Phish
Sphere
Las Vegas, NV
05/02/2026

24 Bit/48Khz HD Audio
6 Channel Matrix

Source: OTS/DFC/7'high
B&K 4011 (AM Sorcerer) > Modded Lunatec V3 (AES Out) + DPA 4018 MMP-C (GAK XLR) + DPA 2015 (GAK XLR) > Sound Devices 788T @ 24/48

iZotope RX 11 Pro (Balance, Gain, DeClicker, Fades) > Sound Forge 18.0 Pro (Channel Converter 6ch to 2ch, Ozone 12 EQ, Dither) > CD Wave > FLAC (level 8) > MP3Tag

Recorded & Processed By: Brian Lee

Huge thanks to Patrick Price for the taper tickets. Thanks to Mark Davidson for the Modded V3 loaner.Thanks to Brian Durham for the DPA 2015 loaner. Thanks to Z-Man for the lodgting last minute. Thanks to Gregg Jordan for the clamp loaner, minw broke N1! Many thanks to the Phish taper crew for sharing in the groove!. Also thamks to Sphere crew for getting us all into the venue together which makes for such a pleasent entry.


SET 1

Farmhouse
Undermind
Ocelot
Back on the Train
Ether Edge >
Llama
The Horse > Silent in the Morning
Taste
Julius

SET 2

Frankenstein
Kill Devil Falls
Ruby Waves
Meatstick
My Friend, My Friend >
A Life Beyond The Dream
Character Zero

ENCORE

Wading in the Velvet Sea
Fluffhead


Farmhouse featured Trey on acoustic guitar, and the scene was of the outside of the Barn at night, with aurorae overhead. Before The Horse, Trey announced it was his favorite part of the night, and that Mike would now "invert," while Mike turned his coat inside out to a Fish drumroll. Among the visuals for Julius was a large, dragon-like creature rendered in neon lines, which swam behind the band at the song's peak. Frankenstein featured Page on keytar. My Friend, My Friend did not feature the "myfe" ending. The scene at the end of Wading in the Velvet Sea was a giant wall of concert photos.
