Dene Wright's Collection
Grateful Dead 10/26/1980
Radio City Music Hall, New York, NY
| Source | Matrix |
| Media | CD 3 discs |
| Notes | All |
| J-Card Comment | Grateful Dead Radio City Music Hall New York, NY October 26, 1980 Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Brent Mydland - Keyboards, Vocals Bob Weir - Rhythm Guitar, Vocals *Matrix* ----------------------------------------------------------------- SBD (shnid=18862): SBD > MR > DAT > CD > EAC > SHN [Sets 1 & 2] [Updated lineage] SBD > MR > C (no dolby) > DAT > CD > EAC > SHN [Set 3] EAC/SHN by Darryl Hinko (flyerfanatic) Any questions contact me at: zflyerfanatic2817@yahoo.com EAC in secure mode with proper offsets used to extract SHNtool to join and confirm sector boundries CDwav used to split tracks Cool Edit used for all editing ----------------------------------------------------------------- AUD (shnid=8765): Source: Nak 700s>Sony D-5>MC>PCM>ZA2>CDR (Had been marked AUD(Wise Sony ECM 280?s)>Sony D-5>MC>PCM>ZA2>CDR) Conversion:Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR> EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) Taper: Jim Wise Location: Lower Balcony, Front Rail Conversion/Edit/Seeded to etree by Tim W. 4/8/02 EAC: Secure to extract all tracks @ 100% quality no errors Cool Edit Pro: [See source comments] CD WAV: Track splits SHN: Via mkwact(seekable) [SHNID=94269, transferred by Charlie Miller and recorded by Steve Rolfe, provides patches. See notes below.] ----------------------------------------------------------------- Thank you to Darryl Hinko for the SBD transfer, to Jim Wise and Steve Rolfe for recording the show, and to Tim W. and Charlie Miller for the AUD transfers. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) October 12, 2009 Set I (Acoustic) ---------------- d1t01 - Iko Iko d1t02 - Dark Hollow d1t03 - It Must Have Been the Roses d1t04 - On The Road Again d1t05 - Jack-A-Roe d1t06 - Cassidy d1t07 - China Doll d1t08 - Ripple Set II (Electric) ----------------- d2t01 - Tuning d2t02 - Jack Straw -> d2t03 - Sugaree d2t04 - Little Red Rooster d2t05 - Brown Eyed Women d2t06 - Let It Grow -> d2t07 - Don't Ease Me In Set III (More Electric) ----------------------- d2t08 - Tuning d2t09 - Samson and Delilah d2t10 - Althea d3t01 - Estimated Prophet -> d3t02 - He's Gone -> d3t03 - Jam -> d3t04 - Drums -> d3t05 - Space -> d3t06 - Not Fade Away -> d3t07 - Stella Blue -> d3t08 - Good Lovin' Encore ------ d3t09 - Brokedown Palace Notes: (1) I preferred the original Hinko SBD (shnid=18862) over the "upgrade" (shnid=18896) because the compression aspect of the remaster degraded the audio, in my opinion. (2) Jim Wise patched out of Steve Rolfe this night. They both ran Nak 700's. I preferred the Tim W. transfer of the Wise source (shnid=8765) over the Miller transfer of the Rolfe source (shnid=94269) for the following reasons: 1: While both sounded VERY similar, something about the sound of Tim's transfer appealed more to me - fuller sound? no EQ? not as "sharp" sounding? is my mind projecting these ideas? Probably. I'm still not quite sure if it is actually "better" sonically because, again, they sound very similar. I'm sure Miller and/or Tim could explain which is better because of their direct experience on their transfers. 2: While the above reason left my decision somewhat arbitrary, I did, however, notice instances of light tape flutter, or warbles, during different songs of Miller's source that were NOT present in Tim's source. From this I concluded that Wise's actual master tapes were of better quality, overall, than Rolfe's master tapes, and this solidified my decision to go with Tim's source. HOWEVER, there were some aspects of Miller's source that were definitively better than Tim's source: (a) Miller's had a couple audience sections, and a small portion of Drums, that were not present in Tim's transfer, which I spliced into the matrix (listed in note #3) (b) Good Lovin' and Brokedown Palace, for some reason, were of worse quality in Tim's source, especially Brokedown - the tape gets fluttery and has instances of miniscule dropouts. I was able to work through Good Lovin', but all of Brokedown is patched with Miller's source. (3) The AUD portion of the set 2 Tuning track is provided by shnid=94269, transferred by Charlie Miller and recorded by Steve Rolfe. It also provides the "Mexican Bobby" moment in set 3, an audience moment after Althea, a partial patch in Drums (a tape flip prevented a full patch), and all of Brokedown Palace. (4) There were a few similar cuts and/or tape flips in both AUD sources, such as the small cut at the beginning of On the Road Again. (5) I suspect a cassette generation in set 3, since sets 1 & 2 have less hiss and are much crispier. For this reason, I assume sets 1 & 2 are "SBD > MR > DAT > CD > EAC > SHN," and set 3 is "SBD > MR > C (no dolby) > DAT > CD > EAC > SHN." (6) Bobby's faux Mexican accent after Samson is downright awful. |
| Trades Allowed | Yes |
| Lists | Grateful Dead 1976-85 |
Owned by Dene Wright
· Last Updated May 23, 2023
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