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Music List for Michelle
Last Update: Aug 22, 2002
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Grateful Dead --- Approximate Hours: 82.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/21/72 Berkeley Community Theater CD 4 AR3 2nd PCM in lineage was used during vault archiving to bring up levels during SET II ONLY; audio mix and engineering by Betty Cantor-Jackson; only song interrupted by RTR tape changes (digitally corrected @ SSSB); before "Sugar Magnolia" Weir tells audience to "quit barking orders to the band"; the song titles differ from what DeadBase, etc. state, but is the VERIFIED set list and how the songs are labeled in the GD archives; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 03/01] Set One: SET I:, The Promised Land, He's Gone, Black-Throated Wind, First Public Announcement of Pigmen's True Illness, Friend Of The Devil, Jack Straw, China Cat Sunflower-> I Know You Rider, Me & My Uncle, Sugaree, Beat It On Down The Line, Stella Blue, Playin' In The Band, Brown Eyed Women, Mexicali Blues, Casey Jones Greatest Story Ever Told, Ramble On Rose Set Two: Dark Star-> Morning Dew Opening*-> Dark Star Jazz Jam*-> El Paso-> Space*-> Deal, Sugar Magnolia, Half-Step Mississippi Uptown, Uncle John's Band, One More Saturday Night
08/27/72 Old Renaissance Faire Grounds CD 4 AR2 other artist(s): NRPS; billed as "The Springfield Creamery Benefit"; "Casey Jones", "One More Saturday Night" are not encores, simply the end of the show (some databases state these 3 songs "may be encores"); any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 08/01] Set One: Opening Announments -> Band Member Intros -> Presentation of Gifts, The Promised Land, Sugaree, Me & My Uncle, Deal, Black-Throated Wind, Stage Announcements, China Cat Sunflower-> I Know You Rider, Stage Announcements, Mexicali Blues, Bertha Set Two: Playin' In The Band -> Playin' In The Band Jam -> Playin' In The Band Reprise, Stage Announcements, He's Gone, Stage Announcements, Jack Straw, Bird Song, Greatest Story Ever Told Set Three: Dark Star-> Dark Star Jam -> El Paso, Sing Me Back Home, Sugar Magnolia, Casey Jones, One More Saturday Night, Stage Announcements
05/25/74 Campus Stadium, UCSB CD 3 AR3 Maria Muldaur, Great American String Band, Elvin Bishop opened; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 08/99] Set One: U. S. Blues, Mexicali Blues, Deal, Jack Straw, Scarlet Begonias, Beat It On Down The Line, Brown-Eyed Women, Me & My Uncle, Sugaree, El Paso, China Cat Sunflower-> I Know You Rider, Around & Around Set Two: The Promised Land, Ship of Fools, Big River, Tennessee Jed, Truckin'-> Let It Grow-> Wharf Rat, Beer Barrel Polka, Sugar Magnolia-> Goin' Down The Road Feelin' Bad-> One More Saturday Night, E: Casey Jones
10/09/76 Oakland-Alameda County Coliseum CD 2 AR2 The Who opened; billed as "Day on the Green #8"; 11:00 AM show; MISSING "Mississippi Half Step", "Cassidy", "Tennessee Jed", "Looks Like Rain"; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 12/99] Set One: The Promised Land, They Love Each Other, Minglewood Blues, Scarlet Begonias, Lazy Lightning-> Supplication, Sugaree Set Two: Saint Stephen-> Not Fade Away-> Saint Stephen-> Help On The Way-> Slipknot!-> Drums-> Samson & Delilah-> Slipknot!-> Franklin's Tower-> One More Saturday Night, E: U.S. Blues
02/26/81 Uptown Theater CD 3 AR3 any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 10/00] Set One: Feel Like A Stranger, Althea-> Little Red Rooster, Bird Song, Me & My Uncle-> Big River, Tennessee Jed, Passenger, Peggy-O, The Music Never Stopped Set Two: China Cat Sunflower-> I Know You Rider, Samson & Delilah, He's Gone-> Drums-> Truckin'-> Black Peter-> Goin' Down The Road Feelin' Bad-> Johnny B. Goode, E: U.S. Blues
02/27/81 Uptown Theater CD 3 AR2 any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 09/00] Set One: Alabama Getaway-> The Promised Land, Friend Of The Devil, Cassidy, Loser, C. C. Rider, It Must Have Been The Roses-> Minglewood Blues Set Two: Scarlet Begonias-> Fire On The Mountain-> Estimated Prophet-> Eyes Of The World-> Drums-> Space-> Not Fade Away-> Wharf Rat-> Sugar Magnolia, E: Don't Ease Me In
12/31/81 Oakland Auditorium Arena CD 4 AR1 NRPS opened;*=w/Joan Baez; **=w/Matt Kelly; ***=w/John Cippolina; Bill Graham flies in on a giant joint; LAST "Dark Star": 01-20-79 [232]; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01] Set One: Shakedown Street, Me & My Uncle-> Mexicali Blues, Cold Rain & Snow, C. C. Rider**, It Must Have Been The Roses*-> Beat It On Down The Line (12), Big Boss Man**-> Minglewood Blues**, Don't Ease Me In Set Two: Ken Kesey's "Gong Bong" New Years Eve Countdown-> Iko Iko*, Playin' In The Band-> Terrapin Station-> Playin' In The Band-> Drums-> Space -> That's If For The Other One***-> Not Fade Away***-> Goin' Down The Road Feelin' Bad***-> Morning Dew Set Three: Dark Star-> Bertha-> Good Lovin', ENCORE: It's All Over Now Baby Blue*
08/07/82 Alpine Valley Music Theatre CD 3 AR3 apparently at some point in this show's lineage, it was encoded on cassette with Dolby B NR, but subsequent dubs did not decode the Dolby B; editing software at SSSB took care of this problem; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 01/01] Set One: The Music Never Stopped-> Sugaree-> The Music Never Stopped, Me & My Uncle-> Big River, It Must Have Been The Roses, C. C. Rider, Ramble On Rose, Beat It On Down The Line -> On The Road Again, Althea, Let It Grow Set Two: China Cat Sunflower-> I Know You Rider, Women Are Smarter, Ship of Fools, Playin' In The Band-> Drums-> The Wheel-> Playin' In The Band-> Morning Dew-> One More Saturday Night, E: U.S. Blues
04/01/84 Marin County Veterans Auditorium CD 3 AR1 Rex Foundation benefit; very short burst of digi-noise at start of "Jack Straw", middle of "Touch Of Grey"; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 07/00] Set One: Jack Straw, Friend Of The Devil, Me & My Uncle-> Mexicali Blues, Big Railroad Blues, Cassidy, Tennessee Jed, My Brother Esau-> Don't Ease Me In Set Two: Help On The Way-> Slipknot!-> Franklin's Tower-> Samson & Delilah, Terrapin Station-> Drums-> Space-> Morning Dew-> I Need A Miracle-> Goin' Down The Road Feelin' Bad-> Good Lovin', E: Touch Of Gray
05/09/87 Laguna Seca Recreation Area CD 2 AR1 Ry Cooder, Bruce Hornsby & The Range opened; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 06/00] Set One: Sugar Magnolia-> Sugaree, Me & My Uncle-> Mexicali Blues, When Push Comes To Shove, Tons Of Steel, My Brother Esau, Tennessee Jed, Let It Grow Set Two: Touch Of Gray, Looks Like Rain, He's Gone-> Drums-> Space-> The Wheel-> That's It For The Other One-> Wharf Rat-> Around & Around-> Sunshine Daydream, E: Aiko Aiko
04/03/89 Civic Arena CD 3 AR2 any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 05/00] Set One: Greatest Story Ever Told-> Bertha-> Walkin' Blues, Jack A Roe, El Paso, Built To Last, Victim Or The Crime, Just Like Tom Thumb's Blues, Don't Ease Me In Set Two: Blow Away, Estimated Prophet-> Crazy Fingers-> Uncle John's Band-> Drums-> Space-> Gimme Some Lovin'-> I Need A Miracle-> Stella Blue-> Sugar Magnolia, E1: Johnny B. Goode, E2: Black Muddy River
05/06/89 Frost Amphitheatre CD 3 AR1 SBD/venue volume adjustments made during "Jack Straw"; Jerry's vocal digital delay "stuck" twice during "Peggy-O" (less than 0.2 seconds), but it sounded like he was stuttering; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 02/01] Set One: Jack Straw, Peggy-O, Walkin' Blues, They Love Each Other, The Race is On, West L.A. Fadeaway, Just A Little Light, Queen Jane Approximately, China Cat Sunflower-> I Know You Rider Set Two: Let The Good Times Roll, Hey Pocky Way, Samson & Delilah, Ship of Fools, Playin' In The Band-> Eyes Of The World-> Drums-> Jam-> I Will Take You Home, The Wheel-> I Need A Miracle-> Wharf Rat-> Around & Around-> Not Fade Away, E: Black Muddy River
06/19/89 Shoreline Amphitheatre CD 2 AR2 slight GD-related technical equipment noise when Jerry plugs back in during end of "Space"; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 09/00] Set Two: China Cat Sunflower-> I Know You Rider, Playin' In The Band-> Crazy Fingers-> Playin' In The Band-> Drums-> Space-> I Will Take You Home, All Along The Watchtower-> Black Peter-> Throwing Stones-> Not Fade Away, E: Knockin' On Heaven's Door
05/05/90 Cal State Dominguez Hills CD 3 AR3 FM Broadcast on KPFK; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 06/01] Set One: Let The Good Times Roll, The Race is On, Help On The Way-> Slipknot!-> Franklin's Tower, Queen Jane Approximately, Loser, Me & My Uncle-> Mexicali Blues, Loose Lucy, One More Saturday Night Set Two: Truckin'-> Crazy Fingers-> Playin' In The Band-> Uncle John's Band-> Drums-> Jam-> I Need A Miracle-> Dear Mr. Fantasy-> Goin' Down The Road Feelin' Bad-> Around & Around, E: Touch Of Gray
06/09/90 Cal Expo CD 3 AR1 Set I and Set II came from different SBD outputs; MISSING "Black Muddy River"; during the last 70 seconds of "Looks Like Rain", continuing into 40 sec. of "Terrapin Station" the SBD signal was very slightly distorted (verified by the Dead's sound engineers); any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and noise elimination (when down-converting audio to 16-bit/44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 05/00] Set One: Let The Good Times Roll, Feel Like A Stranger, El Paso, Me & My Uncle-> Mexicali Blues, Loser, When I Paint My Masterpiece, Loose Lucy, Cassidy, Don't Ease Me In Set Two: Victim Or The Crime-> Touch Of Gray, Looks Like Rain-> Terrapin Station-> Drums-> Space-> Dear Mr. Fantasy-> Hey Jude Finale-> All Along The Watchtower-> Stella Blue-> Turn On Your Love Light
12/27/90 Oakland-Alameda County Coliseum CD 2 AR2 during the "Ultra-Matrix" mix, the microphones that are usually used to capture "audience ambience/reactions" were left on for the entire show, so this is actually a "SBD + AUD" recording; there is a pause between Hamza el_Din and "Space" due to equipment being plugged in and Hamza'a percussion set removed from the stage; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 16-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 05/01] Set Two: Scarlet Begonias-> Fire On The Mountain, Estimated Prophet-> Comes A Time-> Drums-> Hamza el-Din, Space-> I Need A Miracle-> The Wheel-> Throwing Stones-> Turn On Your Love Light, E: It's All Over Now Baby Blue
04/01/91 Greensboro Coliseum CD 2 AR2 any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 07/00] Set Two: SET I:, (Last 4 songs in order performed):,,Just Like Tom Thumb's Blues, Picasso Moon, Bird Song,, SET II:, China Cat Sunflower-> I Know You Rider, Looks Like Rain, Dark Star-> Drums-> Space-> Dark Star-> Playin' In The Band Reprise-> Black Peter-> Turn On Your Love Light, E: It's All Over Now Baby Blue
09/22/91 Boston Garden CD 3 AR1 Bruce Hornsby on grand piano/accordion/vocals for entire show; technical problems with main digital ADAT decks, resulting in numerous "cuts" when backup deck was used during Set I only; Garcia's voice was slightly hoarse for his first 2 songs; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1 kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 01/02] Set One: Shakedown Street-> C. C. Rider-> It Takes A Lot To Laugh It Takes A Train To Cry, Me & My Uncle-> Maggie's Farm, Brown-Eyed Women, Let It Grow Set Two: Samson & Delilah, Iko Iko, Looks Like Rain-> He's Gone-> Nobody's Fault But Mine-> Spoonful-> Drums-> Space-> The Last Time-> Stella Blue-> Sugar Magnolia, E: Knockin' On Heaven's Door
09/24/91 Boston Garden CD 3 AR1 Bruce Hornsby on grand piano and vocals the entire show; according to the Marin County source, "Jerry wasn't himself" for this show (vocal problems); Garcia did not have the usual amount and type of effects added to his vocals, and his levels were slightly louder in overall mix; technical problems with Hart's percussion and MIDI interface cut "Drums" short; GD master digital recording recording was paused for approx. 4 min. while the problem was attempted to be corrected, w/o success, on the master SBD mixer; the venue's audio was not affected as much/as long as the engineers switched some channels and bypassed the main mixer for about 5 minutes; for "Space" > "Miracle", Phil's bass level was low, due to the master mixer's channel reassignments and pre-set levels; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 32-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 12/01] Set One: Let The Good Times Roll, Feel Like A Stranger, Althea, It's All Over Now, High Time, Beat It On Down The Line (0)-> Big Railroad Blues, Desolation Row, New Speedway Boogie Set Two: China Cat Sunflower-> I Know You Rider, Man Smart Women Smarter-> Ship of Fools-> Dark Star-> Drums-> Space-> Foolish Heart-> I Need A Miracle-> Standing On The Moon-> Around & Around, E: The Weight
05/31/92 Sam Boyd Silver Bowl, U.N.L.V CD 3 AR1 Steve Miller opened; *=w/ Steve Miller; locomotive air horns used during "Space", and they failed on-stage (you can hear pieces falling off); any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released in 03/01] Set One: Help On The Way-> Slipknot!-> Franklin's Tower, Minglewood Blues, It Must Have Been The Roses, Queen Jane Approximately, Bird Song, Picasso Moon Set Two: Scarlet Begonias-> Fire On The Mountain, Women Are Smarter, So Many Roads, Saint Of Circumstance-> He's Gone-> Drums-> Space-> Attics Of My Life-> Spoonful*-> That's It For The Other One*-> Morning Dew*, E1: Baba O'Riley*-> E2: Tomorrow Never Knows*
03/10/93 Rosemont Horizon CD 3 AR1 SOUND CHECK": "Lazy River Road", " Wave To The Wind", "The Days Between"; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 32-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 04/01] Set One: Feel Like A Stranger, Stagger Lee, The Same Thing, Peggy-O, Queen Jane Approximately, Ramble On Rose, Let It Grow Set Two: Eyes Of The World-> Long Way To Go Home, Lazy River Road, Corinna-> Mind Left Body Jam-> Drums-> Space-> The Wheel-> All Along The Watchtower-> Standing On the Moon-> Not Fade Away, E: It's All Over Now Baby Blue
08/21/93 Autzen Stadium, University of Oregon CD 2 AR1 Indigo Girls opened; *= Huey Lewis on harmonica; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 10/01] Set One: Here Comes Sunshine, Walkin' Blues, Lazy River Road, Queen Jane Approximately, Bird Song, The Promised Land Set Two: China Cat Sunflower-> I Know You Rider, Way To Go Home, Truckin'-> Good Morning Little School Girl*-> Smokestack Lightning*, Drums-> Space*-> The Last Time*-> Standing On the Moon-> One More Saturday Night, ENCORE: I Fought The Law
03/17/94 Rosemont Horizon CD 3 AR1 a defective MIDI cable on Jerry's guitar, during a small section of "Space" there is a minor amount of equipment noise (most digitally eliminated at SSSB); any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 04/01] Set One: Touch Of Gray, Wang Dang Doodle, Althea, Me & My Uncle-> Mexicali Blues, Lazy River Road, Eternity Set Two: Box Of Rain-> Iko Iko, Playin' In The Band-> Uncle John's Band-> Drums-> Space-> The Wheel-> All Along The Watchtower-> Morning Dew, E: Rain

Jerry Garcia Band --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/18/78 Warner Theater (Early) CD 2 AR2 Comfort opened; Buzz Buchanan percussion), Jerry Garcia (guitar, lead vocals), Donna Jean Godchaux (vocals), Keith Godchaux (keyboards), John Kahn (bass), Maria Muldaur (vocals); FM broadcast WHFS. ONLY TIME PLAYED: "Palm Sunday"; show dubbed from original FM reels onto cassette master; masters did not include "Mystery Train" and "Second That Emotion"... this set of RTR masters was from the "rebroadcast" the following morning in the early hours (began on 03/19/78 at 1:00 AM); any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 07/01] Set One: The Harder They Come, Mission In The Rain, Simple Twist Of Fate, Midnight Moonlight, Gomorrah, Cats Under The Stars, I'll Be With Thee, Lonesome And A Long Way From Home-> Space & Jam-> Lonesome And A Long Way From Home Reprise, E: Palm Sunday
02/29/80 Calderone Concert Hall CD 2 AR2 other artist(s): Robert Hunter; late show; Ozzie Allers, Johnny de Foncesca, Jerry Garcia, Robert Hunter (not on all songs), John Kahn; simulcast on WLIR- FM, Long Island; *=w/Robert Hunter on vocals and guitar; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 01/00] Set One: How Sweet It Is To Be Loved By You, When I Paint My Masterpiece, Russian Lullaby, The Harder They Come, Tiger Rose*, Promontory Rider*, Dear Prudence, E: Midnight Moonlight
05/31/83 Roseland Ballroom CD 2 AR2 DeeDee Dickerson, Jerry Garcia, Greg Errico, John Kahn, Jaclyn LaBranch, Melvin Seals; any and all NR and/or EQ processes were performed using 80-100% digital realm outboard equipment and/or editing software at Serafin Station Studio B [this show was released 07/97] Set One: Rhapsody In Red, They Love Each Other, That's What Love Will Make You Do, Valerie, How Sweet It Is To Be Loved By You, Run For The Roses Set Two: The Harder They Come, Mission In The Rain, Mississippi Moon, Tangled Up In Blue, Gomorrah-> Deal, Midnight Moonlight
10/16/85 The Catalyst CD 1 AR2 some lists have this shows venue incorrectly shown as being performed at "The Catalyst" in Santa Cruz, CA; "Rubin & Cherise" missing; any and all NR and/or EQ processes were performed using 80-100% digital realm outboard equipment and/or editing software at Serafin Station Studio B [this show was released 04/97] Set One: Deep Elem Blues, Friend Of The Devil, Little Sadie, She Belongs To Me, Jack-A-Roe, Oh Babe It Ain't No Lie Set Two: When I Paint My Masterpiece, All Around This World, Run For The Roses, Bird Song, Gomorrah, Ripple
08/24/91 Goldcoast Concert Bowl CD 2 AR2 billed as "Bill Graham Summer Music Festival"; other artist(s): Rythmn Tribe, Tower Of Power, Jimmy Cliff; Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 04/99] Set One: How Sweet It Is To Be Loved By You, Stop That Train, Run For The Roses, Forever Young, You Never Can Tell (C'est La Vie), Lazy Bones, Deal, The Way You Do The Things You Do, Waiting For A Miracle, Struggling Man, Money Honey, Shining Star, Somebody To Love

Phish --- Approximate Hours: 111.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/01/84 Nectar's CD 1
10/31/90 Armstrong Hall, Colorado College CD 1 I only have set 2 and am hoping to get set 1
12/28/90 The Marquee CD 3 AR1 *=John Popper on harmonica; "Golgi Apparatus" missing from masters; very slight diginoise at the end of "Possum"; the first 23 seconds of "The Landlady" was edited out due to intermittant diginoise bursts which could not be digitally eliminated; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 01/00] Set One: Runaway Jim, Foam, Horn, Reba, Llama, Colonel Forbin's Ascent-> Fly Famous Mockingbird-> Mike's Song-> I Am Hydrogen-> Weekapaug Groove Set Two: The Landlady-> Possum, The Squirming Coil-> Tweezer-> Manteca, Oh Kee Pa Ceremony, My Sweet One, Divided Sky, It's No Good Trying*, Don't Get Me Wrong*, Funky Bitch*, E1: Bouncing Around the Room-> E2: Highway to Hell
03/13/91 Boulder Theater CD 2
07/15/91 The Academy CD 2
12/28/93 Bender Arena, American University CD 2
04/15/94 Beacon Theatre CD 2
12/02/94 Recreation Hall at UC Davis CD 2
06/06/96 Joyous Lake CD 2 AR1 unannounced show billed as "Third Ball"; sound check: "Funky Bitch", "The Fog That Surrounds", "Waste"; *="Wilson" tease; **="Cocaine" tease & keyboard work by Trey; #=1st time played; ##=1st time played & also known as "Mulcahey"; "Runaway Jim" missing; any and all NR and/or EQ processes were performed using 80-100% digital realm outboard equipment and/or editing software at Serafin Station Studio B [this show was released 04/97] Set One: Split Open and Melt, Poor Heart, Funky Bitch*, Theme From the Bottom, BBFCFM, Scent of a Mule**, Highway to Hell, Set Two: AC/DC Bag, You Enjoy Myself, Chalk Dust Torture, Sparkle, Stash, Waste#, Character Zero##, David Bowie, Fee-> Sample in a Jar, E1 = Ya Mar, E2 = Fire
08/10/96 Alpine Valley Music Theatre CD 2
07/23/97 Lakewood Amphitheater CD 3
12/07/97 Ervin J. Nutter Center CD 2
08/02/98 Deer Creek Music Center CD 3
07/03/99 Lakewood Amphitheater CD 3 AR2 *=Fishman on snare drum, solo; with alternate, funny lyrics; **=w/ Page's father, Dr. Jack McConnell, on vocals and kazoo; recorded "sonically neutral" with no initial EQ during recording; by using the room measurements, mic placement, ambient temperature, crowd information, etc., show was digitally remastered at Serafin Station to fully reproduce the "live" sound that the crowd heard from the sound reinforcement system; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 08/00] Set One: Chalk Dust Torture, Gumbo, Sparkle-> Cavern, Taste, When The Circus Comes To Town, FirstTube-> Funky Bitch, NICU, Waste, Meatstick Set Two: Twist Around > Piper, Moma Dance, Mountains In The Mist, Run Like An Antelope-> Contact-> The Little Drummer Boy, E1: The Little Drummer Boy (alternate lyrics)*, E2: Won't You Come Home Bill Bailey**, E3: Harry Hood
07/08/99 Virginia Beach Amphitheatre CD 3
07/13/99 Tweeter Center CD 3
07/15/99 PNC Bank Arts Center CD 3
07/17/99 Oswego County Airport CD 3
07/20/99 Molson Amphitheater CD 3
07/25/99 Deer Creek Music Center CD 3
09/17/99 Shoreline Amphitheatre CD 3
09/29/99 Pyramid Arena CD 3
10/03/99 Allstate Center CD 3
10/07/99 Nassau Veterans Memorial Coliseum CD 3
12/03/99 Firstar Center CD 3 AR2 *=Trey on keyboards; recorded "sonically neutral" with no initial EQ during recording; by using the room measurements, mic placement, ambient temperature, crowd information, etc., show was digitally remastered at Serafin Station to fully reproduce the "live" sound that the crowd heard from the sound reinforcement system; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 02/00] Set One: First Tube, The Wolfman's Brother, Bouncing Around The Room, Back On The Train, Billy Breathes, AC-DC Bag-> Possum, Slave To The Traffic Light Set Two: Sand*, Limb By Limb, Bug-> Piper, Harry Hood, E= Rock And Roll
12/05/99 BlueCross Arena CD 3
05/22/00 Radio City Music Hall CD 3
05/23/00 Roseland Ballroom CD 3
07/03/00 E Centre CD 3
07/04/00 E Centre CD 3
07/10/00 Deer Creek Music Center CD 3
07/11/00 Deer Creek Music Center CD 3
09/15/00 Hersheypark Stadium CD 2
09/24/00 Target Center CD 3