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| Music List For zyr |
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...And You Will Know Us By the Trail of Dead |
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Fennesz & Ensemble Musique Nouvelle |
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Ropeadope New Music Seminar |
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| Date |
City |
SHN link |
Format |
Size |
Source |
Count |
Microphones |
| 07/04/92 |
New York |
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shnf |
375.3 |
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1 |
RoIO |
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| 11/26/92 |
Rome |
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flac16 |
456.8 |
SBD> PreFm> SilverCD> EAC(secure)> flac(level8)
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1 |
RoIO |
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| 12/14/92 |
London |
|
flac16 |
398.6 |
silver CD > EAC (secure) > FLAC Frontend (level 8) > Flac
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1 |
RoIO |
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| 05/06/98 |
Washington |
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flac16 |
465.5 |
Sonic Studio DSM-6s>PA-6>Sony d6 cassette master recorded dfc fob 20' from stage
Transfer: mc>aiwa f-810>tascam da30mkIIq@44.1>zoltrix nightengale6.0 >sf7.0> wav de-noiser > cdwav >flac |
2 |
Sonic Studios DSM6s |
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| 06/20/98 |
St. Goarshausen |
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flac16 |
434.9 |
Boom Boom Baby bootleg (T.Rex TRCD 081, 98) > EAC (secure) > CD-R (first gen.) > > EAC v0.95pb5 (secure) > FLAC Frontend 1.7.1 Etree edition (level 5) |
1 |
RoIO |
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| 06/23/00 |
Atlanta |
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flac16 |
481.6 |
AKG 414 TL-2s > Oade M248 preamp > SBM-1 > Sony D8 > SPDIF, encore break fade between 12 and 13 to make the show fit on a single disc; show with Jim O'Rourke
Extraction: CD-R (unknown generation) > EACv0.95pb5 > FLAC Frontend 1.7.1 (level 5) |
1 |
AKG 414 TL-2 |
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| 11/08/03 |
Long Beach |
Source Detail |
shnf |
536.4 |
25 meters back, mics in hat > DPA 4011 > M1] &
[soundboard > M1] >
> ProTools > coaxial in > Philips stand alone burner > master CD-Rs >
CD-Rs > EAC > SHN |
2 |
MIX |
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| 04/03/04 |
East Sussex |
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flac16 |
430.5 |
in front of side left speaker (8M left of soundboard, 12M from stage) >
Marantz EM-8 > Sharp IM-DR420, Sony MDS-JA20ES > optical cable > Creative
Sound Blaster Platinum 5.1 > Cool Edit Pro 2.0 > Nero 6 > EAC (secure) > Flac Frontend (level 8) > Flac |
2 |
Marantz EM-8 |
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| 06/10/04 |
Santa Monica |
|
shnf |
280.1 |
FM > Sony TDC-A7
Transfer: Sony TDC-A7 > Monster Cables > Sound Studio > SHN |
1 |
FM |
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| 07/15/04 |
Portland |
Source Detail |
flac16 |
536.8 |
Schoeps MK4s (ORTF)>Nbox>Oade mod SBM-1@44.1>Sony PCM-M1
TRANSFER: Tascam DA-20 MkII>Emagic Audiowerk2>CD Wave Editor>FLAC Frontend v1.7.1
taped and mastered by Robert Dempster (karob@easystreet.com) |
2 |
Schoeps MK4 |
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| 07/15/04 |
Portland |
Source Detail |
flac16 |
603.1 |
1:SBD -> D8 -> FLAC
Taper: Sean Dickson
Source 2: Superlux SMK-H8K/C -> Canare Starquad -> digimod UA-5 -> Nomad Jukebox 3
Location: Slight right of center, 20' from stage, mics DIN @ 9'
Conversion: JB3 -> IEEE1394 -> FLAC Frontend 1.7.1 -> .flac
Taper: Chris Vincent
Mix: Adobe Audition
Mix by: Deanq4 |
2 |
MIX |
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| 07/29/04 |
Chicago |
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flac16 |
169.4 |
Sony ECM-MS907 stereo mic > Sharp MD-MS702 minidisc > Echo Mia Soundcard > Soundforge> FLAC
Recorded & FLAC by Alien Rendel |
2 |
Sony ECM-MS907 |
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| 08/05/04 |
Toronto |
Source Detail |
flac16 |
673.4 |
Creative Labs Nomad Jukebox 3, SP-CMC-4(AT853's), SP-SPSB-1
Generation:
SP-CMC-4>SP-SPSB-1@69HZ>JB3M(48Khz)>REMASTER>44.1Khz>CDR([1] YOUR COPY)
Notes:
Recorded just slight right of center stage, approx 20 feet from PA.
Dude Ranch Nurse required two takes as Thurston had the wrong guitar on the first take. |
2 |
SP-CMC-4 |
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| 10/23/04 |
Mountain View |
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flac16 |
178.7 |
Schoeps > DAT > optical > WAV > FLAC
location: in one of the lower sections |
1 |
Unknown Schoeps |
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| 10/24/04 |
Mountain View |
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flac16 |
156.9 |
Schoeps > DAT > optical > WAV > FLAC
location: in one of the lower sections |
1 |
Unknown Schoeps |
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| Date |
City |
SHN link |
Format |
Size |
Source |
Count |
Microphones |
| 04/27/04 |
Asheville |
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flac16 |
384.9 |
SBD > M1 @ 44.1kHz
Transfer: D8 > M-Audio Delta 2496
Software: Steinberg WaveLab v4.0 (transfer and fade in/out)
CD Wave v1.71 (tracking)
Flac Frontend v1.7.1 (level 5) |
2 |
Soundboard |
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| 06/13/04 |
Bloomington |
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flac16 |
487.7 |
AKG c480b > ck63 (hyper, DFC, DIN, FOB) > apogee mini-me (@ 44.1) > tascam da-p1 |
2 |
AKG c480b > ck63 |
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| 09/20/04 |
Chicago |
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flac16 |
420.2 |
Neumann SKM 184 in ORTF > Apogee MiniMe > Sony D8 >
M Audio Delta DiO 2496 > Soundforge 6.0 > CD Wave > FLAC
Taped, Tracked and Converted by Jacob Kosakowski (SireVoid@aol.com) |
2 |
Neumann SKM 184 |
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| 12/30/04 |
Atlanta |
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flac16 |
461 |
mk21 > kc5 > cmc6 > m428 > ad1000 > jb3/d8 (48k)
Location: DFC, FOB, NOS (30cm, 90deg)
Transfer: jb3 (usb) > wavelab > SHNTool > WAV > FLAC (lvl 6)
Taped by Innis Nelson, transferred by Todd (titotito@gmail.com) |
2 |
Schoeps mk21/cmc6 |
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| 12/31/04 |
Atlanta |
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flac16 |
491.6 |
mk21 > kc5 > cmc6 > m428 > ad1000 > jb3/d8 (48k)
Location: DFC, FOB, NOS (30cm, 90deg)
Transfer: jb3 (usb) > wavelab > SHNTool > WAV > FLAC (lvl 6)
Taped by Innis Nelson, transferred by Todd (titotito@gmail.com) |
2 |
Schoeps mk21/cmc6 |
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| 01/20/05 |
Sydney, NSW |
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flac16 |
476.5 |
Brett Habel
Source: Schoeps MK4 > Schoeps KCY 250 > Sonosax SX-M2/LS2 > Sony D100 DAT
Location: Dead centre, 6' up (hat mount)
Conversion: DAT(M) > Tascam DA-20mkII > Audiomedia III > ProTools LE 5.3.1 > WAV
Editing: Cool Edit Pro 2.0 (fades), CD-Wave (tracking)
FLAC: WAV > shntool 2.0.3 > FLAC (FLAC 1.1.1)
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2 |
Schoeps MK4 |
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| Date |
City |
SHN link |
Format |
Size |
Source |
Count |
Microphones |
| 07/01/00 |
Florence |
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flac16 |
347.2 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)
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1 |
Audio Technica AT 853 |
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| 07/02/00 |
Gilford |
|
flac16 |
347.7 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8) |
1 |
Audio Technica AT 853 |
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| 07/06/00 |
Hyannis |
|
flac16 |
135.9 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8) |
1 |
Audio Technica AT 853 |
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| 07/08/00 |
Danbury |
|
flac16 |
351.1 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8) |
1 |
Audio Technica AT 853 |
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| 07/09/00 |
Newark |
|
flac16 |
324.9 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8) |
1 |
Audio Technica AT 853 |
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| 07/10/00 |
Vienna |
|
flac16 |
294 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8) |
1 |
Audio Technica AT 853 |
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| 07/11/00 |
Baltimore |
|
flac16 |
386.6 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8) |
1 |
Audio Technica AT853 |
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| 07/13/00 |
Rochester Hills |
|
flac16 |
343.5 |
CMC-8 > SPSB-6 > Sony MZ-R90
MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1)
CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2)
CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4
CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8) |
1 |
Audio Technica AT853 |
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| 07/04/01 |
Chicago |
|
flac16 |
554.4 |
FM (WXRT)
Transfer: Phillips CDR930 > WAV > Roxio Soundstream Sound Editor > CDR > EAC > FLAC Frontend |
1 |
FM |
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| 09/26/01 |
Washington |
Source Detail |
shnf |
527.3 |
SBD > ADC-20 > DAP-1
Taped by Craig Davis (craigdavis1@email.msn.com)
Conversion: D-8 > Oade I/O > Monster Coax > EgoSys WaveTerminal U2A >
Soundforge 5.0 > HD > WavTrim > mkw (fade ins & outs, no DAE, seek tables appended)
by Johnny Firewood (johnnyfirewood@hotmail.com) |
2 |
SBD |
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| 03/11/02 |
Phoenix |
|
shnf |
613.3 |
B&K4022(ortf)>EAA-PSP2>ad1k>dap1 (fob 45'/dfc)
taper: Marc Natelsky
conversion: da20mkII > Tascam cdr700 > eac1 > shn |
2 |
DPA 4022 |
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| 09/03/02 |
Portland |
|
shnf |
567.1 |
SBD>XLR's>+(FOB/DFC, 1st row balcony, x/y 90')MG200's>X-streams>
Behringer MX-602A>SMB-1>D8 (90% SBD, 10% AUD, Matrix)
Transfer- D8>coax>U2A>Cool Edit>CDWAV>MKW |
2 |
MATRIX |
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| 10/14/02 |
Washington |
Source Detail |
shnf |
656.5 |
DPA 4022 > Sonosax SX-M2 > Audio Magic Excalibur II XLRs >
Apogee Mini-Me @ 16/44.1 > Digigram VXPocket V2 >
Screenblast Sound Forge Deluxe V1.0b > Sony Vaio PCG-SRX87
Location: 40 ft. stage right stack, taper's section
.wav > SHN: .wav > CD-WAV/mkwACT > .shn
Taper: George Wang
|
2 |
DPA 4022 |
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| 10/15/02 |
Washington |
Source Detail |
shnf |
603.3 |
DPA 4022 > Sonosax SX-M2 > Audio Magic Excalibur II XLRs >
Apogee Mini-Me @ 16/44.1 > Digigram VXPocket V2 >
Screenblast Sound Forge Deluxe V1.0b > Sony Vaio PCG-SRX87
Location: 40 ft. stage right stack, taper's section
.wav > SHN: .wav > CD-WAV/mkwACT > .shn
Taper: George Wang
Source: DPA4022 > Lunatec V2 > Audio Magic Excalibur II XLRs >
Apogee Mini-Me @ 16/44.1 > Digigram VXPocket V2 >
Screenblast Sound Forge Deluxe V1.0b > Sony Vaio PCG-SRX87
Location: 40 ft. stage right stack, taper's section
.wav > SHN: .wav > CD-WAV/mkwACT > .shn |
2 |
DPA 4022 |
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| 11/10/02 |
Iowa City |
Source Detail |
flac16 |
759.6 |
I was hooked into the source below using an analog cable
(rca outputs to mini cable into a sony d7)
Source: MBHO MBC 440 (DIN,90)->apogee ad1000->tascam DA-P1@44.1
(DIN, 90, FOB, DFC, 13ft) |
2 |
MBHO MBC 440 |
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| 05/01/03 |
Asheville |
Source Detail |
shnf |
792.8 |
Schoeps MK-41 (DIN)-> KC5-> CMC6-> Lunatec V3 @ 24/48 -> Fujitsu Lifebook P-2040 Laptop
(VXPocket V2, Win2K, Sonic Foundry Vegas Video 2.0c).
16-bit mastering performed with Sound Forge 5.0 in order:
1. Fades at beginning and end of sets and encore.
2. Downsampling to 44.1kHz with anti-alias on at level 4 [best quality].
3. Dithering and noise shaping applied with Waves L1 Ultramaximizer Type 1 dither with Ultra Noise shaping, truncation to 16-bit).
Resulting 16-bit wav files were split using CDWave. SHN files generated with mkwACT.
*16-bit/44.1kHz version of 24-bit/48kHz recording*
Recorded and mastered by Jim Pollock
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2 |
Schoeps MK-41 |
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| 06/23/03 |
Boston |
|
flac16 |
575 |
Sony ECM-MS907>Sharp MT-99 MiniDisc Recorder@44.1>
M-Audio Transit USB Interface>Sonic Foundry Soundforge 5.0>
Sonic Foundry CD Architect 5.0>Data CD (master audio CD)>
Harmon Kardon CDR-26 (for dupes)>CDr
Taper: Ray Boyce
Transfer: cdr>EAC(secure mode)>WAV>FLAC Frontend (level 8)>FLAC
Transfer by: Planetchad |
2 |
Sony ECM-Ms907 |
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| 07/03/03 |
Milwaukee |
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flac16 |
516 |
Schoeps CMC6>MK4>V3
Recorded by Kevin Hughes
Transfer:DA-20 -> Audiophile 2496 ->Soundforge 6.0(48->44.1) ->CDWAV->mkwACT->shn
Transfer By Jay Morris(jaymorris814@hotmail.com) |
2 |
Schoeps CMC6 > MK4 |
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| 05/19/04 |
Dekalb |
|
shnf |
654.2 |
Earthworks SR77's (FOB, ORTF) > Lunatec V3 (44.1 kHz, ANSR on) > Sony TCD-D10proII
Transfer: Tascam DA20 mkII > Delta DiO 2496 > HD > CD Wave (tracking) > Sound Forge 6.0
(fades on d1t01 and d2t10) > flac
Taped and transfered by Jerry Eaglebarger: chitaper@mindspring.com
Converted from flac to shn for Furthur sharing using mkwACT 0.97 beta 1 |
2 |
Earthworks SR77 |
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| 06/09/04 |
Washington |
Source Detail |
flac16 |
673.4 |
Schoeps MK-4V (ORTF at front right corner of TS on 10' stand)-> KC5-> CMC6->
Lunatec V3 @ 24/96-> Ipaq 5555 (PDAudio, Live 2496)
16-bit mastering performed with Sound Forge 7.0 in order:
1. Fades added at beginning and end of show and during the initial encore break when hard drives were swapped.
2. Downsampling to 44.1kHz with anti-alias on at level 4 [best quality].
3. Dithering and noise shaping applied with Waves L1 Ultramaximizer Type 1 dither with Ultra Noise shaping, truncation to 16-bit).
Resulting 16-bit .wav files were split using CDWave. FLAC files generated with FLAC Frontend.
Recorded and mastered by Jim Pollock
|
2 |
Schoeps MK-4V |
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| 06/11/04 |
Manchester |
Source Detail |
flac16 |
398.5 |
B&K 4022 (ORTF)-> Sonosax SX-M2-> Apogee MiniMe DFC FOB
Transfer: Sony R500-> Delta Dio 24/96 via coax-> Vegas 4.0
Resampled (48-> 44.1) and fades added in Soundforge 7.0-> CDWave for track splits->
FLAC frontend
Taped By: Craig Davis
Transferred By: Jim Pollock |
1 |
B&K 4022 |
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| 08/02/04 |
Milwaukee |
|
flac16 |
688.3 |
Earthworks sr77's > Lunatec v3 (44.1 khz, ANSR on) > Sony TCD-D10
Transfer: Sony TCD-D10 > SB Audigy Platinum > CD Wave > Sound Forge 7.0 (fades addded at beginning d1t01 & d2t01, and end of d1t12 & d2t10) > flac
Taped & Transferred by Dave F. (fezfreak@comcast.net) |
2 |
Earthworks sr77 |
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| 08/03/04 |
Toronto |
|
flac16 |
564.6 |
KM184 > V2 > UA-5 > JB3
(50', 10'ROC, 8'up, 70?/20cm)
Transfer:
------------------------------------------------------------
firewire > CEP 2.1 > CDWave > FLAC |
2 |
Neuman KM184 |
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| 09/14/04 |
Columbia |
Source Detail |
flac16 |
617 |
B&K 4021s (Spaced 17cm aimed at outside of stacks) > V3 (High pass position 1) > M1 DFC FOB at lip of step going to dance floor.
Lineage: Master DAT played on DA-P1 > Audiophile 2496 > Samplitude 7.0 > CD Wave > Flack Frontend.
Taped by: Steve Brothers & Mike Mettis
Transferred by: fobstl
ADDITIONAL NOTES: Samplitude used for transfer, resample and fades. CD Wave used to track. Deck paused during encore break before New Madrid to conserve tape - starts up just as Jeff speaks - no banter missing, just crowd. |
2 |
B&K 4021 |
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| 09/15/04 |
St. Louis |
Source Detail |
flac16 |
578.9 |
Earthworks SR77 > Lunatec V2 > D100 Orchestra pit, front row very hard left,
mics a/b at stack.
Conversion:
D100 > S/PDIF > Digidesign Digi002-r > Protools 6.0 >
Peak 3.2 (trackbreaks) > FLAC frontend |
2 |
Earthworks SR77 |
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| 09/23/04 |
Atlanta |
|
flac24 |
1437 |
AT 831's > Mic 2496 > PDAudio-CF (24/48) > HD > Goldwave (track split) > FLAC Frontend
***24 BIT FILES*** |
2 |
Audio Technica AT 831 |
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| 09/24/04 |
Asheville |
|
flac16 |
615.6 |
AT 853a > Samson PM4 > Sound Devices MP-2 >
Sony SBM-1 @ 44.1kHz > Creative Labs NJB3
Mic Info: cardioid, DIN, @ SBD ~ 7' RoC, on stand @ 7'
Transfer: NJB3 > Firewire via Notmad Explorer 8.5.4a >
HDD > Wavelab v4.0c (fade in/out) >
CD Wave v1.93.3 (tracking, flac encoding- level 5 |
2 |
Audio Technica AT853a |
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| 10/05/04 |
New York |
|
shnf |
617.4 |
Schoeps CMXY 4v > Lunatec V3 > D8
Transfer: DAP1 > Phillips 765
CD > EAC > WAV > SHN
Recorded and transferred by Pete Costello |
2 |
Schoeps CMXY 4v |
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| 10/06/04 |
New York |
Source Detail |
shnf |
577.3 |
13th row center section (row NN, seat 413)
Source: DPA 4021 > Lunatec V3 > Sony M1
Transfer: Sony D8 > Emagic 6/2 > Peak 4.12 > xACT |
2 |
DPA 4021 |
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| 10/08/04 |
Saratoga Springs |
Source Detail |
flac16 |
628 |
Neumann SKM-184 (A/B 6' from left PA stack at a height of 12') > Sound Devices MP2 >
Oade mod Sony SBM-1 > Creative Labs Nomad Jukebox 3 > Sound Forge 7 (fades) > CD Wave >
FLAC v1.1.1 by Mike Wren (mw@mikewren.com) |
2 |
Neumann SKM-184 |
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| 10/09/04 |
Toronto |
Source Detail |
flac16 |
668.8 |
KM184 > V2 > EMagic A62 > laptop (Kristal 24/44.1)
Mic Config:
------------------------------------------------------------
DIN (90?/20cm, ~50', FOB,DFC, 7'up)
Post:
------------------------------------------------------------
CEP 2.1 > Waves (eq/L2 dither) > CDWave > flac |
2 |
Neumann KM184 |
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| 10/10/04 |
Ann Arbor |
|
flac16 |
627.3 |
AT853Rx (+48v; Cardoid, attatched to stocking cap; Section MZ10; RowD, Seat 507) -> Oade W-Mod UA-5 -> via optical -> Creative Nomad Jukebox 3 (16-bit/48khz)
Transfer: Firewire
Tracking: Using regions menus in Sonic Foundry Soundforge 6.0
Normalize: None
Resampling: 48khz to 44.1Khz using Sonic Foundry Soundforge 6.0 (Interpolation accuracy = 4; apply anti-alias filter).
FLAC: Using Flac Frontend (coding level 8)AT853Rx |
2 |
AT853Rx |
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| 10/25/04 |
Minneapolis |
|
flac16 |
642 |
dpa 4022(x-y)>oade m148>oade mod sbm1>sony m1 clamped to balcony light bar, DFC, 45' from stage.
Taped by Marc N.
Transfer: cdr>EAC (secure mode-offset corrected)>WAV>Flac Frontend (level 8)>FLAC |
2 |
DPA 4022 |
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| 10/26/04 |
Minneapolis |
|
flac16 |
626.7 |
dpa 4022(x-y)>oade m148>oade mod sbm1>sony m1 clamped to balcony light bar, DFC, 45' from stage.
Taped by Marc N.
Transfer: CDR>EAC(secure mode)>wav(tracks joined & split with Goldwave
and CDWave)>FLAC frontend(level 8)>FLAC
Transfer by bldad |
2 |
DPA 4022 |
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| 10/29/04 |
Chicago |
Source Detail |
flac16 |
639.9 |
AKG 483 > V3 > D8
Transfer: Tascam DA20 > Edirol UA-1D > CD Wave > Adobe Audition 1.0 (48 > 44.1) > CD Wave > FLAC
Taped and converted by Jeff Frank jsfrank@sbcglobal.net
|
2 |
AKG 483 |
 |
| 10/30/04 |
Chicago |
Source Detail |
flac16 |
627.5 |
Soundboard > Analog RCA to 8th inch pin cable > Sony Hi-MD Walkman MZ-NHF800
(Hi-SP recording setting) >usb transfer to computer in OpenMG format
Conversion: OMG > WAV via HIMDRENDER.exe ( http://www.marcnetsystem.co.uk/ ) >
fade in and out via cool edit pro 2.0 > track cuts made by CD Wav Editor >
SNH via MKW Audio Compression Tool |
2 |
Soundboard |
 |
| 10/31/04 |
Chicago |
Source Detail |
flac16 |
659.1 |
AKG 483 > V3 > D8
Transfer: Tascam DA20 > Edirol UA-1D > CD Wave > Adobe Audition 1.0 (48 > 44.1) > CD Wave > FLAC
Taped and converted by Jeff Frank jsfrank@sbcglobal.net
Tpaede from the 1st row of the balcony in the right corner. Seat 201. |
2 |
AKG 483 |
 |
| 11/06/04 |
Denver |
Source Detail |
flac16 |
674.4 |
Oktava MC-012 (cards DIN)> Edirol UA5 > Nomad JB3 (44.1k WAV)
JB3 > Firewire > SoundForge 7.0 (Waves L1 Ultramaximizer+ > Waves L2) > CD Wave (tracking) > FLAC |
2 |
Oktava MC-012 |
 |
| 11/06/04 |
Denver |
|
flac16 |
638.3 |
MBHO 603a ka500hn > tmod UA-5 > JB3 >
WaveLab Lite > CDWav > Flac
Taped/Transferred by: Rodney Ramsay rodsquad@adelphia.net |
2 |
MBHO 603a + ka500hn |
 |
| 11/10/04 |
Seattle |
|
flac16 |
669.7 |
Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket (24 Bit/48 Khz) > Samplitude 7.0 > 16 bit/44.1 Khz (using pow -r #3 (noise shaping dithering) > FLAC v1.7.1
(FOB dead center) |
2 |
Neumann AK40>LC3>KM100 |
 |
| 11/15/04 |
San Francisco |
|
flac16 |
726.1 |
Schoeps CCM4s > EAA PSP-2 > SBM-1 > TCD-D100 @44.1 kHz
Transfer: Fostex D-5 > M-Audio DiO 2496 > ASIO > n-track 3.3 > WAV > shntool 3.0.2 > flac 1.1.1 |
2 |
Schoeps CCM4 |
 |
| 12/31/04 |
New York |
|
shnf |
620.3 |
DPA 4021 > Lunatec V3 > Sony D8
Transfer: Sony D8 > Emagic 6/2 > Peak 4.11 (G5) > xACT |
2 |
DPA 4021 |
 |
| 12/31/04 |
New York |
|
flac16 |
671.5 |
DPA4022 > Sonosax SX-M2 > Audio Magic Hyper-Conductor > SBM-1 (Oade T-Mod)
Location: Sec 1, Row J, Seat 1, 10th row stage left stack, 20 ft. stage left stack
DAT > FLAC: D100 > Digigram VXPocket V2 > Steinberg WaveLab v5.00a > CD-WAV >
FLAC frontend v1.7.1 > .f |
2 |
DPA 4022 |
 |
| 02/09/05 |
Columbus |
|
flac16 |
657.5 |
Schoeps cmc64>Lunatec V3>HHB/Sony D8
Transfer: Sony D8>Nomad JB3> Flac 6>WAV>CDWav (Tracking)> Flac (lvl 8)
Taper: Nate Fisher |
2 |
Schoeps cmc64 |
 |
| 02/11/05 |
Cincinnati |
|
flac16 |
606.7 |
AKG 393s(XY@90 deg,pointed at stack)->UA-5@48 kHz->Nomad JB3
Transfer: JB3->PC->Cool Edit Pro (48 kHz->44.1 kHz)->CDWAV->FLAC
Recorded by Bob Mouk & Chad Hobbs
moukrc@fuse.net |
2 |
AKG 393 |
 |
| 02/11/05 |
Cincinnati |
|
flac16 |
709 |
ck63 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple G4 Powerbook via Spark XL v2.8 @ 24/48
Location: Main Floor, Center, Row L, Seats 11,12
Conversion: Spark XL to track, resample, and dither. xACT to create flac file set. |
2 |
ck63 |
 |
| 02/12/05 |
Memphis |
|
flac16 |
713 |
ADK-TLs (matched)> V3> JB3
Location: Grand Terrace of the balcony, seat 103
Configuation: DINa, at head height
Lineage: JB3> HDD> CDWave |
2 |
ADK-TL |
 |
| 02/16/05 |
Tampa |
|
flac16 |
686.9 |
SP AT853 (cards, HRTF) > SP BatteryBox > JB3 (16/44.1)
Transfer and Tracking:
JB3 (1394) > Creative PlayCenter > CDWave > FLAC |
2 |
Audio Technica AT853 |
 |
| 02/19/05 |
North Myrtle Beach |
|
flac16 |
522.2 |
Nakamichi CM300's [CP1, DIN, DFC in the sweet spot, Lo Cut Filter]> Line Mixer> D7> JB3 (wav, 44.1, 2 db gain boost)
Transfer: JB3> USB> Cool Edit Pro 2.0> CD Wav 1.93> Flac Frontend (level 5)
Taped and Transferred by Patrick Moore (direwolf207@hotmail.com) |
2 |
Nakamichi CM300/CP1 |
 |
| 02/19/05 |
North Myrtle Beach |
|
flac16 |
708.9 |
b&k 4022(x/y) > V3 > mme > dap1 (fob/dfc)
Transfer: R500 > SRC2000 > Datport > Wavelab > Shntool > FLAC (lvl 6) |
2 |
DPA 4022 |
 |
| 02/21/05 |
Charlotte |
|
flac16 |
654.2 |
AT 853-H (FOB @ ORCHCR Row V Seat 1, DIN on stand @ 6') >
SD MP-2 > NJB3 (line in @ 44.1kHz) > Notmad Explorer v8.7.0 >
CD Wave v1.94.2 beta > Wavelab v4.0c > Flac Frontend v1.7.1 |
2 |
Audio Technica AT853-H |
 |
| 02/21/05 |
Charlotte |
|
flac16 |
602.4 |
Schoeps MK-41 (aimed at stacks)-> KC5-> CMC6xt-> Sound Devices 744T @ 24/96 (Orch Center, Row O on left aisle) |
2 |
Schoeps MK41 |
 |
| 02/23/05 |
Washington |
|
flac16 |
786.1 |
DPA(B&K)4022s(xy)->V3->Minime->DA-P1
Recorded by Craig Davis
Master DAT Played Back On A Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample)-> CDWAV (track) ->FLAC. Converted by Mark Lynn(Lynnzzz@comcast.net)
|
2 |
DPA 4022 |
 |
| 02/23/05 |
Washington |
|
flac16 |
796.7 |
Ian White
Location: OTS/LOC (~ 30' from stage)
Source: Sennheiser MKH-800s (hypers/DIN) @ ~ 10' > Lunatec V3 @ 16/48 > Sony PCM-M1
Conversion: Sony PCM-R300 > Audiophile 2496 > Goldwave 5.06 > CD Wave 1.93
|
2 |
Sennheiser MKH-800 |
 |
| 02/24/05 |
Washington |
|
flac16 |
693.9 |
DPA(B&K)4022s(xy)->V3->Minime->DA-P1
Recorded by Craig Davis
Master DAT Played Back On A Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample)-> CDWAV (track) ->FLAC. Converted by Mark Lynn(Lynnzzz@comcast.net) |
2 |
DPA 4022 |
 |
| 02/25/05 |
Cleveland |
|
shnf |
761.8 |
AKG 391 > d-mod UA-5 > DA-P1
Transfer: DA-P1 > Hercules GTXP > Cool Edit Pro > wav > shn
Taped and Transfered by: Rhett (micinmyhat@hotmail.com) |
2 |
AKG 391 |
 |
| 02/26/05 |
Kalamazoo |
|
flac16 |
703.5 |
DPA4061 (x2; HRTF; FOB) -> SP-SPSB-1 -> Oade Mod SBM-1 -> Fozzy's DIY Optical Output cable -> Creative Nomad Jukebox 3 (16-bit/48khz)
Transfer: Firewire
Tracking: Using regions menus in Sonic Foundry Soundforge 6.0
Note about tracking: When there are two songs with no obvious spot to put a track break, I opt to leave the two songs as one track.
Normalize: to 99.88% using Sonic Foundry Soundforge 6.0
Resampling: 48khz to 44.1Khz using Sonic Foundry Soundforge 6.0 (Interpolation accuracy = 4; apply anti-alias filter).
FLAC: Using Flac Frontend (coding level 8) |
2 |
DPA 4061 |
 |
| 03/14/05 |
London |
|
flac16 |
666.3 |
mrk (mklists@yahoo.com)
Source: SBD > Sony TCD-D8 @ 44.1kHz
Transfer: DATM > D8 > coaxial > Hoontech Digital XG >
Cool Edit > CD-WAV > FLAC frontend |
2 |
SBD |
 |
| 03/20/05 |
Barcelona |
|
shnf |
715.4 |
Sanjay Suchak (sms21@geneseo.edu)
Source: AKG 393 > Shure FP-24 > NJB3
Transfer: NJB3 > PowerbookG4 > Sound Studio > xACT > |
2 |
AKG 393 |
 |
| 04/23/05 |
Houston |
|
flac16 |
654.2 |
Brian Graves
Source: DSM-6S>PA-6LC3>M1
Transfer: M1 > waveterminal 2496 > cool edit pro 2.0 > flac |
2 |
SS DSM-6 |
 |
| 04/30/05 |
Indio |
|
flac16 |
276.9 |
Master Audience DAT: DPAs=DanishProAudio 6040's (9V BatBox >Line In) > Sony PCM-M1 > Maxell 90m DAT @48k
Playback/Transfer: Fostex D5 Master (DAT) Recorder > Tascam CD-RW5000
(AES/EBU out > Coax in) > CD > Peak 4.0 ( Extraction, Tracking, Fades ) > verify SBE OK, generate .aiff.checksum, compress to flac level 7, generate fingerprint, verify via xACT 1.4b23, seeded to EZT via Azureus 2.2.0.2 by BoldCaptain May 2005.
Taper location about half way up security rail left hand side of stage.
|
1 |
DPA 4060 |
 |
| 06/11/05 |
Berkeley |
|
flac16 |
637.3 |
AKG C414 B-XLS/ST (DIN; cardioid, 20cm, ?90) > Edirol UA-5 (Oade T-mod +) @24/48 > Samsung P30/WaveLab v5.00
(first row behind board)
-conversion-
WaveLab v5.00 (3db boost, fades, resampling, dither using UV22 HR) > CDWave v1.93 > FLAC frontend |
2 |
AKG C414 B-XLS/ST |
 |
| 06/18/05 |
Lawrence |
|
.flac16 |
370.4 |
AKG 391's>D-Mod UA-5>Creative Nomad JB3
Transfer: Creative Nomad JB3>Firewire>PC>WaveLab 5.0 (normalize,fades)>CDWave>Wave>Flac Frontent>Flac
Taped/Transferred by: Sam Stratton wsphansam@yahoo.com
Loacation: LOC, FOB, Mics DIN @9ft |
2 |
AKG 391 |
 |
| 06/21/05 |
Rochester Hills |
|
flac16 |
601.8 |
Neumann km184 > Bumblebee MiAGi-II Silver Cables > Lunatec V3 > NJB3/44.1khz > IEEE-1394 > CD Wave Editor > FLAC
Location: FOB ROC (row EE seat 127)
Mics: Cardioids in DIN |
2 |
Neumann KM184 |
 |
| 06/21/05 |
Rochester Hills |
|
flac16 |
556.7 |
Schoeps MK41s > kc-y > Sonosax SX-M2/LS2 > SBM-1 > DA-P1
Loc: Row SS, seats 215/216, DIN
Transfer: Sony R500 > Echo Mia Midi > Wavelab 4.0 > CDWav > Flac
Taped/Transfer: sam |
2 |
Schoeps MK41s |
 |
| 06/23/05 |
Philadelphia |
|
flac16 |
607.8 |
Schoeps MK4(DIN)->KC5->CMC6->V3->VX pocket V2->fujitsu 7010->Wave Lab 5.0 (24/48)
Transfer:Wavelab 5(resample,dither)->cd wave->flac
Taped and Transferred by: Jon Merin |
2 |
Schoeps MK4 |
 |
| 06/24/05 |
Boston |
|
flac16 |
637.4 |
AKG 480b/ck63 > Oade W/+ mod UA-5 > Nomad JB3
Location: Floor sec. 4, Row G (left of center)
Editing: CD-Wave (tracking), Cool Edit Pro 2.1 (fades)
Taper: PGrow (PG) |
2 |
AKG 480b/ck63 |
 |
| 06/26/05 |
Columbia |
|
flac16 |
657.9 |
SBD>JB3
Transfer: JB3>Adobe Audition (normalize, fades)>CDWave (tracking)>FLAC |
2 |
SBD |
 |
| 06/28/05 |
Montreal |
|
flac16 |
718.9 |
Studio Projects C4 (cardioid caps, matched pair, din, about 20 feet up the lawn, straight away center, stand at about 9 feet) > UA5(oade brothers digi mod/warm mod) > digi-optical > iRiver H140
Transfer: iRiver H140 > USB> Sound Forge 6.0 (normalize to 100 %, .5 db volume increase for tracks 01-13) > CDWav >dbPowerAmp > .flac
Taped, Transferred and Seeded: Michael Artz (thedirewolf@gmail.com) |
2 |
Studio Projects C4 |
 |
| 06/30/05 |
Louisville |
|
.flac16 |
705.3 |
Jon Ice
Source: ck63 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple Powerbook G4 @ 24/48 via Spark XL v2.8
Location: Orch 2, Row L, Seats 3,4 @ 7'
Conversion: Spark XL v2.8 to track, resample, and dither. xACT to create flac file set. |
2 |
AKG ck63 |
 |
| 09/10/05 |
Berlin |
|
.flac16 |
532 |
AKG C414 B-XLS/ST (cardioid/XY/90∞) > Audio Magic Hyperconductors > Oade Transparent-PLUS UA-5 (@24/48) > USB > Samsung P30/WaveLab v5.00
-location-
10m back, 2.5m up, right of soundboard
-conversion-
WaveLab v5.00 (fades, resampling, dither using UV22 HR) > CDWave v1.93 > FLAC frontend
|
2 |
AKG C414 B-XLS/ST |
 |
| 09/11/05 |
Hamburg |
|
.flac16 |
575.3 |
AKG C414 B-XLS/ST (cardioid/XY/90∞) > Audio Magic Hyperconductors > Oade Transparent-PLUS UA-5 (@24/48) > USB > Samsung P30/WaveLab v5.00
-location-
10m back, 2.5m up, right of soundboard
-conversion-
WaveLab v5.00 (fades, resampling, dither using UV22 HR) > CDWave v1.93 > FLAC frontend
|
2 |
AKG C414 |
 |
| 09/21/05 |
Columbia |
|
.flac16 |
575.3 |
B&K 4021s (spaced approximately 17cm & pointed at outside of stacks) > EAA-PSP2 > Sound Devices 722t @ 24/96 DFC FOB on the yellow line.
LINEAGE: 722t > Firewire > HD > Wavelab (fades, resample, dither to 16/44.1) > CDWave (track) > Flack level 6.
TAPED BY: Brian Sax & Steve Brothers
TRANSFERRED BY: Steve Brothers |
2 |
B&K 4021 |
 |
| 10/13/05 |
Indianapolis |
Source Detail |
.flac16 |
770.2 |
AKG 483(ORTF)->UA-5->JB3@48kHz
Location: FOB, Row P, just left of DFC
Transfer: JB3->SF(48 to 44.1)->CD Wav->FLAC |
2 |
AKG 483 |
 |
| 10/14/05 |
Asheville |
|
.flac16 |
715.4 |
AT 853-c (DIN, FOB, DFC, 13th row, on stand @ 6') > SD MP-2 (+6 dB line out) >
NJB3 (line in, no gain) @ 44.1kHz > XNJB v1.0.2 > Spark XL 8.82 (tracks and fades) >
xACT v1.4b28 (batch rename, fix sbe, shntool len and flac encoding, level 6) |
2 |
Audio Technica AT853-c |
 |
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William Parker's Little Huey Creative Music Orchestra |
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