Grateful Dead
--- Approximate Hours: 191.25
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
07/16/66
|
Fillmore Auditorium |
SHN |
2 |
|
|
|
07/16/66
|
Fillmore Auditorium |
SHN |
2 |
|
|
|
07/16/66
|
Fillmore Auditorium |
SHN |
2 |
|
|
|
04/22/69
|
The Ark |
SHN |
2 |
|
4/22/69
The Ark
Boston, MA
Master Sounndboard Reel > Cassette > DAT x2 > CDR
Disc 1
1st Set
1. //Top of the World
2. Morning Dew
3. BIODTL
4. Schoolgirl
5. Doin' that Rag
6. Cryptical>
7. Drums>
8. The Other //One>
9. Cryptical>
10.Death Don't Have No Mercy
Disc 2
2nd Set
1. Dupree's Diamond Blues
2. Mountains of the Moon>
3. Dark Star>
4. St. Stephen>
5. The Eleven>
Disc 3
1. Lovelight>
2. Caution Jam>
3. Lovelight
All cuts are on master reels. Seeded by Scott Clugston |
|
04/22/69
|
The Ark |
SHN |
2 |
|
4/22/69
The Ark
Boston, MA
Master Sounndboard Reel > Cassette > DAT x2 > CDR
Disc 1
1st Set
1. //Top of the World
2. Morning Dew
3. BIODTL
4. Schoolgirl
5. Doin' that Rag
6. Cryptical>
7. Drums>
8. The Other //One>
9. Cryptical>
10.Death Don't Have No Mercy
Disc 2
2nd Set
1. Dupree's Diamond Blues
2. Mountains of the Moon>
3. Dark Star>
4. St. Stephen>
5. The Eleven>
Disc 3
1. Lovelight>
2. Caution Jam>
3. Lovelight
All cuts are on master reels. Seeded by Scott Clugston |
|
04/22/69
|
The Ark |
SHN |
2 |
|
4/22/69
The Ark
Boston, MA
Master Sounndboard Reel > Cassette > DAT x2 > CDR
Disc 1
1st Set
1. //Top of the World
2. Morning Dew
3. BIODTL
4. Schoolgirl
5. Doin' that Rag
6. Cryptical>
7. Drums>
8. The Other //One>
9. Cryptical>
10.Death Don't Have No Mercy
Disc 2
2nd Set
1. Dupree's Diamond Blues
2. Mountains of the Moon>
3. Dark Star>
4. St. Stephen>
5. The Eleven>
Disc 3
1. Lovelight>
2. Caution Jam>
3. Lovelight
All cuts are on master reels. Seeded by Scott Clugston |
|
04/22/69
|
The Ark |
SHN |
2 |
|
4/22/69
The Ark
Boston, MA
Master Sounndboard Reel > Cassette > DAT x2 > CDR
Disc 1
1st Set
1. //Top of the World
2. Morning Dew
3. BIODTL
4. Schoolgirl
5. Doin' that Rag
6. Cryptical>
7. Drums>
8. The Other //One>
9. Cryptical>
10.Death Don't Have No Mercy
Disc 2
2nd Set
1. Dupree's Diamond Blues
2. Mountains of the Moon>
3. Dark Star>
4. St. Stephen>
5. The Eleven>
Disc 3
1. Lovelight>
2. Caution Jam>
3. Lovelight
All cuts are on master reels. Seeded by Scott Clugston |
|
04/22/69
|
The Ark |
SHN |
2 |
|
4/22/69
The Ark
Boston, MA
Master Sounndboard Reel > Cassette > DAT x2 > CDR
Disc 1
1st Set
1. //Top of the World
2. Morning Dew
3. BIODTL
4. Schoolgirl
5. Doin' that Rag
6. Cryptical>
7. Drums>
8. The Other //One>
9. Cryptical>
10.Death Don't Have No Mercy
Disc 2
2nd Set
1. Dupree's Diamond Blues
2. Mountains of the Moon>
3. Dark Star>
4. St. Stephen>
5. The Eleven>
Disc 3
1. Lovelight>
2. Caution Jam>
3. Lovelight
All cuts are on master reels. Seeded by Scott Clugston |
|
04/22/69
|
The Ark |
SHN |
2 |
|
4/22/69
The Ark
Boston, MA
Master Sounndboard Reel > Cassette > DAT x2 > CDR
Disc 1
1st Set
1. //Top of the World
2. Morning Dew
3. BIODTL
4. Schoolgirl
5. Doin' that Rag
6. Cryptical>
7. Drums>
8. The Other //One>
9. Cryptical>
10.Death Don't Have No Mercy
Disc 2
2nd Set
1. Dupree's Diamond Blues
2. Mountains of the Moon>
3. Dark Star>
4. St. Stephen>
5. The Eleven>
Disc 3
1. Lovelight>
2. Caution Jam>
3. Lovelight
All cuts are on master reels. Seeded by Scott Clugston |
|
05/03/69
|
Winterland Arena |
CDR |
1 |
|
Grateful Dead
5-3-69
Winterland Arena,SF,CA
Reel>PCM>Dat>Tascam DA20>
Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
1.He Was a Friend
2.Cryptical>
3.Drumz>
4.The Other One>
5.Cryptical
6.//Doin That Rag
7.Me and My Uncle
// indicates a cut
conversion by phunk1@aol.com |
|
05/03/69
|
Winterland Arena |
CDR |
1 |
|
Grateful Dead
5-3-69
Winterland Arena,SF,CA
Reel>PCM>Dat>Tascam DA20>
Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
1.He Was a Friend
2.Cryptical>
3.Drumz>
4.The Other One>
5.Cryptical
6.//Doin That Rag
7.Me and My Uncle
// indicates a cut
conversion by phunk1@aol.com |
|
05/03/69
|
Winterland Arena |
CDR |
1 |
|
Grateful Dead
5-3-69
Winterland Arena,SF,CA
Reel>PCM>Dat>Tascam DA20>
Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
1.He Was a Friend
2.Cryptical>
3.Drumz>
4.The Other One>
5.Cryptical
6.//Doin That Rag
7.Me and My Uncle
// indicates a cut
conversion by phunk1@aol.com |
|
02/12/70
|
Ungano's Night Club |
SHN |
1 |
|
Grateful Dead
February 12, 1970
Ungano's Night Club
New York, NY
Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB
Thanks to Jay Serafin for the disks!
Audio Rating: AR-2
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max.
EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy
Disk 1 [56:18]
1. Cold Rain & Snow [5:30]
2. Beat It On Down The Line (5 beats) [2:43]
3. Good Lovin'-> [1:46]
4. Drums-> [2:06]
5. Good Lovin' [5:00]
6. Mama Tried-> [2:38]
7. Black Peter [9:12]
8. Hard To Handle [6:37]
9. Saint Stephen-> [6:50]
10.Not Fade Away [9:07]
11.Casey Jones [4:49]
From Jay Serafin:
All of the information about this show was obtained/confirmed by my Marin County source.
This person is as close to being "inside the organization itself" as anyone can be, and this person
has NEVER given me bad or erroneous information for the past 5 years!
And what a show this is, too! It was actually an unannounced impromptu show in the middle of the Dead's
Fillmore East run. The venue only held approximately 500 people, and it was a first-come, first-served show.
Most of the seats were removed to allow some additional "SRO" concertgoers. The NYC Fire Department was on
hand to enforce the "maximum number of patrons"
restrictions, just to play it safe.
"We" were lucky that the Dead's audio people brought along one of the spare 2-track RTR decks. "We" were also lucky
from the standpoint of having a 95% hiss-free recording to begin with, as the deck was running at twice the
normal "regular show" taping speed. This translates into lower levels of analog tape hiss, as well as having more
high frequency recording capabilities. This show, for being set up in a hurry, was very well mixed. Jerry and
Bobby each had their own channel for their guitars, and listening to how well Weir blended into the entire mix
is very well "documented" with this recording. About the only negative I can say about this show's audio quality
was that being in the small club, and most likely with the time frame the audio people had to set up, the drums
are just a little buried in the mix, especially the cymbals. But, you still are going to get blown away by the audio quality of the show.
DeadBase states a few things about this show that are inaccurate, such as "actual date and location unknown".
This is not true, according to my source. This show did happen on this date at this venue.
Sadly, because of the license and insurance the night club held, the show only lasted a little over an hour an 30 minutes.
There are no "breaks" or "tape flips", as the band simply was given a "signal" to cut a song off, so that the RTR
could have a new tape put on. All the songs are complete and unedited. The only "exception" to this was my decision
to cut off the very opening 20 seconds of the first song, "Cold Rain & Snow", simply because of the fade-in of the
copy I received wasn't right. Since the volume levels on the recording I received were very low, when I went to bring
everything up to the correct level, the CR&S fade-in would have sounded pretty bad. I opted to just cut off the bare
minimum of the opening riff to make things sound "correct".
I guess the "topper" to this show, besides the fantastic sound, the good mix, and everything else, is that Phil was
just going off into the ozone on a couple of the songs. He wasn't "way out there", but he definitely was trying to
travel down that road that made him such an integral part of the "Sound Of The Dead". He's got some very good riffs
going, especially during "Good Lovin'" and "Saint Stephen". Garcia and Weir were playing off each other, and you can
tell they were in their groove this night. Sometimes it's subtle, sometimes it is quite noticeable, but they just "clicked".
The audience, although they weren't "recorded" for ambience, could be heard in the distance between songs, and you can
tell that they definitely got their money's worth. I imagine the closeness, proximity-wise, along with the small-club
atmosphere, is what brought out the best in everyone's playing for this show. I've seen my fair share of Dead shows
over the 30 years they played, and I personally felt that they played their best when they were either being simulcast
over the radio, or when they played smaller venues. I've been everywhere in the audience at shows, from the front row
at the '94 Soldier Field show to the soundboard at the Rosemont, to back of the Fillmore West, to the front of the crowd
at Loyola. Again, I felt the smaller the venue, or any time they were on the FM dial, the shows were better,
tighter yet looser, and definitely they seemed to have more fun on stage.
Sorry for going off on that little tangent there, but I felt that bit of info may make you deciding to get this show a
little easier. I would recommend it to anyone, from a "newbie" to someone with 4,000 hours in their library. This is a
pristine copy, and I think that everyone should have this as part of their collection.
Seeded by Patrick Murphy. Any flaws, questions, or comments write me |
|
02/12/70
|
Ungano's Night Club |
SHN |
1 |
|
Grateful Dead
February 12, 1970
Ungano's Night Club
New York, NY
Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB
Thanks to Jay Serafin for the disks!
Audio Rating: AR-2
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max.
EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy
Disk 1 [56:18]
1. Cold Rain & Snow [5:30]
2. Beat It On Down The Line (5 beats) [2:43]
3. Good Lovin'-> [1:46]
4. Drums-> [2:06]
5. Good Lovin' [5:00]
6. Mama Tried-> [2:38]
7. Black Peter [9:12]
8. Hard To Handle [6:37]
9. Saint Stephen-> [6:50]
10.Not Fade Away [9:07]
11.Casey Jones [4:49]
From Jay Serafin:
All of the information about this show was obtained/confirmed by my Marin County source.
This person is as close to being "inside the organization itself" as anyone can be, and this person
has NEVER given me bad or erroneous information for the past 5 years!
And what a show this is, too! It was actually an unannounced impromptu show in the middle of the Dead's
Fillmore East run. The venue only held approximately 500 people, and it was a first-come, first-served show.
Most of the seats were removed to allow some additional "SRO" concertgoers. The NYC Fire Department was on
hand to enforce the "maximum number of patrons"
restrictions, just to play it safe.
"We" were lucky that the Dead's audio people brought along one of the spare 2-track RTR decks. "We" were also lucky
from the standpoint of having a 95% hiss-free recording to begin with, as the deck was running at twice the
normal "regular show" taping speed. This translates into lower levels of analog tape hiss, as well as having more
high frequency recording capabilities. This show, for being set up in a hurry, was very well mixed. Jerry and
Bobby each had their own channel for their guitars, and listening to how well Weir blended into the entire mix
is very well "documented" with this recording. About the only negative I can say about this show's audio quality
was that being in the small club, and most likely with the time frame the audio people had to set up, the drums
are just a little buried in the mix, especially the cymbals. But, you still are going to get blown away by the audio quality of the show.
DeadBase states a few things about this show that are inaccurate, such as "actual date and location unknown".
This is not true, according to my source. This show did happen on this date at this venue.
Sadly, because of the license and insurance the night club held, the show only lasted a little over an hour an 30 minutes.
There are no "breaks" or "tape flips", as the band simply was given a "signal" to cut a song off, so that the RTR
could have a new tape put on. All the songs are complete and unedited. The only "exception" to this was my decision
to cut off the very opening 20 seconds of the first song, "Cold Rain & Snow", simply because of the fade-in of the
copy I received wasn't right. Since the volume levels on the recording I received were very low, when I went to bring
everything up to the correct level, the CR&S fade-in would have sounded pretty bad. I opted to just cut off the bare
minimum of the opening riff to make things sound "correct".
I guess the "topper" to this show, besides the fantastic sound, the good mix, and everything else, is that Phil was
just going off into the ozone on a couple of the songs. He wasn't "way out there", but he definitely was trying to
travel down that road that made him such an integral part of the "Sound Of The Dead". He's got some very good riffs
going, especially during "Good Lovin'" and "Saint Stephen". Garcia and Weir were playing off each other, and you can
tell they were in their groove this night. Sometimes it's subtle, sometimes it is quite noticeable, but they just "clicked".
The audience, although they weren't "recorded" for ambience, could be heard in the distance between songs, and you can
tell that they definitely got their money's worth. I imagine the closeness, proximity-wise, along with the small-club
atmosphere, is what brought out the best in everyone's playing for this show. I've seen my fair share of Dead shows
over the 30 years they played, and I personally felt that they played their best when they were either being simulcast
over the radio, or when they played smaller venues. I've been everywhere in the audience at shows, from the front row
at the '94 Soldier Field show to the soundboard at the Rosemont, to back of the Fillmore West, to the front of the crowd
at Loyola. Again, I felt the smaller the venue, or any time they were on the FM dial, the shows were better,
tighter yet looser, and definitely they seemed to have more fun on stage.
Sorry for going off on that little tangent there, but I felt that bit of info may make you deciding to get this show a
little easier. I would recommend it to anyone, from a "newbie" to someone with 4,000 hours in their library. This is a
pristine copy, and I think that everyone should have this as part of their collection.
Seeded by Patrick Murphy. Any flaws, questions, or comments write me |
|
02/12/70
|
Ungano's Night Club |
SHN |
1 |
|
Grateful Dead
February 12, 1970
Ungano's Night Club
New York, NY
Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB
Thanks to Jay Serafin for the disks!
Audio Rating: AR-2
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max.
EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy
Disk 1 [56:18]
1. Cold Rain & Snow [5:30]
2. Beat It On Down The Line (5 beats) [2:43]
3. Good Lovin'-> [1:46]
4. Drums-> [2:06]
5. Good Lovin' [5:00]
6. Mama Tried-> [2:38]
7. Black Peter [9:12]
8. Hard To Handle [6:37]
9. Saint Stephen-> [6:50]
10.Not Fade Away [9:07]
11.Casey Jones [4:49]
From Jay Serafin:
All of the information about this show was obtained/confirmed by my Marin County source.
This person is as close to being "inside the organization itself" as anyone can be, and this person
has NEVER given me bad or erroneous information for the past 5 years!
And what a show this is, too! It was actually an unannounced impromptu show in the middle of the Dead's
Fillmore East run. The venue only held approximately 500 people, and it was a first-come, first-served show.
Most of the seats were removed to allow some additional "SRO" concertgoers. The NYC Fire Department was on
hand to enforce the "maximum number of patrons"
restrictions, just to play it safe.
"We" were lucky that the Dead's audio people brought along one of the spare 2-track RTR decks. "We" were also lucky
from the standpoint of having a 95% hiss-free recording to begin with, as the deck was running at twice the
normal "regular show" taping speed. This translates into lower levels of analog tape hiss, as well as having more
high frequency recording capabilities. This show, for being set up in a hurry, was very well mixed. Jerry and
Bobby each had their own channel for their guitars, and listening to how well Weir blended into the entire mix
is very well "documented" with this recording. About the only negative I can say about this show's audio quality
was that being in the small club, and most likely with the time frame the audio people had to set up, the drums
are just a little buried in the mix, especially the cymbals. But, you still are going to get blown away by the audio quality of the show.
DeadBase states a few things about this show that are inaccurate, such as "actual date and location unknown".
This is not true, according to my source. This show did happen on this date at this venue.
Sadly, because of the license and insurance the night club held, the show only lasted a little over an hour an 30 minutes.
There are no "breaks" or "tape flips", as the band simply was given a "signal" to cut a song off, so that the RTR
could have a new tape put on. All the songs are complete and unedited. The only "exception" to this was my decision
to cut off the very opening 20 seconds of the first song, "Cold Rain & Snow", simply because of the fade-in of the
copy I received wasn't right. Since the volume levels on the recording I received were very low, when I went to bring
everything up to the correct level, the CR&S fade-in would have sounded pretty bad. I opted to just cut off the bare
minimum of the opening riff to make things sound "correct".
I guess the "topper" to this show, besides the fantastic sound, the good mix, and everything else, is that Phil was
just going off into the ozone on a couple of the songs. He wasn't "way out there", but he definitely was trying to
travel down that road that made him such an integral part of the "Sound Of The Dead". He's got some very good riffs
going, especially during "Good Lovin'" and "Saint Stephen". Garcia and Weir were playing off each other, and you can
tell they were in their groove this night. Sometimes it's subtle, sometimes it is quite noticeable, but they just "clicked".
The audience, although they weren't "recorded" for ambience, could be heard in the distance between songs, and you can
tell that they definitely got their money's worth. I imagine the closeness, proximity-wise, along with the small-club
atmosphere, is what brought out the best in everyone's playing for this show. I've seen my fair share of Dead shows
over the 30 years they played, and I personally felt that they played their best when they were either being simulcast
over the radio, or when they played smaller venues. I've been everywhere in the audience at shows, from the front row
at the '94 Soldier Field show to the soundboard at the Rosemont, to back of the Fillmore West, to the front of the crowd
at Loyola. Again, I felt the smaller the venue, or any time they were on the FM dial, the shows were better,
tighter yet looser, and definitely they seemed to have more fun on stage.
Sorry for going off on that little tangent there, but I felt that bit of info may make you deciding to get this show a
little easier. I would recommend it to anyone, from a "newbie" to someone with 4,000 hours in their library. This is a
pristine copy, and I think that everyone should have this as part of their collection.
Seeded by Patrick Murphy. Any flaws, questions, or comments write me |
|
08/27/72
|
Old Renaissance Faire Grounds |
SHN |
3 |
|
Grateful Dead
08/27/72
Old Renaissance Fairground, Veneta OR
Source: SBD
Lineage: Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN
Set 3 has unknown # of PCM gens
Thanks to Jeff Tiedrich and David Hollister for this fine copy!
Extraction and shortening by G.S. Hamilton
Disc 1
Set 1
1. Stage Announcements 5:58
2. The Promised Land 3:37
3. Sugaree 9:16
4. Me And My Uncle 3:27
5. Deal 6:00
6. Black Throated Wind 9:25
7. China Cat Sunflower 7:55
8. I Know You Rider 8:30
9. Mexicali Blues 4:25
10. Bertha 5:52
Total time: 64:30
Disc 2
Set 2
1. Stage Announcements 2:40
2. Playing In The Band 21:21
3. He's Gone 12:08
4. Jack Straw 6:00
5. Bird Song 13:37
6. Greatest Story Ever Told 5:56
Total time: 61:45
Disc 3
Set 3
1. Dark Star > 31:42
2. El Paso 4:49
3. Sing Me Back Home 13:02
4. Sugar Magnolia 11:42
Encores:
5. Casey Jones 7:00
6. One More Saturday Night 4:37
7. Stage Announcements 3:00
Total time: 75:55
David Hollister's comments: Set 3 has unknown # of PCM gens. Disc 3 is an
80 minute disc, but it can fit on a 74 if you want to leave off the post-show
chatter. I cleaned up pops during Dark Star with SF pencil tool. There are
still a couple of very small spots of what sounds like static during Dark Star,
usually only in one channel. I didn't feel they were worth bothering with.
Small clicks at 25:34, 26:35 in Dark Star. Lots of small zits and stuff
all over the place, presumably from the PCM tape. |
|
08/27/72
|
Old Renaissance Faire Grounds |
SHN |
3 |
|
Grateful Dead
08/27/72
Old Renaissance Fairground, Veneta OR
Source: SBD
Lineage: Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN
Set 3 has unknown # of PCM gens
Thanks to Jeff Tiedrich and David Hollister for this fine copy!
Extraction and shortening by G.S. Hamilton
Disc 1
Set 1
1. Stage Announcements 5:58
2. The Promised Land 3:37
3. Sugaree 9:16
4. Me And My Uncle 3:27
5. Deal 6:00
6. Black Throated Wind 9:25
7. China Cat Sunflower 7:55
8. I Know You Rider 8:30
9. Mexicali Blues 4:25
10. Bertha 5:52
Total time: 64:30
Disc 2
Set 2
1. Stage Announcements 2:40
2. Playing In The Band 21:21
3. He's Gone 12:08
4. Jack Straw 6:00
5. Bird Song 13:37
6. Greatest Story Ever Told 5:56
Total time: 61:45
Disc 3
Set 3
1. Dark Star > 31:42
2. El Paso 4:49
3. Sing Me Back Home 13:02
4. Sugar Magnolia 11:42
Encores:
5. Casey Jones 7:00
6. One More Saturday Night 4:37
7. Stage Announcements 3:00
Total time: 75:55
David Hollister's comments: Set 3 has unknown # of PCM gens. Disc 3 is an
80 minute disc, but it can fit on a 74 if you want to leave off the post-show
chatter. I cleaned up pops during Dark Star with SF pencil tool. There are
still a couple of very small spots of what sounds like static during Dark Star,
usually only in one channel. I didn't feel they were worth bothering with.
Small clicks at 25:34, 26:35 in Dark Star. Lots of small zits and stuff
all over the place, presumably from the PCM tape. |
|
08/27/72
|
Old Renaissance Faire Grounds |
SHN |
3 |
|
Grateful Dead
08/27/72
Old Renaissance Fairground, Veneta OR
Source: SBD
Lineage: Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN
Set 3 has unknown # of PCM gens
Thanks to Jeff Tiedrich and David Hollister for this fine copy!
Extraction and shortening by G.S. Hamilton
Disc 1
Set 1
1. Stage Announcements 5:58
2. The Promised Land 3:37
3. Sugaree 9:16
4. Me And My Uncle 3:27
5. Deal 6:00
6. Black Throated Wind 9:25
7. China Cat Sunflower 7:55
8. I Know You Rider 8:30
9. Mexicali Blues 4:25
10. Bertha 5:52
Total time: 64:30
Disc 2
Set 2
1. Stage Announcements 2:40
2. Playing In The Band 21:21
3. He's Gone 12:08
4. Jack Straw 6:00
5. Bird Song 13:37
6. Greatest Story Ever Told 5:56
Total time: 61:45
Disc 3
Set 3
1. Dark Star > 31:42
2. El Paso 4:49
3. Sing Me Back Home 13:02
4. Sugar Magnolia 11:42
Encores:
5. Casey Jones 7:00
6. One More Saturday Night 4:37
7. Stage Announcements 3:00
Total time: 75:55
David Hollister's comments: Set 3 has unknown # of PCM gens. Disc 3 is an
80 minute disc, but it can fit on a 74 if you want to leave off the post-show
chatter. I cleaned up pops during Dark Star with SF pencil tool. There are
still a couple of very small spots of what sounds like static during Dark Star,
usually only in one channel. I didn't feel they were worth bothering with.
Small clicks at 25:34, 26:35 in Dark Star. Lots of small zits and stuff
all over the place, presumably from the PCM tape. |
|
12/08/73
|
Cameron Indoor Stadium, Duke University |
SHN |
4 |
|
Grateful Dead
12.08.73
Cameron Indoor Stadium
Duke University
Durham, NC
Lineage: SBD:MR>C>DAT>CD
EAC by Chalupa
Thanks to Kirby Bell for the SHN discs!
--Andy Gustin [seeded 10/22/2000]
Disc 1
1. MAMU
2. Sugaree
3. Mexicali
4. Dire Wolf
5. B.T. Wind
6. TLEO
7. Bobby McGee
8. Don't Ease
9. Race is On
10. Brown Eyed Women
11. Big River
12. Candyman
Disc 2
1. WRS Prelude>
2. WRS Part 1>
3. Let it Grow
4. China Cat>
5. Rider
--End of 1st set--
6. Tuning/Stage Banter
7. Around
8. Ramble on Rose
9. El Paso
10. Row Jimmy
11. Greatest Story
12. Bertha
Disc 3
1. He's Gone>
2. Truckin'>
3. Nobody's Fault>
4. Jam>The Other One>
5. Wharf Rat>
6. Stella Blue
Disc 4
1. Johnny B. Goode
2. Uncle John's Band
3. Encore: Saturday Night
Notes:
Beginning of Bertha is clipped
J.B.Goode is from an AUD source |
|
12/08/73
|
Cameron Indoor Stadium, Duke University |
SHN |
4 |
|
Grateful Dead
12.08.73
Cameron Indoor Stadium
Duke University
Durham, NC
Lineage: SBD:MR>C>DAT>CD
EAC by Chalupa
Thanks to Kirby Bell for the SHN discs!
--Andy Gustin [seeded 10/22/2000]
Disc 1
1. MAMU
2. Sugaree
3. Mexicali
4. Dire Wolf
5. B.T. Wind
6. TLEO
7. Bobby McGee
8. Don't Ease
9. Race is On
10. Brown Eyed Women
11. Big River
12. Candyman
Disc 2
1. WRS Prelude>
2. WRS Part 1>
3. Let it Grow
4. China Cat>
5. Rider
--End of 1st set--
6. Tuning/Stage Banter
7. Around
8. Ramble on Rose
9. El Paso
10. Row Jimmy
11. Greatest Story
12. Bertha
Disc 3
1. He's Gone>
2. Truckin'>
3. Nobody's Fault>
4. Jam>The Other One>
5. Wharf Rat>
6. Stella Blue
Disc 4
1. Johnny B. Goode
2. Uncle John's Band
3. Encore: Saturday Night
Notes:
Beginning of Bertha is clipped
J.B.Goode is from an AUD source |
|
12/08/73
|
Cameron Indoor Stadium, Duke University |
SHN |
4 |
|
Grateful Dead
12.08.73
Cameron Indoor Stadium
Duke University
Durham, NC
Lineage: SBD:MR>C>DAT>CD
EAC by Chalupa
Thanks to Kirby Bell for the SHN discs!
--Andy Gustin [seeded 10/22/2000]
Disc 1
1. MAMU
2. Sugaree
3. Mexicali
4. Dire Wolf
5. B.T. Wind
6. TLEO
7. Bobby McGee
8. Don't Ease
9. Race is On
10. Brown Eyed Women
11. Big River
12. Candyman
Disc 2
1. WRS Prelude>
2. WRS Part 1>
3. Let it Grow
4. China Cat>
5. Rider
--End of 1st set--
6. Tuning/Stage Banter
7. Around
8. Ramble on Rose
9. El Paso
10. Row Jimmy
11. Greatest Story
12. Bertha
Disc 3
1. He's Gone>
2. Truckin'>
3. Nobody's Fault>
4. Jam>The Other One>
5. Wharf Rat>
6. Stella Blue
Disc 4
1. Johnny B. Goode
2. Uncle John's Band
3. Encore: Saturday Night
Notes:
Beginning of Bertha is clipped
J.B.Goode is from an AUD source |
|
05/07/77
|
Boston Garden |
CDR |
3 |
A++ |
|
|
05/07/77
|
Boston Garden |
CDR |
3 |
A++ |
|
|
05/07/77
|
Boston Garden |
CDR |
3 |
A++ |
|
|
07/08/78
|
Red Rocks Amphitheatre |
CDR |
3 |
A |
|
|
07/08/78
|
Red Rocks Amphitheatre |
CDR |
3 |
A |
|
|
07/08/78
|
Red Rocks Amphitheatre |
CDR |
3 |
A |
|
|
10/21/78
|
Winterland Arena |
SHN |
2 |
|
Grateful Dead
Winterland Arena
San Francisco, CA
10/21/78
sbd>mr>dats>wave>shn
thanks to michael grossman for the dat
dat>wave>shn by popi n. feeldz
Disc 1
set1
1. Hamza El Din 1
2. Hamza El Din 2
3. Ollin Arageed - (1) >
4. The Promised Land
5. Sugaree - (2)
6. Passenger
7. Ramble On Rose
8. Looks Like Rain
Disc 2
1. Stagger Lee
2. I Need A Miracle
set 2
3. Bertha >
4. Good Lovin'
5. It Must Have Been The Roses
6. Estimated Prophet >
7. He's Gone>
Disc 3
1. Drums>
2. Space>
3. Got My Mojo Workin >
4. The Other One>
5. Stella Blue - (3)>
6. Sugar Magnolia
ENCORE
7. U.S. Blues
(1) with Hamza el-Din
(2) Sugaree cuts off the end
(3) with Lee Oskar on harmonica.
(4)unkown patch for the end of Stella blue and beginning of Sugar Magnolia
|
|
10/21/78
|
Winterland Arena |
SHN |
2 |
|
Grateful Dead
Winterland Arena
San Francisco, CA
10/21/78
sbd>mr>dats>wave>shn
thanks to michael grossman for the dat
dat>wave>shn by popi n. feeldz
Disc 1
set1
1. Hamza El Din 1
2. Hamza El Din 2
3. Ollin Arageed - (1) >
4. The Promised Land
5. Sugaree - (2)
6. Passenger
7. Ramble On Rose
8. Looks Like Rain
Disc 2
1. Stagger Lee
2. I Need A Miracle
set 2
3. Bertha >
4. Good Lovin'
5. It Must Have Been The Roses
6. Estimated Prophet >
7. He's Gone>
Disc 3
1. Drums>
2. Space>
3. Got My Mojo Workin >
4. The Other One>
5. Stella Blue - (3)>
6. Sugar Magnolia
ENCORE
7. U.S. Blues
(1) with Hamza el-Din
(2) Sugaree cuts off the end
(3) with Lee Oskar on harmonica.
(4)unkown patch for the end of Stella blue and beginning of Sugar Magnolia
|
|
10/21/78
|
Winterland Arena |
SHN |
2 |
|
Grateful Dead
Winterland Arena
San Francisco, CA
10/21/78
sbd>mr>dats>wave>shn
thanks to michael grossman for the dat
dat>wave>shn by popi n. feeldz
Disc 1
set1
1. Hamza El Din 1
2. Hamza El Din 2
3. Ollin Arageed - (1) >
4. The Promised Land
5. Sugaree - (2)
6. Passenger
7. Ramble On Rose
8. Looks Like Rain
Disc 2
1. Stagger Lee
2. I Need A Miracle
set 2
3. Bertha >
4. Good Lovin'
5. It Must Have Been The Roses
6. Estimated Prophet >
7. He's Gone>
Disc 3
1. Drums>
2. Space>
3. Got My Mojo Workin >
4. The Other One>
5. Stella Blue - (3)>
6. Sugar Magnolia
ENCORE
7. U.S. Blues
(1) with Hamza el-Din
(2) Sugaree cuts off the end
(3) with Lee Oskar on harmonica.
(4)unkown patch for the end of Stella blue and beginning of Sugar Magnolia
|
|
04/09/83
|
Hampton Coliseum |
SHN |
2 |
|
Grateful Dead
Hampton Coliseum, Hampton, VA
04/09/83
CD ONE
Set I
Bertha >
The Promised Land
West L.A. Fadeaway
My Brother Esau
Candyman
New Minglewood Blues
Brown Eyed Women >
Looks Like Rain
China Cat Sunflower >
I Know You Rider
CD TWO
Set 2
Help On The Way >
Slipknot! >
Franklin's Tower >
Truckin' >
Smokestack Lightnin' Jam >
Drums >
Space >
Throwing Stones >
Black Peter >
Goin' Down The Road Feeling Bad >
One More Saturday Night
Encore
(I Can't Get No) Satisfaction
Audience Recording by Tiger-Rose
Senn 421 mics > Sony TC-D5 > MAC > DAT > CD > EAC > SHN
EAC & SHN by Sean Cribbs 5/2/02
|
|
04/09/83
|
Hampton Coliseum |
SHN |
2 |
|
Grateful Dead
Hampton Coliseum, Hampton, VA
04/09/83
CD ONE
Set I
Bertha >
The Promised Land
West L.A. Fadeaway
My Brother Esau
Candyman
New Minglewood Blues
Brown Eyed Women >
Looks Like Rain
China Cat Sunflower >
I Know You Rider
CD TWO
Set 2
Help On The Way >
Slipknot! >
Franklin's Tower >
Truckin' >
Smokestack Lightnin' Jam >
Drums >
Space >
Throwing Stones >
Black Peter >
Goin' Down The Road Feeling Bad >
One More Saturday Night
Encore
(I Can't Get No) Satisfaction
Audience Recording by Tiger-Rose
Senn 421 mics > Sony TC-D5 > MAC > DAT > CD > EAC > SHN
EAC & SHN by Sean Cribbs 5/2/02
|
|
04/09/83
|
Hampton Coliseum |
SHN |
2 |
|
Grateful Dead
Hampton Coliseum, Hampton, VA
04/09/83
CD ONE
Set I
Bertha >
The Promised Land
West L.A. Fadeaway
My Brother Esau
Candyman
New Minglewood Blues
Brown Eyed Women >
Looks Like Rain
China Cat Sunflower >
I Know You Rider
CD TWO
Set 2
Help On The Way >
Slipknot! >
Franklin's Tower >
Truckin' >
Smokestack Lightnin' Jam >
Drums >
Space >
Throwing Stones >
Black Peter >
Goin' Down The Road Feeling Bad >
One More Saturday Night
Encore
(I Can't Get No) Satisfaction
Audience Recording by Tiger-Rose
Senn 421 mics > Sony TC-D5 > MAC > DAT > CD > EAC > SHN
EAC & SHN by Sean Cribbs 5/2/02
|
|
10/15/83
|
Hartford Civic Center |
SHN |
2 |
A |
|
|
10/15/83
|
Hartford Civic Center |
SHN |
2 |
A |
|
|
10/15/83
|
Hartford Civic Center |
SHN |
2 |
A |
|
|
06/25/85
|
Blossom Music Center |
SHN |
2 |
A |
Grateful Dead
Blossom Music Center
Cuyahoga Falls, Ohio
6/25/85
Lineage: SBD>Master Cassette>DAT>CDR>EAC>SHN
DAE(EAC) + SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net
This is an often overlooked but killer show from a summer tour full of gems.
Enjoy--- Jeff M.
DISC ONE
Set One
1. Day Tripper
2. West L.A. Fade Away
3. C.C. Rider
4. Dire Wolf
5. Beat it on Down the Line
6. Row Jimmy
7. Me and My Uncle>
8. Big River
9. Big Railroad Blues
10. Jack Straw>
11. Might as Well
Encore:
12. Touch of Grey
DISC TWO
Set Two
1. Gimme Some Lovin'
2. China Cat Sunflower>
3. I Know You Rider
4. Playin' in the Band>
5. Drums>
Space>
6. The Wheel>
7. Playin' in the Band(reprise)>
8. China Doll>
9. Sugar Magnolia
Encore: (on the end of disc one)
Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' |
|
06/25/85
|
Blossom Music Center |
SHN |
2 |
A |
Grateful Dead
Blossom Music Center
Cuyahoga Falls, Ohio
6/25/85
Lineage: SBD>Master Cassette>DAT>CDR>EAC>SHN
DAE(EAC) + SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net
This is an often overlooked but killer show from a summer tour full of gems.
Enjoy--- Jeff M.
DISC ONE
Set One
1. Day Tripper
2. West L.A. Fade Away
3. C.C. Rider
4. Dire Wolf
5. Beat it on Down the Line
6. Row Jimmy
7. Me and My Uncle>
8. Big River
9. Big Railroad Blues
10. Jack Straw>
11. Might as Well
Encore:
12. Touch of Grey
DISC TWO
Set Two
1. Gimme Some Lovin'
2. China Cat Sunflower>
3. I Know You Rider
4. Playin' in the Band>
5. Drums>
Space>
6. The Wheel>
7. Playin' in the Band(reprise)>
8. China Doll>
9. Sugar Magnolia
Encore: (on the end of disc one)
Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' |
|
06/25/85
|
Blossom Music Center |
SHN |
2 |
A |
Grateful Dead
Blossom Music Center
Cuyahoga Falls, Ohio
6/25/85
Lineage: SBD>Master Cassette>DAT>CDR>EAC>SHN
DAE(EAC) + SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net
This is an often overlooked but killer show from a summer tour full of gems.
Enjoy--- Jeff M.
DISC ONE
Set One
1. Day Tripper
2. West L.A. Fade Away
3. C.C. Rider
4. Dire Wolf
5. Beat it on Down the Line
6. Row Jimmy
7. Me and My Uncle>
8. Big River
9. Big Railroad Blues
10. Jack Straw>
11. Might as Well
Encore:
12. Touch of Grey
DISC TWO
Set Two
1. Gimme Some Lovin'
2. China Cat Sunflower>
3. I Know You Rider
4. Playin' in the Band>
5. Drums>
Space>
6. The Wheel>
7. Playin' in the Band(reprise)>
8. China Doll>
9. Sugar Magnolia
Encore: (on the end of disc one)
Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' |
|
06/25/88
|
Buckeye Lake Music Center |
CDR |
3 |
A |
|
|
06/25/88
|
Buckeye Lake Music Center |
CDR |
3 |
A |
|
|
06/25/88
|
Buckeye Lake Music Center |
CDR |
3 |
A |
|
|
10/19/89
|
The Spectrum |
SHN |
2 |
|
The Spectrum
Philadelphia, PA
10/19/89
DSBD>C?>DAT>CDR>EAC>WAV>CDR
SET1
Hell in a Bucket [6:18]
West L.A. Fadeaway [6:55]
Victim or the Crime [8:48]
Built to Last [4:56]
Blow Away [5:46]
When I Paint My Masterpiece [5:01]
Cumberland Blues [5:23]
Cassidy [6:28]
Don't Ease Me In [3:19]
SET2
Help on the Way [3:50] >
Slipknot! [5:37] >
Franklin's Tower [8:27]
Estimated Prophet [12:12] >
Eyes of the World [9:44] >
Drums [11:#15] >
Space [9:13] >
The Wheel [4:54] >
Dear Mr. Fantasy [7:28] >
Hey Jude Reprise [2:11] >
Death Don't Have No Mercy [5:24] >
Turn on Your Lovelight [5:23]
ENCORE
It's All Over Now Baby Blue [7:10]
Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using MKWACT v0.97 via eD(efojr)- 02.08.2002 |
|
10/19/89
|
The Spectrum |
SHN |
2 |
|
The Spectrum
Philadelphia, PA
10/19/89
DSBD>C?>DAT>CDR>EAC>WAV>CDR
SET1
Hell in a Bucket [6:18]
West L.A. Fadeaway [6:55]
Victim or the Crime [8:48]
Built to Last [4:56]
Blow Away [5:46]
When I Paint My Masterpiece [5:01]
Cumberland Blues [5:23]
Cassidy [6:28]
Don't Ease Me In [3:19]
SET2
Help on the Way [3:50] >
Slipknot! [5:37] >
Franklin's Tower [8:27]
Estimated Prophet [12:12] >
Eyes of the World [9:44] >
Drums [11:#15] >
Space [9:13] >
The Wheel [4:54] >
Dear Mr. Fantasy [7:28] >
Hey Jude Reprise [2:11] >
Death Don't Have No Mercy [5:24] >
Turn on Your Lovelight [5:23]
ENCORE
It's All Over Now Baby Blue [7:10]
Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using MKWACT v0.97 via eD(efojr)- 02.08.2002 |
|
10/19/89
|
The Spectrum |
SHN |
2 |
|
The Spectrum
Philadelphia, PA
10/19/89
DSBD>C?>DAT>CDR>EAC>WAV>CDR
SET1
Hell in a Bucket [6:18]
West L.A. Fadeaway [6:55]
Victim or the Crime [8:48]
Built to Last [4:56]
Blow Away [5:46]
When I Paint My Masterpiece [5:01]
Cumberland Blues [5:23]
Cassidy [6:28]
Don't Ease Me In [3:19]
SET2
Help on the Way [3:50] >
Slipknot! [5:37] >
Franklin's Tower [8:27]
Estimated Prophet [12:12] >
Eyes of the World [9:44] >
Drums [11:#15] >
Space [9:13] >
The Wheel [4:54] >
Dear Mr. Fantasy [7:28] >
Hey Jude Reprise [2:11] >
Death Don't Have No Mercy [5:24] >
Turn on Your Lovelight [5:23]
ENCORE
It's All Over Now Baby Blue [7:10]
Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using MKWACT v0.97 via eD(efojr)- 02.08.2002 |
|
10/23/89
|
Charlotte Coliseum |
SHN |
3 |
|
|
|
10/23/89
|
Charlotte Coliseum |
SHN |
3 |
|
|
|
10/23/89
|
Charlotte Coliseum |
SHN |
3 |
|
|
|
07/06/90
|
Cardinal Stadium |
CD-R |
3 |
A |
|
|
07/06/90
|
Cardinal Stadium |
CD-R |
3 |
A |
|
|
07/06/90
|
Cardinal Stadium |
CD-R |
3 |
A |
|
|
07/21/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/21/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
2/20/02
Disc 1
1st Set
1. Touch of Grey>
2. GSET
3. Jackero
4. Walkin' Blues
5. FOTD
6. Little Light
7. Queen Jane
8. Bird Song
Disc 2
2nd Set
1.Scarlet>
2. Fire
3. Playin'>
4. He's Gone>
5. Drums>
Disc 3
1. Space>
2. Miracle>
3. Crazy Fingers>
4. Playin'>
5. Dear Mr. Fantasy>
6. Playin'>
7. OMSN
Encore
8. Mighty Quinn
Encore
7. Knockin' |
|
07/21/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/21/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
2/20/02
Disc 1
1st Set
1. Touch of Grey>
2. GSET
3. Jackero
4. Walkin' Blues
5. FOTD
6. Little Light
7. Queen Jane
8. Bird Song
Disc 2
2nd Set
1.Scarlet>
2. Fire
3. Playin'>
4. He's Gone>
5. Drums>
Disc 3
1. Space>
2. Miracle>
3. Crazy Fingers>
4. Playin'>
5. Dear Mr. Fantasy>
6. Playin'>
7. OMSN
Encore
8. Mighty Quinn
Encore
7. Knockin' |
|
07/21/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/21/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
2/20/02
Disc 1
1st Set
1. Touch of Grey>
2. GSET
3. Jackero
4. Walkin' Blues
5. FOTD
6. Little Light
7. Queen Jane
8. Bird Song
Disc 2
2nd Set
1.Scarlet>
2. Fire
3. Playin'>
4. He's Gone>
5. Drums>
Disc 3
1. Space>
2. Miracle>
3. Crazy Fingers>
4. Playin'>
5. Dear Mr. Fantasy>
6. Playin'>
7. OMSN
Encore
8. Mighty Quinn
Encore
7. Knockin' |
|
07/22/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/22/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR EAC'ed / SHN'ed by Scott Clugston 2/20/02
Disc 1
1st Set
1. Box of Rain
2. Feel Like A Stranger
3. Loser
4. BIODTL
5. West LA Fadeaway
6. Masterpiece
7. Far From Me
8. T Jed
9. Hell In A Bucket
Disc 2
2nd Set
1. Samson
2. Hey Pocky Way
3. Estimated>
4. Eyes>
5. Drums>
Disc 3
1. Space>
2. The Wheel>
3. Gimme Some Lovin'>
4. Stella Blue>
5. Throwing Stones>
6. Lovelight
Encore
7. Knockin' |
|
07/22/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/22/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR EAC'ed / SHN'ed by Scott Clugston 2/20/02
Disc 1
1st Set
1. Box of Rain
2. Feel Like A Stranger
3. Loser
4. BIODTL
5. West LA Fadeaway
6. Masterpiece
7. Far From Me
8. T Jed
9. Hell In A Bucket
Disc 2
2nd Set
1. Samson
2. Hey Pocky Way
3. Estimated>
4. Eyes>
5. Drums>
Disc 3
1. Space>
2. The Wheel>
3. Gimme Some Lovin'>
4. Stella Blue>
5. Throwing Stones>
6. Lovelight
Encore
7. Knockin' |
|
07/22/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/22/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR EAC'ed / SHN'ed by Scott Clugston 2/20/02
Disc 1
1st Set
1. Box of Rain
2. Feel Like A Stranger
3. Loser
4. BIODTL
5. West LA Fadeaway
6. Masterpiece
7. Far From Me
8. T Jed
9. Hell In A Bucket
Disc 2
2nd Set
1. Samson
2. Hey Pocky Way
3. Estimated>
4. Eyes>
5. Drums>
Disc 3
1. Space>
2. The Wheel>
3. Gimme Some Lovin'>
4. Stella Blue>
5. Throwing Stones>
6. Lovelight
Encore
7. Knockin' |
|
07/23/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/23/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR EAC'ed / SHN'ed by Scott Clugston 2/20/02
Disc 1
1st Set
1. CR & S
2. Picasso Moon
3. Good Times Blues
4. Stagger Lee
5. Cassidy
6. Truckin'>
Nobodies Fault Jam>
7. Smokestack Lightning
Disc 2
2nd Set
1. Victim or the Crime>
2. Foolish Heart>
3. Women Are Smarter
4. Terrapin Station>
5. Drums>
Disc 3
1. Space>
2. Watchtower>
3. SOTM>
4. A & A>
5. Good Lovin'
Encore
6. The Weight |
|
07/23/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/23/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR EAC'ed / SHN'ed by Scott Clugston 2/20/02
Disc 1
1st Set
1. CR & S
2. Picasso Moon
3. Good Times Blues
4. Stagger Lee
5. Cassidy
6. Truckin'>
Nobodies Fault Jam>
7. Smokestack Lightning
Disc 2
2nd Set
1. Victim or the Crime>
2. Foolish Heart>
3. Women Are Smarter
4. Terrapin Station>
5. Drums>
Disc 3
1. Space>
2. Watchtower>
3. SOTM>
4. A & A>
5. Good Lovin'
Encore
6. The Weight |
|
07/23/90
|
World Music Theatre |
SHN |
3 |
|
Grateful Dead
7/23/90
World Music Theatre
Tinley Park, Illinois
Master Soundboard DAT > CDR EAC'ed / SHN'ed by Scott Clugston 2/20/02
Disc 1
1st Set
1. CR & S
2. Picasso Moon
3. Good Times Blues
4. Stagger Lee
5. Cassidy
6. Truckin'>
Nobodies Fault Jam>
7. Smokestack Lightning
Disc 2
2nd Set
1. Victim or the Crime>
2. Foolish Heart>
3. Women Are Smarter
4. Terrapin Station>
5. Drums>
Disc 3
1. Space>
2. Watchtower>
3. SOTM>
4. A & A>
5. Good Lovin'
Encore
6. The Weight |
|
08/21/93
|
Autzen Stadium, University of Oregon |
SHN |
2 |
|
BAND: GRATEFUL DEAD
SHOW DATE: 08/21/93
VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON
LOCATION: EUGENE, OR
SET(S): I / II
LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB
LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D
AUDIO RATING: AR1
MEDIA REQUIRED: DAT: 1x180 min.
CD-R / MINI DISC: 2
SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE
RELEASED ON: 10/25/01
JAY'S PERSONAL COMMENTS:
First off, I want to thank "SuperNova" ( Jerry Ford... supernova2112@hotmail.com ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy.
Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003.
Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show.
This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were.
Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS.
Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land.
Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information).
Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right.
Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them.
A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated.
PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 9.9
Audio Quality: 10
Energy Level: 9.6
Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level)
Song Selection: Nothing special
Surprises: None
Grateful Dead
08/21/1993
Autzen Stadium @ The University Of Oregon Eugene, OR
Lineage: SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB
The DAT was only small "snippets" from a few songs, used for comparison only!
NOTE: A special "Thanks" goes out to to Jerry Ford for supplying some of the audio
necessary to make this a great finished recording!
Disc 1
Set 1
gd93-08-21d1t01 05:09.859 Here Comes Sunshine (opening verse missing)
gd93-08-21d1t02 07:24.438 Walkin' Blues
gd93-08-21d1t03 06:44.835 Lazy River Road
gd93-08-21d1t04 07:04.740 Queen Jane Approximately
gd93-08-21d1t05 14:37.656 Bird Song ->
gd93-08-21d1t06 04:46.191 -> The Promised Land
Set 2
gd93-08-21d1t07 06:27.884 China Cat Sunflower ->
gd93-08-21d1t08 06:55.474 -> I Know You Rider
gd93-08-21d1t09 06:36.577 Long Way To Go Home
Total time: 1:05:47.526
Disc 2
Set 2 cont'd
gd93-08-21d2t01 07:18.882 Truckin' ->
gd93-08-21d2t02 05:17.129 -> Good Morning Little Schoolgirl ->
gd93-08-21d2t03 05:36.726 -> Smokestack Lightning ->
gd93-08-21d2t04 14:14.025 -> Drums ->
gd93-08-21d2t05 14:03.513 -> Space ->
gd93-08-21d2t06 06:19.713 -> The Last Time ->
gd93-08-21d2t07 09:28.586 -> Standing On The Moon ->
gd93-08-21d2t08 04:53.704 -> One More Saturday Night
gd93-08-21d2t09 03:05.191 ENCORE: I Fought The Law
Total time: 1:10:17.469 |
|
08/21/93
|
Autzen Stadium, University of Oregon |
SHN |
2 |
|
BAND: GRATEFUL DEAD
SHOW DATE: 08/21/93
VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON
LOCATION: EUGENE, OR
SET(S): I / II
LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB
LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D
AUDIO RATING: AR1
MEDIA REQUIRED: DAT: 1x180 min.
CD-R / MINI DISC: 2
SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE
RELEASED ON: 10/25/01
JAY'S PERSONAL COMMENTS:
First off, I want to thank "SuperNova" ( Jerry Ford... supernova2112@hotmail.com ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy.
Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003.
Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show.
This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were.
Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS.
Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land.
Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information).
Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right.
Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them.
A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated.
PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 9.9
Audio Quality: 10
Energy Level: 9.6
Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level)
Song Selection: Nothing special
Surprises: None
Grateful Dead
08/21/1993
Autzen Stadium @ The University Of Oregon Eugene, OR
Lineage: SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB
The DAT was only small "snippets" from a few songs, used for comparison only!
NOTE: A special "Thanks" goes out to to Jerry Ford for supplying some of the audio
necessary to make this a great finished recording!
Disc 1
Set 1
gd93-08-21d1t01 05:09.859 Here Comes Sunshine (opening verse missing)
gd93-08-21d1t02 07:24.438 Walkin' Blues
gd93-08-21d1t03 06:44.835 Lazy River Road
gd93-08-21d1t04 07:04.740 Queen Jane Approximately
gd93-08-21d1t05 14:37.656 Bird Song ->
gd93-08-21d1t06 04:46.191 -> The Promised Land
Set 2
gd93-08-21d1t07 06:27.884 China Cat Sunflower ->
gd93-08-21d1t08 06:55.474 -> I Know You Rider
gd93-08-21d1t09 06:36.577 Long Way To Go Home
Total time: 1:05:47.526
Disc 2
Set 2 cont'd
gd93-08-21d2t01 07:18.882 Truckin' ->
gd93-08-21d2t02 05:17.129 -> Good Morning Little Schoolgirl ->
gd93-08-21d2t03 05:36.726 -> Smokestack Lightning ->
gd93-08-21d2t04 14:14.025 -> Drums ->
gd93-08-21d2t05 14:03.513 -> Space ->
gd93-08-21d2t06 06:19.713 -> The Last Time ->
gd93-08-21d2t07 09:28.586 -> Standing On The Moon ->
gd93-08-21d2t08 04:53.704 -> One More Saturday Night
gd93-08-21d2t09 03:05.191 ENCORE: I Fought The Law
Total time: 1:10:17.469 |
|
08/21/93
|
Autzen Stadium, University of Oregon |
SHN |
2 |
|
BAND: GRATEFUL DEAD
SHOW DATE: 08/21/93
VENUE: AUTZEN STADIUM @ UNIVERSITY OF OREGON
LOCATION: EUGENE, OR
SET(S): I / II
LINEAGE SBD > D > ILLEGAL BOOTLEG CD > SSSB
LINEAGE ADDITIONAL INFO: REFERENCE AUDIO SECTIONS: MY MARIN COUNTY SOURCE SBD > SHOW MASTER D
AUDIO RATING: AR1
MEDIA REQUIRED: DAT: 1x180 min.
CD-R / MINI DISC: 2
SEEDED FOR THE GDLIVE RELEASE BY: "SUPERNOVA" (JERRY FORD), JAY SERAFIN, AND IN PART, JAY'S MARIN COUNTY SOURCE
RELEASED ON: 10/25/01
JAY'S PERSONAL COMMENTS:
First off, I want to thank "SuperNova" ( Jerry Ford... supernova2112@hotmail.com ) for his sending me his copy of the ILLEGAL BOOTLEG DISCS to compare with the same ones I had given to me many years ago. His seed CD's gave both credence and complete verification to the audio I had. Also, my Marin County source sent me multipple "snippets" from this show from 6 different songs, which were used as a "reference" to how the mix and the audio actually sounded at the venue that night and was archived by the Dead. These were used to process the show's audio to match (with 98.4% accuracy) with that of the ILLEGAL BOOTLEG DISCS, which were the actual "seed audio" for this release. Jerry's CD's, which were the same as mine (slight variations in the jewel case inserts were noted, especially the "Copyright" year from the illegal bootleg company called KTS ("Kiss The Stone") which is based in Italy.
Unfortunately, the acappella opening for Here Comes Sunshine, as well as the first 30 or so seconds of the opening music do not appear on the ILLEGAL BOOTLEG DISCS. This is a shame, as my source did NOT send me this material to include in this show release. It is my understanding that this show will, in the future, become a commercial release, and the full HCS opening will be used in that 3-disc release. This, supposedly, will occur in late 2002 or early 2003.
Well, on with the review... EXCELLENT AUDIO QUALITY FROM OPENING NOTE TO THE CLOSING CHORDS' FADEOUT. Very crisp, clear, no hiss other than that of the recording equipment itself (this hiss is -60 dB or lower, so it doesn't interfere with the show's audio at all). You can listen closely when the between-song lulls occur, and hear the noise gates for the instruments and microphones opening and closing, that's how high the audio quality is for this show.
This show is not missing any songs. The only "problem" is that the company that made these ILLEGAL BOOTLEG DISCS, "KTS", had to edit parts of Drums to make it fit onto the 2nd CD disc. Many of these edits were quite noticeable (there were 7 edits in all, and because of their "subtle abruptness", I chose to cross-fade the offending edits, matching up the segments beat for beat. You cannot tell now where the edits actually were.
Because of the clarity of the audio of this show, only a very minor amount of processing was done. This was in the form of less than 1 dB of attenuation or boost in extremely narrow frequency bands (less than 50 Hz wide) at the lowest audio frequencies (below 100 Hz), as well as 3 narrow bands in the vocal areas between 6,200 and 7,400 Hz. This was done to perfectly match the "reference audio" of the Dead's master archive of this show as opposed to what KTS did to make the show sound the way it did on their ILLEGAL BOOTLEG DISCS.
Bird Song was a very smooth and very energetic (in laid-back way) version, and was a good 14+ minutes in length. That segued right into a smoking The Promised Land.
Huey Lewis didn't fail to help out in the instrumental portions of Good Morning Little School Girl through Smokestack Lightning. He also was in the background during Space, and his harmonica was very evident during the last bit of Space. So, make a note in your databases that he also played on that song (no database I've seen gives this information).
Although this was the beginning show a long West Coast area run, Jerry seemed to run out of steam by Standing On The Moon in his vocals. His guitar playing was top shelf for the entire show, so there was no lack of energy on his part. Bobby filled the gap very nicely, and he was "just right" in the overall mix. The keyboards were not lacking in their contributions at all, and not overly present in the mix. Just right.
Billy and Micky were ON this night, playing in sync as well as "off of each other" quite well. Space was cut by KTS by about 2 minutes, which is a shame. But, that's what you come to exepect from ILLEGAL BOOTLEG DISCS, no matter who makes them.
A typical and "no frills" I Fought The Law closed out this very wonderful show. Even though the audience "ambience mikes" were not really in the mix much, what you can hear lets you know that this show was very much appreciated, and the gave the Boyz their "props" that night. And the band reciprocated.
PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 9.9
Audio Quality: 10
Energy Level: 9.6
Show "Completeness": 9.2 (the edits in Drums and Space account for this rating level)
Song Selection: Nothing special
Surprises: None
Grateful Dead
08/21/1993
Autzen Stadium @ The University Of Oregon Eugene, OR
Lineage: SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB
The DAT was only small "snippets" from a few songs, used for comparison only!
NOTE: A special "Thanks" goes out to to Jerry Ford for supplying some of the audio
necessary to make this a great finished recording!
Disc 1
Set 1
gd93-08-21d1t01 05:09.859 Here Comes Sunshine (opening verse missing)
gd93-08-21d1t02 07:24.438 Walkin' Blues
gd93-08-21d1t03 06:44.835 Lazy River Road
gd93-08-21d1t04 07:04.740 Queen Jane Approximately
gd93-08-21d1t05 14:37.656 Bird Song ->
gd93-08-21d1t06 04:46.191 -> The Promised Land
Set 2
gd93-08-21d1t07 06:27.884 China Cat Sunflower ->
gd93-08-21d1t08 06:55.474 -> I Know You Rider
gd93-08-21d1t09 06:36.577 Long Way To Go Home
Total time: 1:05:47.526
Disc 2
Set 2 cont'd
gd93-08-21d2t01 07:18.882 Truckin' ->
gd93-08-21d2t02 05:17.129 -> Good Morning Little Schoolgirl ->
gd93-08-21d2t03 05:36.726 -> Smokestack Lightning ->
gd93-08-21d2t04 14:14.025 -> Drums ->
gd93-08-21d2t05 14:03.513 -> Space ->
gd93-08-21d2t06 06:19.713 -> The Last Time ->
gd93-08-21d2t07 09:28.586 -> Standing On The Moon ->
gd93-08-21d2t08 04:53.704 -> One More Saturday Night
gd93-08-21d2t09 03:05.191 ENCORE: I Fought The Law
Total time: 1:10:17.469 |
|
SuperJam
--- Approximate Hours: 3.75
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
06/23/02
|
Bonnaroo Music Festival |
SHN |
1 |
|
SuperJam
Stadium Stage, Bonnaroo Festival, Manchester, TN
June 22, 2002
Source: B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
NOTE: I did the best I could on this one......I tracked it into major themes and noted any known titles. Personnel are what has been indictated to me by someone who was actually there. I cannot verify that I have broken the tunes exactly where they were playing, though.
Disc One:
01. Bigfoot-> (1)^
02. Jam-> (1)
03. Bigfoot-> (1)
04. Rivertrance-> (2)
05. Jam (3)->
06. Jam (4)->
07. Jam (4)->
08. Will the Circle Be Unbroken (5)
09. So What (6)
10. Papa Was a Rolling Stone (7)
^ with Voodoo Chile teases
Personnel:
Entire set with Michael Kang (violin and electric mandolin), Bela Fleck (electric synth-banjo), Jeff Raines (acoustic guitar), and Robert Randolph (pedal steel guitar)
(1) - with Danyel Morgan (bass), Bill Nershi (acoustic guitar), Stanton Moore (drums), and Edgar Meyer (acoustic bass)
(2) - with Keith Moseley (bass), Kyle Hollingsworth (keyboards), DJ Logic (turntables), Bill Nershi, Stanton Moore, and Edgar Meyer
(3) - with Danyel Morgan, Kyle Hollingsworth, Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(4) - with Rich Vogel (keyboards), Robert Mercurio (bass), Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(5) - with Keith Moseley, Rich Vogel, Bill Nershi, and Stanton Moore
(6) - with Michael Travis (drums), Kyle Hollingsworth, Keith Moseley, DJ Logic, and Bill Nershi
(7) - with Marcus Randolph (drums), Kyle Hollingsworth, and Danyel MorganSuperJam
Stadium Stage, Bonnaroo Festival, Manchester, TN
June 22, 2002
Source: B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
NOTE: I did the best I could on this one......I tracked it into major themes and noted any known titles. Personnel are what has been indictated to me by someone who was actually there. I cannot verify that I have broken the tunes exactly where they were playing, though.
Disc One:
01. Bigfoot-> (1)^
02. Jam-> (1)
03. Bigfoot-> (1)
04. Rivertrance-> (2)
05. Jam (3)->
06. Jam (4)->
07. Jam (4)->
08. Will the Circle Be Unbroken (5)
09. So What (6)
10. Papa Was a Rolling Stone (7)
^ with Voodoo Chile teases
Personnel:
Entire set with Michael Kang (violin and electric mandolin), Bela Fleck (electric synth-banjo), Jeff Raines (acoustic guitar), and Robert Randolph (pedal steel guitar)
(1) - with Danyel Morgan (bass), Bill Nershi (acoustic guitar), Stanton Moore (drums), and Edgar Meyer (acoustic bass)
(2) - with Keith Moseley (bass), Kyle Hollingsworth (keyboards), DJ Logic (turntables), Bill Nershi, Stanton Moore, and Edgar Meyer
(3) - with Danyel Morgan, Kyle Hollingsworth, Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(4) - with Rich Vogel (keyboards), Robert Mercurio (bass), Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(5) - with Keith Moseley, Rich Vogel, Bill Nershi, and Stanton Moore
(6) - with Michael Travis (drums), Kyle Hollingsworth, Keith Moseley, DJ Logic, and Bill Nershi
(7) - with Marcus Randolph (drums), Kyle Hollingsworth, and Danyel Morgan |
|
06/23/02
|
Bonnaroo Music Festival |
SHN |
1 |
|
SuperJam
Stadium Stage, Bonnaroo Festival, Manchester, TN
June 22, 2002
Source: B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
NOTE: I did the best I could on this one......I tracked it into major themes and noted any known titles. Personnel are what has been indictated to me by someone who was actually there. I cannot verify that I have broken the tunes exactly where they were playing, though.
Disc One:
01. Bigfoot-> (1)^
02. Jam-> (1)
03. Bigfoot-> (1)
04. Rivertrance-> (2)
05. Jam (3)->
06. Jam (4)->
07. Jam (4)->
08. Will the Circle Be Unbroken (5)
09. So What (6)
10. Papa Was a Rolling Stone (7)
^ with Voodoo Chile teases
Personnel:
Entire set with Michael Kang (violin and electric mandolin), Bela Fleck (electric synth-banjo), Jeff Raines (acoustic guitar), and Robert Randolph (pedal steel guitar)
(1) - with Danyel Morgan (bass), Bill Nershi (acoustic guitar), Stanton Moore (drums), and Edgar Meyer (acoustic bass)
(2) - with Keith Moseley (bass), Kyle Hollingsworth (keyboards), DJ Logic (turntables), Bill Nershi, Stanton Moore, and Edgar Meyer
(3) - with Danyel Morgan, Kyle Hollingsworth, Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(4) - with Rich Vogel (keyboards), Robert Mercurio (bass), Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(5) - with Keith Moseley, Rich Vogel, Bill Nershi, and Stanton Moore
(6) - with Michael Travis (drums), Kyle Hollingsworth, Keith Moseley, DJ Logic, and Bill Nershi
(7) - with Marcus Randolph (drums), Kyle Hollingsworth, and Danyel MorganSuperJam
Stadium Stage, Bonnaroo Festival, Manchester, TN
June 22, 2002
Source: B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
NOTE: I did the best I could on this one......I tracked it into major themes and noted any known titles. Personnel are what has been indictated to me by someone who was actually there. I cannot verify that I have broken the tunes exactly where they were playing, though.
Disc One:
01. Bigfoot-> (1)^
02. Jam-> (1)
03. Bigfoot-> (1)
04. Rivertrance-> (2)
05. Jam (3)->
06. Jam (4)->
07. Jam (4)->
08. Will the Circle Be Unbroken (5)
09. So What (6)
10. Papa Was a Rolling Stone (7)
^ with Voodoo Chile teases
Personnel:
Entire set with Michael Kang (violin and electric mandolin), Bela Fleck (electric synth-banjo), Jeff Raines (acoustic guitar), and Robert Randolph (pedal steel guitar)
(1) - with Danyel Morgan (bass), Bill Nershi (acoustic guitar), Stanton Moore (drums), and Edgar Meyer (acoustic bass)
(2) - with Keith Moseley (bass), Kyle Hollingsworth (keyboards), DJ Logic (turntables), Bill Nershi, Stanton Moore, and Edgar Meyer
(3) - with Danyel Morgan, Kyle Hollingsworth, Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(4) - with Rich Vogel (keyboards), Robert Mercurio (bass), Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(5) - with Keith Moseley, Rich Vogel, Bill Nershi, and Stanton Moore
(6) - with Michael Travis (drums), Kyle Hollingsworth, Keith Moseley, DJ Logic, and Bill Nershi
(7) - with Marcus Randolph (drums), Kyle Hollingsworth, and Danyel Morgan |
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06/23/02
|
Bonnaroo Music Festival |
SHN |
1 |
|
SuperJam
Stadium Stage, Bonnaroo Festival, Manchester, TN
June 22, 2002
Source: B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
NOTE: I did the best I could on this one......I tracked it into major themes and noted any known titles. Personnel are what has been indictated to me by someone who was actually there. I cannot verify that I have broken the tunes exactly where they were playing, though.
Disc One:
01. Bigfoot-> (1)^
02. Jam-> (1)
03. Bigfoot-> (1)
04. Rivertrance-> (2)
05. Jam (3)->
06. Jam (4)->
07. Jam (4)->
08. Will the Circle Be Unbroken (5)
09. So What (6)
10. Papa Was a Rolling Stone (7)
^ with Voodoo Chile teases
Personnel:
Entire set with Michael Kang (violin and electric mandolin), Bela Fleck (electric synth-banjo), Jeff Raines (acoustic guitar), and Robert Randolph (pedal steel guitar)
(1) - with Danyel Morgan (bass), Bill Nershi (acoustic guitar), Stanton Moore (drums), and Edgar Meyer (acoustic bass)
(2) - with Keith Moseley (bass), Kyle Hollingsworth (keyboards), DJ Logic (turntables), Bill Nershi, Stanton Moore, and Edgar Meyer
(3) - with Danyel Morgan, Kyle Hollingsworth, Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(4) - with Rich Vogel (keyboards), Robert Mercurio (bass), Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(5) - with Keith Moseley, Rich Vogel, Bill Nershi, and Stanton Moore
(6) - with Michael Travis (drums), Kyle Hollingsworth, Keith Moseley, DJ Logic, and Bill Nershi
(7) - with Marcus Randolph (drums), Kyle Hollingsworth, and Danyel MorganSuperJam
Stadium Stage, Bonnaroo Festival, Manchester, TN
June 22, 2002
Source: B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E DFC FOB
Transfer: Sony D8-> Delta Dio 24/96 via coax-> Soundforge 5.0 (resampled to 44.1khz)->
CDWave for track splits-> mkwACT for shnning
Taped By: Craig Davis
Transferred By: Jim Pollock
NOTE: I did the best I could on this one......I tracked it into major themes and noted any known titles. Personnel are what has been indictated to me by someone who was actually there. I cannot verify that I have broken the tunes exactly where they were playing, though.
Disc One:
01. Bigfoot-> (1)^
02. Jam-> (1)
03. Bigfoot-> (1)
04. Rivertrance-> (2)
05. Jam (3)->
06. Jam (4)->
07. Jam (4)->
08. Will the Circle Be Unbroken (5)
09. So What (6)
10. Papa Was a Rolling Stone (7)
^ with Voodoo Chile teases
Personnel:
Entire set with Michael Kang (violin and electric mandolin), Bela Fleck (electric synth-banjo), Jeff Raines (acoustic guitar), and Robert Randolph (pedal steel guitar)
(1) - with Danyel Morgan (bass), Bill Nershi (acoustic guitar), Stanton Moore (drums), and Edgar Meyer (acoustic bass)
(2) - with Keith Moseley (bass), Kyle Hollingsworth (keyboards), DJ Logic (turntables), Bill Nershi, Stanton Moore, and Edgar Meyer
(3) - with Danyel Morgan, Kyle Hollingsworth, Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(4) - with Rich Vogel (keyboards), Robert Mercurio (bass), Bill Nershi, DJ Logic, Stanton Moore, and Edgar Meyer
(5) - with Keith Moseley, Rich Vogel, Bill Nershi, and Stanton Moore
(6) - with Michael Travis (drums), Kyle Hollingsworth, Keith Moseley, DJ Logic, and Bill Nershi
(7) - with Marcus Randolph (drums), Kyle Hollingsworth, and Danyel Morgan |