Neil Young
--- Approximate Hours: 2658.75
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
02/19/70
|
Film @ KQED Studio |
CDR/FLAC |
1 |
|
|
|
02/25/70
|
Music Hall |
CDR/FLAC |
2 |
|
|
|
02/28/70
|
Electric Factory |
CDR/FLAC |
1 |
|
|
|
03/01/70
|
Boston Tea Party |
CDR/FLAC |
2 |
|
unknown lineage CDR > EAC > FlacFrontend Level 6 |
|
03/06/70
|
Fillmore East (Early) |
CDR/FLAC |
1 |
|
Acoustic set only, preceding set with Crazy Horse
From "Night at Fillmore," Heart Breakers HB-937 |
|
03/07/70
|
Fillmore East (Late) |
CDR/FLAC |
1 |
|
|
|
03/28/70
|
Santa Monica Civic Auditorium |
CDR/FLAC |
1 |
|
recorded 28 mar 70, broadcast later that year: KUSC-FM, Los Angeles
Master 7" reel (3.5 ips) > metal cass. > DAT > CDR > Flac |
|
12/05/70
|
Carnegie Hall |
CDR/FLAC |
2 |
|
AUD>Cass>CD-R>EAC>FLAC Frontend |
|
01/10/71
|
University of Oregon |
CDR/FLAC |
1 |
|
CDR from trade > EAC > FLAC
Very hissy tape source. Some cuts and glitches. |
|
01/16/71
|
Auditorium Theater (Late) |
CDR/FLAC |
1 |
|
Incomplete audience recording; the taper apparently didn't get several songs at the end. |
|
01/17/71
|
Masonic Temple Theater |
CDR/FLAC |
1 |
|
Audience recording
CDR from trade > EAC > FLAC |
|
01/21/71
|
Music Hall |
CDR/FLAC |
1 |
|
source : 1st gen analog > dat > cdr > cdr
macintosh > xACT 1.58 > flac;
This is the Late Show |
|
01/21/71
|
Music Hall |
CDR/SHN |
1 |
|
Recorded live at the Boston Music Hall, Boston, MA on 01/21/71
(early show)
Silver CD > EAC > WAV > mkwACT > SHN |
|
01/26/71
|
Macky Auditorium, University Of Colorado |
CDR/FLAC |
1 |
|
Very nice for 1971 -- Neil is loud and clear on this one.
The source is a vinyl bootleg titled "Rocky Mountain Review," which mislabled
this as the late show. It is actually the early show, with the first two songs
missing: "On the Way Home" and "Tell Me Why." I took these tracks from a Rust
List compilation disc titled "Boulder and Mariposa." The artwork says these
tracks were transferred from vinyl disc to DAT, and then to CDR. I got this from
a tree or from a trade, and have no other lineage. Obviously you'll hear some
vinyl pops, but it's very minor.
Vinyl > DAT > CDR > ? > CDR from trade
This disc was distrubuted by Tetanus Shot, a name familiar to longtime Rusties.
He took it from his own vinyl boot, recorded it to DAT and rearranged the songs
in the correct order. Although I don't remember for sure, I most likely got this
directly from Tetanus Shot, because I recognize his artwork that he always sent
printed on heavy paper. |
|
01/27/71
|
Mackey Auditorium, University of Colorado |
CDR/FLAC |
1 |
|
Source: Silver-disc commercial boot titled "Colorado 1971" ("Screamer" label)
Source of commercial boot is fan recording titled "Gatecrashing" |
|
01/31/71
|
Community Theater (Early) |
CDR/FLAC |
1 |
|
Early Show; source: audience master > 1st gen cassette > DAT > DAT received in trade
transfer: DAT > R500 > mBOX > Pro Tools (cleanup, fades, re-tracking) > xACT 1.62 > flac(8)
torrented by: zuma11 |
|
02/01/71
|
Dorothy Chandler Pavilion |
CDR/FLAC |
1 |
|
|
|
02/27/71
|
Royal Festival Hall |
CDR/FLAC |
2 |
|
|
|
07/16/72
|
Mariposa Folk Festival |
CDR/FLAC |
1 |
|
lineage: audience > ? > analog cassette > DAT > CDR > EAC > FLAC |
|
01/05/73
|
Milwaukee Auditorium |
CDR/FLAC |
2 |
|
|
|
01/08/73
|
Cobo Arena |
CDR/FLAC |
2 |
|
Lineage: Master Cassette->CDR->CDR->EAC(secure)->ProTools->ClickRepair->Xact->flac |
|
01/09/73
|
Cobo Arena |
CDR/FLAC |
2 |
|
Lineage: BR Analog Audience Master > DRAGON > CD-R > EAC > WAV > RR-Edit > TLH(8) > DIME
RR-Edit = editing by Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > TLH (8) > FLAC)
Releases: BR-2009-002-a/b (Direct Transfer) and BR-2009-002-c/d (RR-Edit Version) |
|
01/10/73
|
Arie Crown Theater |
CDR/FLAC |
2 |
|
Master tape>cd-r>cd-r>Bias Peak Pro 5>XACT>flac |
|
01/14/73
|
Memorial Auditorium |
CDR/FLAC |
2 |
|
lienage: 2nd gen tape-cdr-trade-cdr-eac-flac |
|
01/15/73
|
Maple Leaf Gardens |
CDR/FLAC |
2 |
|
Lineage : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) - NO Equalization - Resample at 16 bit 44.1 Khz - Tracks Split > (+ Patch parts from other sources) > FLAC Encoded with FLAC FRONTED (Level 6) >TLH Md5 + Fingerprint |
|
01/19/73
|
Baltimore Civic Center |
CDR/FLAC |
2 |
|
Source Audience analog cassette
Lineage: A3 > DAT > CDR > EAC > Pro Tools (pitch adjustment) > XACT 1.5b3 > flac(8) |
|
01/21/73
|
Carnegie Hall |
CDR/FLAC |
1 |
|
Lineage Transfer : 1st Analog generation Tape>DAT>Edirol R-09HR (24 bit 48 Khz)>CARD>PC>GOLDWAVE (resampling at 16 bit 44.1Khz - Adjusted the pitch - Edit the cuts - Split the file) > FLAC Level 6 + Md5 + Fingerprint
|
|
01/23/73
|
Madison Square Garden |
CDR/FLAC |
1 |
|
Source: "Madison Square Garden vinyl bootleg
Lineage: AUD > Vinyl Bootleg > Philiphs CDR standalone > EAC > flac |
|
01/26/73
|
The Spectrum |
CDR/FLAC |
1 |
|
|
|
01/28/73
|
J.F. Kennedy Center |
CDR/FLAC |
2 |
|
source: Unknown (but low) generation Maxell C90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime |
|
01/29/73
|
The Scope |
CDR/FLAC |
1 |
|
|
|
02/01/73
|
Sports Auditorium |
CDR/FLAC |
1 |
|
Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC |
|
02/03/73
|
Bayfront Center Arena |
CDR/FLAC |
2 |
|
|
|
02/08/73
|
Boston Garden |
CDR/FLAC |
2 |
|
|
|
02/11/73
|
Public Hall |
CDR/FLAC |
1 |
|
Equipment : Sony Portable Cassette w/AKG D-1000-E DOW Mic
Location : 5th Row Center
Lineage : Master Cassette > wav > Sound Forge 7.0 > CDR
> EAC (100% on single tracks) > GoldWave (to cue tracks) > mkw Audio > shn
Source : Recorded, Mixed and Mastered by Joe Ray from the Kenai River, Alaska |
|
02/13/73
|
Indiana Convention Center |
CDR/FLAC |
2 |
|
ineage: Audience recording > low gen cassette > DAT > CDR > EAC(secure) > flac(8) |
|
02/14/73
|
Cincinnati Gardens |
CDR/FLAC |
1 |
|
Analog master>DAT
Lineage equipment : sorry was not indicate on the DAT Box
Transfer : Digital Audio Tape deck SV-DA10 MASH>EDIROL R09-HR>CARD>WAVE 24 bit 48 Khz>PC>GOLDWAVE
(Resampled at 16 bit, 44.1 Khz - Pitch adjusted - Editing of cuts and level - no Equalization - Track split)>FLAC Level 6
+ fingerprint + Md5 |
|
02/15/73
|
Louisville Convention Center |
CDR/FLAC |
2 |
|
|
|
02/23/73
|
Tarrant County Convention Center |
CDR/FLAC |
2 |
|
Transfer : Digital Audio Tape deck SV-DA10 MASH>EDIROL R09-HR>CARD>WAVE 24 bit 48 Khz>PC>GOLDWAVE
(Resampled at 16 bit, 44.1 Khz - Pitch adjusted - Editing of cuts and level - no Equalization - Track split)>FLAC Level 6
+ fingerprint + Md5
Analog Master>1st generation tapes>DAT |
|
02/27/73
|
Veterans' Memorial Auditorium |
CDR/FLAC |
2 |
|
|
|
03/01/73
|
The Myriad |
CDR/FLAC |
2 |
|
|
|
03/17/73
|
Coliseum |
CDR/FLAC |
2 |
|
Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac
Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic
Taped and Transferred By: JEMS |
|
03/20/73
|
Winterland Ballroom |
CDR/FLAC |
2 |
|
CA
Master audience analog recording and original CD-R mastering by "Rick the Recorder" >
wav remastering (correcting drops, EQ'ing, amplifying, re-indexing) by Fountainebleau >
SBE correction, flac encoding (via xACT) and seeding by Moe the Sleaze
|
|
03/22/73
|
Winterland Ballroom |
CDR/FLAC |
2 |
|
Note from trader "I have this source on DAT and reiceved 2 CD-R transfered from the master.
The sound quality of both is identic, so I taked the 2 CD-R and ripped
them with EAC, because it was just edited.
Encoded in FLAC with sector Boundaries Alligned + Fingerprint + Md5
I don't know the lineage equipment sorry
It's an Audience recording, but the quality is really good." |
|
03/25/73
|
The Forum |
CDR/FLAC |
2 |
|
Source: Audience Cassette Master > A1 > CDR > EAC > FLAC |
|
03/26/73
|
Convention Center |
CDR/FLAC |
2 |
|
Lineage CD->eac-> wav-> tlh-> flac |
|
03/31/73
|
Oakland Coliseum |
CDR/FLAC |
1 |
|
|
|
09/20/73
|
Roxy Theater (Late) |
CDR/FLAC |
1 |
|
|
|
09/21/73
|
Roxy Theater (Late) |
CDR/FLAC |
1 |
|
|
|
09/22/73
|
Roxy Theater (Early) |
CDR/FLAC |
1 |
|
Master Audience Recording > ? > "Sunset Strip" Silver Bootleg CD >
EAC Secure > FLAC Frontend (8) |
|
11/03/73
|
Palace Theatre |
CDR/FLAC |
2 |
|
4th gen aud tape => SB-Live => CoolEdit => flac=>CDR=>flac8 |
|
11/04/73
|
Hippodrome |
CDR/FLAC |
2 |
|
Lineage: Audience master cassettes > DAT > CDR > EAC(secure) > FLAC(8) |
|
11/05/73
|
Rainbow Theater |
CDR/FLAC |
2 |
|
|
|
11/06/73
|
Empire Theatre |
CDR/FLAC |
1 |
|
Audience Master Recording > ? > CDR > EAC Secure > FLAC Frontend (8) |
|
11/08/73
|
Apollo Theatre |
CDR/FLAC |
1 |
|
Audience Master Recording > ? > CDR > EAC Secure > FLAC Frontend (8) |
|
11/09/73
|
Newcastle City Hall |
CDR/FLAC |
2 |
|
Audience Master Recording > ? > CDR > EAC Secure > FLACFrontend (8) |
|
11/10/73
|
Royal Festival Hall |
CDR/FLAC |
2 |
|
Lineage: Analog Master>Dat>CDR>Wave>Flac |
|
11/15/73
|
Queen's College (Early) |
CDR/FLAC |
2 |
|
|
|
11/16/73
|
Music Hall |
CDR/FLAC |
2 |
|
|
|
11/19/73
|
Music Hall |
CDR/FLAC |
2 |
|
Lineage : Master Cassette > WAV > Sound Forge 7.0 (initial mastering) > CDR
> EAC (100% on both CDs) > GoldWave (to cue tracks)
> CoolEdit (removed pops/clicks by hand) > WAV > FLAC |
|
11/20/73
|
Auditorium Theatre |
CDR/FLAC |
2 |
|
Lineage: Aud Master > 1st generation cassette > Nakamachi deck >
Yamaha CDR burner > CDR > EAC(secure) > ProTools > xACT > FLAC(8) |
|
05/16/74
|
The Bottom Line |
CDR/FLAC |
1 |
|
|
|
??/??/74
|
Tonight's The Night Acetate |
CDR/FLAC |
1 |
|
|
|
12/20/75
|
Inn At The Beginning |
CDR/FLAC |
2 |
|
|
|
03/03/76
|
Aichken Taiikukan |
CDR/FLAC |
2 |
|
|
|
03/04/76
|
Festival Hall |
CDR/SHN |
2 |
|
Source 1:
aud>?>"Another Osaka"(bootleg)>?>(amplified, normalized)>?>hempsall CDr(M)>EAC>wav>shn
Source 2:
aud>?>"Dancing Across The Water"(bootleg)>?>(amplified, normalized, edited)>?>hempsall
CDr(M)>EAC>wav>shn
Source 1 was the superior source, a very good aud, a bit bright but with good stereo separation
and less crowd noise distraction
Source 2 is somewhat bass heavy and muffled, with more talking and other crowd noise, fair to
good to my ears.
Source 1 used from 0:34 of track 3 to the end of track 9
Source 2 used for remainder.
Source transition in track 3 volume matched, but still rather abrupt due to differences in quality. |
|
03/05/76
|
Festival Hall |
CDR/FLAC |
2 |
|
Lineage for transfer :
Transfer in 2006 : DAT SONY>OPTICAL CABLE>EXTIGY (External Soundcard)>USB2>PC>GOLDWAVE (16 bit 48 Khz) (No equalization) - tracks split>FLAC (with FLAC FRONTED>Encoded in FLAC (Level 6)+ Md5 & Fingerprint |
|
03/06/76
|
Festival Hall |
CDR/FLAC |
2 |
|
Source: Analog Master > DAT/1 > CDR (EAC) > WAV > (Cool Edit Pro, CDwav) > SHN |
|
03/08/76
|
Kyuden-Kinen Taiikukan |
CDR/FLAC |
2 |
|
Source : Audience recording > Bootleg (GPK Label) > CDR
Transfer : CDR > EAC > flacfrontend > flac(8) |
|
03/10/76
|
Nippon Budokan Hall |
CDR/FLAC |
2 |
|
Source : Audience recording > Bootleg (Tarantura Label) > CDR
Transfer : CDR > EAC > xACT1.5b3 > flac(8) |
|
03/11/76
|
Budokan |
CDR/FLAC |
2 |
|
Source : Audience recording > Bootleg (Tarantura Label) > CDR
Transfer : CDR > EAC > xACT1.5b3 > flac(8) |
|
03/18/76
|
Rhein-Necker-Halle |
CDR/FLAC |
1 |
|
Lineage: Audience Recording done on Telefunken Party Sound 201 using Grundig GDMS 331 microphones
Patches from lst generation reel to reel master done by H.B.
Cassette master --> played back on Nakamichi CR-7E --> Marantz DR700
Reel to Reel Master --> lst gen. cassette--> played back on Nakamichi CR-7E --> Marantz DR700
Patched and speed corrected by hanno |
|
03/19/76
|
Stadthalle |
CDR/FLAC |
1 |
|
Lineage (LTB):
Philips microphone > Telefunken Magnetophon 302 (4-track mono reel-to-reel) >
reel master > ASC AS 4504 > Sony PCM-M10 > WAV > TLH > FLAC
Additional lineage (Bombdiggity):
TLH (FLAC to WAV) > Cool Edit Pro 2.1
(Repair a number of momentary transit issues from the master, selectively adjust
levels to maximize output and better balance relative volumes of crowd and music,
correct minor DC offset, track set 1, for the remaster only: minor equalization) >
TLH (WAV to FLAC level 8, sectors aligned)
Taper: LTB |
|
03/21/76
|
Congresscentrum |
CDR/FLAC |
1 |
|
Taken from vinyl:
Neil Young & Crazy Horse - Live At The Roman Colosseum
Label:Spaceward Records, Inc.
Catalog#:ST 500035
Format:Vinyl, LP, Unofficial Release
Country:Netherlands
Released:1976 |
|
03/23/76
|
Pavillon De Paris |
CDR |
2 |
|
|
|
03/26/76
|
Jaap Eden Hall |
CDR/FLAC |
2 |
|
Lineage: Transfer by Hans: Cassette > Nakamichi Dragon > Audacity > WAV > FLAC.
(downloaded as three flac files: 'part 1', 'part 2' & 'part 3' (encore);
pitch correction: 'part 1': +2.5%; 'part 2' & 'part 3': +3.2%) |
|
03/26/76
|
Jaap Eden Hall |
CDR/FLAC |
2 |
|
Source: Boombox with build in mics
Location: 10th row a little on the left
Taper: Old Dutch Master
Transfer: Analog Master > Nakamichi DRAGON > Pioneer D-05 > DAT > DAL Digital Only > EAC > WAV > editing > Flac (TLH, best)
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Release: JvV-2001-042-a/b |
|
03/28/76
|
Hammersmith Odeon |
CDR/FLAC |
2 |
|
source: 2nd gen analog > dat > cdr >
macintosh > xACT1.56 > flac (last 6 min. of LAH is a diff. source) |
|
03/29/76
|
Hammersmith Odeon |
CDR/FLAC |
2 |
|
source: analog master > dat > cdr > cdr
macintosh > xACT 1.56 > flac |
|
03/30/76
|
Hammersmith Odeon |
CDR/FLAC |
2 |
|
analog 1st gen > cdr >
macintosh > xACT 1.56 > flac
|
|
03/31/76
|
Hammersmith Odeon |
CDR/FLAC |
2 |
|
source: 1st gen analog > dat > cdr > cdr >
macintosh > xACT1.56 > flac
|
|
04/02/76
|
Apollo Theatre |
CDR/FLAC |
2 |
|
source: 1st gen analog > cdr > cdr >
macintosh > xACT 1.56 > flac |
|
11/02/76
|
Berkeley Community Theater |
CDR/FLAC |
2 |
|
Recorded from Audience with Analog Equipment
Transfered from Low generation tape.
TECHNICHS STEREO CASSETTE DECK 3 HEAD RS BX601>EDIROL R09HR>
WAVE 16 bit 48 Khz on CARD>GOLDWAVE (not Resampled) - Tracks split (no Equalization) Pitch adjusted.
FLAC level 8 - Firgerprint - md5 signature |
|
11/02/76
|
Berkeley Community Theater |
CDR/FLAC |
2 |
|
Master : SS
Transfered from Analog master SS>DAT
DAT MASH SV DA10>EDIROL R09HR>
WAVE 16 bit 48 Khz on CARD>GOLDWAVE (Resampled at 16 bit 44.1 Khz) - Tracks split (no Equalization).
FLAC level 8 - Firgerprint - md5 signature |
|
11/04/76
|
The Forum |
CDR/FLAC |
2 |
|
Transfer from Double vinil Bootleg "OLD MAN'S FANCY" |
|
11/06/76
|
Balch Fieldhouse |
CDR/FLAC |
2 |
|
|
|
11/10/76
|
Tarrant County Convention Center |
CDR/FLAC |
2 |
|
Transfered from Analog master T.O.>DAT
DAT MASH SV DA10>EDIROL R09HR>
WAVE 16 bit 48 Khz on CARD>GOLDWAVE (not Resampled) - Tracks split (no Equalization).
FLAC level 8 - Firgerprint - md5 signature |
|
11/14/76
|
Dane County Coliseum |
CDR/FLAC |
2 |
|
|
|
11/15/76
|
Auditorium Theater |
CDR/FLAC |
2 |
|
Late Show |
|
11/15/76
|
Auditorium Theater |
CDR/FLAC |
2 |
|
(Early Show) Lineage: Audience Master > Unknown generation > DAT > CDR > EAC > xACT 1.5b3 > flac(8)
|
|
11/19/76
|
Palladium |
CDR/FLAC |
1 |
|
Transfered from Analog tapes (unknown generation) > philips cd stand alone -> cd audio -> EAC
-> cd WAVE Tracks split -> FLAC level 6 - Firgerprint - md5 signature
7 acoustic songs |
|
11/20/76
|
Palladium (Late) |
CDR/FLAC |
1 |
|
Partial Electric Set "Electric Live In New York" |
|
11/20/76
|
Palladium (Early) |
CDR/FLAC |
2 |
|
Master Audience Cassette:
2 Sony ECM-33P Mics > Sony TC-153SD cassette deck, Dolby on, taped
onto Maxell UD-XL 90 cassettes. 15-foot mic cables from 6th row
balcony to the balcony front rail, and 20-foot mic-cord extensions
for a mic spread of approx 40-feet.
Transfer:
Master Cassette played back on Nakamichi Dragon > HHB CDR830Plus >
EAC > SoundForge 6.0 (for fades, tape flip) > CD-Wave 1.94.5 > WAV >
FLAC Frontend (with sector boundary align) > seeded to DAD Aug 2005 |
|
11/20/76
|
Palladium (Late) |
CDR/FLAC |
1 |
|
Transfered from Analog tapes (unknown generation) > philips cd stand alone -> cd audio -> EAC
-> cd WAVE Tracks split -> FLAC level 6 - Firgerprint - md5 signature
8 song acoustic set |
|
11/22/76
|
Music Hall |
CDR/FLAC |
2 |
|
Early Show |
|
11/22/76
|
Music Hall |
CDR/FLAC |
2 |
|
Late Show |
|
11/24/76
|
Fox Theatre |
CDR/FLAC |
2 |
|
Early Show
Transfer: BR-Analog Master > Nakamichi DRAGON > CD-R > EAC > WAV > editing > Flac (TLH, best)
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Releases: BR-2009-001-a/b (Direct Transfer) and BR-2009-001-c/d (Edited Version) |
|
08/22/77
|
The Catalyst |
CDR/FLAC |
2 |
|
Audience Recording > CDR > WAV > FLAC (level8) |
|
09/02/77
|
Civic Auditorium |
CDR/FLAC |
1 |
|
|
|
11/12/77
|
Bicentennial Park |
CDR/SHN |
1 |
|
|
|
05/24/78
|
The Boarding House (Early) |
CDR/FLAC |
1 |
|
Early Show |
|
05/25/78
|
The Boarding House (Late) |
CDR/FLAC |
1 |
|
lineage: AUD master cassette > 1st generation cassette
transfer: 1st generation cassette > Nakamichi Dragon >
Korg MR1000 [DSF 1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [16/44.1] >
Pro Tools (pitch correction/fades/track splits) > xACT1.5b3 > flac(8) |
|
05/25/78
|
The Boarding House (Early) |
CDR/FLAC |
1 |
|
Aud Master > 1st generation cassette > Sony PCM-500 (w/SBM1 A>D)
> Audiomedia III > ProTools > JAM > CDR > EAC(secure) > xACT > FLAC |
|
05/27/78
|
The Boarding House (Late) |
CDR/FLAC |
1 |
|
3rd gen cassette > Pro Tools > wav > flac |
|
05/28/78
|
The Boarding House (Late) |
CDR/FLAC |
1 |
|
incomplete |
|
05/28/78
|
The Boarding House (Early) |
CDR/FLAC |
1 |
|
|
|
09/19/78
|
Pine Knob Music Theater |
CDR/FLAC |
2 |
|
Lineage 1st gen analog tape -> DAT -> cd -> extracted with EAC -> TLH -> FLAC level 8 aligned on sector boundaries -> DIME
This show includes a rare unique performance of Bright Sunny Day, only known performance of this song |
|
09/21/78
|
Capital Centre |
CDR/FLAC |
2 |
|
|
|
09/23/78
|
The Spectrum |
CDR/FLAC |
2 |
|
1st gen aud cass > dat > dat > cdr > macintosh > xACT 1.5b3
> wav > xACT 1.5b3 > FLAC |
|
09/25/78
|
Providence Civic Center |
CDR/FLAC |
2 |
|
Master tape>CDR |
|
09/27/78
|
Madison Square Garden |
CDR/FLAC |
2 |
|
|
|
09/28/78
|
Madison Square Garden |
CDR/FLAC |
2 |
|
|
|
09/29/78
|
Nassau Coliseum |
CDR/FLAC |
2 |
|
Complete recording; AUD > Low Generation Cassette > DAT > xACT1.5b3 > flac > CDR > EAC > flac |
|
09/29/78
|
Nassau Coliseum |
CDR/FLAC |
2 |
|
Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV
Taper: Lostbrook
Mastering: CQ
note:
(incomplete recording...... part of “Cortez” and
all of “Cinnamon Girl.”)
|
|
10/01/78
|
Maple Leaf Gardens |
CDR/FLAC |
2 |
|
First Gen tape>cd-r>cd-r>Bias Peak Pro 5>XACT>Flac |
|
10/04/78
|
Boston Garden |
CDR/FLAC |
2 |
|
|
|
10/05/78
|
Rochester Community War Memorial |
CDR/FLAC |
2 |
|
AUD > A low Generation > CDR > EAC > wav > flac |
|
10/07/78
|
William and Mary College |
CDR/FLAC |
2 |
|
source: audience unknown gen > CDR
transfer: CDR > Pro Tools (extensive SBE cleanup & retracking) > xACT > flac |
|
10/08/78
|
Charlotte Coliseum |
CDR/FLAC |
2 |
|
Source: Shure Mics > JVC Location Recording Deck > Analog Master
Transfer: Analog Master > DAT > CDR patched w/diff source > EAC > wav > flac |
|
10/10/78
|
The Omni |
CDR/FLAC |
2 |
|
Transfer: Analog Tapes (Unknown generation)>TECHNICS STEREO DECK 3 HEADS RS BX601>RCA Gold Cables>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/44.1) pitch adjusted - Tracks splits - FLAC encoded encoded (Level 6) with FLAC FRONTEND + Fingerprint + TLH md5 |
|
10/14/78
|
Chicago Stadium |
CDR/FLAC |
2 |
|
Analog Master RB
Chicago Stadium 9th or 10th row left of stage mezzanine about 20th row main floor. No stub.
Cassettes: TDK SA C-90 1st tape, TDK AD C-45 2nd tape
DECK: Technics RS-646DS
MICS: Teac ME-80's (CM-300 Naks)
Dolby On for recording.
Tape masters played back on Rotel RD-870 with speed and tape alignment adjusted.
Dolby off for playback!
Using Chord Company cables from Naim...
Played through the Naim Audio NAC-52 pre-amp
to the Teac CDR-2000 Standalone.
Mastered to Taiyo Yuden 74-ZY CDR's
PC drive.....Plextor UltraPlex40max CDR-ROM SCSI W/adaptec 2930
EAC (1.8X ripping speed or slower on all my uploads)>FLAC |
|
10/15/78
|
St. Paul Arena |
CDR/FLAC |
2 |
|
|
|
10/22/78
|
Cow Palace |
CDR/FLAC |
2 |
|
|
|
10/23/78
|
The Forum |
CDR/FLAC |
2 |
|
Recorded from Audience with Analog Equipment
Transfered by AV (december 6 , 2009)
Analog tapes>DAT>DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48)
downsampled at 44.1khz - Tracks splits - FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5 |
|
10/03/80
|
The Greek Theatre - University Of California |
CDR/FLAC |
1 |
|
cassette master > cdr
Maxell UD XLI cassette with Dolby B recorded on Sony TCD-5 with two Electrovoice RE-10 mics |
|
07/13/82
|
Catalyst |
CDR/FLAC |
2 |
|
location info: left front balcony 1st table
source info: 2 Nak 300 mics > Nak 550 cassette recorder
Maxell XL-IIs master (Dolby B) first deck in daisy chain of decks
Playback > Nak Dragon (Dolby Decoded) No EQ > Digidesign A/D > Apple G3 laptop
Bias Peak (editing) > Jam Burning > Yamaha cd writer > cdr > Toast 9 > xACT 1.62 > Flac 8 |
|
08/03/82
|
The Keystone Club |
CDR/FLAC |
2 |
|
Source: Audience cassette > DAT > CDR
Transfer: CDR > EAC > xACT2.18 > flac16
Over the years, there has been confusion between the two 1982 Palo Alto recordings.
The 1982-08-03 recording has part of the stage power going out towards the end of both On The Way Home and Don't Cry No Tears. The guitars drop out of
the mix and you just hear vocals, bass and drums. Neil makes a comment about it
after On The Way Home. |
|
08/04/82
|
The Keystone Club |
CDR/FLAC |
2 |
|
Source: Audience cassette (likely Electro-Voice RE-10 > Sony TCD-5m (Dolby B)
Transfer: Master cassettes > Nakamichi Dragon > Audiomedia III > ProTools > Jam > CDR > EAC > xACT2.18 >Flac16
Taper: js |
|
08/11/82
|
Sherwood Hall |
CDR/FLAC |
1 |
|
2 Nak 300s > Sony TC-D-5m (Dolby B)
Nakamichi Dragon (Dolby decoded) > Apple G4 (RME A/D) (Peak editing)
(Xact) > FLAC |
|
08/12/82
|
Sherwood Hall |
CDR/FLAC |
2 |
|
audience recording, nothing known about taping equipment.
? >
silver-pressed CD bootleg > EAC > WAV > CD-R >
EAC > > WAV > SHN
> FLAC |
|
08/14/82
|
Catalyst |
CDR/FLAC |
2 |
|
location info: left front balcony 1st table
source info: 2 Nakamichi 300 mics > Nakamichi 550 cassette recorder(Dolby B)(Maxell XLII-S 90)(first deck in daisy chain of 3 decks, 1 Nakamichi, 2 SONY TC D-5m)
Playback: Nakamichi Dragon (Dolby B Decoded) > Panasonic 3800 DAT (internal A/D conversion 44.1k, Maxell Pro DAT 124) > Apple G4(Peak editing) > Xact (flac)
|
|
08/31/82
|
Parc des Sports |
CDR/FLAC |
2 |
|
|
|
09/01/82
|
Les Arenes |
CDR/FLAC |
2 |
|
|
|
09/04/82
|
Rheinweissen |
CDR/FLAC |
2 |
|
Master |
|
09/05/82
|
Zeppelinfeld |
CDR/FLAC |
2 |
|
Lineage = Bootleg Vinils played on PIONEER turntable PL-445>RCA Gold Cable>Amplifier KENWOOD KA 103.
>RCA Gold cable>M-AUDIO Audiophile Firewire (24 bit 96 Khz)>Firewire>PC>GOLDWAVE : WAVE - Pitch Adjust - Edit cuts - Declick
Equalization - Resample at 44,1 Khz 16 bit + Tracks split > Encoded in FLAC with FLAC FRONTED (Level 6) + fingerprint & Md5 |
|
09/07/82
|
Arena |
CDR/FLAC |
2 |
|
Lineage = Analog master>DAT>DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile Firewire (16/48)Firewire>PC>GOLDWAVE - no editing, the master as it was>Tracks split>FLAC FRONTED + Md5 & Fingerprint |
|
09/11/82
|
Stadio dei Pini |
CDR/FLAC |
2 |
|
|
|
09/12/82
|
Ippodromo le Capanelle |
CDR/FLAC |
2 |
|
Master Reel>Analog tapes>DAT>CDR>EAC>FLAC (Level 6) with Boundaries sector Alignment + TLH Md5 + Fingerprint |
|
09/16/82
|
Isle St. Germain |
CDR/FLAC |
2 |
|
|
|
09/18/82
|
Stade Municipale |
CDR/FLAC |
2 |
|
Quimper stadium - France - on 1982 09 18 (unknonw equipment).
Sony tape played on a Denon DRR M10 deck>ZOOM H4>PC>Audacity editions (tracking and volume)>FLAC |
|
09/20/82
|
Sportpaleis Ahoy |
CDR/FLAC |
2 |
|
from 1st RR Collective |
|
09/24/82
|
National Exhibition Centre |
CDR/FLAC |
2 |
|
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWave (tracking) > flac(8) |
|
09/26/82
|
Wembley Arena |
CDR/FLAC |
2 |
|
Source: Sony ECM 939LT > WMD6 > XLI-S
Location: Block A Row 1 Seat 4 (thanks to the NYAS)
Tapers: Reelclasio (first ever recording)
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins) > WAV > FLAC)
Artwork: Not included |
|
09/27/82
|
Wembley Arena |
CDR/FLAC |
2 |
|
Lineage :
Analog Tapes (2nd generation)>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA Gold cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz) - Raw version - resample at 16 bit 44 Khz - Tracks split (Aligned for CD Compatible)>FLAC Fronted (Level 6) + Fingerprint & Md5 |
|
09/28/82
|
Wembley Arena |
CDR/FLAC |
2 |
|
|
|
10/01/82
|
Parc des Exposition |
CDR/FLAC |
2 |
|
Sony tape played on a Denon DRR M10 deck>ZOOM H4>PC>Audacity editions (pitch, tracking and volume, but no EQ)>FLAC
|
|
10/03/82
|
Parc des Expositions |
CDR/FLAC |
2 |
|
Lineage :
Analog Tapes (Low generation)>DAT>DAT MASH SV DA-10>optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) - Raw version - resample at 16 bit 44 Khz - Tracks split (Aligned for CD Compatible)>FLAC Fronted (Level 6) + Fingerprint & Md5 |
|
10/05/82
|
Sporthalle |
CDR/FLAC |
2 |
|
Lineage:Analog Master(unknown equipment) > CDR > EAC(secure mode) > HD > Flacfrontend (level 8 ) > Dime > You |
|
10/08/82
|
Scandinavium |
CDR/FLAC |
2 |
|
|
|
10/09/82
|
Isstadion |
CDR/FLAC |
2 |
|
|
|
10/10/82
|
Brandby Hallen |
CDR/FLAC |
2 |
|
Lineage:Analog Master(unknown equipment) > CDR > EAC(secure mode) > HD > Flacfrontend (level 8 ) > Dime > You |
|
10/11/82
|
Westfalenhalle |
CDR/FLAC |
2 |
|
From master |
|
10/12/82
|
Olympiahalle |
CDR/FLAC |
2 |
|
|
|
10/14/82
|
Killesberghalle |
CDR/FLAC |
2 |
|
Audience recording: cassette master > CDR > EAC > wav > TLH > flac |
|
10/15/82
|
Rhein-Necker-Halle |
CDR/FLAC |
2 |
|
TECHNICS RS BX601 3 HEAD>GOLD RCA>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)
Edit cuts, Fade in & Fade out,Re-sampled at 16 bit 44.1 Khz
>Tracks split1>FLAC (Level 6) + Fingerprint & Md5 |
|
10/18/82
|
Deutschlandhalle |
CDR/FLAC |
2 |
|
DAT MASH SV DA-10>COAXIAL>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)
Edit cuts, Fade in & Fade out, Volume level of both channel adjusted, Equalization - Re-sampled at 16 bit 44.1 Khz
>Tracks split1>FLAC (Level 8) + Fingerprint & Md5
|
|
01/05/83
|
Civic Auditorium |
CDR/FLAC |
2 |
|
|
|
01/13/83
|
Music Hall |
CDR/FLAC |
2 |
|
Analog 2nd generation>DAT (Sorry no info of the Equipment used for the recording)
Equipment for the transfer :
DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz)
+ Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD,
You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5 |
|
01/14/83
|
Palmer Auditorium |
CDR/FLAC |
2 |
|
A1-DAT-CDR |
|
01/16/83
|
McNichols Sports Arena |
CDR/FLAC |
2 |
|
A2-D
Transfered by AV
Date of transfer = 20/04/2010
Analog 2nd generation>DAT (Sorry no info of the Equipment used for the recording)
Equipment for the transfer :
DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz)
+ Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD,
You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5 |
|
01/18/83
|
Activity Center. Arizona State U |
CDR/FLAC |
2 |
|
Disc 01 & Disc 02 track 01- 08 Arizona State University Activity Center, Tempe Arizona 1983-01-18
Disc 02 track 09-15 Civic Auditorium Santa Cruz, CA 1983-01-05
Disc 02 Track 15-16 Nassau Coliseum, uniondale, NY, 1983-02-23 |
|
01/19/83
|
University Events Center |
CDR/FLAC |
2 |
|
source: first generation BASF C90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime |
|
01/20/83
|
Golden Hall Community Concourse |
CDR/FLAC |
2 |
|
source: audience master > 1st gen cassette (A1)
transfer: 1st gen cassette > Nakamichi Dragon >
Korg MR-1000 (DSF @ 1-bit 5.6448 MHz Stereo) > Korg AudioGate >
WAV (16/44.1) > Pro Tools (cleanup, fades, tracking) > xACT 1.62 > flac(8) |
|
01/22/83
|
Universal Amphitheater |
CDR/FLAC |
2 |
|
Disc 1 - lineage : transfer from analog 1st gen
Disc 2 - lineage : transfer from master cassette (taped by markp) |
|
01/23/83
|
Universal Amphitheater |
CDR/FLAC |
2 |
|
lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC
notes:
- DAT from the Dutch Masters Archives
- Transfer: DAT played on Sony DTC-790 deck -> S/PDIF cable -> Terratec
Aureon 5.1 soundcard -> Adobe Audition -> WAV -> CDWave -> WAV -> FLAC
- Mastering done in Adobe Audition; fixed some levels, fixed some tape speed
errors (tape ran fast on d2t10-12), converted to 44.1kHz.
- Known flaws: the taper had some problems setting up his gear during the
first song, which causes distortion until the 2:41 mark. After that the
quality picks up and it's great. Don't Be Denied cuts in due to a tape
flip, the first song after the intermission, Pocahontas, cuts in as well.
- There's also some occasional audience banter, some more in the second
half than in the first.
- Level fixes: d1t01, d2t06, d2t08
- Tape speed fixed: d2t10/d2t11: -0.5 semitone; d2t12: -2.0 semitone
- DAT transfer and torrent by rdvdijk (2007-06-19) |
|
01/24/83
|
Universal Amphitheater |
CDR/FLAC |
2 |
|
Lineage:unknown analog tape low generation > teac > edirol09> HD > Goldwave> TLH (level 8 ) |
|
01/25/83
|
Cow Palace |
CDR/FLAC |
2 |
|
|
|
01/30/83
|
Kiel Auditorium |
CDR/FLAC |
2 |
|
A3 > DAT > CDR > eac > flac
eac-rip by FZ |
|
01/31/83
|
UIC Pavilion |
CDR/FLAC |
2 |
|
Lineage AM>DAT EXTIGY external soundcard connected with an optical cable at my DAT deck aND Transfered on computer Via FIREWIRE At 24 bit 48 Khz with GOLDWAVE SOFTWARE.
Resampled at 44Khz and 16 bit and the WAVE FILE splitted with CDWAVE > encoded to FLAC |
|
02/01/83
|
Assembly Hall, University Of Illinois |
CDR/FLAC |
2 |
|
A3 > DAT > CDR > eac > flac
eac-rip by F.Z. |
|
02/03/83
|
University of Georgia Coliseum |
CDR/FLAC |
2 |
|
Transfer from analog second gen tape |
|
02/04/83
|
Sun Dome |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT > DAT
Transfer:
DAT > wav w/ Opcode DATport > Cool Edit Pro (edits, fade i/o, sample rate convertion) > CDwav (tracking) > flac(8)
|
|
02/05/83
|
James L. Knight Center |
CDR/FLAC |
2 |
|
Lineage:unknown analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Flacfrontend (level 8 ) |
|
02/06/83
|
James L. Knight Center |
CDR/FLAC |
2 |
|
Missing last 3 songs
Source:
Unknown low gen. analog tape
Transfer:
TEAC tape deck > Edirol R-09 > Goldwave (edits, fades, tracking) > flac(8)
|
|
02/08/83
|
Carmichael Auditorium |
CDR/FLAC |
2 |
|
Lineage: Recording Equipment Unknown > 3rd Gen Analog > DAT > CDR > wav > tlh > flac(8) |
|
02/10/83
|
Hartford Civic Center |
CDR/FLAC |
2 |
|
Recorded By: Robert Mullen (lvrwm)
Equipment/Lineage: Panasonic Portable Stereo Cassette Recorder RQ-J36 (with
built in
mics)>Master Cassette (Maxell UDXLII-90 minutes)>Yamaha Natural Sound Dual
Cassette
Deck K-902>CD Wav>TLH (flac level 8) |
|
02/14/83
|
New Haven Coliseum |
CDR/FLAC |
2 |
|
Missing first 3 songs
Transfered by AV
Date of transfer = 25/04/2012
Analog Tapes (Unknown generation)>DAT (Sorry no info of the Equipment used for the recording)
Equipment for the transfer :
DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz)
+ Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD,
You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5
|
|
02/15/83
|
Providence Civic Center |
CDR/FLAC |
2 |
|
|
|
02/17/83
|
Community War Memorial Auditorium |
CDR/FLAC |
2 |
|
Conversion = Unknown gen cassette>Pioneer Stand Alone Burner PDR-609>
EAC>Soundforge 9.0>CD Architect 5.2>Wav>Flac |
|
02/18/83
|
Maple Leaf Gardens |
CDR/FLAC |
2 |
|
A1 > DAT > CDR > eac > flac
eac-rip by FZ |
|
02/19/83
|
Cobo Hall |
CDR/FLAC |
2 |
|
transfered from AM>D with M-AUDIO Audiophile Firewire
Lineage : AM-D (JRS master)
DAT MASH SV-DA10>optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>
GOLDWAVE (16 / 48) - Edit cuts, Volume level Adjusted (NO equalization)
Tracks Split , Resample at 16 / 44.1 > FLAC FRONTED (Level 8) > TLH Md5 + Fingerprint |
|
02/22/83
|
Baltimore Civic Center |
|
0 |
|
Analog 3rd generation>DAT (Sorry no info of the Equipment used for the recording)
Equipment for the transfer :
DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz)
+ Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD,
You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5
|
|
02/23/83
|
Nassau Coliseum |
CDR/FLAC |
2 |
|
|
|
02/24/83
|
Madison Square Garden |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT
Master: B.A. Sony D5
Transfer:
DAT > wav w/ Opcode DATport > Cool Edit Pro (normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8) |
|
03/01/83
|
Market Square Arena |
CDR/FLAC |
2 |
|
Taper: SH
Transfer: MJK5510
Recording: Sony D6 (if I remember correctly)
Transfer: 1st Generation > Nakamichi CR 5A (Azimuth Adjust) > MacBook Pro > Peak Pro XT > xACT 1.5 > Flac |
|
03/02/83
|
Riverfront Arena |
CDR/FLAC |
2 |
|
Analog tapes (Unknown generation)>DAT (Sorry no info of the Equipment used for the recording)
Equipment for the transfer :
DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz)
+ Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD,
You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5 |
|
07/01/83
|
Kansas Coliseum |
CDR/FLAC |
2 |
|
Lineage: unknown gen tape-cdr-trade-cdr-eac-flac |
|
07/02/83
|
Kemper Arena |
CDR/FLAC |
2 |
|
|
|
07/04/83
|
Omaha Civic Auditorium |
CDR/FLAC |
2 |
|
Source: 1st gen cassette, no other info available
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Clean-up of some cuts/flips |
|
07/07/83
|
Metro Center |
CDR/FLAC |
2 |
|
source: custom mics > Sony D5 > cassette masters
transfer: cassette masters > NAK CR7A > Apogee Ensemble A/D > Peak Pro 6 > 24/96 WAV >
Korg AudioGate > 16/44.1 WAV > Pro Tools (cleanup/fades/track splits) > xACT1.71 > flac(8)
recorded by: digitalrbb and B. Lobash and K. Binder - The Minneapolis Crew |
|
07/09/83
|
Alpine Valley Music Theatre |
CDR/FLAC |
2 |
|
Source: Audience handheld Sony Walkman
Transfer: Master cassettes > CDR > EAC > ProTools (cleanup) > xACT2.17 > flac(8)
Taper: GC
|
|
07/10/83
|
Civic Center |
CDR/FLAC |
2 |
|
source: (I believe) first generation TDK D90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac |
|
07/12/83
|
South Coliseum |
CDR/FLAC |
2 |
|
tracks 1-18 sbd low generation
tracks 19-26: analog audience 3rd generation tape |
|
07/13/83
|
Assembly Center |
CDR/FLAC |
2 |
|
Source:
Analog 1st gen. Master: R.E.
Transfer:
JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8) |
|
07/15/83
|
Reunion Arena |
CDR/FLAC |
2 |
|
Location: Lower balcony, about 1/3 of the way back
Recording: Sony mic ECM939 > Sony D6 > Maxell XLII
Transfer: Master cassette > Akai GX-R60EX > Cool Edit Pro (Indexing) > CDR > Flac |
|
07/16/83
|
The Summit |
CDR/FLAC |
2 |
|
Source:
Analog 4th gen.
Transfer:
JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8) |
|
07/18/83
|
Convention Center |
CDR/FLAC |
2 |
|
Lineage:
2nd gen tape-cdr-trade-cdr-eac-hd-minor gap removal(audicity)-flac |
|
07/20/83
|
Pan American Center |
CDR/FLAC |
2 |
|
Transfered by AV
Date of transfer = 29/04/2012
Analog master (G.W.)>DAT (Sorry no info of the Equipment used for the recording)
Equipment for the transfer :
DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz)
+ Only Edited the various cuts and Tracks split (NOTE = I didn't changed the resolution,
You need to convert at 44.1 Khz to burn on CD)>FLANC FRONTED (Level 6) + Fingerprint and Md5
|
|
07/23/83
|
Irvine Meadows |
CDR/FLAC |
2 |
|
source: first generation MaxellXLII > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac |
|
07/24/83
|
Irvine Meadows |
FLAC |
2 |
|
source: first generation MaxellXLIIS > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime
Most of you will know the format of the 1983 shows which were MC'd by Newell Alexander in the role of Dan Clear. During intervals between sets Clear would interview crew, musicians etc and between interviews there would be old TV ads and shows playing. The original tapes for this concert ran a monster 2hours 41 mins. The taper turned his machine on at the start and left it running pretty much - apart from tape flips - for the rest of the show - interviews
/ intervals / music - even the PA broadcast of "The Star Spangled Banner" at the end. This clearly required some editing and I have tried to do the right thing for everyone.
If you have never heard a full version of of a show from this tour you may wish to download the Dan Clear segments to give you some idea of his involvement - tracks 1, 12, 13, 14, 22. These have been carefully edited to remove dead time and TV ads etc - as a result the commentary and interviews run almost continuously - in reality there were often stretches in between where the audience amused themselves. However should you choose to omit tracks 1, 12, 13, 14 and 22 the rest will still form a coherent concert. |
|
07/26/83
|
Cal Expo |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT > DAT clone
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, tape-flip edits, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
|
|
07/28/83
|
Seattle Center Coliseum |
CDR/FLAC |
2 |
|
|
|
07/30/83
|
Coliseum |
CDR/FLAC |
2 |
|
source: probably second generation TDK AD90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac |
|
08/27/83
|
Hampton Coliseum |
CDR/FLAC |
2 |
|
|
|
08/29/83
|
The Spectrum |
CDR/FLAC |
2 |
|
aud from master.sony wmd5/929 mic>maxell xl2s>sony hx pro/
audio source eqone>eac>flac8>dime
Additional info:
This was posted by me last year. The taper was Jeff McGinty, and he actually left the venue with his rig when the Pinky stuff started! Damn shame as it's a clean recording. He also paused between lots of songs, so beware. |
|
08/30/83
|
State Fair |
CDR/FLAC |
2 |
|
|
|
09/01/83
|
Brendan Byrne Arena |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT clone(s)
Master: R.B.
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades in, tape-flip edits, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
|
|
09/02/83
|
Tanglewood Music Center |
CDR/FLAC |
2 |
|
Source:
Analog 1st gen > DAT
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (edits, level adjustments, fades i/o, sample rate conversion) > CDWave (tracking) > flac(8)
|
|
09/04/83
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
Source: 3rd gen cassette, no other info available
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: On original cassette it was edited, no edits by me
|
|
09/04/83
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
Source: unknown gen cassette,
analog tape > edirol 09 > wav > goldwave (equalize, pitch, levels, track split) > tlh > flac level 8
This show is complete, whereas the other is not. The acoustic is probably a little better on this one, while the Pinks set is better on the other. |
|
09/06/83
|
Blossom Music Center |
CDR/FLAC |
2 |
|
Analog Tapes (2nd generation)
Transfered by AV
Date of Transfer = 21/05/2011
TECHNICS Stereo Deck 3 Heads RS BX-601>RCA gold cable>M-AUDIO Audiophile firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)
(Edited the cuts, Balanced the Volume level of right channel, adjsted the pitch + BBE Sonic Maximizer + Equalization with MAGIX AUDIO STUDIO) - Tracks split and re-sample at 16 bit 44.khz>Encoded in FLAC with FLAC FRONTED + Fingerprint + Md5
|
|
09/07/83
|
Civic Arena |
CDR/FLAC |
2 |
|
Source:
Low gen. analog tape
Transfer:
JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8)
|
|
09/10/83
|
West Virginia University Coliseum |
CDR/FLAC |
2 |
|
missing 5 songs (not recorded)
* The Needle And The Damage Done (missing)
** Dance, Dance, Dance (missing)
*** Don't Be Denied (missing)
**** Sail Away (missing)
***** Ohio (missing)
Total Time = 01:24:28
Date of transfer = 19/05/2012
Lineage of transfer :
Analog tape (Maxel XL-II-S 100 min.)- generation (????)>TECHNICS RS-BX 601 3 HEADS>
RCA GOLD CABLES>M-AUDIO Audiophile Firewire 24/96>FIREWIRE>PC>GOLDWAVE (WAVE 24 bit 96 Khz)>Editing (Cuts - Fade in & Out) + Equalization + re-sample at 44.1 khz 16 bit + Tracks split>Encoded in FLAC with FLAC FRONTED (Level 6) + Fingerprint & Md5
Bad Quality |
|
09/12/83
|
Pine Knob Music Theater |
CDR/FLAC |
2 |
|
Poor sounding recording,only for completists
Lineage:3rd gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0(speed adjust) > Flacfrontend (level 8 ) |
|
09/13/83
|
Civic Center |
CDR/FLAC |
2 |
|
Here to you what I think is the longest show (thank's to Dan Clear) of the 1983 tour with the Shocking pinks
Analog master Tapes were transfered on DAT from the G.W. master
So the Lineage is
GW Analog Master>DAT>DAT>Edirol R-09HR>Card>USB>PC>GOLDWAVE (only editing, no equalization)
Important = this is not a CD Rip but a direct Transfer
Date of transfer : November 2008 |
|
09/15/83
|
Poplar Creek Music Center |
CDR/FLAC |
2 |
|
Source: Audience handheld Sony Walkman
Transfer: Master cassettes > CDR > EAC > xACT2.17 > flac(8)
Taper: GC
|
|
09/16/83
|
Assembly Hall, Indiana U |
CDR/FLAC |
1 |
|
Incomplete recording
Lineage:1st gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0 > Flacfrontend (level 8 ) |
|
09/19/83
|
Reed Fieldhouse |
CDR/FLAC |
2 |
|
Analog master > CDR > CDR > eac > flac |
|
09/21/83
|
Dane County Coliseum |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT clone(s)
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, tape-flip etdits, normalization, sample rate conversion) > CDWave (tracking) > flac(8) |
|
09/24/83
|
Mesker Music Theater |
CDR/FLAC |
2 |
|
Lineage: unknown gen tape-cdr-trade-cdr-eac-flac
Mono recording |
|
09/26/83
|
Grand Ole Opry |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
unknown gen. tape > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, crossfades, volume adjustments)
Tracks 13-15 and parts of track 12 and 16 are missing from the original recording or from my copy,
these tracks are pasted in from a 2nd gen. tape (different source)
|
|
09/27/83
|
Civic Center |
CDR/FLAC |
2 |
|
Analog master > DAT > CDR eac-rip by F.Z.
|
|
09/28/83
|
Cameron Indoor Stadium, Duke U |
CDR/FLAC |
2 |
|
DAT MASH SV DA-10>COAXIAL>M AUDIO Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) Edit the cuts + BBE Sonic Maximizer & MAGIX AUDIO STUDIO Equalization - Tracks Splits (16 bit 44.1 Khz resampled)>FLAC (level 6) + Fingerpring & Md5
|
|
09/30/83
|
James Madison University |
CDR/FLAC |
2 |
|
songs 1-18 + song 27 come from a different and better source(either A1 or A2) than 6th gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0 > Flacfrontend (level 8 )
songs 19-26 + end of track 18 come from: 6th gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0 > Flacfrontend (level 8 )
but better quality (probably lower generation tape - this new one may be an A5 gen) |
|
10/01/83
|
Beacon Theater |
CDR/FLAC |
2 |
|
1st gen cassette>Pro Tools>CDr(me)>EAC(Secure no C2)>flac |
|
02/06/84
|
The Catalyst |
CDR/FLAC |
1 |
|
|
|
02/06/84
|
The Catalyst |
CDR/FLAC |
1 |
|
front of house soundboard > Sony TC D-5m(Dolby B)
Nakamichi Dragon(Dolby B decoded) > Audiomedia III > Apple G4 (ProTools) > Xact |
|
02/07/84
|
The Catalyst |
CDR/FLAC |
2 |
|
Early and Late Shows:
front of house soundboard > Sony TC D-5m(Dolby B)
Nakamichi Dragon(Dolby B decoded) > Audiomedia III > Apple G4 (ProTools) |
|
06/06/84
|
Saddle Rack (Early) |
CDR/FLAC |
1 |
|
|
|
06/06/84
|
Saddle Rack (Late) |
CDR/FLAC |
1 |
|
|
|
06/18/84
|
Reseda Country Club (Late) |
CDR/FLAC |
1 |
|
Recorded by:
Mike Martin and Bill Shumberger
2 Sennheiser mkh-404tu mics > Sony D-5M w/ Dolby > TDK SA C-90 tape
Transfer:
Nakamichi CR-7A (w/Dolby) (playback head azimuth aligned to tape) > Audigy 4 Pro @ 24/44 > Audacity (16/44.1) > CD Wav > Flac (Level 8) |
|
06/19/84
|
Palomino Club (Early) |
CDR/FLAC |
1 |
|
notes: unknown tape generation (TDK C90) |
|
06/23/84
|
Opera House |
CDR/FLAC |
2 |
|
source: 3rd gen aud > dat > cdr > cdr>
macintosh > xACT 1.5b3 > flac |
|
08/24/84
|
Forum |
CDR/FLAC |
2 |
|
lineage: analog 3rd gen -> Edirol09 -> Goldwave (split, pitch,levels) -> FLAC |
|
08/25/84
|
Civic Centre |
CDR/FLAC |
2 |
|
LINEAGE
analog 2nd gen tape-> played on SONY DECK TC WE 7055 -> Philips CD recorder 770 => CD => EAC => FLAC 8 |
|
09/01/84
|
CNE Central Grandstand |
CDR/FLAC |
2 |
|
Source: Digitized from cassette master
Recorded using SONY WA-55 stereo cassette-corder and 2 SONY clip-on mics (I don't recall the model number, but they were silver, had a battery in each and were switchable)
Recorded from the Grandstand, Section 43, Row 45, Seat 28, just right of centre stage. |
|
09/04/84
|
Meadowbrook Coliseum |
CDR/FLAC |
2 |
|
Source: Unknown gen analog tape
Transfer: JVC tape deck > Edirol R-09 > Adobe Audition (edits, level adjustments, fades) > CDWave (tracking) > flac |
|
09/05/84
|
Civic Arena |
CDR/FLAC |
2 |
|
analog 2nd gen tape > cdr philips standalone 770 > eac > wav > tlh > flac |
|
09/07/84
|
Cumberland County Civic Center |
CDR/FLAC |
2 |
|
Sony Walkman Pro-recorder Mic |
|
09/08/84
|
Sullivan Stadium |
CDR/FLAC |
2 |
|
lineage: aud>sony ecm 33p's>sony d5m, maxell xlIIS-90's, dolby
nak dragon/b>hd-p2 24/96>hd>cd wave>adobe audition 2.0>flac
Source: aud cassette master |
|
09/09/84
|
Jones Beach |
CDR/FLAC |
2 |
|
AM -> Flac |
|
09/11/84
|
Newport Music Hall |
CDR/FLAC |
2 |
|
(2)nak300s>sony TCD-D5. then nak1000>hhb850>eac>sound forge 6>cdwin>eac |
|
09/12/84
|
The Newport |
CDR/FLAC |
2 |
|
Source: Audience cassette master
Transfer: AM > DAT > CDR > EAC > xACT2.18 |
|
09/14/84
|
Blossom Music Center |
CDR/FLAC |
2 |
|
Source: Audience cassette master
Transfer: A2 > DAT > CDR > EAC > xACT2.18
Thanks to FZ
(missing) Field Of Opportunity
(missing) Old Man
(missing) Get Back To The Country
(missing) Four Strong Winds |
|
09/15/84
|
Charlie Starr's |
CDR/FLAC |
2 |
|
source: 3rd gen aud > dat > cdr > cdr >
macintosh > xACT 1.5b3 > flac
Encore missing |
|
09/16/84
|
Emins Auditorium |
CDR/FLAC |
2 |
|
source : 1st gen analog > dat > cdr > cdr > macintosh > xACT 1.58 > flac |
|
09/22/84
|
Rupp Arena, Lexington Center |
CDR/FLAC |
2 |
|
CDR -> EAC -> FLAC 8 |
|
09/23/84
|
The Omni |
CDR/FLAC |
2 |
|
|
|
09/25/84
|
KLRU Studios |
CDR/FLAC |
1 |
|
Liberated CD Boot - Last of a Dying Breed EX SBD
Silver CD > FLAC; Official Tracks Removed (California Sunset and It Must Have Been) |
|
09/26/84
|
Municipal Auditroium |
CDR/FLAC |
2 |
|
Analog master > CDR
Master: A.M. |
|
09/27/84
|
World's Fair International Amphitheater |
CDR/FLAC |
2 |
|
|
|
09/29/84
|
Gilley's Rodeo |
CDR/FLAC |
2 |
|
|
|
10/17/84
|
Pacific Coliseum |
CDR/FLAC |
2 |
|
source: 2nd gen analog > dat > cdr > cdr
macintosh > xACT 1.58 > flac |
|
10/18/84
|
Memorial Coliseum |
CDR/FLAC |
2 |
|
analog 2nd gen tape > cdr > eac > wav > tlh > flac |
|
10/23/84
|
Universal Amphitheater |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT > DAT
Transfer:
DAT > wav w/ Opcode DATport > Cool Edit Pro (normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8)
|
|
10/26/84
|
Greek Theatre, U. Of California |
CDR |
2 |
|
|
|
02/22/85
|
Western Springs |
CDR/FLAC |
2 |
|
Lineage: ? > CDR's trade > EAC > WAV > TLH > FLAc |
|
02/24/85
|
Athletic Park |
CDR/FLAC |
2 |
|
AM>D (Analog master Transfered on DAT)
Transfered by AV
Date of Transfer = June 2006
Lineage of Transfer : DAT SONY>Optical cable>EXTIGY (External soundcard) > Firewire > PC > COOL EDIT (WAVE File at 16 bit 48 Khz) - Only Edit cuts, Fade in & Fade out , Resample at 16 bit & 44.1 Khz for CD Compatible > Tracks splitted with CD WAVE > Encoded in FLAC with FLAC FRONTED (Level 6) + Fingerprint + TLH Md5
(Raw version) |
|
03/02/85
|
Entertainment Centre |
CDR/FLAC |
2 |
|
Lineage: Audience cassette master > low gen cassette > DAT > CDR > EAC(secure) >
flac(8) |
|
03/05/85
|
Memorial Drive Tennis Stadium |
CDR/FLAC |
2 |
|
lineage -> unknown tape gen -> nakamichi 480 -> edirol 09 -> wav -> goldwave -> adjust volumes -> cd wave -> TLH -> FLAC |
|
03/07/85
|
Festival Hall |
CDR/FLAC |
2 |
|
source : 2nd gen analog > dat > cdr > cdr
macintosh > xACT 158 > flac
|
|
03/08/85
|
Festival Hall |
CDR/FLAC |
2 |
|
|
|
03/09/85
|
Festival Hall |
CDR/FLAC |
2 |
|
|
|
03/11/85
|
Festival Hall |
CDR/FLAC |
2 |
|
Lineage: Audience cassette master > 1st gen cassette > DAT > CDR > EAC(secure) >
Protools (tape flip cleanup and some minor retracking) > flac(8) |
|
03/12/85
|
Festival Hall |
CDR/FLAC |
2 |
|
Lineage: Audience cassette master > 1st gen cassette > DAT > CDR > EAC(secure) >
Protools (tape flip cleanup and some minor retracking) > flac(8) |
|
03/14/85
|
Entertainment Hall |
CDR/FLAC |
2 |
|
2nd gen tape->nakamichi 480->edirol09-> wav->goldwave adjust levels and speed-> tlh->flac |
|
03/15/85
|
Entertainment Hall |
CDR/FLAC |
2 |
|
low gen aud cass > dat > cdr > cdr >
macintosh > xACT 1.56 > flac |
|
03/22/85
|
Entertainment Hall |
CDR/FLAC |
2 |
|
lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC |
|
07/04/85
|
Southpark Meadows |
CDR/FLAC |
1 |
|
|
|
08/09/85
|
State Fair |
CDR/FLAC |
2 |
|
Audience recording (unknown equipment):
Unknown gen tape > CDR > EAC > wav > TLH > flac |
|
08/10/85
|
UIC Pavilion |
CDR/FLAC |
2 |
|
Lineage equipment : Unknow
Source : AD1 (1st analog tape transfered on DAT)
Transfer : DAT>optical cable>EXTIGY soundcard connected to PC with FIREWIRE>GOLDWAVE (editing, Level Adjust, Equalization, Track Split Aligned for CD compatible)>FLAC Level 8 - md5 signature - Fingerprint
NB = this is not a CD Rip but a direct transfer from DAT |
|
08/12/85
|
State Fair |
CDR/FLAC |
2 |
|
Lineage:
Audience recording (unknown equipment)
Unknown generation tape (Maxell XLII)
Transfer:
JVC tape deck > Edirol R-09 (16/44.1) > Adobe Audition * > CDWave(tracking) > flac(8)
(* edits, fades, normalization) |
|
08/14/85
|
Community War Memorial Auditorium |
CDR/FLAC |
2 |
|
LINEAGE
2nd generation tape (maxell XL II 90min) => philips cd recorder 770 => eac => FLAC level 6 |
|
08/15/85
|
R.P.I. Auditorium |
CDR/FLAC |
2 |
|
From 2nd gen |
|
08/17/85
|
CNE Grandstand |
CDR/FLAC |
2 |
|
Digitized from cassette master> CD Spin Doctor (iMac G5)> MacFlac |
|
08/18/85
|
Riverbend Amphitheater |
CDR/FLAC |
2 |
|
1st generation tape (maxell XL II 90min) => philips cd recorder 770 => cd wave split tracks=> Goldwave adjust pitch => FLAC level 6 |
|
08/19/85
|
Indianapolis State Fair Coliseum |
CDR/FLAC |
2 |
|
Alternate Second Recorder Source
Lineage: Audience Master > 1st Generation > Nakamichi CR-5A (Azimuth Adjusted) > MacBook Pro > Peak Pro XT > xACT 1.59 > Flac |
|
08/21/85
|
Richfield Coliseum |
CDR/FLAC |
2 |
|
Audience recording (unknown equipment):
Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > CoolEdit * > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, volume adjustments, downsampling to 44,1 kHz) |
|
08/23/85
|
Zoo Amphitheater |
CDR/FLAC |
2 |
|
Taper: MJK5510
Transfer and upped to Dime September, 2012
Recording: 2 x Sony ECM33F > Marantz PMD430 (DBX On) (or maybe Sony D6) > Maxell XLII
Transfer: Audience Master (DBX Off) > Nakamichi CR-5A (Azimuth Adjusted) > MacBook Pro > Audacity > Peak Pro XT (Volume Smoothing/Edit/Indexing) > xACT > FLAC |
|
08/24/85
|
Sandstone Amphitheatre |
CDR/FLAC |
1 |
|
1st generation tape (maxell XL II 90min) => philips cd recorder 770 => cd => EAC =>
GOLDWAVE volume a clicks adjustement => CD WAVE split => FLAC level 6 |
|
08/25/85
|
Red Rocks Ampitheatre |
CDR/FLAC |
2 |
|
Source: Aiwa CS-J1 Stereo Mic > Sony D6 > Audience Master
Location: 14th Row
Transfer: Audience Master > Nak BX-125 > HHB CDR 830 > CDR(2) > EAC > flac
No Dolby or EQ used. |
|
08/27/85
|
Fox Theatre |
CDR/FLAC |
1 |
|
This version was taken from the original master cassettes. I have included my own artwork as two separate .jpg files. The lineage is as follows:
Audiotechnics AT9100 microphone--->Sony D6C(Dolby C noise reduction on for record)--->TDK SA90 and SA60 cassettes---->Nakamichi D7A (Dolby B noise reduction for playback)------->Sony Hi-MD MZ-RH910 (pcm record mode)----->hard drive (SonicStage)---->.wav---->TLH----->.flac |
|
08/29/85
|
Frontier Day Park |
CDR/FLAC |
2 |
|
cdr>eac-flac |
|
08/30/85
|
Cactus Corral |
CDR/FLAC |
2 |
|
LINEAGE
1st generation tape (maxell XL II 90min) => philips cd recorder 770 => cd => FLAC level 6 |
|
09/01/85
|
Minnesota State Fair |
CDR/FLAC |
2 |
|
lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC |
|
09/03/85
|
Memorial Auditorium |
CDR/FLAC |
2 |
|
Audience recording (unknown equipment):
Unknown gen tape > Adobe Audition * > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, volume adjustments, hiss reduction) |
|
09/05/85
|
Meadow Brook Music Theater |
CDR/FLAC |
2 |
|
Audience recording (unknown equipment):
Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > CoolEdit * > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, volume adjustments, downsampling to 44,1 kHz) |
|
09/06/85
|
Hershey Park Stadium |
CDR/FLAC |
2 |
|
Audience recording (unknown equipment):
Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > Adobe Audition * > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, volume & pitch adjustments, BBE Sonic Maximizer processing, downsampling to 44,1 kHz) |
|
09/07/85
|
Mann Music Center |
CDR/FLAC |
2 |
|
Audience recording (unknown equipment):
Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > CoolEdit * > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, normalizing, downsampling to 44,1 kHz) |
|
09/09/85
|
Garden State Arts Center |
CDR/FLAC |
2 |
|
Lineage : A1>D (1st analog generation tape transfered on DAT)
Lineage equipment : Unknow.
DAT>Optical cable>EXTIGY>FIREWIRE>PC>GOLDWAVE (Editing, Pitch adjust, Volume level, Channel balance, Track Split)
>FLAC Level 8 with Fingerprint - Md5 signature |
|
09/12/85
|
Hampton Coliseum |
CDR/FLAC |
2 |
|
Lineage: Audience Analogue 1st gen>DAT...DAT>Hard Disk (via Sony DDS tape unit with audio firmware)>Cool Edit 2000 (Resample to 44.1kHz and remove tape flips)>CDR |
|
09/13/85
|
Chastain Park |
CDR/FLAC |
2 |
|
Lineage equipment : unknow
Transfer : 1st generation tapes>TECHNICS STEREO DECK 3 HEADS RS-BX601>Edirol R09-HR>CARD>PC>GOLDWAVE
(Pitch adjust - Level Balance - no equalization as the tape don't needed)>FLAC level 8 aligned at sector boundaries - Fingerprit - Md5
The result was nice |
|
09/16/85
|
O'Connell Center University of Flordia |
CDR/FLAC |
2 |
|
LINEAGE
2nd generation tape (maxell TDK D60min X 2) => philips cd recorder 770 => eac => FLAC level 6 |
|
09/17/85
|
Bayfront Center Arena |
CDR/FLAC |
2 |
|
|
|
09/20/85
|
Southern Star Amphitheater |
CDR/SHN |
2 |
|
Audience recording (analog cassette master) > DAT > CDR > EAC > SHN |
|
09/21/85
|
Reunion Arena |
CDR/FLAC |
2 |
|
Lineage equipment : Unknown
Master : A.M.
Transfer : Analog master tapes>DAT>Edirol R09-HR>CARD>PC>GOLDWAVE (only edits and pitch, Track Split CD Compatible)>
FLAC Level 8 - Md5 - Fingerprint |
|
02/24/86
|
The Forum |
CDR/FLAC |
1 |
|
|
|
04/05/86
|
Mount Smart Stadium |
CDR/FLAC |
1 |
|
Tell Me Why is missing |
|
09/15/86
|
Community War Memorial Auditorium |
CDR/FLAC |
2 |
|
cdr>eac>flac |
|
09/17/86
|
The Spectrum |
CDR/FLAC |
2 |
|
This upload is direct from the DAT transfer of the original analog master (no CD-R rip).
The sound quality is really good, and witouth doubt pay your time for the download.
Lineage equipment used for record the show : sorry, I don't know.
BR analog master>DAT>SVA10 DAT DECK>optical cable connected with External soundcard Extigy>GOLWAVE 24 bit 48 Khz Wave file
>Resample at 16 bit and 44.1 Khz-edit fade in & fade out-tracks split with option "aligned full compatible for CD AUDIO burn"
>FLAC frontend 1.7.1 level 8 with align with sector boundaries>fingerprint and Md5 signature
Recorded by B.R. - Transfered and uploaded by A.V. |
|
09/18/86
|
Stabler Arena |
CDR/FLAC |
2 |
|
Transfer:
DAT > wav w/ Opcode DATport > Cool Edit Pro (normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8) |
|
09/20/86
|
Great Woods Center for the Performing Arts |
CDR/FLAC |
2 |
|
|
|
09/23/86
|
Hartford Civic Center |
CDR/FLAC |
2 |
|
cassette (source/gen unknown) --> .wav (cool edit) --> .flac (Goldwave) |
|
09/26/86
|
G.M.U. Patriot Center |
CDR/FLAC |
2 |
|
JM Analog master>A1>D (Analog master>Analog tapes 1st generation>Copyed on DAT)
Lineage of transfer : DAT MASH DA10>Optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLD WAVE (16 bit 48 Khz)>Editing of the cuts,
Pitch adjusted, Equalization, Volume level adjusted, resampled at 44.1 Khz, Tracks splits aligned for CD compatible>FLAC encoded with FLAC FRONTED (Level 6)
+ Fingerprints + TLH Md5 signature |
|
09/27/86
|
Brendan Byrne Arena |
CDR/FLAC |
2 |
|
Alow gen tape tape transfer by M.R. |
|
09/28/86
|
Civic Arena |
CDR/FLAC |
2 |
|
cdr>EAC>Flac |
|
09/30/86
|
Forum |
CDR/FLAC |
2 |
|
Source: Unknown equipment, 1st gen audience
Location: Unknown
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: RAW Version, minor normalisation and some slight cutting/pasting for cassette flips.
|
|
10/03/86
|
Maple Leaf Gardens |
CDR/SHN |
2 |
|
Source: Cassette Master> Pioneer CT-W404R cassette player> Pioneer VSX-464S Receiver> iMac G5> CD Spin Doctor 3.0.2t> xAct 1.5
Recorded using SONY WA-55 stereo cassette-corder and 2 SONY ECM-16T clip-on mics.
Recorded from End Reds Section 20, Row B, Seat 18 |
|
10/04/86
|
Memorial Auditorium |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
unknown gen tape > Cool Edit* > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, crossfades, volume adjustments) |
|
10/07/86
|
Madison Square Garden |
CDR/FLAC |
2 |
|
source: Sony ECM 150's > D6 > CDR > FLAC
location: one level up first section right of stage
taper: TaperAdvocat |
|
10/08/86
|
Baltimore Civic Center |
CDR/FLAC |
2 |
|
source: audience
transfer: 1st gen cassette > DAT > CDR (fz transfer) > EAC > xACT2.05 > flac(8)
recorded by: gd |
|
10/10/86
|
Richfield Coliseum |
CDR/FLAC |
2 |
|
Transfered from A1>D (1st Analog generation copied on DAT)
By AV
Date of Transfer = 28/11/2010
Lineage of transfer = DAT MASH SV-DA10>Optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16/48)
>Editing = Cuts & Adjusting the Level of the left channel > MAGIX AUDIO STUDIO = Compressor (Dinamic processor) - No equalization
>GOLDWAVE = Resample at 16 bit 44.1 Khz - Tracks splits alignment for CD compatible >FLAC FRONTED = Encode in FLAC (level 8)
+ TLH Md5 & Fingerprint |
|
10/11/86
|
Cobo Hall |
CDR/FLAC |
2 |
|
Recorded By: Robert Mullen
Source: Audience Master Cassettes
Transfer Date: 2008-08-17
Equipment/Transfer:
Realistic Stereo Electret-1065 Microphone>Panasonic Stereo Cassette
Recorder w/ Auto Record Levels>Master Cassette Tapes (TDK SA-X90's)>
Yamaha Natural Sound Stereo Double Cassette Deck K-902>CD Wave Editor
(16bit/44.1hz)>Traders Little Helper (flac level 8). 1st row of the upper section stage right side at
about 10:30 O'Clock,(stage is at 12). |
|
10/12/86
|
The MECCA |
CDR/FLAC |
2 |
|
Lineage: unknown, CD -> EAC -> WAV -> Flac |
|
10/17/86
|
The Met Center |
CDR/FLAC |
2 |
|
Source: SBD(FM?) > ? > CDR > Trade > EAC > FLAC |
|
10/18/86
|
Rosemont Horizon |
CDR/FLAC |
2 |
|
Source: Unknown equipment, 1st gen audience
Location: Unknown
Tapers: MJ / VP (from 1st RR Collective)
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: RAW Version, some slight cutting/pasting for cassette flips |
|
10/22/86
|
The Fabulous Fox Theatre |
CDR/FLAC |
2 |
|
Source: Soundboard tape -> 3rd gen cassette -> RME Soundcard -> Hard Drive |
|
10/23/86
|
Market Square Arena |
CDR/FLAC |
2 |
|
Source: Audience Recording
Lineage: Nakamichi CM-100 Mics with CP-4 guns > Sony D-5 > master cassette > DR-3 >
emu 1212M > 24/96 wave > wavelab 5 > plugins > L3 > 16/44.1 wave
trac'ed cdwave,flac'ed Flac frontend level 8 |
|
10/25/86
|
The Omni |
CDR/FLAC |
2 |
|
Transfer: 1st Generation 1980's tape transfer > Nakamichi CR5A > MacBook Pro > Audacity > Peak Pro XT (indexing / volume smoothing / subtle tweak) > xACT 2.21 > FLAC
This show was shared in 2010 from a 2nd generation tape, in that posting it was mentioned that for most of the recording the right channel was lower than the left and that tracks 6 thru 12 were inferior quality due to the left channel falling and having to be raised a lot.
The intro to The Violent Side was also noted as being cut.
This is from a 1st generation tape and none of those issues appear on this version. The Violent Side is complete and neither channel is lower or inferior to the other.
There was a half second drop out on the left channel during "When You Dance…" which I corrected using the right channel, totally seamless to the listener.
|
|
10/28/86
|
James L. Knight Center |
CDR/FLAC |
1 |
|
Lineage:
low analog gen transfer > CDR > EAC > HD > Adobe Audition 1.5 > Flacfrontend Level 8
incomplete recording(no complete recording in circulating)
good sounding recording
between Inca Queen and After The Gold Rush short fade in and out |
|
10/29/86
|
James L. Knight Center |
CDR/FLAC |
2 |
|
Lineage: unknown taper > Maxel XLII-S cassette > cdr > EAC > flac |
|
11/05/86
|
Ocean Center |
CDR/FLAC |
2 |
|
Lineage:
Tracks 1-15
Analog 2nd gen > edirol 09 > goldwave > cdwave > TLH > flac
Tracks 16-22 + beginning of 01 and 09 + end of 15
Analog master > DAT > CDR > eac > flac |
|
11/07/86
|
The Summit |
CDR/FLAC |
2 |
|
Lineage: unknown, WAV -> Flac |
|
11/08/86
|
Reunion Arena |
CDR/FLAC |
2 |
|
Source: Audience cassette master
Transfer: A2 > DAT > CDR > EAC > xACT2.18
Thanks to FZ |
|
11/09/86
|
Erwin Center |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
analog 3rd gen tape > edirol09 > Goldwave (adjust levels) > CD Wave Editor (tracking) > wav > TLH > flac |
|
11/11/86
|
McNichols Sports Arena |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
2nd gen tape > DAT (44,1 kHz) > DAT clone(s) > optical cable > Cool Edit* > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, crossfades, volume adjustments) |
|
11/13/86
|
Community Center |
CDR/FLAC |
2 |
|
Lineage: Unknown Source>FM Broadcast>Sony Cassette Deck (TC-WE435)>Maxell XL II Cassette Tape>PC>Cool Edit Pro (Editing and Tracking)>Traders Little Helper flac level 8
Transferred by Panador |
|
11/15/86
|
Pacific Amphitheater |
CDR/FLAC |
2 |
|
Analog master > DAT > CDR > eac > flac |
|
11/17/86
|
Universal Amphitheater |
CDR/FLAC |
2 |
|
A1>D (From Analog 1st generation Transfered on DAT)
Transfered by AV in 2006
Sony DAT>optical cable>Extigy (external soundcard)>Firewire>Cool Edit (16bit 48 Khz) - Edited only the cuts (No equalization).
Tracks slpits>FLAC Fronted (Level 6) + Fingerprint & Md5
This version is 16/48 you need to re-sample at 16/44.1 to burn on CD |
|
11/19/86
|
Universal Amphitheater |
CDR/FLAC |
2 |
|
cdr from trade>eac>flac |
|
11/21/86
|
Cow Palace |
CDR/FLAC |
2 |
|
|
|
04/24/87
|
Sports Palace |
CDR/FLAC |
2 |
|
Recorded with Sony TCD5 M and 2 Beyer M201 N mics.
Transfer from the original recorder to a Zoom H4, then wav to PC, Audacity editions and FLAC. |
|
04/25/87
|
Rockodrama |
CDR/FLAC |
2 |
|
Lineage equipment : unknown
Master : JBM
Transfer : 1st generation tapes>SONY STEREO DECK1>PHILIPS CD BURNER 770 R>CD>PC>GOLDWAVE>CD WAVE >FLAC |
|
04/26/87
|
Sports Palace |
CDR/FLAC |
2 |
|
Taper: Álvaro Rey
Source: Cassette (no more info, sorry)
Lineage: Cassette > CDR > EAC > WAV > Audacity (normalize) > Flac Front End > FLAC |
|
04/30/87
|
Palaeur |
CDR/FLAC |
2 |
|
TDK D60 (Copy of an original audience tape)
Teac V-370 Stereo Cassette Deck ===> Edirol UA-4FX ===> Nero WaveEditor ===> wav ===> CD Wave Editor ===> flac |
|
05/01/87
|
Arena |
CDR/FLAC |
2 |
|
Sound Warning/grade: enthousiastic and loud audience, vg/ex
In 1987 my friends MJ and VP borrowed my recording equipment and went to several Neil Young
shows to record them. The masters were kindly given to me and have been traded in the past.
Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S
Location: Unknown
Taper: MJ / VP
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Release: JvV-2009-036-a/b |
|
05/02/87
|
Palasport |
CDR/FLAC |
2 |
|
Sound Warning/grade: enthusiastic and loud audience, vg/ex.
The original recording suffers from distortions in the bass region, therefore considerable
equalizing/removal up to 125 Hz was applied.
In 1987 my friends MJ and VP borrowed my recording equipment and went to several Neil Young
shows to record them. The masters were kindly given to me and have been traded in the past.
Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S
Location: Unknown
Taper: MJ / VP
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Release: JvV-2009-037-a/b |
|
05/04/87
|
Stadio Communale |
CDR/FLAC |
2 |
|
Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S
Location: Unknown
Taper: MJ / VP
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Release: JvV-2009-038-a/b |
|
05/05/87
|
Palatrussardi |
CDR/FLAC |
2 |
|
Recorded from Audience by ZUMA66
Equipment used : SONY TCS 430 - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some microphone and Crowd noises ,
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint |
|
05/07/87
|
Frankenhalle |
CDR/FLAC |
2 |
|
Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S
Location: Unknown
Taper: MJ / VP
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Release: JvV-2009-040-a/b |
|
05/08/87
|
Festhalle |
CDR/FLAC |
2 |
|
Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S
Location: Unknown
Taper: MJ / VP
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Release: JvV-2009-041-a/b |
|
05/09/87
|
Sportsahalle |
CDR/FLAC |
2 |
|
audience recording (unknown equipment): tape master > CDR > EAC > wav > TLH > flac |
|
05/11/87
|
Tempodrom |
CDR/FLAC |
2 |
|
Aud recording; cassettes received from BZ who was a fantastic partner in trade.
1st or 2d generation tapes.
Tapes played on a Marantz SD 4051 deck>ZOOM H4>PC>Audacity for tracks edition only>flac.
|
|
05/12/87
|
Sportshalle |
CDR/FLAC |
2 |
|
Master - Audience recording from my old TDK-Sa C-90 Tapes
This concert taped with an AIWA walkman (don't know what kind of AIWA)
and an extra microphone (can't remember what microphone it was).
The sound quality is vg + or exc-, mostly excellent-!!!
Recorded from a seat on the right side in the hall - on the second row
about 10 meters from the stage. The first seats were very, very near to the
stage in that really great hall.
|
|
05/13/87
|
Mozartsaal |
CDR/FLAC |
2 |
|
|
|
05/14/87
|
Kockelscheuer Sport Centre |
CDR/FLAC |
2 |
|
analog audience recording
taper : unknown (many thanks, whoever you are!)
lineage : 1st gen cassettes>Nakamichi (dolby off)>SB Audigy Platinum>
Soundforge>FLAC level 8 (w/verify & align) |
|
05/16/87
|
Eissporthalle |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
tape master > DAT (48kHz) -> DAT clone(s) -> optical cable -> CoolEdit * -> wav -> CD Wave Editor (tracking) -> wav -> TLH -> flac
(*edits, fades, downsampling to 44,1 kHz) |
|
05/17/87
|
Stadthalle |
CDR/FLAC |
2 |
|
audience recording (unknown equipment): tape master > CDR > EAC > wav > TLH > flac |
|
05/18/87
|
Deutscher Museum |
CDR/FLAC |
2 |
|
Analogue Audience Master->DAT->PC->resampled to 44.1KHz (Adobe Audition)->CDWave->Flac |
|
05/22/87
|
Hallenstadion |
CDR/FLAC |
2 |
|
Master : WC
AM>D
Transfer : TECHNICS STEREO DECK 3 HEADS RS-BX601>EDIROL R-09HR (24 bit 48 Khz)>CARD>PC>GOLDWAVE (Resample at 16 bit 44.1 Khz + EDITS and split
- No equalizations - ) FLAC level 8 + Fingerprints + Md5
NB = the files come from direct transfer, not CD rip; Last song from a different source (DAT analog master) |
|
05/25/87
|
Palais des Sports |
CDR/FLAC |
2 |
|
Toulouse -France- Palais des sports 1987 05 25
AUD recording by SM from master casSette
Made from center balcony using TCD5 M and Beyer Dynamic mics.
Tape played by TCD5 M>ZOOM H4>PC>Audacity for tracks edition only>flac.
This tape is getting old now; anyway, this show features the very first
perfomances of name of love and american dream.
The first song had to be repaired because only one channel was recorded during a
portion of the tune; cuts also exists on this one; sorry...
|
|
05/27/87
|
Ahoy Hal |
CDR/FLAC |
2 |
|
Source:
Sony type ECM 121 microphone + Sony WMD3 on TDK CrO2 cassettes
transfer to DAT: Nakamichi CassetteDeck 2 > Sony ZA5ES.
Transfer:
Sony ZA5ES> optical cable > Creative Soundblaster Audigy soundcard > Soundforge 4.5 + SEKD Red Roaster (fading, removal of some clapping,volume boost + sonic Maximizer) |
|
05/28/87
|
Vorst National Stadium |
CDR/FLAC |
2 |
|
Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S
Location: 15-20 metres in front of left speaker stack
Taper: Reel Records
Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
Release: JvV-2009-044-a/b |
|
05/29/87
|
Palais Des Sports |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
tape master > DAT (44,1kHz) -> DAT clone -> optical cable -> CoolEdit(edits,fades) -> wav -> CD Wave Editor (tracking) -> wav -> TLH -> flac |
|
05/30/87
|
Palais Des Sports |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
tape master > DAT (44,1kHz) -> DAT clone -> optical cable -> Adobe Audition* -> wav -> CD Wave Editor (tracking) -> wav -> TLH -> flac
(* edits, fades, volume adjustments, peak limits on some aplause segments, BBE Sonic Maximizer processing - settings: 1/2/-5) |
|
06/02/87
|
National Exhibition Centre |
CDR/FLAC |
2 |
|
|
|
06/03/87
|
Wembley Arena |
CDR/FLAC |
2 |
|
Conversion = ? gen cassette>Pioneer Stand Alone Burner PDR-609>
EAC>Soundforge 9.0>CD Architect 5.2>Wav>Flac |
|
06/04/87
|
Wembley Arena |
CDR/FLAC |
2 |
|
Analog master>DAT->CD>PC>FLAC |
|
06/06/87
|
Royal Society Showgrounds |
CDR/FLAC |
2 |
|
Source:cdr trade>eac rip>flac |
|
08/13/87
|
Pacific Amphitheater |
CDR/FLAC |
2 |
|
source: AUD > ? > CDR > cdrparanoia > WAV > repairs > FLAC |
|
08/15/87
|
Red Rocks Ampitheatre |
CDR/FLAC |
2 |
|
Source : audience recroding,low gen analog transfer(no near infos)
Lineage : CDR > EAC > HD > flacfrontend > flac(8) |
|
08/20/87
|
Merriweather Post Pavilion |
CDR/FLAC |
2 |
|
|
|
08/22/87
|
Mann Music Center |
CDR/FLAC |
2 |
|
Lineage:unknown epuipment > MASTER analog > DAT > CDR > HD > TLH (Level 8) |
|
08/26/87
|
New Haven Coliseum |
CDR/FLAC |
2 |
|
analog>?>cdr>eac>flac |
|
09/02/87
|
CNE Central Grandstand |
CDR/FLAC |
2 |
|
source: analog master > dat > cdr > cdr >
macintosh > xACT 1.59 > flac |
|
09/03/87
|
Pine Knob Music Theater |
CDR/FLAC |
2 |
|
lineage : master cassettes>Nakamichi (dolby off)>SB Audigy Platinum>
Soundforge>FLAC level 8 (w/verify & align) |
|
09/04/87
|
Alpine Valley Music Theatre |
CDR/FLAC |
2 |
|
source: 2nd gen analog > dat > cdr > cdr>
macintosh > xACT 1.59 > flac |
|
11/02/87
|
Coconut Grove (Early) |
CDR/FLAC |
1 |
|
Source: AUD > Master Cassettes > CD > EAC> FLAC |
|
11/02/87
|
Coconut Grove (Late) |
CDR/FLAC |
1 |
|
Source: AUD > Master Cassettes > CD > EAC> FLAC |
|
11/03/87
|
Cocoanut Grove |
CDR/FLAC |
2 |
|
Late Show:
Source - Audience Nak CM300->Dolby B Maxell MX90 (late show - Fuji FR metal)->Sony TCD5M
Lineage - Master cassettes->Nakamichi Dragon->Audiomedia III->Pro Tools->XACT 1.5b3->flac
|
|
11/03/87
|
The Cocoanut Grove (Early) |
CDR/FLAC |
1 |
|
Source - Audience Nak CM300->Dolby B Maxell MX90 (late show - Fuji FR metal)->Sony TCD5M
Lineage - Master cassettes->Nakamichi Dragon->Audiomedia III->Pro Tools->XACT 1.5b3->flac
|
|
11/07/87
|
Mountain View Theater (Early) |
CDR/FLAC |
1 |
|
source: audience cassette (unknown mics and deck)
transfer: master cassettes > Tascam 302 > Audiomedia III >
Pro Tools (cleanup, pitch, fades, tracking) > CDR > EAC > xACT 1.62 > flac(8)
|
|
11/07/87
|
Mountain View Theater (Late) |
CDR/FLAC |
1 |
|
source: audience cassette (unknown mics and deck)
transfer: master cassettes > Tascam 302 > Audiomedia III >
Pro Tools (cleanup, pitch, fades, tracking) > CDR > EAC > xACT 1.62 > flac(8)
|
|
11/10/87
|
The Omni (Late) |
CDR/FLAC |
1 |
|
audience recording (unknown equipment):
master tape -> DAT -> DAT clone -> optical cable -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac
* edits, fades, normalizing, BBE Sonic Maximizer
|
|
11/10/87
|
The Omni (Early) |
CDR/FLAC |
1 |
|
audience recording (unknown equipment):
master tape -> DAT -> DAT clone -> optical cable -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac
* edits, fades, normalizing, BBE Sonic Maximizer
|
|
11/11/87
|
The Omni (Early) |
CDR/FLAC |
1 |
|
audience recording (unknown equipment):
tape (unknown generation) -> CDR -> EAC -> wav -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac
* edits, fades, BBE Sonic Maximizer |
|
11/11/87
|
The Omni (Late) |
CDR/FLAC |
1 |
|
audience recording (unknown equipment):
tape (unknown generation) -> CDR -> EAC -> wav -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac
* edits, fades, BBE Sonic Maximizer |
|
11/12/87
|
The Old Fillmore (Late) |
CDR/FLAC |
1 |
|
Audience Analogue Master>DAT...DAT>Hard Disk (via SPDIF)>Cool Edit 2000 (Resample to 44.1kHz)>CDR |
|
11/12/87
|
The Old Fillmore (Early) |
CDR/FLAC |
1 |
|
Lineage: tape master -> DAT (44,1 kHz) -> DAT clone(s) -> optical cable -> Adobe Audition (fades)
-> wav -> WavePad (tracking) -> wav -> flac -> SBE fixed with TLH, tagged |
|
11/13/87
|
The Cabaret (Early) |
CDR/FLAC |
1 |
|
Borrowed master cassettes > DAT > R500 > Mbox > Pro Tools > XACT 1.5b3 > flac(8) |
|
11/13/87
|
The Cabaret (Late) |
CDR/FLAC |
1 |
|
Borrowed master cassettes > DAT > R500 > Mbox > Pro Tools > XACT 1.5b3 > flac(8) |
|
04/11/88
|
The Cabaret (Early) |
CDR/FLAC |
1 |
|
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 44.1kHz) > Adobe Audition (fades out, tape-flip edits, normalization)) > CDWave (tracking) > flac(8) |
|
04/11/88
|
The Cabaret (Late) |
CDR/FLAC |
1 |
|
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 44.1kHz) > Adobe Audition (fades in, tape-flip edits, normalization)) > CDWave (tracking) > flac(8)
|
|
04/14/88
|
Hollywood Palace (Early) |
CDR/FLAC |
1 |
|
Analog master (B.R.) > DAT > CDR > eac > flac |
|
04/14/88
|
Hollywood Palace (Late) |
CDR/FLAC |
1 |
|
Analog master (B.R.) > DAT > CDR > eac > flac |
|
04/18/88
|
The World (Early) |
CDR/FLAC |
1 |
|
Source: analog 1st gen> dat > cdr > cdr> macintosh >
xACT 1.58 > flac > |
|
04/18/88
|
The World (Late) |
CDR/FLAC |
1 |
|
Source: analog 1st gen> dat > cdr > cdr> macintosh >
xACT 1.58 > flac > |
|
04/19/88
|
The World |
CDR/FLAC |
2 |
|
Early and Late Shows; Audience Analogue Master>DAT(2 gen)>Hard Disk (via SPDIF)>Cool Edit 2000 (Resample to 44.1kHz)>CDR |
|
04/22/88
|
The Trocadero Theatre |
CDR/FLAC |
2 |
|
Cassettes (probably second generation) played on a Marantz SD4051 cassette deck, pitch adjusted (many songs in Em); zoom H4 for wave files; PC; audacity for tracking; FLAC. |
|
04/23/88
|
The Agora |
CDR/FLAC |
2 |
|
Analog master tapes>DAT>cdr(my digital copy)>xACT>flac (officially released track removed)
|
|
08/13/88
|
Indianapolis Sports And Music Center |
CDR/FLAC |
2 |
|
Taper: Greg Holtz
Source: Nakamichi CM-100s with CP-1 caps (Hand held) > Sony D-5
Transfer: By JAZ, Master Cassettes -> Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Software -> R8brainPro for Sample Rate Conversion to 16/44.1KHz -> Traders Little Helper flac8 |
|
08/14/88
|
Marcus Amphitheater |
CDR/FLAC |
2 |
|
|
|
08/16/88
|
Poplar Creek Music Theatre |
CDR/SHN |
2 |
|
SBD>Tape1>Tape2(high speed dubbed on medium bias Memorex)>Maxell URII>Wavelab 2.5>CDR>EAC>mkw>shn |
|
08/18/88
|
CNE Central Grandstand |
CDR/FLAC |
3 |
|
"Kind of Blue" Bluenote Records #81888
August 18, 1988 (Disc 1 & 2)
Various Venues (Disc 3)
Lineage: Aud> Trade CD-R> flac |
|
08/19/88
|
Lakeside Amphitheater |
CDR/FLAC |
2 |
|
lineage : master cassettes>Nakamichi (dolby off)>SB Audigy Platinum>
Soundforge>FLAC level 8 (w/verify & align)
|
|
08/20/88
|
Cayuga Country Fairground |
CDR/FLAC |
2 |
|
Source : low gen analog transfer(no near infos)
Lineage : CDR > EAC > HD > flacfrontend > flac(8) |
|
08/22/88
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
Source: Unknown audience recording > cass (1st gen) Lineage: cass > Nakamachi MR-1 > Korg MR-1000 > DFF (1Bit 5.6 MHz) > AudioGate SoftWare > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16 |
|
08/23/88
|
Lake Compunce Festival Park |
CDR/FLAC |
2 |
|
TECHNICS Stereo Deck 3 Heads RS BX-601>RCA gold cable>M-AUDIO Audiophile firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) - Pitch adjusted - Equalization - Volume level of both channel - Cuts edited - Fade in & Fade out, Resampled at 16/44.1, tracks splits alignment for CD compatible>encoded in FLAC (level 8) with FLAC FRONTED + TLH Md5 & fingerprint |
|
08/24/88
|
Garden State Arts Center |
CDR/FLAC |
2 |
|
low gen analog transfer; CDR > EAC > HD > flacfrontend > flac(8) |
|
08/26/88
|
Mann Music Center |
CDR/FLAC |
2 |
|
Lineage>Analog Tapes (1st generation)>DAT>DAT MASH SV DA-10>COAXIAL>M-AUDIO Audiophile Firewire>
FIREWIRE>PC>GOLDWAVE (16/48) - Edit cuts + Fade in & Out - Resample at 16/44.1 - Tracks Split>CDR>EAC>FLAC (Level 8) Alignment at Boundary sectors
+TLH Md5 & Fingerprint
|
|
08/27/88
|
Jones Beach Music Theater |
CDR/FLAC |
2 |
|
Original Silver Discs --> EAC (Secure) --> Wav --> Flac Level 8 & Align
EAC Log Files, md5 Files (Flac & Wav), Artwork (Front, Back & Discs 300 dpi)
Included |
|
08/29/88
|
Tanglewood Music Center |
CDR/FLAC |
2 |
|
Analog Tape (2nd generation)>TECHNICS RS-BX601>RCA (Gold cable)>M AUDIO Audiophile Firewire>
FIREWIRE>PC>GOLDWAVE (24/48) - Editing : Pitch - Fade in & out,Cuts, Level Volume adjusted for both Channel,Equalization, Resample at 16/44, Trackssplit>FLAC (level 8) + Md5 & Fingerprint |
|
08/30/88
|
Pier 84 |
CDR/FLAC |
2 |
|
source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes
transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
|
08/31/88
|
Great Woods Center for the Performing Arts |
CDR/FLAC |
2 |
|
|
|
09/01/88
|
Great Woods Center for the Performing Arts |
CDR/FLAC |
2 |
|
CDR > EAC > HD > flacfrontend > flac(8) |
|
09/03/88
|
Blossom Music Center |
CDR/FLAC |
2 |
|
|
|
09/04/88
|
Auburn Hills Palace Arena |
CDR/FLAC |
2 |
|
|
|
09/07/88
|
Royal Hawaiian Hotel |
CDR/FLAC |
1 |
|
A low generation tape -> cd -> EAC -> wav -> TLH -> FLAC |
|
10/25/88
|
Kiva Auditorium |
CDR/FLAC |
1 |
|
|
|
10/26/88
|
Arizona State Fair |
CDR/FLAC |
2 |
|
lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC |
|
10/27/88
|
Golden Hall Community Concourse |
CDR/FLAC |
1 |
|
low gen aud > dat > cdr
macintosh > xACT 1.55 > flac |
|
10/28/88
|
Arlington Theater |
CDR/FLAC |
2 |
|
nd gen aud > dat > cdr >
cdr > macintosh > xACT 1.55 > flac |
|
10/29/88
|
Community Center |
CDR/FLAC |
2 |
|
Audience recording > 2nd gen cassette > DAT > CDR > EAC(secure) >flac(8) |
|
10/30/88
|
Warners Theater |
CDR/FLAC |
2 |
|
source: low gen aud > dat > cdr >
cdr > macintosh > xACT 1.55 > flac |
|
01/11/89
|
Fox Theatre |
CDR/FLAC |
2 |
|
unknown lineage > Trade > eac (secure) > wav > flac (level8)
flac transfer by GigoLOW |
|
01/12/89
|
Soldiers & Sailors Memorial Hall |
CDR/FLAC |
2 |
|
Source: Audience
Transfer: A? > DAT > CDR > EAC > xACT2.18
Thanks to FZ |
|
01/13/89
|
Brady Theater |
CDR/FLAC |
2 |
|
Soundboard w/Audience Patches (Dec 2009 transfer re-master)
Lineage:
SOUNDBOARD
Soundboard > 3rd Generation > Nakamichi CR-5A (Azimuth Adjust) > MacBook Pro > Audacity > Peak Pro XT > Audience Patches > xACT 1.59 > Flac
AUDIENCE
Audience Master > Nakamichi CR-5A (Azimuth Adjust) > MacBook Pro > Audacity > Peak Pro XT
Audience Recording: 2 x Sony ECM33F Mics > Marantz PMD430 > Maxell XLII
|
|
01/14/89
|
Bronco Bowl |
CDR/FLAC |
2 |
|
Recording: 2 x Sony ECM33F > Marantz PMD-430 > Maxell XLII
Lineage: Audience Master > Marantz PMD-430 > MacBook Pro > Peak Pro XT (Indexed) > xACT 1.59 > Flac > Dime
Location: Left of stage, lower section about halfway back from stage |
|
01/15/89
|
Music Hall |
CDR/FLAC |
2 |
|
Audience master tapes>DAT>cdr(my digital copy)>xACT>flac |
|
02/19/89
|
Silva Hall, Hult Center |
CDR/FLAC |
2 |
|
Disc 1 --> unknown low gen CDR -> macintosh -> xACT 1.59 -> flac
Disc 2 --> analog 2nd gen tape -> cdr -> nero wave editor -> flac
Last 5 songs missing |
|
02/20/89
|
Portland Civic Auditorium |
CDR/FLAC |
2 |
|
Aiwa CM-30 > Sony WM-D3
Master Cassette > Nakamichi CR-7A > Peak 5.2 > TC Finalizer (gentle JEMS remaster) > Marantz CDR-620 > CD-R master > FLAC |
|
02/21/89
|
Paramount Northwest Theater |
CDR/FLAC |
2 |
|
SonyD6>tape>WAV,Stereo,44.100kHz,16bit>flac
Using Creative Sound Card Audio Recorder
Taped by Greeney55
|
|
02/22/89
|
Orpheum Theater |
CDR/FLAC |
2 |
|
source: 3rd gen > dat > cdr > cdr
macintosh > xACT 1.59 > flac |
|
02/23/89
|
Opera House |
CDR/FLAC |
2 |
|
source: 3rd gen analog > dat > cdr > cdr >
macintosh > xACT 1.59 > flac |
|
04/05/89
|
Entertainment Centre |
CDR/FLAC |
2 |
|
Source: Audience master > 2nd Gen Cassette
Transfer: 2nd Gen Cassette > DAT > CDR > EAC > ProTools (fades, cleanup, retracking) > xACT2.18
Missing first three and last three songs |
|
04/07/89
|
East End Markets |
CDR/FLAC |
2 |
|
lineage: unknown gen tape-cdr-trade-cdr-eac-flac |
|
04/11/89
|
National Tennis Centre |
CDR/FLAC |
2 |
|
Source: Audience master > 1st gen cassette > DAT
Transfer: DAT > Tascam DA-20 > Audiomedia III > ProTools > Toast > CDR > EAC > xACT2.18 |
|
04/12/89
|
National Tennis Centre |
CDR/FLAC |
2 |
|
Source: Audience master > 1st gen cassette > DAT > CDR
Transfer: CDR > EAC > ProTools (fades, cleanup, retracking) > xACT2.18 |
|
04/15/89
|
Entertainment Centre |
CDR/FLAC |
2 |
|
Source: Analog master > DAT
Transfer: DAT > wav w/ Opcode DATPort > Adobe Audition (fade i/o, sample rate convertion) > CDWav (tracking) > flac(8)
Mastered by Ciaran Cronin |
|
04/17/89
|
Entertainment Hall |
CDR/FLAC |
2 |
|
Source: Audience master > 3rd gen cassette > DAT > CDR
Transfer: CDR > EAC > xACT2.18 |
|
04/18/89
|
Entertainment Hall |
CDR/FLAC |
2 |
|
Silver Discs > EAC > Traders Little Helper |
|
04/19/89
|
Silverdome |
CDR/FLAC |
2 |
|
A1>D
Transfered by AV
Date of transfer = 20/01/2011
Recorded from Audience
Equipment used : Sorry I don't know
Analog tapes 1st generation transfered on DAT>DAT MASH SV10>
OPTICAL CABLE>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6)
with FLAC FRONTED + TLH Md5 & Fingerprint |
|
04/20/89
|
Entertainment Centre |
CDR/FLAC |
2 |
|
Source:
Analog 1st generation > DAT clone(s)
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWave (tracking) > flac(8) |
|
04/27/89
|
Bunka Taiikukan |
CDR/FLAC |
2 |
|
Recorded from Audience with Analog Equipment (H.T. Master)
Transfered by AV (January 3, 2010)
Analog Master>DAT>DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) no editing - RAW VERSION
Tracks split>FLAC (Level 8)>TLH Md5 + Fingerprint |
|
04/28/89
|
NHK Hall |
CDR/FLAC |
2 |
|
Source: Analog master (YS) Sony D5M cassette recorder w/ Sony ECM 939LT mics > DAT.
Transfer: DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) pitch adjusted - Tracks splits - RAW VERSION>FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5
Remaster: Flac > wav > Adobe Audition: Level adjustments; Waves L3 plugin, edits, fades i/o, sample rate convertion > CD Wave (tracking) > flac(8)
Taper: YS
Transfer: agovigli 2010-01-04
Remastering: tbugsett 2010-01-14 |
|
04/29/89
|
NHK Hall |
CDR/FLAC |
2 |
|
Source: Analog master (YS) Sony D5M cassette recorder w/ Sony ECM 939LT mics > DAT.
Transfer: DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) pitch adjusted - Tracks splits - RAW VERSION>FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5
Remaster: Flac > wav > Adobe Audition: Level adjustments; Waves L3 plugin, edits, fades i/o, sample rate convertion > CD Wave (tracking) > flac(8)
Taper: YS
Transfer: agovigli 2010-01-04
Remastering: tbugsett 2010-01-10
|
|
04/30/89
|
NHK Hall |
CDR/FLAC |
2 |
|
Source: Audience analog cassette master > DAT > my DAT clone
Transfer DAT > Sony PCM-500 > Mbox > Pro Tools > XACT 1.5b3 > flac(8) |
|
05/02/89
|
Festival Hall |
CDR/FLAC |
2 |
|
Source: Analog master (YS) Sony D5M cassette recorder w/ Sony ECM 939LT mics > DAT.
Transfer: DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) pitch adjusted - Tracks splits - RAW VERSION>FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5
Remaster: Flac > wav > Adobe Audition: Level adjustments; Waves L3 plugin, edits, fades i/o, sample rate convertion > CD Wave (tracking) > flac(8)
Taper: YS
Transfer: agovigli 2010-01-04
Remastering: tbugsett 2010-01-14 |
|
05/05/89
|
Shi Kokaido |
CDR/FLAC |
2 |
|
Recorded from Audience with Analog Equipment (H.T. Master)
Transfered by AV (January 2, 2010)
Analog Master>DAT>DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) no editing - RAW VERSION
Tracks split>FLAC (Level 8)>TLH Md5 + Fingerprint |
|
06/05/89
|
Lake Compunce Festival Park |
CDR/FLAC |
2 |
|
notes: WARNING!! Really crazy loud audience, sounds like everybody's having a great time
you have been warned :-) But very good sound |
|
06/06/89
|
Waterloo Village |
CDR/FLAC |
2 |
|
ineage: low gen tape-cdr-trade-cdr-eac-flac |
|
06/08/89
|
Lakeside Amphitheater |
CDR/FLAC |
2 |
|
Analog 2nd gen > wav > flac |
|
06/09/89
|
Great Woods Center for the Performing Arts |
CDR/FLAC |
1 |
|
|
|
06/10/89
|
Bally's Grandstand |
CDR/FLAC |
2 |
|
Analog master > DAT
DAT > wav w/ Opcode DATPort > Adobe Audition: Sample rate convertion, general clean up. But lots of mic rubbing/wind noise wasn't possible to fix) > flac |
|
06/12/89
|
Garden State Arts Center |
CDR/FLAC |
2 |
|
First Generation Tape,Unknown Mics/Deck/Original Transfer Decks
Tape From Floater,Transfer By Keo
Tape Maxell XL II 90
Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion/Flacked/Metadata Tagging
With AudioGate Software To 24 Bit/96 kHz
No Dithering With These Files |
|
06/14/89
|
Jones Beach Music Theater |
CDR/FLAC |
2 |
|
video>cdr>eac>wav>flacfrontend level 8>flac |
|
08/18/89
|
Pacific Amphitheater |
CDR/FLAC |
2 |
|
Source:
Analog 3rd gen.
Transfer:
JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8)
|
|
08/19/89
|
Greek Theatre |
CDR/FLAC |
2 |
|
Source:
Unknown gen. analog tape
Transfer:
JVC tape deck > Edirol R-09 > Adobe Audition (level adjustments, edits, fades) > CDWave (tracking) > flac(8)
Note: Very low levels on the first part of the tape causing lots of hiss after the level adjustments. It gets better in the second part. |
|
08/20/89
|
Greek Theatre |
CDR/FLAC |
2 |
|
Lineage (all but Powderfinger):
Direct transfer from mastertape. A Bootray recording. Recorded with Sony TCD5m w/ custom stereo pzm in my hat.
Master tape > Staudio 24/96 card > Wavelab (no comp or eq)- aud noise limited between songs - 16bit wav > flac frontend.
Lineage (Powderfinger): Analog master > DAT > CDR
eac rip by FZ
|
|
08/22/89
|
County Bowl |
CDR/FLAC |
2 |
|
Source : 1st gen analog tape > unknown lineage
Transfer : Fisher CR 58 tape deck > HD > CD wave > Adobe Audition 1.5 > flacfrontend > flac(8) |
|
08/25/89
|
Pine Knob Music Theater |
CDR/FLAC |
2 |
|
Equipment/Lineage: 2 DAK-5245 Mics>Sony D6c Cassette Recorder(Dolby C on)>Master
Cassette's (TDK-SA-X90's)>Yamaha Double Cassette Deck K-902 (Dolby C off)>CD Wave
Editor>TLH flac level 8 |
|
08/26/89
|
Kingswood Music Theater |
CDR/FLAC |
2 |
|
analog audience recording
taper : chris r.
transfer : kmg
lineage : master cassette>Nakamichi>SB Audigy>Soundforge>FLAC level 8 |
|
08/27/89
|
New York State Fair Grandstand |
CDR/FLAC |
2 |
|
Source:Sony D6 Cassette Master>Realistic Stereo Mic>Sony TC-D5M Cassette
Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>traders little
Helper>Flac Level 8.Sector Boundaries Aligned Uisng Traders Little Helper. |
|
08/28/89
|
Poplar Music Theater |
CDR/FLAC |
2 |
|
Analog master (unknown taper/equipment) > CDR > eac > flac(8) + bonus Hangin' on a Limb demo from 1987 |
|
08/31/89
|
Merriweather Post Pavilion |
CDR/SHN |
2 |
|
Aiwa stealth rig > master cass > cass > WAV (via CoolEdit) > CDWav track splits > shn (via mkwACT)
taped 2nd row center by crazy taper randy |
|
09/02/89
|
Veterans Memorial Park |
CDR/FLAC |
2 |
|
Analog master > DAT > CDR
eac-rip by FZ |
|
09/04/89
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
Lineage : Analog Master Tape (FZ)>DAT>DAT MASH SV-DA10>COAXIAL>M-AUDIO Audiophile Firewire>
FIREWIRE>PC>GOLDWAVE (16/48) - Edit Fade in & Fade out + some cuts, The sound quality was preserved Exactly as was
the original master (NO EQ or other filters) - RAW version - Resample at 16 bit 44.1 Khz, Tracks split with Alignment CD compatible
>FLAC FRONTED level 8 + TLH Md5 & fingerprint |
|
09/05/89
|
Palladium |
CDR/FLAC |
2 |
|
1st gen cassette -- Pro Tools -- CDR - EAC - wav -- flac |
|
09/09/89
|
Red Rocks Ampitheatre |
CDR/FLAC |
2 |
|
Source - Beyer M201s > Sony WM-D6C > Master Cassette (Maxell MX90) > VHS HiFi (Maxell XL120)
Transfer - Panasonic AG-5210 > M-Audio 2496 > Sound Forge 8 > 16bit @ 44.1 kHz > Flac (by Dub Irie 2007-02-26) |
|
12/05/89
|
Teatro Smeraldo |
CDR/FLAC |
2 |
|
Equipment used for transfer = TECNICHS RS BX601 3 HEAD>GOLD RCA>M-AUDIO Audiophile Firewire>
Firewire>PC>GOLDWAVE (24 bit 96 Khz)
|
|
12/07/89
|
Musikhalle |
CDR/FLAC |
2 |
|
|
|
12/08/89
|
Grosse Freiheit |
CDR/FLAC |
1 |
|
Source: Master Aud Sony WMD6C + Micro Sony ECM 155 (Stereo) + Maxell MX Tapes |
|
12/10/89
|
Muziektheater Stopera |
CDR/FLAC |
1 |
|
|
|
12/10/89
|
Muziektheater Stopera |
|
0 |
|
To my knowledge here's the most complete version so far of Neil Young's performance at the Muziektheater Stopera in Amsterdam, The Netherlands on Sunday December 10th 1989.
"The Neil Young in Amsterdam 1989 Project" by Magnix. |
|
12/11/89
|
Elysée Montmartre |
CDR/FLAC |
1 |
|
Incomplete show...from Neil Play Acoustic in Paris FM Broadcast (except Stringman). silver cd > FLAC |
|
12/12/89
|
Hammersmith Odeon |
CDR/FLAC |
2 |
|
lineage
sony walkman > apple G4 > soundstudio(for track splitting) > AIFF > FLAC |
|
12/13/89
|
Ahoy Sportpaleis |
CDR/FLAC |
2 |
|
|
|
11/13/90
|
The Catalyst |
CDR/FLAC |
3 |
|
Master>3rd Gen>NakCR-3A nr off>AudigySE>Audacity>CDwave>TLH
|
|
01/22/91
|
Target Center |
CDR/FLAC |
2 |
|
|
|
01/24/91
|
Bradley Convention Center |
CDR/FLAC |
2 |
|
Lineage: FUJI FR-IIx 100 Extraslim high bias 2nd gen tape > JVC TD-W505 Stereo Double Cassette Deck > Aiwa XC-RW700 CD/CD recorder (tracked songs here) > Memorex Cool Colors Music CD-Rs, 80 min.> Cakewalk Pyro 2005 (transferred wav files onto HD here) > Cakewalk Pyro 2005 (edited and retracked wav files here) >
Trader's Little Helper (encoded wav to flac, level 8, aligned on sector boundaries)
1chucho note: (I ripped the flacs from my CD-Rs and ran new Md5s) |
|
01/25/91
|
Redbird Arena |
CDR/FLAC |
1 |
|
Recording: unknown (microcassette?) recorder - internal mics? >
Transfer: probable 1st gen cassette > cdr > cdr > EAC (secure) > flac
Phase Adjust/Pitch Correct/EQ/Level Adjustments/Edit/Track: Cool Edit Pro 2.1
Sector Align/Flac: TLH (level 8)
Powderfinger, Rockin' In The Free World, and Love to Burn are all missing. |
|
01/26/91
|
Market Square Arena |
CDR/FLAC |
2 |
|
Analog tape 2ND GENERATION > Dat > wav > cd
AV transfer |
|
01/28/91
|
Fox Theatre |
CDR/FLAC |
1 |
|
Farmer John fades out, Welfare Mothers Missing; Analog 2nd generation tape > DAT > WAV |
|
01/29/91
|
Rosemont Horizon |
CDR/FLAC |
2 |
|
Lineage: Unknown Microphone/Sony D-6 (taper: MJS) => cassette => Stand-alone Pioneer CD burner => EAC => Magix Audio Cleaning Lab => WAV => FLAC Front-end (level 8) |
|
01/30/91
|
Gardens Arena |
CDR/FLAC |
2 |
|
FROM ANALOG MASTER copy
A1>D
Transfered by AV |
|
01/31/91
|
Richfield Coliseum |
CDR/FLAC |
2 |
|
Source: Sony ECM-909 Stereo mic (Hand held) > Sony D6
(Mid-level, Close, Far Right side - Show was LOUD)
Transfer: Maxell XLIIS-100 Cassette > EQ (slight warming) > Harman Kardon CD Burner > Freerip (FLAC) > Bulk Rename Utility (Track ID) > Trader's Little Helper (FFP)
|
|
02/02/91
|
The Palace of Auburn Hills |
CDR/FLAC |
2 |
|
|
|
02/04/91
|
Madison Square Garden |
CDR/FLAC |
2 |
|
AUD Source: AKG 451/CK1's > Sony TC-D5 > MAC > C1 (first gen).
Transfer: Cassette > Nakamichi DR-8 (Dobly B) > Audiophile 2496 >
Wavelab > CD-Wave > TLH > FLAC 1644. |
|
02/05/91
|
Philadelphia Civic Arena |
CDR/FLAC |
2 |
|
SONY D3 MASTER TAPE>STAND ALONE BURNER>WAV>FLAC |
|
02/06/91
|
Philadelphia Civic Arena |
CDR/FLAC |
2 |
|
Schoeps MK4->Power Supply?->Sony D3 Dat |
|
02/08/91
|
Boston Garden |
CDR/FLAC |
2 |
|
Lineage: audience recording (unknown equipment) mastertape -> DAT(48 kHz) ->
DAT clone(s) -> optical cable -> Adobe Audition * -> wav -> CD Wave Editor -> wav -> TLH -> flac (* edits, fades, normalizing, downsampling to 44,1 kHz)
1chucho note: (I ripped the flacs from my CD-Rs and ran new Md5s)
Notes on Sound Quality: VG+ (A little distant) |
|
02/09/91
|
R.P.I. Fieldhouse |
CDR/FLAC |
2 |
|
Lineage: Realistic Stereo Mic > Sony D5(maxell MX-110)Master tapes were transfered to Hi-Fi VHS
This transfer: VHS > WAV > SHN > FLAC (Trader's Little Helper) (I ripped the flacs from my CD-Rs and ran new Md5s)
Notes on Sound Quality: Excellent+ |
|
02/10/91
|
Cumberland County Civic Center |
CDR/FLAC |
1 |
|
Taper: S.B.
Incomplete show:
I received this - mastertape - back in 1991 with the following information
written on the cassette inlay: "All I have - Tape jammed - This is Master"
The original recording volume is a little too high.
Editing by the Young Dutch Master.
TDK SA - play back: Nakamichi deck Cassette deck 2 > Edirol R09 > Sound Forge 4.5 + plug inns
+ BBE Sonic Maximizer - Redroaster Samplitude Studio V 5.58 > CDR
|
|
02/12/91
|
Forum |
CDR/FLAC |
2 |
|
Lineage of transfer : by AV
Analog tapes 1st generation transfered on DAT>DAT MASH SV10>
OPTICAL CABLE>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)
>Resample at 16 bit 44.1 Khz entire WAVE FILE) + PITCH Adjusted
> BBE sonic maximizer>NO Equalization>GOLD WAVE
>Tracks splits>Encoded in Flac (level 6)
with FLAC FRONTED + TLH Md5 & Fingerprint
|
|
02/13/91
|
Copps Coliseum |
CDR/FLAC |
2 |
|
Lineage: 1st gen from unknown equipment>M audio sound card>wav>flac editing with CDWav |
|
02/14/91
|
Maple Leaf Gardens |
CDR/FLAC |
2 |
|
Conversion = Unknown gen Cassette>Pioneer PDR-609 Stand Alone Burner>EAC>
Soundforge 9.0>CD Architect 5.2>Wav>Flac |
|
02/16/91
|
Community War Memorial Auditorium |
CDR/FLAC |
2 |
|
Conversion = Master Cassette>Pioneer PDR-609 Stand Alone Burner>EAC>
Soundforge 9.0>CD Architect 5.2>Wav>Flac
|
|
02/19/91
|
Hartford Civic Center |
CDR/FLAC |
2 |
|
Taped by Kevin Hall
Sony WM-D6C Professional Walkman recorder
2 Beyer M-700 microphones
Maxell metal cassettes
Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)
Master Cassette ->
Sony K707ES cassette deck ->
M-Audio Firewire Audiophile 2496 ->
CD Wave 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CD Wave (track breaks)
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
No EQ'ing. |
|
02/20/91
|
Providence Civic Center |
CDR/FLAC |
2 |
|
source: aud 1st gen cassette > CDR
transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8) |
|
02/22/91
|
Nassau Coliseum |
CDR/FLAC |
2 |
|
Lineage : 2nd or 3rd gen analog tape(no near technical infos,transfered tape is lost(hope to find it for clearing up) > Technics Tape deck > CDWave > CDR > EAC > HD > flacfrontend > flac(8) |
|
02/23/91
|
Eisenhower Hall |
CDR/FLAC |
2 |
|
Unknown source (presumably from DAT as there's no audible tape-flips)> TAO CDR (2 sec. gaps between tracks) > flac > wav > Adobe Audition (gap-removing) > CDWave (re-tracking) > flac(8) - Spliced in ending to Blowin' in the Wind and beginning to Love to Burn from this version: A1>D |
|
02/24/91
|
Brendan Byrne Arena |
CDR/FLAC |
2 |
|
lineage: 1st gen cassette -> Pro Tools -> WAV -> FLAC |
|
02/26/91
|
Hershey Park Stadium |
CDR/FLAC |
2 |
|
A1>D
Transfered by AV
date of Transfer = 10/02/2011
Recorded from Audience
Equipment used : Sorry I don't know
Analog tapes 1st generation transfered on DAT>DAT MASH SV10>
OPTICAL CABLE>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz
entire WAVE FILE)>MAGIX AUDIO STUDIO + BBE sonic maximizer>
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6)
with FLAC FRONTED + TLH Md5 & Fingerprint |
|
02/28/91
|
Dean E. Smith Center |
CDR/FLAC |
2 |
|
|
|
03/01/91
|
William and Mary College |
CDR/FLAC |
2 |
|
source: aud Sony 909 mics > Sony D6 cassette > DAT > CDR
transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8)
taped by: DM |
|
03/03/91
|
The Omni |
CDR/FLAC |
2 |
|
|
|
03/07/91
|
Orlando Arena |
CDR/FLAC |
2 |
|
Lineage : 3rd gen analog tape(no near technical infos) > Technics Tape deck > CDWave > CDR > EAC > HD > flacfrontend > flac(8)> Dime > you |
|
03/09/91
|
Miami Arena |
CDR/FLAC |
2 |
|
source: aud 1st gen cassette > CDR
transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8) |
|
03/10/91
|
Sun Dome |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT > DAT
Transfer:
DAT > wav w/ Opcode DATport > Cool Edit Pro (level adjustments,fade i/o, sample rate convertion) > CDwave (tracking) > flac(8)
|
|
03/12/91
|
UNO Lakefront Arena |
CDR/FLAC |
2 |
|
|
|
03/13/91
|
The Summit |
CDR/FLAC |
2 |
|
Source: Analog 1st gen. tape. Taper: Louis G.
Transfer: Standalone JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8) |
|
03/15/91
|
Convention Center |
CDR/FLAC |
2 |
|
Analog tapes 1st generation transfered on DAT>DAT MASH SV10>
OPTICAL CABLE>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz
entire WAVE FILE)>MAGIX AUDIO STUDIO + BBE sonic maximizer>
equalization>GOLD WAVE>Tracks splits>Encoded in Flac (level 6)
with FLAC FRONTED + TLH Md5 & Fingerprint |
|
03/17/91
|
The Myriad |
CDR/FLAC |
2 |
|
Recording: 2 x Sony ECM33F > Marantz PMD-430 > TDK SAX/Maxell XLII
Lineage: Audience Master > Marantz PMD-430 > MacBook Pro > Peak Pro XT (Indexed) > xACT 1.59 > Flac > Dime
Location: Lower Balcony, 3 or 4 rows off the floor, left of stage, 2 sections back from stage
|
|
03/19/91
|
McNichols Sports Arena |
CDR/FLAC |
2 |
|
Source: Analog 3rd gen. tape
Transfer: Standalone JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8) |
|
03/20/91
|
Huntsman Center |
CDR/FLAC |
2 |
|
A1>D
Transfered by AV
Date of transfer = 20/01/2011
with M-AUDIO Audiophile firewire
Analog tapes 1st generation transfered on DAT>DAT MASH SV10>
OPTICAL CABLE>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz
entire WAVE FILE)>GOLD WAVE>Tracks splits>Encoded in Flac (level 6)
with FLAC FRONTED + TLH Md5 & Fingerprint |
|
04/05/91
|
Lawlor Events Center |
CDR/FLAC |
2 |
|
source: aud 1st gen cassette > CDR
transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8) |
|
04/06/91
|
Cow Palace |
CDR/FLAC |
2 |
|
Recorded by The Weasel - "Da Weez"
Transferred and mastered to .wav files by D5scott
Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes
Transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files |
|
04/07/91
|
Arco Arena |
CDR/FLAC |
2 |
|
taper greg m
studio sonics>d-6
transferred by brad tenner
1st gen aud>cdr>flac |
|
04/09/91
|
Memorial Coliseum |
CDR/FLAC |
2 |
|
|
|
04/11/91
|
Seattle Center Coliseum |
CDR/FLAC |
2 |
|
Lineage: Aud Master > DAT > DAT > CDR
Transfer: CDR > EAC > wav > flac |
|
04/13/91
|
Olympic Saddledome |
CDR/FLAC |
2 |
|
1st gen cassette -- Pro Tools -- CD -- EAC -- WAV -- flac |
|
04/15/91
|
Northlands Coliseum |
CDR/FLAC |
2 |
|
|
|
04/17/91
|
Pacific Coliseum |
CDR/FLAC |
2 |
|
Sony PC-62 stereo condenser mic on hat > Sony stereo mic extension cord > Sony WM DC3 Professional Recording Walkman (Dolby B on, CrO2 / Metal bias) > Maxell XL-II 90 cassette masters
Maxell XL-II 90 cassette masters > Tascam 202mkII playback deck (Dolby off, normal bias PB, azimuth adjusted for each tape side) > Radio Shack gold end 3.5mm to stereo rca cord > Shack 6 foot gold end 3.5mm stereo extension cord > Soundblaster Audigy @ 24 bit 96 khz > Wavelab 5.01b (recording, tracking, and mastering)
|
|
04/20/91
|
Thomas & Mack Center |
CDR/FLAC |
2 |
|
|
|
04/21/91
|
Desert Sky Pavilion |
CDR/FLAC |
2 |
|
source: aud 1st gen cassette > CDR
transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8) |
|
04/23/91
|
San Diego Sports Arena |
CDR/FLAC |
2 |
|
1st gen cassette (TDK D 90 + 60 received from Bob.D.) --> Edirol 09 --> WAV --> Goldwave (pitch, levels) --> Audacity Nomad Factory ( eq) -> Goldwave (track split) --> TLH --> flac |
|
04/26/91
|
Sports Arena |
CDR/FLAC |
2 |
|
Source:
DAT master > DAT
Master: Bill Ryan Sony D3(?) w/Sony ECM 939T
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWave (tracking) > flac(8) |
|
01/21/92
|
Paramount Northwest Theater |
CDR/FLAC |
2 |
|
Source:
DAT master > DAT clone
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, normalization, sample rate conversion) > CDWav (tracking) > flac |
|
01/23/92
|
Civic Auditorium |
CDR/FLAC |
2 |
|
source : unknown aud > cdr >
xACT 1.62 > 16/44.1 wav > xACT 1.62 > flac |
|
01/24/92
|
Civic Auditorium |
CDR/FLAC |
2 |
|
source: Audience cassette master > DAT > CDR > EAC > ProTools > xACT > flac |
|
02/13/92
|
Beacon Theater |
CDR/FLAC |
2 |
|
|
|
02/14/92
|
Beacon Theater |
CDR/FLAC |
2 |
|
cdr>eac>flac |
|
02/15/92
|
Beacon Theater |
CDR/FLAC |
2 |
|
Source: Sony D8 and Sony ECM 939T
Taper: BR
Location: about row 10, center
Lineage: DAT Master > DAT Clone
Transfer: Pioneer D-05 > Tascam SS-R1 > CF-card reader > PC > WAV > RR-Edit > flac (TLH level
RR-Edit: Manual cutting of loud claps, crowd, normalisation per track to -3dB, "Sonic Maximizer" |
|
02/17/92
|
Beacon Theater |
CDR/FLAC |
2 |
|
Master = F.Z.
Lineage equipment : OKMII's w/Sony D7
DAT CLONE>MASH DAT SV-DA10>COAXIAL>M AUDIO Audiophile Firewire>FIREWIRE>GOLDWAVE 16/48 RAW VERSION
Splite Files>FLAC>Md5 Signature + Fingerprint
Transfered by AV (01/12/2009) |
|
02/18/92
|
Beacon Theater |
CDR/FLAC |
2 |
|
Source:
DAT master > DAT. Recorded by B.R. (unknown equipment)
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, edits, Waves L3 plugin, sample rate conversion) > CDWav (tracking) > flac(8) |
|
02/19/92
|
Beacon Theater |
CDR/FLAC |
2 |
|
source : (okm11 mics) master dat > marantz standalone > cdr
macintosh > xACT1.59 > flac |
|
03/18/92
|
Orpheum Theater |
CDR/FLAC |
2 |
|
source : dat master > cdr > cdr >macintosh > xACT 1.59 > flac |
|
03/20/92
|
Orpheum Theater |
CDR/FLAC |
1 |
|
|
|
03/22/92
|
The Tower Theatre |
CDR/FLAC |
2 |
|
CD Silver Discs → This is the original source (The Swinging Pig TSP-CD-159-2) |
|
03/23/92
|
The Tower Theatre |
CDR/FLAC |
2 |
|
Lineage equipment : OKMII's w/Sony D7
DAT CLONE>MASH DAT SV-DA10>COAXIAL>M AUDIO Audiophile Firewire>FIREWIRE>GOLDWAVE 16/48 RAW VERSION
Splite Files>FLAC>Md5 Signature + Fingerprint |
|
03/24/92
|
The Tower Theatre |
CDR/FLAC |
2 |
|
lineage: audience DAT Master -> CDR -> EAC -> Adobe Audition (*) -> FLAC |
|
05/17/92
|
Public Auditorium |
CDR/FLAC |
2 |
|
cdr>eac>flac |
|
05/18/92
|
Public Auditorium |
CDR/FLAC |
2 |
|
|
|
05/21/92
|
Fox Theater |
CDR/FLAC |
2 |
|
Lineage:
low gen transfer(lost all infos in PC crash years ago) > CDR'S > EAC > HD > Adobe Audition(normalize) > Flacfrontend level 8 |
|
06/23/92
|
Tanglewood Music Center |
CDR/FLAC |
2 |
|
source: audience OKM II mics > D7 > DAT
transfer: DAT clone (from the taper) > PCM-500 > mbox > Pro Tools > xACT > flac
taped by: fz
|
|
06/25/92
|
Garden State Arts Center |
CDR/FLAC |
2 |
|
lineage: (unknown equipment) > Analogue Master > DAT > DAT
mastering: DAT > WAV/w Opcode's DATPort > CoolEdit Pro > WAV > FLAC |
|
06/26/92
|
Merriweather Post Pavilion |
CDR/FLAC |
2 |
|
Field: Core Sound binaurals (battery box) > Sony D3 (48)
Row Y, Center, Seat 130
Transfer: DAT Master 60ES > Zoltrix Nightingale > CD-R (Master) > EAC (secure) >
WAV > Flac Frontend
|
|
06/27/92
|
Star Lake Amphitheatre |
CDR/FLAC |
2 |
|
lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC |
|
06/29/92
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
Master Audience Nakamichi 700's>Teac DA-20>Sony D5 (Patched)
Taper Heaton and Company,Transfer By Keo
Tape:TDK MA 110
Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion/Flacked/Metadata Tagging
With AudioGate Software To 24 Bit/96 kHz
No Dithering With These Files
|
|
09/11/92
|
Erwin J. Nutter Center |
CDR/FLAC |
2 |
|
DM->D->cd->EAC->RLH->FLAC 8 |
|
09/12/92
|
Deer Creek Music Center |
CDR/FLAC |
2 |
|
lineage DM->D->CD->eac->TLH->FLAC 8 |
|
09/13/92
|
Riverport Amphitheatre |
CDR/FLAC |
2 |
|
LINEAGE
analog 2nd gen tape-> played on SONY DECK TC WE 7055 -> Edirol 09 => PC => Goldwave (volume change+ adjust pitch) => CD WAVE (split tracks) => FLAC 8 |
|
09/15/92
|
Red Rocks Ampitheatre |
CDR/FLAC |
2 |
|
source: audience cassette master > DAT
One Of These Days - from a different master, also
audience cassette master > DAT
transfer: DAT clones > PCM-500 > mbox > Pro Tools > xACT > flac
torrented by: zuma11 |
|
09/16/92
|
Park West Amphitheater |
CDR/FLAC |
2 |
|
source: audience Aiwa CM30 > Sony D3 DAT (22nd Row FOB)
transfer: DAT clone > PCM-500 > mbox > Pro Tools > xACT > flac |
|
09/18/92
|
L.B. Day Amphitheater |
CDR/FLAC |
2 |
|
CDR>EAC>FLAC |
|
09/19/92
|
The Gorge Ampitheatre |
CDR/FLAC |
2 |
|
Source:
Analog master > DAT > DAT clone
Transfer:
Sony D7 DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC w/Realtek s/pdif in @ 48kHz > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWav (tracking) > flac |
|
09/22/92
|
Greek Theatre |
CDR/FLAC |
2 |
|
Source : DAT audience master > DAT > PC (wave) > resample to 44.1kHz > Flac |
|
09/23/92
|
Embarcadero Marina Park |
CDR/FLAC |
2 |
|
transfer: Audience cassette master > Nakamichi Dragon > ProTools > CDR > EAC > ProTools (tracking cleanup) > xACT > flac( 8 )
recorded by: AM from the 4th row |
|
09/25/92
|
Pacific Amphitheater |
CDR/FLAC |
2 |
|
Source:
DAT master > DAT clone
Master: B.R.
Transfer:
Sony D7 DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWav (tracking) > flac |
|
09/26/92
|
Bally's Casino |
CDR/FLAC |
2 |
|
Source : DAT audience master > DAT > PC (wave) > resample to 44.1kHz > Flac |
|
09/27/92
|
Desert Sky Pavilion |
CDR/FLAC |
2 |
|
AUDIENCE DAT MASTER>CDR>EAC>FLAC |
|
11/01/92
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
cdr > EAC > Wav > Flac(Level8 ) |
|
11/14/92
|
Riverside Theater |
CDR/FLAC |
2 |
|
audience recording
Recording: Two Audio Technica ATR-35 mikes>Sony WMD-6C>Maxell XLII-S 100 (dolby C)
Lineage: master tape>Harmon Kardon TD 302, heads aligned to tape, dolby C decoded>CDRW-DA>WAV(Tracking via wavepad)>FLAC (level8 ) via traderslittlehelper
Field recording all other mastering by arfarf, no EQ or other sweetening of what I am hoping is an accurate reflection of the master recording. Master tape to cdr transfer 2009-12-04 |
|
11/15/92
|
Riverside Theater |
CDR/FLAC |
2 |
|
|
|
11/17/92
|
WTTW Studios |
CDR/FLAC |
2 |
|
audio from Pro-Shot Video Centerstage |
|
11/18/92
|
Chicago Theater |
CDR/FLAC |
1 |
|
Source:
Analog master > DAT > DAT
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate convertion > CDWav (tracking) > flac |
|
11/19/92
|
Chicago Theater |
CDR/FLAC |
2 |
|
cdr>eac>flac |
|
11/21/92
|
Orpheum Theater |
CDR/FLAC |
2 |
|
Audience recording |
|
11/22/92
|
Orpheum Theater |
CDR/FLAC |
2 |
|
Very Nice Audience recording From a 2nd Generation Tape. |
|
01/15/93
|
NBC Studios |
CDR/FLAC |
1 |
|
lineage_> A low generation tape ->CD->eac->TLH->FLAC 8 |
|
03/01/93
|
Dorothy Chandler Pavilion |
CDR/FLAC |
1 |
|
w/ Simon & Garfunkel |
|
06/09/93
|
Warfield Theater |
CDR/FLAC |
2 |
|
|
|
06/10/93
|
Warfield Theater |
CDR/FLAC |
2 |
|
Digital Master>DAT>cdr(my digital copy)>xACT>flac |
|
06/12/93
|
Concord Pavillion |
CDR/FLAC |
2 |
|
Schoepes MK4 w/Reutelhuber Mod Not sure of DAT used to master
DAT clone from master tranferred on
Panasonic SV3800 to Tascam CD-RW700->Wav->Flac
|
|
06/13/93
|
Civic Auditorium |
CDR/FLAC |
2 |
|
Last two songs missing.
Schoepes MK4 w/Reutelhuber Mod Not sure of DAT used to master
DAT clone from master tranferred on
Panasonic SV3800 to Tascam CD-RW700->Wav->Flac
|
|
06/26/93
|
Schuttorf Festival |
CDR/FLAC |
1 |
|
Source: Sennheisser MKE-40/6 (2) > Sony TCD-D3
Location: Close to stage
Taper: Reel Records
Transfer: Pioneer D05 > DAL Digital Only (digital) PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) |
|
06/27/93
|
Kalvoslash Festivalen |
CDR/FLAC |
2 |
|
Source: Denon D7 DAT & Sony ECM 929
Lineage: Denon D7 DAT & Sony ECM 929 -> Harmon Kardon ->
DAT -> Sound Forge -> Wav -> CD-R - EAC ->
Flac Frontened |
|
06/28/93
|
Sjohistoriska Museet |
CDR/FLAC |
2 |
|
|
|
06/30/93
|
Jaahalli |
CDR/FLAC |
2 |
|
analog master > dat > cdr > cdr
macintosh > xACT 1.59 > flac
|
|
07/01/93
|
Roskilde Festival |
CDR/FLAC |
2 |
|
audience recording (unknown equipment)
analog master > DAT > optical cable > Cool Edit* > wav > CD Wave Editor (tracking) > wav > TLH > flac |
|
07/04/93
|
Werchter Rock Festival |
CDR/FLAC |
2 |
|
Equipment used : SONY TCS 430 - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out -
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO & processed with BBE D82 Sonic Maximizer
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
|
|
07/05/93
|
Ahoy Hal |
CDR/FLAC |
2 |
|
|
|
07/07/93
|
The Zenith |
CDR/FLAC |
2 |
|
Source: Sennheisser MKE-40/6 (2) > Sony TCD-D3
Location: Close to stage
Taper: Reel Records
Transfer: Pioneer D05 > DAL Digital Only (digital) PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) |
|
07/08/93
|
Riazor Stadium |
CDR/FLAC |
2 |
|
source : 1st gen analog > dat > cdr > cdr |
|
07/10/93
|
Slane Castle |
CDR/FLAC |
2 |
|
Source: Audience cassette master
Transfer: Master > DAT > CDR > EAC > xACT2.18
Thanks to FZ |
|
07/11/93
|
Finsbury Park |
CDR/FLAC |
2 |
|
from 2 discs set "Live in London 1993" on ON STAGE RECORDS label
AUD -> ??? -> siver discs->WAV conversion with EAC -> FLAC |
|
07/12/93
|
SECC |
CDR/FLAC |
2 |
|
Sony TCS 350 recorder (automatic levels built in)
Aiwa CM30A mic
2 x Maxell XLII (100 minutes)
Recorded about 30 feet back to the rightand standing (did have to move slightly after first 2 songs)
|
|
07/15/93
|
Forum di Assago |
CDR/FLAC |
2 |
|
Lineage equipment :
Recorded with SONY TCS 430 & Sony ECM microphone
Tapes : SONY UX PRO (2 x 90minutes)
Date of Transfer 08/11/2008
Transfer : Analog Master Tapes>TECHNICHS STEREO TAPE DECK 3 HEADS RS-BX-601>EDIROL R09-HR (WAVE 16 bit 48 Khz)>
USB>PC>GOLDWAVE (Editing fade in & Fade out - Equalization - Pitch Adjusted - Tracks split - Resample at 16 bit 44.1Khz)>
FLAC Encoded with FLAC FRONTED (level + fingerprint + TLH Md5 |
|
07/16/93
|
Festa Dell'Unita |
CDR/FLAC |
2 |
|
Equipment used : SONY TCS 430 - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Pitch Adjusted
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO (Equalization >processed with BBE D82 Sonic Maximizer + Dynamic process)
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
|
|
07/18/93
|
Schlosspark |
CDR/FLAC |
2 |
|
Recorded from Audience by ZUMA66
Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some microphone noises ,
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with |
|
07/19/93
|
Tanzbrunnen |
CDR/FLAC |
2 |
|
|
|
07/21/93
|
Paleo Festival |
CDR/FLAC |
2 |
|
lineage: analog master -> DAT -> edit (see notes) -> FLAC
- DAT from the Dutch Masters Archives; "XP" tape
- Transfer: DAT played on Sony DTC-790 deck -> S/PDIF cable -> Terratec
Aureon 5.1 soundcard -> Adobe Audition -> WAV -> CDWave -> WAV -> FLAC
- Mastering done in Adobe Audition; fixed some levels, repaired some loud
claps and ticks, pitch fixed
|
|
07/23/93
|
Foro Italico |
CDR/FLAC |
2 |
|
|
|
08/12/93
|
Civic Auditorium |
CRD/FLAC |
2 |
|
|
|
08/14/93
|
Marcus Amphitheater |
CDR/FLAC |
2 |
|
|
|
08/15/93
|
World Amphitheater |
CDR/FLAC |
2 |
|
DAT master (unknown mics/equipment) > CDR > eac/flac
Master: F.Z. |
|
08/16/93
|
Pine Knob Music Theater |
CDR/FLAC |
2 |
|
(handheld/ORTF/110^/Row NN/DFC) B&K 4011s > Neumann BA48i-2 > Sony TCD-D3 > DAT(m)
Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC |
|
08/18/93
|
CNE Central Grandstand |
CDR/FLAC |
2 |
|
Source: Cassette Master> SONY TC-RX410 cassette player > MacBook Pro> CD Spin Doctor 3.0.2t > xAct 1.5 (for flac conversion/ sector boundary check/ md5 checksums & flac fingerprint)
Recorded using SONY WA-55 stereo cassette-corder and 2 SONY ECM-16T clip-on microphones.
Recorded from Section 55, Row 29, Seat 10 |
|
08/20/93
|
Jones Beach |
CDR/FLAC |
2 |
|
Dat Master --> cassette --> Pro Tools --> wav --> flac |
|
08/22/93
|
Garden State Arts Center |
CDR/FLAC |
2 |
|
2nd gen cassette --> Pro Tools --> wav --> flac |
|
08/23/93
|
Great Woods Center for the Performing Arts |
CDR/FLAC |
2 |
|
"AUD" Master analog tapes (??unknown transfer equipment??) to CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) |
|
08/25/93
|
Blossom Music Theater |
CDR/FLAC |
2 |
|
DAT master (unknown mics/equipment) > CDR > eac/flac
Master: F.Z. |
|
08/26/93
|
Star Lake Amphitheatre |
CDR/FLAC |
2 |
|
DAT master (unknown mics/equipment) > CDR > eac/flac
Master: F.Z. |
|
08/28/93
|
Walnut Creek Ampitheatre |
CDR/FLAC |
2 |
|
Source: Analog 3rd generation
Transfer: Transfer: JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (normalization, tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8)
Bad sound; for completists |
|
08/29/93
|
Lakewood Amphitheatre |
CDR/FLAC |
2 |
|
Source:
DAT master > DAT clone (unknown taper/equipment)
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWave (tracking) > flac(8)
|
|
09/01/93
|
Fiddler's Green |
CDR/FLAC |
2 |
|
Analog master > DAT clone(s) except where indicated
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, edits, level adjustments w/Waves L3, sample rate conversion) > CDWave (tracking) > flac(8) |
|
09/04/93
|
B.C. Place |
CDR/FLAC |
2 |
|
Source: Analog 4th gen > wav /Edirol R-09 > Adobe Audition (normalize, fades i/o) > CDWav (tracking) > flac(8) |
|
09/05/93
|
The Gorge Ampitheatre |
CDR/FLAC |
2 |
|
Source:
DAT master > DAT clone(s) (unknown taper/equipment)
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
|
|
09/06/93
|
The Meadows |
CDR/FLAC |
2 |
|
Source: Audience DAT Master > DAT clone (recorded 20' from left stack)
Transfer: DAT clone > Tascam DA-20 > Mbox > ProTools > xACT2.18 > flac(8) |
|
09/08/93
|
Shoreline Amphitheatre |
CDR/FLAC |
2 |
|
Recorded from 102 Center Section, Row M Seat 19.
Schoepes MK4 w/Reutelhuber Mod Not sure of DAT used to master
Either Panasonic SV250 DAT or Sony D3. One of many shows we
recorded from section 102 row K, L, M or N thanks to a little
help with the tickets and VIP parking.
DAT clone from master tranferred on
Panasonic SV3800 to Tascam CD-RW700->Wav->Flac |
|
09/09/93
|
Pacific Amphitheater |
CDR/FLAC |
2 |
|
Source: BR archives.
Sony D7 DAT w/ Sony ECM 939T. 12th row, centre.
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion to 44.1kHz) > CDWave (tracking) > flac |
|
09/11/93
|
Sports Arena |
CDR/FLAC |
2 |
|
Lineage:
from Silver CDs: Red Line RFCD 22805
unknown audience > ? > Silver CD > EAC > Flac > You
|
|
09/14/93
|
Desert Sky Pavilion |
CDR/FLAC |
2 |
|
Analog 2nd gen source
thanks to A.V. |
|
09/16/93
|
Cynthia Mitchell Woods Pavilion |
CDR/FLAC |
2 |
|
Source: Analog 1st gen. Maxell XLII-S tapes. Taper: L.G.
Transfer: JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8) |
|
09/17/93
|
Erwin Center |
CDR/FLAC |
2 |
|
Lineage: unknow -
J.H. master > 1st gen tape - 2 Maxell XL II 90
Transfer 2011 - 07 - 12 by zuma66
Technics RS-T55R > M-Audio Microtrack 24/96 >
CompactFlash card reader > PC > Gold wave >
WAV tracks split with CD Wave > Traders Little Helper level 8
|
|
09/19/93
|
Starplex Arena |
CDR/FLAC |
2 |
|
Source: Audience DAT master
Transfer: DAT Master > DAT > CDR > EAC > xACT2.18
Thanks to FZ |
|
09/18/94
|
Louisiana Superdome |
CDR/FLAC |
1 |
|
Source: FM broadcast (?)
Lineage: Audio (Taiyo Yuden CD-r) > dBpowerAMP (Philips-SPD3400CC) [AccurateRip] > .flacf (level 8)
Digital Audio Extraction Log included.
SBEs checked.
Frequency analysis done. |
|
10/01/94
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
An audience recording, which sounds excellent,
and which was cleaned up to sound as good as possible.
This is an especially excellent show featuring the
famous acoustic feedback version of Change Your Mind. |
|
10/02/94
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
|
|
10/22/94
|
Hamilton Warren Amphitheater |
CDR/FLAC |
1 |
|
|
|
01/01/95
|
The European Concerts |
CDR/FLAC |
3 |
|
"The European Concerts" (3cd) Liberated Boot
Lineage: silver cd's -> EAC -> FLAC |
|
01/14/95
|
Constitution Hall |
CDR/FLAC |
1 |
|
dat master>burn to cd by taper and sent to me |
|
01/15/95
|
Constitution Hall |
CDR/FLAC |
1 |
|
|
|
06/24/95
|
Golden Gate Park |
CDR/FLAC |
2 |
|
Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2)
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC
|
|
08/12/95
|
Sjohistoriska Musset |
CDR/FLAC |
2 |
|
Sjöhistoriska Muséet - Stockholm, Sweden - August 12, 1995
Original silver discs - dBpoweramp secure rip - flac level 6
|
|
08/13/95
|
Heyday 2 |
CDR/FLAC |
2 |
|
Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down level of some Microphone & Crowd noises
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with BBE D82 Sonic Maximizer
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint |
|
08/14/95
|
Waldbuehne |
CDR/SHN |
2 |
|
OKM > Sony TCD-D7
CONVERSION:
1st gen DAT clone > standalone burner > CDR > EAC > dEdit > MKW |
|
08/18/95
|
Residenplatz |
CDR |
2 |
|
|
|
08/19/95
|
Gampel Festival |
CDR/FLAC |
2 |
|
Recorded from Audience by ZUMA66
Equipment used : SONY D5 - ECM microphones - Analog Tapes = 2 x Maxell XL II
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Level of both channel balanced, pitch adjusted>
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO>Equalization & processed with BBE D82 Sonic Maximizer
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint |
|
08/22/95
|
Sultan's Pool |
CDR/FLAC |
2 |
|
Audience recording > CDR from trade > EAC > wav > flac |
|
08/26/95
|
Royal Society Showgrounds |
CDR/FLAC |
2 |
|
|
|
08/27/95
|
Reading Festival |
CDR/FLAC |
2 |
|
Source: Unknown Source > CD-R > EAC > .wav > .flac |
|
10/01/95
|
Cardinal Stadium |
CDR/FLAC |
1 |
|
|
|
03/18/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
|
|
03/19/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Schoeps MK 4 > Bill Reutalhuber Mic power/preamp box > Denon DTR 80p DAT @ 44.1/16
Master DAT > 1 to 1 clone > Panasonic 3800 > OSX Peak 7 editing > xACT(flac, tags) |
|
03/20/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav ->
CoolEdit (treble boost, fading) -> wav -> WavePad (tracking) -> wav -> flac |
|
03/21/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
"The Last Night with the Echos"
Changes made (Nero 7):
Cross mixed channels(70:30), LR balance corrected, instruments / voices clearer
Evened volume levels between tracks
|
|
04/09/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Source : Audience DAT Master > DAT Clone(s) > CDR
Transfer : CDR > EAC > Pro Tools (retracking) > xACT1.5b3 > flac(8) |
|
04/10/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Source : Audience Schoeps DAT Master > DAT Clone(s) > CDR
Transfer : CDR > EAC > Pro Tools (retracking) > xACT1.5b3 > flac(8) |
|
04/13/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Source : Audience Schoeps DAT Master > DAT Clone > CDR
Transfer : CDR > EAC > Pro Tools (retracking) > xACT1.5b3 > flac |
|
04/14/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
ineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav -> CoolEdit (editing, normalizing, fading, treble boost) -> wav -> WavePad (tracking) -> wav -> flac |
|
05/08/96
|
Catalyst |
CDR/FLAC |
2 |
|
Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav ->
CoolEdit (editing, fading) -> wav -> WavePad (tracking) -> wav -> flac |
|
05/09/96
|
Catalyst |
CDR/FLAC |
2 |
|
|
|
05/22/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Schoeps mics>DAT>DAT (48K)>AudioMedia III>Pro Tools (48K > 44.1K)>Peak>WAV>SHN>wav>FLAC |
|
05/23/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
source: Tascam PE125s > Sony D7
transfer: DAT clone > HHb CDR830 > EAC/wavlab > FLAC |
|
06/04/96
|
Old Princeton Landing |
CDR/FLAC |
3 |
|
|
|
06/05/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav ->
CoolEdit (editing, fading, treble boost) -> wav -> WavePad (tracking) -> wav -> flac
|
|
06/06/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav ->
CoolEdit (editing, fading, treble boost) -> wav -> WavePad (tracking) -> wav -> flac |
|
06/09/96
|
Old Princeton Landing |
CDR/FLAC |
2 |
|
Source: AUD Schoeps DAT Master > DAT clones
Transfer: DAT > PCM-R500 > MBox > ProTools > xACT1.5b3 > flac(8) |
|
06/23/96
|
Duren Badesee Festival |
CDR/FLAC |
2 |
|
|
|
06/25/96
|
Royal Naval Museum |
CDR |
2 |
|
|
|
06/27/96
|
Roskilde Festival |
CDR/FLAC |
2 |
|
|
|
06/30/96
|
Isle Of Calf Festival |
CDR/FLAC |
2 |
|
Lineage: Sony D7 DAT -> Pioneer 700 Standalone burner -> HDD -> wav -> CD-R - EAC -> wav -> Flac Frontened (level)-> Flac |
|
07/04/96
|
Bercy Sportspalace |
CDR/FLAC |
2 |
|
Recorded from Audience by ZUMA66
Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some claps ,
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> Level of left channel balanced & processed with BBE D82 Sonic Maximizer
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
|
|
07/06/96
|
Torhout Rock Festival |
CDR/FLAC |
2 |
|
|
|
07/07/96
|
Werchter Rock Festival |
CDR/FLAC |
2 |
|
Recorded from Audience by ZUMA66
Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Level of both channel balanced,>Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO>Equalization & processed with BBE
D82 Sonic Maximizer>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with LAC FRONTED + TLH Md5 & Fingerprint |
|
07/09/96
|
Waldbuehne |
CDR/FLAC |
2 |
|
|
|
07/12/96
|
Olympiahalle |
CDR/FLAC |
2 |
|
Recorded from Audience by ZUMA66
Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - both channel balanced
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with BBE D82 Sonic Maximizer
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
|
|
07/13/96
|
Trabrennbahn |
CDR/FLAC |
2 |
|
Tascam PE-125s > Sony D7 >> HHb CDR830 > EAC > Audition > CD Wave > FLAC16 |
|
07/22/96
|
The Point Depot |
CDR/FLAC |
2 |
|
Source:
CSB's w/ battery box (flat, no bass roll-off) > Sony D7 DAT
FOB, about 5 meters from stage, dead centre.
Transfer:
DAT master > DAT deck 1 > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > DAT deck 2 > DAT clone MASH DAT SV DA10>COAXIAL>M AUDIO Audiophile Firewire>FIREWIRE>GOLDWAVE 16/48>Track Split - No Editing or EQ - No Resample.
(Agovigli's source used for this mastering)
Flac > wav > Adobe Audition (fades i/o, level adjustments w/Waves L3 maximizer, slight eq, 48kHz>44.1kHz convertion) > CDWav (tracking) > Flac(8) |
|
08/09/96
|
Blockbuster Pavilion |
CDR/FLAC |
2 |
|
|
|
08/10/96
|
Lakewood Amphitheater |
CDR/FLAC |
2 |
|
audience recording: (unknown equipment)
DAT master(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, downsampling to 44,1kHz)
|
|
08/12/96
|
Walnut Creek Ampitheatre |
CDR/FLAC |
2 |
|
Source:
Schoeps CMB-1 > DAT > DAT clone
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWav (tracking) > flac(8)
|
|
08/15/96
|
Virginia Beach Amphitheatre |
CDR/FLAC |
2 |
|
|
|
08/16/96
|
Sony Music Entertainment Center |
CDR/FLAC |
2 |
|
|
|
08/18/96
|
Finger Lakes |
CDR/FLAC |
2 |
|
|
|
08/19/96
|
Madison Square Garden |
CDR/FLAC |
2 |
|
|
|
08/21/96
|
Great Woods Center for the Performing Arts |
CDR/FLAC |
2 |
|
|
|
08/23/96
|
Hershey Park Stadium |
CDR/FLAC |
2 |
|
Joesphson C603's w/KA 500 capsules>Neumann BS48i/2>Aiwa DAT |
|
08/25/96
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
|
|
08/26/96
|
Jones Beach |
CDR/FLAC |
2 |
|
audience recording: (unknown equipment)
DAT master(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, volume adjustments, downsampling to 44,1kHz) |
|
08/29/96
|
Polaris Amphitheatre |
CDR/FLAC |
2 |
|
audience recording: (unknown equipment)
analog master > DAT(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, volume adjustments, BBE Sonic Maximizer processing, downsampling to 44,1kHz)
|
|
09/03/96
|
Star Lake Amphitheatre |
CDR/FLAC |
2 |
|
Analog 2nd generation tape > Edirol R-09 (16bit/44.1kHz) > Adobe Audition (level adjustments, edits, fades i/o) > CDWav (tracking) > Flac |
|
09/04/96
|
Blossom Music Center |
CDR/FLAC |
2 |
|
Source: Sony stereo mic > Sony WM-D6 > Maxell XLII
Lineage: Cass 1 > Marantz SD-57 > Cool Edit Pro > wav |
|
09/06/96
|
World Music Theater |
CDR/FLAC |
2 |
|
audience recording: (unknown equipment)
DAT master > CDR > EAC > wav > Adobe Audition* > wav > CD Wave Editor(tracking) > wav > TLH > flac
(* edits, fades, volume adjustments) |
|
09/07/96
|
Target Center |
CDR/FLAC |
2 |
|
|
|
09/09/96
|
Fiddler's Green Amphitheatre |
CDR/FLAC |
2 |
|
DAT master > CDR (unknown equipment)
Master: A.C. |
|
09/11/96
|
Great Western LA Forum |
CDR/FLAC |
2 |
|
|
|
09/12/96
|
Irvine Meadows |
CDR/FLAC |
2 |
|
|
|
09/14/96
|
The Gorge Ampitheatre |
CDR/FLAC |
2 |
|
audience recording: (unknown equipment) DAT master(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, downsampling to 44,1kHz) |
|
09/16/96
|
Cal Expo |
CDR/FLAC |
2 |
|
Recorded by "Da Weez"
Transferred and mastered to .wav files by D5scott
source: 1 Neumann KMF4 microphone > Sony TC-D5M - analog master cassettes
transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
|
09/17/96
|
Concord Pavillion |
CDR/FLAC |
2 |
|
"Concord the Killer" CoreSound BiNaurals -> Sony TCD-D7
Transfer (8/14/2011): Tascam DA40->COAX->M-Audio AUDIOPHILE 2496->Sound Forge 10 Pro->Flac Front End level 8
Taping Location: Sec 101 Row E Seat 9 (Extreme Stage Right 5th row)
Taper: Don O (normal_dude) |
|
10/22/96
|
GM Place |
CDR/FLAC |
2 |
|
|
|
10/24/96
|
Edmonton Coliseum |
CDR/FLAC |
2 |
|
|
|
10/25/96
|
Olympic Saddledome |
CDR/FLAC |
2 |
|
|
|
10/28/96
|
Winnipeg Arena |
CDR/FLAC |
2 |
|
|
|
10/31/96
|
Copps Coliseum |
CDR/FLAC |
3 |
|
|
|
11/02/96
|
Corel Centre |
CDR/FLAC |
2 |
|
|
|
11/07/96
|
Molson Centre |
CDR/FLAC |
2 |
|
|
|
11/08/96
|
The Meadows |
CDR/FLAC |
2 |
|
|
|
11/10/96
|
Marine Midland Arena |
CDR/FLAC |
2 |
|
|
|
05/08/97
|
The Trocadero |
CDR/FLAC |
2 |
|
Rust's Trade > EAC > WAV > FLAC Frontend > FLA |
|
05/19/97
|
Catalyst |
CDR/FLAC |
2 |
|
audience recording: (unknown equipment, taper: most likely B.R.)
DAT master(48kHz) > DAT clone > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac
(* edits, fades, volume adjustments, sample rate conversion)
Unfortunately this recording is missing the first verse of "Big Time" so I patched the first 2 minutes from a
different source (DAT master > CDR) |
|
07/11/97
|
Shoreline Amphitheatre (Early) |
CDR/FLAC |
1 |
|
DAT AUD recordings of unknown lineage.
DAT > Sony DTC-690 > Marantz CDR-500 > EAC > Soundforge (to make fades) >
CD-Wave (for tracking) > TLH (for SBE-OK, compression & checksums) > FLAC |
|
07/11/97
|
Shoreline Amphitheatre (Late) |
CDR/FLAC |
2 |
|
Early and Late Shows
Schoeps MK4 w/ RBox 16 Bit 48K. Do not recall DAT used to master this show.
Recorded from section 102 rows K,L, M or N dead center
Transferred by Nick C using Sony D7>Edirol R-44 via coax digital
Processed using Soundforge 10b, resample, to 16bit 44.1K and split tracks
TLH to convert to Flac |
|
07/13/97
|
Portland Meadows |
CDR/FLAC |
1 |
|
Late show |
|
07/15/97
|
Wolf Mountain (Early) |
CDR/FLAC |
1 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Early Show; Beyer M 201's >SonyD5 Pro, Maxell XL-II 100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz
Metadata Tagging With Tag&Rename
|
|
07/17/97
|
Irvine Meadows Amphitheatre (Late) |
CDR/FLAC |
2 |
|
Early and Late Shows:
Lineage: audience DAT master -> DAT clone(s) -> optical cable -> CoolEdit (downsampling to 44,1 kHz, normalizing, editing, fading) -> wav ->
WavePad (tracking) -> wav -> flac
The Early Set is missing the first part of "Buffalo Springfield Again"
The Late Set audience recording is a really special one: it's recorded ON STAGE, what you hear is the monitors.
Thanks to the taper B.R. for this recording!
|
|
07/18/97
|
Desert Sky Pavilion (Early) |
CDR/FLAC |
1 |
|
|
|
07/18/97
|
Desert Sky Pavilion (Late) |
CDR/FLAC |
1 |
|
|
|
07/20/97
|
Fiddlers Green |
CDR/FLAC |
2 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename |
|
07/23/97
|
Sandstone Ampitheatre |
CDR/FLAC |
1 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
|
|
07/24/97
|
Riverport Amphitheatre |
CDR/FLAC |
1 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename |
|
07/25/97
|
Deer Creek Music Center |
CDR/FLAC |
2 |
|
Lineage: audience DAT master -> DAT clone(s) -> optical cables -> WavePad (fading, tracking) -> wav -> flac |
|
07/27/97
|
Pine Knob Music Theater (Late) |
CDR/FLAC |
1 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename |
|
07/29/97
|
Riverbend Amphitheater (Late) |
CDR/FLAC |
2 |
|
Both Early and Late Show - Lineage: audience DAT master -> DAT clone(s) -> CDR -> EAC -> wav -> flac |
|
08/01/97
|
River's Edge Park |
CDR/FLAC |
2 |
|
Early and Late Shows |
|
08/02/97
|
Alpine Valley Music Theatre |
CDR/FLAC |
2 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
|
|
08/03/97
|
New World Music Theatre (Late) |
CDR/FLAC |
2 |
|
Early and Late Shows: Audience DAT > AudioMedia III > Pro Tools > WAV > SHN > FLAC
|
|
08/05/97
|
Vernon Downs |
CDR/FLAC |
1 |
|
Source:Sony D7 Dat Master>Sony SBM-1>Nakamichi 100 Mics W/CP4 Shotguns>1st Generation Cassette>
Sony TC-D5m Cassette deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>
Flac Level 8.Sector Boundaries Aligned Using Traders little helper.Taped By Dave S. |
|
08/08/97
|
Great Woods Center For The Performing Arts |
CDR/FLAC |
2 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename |
|
08/10/97
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
|
|
08/15/97
|
Blockbuster Pavilion |
CDR/FLAC |
2 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename |
|
08/16/97
|
Nissan Pavillion |
CDR/FLAC |
1 |
|
Master: (2) Nakamichi CM 300 > Nakamichi 550
CDR: Nakamichi DR-2 > Event Gina soundcard > Soundforge 4.5 > CDRWav > mkwACT > WAV > FLAC |
|
08/17/97
|
Blockbuster-Sony Music Entertainment Centre |
CDR/FLAC |
1 |
|
1st gen cassette>stand alone burner>wav>flac |
|
08/19/97
|
PNC Bank Arts Center |
CDR/FLAC |
1 |
|
Master Audience Recorded By Mr. White, Transfer By Keo
Beyer M201>Sony D5 Pro>Tape Maxell XLII-100
Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
|
|
08/23/97
|
Suwannee Park |
CDR/FLAC |
2 |
|
Neumann mics>Oade pre-amp>Panasonic SV-250
recorded and transferred by Doug Oade |
|
08/24/97
|
Coral Sky Amphitheatre |
CDR/FLAC |
2 |
|
Source: Neumann KM-184 - Aerco Pre Amp - Sony D8 DAT Master
Transfer: DAT Master > PC Optical In > wav file > coolEdit > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB
Recording Location: 10th row right
Recorded by: Datfly |
|
10/18/97
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
|
|
10/19/97
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
|
|
01/03/99
|
The Complete 1999 Solo Tour Companion (5-CD's) |
CDR/FLAC |
5 |
|
|
|
03/02/99
|
Queen Elizabeth Theatre |
CDR/FLAC |
2 |
|
Lineage: Coresound Binaurals > DAT Master Sony TCD-D
the tape you have is my master - I was seated right of center 8th row
by Dan Gale
Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0
Editing and Mastering: on the GEMS Edit Station.
Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
Traders Little Helper for FLAC Level 8 SBE Free
Tag & Rename for FLAC Meta-Data Tagging |
|
03/05/99
|
Paramount Northwest Theater |
CDR/FLAC |
2 |
|
Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0
Editing and Mastering: on the GEMS Edit Station.
Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
Traders Little Helper for FLAC Level 8 SBE Free |
|
03/06/99
|
Paramount Northwest Theater |
CDR/FLAC |
2 |
|
Lineage: Coresound Binaurals > DAT M Sony TCD-D > DAT Clone directly from master
Recorded by friend Cor van der Giessen from Germany who had much better seats
he was down in the "Gold Circle" zone in the first 3-4 rows
from Dan Gale
Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0
Editing and Mastering: on the GEMS Edit Station.
Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
Traders Little Helper for FLAC Level 8 SBE Free |
|
03/08/99
|
Arlene Schnitzer Concert Hall |
CDR/FLAC |
2 |
|
Lineage: Coresound Binaurals>DATM Sony TCD-D > DAT Clone directly from master
made by another friend on tour who had front row dead center seat
he was sitting right in front of one of the front fill speakers, hence the stunning sound quality
from Dan Gale
Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0
Editing and Mastering: on the GEMS Edit Station.
Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
Traders Little Helper for FLAC Level 8 SBE Free
|
|
03/09/99
|
Arlene Schnitzer Hall |
CDR/FLAC |
2 |
|
|
|
03/11/99
|
Opera House |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX audience recording
Lineage: audience recording: DAT-master -> DAT clone(s) -> CDR -> wav -> fading & removal of some loud clapping using Cool Edit -> flac |
|
03/17/99
|
Sacramento Memorial Auditorium |
CDR/FLAC |
2 |
|
Schoeps>DAT>CDR>EAC>wav>FlacFrontend>flac |
|
03/20/99
|
Paramount Theatre |
CDR/FLAC |
2 |
|
"Down by the River" Liberated bootleg CDR->Flac->Dime |
|
03/23/99
|
Wiltern Theatre |
CDR/FLAC |
2 |
|
Source:
DAT master > DAT clone Schoeps CMC641
Taper: B.W.
Transfer:
DAT > wav w/ Opcode DATport > Cool Edit Pro (level adjustments, normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8) |
|
04/14/99
|
Fox Theatre |
CDR/FLAC |
2 |
|
Source: (FOB) B&K 4021's > DA-P1
Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC
Taper Unknown
Transferred from DAT by Bill Graves |
|
04/18/99
|
Orpheum Theater |
CDR/FLAC |
2 |
|
|
|
04/19/99
|
The Theatre at Madison Square Garden |
CDR/SHN |
2 |
|
Source: FOB Section 102 Row I. Schoeps MK4s->Reutelhuber Pow2er Supply-> Sony SBM1@44.1kHz->Sony D8(m)
Lineage: D(m)->Audiomedia II Digidesign Card-> Mac Power PC. Selective Compression of Audience with
Digisound Sound Designer II Adaptec Jam->Plextor4x Plexwriter -> 2 CDRs.
CDR->EAC->WAV->Mkw 0.97B1->shn |
|
04/21/99
|
The Theatre at Madison Square Garden |
CDR/SHN |
2 |
|
Source: FOB Section 100 Row S DFC. B&K4021s->EAA PSP2->Sony PCM-M1(m)@44.1kHz
Transfer: CDR->EAC->MKW V.0.97B1->SHN |
|
04/22/99
|
The Theatre at Madison Square Garden |
CDR/SHN |
2 |
|
Source: FOB Section 102 Row I. Schoeps MK4s->Reutelhuber Pow2er Supply-> Sony SBM1@44.1kHz->Sony D8(m)
Lineage: D(m)->Audiomedia II Digidesign Card-> Mac Power PC. Selective Compression of Audience with
Digisound Sound Designer II Adaptec Jam->Plextor4x Plexwriter -> 2 CDRs.
CDR->EAC->WAV->Mkw 0.97B1->shn |
|
04/24/99
|
The Tower Theatre |
CDR/FLAC |
2 |
|
source: Schoeps MK4Vs>Schoeps VMS02IB>Sony SBM-1>Sony TCD-D100 |
|
04/25/99
|
The New Oakdale Theatre |
CDR/FLAC |
2 |
|
|
|
04/27/99
|
Thomas Hall |
CDR/FLAC |
2 |
|
Source:
CSB's > DAT > DAT clone
Taper: M.G.
Transfer:
DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (edits, level adjustments, Waves L3 ultramaximizer, fades i/o, sample rate conversion to 44.1kHz) > CDWave (tracking) > flac(8) |
|
04/28/99
|
Rosemont Theatre |
CDR/FLAC |
2 |
|
DAT CLONE
Master : I.G. |
|
05/01/99
|
Rosemont Theatre |
CDR/FLAC |
2 |
|
audience recording: DAT-master -> DAT clone(s) -> CDR -> wav -> fading & removal of some loud clapping using Cool Edit -> flac |
|
05/23/99
|
Orpheum Theater |
CDR/FLAC |
2 |
|
Source:
Core Sound Binaurals>Sony D7. Front row in the pit, slightly to the left.
Transfer/lineage:
DAT master > wav w/Opcode DATPort>Cool Edit Pro (level adjustments, fades i/o, resampling from 48kHz to 44.1kHz)> CDR > wav w/EAC > flac(8) |
|
05/29/99
|
Bass Concert Hall |
SHN/CDR |
2 |
|
|
|
06/01/99
|
Aerial Theatre |
CDR/FLAC |
2 |
|
|
|
08/08/00
|
GTE Amphitheatre |
CDR/FLAC |
2 |
|
Source: Audience > ? > CDR > EAC > .wav > FLAC Frontend > FLAC > DVD+R |
|
08/09/00
|
E Center Amphitheatre |
CDR/FLAC |
2 |
|
|
|
08/11/00
|
Hersheypark Stadium |
CDR/FLAC |
2 |
|
|
|
08/12/00
|
Tweeter Center |
CDR/FLAC |
2 |
|
ALD>DAT>CDR(0)>CDR clone>EAC>.WAV>TLH>.FLAC>CEP (phase inversion right channel)>.FLAC |
|
08/14/00
|
Meadows Music Theater |
CDR/FLAC |
2 |
|
Source:
DAT master > CDR > eac > flac
Master: J.B. DPA4021 > PSP-2 > Sony M1 |
|
08/15/00
|
Performing Arts Center |
CDR/FLAC |
2 |
|
Source:
DAT master > CDR > eac > flac
Master: F.Z. Sonic Studios DSM mics > Sony D8 DAT 15th row centre |
|
08/17/00
|
Jones Beach |
CDR/FLAC |
2 |
|
DM>CDR>EAC (secure mode) encoded in FLAC (Level 6) with FLAC Fronted + TLH md5 + Fingerprint |
|
08/19/00
|
PNC Arts Center |
CDR/FLAC |
2 |
|
|
|
08/20/00
|
Star Lake Amphitheatre |
CDR/FLAC |
2 |
|
|
|
08/22/00
|
Chastain Park |
CDR/FLAC |
2 |
|
DAT master > CDR
Master: S.W. row U, DFC
Schoeps MK4 (ortf) > KC5's > CMC6 > Sonosax > Sony D8 |
|
08/23/00
|
Alltel Pavillion |
CDR/SHN |
2 |
|
CD-R->EAC->Wav->Mkw V.097 B1->SHN |
|
08/25/00
|
Polaris Amphitheatre |
CDR/FLAC |
2 |
|
Soundprofessional Cardiods>AIAWA AMF70>Adaptec Spin Doctor>AIFF>xACT>Flac |
|
08/26/00
|
Pine Knob Music Theatre |
CDR/FLAC |
2 |
|
|
|
08/28/00
|
Riverbend Music Center |
CDR/FLAC |
2 |
|
CSB's 14th row centre
Sony D8 DAT > CDR > CDR > flac
EAC rip note: Problems secure ripping d2t01. Used burst mode and repaired a gap @ 3:55 |
|
08/29/00
|
Blossom Music Center |
CDR/FLAC |
2 |
|
|
|
08/31/00
|
Molson Amphitheatre |
CDR/FLAC |
2 |
|
Source: Cassette Master> transfer on stand alone CD recorder > copied to iMac G5 > minor editing with Audacity to rejoin two tracks (d1t09 and d2t09) > xAct 1.5 (for flac conversion/ md5 checksums & flac fingerprint) |
|
09/02/00
|
New World Music Theater |
CDR/FLAC |
2 |
|
DM > CDR > flac
Master: S.B. FOB (section 103, row CC, seat 37)
DPA4021 > EAA PSP2 > AB1000 > Sony M1 |
|
09/03/00
|
Marcus Amphitheatre |
CDR/FLAC |
2 |
|
DAT master > DAT > CDR > flac
Master: M.S. Soundprofessionals mics of unknown type. |
|
09/06/00
|
Mesa Del Sol Amphitheatre |
CDR/FLAC |
2 |
|
Lineage unknown>CD-R>EAC>FLAC |
|
09/08/00
|
Idaho Center |
CDR/FLAC |
2 |
|
Master: Kurt Schubert
AT853 w/65hz bass roll-off filter > Sony M1
5th row
DAT master > CDR > CDR > flac |
|
09/09/00
|
The Gorge Ampitheatre |
CDR/FLAC |
2 |
|
Master: Schoeps ccm4's > Aerco MP-2 > Sony SBM-1 > DATM ( Sony TCD-D8 ) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
|
|
09/11/00
|
Greek Theatre |
CDR/FLAC |
2 |
|
Master: Schoeps ccm4's (from 4th row center) > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
09/12/00
|
Greek Theater |
CDR/FLAC |
2 |
|
Master: Schoeps ccm4's (from 14th row center) > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
09/14/00
|
Greek Theatre |
CDR/FLAC |
2 |
|
lineage: DAud DAT Master > VHS > DAT (44.1KHz) > WAV > SHN > WAV > Adobe Audition (see below) > WAV > FLAC
- Downloaded this from an FTP server back in March 2001.
- Adobe Audition used to make disks seamless, and fix quite a number of 'channels swaps'. A channel swap in Dance Dance Dance also caused a number of dropped samples, which I've repaired (or at least tried to).
- Re-tracked the intro of d1t06 (Tonight's The Night)
- There's a minor skip in d2t08 (Mellow My Mind) at 1:52
- Converted to FLAC, fixed SBEs.
- This recording is pretty hissy, and there is some audience chatter here and there. (for example during: Buffalo Springfield Again, Razor Love) |
|
09/22/00
|
Red Rocks Ampitheatre |
CDR/FLAC |
2 |
|
Audience > ? > CDR > EAC > . wav > FLAC Frontend > FLAC > DVD+R |
|
09/22/00
|
Red Rocks Ampitheatre |
CDR/FLAC |
2 |
|
Master: Schoeps ccm4's (from 2nd row, in front of right PA stack) > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
09/24/00
|
Desert Sky Pavillion |
CDR/FLAC |
2 |
|
DAT master > CDR > flac
AT853's > Sony M1
Cowgirl In The Sand - last part spliced in from R.W. minidisk master
Mellow My Mind - from different master: DPA4061 > Sony D8 w/Oade mod |
|
09/27/00
|
County Bowl |
CDR/FLAC |
2 |
|
DAT master > CDR > flac
Master: C.C. CSB's mics. |
|
09/28/00
|
County Bowl |
CDR/FLAC |
2 |
|
|
|
09/30/00
|
Rose Garden |
CDR/FLAC |
2 |
|
|
|
01/10/01
|
Warfield Theatre |
CDR/SHN |
2 |
|
Lineage: unknown master > (probably audio cd > extraction) > audio cd > extraction w/ Roxio Toast on Mac G3 > shn > aiff > shn (Note: I shnned these back in 2001. For some reason I cant get the md5's from that to run, but the files all open properly, so I decoded and then re-encoded using XACT on a mac mini running OS 10.4.3 to get a current md5.
extracted, shnned, and uploaded by John Siegel |
|
01/11/01
|
Warfield Theater |
CDR/SHN |
2 |
|
Lineage: unknown master > (probably audio cd > extraction) > audio cd > extraction w/ Roxio Toast on Mac G3 > shn > aiff > shn (Note: I shnned these back in 2001. For some reason I cant get the md5's from that to run, but the files all open properly, so I decoded and then re-encoded using XACT on a mac mini running OS 10.4.3 to get a current md5.
extracted, shnned, and uploaded by John Siegel |
|
01/18/01
|
Campo de Polo |
CDR/FLAC |
1 |
|
Incomplete show; Lineage: AUD(1)>Philips FW790P >RCA Cables > Sony NH700 MD >
Rca Cables > SB PCI 128 > Cool Edit Pro (Parametric EQ) > WAV > FLAC Frontend > FLAC (Level 8) |
|
01/20/01
|
Cidade do Rock |
CDR/FLAC |
2 |
|
Source: Audience > ? > CDR > EAC > . wav > FLAC Frontend > FLAC |
|
03/01/01
|
Hollywood Palladium |
CDR/FLAC |
1 |
|
"A Night For Gloria" (Benefit for drug counselor Gloria Scott)
audience recording (unknown equipment):
DAT master -> CDR -> EAC -> wav -> Adobe Audition * -> wav -> CD Wave Editor -> wav -> TLH -> flac
* edits, fades, BBE Sonic Maximizer processing(settings: contour:1/process:2/output:-4) |
|
04/21/01
|
Scott Stadium |
CDR/FLAC |
1 |
|
8th Row Center
Neumann TLM-170's>Schoeps VMS5u>Sony SBM-1>HHB PDR1000
Recorded And tranferred by Wklitz |
|
06/09/01
|
Sheffield Arena |
CDR/FLAC |
2 |
|
Master: Schoeps ccm4's > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
06/15/01
|
NEC Arena |
CDR/FLAC |
2 |
|
Source: AUD Schoeps CCM4 > Aerco > SBM-1 > D8
Transfer: Sony PCM-R500 > MBOX > ProTools > xACT > FLAC(8)
Taper: zuma11 |
|
06/16/01
|
Finsbury Park |
CDR/FLAC |
2 |
|
Lineage Sonic Studios DSM mics > Sony D7 DAT machine...
Tascam DA-20 Mk 2 DAT machine > HHb burnit CDr recorder...no EQ
CDr > EAC > Traders Little Helper > Flac8 sector aligned |
|
06/18/01
|
Flanders Expo |
CDR/FLAC |
2 |
|
Source:
Core Sound Binaural microphones + Sony TCD-D8 DAT recorder
Recording: Young Dutch Master
Transfer and editing by Reel Records
A Reel Dutch Masters production
for Reel Records using the Sonic Maximizer process.
JvV-2001- 026 -a/b
|
|
06/20/01
|
Festhalle |
CDR/FLAC |
2 |
|
DAT Master > CDR
AT853 > Denecke AD20 > Sony M1
Master: KS FOB dead centre, 30 yards from stage
CDR>eac>flac 2009
Note: Skips @ 1:12 in Gateway Of Love and @ 6:04 in Like A Hurricane
It's on the original, not an exctracting error. |
|
06/21/01
|
Ahoy Hall |
CDR/FLAC |
2 |
|
Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out -
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with BBE D82 Sonic Maximizer
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
|
|
06/23/01
|
Arena |
CDR/FLAC |
2 |
|
Recorded by Zuma11 and edited by Reel Records.
Schoeps (TH) > Sony D8 > RR-Edit > JvV-2001-031-a/b
A Hambone production
for Reel Records using the
Sonic Maximizer Process
|
|
06/24/01
|
Bercy |
CDR/FLAC |
2 |
|
Recording & editing: Young Dutch Master
Source:
Core Sound Binaural microphones + Sony TCD-D8 DAT recorder
( I can not recal if I used the Core Sound Binaural mikes or the Sennheisser MKE 40/6 microphones as used by Reel Records)
2012 Transfer Sony ZA5ES > Edirol R09 > harddisk.
Editing: Sound Forge 4.5 + several Plug Ins / Sonic Maximizer process.
( deleting of some clapping and nearby yelling, 3db volume boost on songs 6 - 11 on disc 1.)
+ Red Roaster Samplitude Studio V 5.58
|
|
06/26/01
|
Waldbuehne |
CDR/FLAC |
2 |
|
SOURCE:
Core Sound Binaurals > Sony TCD-D100
(~3 meters from right groundstack; mics plugged into line input)
DAT > SHN conversion:
DAT master on Sony TCD-D7 > Sony POC-DA12 > Midiman Delta DiO 2448 > Cool Edit
Pro 1.2a > CDWAVE > MKW |
|
07/01/01
|
Hartwall Arena |
CDR/FLAC |
2 |
|
MiniDisc master > CDR > CDR > eac (no errors occured) > wav > flac(8)
Master: A.M. |
|
07/03/01
|
Globe Arena |
CDR/FLAC |
2 |
|
Source: A GREAT audience recording, released on 'Like A Musical Ride' CDR (Piggham Records 101-102)
Lineage: original CDR's > XLD (secure mode, cue, log) > FLAC (level 6) > ffp (xACT)
|
|
07/06/01
|
Stadtpark |
CDR/FLAC |
2 |
|
Source: Sennheiser MKE 40/6 (2) + TCD D8
Location: Somewhere in the first 10 rows, left of center
Taper: Reel Records
Transfer: DAT > Pioneer D-05> DAL Digital Only > PC > WAV > flac
Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) |
|
07/07/01
|
Messehalle |
CDR/FLAC |
2 |
|
Core Sound Binaural microphones + Sony TCD-D8 DAT recorder
Recording: Young Dutch Master
Transfer and editing by Reel Records using the Sonic Maximizer process. |
|
07/10/01
|
Montreux Jazz Festival |
CDR/FLAC |
2 |
|
Source Info:
okmIIr > a3 > d100 > HarBal 2.3 |
|
07/12/01
|
Coliseum |
CDR/FLAC |
2 |
|
Test TAU Analizer: All tracks CDDA (Look Spectrum & Frequency files.) (Do not ask me, please. I do not understand that. I follow advices of Dime's mod.)
Test Audiochecker: All files 100% CDDA (look AUCK.txt) |
|
07/15/01
|
Circuito de Jerez |
CDR/FLAC |
2 |
|
Location: first row, near left speaker
Source: Original tape Basf CEII>CasioTP3>Audacity
Tapers: Street Brothers
Missing 4 of last 7 tracks |
|
07/17/01
|
Théàtre Antique (a.k.a. "Roman Theatre") |
CDR/FLAC |
2 |
|
Lineage:
KM140 > SD-MP2 > SBM > D8 > CD-R Audio CDRs (Mitsui) rec'd in trade > EAC >
HD (wav) > Trader's Little Helper (encoding level 8) > flac |
|
07/19/01
|
JazzFest Wiesen |
CDR/FLAC |
2 |
|
|
|
07/21/01
|
Piazza Napoleone |
CDR/FLAC |
3 |
|
Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x TDK SA 90
Lineage of transfer : by AV
Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>
FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some claps ,
Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> processed with BBE D82 Sonic Maximizer
>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint |
|
07/22/01
|
Town Marketplace |
CDR/FLAC |
2 |
|
Aiwa cm30-->sony d7...my aiwa was fixed to a pillar near the stage..
dat master-->marantz DR 700--> cdr-->EAC-->wav-->flac |
|
07/24/01
|
Ahoy Hall |
CDR/FLAC |
3 |
|
|
|
07/28/01
|
Fuji Rock Festival |
CDR/FLAC |
2 |
|
|
|
09/29/01
|
Verizon Wireless Music Center |
CDR/FLAC |
1 |
|
Source 1: Unknown AUD>CDR FROM TAPER>EAC>WAV>FLAC
Source 2: Pre-FM Westwood One CD>CDR>WAV>Cool Edit Pro>WAV>FLAC |
|
05/10/02
|
Fox Theater |
CDR/FLAC |
2 |
|
|
|
05/18/02
|
Rock am Ring |
CDR/FLAC |
2 |
|
|
|
05/21/02
|
Brixton Academy |
CDR/FLAC |
2 |
|
Trade cd-r > EAC > Wav > TLH > Flac > Bittorrent > Dime > You |
|
01/04/03
|
2003/2004 Encores compilation (Crazy Horse) |
CDR/FLAC |
4 |
|
Master audience recordings > CD-Rs > EAC > WAV > Cool Edit > FLAC. Compiled by Shawn McCorkle |
|
04/22/03
|
Cirkus |
CDR/FLAC |
2 |
|
|
|
04/23/03
|
Oslo Konserthus |
CDR/FLAC |
2 |
|
Location: Audience. 3rd row centre
Source: CSB's (flat response, no bass roll-off)
> Sony D7 DAT > Opcode DATPort > WAV
Sample rate conversion, hard-limiting and eq with Cool Edit Pro
wav > shn > flac |
|
04/25/03
|
Grieghallen |
CDR/SHN |
2 |
|
Source: Audience recording > Core Sound Binaural mics (flat response, no bass roll-off) > Sony D7 > DAT master > Opcode DATPort > WAV > Cool Edit Pro (sample rate conversion, normalization and eq) > SHN. Location: Audience. Front row centre |
|
04/27/03
|
Falconer Salen |
CDR/FLAC |
2 |
|
Source: Audience Recording
Conversion: CDR -> wav -> mkw -> shn. ->
wav -> Cool Edit Pro 2.0 ->
mkwACT 0.97 B -> shn -> flac |
|
04/29/03
|
Congress Centrum Hamburg |
CDR/FLAC |
3 |
|
***Revision A*** (see below)
Aud: OKM/IIP > A3 > Sony D100 > CDR > SHN > WAV(edit) > SHN(seekable) > flac (not originally documented)
taped 2nd row
Edit by Timbo zumanyshn@yahoo.com 20-JUN-03 |
|
04/30/03
|
Tempodrom |
CDR/FLAC |
2 |
|
Source: Audience > ? > CDR > EAC > .wav > FLAC Frontend > FLAC > DVD+R
Quality: Very Good |
|
05/01/03
|
Alte Oper |
CDR/FLAC |
2 |
|
Source: Audience > ? > CDR > EAC > .wav > FLAC Frontend > FLAC > DVD+R
Quality: Very Good |
|
05/03/03
|
Teatro Smeraldo |
CDR/FLAC |
2 |
|
recorded from 3rd row left, in front of the speakers with CORE sound binural mics + Sharp MD 831 -> Philips CDR 770 cd burner standalone -> cd audio -> extracted with EAC -> Nero equalize-> FLAC level 8 aligned on sector boundaries |
|
05/04/03
|
Brucknerhaus |
CDR/FLAC |
2 |
|
unknown lineage > Trade > eac (secure) > wav > flac (level8) |
|
05/05/03
|
Philharmonie |
CDR/FLAC |
2 |
|
Lineage Unknown > CDR > flac |
|
05/07/03
|
Liederhalle |
CDR/FLAC |
2 |
|
Aud: Soundman AKM III (?) -> Sony TCD-D100 ->Sony Digital I/O Adapter
RMR-D100 -> Harddisc (mastered mit Wavelab - volume only)->CD
taped 3rd row, seat 50 |
|
05/08/03
|
Heineken Music Hall |
CDR/FLAC |
2 |
|
Shure MX185 mics --> SP-PREAMP --> Sony TCD-D100 DAT --(coaxial)--> M-Audio CO2 --(optical)--> Terratec EWX24/96 --> Cool Edit Pro 2.1 --> CD Wave --> Shorten 3.5.1
Taped from 16th row, dead center.
|
|
05/09/03
|
Kuppelsaal |
CDR/SHN |
2 |
|
Source: Audience recording > DPA 4060's > DPA MPS6020 p/s > Sony SBM-1 > Sony TCD-D100 (floor, 6th row, ~5m from right hanging P.A.) > DAT > Sony PCM-R300 > coax > Midiman Delta DiO2448 > Cool Edit Pro v1.2a (resampling, fade in/out) > T-Racks 24 v2.0 (mastering) > CD Wave v1.6 (trackmarks) > mkwACT v0.97 b1 > SHN |
|
05/11/03
|
Vicar Street |
CDR/FLAC |
3 |
|
Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
|
|
05/12/03
|
Vicar Street |
CDR/FLAC |
2 |
|
Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
05/13/03
|
Vicar Street |
CDR/FLAC |
1 |
|
2nd second only; 1st set was released as Greendale bonus DVD.
Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
05/17/03
|
Carling Apollo Hammersmith |
CDR/FLAC |
2 |
|
lineage: ? -> CDR -> WAV -> MKW -> SHN -> FLAC |
|
05/18/03
|
Carling Apollo Hammersmith |
CDR/FLAC |
2 |
|
Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D8) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
05/19/03
|
Carling Apollo Hammersmith |
CDR/FLAC |
3 |
|
Master : TH
DM>D
Track split whit CD wave edition
Fade in e out whit Goldwave
FLAC files encoded whit Trader's Little Helper 8 |
|
05/21/03
|
Apollo Theatre |
CDR/FLAC |
2 |
|
|
|
05/24/03
|
Palais des Congres |
CDR/FLAC |
3 |
|
Source:
Sony ECM 727P mictophone > Sony TCD-D8 DAT recorder
(due to technical problems with the Coresound binaural microphones which I used (1996 - 2007) I used this Sony microphone: I'm not unhappy with the result.)
Transfer:
Sony ZA5ES> optical cable > Creative Soundblaster Audigy soundcard > Soundforge 4.5 + SEKD Red Roaster (fading, removal of some clapping, overall Volume boost, Sonic Maximizer)
Recorded from 2 Block B from right speaker stack
Recording : Young Dutch Masters |
|
06/09/03
|
St. Petersburg Times Forum |
CDR/FLAC |
2 |
|
Lineage: ALD/SBD > D8 (listen box--from the parking lot) DAT > CDR > TheCommish,
then: CDR > EAC > Wave files > Editing (see below) > FLAC Frontend > FLAC |
|
06/11/03
|
Chastain Park Amphitheater |
CDR/FLAC |
2 |
|
DAT master > CDR > eac > flac
Taper: S.S.
Sonic Studios DSM6 > Sony D8 DAT |
|
06/13/03
|
Bonnaroo Music Festival |
CDR/FLAC |
2 |
|
(Directly FOB ORTF)AKG 393’s>UA-5pmod>24/48(SF5.0)Toshiba Portege 3480>16/44(SF6.0)>CDWave Editor>Nero
Captured Live and Domesticated by Rhys Herrmann
|
|
06/19/03
|
Marcus Amphitheatre |
CDR/FLAC |
2 |
|
CoreSounds Cardiods with bass filter > D100 > CDR > EAC > flac |
|
06/20/03
|
Target Center |
CDR/FLAC |
2 |
|
DM > CDR > eac > flac(8)
Main floor, row 12, center aisle. Unknown source/equipment |
|
06/22/03
|
DTE Energy Music Theatre |
CDR |
2 |
|
|
|
06/28/03
|
Mohegan Sun Arena |
CDR/FLAC |
2 |
|
DAT master > CDR > eac > flac
Master: F.Z. Sonic Studios mics > Sony D8 |
|
06/29/03
|
Jones Beach |
CDR/FLAC |
2 |
|
DAT master > CDR > eac > flac
Master: F.Z. Sonic Studios mics > Sony D8 |
|
07/18/03
|
Shoreline Amphitheatre |
CDR/FLAC |
2 |
|
|
|
07/20/03
|
Chronicle Pavilion at Concord |
CDR/FLAC |
2 |
|
Source:
DM > CDR > eac > flac(8)
Neumann KM54 > D8 Taper: K.P. |
|
07/25/03
|
Greek Theatre |
CDR/FLAC |
2 |
|
|
|
07/26/03
|
The Joint - Hard Rock Casino |
CDR/FLAC |
2 |
|
|
|
07/29/03
|
Red Rocks Amphitheatre |
CDR/FLAC |
3 |
|
Master: AKG CK91 caps > JK Labs ECMS > DATM (Sony TCD-D8) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
07/30/03
|
Red Rocks Ampitheatre |
CDR/FLAC |
3 |
|
Master: AKG CK91 caps > JK Labs ECMS > DATM (Sony TCD-D8) > CDR
CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC |
|
08/09/03
|
Starlight Theatre |
CDR/FLAC |
2 |
|
DAT master > CDR > CDR > eac > flac
Unknown taper/equipment |
|
08/10/03
|
UMB Bank Pavilion |
CDR/FLAC |
3 |
|
DAT master > CDR. Unknown taper/equipment. |
|
08/31/03
|
Jazz Aspen Snowmass |
CDR/FLAC |
2 |
|
Powderfinger - missing
Love And Only Love - missing
Rockin' In The Free World (missing intro) |
|
09/09/03
|
Verizon Arena |
CDR/FLAC |
2 |
|
|
|
09/13/03
|
Taj Mahal Arena |
CDR/FLAC |
3 |
|
source: cds in a trade > eac > wav > flac |
|
09/19/03
|
San Diego Sports Arena |
CDR/FLAC |
2 |
|
DAT master (unknown mics/equipment) > CDR > eac/flac
Master: B.R.
|
|
09/28/03
|
Crossroads Meadow - Firestone Vineyards |
CDR/FLAC |
1 |
|
Neil Young set only;
Primary source: recording: Schoeps CMC641 > Sonosax > D8 (two rows
from the stage - right hand side - in reserved section). transfer:
Tascam DA-P1 > SPDIF > MOTU > firewire > Sony VAIO > Vegas 3.0 > CDWave
> CDR
Three skips and a few flaws repaired using a different source:
recording: Schoeps CCM4 > Aerco > SBM1 > D8 (stage left, about five rows
from left stack). mastering: Audiomedia III > Pro Tools > Adaptec Jam
> Plextor > CDR
Editing: levels, eq, BBE Sonic Maximizer (only Neil Young's set), clicks,
pops and annoyances removed (if possible), skips and flaws repaired with
careful splicing: EAC > Cool Edit > CD Wave > shn > Fireburner > LiteOn
LTR 48246S > CDR. |
|
11/06/03
|
Hong Kong Harbour Festival |
CDR/FLAC |
2 |
|
Audience digital master tape>cdr>cdr(my digital copy)>xACT>flac |
|
11/10/03
|
Osaka-Jo Hall |
CDR/FLAC |
3 |
|
Source:
"Hide" recording
Equipment:
COS-11PTs > CPS161(Pre amp) > TCD-D100 (16bit/44.1kHz)
Lineage:
DAT master > DTC-ZE700 > RPD-500 > CD-Rs > PC(WAV) > TLH > FLAC (level 6)
|
|
11/12/03
|
Sun Palace Hall |
CDR/FLAC |
2 |
|
Excellent audience recording by RideMyLlama
Transfer: AT853 mic's>DAT>Soundforge 4.5 for slight editing>CD Wave
Location: 6th row right PA Stack
Originally extracted to HD
using EAC (secure mode) and compressed using FLAC level 6. |
|
11/14/03
|
Nippon Budokan Hall |
CDR/FLAC |
2 |
|
Recording Info :
1st Balcony 3rd Row Dead Center
Sennheiser MKE 40-60 > SONY TCD 8 (16 bit/48kHz) > DAT Master (Maxell DM 180)
Transfer Info :
DAT Master (TASCAM DA-P1) > Coaxial Cable > Marantz PMD 661 > USB >
PC > AudioGate (16 bit / 44.1kHz) > WAV > xACT > FLAC 8 |
|
02/19/04
|
Queen Elizabeth Theater |
CDR/FLAC |
3 |
|
Origin: Audience recording
Source: Trade
Lineage: A) Schoeps MK4 > Sonosax SX-M2/LS > M1 DAT > CDRW700 > EAC > CDWAV > CDR
B) CDR > EAC > WAV > TLH > FLAC |
|
02/20/04
|
Rose Garden Arena Theater in the Clouds |
CDR/FLAC |
2 |
|
Nakamichi CM-300's>D8
2nd Row, 300 level, Center
Taped & Transferred by Chris McGrath |
|
02/23/04
|
Memorial Auditorium |
CDR/FLAC |
3 |
|
Source: Neumann KM140's -> SD-MP2 -> SBM1 -> D8
Lineage: DAT master > optical > HHb CDR-830 > EAC > WAV > CDR > EAC > WAV > FLAC > AUD |
|
02/24/04
|
Shrine Theater |
CDR/FLAC |
3 |
|
Location: row 16, right stack
Lineage: AT853 mics -> Sony M1 DAT (Line In) -> WAV -> shntool (fix boundaries) -> FLAC
Taper: a Northern Californian Rustie |
|
02/28/04
|
Tingley Coliseum |
CDR/FLAC |
3 |
|
Location: row 4, center
Lineage: CSB > Sony D8 > Sony DGD120P > optical Tascam > WAV > Fujifilm CDR > EAC > CoolEdit (recut) > FLAC |
|
02/29/04
|
World Arena |
CDR/FLAC |
3 |
|
Lineage: AKG CK91s -> D8 -> CDR trade > EAC > WAV > TLH > FLAC |
|
03/02/04
|
Milwaukee Theatre |
CDR/FLAC |
3 |
|
lineage: main floor behind board -> DAT -> CDR -> CDR -> EAC -> Adobe Audition (recut) -> FLAC |
|
03/04/04
|
Rosemont Theatre |
CDR/FLAC |
3 |
|
Source: audience recording (unknown equipment)
Lineage: Digital master > CDR > EAC > wav > TLH > flac |
|
03/05/04
|
Rosemont Theatre |
CDR/FLAC |
3 |
|
Source: audience recording (unknown equipment)
Lineage: Digital master > CDR > EAC > wav > TLH > flac |
|
03/07/04
|
Mark Of The Quad Cities |
CDR/FLAC |
3 |
|
Source: Audience (row 4, seat 15)
Equipe: Coresound Binaural Mics > Bass Roll-off Filter > Sony D100 DAT
Lineage: Master DAT > digital > Tascam Standalone > CDR > Normalization + split with CDWAV > CDR 3CD > EAC > WAV > FLAC |
|
03/11/04
|
CSU Convocation Center |
CDR/FLAC |
2 |
|
Location: 6th row center section floor, left side facing stage
Lineage: CSB > roll-off filter -> M1 DAT -> CDWave -> WaveLab -> CDR -> EAC -> WAV -> FLAC |
|
03/12/04
|
GIANT Center |
CDR/FLAC |
3 |
|
Digital master > CDR > EAC > wav > TLH > flac |
|
03/15/04
|
Oakdale Theatre |
CDR/FLAC |
3 |
|
audience recording (unknown equipment)
Digital master > CDR > EAC > wav > TLH > flac |
|
03/17/04
|
Radio City Music Hall |
CDR/FLAC |
3 |
|
Audience recording. Location: 5th row, right
Recording: Schoeps CCM4's > Billbox > M1 DAT
Mastering: M1 DAT > LynxOne Card equipped with XLR digital input (custom built 7 pin > XLR cable from the M1) > dedicated mastering computer > Sound Forge (indexing) > CD Architect software > Plextor Plexwriter 12/4/32 SCSI burner > Mitsui discs > EAC > CoolEdit (recut) > FLAC (PS at this time no mastering info is know from DAT to CD..)
Lineage: CDR > EAC > WAV > TLH > FLAC |
|
03/18/04
|
Radio City Music Hall |
CDR/FLAC |
3 |
|
DAT master > CDR > eac > flac(8)
Master: F.Z. DPA4061's |
|
03/20/04
|
Radio City Music Hall |
CDR/FLAC |
3 |
|
Lineage: Sonic Studios > DAT > ? > CD > EAC > CoolEdit (recut) > FLAC |
|
03/21/04
|
Mullins Center, University of Massachusetts |
CDR/FLAC |
2 |
|
Audience.
Location: front row, far left side
Lineage: CSB > M1 > Tascam DA20MKll > Tascam CD RW-5000 > EAC > CDR > EAC > WAV > FLAC (level 7) |
|
09/15/04
|
Berkeley Community Theatre |
CDR/FLAC |
1 |
|
lineage: Schoeps CCM4 -> Aerco -> SBM1 -> D8 -> WAV -> CoolEdit -> FLAC |
|
09/17/04
|
Cowichan Theatre |
CDR/FLAC |
1 |
|
lineage: AT853 > DAT > WAV > CoolEdit (levels, clicks) > FLAC |
|
09/18/04
|
White River Amphitheatre (Farm Aid) |
CDR/FLAC |
2 |
|
Source: Audio Technica 853's > SP Battery Box (16hz-no rolloff) >
Sony M1 DAT (44.1khz) Left Section 100 level, row 12.
Transfer: Sony M1-> Delta Dio 24/96 via Core Sound 7Pin Coax Cable->
Soundforge 5.0 Pro (No Resampling)-> CDWave for track splits->
FLAC |
|
10/15/04
|
Century Plaza Hotel |
CDR/FLAC |
1 |
|
w/ Paul McCartney |
|
08/18/05
|
Ryman Auditorium |
CDR/FLAC |
2 |
|
|
|
10/18/07
|
Velma Morrison Center |
CDR/FLAC |
2 |
|
Lineage:
source: Schoeps > Nbox > Edirol R-09 at 16bit/44.1k
transfer: Soundforge> flac
DFC close to stage |
|
10/20/07
|
INB Performing Arts Center |
CDR/FLAC |
2 |
|
|
|
10/22/07
|
Keller Auditorium |
CDR/FLAC |
2 |
|
Lineage:
Neumann KM140s (fob/main floor) > SD-MP2 > SBM1 > TCD-D7 >
DAT > HHb CDR830 > EAC/wavlab > FLAC |
|
10/23/07
|
WaMu Theatre |
CDR/FLAC |
2 |
|
Source: Countryman Isomax II (Cardiods) -> Denecke PS-2 -> Sony PCM-M1
(Taped from the 8th row, directly in front of the left stacks)
Transfer: DAT MASTER -> Tascam DA-20 MK-II -> Coax -> Phillips PDR555-RW -> .WAV (Ripped via Foobar 2000) -> .FLAC |
|
10/30/07
|
Nokia Theatre |
CDR/FLAC |
2 |
|
DSM6 -> PACLC -> M1
DA20 -> CDRW700 -> EAC -> Soundforge -> FLAC Frontend Level 8 |
|
11/02/07
|
Nokia Live Theater |
CDR/FLAC |
2 |
|
Source: Core Sound HEB's (DPA 4061)>Sony D8 DAT (Master/transfer: B.R.)
Lineage: CD-R's in trade from the taper>eac>wav>Adobe Audition/CDWav*>flac(8) |
|
11/05/07
|
Wells Fargo Theatre |
CDR/FLAC |
2 |
|
Schoeps mk4 caps> active cables> N box> Sound Devices 722
Recorded and FLAC'ed by Remnant
|
|
11/06/07
|
Wells Fargo Theatre |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 > ? > Flac > WAV > Flac
Recorded from 2nd Row right side of stage with Edirol R-09 by Duckman2 |
|
11/08/07
|
Northrop Auditorium |
CDR/FLAC |
2 |
|
Source: DPA 4061s > DPA MMA6000 > Edirol R-09 (24/48). Recorded from Main Floor sec 3 row 23 seat 9.
Transfer: R-09 > USB > CDWave (tracking and resampling) > FLAC16 |
|
11/10/07
|
Fox Theater |
CDR/FLAC |
2 |
|
Notes on Sound Quality: Very good audience recording
Lineage:
Recorded w/CSB -> M-Audio Microtrack 24/96 -> USB -> Cool Edit -> WAV -> FLAC
16 Bit Version |
|
11/12/07
|
Chicago Theatre |
CDR/FLAC |
2 |
|
Source: Schoeps MK4 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz)
Transfer: R-09 > USB > Adobe Audition (normalizing, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8) |
|
11/13/07
|
Chicago Theater |
CDR/FLAC |
2 |
|
Notes on Sound Quality: Excellent audience recording
Lineage: source: sonic studios dsm-6s> zefiro> iriver H120
transfer: iriver H120> usb>audio cleaning lab> flac level 6
location: just right of center 2nd row of loge |
|
11/15/07
|
DAR Constitution Hall |
CDR/FLAC |
2 |
|
Recording notes:
Source/lineage: Unknown>CDR>eac>wav>flac8
Recording notes: Edits between songs in acoustic set
Skips at the beginning of From Hank To Hendrix |
|
11/16/07
|
DAR Constitution Hall |
CDR/FLAC |
2 |
|
Recording notes:
Source/lineage: Unknown>CDR>eac>wav>flac8
Recording notes: Edits between songs in both sets
The Loner missing |
|
11/18/07
|
The Fabulous Fox Theatre |
CDR/FLAC |
2 |
|
Notes on Sound Quality: Excellent audience recording (despite a couple of persistent coughers/sneezers nearby)
Lineage: Source: CSBs (with battery box) > Edirol R-09 > Sound Forge 8.0d > CD Architect 5.2 > EAC > FLAC (8) |
|
11/26/07
|
Massey Hall |
CDR/FLAC |
2 |
|
Notes on Sound Quality: VG+ audience recording (Massey's acoustics make this one sound somewhat distant and boomy)
Lineage: Church Audio B-99A > iRiver H320 (Rockbox) > Pc > Soundforge 7 & cdwav for editing and fades etc...
Recorded & processed by BurnBoy |
|
11/29/07
|
Massey Hall |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX audience recording
Lineage: Core Sound HEB > R-09 > Pc
Soundforge 7 & cdwav for editing and fades etc...
Recorded & processed by BurnBoy |
|
11/30/07
|
Shea's Performing Arts Center |
CDR/FLAC |
2 |
|
Notes on Sound Quality: GD audience recording
Lineage: Cassette Master > Nakamichi MR-2 cassette player > MacBook Pro > CD Spin Doctor 3.0.2t > xAct 1.5 (for flac conversion/ sector boundary check/ md5 checksums & flac fingerprint)
Recorded by Keef The Human Mic Stand using SONY D6 stereo cassette recorder and Sony ECM-929 stereo microphone from various locations in the balcony |
|
12/02/07
|
Orpheum Theater |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX audience recording
Lineage: Csource: Schoeps > Nbox > Edirol R-09 at 16bit/44.1k
Transfer: Soundforge> flac |
|
12/03/07
|
Orpheum Theater |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX+ audience recording
Lineage: source: Schoeps > Nbox > Edirol R-09 at 16bit/44.1k
Transfer: Soundforge> flac
Location: Very close To Stage |
|
12/06/07
|
Orpheum Theatre |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX audience recording
Lineage: source: ?
Location: 3rd row, center |
|
12/07/07
|
Chevrolet Theater |
CDR/FLAC |
2 |
|
Location: about 10 rows back and straight on with one of the monitors. |
|
12/12/07
|
United Palace Theatre |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX+ audience recording
Lineage: Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC.
Location: Recorded from the 8th Row, Right of Center, 6 Rows FOB. |
|
12/13/07
|
United Palace Theatre |
CDR/FLAC |
2 |
|
Lineage: source : schoeps mk-4 > actives > nbox+ >
korg mr-1 dsd recorder (dff 1 bit/2.8mhz)
macintosh > audiogate 1.0.1 > 16/44 wav >
dsp-quattro x (volume,tracking & fades) > xACT 1.59 > flac
taper : edtyre |
|
12/15/07
|
The United Palace Theater |
CDR/FLAC |
2 |
|
Lineage: source: schoeps mk-4 > actives > nbox+ >
korg mr-1 dsd recorder (dff 1 bit/2.8mhz)
macintosh > audiogate 1.0.1 > 16/44 wav >
dsp-quattro x (eq,volume,tracking & fades) > xACT 1.59 > flac |
|
12/16/07
|
United Palace Theatre |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX+ audience recording
Lineage: source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8) |
|
12/18/07
|
United Palace Theatre |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX+ audience recording
Lineage: source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8) |
|
12/19/07
|
United Palace Theatre |
CDR/FLAC |
2 |
|
Notes on Sound Quality: EX+ audience recording
Lineage: source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k
transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8)
torrented by zuma11 (2007)
*due to noisy late arrivers and problems with seat homesteaders the first half of Sad Movies is from edtyre's alternate source:
source : schoeps mk-4 > actives > nbox+ >
korg mr-1 dsd recorder (dff 1 bit/2.8mhz)
macintosh > audiogate 1.0.1 > 16/44 wav >
dsp-quattro x (volume,tracking & fades) > xACT 1.59 > flac
taper : edtyre |
|
02/14/08
|
Le Grand Rex |
CDR/FLAC |
2 |
|
Crystal Cat boot
Superb audience recording
Silver CDs > EAC > wav > FLAC 8 |
|
02/17/08
|
RAI Theater |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Edirol > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster |
|
02/18/08
|
RAI Theater |
CDR/FLAC |
2 |
|
Equipment: Edirol R-09 + Sound Professionals SPS-cmc-8 microphones
Edirol > digital transfer > harddisk. Editing: Redroaster 4.5 + plugins
Due to a very loud clapper in front of the microphones I used the 'Click and Crackle removal'to delete him from the recording. Graphiq fading on all the applause parts between songs to make it listenable.
Recording: Old Dutch Master
Editing: Young Dutch Master
|
|
02/24/08
|
Teatro degli Arcimboldi |
CDR/FLAC |
2 |
|
Taped by LC
Editing & Track split by LC
DAT recording |
|
02/26/08
|
I.C.C. Saal 1 |
CDR/FLAC |
2 |
|
Recording Info:
SP-BMC-12 (AT) >SP-SPSB-8 >M-Audio Microtrack 2496
USB > WAV > Adobe Audition (EQing) > CDwave (tracking)
> FLAC frontend (level 8, verify, with align on sector boundaries) |
|
02/29/08
|
Falconer Salen |
CDR/FLAC |
2 |
|
Source:
Schoeps MK41 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz)
7th row, dead centre.
Transfer:
R-09 > USB > Adobe Audition (level adjustments, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8)
|
|
03/05/08
|
Hammersmith Apollo |
CDR/FLAC |
3 |
|
Source:
Schoeps MK4 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz)
Transfer:
R-09 > USB > Adobe Audition (mastering w/ Waves L3, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8)
|
|
03/06/08
|
Hammersmith Apollo |
CDR/FLAC |
2 |
|
source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k
transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8) |
|
03/09/08
|
Hammersmith Apollo |
CDR/FLAC |
2 |
|
Schoeps MK4 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz)
Transfer:
R-09 > USB > Adobe Audition (mastering w/ Waves L3, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8) |
|
03/11/08
|
Apollo Theatre |
CDR/FLAC |
2 |
|
Source: DPA 4060(SP-SPSB-8 battery box)>Microtrack
Lineage: Microtrack>[USB]>Wavelab>CDWave>FLAC
Taper: Yousef |
|
07/08/08
|
Arena |
CDR/FLAC |
2 |
|
Recorded by zuma 66
Lineage: M-Audio Microtrack 24/96 >
Microphone Core Sound whit Battery box
CompactFlash card reader > PC >
WAV editing with goldwave >
Traders Little Helper level 8
Recording & editing: Zuma66 |
|
07/09/08
|
Koenig-Pilsener-Arena |
CDR/FLAC |
2 |
|
Recorded by zuma 66
Lineage: M-Audio Microtrack 24/96 >
Microphone Core Sound whit Battery box
CompactFlash card reader > PC >
WAV editing with goldwave >
Audacity beta 1.3
Traders Little Helper level 8
Editing: Zuma66
Recorded right of stage sitting place |
|
08/15/08
|
Parc Des Expositions |
CDR/FLAC |
2 |
|
CC Silver discs < Audiograbber < TTL (wav<FLAC - checksum file)
"Big Moon Over Colmar" CC 915-16 |
|
08/17/08
|
Lovely Days Festival |
CDR/FLAC |
2 |
|
Source: SP-CMC-u4 >SP-SPSB-10 >iRiver H120 (rockbox)...and Beer ;-)
Transfer: H120 >USB >PC >CDwave >FLAC
Taped&Transfer: Die/Wal
|
|
11/01/08
|
Reno Events Center |
CDR/FLAC |
2 |
|
source : Schoeps CCM4 > Sonosax M-2 > Edirol R-09 (24/48 down to 16/44.1)
taper : calrust |
|
12/13/08
|
DCU Center |
CDR/FLAC |
2 |
|
Source: Audio Technica at853rx(card caps) > Beyer MV-100 > Zoom H-4 @ [16/44.1]
FOB 30” from stage center
Mastering in WaveLab with Nomad Factory Mastering Plugins > CD Wave > TLH > Flac |
|
12/15/08
|
Madison Square Garden |
CDR/FLAC |
2 |
|
source : schoeps mk-41> actives > nbox > edirol r-09 > 24/44.1 wav >
adobe audition > ozone 5 > xACT 2.20 > flac 24
taper : edtyre |
|
12/16/08
|
Madison Square Garden |
CDR/FLAC |
2 |
|
|
|
01/16/09
|
Mt Smart Stadium |
CDR/FLAC |
2 |
|
Lineage: Giant Squid mics/9V battery box/Edirol R-09 @24bit/44.1/PC/Audicity > Normalise & convert to 16bit/ Flac 8/you
Recorded by Fenderboy |
|
01/18/09
|
Parklands, Southport |
CDR/FLAC |
2 |
|
"audiowhore recording"
taping = SP-CMC-8 mics > Samson PM-4 > Sony MZ-NH1 Hi-MD
transfer = Sony mds-je780 > Soundblaster Premium HD > Adobe Audition > FLAC > Dime
Taped from inside the D-barrier, but up the back close to the sound desk.
Minimal crowd noise, mics had foam protectors for the wind but sound a little swirling at times (outdoor festival and all).
Neil was the headline act for the 2009 Big Day Out festival across Australia and New Zealand.
See- http://bigdayout.com/vault/2009
From memory his slot was 9-10.30pm, the last act on the main stages. Arctic Monkeys were on beforehand.
It seemed that Neil enjoyed the festival shows on this short tour more than his side-shows.
Young crowds jumping around and other acts showing him love as opposed to 'oldies' sitting in their chairs with arms folded... |
|
01/21/09
|
Brisbane Entertainment Centre |
CDR/FLAC |
2 |
|
"audiowhore recording"
SP-CMC-8 mics > Samson PM-4 > Sony MZ-NH1 Hi-MD > Adobe Audition > FLAC
Taped from the back of the floor, left side of the sound desk.
Very quiet crowd around me throughout, one of my best sounding recordings ever.
The sharing of a video from this show here last week has inspired me to dig out this tape.
This version is a new 2012 transfer using upgraded equipment so it should sound better than the previous version. |
|
04/10/09
|
Metro Centre |
CDR/FLAC |
2 |
|
Source: Microtrack T mic (Sect 32-Row Q-Seat 6) > Microtrack 2 (24bit)
Lineage: Microtrack 2 > USB > Soundforge v6.0(Fades,16bit,EQ) >
CD Wave Editor v1.76 > shorten-3.5.1 > shn > aiff > xACT > flac |
|
04/22/09
|
Prospera Place |
CDR/FLAC |
2 |
|
Schoeps>Nbox>Edirol R-09>Soundforge for slight editing |
|
04/25/09
|
Enmax Centre |
CDR/FLAC |
2 |
|
|
|
05/03/09
|
Jazzfest Fair Grounds - Acura Stage |
CDR/FLAC |
2 |
|
Lineage: Zoom H4 Digital Recorder > Sandisk 2G Soundcard > PC > Protools (Used for converting audio into WAV files (48 HZ, 24 bit stereo), smoothing and breaking into tracks) > 48 HZ WAV Files > Flac > Flac files posted to IDisk > Downloaded Files From I Disk > HD > TLH, Decode Flac Files > 48 HZ WAV (24 Bit) > Goldwave, Batchprocessing > 44.1 KHZ WAV (16 bit) > Flac Frontend, Encoding Options, Level 8, Align On Sector Boundaries > Flac (All Tracks Tested With TLH, No Errors Occurred)
Original Taper: Amdewstu
Recorded from the 1st row of the VIP section, dead center stage.
|
|
06/03/09
|
Le Zénith |
CDR/FLAC |
2 |
|
Lineage: Sony TCD-8 + unknown type of Sony microphone
DAT > CDR > Harddisk > Soundforge + SEKD Red Roaster > Traders Little Helper > FLAC
Editing: A lot of clapping near the taper removed as much as possible. BBE maximizer process.
Recording : XP from Paris
Editing: Young Dutch Master |
|
06/04/09
|
Le Zénith |
CDR/FLAC |
2 |
|
|
|
06/06/09
|
Sportpaleis |
CDR/FLAC |
2 |
|
Lineage: zoom H-2 (thanks LC)
whit his microphones >
CompactFlash card reader >
PC > WAV editing with goldwave > flac level 8
|
|
06/09/09
|
Messehalle |
CDR/FLAC |
2 |
|
Source: SP-CMC-u4 >SP-SPSB-10 >iRiver_H120 (rockbox)...NO Beer ;-(
Transfer: H120 >USB >PC >CDwave >FLAC
Taped&Transfer: only -> Wal |
|
06/11/09
|
Frognerbadet |
CDR/FLAC |
2 |
|
|
|
06/16/09
|
O2 World |
CDR/FLAC |
2 |
|
Source: Zoom intern mics, player in the top pocket
Front of stage center
Transfer: Flacs sending from the taper, I was standing right beside him
Device1_ Zoom
Micro1_ intern
Taper_ Erk
Rec-Mode_ WAV 16bit-44.1kHZ |
|
06/21/09
|
The O2 |
CDR/FLAC |
2 |
|
Source info: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Lineage: Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some nearby clapping has been faded, BBE Maximizer and overall volume boost.
Recording & editing: Young Dutch Master
Location: In front of the left speaker stack.
|
|
06/23/09
|
Trent FM Arena |
CDR/FLAC |
2 |
|
Source info: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Lineage: Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some nearby clapping has been faded, BBE Maximizer and overall volume boost on acoustic set
Recording & editing: Young Dutch Master
Location: Front row, left from the centre, microphones directed to the speakers at the front of the stage.
|
|
05/18/10
|
Palace Theatre |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: loud and nearby clapping and yelling has been removed , 6db volume boost on the acoustic songs, BBE Maximizer.
Recording & editing: Young Dutch Master
|
|
05/19/10
|
Shea's |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some clapping has been faded, BBE Maximizer.
Recording & editing: Young Dutch Master |
|
05/23/10
|
Oakdale Theatre |
CDR/FLAC |
2 |
|
Location: Left stack reserved seating
Source: Schoeps>Nbox>Edirol R-09>Soundforge for slight editing |
|
05/26/10
|
Palace Theatre |
CDR/FLAC |
2 |
|
Source: Core Sound Binaural mics (Bass Filter On) > Sony D8
(Row M, Right side)
Transfer: DAT > Sony Standalone CD Burner > dbpoweramp (FLAC-level 8) > Trader's Little Helper (FFP) |
|
06/05/10
|
Bass Concert Hall |
CDR/FLAC |
2 |
|
|
|
07/29/10
|
Northrop Auditorium, Univ. Of Minnesota |
CDR/FLAC |
2 |
|
|
|
09/26/10
|
Saenger |
CDR/FLAC |
2 |
|
Location: loge,right. In front of right hanging stack.
Source: SP-CMC-8( Audio Technica cards)
>SP-SPSB-6(power, line in)>Edirol R-09HR@24/48wav
Transfer: USB>Computer> 16-bit resample/dithered CEP>
CDwav(tracking)>flac L8 >Traders Little Helper
Recorded, Tracked and Flac'ed by KooterB
Tweaks: Loud clapping and yelling
between songs was lowered, then entire
wav was amplified in CEP@24bit. |
|
04/15/11
|
The Durham Performing Arts Center (DPAC) |
CDR/FLAC |
2 |
|
|
|
04/17/11
|
Landmark Theater |
CDR/FLAC |
2 |
|
Peaks reduced at 1:45, 3:24, 35:21, 42:55, 43:56, 1:32:57-1:32:58. Clapping reduced from 1:24:21-1:24:36. The "coda" part of Cinnamon Girl amplified -1db due to crowd. |
|
04/25/11
|
Avery Fisher Hall |
CDR/FLAC |
2 |
|
Recorded from Center Orchestra Row HH.
Core-Sound High-End Binaurals (DPA-4060's) - Sony PCM-M1 DAT - OPtical Link - Philips Stand Alone CD Burner - Gold Wave used to patch in 48 seconds from TaperAdvocat's 3rd Row recording, reduce oversaturated portions of Hitchhiker and Cinnamon Girl, pop/click reduction to make closeby clapping less intrusive, and other assorted magic to make a Frankenshow matrix recording to sound as close as possible to the acoustics of Avery Fisher Hall for this particular performance - Sweet, Sad, and Sonically Spectacular! |
|
05/01/11
|
Tower Theatre |
CDR/FLAC |
2 |
|
source : schoeps mk-4 > actives > nbox plus > m1 dat > cdr
xACT 2.12 > wav > xACT 2.12 > flac |
|
05/07/11
|
Chicago Theatre |
CDR/FLAC |
2 |
|
Mics: DPA 4022
Recorder: Sound Devices 722
Location: Center left 22 rows in front of stage.
Recorded @: 24 bit 44.1K frequency recorded
Dithered to 16b using Izotopes Advance
FLAC to you guys
|
|
08/05/12
|
Red Rocks |
CDR/FLAC |
2 |
|
Source - Olympus LS-10 (16 bit - 44 kHz) -> SD card -> Nero Wave Editor -> CD Wave Editor -> Traders Little Helper -> Flac |
|
08/06/12
|
Red Rocks Amphitheatre |
CDR/FLAC |
2 |
|
Source - Olympus LS-10 (16 bit - 44 kHz) -> SD card -> Nero Wave Editor -> CD Wave Editor -> Traders Little Helper -> Flac
Recorded from 4th row, stage left |
|
08/09/12
|
Harveys' Outdoor Amphitheatre |
CDR/FLAC |
2 |
|
DPA 4061's >SP-SPBB10>Sony PCM M-10 @ 24/44.1
50 feet away , 15 feet left of center
M-10>Goldwave>Soundforge 9.0>CDWave>TLH |
|
08/10/12
|
Golden Gate Park |
CDR/FLAC |
2 |
|
Source: Schoeps CCM4 > Naiant Tinybox > PCM-M1 DAT > HHB > CDR > AIFF
Transfer: AIFF > ProTools (slight retracking) > xACT 2.20 > flac(8) |
|
09/29/12
|
Global Citizen Festival 2012, Central Park Great |
CDR/FLAC |
1 |
|
Source: Palladia HD Broadcast > Harman Kardon CD Burner (Optical) > dbpoweramp (16/44 WAV)
Transfer: PC > Audacity (Edits, Fades, Amplify, Tracking) > T.L.H. (FLAC 8, FFP) |
|
10/03/12
|
WFCU Centre |
CDR/FLAC |
2 |
|
Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz)
Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.20 > flac(8)
Taper: AM |
|
10/03/12
|
WFCU Centre |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some nearby clapping has been faded, BBE Maximizer
Recording & editing: Young Dutch Master
Sound is excellent.
Recorded, under the left speaker stack |
|
10/05/12
|
KRC |
CDR/FLAC |
2 |
|
CAFS> CA-9100> Edirol-09HR (24bit/96kHz)>Sound Forge 10 (eq & limit),tracks & fades, dither & resample to 16bit/44.1kHz> TLH (flac) |
|
10/05/12
|
KRC |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some nearby clapping has been faded, BBE Maximizer
Recording & editing: Young Dutch Master
Sound is excellent.
Recorded, from section 113, near the left speaker stack
|
|
10/06/12
|
Budweiser Gardens (John Labatt Centre) |
CDR/FLAC |
2 |
|
Source: Edirol R-09 Version 3.01 digital recorder with two Core Sounds Hi-end binaural microphones > iMac > CD Spin Doctor 3.0.2t > Toast 10 Titanium > CD > xAct 1.5 (for flac conversion/ sector boundary check/ md5 checksums & flac fingerprint)
Recorded by The Axis from General Admission Floor, standing quite close to the stage. |
|
10/06/12
|
Budweiser Gardens (John Labatt Centre) |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some nearby clapping has been faded, BBE Maximizer
Recording & editing: Young Dutch Master |
|
10/08/12
|
Wolstein Center, Cleveland State University |
CDR/FLAC |
2 |
|
Source: Core Sound HEBs (dpa 4061s) > Core Sound Battery Box (Bass Filter On) > Sony PCM-M10 (@24/44)
(GA Floor @ 2/3 back, FOB)
Transfer: PC > Audacity (Edits, Fades, Bass Boost, Amplify, Tracking, >16/44 WAV) > T.L.H. (FLAC 8, FFP) |
|
10/09/12
|
Peterson Events Center |
CDR/FLAC |
2 |
|
Taper: ninjadave
Mastering: ninjadave
Artwork: Cameraeye_34
Location: Floor GA, 25 Feet in front of Soundboard, DFC
Config: Audience stealth - Mics mounted up high
Source: Milab VM-44 Link Cardioids [pair] ~> Marantz PMD661 (Oade CM) [Mic in ~ P48 ~ WAV 24bit/44.1kHz]
Conversion: Audience Digital Master ~> PC ~> Audio Editing ~> Dither to 16bit ~> CDwav for Tracking ~> FLAC |
|
10/11/12
|
United Center |
CDR/FLAC |
2 |
|
Taper: Alzeppelin
Location: Section 204 Club Level
Gear: Coresound CSB Mics > Bass Roll-off box > Tascam DR-2D 16/44
Transfer: Tascam DR-2D > USB > Cooledit Pro (EQ and Normalize levels) >
CDWav > Traders Little Helper FLAC Level 8 |
|
10/14/12
|
Tulsa Convention Center |
CDR/FLAC |
2 |
|
Source: Schoeps MK4 / CMR > Naiant Tinybox > Sony PCM-M10 @ 48 kHz / 24-bit
Lineage: 48/24 WAV > Audacity 2.0.0 (split tracks, resample to 44.1 kHz, dither to 16-bit) > Traders Little Helper (convert to flac - level 8) |
|
10/17/12
|
Hollywood Bowl |
CDR/FLAC |
2 |
|
Source info:
AT853 hypers(4.7k mod)>CA-9100>Sony PCM-M10(24/96)>Adobe Audition 3(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac
Taper: David Sell(Falconidave)
Location: Section G2 |
|
10/20/12
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: Section 102 Center-Nice recording
Recorded By: ridemyllama |
|
10/21/12
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
|
|
10/25/12
|
Tuscaloosa Amphitheater |
CDR/FLAC |
2 |
|
Location: second row stage left of center
Source - Edirol R-09 (WAV 16 bit - 44 KHz) -> Audacity for editing -> Flac |
|
11/10/12
|
Key Arena |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: immersed in right stack
Recorded By: ridemyllama |
|
11/11/12
|
Rogers Centre |
CDR/FLAC |
2 |
|
Taper: LeifH
Source: CSBs (filter) > Sony WM D6C (Dolby B) > Maxell MX 110 (x2)
Transfer: Master cassettes > Modified Sony TC-WE475 (Dolby off; azimuth adjusted) > H/K 3500 > Creative X-Fi Soundblaster > Wavepad Master's Edition @ 48000kHz (edits, tracking, downsample to 16/44.1) > flac (8) via Frontend |
|
11/13/12
|
Scotiabank Saddledome |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 4.5 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: left stack
Recorded By: ridemyllama |
|
11/14/12
|
Credit Union Centre |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: immersed in right stack
Recorded By: ridemyllama |
|
11/16/12
|
MTS Centre |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: right stack |
|
11/19/12
|
Air Canada Centre |
CDR/FLAC |
2 |
|
Source:
SP-CMC-8 (Cards) > R-05 > 24-96 > Soundforge 10 > 16-44 > Cdwav >
Flac 8.
Recorded & Edited by BurnBoy |
|
11/20/12
|
Memorial Auditorium |
CDR/FLAC |
2 |
|
Memorial Auditorium, Kitchener, ON - Audience(Master)
Source: SP-CMC2's-> Edirol R-09 (24/48 bit)-> Digital Performer-> (16/44.1 bit)-> xACT-> FLAC 8
Recorded: Section Red 6
Taper: SHEFF |
|
11/24/12
|
Scotiabank Place |
CDR/FLAC |
2 |
|
source 1: SP-CMC-4U >CA STC-9000 Pre-Amp >Edirol R-09 at 16/44.1 >USB >Sonic Foundry 16 bit/41.1>Sonic Foundry edit> FlacFrontend
source 2: (encore) mic: ECM-719 > Sony MZ-RH10 > Sony 1GB HD MD >USB > SonicStage > WAV >Sonic Foundry edit > shntool > FLAC |
|
11/26/12
|
TD Garden |
CDR/FLAC |
2 |
|
Recorded and transferred by musicjaime
Club Seats stage left close to stage
Sony ECM907 stereo mic -> Edirol R09 -> Sound Forge (normalized) -> FLAC |
|
11/27/12
|
Madison Square Garden |
CDR/FLAC |
2 |
|
Lineage: Stealth recorded and minimally produced by mrsaureus, standing center floor thirty feet back from the stage. Core-Sound High End Binaurals (DPA-4060 capsules) to Sony PCM-M10 (48 kHZ, 24 bit), WavePad Sound Editor to chop and FLAC only. |
|
11/29/12
|
Wells Fargo Center |
CDR/FLAC |
2 |
|
source : schoeps mk-4 > actives > naiant tinybox > sony pcm-m10 > 24/96 wav >
adobe audition > ozone 5 > korg aqua > xACT 2.20 > flac 15
taper : edtyre
location : floor - 30 feet from right side stac |
|
11/30/12
|
Patriot Center |
CDR/FLAC |
2 |
|
Recorded full econo-mode, straight to Edirol R-09's built in mics. Copied from SD card to Mac and cut into tracks exported to FLAC with Amadeus Pro. Fingerprints created with xACT; Torrent file ands upload facilitated with Transmit. Recorded from the floor, off left by Neil's piano maybe 25-30 ft back, in line with the left flying PA stack. |
|
12/03/12
|
Barclays Center |
CDR/FLAC |
2 |
|
Zoom H2 (onboard mics), Goldwave for EQ and volume tweaks |
|
12/04/12
|
Webster Bank Arena |
CDR/FLAC |
2 |
|
Source: Schoeps MK4's->Zoom H2
Transfer:Cd Wave Editor->TLH |
|
12/06/12
|
Borgata Hotel Casino & Spa |
CDR/FLAC |
2 |
|
source : schoeps mk-4 > actives > nbox+ > sony pcm-m10 > 24/96 wav >
adobe audition > ozone 5 > korg aqua > xACT 2.20 > flac 16
taper : edtyre
location : vip ga - 15 feet from left stack |
|
03/02/13
|
Perth Arena |
CDR/FLAC |
2 |
|
lineage: Church Audio CA-11 > CA Ugly pre-amp > Sony M10 > 24bit/96Khz WAV > Audacity (editing) > FLAC
notes:
- taped by Stringman
- edited by rdvdijk |
|
03/05/13
|
Adelaide Entertainment Centre |
CDR/FLAC |
2 |
|
lineage: Church Audio CA-11 > CA Ugly pre-amp > Sony M10 > 24bit/96kHz WAV > Audacity (editing) > FLAC |
|
03/07/13
|
Entertainment Centre |
CDR/FLAC |
2 |
|
lineage: Church Audio CA-11 > CA Ugly pre-amp > Sony M10 > 24bit/96kHz WAV > Audacity (editing) > FLAC
notes:
- taped by Stringman
- edited by rdvdijk
- Stringman had some problems with his cables during recording. This is
noticable at the start of both Love And Only Love and Powderfinger, and
during Roll Another Number. There are some crackles and moments on mono
sound.
- The sound overall is very good.
- This is the 16-bit version |
|
03/10/13
|
Sydney Entertainment Centre |
CDR/FLAC |
2 |
|
ZOOM H2 > AUDACITY >CDWAV >FLAC>YOU
philandjenny recordings no.14
Recorded on the floor, dead centre,
about 30 m from the stage |
|
03/13/13
|
The Plenary |
CDR/FLAC |
3 |
|
Track Info: The Plenary, Melbourne, VIC, Australia
Source Info: AUD>LPCM>WAV>FLAC [2x Countryman B3s > Tinybox > Sony PCM-M10]
Mastering: Adobe Audition Amplify (~20 main set -25 DB acoustic set), track split and down sample to 16 bit 44khz
Taper: Roman79 ~ 40m LOC (seated)
Sound Rating: B+
Length: 172:07
Sound Comments/Faults?: Good quality, some echo on the vocals but not overly distant, audience noise is negligible. However low recording level caused by taper error has generated background hiss which is quite significant on the solo acoustic section. |
|
03/15/13
|
Rod Laver Arena |
CDR/FLAC |
2 |
|
Location: Floor (Standing), on the Rail, two Rusties to the right of dead centre, staring into the eyes of the Horse...
Sound Quality: PDG...Pretty Darn Good considering the position.
Lineage:
> Church Audio STC-11 cardoid mics
> Church Audio ST-9100 preamp
> Edirol R-09 (Line In / WAV, 48000 Hz, 24 bit / Input Level: 15 /
AGC: Off / Ext Mic Type: Stereo / Low Cut: Off / Mic Gain: Off)
> 16GB SanDisk SDHC Card
> USB > iMac
> Audacity 1.3.13 ( fades, tracksplits, labels, tags)
> WAV, 44100 Hz, 16 bit, stereo
> xACT 1.71 (Fixed SBE’s)
> FLAC (Level 8)
> Verified & created Fingerprint |
|
03/16/13
|
Hill Winery |
CDR/FLAC |
2 |
|
Lineage
Edirol R-09HR internal mics
>Cool Edit Pro 2.0 >Traders Little Helper |
|
03/19/13
|
TSB Bank Arena |
CDR/FLAC |
2 |
|
Incomplete; AT-853 (cardioid caps) -> SPSB-11 - > Sony PCM-M10 (24/48) -> Audition (fades / amplify / 90Hz HPF / convert sample rate) -> CDWAVE (tracking) -> TLH (flac) |
|
03/21/13
|
Vector Arena |
CDR/FLAC |
2 |
|
Recorded with a Tascam DR2D with internal mics.
Taper: Bernard Shakey |
|
06/02/13
|
Waldbuhne |
CDR/FLAC |
2 |
|
DAUD master, downsampled to 16 Bit/44.1 kHz; audience > recording gear > transfer > editing gear > TLH > FLAC |
|
06/03/13
|
02 World Arena |
CDR/FLAC |
2 |
|
Lineage: Sony ECM-121 => iRiver H340 (ROCKboxed) => USB => SoundBlaster X-Fi => Adobe Audition 3.0 => FlacFrontend (level 6 - Align on sector boundaries)
Recording position: 15 meters from the stage, center. |
|
06/05/13
|
Ziggo Dome |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some nearby clapping has been faded, BBE Maximizer
Recording & editing: Young Dutch Master
Sound is excellent.
Recorded, under the left speaker stack |
|
06/06/13
|
Palais Omnisports de Paris |
CDR/FLAC |
2 |
|
Lineage: MM-BSM-6 > CA-9100 > Edirol R-09 > HD (via USB) > Sony SoundForge 7.0 > CD Wave (FLAC plugin - level 6) |
|
06/08/13
|
Vorst Nationaal |
CDR/FLAC |
2 |
|
Source: DPA SMK 4060 > DPA MMA 6000 > Sony PCM-M10
Mastering: Soundforge (Near Clap Killing/EQ/Compression//Fade In-Out/Track Splits/Resampling 96kHz-24b to 44.1kHz-16b) > TLH > Flac |
|
06/10/13
|
Metroradio Arena |
CDR/FLAC |
2 |
|
Source: Schoeps MK41 > Nbox+ > Edirol R-09
Location: On the rail, dead centre, right in front of Neil's mic stand
Transfer:
USB > Adode Audition: Slight eq(HP filter), Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz
conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
Taped and transfered by tbugsett |
|
06/11/13
|
LG Arena |
CDR/FLAC |
2 |
|
Source: Schoeps MK41 > Nbox+ > Edirol R-09
Location: Very close to the stage, dead centre
Transfer:
USB > Adode Audition: Slight eq(hp filter), Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
Taped and transfered by tbugsett
|
|
06/13/13
|
SECC |
CDR/FLAC |
2 |
|
Lineage :
ROLAND CS-10EM - EDIROL R09 4GB SD CARD TO AUDICITY 24 bit-16 bit-TLH-FLAC -YOU
A Digital Hobbit Recording 2013 |
|
06/15/13
|
RDS Arena |
CDR/FLAC |
2 |
|
CA14(omnis)>CA9200>Edirol RO9HR>Adobe audtion(levels etc)>tlh>flac8>you
DFC, about 40 meters from the stage. |
|
06/17/13
|
The O2 Arena |
CDR/FLAC |
2 |
|
Equipment: SP-CMC-25 mics > SP-SPSB-11 battery box (no bass roll-off) > Sony PCM-M10 > 16GB SanDisk MicroSDHC
Lineage: WAV (24-bit, 48 kHz) > Audacity v2.0.0 (edit; selective hard limit; transient peak reduction; normalise; amplify tracks 8-11 between +3 and +6 dB; fade in/out; tracking; resample to 16-bit, 44.1 kHz) > xACT v2.23 (fix SBEs) > FLAC level 8 (add tags, create checksums)
Taper: stepeanut |
|
07/11/13
|
Rockhal. |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones
Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
Editing: some nearby clapping has been faded, BBE Maximizer
Recording & editing: Young Dutch Master |
|
07/12/13
|
Lanxess-Arena |
CDR/FLAC |
2 |
|
minimax master-series #287
Master - Audience recording
Equipment: Zoom H4N - Sound professional microphones SP-CMC-8 -
SP-SPSB-8 Sound Professionals Mini Battery Module |
|
07/14/13
|
Piazza Grande |
CDR/FLAC |
2 |
|
Lineage: IRIVER H320+ Sony Ecm717mic>WAV>FLAC(LEVEL 8)
Taped and mastered by Oldgringo |
|
07/17/13
|
Les Arènes de Nîmes |
CDR/FLAC |
2 |
|
Sony MZ RH10 / Sony ECM - DS70p |
|
07/18/13
|
Big Festival, Stade Aguilera |
CDR/FLAC |
2 |
|
Source: audience (PH66)
Taping gear: SP-TBF2+SP-SPSB1+TASCAM DR07.
Lineage: TASCAM DR07>CEP>CDwave>Flac
Open air recording
position:about 25 meters facing left PA.
|
|
07/18/13
|
Big Festival, Stade Aguilera |
CDR/FLAC |
2 |
|
2 x AT 831 mics connected to 2 x AT 8531 power modules, to R05 (24/48).
Downsampled 16/44 wav tracks to PC, Audacity (volume, a bit of EQ, tracks), FLAC (TLH). |
|
07/20/13
|
Festival Vieilles Charrues |
CDR/FLAC |
2 |
|
ECM 719 + Olympus LS11 Auto level --> USB transfer --> Adobe Audition +6db --> Flac level 8
Just cut a technical problem on Stage between the track 2 and 3
And still +6db for A Singer without a Song |
|
07/22/13
|
Hanns-Martin-Schleyer-Halle |
CDR/FLAC |
2 |
|
Equipment: Zoom H4N - Sound professional microphones SP-CMC-8 -
SP-SPSB-8 Sound Professionals Mini Battery Module |
|
07/23/13
|
Paleo Festival |
CDR/FLAC |
2 |
|
source: Neumann KM140 > Naiant TinyBox > Sony PCM M10 > HarBal 2.3 (slight EQ)
taper: anonymous |
|
07/25/13
|
Piazza Napoleone |
CDR/FLAC |
2 |
|
lineage:
recorded about 10 meters from the stage, in front of Poncho
Edirol 09 internal mics -> Goldwave -> adjust levels -> Audacity Sonic Maximizer -> Track split -> TLH -> flac -> DIME
Taper GP |
|
07/26/13
|
Ippodromo le Capannelle |
CDR/FLAC |
2 |
|
Disclaimer:
This recording has some flaws and doesn't meet normal Llama standards. Since there is no recording of this show I'm putting it up for archival purposes.
If there was a taper rulebook I must have broken every rule. I decided to bail out of where I was standing after Love & Only Love because the crowd
around me was terrible. Powderfinger was ruined because I bailing during the song. That being said there there are some very nice sounding songs.
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: All over venue
Recorded By: ridemyllama |
|
08/05/13
|
Kaisaniemen Puisto |
CDR/FLAC |
2 |
|
Source: Edirol R-09 w/internal mics
Location: On the rail, right in front of Neil's upright piano.
Transfer:
USB > Adode Audition: Eq(hp filter), normalization, Waves L3 UltraMaximizer, fade out, 16bit/44.1kHz
conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
Taped and transfered by tbugsett |
|
08/07/13
|
Oslo Spektrum |
CDR/FLAC |
2 |
|
Source: Schoeps MK41 > Nbox+ > Edirol R-09
Location: About 5 meters from the stage, dead centre
Transfer:
USB > Adode Audition: Slight eq(hp filter), Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
Taped and transfered by tbugsett
|
|
01/06/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT; I am providing the highest quality file I have and these will convert back to 24/48 audio. |
|
01/06/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
Source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/44.1k (lower right)
Transfer: Pro Tools (cleanup) > 16bit/44.1k > xACT2.24 > flac(8)
Torrrented by: zuma11 |
|
01/07/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT; I am providing the highest quality file I have and these will convert back to 24/48 audio. |
|
01/07/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: Tier 2 right stack. |
|
01/09/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT;
I am providing the highest quality file I have and these will convert back to 24/48 audio. |
|
01/09/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: Row 20 Center |
|
01/10/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT; Torrent file ands upload facilitated with Transmit.
I am providing the highest quality file I have and these will convert back to 24/48 audio. |
|
01/10/14
|
Carnegie Hall |
CDR/FLAC |
2 |
|
Source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/44.1k (first tier, right)
Transfer: Pro Tools (cleanup) > 16bit/44.1k > xACT2.24 > flac(8) |
|
01/16/14
|
Centennial Concert Hall |
CDR/FLAC |
2 |
|
Source: CA-14(cards) > CA9100 > Zoom H4n 24/48
Transfer: SD > iZotopeRx (gain,ozone 4, resample,dither 16/44) >
CDWave(tracks) > Frontend (FLAC level 8) > TLH (ffp) > MD5Sum |
|
01/17/14
|
Conexus Arts Centre |
CDR/FLAC |
2 |
|
Source: Zoom H4n > WAV > CD WAVE (tracked) > WAV > FLAC |
|
03/29/14
|
Dolby Theatre |
CDR/FLAC |
2 |
|
Source info:
AT853 sub-cards>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac
Taper: David Sell
Location: Mez 1, row F
Sound Quality: Very Good |
|
03/30/14
|
Dolby Theatre |
CDR/FLAC |
2 |
|
Source info:
AT853 sub-cards(3-wire)>Naiant Tinybox>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac
Taper: David Sell
Location: Mez 1, row E
Sound Quality: Excellent+ |
|
04/01/14
|
Dolby Theatre |
CDR/FLAC |
2 |
|
Source: Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44.1
Location: PAR Center, Row F
Transfer: M10 > usb > MacBook Pro > Adobe Audition > Izotope Ozone 5 > WavePad > xACT > FLAC
Taper: BLG |
|
04/02/14
|
Dolby Theatre |
CDR/FLAC |
2 |
|
Source: Schoeps CCM4s > Tinybox > Sony PCM-M10 16/44
Mastering (BLG): Adobe Audition > Izotope Ozone 5 > WavePad > xACT > FLAC |
|
04/17/14
|
Morton H. Meyerson Symphony Center |
CDR/FLAC |
2 |
|
Dress Circle F Row A seat 9>
CSB>EdirolR-09HR
a "time was just a joke" production |
|
04/21/14
|
Chicago Theater |
CDR/FLAC |
2 |
|
"It's a Beatnik Love Poetry Moment"
Recorded from Row NN, Sec 4R.
I attended the show and on a whim recorded it on my android smartphone.
This recording is single channel - monaural.
HTC Rezound Android Smartphone > EasyVoiceRecorder App > 16bit 44kHz Mono WAV > Audacity Peak Compressor > CD Wave > FLAC
Fully lossless. This recording captures Neil's performance quite well.
KLB-Moezer2112 |
|
07/07/14
|
Laugardalshöllin |
CDR/FLAC |
2 |
|
Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz)
Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.29 > flac(8)
Taper: SC
|
|
07/10/14
|
The Marquee |
CDR/FLAC |
2 |
|
Source: Schoeps MK41 > Nbox+ > Edirol R-09
Location: One row from the rail, to the left. Right in front of one of the filler speakers on stage.
Transfer:
USB > Adode Audition: Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
Taped, transfered and torrented by tbugsett |
|
07/12/14
|
Hyde Park |
CDR/FLAC |
2 |
|
Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz)
Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.29 > flac(8)
Taper: SC |
|
07/13/14
|
Echo Arena |
CDR/FLAC |
2 |
|
Source: Schoeps MK41 > Nbox+ > Edirol R-09 (24bit/48kHz)
Location: FOB, dead centre. About 10 meters/yards from the stage.
Transfer:
USB > Adode Audition: Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion (dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8) |
|
07/20/14
|
Münsterplatz |
CDR/FLAC |
2 |
|
Source: Master Aud with Sony M10 + CA14
Linage: CA14--> Battery Box CA --> Sony M10 --> Adobe Auditon (fade, normalize)--> CD Wave --> Traders little helper |
|
07/21/14
|
Collisioni Festival |
CDR/FLAC |
2 |
|
Audience recording
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave
taper: romeo |
|
07/23/14
|
Stadthalle |
CDR/FLAC |
2 |
|
AUD Master Recording
Sony ECM-719 --> Sony Hi-MD MZ-RH1 --> Sonic Stage --> HD --> tracked and flaced in CD Wave
Recorded by elric66 |
|
07/25/14
|
Warsteiner HockeyPark |
CDR/FLAC |
2 |
|
Recording: SP - CMC-8 microphones + Roland Edirol R-09
NY show nr. 99. Recorded by the Young Dutch Master
Recorded from the rail: in front some 5 meters left of the center. sound from the speakers at the front of the stage.
Lineage: Edirol > USB > harddisk.
Red Roaster + Soundforge 4.5 + using the Maximizer process.
(6db volume boost on acoustic songs)
No further editing as fade in and fade outs.
Traders Little Helper Wav > flac. |
|
07/26/14
|
Filmnächte am Elbufer |
CDR/FLAC |
2 |
|
Taper: TOM MOORE
Microphones: dpa 4061 + DAD4099
Recorder: M-Audio Microtrack II + APC Powerpack |
|
07/28/14
|
Zollhafen - Nordmole |
CDR/FLAC |
2 |
|
Recording & editing: Zuma66
Recorded center left 3th row
Lineage: Edirol R09-HR > core sound binaural + battery box
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3
Cd wave > Traders Little Helper level 8 |
|
07/30/14
|
Forum København |
CDR/FLAC |
2 |
|
dpa4061>st9100>m10>wav>waves l2>flac |
|
08/01/14
|
Bergenhus Festning - Koengen |
CDR/FLAC |
2 |
|
Source: Schoeps MK4 > Nbox+ > Edirol R-09 (24bit/48kHz)
Location: Leaning over the rail, to the left.
Transfer:
USB > Adode Audition: Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion (dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
Taped by tbugsett |
|
08/03/14
|
Skeppsholmen |
CDR/FLAC |
2 |
|
48V phantom-powered mic preamps>T-shaped stereo electret microphone
Microtrack II>HdFlac |
|
08/05/14
|
Festivalterrein aan de Grote Kaai 'Lokerse Feesten |
CDR/FLAC |
2 |
|
Recording: SP - CMC-8 microphones + Roland Edirol R-09
NY show nr. 101. Recorded by the Young Dutch Master
Recorded from approx. 10m. in front of the left speaker stack.
Lineage: Edirol > USB > harddisk.
Red Roaster + Soundforge 4.5 + using the Maximizer process.
(6db volume boost on acoustic songs)
Deletion of a lot of nearby clapping
fade in and fade outs.
Traders Little Helper Wav > flac.
|
|
08/07/14
|
Salle des Etoiles |
CDR/FLAC |
2 |
|
Lineage:
Soundman OKM II Studio Rock (Without adapter) > Edirol R-09HR (mic-in) Wav-16bit - 44.1 KHZ
(input level at the beginning: 53, progressively decreased to 48),
limiter off, low cut off, mic gain: high, plug-in power: on) > PC > track separation
with Nero WaveEditor version 12 > SBEs fixed with TLH > flac(8) with TLH
Recorded from row 4, center/slightly to the right (standing)
|
|
08/08/14
|
Theatre de plein air |
CDR/FLAC |
2 |
|
a hanwaker audience recording
left side 10 m in front of stack
dpa4061 -> edirol09
some level corrections in audacity |
|
04/16/15
|
SLO Brewing Company |
CDR/FLAC |
2 |
|
Source: Zoom H1 w/internal mics (16/44.1) > CD Trade
Transfer Lineage:
CD-R > Soundforge 9.0 > WAV > TLH (Sector Boundary aligned) Flac level 6
Balanced, Edited and Tracked by kingrue upload 463 |
|
07/05/15
|
Marcus Amphitheatre |
CDR/FLAC |
2 |
|
Recording & editing: zuma66
Recorded row DD seat 22 right of stage
Lineage: Edirol R09-HR > core sound binaural + battery box
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3
Cd wave > Traders Little Helper level 8 |
|
07/08/15
|
Red Rocks Amphitheatre |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) - MONO
Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8)
Recorded By: ridemyllama
(Transferred by: zuma11)
Note: This is a mono recording. There was a problem with one of the channels during the
recording, so this is just one channel duplicated into both channels. |
|
07/09/15
|
Red Rocks Amphitheatre |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-09 (16bit/44.1 Khz)
Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8)
Transferred by: zuma11
Recorded By: ridemyllama |
|
07/11/15
|
Pinnacle Bank Arena |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8)
Recorded By: ridemyllama
(Transferred by: zuma11) |
|
07/13/15
|
Riverbend Music Center |
CDR/FLAC |
2 |
|
Source: Sound Professionals CMC-08s->SP-SB10 (no bass roll-off)->Roland R05->
CoolEditPro->CD Wave->TLH
Taper: ironchef |
|
07/14/15
|
DTE Energy Music Theatre |
CDR/FLAC |
2 |
|
Recording & editing: zuma66
Recorded row O seat 5 left of stage
Lineage: Edirol R09-HR > core sound binaural + battery box
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3
Cd wave > Traders Little Helper level 8 |
|
07/17/15
|
Bethel Woods Center For The Arts |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8)
Recorded By: ridemyllama
(Transferred by: zuma11) |
|
07/19/15
|
Champlain Valley Exposition |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8)
Recorded By: ridemyllama
(Transferred by: zuma11) |
|
07/21/15
|
Nikon at Jones Beach Theater |
CDR/FLAC |
3 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8)
Recorded By: ridemyllama
(Transferred by: zuma11) |
|
10/04/15
|
WaMu Theater |
CDR/FLAC |
3 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama |
|
10/05/15
|
Rogers Arena |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama |
|
10/07/15
|
Chiles Center |
CDR/FLAC |
3 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama |
|
10/08/15
|
Matthew Knight Arena |
CDR/FLAC |
3 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama |
|
10/10/15
|
Santa Barbara Bowl |
CDR/FLAC |
3 |
|
Source info:
AT943 cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac
Taper: David Sell
Location: GA Floor DFC 60' from stage
Sound Quality: Excellent |
|
10/11/15
|
The Chelsea at The Cosmopolitan of Las Vegas |
CDR/FLAC |
3 |
|
Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz)
Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8)
Taper: AM
Transfer: zuma11 |
|
10/13/15
|
RIMAC Arena - U. of California San Diego |
CDR/FLAC |
3 |
|
Source: DPA 4060’s > CSBox > Sony PCM-M10 24/48
Mastering (BLG): Adobe Audition > iZotope Ozone 5 > MBIT+ > WavePad > xACT > FLAC
Taper: MH
|
|
10/14/15
|
The Forum |
CDR/FLAC |
3 |
|
Source info:
AT853 sub-cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, track, resample/dither to 16/44.1)>TLH>Flac(8)
Taper: David Sell (Falconidave)
Location: GA Pit, right of center
Sound Quality: Excellent |
|
10/17/15
|
Greek Theatre - University of California |
CDR/FLAC |
3 |
|
Source: Schoeps CCM4’s > Tinybox > Sony PCM-M10 16/44.1
Mastering (BLG): Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC |
|
10/24/15
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05
Transfer: SD/USB > Soundforge 10.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: Section 102
Recorded By: ridemyllama |
|
10/25/15
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05
Transfer: SD/USB > Soundforge 10.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac
Location: Section 102
Recorded By: ridemyllama |
|
??/??/15
|
Compilation |
CDR/FLAC |
6 |
|
DISC ONE
After The Goldrush 10.13 LA JOLLA
Comes A Time 10.05 VANCOUVER
Heart Of Gold 10.13 LA JOLLA
Long May You Run 10.11 LAS VEGAS
My My Hey Hey 10.13 LA JOLLA
Old Man 10.17 BERKELEY
Helpless 10.17 BERKELEY
Mother Earth 10.13 LA JOLLA
Hold Back The Tears 10.13 LA JOLLA
Out On The Weekend 10.11 LAS VEGAS
Human Highway 10.08 EUGENE
Here We Are In The Years 10.04 SEATTLE
Unknown legend 10.17 BERKELEY
From Hank To Hendrix 10.13 LA JOLLA
Field Of Opportunity 7.09 MORRISON
Peace Of Mind 7.09 MORRISON
DISC TWO
Lookin’ For A Love 7.21 WANTAUGH
Only Love Can Break Your Heart 10.11 LAS VEGAS
Flying On The Ground Is Wrong 7.11 LINCOLN
Harvest Moon 10.13 LA JOLLA
Wolf Moon 10.13 LA JOLLA
Moonlight In Vermont 7.19 ESSEX JUNCTION
September Song 10.13 LA JOLLA
Western Hero 10.07 PORTLAND
Bad Fog Of Loneliness 7.11 LINCOLN
Words 10.13 LA JOLLA
Are You Ready For The Country? 10.17 BERKELEY
Alabama 10.17 BERKELEY
Southern Man 10.07 PORTLAND
Burned 10.11 LAS VEGAS
Winterlong 10.05 VANCOUVER
DISC THREE
Time Fades Away 10.1 SANTA BARBARA
L.A. 10.14 INGLEWOOD
Don’t Be Denied 7.14 CLARKSTON
Walk On 10.08 EUGENE
The Loner 10.11 LAS VEGAS
Mr. Soul 10.17 BERKELEY
Cinnamon Girl 7.13 CINCINNATI
Everybody Knows This Is Nowhere 10.17 BERKELEY
Down By The River 10.13 LA JOLLA
DISC FOUR
Cowgirl In The Sand 10.11 LAS VEGAS
Cortez The Killer 7.21 WANTAUGH
Powderfinger 10.11 LAS VEGAS
Mansion On The Hill 10.14 INGLEWOOD
White Line 7.08 MORRISON
Country Home 10.05 VANCOUVER
Fuckin’ Up 10.07 PORTLAND
DISC FIVE
A New Day For Love 7.21 WANTAUGH
People Want To Hear About Love 10.17 BERKELEY
Big Box 7.11 LINCOLN
A Rock Star Bucks A Coffee Shop 10.17 BERKELEY
Monsanto Years 10.11 LAS VEGAS
Workin’ Man/CA Seed Law 10.13 LA JOLLA
I Won’t Quit 10.13 LA JOLLA
If I Don’t Know 7.09 MORRISON
Rules Of Change 10.17 BERKELEY
DISC SIX
Ohio 7.13 CINCINNATI
Love And Only Love 10.07 PORTLAND
Double E 7.05 MILWAUKEE
Hippie Dream 7.11 LINCOLN
Roll Another Number 7.17 BETHEL
Vampire Blues 10.14 INGLEWOOD
|
|
04/26/16
|
Whitewater Amphitheatre |
CDR/FLAC |
2 |
|
Audience->Schoeps MK4-Tinybox-Sony PCM-M10-cdwav->Traders Little Helper->mp3tag for tagging->recorded by seedy |
|
04/28/16
|
Ascend Amphitheatre |
CDR/FLAC |
2 |
|
Recorded with Roland Edirol R-09
using SP-CMC-8 mics with STC-9000 Preamp.
Track separation with CDWave.
Recorded from front center of lawn. |
|
04/29/16
|
Tom Lee Park |
CDR/FLAC |
2 |
|
Source: Sonic Studios DSM-6P w/3-way lo-cut filter > Tascam DR-2d (-6 dB copy) @ 16 bit/44.1 kHz
Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) (minor edits, normalize, & fades) > CDWav (tracking) > Trader's Little Helper (level 5) >
FLAC > TagScanner 5.1 (tagging)
Location: FAR from the stage, by "electrical box 5", at least 150-200 yards from the stage
Recorded by: Steve "ballsdeep" Hagar
Mastered by: Dennis Orr
|
|
06/05/16
|
SSE Hydro |
CDR/FLAC |
3 |
|
Location: GA, Directly FOB, DFC, 20m from stage.
Source: Schoeps mk4 > Nbob Actives > TinyBox2.5 w/output transformers(+18db) >
DarkTrain Cable > Sony M10(Lin-in@+5) @ 24bit/48khz WAV > SD Card
Transfer: WAV > Adobe Audition (limit aud noise, BBE Sonic
Maximiser, Normalise to -1db, Fades, track markers, export to flac) >
Tagging, Embedded Art-Foobar Live Show Tagger > TLH (Checksum)
A Mayhem Inc. Recording. |
|
06/07/16
|
The SSE Arena |
CDR/FLAC |
3 |
|
Source:
Schoeps MK41 > Nbox+ > Roland R-05 (24bit/48kHz)
Location: Close to the rail, dead centre.
Transfer:
USB > Adode Audition (cleanup) > 16bit/44.1k w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
|
|
06/08/16
|
3Arena |
CDR/FLAC |
2 |
|
Recorded by zuma66
1st row dead center
Lineage: Roland R-05 > core sound binaural + battery box
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3 >
Track Split whit CD Wave Editor
Traders Little Helper level 8
Recording & editing: Zuma66
|
|
06/10/16
|
First Direct Arena |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40
Recorded By: ridemyllama |
|
06/11/16
|
O2 Arena |
CDR/FLAC |
2 |
|
Recording: SP - CMC-8 microphones + Roland Edirol R-09
Recorded by the Young Dutch Master
Recorded : left site of stage near paino from 4th row (standing) near speaker on front of stage + main speakers.
Lineage: Edirol > USB > harddisk.
Red Roaster + Soundforge 4.5 + using the Maximizer process.
(3db volume boost overall on acoustic songs)
No further editing as fade in and fade outs.
Traders Little Helper Wav > flac.
|
|
06/13/16
|
Le Zenith |
CDR/FLAC |
2 |
|
Lineage: Edirol R-09 + Sound Proffesional SP-CMC-8 Mics.
Editing with Adobe Audition. Encoded to flac level 8, with align on sector boundaries
|
|
06/15/16
|
Halle Tony Garnier |
CDR/FLAC |
3 |
|
Recorded by zuma66
2nd row left center
Lineage: Roland R-05 > core sound binaural + battery box
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3 >
Track Split whit CD Wave Editor
Traders Little Helper level 8
Recording & editing: Zuma66 |
|
06/16/16
|
Le Dome |
CDR/FLAC |
3 |
|
Recorded from the seats, 6th row, on the right facing stage using :
"Soundman OKM II Studio Rock" microphones (actually including Sennheiser capsules) and Roland Edirol 09 recorder (level 41 throughout).
Original raw files-Audacity (clicks removing, eq, volume, tracks, FLAC export)-md5with TLH.
As the raw sound was a bit bassy, i did some separate adjustments on each channel and also settings on the volume of the songs.
|
|
06/18/16
|
La Caja Magica |
CDR/FLAC |
3 |
|
Audience Recording: Sony MD NZ-M707 + Sony stereo microphone ECM-717
Location: center of the rail, firts row, several meters Neil
Transfer: MD > Audacity > PC (analog)
Process: Audacity (just cut tracks) > Flac > Torrent
Taper: Bossano
|
|
06/20/16
|
Poble Espanyol |
CDR/FLAC |
3 |
|
RECORDING.AUD MASTER REC.
LOCATION:5-8 METERS BETWEEN MIXIN DESK LEFT SIDE ON STAGE.I'M MOVED TWO TIMES SOME METERS CAUSE PEOPLE TALK AND SMOKE.
EQUIPEMENT:EDIROL R-09HR WITH EXTERNAL SONIC STUDIOS MICROPHONE
LINAGE:master WAV>PC>audacity>cd wave edt.>TLH>FLAC(8)
|
|
06/21/16
|
Le Zenith |
CDR/FLAC |
3 |
|
Recorded from the seats, 4th row, just above the standing section, facing right stacks with :
2 x DPA 4099 supercard mics - DAD6001 - Zoom H5 (48/24), phantom on.
Downsampled 44/16 wav to PC, Audacity (tracks, volume, just a bit of eq), FLAC 8 (TLH).
|
|
06/23/16
|
AccorHotels Arena |
CDR/FLAC |
3 |
|
SOURCE
------
AT853 > SP Preamp > Olympus LS-10
GENERATION
----------
.WAV[16/44.1kHz] > .FLAC [16/44.1kHz]
TRANSFER
--------
USB > iZotope RX 4 > CD Wave Editor 1.98 > Trader's Little Helper 2.7.0
|
|
06/24/16
|
Sportpaleis |
CDR/FLAC |
3 |
|
Recording: SP - CMC-8 microphones + Roland Edirol R-09
Recorded by the Young Dutch Master
Recorded : left site of the stage near piano, on the rail, sound from the stage speaker in front of us.
Lineage: Edirol > USB > harddisk.
Red Roaster + Soundforge 4.5 + using the Maximizer process.
(3 db volume boost overall + 6db boost on acoustic songs ( 1-6) )
Some clapping removedfade in and fade outs.
Traders Little Helper Wav > flac. |
|
07/03/16
|
Hartwall Arena |
CDR/FLAC |
3 |
|
Lineage: audience recording (unknown digital master)
Transfer: unknown editing > wav files (16/44.1) > ProTools (bass reduction) >
xACT2.38 > flac(8)
Recorded By: TomA |
|
07/05/16
|
Dalhalla |
CDR/FLAC |
3 |
|
Source: Schoeps MK4 > Nbox+ > Roland R-05 (24/48)
Transfer: USB > Adobe Auduition (cleanup) > dithering to 16bit w/ Ozone Mbit+ > CDWave (tracking) > flac
Location: On the rail. Sound from the stage monitor right in front of the mics.
Recording, transfer & upload by tbugsett
|
|
07/07/16
|
Stavernfestivalen |
CDR/FLAC |
3 |
|
Source: Schoeps MK4 > Nbox+ > Roland R-05 (24/48)
Transfer: USB > Adobe Auduition (cleanup) > dithering to 16bit w/ Ozone Mbit+ > CDWave (tracking) > flac
Location: On the rail. Sound from the stage monitor right in front of the mics.
Recording, transfer & upload by tbugsett |
|
07/09/16
|
Ziggo Dome |
CDR/FLAC |
3 |
|
Recording: SP - CMC-8 microphones + Roland Edirol R-09
Recorded by the Young Dutch Master
Recorded : left site of the stage near piano, sound from the stage speaker in front of us.
Lineage: Edirol > USB > harddisk.
Red Roaster + Soundforge 4.5 + using the Maximizer process.
(3 db volume boost overall + 6db boost on acoustic songs ( 1-6) )
Some clapping removed and a yeller removed in between songs.
Some speaking around us can be heard, hardly during the songs.
fade in and fade outs.
Traders Little Helper Wav > flac.
|
|
07/12/16
|
Auditorium Stravinski |
CDR/FLAC |
3 |
|
Source: Schoeps CCM4 > Aerco > Edirol R-09 at 16bit/44.1k
Transfer: Pro Tools (cleanup) > 16bit/44.1k > xACT2.28 > flac(8)
|
|
07/13/16
|
Anfiteatro Camerini |
CDR/FLAC |
3 |
|
Recorded by zuma66
at the rail in front of Lucas Nelson
Lineage: Roland R-05 > core sound binaural + battery box
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3 >
Track Split whit CD Wave Editor
Traders Little Helper level 8 |
|
07/15/16
|
Teatro delle Terme di Caracalla |
CDR/FLAC |
3 |
|
Recorded by zuma66
at the rail in front of Lucas Nelson
Lineage: Roland R-05 > core sound binaural + battery box
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3 >
Track Split whit CD Wave Editor
Traders Little Helper level 8
Recording & editing: Zuma66
|
|
07/16/16
|
Piazza Napoleone |
CDR/FLAC |
3 |
|
Recording: SP - CMC-8 microphones + Roland Edirol R-09
Recorded by the Young Dutch Master
Recorded : from the seats near the statue
Lineage: soundcard > harddisk.
Red Roaster + Soundforge 4.5 + using the Maximizer process.
(3 db volume boost overall + 6db boost on acoustic songs ( 1-5) )
Traders Little Helper Wav (level 8)> flac. |
|
07/18/16
|
Estathe Market Sound |
CDR/FLAC |
3 |
|
Audience recording
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave
taper: romeo |
|
07/20/16
|
Völkerschlachtdenkmal |
CDR/FLAC |
3 |
|
recorder: Roland R-05
microphone: Sony ECM-TS125
running time: 185 minutes
recorded by Ronny |
|
07/21/16
|
Waldbühne |
CDR/FLAC |
3 |
|
This recording sounds awesome, a must have for the Neil Young collector!
No audience in between the microphones and the sound sources.
Crystal Clear recording.
Recording: SP - CMC-8 microphones ( AT943) + Roland Edirol R-09
Recorded by the Young Dutch Master
Recorded : from the rail in front of speakers left side of the stage
Lineage: soundcard > harddisk.
Red Roaster + Soundforge 4.5 + using the Maximizer process.
(6 db volume boost on acoustic songs / 4db on all other songs)
Traders Little Helper Wav (level 8)> flac. |
|
07/23/16
|
Burg Clam |
CDR/FLAC |
3 |
|
Lineage: Roland R-05
CompactFlash card reader >
PC > WAV editing with goldwave > Audacity 1.3 >
Track Split whit CD Wave Editor
Traders Little Helper level 8
Recording & editing: Zuma66
|
|
09/18/16
|
The Pavilion at Montage Mountain |
CDR/FLAC |
2 |
|
source : schoeps mk6 (c) > actives > nbox platinum > 24/44.1 wav
adobe audition > ozone 5 > xACT 2.38> flac 16
taper : edtyre
location : 10th row dfc
|
|
09/30/16
|
Town Park |
CDR/FLAC |
3 |
|
Source- Schoeps Mk41(dina)>kc5>cmc6>Oade warm mod PMD661 @24/48
Location- FOB, 80 feet from stage, FOHMS (front of Human Mic Stand)
Processing- SD Card>PC>Audacity(downsampled to 16/44)>TLH(FLAC 8)
Recorded by a friend and processed by billydee (a Team Four Corners Production) |
|
10/01/16
|
Town Park |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama |
|
10/06/16
|
AVA Amphitheater |
CDR/FLAC |
3 |
|
Audience Recording
Recorded and transferred by panador
Equipment\lineage:
Sound Professionals SP-CMC-25 external mics (croakies mounted on eyeglasses) > Sound Professionals SP-SPSB-10 microphone power supply > Tascam DR-05 Recorder (wav) > PC > Cool Edit Pro 2.0 (editing) & CD Wave Editor (track splitting) > TLH flac level 8
Settings: Medium mic sensitivity (Medium Gain)
Notes:
Recorded from Row FF (22 rows back) not far from the aisle across from the middle section |
|
10/08/16
|
Empire Polo Club |
CDR/FLAC |
2 |
|
Audience Tape: A- (Festival, Crowd Noise)
Mikes: Schoeps mk4 > Actives > NBox Platinum>
Recorder: Sony M-10
Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8)
Location: Left Center
Recorded by Scooter123 |
|
10/12/16
|
FoxTheater |
CDR/FLAC |
2 |
|
Source: Schoeps CCM4 > Tinybox > Sony PCM-M10 16/44.1
Transfer: aiff > Pro Tools (minor cleanup and tracking) > xACT2.38 > flac(8) |
|
10/13/16
|
Fox Theater |
CDR/FLAC |
2 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama
|
|
10/15/16
|
Empire Polo Grounds |
CDR/FLAC |
2 |
|
Recorded by Daspyknows
Recorded from back wall of the Pit Dead Center
Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K
Processed using Soundforge 11, resample, to 16bit 44.1K
TLH to convert to Flac |
|
10/22/16
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama |
|
10/23/16
|
Shoreline Amphitheatre |
CDR/FLAC |
1 |
|
Recorded dead center 102. Sound is very good.
Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp)
Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8)
Transferred by: ridemyllama
Recorded By: ridemyllama |
Pink Floyd
--- Approximate Hours: 410
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
??/??/39
|
Saarlandehalle |
CDR/FLAC |
1 |
|
Wish You Were Here: Some great unreleased studio versions from 1975, before the release of Wish You Were Here.
1975-xx-xx Abbey Road Studios, London, England
Track 1: Studio version 1975 in one complete piece. Never previously issued in this format.
Track 2: Studio demo, 1975
Track 3: Studio demo, 1975
Animals: Previously unheard alternate studio versions from 1976.
1976-xx-xx Britannia Row Studios, London, England
Track 4: (different studio version)
Track 5: (different studio version)
Track 6: (different studio version |
|
11/13/67
|
Ahoy Hallen |
CDR/FLAC |
1 |
|
Lineage: 3rd Gen Cassette (Maxell XLII90)(Dolby On) > *Technics RS-B965-M (Dolby Off) > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz) ----> Adjustments (32bit float/96kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC (16bit/44kHz)
*The Technics RS-B965-M is a deck heavily modified by expert tapehead A.N.T.- for details see the Tapeheads.net forum
|
|
??/??/67
|
What Syd Wants (Harvested HRV CDR 032) |
CDR/FLAC |
2 |
|
"What Syd Wants"
Harvested Records (HRV CDR 032)
dat(master)>eac>flac |
|
03/27/69
|
St. James' Hall |
CDR/FLAC |
1 |
|
Sound Resounds Around |
|
04/14/69
|
Royal Festival Hall |
CDR/FLAC |
2 |
|
lineage:cass(m)>eac>flac |
|
05/09/69
|
University Of Southampton |
CDR/FLAC |
1 |
|
Source: Audience (Mono)
Generation: Master Reel > DAT (48Khz) > WAV (48Khz)
The owner of the master reels (Lord Snooty) kindly ran off a 48Khz DAT of this for the specific purpose of sharing the closest source to the master tapes as possible. The DAT was played back on a Tascam A60 MKII DAT deck and digitally fed into ProTools to create these 48Khz/16 bit wave files.
|
|
06/26/69
|
Royal Albert Hall |
CDR/FLAC |
2 |
|
master > 1st gen > DAT > CD-R > flac (files made with xACT 1.4b28) |
|
12/06/69
|
AFAN Lido Indoor Sports Centre |
CDR/FLAC |
1 |
|
source: audience / cass[2]>DAT[3]>cdr[1]
2nd gen tape |
|
01/18/70
|
Fairfield Hall |
CDR/FLAC |
2 |
|
AUDIENCE SECOND GENERATION>DAT(CLONE-2)>CDR>EAC>FLAC |
|
01/23/70
|
Theatre des Champs-Elysees |
CDR/FLAC |
2 |
|
The Godfatherecords - G.R. 867/868
Matrix Disc 1: G.R. 867 - 868 CD 1
Matrix Disc 2: G.R. 867 - 868 CD 2
(P) 2013 Made In Europe
lineage: silver cd>eac>flac
Trifold Cardboard Sleeve / Soundboard Source |
|
01/23/70
|
Theatre des Champs-Elysees |
CDR/FLAC |
2 |
|
Audience->Philips EL-3302->Master Cassette
->Nakamichi DR-1 (azimuth adj.)->Thomson/Hama Scenium KD4112 cable->Roland Edirol R-09HR
->WAV 96000Hz 24bits->Adobe Audition:
* Right Channel: +4dB
* Manual clicks removal
* Hiss Reduction (different on left and right channels)
* Volume (left: +9dB, right: +10dB)
* Conversion to 44100Hz 16bits
->split to CD WAV->FLAC->MP3Tag |
|
02/11/70
|
Town Hall |
CDR/FLAC |
2 |
|
“Atomic Heart Beat In The Hall” The Godfatherecords GR 786-787
Lineage:
silvers.
EAC (secure mode) > WAV (& spectrograms included)
Trader’s Little Helper > FLAC Level 08 |
|
03/13/70
|
Audimax der Technische U |
CDR/FLAC |
2 |
|
Lineage: Master Cassette > CDR(x) > EAC > WAV > FLAC |
|
04/29/70
|
Fillmore West |
CDR/FLAC |
2 |
|
Westworld (Sigma 4)
Lineage: sbd > eac > flac |
|
06/27/70
|
Bath & West Showground |
CDR/FLAC |
1 |
|
CD Reference:
Bath Festival 27.6.70, Bath Festival of Blues & Progressive Music
Wanna Take A Bath?, Bath, Animals Over Europe, Paris Fete de L'Humanite
LP Reference:
Lineage: cass (unknown) > cd > eac > flac |
|
07/18/70
|
Hyde Park |
CDR/FLAC |
1 |
|
'Atom Hyde Park'
Godfather Records (G.R.) 320
Silver CD > FLAC |
|
09/12/70
|
Fete de L'Humanite |
CDR/FLAC |
1 |
|
Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor and Adobeaudition-> TLH -> flac |
|
09/16/70
|
Paris Cinema |
CDR/FLAC |
1 |
|
FM Broadcasting > Technics SA-GX390 > SB Audigy > Sony Soundforge (44100 Hz, 16bit wave) > CD-wave editor > FLAC8 |
|
09/26/70
|
Electric Factory |
CDR/FLAC |
2 |
|
Reel to Reel > dat > hhb 850 > cdr > nero > wav > flac |
|
10/23/70
|
Santa Monica Civic Auditorium |
CDR/FLAC |
2 |
|
Lineage:
master 5" reels @ 7.5 ips (recorded by Dub Taylor) ->
gen1 7" reel @ 3.75 ips Revox B77 w/Dolby (copied by Mike Martin) ->
gen2 Maxell XLII in unknown cassette deck (copied by Rick Sheehy) ->
Nakamichi MR-1 (balanced) -> Apogee PSX-100SE at 24 bit 96KHz (by JFE)
Mastering in ProToolsHD2
Files are mono 24 bit, 96KHz FLAC (level 8 with internal checksum). Tags include lineage comment. (FYI: Computer media players and disc burning apps will automatically put a mono file in both stereo channels). |
|
11/07/70
|
De Doelen |
CDR/FLAC |
2 |
|
Cass(1)>DAT(5)>WAV>FLAC
Astronomy Domine through to The Enbryo was in 44.1 on my DAT and Green Is The Colour to the end of the recording was in 48 kHz. I transferred to 16 bit WAV using an Edirol UA-1D and Audacity @ 44.1 kHz, normalized, split the WAV into the individual tracks, then exported to FLAC.
|
|
11/12/70
|
Falkoner Centret |
CDR/FLAC |
2 |
|
Master to Dat Clone 2 to Cdr from the krw_co collection
Lineage Audience Master transferred to Dat/DAT Clone 2 Fiber Optic Transfer to CDR
CDR Clone To EAC Secure Mode to WAV 16/44.1 to TLH Flac Level 8
Gear Shure SM 57 Mics/Philips Cassette Deck |
|
11/12/70
|
Falkoner Centret |
CDR/FLAC |
2 |
|
RDWM & DGY-REM 2015 REVISION |
|
12/22/70
|
City Hall |
CDR/FLAC |
2 |
|
"A Final Breakfast at the Gates of Dawn"
It has been many years since the December 1970 Sheffield gig has been in circulation, collectors know of this tape since it contains the only know live version of Alan’s Psychedelic Breakfast. |
|
06/05/71
|
Berliner Sportpalast |
CDR/FLAC |
2 |
|
"Vierundzwanzig Teile Von Nichts"
Harvested CDR029
CDR>FLAC Level 8 Extraction w/Xact
Harvested Art Included
This is without doubt possibly the finest recording of the finest concert that Pink Floyd played in 1971, at least in the top 5. The ambience is perfect ("pin drop silence" during performance) |
|
06/26/71
|
Amsterdamse Bos |
CDR/FLAC |
1 |
|
Lineage: Maxell XLII-S 60 3rd gen cassette > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz)
*The Technics RS-B965-M is a modified deck |
|
08/06/71
|
Hakone Aphrodite |
CDR/FLAC |
2 |
|
Lineage:
Sony HF-370 1st Gen RtR > AKAI GX-635D > PC > CMC Magnetics CD-R > EAC V1.0 beta 3 > Adobe Audition 3.0 (restore to mono) > Trader's Little Helper > Flac
Tape Info:
Sony HF-370
7.5 ips (19.05 cm/s)
1st Generation Reel-to-reel
Duophonic Stereo
Recorded by T. Kuroshima
In 2015, an astonishing source has been discovered: A new recording of the first day of Hakone Aphrodite. Since there are already other three sources available, I name this "Recorder 4." It should be noted that unlike the other sources, "Echoes" is totally uncut and includes Roger's words "This is the new piece, it's called Echoes" at the beginning. Also, "Set The Controls For The Heart Of The Sun" is included for the first time ever.
The source, originally recorded in mono, was cut down to 60 minutes during the duplication and given to the original taper's cousin. Unfortunately, the edited copy was improperly mixed into fake stereo (Time delay one channel slightly), which caused the jumpiness in the audio. Though "Recorder 4" has already been released by a bootlegger under the title of "HAKONE APHRODITE 1971: MASTER RECORDING (Sigma 138)," here I release it again with my best restoration of the above problem. My remaster uses the same digital copy as that of the bootleg.
The box of the tape says "August 7th, 1971," but this date must be wrong because the taper of Recorder 3 including the same performance said he had attended only the first day of Hakone Aphrodite. In addition, according to the cousin of the taper of Recorder 4, he attended just one day, which means that "Set The Controls For The Heart Of The Sun" in this source is from the first day.
|
|
09/30/71
|
Paris Cinema |
CDR/FLAC |
1 |
|
"Meddled"
Harvested CDR 001 |
|
10/16/71
|
Civic Auditorium |
CDR/FLAC |
2 |
|
Lineage: Low gen TDK SA90 cassettes (1987-89) > Technics RS-565 > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz)
xACT used to create FFP
|
|
11/06/71
|
Emerson Gym |
CDR/SHN |
2 |
|
"For Reasons I Don't Understand"
Free Range Pigs (FRP CDR-022/23) |
|
11/10/71
|
Pavillon de la Jeunesse |
CDR/FLAC |
2 |
|
Lineage:
CD Silvers>EAC>WAV>TLH>FLAC>You
Taken from the Japanese CD Bootleg 'Labyrinths' on the Highland label (HL269/270).
|
|
11/12/71
|
Irvine Auditorium |
CDR/FLAC |
1 |
|
Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.5 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac |
|
11/20/71
|
Taft Auditorium |
CDR/FLAC |
2 |
|
Source 1: g_b_c, "Embryonic Madness" PinkRoioShn-CDR-026 (PRS-CDR-026)
Lineage: Recorder 1 / cass[M] > cdr(?) > shn > wav > Adobe Audition 1.5 (minor
editing) > cd wav (tracking) > TLH > flac
Source 2: Recorder 2
Lineage: Cass/1 > DAT/2 > cdr/? > EAC > wav > shn |
|
01/20/72
|
The Dome |
CDR/FLAC |
2 |
|
Original Lineage: A(0)->HiFi VHS->DAT(2)->SHN
New Lineage: A(0)->HiFi VHS->DAT(2)->SHN-->Wav->ACL11->Wav->Flac7
Considered best source for this date. This source ran slow and had an occasional tick/crackle that apparently is not unusual for HI-FI VHS sources. Also, when Breathe first kicked in the taper was readjusting his levels which was a bit disruptive.
Speed corrected +3.0%, Removed most of the occasional ticks/crackles, smoothed levels of first 12 seconds of Breathe. Applied very slight EQ, very slight NR, and smoothed a few tape starts since taper was stopping between some tracks. Also ended Set1 after AHM since this is where they took their break.
|
|
01/21/72
|
The Guildhall |
CDR/FLAC |
2 |
|
"ECLIPSED BY THE MOON" Liberated bootleg Highland HL206/207
Live at the Guildhall, Portsmouth, Hampshire, UK, January 21, 1972
(disc 1 + disc 2, tracks 1 + 2) and the Dome, Brighton, Sussex, UK,
January 20, 1972 (disc 2, tracks 3 - 8)
Quality
-------
Good audience recording (Portsmouth)
Very good audience recording (Brighton)
Conversion
----------
Original silver CDs -> EAC (V0.95 prebeta 4) -> wav ->
mkw (V0.97 beta 1) -> shn -> flac
|
|
01/23/72
|
The Guildhall |
CDR/FLAC |
2 |
|
Sound quality straddles the G and VG ranges. Give
it a G++, 'cause it's not quite good enough to merit
a VG, but not bad enough to be Good. |
|
01/27/72
|
City Hall |
CDR/FLAC |
2 |
|
"Waiting For The Moon - Remastered" |
|
01/28/72
|
Town Hall |
CDR/FLAC |
2 |
|
You Are Number Six
Free Range Pigs (FRP CDR-030/31)
|
|
02/12/72
|
City Hall |
CDR/FLAC |
2 |
|
"Live for Today Gone Tomorrow" a bit hissy.
volume up and down sometimes.
quite enjoyable SQ.
Echoes unfortunately is cut before the end
|
|
03/06/72
|
Taiikukan |
CDR/FLAC |
2 |
|
Source: Aud
Lineage: cas(M)>DAT(3)44.1 > DAT 60ES > M-Audio Audiophile USB > WAV >CD Wave > FLAC (level 7)
Quality: Ex-
|
|
03/07/72
|
Taiikukan |
CDR/FLAC |
2 |
|
"Live in Tokyo 1972"
Catalog: Zeus Records (Z907001)
From the original master tapes
Setlist: (2CDR) |
|
03/08/72
|
Festival Hall |
CDR/FLAC |
2 |
|
Osaka Master Rec 2
Source: M > DAT[2] > SHN@48KHz > FLAC |
|
03/09/72
|
Festival Hall |
CDR/FLAC |
2 |
|
"Echoes from Osaka"
Source: Audience / unknown>cdr[?]>shn > flac |
|
03/10/72
|
Taisyougun Furitsu Taiikukan |
CDR/FLAC |
2 |
|
"Home Again"
Label: TOP PF 72010 D
Source: AUD[LOW]>CDR(x?)>EAC>SHN>FLAC
Quality: VG+/EX- |
|
04/15/72
|
The Sportatorium |
CDR/FLAC |
2 |
|
|
|
04/20/72
|
Syria Mosque Theatre |
CDR/FLAC |
2 |
|
cuts after a few seconds of Brain Damage, no Eclipse; Echoes cuts out - no 3rd verse |
|
04/27/72
|
Ford Auditorium |
CDR/FLAC |
2 |
|
"Born into Shadow" |
|
04/28/72
|
Auditorium Theater |
CDR/FLAC |
2 |
|
Master Aud. Cass.>DAT2x>Delta DI/O 2496 soundcard>Soundforge 7.0>CD Wave Editor>Flac |
|
05/02/72
|
Carnegie Hall |
CDR/FLAC |
1 |
|
This is a very nice surprise, minimal hiss, no distortions, right speed. Marked upgrade for real to the common version. Tape flip near the end of Echoes. -
|
|
05/04/72
|
Music Hall |
CDR/FLAC |
2 |
|
Source: very good to excellent audience recording
Lineage: MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) ->
wav (some improvements using EAC V0.95 prebeta 4) -> mkw ->
shn -> flac
Taped by: Joe Maloney (maloneyjoe68_at_aol.com)
Transfered by: Jamie Salerno (jjs4_at_po.cwru.edu)
Bootleg Title: "Boston Music Hall, May 4, 1972", no label |
|
05/18/72
|
Deutschlandhalle |
CDR/FLAC |
2 |
|
Source Audience (recorder 2 + recorder 1 for fills)
Generation cass[Master] > CDR(4) > SHN > WAV > Cool Edit Pro (remaster + 2nd source fills) |
|
05/21/72
|
Insel Grün |
CDR/FLAC |
1 |
|
New High Definition transfer from Marbal's own 1st Generation Safety Cassette. Artwork production by Beechwoods.
Lineage History:
-Master Recording (1972-05-21): Telefunken Magnetophon 300 reel to reel
-R2R to Cassette (1981-09-18): ASC AS 5000 reel to reel > unknown cassette deck > Maxell UDXLII C90 cassette (Dolby 'On')
-1st Gen Cassette (2011-07-18): Nakamichi CR7A > Maxell UDXLII C90 cassette (Dolby 'On') > Tascam HD-P2 (WAV 24bit/96kHz) ===> Adjustments (WAV 32bit float/96kHz) > WAV (16bit/44kHz) > CDWave (1.98) > FLAC |
|
09/22/72
|
Hollywood Bowl |
CDR/FLAC |
2 |
|
|
|
11/10/72
|
KB Hallen |
CDR/SHN |
2 |
|
"Dr Who in Denmark" |
|
12/01/72
|
Palais des Sports |
CDR/FLAC |
2 |
|
Lineage: 2nd gen Maxell XLII cassette 1988/1989 > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz)
|
|
12/05/72
|
Vorst Nationaal |
CDR/FLAC |
2 |
|
Uher Report Stereo tape recorder and AKG microphones ->
CD-ROM -> SOUNDSCAPE mastering -> Speed correction with Serato in ProtoolsHD -> FLAC (level 8 with internal checksums and tags) |
|
12/07/72
|
Palais des Sports |
CDR/FLAC |
2 |
|
Telefunken tape recorder, external mic (mono) > Audacity (1.2.6) no Filter >
WAV (48Khz/24bits) > remastering / cleaning / restoration (MOB "touch") > FLAC (44.1Khz/16bits) |
|
12/09/72
|
Hallenstadion |
CDR/FLAC |
2 |
|
Lineage: Unknown recording device > low generation 2xc60 maxell XL II-S > Aiwa Tape Deck TC-WE475 > Audigy SE Soundblaster >
HD > SoundForge 10.0 Pro > CD Wave > FLAC Frontend (level 6) |
|
03/07/73
|
International Amphitheatre |
CDR/FLAC |
2 |
|
Sources: 07 Mar 1973, 06 Mar 73, 08 Mar 73 Disc 1, Disc 2 1-11, 07 Mar 1973, International Amphitheatre in Chicago, Illinois Disc 2 12, 6 Mar 1973, Kiel Auditorium in St. Louis, Missouri Disc 2 13, 8 Mar 1973, University Fieldhouse in Cincinnati, Ohio
Lineage: silver cd>eac>flac
Bookmark as: http://www.pf-roio.de/roio/roio-cd/childhood_end.cd.html
Format: 2CDR
Catalogue: Hip Cat Records
Misc.: CDRs
Produced: December 1997 |
|
03/10/73
|
Gymnasium |
CDR/FLAC |
1 |
|
Shorter of Breath:
Only DSOTM set (what a pity) is available from this source. A big upgrade to the circulating versions - great sound indeed. From rare audience master tape.
The same material (more or less - different rip) is available on bootleg known as "Master".
Lineage: A Sony TC50>Cass[Master]>CDR[0]>CDR>EAC>FLAC. |
|
03/14/73
|
Music Hall |
CDR/FLAC |
2 |
|
Analog Master > WAV > FLAC
Changes made (Nero 8)
- Converted to true mono, using better sounding right channel (disk 1) and left channel (disk 2)
- Fixed the tape flip at 10:27 on Track03 seamlessly joined original Track04 (at 10.27 if you're interested)
- Fixed the rough transition between tracks 04 & 05
- Fixed the applause cut between tracks 13 & 14
- Fixed more than 2000 volume fluctuations
- Very slight EQ, +1dB bass & +2dB treble, much less than you can do with amp tone controls
- Added flac tags for digital streamer replay, note altering files in any way will destroy these
- Minor re-tracking |
|
03/17/73
|
Radio City Music Hall |
CDR/FLAC |
2 |
|
Source: Liberated Bootleg (SBD?)> EAC> .shn >.flac
RoIO: "Dake Side of Radio City" |
|
03/18/73
|
Palace Theater |
CDR/FLAC |
2 |
|
'Obscured by Father Time'
Radio City Music Hall, New York
March 18th 1973
Godfather Records (G.R. 340 / 341)
Silver CD > FLAC
Much confusion has surrounded these recordings from March 18th, 1973 in recent years; Pink Floyd were scheduled to perform in Waterbury, Conneticut on the date in question, and thus, many of the tapes from this date were attributed to the Palace Theater in Waterbury for that reason.
However, the band actually performed twice on the 18th; although the tickets for Pink Floyd's March 17th 1973 concert at New York's Radio City Music Hall had been printed with the March 17th date, the band didn't actually take to the stage until 1 A.M. the following morning, hence he difficulty in accurately identifying this show.
Early tape traders originally determined that the origin of these recordings was the Radio City Music Hall, but as new sources emerged with the March 18th date, and subsequently compared to the older Radio City sources, determined to all be of the same show, based upon the bands tour schedule, they were then attributed to Waterbury!
Ultimately, it is unlikey that 5+ sources could originate from one show in a small Connecticut city in 1973, yet none from the famous Radio City Music Hall in New York, and given this fact, along with other details found within the recordings themselves, we can finally clear up this confusion once and for all! We proudly present to you the silver debut of Pink Floyd's excellent 1973 performance at New York's Radio City Music Hall, in support of the "Dark Side Of The Moon" album!
The eleventh concert of the bands first North American tour for 1973 includes "When You're In" and "Obscured By Clouds" from the soundtrack of the same name. - these songs would only be performed live in 1973, and make documents such as this even more valuable. Additionally, this would be the last year "Set The Controls For The Heart Of The Sun" would be performed on a Pink Floyd tour, and the other long time fature "Careful With That Axe, Eugene" would soon be retired the following year to make way for newer material. Of course,
the centrepiece of this collection is the complete "Dark Side of the Moon" suite, marking the first time the New York audience would experience the final, post-LP release version of the epic, which had transformed significantly since the bands last visit in May of 1972.
Without question, this is one of the most important concerts the band performed in 1973 that directly contributed to the changing fortunes of the band! |
|
05/18/73
|
Earls Court Exhibition Hall |
CDR/FLAC |
2 |
|
"The White Bootleg"
Source: Audience (recorder 2/patch from rec1 low gen)
Generation: cass[M] > DAT(3) > WAV > CDR > FLAC > WAV > patch job > FLAC
Sound Quality: EX+ for a 1973 recording
From the master tapes of what is known as recorder 2 (same recorder as the source called '4th Gen'). This recorder is cut at the very end of ACYL, missing the end
of this song and BD/Eclipse, so i patched those missing bits from the low generation source i have from recorder 1. One of These Days remains from the main source, the only bit edited out was 1:11m of audience/tunings before OOTD because it sounded very bad, as if the tape was very damaged really (some kind of channel
dropping, or maybe just very heavy mic bumps).
Sound is really good, an EX+ for a 1973 recording, one of the best from that year (if not the best), performance is good also.
The patch job was made using SoundForge and CDWave to split the tracks, and encoding/md5 was done on Trader's Little Helper.
No EQ/NR applied to this, apart of the patch job and some minimum fade in/out, this is as raw as russian winters.
|
|
05/19/73
|
Earls Court Exhibition Hall |
CDR/FLAC |
2 |
|
Pink Floyd - Live At Earls Court 1973
Label: None
All tracks: Earls Court Exhibition Hall, London. May 19th, 1973
Quality: EX-
Source: Audience
Lineage:
Silver CD > Wav via EAC > Shn via MKWact > FLAC via TLH |
|
06/16/73
|
Roosevelt Stadium |
CDR/FLAC |
2 |
|
Lineage: cass(low)>eac>flac |
|
06/16/73
|
Roosevelt Stadium |
CDR/FLAC |
2 |
|
"A.Werblun Tape" Verdi - 001a
Lineage: Master/1st Gen Recorder 2 > HDD > FLAC 8 > Audacity (joined) > Traders Little Helper > FLAC 8
Comparisons:
Vegetated's 1st Gen - [This] Sounds better, and is complete
Doinker's Reel - [This] Sounds the same, but is complete
StCftHotS/JFG - [This] Far superior. |
|
06/17/73
|
Saratoga Performing Arts Center |
CDR/FLAC |
2 |
|
Notes: Audience recording. From master tape.
Lineage: A Cass[Master]>DAT[?]>CDR> EAC>FLAC |
|
06/20/73
|
Merriweather Post Pavilion |
CDR/FLAC |
2 |
|
Pink Floyd 1973-06-20 Breaking Bottles In The Hall
Label: Liverpool Records 2000 LR-45/46
Source: AUD[1]>CDR>FLAC |
|
06/22/73
|
Memorial Auditorium |
CDR/FLAC |
2 |
|
Pink Floyd
Title: The Return Of The Yeeshkul!
Disc(s): 2
Release: -
Date/Venue: 1973 June 22 - Memorial Auditorium , Buffalo, NY
Source: audience / cass[2]>CDR[?]>EAC>WAV>SHN>WAV>FLAC(8)
Length: 132:20
Overall SQ: VG+ |
|
06/28/73
|
The Sportatorium |
CDR/FLAC |
2 |
|
"INTO LITTLE PIECES"
Album notes:
Great upgrade to previous versions. From unique master source.
Irrespective of very good sound, this is the longest version available.
Revised and very carefully indexed. Audience recording. From master tape.
Lineage: A Cass[Master]>DAT>CDR>EAC>FLAC
|
|
06/29/73
|
Tampa Stadium |
CDR/SHN |
2 |
|
Source: excellent audience recording
Lineage: master -> CD -> EAC -> WAVLab -> shn -> mkw (V0.97 beta 1) ->
wav (fixing SBEs using shntool V2.0.3) -> mkw -> shn (further
details see below)
Taped by: John Tsalikes
Transfered by: John Tsalikes / Carl Morstadt
Bootleg Title: "Tampa Stadium, June 29, 1973", no label |
|
10/12/73
|
Olympiahalle |
CDR/FLAC |
2 |
|
PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09
Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy
This is the 4th of 5 shows in the set (discs 7 & 8) |
|
10/13/73
|
Stadthalle |
CDR/FLAC |
2 |
|
"The Lunatics on the Run" Liberated bootleg Highland HL591/592
Original silver CDs -> EAC (V0.95 prebeta 3) -> wav -> mkw (V0.97 beta 1) -> shn
Additional lineage: shn -> foobar2000 v0.8.3 -> flac 8 (verified to be bit identical to the original shn files)
|
|
11/04/73
|
Rainbow Theatre (early show) |
CDR/FLAC |
1 |
|
Revealed At The Rainbow
Digital Floyd Project (DFP-323)
Notes: This particular performance was the early performance of Pink Floyd from the Rainbow Theatre on November 4. This performance has been remastered from a low generation analogue tape of the performance. The sound quality is quite good. - |
|
11/04/73
|
Rainbow Theatre |
CDR/FLAC |
1 |
|
Late Show - Recorder 2
(Different recorder than "Obscured at the Rainbow")
Source: "Reeling In Pink Floyd "DVD 4 - Tape 13
Lineage: cass[low] > DAT@48khz > wav > shn@48khz --> Wav > ACL14 > Wav44 > CDWave > Flac
Objective was to use the channel with the best SQ, level a very large number of volume fluctuations, repair drop outs/downs, remove many distortions/crackles, as well as other targeted modifications. Artwork included. |
|
06/22/74
|
Parc des Expositions |
CDR/SHN |
2 |
|
PINK FLOYD : Live in COLMAR,
This mastering was a "tour de force" as the master had a very important speed problem.
But with a long and slow labour, we were able to correct most of the problems.
This maybe the first ever performance of "Shine on you crazy diamond".
This CD is also a little bit more complete than the "Harvested" release.
Recording history : 3rd gen analog tape.
Recording process : some noise reduction. lot of speed correction (some variations are still listenable)
|
|
11/04/74
|
Usher Hall |
CDR/FLAC |
2 |
|
|
|
11/09/74
|
The Odeon |
CDR/SHN |
2 |
|
source: audience - generation: unknown
Cass(?)>HIFIStereoPhilips>SBLive>WAV>CEPro>WAV>CDWave>WAV>CDR(0)
released by Mr. Pinky |
|
11/15/74
|
Empire Pool, Wembley |
CDR/FLAC |
2 |
|
"How Time Flies"
new unknown aud source: VG+ |
|
11/16/74
|
Empire Pool |
CDR/FLAC |
1 |
|
|
|
11/17/74
|
Empire Pool, Wembley |
CDR/SHN |
2 |
|
|
|
11/19/74
|
Trentham Gardens |
CDR/FLAC |
2 |
|
CD Reference:
LP Reference:
British Winter Tour 74, Raving And Drooling
Comments:
The complete recording:
Quality: VG+ |
|
12/14/74
|
Colston Hall |
CDR/FLAC |
2 |
|
PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy This is the 5th of 5 shows in the set (discs 9 & 10) |
|
04/08/75
|
PNE Exhibition Park |
CDR/FLAC |
2 |
|
Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac |
|
04/10/75
|
Seattle Center Coliseum |
CDR/FLAC |
2 |
|
Source: Audience
Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac
Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic
Taped and Transferred By: JEMS |
|
04/13/75
|
Cow Palace |
CDR/FLAC |
3 |
|
release: YGBC (speedcorrected and resampled by Rudy)
date/venue: 1975 April 13 - Cow Palace, San Francisco, CA
source: audience / recorder 1 / TDK-D90x2 cass[low]>Philips(FCD485) playback>SBL>wav@48KHz> speedcorrection > CD WAVE > wav@48KHz/44.1KHz > FLAC |
|
04/21/75
|
Sports Arena |
CDR/FLAC |
1 |
|
Bootleg Title: California Soundboard
Label: SD75 A1/B1/C1
Source: Soundboard (mixing desk)
Lineage: My vinyl > Philips 903 stereo music centre > Sony PCM-M10 > WAV 24bit-96kHz > Soundforge for conversion to 16-44 > TLH > FLAC.
|
|
04/26/75
|
Sports Arena |
CDR/FLAC |
2 |
|
|
|
04/27/75
|
Sports Arena |
CDR/FLAC |
2 |
|
Also include video
LA Sports Arena 27 April 1975 (16:26)
Video: 8mm > S-VHS > NTSC DV (avi) > Vegas (CBR 6) MPEG-2
Audio: Master > DAT > CDR > Vegas (PCM Stereo)
The actual lineage for the audio of 8mm should be: Master>Film Run Copy>DAT>CDR>Vegas (PCM Stereo). The sync and transfer of this material was done professionally in the early to mid 1980's, and was widely circulated at one point in time. I have a copy of the “8mm” material on VHS, also.
The audio portion of my torrent is of a much higher quality, IMO. The video portion of my torrent is another matter entirely. Although I believe it can be much improved by someone with the knowledge to do so (anyone want to tackle black levels?), it's presented for quite another reason. It's to prove that my version of events is true, and is the only version of events, and that there is no other version of events.
The audio master used in the Harvested torrent is in fact a poorer quality copy of the original reel. How do I know this to be fact? I actually know the original filmer and taper, and the method by which the films were made, plus he gave me the master of the audio. Hold on, I'll tell you the whole, depraved story as to how we met ... but first you have to promise to remove the kiddies from in front of the computer because some of the stuff following is truly awful. If you *are* under 18 and you choose to read further, well, yer uncle Doinker warned you
|
|
04/27/75
|
Sports Arena |
CDR/FLAC |
2 |
|
Theory Of Ruin Value - Sigma 46
Matrix Disc 1-3: SIGMA 46 DISC 1-3 - (P) 2009 Made In Japan
Lineage: silver cd>eac>flac |
|
06/09/75
|
Capital Center |
CDR/FLAC |
3 |
|
Source: audience / cass[low] > CDA[0] > flac
Raw rip from a super nice low generation cassette, sounds amazing.
No dehissing of artifacts used here, frequencies are all intact, sounds bright and crispy (other versions around have poor NR)
The show was pretty good and the output result sound after the raw rip from the old cassette. You will surely add this one to your '75 collection. |
|
06/16/75
|
Nassau Coliseum |
CDR/FLAC |
2 |
|
"Pandora's Slowing Down"
Pandoras Box was always a strong source for this show, but the super fast speed made the Floyd sound like chipmonks on crack. Also it was incomplete as was "Random Precision" which most of U&T is from 18/06/75. Raving Crazy Diamond Moon is complete but isn't as defined or clear as "PB" or "RP". IMHO this makes for the best complete version of this show. Enjoy.
All Sources: ACL2005>CDR>EAC>FLAC
Source1: "Pandoras Box" Silver: Speed Corrected, very slight EQ on some tracks.
Source2: "Random Precision" Silver: 2nd half of D1 Tr5, EQ to match "Pandoras Box" segment.
Source3: "Raving Crazy Diamond Moon" CDR: audience & 1st half of U&T, EQ and level adjustments to match "Pandoras Box" segments.
For Free Trade Only - Not For Sale
Little Pieces Production (LLP)
Artwork Layout By Little Pieces |
|
06/17/75
|
Nassau Veterans Memorial Coliseum |
CDR/FLAC |
2 |
|
Pink Floyd, 1975-06-17 Nassau Coliseum
Godfather Records GR 267/268
'Wishes, Echoes and Desires'
|
|
06/18/75
|
Boston Garden |
CDR/SHN |
2 |
|
|
|
06/22/75
|
County Stadium |
CDR/FLAC |
1 |
|
Name: Heavy Rain
Label: Ayanami
Lineage: silver cds>eac>flac
Comments:
The show was interrupted by heavy rain and Pink Floyd only played "Dark Side Of The Moon" and "Echoes". The sound quality is better than the circulated one in collectors' circles. |
|
06/24/75
|
Olympia Stadium |
CDR/FLAC |
3 |
|
Pink Floyd-All Due Respect (Siréne #219)
Lineage:silver>eac>flac
Pink Floyd-All Due Respect pressed silver 3cd set (Sirene #219)>EAC (secure mode/offset corrected)>Traders Little Helper(flac level 8/test/fingerprints) |
|
06/28/75
|
Ivor Wynne Stadium |
CDR/FLAC |
2 |
|
"Holes in the Sky"
Matrix: Disc 1: IFPI IC72 HL097 517320 IFPI L601
Disc 2: IFPI IC02 HL098 517325 IFPI L601
Cover: Slim double jewel case. Single two-sided front insert says PINK FLOYD - HOLES IN THE SKY at top on outside with picture of band on stage in top half and man standing in hot springs on bottom half (from WYWH postcard); on inside of front cover is picture of inflated pig from 1977 tour, with names of four Floyds and their instruments. Back cover is also a single insert printed front and back; inside has same picture of band on stage; outside has pig from 1977 tour with set list and times, also says "Recorded live at Ivor Wynne Stadium, Hamilton, Canada, 6/28/75", and white Highland logo in bottom right corner. Discs: The CDs are painted grey with black letters, HIGHLAND above the hole and HOLES IN THE SKY below the hole.
Sources: 28 Jun 1975, Ivor Wynne Stadium, Hamilton, Ontario
Lineage: silver cd>eac>flac |
|
07/05/75
|
Knebworth Park |
CDR/FLAC |
2 |
|
"Wish Roy Were In Knebworth"
Original Silvers>EAC Secure>Flac Level 8
Album Art Included
|
|
01/23/77
|
Westfalenhalle |
CDR/SHN |
2 |
|
Animals Premiere 23-JAN-77 [1]
Remastered, bass enhanced, with speed-corrected Pigs (3 d.o.) |
|
01/24/77
|
Westfalenhalle |
CDR/FLAC |
2 |
|
source: audience/cass[2]>DAT[?]>CDR[?]>EAC>WAV>FLAC |
|
01/27/77
|
Festhalle |
CDR/FLAC |
2 |
|
|
|
01/30/77
|
Deutschlandhalle |
CDR/SHN |
2 |
|
Source: Unknown
Comments: Entire show, very little audience noise. It even has the announcements and
intermission. |
|
02/01/77
|
Stadthalle |
CDR/FLAC |
2 |
|
|
|
02/03/77
|
Hallenstadion |
CDR/FLAC |
2 |
|
Pink Floyd - Zürich 1977 (Siréne-271)
Matrix Disc 1: SN - 271 D1
Matrix Disc 2: SN - 271 D2 |
|
02/04/77
|
Hallenstadion |
CDR/FLAC |
1 |
|
Pink Floyd - Zürich 1977 (Siréne-271)
Matrix Disc 3: SN - 271 D3 |
|
02/17/77
|
Sportpalais Ahoy |
CDR/FLAC |
2 |
|
title: SCHAAP EN ZWIJN
disc/s: 2
release: -
date/venue: 1977 February 17 - Oude-Ahoy Hallen, Rotterdam
source: audience - recorder 2 / cass[master]>remaster?>cdr[?]>flac
tot length: 111:32
overall: VG+ |
|
02/18/77
|
Sportpalais Ahoy |
CDR/FLAC |
2 |
|
Bleating and Babbling
Oude Ahoy-Hallen, Rotterdam (2nd night)
Source: recorder one, complete and unprocessed
Lineage rec1 (low)>eac>flac
Identification: Roger shouts 11 after the 2nd verse of P3DO
SQ: VG- |
|
02/19/77
|
Sportpalais Ahoy |
CDR/FLAC |
2 |
|
Lineage: Unknown gen cassettes (TDK SA) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > WAV (24bit/96kHz) > r8brain PRO > WAV (16bit/44.1kHz) > CDWave (1.98) > FLAC (16bit/44.1kHz)
xACT used to create FFP
*
The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum
A raw transfer of this mono recording that is a modest upgrade to the digitally de-noised version that is generally available. It is one of the weakest tapes in circulation from the 1977 tour - one I am keeping in the hope that a better copy turns up.
The recording was processed as two channel stereo as is often the case. The right channel was a lot stronger than the left throughout. The left side contained no additional musical content and was noticeably hissier, quieter and less dynamic, so I dropped it. WTTM has a slight repeat from SOYCD which I have left in. |
|
02/20/77
|
Sportpaleis |
CDR/FLAC |
2 |
|
|
|
02/22/77
|
Pavillon de Paris |
CDR/FLAC |
2 |
|
"Dragged Down By the Stone"
Lineage: AUD > CDR(x) > EAC > WAV > FLAC
Quality (F/G/VG/EX): VG-EX |
|
02/23/77
|
Pavillon de Paris |
CDR/FLAC |
2 |
|
Source: Audience
Comments: Roger shouts '14' during Pigs (Three Different Ones) -3rd verse
CD Reference: Paris 1977 (pigeon), Paris-The Pavillion
LP Reference:
Quality: Very Good
DISC QTY: 2CD
CATALOGUE #: pp1960
PRODUCED: 1999 Pigeon Productions
SOURCE(S): Paris, Pavillion, February 23, 1977
QUALITY: VG Audience Recording
DATE: February 23, 1977
LINEAGE: SILVER>EAC>FLAC |
|
02/25/77
|
Pavillon de Paris |
CDR/FLAC |
2 |
|
Recorded by GD
1st gen cassette provided by Finkployd49
Transfer by Neonknight
Remastering by MOB
Quality Control by RonToon
Artwork by Ediskrad Studios
Produced by Harvested Records
Lineage:
AKG mics & Uher reel-to-reel recorder > Europe Type I tapes > Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz) > MOB Remastering > FLAC (16bit/44.1kHz)
This is a fabulous audience recording of the last of 4 consecutive nights in Paris during the In The Flesh 1977 tour. These Parisian concerts were performed at the Pavillon de Paris, which was a concert hall built at the place of an ancient slaughterhouse ("Abattoirs de la Villette" in French). The idea to bring the Animals Tour to a slaughterhouse is kind of ironic, hence the title of this release.
An excellent 1st gen tape provided by Finkployd49 was transferred by Neonknight in 2011, and the present Harvested release is a remastered version of this 1st gen tape transfer.
The remastering addressed mainly 3 aspects. First, on the rough transfer the speed was not consistent, the pitch increasing slightly as the show progressed. The speed of the first part of the Animals set is correct but it begins to accelerate during Dogs resulting in a 1.7% increase at the end of Pigs. A similar accelerating effect occurs for the second set, with 1.2% correction needed at the beginning of SOYCD 1-5 and 2% correction at the end of SOYCD 6-9. During Money, the acceleration is even more obvious where the first verse is 2% too fast and the last verse is 3% too fast. These speed fluctuations can be explained by batteries slowly losing power during the taping of the show. The present remaster corrects all of these speed issues.
Another aspect was the raw sound of the original transfer with some annoying saturation of particular frequencies during the loud parts and a kind of "narrow" spectrum due to prominent medium. Careful EQ was applied in order to reduce the annoying frequencies, and to let the music breathe more with a "fuller" sound. For instance, the depth of Roger's bass can be heard in its full glory on this remaster. Another example is the barking interlude in the middle of Dogs where the bass drum kicks now sound as they were likely to sound in the Pavillon that night.
Last but not least, the original recording was plagued with hundreds of mic bumps, probably caused by GD (the taper) moving during the show and touching his microphones. Every bump was carefully eliminated or attenuated manually in order to appreciate the music without these disturbances. This was the biggest challenge for this remaster, since it took dozens of hours to get rid of these mic bumps.
Other restoration work during this remastering process was to correct some tape drop-outs here and there, adjusting the levels of each channel and creating continuity (avoiding the cut due to tape flip) between Pigs On the Wing Pt.2 and Pigs, and between Welcome To The Machine and Have A Cigar. There was no NR applied for this remaster. |
|
02/27/77
|
Olympiahalle |
CDR/FLAC |
2 |
|
|
|
03/15/77
|
Empire Pool, Wembley |
CDR/FLAC |
2 |
|
Master>CDR>FLAC |
|
03/16/77
|
Empire Pool, Wembley |
CDR/FLAC |
2 |
|
Lineage: cass(unknown)>eac>flac |
|
03/18/77
|
Empire Pool, Wembley |
CDR/FLAC |
2 |
|
Animals On Empire (Godfather Records GR439/440)
Godfather Silver > EAC WAV > FLAC |
|
04/30/77
|
Jeppesen Stadium |
CDR/FLAC |
2 |
|
"Deaf, Dumb And Blind" - label/origin unknown
Lineage: silver cd>eac>flac |
|
05/09/77
|
Oakland Coliseum |
CDR/SHN |
2 |
|
Animal Instincts rev B (HRV-CDR-014) |
|
05/10/77
|
Oakland Coliseum |
CDR/FLAC |
2 |
|
X-ref: „Spit In The Fan”, „Oakland Coliseum 10.5.77”.
Media: 2 CDR
Source: Audience Recorder I
Venue: May 10th, 1977 – Alameda Coliseum, Oakland, California, USA.
Notes:
A part of the nort american leg of the 1977 "In The Flesh" world tour.
Roger Waters didn't yell any number during "Pigs". Very good technical quality (much better than „Spit On The Fan”).
Discs' division compatible with the course of the show.
Absolutely error-free version (no digital clicks). Revised copy. Balanced. Speed corrected. |
|
06/15/77
|
County Stadium |
CDR/FLAC |
2 |
|
Lineage: Cass(2) > DAT(0) > FLAC (16bit/44.1kHz) > Reaper v4.61 > FLAC (16bit/44.1kHz)
xACT used to create FFP |
|
06/27/77
|
Boston Garden |
CDR/FLAC |
2 |
|
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
|
|
07/01/77
|
Madison Square Garden |
CDR/SHN |
2 |
|
Where Have You Been?
(MPPP-004)
Audience Recorder I
cass[low] > CDR(?) > SHN |
|
07/03/77
|
Madison Square Garden |
CDR/SHN |
2 |
|
Name: Fireworks On The Wing
Format: shn |
|
07/04/77
|
Madison Square Garden |
CDR/FLAC |
2 |
|
Analogue Master Recording
aud - a2>cdr3
|
|
07/06/77
|
Stade du Parc Olympique |
CDR/FLAC |
2 |
|
Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac |
|
02/25/80
|
Nassau Veterans Memorial Coliseum |
CDR/FLAC |
2 |
|
|
|
02/28/80
|
Nassau Veterans Memorial Coliseum |
CDR/FLAC |
2 |
|
Analog Audience Source: FOB Master Cassettes (MAC)
Medium Stock Brands: MAC = 2 x Maxell XLII
Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Barry Glassberg
Transfer By: Adam Egert
Mastering By: Derek McCabe |
|
08/06/80
|
Earls Court Exhibition Hall |
CDR/FLAC |
2 |
|
BARS IN THE WINDOW
FA005
Source: Analog Audience recording
Lineage: cass[M] > WAV > Remaster > CDR(1) > EAC > SoundForge 7 (just for indexing) > FLAC (level 8, align on sector bound.)
Sound Quality: EX+ |
|
08/09/80
|
Earls Court Exhibition Hall |
CDR/FLAC |
2 |
|
"Soundboard on the Wall" (PFR-CDR-001)
Source: Soundboard
Label: PFR
Lineage: SBD > Cassett Tape Master > CD > WAV > FLAC (Other additional Lineage unknown.) |
|
02/15/81
|
Westfalenhalle |
CDR/FLAC |
2 |
|
Linage: CDR (Gen??) > Amadeus II > WAV > xACT > FLAC |
|
02/18/81
|
Westfalenhalle |
CDR/FLAC |
2 |
|
Pink Floyd Dortmund
'The Sixth German Show'
Westfalenhalle, Dortmund, West Germany
February 18th 1981
Godfather Records (G.R.) 382/383
Silver CD > FLAC |
|
06/14/81
|
Earls Court Exhibition Hall |
CDR/FLAC |
2 |
|
Lineage: Unknown gen. cassette -> Sony HCD-EH26 and Creative SB Audigy SE -> wave 96/24 -> AdobeAudition (Eq and wave 44/16) -> NeroWaveEditor (split only) -> TLH -> flac
|
|
06/17/81
|
Earls Court Exhibition Hall |
CDR/FLAC |
2 |
|
This is a cd burnable edition at 44kHz sample rate. The sound quality is Ex- and not quite as good as Nigel's 6th Aug 1980 recording.
Taper: Nigel Bradder
Recording made from Block 5, Row U seat 27
Equipment Used to record the show: -
Technics Single Point Stereo Microphone->Sony TC-153SD Cassette Deck->TDK AD-120 cassette
The transfer was made on the 11th September 2006 from the Master TDK AD-120 cassette (see photo).
The transfer was made using the following equipment: -
Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback.
Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs.
Transfer made at 48KHz 16bit resolution to two wav files.
The two wav files from the 120 min cassette were concatenated into a single wav using Adobe Audition.
The 48kHz source was split into individual wav files, downsampled to 44kHz and saved in FLAC format.
The resulting wave files have NOT been re-mastered or changed in ANY way this is a direct copy of the master tape.
This is an excellent quality recording in stereo and I believe it is an upgrade on the other versions of this show that have circulated. |
|
06/17/81
|
Earls Court Exhibition Hall |
CDR/FLAC |
2 |
|
"The Handwriting on the Wall"
(mastered directly from the source tape)
Lineage:cass(m)>eac>flac
Mastered to CD from the original tape and speed corrected by Danalog of Man of Leisure Music (MoLM) www.molm.org. It's likely the original tape recording machine's calibration was slightly off. MoLM got the master tape on loan from Carzi, who got it from the taper. Recorded with a Technics Single Point Stereo Microphone and a Sony TC153SD Cassette deck.
This recording has less audible background audience than the more common Golden Stars/MoLM source. It tends to have a fuller range of sound, but slightly less bass than the more cirulated source from this date. This is the same taper who is known to have recorded 04Nov73, 16Nov74, 17Nov74, 06Aug80 and 17Jun81. |
|
09/19/87
|
John F. Kennedy Stadium |
CDR/FLAC |
2 |
|
Lineage: unknow gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> NeroWaveEditor and AdobeAudition -> TLH -> flac
New recording.
Very good audience reconding, this is the tape with the longer soundcheck, that I put here too.
Some music of Comfortably Numb is miss for change tape. |
|
09/25/87
|
Rosemont Horizon |
CDR/FLAC |
2 |
|
Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac
Recorder 1 from my tape.
Sound is brighter than The Final Echoes, the more known roio from this date with this recording. |
|
10/03/87
|
Carrier Dome |
CDR/FLAC |
2 |
|
Cassette of unknown generation > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition (level boost/hiss removal) > NeroWaveEditor > TLH > flac |
|
10/12/87
|
Brendan Byrne Arena |
CDR/FLAC |
2 |
|
source: audience / SonyD-3 Walkman using stock external stereo mic >cass[Master]-TDK-HX-S90>cdr[0]>EAC>WAV>CD-Wave(indexing) > flac(level8) |
|
10/14/87
|
Civic Center |
CDR/FLAC |
2 |
|
Source : Audience /Recorder 1
My Lineage: Cass[low]>CDR[?]>WAV>EAC>SHN.
"Atom Heartford Mother" |
|
10/25/87
|
Dean E. Smith Center |
CDR/FLAC |
2 |
|
Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac |
|
10/30/87
|
Tampa Stadium |
CDR/FLAC |
2 |
|
Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac |
|
11/01/87
|
Orange Bowl |
CDR/FLAC |
2 |
|
|
|
11/03/87
|
The Omni |
CDR/FLAC |
2 |
|
Lineage: Vinyl -> ? -> low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac |
|
11/04/87
|
Omni Coliseum |
CDR/FLAC |
2 |
|
Lineage: unknow gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> NeroWaveEditor -> TLH -> flac |
|
11/30/87
|
Sports Arena |
CDR/FLAC |
2 |
|
PRRP025- PINK FLOYD
MONEY GOES WEST
This show is taken from the master cassette used to record the concert. To our knowledge, this show has never been available before in any form. The cassettes were digitized using 24 bit resolution and 32 bit formatting. Harmonics were detected up to 11,000 Hz. Hiss was quite high and needed a major reduction. Bass was quite deficient and was universally boosted. Inconsistent dynamic variations were adjusted to make for a more flowing presentation. With a low volume recording this allowed enough room to make tonality adjustment before final normalization. A few patches were needed during tape flips but should not be too noticeable as outside sources were not necessary. Audience applause and other noises were reduced in volume as much as possible with respect to the music; these included applause, yells and a bit of colorful language. During the processing we detected that an audience member yells one slip to announce the performance of this rarely played song. We also noticed a bit of improvisation at the end of welcome to the machine. The show was balanced between the two discs as a final step.
PRRP Staff |
|
12/08/87
|
Kingdome |
CDR/FLAC |
3 |
|
Source : Audience /Recorder 1
My Lineage: Sennheiser mics>SonyWM PRO>Cass[M]>CDR[1]>WAV>EAC>SHN. |
|
12/10/87
|
P.N.E. Coliseum |
CDR/FLAC |
2 |
|
Recorder 2 master tapes
unknown recorder (mono?)
Transfer:
borrowed master cassettes > Nakamichi BX-2 (azimuth adjusted) line out > Radio Shack gold rca plugs to 3.5mm stereo plug > Zoom H2 line in @ 24 bit 96 khz > SDHC memory card > computer HDD
Restoration:
Adobe Audition 3 automatic phase correction tool: to repair most of the phasing caused by master tape azimuth drift. The source recording appears to be from a machine with a mono microphone, but the low quality of the master recording machine caused a certain amount of WOW and flutter to be recorded on the master tapes. Not only did the tape wobble a bit during the show, but it sounds like the tape shifted from side to side as the taper flipped over his recording deck. In other words, the tape that passed over the recording heads of the machine during the concert didn't do it evenly. The tape kind of wiggled and squiggled a little bit, so the track of the recording on the actual tape isn't quite in a perfectly straight line like it should be - it slowly drifts back and forth across the tape, causing some strange audible phasing in the mono recording original master transfer. The playback azimuth was calibrated to a best average for each tape side, but the extremes of tape tension at the start and end of each tape side caused more wobble. The Audition APC tool corrected a lot of this problem, but some audible artifacts of this analog tape "error" remain...
Enhancements:
*Waves Q10 Paragraphic EQ: to tonally balance the frequency spectrum. I set this plug-in up to minimize a low-mid spike, enhance the entire top end, and find the nearly hidden bass! It was only minor cosmetic surgery EQ that I applied with a very light touch...
*SHEPPi Free Spatial Enhancer Open Ambience Project: to enhance the immersive effect of sound that surrounds the listener. My opinion of all those reflected sounds seemed to be a thick wall of low mid mush. The original master kind of sounded a little to me like I was listening to this show in this cavernous stadium through a 50 foot long Christmas wrapping paper tube that was stuck into a hole drilled into the wall of BC Place! haha. All that sound coming through this one tiny pinhole, basically. All those different random delayed reflected sounds bouncing off all the walls and floor and domed roof and seats and stunned faces of the standing spectators, all mixing down together in the air and covering up and masking over the direct sounds from a straight line from the speakers to that single point microphone, all down to that one signal! Yikes! I set this plug-in up to split and move a lot of that lower-mid end reflected natural reverb echo mushiness to the sides a little bit, allowing the upper end clarity to cut through a little bit more and fall into it's proper place in the middle. I believe firmly that it sounds a lot more "like you're there" with SHEPPi properly applied, on headphones especially. I think I hear more stuff in the music, more detail. It feels like I'm now in the building rather than listening to the show through a series of tubes...
*BBE D82 Sonic Maximizer: to strengthen the impact of the sound upon the listener. Adds "focus" to a final mix. Enhances tonality without E.Q., it is used sparingly here to give the kick drum a bit of "oomph" and to clean up the highs...
Editing, mastering and tracking:
Wavelab 5.01b
Processing for RedBook CD Ready 16/44.1 files:
> SoX ReSampler via Foobar2000 for resampling from 96 khz to 44.1 khz (passband 95.2% disabled aliasing 25% phase response very high quality) > iZotope RX for dithering from 24 bit to 16 bit (MBIT+ ultra noise shaping high dither) > Trader’s Little Helper > FLAC8 > FooBar2000 for FLAC tagging with Discogs tagger > mystery file transport mechanisms |
|
01/27/88
|
Entertainment's Center |
CDR/FLAC |
2 |
|
IFWT-CDR-041 - Pink Floyd - 1988-01-27 - The Time Is Gone
Lineage: Unknown gen. cassette -> Sony HCD-EH26 -> wav -> NeroWaveEditor -> TLH -> flac
|
|
02/19/88
|
Tennis Center |
CDR/FLAC |
2 |
|
Anything Can Happen
Moonage Daydream Records
Matrix Disc 1: MELB-88-1
Matrix Disc 2: MELB-88-2
Barcode: 5708566206446
(P) 2008 Made In The EU
24-Bit-Remastered Cult-Status-Live Recordings
Great Concert with extremly good Sound
Soundboard/Excellent |
|
05/06/88
|
Sullivan Stadium |
CDR/FLAC |
3 |
|
"Deafening Sound of Audience" |
|
05/26/88
|
Arrowhead Stadium |
CDR/FLAC |
3 |
|
Rare bootleg from north american leg of the second part of 1988 "A Momentary Lapse Of Reason" world tour. Complete show. Three discs version. Low gen source. Very good quality.
|
|
06/16/88
|
Reichstagsgelände |
CDR/FLAC |
2 |
|
PINK FLOYD - Berlin! 1988 Platz Der Republik
Cape Music CM827
Matrix Disc 1: CAPE CAPE CAPE 827 one 1 1 1
Matrix Disc 2: CAPE 827 2 16.8.88 Disc 2
(P) 2010 Made In South Africa
|
|
07/31/88
|
Gentofte Stadium |
CDR/FLAC |
2 |
|
FROM THE COLLECTION OF SMORES
KRW&CO TRANSFER
AUDIENCE ANALOG 1ST GENERATION TRANSFERRED USING A NAKAMICHI DR-3 CASSETTE DECK INTO CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240
TO WAV 24/48 TO MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND TAPE FLIP EDITS TO WAV 16/44.1 TO TLH FLAC (LEVEL 8) |
|
05/17/89
|
Roman Arena |
CDR/FLAC |
3 |
|
Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Balanced. Speed corrected.
Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN |
|
06/28/89
|
Palais Omnisport de Paris Bercy |
CDR/FLAC |
3 |
|
PARIS BERCY 2nd night
Album notes:
A part of european „Another Lapse” 1989 tour, promoting album „A Momentary Lapse Of Reason”.
Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show.
Carefuly indexed. Revised copy. Balanced. Speed corrected.
Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN |
|
06/29/89
|
Palais Omnisport de Paris Bercy |
CDR/SHN |
3 |
|
PINK FLOYD
PARIS BERCY 3rd night
X-ref: No info.
Venue: June 29th, 1989 – Palais des Sports de Paris Bercy, Paris, France.
Album notes:
A part of european „Another Lapse” 1989 tour, promoting album „A Momentary Lapse Of Reason”.
Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show.
Carefuly indexed. Revised copy. Balanced. Speed corrected.
Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN |
|
07/01/89
|
Palais Omnisport de Paris Bercy |
CDR/FLAC |
2 |
|
PARIS BERCY 5TH NIGHT REC. 1
Media: 3 CD-R
Source: AUD
X-ref: 'Paris Bercy 89', 'Paris Bercy 5th Night Rec. 2'.
Notes:
The last from 5 shows, performed in 1989 at Paris Bercy in France.
A part of European 'Another Lapse' tour, promoting 'A Momentary Lapse Of Reason' album.
Very good quality, material comes from CDR copy of very nice low generation tapes from Recorder 1.
Loud and enthusiastic crowd... but not extremely loud in general.
As usual in Francophonian countries Dave hosted the show in French.
Discs' division compatible with the course of the show. Very carefully indexed.
Audience recorder 1. From low generation tapes. Revised version (normalized, speed corrected,
reindexed).
Lineage: A1 Cass [Low]>CDR>EAC>WAV>Cool Edit Pro>TLH>FLAC.
|
|
07/10/89
|
Goffert Park |
CDR/FLAC |
2 |
|
Generation cass[low] > SBLive > WAV > CoolEditPro > EAC > SHN
|
|
06/30/90
|
Knebworth Park |
CDR/FLAC |
1 |
|
PINK FLOYD - Afterglow
OHM 026
(P) 1993 by Midas Touch |
|
03/30/94
|
Joe Robbie Stadium |
CDR/FLAC |
2 |
|
"The Live Bell"
CONTRAST CLAUSE: While I know that lots of people have this recording, this is a fresh, flawless/error-free
rip from the mint silver CDs using Exact Audio Copy (EAC) using the most strenuous mode. EAC log files made
contemporaneously with the rip are included. Also, all CD artwork was scanned in at 600 dpi (high resolution).
While a soundboard version of "Astronomy Domine" allegedy from this show appeared as a B-Side to the "Take
it Back" CD single, it is clearly a different performance than the one captured live that night as evident here.
Purchased at Generation Records in New York City in our about 1996.
LINEAGE:
Audience > ? > Silver CDs (EAC most strenuous mode)(with logs) >
> FLAC Frontend Level 8 > Traders Little Helper |
|
04/05/94
|
Rice University Stadium |
CDR/FLAC |
2 |
|
Audience tape, B+ quality
Taken from silvers, original title "Moonlight Tunes"
This is an interesting performance because the rain was coming down so hard that it actually shorted out the equipment during the second set, which forced David Gilmour to end the show. The crowd did not seem very pleased by that. A very interesting 1994 document to be sure. |
|
04/22/94
|
Oakland Coliseum Stadium |
CDR/FLAC |
2 |
|
Recorded from Front of Board Center Section
Schoepes MK4 w/Reutelhuber Mod This is a transfer
from my master recroded with Panasonic SV250 DAT.
This is a source new to circulation.
Panasonic SV250 DAT master tranferred on
Panasonic SV3800 to Tascam CD-RW700->Wav->Flac
|
|
05/06/94
|
Tampa Stadium |
CDR/FLAC |
1 |
|
Live at Tampa Stadium, Tampa, Florida, USA
Soundcheck Rehearsals
Soundboard
From Original Silver Disc OCTOPUS 055
silver/gold CD>EAC>FLAC |
|
06/11/94
|
Yankee Stadium |
CDR/FLAC |
2 |
|
Originally: The Bell Gets Louder
Lineage: cass(low)>eac>flac
Remaster
1. Repair clipped segments.
2. Adjust tonality/EQ attenuating excessive frequencies.
3. Manually adjust excessive peaks.
4. Adjust dynamics.
5. Repair clicks and bumps.
6. Re-track and adjust track names. |
|
07/05/94
|
C.N.E. Stadium |
CDR/FLAC |
2 |
|
This is a flac version of ROIO CDR 019
shn conversion to flac and FFP created with TLH on July 5, 2014 by Digby |
|
07/09/94
|
Robert F. Kennedy Stadium |
CDR/FLAC |
2 |
|
Recorded by R. Jones & wklitz
Source: Schoeps MK4's>Rbox>Sony TCD-D10 Pro (Mod)
This source comes from a back-up copy of the Master DAT |
|
07/12/94
|
Soldier Field |
CDR/FLAC |
2 |
|
Main floor centre about 30 rows front of mixing board.
Recorder: Sony TC-D5M analog cassette:
Tape: Sony UX-Pro 100 minute tape recorded side A only!
Mics: AKG 414 ULS-B (cardioid) Using AKG B-18 48-volt Phantom Power boxes
**Played back on identical machine>**
Pre-amp: Naim NAC 52
CDR Recorder: Marantz CDR-600 (original Philips).
CDR: Taiyo Yuden Gold Satin 74-ZY
PC Drive: UltraPlex40max SCSI
EAC (1.8X speed extract OR slower)> FLAC> |
|
07/22/94
|
Estadio Jose Alvalade |
CDR/FLAC |
2 |
|
Lineage: very low gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac |
|
07/23/94
|
Stadium Alvalade |
CDR/FLAC |
2 |
|
Lineage: low gen. cassette (BASF Chrome) -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.5 -> wave -> NeroWaveEditor -> TLH -> flac |
|
09/21/94
|
Cinecitta |
CDR/FLAC |
2 |
|
"The Nights of Wonder"
ARC 013-014 Alternative Recording Company
INCLUDING ARTWORK
The website http://www.pf-roio.de/roio/roio-cd/nights_wonder.cd.html tells us that:
Disk 1 is from 21 Sep, except track 11 which is 19 Apr. Disk 2 is from 19 Sep, except tracks 1&2 which are 21 Apr.
LINEAGE:
Sony TCD-D3 Digital Studio Mobile > ? > Silver CDs (EAC most strenuous mode)(with logs) >
> FLAC Frontend Level 8 > Traders Little Helper |