
|
b&k 4011 > V2 > AD2K > DA-P1 1st Row Tapers Section DFC |
|
|
|
10/30/01
|
Park West
Chicago, IL |
1 shn |
|
|
FOB Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > D8 |
|
|
|
10/31/01
|
UIC Pavilion
Chicago, IL |
2 shn |
|
A |
Source: AKG C34(supercard setting- XY 100deg)>S42>AD1K>D-10ProI FOB 40' from |
This source has been remastered using the FFT on CEP. I believe it to be much better that the original version presently circulating.
|
|
|
11/02/01
|
Dane County Coliseum
Madison, WI |
2 shn |
|
A |
FOB Schoeps MK4V > KC5 > CMC6 > AD1000 > D8 DA-20 mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN |
DDBB |
|
|
11/10/01
|
Convention Hall
Asbury Park, NJ |
2 shn |
|
|
AKG 483 (din,17cm) > Oade M248 > AD500e 44.1 |
Taped from: Rt/Sd of Sbd 35 ft. off stage
Transfer : DAT > Audiphile 2496 > CD Wav
Taped & converted by: Carl Beck
|
|
|
11/13/01
|
Electric Factory
Philadelphia, PA |
2 shn |
|
|
Neumann KM 140's > Lunatec V2 > AD2K+ > M1 |
|
|
|
11/14/01
|
Towson Center
Towson, MD |
2 shn |
|
|
Neumann KM140 > Neumann BS48 > DA-P1 (TS - front right corner - next to soundboard/DIN) |
Conversion: M-1 > VX Pocket v.2 S/PDIF > Sound Forge 5 (48 > 44.1 & fades) > CDWAV > SHN
(Conversion and Seed by Mike Labuda) |
|
|
11/16/01
|
Independence Arena
Charlotte, NC |
2 shn |
|
|
Schoeps MK41v>KC5>M222>NT222>VMS5U>AD1K>HHb, FOB/DFC/XY |
|
|
|
11/17/01
|
Independence Arena
Charlotte, NC |
2 shn |
|
A |
4011>V2>2K(NS3)>DA-P1(ORFT) TS |
|
|
|
11/18/01
|
North Charleston Coliseum
North Charleston, SC |
2 shn |
|
A |
FOB Schoeps MK4's>KC5>CMC6>SONOSAX SX-M2>PanasonicSV255 |
|
|
|
11/20/01
|
Freedom Hall
Johnson City, TN |
2 shn |
|
|
fob/40 ft. from stage, Schoeps MK4's > KC5 > CMC6 > Sonosax SX-M2 > HHb |
|
|
|
11/21/01
|
McKenzie Arena
Chattanooga, TN |
2 shn/ |
|
|
Set 1: source is:DFC FOB ortf Schoeps MK4 > KC5 > CMC6 > Oade M248 > modSBM-1 > D8 > Tascam CDRW700 > EAC > SHN Set 2: source is:Behind the Soundboard CMC6 mk41> m248 > AD1000 > D8 > Tascam CDRW700 > EAC > SHN |
|
|
|
11/23/01
|
Mid-South Coliseum
Memphis, TN |
2 shn |
|
A |
4011>V2>2K(NS3)>DA-P1 (ORTF) TS |
DDBB |
|
|
11/24/01
|
Mid-South Coliseum
Memphis, TN |
2 shn |
|
|
DFC FOB ortf Schoeps MK4 > KC5 > CMC6 > Oade M248 > modSBM-1 > D8 > Tascam CDRW700 > EAC > SHN |
|
|
|
12/29/01
|
Philips Arena
Atlanta, GA |
2 shn |
|
|
fob-dfc mk4(din)> kc5> cmc6> v2> ad2k+(nn2), da-20mkII> zefiro za2> cdwave> mkw |
|
|
|
12/30/01
|
Philips Arena
Atlanta, GA |
2 shn |
|
|
Schoeps MK4 > KC5 > CMC6 > V2 > AD2K ORTF / FOB / DFC 16NN2 Nyquist |
|
|
|
12/31/01
|
Philips Arena
Atlanta, GA |
2 shn |
|
|
FOB DFC ortf MK4>KC5>CMC6>M248>AD500e>Tascam CDRW 700>EAC>SHN |
|
|
|
04/19/02
|
Walnut Creek Amphitheatre
Raleigh, NC |
2 shn |
|
A |
AKG 483 (din, 17cm) > Oade M148 > AD500e 44.1 |
Taped from: Tapers section, second row
Taped & converted by: Carl Beck
DAT > Audiophile 2496 > Soundforge > CD Wav |
|
|
04/20/02
|
Walnut Creek Ampitheater
Raleigh, NC |
2 shn |
|
|
AKG 483 (din, 17cm) > Oade M148 > AD500e 48.0 |
Taped from: Tapers section, first row
Taped & converted by: Carl Beck
DAT > Audiophile 2496 > SoundForge > CD Wav |
|
|
04/21/02
|
Asheville Civic Center
Asheville, NC |
2 shn |
|
|
AKG C34>EAA-PSP2>AD1000>D8>CD-RW700 |
AKG C34>EAA-PSP2>AD1000>D8>CD-RW700 |
|
|
04/22/02
|
Asheville Music Zone
Asheville, NC |
1 shn |
|
|
FM>sony d8>oade active cable>Zoltrix Nightengale Pro digi soundcard>Soundforge 5.0e (transfer)>CD Wave (tracking)>mkwACT shn v3 |
source: FM>sony d8
transfer: sony d8>oade active cable>Zoltrix Nightengale Pro digi soundcard>
Soundforge 5.0e (transfer)>CD Wave (tracking)>mkwACT shn v3 |
|
|
04/24/02
|
Civic Center
Savannah, GA |
2 shn |
|
|
Mk4v>kc5>cmc6>v2>ad1000>dap1>hhb850cdr>samp.24/96>mkw |
Hubert's Mk4v>kc5>cmc6>v2>ad1000>dap1>hhb850cdr>samp.24/96>mkw
Seeded by Matt Kinder |
|
|
04/26/02
|
Oak Mountain Amphitheatre
Pelham, AL |
2 shn |
|
|
(FOB/DFC/ORTF) Schoeps mk4v>KC5>M222>NT222>AD1000>HHb |
Taped By : Charles Fox
PCM R300 > Delta DiO 2496 > Soundforge 6 > Resampled from 48K to 44.1 at Level 4 with A.A.F. applied -> CDWave -> shn (mkw Audio Compression Tool) |
|
|
04/27/02
|
Oak Mountain Amphitheatre
Pelham, AL |
2 shn |
|
|
(FOB/DFC/NOS) Schoeps mk21->kc5->cmc6->Oade m248->AD1000@48khz |
Schoeps MK4>KC5>CMC6>Oade M248>Apogee AD1000 Fixed 6-5-02
Conversion: Sony D8- >EgosysWaveterminal 2496->Cool Edit Pro(48khz->44.1khz)->.wav->MKWact->.shn (by disco@runbox.com)
Taped by: JC Arnett and Bill Mixon |
|
|
04/28/02
|
Oak Mountain Amphitheatre
Pelham, AL |
2 shn |
|
|
Schoeps MK4>KC5>CMC6>Oade M248>Apogee AD1000 (FOB) |
Schoeps MK4>KC5>CMC6>Oade M248>Apogee AD1000 Fixed 6-5-02
Conversion: Sony D8- >EgosysWaveterminal 2496->Cool Edit Pro(48khz->44.1khz)->.wav->MKWact->.shn (by disco@runbox.com)
Taped by: JC Arnett and Bill Mixon |
|
|
06/21/02
|
Great Stage Park
Manchester, TN |
2 shn |
|
|
FOB DFC MBHO 603a/ka-200's > V2 > mod. SBM-1 > M1 @ 44.1k |
Transfer: D8 > Dio 2448 > Soundforge 5.0 > CDWav > mkwACT > SHN
Taped by: Eric Foelske
Transferred by: Ryan Burns (mstrpce420@aol.com)
|
|
|
06/22/02
|
Great Stage Park
Manchester, TN |
2 shn |
|
|
Mk4v>kc5>cmc6>v2>ad1000>Dap1 - fob/dfc/ortf |
evil clown with a smile......and the travelling circus |
|
|
06/25/02
|
Smirnoff Center
Dallas, TX |
2 shn |
|
|
(Section, DFC ORTF 110) 4022 > V2 > AD2K > DA-P1 |
Transfer: DA-P1 > Audiophile 2496 > Cool Edit 2000> CDWav > mkwACT
Transfer: Zee Coons (Coons_Richard@hotmail.com)
Taper: Zee Coons (Coons_Richard@hotmail.com) |
|
|
06/28/02
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
MBHO 603a/ka-200's > V2 > mod. SBM-1 > D8 @ 48k; DFC; 1st row T.S. |
Transfer: Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > mkwACT > SHN
Taped by : Eric Foelske
Patched & Transferred By: Ryan Burns (mstrpce420@aol.com) |
|
|
06/29/02
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
Source 1: MBHO 603a/ka-200's Source2: (ts/1st row/center) Schoeps MK4's |
Source 1: MBHO 603a/ka-200's > V2 > mod. SBM-1 > D8 @ 48k; DFC; 4th row T.S.
Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > mkwACT > SHN
Taped By: Eric Foelske
Patched & Transferred By: Ryan Burns (mstrpce420@aol.com)
Source 2: (ts/1st row/center) Schoeps MK4's > KC5 > CMC6 > Oade M118 > Panasonic SV-255
Taped by Nate Fisher (Patch by Graham Munda)
Conversion: Tascam DA20MKII > Audiophile 2496 > CDWave Samplitude 2496 (48>44.1) > MKW > SHN
Sound Forge 5.0 used to put fades at the beginning and end of sets.
Converted and seeded by Graham Munda (dueling@magpage.com) |
|
|
06/30/02
|
Red Rocks Ampitheatre
Morrison, CO |
2 shn |
|
|
B&K4011's (OTS, DFC) |
B&K4011's (OTS, DFC) --> Lunatec V2 -->Sonic AD2K --> Sony M1 @ 48k by Mark Lynn
Tranfer: Sony DTC-A6/DAT Clone (one off master)> Dio Maudio 2448 > Soundforge 4.5
(resample, add fades) > CD Wav > Shn via MKW .97 by Bill Gardner, bgard@speakeasy.net |
|
|
07/02/02
|
US Cellular Center
Cedar Rapids, IA |
2 shn |
|
|
1. AKG 483's > AD1000 > D8 (NOS Dead Center Section) 2. FOB DFC MBHO 603a/ka-200's (actives) >Excalibur II's > V2 > mod. SBM-1 > M1 @ 48k |
2. Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > mkwACT > SHN
Taped By: Eric Foelske
Transferred By: Ryan Burns (mstrpce420@aol.com) |
|
|
07/03/02
|
Marcus Amphitheatre
Milwaukee, WI |
2 shn |
|
|
Schoeps CCM4Vs > Lunatec V2 > Mod SBM-1 > D8@48K ORTF/DFC/1st row TS |
Taper: Kevin Hughes
Transfer: D8 > Delta Dio 2496 > Samplitude (48 > 44.1) > CDWAV > MKWACT > SHN (brianvoelz@wi.rr.com) |
|
|
07/05/02
|
Starlight Theater
Kansas City, MO |
2 shn |
|
|
fob Schoeps MK4's > KC5 > CMC6 > Oade M118 > Panasonic SV-255 |
Taped by Nate Fisher
Conversion: Tascam DA20MKII > Audiophile 2496 > CDWave Samplitude 2496 (48>44.1) > MKW > SHN
Converted and seeded by Graham Munda (dueling@magpage.com) |
|
|
07/06/02
|
Indianapolis Summer Stages
Indianapolis, IN |
2 shn |
|
|
no info |
|
|
|
07/07/02
|
Meadow Brook Music Theater
Rochester Hills, MI |
2 shn |
|
|
AKG c1000s>Zeifro Inbox>D8 @44.1 kHz (DIN 90 Degrees 17 cm) |
Location: Taper?s Section Slightly Right of Center
Transfer: D8>Hercules GT-XP>Cool Edit Pro>CDWave>mkwACT v.97>.shn v3 (NO DAE or Re-sampling)
Taped, Transferred and Seeded by: Rob Robar dattaper_2000@yahoo.com |
|
|
07/09/02
|
Tower City
Cleveland, OH |
2 shn |
|
|
T.S. WTFB AKG C34(X,Y 90deg Hyper |
Source: T.S. WTFB AKG C34(X,Y 90deg Hyper Setting)>S42>V2>AD1K>DA-P1
Taped by Josh Evans (Stagger Lee) Patch by Mike Ward
Transfer: DA-P1>WT2496>CEP(Normalize at 0db)>CDWAV>MKW |
|
|
07/11/02
|
Ntelos Harbor Center Pavilion
Portsmouth, VA |
2 shn |
|
|
Neumann KM 140 > V2 > AD2K > D8 |
Transfer: D8 > Dio 2448 > Soundforge 4.5 > CDWave > SHN
Taped & Transferred by Howard Friedman (hcsunshine@cox.net)
Thanks for the patch Walt. |
|
|
07/12/02
|
Merriweather Post Pavilion
Columbia, MD |
2 shn |
|
|
ts/1st row/ortf Schoeps MK4v's>KC5>CMC6>V2>AD1000 |
ht. adjusted several times due to security, busted but not shut down! |
|
|
07/14/02
|
UMB Bank Pavilion
Maryland Heights, MO |
2 shn |
|
|
FOB/DFC/Row M ORTF B & K 4022's > V2 > AD2K+ > Nuendo Mutliface 2496 > WaveLab (@24bit/48kHz) > Samplitude > CDWave > mkwACT > .shn |
Taper: Dave Friedman (punch by Marc Nutter) (nutter@sonicsense.com)
Seed: Jason Brantley (jason@spreadwidepanic.com) |
|
|
07/16/02
|
Riverfest Amphitheatre
Little Rock, AR |
2 shn |
|
|
AKG 482>M148>AD1K>DA-P1 TS B/DFC/NOS |
Conversion:DAP1>RolandUA30>Peak3.01>wav>shntool>shn
Coverted by Peter Cleary |
|
|
07/18/02
|
The Backyard
Austin, TX |
2 shn |
|
|
CK61>Actives>DVC2>modsbm>DAP1 FOB/ORTF |
with Dirity Dozen Brass Band
Conversion: DAP1>RolandUA30>SoundStudio>WAV(48>44.1)>shntoo fix tracks>shorten
Notes: Dropout at about 4 minutes into All Over Now |
|
|
07/19/02
|
The Backyard
Austin, TX |
2 flac |
|
|
AKG482's > M148 > AD500e |
Taped from: tapers' section, split 15'
Taped by Mitchell Hibbs
Conversion: Tascam DA-P1 > Roland UA-30 > Goldwave 4.62 (16bit/48k) > flac 1.0.3 frontend
Converted by Quinn Brislin (qbrislin@ebicom.net) |
|
|
07/20/02
|
The Backyard
Austin, TX |
2 shn |
|
|
Beyer M201 (xy) > Tascam DA-P1 (48Khz) |
Taped from: tapers' section
Taped & Converted by Craig Schilling (cschilling@austin.rr.com)
DAT > Illuminations DV-30 > Digital Audio Labs CardDeluxe > SoundForge 5.0 > Shntool > SHN |
|
|
07/21/02
|
Cynthia Woods Mitchell Pavillion
Spring, TX |
2 shn |
|
|
AKG481>M148>AD1k FOB DFC DIN Row P |
Conversion: DAP1>UA30>Peak3.0>wav>shntool>shn
Recorded by John Callery
Converted by Peter Cleary |
|
|
07/24/02
|
Greek Theatre
Los Angeles, CA |
2 shn |
|
|
fob B&K 4011>Lunatec v2>AD1000 @ 48>D8 |
Transfer/Encoding: dat(m)> s/pdif coax> Egosys Waveterminal 2496(48->44.1) > PC/Soundforge 4.5> CD WAVE>MKW(.shn)with Seek Tables Appended
Recording by Matt Ferrelli and Andrew Rakow
Transfer by Andrew Rakow |
|
|
07/26/02
|
Greek Theater
Berkeley, CA |
2 shn |
|
|
mk41>kc5>cmc6>v2>ad2k |
Taped and tansfered by Robert Kwon. Seeded by Tyler Jensen.
robert@southernrecording.com
tylerlundby@yahoo.com
s1: mk41>kc5>cmc6>v2>ad2k+ - (16ns3/17cm90deg - ts)
s2: mk41>kc5>cmc6>v2>ad2k+ - (16ns3/20cm90deg - ts)
t: da40>za2>cdwav>mkw |
|
|
07/27/02
|
Greek Theater
Berkeley, CA |
2 shn |
|
|
ts/1st row/ortf Schoeps MK4v's>KC5>CMC6>V2>AD1000>DAP1 |
Taped by John Hubert (Patch by Graham Munda)
Conversion: Tascam DA20MKII > Audiophile 2496 > CDWave > Samplitude 2496 (48>44.1) > MKW > SHN
Converted and seeded by Graham Munda (dueling@magpage.com) |
|
|
07/28/02
|
Greek Theater
Berkeley, CA |
2 shn |
|
|
mk41>kc5>cmc6>v2>ad2 |
Taped and Transferred by Robert Kwon. Seeded by Tyler Jensen
robert@southernrecording.com
tylerlundby@yahoo.com
s: mk41>kc5>cmc6>v2>ad2k+ (16nn2 - 17cm/100deg - taper section)
t: da40>za2>cdwav>mkw |
|
|
08/17/02
|
Fiddler's Green Amphitheatre
Englewood, CO |
2 shn |
|
|
1. Schoep's MK4>M222>KS222(cable) 2. Schoeps CMC64 |
two sources
1.Schoep's MK4>M222>KS222(cable) > NT222 (pre/power)> Apogee MiniME > Sony D7
taped by Richard Campbell
Conversion:
Tascam DA30> Terratec DMX6Fire> Soundforge 6.0
conversion by Matt Pickering (mrsharky@mindspring.com)
2.Source: Schoeps CMC64 (OTS, ~8 high, ORTF,) --> Lunatec V2 -->
Tascam DA-P1 --> Sony M1 (lead deck patch) @48k
Tranfer: Sony DTC-A6> Dio Maudio 2448 > Soundforge 4.5
(resample, add fades) > CD Wav > Shn via MKW .97
patch and transfer by Bill Gardner, bgard@speakeasy.net |
|
|
08/18/02
|
Fiddlers Green
Greenwood Village, CO |
2 flac |
|
|
(TS) Schoeps MK4 > M222 > KS222 |
(TS) Schoeps MK4 > M222 > KS222(cable) > NT222 (pre/power) > Apogee MiniME > Soundforge 5.0 (@24bit/48kHz) > Wavelab 4.0 > CD Wave > FLAC frontend (Level 6) > .flac
Taper: Richard Campbell (richardscampbell@yahoo.com)
Seed: Jason Brantley (jason@spreadwidepanic.com)
Wave Lab Notes:
-Fades added at start and end of sets
-Dithering from 24bit > 16 bit with UV22 HR
-Resampling from 48kHz > 44.1 kHz
-Some digital recording errors repaired
-There is some minor clipping (mostly t20 (T-Light))
-There is also a 24bit/48kHz .flac seed of this available
Other Notes:
-There was some wind this day and it's a apparent in the recording as it sounds very phasey at times.
If you find any errors drop me a line at jason@spreadwidepanic.com
For the details on FLAC and the software needed to decompress these files go to:
http://wiki.etree.org/index.php?page=FLAC
|
|
|
10/31/02
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
|
AKG 483 > Oade M148 > Mod SBM-1 (DIN, 17cm) 48.1 |
Source: AKG 483 > Oade M148 > Mod SBM-1 (DIN, 17cm) 48.1
Taped from: Front rail of tapers section, DFC
Taped by: Carl Beck
DAT > Audiophile 2496 > Sound Forge > CD Wave |
|
|
10/31/02
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 flac |
|
|
(FOB) Schoeps MK4V > CMC6 > V2 > AD1000 (@48kHz) |
Source: (FOB) Schoeps MK4V > CMC6 > V2 > AD1000 (@48kHz)
Taper: John Hubert
Transfer: D8 > Waveterminal 2496 (@44.1kHz -RealTime SampleRate Converter) > WaveLab > CDWave > .flac
Transfer and Seed: Jason Brantley (jason@spreadwidepanic.com)
-Fades added at start and finish of sets
-30 ms drop out in d1t06 WDYBT removed (inaudible edit - present on source DAT)
-6ms drop out in the right channel and a hicup of static at ~11:49 d1t05 Hatfield. I repaired the drop out with the audio from the left channel, and removed the static by hand (inaudible edit - present on source DAT)
|
|
|
11/01/02
|
Kiefer Lakefront Arena, University of New Orleans
New Orleans, LA |
2 flac |
|
|
(FOB/DFC/ORTF) B&K 4022> V2 > AD2K > DAP1 |
Taped by: Dave Friedman
Conversion: PCMR300 -> DiO 24/96 -> WavLab 4 -> CDWave -> Flac Frontend (.flac)
Converted and Seeded by: Rick rick@spreadwidepanic.com |
|
|
11/01/02
|
Kiefer Lakefront Arena, University of New Orleans
New Orleans, LA |
2 shn |
|
|
AKG 483 > Oade M148 > Mod SBM-1 (DIN, 17cm) 48.1 |
Taped from: Front rail of tapers section, DFC
Taped by: Carl Beck
DAT > AudioPhile 2496 > Sound Forge > CD Wave |
|
|
11/02/02
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
|
AKG 483 > Oade M148 > Mod SBM-1 (DIN, 17cm) 48.1 |
Taped from: Front rail of tapers section, DFC
Taped by: Carl Beck
DAT > AudioPhile 2496 > Sound Forge > CD Wave |
|
|
11/02/02
|
University of New Orleans Lakefront Arena
New Orleans, LA |
2 shn |
|
|
Neumann AK50+LC3+KM100(DIN) -> Oade m148 -> mod SBM1 |
Recorded By Mike Falcon(michel0749@hotmail.com)
Conversion: Fostex D5 -> Terratec 24/96 -> Cool Edit -> CD Wav -> SHN |
|
|
11/03/02
|
Columbus Civic Center
Columbus, GA |
2 flac |
|
|
B & K 4011's > Lunatec V2 > Apogee Mini-Me |
There were a few dropouts in the crowd noise before the encore. They were fixed in SF 5.0 @ 48k before resampling to 44.1k.
- Sector boundaries verified.
- Fades at the beginning and end of each set |
|
|
11/05/02
|
Macon Coliseum
Macon, GA |
2 flac |
|
|
Schoeps ccm4(ORTF,FOB,DFC)>oade m148>mod sbm-1 |
***There is a known flaw in this and atleast one other source that I am aware of. It occurs
atleast near the end of Rebirtha to the beginning of BGF. It sounds like your speaker is blown
while listening or some digital noise on the tape. The confirmation of this on two separate
sources by separate listeners confirms atleast to me that this was a problem at the show*** |
|
|
11/05/02
|
Macon Coliseum
Macon, GA |
2 flac |
|
|
Schoeps ccm4(ORTF,FOB,DFC)>oade m148>mod sbm-1 |
***There is a known flaw in this and atleast one other source that I am aware of. It occurs
atleast near the end of Rebirtha to the beginning of BGF. It sounds like your speaker is blown
while listening or some digital noise on the tape. The confirmation of this on two separate
sources by separate listeners confirms atleast to me that this was a problem at the show*** |
|
|
11/06/02
|
Lawrence Joel Veterans Memorial Coliseum
Winston-Salem, NC |
2 shn |
|
|
Neumann SKM-140s |
|
|
|
11/08/02
|
Von Braun Civic Center
Huntsville, AL |
2 flac |
|
|
FOB/DFC Schoeps MK4v > KC5 > CMC6 > V2 > AD1000 > D8 |
Taper: John Hubert
Transfer: D8 > Waveterminal 2496 (@44.1kHz - RealTime SampleRate Converter) > WaveLab 4.0 > CD Wave > .flac
Transfer by: Jason Brantley (jason@spreadwidepanic.com) |
|
|
11/09/02
|
Von Braun Civic Center
Huntsville, AL |
2 shn |
|
|
Nakamichi cm300 > Denecke AD/20 > Sony TCD-D8 @ 44.1 |
Transfer: Foster D-5 > Soundblaster Audigy SPDIF > WAV > CD > EAC > WAV > mkwACT |
|
|
11/10/02
|
North Charleston Coliseum
North Charleston, SC |
2 shn |
|
|
set I FOB/DFC 4011>v2>ad2k+> d7 set II FOB/DFC mg210>v2>ad2k+> d7 |
Taped by Brian Watson/ Ben Morrison. Patch by Ben Clary
Transfer: d7> Audiophile 24/96> oundforge 6 > Resampled from 48K to 44.1 at Level 4 with A.A.F. applied -> CDWave -> shn (mkw Audio Compression Tool) |
|
|
11/12/02
|
Bi-Lo Center
Greenville, SC |
2 shn |
|
|
Schoeps MK41 -> KC5 -> CMC6 -> v3 -> AD1000 -> DA-P1 |
Location: Front Row Center Taper's Section/DIN configuration
Transfer: DA-P1 -> Delta Dio 24/96 -> Soundforge 6.0 -> CD Wave -> mkwACT |
|
|
11/12/02
|
Bi-Lo Center
Greenville, SC |
2 shn |
|
|
Schoeps MK41 -> KC5 -> CMC6 -> v3 -> AD1000 -> DA-P1 |
Tapers: William Boswell & Jim Pollock
Location: Front Row Center Taper's Section/DIN configuration
Transfer: DA-P1 -> Delta Dio 24/96 -> Soundforge 6.0 -> CD Wave -> mkwACT
|
|
|
11/13/02
|
Civic Coliseum
Knoxville, TN |
2 flac |
|
|
Neumann Tlm 170 > v2 > Mini-Me |
|
|
|
11/15/02
|
Mid-South Coliseum
Memphis, TN |
2 shn |
|
|
B & K 4021 > ortf > 10 ft. stand 14th row > DFC > |
B & K 4021 > ortf > 10 ft. stand 14th row > DFC > eaa psp-2 > ad1000 >
Trashcan > sekd 24/96 Samplitude >
Plextor 2 drive > sekd >master cdr > this shn
Taped by the Klaus man - Converted to cd by the Klaus man - to shn by me |
|
|
11/16/02
|
Mid-South Coliseum
Memphis, TN |
2 shn |
|
|
B & K 4021 > ortf > 10 ft. stand 14th row > DFC |
B & K 4021 > ortf > 10 ft. stand 14th row > DFC > eaa psp-2 > ad1000 >
Trashcan > sekd 24/96 Samplitude >
Plextor 2 drive > sekd >master cdr > this shn
Taped by the Klaus man - Converted to cd by the Klaus man - to shn by me |
|
|
12/30/02
|
Philips Arena
Atlanta, GA |
2 shn |
|
|
Neumann KM 150 > V3 16/48 @ 38 db |
Tapers Section 109 Row GG Seat 10.
Taped by Jerry Meyer
Transfer : Panasonic SV-3800 > Card Deluxe>
Soundforge 6.0 > resampled to 44.1 using Soundforge 6.0;
Interpolation accuracy 4 (highest) w/ anti-alias filter. >
CD Wave 1.73 > mkwTool 0.97 Beta 1 >SHN
|
|
|
12/31/02
|
Philips Arena
Atlanta, GA |
3 shn |
|
|
T/S AKG 483 > Oade 248 > mod sbm-1 > m1 > tascam cdrw700 |
Taped by Ty Voyles Conversion by Jonathan Fox |
|
|
04/11/03
|
UIC Pavilion
Chicago, IL |
2 flac16 |
|
|
(TS, DFC) MBHO603a/KA500N > V3 > D8 |
Taper: Eric Foelske (Thanks for the Patch!)
Transfer: D5 > Multiset > WaveLab 4.0 > CDWav > .flac
Transfer: Jason Brantley (jason@sonicsense.com)
Flac Fingerprint
wsp2003-04-11d1t01.flac:a703f90e37551ea7fdaa8de067b1c6f4
wsp2003-04-11d1t02.flac:ec3377fb68ca76e364da6b607905a5a8
wsp2003-04-11d1t03.flac:6d32da9bd400d9ea58d6d6e3f765d3bf
wsp2003-04-11d1t04.flac:f46b809fca7ab2d8e56185b59e9588a9
wsp2003-04-11d1t05.flac:b72e43b928c46e2e16908becd28b1a0a
wsp2003-04-11d1t06.flac:d58842569244774f9c9efd07e32e9d3b
wsp2003-04-11d1t07.flac:1094be4fe0b1aab988ba059e69e901e2
wsp2003-04-11d1t08.flac:bb5a0dfe76d1ee818a6144c5d4b5c2d0
wsp2003-04-11d2t01.flac:4b5db8bf423f9ddf871b33cfbfcdf416
wsp2003-04-11d2t02.flac:33e50e313e237283b8fc709feaa47529
wsp2003-04-11d2t03.flac:2b93a89b27148cbe8b699f145bdcd39d
wsp2003-04-11d2t04.flac:b84562d957c5b58647702d33f98f8002
wsp2003-04-11d2t05.flac:7a23408736e1871b043df9f9c90f7ae1
wsp2003-04-11d2t06.flac:dcc2bfaba76a011658a94eb50683519f
wsp2003-04-11d3t01.flac:ea9be0b0282540aaacef029c2ed295c6
wsp2003-04-11d3t02.flac:087dd86f18376c59115b56857d4fbf83
wsp2003-04-11d3t03.flac:f1227fee83250ca88f7b07055170400a
wsp2003-04-11d3t04.flac:73cc8e7768c62a24261e8f41b3c3d317
wsp2003-04-11d3t05.flac:286f1ae1c826ce528dd3084b1affb34b
wsp2003-04-11d3t06.flac:fd658fab7b351ed6f0d76b9cb007a887 |
|
|
04/12/03
|
UIC Pavilion
Chicago, IL |
2 flac16 |
|
|
(FOB, DFC) MBHO603a/KA200N > V3 > D8 |
Taper: Eric Foelske (Thanks for the Patch!)
Transfer: D5 > Multiset > WaveLab 4.0 > CDWav > .flac
Transfer: Jason Brantley (jason@sonicsense.com)
Flac Fingerprint
wsp2003-04-12d1t01.flac:fd79f994a3a75091009f782f4fe733c7
wsp2003-04-12d1t02.flac:b92ce57777e6668052074c3df254bc84
wsp2003-04-12d1t03.flac:ff5aad91ac86ee02a22437a1d839d532
wsp2003-04-12d1t04.flac:0a4cf037aa29d73158b67cea99c3d9fe
wsp2003-04-12d1t05.flac:9cc70666448b2287c307b0f4e6a3054b
wsp2003-04-12d1t06.flac:250bb5abcbb261af9a2f883f55dabf88
wsp2003-04-12d1t07.flac:6024433ed1cc5284f7cc38a4ee16a35d
wsp2003-04-12d1t08.flac:205afba1b17768650492cd5c746ecb14
wsp2003-04-12d1t09.flac:e535ccc58e998d57cda3fc0136fc7b85
wsp2003-04-12d1t10.flac:451b4f344c82b66d9be2eb53cbfefb1d
wsp2003-04-12d2t01.flac:3dad1abde44fe490378962c657c1446e
wsp2003-04-12d2t02.flac:6b5533b23b7f1f34603fb8820511380f
wsp2003-04-12d2t03.flac:b6ee3901a20b108b5d7ca1a924e147cf
wsp2003-04-12d2t04.flac:763f59906d5cc188151b79a0039ddcf5
wsp2003-04-12d2t05.flac:e72f30159a4421be8938451e81e1f32e
wsp2003-04-12d2t06.flac:9baf3be4b0fef02eb1c176ce557dc14d
wsp2003-04-12d2t07.flac:429bb2cbab23e48efd9d1b2f1edef88c
wsp2003-04-12d2t08.flac:823d0c0a5906f9e980f2b24f2e22b4ad
wsp2003-04-12d2t09.flac:931306b94b3792d99001b17fe3b9a8a1
wsp2003-04-12d2t10.flac:a944ef5a7f5356356498bd4f0cb8602b |
|
|
04/12/03
|
UIC Pavilion
Chicago, IL |
2 shn |
|
|
DPA 4022's > V3 > DA-P1 @ 44.1 (FOB/DFC/ORTF) |
Transfer: DAT > Waveterminal 192-L > CDWave > mkwact > .shn (seek tables appended)
Taped and Transferred by Carl Beck |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/21/01
|
Beacon Theatre
New York, NY |
2 shn |
|
|
see notes |
Source: mics: SP-CMC-6 (www.soundprofessionals.com)
w/ AT hypercardiod capsules at ~110 degrees
power: SP-SPSB-2 9v module no roll-off ~.4 gain both l/r
dat: Sony M-1 9/10 level Mic -20db @ 44.1
loc: Loge-Center Front Row
Conversion:
Sony M-1 > Optical > Midiman > SPDIF >
Digital Front Bay SB Platinum >
CoolEdit WAV >
CDWav > SHN |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/22/95
|
La Zona Rosa
Austin, TX |
1 shn |
|
|
unknown |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/27/01
|
Bowery Ballroom
New York, NY |
1 SHN |
|
A |
B&K 4022's >Sonosax SX-M2 > AD2K > HHB1Pro |
|
|
|
01/15/02
|
The Fox Theater
Boulder, CO |
2 cdr |
|
|
B&K 4011 > V2 > AD2K > HHB (@44.1K) |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/30/68
|
Anderson Theatre
New York, NY |
1 shn |
|
|
unk |
|
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/28/78
|
Wembley Arena
London, England |
2 shn |
|
|
lineage unknown |
lineage unknown
soundboard A+
|
|
|
04/18/79
|
Colisee de Quebec
Quebec, QC |
2 shn |
|
|
Dynamite Studios DS94F059/60 |
Some of our readers may recall a release from several years ago titled "Rehearsal Tales",
a single CD containing a partial show from Quebec, April 18, 1979. Although the track
listing had a couple of errors, the music contained on that disc represented the finest
quality available of any yes concert on bootleg disc. In fact, it rivaled any official
release in range, balance, and performance. The original release was very limited in
numbers and it wasn't long before some of the bigger bootleg companies began making
their own copies of this disc.
As the story goes, Yes was recording many of their 1979 shows on a mobile multi-track
studio for release of an official live set to celebrate the groups ten year anniversary.
The project was even announced to the press and then scrapped. Somehow (you know how
these things happen!) a stereo mix-down from the quebec show found its way into the
hands of a collector who unwittingly traded it to a bootlegger. Of course, as usually
happens with bootlegs of outstanding quality, the bootlegger himself was bootlegged
(at least 3 different times). All versions of this single disc were worth picking up,
as little was lost in the transition from one CD to the next.
That is until now. Dynamite Studio, a Japanese outfit with reasonably good circulation
in the US has finally released the complete show, making all the previously available
single CD versions obsolete.
This double CD is nearly flawless! I say nearly because there is one minor edit towards
the end of "Starship Trooper" which also appeared on the "Rehearsal Tales" disc. This
distortion is said to be on the original master tape, and indeed it seems that is
probably the case. The highs on this CD don't get any higher. The bottom end will rattle
your walls, but, save for the mentioned segment, they will rattle your walls with perfect
clarity. This set HAS to rate in the top 10 boots of all time. You can even hear the
whale songs that Yes used between songs, for goodness sake. The audience is almost
invisible in the mix. The ICE newsletter has occasionally coined the phrase "bootleg hall
of fame" in their writings. If I had the opportunity to make my nominations for this
mythical establishment, this would rank right up there with Led Zeppelin's "Jennings Farm
Blues" and the Who's "From Lifehouse To Leeds" in importance. And it would take a back
seat to no one in terms of sound quality.
"Relayer" artwork has been implemented on the front cover with a fabulous photo of the
band and their stage set-up during a soundcheck on the back.
Holy Cow, I think we've got a winner! |
|
|
|
| Date |
Venue |
City |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/24/99
|
Arcata Community Center
Arcata, CA |
1 shn |
|
|
Soundboard > DAT > CDR |
|
|
|
09/16/00
|
Brewgrass Festival
Asheville, NC |
1 shn |
|
|
SBD > Sony D8(patch) |
|
|
|
11/02/00
|
Mystic Theater
Petaluma, CA |
2 shn |
|
|
SBD>pcm-601esd>coax digital out |
W/ David Grisman, Mandolin
Recording by:
SBD Ken "Easy Ed" Edwards
AUD Sandy Alexander (Kneumann KM254's)
CD Mastering by:
Ken "Easy Ed" Edwards |
|
|
05/31/01
|
Milwaukee Ale House
Milwaukee, WI |
2 shn |
|
|
Schoeps MK4V>KCY>VMS02IB>AD1000>D8 @ 48 kHz (FOB/DFC/ORTF 10' from stage @ 9') |
|
|
|
06/01/01
|
The Terrace
Madison, WI |
2 shn |
|
|
SBD>AppleMacintoshPB(vxpocket??)>CDR |
|
|
|
09/23/01
|
Orpheum Theater
Madison, WI |
1 shn |
|
|
Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 FOB, 10th Row DFC on 7.5' Stand |
|
|
|
10/26/01
|
Village Underground
New York, NY |
2 shn |
|
|
SBD > SONY D8>7PIN COAX>SONY D7>7PIN COAX>CDR(eac) |
|
|
|
09/14/02
|
Planet Bluegrass
Lyons, CO |
2 shn |
|
|
SBD>DAP1>DAT>ZA2>Soundforge>CDWav>MKWact |
|
|
Blues for Etree by Josh Simpson
|