|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/29/98
|
Kesselhaus
Berlin, Germany |
1 SHN |
|
|
|
|
|
|
11/24/01
|
Pepsi Music Hall
Vienna, Austria |
1 SHN |
|
|
|
FM? Ripped using EAC |
|
|
03/10/04
|
Krakatoa
Bordeaux, France |
1 SHN |
|
|
TCD8 DAT PORTABLE SONY and a set of DPA 4061 bass roll off at 70 MHZ |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/05/04
|
Foellinger Auditorium (University of Illinois)
Urbana, IL |
1 SHN |
|
|
2 Shure SM81s » ART Technologies Tube Preamps |
Small high-end boost applied, both rolloff filters on the mics were used, and the sound guy at the venue was a little shaky -- hence some of the clipping. Part of it, though, my fault: piano range is so dynamic. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/10/98
|
The Starry Plough
Berkeley, CA |
1 SHN |
|
|
SBD > Yamaha MT120S > TDK cassette > through Yamaha MD8 mixer > Soundforge 7.0 > Nero 5.9 > CD > EAC > wav > shn |
the very beginning of t11 is cut because I was changing tapes on the recorder. |
|
|
11/26/98
|
ISC Club
Bern, Switzerland |
1 SHN |
|
|
Aud>Nero>Cool Edit Pro>mkw>shn |
seeder's note: This show was a disaster when I received it. The sound was poor, the track splits were seemingly randomly generated and on and on. I copied the show to the hd, retracked with Nero, EQ'd and reduced noise levels with Cool Edit before compressing with mkw. I had to cut out the last song entirely since it abruptly ended smack dab in the middle. In any case, the show sounds very nice now. If anyone has a complete version to share, that would be great. |
|
|
06/18/00
|
BBC Radio One Studio
London, England |
1 SHN |
|
|
|
Labeled as 2000-07-02 |
|
|
06/15/03
|
Paradiso
Amsterdam, Netherlands |
1 SHN |
|
|
aud > md(1) > cdr(1) > eac > shn |
|
|
|
06/19/03
|
Phoenix Arts Centre
Leicester, England |
1 SHN |
|
|
md(m) > cdr(1) > eac > shn |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/18/03
|
4th & B Theather
San Diego, CA |
1 SHN |
|
|
AT831s > SP-SPSB-1S batt. box (w/ bass rolloff set @ 107 Hz) |
Little bit of a rowdy crowd and an expected set for the type of crowd being played for, but great nevertheless. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/18/96
|
Black Session
St. Malo, France |
1 SHN |
|
|
FM |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/15/02
|
Memorial Auditorium
Chattanooga, TN |
1 FLAC |
|
|
CSB>Sharp MT90 Minidisc |
|
|
|
Jewel
Approximate hours: 3.75
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/17/01
|
Border’s Café
San Diego, CA |
1 FLAC |
|
|
original silvers |
"Border Caf?" HEN Home(r) Entertainment Network; Not sure if the concert date or venue are correct. I cannot find anything indicating that she played there and then. Her appearances the following few days at Humphrey?s by the Bay are well documented though. |
|
|
02/15/02
|
Columbiahalle
Berlin, Germany |
1 FLAC |
|
|
Digital Broadcast > ? > CDR(?) > EAC > FLAC |
|
|
|
12/13/03
|
Shrine Auditorium
Los Angeles, CA |
1 FLAC |
|
|
at853's (Cards) > SP Battery Box (Bass Roll off set at 107 mHz) > Sony TCD-D8 |
Star 98.7's Not So Silent Night |
|
|
Juanes
Approximate hours: 1.25
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/01/04
|
Große Freiheit
Hamburg, Germany |
1 SHN |
|
|
|
FM Radio Broadcast |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/30/00
|
Met Cafe
Providence, RI |
1 FLAC |
|
|
Soundboard Recording > Unknown |
|
|
|
08/01/02
|
Maxwells
Hoboken, NJ |
1 FLAC |
|
|
Audience DAT (Sony TCD-D8 / Sonic Studios SS-DSM6) |
This was converted from the original DAT by the taper. The original torrent was .mkw. This should replace those copies. |
|
|
01/09/04
|
T.T. the Bear's Place
Cambridge, MA |
1 FLAC |
|
|
Core-Sound binaurals (low cost, low sensitivity) > Sony MZ-R700 (lp2 mode) |
|
|
|
06/11/04
|
The Ark
Ann Arbor, MI |
1 FLAC |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/31/04
|
Mr. Small's Theatre
Millvale (Pittsburgh), PA |
1 SHN |
|
|
SP-CMC-2 (AT 831s) > SP-SPSB-6 (w/ bass rolloff @107Hz) > Sharp MD-DR7 (line-in, SP stereo) |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/25/93
|
Black Sessions
Paris, France |
1 SHN |
|
|
|
|
|
|
11/12/94
|
Metro
Chicago, IL |
1 SHN |
|
|
unknown SBD |
|
|
|
12/21/96
|
Slim's
San Francisco, CA |
1 FLAC |
|
|
unknown > CD-R > WAV(EAC) > FLAC |
|
|
|
??/??/96
|
The Other Side
B-sides & Rarities, Compilation |
1 SHN |
|
|
|
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/07/87
|
17 Nussbaum Road (House Party)
Raymond, WA |
1 SHN |
|
|
Silver boot |
also: "Boy Meets Girl" radio show Olympia WA 4.17.87 |
|
|
05/06/87
|
KAOS Olympia Community Radio
Olympia, WA |
1 SHN |
|
|
Silver boot |
with 1987-03-17 |
|
|
08/30/92
|
Reading Festival
Reading, England |
2 SHN |
|
|
[2 x UK FM broadcast > CDR] + [Vid master > CDR] |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/23/90
|
Studio [First Week Rehearsals]
Seattle, WA |
1 FLAC |
|
|
Master Reel > DAT(M) > ANA |
|
|
|
09/21/96
|
Maple Leaf Gardens
Toronto, ON |
1 FLAC |
|
|
Countryman Isomax II > Sony TCD-D7 (on 10' micstand just behind soundboard) |
Sound has been remastered to great improvement. One or two stereo to mono shifts are the only flaw that remains. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/12/89
|
Messepalast
Vienna, Austria |
1 FLAC |
|
|
FM Broadcast |
|
|
|
04/13/04
|
The Fine Line Music Cafe
Minneapolis, MN |
1 FLAC |
|
|
SBD > CD-R > EAC > FLAC |
edited with shntool version |
|
|
04/14/04
|
Burton Cummings Theatre
Winnipeg, MB |
1 FLAC |
|
|
SBD > CD-R > EAC > FLAC |
|
|
|
04/15/04
|
Doris Knight Hall
Regina, SK |
1 FLAC |
|
|
|
|
|
|
04/17/04
|
Prairieland Exhibition Park
Saskatoon, SK |
1 FLAC |
|
|
ripped in EAC @ 4x -> wav -> flac |
|
|
|
04/18/04
|
Red's
Edmonton, AB |
1 FLAC |
|
|
SBD > DiscLive CD-R > cdparanoia > FLAC |
|
|
|
04/19/04
|
MacEwan Hall
Calgary, AB |
1 FLAC |
|
|
Disclive -> ??? -> FLAC16 |
|
|
|
04/21/04
|
Victoria Curling Club
Victoria, BC |
1 FLAC |
|
|
Disclive CD (SBD) > EAC > FLAC |
Live at the Victoria Curling Club; Disclive put out two CDs for this show, but they will both fit on one CDR. I've left the song transitions as they were on the CDs, a couple of the tracks have two songs on them. |
|
|
04/22/04
|
Commodore Ballroom
Vancouver, BC |
1 FLAC |
|
|
|
|
|
|
04/23/04
|
Commodore Ballroom
Vancouver, BC |
1 FLAC |
|
|
Disclive CD > EAC > FLAC |
|
|
|
04/24/04
|
The Big Easy
Spokane, WA |
1 FLAC |
|
|
SBD > (LiveDisc production black box) > EAC > FLAC |
|
|
|
04/25/04
|
The Big Easy
Boise, ID |
1 FLAC |
|
|
SBD > CDR > EAC > WAV(editing) > FLAC |
Live in Boise, ID; It's less than 70 minutes in total length, so I consolidated it to one disc and redid the track divisions to match song starts. So it is a bastard, but an improvement in my opinion. Did by JRO |
|
|
04/27/04
|
McDonald Theatre
Eugene, OR |
1 FLAC |
|
|
DAT(M) [48kHz] > Core Sound Binaural > Sony TCD-D100 |
|
|
|
04/28/04
|
McDonald Theatre
Eugene, OR |
1 FLAC |
|
|
SBD + AUD > CDR [LiveDisc MASTER CLONE] > EAC > FLAC |
|
|
|
04/29/04
|
Freeborn Hall - University of California Davis
Davis, CA |
1 SHN |
|
|
|
|
|
|
05/01/04
|
Coachella Music Festival
Indio, CA |
1 FLAC |
|
|
AT831 (SP-CMC-2)>SPSB-1 w/ rolloff @ 69Hz>Nomad Jukebox 3, Line in (not mic), 16 bit 44.1kHz, +4 db gain firewire |
|
|
|
05/29/04
|
Festimad
Madrid, Spain |
1 FLAC |
|
|
WMA Lineage: 128kbps/48KHz WMA webcast > HD; FLAC Lineage: 128kbps/48KHz WMA > 48KHz WAV > 44.1KHz WAV > 44.1KHz FLAC |
incomplete; Live webcast at http://www.emisiondigital.com/, 10.09pm to 10.57pm; includes both the original WMA webcast master recording and a set of "Red Book" CD-Audio FLAC files; There are various volume adjustments during track 2. These are part of the original broadcast. |
|
|
06/02/04
|
Brixton Academy
London, UK |
1 FLAC |
|
|
Original DiscLive CDs -> EAC -> WAV -> FLAC |
|
|
|
06/03/04
|
Brixton Academy
London, UK |
1 FLAC |
|
|
DiscLive silvers(925 of 1500) > EAC > FLAC |
|
|
|
06/04/04
|
Brixton Academy
London, UK |
1 FLAC |
|
|
Silvers > EAC > Wav > Flac (level 5) |
|
|
|
06/05/04
|
Brixton Academy
London, UK |
1 FLAC |
|
|
Silvers > EAC > Wav > Flac (level 5) |
|
|
|
06/07/04
|
Le Zénith
Paris, France |
1 FLAC |
|
|
AUD -> Sony Ec-M717 -> MD Sony MZ-R95 -> Sb Audigy (analog transmission) -> Wavelab (editing) ->Flac |
The sound in the venue was a bit too "Head on" to my taste. you can hear it on the recording... I actually change MD during track 26 (i thought they'd leave stage for a real encore) so this track is actually edited. it is noticeable just before Frank begins to speak again. |
|
|
06/21/04
|
Rockwave Festival
Athens, Greece |
1 FLAC |
|
|
DAT(M) (SP-CMC-4 > SP-SPSB-1(69Hz bass roll-off) > Sony TCD D7) |
incomplete |
|
|
07/04/04
|
Werchter Festival
Werchter, Belgium |
1 FLAC |
|
|
MD(M) > CDR(2) > FLAC (M(icrophones)M(adness)-MCSM-4 Mini Cardioid+MM-EBM-1 Elite Battery Filter > Sharp-MD-MT190 > SPL Vitalizer > Tascam CD-Recorder) |
|
|
|
09/06/04
|
Memorial Stadium
Seattle, WA |
1 FLAC |
|
|
DPA 4061 > MPS6010 > Oade 2modSBM > NJB3 |
Heavy bass recording, adjust accordingly. Split for two discs at track 8 |
|
|
09/24/04
|
The Greek Theatre - University of California
Berkeley, CA |
1 FLAC |
|
|
AT831 (SP-CMC-2)>SPSB-1 w/ rolloff @ 69Hz>Nomad Jukebox 3, Line in (not mic), 16 bit 44.1kHz, +4 db gain |
|
|
|
09/24/04
|
The Greek Theatre - University of California
Berkeley, CA |
1 FLAC |
|
|
MBHO KA200N/603A's > Sound Devices MP-2 > Sony TCD-D100 @44.1kHz |
|
|
|
09/30/04
|
Magness Arena
Denver, CO |
1 FLAC |
|
|
Core Sound Binaurals > Nomad JB3 (44.1k WAV) |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/13/92
|
Maida Vale Studio
London, England |
1 SHN |
|
|
FM Broadcast |
Re-Broadcasted a few years ago; I am not exactly how it was recorded and what is the exact source; I have this labeled as BBC Radio1, Evening Sessions |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/30/04
|
Bottom of the Hill
San Francisco, CA |
1 FLAC |
|
|
CCM4 > SXM2 > SBM1 > M1+SBD > M1 > CDR (Straight off the editing workstation.) > EAC > FLAC |
Several problems in the masters caused the need to fake stereo from mono. Minor EQ, Minor Compression. This is the soundtrack for a forth-coming single angle aud DVD. |
|
|
09/23/04
|
Bimbo's 365 Club
San Francisco, CA |
1 FLAC |
|
|
SBD->SBM1(48K)->M1 |
TAPER's RECORDING NOTES: Although I had permission to record, the venue refused to allow me to set up a Mic stand (or tripod) and so the audience tape was mostly unusable. Luckily the mix on the board tape was very close to even, and needed only a little EQ to bring up the bass. I also added the tiniest touch or reverb to take the stark edge off and compressed the top 6db of peaks to bring the quiet sections up. I also edited out the first two minutes of the encore where Blake is preparing to play "Ripcord", gets a request to play "Simply Irresistible", tries to talk Jenny into joining in - and mostly fails. This allowed it to fit on one CD. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/13/03
|
Shrine Auditorium
Los Angeles, CA |
1 SHN |
|
|
at853's (Cards) > SP Battery Box (Bass Roll off set at 107 mHz) > Sony TCD-D8 |
Star 98.7's Not So Silent Night |
|
|
07/05/04
|
Key Arena
Seattle, WA |
2 SHN |
|
|
SP-CMC-2 (AT831) > SP-SPSB-1 Battery Module w/ Bass Roll off @ 160Hz > Nomad Jukebox 3 > 16/44.1 |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/23/92
|
Greater London Radio
London, England |
1 FLAC |
|
|
FM?> CDR>EAC>WAV>FLAC |
obvious cut in the recording...perhaps for commerical? SPFC lists this at 15 min. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/17/03
|
Paradise Rock Club
Boston, MA |
1 FLAC |
|
|
Audience DAT (Sony TCD-D8 / Sonic Studios SS-DSM6) > CDR(M)>FLAC (your copy will be CDR(1)) |
Taper notes: I'm really sorry about the poor splitting of tracks, not my fault. I think a lot of the songs are covers but I don't know by who. |
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/24/92
|
The Warfield
San Francisco, CA |
1 SHN |
|
|
commercial bootleg > CD |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/02/92
|
Melkweg
Amsterdam, The Netherlands |
1 SHN |
|
|
Double Trouble>CDR(2) |
Soundboard Recording (With audience mics in the mix) |
|
|
??/??/93
|
Cannonball 1993 / Double TroubleÂ
Compilation, Compilation |
1 FLAC |
|
|
Silver CD("Double Trouble") > CDR(2) |
|
|
|
04/09/94
|
University Of Louisiana
Baton Rouge, LA |
1 FLAC |
|
|
CD-R |
|
|
|
05/17/94
|
Gino
Stockholm, Sweden |
1 SHN |
|
|
Silver CD |
Live in Stockholm 1994 |
|
|
06/06/94
|
Cabaret Metro
Chicago, IL |
1 SHN |
|
|
|
|
|
|
11/03/01
|
The Glass House
Pomona, CA |
1 SHN |
|
|
Core Sound Binurals (Mod) > Sony TCD-D8 > CDR(3) > EAC > SHN |
|
|
|
02/01/02
|
Engine Room
Houston, TX |
1 SHN |
|
|
Audio Technica 853 Cards > Sony PCM-1 DAT > Sony-RW33 Remaster Rack Unit CD Master > Clone 1 > EAC > SHN |
|
|
|
02/15/02
|
Beachland Ballroom
Cleveland, OH |
1 FLAC |
|
|
Core Sound Binaurals(filter On)>Sony TCD-D8>CDR(1)>EAC>FLAC |
|
|
|
06/01/02
|
Astoria
London, England |
1 SHN |
|
|
MD(M) > CDR(2) > EAC > SHN |
|
|
|
03/24/04
|
Club 19 Broadway
Fairfax, CA |
1 SHN |
|
|
Sony m1/ OKMIIR/ A3 |
|
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/01/69
|
Dinner Key Auditorium
Miami, FL |
1 SHN |
|
|
|
|
|
|
Zwan
Approximate hours: 1.25
|
|
|
| Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/16/01
|
The Glass House
Pomona, CA |
1 SHN |
|
|
Schoeps MK4>Rmod2K1>SBM-1>M1 @ 48khz |
|
|
Blues for Etree by Josh Simpson
|