Palace Theatre, New Haven, CT
| Recording |
SHNID 22362 |
| Source |
ments: Includes soundcheck; Nak 300 > D5 (Cass/0); Sony TC-WE805S > Art DI/O @48Khz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > REBA (24>16bit,48>44.1kHz) > SHNv3; Tap |
| Media |
SHN (2) 3 discs |
| Tech Notes |
All the cuts//flips have been crossfaded...the only one that's real noticable is the one in Forbin. There are also some volume changes that were left as is.
^ has an amazing opening section...teases almost the entire 1st set...has 2 singals in the beginning...
+ slow version
% has some volume weirdness right at the start....
* these tracks have instances of tape weirdness....they are unfixable.
**Show Mastering**
24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > BBE @ 2/2/-2 > Waves Broadband LinearEQ > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > Waves S-1 Imager > Waves L1+ (24bit, no dither, +7.5 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 3/Extreme via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3
**Soundcheck Mastering**
(SBD>DAT)Cass/2 > Sony TC-KA3ES > REBA @ 24bit/48kHz via tc electronic Finalizer 96K > SHN
BBE Processing was applied, as well as slight phase cancellation on the high frequencies to lessen the audible tape hiss.
|
| Microphones |
Nak 300s |
| Trades Allowed |
Yes |
| Lists |
Phish 1992 |
SHNID 22362
Includes soundcheck; Nak 300 > D5 (Cass/0); Sony TC-WE805S > Art DI/O @48Khz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > REBA (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond; Soundcheck: SBD > DAT > Cass/2; Sony TC-KA3ES > REBA (24>16bit,48>44.1kHz) > SHN