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Ron Hollatz's Collection

Phish   03/19/1992

Palace Theatre, New Haven, CT
Recording SHNID 22362
Source ments: Includes soundcheck; Nak 300 > D5 (Cass/0); Sony TC-WE805S > Art DI/O @48Khz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > REBA (24>16bit,48>44.1kHz) > SHNv3; Tap
Media SHN (2)   3 discs
Tech Notes All the cuts//flips have been crossfaded...the only one that's real noticable is the one in Forbin. There are also some volume changes that were left as is.
^ has an amazing opening section...teases almost the entire 1st set...has 2 singals in the beginning...
+ slow version
% has some volume weirdness right at the start....
* these tracks have instances of tape weirdness....they are unfixable.

**Show Mastering**
24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > BBE @ 2/2/-2 > Waves Broadband LinearEQ > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > Waves S-1 Imager > Waves L1+ (24bit, no dither, +7.5 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 3/Extreme via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3

**Soundcheck Mastering**
(SBD>DAT)Cass/2 > Sony TC-KA3ES > REBA @ 24bit/48kHz via tc electronic Finalizer 96K > SHN
BBE Processing was applied, as well as slight phase cancellation on the high frequencies to lessen the audible tape hiss.
Microphones Nak 300s
Trades Allowed Yes
Lists Phish 1992
SHNID 22362
Includes soundcheck; Nak 300 > D5 (Cass/0); Sony TC-WE805S > Art DI/O @48Khz (Input gain +~10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > REBA (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond; Soundcheck: SBD > DAT > Cass/2; Sony TC-KA3ES > REBA (24>16bit,48>44.1kHz) > SHN
Owned by Ron Hollatz · Last Updated Feb 24, 2005