Grateful Dead
July 19, 1989
Alpine Valley Music Theatre
East Troy, WI

Brokedown House Production

Taped by Anon
Capture by ween4me
Original Synch & Author by Kevin Tobin
ReSync & Author by Kevin Tobin
Note: Audio upgrade only - original video from ween4me was not altered in anyway

Set 1:
Tuning
Hell in a Bucket
Sugaree
Mama Tried
Mexicali Blues
Althea
Victim or the Crime
West LA Fadeaway
Desolation Row
Deal

Set 2:
Tuning
Box of Rain
Foolish Heart
Looks Like Rain
Terrapin Station
Drums
Space
The Other One
The Wheel
Morning Dew

Encore:
Turn On Your Lovelight

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Video:
Proshot in-house feed > 1st or 2nd gen vhs > stand alone > ripped with dvd decrypter > TMGEnc dvd author 1.6 > vegas 6.0 > dvd architect 3.0 > dvd > TMPGEnc MPEG Editor 2.0 > MKVToolNix GUI v96.0.0 > .mkv

I got this video from a guy who is a major filmer / seller in the Chicago area back in 1990 or so. After talking to him he told me he got this video a few days after the gig. He claimed he had the master tapes. When DVD came out he transferred his video to DVD with a standalone and I grabbed a DVD copy from him. So this DVD is either off the master tapes or a 1st or 2nd gen. copy. I then took the DVDâ€™s and created menus and chapters. They are some annoying voice overdubs between a few songs which makes me believe that this is either a 1st or 2nd gen. copy. No music was affected by the overdub voice. Enjoy.
[NTSC, 4:3, 6.0 Mbs, 720x480, 29.97 fps]

Audio Information:
Audio Track 1: SBD (shnid=138808)
Recording Info:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >
KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

All Transfers and Mastering By Charlie Miller
-- Mexican Hat Dance tuning before Victim Or The Crime
-- Two sets of master were used to make this show complete
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]

Audio Track 2: Audience
shnid = 92447 (updated shnid = 125856)
Recording Information:
Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008

Notes: Crossfades applied at tape flip after Althea and before Lovlight.
Most of the Drums were cut and the Space was cut into. For this reason no
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea

Audience (alt) - used to patch Drums
shnid = 106492
TAPER: GREG HOLTZ "Third night we were in the pavilion...we were in THE FIRST ROW in front of the SBD.
SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C.
TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 3: Matrix
shnid = 175255
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 4: 5.1 LPCM Surround Sound
shnid = 175297
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 5: DTS 5.1
shnid = 175284
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 3/4/5 are a combination of the sounboard listed above and this audience:
Audience
shnid = 92447 (updated shnid = 125856)
Recording Information:
Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008

Notes: Crossfades applied at tape flip after Althea and before Lovlight.
Most of the Drums were cut and the Space was cut into. For this reason no
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea

Audience (alt) - used to patch Drums
shnid = 106492
TAPER: GREG HOLTZ "Third night we were in the pavilion...we were in THE FIRST ROW in front of the SBD.
SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C.
TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]
