Adelaide Entertainment Center
Adelaide, Australia
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Set 1King Of The Night Time World
Deuce
Shout It Out Loud
Parasite
Unholy
Creatures Of The Night
Calling Dr. Love
Makin' Love
Tears Are Falling
Domino
I Was Made For Lovin' You
Take It Off
Watchin' You
Firehouse
I Want You
Love Gun
She
Lick It Up
I Love It Loud
Black Diamond
Detroit Rock City
Heaven's On Fire
God Gave Rock And Roll To You II
Rock And Roll All Nite
Deuce
Shout It Out Loud
Parasite
Unholy
Creatures Of The Night
Calling Dr. Love
Makin' Love
Tears Are Falling
Domino
I Was Made For Lovin' You
Take It Off
Watchin' You
Firehouse
I Want You
Love Gun
She
Lick It Up
I Love It Loud
Black Diamond
Detroit Rock City
Heaven's On Fire
God Gave Rock And Roll To You II
Rock And Roll All Nite
Set 1Headphones
Army of me
The Modern Things
Venus as a boy
Human Behavior
One Day
Shiny
Isobel
Possibly Maybe
untitled
The Anchor Song
Hyperballad
Enjoy
Miss you
Crying
Violently Happy
It's Oh So Quiet
Army of me
The Modern Things
Venus as a boy
Human Behavior
One Day
Shiny
Isobel
Possibly Maybe
untitled
The Anchor Song
Hyperballad
Enjoy
Miss you
Crying
Violently Happy
It's Oh So Quiet
Set 1Vavoom: Ted The Mechanic, Strange Kind Of Woman, Bludsucker, Pictures Of Home, Almost Human, Woman From Tokyo, Watching The Sky, Fireball, Sometimes I Feel Like Screaming-> Guitar Solo-> Smoke On The Water, Keyboard Solo-> Lazy, Perfect Strangers, Speed King-> Bass Solo-> Drum Solo, Encore:, Black Night, Highway Star
Set 2
Set 3
CommentMark IX: Steve Morse, Ian Gillan, Jon Lord, Ian Paice, Roger Glover, Bootlegs:
Set 1Let it Die
The Pretender
Times Like These
Breakout
Learn to Fly
Cheer Up Boys
This is a Call
Stacked Actors
Skin and Bones
Marigold
My Hero
Cold Day in the Sun
But Honestly
Ballad of the Beaconsfield Minors
Everlong
Monkey Wench
All My Life
Big Me
Long Road to Ruin
Best of You
The Pretender
Times Like These
Breakout
Learn to Fly
Cheer Up Boys
This is a Call
Stacked Actors
Skin and Bones
Marigold
My Hero
Cold Day in the Sun
But Honestly
Ballad of the Beaconsfield Minors
Everlong
Monkey Wench
All My Life
Big Me
Long Road to Ruin
Best of You
Set 1Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Sorry
Better
Richard Fortus Guitar Solo (James Bond Theme)
Live and Let Die
Bumblefoot Improvisation
This I Love
Rocket Queen
Dizzy Reed Piano Solo (Ziggy Stardust)
Street of Dreams
You Could Be Mine
DJ Ashba Guitar Solo (Ballad of Death)
Sweet Child O' Mine
Another Brick in the Wall Part 2 (with Axl on piano)
Axl Rose Piano Solo
November Rain
Bumblefoot Guitar Solo (Pink Panther Theme)
Knockin' on Heaven's Door
Whole Lotta Rosie
Nightrain
Don't Cry
Madagascar
Jam
Paradise City
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Sorry
Better
Richard Fortus Guitar Solo (James Bond Theme)
Live and Let Die
Bumblefoot Improvisation
This I Love
Rocket Queen
Dizzy Reed Piano Solo (Ziggy Stardust)
Street of Dreams
You Could Be Mine
DJ Ashba Guitar Solo (Ballad of Death)
Sweet Child O' Mine
Another Brick in the Wall Part 2 (with Axl on piano)
Axl Rose Piano Solo
November Rain
Bumblefoot Guitar Solo (Pink Panther Theme)
Knockin' on Heaven's Door
Whole Lotta Rosie
Nightrain
Don't Cry
Madagascar
Jam
Paradise City
Set 2
Set 3
Set 1War Pigs
Into the Void
Under the Sun/Every Day Comes and Goes
Snowblind
Electric Funeral
Black Sabbath
Behind the Wall of Sleep (Ended with Geezer Butler bass solo)
N.I.B.
Methademic
Fairies Wear Boots
Symptom of the Universe (Instrumental)
Drum Solo
Iron Man
God Is Dead?
Dirty Women
Children of the Grave
Paranoid (w/ “Sabbath Bloody Sabbath” intro – Encore)
Into the Void
Under the Sun/Every Day Comes and Goes
Snowblind
Electric Funeral
Black Sabbath
Behind the Wall of Sleep (Ended with Geezer Butler bass solo)
N.I.B.
Methademic
Fairies Wear Boots
Symptom of the Universe (Instrumental)
Drum Solo
Iron Man
God Is Dead?
Dirty Women
Children of the Grave
Paranoid (w/ “Sabbath Bloody Sabbath” intro – Encore)
CommentEditor's Review -
JUST three years ago Black Sabbath made its first visit to Adelaide in four decades — on Sunday night they made their last on the hard rock juggernaut’s farewell tour.
Much like the band’s previous visit, guitarist Tony Iommi threatened to steal the show, putting on a guitar masterclass with incendiary riffs and squealing solos.
However this time around, frontman Ozzy Osbourne’s voice sustained the 90-minute show, performing the band’s greatest hits with more flair and fewer hiccups than the 2013 show.
Opening with the doom rock of Black Sabbath, it was clear the unmistakeable sound that influenced everything after it still remains exciting.
There were no pyrotechnics, no over-produced light show — the legendary Birmingham rockers let the hits do the talking.One after another the band took Adelaide through its legendary back catalogue.
The schizophrenic Fairies Wear Boots followed, as did the stoner slow jam of Snowblind and the large crowd swayed in unison as Osbourne implored the crowd to scream along.
The frontman’s frail frame still wanders around the stage, at times appearing lost among the band’s simple stage setup. But surprisingly his voice was strong, adding to his band’s already formidable live sound.
The band’s sound was menacing yet perfectly balanced and Iommi’s guitar — the louder it is, the better it gets.Geezer Butler’s brilliant bass work was showcased on N.I.B. and the shuffling Dirty Woman before drummer Tommy Clufetos added a 70s-inspired drum solo to the set, giving the rest of the band a chance to recharge ahead of the huge hits about to follow.
Children of the Grave, Iron Man, and closing Paranoid inspired pandemonium — as Adelaide witnessed arguably some of the greatest rock songs ever written in the space of about 20 minutes.
The sea of black bodies and long hair banged their heads in unison until the very last note before the timely reminder of “The End” flashed upon the large screens reminding the large crowd that they had just witnessed something truly special.
More than 45 years later many (if not all) rock bands want to echo the brilliance of Black Sabbath — but even in their 60s, the originators are still doing heavy rock the best.
Setlist:
1. War Pigs
2, Into the Void
3, Under the Sun
4, Snowblind
5, Black Sabbath
6, Behind the Wall of Sleep
7, N.I.B.
8, Fairies Wear Boots
9, Symptom of the Universe (Instrumental)
10, Drum Solo
11, Iron Man
12, God is Dead
13, Dirty Women
14, Children of the Grave
15, Paranoid
JUST three years ago Black Sabbath made its first visit to Adelaide in four decades — on Sunday night they made their last on the hard rock juggernaut’s farewell tour.
Much like the band’s previous visit, guitarist Tony Iommi threatened to steal the show, putting on a guitar masterclass with incendiary riffs and squealing solos.
However this time around, frontman Ozzy Osbourne’s voice sustained the 90-minute show, performing the band’s greatest hits with more flair and fewer hiccups than the 2013 show.
Opening with the doom rock of Black Sabbath, it was clear the unmistakeable sound that influenced everything after it still remains exciting.
There were no pyrotechnics, no over-produced light show — the legendary Birmingham rockers let the hits do the talking.One after another the band took Adelaide through its legendary back catalogue.
The schizophrenic Fairies Wear Boots followed, as did the stoner slow jam of Snowblind and the large crowd swayed in unison as Osbourne implored the crowd to scream along.
The frontman’s frail frame still wanders around the stage, at times appearing lost among the band’s simple stage setup. But surprisingly his voice was strong, adding to his band’s already formidable live sound.
The band’s sound was menacing yet perfectly balanced and Iommi’s guitar — the louder it is, the better it gets.Geezer Butler’s brilliant bass work was showcased on N.I.B. and the shuffling Dirty Woman before drummer Tommy Clufetos added a 70s-inspired drum solo to the set, giving the rest of the band a chance to recharge ahead of the huge hits about to follow.
Children of the Grave, Iron Man, and closing Paranoid inspired pandemonium — as Adelaide witnessed arguably some of the greatest rock songs ever written in the space of about 20 minutes.
The sea of black bodies and long hair banged their heads in unison until the very last note before the timely reminder of “The End” flashed upon the large screens reminding the large crowd that they had just witnessed something truly special.
More than 45 years later many (if not all) rock bands want to echo the brilliance of Black Sabbath — but even in their 60s, the originators are still doing heavy rock the best.
Setlist:
1. War Pigs
2, Into the Void
3, Under the Sun
4, Snowblind
5, Black Sabbath
6, Behind the Wall of Sleep
7, N.I.B.
8, Fairies Wear Boots
9, Symptom of the Universe (Instrumental)
10, Drum Solo
11, Iron Man
12, God is Dead
13, Dirty Women
14, Children of the Grave
15, Paranoid
Set 1(Intro.) So Long, Farewell (Rodgers & Hammerstein song)
Saints of Los Angeles
Wild Side
Primal Scream
Same Ol' Situation (S.O.S.)
Looks That Kill
On With the Show
Too Fast for Love
Smokin' in the Boys' Room (Brownsville Station cover)
Mutherfucker of the Year
Anarchy in the U.K. (Sex Pistols cover)
T.N.T. (Terror 'N Tinseltown)
Dr. Feelgood
In the Beginning
Shout at the Devil
Don't Go Away Mad (Just Go Away)
O Fortun (Carl Orff song)
Drum Solo (Crüecifly Had Technical Difficulty)
Guitar Solo
Live Wire
Too Young to Fall in Love
Girls, Girls, Girls
Kickstart My Heart
Encore:
Home Sweet Home (On the B-stage)
My Way (Frank Sinatra song)
Saints of Los Angeles
Wild Side
Primal Scream
Same Ol' Situation (S.O.S.)
Looks That Kill
On With the Show
Too Fast for Love
Smokin' in the Boys' Room (Brownsville Station cover)
Mutherfucker of the Year
Anarchy in the U.K. (Sex Pistols cover)
T.N.T. (Terror 'N Tinseltown)
Dr. Feelgood
In the Beginning
Shout at the Devil
Don't Go Away Mad (Just Go Away)
O Fortun (Carl Orff song)
Drum Solo (Crüecifly Had Technical Difficulty)
Guitar Solo
Live Wire
Too Young to Fall in Love
Girls, Girls, Girls
Kickstart My Heart
Encore:
Home Sweet Home (On the B-stage)
My Way (Frank Sinatra song)
Set 2
Set 3
Set 1New York City Serenade
American Land
The Ties That Bind
No Surrender
Land of Hope and Dreams
Trapped
Spirit in the Night
Glory Days
Hungry Heart
Wrecking Ball
Youngstown
Something in the Night
Darlington County
Brown Eyed Girl
Murder Incorporated
Death to My Hometown
Racing in the Street
Because the Night
She's the One
The Rising
Badlands
Thunder Road
* * *
If I Should Fall Behind (acoustic)
Born to Run
Dancing in the Dark
Tenth Avenue Freeze-out (with Richie Sambora)
Shout (with Richie Sambora)
Rosalita
American Land
The Ties That Bind
No Surrender
Land of Hope and Dreams
Trapped
Spirit in the Night
Glory Days
Hungry Heart
Wrecking Ball
Youngstown
Something in the Night
Darlington County
Brown Eyed Girl
Murder Incorporated
Death to My Hometown
Racing in the Street
Because the Night
She's the One
The Rising
Badlands
Thunder Road
* * *
If I Should Fall Behind (acoustic)
Born to Run
Dancing in the Dark
Tenth Avenue Freeze-out (with Richie Sambora)
Shout (with Richie Sambora)
Rosalita
Set 2
Set 3
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