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...And You Will Know Us By the Trail of Dead
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 03/12/03   Austin      shnf   301.8   DSM-6S>PA-6LC3>M1 Transfer: M1>waveterminal 2496>cool edit pro>cdr   1   Sonic Studios DSM-6s 
 09/15/03   Austin      flac16   292.2   DSM-6S>PA-6LC3>M1 Transfer: M1>waveterminal 2496>cool edit pro>cdr   1   Sonic Studios DSM-6s 
 09/16/03   Austin      flac16   370.3   DSM-6S>PA-6LC3>M1 Transfer: M1>waveterminal 2496>cool edit pro>cdr   1   Sonic Studios DSM-6s 
 11/13/03   Austin      shnf   207.3   DSM-6S>PA-6LC3>M1 @ 44.1k Transfer: M1>waveterminal 2496>cool edit pro>cdr   1   Sonic Studios DSM-6s 
 07/15/04   Austin      flac16   348.9   DSM-6S>PA-6LC3>M1 Transfer: M1>waveterminal 2496>cool edit pro>cdr   1   Sonic Studios DSM-6s 
 10/07/04   Austin      flac16   435.2   SBD>M1 Transfer: M1>waveterminal 2496>cool edit pro>cdr    1   SBD 
 03/28/05   Austin      flac16   160.2   DSM-6S>PA-6LC3>M1 Transfer: M1 > oade 7pin>coax > waveterminal 2496 > cool edit pro 2.0 > flac   1   SS DSM-6S 


A Perfect Circle
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/09/03   Jacksonville      shnf   449   DPA 4061 > Sonosax SX-M2 > M1 (44.1 kHz) (taped 30' from right stack) Transfer: Master DAT > Sony M1 > Sony Optical/7 pin cable > AOpen Soundcard > Cool Edit Pro > dEQ > CDWave > MKWAct Notes: The EQ applied a slight bass reduction curve to get rid of the boom. There is a *very* small dropout in track 12 at 1:27.   1   DPA 4061 
 05/02/04   Fairfax      flac16   457.6   DPA 4021s (in hat) > Sound Devices MP2 > 1/8"-1/8" > Sony PCM-M1 @ 48 kHz, line in Location: Section 117, row AA Conversion: M1 > Oade Passive 7-pin > coaxial S/PDIF > Sek'd Prodif Plus > Wavelab 4.01, resampled from 48 kHz to 44.1 kHz in Sound Forge 6, tracks split in CD Wave, FLAC (level 8)   2   DPA 4021 
 05/09/04   Glens Falls      flac16   483.1   Danish Pro Audio 4060s -> Core-Sound BB -> -20db att. cable -> Sharp MD MT-877 Lineage: MD MT-877 -> FLAC -> FLAC 1.1.0 (Level 8) Taped and Mastered by: Crimson    1   DPA 4060 


Aphex Twin
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 03/16/02   Los Angeles      flac16   464.4   Front of left stack > Sonic Studios DSM-6/Ls > Sony M-1 DAT > HHB CDR-850 > CD-R > EAC v0.95pb5 (secure mode) > FLAC frontend v1.7.1.Etree edition (level 8) > FLAC; not the complete set, taper stopped after 80 minutes   1   Sonic Studios DSM-6/Ls 


Arcade Fire
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/02/04   Toronto      flac16   151.4   Radio>Sound Forge 7.0>WAV>FLAC   1   FM 
 11/27/04   Minneapolis      flac16    396.4   Sonic Studios DSM-6S/L --> PA-6LC2 --> Sony MZ-NH1 Hi-MD Lineage: Hi-MD master (PCM WAV) > USB > SonicStage 2.0 > Total Recorder > WAV (44.1kHz 16 Bit Stereo) > CD Wave > FLAC Frontend (level 5) Size: 805MB (WAV) 396 (FLAC) TRT: 79:47 Taper: emptyzero - neveragain1980 at yahoo dot com   1   Sonic Studios DSM-6S/L 
 12/06/04   Phoenix      flac16   482.1   Schoeps CCM4(75 deg ortf)>LUNATEC V2>BENCHMARK AD2K+>Sony R300(dat)> Echo Layla SPDIF (via Canare 75ohm digi-cable)>wav(via CEP)>CD-R(CDWAV to track,Nero to burn)>FLAC Frontend   2   Schoeps CCM4 
 01/17/05   San Diego      flac16   447.2   AT943 Omnis > UA-5 digimod > JB3 Optical In @ 16/44.1khz [15' dfc] Transfer: JB3 > firewire > dEdit > cdwave > flac Tape & Transfer: raistrick@gmail.com   1   Audio Technica AT943 
 01/17/05   Santa Monica      flac16   225.5   FM> AVR> Analog Out> Harman Kardon CDR2 Recorder> CDR> PIONEER DVR-108> EAC>.WAV> Flac>WAV (cd wave)> FLAC frontend (level 5).    1   FM 
 01/21/05   Austin      flac16   483.5   DSM-6S>PA-6LC3>M1 Transfer: M1 > waveterminal2496 > cool edit pro 2.0 > flac   1   SS DSM-6S 


Banyan
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/05/05   Long Beach      flac16   557   DPA 4060 (Core-Sound HEBs, powered by the Core-Sound switchable batt. box, connected via stock Core-Sound cables) > miniXLRplug (4pin) > custom RCA patch cables [Audio Technica cables, Canare RCA connectors (male), built by leegeddy] > Sony SBM-1 (line-in) @ 48 kHz [Oade line stage mod] > Sony TCD-D100 (via 7 pin) > 1x TDK DA-R120 Transfer: MAD playback via Tascam DA-20 mkII (S/PDIFout) > Monster Interlink IDL100 (1m) > maudio ap2496 (S/PDIFin) > WAV > DSP (see notes) > Resample/Dither (48 > 44.1 kHz) > CDwave/shntool (tracking) > FLAC   2   DPA 4060 


Bardo Pond
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/07/00   chicago      shnf   300.6   at903's [no bass roll-off] -> da-p1   1   Audio Technica AT903 
 09/21/01   Philadelphia      shnf   442   dpa 4061-->m1   1   DPA 4061 


Beck
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/17/05   Los Angeles      flac16   112.4   ECM-Ms907 >MZ-N510 >Sound Forge >wav >flac    1   Sony ECM-Ms907 


Belle & Sebastian
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/02/04   Indio      flac16   259.7   DPA 4060's > Sony PCM-1 Lineage: Sony PCM-1 > Tascam CD-RW700 ( 7Pin Digi > Coax In) > CD > Peak 3.21 on G4 PowerBook (Extraction). xACT 1.2 (Verify SBE OK, generate .md5 (aiff), compress to flac, generate fingerprint (flac), and verify). Seeded via BitTorrent 3.3a   1   DPA 4060 


Bloc Party
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/07/04   Paris      shnf   154.5   fm >> sagem cable receiver >> iRiver hp120 (wav 16/44.1 ; line-in) Conversion: iRiver hp120 >> usb >> wav >> cooledit pro 2 >> cd wave 1.72 >> wav >> shn    1   FM 
 02/07/05   Paris      shnf   396.9   fm >> sagem cable receiver >> iRiver hp120 (wav 16/44.1 ; line-in) Conversion: iRiver hp120 >> usb >> wav >> cooledit pro 2 >> cd wave 1.72 >> wav >> shn   1   fm 
 02/16/05   London      flac16   321.4   FM Receiver > PC > Cool Edit Pro > Wav > Flac   1   FM 
 03/23/05   Santa Monica      flac16   235.2   Source: Fm > Monster Cables > Sound Studio 2.1.1 > Flac   1   FM 


Brian Wilson
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 02/24/04   London      flac16   847.7   Sonic Studios DSM-65 microphone 9th row dead centre -> Sony D7 portable DAT recorder; Yamaha DTR2 DAT deck -> Philips CDR-870 CD recorder; EAC -> mkwACT -> SHN    2   Sonic Studios DSM-6s 


British Sea Power
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/08/03   Hoboken      flac16   446.4   Sonic Studios DSM6s/L > CSBB > Sony TCD-D8 > cd-r (m)   1   Sonic Studios DSM6s/L 


Built To Spill
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/04/05   Minneapolis      flac16   556.5   DPA4022(DIN) -> Oade M148 -> Mod SBM1 -> M1 Location: FOB/DFC/30' from stage; 8' high; Transfer: Fostex D5 ->HHB 830 ->Ripped from CD-R using CD-EX -> FLAC Frontend (Encoding level 8 )   2   DPA 4022 
 05/05/05   Minneapolis      flac16   591.5   DPA4022(DIN) -> Oade M148 -> Mod SBM1 -> M1 Location: FOB/DFC/30' from stage; 8' high; Transfer: Fostex D5 ->HHB 830 ->Ripped from CD-R using CD-EX -> FLAC Frontend (Encoding level 8 )   2   DPA 4022 
 05/07/05   Chicago      flac16   568.3   MBHO 603a/KA200 > V3(48k) > M1 Transfer: ARCHIVE Python 01931-XXX5AC > DAT2WAV > SoundForge(Norm/Fades) > Samplitude(Ultra High 1) > CDWave > FLAC16(Level 8) Taped by: Brett Foelske Transfered by: Eric Foelske (taperwookie AT gmail.com)   2   MBHO 603a/KA200 
 05/21/05   Atlanta      flac16   610   AT853 > SP-SB1 (95 Hz) > NJB3 (44.1 KHz wav) Location: 8' up / 40' back, FOB Transfer: NJB3 (USB) > WAV > CEP (fades, EQ) > CD WAVE Taped by: David Bowman Transfered by: David Bowman (bowman.david AT gmail.com)   2   Audio Technica AT853 
 05/25/05   Kansas City      flac16   703.2   DSM-6S>PA-6LC3>M1 (48k) Transfer: M1 > waveterminal 2496 > CEP 2.0 (48k to 44.1k) > flac   2   Sonic Studios DSM-6s 


Can
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/17/75   Colchester      flac16   477.4   CDR boot (Keep An Eye Out Sounds CD001)>g4>xACT>flac level 8   1   RoIO 
 04/11/76   Hannover      flac16   366.7   silver Cd>wave>flacf(8)   1   RoIO 
 03/04/77   Bristol      flac16   284.5   silver Cd>wave>flacf(8)   1   RoIO 


Christian Fennesz
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/03/03   Amsterdam      flac16   346.8   Marantz EM-8 > JVC XM-R70 Transfer: Sony MDS-JA20ES > optical cable > Creative SB Platinum 5.1 > Cool Edit Pro 2.0 > Nero 6 Encode: CD-R (1) > Exact Audio Copy v. 0.95 prebeta 4 >    1   Marantz EM-8 


Coldplay
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/25/03   Charlotte      shnf   548   DPA (B&K) 4022s > Sound Devices MP-2 > Sony D100 DAT > SHN: Tascam DA-20mkii > M-Audio Delta DiO2496 > PowerMacG4 > Sound Studio 2.0.7 > shntool 1.2.0-rc1   2   DPA 4022 


Dave Grohl
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/17/05   Los Angeles      flac16   80.8   MZ-N510 > ECM-Ms907 > Sound Forge > wav > flac    1   Sony ECM-Ms907 


David Byrne
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 06/13/04   Manchester      flac16   457.8   FOB On Left Side Of The Rail About 10 Feet In Front Of The Soundboard: DPA(B&K)4011s->Luminous Monarchs->V2->Luminous Synchestra Signature XLRs->AD2K@48 kHz->M1(Master) Conversion:Sony R500 -> Emagic AudiowerkII ->Soundforge (record/resample) -> CDWAV (track) -> FLAC Recorded and converted by Mark Lynn: lynnzzz@comcast.net   2   DPA 4011 


Devendra Banhart
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/15/04   Copenhagen      flac16   474.8   SP-CMC-8 (AT853) - > Nomad JB3 - > USB -> cep -> wav transfer : Nomad JB3 - > USB -> cep -> wav   2   Audio Technica AT853 


Dismemberment Plan
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/08/01   Athens      flac16   518.8   AKG 414 TL-2's>Oade M248>M-1   1   AKG 414 TL-2 


Einstürzende Neubauten
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/09/98   San Francisco      shnf   544.3   Schoeps CCM4 > Sonosax > DAT > CDR > SHN    2   Schoeps CCM4 


Elliott Smith
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/08/00   Atlanta      flac16   471   AKG 414 TL-2 mics > Oade M248 Preamp> Sony SBM-1 A/D converter > Sony D-8 DAT : DAT(M) > CDR(1) > EAC > FLAC (level 5)   1   AKG 414 TL-II 
 05/03/03   Austin      flac16   366.3   SBD > M1 @ 44.1kHz Conversion: Tascam DA-20mkii > Monster coax cable > Delta Dio 2496 > Cool Edit Pro 2.0 Editor: Andrew Fogelsong Editing: hard limiting, fade in/out SHN: CD1 > EAC (v0.95 beta 4 - secure mode) > mkw Audio Taper: Andrew Fogelsong   1   SBD 


Explosions in the Sky
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 04/20/01   Austin      flac16   181   DSM-6S > PA-6LC3 >Sony PCM-M1 > CD-R CD-R (2?) > EAC (Secure) > FLAC 1.1.0 (Level 8)   1   Sonic Studios DSM-6s 
 08/23/02   Houston      flac16   235.1   Audio Technica AT822 > Sony PCM-M1 CD-R (2?) > EAC (Secure) > FLAC 1.1.0 (Level 8)   1   Audio Technica AT822 
 09/22/02   Paris      flac16   334.4   SBD > Sony TCD-D100 > Sony 55ES > SPIF > Sound Forge > CDR    1   SBD 
 10/29/03   Austin      flac16   276   DSM-6S > PA-6LC3(85Hz) > M1 Lineage: (DAT-M) > Tascam DA-20mkii > coax cable > Delta Dio 2496 > Cool Edit Pro 2.0 > CD Wave 1.91(track splits) > Feurio 1.66(burning) > CDR-0 > EAC V0.95 prebeta 5 > FLAC Frontend(level 8)   1   Sonic Studios DSM-6S 
 10/30/03   Austin      flac16   293.3   DSM-6S > PA-6LC3(85Hz) > M1 Lineage: (DAT-M) > Tascam DA-20mkii > coax cable > Delta Dio 2496 > Cool Edit Pro 2.0 > CD Wave 1.91(track splits) > Feurio 1.66(burning) > CDR-0 > EAC V0.95 prebeta 5 > FLAC Frontend(level 8)   1   Sonic Studios DSM-6S 
 02/08/04   Manchester      flac16   380.2   Sony TS-125 > JVC XM-R700 > 3.5mm OFC > Genius 5.1 PCI > Nero Wave Editor > CDR CD-R (2) > EAC (Secure) > FLAC 1.1.0 (Level 8)   1   Sony ECM-TS125 
 02/15/04   Liverpool      flac16   331.4   Sony TS-125 > JVC XM-R700 > 3.5mm OFC > Genius 5.1 PCI > Nero Wave Editor > CDR CD-R (2) > EAC (Secure) > FLAC 1.1.0 (Level 8)   1   Sony ECM-TS125 
 09/17/04   Austin      flac16   224.4   Source: DSM-6S>PA-6LC3>M1 Transfer: M1>waveterminal 2496>cool edit pro>cdr    1   Sonic Studios DSM-6S 
 10/13/04   Lansing      flac16   248.8   Audix 1290-HC > Edirol UA-5 > NJB3/44.1khz > IEEE-1394 > CD Wave Editor > FLAC Location: FOB DFC Mics: Hyper Cardioids in DI   1   Audix 1290-HC 
 10/15/04   Chicago      flac16   329.4   Soundboard > Beachtek xlr stereo input > Sony D8 Lineage: Sony D8 7-pin digital out > Edirol UA-1D coax input > Audacity > CD Wave > SHN    1   SBD 
 10/22/04   San Francisco      flac16   323.1   SP-CMC-2>SP-SBPSB-1>Sony PCM-M1 Transfer: Python DDS>DAT2WAV>SoundForge>Hyperprism Harmonic Exciter>Hyperprism Compressor>FLAC   1   SP-CMC-2 
 11/06/04   Long Beach      flac16   200   Matched Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (batt. box module w/ Bass Roll Off set @ 69 Hz) > Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit) Transfer : >USB2>Computer Hardrive>master wav is edited, tracked and cut using Soundforge 7.0>flac using Flac Frontend Edit notes: Using Sony Soundforge 7.0, The Volume was increased 10.24 db, Bass was boosted below 100 Hz and the sound was normalized -0.08 db(99.08%) to eliminate any clips.   1   Audio Technica AT853 


Fennesz
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/25/03   Paris      flac16   42.9   Sony ECM-717 > Sony MZ-R900    1   Sony ECM-717 
 11/24/04   London      flac16   275.7   Sony ECM-719 mic -> Sony MZ-N710 MD -> SoundForge -> Flac Frontend 1.7.1 -> Flac 1.1.1   1   Sony ECM-719 
 01/22/05   Eindhoven      flac16   212.4   Marantz EM-8 > Sharp IM-DR420H and Sony MDS-JE500 > optical cable > Creative Sound Blaster Platinum 5.1 > Cool Edit Pro 2.0 > CD Wave 1.93.3 (track splitting) > Nero 6.6.0.3 > master CD-R > EAC v0.95pb5 (secure mode) > FLAC Frontend v1.7.1.Etree edition (level 5)   1   Marantz EM-8 


Fennesz & Ensemble Musique Nouvelle
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 02/19/05   Leuven      flac16   285.4   Marantz EM-8 > Sharp IM-DR420H - Sony MDS-JE500 > optical cable > Creative Sound Blaster Platinum 5.1 > Cool Edit Pro 2.0 > CD Wave 1.93.3 (track splitting) > Nero 6.6.0.3 > master CD-R - master CD-R > EAC v0.95pb5 > FLAC Frontend 1.7.1 (level 5)   1   Marantz EM-8 


Fiery Furnaces
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/13/04   Portland      flac16   267.6   Schoeps MK4s (DINA in hat)>Nbox>Oade line mod SBM-1@44.1>Sony PCM-M1 TRANSFER: Tascam DA-20 MkII>Emagic Audiowerk2>CD Wave>FLAC Frontend 1.7.1 taped and transferred by Robert Dempster (rdempster@gmail.com)   1   Schoeps MK4 


Flaming Lips
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/02/04   Indio   Source Detail   flac16   236.1   Master Audience DAT (DPA 4060's > Sony PCM-1) Lineage:Sony PCM-1 > Tascam CD-RW 700 (7Pin Digi > Coax In) > CD > Peak 3.21 on G4 PowerBook (Extraction). xACT 1.2 (Verify SBE OK, generate .md5, compress to flac, generate fingerprint, and verify). Seeded via BitTorrent 3.3a    1   DPA 4060 
 12/31/04   New York   Source Detail   flac16   403.5   DPA4022 > Sonosax SX-M2 > Audio Magic Hyper-Conductor > SBM-1 (Oade T-Mod) Location: Sec 1, Row J, Seat 1, 10th row stage left stack, 20 ft. stage left stack DAT > FLAC: D100 > Digigram VXPocket V2 > Steinberg WaveLab v5.00a > CD-WAV > FLAC frontend v1.7.1 > .flac   1   DPA 4022 


Four Tet
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 03/30/04   Copenhagen      flac16   479.8   SB>???>CDR>(EAC)WAV>(flac frontend)FLAC   1   Oop Tour CD-R 


Guided by Voices
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 06/18/96   London      flac16   107.1   FM > Yamaha Tuner > Technics Cassette Deck > TDK SA 90 Transfer: TDK SA 90 (Master) > Technics Cassette Deck > RCA Out (QED QNECT 4 Cable) > SB Live Drive II > Cool Edit Pro 2.0 (editing & normalisation) > CD Wave > FLAC    1   FM 
 09/11/04   Washington      flac16   1 GB   sbd > pcm-m1 > delta 1010 via spdif (digital coax) > cubase 2.2 (recording/mastering) > soundforge 7 (split into tracks) > flac   2   Soundboard 


Interpol
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 09/15/04   London      flac16   84   FM > Creative Nomad Jukebox 3 (analog line-in) > firewire > Adobe Audition (filtering, normalizing + announcer edits) > CDWave (track splits) > FLAC   1   FM 


Iron & Wine
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/11/04   Portland      flac16   260.1   Schoeps MK4s (DINA)>Nbox>Oade line mod SBM-1@48 kHz>Sony PCM-M1 TRANSFER: Tascam DA-20 MkII>Emagic Audiowerk2>CD Wave Editor>Soundforge 4.5 (convert sample rate to 44.1 kHz)>FLAC Frontend 1.7.1 recorded and transferred by Robert Dempster (rdempster@gmail.com)   1   Schoeps MK4s 


Isis
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/30/02   San Francisco      flac16   220.3   AKG SE300B CK91 (cardioid) (ORTF)(on stage, center) > Lunatec V2 > Denon DTR-80P > SGI Indy (digi-in) > Soundforge > CD Architect > cdr(0) > EAC > FLACfrontend(8)    1   AKG SE300B CK91 


Jackie-O Motherfucker
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/07/04   London      flac16   224.6   Sony ECM-719 mic -> Sony MZ-N710 MD -> SoundForge -> Flac Frontend 1.7.1 -> Flac 1.1.1   1   Sony ECM-719 


Jeff Parker Trio
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 08/10/04   Chicago      shnf   365.3   Sony digital ECM-Ms907 electret condenser microphone ( R, L, and Center Channels) recorded through a Sony MD (Mzn707) Transfer: mzn707 (Sony Minidisc) > soundblaster soundcard (analog) > Cool edit pro > CD wave Shn'd and upped by myself : Kevin Licciardello (floatingpancake@hotmail.com)   1   Sony ECM-MS907 


Jeff Tweedy
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/23/97   New York   Source Detail   flac16   337.6   Core Sound Cardiods (clipped to hat) > Master DAT (Sony D-7) FOB, Recorded from the center of the floor, 15 feet from stage and stacks.* CD Mastering: Master DAT > via optical cable > HHb CDR-800 Pro > Master CD FLAC File: Master CD > EAC (secure mode) > .wav > FLAC Frontend > FLAC   2   Core Sound Cardiods 
 03/26/98   Chicago   Source Detail   flac16   572.5   AKG C1000 S's w/ PPC 1000 > Sony TCD-D10proII (48 kHz)>Sony D7, FOB Transfer: Sony TCD-D10 pro>SB Audigy Platinum>Sound Forge>cd wave>Sound Forge (Fade ins d1t1,d2t1 & Fade outs d1t16, d2t15)>FLAC This show was originally transferred by Jerry Eaglebarger. I have recently transferred my DAT master. (I was digitally patched out of him with my D7). The track breakdowns for the 2 cds are different, than the original 2cds. Haven't seen this one up yet. Thought I'd post it for a bit. Enjoy. Dave F.   2   AKG C1000 
 03/05/99   Palatine   Source Detail   shnf   415.7   SBD > Tascam DA-P1 (44.1 kHz) Transfer: Dat clone > Tascam DA20mkII > Zefiro ZA2 > CD Wave (tracking) > Sound Forge 5.0 (2 sec. silence in d1t01, fade and 2 sec. silence in d2t15)   2   SBD 
 03/04/05   Chicago      flac16   592.9   matrix of stereo board feed + Crown PZM mics > Tascam DAT Recorder (line out) > Creative Nomad Jukebox 3 (44.1Khz WAV) Transfer: JB3 (via USB) > WAV on Computer > Peak 4.1 (Fades and normalization) > CDWav (Tracking) > Flac Frontend (1.04) Level 8 w/Verify > FLAC This source recorded by: ckc (wilcotrades_at_yahoo_dot_com) Transfer by: ckc   2   MATRIX 
 03/05/05   Chicago      flac16   676.6   matrix of stereo board feed + Crown PZM mics > Tascam DAT Recorder (line out) > Creative Nomad Jukebox 3 (44.1Khz WAV) Transfer: JB3 (via USB) > WAV on Computer > Peak 4.1 (Fades and normalization) > CDWav (Tracking) > Flac Frontend (1.04) Level 8 w/Verify > FLAC This source recorded by: ckc (wilcotrades_at_yahoo_dot_com) Transfer by: ckc   2   MATRIX 
 03/05/05   Chicago      flac16   826.2   Earthworks sr77's > Lunatec v3 (44.1 khz, ANSR on) > Sony D7 Transfer: Sony TCD-D10 > SB Audigy Platinum > CD Wave > Sound Forge 7.0 (fades addded at beginning d1t01 & d2t01, and end of d1t18 & d2t17) > flac Taped by Dave F. (fezfreak@comcast.net) and Jerry E. (turniton@mindspring.com) Transferred by Dave F.   2   Earthworks sr77 


Josh Homme
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/17/05   Los Angeles      flac16   121.9   MZ-N510 > ECM-Ms907 > Sound Forge > wav > flac    1   Sony ECM-Ms907 


Kraftwerk
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/01/04   Indio      flac16   487.7   DPA 4060's > Sony PCM-M1 Lineage: Sony PCM-1 > Tascam CD-RW5000 ( 7Pin Digi > Coax In) > CD > Peak 3.21 on G4 PowerBook (Extraction, normalization, tracking). xACT 1.2 (Verify SBE OK, generate .md5, compress to flac, generate fingerprint, and verify). Seeded via BitTorrent 3.3a Taped, Transfered and Seeded by: SBDJohnny/BoldCaptain   1   DPA 4060 


Lee Ranaldo
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 09/09/91   Paris      flac16   151.2   silver CD > EAC (secure) > FLAC Frontend (level 8) > Flac   1   RoIO 


Lightning Bolt
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/07/04   London      flac16   404.6   Sony ECM-719 mic -> Sony MZ-N710 MD -> SoundForge -> Flac 1.1.1    1   Sony ECM-719 


Loose Fur
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/06/02   Brooklyn      shnf   449.9   Earthworks Z30X > Oade Mod DA-P1 @ 44.1 kHz Transfer: DA-P1 > Lexicon Core 2 > Cool Edit Pro > WAV > mwACT > SHN Taped, Transfered and Seeded by Brett Rautenberg (gemini@darkfunk.com)   1   Earthworks Z30X 


Lou Reed
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/27/73   New York      shnf   420.9   SBD>RCA Mobil Unit>liberated bootleg "Phantom of Rock">?>CD   1   RoIO 
 05/14/74   Stockholm      shnf   421.7   SBD>liberated bootleg "Waiting for Lou">?>CD    1   RoIO 


M. Ward
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 06/05/04   Philadelphia      flac16   153.6   Core Sound Binaurals > Core Sound Battery Box (Filter) > Sharp MD-MS702 + Sharp MD-MT15 Conversion: Gregory Martin 6/8/04, 6/11/04, 6/12/04 MD > WAV: Sony MDS-JE520 > M-Audio DiO 2448 > Cool Edit 2000 WAV > FLAC: FLAC frontend 1.7.1 (Level 8) Retracking & Editing: Cool Edit 2000 and Insete's Wave Tools 13.1 Taper: Gregory Martin    1   Core Sound Binaurals 


Magnolia Electric Co.
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 09/03/03   Cleveland      shnf   295.3   CSB>Battery Box (Flat)>Sony TCD-D7 DAT>SHN: Tascam DA-P1>DATport>mkw0.97b1   1   Core Sound Binaurals 
 11/15/03   Chicago      shnf   337.3   SOUNDBOARD>SONY MZ-R909>TRANSFERED AND TRACKED IN CDWAVE TAPE:KYLE MENKE(MFICTION99@AOL.COM)   1   Soundboard 
 01/18/04   Newport      shnf   221.1   Soundboard --> Sony MZ-R55 WAV --> Tracking in CDWAV --> SHN (mkwACT) No DAE in lineage   1   Soundboard 
 01/23/04   Akron      shnf   180.3   CSB>Battery Box (Flat)>Sony TCD-D7 DAT>SHN: Tascam DA-P1>DATport>mkw0.97b1   1   Core Sound Binaurals 
 08/19/04   Austin      flac16   248.1   sbd > njb3 > usb > soundforge 7.0 > cdwav > shn Taped by: Toni Rickman (trickman@austin.rr.com)   1   Soundboard 


Medeski Martin & Wood
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 08/21/02   New York   Source Detail   shnf   693.1   Neumann KMR81i (pair)-->mixpre-->ad-20-->m1 Taped by Dave Morrison Tracking and mastering (fades, loud clap and 'fucko' reduction & removal) by Ross Carlson   2   Neumann KMR81i 
 08/22/02   New York   Source Detail   shnf   651.3   Schoeps CCM4s > Sonosax SX-M2 > Denon DTR80p Recorded 3rd row (right) in-hat by Dave Dumas. Transferred by Ross Carlson.   2   Schoeps CCM4s 


Miles Davis
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/04/64   Copenhagen      shnf   378.2   bootleg CD > EAC > SHN    1   RoIO 
 10/08/64   Sindelfingen      shnf   277.4   bootleg CD > EAC > SHN    1   RoIO 
 11/03/69   Paris      shnf   345   SBD (Tascam DAT)>--HHB CDR 800    1   RoIO 


Mogwai
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 03/26/04   Camber      flac16   288.6   BBC Radio 1 (digital radio via digital TV set-top box) > Analogue Cable > line in Apple eMac > Roxio CD Spin Doctor 2 (aiff) > shntool split > FLAC   1   FM 
 08/14/04   Dallas      flac16   198.3   DSM-6S>PA-6LC3>M1 Transfer: M1>waveterminal 2496>cool edit pro>cdr   1   Sonic Studios DSM-6s  


Mono
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/01/04   San Francisco      flac16   255.8   Microtech Gefell M300s (ORTF, 8' stand, FOB center) > Lunatec V2 > Tascam DA-P1 > DAT (44.1K) Transfer: DAT > Sony R500 > Mac (Peak/Waves) > WAVs > PC > Flac Frontend 1.7.1 > Flacs DAT recording and CD-R mastering by Michael Zelner   1   Microtech Gefell M300s 


Nels Cline Singers
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/21/05   Petaluma      flac16   662.4   AKGC61's XY on the floor center > DA-P1 Mac > Flac   2   AKG C61 


Papa M
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 08/17/02   Silver Lake      shnf   249.2   DPA-4061 > PZmod (80hz) > M1 @ 32khz Location: DFC; 10 ft from stage Converted by: Jason Roth Conversion: Tascam DA-20mkii > monster coax > Philip CDR 870 > EAC (100%) > Cool Edit Pro (fades) > CDwav > SHN Taper: Mike Gaddy   1   DPA 4061 


Pearl Jam
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/02/04   Toledo   Source Detail   flac16   819.1   DPA4022 > Sonosax SX-M2 > Audio Magic Hyper-Conductor > SBM-1 (Oade T-Mod) Location: Sec A Row 15 Seat 6, 15th row 5 feet right of center DAT > FLAC: D100 > Emagic Audiowerk2 > Dell Dimension 8200 > Steinberg WaveLab v5.00a > CD-WAV > FLAC frontend v1.7.1 > .flac Taper: George Wang    2   DPA 4022 
 10/05/04   St. Louis   Source Detail   flac16   682.8   Schoeps > DAT Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3    2   Schoeps 


Pixies
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/01/04   Indio      flac16   361.2   AT831 (SP-CMC-2)>SPSB-1 w/ rolloff @ 69Hz>Nomad Jukebox 3, Line in (not mic), 16 bit 44.1kHz, +4 db gain firewire>CD Wave Editor>Creative Wave Editor (for fades)>flac>yours is burn 1 recorded from 10' left of the front of the sbd, maybe 100' or so from the stage, mics 6' up (clear shot) Recorded by & shared w/the world by formengr   2   Audio Technica AT831 


Prefuse 73
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/02/04   Indio      flac16   349.7   Schoeps mk4 caps ortf > mod. kcy cables > JK Labs DVC > mod. SBM-1 > d8 butted up against the stage left side of the sbd on a stand 9' in the air. Transfer: (Also By: Fob Wiely & Jimmy Stiefel) Trashcan DA-40 > Zefiro Acoustics ZA-2 > SF4.5 (rec) > (Jimmy) Then sent it across the network (passed md5 after transfer) > SF7 (resample/Fades) > CDWAV(tracks) > Flac (Fobizzle) (Taped By: Fob Wiely)    1   Schoeps mk4 


Queens of the Stone Age
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/07/00   Malmö      shnf   423.7   FM > SB Live > CDR(M) > EAC> WAV > SHN http://liverare.tripod.com/   1   FM 


Radiohead
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 07/30/01   Atlanta   Source Detail   shnf   734.1   DPA 4061 > Sony PCM-M1 > DAT(M) > SHN > CDR(1)    2   DPA 4061 
 07/12/03   Ferrara      shnf   774.3   DPA 4061 > MPS6030 > M1   2   DPA 4061 
 08/26/03   Morrison      shnf   585.2   Schoeps MK4s > M1 > cdr > wav (EAC) > shn" Taper: wishes to remain anonymous, but has given permission to seed   2   Schoeps MK4 
 05/01/04   Indio      flac16   490.7   AT831 (SP-CMC-2)>SPSB-1 w/ rolloff @ 69Hz>Nomad Jukebox 3, Line in (not mic), 16 bit 44.1kHz, +4 db gain firewire>CD Wave Editor>Creative Wave Editor (for fades)>yours is burn 1 recorded from 10' left of the front of the sbd, maybe 100' or so from the stage, mics 6' up (clear shot) - the volume's a little low, but i left it alone. next time i'll go +5-6 db - there's some distortion in thom's vocals at the beginning of the set, but this was in the PA system & stops after that. - coachella was my 1st time ever recording anyone, so be nice (but came out really well imo) :-D    2   Audio Technica AT831 


Rite of Strings
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 07/02/04   Toronto      flac16   457.4   DPA 4061-->DPA MPS6010-->-20dB attenuators-->DA-P1 @48KHz (-20dB pad ON) Mic info: hat mounted binuaral recording, 7th row, DFC Transfer: DA-20-->coax-->Midiman Audiophile2496-->Soundforge v5.0-->CD Wave v1.71-->FLAC frontend v1.7.1-->FLAC Taped, transferred & FLAC'd by: Burnt   2   DPA 4061 


Ropeadope New Music Seminar
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/15/04   Park City      flac16   1,472   Neumann AK40/LC3/KM100 > Lunatec V2 > AM Excalibur IIs > Apogee Minime@16/44.1(ceiling clamp/ORTF) conversion: Sound Studio2.1 > AIFF > xACT > Flac taped & converted by Jeff Kennedy   4   AK40/LC3/KM100 


Songs:Ohia
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/14/98   Richmond      shnf   169.1   Soundboard > Sony WM-D3 Analog Recorder WAV --> Tracking in CDWAV --> SHN (mkwACT) No DAE or cassette generations in lineage   1   Soundboard 
 04/18/03   Tilburg      shnf   335.5   Sharp MD-MT190 > Sony ECM-717>cdr>EAC(secure mode 100% all tracks)>shn with mkwact encoded to shn by Craig Tamble, ctamble@hotmail.com   1   Sony ECM-717 
 08/05/03   Chicago      shnf   198.7   CORE SOUND BINURALS>MD>TRANSFERRED IN SOUNDFORGE>TRACKED IN CDWAVE>SHN IN MKW TAPER:MATTHEW SOLARSKI   1   Core Sound Binaurals 


Sonic Youth
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 07/04/92   New York      shnf   375.3      1   RoIO 
 11/26/92   Rome      flac16   456.8   SBD> PreFm> SilverCD> EAC(secure)> flac(level8)    1   RoIO 
 12/14/92   London      flac16   398.6   silver CD > EAC (secure) > FLAC Frontend (level 8) > Flac    1   RoIO 
 05/06/98   Washington      flac16   465.5   Sonic Studio DSM-6s>PA-6>Sony d6 cassette master recorded dfc fob 20' from stage Transfer: mc>aiwa f-810>tascam da30mkIIq@44.1>zoltrix nightengale6.0 >sf7.0> wav de-noiser > cdwav >flac   2   Sonic Studios DSM6s 
 06/20/98   St. Goarshausen      flac16   434.9   Boom Boom Baby bootleg (T.Rex TRCD 081, 98) > EAC (secure) > CD-R (first gen.) > > EAC v0.95pb5 (secure) > FLAC Frontend 1.7.1 Etree edition (level 5)   1   RoIO 
 06/23/00   Atlanta      flac16   481.6   AKG 414 TL-2s > Oade M248 preamp > SBM-1 > Sony D8 > SPDIF, encore break fade between 12 and 13 to make the show fit on a single disc; show with Jim O'Rourke Extraction: CD-R (unknown generation) > EACv0.95pb5 > FLAC Frontend 1.7.1 (level 5)   1   AKG 414 TL-2 
 11/08/03   Long Beach   Source Detail   shnf   536.4   25 meters back, mics in hat > DPA 4011 > M1] & [soundboard > M1] > > ProTools > coaxial in > Philips stand alone burner > master CD-Rs > CD-Rs > EAC > SHN   2   MIX 
 04/03/04   East Sussex      flac16   430.5   in front of side left speaker (8M left of soundboard, 12M from stage) > Marantz EM-8 > Sharp IM-DR420, Sony MDS-JA20ES > optical cable > Creative Sound Blaster Platinum 5.1 > Cool Edit Pro 2.0 > Nero 6 > EAC (secure) > Flac Frontend (level 8) > Flac   2   Marantz EM-8 
 06/10/04   Santa Monica      shnf   280.1   FM > Sony TDC-A7 Transfer: Sony TDC-A7 > Monster Cables > Sound Studio > SHN   1   FM 
 07/15/04   Portland   Source Detail   flac16   536.8   Schoeps MK4s (ORTF)>Nbox>Oade mod SBM-1@44.1>Sony PCM-M1 TRANSFER: Tascam DA-20 MkII>Emagic Audiowerk2>CD Wave Editor>FLAC Frontend v1.7.1 taped and mastered by Robert Dempster (karob@easystreet.com)   2   Schoeps MK4 
 07/15/04   Portland   Source Detail   flac16   603.1   1:SBD -> D8 -> FLAC Taper: Sean Dickson Source 2: Superlux SMK-H8K/C -> Canare Starquad -> digimod UA-5 -> Nomad Jukebox 3 Location: Slight right of center, 20' from stage, mics DIN @ 9' Conversion: JB3 -> IEEE1394 -> FLAC Frontend 1.7.1 -> .flac Taper: Chris Vincent Mix: Adobe Audition Mix by: Deanq4   2   MIX 
 07/29/04   Chicago      flac16   169.4   Sony ECM-MS907 stereo mic > Sharp MD-MS702 minidisc > Echo Mia Soundcard > Soundforge> FLAC Recorded & FLAC by Alien Rendel   2   Sony ECM-MS907 
 08/05/04   Toronto   Source Detail   flac16   673.4   Creative Labs Nomad Jukebox 3, SP-CMC-4(AT853's), SP-SPSB-1 Generation: SP-CMC-4>SP-SPSB-1@69HZ>JB3M(48Khz)>REMASTER>44.1Khz>CDR([1] YOUR COPY) Notes: Recorded just slight right of center stage, approx 20 feet from PA. Dude Ranch Nurse required two takes as Thurston had the wrong guitar on the first take.    2   SP-CMC-4 
 10/23/04   Mountain View      flac16   178.7   Schoeps > DAT > optical > WAV > FLAC location: in one of the lower sections   1   Unknown Schoeps 
 10/24/04   Mountain View      flac16   156.9   Schoeps > DAT > optical > WAV > FLAC location: in one of the lower sections   1   Unknown Schoeps 


Spoon
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/10/05   New York      flac16   212.7   AKG 414's> Apogee Mini-Me (16/44.1) > Marantz PMD-670 Location: FOB about 15 feet from stage Conversion: Matt Casey Source: PMD-670 >USB> Audacity (normalizing)> CDWAV (tracking) >FLAC   1   AKG 414 
 06/07/05   Boston      flac16   580.9   Neumann KM140's >Aerco pre >Sony PCM-M1 Location: Recorded from the floor 20ft in from keyboardist, stage left    2   Neuman KM140 
 06/09/05   New York      flac16   455   AKG 414's> Apogee Mini-Me (16/44.1) > Marantz PMD-670 Conversion: Matt Casey Source: PMD-670 >USB> Audacity (normalizing)> CDWAV (tracking) >FLAC    2   AKG 414 


Sun City Girls
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 06/04/04   Montreal      flac16   428.3   DPA 4060's > DPA MPS6030 > Sony PCM-M1 transfer: Tascam DA-20 mkII > Soundblaster Audigy 2 > EAC > CDWAV > FLAC   2   DPA 4060 
 06/05/04   Montreal      flac16   601.6   DPA 4060's > DPA MPS6030 > Sony PCM-M1 transfer: Tascam DA-20 mkII > Soundblaster Audigy 2 > EAC > CDWAV > FLAC   2   DPA 4060 


Superwolf
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/10/04   Laguna Beach      flac16   234.8   AT831 > SP-SPSC-1 batt. box (w/ bass rolloff set @ 107 Hz) > Nomad Jukebox 3 (wav @ 44.1k) Transfer: NJ3    1   Audio Technica AT831 


Television
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 ??/??/74   New York      flac16   461.6   "Poor Circulation"   1   ROIO 
 12/29/76   New York      flac16   839   "The Last Time"    2   ROIO 


Text of Light
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/28/05   Rotterdam      flac16   258.9   Martin van Rappard (rappard@dds.nl): left first row (center) > > Marantz EM-8 > Sharp IM-DR420H Transfer by Mike de Wit (livemusic@chello.nl): Sony MDS-JE500 > optical cable > Creative Sound Blaster Platinum 5.1 > Cool Edit Pro 2.0 > CD Wave 1.93.3 (track splitting) > Nero 6.6.0.3 > master CD-R Extraction by Martin: master CD-R > EAC v0.95pb5 (secure mode) > FLAC Frontend v1.7.1.Etree edition (level 5) ============================================================   1   Marantz EM-8 


The Black Keys
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 04/19/05   Louisville      flac16   170.3   ck63 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple Powerbook via Spark XL V2.8 @ 24/48 Conversion: Spark XL v2.8 to track, resample, and dither. xACT to generate flac file set   1   ck63 
 04/19/05   Louisville      flac16   383.4   ck63 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple Powerbook via Spark XL V2.8 @ 24/48 Conversion: Spark XL v2.8 to track, resample, and dither. xACT to generate flac file set.   1   ck63 


The Breeders
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/17/94   Stockholm      shnf   147.7   Silver CD > EAC > SHN    1   OoP 


The Crystal Method
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/02/04   Indio      flac16   104.5   TeleSchoeps mk4 caps ortf > mod. kcy cables > JK Labs DVC > mod. SBM-1 > d8 Fob/Slightly Roc against the sbd baricade on a stand 9' up. Transfer: (Also By: Fob Wiely & Jimmy Stiefel) Trashcan DA-40 > Zefiro Acoustics ZA-2 > SF4.5 (rec) > (Jimmy) Then sent it across the network (passed md5 after transfer) > SF7 (resample/Fades) > CDWAV(tracks) > Flac (Fobizzle) Fob Wiely)   1   Schoeps MK4 


The Decemberists
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 01/17/04   Los Angeles      shnf   471   Soundman OKM-II binaural mics into a Sony TCD-8 DAT recorder. DAT to CD-r transfer via analogue cable to stand-alone Tascam CD-RW700 recorder. CD-r to xACT into SHN.   1   Soundman OKM-II 
 04/06/04   San Diego      shnf   406.2   Soundman OKM-II Rock Binaural mics with Sony TCD8 DAT recorder. DAT to CDr xfer via analogue cable to Tascam stand-alone burner. Finally, made it a SHN with xACT and uploaded with Bittorrent for MAC.   1   Soundman OKMII 


The Mars Volta
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 10/04/03   Houston      flac16   534   Sonic Studios DSM-6S > PA-6LC3 > Sony PCM-M1 Taper: Brian Graves (http://db.etree.org/myshows.php?userid=bgraves001)   2   Sonic Studios DSM-6S 
 10/23/04   Irvine      flac16   361.9   Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (batt. box w/ Bass Roll Off @ 107 Hz) > Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit) Transfer: >USB2>Computer Hardrive>master wav is tracked and cut using Soundforge 7.0>flac using Flac Frontend Edit notes: Using Sony Soundforge 7.0, the sound was normalized -0.08 db(99.08%) to eliminate any clips. Recorded By: Robin Cunningham Seeded by: Robin Cunningham (crcunnin@yahoo.com)   1   Audio Technica AT853 
 11/04/04   Santiago      flac16   283   Rock&Pop 94.1 FM > Samsung Receiver > Cool Edit Pro 2.0 > WAV > FLAC Rip: RAK Edition: DonGraftX   1   FM 


The Minus 5
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 04/16/03   Chicago      shnf   701.2   Earthworks SR77's > Graham-Patten DMIC-20 (44.1 kHz) > Dat Transfer: Tascam DA20mkII > Delta DiO 2496 > HD > Sound Forge 6.0 (wind pop removal, clipped peak rewstoration) > CD Wave (tracking) > Sound Forge 6.0 (2 sec silence added to Thax Douglas' poem and 2 sec. silence and fade added to "The Days of Wine & Booze"(fast version) > mkw ACT (.shn)   2   Earthworks SR77 
 04/17/03   Chicago      shnf   833.6   Earthworks SR77's > Graham-Patten DMIC-20 (44.1 kHz), from the balcony directly over (about 6 feet) the soundboard Transfer: Tascam DA20mkII > Delta DiO 2496 > HD > Sound Forge 6.0 (clipped peak restoration) > CD Wave (tracking) > Sound Forge 6.0 (fades and 2 sec silence in "Days Of Wine And Booze (slow version)" and "(I've Got A) Lyrical Stance" > mkw ACT (.shn)   2   Earthworks SR77 


The Shins
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 07/13/02   Austin      flac16   349.4   SBD > PCM-M1 CD-R(2?) > EAC (Secure) > FLAC (Level 8)   1   SBD 
 11/14/03   Minneapolis      shnf   394.1   SBD > Sony M1-DAT Conversion: DAT > M-Audio/Audiophile 2496(Digital) > Sound Forge 6.0 > MKW > SHN Taper: Chris Gacek Transfered: Joel Swaney    1   Soundboard 
 02/08/04   Mission Beach      shnf   455.5   AT831 > SP-SPSC-1 batt. box (w/ bass rolloff set @ 107 Hz) > (line-in) Sharp MD-MT15 Transfer: Sony MDS-JE510 (optical OUT) > M-Audio DiO 2448 (optical IN) > Sound Forge 6.0 > WAV > mkw 0.97 > SHN (no DAE, seek tables appended)   1   Audio Technica AT831 
 04/09/04   Berlin      flac16   356.7   Soundboard > M-Audio Audiophile USB > Samsung P30 Notebook (96kHz/24-bit) -editing- Sound Forge 5.0 (recording) > Adobe Audition v1.5 (conversion to 44.1kHz/16bit) > CD Wave v1.7 (tracksplits) > FLAC frontend > flac -genealogy- sbd>wav-m>dEdit>flac   1   SBD 
 10/10/04   Laguna Beach      shnf   252.5   AT831 > SP-SPSC-1 batt. box (w/ bass rolloff set @ 107 Hz) > Nomad Jukebox 3 (wav @ 44.1k) Transfer: NJ3 > USB > Sound Forge 6.0 > WAV > mkw 0.97 > SHN (seek tables appended)   1   Audio Technica AT831 
 11/06/04   Long Beach      flac16   266.3   Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (batt. box module w/ Bass Roll Off set @ 16 Hz) > Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit) Transfer : >USB2>Computer Hardrive>master wav was edited, tracked and cut using Soundforge 7.0>flac using Flac Frontend Edit notes: Using Sony Soundforge 7.0, A few clips were removed. Otherwise I nailed this one! Recorded By: Robin Cunningham Seeded by: Robin Cunningham (crcunnin@yahoo.com)   1   Audio Technica AT853 


Thursday
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/02/04   Indio      flac16   271.5   DPA 4060's > Sony PCM-1) Lineage: Sony PCM-1 > Tascam CD-RW700 ( 7Pin Digi > Coax In) > CD > Peak 3.21 on G4 PowerBook (Extraction). xACT 1.2 (Verify SBE OK, generate .md5 (aiff), compress to flac, generate fingerprint (flac), and verify). Seeded via BitTorrent 3.3a   1   DPA 4061 


Tom Waits
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 11/07/85   Zwolle      flac16   535.8   AUD > ? > Silver CD > EAC > WAV > FLAC   2   RoIO 
 09/21/03   New York      shnf   302.9   at822 > m1 orch row gg seat 110 > r300 > dio2448(coax) > sf6.0/ce2k > cdwav > mkwshn    1   Audio Technica AT822 
 11/13/04   Antwerp      shnf   615.7   SP-CMC-10 > battery SP-SPSB-1 (160 Hz ) > Dat Sony TCD-D8 > CD recorder > EAC > Wav > Mkw ACT > SHN   2   Audio Technica AT 853 (SP-CMC-10) 
 11/15/04   Berlin      flac16   622.9   OKM II > Sony D100   2   OKM II 
 11/16/04   Berlin      flac16   671.3   Soundman OKM II into a Sony D100.    2   Soundman OKM II 
 11/17/04   Berlin      flac16   721.8   Soundman OKM II into a Sony D100.    2   Soundman OKM II 
 11/21/04   Amsterdam      flac16   564.3   DPA 4061s > MPS6030 > Sony M1 DAT > AIFF Lossless format > FLAC Encode   2   DPA 4061 
 11/23/04   London      shnf   680   DPA 4061s > MPS6030 > Sony M1 Balcony, centre seated.   2   DPA 4061 


Tomahawk
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/05/01   San Francisco      flac16   387.9   AKG SE300B CK91 (cardioid) (ORTF) > Lunatec V2 > D8 > SGI Indy > Soundforge/CD Architect > cdr(0) > EAC > FLACfrontend(8) Recorded and Transfered by Vince Palese flac by Sherman Loper   1   AKG SE300B CK91 
 05/03/03   San Francisco      flac16   358.7   DSBD + Schoeps CMC64 (ORTF)(center, 30' out, 12' up@ 1st pole) > Lunatech V2 > Lucid AD9624 > D8 > SGI Indy (digi-in) > Soundforge/CD Architect 5 > cdr(0) > EAC > FLACfrontend(8) Taped and transfered by Vince Palese flac by Sherman Loper off mastered cdr from taper's hard drive   1   MATRIX 


Tortoise
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 04/27/04   Asheville      flac16   384.9   SBD > M1 @ 44.1kHz Transfer: D8 > M-Audio Delta 2496 Software: Steinberg WaveLab v4.0 (transfer and fade in/out) CD Wave v1.71 (tracking) Flac Frontend v1.7.1 (level 5)   2   Soundboard 
 06/13/04   Bloomington      flac16   487.7   AKG c480b > ck63 (hyper, DFC, DIN, FOB) > apogee mini-me (@ 44.1) > tascam da-p1   2   AKG c480b > ck63 
 09/20/04   Chicago      flac16   420.2   Neumann SKM 184 in ORTF > Apogee MiniMe > Sony D8 > M Audio Delta DiO 2496 > Soundforge 6.0 > CD Wave > FLAC Taped, Tracked and Converted by Jacob Kosakowski (SireVoid@aol.com)   2   Neumann SKM 184 
 12/30/04   Atlanta      flac16   461   mk21 > kc5 > cmc6 > m428 > ad1000 > jb3/d8 (48k) Location: DFC, FOB, NOS (30cm, 90deg) Transfer: jb3 (usb) > wavelab > SHNTool > WAV > FLAC (lvl 6) Taped by Innis Nelson, transferred by Todd (titotito@gmail.com)   2   Schoeps mk21/cmc6 
 12/31/04   Atlanta      flac16   491.6   mk21 > kc5 > cmc6 > m428 > ad1000 > jb3/d8 (48k) Location: DFC, FOB, NOS (30cm, 90deg) Transfer: jb3 (usb) > wavelab > SHNTool > WAV > FLAC (lvl 6) Taped by Innis Nelson, transferred by Todd (titotito@gmail.com)   2   Schoeps mk21/cmc6 
 01/20/05   Sydney, NSW      flac16   476.5   Brett Habel Source: Schoeps MK4 > Schoeps KCY 250 > Sonosax SX-M2/LS2 > Sony D100 DAT Location: Dead centre, 6' up (hat mount) Conversion: DAT(M) > Tascam DA-20mkII > Audiomedia III > ProTools LE 5.3.1 > WAV Editing: Cool Edit Pro 2.0 (fades), CD-Wave (tracking) FLAC: WAV > shntool 2.0.3 > FLAC (FLAC 1.1.1)    2   Schoeps MK4 


Tradition Trio
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 09/06/02   Guelph      flac16   307.8   DPA 4060's > DPA MPS6030 > Sony PCM-M1 transfer: Tascam DA-20mkII > Soundblaster Audigy 2 > EAC > FLAC Frontend > FLAC   1   DPA 4060 


Wilco
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 07/01/00   Florence      flac16   347.2   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)    1   Audio Technica AT 853 
 07/02/00   Gilford      flac16   347.7   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)   1   Audio Technica AT 853 
 07/06/00   Hyannis      flac16   135.9   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)   1   Audio Technica AT 853 
 07/08/00   Danbury      flac16   351.1   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)   1   Audio Technica AT 853 
 07/09/00   Newark      flac16   324.9   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)   1   Audio Technica AT 853 
 07/10/00   Vienna      flac16   294   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)   1   Audio Technica AT 853 
 07/11/00   Baltimore      flac16   386.6   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)   1   Audio Technica AT853 
 07/13/00   Rochester Hills      flac16   343.5   CMC-8 > SPSB-6 > Sony MZ-R90 MZ-R90 > ESI-U2A > G4-USB > SparkLE > AIFF > CD-R (1) CD-R (1) > Toast Audio Extractor > Roxio Jam image file > CD-R (2) CD-R (2) > Exact Audio Copy v. 0.95 prebeta 4 CD Wave Editor v. 1.92 > FLAC 1.1.0 (Level 8)   1   Audio Technica AT853 
 07/04/01   Chicago      flac16   554.4   FM (WXRT) Transfer: Phillips CDR930 > WAV > Roxio Soundstream Sound Editor > CDR > EAC > FLAC Frontend   1   FM 
 09/26/01   Washington   Source Detail   shnf   527.3   SBD > ADC-20 > DAP-1 Taped by Craig Davis (craigdavis1@email.msn.com) Conversion: D-8 > Oade I/O > Monster Coax > EgoSys WaveTerminal U2A > Soundforge 5.0 > HD > WavTrim > mkw (fade ins & outs, no DAE, seek tables appended) by Johnny Firewood (johnnyfirewood@hotmail.com)   2   SBD 
 03/11/02   Phoenix      shnf   613.3   B&K4022(ortf)>EAA-PSP2>ad1k>dap1 (fob 45'/dfc) taper: Marc Natelsky conversion: da20mkII > Tascam cdr700 > eac1 > shn   2   DPA 4022 
 09/03/02   Portland      shnf   567.1   SBD>XLR's>+(FOB/DFC, 1st row balcony, x/y 90')MG200's>X-streams> Behringer MX-602A>SMB-1>D8 (90% SBD, 10% AUD, Matrix) Transfer- D8>coax>U2A>Cool Edit>CDWAV>MKW   2   MATRIX 
 10/14/02   Washington   Source Detail   shnf   656.5   DPA 4022 > Sonosax SX-M2 > Audio Magic Excalibur II XLRs > Apogee Mini-Me @ 16/44.1 > Digigram VXPocket V2 > Screenblast Sound Forge Deluxe V1.0b > Sony Vaio PCG-SRX87 Location: 40 ft. stage right stack, taper's section .wav > SHN: .wav > CD-WAV/mkwACT > .shn Taper: George Wang    2   DPA 4022 
 10/15/02   Washington   Source Detail   shnf   603.3   DPA 4022 > Sonosax SX-M2 > Audio Magic Excalibur II XLRs > Apogee Mini-Me @ 16/44.1 > Digigram VXPocket V2 > Screenblast Sound Forge Deluxe V1.0b > Sony Vaio PCG-SRX87 Location: 40 ft. stage right stack, taper's section .wav > SHN: .wav > CD-WAV/mkwACT > .shn Taper: George Wang Source: DPA4022 > Lunatec V2 > Audio Magic Excalibur II XLRs > Apogee Mini-Me @ 16/44.1 > Digigram VXPocket V2 > Screenblast Sound Forge Deluxe V1.0b > Sony Vaio PCG-SRX87 Location: 40 ft. stage right stack, taper's section .wav > SHN: .wav > CD-WAV/mkwACT > .shn   2   DPA 4022 
 11/10/02   Iowa City   Source Detail   flac16   759.6   I was hooked into the source below using an analog cable (rca outputs to mini cable into a sony d7) Source: MBHO MBC 440 (DIN,90)->apogee ad1000->tascam DA-P1@44.1 (DIN, 90, FOB, DFC, 13ft)   2   MBHO MBC 440 
 05/01/03   Asheville   Source Detail   shnf   792.8   Schoeps MK-41 (DIN)-> KC5-> CMC6-> Lunatec V3 @ 24/48 -> Fujitsu Lifebook P-2040 Laptop (VXPocket V2, Win2K, Sonic Foundry Vegas Video 2.0c). 16-bit mastering performed with Sound Forge 5.0 in order: 1. Fades at beginning and end of sets and encore. 2. Downsampling to 44.1kHz with anti-alias on at level 4 [best quality]. 3. Dithering and noise shaping applied with Waves L1 Ultramaximizer Type 1 dither with Ultra Noise shaping, truncation to 16-bit). Resulting 16-bit wav files were split using CDWave. SHN files generated with mkwACT. *16-bit/44.1kHz version of 24-bit/48kHz recording* Recorded and mastered by Jim Pollock    2   Schoeps MK-41 
 06/23/03   Boston      flac16   575   Sony ECM-MS907>Sharp MT-99 MiniDisc Recorder@44.1> M-Audio Transit USB Interface>Sonic Foundry Soundforge 5.0> Sonic Foundry CD Architect 5.0>Data CD (master audio CD)> Harmon Kardon CDR-26 (for dupes)>CDr Taper: Ray Boyce Transfer: cdr>EAC(secure mode)>WAV>FLAC Frontend (level 8)>FLAC Transfer by: Planetchad   2   Sony ECM-Ms907 
 07/03/03   Milwaukee      flac16   516   Schoeps CMC6>MK4>V3 Recorded by Kevin Hughes Transfer:DA-20 -> Audiophile 2496 ->Soundforge 6.0(48->44.1) ->CDWAV->mkwACT->shn Transfer By Jay Morris(jaymorris814@hotmail.com)   2   Schoeps CMC6 > MK4 
 05/19/04   Dekalb      shnf   654.2   Earthworks SR77's (FOB, ORTF) > Lunatec V3 (44.1 kHz, ANSR on) > Sony TCD-D10proII Transfer: Tascam DA20 mkII > Delta DiO 2496 > HD > CD Wave (tracking) > Sound Forge 6.0 (fades on d1t01 and d2t10) > flac Taped and transfered by Jerry Eaglebarger: chitaper@mindspring.com Converted from flac to shn for Furthur sharing using mkwACT 0.97 beta 1    2   Earthworks SR77 
 06/09/04   Washington   Source Detail   flac16   673.4   Schoeps MK-4V (ORTF at front right corner of TS on 10' stand)-> KC5-> CMC6-> Lunatec V3 @ 24/96-> Ipaq 5555 (PDAudio, Live 2496) 16-bit mastering performed with Sound Forge 7.0 in order: 1. Fades added at beginning and end of show and during the initial encore break when hard drives were swapped. 2. Downsampling to 44.1kHz with anti-alias on at level 4 [best quality]. 3. Dithering and noise shaping applied with Waves L1 Ultramaximizer Type 1 dither with Ultra Noise shaping, truncation to 16-bit). Resulting 16-bit .wav files were split using CDWave. FLAC files generated with FLAC Frontend. Recorded and mastered by Jim Pollock    2   Schoeps MK-4V 
 06/11/04   Manchester   Source Detail   flac16   398.5   B&K 4022 (ORTF)-> Sonosax SX-M2-> Apogee MiniMe DFC FOB Transfer: Sony R500-> Delta Dio 24/96 via coax-> Vegas 4.0 Resampled (48-> 44.1) and fades added in Soundforge 7.0-> CDWave for track splits-> FLAC frontend Taped By: Craig Davis Transferred By: Jim Pollock   1   B&K 4022 
 08/02/04   Milwaukee      flac16   688.3   Earthworks sr77's > Lunatec v3 (44.1 khz, ANSR on) > Sony TCD-D10 Transfer: Sony TCD-D10 > SB Audigy Platinum > CD Wave > Sound Forge 7.0 (fades addded at beginning d1t01 & d2t01, and end of d1t12 & d2t10) > flac Taped & Transferred by Dave F. (fezfreak@comcast.net)    2   Earthworks sr77 
 08/03/04   Toronto      flac16   564.6   KM184 > V2 > UA-5 > JB3 (50', 10'ROC, 8'up, 70?/20cm) Transfer: ------------------------------------------------------------ firewire > CEP 2.1 > CDWave > FLAC   2   Neuman KM184 
 09/14/04   Columbia   Source Detail   flac16   617   B&K 4021s (Spaced 17cm aimed at outside of stacks) > V3 (High pass position 1) > M1 DFC FOB at lip of step going to dance floor. Lineage: Master DAT played on DA-P1 > Audiophile 2496 > Samplitude 7.0 > CD Wave > Flack Frontend. Taped by: Steve Brothers & Mike Mettis Transferred by: fobstl ADDITIONAL NOTES: Samplitude used for transfer, resample and fades. CD Wave used to track. Deck paused during encore break before New Madrid to conserve tape - starts up just as Jeff speaks - no banter missing, just crowd.   2   B&K 4021 
 09/15/04   St. Louis   Source Detail   flac16   578.9   Earthworks SR77 > Lunatec V2 > D100 Orchestra pit, front row very hard left, mics a/b at stack. Conversion: D100 > S/PDIF > Digidesign Digi002-r > Protools 6.0 > Peak 3.2 (trackbreaks) > FLAC frontend   2   Earthworks SR77 
 09/23/04   Atlanta      flac24   1437   AT 831's > Mic 2496 > PDAudio-CF (24/48) > HD > Goldwave (track split) > FLAC Frontend ***24 BIT FILES***   2   Audio Technica AT 831 
 09/24/04   Asheville      flac16   615.6   AT 853a > Samson PM4 > Sound Devices MP-2 > Sony SBM-1 @ 44.1kHz > Creative Labs NJB3 Mic Info: cardioid, DIN, @ SBD ~ 7' RoC, on stand @ 7' Transfer: NJB3 > Firewire via Notmad Explorer 8.5.4a > HDD > Wavelab v4.0c (fade in/out) > CD Wave v1.93.3 (tracking, flac encoding- level 5   2   Audio Technica AT853a 
 10/05/04   New York      shnf   617.4   Schoeps CMXY 4v > Lunatec V3 > D8 Transfer: DAP1 > Phillips 765 CD > EAC > WAV > SHN Recorded and transferred by Pete Costello   2   Schoeps CMXY 4v 
 10/06/04   New York   Source Detail   shnf   577.3   13th row center section (row NN, seat 413) Source: DPA 4021 > Lunatec V3 > Sony M1 Transfer: Sony D8 > Emagic 6/2 > Peak 4.12 > xACT   2   DPA 4021 
 10/08/04   Saratoga Springs   Source Detail   flac16   628   Neumann SKM-184 (A/B 6' from left PA stack at a height of 12') > Sound Devices MP2 > Oade mod Sony SBM-1 > Creative Labs Nomad Jukebox 3 > Sound Forge 7 (fades) > CD Wave > FLAC v1.1.1 by Mike Wren (mw@mikewren.com)   2   Neumann SKM-184 
 10/09/04   Toronto   Source Detail   flac16   668.8   KM184 > V2 > EMagic A62 > laptop (Kristal 24/44.1) Mic Config: ------------------------------------------------------------ DIN (90?/20cm, ~50', FOB,DFC, 7'up) Post: ------------------------------------------------------------ CEP 2.1 > Waves (eq/L2 dither) > CDWave > flac   2   Neumann KM184 
 10/10/04   Ann Arbor      flac16   627.3   AT853Rx (+48v; Cardoid, attatched to stocking cap; Section MZ10; RowD, Seat 507) -> Oade W-Mod UA-5 -> via optical -> Creative Nomad Jukebox 3 (16-bit/48khz) Transfer: Firewire Tracking: Using regions menus in Sonic Foundry Soundforge 6.0 Normalize: None Resampling: 48khz to 44.1Khz using Sonic Foundry Soundforge 6.0 (Interpolation accuracy = 4; apply anti-alias filter). FLAC: Using Flac Frontend (coding level 8)AT853Rx   2   AT853Rx 
 10/25/04   Minneapolis      flac16   642   dpa 4022(x-y)>oade m148>oade mod sbm1>sony m1 clamped to balcony light bar, DFC, 45' from stage. Taped by Marc N. Transfer: cdr>EAC (secure mode-offset corrected)>WAV>Flac Frontend (level 8)>FLAC   2   DPA 4022 
 10/26/04   Minneapolis      flac16   626.7   dpa 4022(x-y)>oade m148>oade mod sbm1>sony m1 clamped to balcony light bar, DFC, 45' from stage. Taped by Marc N. Transfer: CDR>EAC(secure mode)>wav(tracks joined & split with Goldwave and CDWave)>FLAC frontend(level 8)>FLAC Transfer by bldad   2   DPA 4022 
 10/29/04   Chicago   Source Detail   flac16   639.9   AKG 483 > V3 > D8 Transfer: Tascam DA20 > Edirol UA-1D > CD Wave > Adobe Audition 1.0 (48 > 44.1) > CD Wave > FLAC Taped and converted by Jeff Frank jsfrank@sbcglobal.net    2   AKG 483 
 10/30/04   Chicago   Source Detail   flac16   627.5   Soundboard > Analog RCA to 8th inch pin cable > Sony Hi-MD Walkman MZ-NHF800 (Hi-SP recording setting) >usb transfer to computer in OpenMG format Conversion: OMG > WAV via HIMDRENDER.exe ( http://www.marcnetsystem.co.uk/ ) > fade in and out via cool edit pro 2.0 > track cuts made by CD Wav Editor > SNH via MKW Audio Compression Tool   2   Soundboard 
 10/31/04   Chicago   Source Detail   flac16   659.1   AKG 483 > V3 > D8 Transfer: Tascam DA20 > Edirol UA-1D > CD Wave > Adobe Audition 1.0 (48 > 44.1) > CD Wave > FLAC Taped and converted by Jeff Frank jsfrank@sbcglobal.net Tpaede from the 1st row of the balcony in the right corner. Seat 201.    2   AKG 483 
 11/06/04   Denver   Source Detail   flac16   674.4   Oktava MC-012 (cards DIN)> Edirol UA5 > Nomad JB3 (44.1k WAV) JB3 > Firewire > SoundForge 7.0 (Waves L1 Ultramaximizer+ > Waves L2) > CD Wave (tracking) > FLAC   2   Oktava MC-012 
 11/06/04   Denver      flac16   638.3   MBHO 603a ka500hn > tmod UA-5 > JB3 > WaveLab Lite > CDWav > Flac Taped/Transferred by: Rodney Ramsay rodsquad@adelphia.net   2   MBHO 603a + ka500hn 
 11/10/04   Seattle      flac16   669.7   Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket (24 Bit/48 Khz) > Samplitude 7.0 > 16 bit/44.1 Khz (using pow -r #3 (noise shaping dithering) > FLAC v1.7.1 (FOB dead center)    2   Neumann AK40>LC3>KM100 
 11/15/04   San Francisco      flac16   726.1   Schoeps CCM4s > EAA PSP-2 > SBM-1 > TCD-D100 @44.1 kHz Transfer: Fostex D-5 > M-Audio DiO 2496 > ASIO > n-track 3.3 > WAV > shntool 3.0.2 > flac 1.1.1   2   Schoeps CCM4 
 12/31/04   New York      shnf   620.3   DPA 4021 > Lunatec V3 > Sony D8 Transfer: Sony D8 > Emagic 6/2 > Peak 4.11 (G5) > xACT   2   DPA 4021 
 12/31/04   New York      flac16   671.5   DPA4022 > Sonosax SX-M2 > Audio Magic Hyper-Conductor > SBM-1 (Oade T-Mod) Location: Sec 1, Row J, Seat 1, 10th row stage left stack, 20 ft. stage left stack DAT > FLAC: D100 > Digigram VXPocket V2 > Steinberg WaveLab v5.00a > CD-WAV > FLAC frontend v1.7.1 > .f   2   DPA 4022 
 02/09/05   Columbus      flac16   657.5   Schoeps cmc64>Lunatec V3>HHB/Sony D8 Transfer: Sony D8>Nomad JB3> Flac 6>WAV>CDWav (Tracking)> Flac (lvl 8) Taper: Nate Fisher   2   Schoeps cmc64 
 02/11/05   Cincinnati      flac16   606.7   AKG 393s(XY@90 deg,pointed at stack)->UA-5@48 kHz->Nomad JB3 Transfer: JB3->PC->Cool Edit Pro (48 kHz->44.1 kHz)->CDWAV->FLAC Recorded by Bob Mouk & Chad Hobbs moukrc@fuse.net   2   AKG 393 
 02/11/05   Cincinnati      flac16   709   ck63 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple G4 Powerbook via Spark XL v2.8 @ 24/48 Location: Main Floor, Center, Row L, Seats 11,12 Conversion: Spark XL to track, resample, and dither. xACT to create flac file set.   2   ck63 
 02/12/05   Memphis      flac16   713   ADK-TLs (matched)> V3> JB3 Location: Grand Terrace of the balcony, seat 103 Configuation: DINa, at head height Lineage: JB3> HDD> CDWave   2   ADK-TL 
 02/16/05   Tampa      flac16   686.9   SP AT853 (cards, HRTF) > SP BatteryBox > JB3 (16/44.1) Transfer and Tracking: JB3 (1394) > Creative PlayCenter > CDWave > FLAC   2   Audio Technica AT853 
 02/19/05   North Myrtle Beach      flac16   522.2   Nakamichi CM300's [CP1, DIN, DFC in the sweet spot, Lo Cut Filter]> Line Mixer> D7> JB3 (wav, 44.1, 2 db gain boost) Transfer: JB3> USB> Cool Edit Pro 2.0> CD Wav 1.93> Flac Frontend (level 5) Taped and Transferred by Patrick Moore (direwolf207@hotmail.com)   2   Nakamichi CM300/CP1 
 02/19/05   North Myrtle Beach      flac16   708.9   b&k 4022(x/y) > V3 > mme > dap1 (fob/dfc) Transfer: R500 > SRC2000 > Datport > Wavelab > Shntool > FLAC (lvl 6)   2   DPA 4022 
 02/21/05   Charlotte      flac16   654.2   AT 853-H (FOB @ ORCHCR Row V Seat 1, DIN on stand @ 6') > SD MP-2 > NJB3 (line in @ 44.1kHz) > Notmad Explorer v8.7.0 > CD Wave v1.94.2 beta > Wavelab v4.0c > Flac Frontend v1.7.1   2   Audio Technica AT853-H 
 02/21/05   Charlotte      flac16   602.4   Schoeps MK-41 (aimed at stacks)-> KC5-> CMC6xt-> Sound Devices 744T @ 24/96 (Orch Center, Row O on left aisle)   2   Schoeps MK41 
 02/23/05   Washington      flac16   786.1   DPA(B&K)4022s(xy)->V3->Minime->DA-P1 Recorded by Craig Davis Master DAT Played Back On A Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample)-> CDWAV (track) ->FLAC. Converted by Mark Lynn(Lynnzzz@comcast.net)    2   DPA 4022 
 02/23/05   Washington      flac16   796.7   Ian White Location: OTS/LOC (~ 30' from stage) Source: Sennheiser MKH-800s (hypers/DIN) @ ~ 10' > Lunatec V3 @ 16/48 > Sony PCM-M1 Conversion: Sony PCM-R300 > Audiophile 2496 > Goldwave 5.06 > CD Wave 1.93    2   Sennheiser MKH-800 
 02/24/05   Washington      flac16   693.9   DPA(B&K)4022s(xy)->V3->Minime->DA-P1 Recorded by Craig Davis Master DAT Played Back On A Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample)-> CDWAV (track) ->FLAC. Converted by Mark Lynn(Lynnzzz@comcast.net)   2   DPA 4022 
 02/25/05   Cleveland      shnf   761.8   AKG 391 > d-mod UA-5 > DA-P1 Transfer: DA-P1 > Hercules GTXP > Cool Edit Pro > wav > shn Taped and Transfered by: Rhett (micinmyhat@hotmail.com)   2   AKG 391 
 02/26/05   Kalamazoo      flac16   703.5   DPA4061 (x2; HRTF; FOB) -> SP-SPSB-1 -> Oade Mod SBM-1 -> Fozzy's DIY Optical Output cable -> Creative Nomad Jukebox 3 (16-bit/48khz) Transfer: Firewire Tracking: Using regions menus in Sonic Foundry Soundforge 6.0 Note about tracking: When there are two songs with no obvious spot to put a track break, I opt to leave the two songs as one track. Normalize: to 99.88% using Sonic Foundry Soundforge 6.0 Resampling: 48khz to 44.1Khz using Sonic Foundry Soundforge 6.0 (Interpolation accuracy = 4; apply anti-alias filter). FLAC: Using Flac Frontend (coding level 8)   2   DPA 4061 
 03/14/05   London      flac16   666.3   mrk (mklists@yahoo.com) Source: SBD > Sony TCD-D8 @ 44.1kHz Transfer: DATM > D8 > coaxial > Hoontech Digital XG > Cool Edit > CD-WAV > FLAC frontend   2   SBD 
 03/20/05   Barcelona      shnf   715.4   Sanjay Suchak (sms21@geneseo.edu) Source: AKG 393 > Shure FP-24 > NJB3 Transfer: NJB3 > PowerbookG4 > Sound Studio > xACT >    2   AKG 393 
 04/23/05   Houston      flac16   654.2   Brian Graves Source: DSM-6S>PA-6LC3>M1 Transfer: M1 > waveterminal 2496 > cool edit pro 2.0 > flac   2   SS DSM-6 
 04/30/05   Indio      flac16   276.9   Master Audience DAT: DPAs=DanishProAudio 6040's (9V BatBox >Line In) > Sony PCM-M1 > Maxell 90m DAT @48k Playback/Transfer: Fostex D5 Master (DAT) Recorder > Tascam CD-RW5000 (AES/EBU out > Coax in) > CD > Peak 4.0 ( Extraction, Tracking, Fades ) > verify SBE OK, generate .aiff.checksum, compress to flac level 7, generate fingerprint, verify via xACT 1.4b23, seeded to EZT via Azureus 2.2.0.2 by BoldCaptain May 2005. Taper location about half way up security rail left hand side of stage.    1   DPA 4060 
 06/11/05   Berkeley      flac16   637.3   AKG C414 B-XLS/ST (DIN; cardioid, 20cm, ?90) > Edirol UA-5 (Oade T-mod +) @24/48 > Samsung P30/WaveLab v5.00 (first row behind board) -conversion- WaveLab v5.00 (3db boost, fades, resampling, dither using UV22 HR) > CDWave v1.93 > FLAC frontend    2   AKG C414 B-XLS/ST 
 06/18/05   Lawrence      .flac16   370.4   AKG 391's>D-Mod UA-5>Creative Nomad JB3 Transfer: Creative Nomad JB3>Firewire>PC>WaveLab 5.0 (normalize,fades)>CDWave>Wave>Flac Frontent>Flac Taped/Transferred by: Sam Stratton wsphansam@yahoo.com Loacation: LOC, FOB, Mics DIN @9ft   2   AKG 391 
 06/21/05   Rochester Hills      flac16   601.8   Neumann km184 > Bumblebee MiAGi-II Silver Cables > Lunatec V3 > NJB3/44.1khz > IEEE-1394 > CD Wave Editor > FLAC Location: FOB ROC (row EE seat 127) Mics: Cardioids in DIN   2   Neumann KM184 
 06/21/05   Rochester Hills      flac16   556.7   Schoeps MK41s > kc-y > Sonosax SX-M2/LS2 > SBM-1 > DA-P1 Loc: Row SS, seats 215/216, DIN Transfer: Sony R500 > Echo Mia Midi > Wavelab 4.0 > CDWav > Flac Taped/Transfer: sam   2   Schoeps MK41s 
 06/23/05   Philadelphia      flac16   607.8   Schoeps MK4(DIN)->KC5->CMC6->V3->VX pocket V2->fujitsu 7010->Wave Lab 5.0 (24/48) Transfer:Wavelab 5(resample,dither)->cd wave->flac Taped and Transferred by: Jon Merin   2   Schoeps MK4 
 06/24/05   Boston      flac16   637.4   AKG 480b/ck63 > Oade W/+ mod UA-5 > Nomad JB3 Location: Floor sec. 4, Row G (left of center) Editing: CD-Wave (tracking), Cool Edit Pro 2.1 (fades) Taper: PGrow (PG)   2   AKG 480b/ck63 
 06/26/05   Columbia      flac16   657.9   SBD>JB3 Transfer: JB3>Adobe Audition (normalize, fades)>CDWave (tracking)>FLAC   2   SBD 
 06/28/05   Montreal      flac16   718.9   Studio Projects C4 (cardioid caps, matched pair, din, about 20 feet up the lawn, straight away center, stand at about 9 feet) > UA5(oade brothers digi mod/warm mod) > digi-optical > iRiver H140 Transfer: iRiver H140 > USB> Sound Forge 6.0 (normalize to 100 %, .5 db volume increase for tracks 01-13) > CDWav >dbPowerAmp > .flac Taped, Transferred and Seeded: Michael Artz (thedirewolf@gmail.com)   2   Studio Projects C4 
 06/30/05   Louisville      .flac16   705.3   Jon Ice Source: ck63 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple Powerbook G4 @ 24/48 via Spark XL v2.8 Location: Orch 2, Row L, Seats 3,4 @ 7' Conversion: Spark XL v2.8 to track, resample, and dither. xACT to create flac file set.   2   AKG ck63 
 09/10/05   Berlin      .flac16   532   AKG C414 B-XLS/ST (cardioid/XY/90∞) > Audio Magic Hyperconductors > Oade Transparent-PLUS UA-5 (@24/48) > USB > Samsung P30/WaveLab v5.00 -location- 10m back, 2.5m up, right of soundboard -conversion- WaveLab v5.00 (fades, resampling, dither using UV22 HR) > CDWave v1.93 > FLAC frontend    2   AKG C414 B-XLS/ST 
 09/11/05   Hamburg      .flac16   575.3   AKG C414 B-XLS/ST (cardioid/XY/90∞) > Audio Magic Hyperconductors > Oade Transparent-PLUS UA-5 (@24/48) > USB > Samsung P30/WaveLab v5.00 -location- 10m back, 2.5m up, right of soundboard -conversion- WaveLab v5.00 (fades, resampling, dither using UV22 HR) > CDWave v1.93 > FLAC frontend    2   AKG C414 
 09/21/05   Columbia      .flac16   575.3   B&K 4021s (spaced approximately 17cm & pointed at outside of stacks) > EAA-PSP2 > Sound Devices 722t @ 24/96 DFC FOB on the yellow line. LINEAGE: 722t > Firewire > HD > Wavelab (fades, resample, dither to 16/44.1) > CDWave (track) > Flack level 6. TAPED BY: Brian Sax & Steve Brothers TRANSFERRED BY: Steve Brothers   2   B&K 4021 
 10/13/05   Indianapolis   Source Detail   .flac16   770.2   AKG 483(ORTF)->UA-5->JB3@48kHz Location: FOB, Row P, just left of DFC Transfer: JB3->SF(48 to 44.1)->CD Wav->FLAC   2   AKG 483 
 10/14/05   Asheville      .flac16   715.4   AT 853-c (DIN, FOB, DFC, 13th row, on stand @ 6') > SD MP-2 (+6 dB line out) > NJB3 (line in, no gain) @ 44.1kHz > XNJB v1.0.2 > Spark XL 8.82 (tracks and fades) > xACT v1.4b28 (batch rename, fix sbe, shntool len and flac encoding, level 6)   2   Audio Technica AT853-c 


William Parker
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/22/04   Quebec      flac16   240.8   DPA 4061 -> MPS6030 -> PCM-M1   1   DPA 4061 


William Parker's Little Huey Creative Music Orchestra
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/22/05   Victoriaville      flac16   481.1   AT853rx>PS-2>AD-20>JB3 (50' back, right of centre) Transfer: JB3>Toshiba Satellite>Adobe Audition (normalize, fades)>CDWav>FLAC    2   AT853rx 


Wolf Eyes
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 12/07/04   London      flac16   206   Sony ECM-719 mic -> Sony MZ-N710 MD -> SoundForge -> Flac 1.1.1a    1   Sony ECM-719 


Xiu Xiu
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 05/13/04   Nuremberg      flac16   227.7   Jan Freise (jan@fansubs.de) Source: Soundboard > SBM-1 (line mod) > Sony D100 (44.1 Khz) Transfer: (Tracks 1-11) Aiwa XD-S1100 > Coax Cable > Audiophile 2096 (digital in) > WAV (through wavelab) > Flac Frontend > Flac (Track 12) Analog Transfer D100> Line-Out > Audiophile 2096 due to Problem with Aiwa   1   SBD 


Yo La Tengo
 Date   City   SHN link   Format   Size   Source   Count   Microphones 
 06/13/03   Seattle      flac16   672.8   dwonk Source: Nakamichi CM-301>Sonosax SX-M2>Sony SBM-1>Sony PCM-M1@44.1/R300>AP2496>SF>CDWave>mkwACT   2   Nakamichi CM-301 
 06/05/04   Austin      flac16   619.6   DPA-4061->MPS6020->M1 Lineage: Extracted from CD-R with EAC in secure mode.    2   DPA4061 
 06/06/04   Dallas      flac16   587.3   SP-CMC-8(w/ battery box)->M1@48khz Lineage: M1->DA12P->M-Audio Delta 2496->CEPro2K->CDWAV->Flac   2   Audio Technica AT853 
 04/21/05   Chicago      flac16   554.1   Brian Skalinder / bskalinder@yahoo.com Location: Center, dropped down from balcony rail ~18" Mic Config: XY-90? Source: AKG C414B-ULS (cardioid) > Lunatec V3 > Nomad JB3 Conversion: Nomad JB3 > Adaptec FireConnect 4300 > Notmad Explorer > PC Format: 16-bit, 44.1 kHz Editing: CD-Wave (tracking), CEP 2.1 (fades)   2   AKG C414B-ULS 


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