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Music List for John
Last Update: Aug 7, 2017
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Acid Rain Revival --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/14/03 The Station CDR 1

Allman Brothers Band --- Approximate Hours: 1626.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/04/69 Central City Park CDR 1
01/16/70 Fillmore West CDR 1
02/11/70 Fillmore East (Early Show) CDR 1
02/14/70 Fillmore East CDR 1
03/13/70 The Warehouse CDR 1
04/28/70 SUNY Gym CDR 1
05/02/70 Swarthmore College CDR 2 Capt. Skipper Remaster
07/05/70 Atlanta International Pop Festival CDR 2
07/17/70 Love Valley Festival CDR 1
07/26/70 S.U.N.Y. Gym CDR 1 Captain Skipper Remaster
09/04/70 The Scene CDR 2
12/31/70 The Warehouse CDR 2
01/17/71 Syria Mosque CDR 1
01/28/71 Fillmore West CDR 2
01/31/71 Fillmore West CDR 2
02/01/71 Whisky A Go-Go CDR 1
03/20/71 The Warehouse CDR 3
05/02/71 CCNY CDR 2 Capt. Skipper Remaster
06/27/71 Fillmore East CDR 1
07/17/71 Municipal Auditorium CDR 2
07/24/71 Superball Fest CDR 1
08/14/71 Richmond Arena CDR 1
08/15/71 Academy of Music CDR 2
08/26/71 A&R Studios CDR 1
09/11/71 Littlejohn Coliseum CDR 1
09/16/71 The Warehouse CDR 3
09/28/71 Austin Municipal Auditorium CDR 1
10/15/71 Syria Mosque CDR 1
01/02/72 The Warehouse CDR 2
01/25/72 Municipal Auditorium CDR 2
02/20/72 The Barn CDR 1
03/05/72 Long Beach Aud CDR 2
03/10/72 Community Center Arena CDR 1
03/23/72 Price Hall CDR 2
04/07/72 Manley Fieldhouse CDR/FLAC 2 "My Brother's Keeper"
04/16/72 Academy of Music CDR 1
06/09/72 Memorial Auditorium CDR 2
07/12/72 The Spectrum CDR 2
07/13/72 Gaelic Park CDR 2
07/21/72 New Orleans Park CDR 1
07/28/72 Fairgrounds Speedway CDR 1
08/06/72 Hollywood Bowl CDR 1
08/31/72 Atlanta Municipal Auditorium CDR 1
11/??/72 Unknown CDR 1
12/31/72 Warehouse CDR 2
03/01/73 New Haven Arena CDR 2
03/15/73 Municipal Auditorium CDR 2
03/24/73 Tarrant County Convention Center CDR 2
04/06/73 Civic Center CDR 2
04/08/73 Nashville Municipal Auditorium CDR 2
04/30/73 Nassau Coliseum CDR 2
06/02/73 The Omni CDR 2
06/09/73 RFK Stadium CDR 3
06/10/73 Robert F. Kennedy Stadium CDR 2
06/22/73 Unknown CDR 2
06/23/73 Dillon Stadium CDR 2
07/28/73 Watkins Glen Grand Prix Circuit CDR 3
08/24/73 Three Rivers Stadium CDR 2
09/10/73 Grand Opera House CDR 1
09/19/73 Forum CDR 2
09/26/73 Winterland Ballroom CDR 2
10/07/73 New Jersey State Fairgrounds CDR 2
12/02/73 College of William and Mary CDR 3
12/31/73 Cow Palace CDR 4
01/01/74 Cow Palace CDR 2
06/07/74 Roosevelt Stadium CDR 3
06/23/74 Mile High Stadium CDR 2
07/20/74 Knebworth Festival CDR 3
07/26/74 Boston Garden CDR 2
08/17/74 Orange Bowl CDR 2
09/21/75 Boston Garden CDR 3
10/20/75 Forum CDR 3
11/25/75 Providence Civic Center CDR 2
01/24/76 Carolina Coliseum CDR 2
03/13/76 Nassau Coliseum CDR 2
08/16/78 Central Park CDR 2
04/18/79 Baltimore Civic Center CDR 2
04/20/79 Capital Theatre CDR 2
05/15/79 LA Forum CDR 3
06/24/79 Unknown CDR 2
07/15/79 Carowinds Paladium CDR 2
07/19/79 Merriweather Post Pavilion CDR 2
12/30/79 Nassau Coliseum CDR 3
12/31/79 Coliseum CDR 2
07/09/80 Palladium CDR 2
09/23/80 Sporthalle CDR 2
09/24/80 Congress Centrum Hamburg CDR 2
10/23/80 Sunrise Theater CDR 1
12/07/80 Pershing Auditorium CDR 2
01/04/81 Capitol Theater CDR 2
05/16/81 Fox Theater CDR 2
08/30/81 Zoo Amphitheater CDR 2
09/01/81 Santa Fe Downs CDR 1
11/14/81 Fox Theater CDR 1
11/18/81 Bell Auditorium CDR/FLAC 2 Source: analog SBD recording > ? > CD-R > EAC > FLAC
12/04/81 Convention Center CDR 1
12/28/81 Market Sq. Arena CDR 2
12/29/81 Civic Arena CDR/FLAC 2 Source: analog SBD recording > ? > CD-R > EAC > FLAC
10/31/86 Madison Square Garden CDR 1
06/28/89 Chautauqua Amphitheater CDR 2
06/30/89 Avery Fisher Hall CDR 2
07/03/89 Great Woods Center For The Performing Arts CDR 3
07/05/89 Garden State Arts Center CDR 2
07/15/89 AJ Palumbo Center CDR 3
07/17/89 New York State Fairgrounds CDR 3
07/21/89 Coliseum CDR 3
07/22/89 Metropolitan Park CDR 2
07/31/89 Red Rocks Ampitheatre CDR 2
08/02/89 Starplex CDR 2
08/03/89 The Summit CDR 2
08/04/89 Lakefront Arena CDR 2
08/07/89 Greek Theater CDR 2
08/11/89 Shoreline Amphitheatre CDR 2
09/29/89 Beacon Theater CDR 3
10/05/89 Orpheum Theater CDR 3
10/15/89 Sunrise Theater CDR 3
06/30/90 Johnny Mercer Theater, Civic Center CDR 3
07/02/90 Chastain Park Amphitheatre CDR 2
07/04/90 Oak Mountain Amphitheatre CDR 3
07/08/90 Perf. Arts Center CDR 3
07/11/90 Florida Theatre CDR 3
07/15/90 Memorial Auditorium CDR 3
08/04/90 Shoreline Amphitheatre CDR 2
08/07/90 Red Rocks Ampitheatre CDR 2
08/09/90 Sturgis Rally CDR 2
08/18/90 Alpine Valley Music Theatre CDR 2 Disc 2 has no track seperation
08/24/90 CNE Grandstand CDR 2
08/25/90 Pine Knob Music Theatre CDR 2
08/30/90 Waterloo Village CDR 3
09/22/90 Merriweather Post Pavilion CDR 2
09/23/90 War Memorial Auditorium CDR 2
11/07/90 The Mosque CDR 2
11/09/90 Lakewood Amphitheater CDR 2
11/28/90 State Fair Coliseum CDR 2
01/11/91 Hitomi Mihall CDR 2
01/13/91 Koseii-Nenkin CDR 2
02/22/91 Colorado University Fieldhouse CDR 2
02/26/91 Opera House CDR 2
02/27/91 Paramount NW Theater CDR 2
02/28/91 Schnitzer Hall CDR 2
07/02/91 La Cigale CDR 2
07/05/91 Ohne Filter Show CDR 2
07/07/91 Pferderennbahn CDR 2
07/21/91 Telluride Mid-Summer Music Festival CDR 2
08/11/91 Trout Aire Amphitheatre CDR 2
08/18/91 Champs De Brinne CDR 2
08/31/91 Holman Stadium CDR 3
09/06/91 Great Woods Center For The Performing Arts CDR 2
09/07/91 Lakeside Amphitheater CDR 3
10/11/91 Pacific Amphitheater CDR 2
10/12/91 County Bowl CDR 2
10/19/91 Downs at Santa Fe CDR 2
10/22/91 Starwood CDR 2 Old Coot Shoebox
10/26/91 Walnut Creek Ampitheatre CDR 3
11/17/91 Mosque Theater CDR 2
11/28/91 Maple Leaf Gardens CDR 2
11/30/91 Mecca Bruce Hall CDR 2
12/29/91 Macon City Auditorium CDR 3
12/31/91 Macon City Auditorium CDR 2 Complete Show; DBhelm remaster
01/17/92 Kosei-Nenkin CDR 2
01/22/92 Kosei-Nenkin-Kaikan CDR 2
03/01/92 Patrick Gymnasium - University Of Vermont CDR 3
03/03/92 Orpheum Theater CDR 3
03/10/92 Beacon Theatre CDR 3
03/13/92 Beacon Theatre CDR 3
03/22/92 Beacon Theatre CDR 3
06/11/92 Roosevelt Hotel CDR 1
06/16/92 Star Lake Amphitheatre CDR 2
06/22/92 Kingswood Music Theater CDR 2
06/27/92 Summerfest CDR 2
06/28/92 Roy Wilkins Auditorium CDR 2
06/30/92 Starlight Theater CDR 2
07/04/92 Red Rocks Amphitheatre CDR 3
07/14/92 Paolo Soleri CDR 2
07/21/92 Greek Theater CDR 2
07/25/92 Cal Expo CDR 2
07/28/92 Lawlor Event Center CDR 2 OCSB series
08/01/92 Chateau St. Michelle CDR 2
08/15/92 Cayuga County Fairgrounds CDR 2
08/22/92 Mann Center for the Performing Arts CDR 2
08/25/92 Lakeside Amphitheatre CDR 1 Only have disc 2 of this show
09/02/92 Trask Coliseum, UNC-W CDR 3
04/23/93 Municipal Auditorium CDR 3
04/24/93 Fairgrounds CDR 2
05/22/93 Pacific Amphitheater CDR 2
05/25/93 Greek Theater CDR 2
05/26/93 Arlington Theater CDR 3 Considered by many to be the best ABB show of the 90's
05/28/93 Concord Pavilion CDR 2
05/30/93 Hilton Amphitheater CDR 2
06/02/93 Paul Paul Theater CDR 3
06/04/93 Mesa Amphitheatre CDR 3
06/25/93 World Theatre CDR 2
06/26/93 Mesker Amphitheater CDR 3
07/04/93 Walnut Creek Ampitheatre CDR 3
07/31/93 Stowe Performing Arts Center CDR 2
08/01/93 Great Woods Center for the Performing Arts CDR 2
08/03/93 Merriweather Post Pavilion CDR 2
08/29/93 The Backyard CDR 3
09/14/93 Civic Center CDR 3
09/15/93 J.M.U. Convocation Center CDR 3
09/17/93 Coleman Coliseum CDR 3
11/12/93 University of Florida Bandshell CDR 3
11/14/93 Brevard County Fairgrounds CDR 3
04/01/94 Beacon Theater CDR 3
04/02/94 Beacon Theatre CDR 2
04/03/94 Beacon Theatre CDR 3
04/05/94 Beacon Theatre CDR 3
04/06/94 Beacon Theatre CDR 2
05/08/94 Aladdin Theater CDR 2
05/16/94 Rockline CDR 1
05/21/94 Warfield Theatre CDR 3
05/22/94 Warfield Theatre CDR 4
07/16/94 Val du Lakes Amphitheater CDR 3
07/19/94 Starwood Amphitheater CDR 3
07/23/94 Riverport Amphitheatre CDR 2
07/27/94 Santa Fe Downs CDR 2
07/31/94 Shoreline Amphitheatre CDR 2
08/14/94 Great Woods Center for the Performing Arts CDR 2
08/16/94 Garden State Arts Center CDR 1
08/30/94 New York State Fairgrounds Grandstand CDR 2
09/04/94 Byram Township CDR 2
11/02/94 Convention Center CDR 3
12/10/94 Sioux City Convention Center CDR 3
04/21/95 Miami University CDR 2
04/23/95 Lakewood Amphitheater CDR 2
05/14/95 Radio City Music Hall CDR 3
05/20/95 Radio City Music Hall CDR 2
05/22/95 Tower Theater CDR 2
07/14/95 Pinewood Bowl CDR 2
08/02/95 Merriweather Post Pavilion CDR 1 Only have disc 1
08/04/95 Great Woods Center for the Performing Arts CDR 2
08/09/95 Jones Beach Music Theater CDR 2 Dedicated to Jerry Garcia
09/04/95 Deer Creek Music Center CDR 2
09/09/95 Riverport Amphitheatre CDR 2
11/09/95 Western Carolina University CDR 3
11/11/95 Viking Hall CDR 2
03/01/96 Beacon Theatre CDR 2
03/02/96 Beacon Theatre CDR 2
03/03/96 Beacon Theatre CDR 2
03/05/96 Beacon Theatre CDR 3
03/06/96 Beacon Theatre CDR 2
03/08/96 Beacon Theatre CDR 3
03/10/96 Beacon Theatre CDR 2
03/12/96 Beacon Theatre CDR 3
03/13/96 Beacon Theatre CDR 3
03/15/96 Beacon Theatre CDR 3 Missing all songs after Liz Reed
03/16/96 Beacon Theatre CDR 2
03/17/96 Beacon Theatre CDR 3
04/26/96 UNO Arena - Jazz Fest CDR 3
04/27/96 Fairgrounds - Jazz Fest CDR 2
05/03/96 Oak Mountain Amphitheatre CDR 3
05/04/96 Tom Lee Park CDR 3
05/05/96 The Palace CDR 3
05/08/96 Riviera CDR 3
06/22/96 Lakeside Amphitheatre CDR 3
06/30/96 Star Lake Amphitheatre CDR 3
07/06/96 Walnut Creek Amphitheatre CDR 2
07/19/96 Great Woods Center for the Performing Arts CDR 3
07/28/96 Deer Creek Music Center CDR 3
08/25/96 Reno Hilton Outdoor Pavilion CDR 3
08/29/96 The Greek Theatre CDR 3
08/31/96 Glen Helen Blockbuster Pavilion CDR 2
03/11/97 Beacon Theatre CDR 3
03/12/97 Beacon Theatre CDR 2
03/14/97 Beacon Theatre CDR 2
03/15/97 Beacon Theatre CDR 3
03/16/97 Beacon Theatre CDR 3
03/18/97 Beacon Theatre CDR 2
03/19/97 Beacon Theater CDR 3
03/21/97 Beacon Theatre CDR 3 A
03/22/97 Beacon Theatre CDR 3
03/23/97 Beacon Theatre CDR 3
03/25/97 Beacon Theatre CDR 2
03/26/97 Beacon Theatre CDR 2
06/20/97 Great Woods Center for the Performing Arts CDR 2
06/21/97 Jones Beach Theater CDR 2
06/24/97 Blockbuster-Sony Music Entertainment Centre CDR 2 Can't copy Disc 1
06/27/97 The Meadows CDR 3
06/28/97 PNC Bank Arts Center CDR 3
06/29/97 Merriweather Post Pavilion CDR 2
07/01/97 Oak Mountain Amphitheatre CDR 3
07/06/97 World's Fair Park CDR 3
08/08/97 Red Rocks Amphitheatre CDR 2
08/12/97 Polaris Amphitheatre CDR 2
08/19/97 Nautica Stage CDR 2
09/23/97 Bank of America Center CDR 2
09/27/97 Universal Amphitheatre CDR 2
10/03/97 Woodlands Pavilion CDR 3
10/05/97 Mud Island Amphitheatre CDR 3
03/03/98 Beacon Theatre CDR 2
03/04/98 Beacon Theatre CDR 2
03/06/98 Beacon Theatre CDR 2
03/07/98 Beacon Theatre CDR 2 Disc one cannot be copied
03/08/98 Beacon Theatre CDR 2
03/10/98 Beacon Theatre CDR 3
03/11/98 Beacon Theatre CDR 3
03/14/98 Beacon Theatre CDR 3
03/15/98 Beacon Theatre CDR 3
03/17/98 Beacon Theatre CDR 2
03/20/98 Beacon Theatre CDR 3
03/21/98 Beacon Theatre CDR 3
03/22/98 Beacon Theatre CDR 3
06/20/98 Saratoga Performing Arts Center CDR 2
06/27/98 Montage Mt. CDR 2
06/28/98 Jones Beach Theater CDR 1 Only the first disc of this show (Black Hearted Woman through Come Into My Kitchen). I believe the 2nd disc I got from this show is 7/3/98. Disc 1 had such an unusual setlist and it perfectly matched with only 6/28/98.
06/30/98 PNC Bank Arts Center CDR 3
07/04/98 Blockbuster Pavilion CDR 3
08/04/98 Mark of the Quad Cities CDR 2
08/05/98 River Bend Music Center CDR 2
08/07/98 Deer Creek Music Center CDR 3
08/11/98 Wisconsin State Fairgrounds Grandstand CDR 2
08/12/98 Northrop Auditorium, U. of Minn. CDR 3
08/14/98 Red Rocks Ampitheatre CDR 2
08/15/98 Red Rocks Ampitheatre CDR 2
09/01/98 Fox Theater CDR 3
09/02/98 Fox Theater CDR 3
09/06/98 Fox Theater CDR 3
09/09/98 Coral Sky Amphiteatre CDR 2
09/16/98 Bryce Jordan Center - Penn State University CDR 2
09/19/98 Great Woods Center for the Performing Arts CDR 2
03/04/99 Beacon Theatre CDR 3
03/05/99 Beacon Theatre CDR 3
03/06/99 Beacon Theatre CDR 3
03/08/99 Beacon Theatre CDR 3
03/09/99 Beacon Theatre CDR 2
03/11/99 Beacon Theatre CDR 3
03/12/99 Beacon Theatre CDR 3
03/13/99 Beacon Theatre CDR 3
03/16/99 Beacon Theatre CDR 3
03/18/99 Beacon Theatre CDR 3
03/19/99 Beacon Theatre CDR 2
03/20/99 Beacon Theatre CDR 3
03/23/99 Beacon Theatre CDR 2
03/25/99 Beacon Theatre CDR 3
03/26/99 Beacon Theatre CDR 2
03/27/99 Beacon Theatre CDR 3
03/28/99 Beacon Theatre CDR 2 Jack Pearson's final ABB show
06/12/99 Red Rocks Ampitheatre CDR 2
06/13/99 Red Rocks Ampitheatre CDR 2
06/16/99 Sandstone Ampitheatre CDR 3
06/18/99 New World Music Amphitheater CDR 2
06/23/99 The Palace Theatre CDR 2
06/29/99 River Bend Music Center CDR 2
07/02/99 GTE Virginia Beach Amphitheater CDR 2
07/04/99 First American Music Center CDR 2
07/24/99 Starplex Amphitheatre CDR 2
07/27/99 Mesa Amphitheatre CDR 2
07/28/99 The Joint CDR 2
07/31/99 Greek Theater CDR 3
08/01/99 Shoreline Amphitheatre CDR 2
08/21/99 Darien Lake Amphitheatre CDR 2
08/22/99 Pine Knob Music Theater CDR 3
08/24/99 Oakdale Theatre CDR 2
08/29/99 PNC Arts Center CDR 3
09/03/99 Oak Mountain Amphitheatre CDR 2
09/05/99 Walnut Creek Amphitheater CDR 2
03/09/00 Beacon Theater CDR 2
03/10/00 Beacon Theater CDR 2
03/11/00 Beacon Theatre CDR 3
03/13/00 Beacon Theater CDR 2
03/16/00 Beacon Theater CDR 2
03/17/00 Beacon Theater CDR 2
03/18/00 Beacon Theater CDR 2
03/20/00 Beacon Theater CDR 2
03/21/00 Beacon Theater CDR 2
03/23/00 Beacon Theater CDR 2
03/24/00 Beacon Theater CDR 2
03/25/00 Beacon Theater CDR 3
04/28/00 The Fairgrounds Racetrack Jazz Festival CDR 2
04/29/00 Municipal Auditorium CDR 2
04/30/00 Mobile Civic Center CDR 2
05/02/00 Columbia Township Auditorium CDR 2
05/03/00 Asheville Civic Center CDR 2
05/05/00 Riverstages - Budweiser Stage CDR 2
05/06/00 Beale St. Music Festival CDR 3
05/07/00 Midtown Music Festival CDR 2
06/16/00 GTE Amphitheatre CDR 3
06/17/00 Aberdeen Proving Ground CDR 3
06/18/00 Blockbuster Amphitheatre CDR 3
06/20/00 Star Pavilion CDR 3
06/21/00 PNC Bank Arts Center CDR 3
06/25/00 Meadows Music Theatre CDR 3
06/30/00 Marcus Ampitheatre CDR 3 Contains the opening act (Susan Tedeschi) on Disc 3
07/01/00 Saturday In The Park CDR 2
07/03/00 Red Rocks Ampitheatre CDR 3
07/21/00 Star Lake Amphitheatre CDR 2
07/22/00 Pine Knob Music Theater CDR 2
07/30/00 Molson Amphitheatre CDR 3
08/01/00 Seagate Convention Centre CDR 3
08/02/00 P & C Stadium CDR 2
08/04/00 Jones Beach Amphitheater CDR 3
08/05/00 Darien Lakes PAC CDR 3
08/25/00 Madison Blues Festival CDR 3
08/27/00 Northrop Auditorium CDR 2
08/30/00 Nebraska State Fair CDR 3
09/01/00 Jazz Aspen CDR 2
09/04/00 Blues Festival CDR 2
09/22/00 Nissan Pavillion at Stone Ridge CDR 2
09/23/00 Alltel Pavilion At Walnut Creek CDR 2 No track seperation on Disc 1
03/17/01 Beacon Theatre CDR 3
03/19/01 Beacon Theater CDR 3 Burned TAO, so I am in much need of a better copy.
03/22/01 Beacon Theater CDR 2
03/24/01 Beacon Theatre CDR 3
03/25/01 Beacon Theater CDR 3
08/03/01 Alltel Pavilion CDR 2
08/07/01 Chicago Theatre CDR 3
03/14/02 Beacon Theater CDR 2
06/07/02 Wiltern Theatre CDR 2
06/16/02 The Fillmore Auditorum CDR 3
09/20/02 Hi-Fi Buys Amphitheater CDR 3
03/15/03 Beacon Theater CDR 3
06/14/03 Bonnaroo Music Festival CDR 2
06/28/03 Hilton Casino CDR 2
07/02/03 Tower City Ampitheater CDR 2
07/05/03 Soo Pass Ranch CDR 2 A
07/11/03 Main Stage, Cisco Systems Bluesfest CDR 2
07/12/03 Indian Lookout Country Club CDR 2
07/13/03 Tweeter Center CDR 2
07/26/03 Post Gazette Pavillion CDR 3
07/29/03 Chicago Theater CDR 2
08/02/03 Darien Lakes PAC CDR 2
08/05/03 Penns Landing CDR 2
08/06/03 PNC Bank Arts Center CDR 2
08/08/03 HiFi Buys Amphitheatre CDR 3 A
08/09/03 Verizon Wireless Amphitheatre CDR 3 A+ Instant Live; Can't be traded
09/07/03 The Greek Theater CDR 2
09/09/03 Santa Barbara Bowl CDR 2
09/13/03 Usana Amphitheatre CDR 2
09/14/03 Town Park CDR 2
09/16/03 Dodge Theater CDR 2
09/17/03 Anselmo Valencia Tori Amphitheatre CDR 2
09/19/03 Red Rocks Amphitheatre CDR 3
03/18/04 Beacon Theater CDR 2
03/19/04 Beacon Theater CDR 2
03/20/04 Beacon Theater CDR 3
03/22/04 Beacon Theater CDR 3
03/23/04 Beacon Theater CDR 2
03/25/04 Beacon Theater CDR 3
03/26/04 Beacon Theater CDR 3
03/27/04 Beacon Theatre CDR 3
03/28/04 Beacon Theater CDR 3
07/03/04 The Gorge Ampitheatre CDR 2
07/06/04 Sun Valley Outdoor Pavillion CDR 2
07/07/04 Snow King Ampitheatre CDR 2
07/09/04 Red Rocks Ampitheatre CDR 2
07/10/04 Red Rocks Ampitheatre CDR 3
07/12/04 Uptown Theater CDR 3
07/13/04 The Lawn at White River State Park CDR 2
07/17/04 Fox Cities Stadium CDR 2
08/21/04 Tweeter Center CDR 3
08/22/04 The Oakdale Theater CDR 3
08/24/04 Jones Beach Ampitheater CDR 2
08/25/04 PNC Bank Arts Center CDR 2
08/28/04 Tower City Amphitheater CDR 3
08/29/04 Meadow Brook Music Theater CDR 2
08/31/04 Minnesota State Fair Grandstand CDR 2
09/01/04 Rosemont Theater CDR 2
09/02/04 On The Waterfront, Miller Light Lawn CDR 2
09/04/04 Borgota CDR 3
09/05/04 Post-Gazette Pavilion CDR 2
09/06/04 Darien Lake Performing Arts Center CDR 3
09/24/04 Fox Theatre CDR 3
09/25/04 Fox Theatre CDR 2
09/26/04 Fox Theatre CDR 3 Instant Live; Cannot be traded
09/28/04 XM Performance Theater CDR 1
09/30/04 Nissan Pavilion CDR 3
10/01/04 Alltel Pavilion CDR 2
10/02/04 Verizon Wireless Amphitheater CDR 2
10/04/04 Knoxville Civic Auditorium CDR 3
10/05/04 Mud Island Amphitheater CDR 2
10/06/04 Zoo Amphitheater CDR 2
10/08/04 Smirnoff Music Centre CDR 2
10/09/04 Cynthia Woods Mitchell Pavilion CDR 2
10/10/04 Verizon Wireless Amphitheater CDR 2
03/10/05 Beacon Theatre CDR 3
03/11/05 Beacon Theatre CDR 3
03/12/05 Beacon Theatre CDR 2
03/14/05 Beacon Theatre CDR 3
03/15/05 Beacon Theatre CDR 3
03/17/05 Beacon Theatre CDR 3
03/18/05 Beacon Theatre CDR 3
03/19/05 Beacon Theatre CDR 3
03/21/05 Beacon Theater CDR 3
03/22/05 Beacon Theatre CDR 2
04/15/05 Spirit Of The Suwannee Music Park CDR 2
04/16/05 Spirit Of The Suwannee Music Park CDR 3
05/06/05 Greek Theatre CDR 2
05/07/05 Santa Barbara Bowl CDR 3
05/10/05 Sandia Casino Amphitheater CDR 2
05/14/05 Von Braun Center Arena CDR 2
05/15/05 Mississippi Coliseum CDR 2
05/19/05 Bancorp South Center CDR 2
05/21/05 Ford Amphitheater CDR 2
05/23/05 Bob Carr Performing Arts Center CDR 3
05/24/05 Mizner Amphitheatre CDR 3
06/10/05 Great Stage Park CDR 2
07/05/05 Marcus Amphitheater CDR 2
07/06/05 Stranahan Theater CDR 3
07/08/05 Augusta Civic Center CDR 2
07/09/05 Verizon Wireless Arena CDR 2
07/11/05 Tower City Amphitheatre CDR 2
07/12/05 Common Ground Music Festival CDR 3
07/13/05 Germain Amphitheatre CDR 2
07/15/05 Verizon Wireless Virginia Beach Amphitheater CDR 3
07/16/05 Post-Gazette Pavillion CDR 2
07/17/05 Nissan Pavilion CDR 3
07/19/05 Warner Theatre CDR 3
07/20/05 Riverbend Music Center CDR 2
07/22/05 Finger Lakes P.A.C. CDR 2
07/23/05 Festival Pier @ Penn's Landing CDR 2
07/24/05 Saratoga Performing Arts Center CDR 2
08/12/05 Jackpot Junction CDR 2
08/13/05 Rosemont Theatre CDR 2
08/14/05 DTE Energy Music Theatre CDR 3
08/16/05 Molson Amphitheatre CDR 2
08/17/05 RBC Theatre (John Labatt Centre) CDR 3
08/19/05 Montage Mountain CDR 3
08/20/05 Tweeter Center for the Performing Arts CDR 2
08/21/05 Meadows Music Theater CDR 2
08/23/05 PNC Bank Arts Center CDR 2
08/24/05 Jones Beach Amphitheater CDR 2
08/26/05 Borgata Hotel & Casino CDR 3 Instant Live
08/27/05 New York State Fair CDR 2
08/28/05 Champlain Valley Expo CDR 2
09/13/05 York County Fair Expo Center CDR 2
09/16/05 UMB Bank Pavilion CDR 3
09/18/05 Red Rocks Amphitheater CDR 3
09/23/05 Zilker Park CDR 1
09/27/05 Civic Auditorium CDR 3
09/28/05 Charlottesville Pavilion CDR 3
09/30/05 Alltel Pavillion CDR 3
10/01/05 Hi Fi Buys Amphitheatre CDR 2
10/02/05 Verizon Wireless Amphitheatre CDR 3
03/09/06 Beacon Theatre CDR 3
03/10/06 Beacon Theater CDR 3
03/11/06 Beacon Theatre CDR 3
03/13/06 Beacon Theater CDR 3
03/14/06 Beacon Theater CDR 2
03/16/06 Beacon Theater CDR 3
03/17/06 Beacon Theater CDR 2
03/18/06 Beacon Theater CDR 3
03/20/06 Beacon Theater CDR 2
03/21/06 Beacon Theater CDR 3
03/23/06 Beacon Theater CDR 3
03/24/06 Beacon Theater CDR 3
03/25/06 Beacon Theater CDR 3
03/26/06 Beacon Theater CDR 3
04/14/06 Wanee Festival CDR 3
04/15/06 Wanee Festival CDR 3
06/16/06 Riverbend Music Center CDR 3
06/21/06 Plain Dealer Pavilion CDR 2
06/27/06 Jones Beach Music Theater CDR 2
06/30/06 House Of Blues CDR 2
08/18/06 Tweeter Center CDR 2
08/20/06 HiFi Buys Amphitheatre CDR 2
08/26/06 Tweeter Center CDR 2
08/30/06 Rosemont Theatre CDR 2
03/19/09 Beacon Theatre CDR 2
03/20/09 Beacon Theatre CDR 3 Instant Live
04/17/10 Wanee Music Festival, Peach Stage CDR 3 Instant Live...no trades
11/12/10 DAR Constitution Hall CDR 3 A Instant Live...no trades
10/27/14 Beacon Theater CDR 3 Instant Live - No Trades!
10/28/14 Beacon Theater CDR/FLAC 4 Instant Live - no trades!

Bad Company --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/23/76 Forum CDR 1 ONLY THE ENCORE w/ Jimmy Page and Robert Plant

The Band --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/01/73 Roosevelt Stadium CDR 1

The Beatles --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/18/69 Final River Rhine Tape CDR/FLAC 1
??/??/69 More River Rhine Tapes CDR/FLAC 1

Billy Joel --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/08/91 Deep Hollow Ranch CDR/FLAC 2 he Ken G. Collection (Vol 82) Source: unknown mics -> unknown recorder -> 110 minute cassette master -> 1st generation cassette (Maxell XL-II) Transfer: Maxell XL-II > Sony Deck TC-WE 475 > JVC XL-R2010 CD-RW > Soundforge 9.0 > Wav > TLH (sector boundary aligned) Level 8 Flac > Dime 2/21/14

Billy Joel & Elton John --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
05/05/09 Xcel Energy Center CDR/FLAC 3 Source: SP-TFB-2 -> SP-SPSB-11 (set at 95 Hz Bass Roll-Off) -> Edirol R09 -> WAV -> Adobe Soundbooth -> WAV -> FLAC

Buffalo Springfield --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/20/68 Whittier High School CDR/FLAC 1
??/??/68 Missing Herd Compilation CDR/FLAC 2
06/01/11 Fox Theater CDR/FLAC 2

Coverdale/Page --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/17/93 Yoyogi Olympic Pool CDR 1 "Checks & Chops"
12/22/93 Nagoya Gym CDR 1 "One More Check"

Cream --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/05/68 Back Bay Theater CDR/FLAC 2
10/04/68 Alameda County Coliseum CDR 1
05/03/05 Royal Albert Hall CDR 2

Crosby & Nash --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/26/72 Winterland Ballroom CDR/FLAC 1 KSAN-FM broadcast w/ Neil Young

Crosby, Nash & Young --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/12/77 Santa Cruz Civic Auditorium CDR/FLAC 2 Analog 1st gen

Crosby, Stills & Nash --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/01/88 Great Woods Center for the Performing Arts CDR/FLAC 2 SBD>?>CDR(x)>EAC>WAV>FLAC

Crosby, Stills, Nash & Young --- Approximate Hours: 115
Show Date Venue Media Type Media Count Sound Quality Notes
09/13/69 Esalen Institute CDR/FLAC 2
11/26/69 Coliseum CDR/FLAC 2 low gen aud remastered reseed (loud claps and mike knocks reduced) - flac > wav > flac (sb's aligned) > torrentially yours.
12/14/69 Masonic Temple CDR/FLAC 2
01/06/70 Royal Albert Hall CDR/FLAC 2 audience analog master > 1st gen cassette transfer: master cassette > 1st gen cassette (copied c. 1976) > Vestax 4 track deck > CDR > EAC > xACT 1.5b3 > flac(8)
05/12/70 Denver Coliseum CDR/FLAC 2
05/29/70 Boston Garden CDR/FLAC 2 AUDIENCE REEL MASTER>CDR>EAC>FLAC
06/04/70 Fillmore East CDR 2
06/06/70 Fillmore East CDR/FLAC 2
??/??/70 Another 4 Way Street CDR/FLAC 2
10/04/71 Carnegie Hall CDR/FLAC 2 Audience Recording Conversion 1st gen>Pioneer Stand Alone> EAC>Soundforge 6.0>CD Architect 5.0>WAV>FLAC
10/04/73 Winterland Arena CDR/SHN 1 Source: SBD Lineage: CDR > WAV (EAC v0.9B4) > SHN (mkw 0.97b1)
07/09/74 Seattle Center Coliseum CDR/FLAC 4 Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS Lineage Patch Source: 1st gen cassettes>Nakamichi 670>Wavelab 96/24>wav 44.1/16>flac Taping Gear: Unknown directional stereo mics>Sony TC-126 Taped By: Dave Departee & Donn Amick Transferred By: JEMS
07/13/74 Oakland-Alameda County Coliseum CDR/FLAC 3 source: Reel -> DAT/n -> CDR -> EAC -> WAV -> CoolEdit -> WAV -> SHN -> FLAC
07/14/74 Oakland-Alameda County Coliseum CDR/FLAC 3 Lineage: AUD (unknown equipement) > 2nd gen (probably) > CD-R > EAC > WAV > FLAC
07/19/74 Royals Stadium CDR/FLAC 3 Lineage transfer : Analog Master >DAT>DAT>Edirol R-09HR (24 bit 48 Khz)>CARD>PC>GOLDWAVE (resample at 44.1 Khz 16 bit) Editing of the cuts and Split files.......nothing more made (no equalizations, I prefered don't touch nothing , this show don't need) >FLAC level 6 - md5 - Fingerprint
07/21/74 County Stadium CDR/FLAC 3 Aud > Low gen. analog tape > DAT > CDR > EAC > Flac
07/25/74 Mile High Stadium CDR/FLAC 2 AUD > "Reunion Concert July 25 1974" Vinyl Bootleg > CDR > EAC > flac
08/06/74 Boston Garden CDR/FLAC 2 Audience Mono Sony TC-55 with built in condenser mic and auto level control Master Cassette > CDR > EAC secure > Audacity (edits) > CD Wave (tracks) > FLAC Nakamichi MR-1 > Tascam CD-RW900 Azimuth aligned; no noise reduction, processing or EQ Total Time - 133:16 Recorded and transferred by Steve Hopkins
08/08/74 Roosevelt Stadium CDR/FLAC 2 Lineage: Audience Master > DAT > DAT > CDR > EAC > wav > flac except Grave Concern, which is from an unknown source.
08/17/74 Forman Field CDR/FLAC 1
08/19/74 Capitol Centre CDR/FLAC 3
08/31/74 Municipal Stadium CDR/FLAC 3 w/ the Band opening set
09/02/74 Varsity Stadium CDR/FLAC 2 Taper: The 'Yeeshkul' gang Transfer: KMG Lineage: 2nd gen cassettes > Nakamichi > SB Audigy > Soundforge > Flac level 8
09/08/74 Roosevelt Raceway CDR/FLAC 3
09/14/74 Wembley Stadium CDR/FLAC 3 CROSBY, STILLS, NASH & YOUNG The Complete Wembley Concert
??/??/74 Best Of 1974 Tour Vol. 7 CDR/FLAC 1
02/06/87 Arlington Theater ~ Late Show CDR/FLAC 2 Late Show - Lineage: 4th generation analoge tape played through a Pioneer S430S >> EDirol SD card >> PC Editing with Adobe Audition
04/01/90 Santa Monica Civic Auditorium CDR/FLAC 2 Most of the show comes from an Analog 1st generation source I used a different cassete (same source, higher generation) to complete songs #17 (end missing) and #18 (start missing)
01/24/00 The Palace Of Auburn Hills CDR/FLAC 3 Source: DAT master w/CSB mic's > DAT clone Taper: M.G. Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (edits, fades i/o, normalization, sample rate conversion to 44.1kHz) > CDWave (tracking) > flac(8)
01/26/00 Kemper Arena CDR/FLAC 3
03/31/00 Air Canada Centre CDR/FLAC 3
04/14/00 United Center CDR/FLAC 2
04/15/00 United Center CDR/FLAC 3 DAT master > CDR CDR > eac (secure) > flac(8) Taper: D.S.
02/06/02 Palace CDR/FLAC 3
02/20/02 Conseco Fieldhouse CDR/FLAC 3 DAT master > CDR (I have no further info) CDR > eac > flac(8)
03/27/02 Sports Arena CDR/FLAC 3
07/15/06 Xcel Energy Centre CDR/FLAC 3 Recorded from the 10th row, Center section. KLB-Moezer2112 Master -> CDr > EAC > FLAC(Level 8)
07/22/06 Harvey's Outdoor Arena CDR/FLAC 3

David Bowie --- Approximate Hours: 57.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/06/72 Kingston Polytechnic CDR/FLAC 2 Recording from very lo-gen cassette Original CDR>EAC>Flac
11/17/72 Pirate's World Amusement Park CDR/FLAC 1 Combination of 2 audience tape versions from the same source. Version 1: by a private collector as 96 kHz/24 bit (first part of the show). Version 2: by learm as 48 kHz/24 bit (second part of he show). Processing Info: Version 1: 96/24 flac file -> Foobar2000 convert to 48/24 -> Magix Music Cleaning Lab (remaster/edit) -> FLAC (48 kHz, 24 Bit, Stereo) Version 2: unknown gen tape received in the mid 80's in a trade > transfer via Onkyo tapedeck TA-2330 -> Magix Music Cleaning Lab (wav-file 48/24) -> (remaster/edit) -> FLAC (48 kHz, 24 Bit, Stereo) Transcoded to 44.1kHz/16 bit Removed SBEs with TLH.
02/15/73 Radio City Music Hall CDR/FLAC 2 Lineage: Tape > Technics Rs-bx501 > Zoom H2N (24/96) Flac > PC > iZotope RX4 Advanced (64-bit) > WaveLab 8.5 (64-bit) (Remaster 44/16) > BowieStation
05/18/73 Green's Playhouse CDR/FLAC 2
06/16/74 O'Keefe Auditorium CDR/FLAC 2 Audience recording Lineage: TDK D120 (Noggin) > Denon DRM-500 deck > direct wire > iZotope RX2 denoiser tool for light hiss removal > Goldwave for track splits etc > FLAC 4
07/02/74 Curtis Hixon Hall CDR/FLAC 1 Kut Korners Production (KKP-001) Lineage: Source 1 CDR-->Wavelab 5-->Traders Little Helper--> Flac(level.8) Source 2 Silver CD (David Bowie 1974)-->Wavelab 5-->Traders Little Helper-->Flac(level.8)
07/16/74 Music Hall CDR/FLAC 2 LINEAGE JOE MALONEY AUDIENCE ANALOG MASTER TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 NO EQ OR OTHER TAMPERING
07/20/74 Madison Square Garden CDR/FLAC 2 Source: XLII90 --> Audacity --> Wav --> FLAC Front End Level 8 Description: Decent sounding audience tape from the 1974 tour, I think one of the better ones from '74 not including the Maloney recordings, et al. Bowie says "Good evening New York" as an identifier during the intro to All The Young Dudes. This show is missing both Jean Genie and Rock N'Roll Suicide, and has a few small cuts, most are between songs but are barely noticeable. Watch That Man has a cut toward the end of the song. All in all a good show and a good performance.
09/05/74 Universal Amphitheatre CDR/FLAC 2 DAVID BOWIE - Strange Fascination Liberated Bootleg Label - Tom 001/002 CD Artwork Included Silver Discs > EAC > Flac 2xCD - 106 Minutes Approx
09/11/74 Sports Arena CDR/FLAC 2 Rec. Info: Cassette of unknown generation -> transfer via Onkyo tapedeck TA-2330 -> Magix Music Cleaning Lab (remaster/edit) -> FLAC (44,1 kHz, 16 Bit, Stereo) -> DIME As with most of the Bowie tapes I received in the 80's there were a lot of sound level fluctuations, cuts and differences in sound quality which had to be mastered. Nevertheless most of the recording has quite a good sound after some EQ (lifting bass and treble). The 2nd part of the tape was quite muffled and had to be remastered separately (unfortunately the "snow" is quite present in this passage). This had to be done also to a small part of Moonage Daydream. Some songs are incomplete as they cut in or out. Quite a rare recording with mostly very good sound. This is one of the last "Diamond Dog"-tour concerts before the more soul oriented "Philly Dog"-tour concerts.
10/10/74 Dane County Coliseum, University of Wisconsin CDR/FLAC 2 Very good quality, mixing desk? recording CD-r (of "1974" CD set) > Audacity > CD Wave > TLH > FLAC
12/01/74 Omni Arena CDR/FLAC 2 Remix of audience recording - good to very good quality (depending on your judgement). Liberated bootleg:Class of '74 Vol 4:Atlanta 1 December low gen audio cassette>spin doctor>CoolEdit Pro>cd wave>.wav>cdr>eac>flac/8 remix the above > Audacity + mda_image plugin > WAV > TLH > FLAC level 8
04/17/76 Hallenstadion CDR/FLAC 2 Matrix of 2 different audience recordings from the same show. Lineage (Both recordings): 1. gen. Tape > Technics Rs-bx501 > Zoom H2N (24/96) Flac Processing: Flac files of 2 recordings (96 kHz/24 bit) -> Switch Sound File Converter Plus (downsample 96/24 > 48/24) > Magix Music Cleaning Lab (Remaster 48/24) > Switch Sound File Converter Plus (downsample 48/24 > 44/16) > TLH (Fix SBEs) > BowieStation A previous matrix consisting of the 2 different recordings (source HG 29 by steve23yh) was uploaded to MWP on 21-12-2014 and to Bowiestation on 25-05-2015. This matrix here is superior to the previous one as the original files came from the master tapes and were digitized in 96 kHz/24 bit. The sound in comparison is clearer and has less distortion. Concerning the making of the matrix the processing was more or less the same as with the previous matrix: Both recordings were incomplete as both had several cuts and have quite distinctive differences in sound. As a result of the matrix the sound is very balanced between frequencies. To adapt the single bits from either one or the other tape to the overall sound some EQ was necessary. Also I lifted the bass and treble of the combination a bit. As always the biggest challenge was the differences in speed of both tapes. As usual with such old recordings (and gens) the speed was inconsistent within each track. So it took quite a while to fix this. I was orientating the speed towards version 2. Version 1 has some problems with higher levels in sound and so also the matrix is suffering from this a bit. The concert as such for me sounds very committed. David is in very good mood and after the band introduction he states: "...you are the audience ....and I am David Bowie"
04/27/83 Las Colinas Soundstage CDR/FLAC 2 This is the "heyricky"-version of the Serious Moonlight Tour Rehearsal from 1983.
06/12/83 Ullevi Stadium CDR/FLAC 2 Known lineage: Unknow generation 2xc90 TDK CDing II chrome tapes by trade > Audacity 2.0 wav files aquisition, tracks splitting > FLAC Frontend flac files encoding (level=5), flac files fingerprints > mkwACT whole set MD5 file signature
04/??/87 NYC CDR/FLAC 2 New York's A Go Go (DAV 001/002) Lineage: Silver--> EAC(secure)--> Flac--> YOU!
06/06/87 Reichstag CDR/FLAC 2 This is a complete soundboard of the concert. It is the same as Quicksand (Other) posted to MWP last year, but his upload was missing "Loving The Alien". Lineage is unknown.
07/31/87 Veterans Stadium CDR/FLAC 2 Source: Audience recording > ? > "Maxell XLII90 x 2 -->Audacity-->FLAC Level 8. Speed Corrected!"
03/15/90 PNE Coliseum CDR/FLAC 2 Source: Audience Lineage: DAT(M)>WAV [48kHz/16bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Tascam DA-20 MKII>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Nakamichi CM-700s>Panasonic SV-255 Taped By: JEMS Transferred By: Mike Ziegler
03/26/90 Docklands Arena CDR/FLAC 2 Source: Audience recording > ? > low generation TDKSA90 tape > TEAC W600R cassette player > RealTek HD Sound Manager > Audacity > WAV > FLAC Frontend > FLAC (level 8). From the Blackout archives.
10/17/02 Jimmy's Bronx Cafe CDR/FLAC 2 FROM THE COLLECTION OF SMORES KRW&CO TRANSFER/SMORES UPLOAD # 402 LINEAGE AUDIENCE DAT MASTER(48KHZ)>DAT CLONE>SONY PCM R-300 DAT>FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND TAPE CHANGE EDIT WAV 16/48> TLH FLAC (LEVEL 8)
01/11/04 Target Center CDR/FLAC 2 Taper: alzeppelin Location: Floor 1 (Earl Slick side) Row 14 Seat 4 Source 1 : Coresound High-end Binaurals > Bass Roll-off Box > Sony D100 > Master 48 khz DAT Transfer: Master DAT > Sony D8 > 7 Pin > Coax Digital Cable > Echo Mia Soundcard -> Cooledit Pro (downsample, normalize levels) > CDWAV (track splits) > FLAC Level 8 Source 2: ICOM Scanner > Sony MZ-R700 Minidisc Transfer: Master MDs > Sony MDS-NT1 > Harddrive > Cooledit Pro (normalize levels/track splits) > FLAC Level 8
04/17/04 Berkeley Community Theatre CDR/FLAC 2 at822>m1 row f seat 65 r300>(coax)dio2448>sf6.0>cdwav>flac solid aud, far from spectacular, good show.
06/05/04 PNC Arts Center CDR/FLAC 2 Source: Liberated bootleg "40 Years to Reality" [Definitive Stealth Works DBYR001/DBYR002]. Audience recording > SP-cmc-8 minimic > SP-sb6s-24 > Neuros handheld recorder > WAV > Adobe Audition > SHN > FLAC. Taped and transferred by Rider.

David Gilmour --- Approximate Hours: 58.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/05/84 Muziekcentrum CDR/FLAC 2 Lineage: 'Shapes of Pink' LP > Maxell XLII 90 Transfer: Sony TC-WE475 > Microtrack II (24/96) > Wavelab (tracking and tweaking) > Flac (level 8)
05/18/84 Civic Center CDR/FLAC 2 "About this Face" Lineage: Low gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> wave -> NeroWaveEditor -> TLH -> flac
06/26/84 Kabuki Theatre CDR/FLAC 2 This is a rip from an old silver disc, mislabelled in the past as 1984-06-29 Berkeley. This is real from Kabuki Theater, San Francisco, California, 1984-06-26.
07/12/84 Stabler Arena - Lehigh University CDR/FLAC 1 Westwood One FM broadcast (pre-recorded) recording quality: A- (there's 1 dropout in master source in track 2, the rest is pretty close to an A.) source: FM master reel runtime: 77:00 (minutes/ seconds) lineage: 107.3 FM WAAF Worcester Mass. radio (Westwood one broadcast) > unknown reel recorder and reciever > Maxell UD 7" reel (3.3/4 ips) > played on Teac X700R reel deck into soundforge (wav) > flac (sb's aligned)
09/05/15 Brighton Center CDR/FLAC 3 Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8
09/14/15 Arena CDR/FLAC 2 Source Info: Neumann KM140’s > TinyBox > Sony PCM M10 Taped from the cheap seats at the back.
09/15/15 Ippodromo del Visarno CDR/FLAC 2 Taper: Andrea82 Source: Sound Professionals SP-CMC-8 > SP-SPSB-10 > Tascam DR-2d > WAV 24 bit 48 Khz. Transfer: Amadeus Pro (tracking, fade in/out) > Sony Sound Forge Pro (Resample and Bit Depth 44.1-16) > xACT (flac). Recorded from the 9th center row.
09/19/15 König-Pilsener-Arena CDR/FLAC 2 minimax master-series #545 Master - Audience recording Taping-location: maybe 10.000 miles away from the stage, at the opposite side of this beautiful Betonklotz!! Sound-quality: excellent- Equipment: Zoom H4N – Sound professional microphones SP-CMC-8
09/24/15 The Royal Albert Hall CDR/FLAC 2 This is a recording made from the Second row of boxes stage right with a perfect view of one ob the PA stacks. Lineage Zoom H2 Manual gain->Normalisation via Audition ->TLH Level 8 Sound quality very good
09/25/15 Royal Albert Hall CDR/FLAC 2 Recorded on location (Section Circle R, Row 3) by inu-liger Lineage: Live sound output > Sound Professionals SP-BMC-3 mini binaural microphones w/ SP-EMC-3 Croakie Eyeglass Retainer > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24 w/ a Kingston 32GB SDHC Class 4 Memory Card > PC via USB > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8
10/02/15 The Royal Albert Hall CDR/FLAC 2 SOURCE: Audience Recording / Exc. TAPER: METAMARC LINEAGE: Line Audio CM3 > Tascam DR-40 with Phantom Power > WAV to FLAC conversion with Traders Little Helper - ffp with Traders Little Helper-Torrent file with Maketorrent; equalized with Har-Bal; tweaked with Adobe Audition 2.0; cleaned and enhanced with iZotope RX4.
10/03/15 The Royal Albert Hall CDR/FLAC 2 Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording
12/11/15 Allianz Parque CDR/FLAC 2 Lineage: CA11 > CA9200 > Zoom H4n > Audacity (tracking, split) > WAV 96 kHz, 24 bit > TLH > FLAC
12/20/15 Estadio Nacional CDR/FLAC 2 Taper: Miguel Villarelo Location: 40 Meters from Stage, Right. Source: Church Audio ST-11 > ST-9100 > Sony PCM-M10 Transfer: PCM-M10 (PCM 24bit @ 96Khz) > USB 2.0 > PC Editing: Adobe Audition CC 2014 > Gain Mod > Some EQing > Hard Limit -0.1dB Tracking, Downsampling, Bit Depth & Encoding: Adobe Audition CC 2014 (libsndfile 1.0.25.0) Tags: Mp3tag v2.57
03/24/16 Hollywood Bowl CDR/FLAC 2 Roland R05 (Internal Mics, 16bit/44.1k) > Mastering > Flac
03/25/16 Hollywood Bowl CDR/FLAC 2 Recorded & Transfered By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-11(Battery Boost Box, with bass-roll-off at 69Hz)>Sony PCM-M10>CD Wave Editor(tracking)> Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivity, manual record, limiter on, mic power off, low cut filter off, speed control off.
03/27/16 The Forum CDR/FLAC 2 Roland R05 (Internal Mics, 24bit/48k) > Mastering > Flac
04/06/16 Auditorium Theatre CDR/FLAC 2 Source: HEB (AT943) > SP-SPSB-10 > Sony M10 (24/48) Transfer: SDHC > wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: the rafters Recorded by: Tapehead2
04/10/16 Radio City Music Hall CDR/FLAC 2 3 sources aud matrix @ 24 bit 48 Khz Mastering: RDWM Center Channel Taper: Edgar Source: at831 - SP-SPSB-11 (Bass Roll-off at 16 HZ) - Edirol R05 at 16 bit 44.1 Khz Position: Front row balcony Right Channel Taper: seremetcc Source: at943 - SP-SPSB-11 - (no bass roll-off) - Sony PCM-M10 at 24 bit 96 Khz Position: Orch - right side Left channel Taper: bnz Source: at943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 24 bit 48 Khz Position: Orch - left side
04/11/16 Madison Square Garden CDR/FLAC 2 Source: HEB (AT943) > SP-SPSB-10 > Sony M10 (24/48) Transfer: SDHC > wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Section 203, row A Recorded by: Tapehead2
04/12/16 Madison Square Garden CDR/FLAC 2 Lineage: CA-14 cardioids -> CA-9100 pre-amp -> 6" custom GAKables mini star quad cable -> Sony PCMM10 (Line In) Transfer: Sandisk 16GB Class 10 micro, 24bit 96kHz -> HDD Audio Software: iZotope RX3 (normalize to 0.01) -> CDWAV (tracking) -> TLH -> Flac level 8 Recorded and transferred by Drgiggles1 Recording location Section 118 row 20.
04/24/16 Royal Albert Hall CDR/FLAC 2 Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording
06/25/16 Plac Wolnosci CDR/FLAC 3 SNS-MR-184 source: EX- audience recording lineage: Sony HiMD MZ-NH700 > Sony ECM-719 transfer: Master HiMD in PCM mode > USB transfer to HDD > SonicStage4.3 > Cool Edit Pro 2.1 (fade in/out) > Track splitting in CDWave 1.96.1 > TLH FlacFrontend level8 taping location: on the right of Category B sector, far from the stage

Derek & The Dominos --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
10/11/70 Lyceum Ballroom CDR/FLAC 1 Recording Information ::: unknown mono recording equipment -> master mono tape (reel?) -> ? (analog only) -> low generation reel. Playback (20??) ::: low generation reel -> unknown digital transfer method -> 44.1kHz wavs. Remastering 2014-03-xx ::: 44.1kHz wavs -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, further speed fix entire recording averaged at -1% single pass after spectral analysis & with pitchpipe verification, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper)
10/24/70 Fillmore East CDR 2
11/26/70 Music Hall CDR 2
12/01/70 Curtis Hixon Hall CDR 2
04/??/71 Olympic Sound Studios CDR/FLAC 1 "The Last Sessions" (SBD) Work in progress instrumentals, except for track #12 which features Rene Armando on vocals.

Derek Trucks Band --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/14/06 Strathmore Music Center CDR 2
06/16/06 Riverbend CDR 1
10/27/06 Keswick Theater CDR 2

Dickey Betts --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/14/86 Coach House CDR 1
08/24/00 House of Blues CDR 2

Dickey Betts & Great Southern --- Approximate Hours: 108.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/19/77 The Bottom Line CDR 1
04/26/77 5th Floor Studios CDR 1
05/04/77 The Roxy CDR 1
06/09/77 CW Post College CDR 2
02/21/78 BBC Studios CDR 1
03/04/78 Rockaplast Festival DVD 1
03/14/78 Unknown CDR 2
08/11/78 Calderone Concert Hall CDR 2
05/09/02 Mulcahy's CDR 3
05/17/02 The Roxy CDR 3
06/20/02 Alive At Five CDR 2
08/24/02 Freebird Cafe' CDR 3
09/05/02 Trinity College CDR 3
11/15/02 B.B.Kings CDR 2 Late Show
04/12/03 Jaxx CDR 2
08/13/03 Abbey Pub CDR 2
08/23/03 Jaxx CDR 3
03/04/04 The State Theatre CDR 3
03/05/04 Trump Marina Casino CDR 2
03/07/04 Mr. Smalls Theater CDR 3
04/23/04 Freebird Cafe CDR 3
06/01/04 Rams Head Tavern CDR 2
06/08/04 Cat's Cradle CDR 2
06/09/04 Amos' Southend CDR 2
06/10/04 Exit/In CDR 2
06/18/04 Starr Hill Music Hall CDR 2
06/22/04 Irving Plaza CDR 2
06/23/04 Irving Plaza CDR 2
06/25/04 Webster Theatre CDR 2
09/23/04 Granada Theater CDR 2
09/26/04 Antone's CDR 2
03/03/05 The State Theatre CDR 3
03/04/05 The Wolf Den @ The Mohegan Sun Casino CDR 2
03/10/05 House of Blues CDR 3 TAO
06/05/05 Starr Hill Music Hall CDR 3
07/14/05 Magic City Music Hall CDR 2
06/09/06 Bijou Theater CDR 2
06/13/06 Avalon Theatre CDR 2
07/26/06 Beacon Theater CDR 3
08/19/06 Whitaker Center CDR 2

Dickey Betts & the Great American Music Show --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/14/74 Winterland Ballroom CDR 2 Awesome Liz Reed

Dickey Betts & Vassar Clements --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/04/74 Ultrasonic Sound Studios CDR 1

Dickey Betts Band --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
02/12/87 My Father's Place CDR 1
11/01/88 Lone Star Roadhouse CDR 2
12/01/88 Park West CDR 1
09/16/00 Lupos Heartbreak Hotel CDR 2
05/14/01 Northern Lights CDR 3
07/07/01 The Stone Pony CDR 2

Dickey Betts, Hall, Leavell & Trucks --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/02/82 Aragon Ballroom CDR 2
01/30/83 The Bottom Line CDR 2
02/10/83 Much More CDR 1
03/19/83 SUNY CDR 2 Capt. Skipper Remaster
04/26/83 Hobart College CDR 1
07/07/83 Park West CDR 1

Dickey Betts, Warren Haynes & Allen Woody --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/14/96 The Rock & Roll Hall Of Fame CDR 1

Dire Straits --- Approximate Hours: 27.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/19/78 Quaintway's Club CDR/FLAC 1 Radio Liverpool sessions. Taken from the original silver pressed bootleg "Live in Chester". This is the first radio broadcast with Dire straits. Excellent sound and hard to find bootleg. Dire Straits was still unknown for the big public, the first album was not released until about half a year after this. FM > EAC > WAV > FLACFRONTEND > FLAC
10/19/78 Stadschouwburg CDR/FLAC 1
02/13/79 Philipshalle CDR/FLAC 2 Lineage: Unknown recording device > n generation tape > TEAC Tape Deck AD-RW900 > Creative Sound Blaster Recon 3D > HD > SoundForge Pro 10.0 > CD Wave > FLAC Frontend (level 6)
02/16/79 WDR Studio L CDR/FLAC 2 Soundboard recording Original Bootleg EAC to WAVE, to FLAC, to U Artwork included Additional comments from OEB: Soundboard recording from the famous Rockpalast concert. Taken from the original silver pressed bootleg "Sultans of swing - live in Germany". Great concert including very nice versions of Single handed sailor and Follow me home. Notice that they played Sultans of swing twice because Mark was very unhappy with the way he played it the first time: "Alright now, let's do this Sultans and do it properly..." Very rare that this happens! The atmosphere is terrific on this concert, a must to have! Complete and uncut show.
02/17/79 Grosser Sendersaal CDR/FLAC 1 DIRE STRAITS - "LIVE ON WDR RADIO 1979"- Cologne, Germany. 1979-02-17! - G A great soundboard recording of the beginning of Dire Straits with very good sound. The gig from the day after! the famous "Rockpalast" show (16th feb 1979) Format: 1CD source: soundboard Soundquality: 9.5 A. Großen Sendersaal, Cologne, Germany, 17th February 1979 B. Philipshalle, Düsseldorf, Germany, 13th February 1979 (Bonus)
09/08/79 Orpheum Theatre CDR/FLAC 2 Source Audience (remastered) Format 2CD-R This is a remastered version of the audience source(Sultans of Boston 1979), and superior to the FM soundboard recording . The remaster consists of the alteration of the tone and of the speed of the tape, a readjustment of the EQ. emphasizing bass and high, and the new one balanced in the tracks 2,3 and 4 of cd2, due to a faint of balances in the original tape. tracks 5 and 6 of cd2 are not affected by this remastered, since they come from another recording tape.
06/17/81 Palais Des Sports CDR/FLAC 2 Sm Master Recorded on Sony TCD5 M with Beyer dynamic M 201 mics (from 1st row center balcony, no crowd noise). Cassette played on a Luxman K 112 cassette deck; zoom H4 for wave files; PC; audacity for pitch, volume and tracking; FLAC. Additional Lineage: FLAC > TLH (fixed SBEs) > FLAC
10/06/85 Wang Theatre CDR/FLAC 2 Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell XLII-S) Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@... July 29, 2009 Notes: -- Disc change is seamless -- Recorded By Steve Rolfe -- Thanks to Steve Rolfe for lending me his masters
04/26/86 Entertainment Center CDR 2
06/11/88 Wembley Stadium CDR 1
09/20/91 Wembley Arena CDR/FLAC 2
04/21/92 Halle Tony Garnier CDR/FLAC 2 Audience
06/28/92 St. Jacob Stadium CDR/FLAC 2

Donna Hopkins Band --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
05/25/03 Eddie's Attic CDR 3

The Doors --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/26/67 Winterland Ballroom CDR 1
03/01/69 Dinner Key Auditorium CDR 1

Elton John --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/21/70 Fillmore East CDR/FLAC 1 Leon > MR>Alesis Superlink>CDR>EAC>shn
11/28/74 Madison Square Garden CDR/SHN 1 Soucre: DSBD Conversion: Liberated Boot CD>EAC>WAV>MKW>SHN
12/24/74 Hammersmith Odeon CDR/FLAC 2 FM > ? > Tape > WAV > FLAC > TLH (fixed SBEs) > FLAC
10/16/75 Seattle Center Coliseum CDR/FLAC 2 Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS
10/17/75 Seattle Center Coliseum CDR/FLAC 3 Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS
10/16/79 Boston Music Hall CDR/FLAC 2 Audience Stereo (most probably Nak Mics & Deck) Master Cassette > DAT > CDR > EAC secure > FLAC Nakamichi MR-1 > Tascam DA-20 > Tascam CD-RW900 Azimuth aligned; Dolby B decoded, no processing or EQ Total Time - 158:11 Thanks to FF for the cassettes Transfer and encoding by Steve Hopkins

Eric Clapton --- Approximate Hours: 62.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/13/73 Rainbow Theatre CDR 2
01/13/73 Rainbow Theatre CDR 2
07/20/74 Long Beach Arena CDR 2
07/25/74 Kiel Auditorium CDR/FLAC 2 Lineage: Soundboard>?>Tarantura>cdr>EAC>Flac frontend 6
07/30/74 City Park Stadium CDR 2
12/05/74 Hammersmith Odeon CDR 2
04/14/75 Brisbane Festival Hall CDR/FLAC 2 SOURCE: Low Generation Cassette > Akai GX95 (Playback) > Soundforge 9 > FLAC Frontend Level 6 Align on Sector Boundaries Edit at 06:00 in Let It Rain
06/25/75 Providence Civic Center CDR 2
11/15/76 Convention Center CDR 2
02/11/78 Santa Monica Civic Auditorium CDR 2
06/02/79 Richfield Coliseum CDR 2
07/10/83 Summerfest CDR/FLAC 2 Bootleg: SIRA 187/188 - SB 6, "Milwaukee Time" - Soundboard source Lineage: SiRa Silver CDs > LiteOn iHAP322 > EAC v. 0.99 Prebeta 4 (Secure Mode, Offset Correct) > FLAC (8) This show has been in circulation for more than a decade under a couple of different names – first it was “Milwaukee Time” on Silver Rarities (SIRA 187/188), “Cocaine And Alcoholic” on Imperial (IMCD 97002-2) and then “Summerfest” on MidValley.
07/05/85 Poplar Creek Music Theatre CDR/FLAC 2 This is the premier release on the Tarantura label, catalog number TECD-001, 002, "Stereo Soundboard", "Original Master Recording". There's always been some confusion about the way the label name is spelled, and the back cover of this release is no exception, reading (P) (C) TARANTULRA (with the 'L' Crossed out!), "E.C. Archives Chicago Branch". LINEAGE: Silvers > LiteOn iHAP322 (UL18 Firmware) > EAC v. 0.99 Prebeta 4 (Secure Mode, Calibrated Offset +6, 0) > FLAC (Level 6) Of course, EAC logs and checksums (FFP, MD5, and ST5) included.
07/09/86 Le Casino (Montreux Jazz Festival) CDR 2
11/23/86 The Ritz CDR 2
04/27/87 Madison Square Garden CDR 2
02/03/89 Royal Albert Hall CDR 2
02/10/90 Royal Albert Hall CDR/FLAC 2 "Orchestra Night" Mid Valley 001/002 - SB 6 Lineage: Silver CDs > XLD Secure Ripper > FLAC
10/05/90 Estadio Monumental Antonio Vespucio Liberti CDR 2
02/17/91 Royal Albert Hall CDR 2
09/11/98 Edmonton Coliseum CDR 2 "Double Image 1"
10/15/98 Earls Court Arena CDR 2 "Double Image 2"
05/21/01 Philips Arena CDR 2
12/04/01 Nippon Budokan Hall CDR 2
05/25/06 The Royal Albert Hall CDR 2

George Harrison --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/10/74 Long Beach Arena CDR/FLAC 1 Lineage: Audience recording > unknown fiddling about over the years > LP > more unknown fiddling > CDR > EAC > wav > flac Source - Let's hear one for Lord Buddha (Misspelled "Budda")(Publisher - RMG) - Itself probably a homemade copy of original vinyl bootleg
11/12/74 The Forum FLAC/CDR 2 GEORGE HARRISON – LOS ANGELES EXPRESS SOUNDBOARD MASTER (2CD) MISTERCLAUDEL LABEL MCCD-103/104 disc one & two 01-05 Los Angeles Forum 12.11.1974 matinee disc two 06-10 Center Coliseum Washington, 04.11.1974 matinee disc two 11-12 bonus tracks, unknown disc two 05-10 audience source lineage: silvers>flac 8 unfortunately, it looks to be sourced from mp3. I believe all circulating SBD versions of the early show come from a lossy source. Even though this comes from a silver CD, the frequency analysis tells the same old story
11/26/74 LSU Assembly Center CDR/FLAC 2 lineage: silver CDs>EAC>FLAC - from "Baton Rouge 1974" Taken from the Master Tape Source Voxx-0008-01/02
12/13/74 The Capital Centre CDR/FLAC 2 Audience --> Sony Cassette Deck --> Roland VS-1680 --> CD --> EAC --> FLAC FrontEnd
12/15/74 Nassau Coliseum CDR/FLAC 2 Lineage: Memorex 90 minute MRX2 oxide (Normal bias tape) ->Sound Forge ->Boost left channel 8db both sides ->Light NR from "dead space" (recorded area between pops between tracks).

Grateful Dead --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/07/69 Piedmont Park 0 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 16, 2013 Notes: -- Disc change is seamless -- Tape flips at 19:39 in Dark Star and 17:48 in Lovelight -- This was a free concert in a city park -- The Allman Brothers also performed -- Gregg and Duane Allman joined in on Lovelight
02/11/70 Fillmore East (late show) CDR 2 w/ the Allman Brothers Band

Gregg Allman Band & Dickey Betts Band --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/16/86 Westbury Music Fair CDR 2

Guns N' Roses --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/06/92 Hippodrome De Vincennes CDR 2

Jackson Browne --- Approximate Hours: 72.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/01/74 Clark University CDR/FLAC 1 lineage: WCUW radio master reel > played on Revox reel deck, recorded on Tascam cassette deck (no dolby) onto Maxell XLII cassette > soundforge 4.5 > FLAC 6 performance quality: very good recording quality: the music is A, but the between song talk has a little noise, mainly because Browne talks rather quietly (compared to the volume of everything else.) When he's singing, he comes through clearly. source: 1st generation sbd tape runtime: 78:55 I have date listed as March 13, 1974
03/02/75 Tulane University - McAlister Auditorium CDR/FLAC 2
09/07/75 The Main Point CDR/FLAC 3 Source: Over The Air FM master (Broadcast on WMMR-FM) Lineage: master reel>wav(96/24)>wav(44.1/16)>flac Transfer: master reel>Otari 5050 mkii>Peak 6>FLAC (transfer done May 2011) Taping Gear: unknown tuner>unknown Taped By: Unknown Transferred by: JEMS Additional Lineage: FLAC > TLH (fixed SBEs) > FLAC Length: 171:03 Notes: Master reel from the JEMS archives. This was acquired along with other various broadcasts from the Philly area into the archives from the same taper who recorded these off the radio circa 72-75. This was recorded as it was broadcast live on WMMR and completely commercial free with the only cut between Song For Adam and Cocaine due to a reel flip/change. Apparently WMMR thought the show was over after Runaway and the DJ did his outro comments and the station cut out to their regularly scheduled broadcast missing the final encore. The encore was broadcast on a simulcast/rebroadcast of this show and is included here from another tape source. The sound on this is excellent and Lindley's guitar work this night is absolutely sublime. This show was part of a six night benefit concert. The broadcast either due to the recording or receiver had a high pitched whine noise in it. This copy has been mastered to remove the whine out of the audio and the same whine was also present on the other audio source for the encore. That was also mastered the same way. This an absolutely essential must have show if you like Jackson Browne in the slightest.
03/24/77 Festival Hall CDR/FLAC 2 Lineage: cdr acquired in trade > EAC > HD > TLH > FLAC (level 8)
02/22/78 Municipal Auditorium CDR/FLAC 2
07/20/80 Nassau Veterans Memorial Coliseum CDR/FLAC 2 Low generation cassette > Nakamichi > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Recorded and transfered by 38f
07/18/82 Montreux Jazz Festival CDR/FLAC 2 "Hold Out In Montreaux Remastered" Lineage: CD-R received in trade>EAC secure mode to WAV>TLH to flac level6 SBsaligned>HD
08/01/82 Castel Sant'Angelo CDR/FLAC 2 Copy of a master audience tape (thanks to Francesco again) Teac V-370 Stereo Cassette Deck > Edirol UA-4FX > Nero WaveEditor (44.1 kHz/16 bit) > wav > CD Wave Editor > flac (lev. 5)
08/23/83 The Myriad CDR/FLAC 2 Sony ECM939T > Sony WM-D6 Location: Section 320 Row A Seat 2 Taper: mjk5510 Transfer: Audience Master Tapes > Nakamichi CR-5A > MacBook Pro > Audacity > Peak Pro XT (volume smoothing / subtle tweak / indexing) > xACT > FLAC
11/06/86 Scandinavium CDR/FLAC 2
07/09/96 Royal Albert Hall CDR/FLAC 3 Recorded on Sonic Studios DSM-6 mics->Sony TCD-D7 Transferred to .wav on a Phillips CDR deck (model unknown) .wav files converted to FLAC8 via Trader's Little Helper An EBR Recording
03/18/03 Heineken Music Hall CDR/FLAC 2 A pair of discs where I have no recollection of the origin. Variable quality: talking parts can be hissy, as if the recording levels are amplified to the max. Pretty good though. I had problems transferring this... The last track (Doctor My Eyes) will not play, so I'm afraid I've just had to end it early. Someone must have this recording complete...I'd love a new transfer. CDr > EAC > Traders Little Helper > Flac8 sector aligned
10/18/04 Brighton Dome CDR/FLAC 2 Recorded on Sonic Studios DSM-6 mics->Sony TCD-D7 Transferred to .wav on a Phillips CDR deck (model unknown) .wav files converted to FLAC8 via Trader's Little Helper
11/22/04 The Palladium CDR/FLAC 2 Recorded on Sonic Studios DSM-6 mics->Sony TCD-D7 Transferred to .wav on a Phillips CDR deck (model unknown) .wav files converted to FLAC8 via Trader's Little Helper An EBR Recording
10/11/11 Sovereign Performing Arts Center CDR/FLAC 2 source : schoeps mk-4 > actives > nbox + > sony pcm-m10 > 24/44.1 wav > dsp-quattro 3 > MBIT+ > 16/44.1 wav > xACT 2.12 > flac
11/12/11 Fox Theater CDR/FLAC 3 Includes rehearsal; Source: 2x IEM > Sound Devices 744 @ 24/96 Taper: Hoserama -- Mixed and Mastered by Hoserama Mixed in Neundo 4, using extra waves & izotope plug-ins Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix Version 6
07/22/12 Durham Performing Arts Center (DPAC) CDR/FLAC 2 Sony PCM-M10 Linear PCM Recorder (internal mics, auto levels, high-sensitivity mic setting) > cdwav (saved FLAC 6) VG+ sounding audience recording recorded from upper balcony, Section 9, Row L, DFC.
06/29/13 Senaca Niagara Casino CDR/FLAC 2 Source: Sonic Studios DSM-6S/L > Sony PCM-M10 (44.1/24bit) Location: 11th row, dead center Tracked & mastered to 16bit with Audacity
07/13/14 Meijer Gardens Amphitheatre CDR/FLAC 2 Church Audio cards ->SP battery box->Sony PCM-M10 (24/48) Audacity (fades,levels,16/44) -> CD Wave -> flac
08/05/14 Nikon at Jones Beach Theatre CDR/FLAC 2 Location: Section 13L, Row E, stage left Lineage: Recording: CA14 Cardioids > Church 9200 Preamp> Edirol R-09HR 96/24 > Processing: Soundforge 10 > bit depth conv and resampling to 44.1/16 > FLAC level 6 aligned on SB.
08/14/14 Palace Theater CDR/FLAC 2 RIGHT ORCHESTRA 12TH ROW (1ST SET) 13TH ROW (2ND SET) > EDIROL R-09 W/ INTERNAL MIKES @ 16/44.1 > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC
03/17/15 Hiroshima Bunka Gakuen HBG Hall CDR/FLAC 2 Recording + Remastering Info MK4>Nbox+>Izzy Stereo Cables>Sony M-10(24bit/98kHz, line-in, Rec Level 4.0)>PC Wav Files (24bit/98kHz)>Transferred to Sound Forge Ver.10 Files (track split/Click&Crackle/Normalized/Dithered Down 16bit/44kHz)>Transferred to FLC files by TLH
06/21/15 Stadtpark CDR/FLAC 2 Core Sound Binaural > CS Battery Box (flat) > Sony PCM-M10 (24bit/48khz downsampled>16bit/44.1kHz) > Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac
08/15/15 Greek Theater CDR/FLAC 2 Source 1: 4x IEM > Cables > Recorder Recorded by Hoserama Source 2: Schoeps mk4 > Actives > NBox Platinum > Sony M-10 Recorded by Scooter123 -- Mixed, Produced, and Mastered by Hoserama Aligned in Adobe Audition Mixed in Nuendo 4, using extra waves, Ozone, Slate plug-ins Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix version 7
09/11/15 Filene Center - Wolf Trap National Park CDR/FLAC 2 Source: CA-11(cards)>CA-9200>Sony M10(24/48) Location: 21st Row, four seats right of center Transfer: Sony M10>Micro SDHC>PC>Sound Forge 9.0(normalize, resample, dither, track)>WAV 16/44.1>Trader's Little Helper>FLAC(level 8) No EQ.
10/24/15 Winstar Casino CDR/FLAC 2 Source: SP-CMC-08s Card elements->SP-SB1(no bass roll-off)-> Zoom H4n 24bit 48htz >HDD>Goldwave to split the file> Audacity to resample to 16 Bit /441> traders little helper flac level 8 Taper: whotapes Section A Row 10
06/18/17 Festival Theater CDR/FLAC 2 Little Blondies-Art Pro 48v Phanton power supply-into Sony PCM10-Scandisk Ultra 16gb sd card-Audacity-Amplify 3db,Compresser,CD Wave-Traders Little Helper level 6 to flac Recorded in 24bit 98khz recorded Stalls 10ft from left hand PA
06/19/17 Glasgow Royal Concert Hall CDR/FLAC 2 Recorded from front row of Block C - near stage Recorded using ZOOM H2 - Memory Card - PC - Adobe - Audacity - TLH Once on my PC I put the raw file through Adobe Audition to sort out the sound. I then tracked using Audacity before converting to FLAC using TLH.

Jeff Beck Group --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/21/01 Auditorium Stravinsky CDR 1

Jimi Hendrix --- Approximate Hours: 35
Show Date Venue Media Type Media Count Sound Quality Notes
09/05/67 "Tonarskvall" - Radiohuset Studio 4 CDR 1
01/29/68 L'Olympia (late show) CDR 1
02/28/68 The Scene CDR/FLAC 2 Master > DAT > Cassette > CDR * - Digitally Restored (Eq'd & edited **) There's some confusion sorrounding the exact lineage for this set, but this is most likely correct. It is however possible that it's in fact a copy of the Master, with no cassette in the lineage. ** The Raw version of this tape has the following cuts during the 1st Show: Intro has 5 cuts and silence, "Tax Free" (17) has a short cut and silence at 0.21, and "Red House" (91) has a short cut and silence at 1.31; These cuts have all been spliced together here.
03/07/68 The Scene CDR/FLAC 1
03/17/68 Cafe A Go-Go CDR/FLAC 1
10/10/68 Winterland Ballroom CDR 2 Early & Late Shows
01/14/69 Halle Munsterland CDR/FLAC 1 A vinyl-to-CD transfer of the bootleg LP transferred by Kees De Lange.
02/24/69 Royal Albert Hall CDR 2
04/26/69 The Forum CDR/FLAC 1
06/22/69 San Fernando Valley State College CDR 2
01/01/70 Fillmore East CDR 3
01/28/70 Madison Square Garden CDR/FLAC 1 Confirmed lossless with TLH
04/25/70 The Forum CDR/FLAC 2 Lineage - stereo and monophonic sources combined on CD's received in trade (via Dave White) > Pro Tools (minor "nip and tuck" edits, added gradual pans between stereo and mono sources, normalized and re-tracked - no equalization or noise reduction) > AIFF > xACT (Flac level 8 files with sector boundaries verified).
05/03/70 Civic Center CDR/FLAC 1 "Does Everybody Feel Alright" Aud; Master or 1st Gen - Digitally Restored * & Pitch corrected (- 4,1%) [* Right Channel discarded, songs EQ'd (some bass added), normalized (5% gain) & In-between-song Chats amplified]
05/08/70 Field House (University Of Oklahoma) CDR/FLAC 1 Source: Audience recording. Mono master Lineage: Master reel> DAT> Amadeus> xACT> Flac
05/16/70 Temple University Stadium CDR/FLAC 1 Praying at the Temple
05/30/70 Berkeley Community Theater CDR 2
07/04/70 Middle Georgia Raceway CDR 1
07/30/70 Haleakala Crater, Seabury Hall CDR 1
09/03/70 K. B. Hallen CDR/FLAC 1 aud>unknown.gen.cassette>SonyTCWE435>PioneerPDR- O4>CDR>EAC>WAV>Trader'sLittleHelper>FLAC

Jimmy Page --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/14/88 Frank Erwin Center CDR 2

Jimmy Page & The Black Crowes --- Approximate Hours: 15
Show Date Venue Media Type Media Count Sound Quality Notes
10/12/99 Roseland Ballroom CDR 2
06/24/00 New World Music Theatre CDR 2
06/29/00 Marcus Amphitheatre CDR 2
07/02/00 Tweeter Center CDR 2
07/04/00 Alltel Pavilion @ Walnut Creek CDR 2 TAO
07/08/00 Sony E-Center CDR 2 TAO

John Coltrane --- Approximate Hours: 26.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/60 Live Trane: Underground CDR/FLAC 4 Discs 1 - 4
11/22/61 Kulttuuritalo CDR/FLAC 1
11/20/62 Kulttuuritalo CDR/FLAC 1 Source/Quality: aud Mono
11/28/62 Stefaniesaal CDR/FLAC 2
01/19/63 Penn State, Schwab Auditorium CDR/FLAC 1 Most likely a WDFM Radio Broadcast > ? > Trade CD > EAC > WAV > Audition (Tracking; Levels adjusted; Gaps, Clicks and Pops removed; Fades added to smooth continuity) > TLH (FLAC Level 8; .ffp) > foobar2000 (Tags) > Vuze
10/26/63 Paris CDR/FLAC 2
11/04/63 Liederhalle CDR/FLAC 1
04/02/65 The Half Note Club CDR/FLAC 1 Cdr in trade > eac > Audacity > Flac Stereo
07/26/65 Juan-Les-Pins Jazz Festival CDR/FLAC 1 A Love Supreme Live
07/27/65 Juan-Les-Pins Jazz Festival CDR/FLAC 1 Source: SBD>Reel(m)>DATC>CDR Info pieced together by Keith Soltys : Television broadcast by RTBF
08/15/65 Soldier's Field CDR/FLAC 1 Cdr in trade > eac >
07/02/66 Newport Jazz Festival CDR/FLAC 1
07/17/66 Kobe Kokusai Kaikan CDR/FLAC 3 Lineage: Master reel > DAT1(Fuji) > DAT2 (this) > CDRW (speed correction) > Flac Reportedly recorded under the recordists chair. some foot tapping is evident. this tape is complete and unedited. NOTE: as with all other circulating copies, indeed the master, there are many speed fluctuations and overall it is a very flawed tape. that said, Naima is beautiful, and MFT is the longest known version from the tour.
11/11/66 Temple University CDR/FLAC 1 eac > TLH (flac8 ) Liberated Bootleg Free Factory 068 John Coltrane at temple university 1966

John Paul Jones --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/19/99 The Odeon CDR 2

Keith Jarrett --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
10/16/74 Lisner Auditorium - George Washington University CDR/FLAC 1 A Flambay - u014945 - production Uploaded by u014945 July 11th 2014 Dime > Audacity (Noises cutting) > TLH ( SBE - Flac 8) > Dime Sound Quality B/ B- Music Quality : Excellent !!! Thanks to Carville for the original upload the 2 channels are not exactly the same - a lot of 'microphone noises ' were present only in one channel so I could eliminate most of them copying one channel over the other (only here and there) Plus I have cut dozens of clicks I worked on it for 8 hours and I think it was worth the Trouble Original Notes: ade from the master cassettes flac total time 52:57 from "DC" our anonymous donor: Keith Jarrett, Lisner Auditorium, George Washington University, Washington DC, October 16, 1974. Jarrett played a solo set before being followed by the Gary Burton Quintet. From the master cassettes. Recorded from about halfway back in the main center section of the auditorium, using an inexpensive Panasonic mono recorder with ALC and cheap Ampex tapes. The original tapes cannot be located. This digital transfer was made from those tapes early in the 21st century. At that time, EQ was used to remove the extreme bottom frequencies to eliminate rumble and the extreme high frequencies to reduce hiss.
07/25/76 DAR Constitution Hall CDR/FLAC 2 Keith Jarrett, Jan Garbarek, Charlie Haden, and a 28 piece symphony orchestra, live at DAR Constitution Hall, July 25, 1976, from the master cassette tapes. The recording was made from the side of the hall, facing the side of the stage, using a portable Yamaha mono recorder, with manually set levels, and Ampex 370 conventional bias cassettes. This transfer was made in 2013 by playing the master tapes (after the actual cassette reels and tapes were moved to new cassette shells) on an Akai GX F31 cassette deck into a PC, where the signal was captured via Goldwave. The channel with the strongest signal was copied and the copy was pasted into the opposite channel for true mono sound. The relative lack of high end and presence is probably the result of the mediocre (at best) recording tape. A small amount of EQ was used to add some high end to the music. Similary, Jarrett's spoken comments were eq'ed to make them clearer and less muddy.
10/23/76 Hill Auditorium CDR/FLAC 1 radio broadcast > ? > CDR This beautiful solo piano concert needed some speed fixing, so here it is again , with new speed adjustments made by Flambay. I have made just some Volume adjustment ( one channel was too low) and some small noise here and there
11/14/77 Guthrie Theatre CDR/FLAC 2 cdr in trade > EAC > wav > Flac > Dime > CDR > dBpoweramp > CDR
05/03/14 Festival Hall CDR/FLAC 2 Source : audience recording Notes: concert stopped because of too many coughs

Keith Jarrett Trio --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/23/85 Juan Les Pins, Pinede Gould CDR/FLAC 2

Kurt Vile --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
09/30/15 Johnny Brenda's CDR/FLAC 1 Source: Schoeps mk4 -> nbox platinum -> pcm-m10 (24/48) Transfer: Audition CS6 (tracking, Ozone 5 MBIT+ dither)->flac 16/48

Led Zeppelin --- Approximate Hours: 831.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Tribute to Johnny Kidd and the Pirates CDR 1 1. Trampled Underfoot 2. Kashmir 3. Custard Pie 4. In The Light 5. Swan Song (Intro to Kashmir) 6. Swan Song
??/??/39 "Alternate Grafitti" CDR/FLAC 2 Liberated boot > EAC > FLAC (L8)
??/??/39 Physical Rarities CDR/FLAC 1 Physical Rarities(Thunderbolt).
??/??/68 Antrabata Studio Sessions CDR/FLAC 2 Disc 2 - 5: Titled Led Zeppelin 1970 Studio Works (4-CD Set) Theramin/Antrabata Silver>EAC>FLAC
??/??/75 Physically Present CDR/FLAC 1 LED ZEPPELIN "PHYSICALLY PRESENT" (HOUSE OF ELROND) ST/SB 8-10 SILVER>EAC>WAV>FLAC ART INCLUDED
12/30/68 Gonzaga University CDR 1 Zeppelin Digital Vol. 5
01/10/69 Fillmore West CDR 2
01/11/69 Fillmore West CDR 1 A 1. I Can't Quit You Baby 2. Dazed & Confused 3. You Shook Me 4. How Many More Times 5. Communication Breakdown
01/12/69 Fillmore West CDR 2
01/23/69 Boston Tea Party CDR 1 "Boston After Dark"
01/26/69 Boston Tea Party CDR 2 Very difficult to hear the Plant's voice.
01/31/69 Fillmore East CDR 1
02/01/69 Fillmore East CDR 1
02/02/69 The Rockpile CDR 1
02/14/69 Thee Image Club CDR 2 "Reflections on my Mind"
03/03/69 Playhouse Theatre CDR 1 "Put Lead In Your Pencil" Contains the shows from 3/3/69 & 6/24/69
03/15/69 Teen Club Egegaard Skole CDR 1 This CD contains both the afternoon and evening shows from 3/15/69
03/16/69 Tivolis Koncertsal CDR 1
03/17/69 Unknown CDR 1 DVD Rip
03/17/69 Unknown CDR 1 One long track
03/19/69 Maida Vale Studio 4 CDR 1 "Anybody Got a Les Paul" Also contains the show from 1/11/69, Whole Lotta Love from 5/25/69, and Train Kept A Rollin from 8/17/69
04/24/69 Fillmore West CDR 1
04/25/69 Winterland Ballroom CDR 1
04/26/69 Winterland Ballroom CDR 2 First live performance of Whole Lotta Love
04/27/69 Fillmore West CDR 2 Unbelievable show. A must have
05/29/69 Boston Tea Party CDR 2 "Masters of Excess"
05/30/69 Fillmore East CDR 1 "The Legendary Fillmore Tapes Vol. 2"
06/20/69 City Hall CDR 2
06/27/69 Playhouse Theatre CDR 1 A Great Show
07/06/69 Newport Jazz Festival CDR 1
07/20/69 Music Hall CDR 1
07/21/69 Schaefer Music Festival CDR 1
07/25/69 Midwest Rock Festival CDR 1 "Stroll On"
08/08/69 Swing Auditorium CDR 1
08/18/69 Rock Pile CDR 2
08/31/69 Texas International Pop Festival CDR 1
08/31/69 Texas International Pop Festival CDR 1 Capt. Skipper Remaster
10/10/69 Olympia Theatre CDR/FLAC 1 One Night Stand In Paris lineage: my silvers>EAC>Flac
10/12/69 The Strand Lyceum CDR 1 "Triumphant UK Return"
10/30/69 Kleinhans Music Hall CDR 1
11/02/69 O'Keefe Center CDR 1
11/05/69 Soldiers' and Sailors' Memorial Hall CDR 1
11/06/69 Winterland Ballroom CDR 2
11/07/69 Winterland Ballroom CDR 2 "Room 2/3"
12/06/69 Ecole Centrale CDR/FLAC 2 lineage - audience > silver CD > EAC (secure) WAV > TLH flac 8; includes bonus tracks-Koncerthuest, Stockholm, Sweden, 1969-03-14 FM broadcast
??/??/69 WBCN interview CDR 11 A/B A MUST HAVE
01/08/70 Colston Hall CDR 2 "Bristol Stomp"
02/23/70 Kulttuuritalo CDR 2 "Vahalla I Am Coming"
02/28/70 K.B. Hallen CDR 2
03/07/70 Casino CDR 2 "Feel All Right"
03/07/70 Casino CDR 2
03/09/70 Wiener Konzerthaus CDR 2
03/10/70 Festhalle CDR 2 "Mystery European Gig Hamburg"
03/11/70 Musikhalle CDR 2 "Zeppelin Digital Vol. 5"
03/12/70 Rheinhalle CDR 2 "Ein Traum Wird Wahr"
03/21/70 P.N.E. Coliseum CDR 1 Includes "White Summer" & "How Many More Times" from 3/29/70
03/25/70 Denver Coliseum CDR 2
03/27/70 Great Western LA Forum CDR 2 "Enjoy Zep"
03/28/70 Dallas Memorial Auditorium CDR 2 "Texas Two Step"
04/05/70 Baltimore Civic Center CDR 2
04/08/70 Dorten Arena CDR 2
04/09/70 Curtis Hixon Hall CDR 2 "Who's Birthday"
04/14/70 Ottawa Civic Center CDR 1
04/17/70 Mid-South Coliseum CDR 2 "Memphis Underground"
04/18/70 Arizona Coliseum CDR 2 "Desert Storm"
06/28/70 Bath Festival CDR 2 "Bath Stop"
07/12/70 Deutschlandhalle CDR 2 "Checkpoint Charlie"
08/10/70 Hampton Roads Coliseum CDR 2 "Hampton 1970"
08/15/70 Yale Bowl CDR 2 "Rare Short Party"
08/21/70 Assembly Center CDR 2 "Sharky Goes West"
08/28/70 The Olympia CDR/FLAC 2 2 Versions: 1. The raw wav file joined and split as decribed above 2. The edit with the right channel used on both sides and the volume adjusted for consistency. Lineage: unknown > master tape > cd > flac > wav > cool edit pro > wav > flac
08/31/70 Arena CDR 1 "SCAT"
09/02/70 Oakland-Alameda County Coliseum CDR 2 A This show is done TAO. It is a great show, though, and contains what might be the final appearance of Train Kept A Rollin' until the 1980 tour. Also have the first Zep performance of Blueberry Hill
09/03/70 San Diego Sports Arena CDR 2
09/04/70 The Forum CDR 2 Rare "Out on the Tiles"
09/04/70 The Forum CDR 1 Rochester, NY 9/14/70 1. Immigrant Song 2. Heartbreaker 3. Dazed & Confused 4. Bring it on Home 5. That's The Way 6. Bron-Y-Aur 7. Since I've Been Loving You 8. Organ Solo 9. Thank You
09/06/70 International Center CDR 1
09/09/70 Boston Garden CDR 2 "No License, No Festival"
09/19/70 Madison Square Garden (evening show) CDR 2 Complete Afternoon Show
09/19/70 Madison Square Garden (evening show) CDR 2 Complete Evening Show
03/05/71 Ulster Hall CDR 2 "Black Velvet"
03/06/71 National Stadium CDR 2 "Black Velvet 2"
04/01/71 Paris Theater CDR 2
04/01/71 Paris Theater CDR 2
05/03/71 KB Hallen CDR 2 Rare performance of "Gallows Pole" & "Four Sticks"
07/05/71 Vigorelli Stadium CDR 1
08/07/71 Casino Royale CDR/FLAC 2 "The Robert Plant Experience" Private Tape This is higher quality and more complete than "Peter's PA". This is the best quality, most complete version of this show available to date. Audience Recording Master > DAT2 > CDR > CEP(EAC-WAV) > FLAC8
08/21/71 The Forum CDR 2 "Wild Weekend (TDOLZ)"
08/21/71 The Forum CDR/FLAC 2 (Firecracker Explosions - EVSD 4cd set)
08/22/71 The Forum CDR 2
08/23/71 Tarrant County Convention Center CDR 2 "Hot August Night"
08/31/71 Orlando Sports Stadium CDR 2
09/03/71 Madison Square Garden CDR 3 "How've Ya Been"
09/04/71 Maple Leaf Gardens CDR 2
09/06/71 Boston Garden CDR 2 Immigrant Song, Hearbreaker, Since I've Been Loving You, and Black Dog are all grouped together to form a long track 1. Dazed and Confused is track 2. On disc 2, Stairway to Heaven, Whole Lotta Love, & Communication Breakdown all group together to form track 1. Thank You is track 2, and Rock & Roll is track 3. Other than the long tracks, this is a GREAT SHOW.
09/09/71 Hampton Coliseum CDR 2 "Zeppelin Digital Vol. 1"
09/09/71 Hampton Coliseum CDR 2 "Hampton Kicks"
09/11/71 Community War Memorial Auditorium CDR 1 "Live at Leeds"
09/13/71 Berkeley Community Theatre CDR 2 "Going to California 2"
09/14/71 Berkeley Community Theater CDR 2 "Going to California"
09/23/71 Budokan Hall CDR 3 "Reflection from a Dream"
09/24/71 Nippon Budokan Hall CDR 3
09/27/71 Municipal Gymnasium CDR 2 "Live in Japan"
09/28/71 Festival Hall CDR 3 "Osaka Woman"
09/29/71 Festival Hall CDR 3 Only live perfermance of "Friends"
11/11/71 Newcastle City Hall CDR 2
11/13/71 Caird Hall CDR 2
11/16/71 St. Mathew's Bath's CDR 3 Rare live performances of "Weekend" and "Gallows Pole"
11/17/71 The Mayfair Suite CDR 1 "Kinetic Circus"
11/20/71 Wembley Empire Pool CDR 2
11/24/71 Free Trade Hall CDR 2 "Rave On" Disc 1 1. Immigrant Song 2. Heartbreaker 3. Black Dog 4. Since I've Been Loving You 5. Celebration Day 6. Stairway to Heaven 7. Going to California 8. That's The Way 9. Tangerine 10. Bron-Y-Aur Stomp Disc 2 1. Dazed & Confused (including the theme from Shaft) 2. What Is And What Should Never Be 3. Rock & Roll 4. Whole Lotta Love 5. Thank You
11/25/71 Leicester University CDR 3
12/02/71 Starkers Royal Ballroom CDR 3 "Rock & Roll Magic" A Great Show.
02/19/72 Memorial Drive CDR 2
02/20/72 Kooyong Tennis Courts CDR 2 "Acoustically"
02/25/72 Western Spring Stadium CDR 2
02/27/72 The Showgrounds CDR 2 "Ayers Rock"
02/29/72 Festival Hall CDR 2 FBO Tree Remaster
05/27/72 RAI CDR 2
05/28/72 Voorst National CDR 2
06/07/72 Forum CDR 2
06/09/72 Charlotte Coliseum CDR 2
06/11/72 Baltimore Civic Center CDR 3
06/13/72 The Spectrum CDR 2
06/14/72 Nassau Coliseum CDR 3 Rare performance of Weekend and one of the few times Bring It On Home was performed in 1972.
06/15/72 Nassau Coliseum CDR 2
06/17/72 Portland Memorial Coliseum CDR 2 "Live in Portland"
06/18/72 Seattle Center Coliseum CDR 1
06/19/72 Seattle Center Coliseum CDR 3 B There is some audience noise and you can hear the person recording talking sometimes (it is usually pretty funny), but this is a FANTASTIC show. Considered by many to be the best of 1972
06/22/72 Swing Auditorium CDR 2 "Born to be Wild"
06/25/72 The Forum CDR 3 "Burn That Candle" (Equinox)
06/27/72 Long Beach Arena CDR 2 "Wild Beach Party"
06/28/72 Community Center CDR 3
10/02/72 Budokan Hall CDR 2 A Beeps on last track
10/02/72 Budokan Hall CDR 2 "Eastern Front"
10/03/72 Budokan Hall CDR 2
10/04/72 Festival Hall CDR 2 "Connexion"
10/05/72 Kokaido CDR 2
10/09/72 Festival Hall CDR 2 "Festival Hall"
10/10/72 Kyoto Kaikan Hall CDR 2
11/30/72 City Hall CDR 2 "Newcastle Symphony"
12/01/72 City Hall CDR 2 "Last Tango In Newcastle"
12/04/72 Green's Playhouse CDR 2 "Stuck On You"
12/08/72 Hard Rock CDR 3 "The Rovers Return"
12/12/72 Capital Club CDR 1
12/16/72 Birmingham Odeon CDR 2 "Sweet Brummy Roll"
12/17/72 Birmingham Odeon CDR 1 "Four Cards"
12/20/72 Dome CDR 1 Disc 3 of "Sweet Brummy Roll"
12/22/72 Alexandra Palace CDR 3
12/23/72 Alexandra Palace CDR 2
01/02/73 City Hall CDR 2
01/07/73 New Theatre CDR 2 "Made in England"
01/14/73 The Empire CDR 2
01/15/73 Trentham Gardens CDR 2 "Dedicated to Rizzlers"
01/18/73 St George's Hall CDR 1
01/22/73 Old Refectory CDR/FLAC 2 "The Working Tapes", (EVSD), Silvers > EAC > WAV > Flac > TLH, Decode > WAV > Remaster > Flac (Level.8, Align On SBE'S, All Tracks Tested With TLH, No Errors Occured)
01/25/73 Music Hall CDR 2
01/27/73 Caird Hall CDR 1 "Dundee Sounboard" Also contains the 3/14/69 show, along with Zep II outakes and an interview with Plant
01/28/73 King's Theatre CDR 1 "Edinburgh 1973"
01/30/73 Guildhall CDR 2 "Plant's Influenza" (EV)
03/06/73 Tennishallen CDR 3
03/11/73 Unknown CDR 3
03/14/73 Messehalle CDR 2
03/16/73 Stadthalle CDR 2
03/17/73 Olympia Halle CDR 3
03/19/73 Deutschlandhalle CDR 2 "Deutschlandhalle Berlin 1973"
03/21/73 Musikhalle CDR 2
03/22/73 Gruga Halle CDR 2 "Essence of Led"
03/24/73 Orthenauhalle CDR 2 "Custard Pie"
03/26/73 Palais Des Sport CDR 1 "Lyon, France"
03/27/73 Parc Des Expositions CDR 2 "Heavy Machinery"
04/01/73 Palais Des Sports CDR 2 "Vive La France (TDOLZ)"
04/02/73 Palais Des Sports CDR 2 "Vive Le Zeppelin"
05/04/73 Braves Stadium CDR/FLAC 1 Lineage: LP-> Sound Forge ->Click and Crackle Removal ->Flac via TLH, level 6, sectors aligned and verified, FLAC integrity checked
05/05/73 Tampa Stadium CDR 3 "Pigeon Blood"
05/13/73 Memorial Auditorium CDR 2
05/13/73 Memorial Auditorium CDR/FLAC 2 "Mobile Alabama"
05/14/73 Municipal Auditorium CDR 3
05/16/73 Sam Houston Coliseum CDR 1 "Two Nights"
05/16/73 Sam Houston Coliseum CDR 3 "Snafu"
05/18/73 Dallas Memorial Auditorium CDR 2 "Four For Texas"
05/19/73 Tarrant County Convention Center CDR 2
05/25/73 Denver Coliseum CDR 1 "Two Nights"
05/26/73 Salt Palace CDR 2
05/28/73 San Diego Sports Arena CDR 2
05/31/73 The Forum CDR 3
06/02/73 Kezar Stadium CDR 3
06/03/73 Great Western LA Forum CDR 3 Has speed problems
07/06/73 Chicago Stadium (soundcheck) CDR 3
07/06/73 Chicago Stadium (soundcheck) CDR 1 "A Tribute to Johnny Kidd & The Pirates"
07/07/73 Chicago Auditorium CDR 3 "Chicago 73"
07/07/73 Chicago Auditorium CDR 3 "Cutting Loose, Chicago Style"
07/09/73 St. Paul Civic Center CDR 3
07/10/73 Arena CDR 2
07/10/73 Arena CDR/FLAC 2 Lineage - Unknown inexpensive lo-fi recording setup > Maxell XLII 100 high bias cassette tapes (2nd gen) > SONY Walkman Professional Stereo Cassette-Corder WM-D6C > ZOOM H2 Handy Recorder (created wav files here) > PNY Optima SD HC Sound Card 4GB > tracked wav files into songs on ZOOM > transferred song files to HD from ZOOM > Cakewalk Pyro 2005 (edited wav files here on HD) > Trader's Little Helper (wav files to flac, encode level 8, aligned on sector boundaries)
07/12/73 Cobo Hall CDR 3 "Rock & Roll Ever"
07/13/73 Cobo Hall CDR 2 "The Song of Detroit"
07/15/73 Buffalo Auditorium CDR 2 A
07/17/73 Seattle Center Coliseum CDR 3
07/18/73 Pacific Coliseum CDR 2
07/20/73 Boston Garden CDR 2
07/20/73 Boston Garden CDR/FLAC 2 A JOE MALONEY MASTER KRW_CO TRANSFER TAPE FLIP EDIT COPY LINEAGE AUDIENCE ANALOG MASTER TO CDR KRW TRANSFER TO AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS TO CDR TO EAC TO TLH FLAC LEVEL 8 NO EQ OR OTHER TAMPERING
07/21/73 Providence Civic Center CDR 2
07/23/73 Baltimore Civic Center CDR 3
07/24/73 Three Rivers Stadium CDR 3 FBO Remaster; Disc 3 contains an alternate source for the first few songs (tracks 1-5) and the 3rd disc of the show (tracks 6-8), which are Heartbreaker, Whole Lotta Love, and the Ocean
07/27/73 Madison Square Garden CDR 2 "The Out of the Song Remains"
07/28/73 Madison Square Garden CDR 3
07/29/73 Madison Square Garden CDR 3 "Missing Doll"
01/12/75 Voorst National CDR 2 Rare performance of "When the Levee Breaks" & "The Wanton Song"
01/21/75 Chicago Stadium CDR 2 Rare performance of "When the Levee Breaks" & "The Wanton Song"
01/24/75 Richfield Coliseum CDR 3 "Ultraviolence"
01/25/75 Market Square Arena CDR 2 "Condition Breakdown"
01/29/75 Greensboro Coliseum CDR 2
01/31/75 Olympia Stadium CDR 2
02/03/75 Madison Square Garden CDR 2
02/04/75 Nassau Coliseum CDR 1 Technically 2 CD's, but it fits on 1
02/06/75 Forum CDR 3
02/07/75 Madison Square Garden CDR 3 "Trampled Underfoot"
02/08/75 The Spectrum CDR 2
02/10/75 Capital Centre CDR 2
02/12/75 Madison Square Garden CDR 3 A Great Show
02/13/75 Nassau Coliseum CDR 3
02/14/75 Nassau Coliseum CDR 3 "St. Tangerine Day"
02/16/75 The Arena CDR 2 "Ain't That A Shame"
02/16/75 The Arena CDR/FLAC 3 "Better Late than Never" (Liquid Led) Lineage: Silver CD > EAC > WAV > FLAC *Note: Another great release brought to the table by Liquid Led with it's outstanding stereo depth and great quality. The audio craftsmanship to the soundboard is awesome! Strap on some headphones, sit back in your favorite chair, grab a smoke, slap in Dazed and Confused, and enjoy the magic of this steller release. -bb
02/28/75 Assembly Center, Louisiana State University CDR 3 A Show sounds great
03/04/75 Memorial Auditorium CDR 3
03/05/75 Memorial Auditorium CDR 3 "Dallas 75 Complete"
03/10/75 San Diego Sports Arena CDR 3
03/11/75 Long Beach Arena CDR 2 A No Dazed
03/11/75 Long Beach Arena CDR 3 "Zeppelin Long Beach"
03/12/75 Long Beach Arena CDR 3 "Trampled Under Jimmy's Foot"
03/14/75 Sports Arena CDR 3 "Conspiracy Theory"
03/17/75 Seattle Center Coliseum CDR 3 "Gallery of Soldiers"
03/17/75 Seattle Center Coliseum CDR/FLAC 3 Remastered Soundboard Recording "Godfathers of Grunge" Lineage: "Haven't We Met Somewhere Before", (EVSD), Silvers > EAC > WAV > TLH > Flac (Level.8) > TLH, Decode > WAV > Remaster > Flac, Level.8, Align On SBE'S
03/19/75 Pacific Coliseum CDR 2
03/20/75 Pacific Coliseum CDR 3 "Pleeease!"
03/21/75 Seattle Center Coliseum CDR 4
03/24/75 The Forum CDR 3 A "A Gram is a Gram is a Gram"
03/25/75 The Forum CDR 3 "Cosmic Crazy"
03/27/75 The Forum CDR 3
05/17/75 Earls Court Arena CDR 4 "Join the Blimp"
05/18/75 Earls Court Arena CDR 4 "Demand Unprecidented"
05/23/75 Earls Court Arena CDR 4 "Demand Unprecedented"
05/24/75 Earls Court Arena CDR 4
05/25/75 Earls Court Arena CDR 4
04/03/77 The Myriad CDR 3 "Fucking TY"
04/06/77 Chicago Stadium CDR 2 "Home of the Electric Blues" Discs 1, 2, and part of 3
04/07/77 Chicago Stadium CDR 2 "Home of the Electric Blues" Part of Disc 3 and all of Disc 4
04/09/77 Chicago Stadium CDR 1
04/10/77 Chicago Stadium CDR 2 This is the complete concert (minus Over the Top)
04/19/77 Riverfront Coliseum CDR 2
04/23/77 The Omni CDR 3
04/25/77 Freedom Hall CDR/FLAC 3 "Kentucky Colonels"
04/27/77 Richfield Coliseum CDR 2 A No Moby Dick
04/28/77 Richfield Coliseum CDR 3 "The Destroyer Strongest Edition (TDOLZ)"
04/30/77 Silverdome CDR 3
05/18/77 Jefferson Memorial Coliseum CDR 3 "Out of the Way"
05/21/77 The Summit CDR/FLAC 3 Bertha Remaster of the Original Silvers source ORIGINAL_SILVERS>>WAV(EAC)>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC/ Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@eadacated.com. Completed july 30, 2005. The original source is from a monitor mix with a very narrow stereo channel. The narrow stereo effect is common to monitor or house mixes. The original source has audio level compression applied, as well as noise reduction. Both were done well and did not result in any noticeable artifacts. From the original text file, prior to Bertha Remastering: "The Dragon Snake" EVSD 1977.05.21 The Summit, Houston, Texas Lineage: Orginal Silvers [EVSD 341/2/3]>EAC[Secure Mode Offset Corrected]>.Wav>FLACFrontend[Level 6]>Flac Soundboard Recording Format: FLAC
05/22/77 Tarrant County Convention Center CDR 3 "It'll Be Zep"
05/25/77 Capital Centre CDR 3 "Return of the Crusaders"
05/26/77 Capital Centre CDR 3
05/28/77 Capital Centre CDR 3
05/30/77 Capital Centre CDR 3
06/03/77 Tampa Stadium CDR 1
06/07/77 Madison Square Garden CDR 3 "Live from MSG"
06/08/77 Madison Square Garden CDR 3 "Second Night in the Garden"
06/10/77 Madison Square Garden CDR 3
06/11/77 Madison Square Garden CDR 4 Discs 1-3 are of a different source than disc 4. Disc 3 has White Summer and Kashmir (which cuts out) and disc 4 has both as well, but Kashmir doesn't cut out at the end.
06/13/77 Madison Square Garden CDR 3 "Over The Garden"
06/14/77 Madison Square Garden CDR 2 "Last Night in the Garden"
06/19/77 San Diego Sports Arena CDR 3
06/21/77 The Forum CDR 3
06/22/77 The Forum CDR 4
06/23/77 The Forum CDR 3
06/25/77 The Forum CDR 3
06/26/77 The Forum CDR 3 "Sundazed"
06/27/77 The Forum CDR 4
07/17/77 The Kingdome CDR 4 "Year of the Dragon"
07/20/77 Activities Center, Arizona State University CDR 2
07/23/77 Oakland-Alameda County Coliseum CDR 3 "Its Been Great"
07/24/77 Oakland-Alameda County Coliseum CDR 2
07/23/79 Falkoner Theatre CDR 2
07/24/79 Falkoner Theatre CDR 3
08/11/79 Knebworth Festival CDR 3
08/11/79 Knebworth Festival CDR 3
05/??/80 Victoria Theatre CDR/FLAC 1 MASTER>WAV>FLAC
06/17/80 Westfalenhalle CDR 2
06/18/80 Sporthalle CDR 2 "Cologne"
06/20/80 Voorst National CDR 2
06/21/80 Ahoyhallen CDR 1 Hot Dog through the end of the show. Also minus White Summer and Stairway
06/23/80 Stadthalle CDR 2
06/24/80 Messehalle CDR 2
06/26/80 Stadthalle CDR 2
06/29/80 Hallenstadion CDR 2
06/30/80 Festhalle CDR 2
07/02/80 Eisstadion CDR 2 "Mannheim"
07/03/80 Eisstadion CDR 2 "The Last Day in Mannheim"
07/05/80 Olympia Halle CDR 2 "Jamming with Simon Kurke"
07/07/80 Eissporthalle CDR 2 A
??/??/80 Studio Sessions Ultimate 1968 to 1980 (Scorpio) CDR/FLAC 12 Lineage: Original silver CD boxset>EAC test & copy using external compression software>convert to FLAC 8 Comments included when I got it: Japanese bootleg. Deluxe cardboard box with a photo of the burning Hindenberg on the front cover. The discs are packaged in white sleeves with the clear window on the front to allow easy identification. Also included is a four-fold insert with the track listing. "This box was released in May 2007. It contains everything on Antrabata's "Sessions", Midas Touch's "Brutal Artistry" and "Brutal Artistry II", and Empress Valley's "The Lost Mixes EP Voume 1". Antrabata and the Midas Touch both titles were all three released in 1997, and Empress Valley in 2001. Scorpio doesn't include any of the new material released during the six years prior to it's release. Going back even further, they also excluded the extra 36 minutes of Battle of Evermore outtakes that's only found on TDOLZ's "Sessions" title from 1997. There is some minor material making it's debut. The first disc's track 13 has an extra half minute in the end over prior releases. Disc ten's tracks 7-14 provide an extra 17 minutes of studio room floor edit pieces for Ten Years Gone and Boogie With Stu. Scorpio's material was closely sequenced chronologically. They were careful to not miss the few bits of tape before/after tracks that have commonly been missed by others. The tapes are excellent quality, with the only exception being some static halfway through Stairway To Heaven on the final disc."
01/12/95 Waldorf Astoria CDR 1

Leon Russell --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/21/70 Fillmore East CDR/FLAC 1 ; Leon > MR>Alesis Superlink>CDR>EAC>shn

Lou Reed --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/25/76 Civic Auditorium CDR/FLAC 3 Cdr from trade.aiff flac using Xact level 8

Mark Knopfler --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
06/10/96 The Forum CDR/FLAC 2 source: soundboard (FM) note: Perfect soundboard recording, featuring the complete "Romeo & Juliet" version, and "The Long Highway" and "Going Home" from this date ,so NOT! added from Vaison-la-romaine Aug. 8 1996.
09/19/15 Dolby Theatre CDR/FLAC 2 Source info: AT853 sub-cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CD Wave Editor 1.96>TLH>Flac Taper: David Sell (Falconidave) Location: Mez row 4, right of center Sound Quality: Excellent

Marshall Tucker Band --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
05/08/74 Record Plant Studios CDR/FLAC 1 Lineage: Maxell XLII 3rd gen > Nakamichi DR-1 > Realtek HDAudio pentium i7 > Soundforge 10 Pro Highest quality setting Izotope 64 bit src downsampling / MBIT+dither > TLH > FLAC
10/13/75 Santa Monica Civic Center CDR 2
12/31/78 Warehouse CDR/FLAC 2 The last approximately 30 seconds of "24 hours at a time" was the only missing music in the FM master recording and were spliced in from the post from Gaston on Dec. 30, 2009 at torrent #283198. (from FM of unknown lineage) The rest of this is with this lineage: FM radio > Sansui 8 receiver > unknown reel deck (probably a Sony) > Maxell UD 7" reels > played on Teac 3300 into Soundforge (wav) > flac (sb's aligned) > torrentially yours. There are a few disc break options but this one was the most sequentially convenient one (a commercial break between tracks 7 and 8 was edited out. There were a couple of those in this broadcast and track 8 begins with the radio DJ saying and once again the Marshall Tucker Band...) Thanks to the one spliced track this is the complete show. All the songs are complete and the only reel change started just before a song.
04/18/80 Nassau Coliseum CDR 2

Miles Davis --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
05/21/66 Oriental Theatre CDR/FLAC 2 Lineage: Cassette ?gen -> Nak DR-1 -> Audiophile2496 - > Soundforge -> wav -> flac (previous DIME seed) -> Soundforge 9: speed correction, additional fixes (see notes below) -> flac TLH lvl8 w/SBA (556 MB)
04/12/70 Fillmore West CDR/FLAC 1
06/19/70 Fillmore East CDR/FLAC 1
11/15/70 Electric Factory CDR/FLAC 1 Source: Soundboard Lineage: sbd recording >?> CD > EAC (secure mode) > tracking (Cubase SX2) > flac 1.1.2 [-8, -V, sector aligned]
04/12/73 Aycock Auditorium, UNC-Greensboro CDR/FLAC 1
10/17/73 Jazz Workshop CDR 1
11/18/74 Bottom Line Club CDR/FLAC 1 These are the now liberated Electric Blue bootlegs EB007/8 Miles Davis: Complete Bottom Line 1974 Date: 8 November 1974 Venue: Bottom Line Club, New York NY Format: FLAC Peter Losin says audience recording But that assessment may relate to another boot (Stardust SD019). Still I would guess it is audience. The boot CD doesn't mention sources.

Neil Young --- Approximate Hours: 2658.75
Show Date Venue Media Type Media Count Sound Quality Notes
02/19/70 Film @ KQED Studio CDR/FLAC 1
02/25/70 Music Hall CDR/FLAC 2
02/28/70 Electric Factory CDR/FLAC 1
03/01/70 Boston Tea Party CDR/FLAC 2 unknown lineage CDR > EAC > FlacFrontend Level 6
03/06/70 Fillmore East (Early) CDR/FLAC 1 Acoustic set only, preceding set with Crazy Horse From "Night at Fillmore," Heart Breakers HB-937
03/07/70 Fillmore East (Late) CDR/FLAC 1
03/28/70 Santa Monica Civic Auditorium CDR/FLAC 1 recorded 28 mar 70, broadcast later that year: KUSC-FM, Los Angeles Master 7" reel (3.5 ips) > metal cass. > DAT > CDR > Flac
12/05/70 Carnegie Hall CDR/FLAC 2 AUD>Cass>CD-R>EAC>FLAC Frontend
01/10/71 University of Oregon CDR/FLAC 1 CDR from trade > EAC > FLAC Very hissy tape source. Some cuts and glitches.
01/16/71 Auditorium Theater (Late) CDR/FLAC 1 Incomplete audience recording; the taper apparently didn't get several songs at the end.
01/17/71 Masonic Temple Theater CDR/FLAC 1 Audience recording CDR from trade > EAC > FLAC
01/21/71 Music Hall CDR/FLAC 1 source : 1st gen analog > dat > cdr > cdr macintosh > xACT 1.58 > flac; This is the Late Show
01/21/71 Music Hall CDR/SHN 1 Recorded live at the Boston Music Hall, Boston, MA on 01/21/71 (early show) Silver CD > EAC > WAV > mkwACT > SHN
01/26/71 Macky Auditorium, University Of Colorado CDR/FLAC 1 Very nice for 1971 -- Neil is loud and clear on this one. The source is a vinyl bootleg titled "Rocky Mountain Review," which mislabled this as the late show. It is actually the early show, with the first two songs missing: "On the Way Home" and "Tell Me Why." I took these tracks from a Rust List compilation disc titled "Boulder and Mariposa." The artwork says these tracks were transferred from vinyl disc to DAT, and then to CDR. I got this from a tree or from a trade, and have no other lineage. Obviously you'll hear some vinyl pops, but it's very minor. Vinyl > DAT > CDR > ? > CDR from trade This disc was distrubuted by Tetanus Shot, a name familiar to longtime Rusties. He took it from his own vinyl boot, recorded it to DAT and rearranged the songs in the correct order. Although I don't remember for sure, I most likely got this directly from Tetanus Shot, because I recognize his artwork that he always sent printed on heavy paper.
01/27/71 Mackey Auditorium, University of Colorado CDR/FLAC 1 Source: Silver-disc commercial boot titled "Colorado 1971" ("Screamer" label) Source of commercial boot is fan recording titled "Gatecrashing"
01/31/71 Community Theater (Early) CDR/FLAC 1 Early Show; source: audience master > 1st gen cassette > DAT > DAT received in trade transfer: DAT > R500 > mBOX > Pro Tools (cleanup, fades, re-tracking) > xACT 1.62 > flac(8) torrented by: zuma11
02/01/71 Dorothy Chandler Pavilion CDR/FLAC 1
02/27/71 Royal Festival Hall CDR/FLAC 2
07/16/72 Mariposa Folk Festival CDR/FLAC 1 lineage: audience > ? > analog cassette > DAT > CDR > EAC > FLAC
01/05/73 Milwaukee Auditorium CDR/FLAC 2
01/08/73 Cobo Arena CDR/FLAC 2 Lineage: Master Cassette->CDR->CDR->EAC(secure)->ProTools->ClickRepair->Xact->flac
01/09/73 Cobo Arena CDR/FLAC 2 Lineage: BR Analog Audience Master > DRAGON > CD-R > EAC > WAV > RR-Edit > TLH(8) > DIME RR-Edit = editing by Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > TLH (8) > FLAC) Releases: BR-2009-002-a/b (Direct Transfer) and BR-2009-002-c/d (RR-Edit Version)
01/10/73 Arie Crown Theater CDR/FLAC 2 Master tape>cd-r>cd-r>Bias Peak Pro 5>XACT>flac
01/14/73 Memorial Auditorium CDR/FLAC 2 lienage: 2nd gen tape-cdr-trade-cdr-eac-flac
01/15/73 Maple Leaf Gardens CDR/FLAC 2 Lineage : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) - NO Equalization - Resample at 16 bit 44.1 Khz - Tracks Split > (+ Patch parts from other sources) > FLAC Encoded with FLAC FRONTED (Level 6) >TLH Md5 + Fingerprint
01/19/73 Baltimore Civic Center CDR/FLAC 2 Source Audience analog cassette Lineage: A3 > DAT > CDR > EAC > Pro Tools (pitch adjustment) > XACT 1.5b3 > flac(8)
01/21/73 Carnegie Hall CDR/FLAC 1 Lineage Transfer : 1st Analog generation Tape>DAT>Edirol R-09HR (24 bit 48 Khz)>CARD>PC>GOLDWAVE (resampling at 16 bit 44.1Khz - Adjusted the pitch - Edit the cuts - Split the file) > FLAC Level 6 + Md5 + Fingerprint
01/23/73 Madison Square Garden CDR/FLAC 1 Source: "Madison Square Garden vinyl bootleg Lineage: AUD > Vinyl Bootleg > Philiphs CDR standalone > EAC > flac
01/26/73 The Spectrum CDR/FLAC 1
01/28/73 J.F. Kennedy Center CDR/FLAC 2 source: Unknown (but low) generation Maxell C90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime
01/29/73 The Scope CDR/FLAC 1
02/01/73 Sports Auditorium CDR/FLAC 1 Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC
02/03/73 Bayfront Center Arena CDR/FLAC 2
02/08/73 Boston Garden CDR/FLAC 2
02/11/73 Public Hall CDR/FLAC 1 Equipment : Sony Portable Cassette w/AKG D-1000-E DOW Mic Location : 5th Row Center Lineage : Master Cassette > wav > Sound Forge 7.0 > CDR > EAC (100% on single tracks) > GoldWave (to cue tracks) > mkw Audio > shn Source : Recorded, Mixed and Mastered by Joe Ray from the Kenai River, Alaska
02/13/73 Indiana Convention Center CDR/FLAC 2 ineage: Audience recording > low gen cassette > DAT > CDR > EAC(secure) > flac(8)
02/14/73 Cincinnati Gardens CDR/FLAC 1 Analog master>DAT Lineage equipment : sorry was not indicate on the DAT Box Transfer : Digital Audio Tape deck SV-DA10 MASH>EDIROL R09-HR>CARD>WAVE 24 bit 48 Khz>PC>GOLDWAVE (Resampled at 16 bit, 44.1 Khz - Pitch adjusted - Editing of cuts and level - no Equalization - Track split)>FLAC Level 6 + fingerprint + Md5
02/15/73 Louisville Convention Center CDR/FLAC 2
02/23/73 Tarrant County Convention Center CDR/FLAC 2 Transfer : Digital Audio Tape deck SV-DA10 MASH>EDIROL R09-HR>CARD>WAVE 24 bit 48 Khz>PC>GOLDWAVE (Resampled at 16 bit, 44.1 Khz - Pitch adjusted - Editing of cuts and level - no Equalization - Track split)>FLAC Level 6 + fingerprint + Md5 Analog Master>1st generation tapes>DAT
02/27/73 Veterans' Memorial Auditorium CDR/FLAC 2
03/01/73 The Myriad CDR/FLAC 2
03/17/73 Coliseum CDR/FLAC 2 Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS
03/20/73 Winterland Ballroom CDR/FLAC 2 CA Master audience analog recording and original CD-R mastering by "Rick the Recorder" > wav remastering (correcting drops, EQ'ing, amplifying, re-indexing) by Fountainebleau > SBE correction, flac encoding (via xACT) and seeding by Moe the Sleaze
03/22/73 Winterland Ballroom CDR/FLAC 2 Note from trader "I have this source on DAT and reiceved 2 CD-R transfered from the master. The sound quality of both is identic, so I taked the 2 CD-R and ripped them with EAC, because it was just edited. Encoded in FLAC with sector Boundaries Alligned + Fingerprint + Md5 I don't know the lineage equipment sorry It's an Audience recording, but the quality is really good."
03/25/73 The Forum CDR/FLAC 2 Source: Audience Cassette Master > A1 > CDR > EAC > FLAC
03/26/73 Convention Center CDR/FLAC 2 Lineage CD->eac-> wav-> tlh-> flac
03/31/73 Oakland Coliseum CDR/FLAC 1
09/20/73 Roxy Theater (Late) CDR/FLAC 1
09/21/73 Roxy Theater (Late) CDR/FLAC 1
09/22/73 Roxy Theater (Early) CDR/FLAC 1 Master Audience Recording > ? > "Sunset Strip" Silver Bootleg CD > EAC Secure > FLAC Frontend (8)
11/03/73 Palace Theatre CDR/FLAC 2 4th gen aud tape => SB-Live => CoolEdit => flac=>CDR=>flac8
11/04/73 Hippodrome CDR/FLAC 2 Lineage: Audience master cassettes > DAT > CDR > EAC(secure) > FLAC(8)
11/05/73 Rainbow Theater CDR/FLAC 2
11/06/73 Empire Theatre CDR/FLAC 1 Audience Master Recording > ? > CDR > EAC Secure > FLAC Frontend (8)
11/08/73 Apollo Theatre CDR/FLAC 1 Audience Master Recording > ? > CDR > EAC Secure > FLAC Frontend (8)
11/09/73 Newcastle City Hall CDR/FLAC 2 Audience Master Recording > ? > CDR > EAC Secure > FLACFrontend (8)
11/10/73 Royal Festival Hall CDR/FLAC 2 Lineage: Analog Master>Dat>CDR>Wave>Flac
11/15/73 Queen's College (Early) CDR/FLAC 2
11/16/73 Music Hall CDR/FLAC 2
11/19/73 Music Hall CDR/FLAC 2 Lineage : Master Cassette > WAV > Sound Forge 7.0 (initial mastering) > CDR > EAC (100% on both CDs) > GoldWave (to cue tracks) > CoolEdit (removed pops/clicks by hand) > WAV > FLAC
11/20/73 Auditorium Theatre CDR/FLAC 2 Lineage: Aud Master > 1st generation cassette > Nakamachi deck > Yamaha CDR burner > CDR > EAC(secure) > ProTools > xACT > FLAC(8)
05/16/74 The Bottom Line CDR/FLAC 1
??/??/74 Tonight's The Night Acetate CDR/FLAC 1
12/20/75 Inn At The Beginning CDR/FLAC 2
03/03/76 Aichken Taiikukan CDR/FLAC 2
03/04/76 Festival Hall CDR/SHN 2 Source 1: aud>?>"Another Osaka"(bootleg)>?>(amplified, normalized)>?>hempsall CDr(M)>EAC>wav>shn Source 2: aud>?>"Dancing Across The Water"(bootleg)>?>(amplified, normalized, edited)>?>hempsall CDr(M)>EAC>wav>shn Source 1 was the superior source, a very good aud, a bit bright but with good stereo separation and less crowd noise distraction Source 2 is somewhat bass heavy and muffled, with more talking and other crowd noise, fair to good to my ears. Source 1 used from 0:34 of track 3 to the end of track 9 Source 2 used for remainder. Source transition in track 3 volume matched, but still rather abrupt due to differences in quality.
03/05/76 Festival Hall CDR/FLAC 2 Lineage for transfer : Transfer in 2006 : DAT SONY>OPTICAL CABLE>EXTIGY (External Soundcard)>USB2>PC>GOLDWAVE (16 bit 48 Khz) (No equalization) - tracks split>FLAC (with FLAC FRONTED>Encoded in FLAC (Level 6)+ Md5 & Fingerprint
03/06/76 Festival Hall CDR/FLAC 2 Source: Analog Master > DAT/1 > CDR (EAC) > WAV > (Cool Edit Pro, CDwav) > SHN
03/08/76 Kyuden-Kinen Taiikukan CDR/FLAC 2 Source : Audience recording > Bootleg (GPK Label) > CDR Transfer : CDR > EAC > flacfrontend > flac(8)
03/10/76 Nippon Budokan Hall CDR/FLAC 2 Source : Audience recording > Bootleg (Tarantura Label) > CDR Transfer : CDR > EAC > xACT1.5b3 > flac(8)
03/11/76 Budokan CDR/FLAC 2 Source : Audience recording > Bootleg (Tarantura Label) > CDR Transfer : CDR > EAC > xACT1.5b3 > flac(8)
03/18/76 Rhein-Necker-Halle CDR/FLAC 1 Lineage: Audience Recording done on Telefunken Party Sound 201 using Grundig GDMS 331 microphones Patches from lst generation reel to reel master done by H.B. Cassette master --> played back on Nakamichi CR-7E --> Marantz DR700 Reel to Reel Master --> lst gen. cassette--> played back on Nakamichi CR-7E --> Marantz DR700 Patched and speed corrected by hanno
03/19/76 Stadthalle CDR/FLAC 1 Lineage (LTB): Philips microphone > Telefunken Magnetophon 302 (4-track mono reel-to-reel) > reel master > ASC AS 4504 > Sony PCM-M10 > WAV > TLH > FLAC Additional lineage (Bombdiggity): TLH (FLAC to WAV) > Cool Edit Pro 2.1 (Repair a number of momentary transit issues from the master, selectively adjust levels to maximize output and better balance relative volumes of crowd and music, correct minor DC offset, track set 1, for the remaster only: minor equalization) > TLH (WAV to FLAC level 8, sectors aligned) Taper: LTB
03/21/76 Congresscentrum CDR/FLAC 1 Taken from vinyl: Neil Young & Crazy Horse - Live At The Roman Colosseum Label:Spaceward Records, Inc. Catalog#:ST 500035 Format:Vinyl, LP, Unofficial Release Country:Netherlands Released:1976
03/23/76 Pavillon De Paris CDR 2
03/26/76 Jaap Eden Hall CDR/FLAC 2 Lineage: Transfer by Hans: Cassette > Nakamichi Dragon > Audacity > WAV > FLAC. (downloaded as three flac files: 'part 1', 'part 2' & 'part 3' (encore); pitch correction: 'part 1': +2.5%; 'part 2' & 'part 3': +3.2%)
03/26/76 Jaap Eden Hall CDR/FLAC 2 Source: Boombox with build in mics Location: 10th row a little on the left Taper: Old Dutch Master Transfer: Analog Master > Nakamichi DRAGON > Pioneer D-05 > DAT > DAL Digital Only > EAC > WAV > editing > Flac (TLH, best) Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Release: JvV-2001-042-a/b
03/28/76 Hammersmith Odeon CDR/FLAC 2 source: 2nd gen analog > dat > cdr > macintosh > xACT1.56 > flac (last 6 min. of LAH is a diff. source)
03/29/76 Hammersmith Odeon CDR/FLAC 2 source: analog master > dat > cdr > cdr macintosh > xACT 1.56 > flac
03/30/76 Hammersmith Odeon CDR/FLAC 2 analog 1st gen > cdr > macintosh > xACT 1.56 > flac
03/31/76 Hammersmith Odeon CDR/FLAC 2 source: 1st gen analog > dat > cdr > cdr > macintosh > xACT1.56 > flac
04/02/76 Apollo Theatre CDR/FLAC 2 source: 1st gen analog > cdr > cdr > macintosh > xACT 1.56 > flac
11/02/76 Berkeley Community Theater CDR/FLAC 2 Recorded from Audience with Analog Equipment Transfered from Low generation tape. TECHNICHS STEREO CASSETTE DECK 3 HEAD RS BX601>EDIROL R09HR> WAVE 16 bit 48 Khz on CARD>GOLDWAVE (not Resampled) - Tracks split (no Equalization) Pitch adjusted. FLAC level 8 - Firgerprint - md5 signature
11/02/76 Berkeley Community Theater CDR/FLAC 2 Master : SS Transfered from Analog master SS>DAT DAT MASH SV DA10>EDIROL R09HR> WAVE 16 bit 48 Khz on CARD>GOLDWAVE (Resampled at 16 bit 44.1 Khz) - Tracks split (no Equalization). FLAC level 8 - Firgerprint - md5 signature
11/04/76 The Forum CDR/FLAC 2 Transfer from Double vinil Bootleg "OLD MAN'S FANCY"
11/06/76 Balch Fieldhouse CDR/FLAC 2
11/10/76 Tarrant County Convention Center CDR/FLAC 2 Transfered from Analog master T.O.>DAT DAT MASH SV DA10>EDIROL R09HR> WAVE 16 bit 48 Khz on CARD>GOLDWAVE (not Resampled) - Tracks split (no Equalization). FLAC level 8 - Firgerprint - md5 signature
11/14/76 Dane County Coliseum CDR/FLAC 2
11/15/76 Auditorium Theater CDR/FLAC 2 Late Show
11/15/76 Auditorium Theater CDR/FLAC 2 (Early Show) Lineage: Audience Master > Unknown generation > DAT > CDR > EAC > xACT 1.5b3 > flac(8)
11/19/76 Palladium CDR/FLAC 1 Transfered from Analog tapes (unknown generation) > philips cd stand alone -> cd audio -> EAC -> cd WAVE Tracks split -> FLAC level 6 - Firgerprint - md5 signature 7 acoustic songs
11/20/76 Palladium (Late) CDR/FLAC 1 Partial Electric Set "Electric Live In New York"
11/20/76 Palladium (Early) CDR/FLAC 2 Master Audience Cassette: 2 Sony ECM-33P Mics > Sony TC-153SD cassette deck, Dolby on, taped onto Maxell UD-XL 90 cassettes. 15-foot mic cables from 6th row balcony to the balcony front rail, and 20-foot mic-cord extensions for a mic spread of approx 40-feet. Transfer: Master Cassette played back on Nakamichi Dragon > HHB CDR830Plus > EAC > SoundForge 6.0 (for fades, tape flip) > CD-Wave 1.94.5 > WAV > FLAC Frontend (with sector boundary align) > seeded to DAD Aug 2005
11/20/76 Palladium (Late) CDR/FLAC 1 Transfered from Analog tapes (unknown generation) > philips cd stand alone -> cd audio -> EAC -> cd WAVE Tracks split -> FLAC level 6 - Firgerprint - md5 signature 8 song acoustic set
11/22/76 Music Hall CDR/FLAC 2 Early Show
11/22/76 Music Hall CDR/FLAC 2 Late Show
11/24/76 Fox Theatre CDR/FLAC 2 Early Show Transfer: BR-Analog Master > Nakamichi DRAGON > CD-R > EAC > WAV > editing > Flac (TLH, best) Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Releases: BR-2009-001-a/b (Direct Transfer) and BR-2009-001-c/d (Edited Version)
08/22/77 The Catalyst CDR/FLAC 2 Audience Recording > CDR > WAV > FLAC (level8)
09/02/77 Civic Auditorium CDR/FLAC 1
11/12/77 Bicentennial Park CDR/SHN 1
05/24/78 The Boarding House (Early) CDR/FLAC 1 Early Show
05/25/78 The Boarding House (Late) CDR/FLAC 1 lineage: AUD master cassette > 1st generation cassette transfer: 1st generation cassette > Nakamichi Dragon > Korg MR1000 [DSF 1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [16/44.1] > Pro Tools (pitch correction/fades/track splits) > xACT1.5b3 > flac(8)
05/25/78 The Boarding House (Early) CDR/FLAC 1 Aud Master > 1st generation cassette > Sony PCM-500 (w/SBM1 A>D) > Audiomedia III > ProTools > JAM > CDR > EAC(secure) > xACT > FLAC
05/27/78 The Boarding House (Late) CDR/FLAC 1 3rd gen cassette > Pro Tools > wav > flac
05/28/78 The Boarding House (Late) CDR/FLAC 1 incomplete
05/28/78 The Boarding House (Early) CDR/FLAC 1
09/19/78 Pine Knob Music Theater CDR/FLAC 2 Lineage 1st gen analog tape -> DAT -> cd -> extracted with EAC -> TLH -> FLAC level 8 aligned on sector boundaries -> DIME This show includes a rare unique performance of Bright Sunny Day, only known performance of this song
09/21/78 Capital Centre CDR/FLAC 2
09/23/78 The Spectrum CDR/FLAC 2 1st gen aud cass > dat > dat > cdr > macintosh > xACT 1.5b3 > wav > xACT 1.5b3 > FLAC
09/25/78 Providence Civic Center CDR/FLAC 2 Master tape>CDR
09/27/78 Madison Square Garden CDR/FLAC 2
09/28/78 Madison Square Garden CDR/FLAC 2
09/29/78 Nassau Coliseum CDR/FLAC 2 Complete recording; AUD > Low Generation Cassette > DAT > xACT1.5b3 > flac > CDR > EAC > flac
09/29/78 Nassau Coliseum CDR/FLAC 2 Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ note: (incomplete recording...... part of “Cortez” and all of “Cinnamon Girl.”)
10/01/78 Maple Leaf Gardens CDR/FLAC 2 First Gen tape>cd-r>cd-r>Bias Peak Pro 5>XACT>Flac
10/04/78 Boston Garden CDR/FLAC 2
10/05/78 Rochester Community War Memorial CDR/FLAC 2 AUD > A low Generation > CDR > EAC > wav > flac
10/07/78 William and Mary College CDR/FLAC 2 source: audience unknown gen > CDR transfer: CDR > Pro Tools (extensive SBE cleanup & retracking) > xACT > flac
10/08/78 Charlotte Coliseum CDR/FLAC 2 Source: Shure Mics > JVC Location Recording Deck > Analog Master Transfer: Analog Master > DAT > CDR patched w/diff source > EAC > wav > flac
10/10/78 The Omni CDR/FLAC 2 Transfer: Analog Tapes (Unknown generation)>TECHNICS STEREO DECK 3 HEADS RS BX601>RCA Gold Cables>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/44.1) pitch adjusted - Tracks splits - FLAC encoded encoded (Level 6) with FLAC FRONTEND + Fingerprint + TLH md5
10/14/78 Chicago Stadium CDR/FLAC 2 Analog Master RB Chicago Stadium 9th or 10th row left of stage mezzanine about 20th row main floor. No stub. Cassettes: TDK SA C-90 1st tape, TDK AD C-45 2nd tape DECK: Technics RS-646DS MICS: Teac ME-80's (CM-300 Naks) Dolby On for recording. Tape masters played back on Rotel RD-870 with speed and tape alignment adjusted. Dolby off for playback! Using Chord Company cables from Naim... Played through the Naim Audio NAC-52 pre-amp to the Teac CDR-2000 Standalone. Mastered to Taiyo Yuden 74-ZY CDR's PC drive.....Plextor UltraPlex40max CDR-ROM SCSI W/adaptec 2930 EAC (1.8X ripping speed or slower on all my uploads)>FLAC
10/15/78 St. Paul Arena CDR/FLAC 2
10/22/78 Cow Palace CDR/FLAC 2
10/23/78 The Forum CDR/FLAC 2 Recorded from Audience with Analog Equipment Transfered by AV (december 6 , 2009) Analog tapes>DAT>DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) downsampled at 44.1khz - Tracks splits - FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5
10/03/80 The Greek Theatre - University Of California CDR/FLAC 1 cassette master > cdr Maxell UD XLI cassette with Dolby B recorded on Sony TCD-5 with two Electrovoice RE-10 mics
07/13/82 Catalyst CDR/FLAC 2 location info: left front balcony 1st table source info: 2 Nak 300 mics > Nak 550 cassette recorder Maxell XL-IIs master (Dolby B) first deck in daisy chain of decks Playback > Nak Dragon (Dolby Decoded) No EQ > Digidesign A/D > Apple G3 laptop Bias Peak (editing) > Jam Burning > Yamaha cd writer > cdr > Toast 9 > xACT 1.62 > Flac 8
08/03/82 The Keystone Club CDR/FLAC 2 Source: Audience cassette > DAT > CDR Transfer: CDR > EAC > xACT2.18 > flac16 Over the years, there has been confusion between the two 1982 Palo Alto recordings. The 1982-08-03 recording has part of the stage power going out towards the end of both On The Way Home and Don't Cry No Tears. The guitars drop out of the mix and you just hear vocals, bass and drums. Neil makes a comment about it after On The Way Home.
08/04/82 The Keystone Club CDR/FLAC 2 Source: Audience cassette (likely Electro-Voice RE-10 > Sony TCD-5m (Dolby B) Transfer: Master cassettes > Nakamichi Dragon > Audiomedia III > ProTools > Jam > CDR > EAC > xACT2.18 >Flac16 Taper: js
08/11/82 Sherwood Hall CDR/FLAC 1 2 Nak 300s > Sony TC-D-5m (Dolby B) Nakamichi Dragon (Dolby decoded) > Apple G4 (RME A/D) (Peak editing) (Xact) > FLAC
08/12/82 Sherwood Hall CDR/FLAC 2 audience recording, nothing known about taping equipment. ? > silver-pressed CD bootleg > EAC > WAV > CD-R > EAC > > WAV > SHN > FLAC
08/14/82 Catalyst CDR/FLAC 2 location info: left front balcony 1st table source info: 2 Nakamichi 300 mics > Nakamichi 550 cassette recorder(Dolby B)(Maxell XLII-S 90)(first deck in daisy chain of 3 decks, 1 Nakamichi, 2 SONY TC D-5m) Playback: Nakamichi Dragon (Dolby B Decoded) > Panasonic 3800 DAT (internal A/D conversion 44.1k, Maxell Pro DAT 124) > Apple G4(Peak editing) > Xact (flac)
08/31/82 Parc des Sports CDR/FLAC 2
09/01/82 Les Arenes CDR/FLAC 2
09/04/82 Rheinweissen CDR/FLAC 2 Master
09/05/82 Zeppelinfeld CDR/FLAC 2 Lineage = Bootleg Vinils played on PIONEER turntable PL-445>RCA Gold Cable>Amplifier KENWOOD KA 103. >RCA Gold cable>M-AUDIO Audiophile Firewire (24 bit 96 Khz)>Firewire>PC>GOLDWAVE : WAVE - Pitch Adjust - Edit cuts - Declick Equalization - Resample at 44,1 Khz 16 bit + Tracks split > Encoded in FLAC with FLAC FRONTED (Level 6) + fingerprint & Md5
09/07/82 Arena CDR/FLAC 2 Lineage = Analog master>DAT>DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile Firewire (16/48)Firewire>PC>GOLDWAVE - no editing, the master as it was>Tracks split>FLAC FRONTED + Md5 & Fingerprint
09/11/82 Stadio dei Pini CDR/FLAC 2
09/12/82 Ippodromo le Capanelle CDR/FLAC 2 Master Reel>Analog tapes>DAT>CDR>EAC>FLAC (Level 6) with Boundaries sector Alignment + TLH Md5 + Fingerprint
09/16/82 Isle St. Germain CDR/FLAC 2
09/18/82 Stade Municipale CDR/FLAC 2 Quimper stadium - France - on 1982 09 18 (unknonw equipment). Sony tape played on a Denon DRR M10 deck>ZOOM H4>PC>Audacity editions (tracking and volume)>FLAC
09/20/82 Sportpaleis Ahoy CDR/FLAC 2 from 1st RR Collective
09/24/82 National Exhibition Centre CDR/FLAC 2 DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWave (tracking) > flac(8)
09/26/82 Wembley Arena CDR/FLAC 2 Source: Sony ECM 939LT > WMD6 > XLI-S Location: Block A Row 1 Seat 4 (thanks to the NYAS) Tapers: Reelclasio (first ever recording) Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins) > WAV > FLAC) Artwork: Not included
09/27/82 Wembley Arena CDR/FLAC 2 Lineage : Analog Tapes (2nd generation)>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA Gold cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz) - Raw version - resample at 16 bit 44 Khz - Tracks split (Aligned for CD Compatible)>FLAC Fronted (Level 6) + Fingerprint & Md5
09/28/82 Wembley Arena CDR/FLAC 2
10/01/82 Parc des Exposition CDR/FLAC 2 Sony tape played on a Denon DRR M10 deck>ZOOM H4>PC>Audacity editions (pitch, tracking and volume, but no EQ)>FLAC
10/03/82 Parc des Expositions CDR/FLAC 2 Lineage : Analog Tapes (Low generation)>DAT>DAT MASH SV DA-10>optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) - Raw version - resample at 16 bit 44 Khz - Tracks split (Aligned for CD Compatible)>FLAC Fronted (Level 6) + Fingerprint & Md5
10/05/82 Sporthalle CDR/FLAC 2 Lineage:Analog Master(unknown equipment) > CDR > EAC(secure mode) > HD > Flacfrontend (level 8 ) > Dime > You
10/08/82 Scandinavium CDR/FLAC 2
10/09/82 Isstadion CDR/FLAC 2
10/10/82 Brandby Hallen CDR/FLAC 2 Lineage:Analog Master(unknown equipment) > CDR > EAC(secure mode) > HD > Flacfrontend (level 8 ) > Dime > You
10/11/82 Westfalenhalle CDR/FLAC 2 From master
10/12/82 Olympiahalle CDR/FLAC 2
10/14/82 Killesberghalle CDR/FLAC 2 Audience recording: cassette master > CDR > EAC > wav > TLH > flac
10/15/82 Rhein-Necker-Halle CDR/FLAC 2 TECHNICS RS BX601 3 HEAD>GOLD RCA>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz) Edit cuts, Fade in & Fade out,Re-sampled at 16 bit 44.1 Khz >Tracks split1>FLAC (Level 6) + Fingerprint & Md5
10/18/82 Deutschlandhalle CDR/FLAC 2 DAT MASH SV DA-10>COAXIAL>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) Edit cuts, Fade in & Fade out, Volume level of both channel adjusted, Equalization - Re-sampled at 16 bit 44.1 Khz >Tracks split1>FLAC (Level 8) + Fingerprint & Md5
01/05/83 Civic Auditorium CDR/FLAC 2
01/13/83 Music Hall CDR/FLAC 2 Analog 2nd generation>DAT (Sorry no info of the Equipment used for the recording) Equipment for the transfer : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz) + Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD, You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5
01/14/83 Palmer Auditorium CDR/FLAC 2 A1-DAT-CDR
01/16/83 McNichols Sports Arena CDR/FLAC 2 A2-D Transfered by AV Date of transfer = 20/04/2010 Analog 2nd generation>DAT (Sorry no info of the Equipment used for the recording) Equipment for the transfer : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz) + Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD, You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5
01/18/83 Activity Center. Arizona State U CDR/FLAC 2 Disc 01 & Disc 02 track 01- 08 Arizona State University Activity Center, Tempe Arizona 1983-01-18 Disc 02 track 09-15 Civic Auditorium Santa Cruz, CA 1983-01-05 Disc 02 Track 15-16 Nassau Coliseum, uniondale, NY, 1983-02-23
01/19/83 University Events Center CDR/FLAC 2 source: first generation BASF C90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime
01/20/83 Golden Hall Community Concourse CDR/FLAC 2 source: audience master > 1st gen cassette (A1) transfer: 1st gen cassette > Nakamichi Dragon > Korg MR-1000 (DSF @ 1-bit 5.6448 MHz Stereo) > Korg AudioGate > WAV (16/44.1) > Pro Tools (cleanup, fades, tracking) > xACT 1.62 > flac(8)
01/22/83 Universal Amphitheater CDR/FLAC 2 Disc 1 - lineage : transfer from analog 1st gen Disc 2 - lineage : transfer from master cassette (taped by markp)
01/23/83 Universal Amphitheater CDR/FLAC 2 lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC notes: - DAT from the Dutch Masters Archives - Transfer: DAT played on Sony DTC-790 deck -> S/PDIF cable -> Terratec Aureon 5.1 soundcard -> Adobe Audition -> WAV -> CDWave -> WAV -> FLAC - Mastering done in Adobe Audition; fixed some levels, fixed some tape speed errors (tape ran fast on d2t10-12), converted to 44.1kHz. - Known flaws: the taper had some problems setting up his gear during the first song, which causes distortion until the 2:41 mark. After that the quality picks up and it's great. Don't Be Denied cuts in due to a tape flip, the first song after the intermission, Pocahontas, cuts in as well. - There's also some occasional audience banter, some more in the second half than in the first. - Level fixes: d1t01, d2t06, d2t08 - Tape speed fixed: d2t10/d2t11: -0.5 semitone; d2t12: -2.0 semitone - DAT transfer and torrent by rdvdijk (2007-06-19)
01/24/83 Universal Amphitheater CDR/FLAC 2 Lineage:unknown analog tape low generation > teac > edirol09> HD > Goldwave> TLH (level 8 )
01/25/83 Cow Palace CDR/FLAC 2
01/30/83 Kiel Auditorium CDR/FLAC 2 A3 > DAT > CDR > eac > flac eac-rip by FZ
01/31/83 UIC Pavilion CDR/FLAC 2 Lineage AM>DAT EXTIGY external soundcard connected with an optical cable at my DAT deck aND Transfered on computer Via FIREWIRE At 24 bit 48 Khz with GOLDWAVE SOFTWARE. Resampled at 44Khz and 16 bit and the WAVE FILE splitted with CDWAVE > encoded to FLAC
02/01/83 Assembly Hall, University Of Illinois CDR/FLAC 2 A3 > DAT > CDR > eac > flac eac-rip by F.Z.
02/03/83 University of Georgia Coliseum CDR/FLAC 2 Transfer from analog second gen tape
02/04/83 Sun Dome CDR/FLAC 2 Source: Analog master > DAT > DAT Transfer: DAT > wav w/ Opcode DATport > Cool Edit Pro (edits, fade i/o, sample rate convertion) > CDwav (tracking) > flac(8)
02/05/83 James L. Knight Center CDR/FLAC 2 Lineage:unknown analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Flacfrontend (level 8 )
02/06/83 James L. Knight Center CDR/FLAC 2 Missing last 3 songs Source: Unknown low gen. analog tape Transfer: TEAC tape deck > Edirol R-09 > Goldwave (edits, fades, tracking) > flac(8)
02/08/83 Carmichael Auditorium CDR/FLAC 2 Lineage: Recording Equipment Unknown > 3rd Gen Analog > DAT > CDR > wav > tlh > flac(8)
02/10/83 Hartford Civic Center CDR/FLAC 2 Recorded By: Robert Mullen (lvrwm) Equipment/Lineage: Panasonic Portable Stereo Cassette Recorder RQ-J36 (with built in mics)>Master Cassette (Maxell UDXLII-90 minutes)>Yamaha Natural Sound Dual Cassette Deck K-902>CD Wav>TLH (flac level 8)
02/14/83 New Haven Coliseum CDR/FLAC 2 Missing first 3 songs Transfered by AV Date of transfer = 25/04/2012 Analog Tapes (Unknown generation)>DAT (Sorry no info of the Equipment used for the recording) Equipment for the transfer : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz) + Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD, You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5
02/15/83 Providence Civic Center CDR/FLAC 2
02/17/83 Community War Memorial Auditorium CDR/FLAC 2 Conversion = Unknown gen cassette>Pioneer Stand Alone Burner PDR-609> EAC>Soundforge 9.0>CD Architect 5.2>Wav>Flac
02/18/83 Maple Leaf Gardens CDR/FLAC 2 A1 > DAT > CDR > eac > flac eac-rip by FZ
02/19/83 Cobo Hall CDR/FLAC 2 transfered from AM>D with M-AUDIO Audiophile Firewire Lineage : AM-D (JRS master) DAT MASH SV-DA10>optical cable>M-AUDIO Audiophile Firewire>FIREWIRE> GOLDWAVE (16 / 48) - Edit cuts, Volume level Adjusted (NO equalization) Tracks Split , Resample at 16 / 44.1 > FLAC FRONTED (Level 8) > TLH Md5 + Fingerprint
02/22/83 Baltimore Civic Center 0 Analog 3rd generation>DAT (Sorry no info of the Equipment used for the recording) Equipment for the transfer : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz) + Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD, You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5
02/23/83 Nassau Coliseum CDR/FLAC 2
02/24/83 Madison Square Garden CDR/FLAC 2 Source: Analog master > DAT Master: B.A. Sony D5 Transfer: DAT > wav w/ Opcode DATport > Cool Edit Pro (normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8)
03/01/83 Market Square Arena CDR/FLAC 2 Taper: SH Transfer: MJK5510 Recording: Sony D6 (if I remember correctly) Transfer: 1st Generation > Nakamichi CR 5A (Azimuth Adjust) > MacBook Pro > Peak Pro XT > xACT 1.5 > Flac
03/02/83 Riverfront Arena CDR/FLAC 2 Analog tapes (Unknown generation)>DAT (Sorry no info of the Equipment used for the recording) Equipment for the transfer : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz) + Editing of the various cuts and Tracks split (NOTE = I don't have changed the resolution, if you need to burn on CD, You need early to convert at 44.1 Khz)>FLANC FRONTED (Level 6) + Fingerprint and Md5
07/01/83 Kansas Coliseum CDR/FLAC 2 Lineage: unknown gen tape-cdr-trade-cdr-eac-flac
07/02/83 Kemper Arena CDR/FLAC 2
07/04/83 Omaha Civic Auditorium CDR/FLAC 2 Source: 1st gen cassette, no other info available Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Clean-up of some cuts/flips
07/07/83 Metro Center CDR/FLAC 2 source: custom mics > Sony D5 > cassette masters transfer: cassette masters > NAK CR7A > Apogee Ensemble A/D > Peak Pro 6 > 24/96 WAV > Korg AudioGate > 16/44.1 WAV > Pro Tools (cleanup/fades/track splits) > xACT1.71 > flac(8) recorded by: digitalrbb and B. Lobash and K. Binder - The Minneapolis Crew
07/09/83 Alpine Valley Music Theatre CDR/FLAC 2 Source: Audience handheld Sony Walkman Transfer: Master cassettes > CDR > EAC > ProTools (cleanup) > xACT2.17 > flac(8) Taper: GC
07/10/83 Civic Center CDR/FLAC 2 source: (I believe) first generation TDK D90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac
07/12/83 South Coliseum CDR/FLAC 2 tracks 1-18 sbd low generation tracks 19-26: analog audience 3rd generation tape
07/13/83 Assembly Center CDR/FLAC 2 Source: Analog 1st gen. Master: R.E. Transfer: JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8)
07/15/83 Reunion Arena CDR/FLAC 2 Location: Lower balcony, about 1/3 of the way back Recording: Sony mic ECM939 > Sony D6 > Maxell XLII Transfer: Master cassette > Akai GX-R60EX > Cool Edit Pro (Indexing) > CDR > Flac
07/16/83 The Summit CDR/FLAC 2 Source: Analog 4th gen. Transfer: JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8)
07/18/83 Convention Center CDR/FLAC 2 Lineage: 2nd gen tape-cdr-trade-cdr-eac-hd-minor gap removal(audicity)-flac
07/20/83 Pan American Center CDR/FLAC 2 Transfered by AV Date of transfer = 29/04/2012 Analog master (G.W.)>DAT (Sorry no info of the Equipment used for the recording) Equipment for the transfer : DAT MASH SV DA-10>Optical cable>M-AUDIO Audiophile firewire>Firewire>PC>GOLDWAVE (16 bit 48 Khz) + Only Edited the various cuts and Tracks split (NOTE = I didn't changed the resolution, You need to convert at 44.1 Khz to burn on CD)>FLANC FRONTED (Level 6) + Fingerprint and Md5
07/23/83 Irvine Meadows CDR/FLAC 2 source: first generation MaxellXLII > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac
07/24/83 Irvine Meadows FLAC 2 source: first generation MaxellXLIIS > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac > Dime Most of you will know the format of the 1983 shows which were MC'd by Newell Alexander in the role of Dan Clear. During intervals between sets Clear would interview crew, musicians etc and between interviews there would be old TV ads and shows playing. The original tapes for this concert ran a monster 2hours 41 mins. The taper turned his machine on at the start and left it running pretty much - apart from tape flips - for the rest of the show - interviews / intervals / music - even the PA broadcast of "The Star Spangled Banner" at the end. This clearly required some editing and I have tried to do the right thing for everyone. If you have never heard a full version of of a show from this tour you may wish to download the Dan Clear segments to give you some idea of his involvement - tracks 1, 12, 13, 14, 22. These have been carefully edited to remove dead time and TV ads etc - as a result the commentary and interviews run almost continuously - in reality there were often stretches in between where the audience amused themselves. However should you choose to omit tracks 1, 12, 13, 14 and 22 the rest will still form a coherent concert.
07/26/83 Cal Expo CDR/FLAC 2 Source: Analog master > DAT > DAT clone Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, tape-flip edits, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
07/28/83 Seattle Center Coliseum CDR/FLAC 2
07/30/83 Coliseum CDR/FLAC 2 source: probably second generation TDK AD90s > AIWA AD-F810 > Creative SB1260 > Audacity > wav file > edited w Nero > flac
08/27/83 Hampton Coliseum CDR/FLAC 2
08/29/83 The Spectrum CDR/FLAC 2 aud from master.sony wmd5/929 mic>maxell xl2s>sony hx pro/ audio source eqone>eac>flac8>dime Additional info: This was posted by me last year. The taper was Jeff McGinty, and he actually left the venue with his rig when the Pinky stuff started! Damn shame as it's a clean recording. He also paused between lots of songs, so beware.
08/30/83 State Fair CDR/FLAC 2
09/01/83 Brendan Byrne Arena CDR/FLAC 2 Source: Analog master > DAT clone(s) Master: R.B. Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades in, tape-flip edits, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
09/02/83 Tanglewood Music Center CDR/FLAC 2 Source: Analog 1st gen > DAT Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (edits, level adjustments, fades i/o, sample rate conversion) > CDWave (tracking) > flac(8)
09/04/83 Saratoga Performing Arts Center CDR/FLAC 2 Source: 3rd gen cassette, no other info available Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: On original cassette it was edited, no edits by me
09/04/83 Saratoga Performing Arts Center CDR/FLAC 2 Source: unknown gen cassette, analog tape > edirol 09 > wav > goldwave (equalize, pitch, levels, track split) > tlh > flac level 8 This show is complete, whereas the other is not. The acoustic is probably a little better on this one, while the Pinks set is better on the other.
09/06/83 Blossom Music Center CDR/FLAC 2 Analog Tapes (2nd generation) Transfered by AV Date of Transfer = 21/05/2011 TECHNICS Stereo Deck 3 Heads RS BX-601>RCA gold cable>M-AUDIO Audiophile firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz) (Edited the cuts, Balanced the Volume level of right channel, adjsted the pitch + BBE Sonic Maximizer + Equalization with MAGIX AUDIO STUDIO) - Tracks split and re-sample at 16 bit 44.khz>Encoded in FLAC with FLAC FRONTED + Fingerprint + Md5
09/07/83 Civic Arena CDR/FLAC 2 Source: Low gen. analog tape Transfer: JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8)
09/10/83 West Virginia University Coliseum CDR/FLAC 2 missing 5 songs (not recorded) * The Needle And The Damage Done (missing) ** Dance, Dance, Dance (missing) *** Don't Be Denied (missing) **** Sail Away (missing) ***** Ohio (missing) Total Time = 01:24:28 Date of transfer = 19/05/2012 Lineage of transfer : Analog tape (Maxel XL-II-S 100 min.)- generation (????)>TECHNICS RS-BX 601 3 HEADS> RCA GOLD CABLES>M-AUDIO Audiophile Firewire 24/96>FIREWIRE>PC>GOLDWAVE (WAVE 24 bit 96 Khz)>Editing (Cuts - Fade in & Out) + Equalization + re-sample at 44.1 khz 16 bit + Tracks split>Encoded in FLAC with FLAC FRONTED (Level 6) + Fingerprint & Md5 Bad Quality
09/12/83 Pine Knob Music Theater CDR/FLAC 2 Poor sounding recording,only for completists Lineage:3rd gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0(speed adjust) > Flacfrontend (level 8 )
09/13/83 Civic Center CDR/FLAC 2 Here to you what I think is the longest show (thank's to Dan Clear) of the 1983 tour with the Shocking pinks Analog master Tapes were transfered on DAT from the G.W. master So the Lineage is GW Analog Master>DAT>DAT>Edirol R-09HR>Card>USB>PC>GOLDWAVE (only editing, no equalization) Important = this is not a CD Rip but a direct Transfer Date of transfer : November 2008
09/15/83 Poplar Creek Music Center CDR/FLAC 2 Source: Audience handheld Sony Walkman Transfer: Master cassettes > CDR > EAC > xACT2.17 > flac(8) Taper: GC
09/16/83 Assembly Hall, Indiana U CDR/FLAC 1 Incomplete recording Lineage:1st gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0 > Flacfrontend (level 8 )
09/19/83 Reed Fieldhouse CDR/FLAC 2 Analog master > CDR > CDR > eac > flac
09/21/83 Dane County Coliseum CDR/FLAC 2 Source: Analog master > DAT clone(s) Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, tape-flip etdits, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
09/24/83 Mesker Music Theater CDR/FLAC 2 Lineage: unknown gen tape-cdr-trade-cdr-eac-flac Mono recording
09/26/83 Grand Ole Opry CDR/FLAC 2 audience recording (unknown equipment) unknown gen. tape > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, crossfades, volume adjustments) Tracks 13-15 and parts of track 12 and 16 are missing from the original recording or from my copy, these tracks are pasted in from a 2nd gen. tape (different source)
09/27/83 Civic Center CDR/FLAC 2 Analog master > DAT > CDR eac-rip by F.Z.
09/28/83 Cameron Indoor Stadium, Duke U CDR/FLAC 2 DAT MASH SV DA-10>COAXIAL>M AUDIO Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) Edit the cuts + BBE Sonic Maximizer & MAGIX AUDIO STUDIO Equalization - Tracks Splits (16 bit 44.1 Khz resampled)>FLAC (level 6) + Fingerpring & Md5
09/30/83 James Madison University CDR/FLAC 2 songs 1-18 + song 27 come from a different and better source(either A1 or A2) than 6th gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0 > Flacfrontend (level 8 ) songs 19-26 + end of track 18 come from: 6th gen analog tape transfer(unknown equipment) > CDR> EAC(secure mode) > HD > Adobe Audition 3.0 > Flacfrontend (level 8 ) but better quality (probably lower generation tape - this new one may be an A5 gen)
10/01/83 Beacon Theater CDR/FLAC 2 1st gen cassette>Pro Tools>CDr(me)>EAC(Secure no C2)>flac
02/06/84 The Catalyst CDR/FLAC 1
02/06/84 The Catalyst CDR/FLAC 1 front of house soundboard > Sony TC D-5m(Dolby B) Nakamichi Dragon(Dolby B decoded) > Audiomedia III > Apple G4 (ProTools) > Xact
02/07/84 The Catalyst CDR/FLAC 2 Early and Late Shows: front of house soundboard > Sony TC D-5m(Dolby B) Nakamichi Dragon(Dolby B decoded) > Audiomedia III > Apple G4 (ProTools)
06/06/84 Saddle Rack (Early) CDR/FLAC 1
06/06/84 Saddle Rack (Late) CDR/FLAC 1
06/18/84 Reseda Country Club (Late) CDR/FLAC 1 Recorded by: Mike Martin and Bill Shumberger 2 Sennheiser mkh-404tu mics > Sony D-5M w/ Dolby > TDK SA C-90 tape Transfer: Nakamichi CR-7A (w/Dolby) (playback head azimuth aligned to tape) > Audigy 4 Pro @ 24/44 > Audacity (16/44.1) > CD Wav > Flac (Level 8)
06/19/84 Palomino Club (Early) CDR/FLAC 1 notes: unknown tape generation (TDK C90)
06/23/84 Opera House CDR/FLAC 2 source: 3rd gen aud > dat > cdr > cdr> macintosh > xACT 1.5b3 > flac
08/24/84 Forum CDR/FLAC 2 lineage: analog 3rd gen -> Edirol09 -> Goldwave (split, pitch,levels) -> FLAC
08/25/84 Civic Centre CDR/FLAC 2 LINEAGE analog 2nd gen tape-> played on SONY DECK TC WE 7055 -> Philips CD recorder 770 => CD => EAC => FLAC 8
09/01/84 CNE Central Grandstand CDR/FLAC 2 Source: Digitized from cassette master Recorded using SONY WA-55 stereo cassette-corder and 2 SONY clip-on mics (I don't recall the model number, but they were silver, had a battery in each and were switchable) Recorded from the Grandstand, Section 43, Row 45, Seat 28, just right of centre stage.
09/04/84 Meadowbrook Coliseum CDR/FLAC 2 Source: Unknown gen analog tape Transfer: JVC tape deck > Edirol R-09 > Adobe Audition (edits, level adjustments, fades) > CDWave (tracking) > flac
09/05/84 Civic Arena CDR/FLAC 2 analog 2nd gen tape > cdr philips standalone 770 > eac > wav > tlh > flac
09/07/84 Cumberland County Civic Center CDR/FLAC 2 Sony Walkman Pro-recorder Mic
09/08/84 Sullivan Stadium CDR/FLAC 2 lineage: aud>sony ecm 33p's>sony d5m, maxell xlIIS-90's, dolby nak dragon/b>hd-p2 24/96>hd>cd wave>adobe audition 2.0>flac Source: aud cassette master
09/09/84 Jones Beach CDR/FLAC 2 AM -> Flac
09/11/84 Newport Music Hall CDR/FLAC 2 (2)nak300s>sony TCD-D5. then nak1000>hhb850>eac>sound forge 6>cdwin>eac
09/12/84 The Newport CDR/FLAC 2 Source: Audience cassette master Transfer: AM > DAT > CDR > EAC > xACT2.18
09/14/84 Blossom Music Center CDR/FLAC 2 Source: Audience cassette master Transfer: A2 > DAT > CDR > EAC > xACT2.18 Thanks to FZ (missing) Field Of Opportunity (missing) Old Man (missing) Get Back To The Country (missing) Four Strong Winds
09/15/84 Charlie Starr's CDR/FLAC 2 source: 3rd gen aud > dat > cdr > cdr > macintosh > xACT 1.5b3 > flac Encore missing
09/16/84 Emins Auditorium CDR/FLAC 2 source : 1st gen analog > dat > cdr > cdr > macintosh > xACT 1.58 > flac
09/22/84 Rupp Arena, Lexington Center CDR/FLAC 2 CDR -> EAC -> FLAC 8
09/23/84 The Omni CDR/FLAC 2
09/25/84 KLRU Studios CDR/FLAC 1 Liberated CD Boot - Last of a Dying Breed EX SBD Silver CD > FLAC; Official Tracks Removed (California Sunset and It Must Have Been)
09/26/84 Municipal Auditroium CDR/FLAC 2 Analog master > CDR Master: A.M.
09/27/84 World's Fair International Amphitheater CDR/FLAC 2
09/29/84 Gilley's Rodeo CDR/FLAC 2
10/17/84 Pacific Coliseum CDR/FLAC 2 source: 2nd gen analog > dat > cdr > cdr macintosh > xACT 1.58 > flac
10/18/84 Memorial Coliseum CDR/FLAC 2 analog 2nd gen tape > cdr > eac > wav > tlh > flac
10/23/84 Universal Amphitheater CDR/FLAC 2 Source: Analog master > DAT > DAT Transfer: DAT > wav w/ Opcode DATport > Cool Edit Pro (normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8)
10/26/84 Greek Theatre, U. Of California CDR 2
02/22/85 Western Springs CDR/FLAC 2 Lineage: ? > CDR's trade > EAC > WAV > TLH > FLAc
02/24/85 Athletic Park CDR/FLAC 2 AM>D (Analog master Transfered on DAT) Transfered by AV Date of Transfer = June 2006 Lineage of Transfer : DAT SONY>Optical cable>EXTIGY (External soundcard) > Firewire > PC > COOL EDIT (WAVE File at 16 bit 48 Khz) - Only Edit cuts, Fade in & Fade out , Resample at 16 bit & 44.1 Khz for CD Compatible > Tracks splitted with CD WAVE > Encoded in FLAC with FLAC FRONTED (Level 6) + Fingerprint + TLH Md5 (Raw version)
03/02/85 Entertainment Centre CDR/FLAC 2 Lineage: Audience cassette master > low gen cassette > DAT > CDR > EAC(secure) > flac(8)
03/05/85 Memorial Drive Tennis Stadium CDR/FLAC 2 lineage -> unknown tape gen -> nakamichi 480 -> edirol 09 -> wav -> goldwave -> adjust volumes -> cd wave -> TLH -> FLAC
03/07/85 Festival Hall CDR/FLAC 2 source : 2nd gen analog > dat > cdr > cdr macintosh > xACT 158 > flac
03/08/85 Festival Hall CDR/FLAC 2
03/09/85 Festival Hall CDR/FLAC 2
03/11/85 Festival Hall CDR/FLAC 2 Lineage: Audience cassette master > 1st gen cassette > DAT > CDR > EAC(secure) > Protools (tape flip cleanup and some minor retracking) > flac(8)
03/12/85 Festival Hall CDR/FLAC 2 Lineage: Audience cassette master > 1st gen cassette > DAT > CDR > EAC(secure) > Protools (tape flip cleanup and some minor retracking) > flac(8)
03/14/85 Entertainment Hall CDR/FLAC 2 2nd gen tape->nakamichi 480->edirol09-> wav->goldwave adjust levels and speed-> tlh->flac
03/15/85 Entertainment Hall CDR/FLAC 2 low gen aud cass > dat > cdr > cdr > macintosh > xACT 1.56 > flac
03/22/85 Entertainment Hall CDR/FLAC 2 lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC
07/04/85 Southpark Meadows CDR/FLAC 1
08/09/85 State Fair CDR/FLAC 2 Audience recording (unknown equipment): Unknown gen tape > CDR > EAC > wav > TLH > flac
08/10/85 UIC Pavilion CDR/FLAC 2 Lineage equipment : Unknow Source : AD1 (1st analog tape transfered on DAT) Transfer : DAT>optical cable>EXTIGY soundcard connected to PC with FIREWIRE>GOLDWAVE (editing, Level Adjust, Equalization, Track Split Aligned for CD compatible)>FLAC Level 8 - md5 signature - Fingerprint NB = this is not a CD Rip but a direct transfer from DAT
08/12/85 State Fair CDR/FLAC 2 Lineage: Audience recording (unknown equipment) Unknown generation tape (Maxell XLII) Transfer: JVC tape deck > Edirol R-09 (16/44.1) > Adobe Audition * > CDWave(tracking) > flac(8) (* edits, fades, normalization)
08/14/85 Community War Memorial Auditorium CDR/FLAC 2 LINEAGE 2nd generation tape (maxell XL II 90min) => philips cd recorder 770 => eac => FLAC level 6
08/15/85 R.P.I. Auditorium CDR/FLAC 2 From 2nd gen
08/17/85 CNE Grandstand CDR/FLAC 2 Digitized from cassette master> CD Spin Doctor (iMac G5)> MacFlac
08/18/85 Riverbend Amphitheater CDR/FLAC 2 1st generation tape (maxell XL II 90min) => philips cd recorder 770 => cd wave split tracks=> Goldwave adjust pitch => FLAC level 6
08/19/85 Indianapolis State Fair Coliseum CDR/FLAC 2 Alternate Second Recorder Source Lineage: Audience Master > 1st Generation > Nakamichi CR-5A (Azimuth Adjusted) > MacBook Pro > Peak Pro XT > xACT 1.59 > Flac
08/21/85 Richfield Coliseum CDR/FLAC 2 Audience recording (unknown equipment): Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > CoolEdit * > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, downsampling to 44,1 kHz)
08/23/85 Zoo Amphitheater CDR/FLAC 2 Taper: MJK5510 Transfer and upped to Dime September, 2012 Recording: 2 x Sony ECM33F > Marantz PMD430 (DBX On) (or maybe Sony D6) > Maxell XLII Transfer: Audience Master (DBX Off) > Nakamichi CR-5A (Azimuth Adjusted) > MacBook Pro > Audacity > Peak Pro XT (Volume Smoothing/Edit/Indexing) > xACT > FLAC
08/24/85 Sandstone Amphitheatre CDR/FLAC 1 1st generation tape (maxell XL II 90min) => philips cd recorder 770 => cd => EAC => GOLDWAVE volume a clicks adjustement => CD WAVE split => FLAC level 6
08/25/85 Red Rocks Ampitheatre CDR/FLAC 2 Source: Aiwa CS-J1 Stereo Mic > Sony D6 > Audience Master Location: 14th Row Transfer: Audience Master > Nak BX-125 > HHB CDR 830 > CDR(2) > EAC > flac No Dolby or EQ used.
08/27/85 Fox Theatre CDR/FLAC 1 This version was taken from the original master cassettes. I have included my own artwork as two separate .jpg files. The lineage is as follows: Audiotechnics AT9100 microphone--->Sony D6C(Dolby C noise reduction on for record)--->TDK SA90 and SA60 cassettes---->Nakamichi D7A (Dolby B noise reduction for playback)------->Sony Hi-MD MZ-RH910 (pcm record mode)----->hard drive (SonicStage)---->.wav---->TLH----->.flac
08/29/85 Frontier Day Park CDR/FLAC 2 cdr>eac-flac
08/30/85 Cactus Corral CDR/FLAC 2 LINEAGE 1st generation tape (maxell XL II 90min) => philips cd recorder 770 => cd => FLAC level 6
09/01/85 Minnesota State Fair CDR/FLAC 2 lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC
09/03/85 Memorial Auditorium CDR/FLAC 2 Audience recording (unknown equipment): Unknown gen tape > Adobe Audition * > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, hiss reduction)
09/05/85 Meadow Brook Music Theater CDR/FLAC 2 Audience recording (unknown equipment): Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > CoolEdit * > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, downsampling to 44,1 kHz)
09/06/85 Hershey Park Stadium CDR/FLAC 2 Audience recording (unknown equipment): Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > Adobe Audition * > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume & pitch adjustments, BBE Sonic Maximizer processing, downsampling to 44,1 kHz)
09/07/85 Mann Music Center CDR/FLAC 2 Audience recording (unknown equipment): Analog master > DAT (48 kHz) > DAT clone(s) > optical cable > CoolEdit * > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, normalizing, downsampling to 44,1 kHz)
09/09/85 Garden State Arts Center CDR/FLAC 2 Lineage : A1>D (1st analog generation tape transfered on DAT) Lineage equipment : Unknow. DAT>Optical cable>EXTIGY>FIREWIRE>PC>GOLDWAVE (Editing, Pitch adjust, Volume level, Channel balance, Track Split) >FLAC Level 8 with Fingerprint - Md5 signature
09/12/85 Hampton Coliseum CDR/FLAC 2 Lineage: Audience Analogue 1st gen>DAT...DAT>Hard Disk (via Sony DDS tape unit with audio firmware)>Cool Edit 2000 (Resample to 44.1kHz and remove tape flips)>CDR
09/13/85 Chastain Park CDR/FLAC 2 Lineage equipment : unknow Transfer : 1st generation tapes>TECHNICS STEREO DECK 3 HEADS RS-BX601>Edirol R09-HR>CARD>PC>GOLDWAVE (Pitch adjust - Level Balance - no equalization as the tape don't needed)>FLAC level 8 aligned at sector boundaries - Fingerprit - Md5 The result was nice
09/16/85 O'Connell Center University of Flordia CDR/FLAC 2 LINEAGE 2nd generation tape (maxell TDK D60min X 2) => philips cd recorder 770 => eac => FLAC level 6
09/17/85 Bayfront Center Arena CDR/FLAC 2
09/20/85 Southern Star Amphitheater CDR/SHN 2 Audience recording (analog cassette master) > DAT > CDR > EAC > SHN
09/21/85 Reunion Arena CDR/FLAC 2 Lineage equipment : Unknown Master : A.M. Transfer : Analog master tapes>DAT>Edirol R09-HR>CARD>PC>GOLDWAVE (only edits and pitch, Track Split CD Compatible)> FLAC Level 8 - Md5 - Fingerprint
02/24/86 The Forum CDR/FLAC 1
04/05/86 Mount Smart Stadium CDR/FLAC 1 Tell Me Why is missing
09/15/86 Community War Memorial Auditorium CDR/FLAC 2 cdr>eac>flac
09/17/86 The Spectrum CDR/FLAC 2 This upload is direct from the DAT transfer of the original analog master (no CD-R rip). The sound quality is really good, and witouth doubt pay your time for the download. Lineage equipment used for record the show : sorry, I don't know. BR analog master>DAT>SVA10 DAT DECK>optical cable connected with External soundcard Extigy>GOLWAVE 24 bit 48 Khz Wave file >Resample at 16 bit and 44.1 Khz-edit fade in & fade out-tracks split with option "aligned full compatible for CD AUDIO burn" >FLAC frontend 1.7.1 level 8 with align with sector boundaries>fingerprint and Md5 signature Recorded by B.R. - Transfered and uploaded by A.V.
09/18/86 Stabler Arena CDR/FLAC 2 Transfer: DAT > wav w/ Opcode DATport > Cool Edit Pro (normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8)
09/20/86 Great Woods Center for the Performing Arts CDR/FLAC 2
09/23/86 Hartford Civic Center CDR/FLAC 2 cassette (source/gen unknown) --> .wav (cool edit) --> .flac (Goldwave)
09/26/86 G.M.U. Patriot Center CDR/FLAC 2 JM Analog master>A1>D (Analog master>Analog tapes 1st generation>Copyed on DAT) Lineage of transfer : DAT MASH DA10>Optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLD WAVE (16 bit 48 Khz)>Editing of the cuts, Pitch adjusted, Equalization, Volume level adjusted, resampled at 44.1 Khz, Tracks splits aligned for CD compatible>FLAC encoded with FLAC FRONTED (Level 6) + Fingerprints + TLH Md5 signature
09/27/86 Brendan Byrne Arena CDR/FLAC 2 Alow gen tape tape transfer by M.R.
09/28/86 Civic Arena CDR/FLAC 2 cdr>EAC>Flac
09/30/86 Forum CDR/FLAC 2 Source: Unknown equipment, 1st gen audience Location: Unknown Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: RAW Version, minor normalisation and some slight cutting/pasting for cassette flips.
10/03/86 Maple Leaf Gardens CDR/SHN 2 Source: Cassette Master> Pioneer CT-W404R cassette player> Pioneer VSX-464S Receiver> iMac G5> CD Spin Doctor 3.0.2t> xAct 1.5 Recorded using SONY WA-55 stereo cassette-corder and 2 SONY ECM-16T clip-on mics. Recorded from End Reds Section 20, Row B, Seat 18
10/04/86 Memorial Auditorium CDR/FLAC 2 audience recording (unknown equipment) unknown gen tape > Cool Edit* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, crossfades, volume adjustments)
10/07/86 Madison Square Garden CDR/FLAC 2 source: Sony ECM 150's > D6 > CDR > FLAC location: one level up first section right of stage taper: TaperAdvocat
10/08/86 Baltimore Civic Center CDR/FLAC 2 source: audience transfer: 1st gen cassette > DAT > CDR (fz transfer) > EAC > xACT2.05 > flac(8) recorded by: gd
10/10/86 Richfield Coliseum CDR/FLAC 2 Transfered from A1>D (1st Analog generation copied on DAT) By AV Date of Transfer = 28/11/2010 Lineage of transfer = DAT MASH SV-DA10>Optical cable>M-AUDIO Audiophile Firewire>FIREWIRE>PC>GOLDWAVE (16/48) >Editing = Cuts & Adjusting the Level of the left channel > MAGIX AUDIO STUDIO = Compressor (Dinamic processor) - No equalization >GOLDWAVE = Resample at 16 bit 44.1 Khz - Tracks splits alignment for CD compatible >FLAC FRONTED = Encode in FLAC (level 8) + TLH Md5 & Fingerprint
10/11/86 Cobo Hall CDR/FLAC 2 Recorded By: Robert Mullen Source: Audience Master Cassettes Transfer Date: 2008-08-17 Equipment/Transfer: Realistic Stereo Electret-1065 Microphone>Panasonic Stereo Cassette Recorder w/ Auto Record Levels>Master Cassette Tapes (TDK SA-X90's)> Yamaha Natural Sound Stereo Double Cassette Deck K-902>CD Wave Editor (16bit/44.1hz)>Traders Little Helper (flac level 8). 1st row of the upper section stage right side at about 10:30 O'Clock,(stage is at 12).
10/12/86 The MECCA CDR/FLAC 2 Lineage: unknown, CD -> EAC -> WAV -> Flac
10/17/86 The Met Center CDR/FLAC 2 Source: SBD(FM?) > ? > CDR > Trade > EAC > FLAC
10/18/86 Rosemont Horizon CDR/FLAC 2 Source: Unknown equipment, 1st gen audience Location: Unknown Tapers: MJ / VP (from 1st RR Collective) Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: RAW Version, some slight cutting/pasting for cassette flips
10/22/86 The Fabulous Fox Theatre CDR/FLAC 2 Source: Soundboard tape -> 3rd gen cassette -> RME Soundcard -> Hard Drive
10/23/86 Market Square Arena CDR/FLAC 2 Source: Audience Recording Lineage: Nakamichi CM-100 Mics with CP-4 guns > Sony D-5 > master cassette > DR-3 > emu 1212M > 24/96 wave > wavelab 5 > plugins > L3 > 16/44.1 wave trac'ed cdwave,flac'ed Flac frontend level 8
10/25/86 The Omni CDR/FLAC 2 Transfer: 1st Generation 1980's tape transfer > Nakamichi CR5A > MacBook Pro > Audacity > Peak Pro XT (indexing / volume smoothing / subtle tweak) > xACT 2.21 > FLAC This show was shared in 2010 from a 2nd generation tape, in that posting it was mentioned that for most of the recording the right channel was lower than the left and that tracks 6 thru 12 were inferior quality due to the left channel falling and having to be raised a lot. The intro to The Violent Side was also noted as being cut. This is from a 1st generation tape and none of those issues appear on this version. The Violent Side is complete and neither channel is lower or inferior to the other. There was a half second drop out on the left channel during "When You Dance…" which I corrected using the right channel, totally seamless to the listener.
10/28/86 James L. Knight Center CDR/FLAC 1 Lineage: low analog gen transfer > CDR > EAC > HD > Adobe Audition 1.5 > Flacfrontend Level 8 incomplete recording(no complete recording in circulating) good sounding recording between Inca Queen and After The Gold Rush short fade in and out
10/29/86 James L. Knight Center CDR/FLAC 2 Lineage: unknown taper > Maxel XLII-S cassette > cdr > EAC > flac
11/05/86 Ocean Center CDR/FLAC 2 Lineage: Tracks 1-15 Analog 2nd gen > edirol 09 > goldwave > cdwave > TLH > flac Tracks 16-22 + beginning of 01 and 09 + end of 15 Analog master > DAT > CDR > eac > flac
11/07/86 The Summit CDR/FLAC 2 Lineage: unknown, WAV -> Flac
11/08/86 Reunion Arena CDR/FLAC 2 Source: Audience cassette master Transfer: A2 > DAT > CDR > EAC > xACT2.18 Thanks to FZ
11/09/86 Erwin Center CDR/FLAC 2 audience recording (unknown equipment) analog 3rd gen tape > edirol09 > Goldwave (adjust levels) > CD Wave Editor (tracking) > wav > TLH > flac
11/11/86 McNichols Sports Arena CDR/FLAC 2 audience recording (unknown equipment) 2nd gen tape > DAT (44,1 kHz) > DAT clone(s) > optical cable > Cool Edit* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, crossfades, volume adjustments)
11/13/86 Community Center CDR/FLAC 2 Lineage: Unknown Source>FM Broadcast>Sony Cassette Deck (TC-WE435)>Maxell XL II Cassette Tape>PC>Cool Edit Pro (Editing and Tracking)>Traders Little Helper flac level 8 Transferred by Panador
11/15/86 Pacific Amphitheater CDR/FLAC 2 Analog master > DAT > CDR > eac > flac
11/17/86 Universal Amphitheater CDR/FLAC 2 A1>D (From Analog 1st generation Transfered on DAT) Transfered by AV in 2006 Sony DAT>optical cable>Extigy (external soundcard)>Firewire>Cool Edit (16bit 48 Khz) - Edited only the cuts (No equalization). Tracks slpits>FLAC Fronted (Level 6) + Fingerprint & Md5 This version is 16/48 you need to re-sample at 16/44.1 to burn on CD
11/19/86 Universal Amphitheater CDR/FLAC 2 cdr from trade>eac>flac
11/21/86 Cow Palace CDR/FLAC 2
04/24/87 Sports Palace CDR/FLAC 2 Recorded with Sony TCD5 M and 2 Beyer M201 N mics. Transfer from the original recorder to a Zoom H4, then wav to PC, Audacity editions and FLAC.
04/25/87 Rockodrama CDR/FLAC 2 Lineage equipment : unknown Master : JBM Transfer : 1st generation tapes>SONY STEREO DECK1>PHILIPS CD BURNER 770 R>CD>PC>GOLDWAVE>CD WAVE >FLAC
04/26/87 Sports Palace CDR/FLAC 2 Taper: Álvaro Rey Source: Cassette (no more info, sorry) Lineage: Cassette > CDR > EAC > WAV > Audacity (normalize) > Flac Front End > FLAC
04/30/87 Palaeur CDR/FLAC 2 TDK D60 (Copy of an original audience tape) Teac V-370 Stereo Cassette Deck ===> Edirol UA-4FX ===> Nero WaveEditor ===> wav ===> CD Wave Editor ===> flac
05/01/87 Arena CDR/FLAC 2 Sound Warning/grade: enthousiastic and loud audience, vg/ex In 1987 my friends MJ and VP borrowed my recording equipment and went to several Neil Young shows to record them. The masters were kindly given to me and have been traded in the past. Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S Location: Unknown Taper: MJ / VP Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Release: JvV-2009-036-a/b
05/02/87 Palasport CDR/FLAC 2 Sound Warning/grade: enthusiastic and loud audience, vg/ex. The original recording suffers from distortions in the bass region, therefore considerable equalizing/removal up to 125 Hz was applied. In 1987 my friends MJ and VP borrowed my recording equipment and went to several Neil Young shows to record them. The masters were kindly given to me and have been traded in the past. Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S Location: Unknown Taper: MJ / VP Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Release: JvV-2009-037-a/b
05/04/87 Stadio Communale CDR/FLAC 2 Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S Location: Unknown Taper: MJ / VP Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Release: JvV-2009-038-a/b
05/05/87 Palatrussardi CDR/FLAC 2 Recorded from Audience by ZUMA66 Equipment used : SONY TCS 430 - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some microphone and Crowd noises , Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
05/07/87 Frankenhalle CDR/FLAC 2 Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S Location: Unknown Taper: MJ / VP Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Release: JvV-2009-040-a/b
05/08/87 Festhalle CDR/FLAC 2 Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S Location: Unknown Taper: MJ / VP Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Release: JvV-2009-041-a/b
05/09/87 Sportsahalle CDR/FLAC 2 audience recording (unknown equipment): tape master > CDR > EAC > wav > TLH > flac
05/11/87 Tempodrom CDR/FLAC 2 Aud recording; cassettes received from BZ who was a fantastic partner in trade. 1st or 2d generation tapes. Tapes played on a Marantz SD 4051 deck>ZOOM H4>PC>Audacity for tracks edition only>flac.
05/12/87 Sportshalle CDR/FLAC 2 Master - Audience recording from my old TDK-Sa C-90 Tapes This concert taped with an AIWA walkman (don't know what kind of AIWA) and an extra microphone (can't remember what microphone it was). The sound quality is vg + or exc-, mostly excellent-!!! Recorded from a seat on the right side in the hall - on the second row about 10 meters from the stage. The first seats were very, very near to the stage in that really great hall.
05/13/87 Mozartsaal CDR/FLAC 2
05/14/87 Kockelscheuer Sport Centre CDR/FLAC 2 analog audience recording taper : unknown (many thanks, whoever you are!) lineage : 1st gen cassettes>Nakamichi (dolby off)>SB Audigy Platinum> Soundforge>FLAC level 8 (w/verify & align)
05/16/87 Eissporthalle CDR/FLAC 2 audience recording (unknown equipment) tape master > DAT (48kHz) -> DAT clone(s) -> optical cable -> CoolEdit * -> wav -> CD Wave Editor (tracking) -> wav -> TLH -> flac (*edits, fades, downsampling to 44,1 kHz)
05/17/87 Stadthalle CDR/FLAC 2 audience recording (unknown equipment): tape master > CDR > EAC > wav > TLH > flac
05/18/87 Deutscher Museum CDR/FLAC 2 Analogue Audience Master->DAT->PC->resampled to 44.1KHz (Adobe Audition)->CDWave->Flac
05/22/87 Hallenstadion CDR/FLAC 2 Master : WC AM>D Transfer : TECHNICS STEREO DECK 3 HEADS RS-BX601>EDIROL R-09HR (24 bit 48 Khz)>CARD>PC>GOLDWAVE (Resample at 16 bit 44.1 Khz + EDITS and split - No equalizations - ) FLAC level 8 + Fingerprints + Md5 NB = the files come from direct transfer, not CD rip; Last song from a different source (DAT analog master)
05/25/87 Palais des Sports CDR/FLAC 2 Toulouse -France- Palais des sports 1987 05 25 AUD recording by SM from master casSette Made from center balcony using TCD5 M and Beyer Dynamic mics. Tape played by TCD5 M>ZOOM H4>PC>Audacity for tracks edition only>flac. This tape is getting old now; anyway, this show features the very first perfomances of name of love and american dream. The first song had to be repaired because only one channel was recorded during a portion of the tune; cuts also exists on this one; sorry...
05/27/87 Ahoy Hal CDR/FLAC 2 Source: Sony type ECM 121 microphone + Sony WMD3 on TDK CrO2 cassettes transfer to DAT: Nakamichi CassetteDeck 2 > Sony ZA5ES. Transfer: Sony ZA5ES> optical cable > Creative Soundblaster Audigy soundcard > Soundforge 4.5 + SEKD Red Roaster (fading, removal of some clapping,volume boost + sonic Maximizer)
05/28/87 Vorst National Stadium CDR/FLAC 2 Source: Sennheiser MKE 40/6 (2) > WMD6C > XLI-S Location: 15-20 metres in front of left speaker stack Taper: Reel Records Transfer: Nakamichi DRAGON > Tascam SS-R1 > CF-card reader > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC) Release: JvV-2009-044-a/b
05/29/87 Palais Des Sports CDR/FLAC 2 audience recording (unknown equipment) tape master > DAT (44,1kHz) -> DAT clone -> optical cable -> CoolEdit(edits,fades) -> wav -> CD Wave Editor (tracking) -> wav -> TLH -> flac
05/30/87 Palais Des Sports CDR/FLAC 2 audience recording (unknown equipment) tape master > DAT (44,1kHz) -> DAT clone -> optical cable -> Adobe Audition* -> wav -> CD Wave Editor (tracking) -> wav -> TLH -> flac (* edits, fades, volume adjustments, peak limits on some aplause segments, BBE Sonic Maximizer processing - settings: 1/2/-5)
06/02/87 National Exhibition Centre CDR/FLAC 2
06/03/87 Wembley Arena CDR/FLAC 2 Conversion = ? gen cassette>Pioneer Stand Alone Burner PDR-609> EAC>Soundforge 9.0>CD Architect 5.2>Wav>Flac
06/04/87 Wembley Arena CDR/FLAC 2 Analog master>DAT->CD>PC>FLAC
06/06/87 Royal Society Showgrounds CDR/FLAC 2 Source:cdr trade>eac rip>flac
08/13/87 Pacific Amphitheater CDR/FLAC 2 source: AUD > ? > CDR > cdrparanoia > WAV > repairs > FLAC
08/15/87 Red Rocks Ampitheatre CDR/FLAC 2 Source : audience recroding,low gen analog transfer(no near infos) Lineage : CDR > EAC > HD > flacfrontend > flac(8)
08/20/87 Merriweather Post Pavilion CDR/FLAC 2
08/22/87 Mann Music Center CDR/FLAC 2 Lineage:unknown epuipment > MASTER analog > DAT > CDR > HD > TLH (Level 8)
08/26/87 New Haven Coliseum CDR/FLAC 2 analog>?>cdr>eac>flac
09/02/87 CNE Central Grandstand CDR/FLAC 2 source: analog master > dat > cdr > cdr > macintosh > xACT 1.59 > flac
09/03/87 Pine Knob Music Theater CDR/FLAC 2 lineage : master cassettes>Nakamichi (dolby off)>SB Audigy Platinum> Soundforge>FLAC level 8 (w/verify & align)
09/04/87 Alpine Valley Music Theatre CDR/FLAC 2 source: 2nd gen analog > dat > cdr > cdr> macintosh > xACT 1.59 > flac
11/02/87 Coconut Grove (Early) CDR/FLAC 1 Source: AUD > Master Cassettes > CD > EAC> FLAC
11/02/87 Coconut Grove (Late) CDR/FLAC 1 Source: AUD > Master Cassettes > CD > EAC> FLAC
11/03/87 Cocoanut Grove CDR/FLAC 2 Late Show: Source - Audience Nak CM300->Dolby B Maxell MX90 (late show - Fuji FR metal)->Sony TCD5M Lineage - Master cassettes->Nakamichi Dragon->Audiomedia III->Pro Tools->XACT 1.5b3->flac
11/03/87 The Cocoanut Grove (Early) CDR/FLAC 1 Source - Audience Nak CM300->Dolby B Maxell MX90 (late show - Fuji FR metal)->Sony TCD5M Lineage - Master cassettes->Nakamichi Dragon->Audiomedia III->Pro Tools->XACT 1.5b3->flac
11/07/87 Mountain View Theater (Early) CDR/FLAC 1 source: audience cassette (unknown mics and deck) transfer: master cassettes > Tascam 302 > Audiomedia III > Pro Tools (cleanup, pitch, fades, tracking) > CDR > EAC > xACT 1.62 > flac(8)
11/07/87 Mountain View Theater (Late) CDR/FLAC 1 source: audience cassette (unknown mics and deck) transfer: master cassettes > Tascam 302 > Audiomedia III > Pro Tools (cleanup, pitch, fades, tracking) > CDR > EAC > xACT 1.62 > flac(8)
11/10/87 The Omni (Late) CDR/FLAC 1 audience recording (unknown equipment): master tape -> DAT -> DAT clone -> optical cable -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac * edits, fades, normalizing, BBE Sonic Maximizer
11/10/87 The Omni (Early) CDR/FLAC 1 audience recording (unknown equipment): master tape -> DAT -> DAT clone -> optical cable -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac * edits, fades, normalizing, BBE Sonic Maximizer
11/11/87 The Omni (Early) CDR/FLAC 1 audience recording (unknown equipment): tape (unknown generation) -> CDR -> EAC -> wav -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac * edits, fades, BBE Sonic Maximizer
11/11/87 The Omni (Late) CDR/FLAC 1 audience recording (unknown equipment): tape (unknown generation) -> CDR -> EAC -> wav -> Adobe Audition * -> wav -> CD Wave (tracking) -> wav -> flac * edits, fades, BBE Sonic Maximizer
11/12/87 The Old Fillmore (Late) CDR/FLAC 1 Audience Analogue Master>DAT...DAT>Hard Disk (via SPDIF)>Cool Edit 2000 (Resample to 44.1kHz)>CDR
11/12/87 The Old Fillmore (Early) CDR/FLAC 1 Lineage: tape master -> DAT (44,1 kHz) -> DAT clone(s) -> optical cable -> Adobe Audition (fades) -> wav -> WavePad (tracking) -> wav -> flac -> SBE fixed with TLH, tagged
11/13/87 The Cabaret (Early) CDR/FLAC 1 Borrowed master cassettes > DAT > R500 > Mbox > Pro Tools > XACT 1.5b3 > flac(8)
11/13/87 The Cabaret (Late) CDR/FLAC 1 Borrowed master cassettes > DAT > R500 > Mbox > Pro Tools > XACT 1.5b3 > flac(8)
04/11/88 The Cabaret (Early) CDR/FLAC 1 DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 44.1kHz) > Adobe Audition (fades out, tape-flip edits, normalization)) > CDWave (tracking) > flac(8)
04/11/88 The Cabaret (Late) CDR/FLAC 1 DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 44.1kHz) > Adobe Audition (fades in, tape-flip edits, normalization)) > CDWave (tracking) > flac(8)
04/14/88 Hollywood Palace (Early) CDR/FLAC 1 Analog master (B.R.) > DAT > CDR > eac > flac
04/14/88 Hollywood Palace (Late) CDR/FLAC 1 Analog master (B.R.) > DAT > CDR > eac > flac
04/18/88 The World (Early) CDR/FLAC 1 Source: analog 1st gen> dat > cdr > cdr> macintosh > xACT 1.58 > flac >
04/18/88 The World (Late) CDR/FLAC 1 Source: analog 1st gen> dat > cdr > cdr> macintosh > xACT 1.58 > flac >
04/19/88 The World CDR/FLAC 2 Early and Late Shows; Audience Analogue Master>DAT(2 gen)>Hard Disk (via SPDIF)>Cool Edit 2000 (Resample to 44.1kHz)>CDR
04/22/88 The Trocadero Theatre CDR/FLAC 2 Cassettes (probably second generation) played on a Marantz SD4051 cassette deck, pitch adjusted (many songs in Em); zoom H4 for wave files; PC; audacity for tracking; FLAC.
04/23/88 The Agora CDR/FLAC 2 Analog master tapes>DAT>cdr(my digital copy)>xACT>flac (officially released track removed)
08/13/88 Indianapolis Sports And Music Center CDR/FLAC 2 Taper: Greg Holtz Source: Nakamichi CM-100s with CP-1 caps (Hand held) > Sony D-5 Transfer: By JAZ, Master Cassettes -> Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Software -> R8brainPro for Sample Rate Conversion to 16/44.1KHz -> Traders Little Helper flac8
08/14/88 Marcus Amphitheater CDR/FLAC 2
08/16/88 Poplar Creek Music Theatre CDR/SHN 2 SBD>Tape1>Tape2(high speed dubbed on medium bias Memorex)>Maxell URII>Wavelab 2.5>CDR>EAC>mkw>shn
08/18/88 CNE Central Grandstand CDR/FLAC 3 "Kind of Blue" Bluenote Records #81888 August 18, 1988 (Disc 1 & 2) Various Venues (Disc 3) Lineage: Aud> Trade CD-R> flac
08/19/88 Lakeside Amphitheater CDR/FLAC 2 lineage : master cassettes>Nakamichi (dolby off)>SB Audigy Platinum> Soundforge>FLAC level 8 (w/verify & align)
08/20/88 Cayuga Country Fairground CDR/FLAC 2 Source : low gen analog transfer(no near infos) Lineage : CDR > EAC > HD > flacfrontend > flac(8)
08/22/88 Saratoga Performing Arts Center CDR/FLAC 2 Source: Unknown audience recording > cass (1st gen) Lineage: cass > Nakamachi MR-1 > Korg MR-1000 > DFF (1Bit 5.6 MHz) > AudioGate SoftWare > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16
08/23/88 Lake Compunce Festival Park CDR/FLAC 2 TECHNICS Stereo Deck 3 Heads RS BX-601>RCA gold cable>M-AUDIO Audiophile firewire>FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) - Pitch adjusted - Equalization - Volume level of both channel - Cuts edited - Fade in & Fade out, Resampled at 16/44.1, tracks splits alignment for CD compatible>encoded in FLAC (level 8) with FLAC FRONTED + TLH Md5 & fingerprint
08/24/88 Garden State Arts Center CDR/FLAC 2 low gen analog transfer; CDR > EAC > HD > flacfrontend > flac(8)
08/26/88 Mann Music Center CDR/FLAC 2 Lineage>Analog Tapes (1st generation)>DAT>DAT MASH SV DA-10>COAXIAL>M-AUDIO Audiophile Firewire> FIREWIRE>PC>GOLDWAVE (16/48) - Edit cuts + Fade in & Out - Resample at 16/44.1 - Tracks Split>CDR>EAC>FLAC (Level 8) Alignment at Boundary sectors +TLH Md5 & Fingerprint
08/27/88 Jones Beach Music Theater CDR/FLAC 2 Original Silver Discs --> EAC (Secure) --> Wav --> Flac Level 8 & Align EAC Log Files, md5 Files (Flac & Wav), Artwork (Front, Back & Discs 300 dpi) Included
08/29/88 Tanglewood Music Center CDR/FLAC 2 Analog Tape (2nd generation)>TECHNICS RS-BX601>RCA (Gold cable)>M AUDIO Audiophile Firewire> FIREWIRE>PC>GOLDWAVE (24/48) - Editing : Pitch - Fade in & out,Cuts, Level Volume adjusted for both Channel,Equalization, Resample at 16/44, Trackssplit>FLAC (level 8) + Md5 & Fingerprint
08/30/88 Pier 84 CDR/FLAC 2 source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
08/31/88 Great Woods Center for the Performing Arts CDR/FLAC 2
09/01/88 Great Woods Center for the Performing Arts CDR/FLAC 2 CDR > EAC > HD > flacfrontend > flac(8)
09/03/88 Blossom Music Center CDR/FLAC 2
09/04/88 Auburn Hills Palace Arena CDR/FLAC 2
09/07/88 Royal Hawaiian Hotel CDR/FLAC 1 A low generation tape -> cd -> EAC -> wav -> TLH -> FLAC
10/25/88 Kiva Auditorium CDR/FLAC 1
10/26/88 Arizona State Fair CDR/FLAC 2 lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC
10/27/88 Golden Hall Community Concourse CDR/FLAC 1 low gen aud > dat > cdr macintosh > xACT 1.55 > flac
10/28/88 Arlington Theater CDR/FLAC 2 nd gen aud > dat > cdr > cdr > macintosh > xACT 1.55 > flac
10/29/88 Community Center CDR/FLAC 2 Audience recording > 2nd gen cassette > DAT > CDR > EAC(secure) >flac(8)
10/30/88 Warners Theater CDR/FLAC 2 source: low gen aud > dat > cdr > cdr > macintosh > xACT 1.55 > flac
01/11/89 Fox Theatre CDR/FLAC 2 unknown lineage > Trade > eac (secure) > wav > flac (level8) flac transfer by GigoLOW
01/12/89 Soldiers & Sailors Memorial Hall CDR/FLAC 2 Source: Audience Transfer: A? > DAT > CDR > EAC > xACT2.18 Thanks to FZ
01/13/89 Brady Theater CDR/FLAC 2 Soundboard w/Audience Patches (Dec 2009 transfer re-master) Lineage: SOUNDBOARD Soundboard > 3rd Generation > Nakamichi CR-5A (Azimuth Adjust) > MacBook Pro > Audacity > Peak Pro XT > Audience Patches > xACT 1.59 > Flac AUDIENCE Audience Master > Nakamichi CR-5A (Azimuth Adjust) > MacBook Pro > Audacity > Peak Pro XT Audience Recording: 2 x Sony ECM33F Mics > Marantz PMD430 > Maxell XLII
01/14/89 Bronco Bowl CDR/FLAC 2 Recording: 2 x Sony ECM33F > Marantz PMD-430 > Maxell XLII Lineage: Audience Master > Marantz PMD-430 > MacBook Pro > Peak Pro XT (Indexed) > xACT 1.59 > Flac > Dime Location: Left of stage, lower section about halfway back from stage
01/15/89 Music Hall CDR/FLAC 2 Audience master tapes>DAT>cdr(my digital copy)>xACT>flac
02/19/89 Silva Hall, Hult Center CDR/FLAC 2 Disc 1 --> unknown low gen CDR -> macintosh -> xACT 1.59 -> flac Disc 2 --> analog 2nd gen tape -> cdr -> nero wave editor -> flac Last 5 songs missing
02/20/89 Portland Civic Auditorium CDR/FLAC 2 Aiwa CM-30 > Sony WM-D3 Master Cassette > Nakamichi CR-7A > Peak 5.2 > TC Finalizer (gentle JEMS remaster) > Marantz CDR-620 > CD-R master > FLAC
02/21/89 Paramount Northwest Theater CDR/FLAC 2 SonyD6>tape>WAV,Stereo,44.100kHz,16bit>flac Using Creative Sound Card Audio Recorder Taped by Greeney55
02/22/89 Orpheum Theater CDR/FLAC 2 source: 3rd gen > dat > cdr > cdr macintosh > xACT 1.59 > flac
02/23/89 Opera House CDR/FLAC 2 source: 3rd gen analog > dat > cdr > cdr > macintosh > xACT 1.59 > flac
04/05/89 Entertainment Centre CDR/FLAC 2 Source: Audience master > 2nd Gen Cassette Transfer: 2nd Gen Cassette > DAT > CDR > EAC > ProTools (fades, cleanup, retracking) > xACT2.18 Missing first three and last three songs
04/07/89 East End Markets CDR/FLAC 2 lineage: unknown gen tape-cdr-trade-cdr-eac-flac
04/11/89 National Tennis Centre CDR/FLAC 2 Source: Audience master > 1st gen cassette > DAT Transfer: DAT > Tascam DA-20 > Audiomedia III > ProTools > Toast > CDR > EAC > xACT2.18
04/12/89 National Tennis Centre CDR/FLAC 2 Source: Audience master > 1st gen cassette > DAT > CDR Transfer: CDR > EAC > ProTools (fades, cleanup, retracking) > xACT2.18
04/15/89 Entertainment Centre CDR/FLAC 2 Source: Analog master > DAT Transfer: DAT > wav w/ Opcode DATPort > Adobe Audition (fade i/o, sample rate convertion) > CDWav (tracking) > flac(8) Mastered by Ciaran Cronin
04/17/89 Entertainment Hall CDR/FLAC 2 Source: Audience master > 3rd gen cassette > DAT > CDR Transfer: CDR > EAC > xACT2.18
04/18/89 Entertainment Hall CDR/FLAC 2 Silver Discs > EAC > Traders Little Helper
04/19/89 Silverdome CDR/FLAC 2 A1>D Transfered by AV Date of transfer = 20/01/2011 Recorded from Audience Equipment used : Sorry I don't know Analog tapes 1st generation transfered on DAT>DAT MASH SV10> OPTICAL CABLE>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
04/20/89 Entertainment Centre CDR/FLAC 2 Source: Analog 1st generation > DAT clone(s) Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWave (tracking) > flac(8)
04/27/89 Bunka Taiikukan CDR/FLAC 2 Recorded from Audience with Analog Equipment (H.T. Master) Transfered by AV (January 3, 2010) Analog Master>DAT>DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) no editing - RAW VERSION Tracks split>FLAC (Level 8)>TLH Md5 + Fingerprint
04/28/89 NHK Hall CDR/FLAC 2 Source: Analog master (YS) Sony D5M cassette recorder w/ Sony ECM 939LT mics > DAT. Transfer: DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) pitch adjusted - Tracks splits - RAW VERSION>FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5 Remaster: Flac > wav > Adobe Audition: Level adjustments; Waves L3 plugin, edits, fades i/o, sample rate convertion > CD Wave (tracking) > flac(8) Taper: YS Transfer: agovigli 2010-01-04 Remastering: tbugsett 2010-01-14
04/29/89 NHK Hall CDR/FLAC 2 Source: Analog master (YS) Sony D5M cassette recorder w/ Sony ECM 939LT mics > DAT. Transfer: DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) pitch adjusted - Tracks splits - RAW VERSION>FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5 Remaster: Flac > wav > Adobe Audition: Level adjustments; Waves L3 plugin, edits, fades i/o, sample rate convertion > CD Wave (tracking) > flac(8) Taper: YS Transfer: agovigli 2010-01-04 Remastering: tbugsett 2010-01-10
04/30/89 NHK Hall CDR/FLAC 2 Source: Audience analog cassette master > DAT > my DAT clone Transfer DAT > Sony PCM-500 > Mbox > Pro Tools > XACT 1.5b3 > flac(8)
05/02/89 Festival Hall CDR/FLAC 2 Source: Analog master (YS) Sony D5M cassette recorder w/ Sony ECM 939LT mics > DAT. Transfer: DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) pitch adjusted - Tracks splits - RAW VERSION>FLAC encoded (Level 8) with FLAC FRONTEND + Fingerprint + TLH md5 Remaster: Flac > wav > Adobe Audition: Level adjustments; Waves L3 plugin, edits, fades i/o, sample rate convertion > CD Wave (tracking) > flac(8) Taper: YS Transfer: agovigli 2010-01-04 Remastering: tbugsett 2010-01-14
05/05/89 Shi Kokaido CDR/FLAC 2 Recorded from Audience with Analog Equipment (H.T. Master) Transfered by AV (January 2, 2010) Analog Master>DAT>DAT MASH SV DA-10>COAXIAL>M AUDIO 24/96 Audiophile FireWire>FIREWIRE>PC>GOLDWAVE (16/48) no editing - RAW VERSION Tracks split>FLAC (Level 8)>TLH Md5 + Fingerprint
06/05/89 Lake Compunce Festival Park CDR/FLAC 2 notes: WARNING!! Really crazy loud audience, sounds like everybody's having a great time you have been warned :-) But very good sound
06/06/89 Waterloo Village CDR/FLAC 2 ineage: low gen tape-cdr-trade-cdr-eac-flac
06/08/89 Lakeside Amphitheater CDR/FLAC 2 Analog 2nd gen > wav > flac
06/09/89 Great Woods Center for the Performing Arts CDR/FLAC 1
06/10/89 Bally's Grandstand CDR/FLAC 2 Analog master > DAT DAT > wav w/ Opcode DATPort > Adobe Audition: Sample rate convertion, general clean up. But lots of mic rubbing/wind noise wasn't possible to fix) > flac
06/12/89 Garden State Arts Center CDR/FLAC 2 First Generation Tape,Unknown Mics/Deck/Original Transfer Decks Tape From Floater,Transfer By Keo Tape Maxell XL II 90 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files
06/14/89 Jones Beach Music Theater CDR/FLAC 2 video>cdr>eac>wav>flacfrontend level 8>flac
08/18/89 Pacific Amphitheater CDR/FLAC 2 Source: Analog 3rd gen. Transfer: JVC tape deck > Edirol R-09 > Adobe Audition (edits, fades) > CDWave (tracking) > flac(8)
08/19/89 Greek Theatre CDR/FLAC 2 Source: Unknown gen. analog tape Transfer: JVC tape deck > Edirol R-09 > Adobe Audition (level adjustments, edits, fades) > CDWave (tracking) > flac(8) Note: Very low levels on the first part of the tape causing lots of hiss after the level adjustments. It gets better in the second part.
08/20/89 Greek Theatre CDR/FLAC 2 Lineage (all but Powderfinger): Direct transfer from mastertape. A Bootray recording. Recorded with Sony TCD5m w/ custom stereo pzm in my hat. Master tape > Staudio 24/96 card > Wavelab (no comp or eq)- aud noise limited between songs - 16bit wav > flac frontend. Lineage (Powderfinger): Analog master > DAT > CDR eac rip by FZ
08/22/89 County Bowl CDR/FLAC 2 Source : 1st gen analog tape > unknown lineage Transfer : Fisher CR 58 tape deck > HD > CD wave > Adobe Audition 1.5 > flacfrontend > flac(8)
08/25/89 Pine Knob Music Theater CDR/FLAC 2 Equipment/Lineage: 2 DAK-5245 Mics>Sony D6c Cassette Recorder(Dolby C on)>Master Cassette's (TDK-SA-X90's)>Yamaha Double Cassette Deck K-902 (Dolby C off)>CD Wave Editor>TLH flac level 8
08/26/89 Kingswood Music Theater CDR/FLAC 2 analog audience recording taper : chris r. transfer : kmg lineage : master cassette>Nakamichi>SB Audigy>Soundforge>FLAC level 8
08/27/89 New York State Fair Grandstand CDR/FLAC 2 Source:Sony D6 Cassette Master>Realistic Stereo Mic>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>traders little Helper>Flac Level 8.Sector Boundaries Aligned Uisng Traders Little Helper.
08/28/89 Poplar Music Theater CDR/FLAC 2 Analog master (unknown taper/equipment) > CDR > eac > flac(8) + bonus Hangin' on a Limb demo from 1987
08/31/89 Merriweather Post Pavilion CDR/SHN 2 Aiwa stealth rig > master cass > cass > WAV (via CoolEdit) > CDWav track splits > shn (via mkwACT) taped 2nd row center by crazy taper randy
09/02/89 Veterans Memorial Park CDR/FLAC 2 Analog master > DAT > CDR eac-rip by FZ
09/04/89 Saratoga Performing Arts Center CDR/FLAC 2 Lineage : Analog Master Tape (FZ)>DAT>DAT MASH SV-DA10>COAXIAL>M-AUDIO Audiophile Firewire> FIREWIRE>PC>GOLDWAVE (16/48) - Edit Fade in & Fade out + some cuts, The sound quality was preserved Exactly as was the original master (NO EQ or other filters) - RAW version - Resample at 16 bit 44.1 Khz, Tracks split with Alignment CD compatible >FLAC FRONTED level 8 + TLH Md5 & fingerprint
09/05/89 Palladium CDR/FLAC 2 1st gen cassette -- Pro Tools -- CDR - EAC - wav -- flac
09/09/89 Red Rocks Ampitheatre CDR/FLAC 2 Source - Beyer M201s > Sony WM-D6C > Master Cassette (Maxell MX90) > VHS HiFi (Maxell XL120) Transfer - Panasonic AG-5210 > M-Audio 2496 > Sound Forge 8 > 16bit @ 44.1 kHz > Flac (by Dub Irie 2007-02-26)
12/05/89 Teatro Smeraldo CDR/FLAC 2 Equipment used for transfer = TECNICHS RS BX601 3 HEAD>GOLD RCA>M-AUDIO Audiophile Firewire> Firewire>PC>GOLDWAVE (24 bit 96 Khz)
12/07/89 Musikhalle CDR/FLAC 2
12/08/89 Grosse Freiheit CDR/FLAC 1 Source: Master Aud Sony WMD6C + Micro Sony ECM 155 (Stereo) + Maxell MX Tapes
12/10/89 Muziektheater Stopera CDR/FLAC 1
12/10/89 Muziektheater Stopera 0 To my knowledge here's the most complete version so far of Neil Young's performance at the Muziektheater Stopera in Amsterdam, The Netherlands on Sunday December 10th 1989. "The Neil Young in Amsterdam 1989 Project" by Magnix.
12/11/89 Elysée Montmartre CDR/FLAC 1 Incomplete show...from Neil Play Acoustic in Paris FM Broadcast (except Stringman). silver cd > FLAC
12/12/89 Hammersmith Odeon CDR/FLAC 2 lineage sony walkman > apple G4 > soundstudio(for track splitting) > AIFF > FLAC
12/13/89 Ahoy Sportpaleis CDR/FLAC 2
11/13/90 The Catalyst CDR/FLAC 3 Master>3rd Gen>NakCR-3A nr off>AudigySE>Audacity>CDwave>TLH
01/22/91 Target Center CDR/FLAC 2
01/24/91 Bradley Convention Center CDR/FLAC 2 Lineage: FUJI FR-IIx 100 Extraslim high bias 2nd gen tape > JVC TD-W505 Stereo Double Cassette Deck > Aiwa XC-RW700 CD/CD recorder (tracked songs here) > Memorex Cool Colors Music CD-Rs, 80 min.> Cakewalk Pyro 2005 (transferred wav files onto HD here) > Cakewalk Pyro 2005 (edited and retracked wav files here) > Trader's Little Helper (encoded wav to flac, level 8, aligned on sector boundaries) 1chucho note: (I ripped the flacs from my CD-Rs and ran new Md5s)
01/25/91 Redbird Arena CDR/FLAC 1 Recording: unknown (microcassette?) recorder - internal mics? > Transfer: probable 1st gen cassette > cdr > cdr > EAC (secure) > flac Phase Adjust/Pitch Correct/EQ/Level Adjustments/Edit/Track: Cool Edit Pro 2.1 Sector Align/Flac: TLH (level 8) Powderfinger, Rockin' In The Free World, and Love to Burn are all missing.
01/26/91 Market Square Arena CDR/FLAC 2 Analog tape 2ND GENERATION > Dat > wav > cd AV transfer
01/28/91 Fox Theatre CDR/FLAC 1 Farmer John fades out, Welfare Mothers Missing; Analog 2nd generation tape > DAT > WAV
01/29/91 Rosemont Horizon CDR/FLAC 2 Lineage: Unknown Microphone/Sony D-6 (taper: MJS) => cassette => Stand-alone Pioneer CD burner => EAC => Magix Audio Cleaning Lab => WAV => FLAC Front-end (level 8)
01/30/91 Gardens Arena CDR/FLAC 2 FROM ANALOG MASTER copy A1>D Transfered by AV
01/31/91 Richfield Coliseum CDR/FLAC 2 Source: Sony ECM-909 Stereo mic (Hand held) > Sony D6 (Mid-level, Close, Far Right side - Show was LOUD) Transfer: Maxell XLIIS-100 Cassette > EQ (slight warming) > Harman Kardon CD Burner > Freerip (FLAC) > Bulk Rename Utility (Track ID) > Trader's Little Helper (FFP)
02/02/91 The Palace of Auburn Hills CDR/FLAC 2
02/04/91 Madison Square Garden CDR/FLAC 2 AUD Source: AKG 451/CK1's > Sony TC-D5 > MAC > C1 (first gen). Transfer: Cassette > Nakamichi DR-8 (Dobly B) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644.
02/05/91 Philadelphia Civic Arena CDR/FLAC 2 SONY D3 MASTER TAPE>STAND ALONE BURNER>WAV>FLAC
02/06/91 Philadelphia Civic Arena CDR/FLAC 2 Schoeps MK4->Power Supply?->Sony D3 Dat
02/08/91 Boston Garden CDR/FLAC 2 Lineage: audience recording (unknown equipment) mastertape -> DAT(48 kHz) -> DAT clone(s) -> optical cable -> Adobe Audition * -> wav -> CD Wave Editor -> wav -> TLH -> flac (* edits, fades, normalizing, downsampling to 44,1 kHz) 1chucho note: (I ripped the flacs from my CD-Rs and ran new Md5s) Notes on Sound Quality: VG+ (A little distant)
02/09/91 R.P.I. Fieldhouse CDR/FLAC 2 Lineage: Realistic Stereo Mic > Sony D5(maxell MX-110)Master tapes were transfered to Hi-Fi VHS This transfer: VHS > WAV > SHN > FLAC (Trader's Little Helper) (I ripped the flacs from my CD-Rs and ran new Md5s) Notes on Sound Quality: Excellent+
02/10/91 Cumberland County Civic Center CDR/FLAC 1 Taper: S.B. Incomplete show: I received this - mastertape - back in 1991 with the following information written on the cassette inlay: "All I have - Tape jammed - This is Master" The original recording volume is a little too high. Editing by the Young Dutch Master. TDK SA - play back: Nakamichi deck Cassette deck 2 > Edirol R09 > Sound Forge 4.5 + plug inns + BBE Sonic Maximizer - Redroaster Samplitude Studio V 5.58 > CDR
02/12/91 Forum CDR/FLAC 2 Lineage of transfer : by AV Analog tapes 1st generation transfered on DAT>DAT MASH SV10> OPTICAL CABLE>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz) >Resample at 16 bit 44.1 Khz entire WAVE FILE) + PITCH Adjusted > BBE sonic maximizer>NO Equalization>GOLD WAVE >Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
02/13/91 Copps Coliseum CDR/FLAC 2 Lineage: 1st gen from unknown equipment>M audio sound card>wav>flac editing with CDWav
02/14/91 Maple Leaf Gardens CDR/FLAC 2 Conversion = Unknown gen Cassette>Pioneer PDR-609 Stand Alone Burner>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac
02/16/91 Community War Memorial Auditorium CDR/FLAC 2 Conversion = Master Cassette>Pioneer PDR-609 Stand Alone Burner>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac
02/19/91 Hartford Civic Center CDR/FLAC 2 Taped by Kevin Hall Sony WM-D6C Professional Walkman recorder 2 Beyer M-700 microphones Maxell metal cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Sony K707ES cassette deck -> M-Audio Firewire Audiophile 2496 -> CD Wave 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CD Wave (track breaks) dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) No EQ'ing.
02/20/91 Providence Civic Center CDR/FLAC 2 source: aud 1st gen cassette > CDR transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8)
02/22/91 Nassau Coliseum CDR/FLAC 2 Lineage : 2nd or 3rd gen analog tape(no near technical infos,transfered tape is lost(hope to find it for clearing up) > Technics Tape deck > CDWave > CDR > EAC > HD > flacfrontend > flac(8)
02/23/91 Eisenhower Hall CDR/FLAC 2 Unknown source (presumably from DAT as there's no audible tape-flips)> TAO CDR (2 sec. gaps between tracks) > flac > wav > Adobe Audition (gap-removing) > CDWave (re-tracking) > flac(8) - Spliced in ending to Blowin' in the Wind and beginning to Love to Burn from this version: A1>D
02/24/91 Brendan Byrne Arena CDR/FLAC 2 lineage: 1st gen cassette -> Pro Tools -> WAV -> FLAC
02/26/91 Hershey Park Stadium CDR/FLAC 2 A1>D Transfered by AV date of Transfer = 10/02/2011 Recorded from Audience Equipment used : Sorry I don't know Analog tapes 1st generation transfered on DAT>DAT MASH SV10> OPTICAL CABLE>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz entire WAVE FILE)>MAGIX AUDIO STUDIO + BBE sonic maximizer> >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
02/28/91 Dean E. Smith Center CDR/FLAC 2
03/01/91 William and Mary College CDR/FLAC 2 source: aud Sony 909 mics > Sony D6 cassette > DAT > CDR transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8) taped by: DM
03/03/91 The Omni CDR/FLAC 2
03/07/91 Orlando Arena CDR/FLAC 2 Lineage : 3rd gen analog tape(no near technical infos) > Technics Tape deck > CDWave > CDR > EAC > HD > flacfrontend > flac(8)> Dime > you
03/09/91 Miami Arena CDR/FLAC 2 source: aud 1st gen cassette > CDR transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8)
03/10/91 Sun Dome CDR/FLAC 2 Source: Analog master > DAT > DAT Transfer: DAT > wav w/ Opcode DATport > Cool Edit Pro (level adjustments,fade i/o, sample rate convertion) > CDwave (tracking) > flac(8)
03/12/91 UNO Lakefront Arena CDR/FLAC 2
03/13/91 The Summit CDR/FLAC 2 Source: Analog 1st gen. tape. Taper: Louis G. Transfer: Standalone JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8)
03/15/91 Convention Center CDR/FLAC 2 Analog tapes 1st generation transfered on DAT>DAT MASH SV10> OPTICAL CABLE>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz entire WAVE FILE)>MAGIX AUDIO STUDIO + BBE sonic maximizer> equalization>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
03/17/91 The Myriad CDR/FLAC 2 Recording: 2 x Sony ECM33F > Marantz PMD-430 > TDK SAX/Maxell XLII Lineage: Audience Master > Marantz PMD-430 > MacBook Pro > Peak Pro XT (Indexed) > xACT 1.59 > Flac > Dime Location: Lower Balcony, 3 or 4 rows off the floor, left of stage, 2 sections back from stage
03/19/91 McNichols Sports Arena CDR/FLAC 2 Source: Analog 3rd gen. tape Transfer: Standalone JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8)
03/20/91 Huntsman Center CDR/FLAC 2 A1>D Transfered by AV Date of transfer = 20/01/2011 with M-AUDIO Audiophile firewire Analog tapes 1st generation transfered on DAT>DAT MASH SV10> OPTICAL CABLE>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (16 bit 48 Khz)>Resample at 16 bit 44.1 Khz entire WAVE FILE)>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
04/05/91 Lawlor Events Center CDR/FLAC 2 source: aud 1st gen cassette > CDR transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8)
04/06/91 Cow Palace CDR/FLAC 2 Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
04/07/91 Arco Arena CDR/FLAC 2 taper greg m studio sonics>d-6 transferred by brad tenner 1st gen aud>cdr>flac
04/09/91 Memorial Coliseum CDR/FLAC 2
04/11/91 Seattle Center Coliseum CDR/FLAC 2 Lineage: Aud Master > DAT > DAT > CDR Transfer: CDR > EAC > wav > flac
04/13/91 Olympic Saddledome CDR/FLAC 2 1st gen cassette -- Pro Tools -- CD -- EAC -- WAV -- flac
04/15/91 Northlands Coliseum CDR/FLAC 2
04/17/91 Pacific Coliseum CDR/FLAC 2 Sony PC-62 stereo condenser mic on hat > Sony stereo mic extension cord > Sony WM DC3 Professional Recording Walkman (Dolby B on, CrO2 / Metal bias) > Maxell XL-II 90 cassette masters Maxell XL-II 90 cassette masters > Tascam 202mkII playback deck (Dolby off, normal bias PB, azimuth adjusted for each tape side) > Radio Shack gold end 3.5mm to stereo rca cord > Shack 6 foot gold end 3.5mm stereo extension cord > Soundblaster Audigy @ 24 bit 96 khz > Wavelab 5.01b (recording, tracking, and mastering)
04/20/91 Thomas & Mack Center CDR/FLAC 2
04/21/91 Desert Sky Pavilion CDR/FLAC 2 source: aud 1st gen cassette > CDR transfer: CDR > EAC > Pro Tools (cleanup/fades/track splits) > xACT2.16 > flac(8)
04/23/91 San Diego Sports Arena CDR/FLAC 2 1st gen cassette (TDK D 90 + 60 received from Bob.D.) --> Edirol 09 --> WAV --> Goldwave (pitch, levels) --> Audacity Nomad Factory ( eq) -> Goldwave (track split) --> TLH --> flac
04/26/91 Sports Arena CDR/FLAC 2 Source: DAT master > DAT Master: Bill Ryan Sony D3(?) w/Sony ECM 939T Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
01/21/92 Paramount Northwest Theater CDR/FLAC 2 Source: DAT master > DAT clone Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, normalization, sample rate conversion) > CDWav (tracking) > flac
01/23/92 Civic Auditorium CDR/FLAC 2 source : unknown aud > cdr > xACT 1.62 > 16/44.1 wav > xACT 1.62 > flac
01/24/92 Civic Auditorium CDR/FLAC 2 source: Audience cassette master > DAT > CDR > EAC > ProTools > xACT > flac
02/13/92 Beacon Theater CDR/FLAC 2
02/14/92 Beacon Theater CDR/FLAC 2 cdr>eac>flac
02/15/92 Beacon Theater CDR/FLAC 2 Source: Sony D8 and Sony ECM 939T Taper: BR Location: about row 10, center Lineage: DAT Master > DAT Clone Transfer: Pioneer D-05 > Tascam SS-R1 > CF-card reader > PC > WAV > RR-Edit > flac (TLH level RR-Edit: Manual cutting of loud claps, crowd, normalisation per track to -3dB, "Sonic Maximizer"
02/17/92 Beacon Theater CDR/FLAC 2 Master = F.Z. Lineage equipment : OKMII's w/Sony D7 DAT CLONE>MASH DAT SV-DA10>COAXIAL>M AUDIO Audiophile Firewire>FIREWIRE>GOLDWAVE 16/48 RAW VERSION Splite Files>FLAC>Md5 Signature + Fingerprint Transfered by AV (01/12/2009)
02/18/92 Beacon Theater CDR/FLAC 2 Source: DAT master > DAT. Recorded by B.R. (unknown equipment) Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, edits, Waves L3 plugin, sample rate conversion) > CDWav (tracking) > flac(8)
02/19/92 Beacon Theater CDR/FLAC 2 source : (okm11 mics) master dat > marantz standalone > cdr macintosh > xACT1.59 > flac
03/18/92 Orpheum Theater CDR/FLAC 2 source : dat master > cdr > cdr >macintosh > xACT 1.59 > flac
03/20/92 Orpheum Theater CDR/FLAC 1
03/22/92 The Tower Theatre CDR/FLAC 2 CD Silver Discs → This is the original source (The Swinging Pig TSP-CD-159-2)
03/23/92 The Tower Theatre CDR/FLAC 2 Lineage equipment : OKMII's w/Sony D7 DAT CLONE>MASH DAT SV-DA10>COAXIAL>M AUDIO Audiophile Firewire>FIREWIRE>GOLDWAVE 16/48 RAW VERSION Splite Files>FLAC>Md5 Signature + Fingerprint
03/24/92 The Tower Theatre CDR/FLAC 2 lineage: audience DAT Master -> CDR -> EAC -> Adobe Audition (*) -> FLAC
05/17/92 Public Auditorium CDR/FLAC 2 cdr>eac>flac
05/18/92 Public Auditorium CDR/FLAC 2
05/21/92 Fox Theater CDR/FLAC 2 Lineage: low gen transfer(lost all infos in PC crash years ago) > CDR'S > EAC > HD > Adobe Audition(normalize) > Flacfrontend level 8
06/23/92 Tanglewood Music Center CDR/FLAC 2 source: audience OKM II mics > D7 > DAT transfer: DAT clone (from the taper) > PCM-500 > mbox > Pro Tools > xACT > flac taped by: fz
06/25/92 Garden State Arts Center CDR/FLAC 2 lineage: (unknown equipment) > Analogue Master > DAT > DAT mastering: DAT > WAV/w Opcode's DATPort > CoolEdit Pro > WAV > FLAC
06/26/92 Merriweather Post Pavilion CDR/FLAC 2 Field: Core Sound binaurals (battery box) > Sony D3 (48) Row Y, Center, Seat 130 Transfer: DAT Master 60ES > Zoltrix Nightingale > CD-R (Master) > EAC (secure) > WAV > Flac Frontend
06/27/92 Star Lake Amphitheatre CDR/FLAC 2 lineage: analog master -> DAT -> DAT clone(s) -> edit (see notes) -> FLAC
06/29/92 Saratoga Performing Arts Center CDR/FLAC 2 Master Audience Nakamichi 700's>Teac DA-20>Sony D5 (Patched) Taper Heaton and Company,Transfer By Keo Tape:TDK MA 110 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files
09/11/92 Erwin J. Nutter Center CDR/FLAC 2 DM->D->cd->EAC->RLH->FLAC 8
09/12/92 Deer Creek Music Center CDR/FLAC 2 lineage DM->D->CD->eac->TLH->FLAC 8
09/13/92 Riverport Amphitheatre CDR/FLAC 2 LINEAGE analog 2nd gen tape-> played on SONY DECK TC WE 7055 -> Edirol 09 => PC => Goldwave (volume change+ adjust pitch) => CD WAVE (split tracks) => FLAC 8
09/15/92 Red Rocks Ampitheatre CDR/FLAC 2 source: audience cassette master > DAT One Of These Days - from a different master, also audience cassette master > DAT transfer: DAT clones > PCM-500 > mbox > Pro Tools > xACT > flac torrented by: zuma11
09/16/92 Park West Amphitheater CDR/FLAC 2 source: audience Aiwa CM30 > Sony D3 DAT (22nd Row FOB) transfer: DAT clone > PCM-500 > mbox > Pro Tools > xACT > flac
09/18/92 L.B. Day Amphitheater CDR/FLAC 2 CDR>EAC>FLAC
09/19/92 The Gorge Ampitheatre CDR/FLAC 2 Source: Analog master > DAT > DAT clone Transfer: Sony D7 DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC w/Realtek s/pdif in @ 48kHz > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWav (tracking) > flac
09/22/92 Greek Theatre CDR/FLAC 2 Source : DAT audience master > DAT > PC (wave) > resample to 44.1kHz > Flac
09/23/92 Embarcadero Marina Park CDR/FLAC 2 transfer: Audience cassette master > Nakamichi Dragon > ProTools > CDR > EAC > ProTools (tracking cleanup) > xACT > flac( 8 ) recorded by: AM from the 4th row
09/25/92 Pacific Amphitheater CDR/FLAC 2 Source: DAT master > DAT clone Master: B.R. Transfer: Sony D7 DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWav (tracking) > flac
09/26/92 Bally's Casino CDR/FLAC 2 Source : DAT audience master > DAT > PC (wave) > resample to 44.1kHz > Flac
09/27/92 Desert Sky Pavilion CDR/FLAC 2 AUDIENCE DAT MASTER>CDR>EAC>FLAC
11/01/92 Shoreline Amphitheatre CDR/FLAC 1 cdr > EAC > Wav > Flac(Level8 )
11/14/92 Riverside Theater CDR/FLAC 2 audience recording Recording: Two Audio Technica ATR-35 mikes>Sony WMD-6C>Maxell XLII-S 100 (dolby C) Lineage: master tape>Harmon Kardon TD 302, heads aligned to tape, dolby C decoded>CDRW-DA>WAV(Tracking via wavepad)>FLAC (level8 ) via traderslittlehelper Field recording all other mastering by arfarf, no EQ or other sweetening of what I am hoping is an accurate reflection of the master recording. Master tape to cdr transfer 2009-12-04
11/15/92 Riverside Theater CDR/FLAC 2
11/17/92 WTTW Studios CDR/FLAC 2 audio from Pro-Shot Video Centerstage
11/18/92 Chicago Theater CDR/FLAC 1 Source: Analog master > DAT > DAT Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate convertion > CDWav (tracking) > flac
11/19/92 Chicago Theater CDR/FLAC 2 cdr>eac>flac
11/21/92 Orpheum Theater CDR/FLAC 2 Audience recording
11/22/92 Orpheum Theater CDR/FLAC 2 Very Nice Audience recording From a 2nd Generation Tape.
01/15/93 NBC Studios CDR/FLAC 1 lineage_> A low generation tape ->CD->eac->TLH->FLAC 8
03/01/93 Dorothy Chandler Pavilion CDR/FLAC 1 w/ Simon & Garfunkel
06/09/93 Warfield Theater CDR/FLAC 2
06/10/93 Warfield Theater CDR/FLAC 2 Digital Master>DAT>cdr(my digital copy)>xACT>flac
06/12/93 Concord Pavillion CDR/FLAC 2 Schoepes MK4 w/Reutelhuber Mod Not sure of DAT used to master DAT clone from master tranferred on Panasonic SV3800 to Tascam CD-RW700->Wav->Flac
06/13/93 Civic Auditorium CDR/FLAC 2 Last two songs missing. Schoepes MK4 w/Reutelhuber Mod Not sure of DAT used to master DAT clone from master tranferred on Panasonic SV3800 to Tascam CD-RW700->Wav->Flac
06/26/93 Schuttorf Festival CDR/FLAC 1 Source: Sennheisser MKE-40/6 (2) > Sony TCD-D3 Location: Close to stage Taper: Reel Records Transfer: Pioneer D05 > DAL Digital Only (digital) PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
06/27/93 Kalvoslash Festivalen CDR/FLAC 2 Source: Denon D7 DAT & Sony ECM 929 Lineage: Denon D7 DAT & Sony ECM 929 -> Harmon Kardon -> DAT -> Sound Forge -> Wav -> CD-R - EAC -> Flac Frontened
06/28/93 Sjohistoriska Museet CDR/FLAC 2
06/30/93 Jaahalli CDR/FLAC 2 analog master > dat > cdr > cdr macintosh > xACT 1.59 > flac
07/01/93 Roskilde Festival CDR/FLAC 2 audience recording (unknown equipment) analog master > DAT > optical cable > Cool Edit* > wav > CD Wave Editor (tracking) > wav > TLH > flac
07/04/93 Werchter Rock Festival CDR/FLAC 2 Equipment used : SONY TCS 430 - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO & processed with BBE D82 Sonic Maximizer >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
07/05/93 Ahoy Hal CDR/FLAC 2
07/07/93 The Zenith CDR/FLAC 2 Source: Sennheisser MKE-40/6 (2) > Sony TCD-D3 Location: Close to stage Taper: Reel Records Transfer: Pioneer D05 > DAL Digital Only (digital) PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
07/08/93 Riazor Stadium CDR/FLAC 2 source : 1st gen analog > dat > cdr > cdr
07/10/93 Slane Castle CDR/FLAC 2 Source: Audience cassette master Transfer: Master > DAT > CDR > EAC > xACT2.18 Thanks to FZ
07/11/93 Finsbury Park CDR/FLAC 2 from 2 discs set "Live in London 1993" on ON STAGE RECORDS label AUD -> ??? -> siver discs->WAV conversion with EAC -> FLAC
07/12/93 SECC CDR/FLAC 2 Sony TCS 350 recorder (automatic levels built in) Aiwa CM30A mic 2 x Maxell XLII (100 minutes) Recorded about 30 feet back to the rightand standing (did have to move slightly after first 2 songs)
07/15/93 Forum di Assago CDR/FLAC 2 Lineage equipment : Recorded with SONY TCS 430 & Sony ECM microphone Tapes : SONY UX PRO (2 x 90minutes) Date of Transfer 08/11/2008 Transfer : Analog Master Tapes>TECHNICHS STEREO TAPE DECK 3 HEADS RS-BX-601>EDIROL R09-HR (WAVE 16 bit 48 Khz)> USB>PC>GOLDWAVE (Editing fade in & Fade out - Equalization - Pitch Adjusted - Tracks split - Resample at 16 bit 44.1Khz)> FLAC Encoded with FLAC FRONTED (level + fingerprint + TLH Md5
07/16/93 Festa Dell'Unita CDR/FLAC 2 Equipment used : SONY TCS 430 - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Pitch Adjusted Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO (Equalization >processed with BBE D82 Sonic Maximizer + Dynamic process) >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
07/18/93 Schlosspark CDR/FLAC 2 Recorded from Audience by ZUMA66 Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some microphone noises , Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with
07/19/93 Tanzbrunnen CDR/FLAC 2
07/21/93 Paleo Festival CDR/FLAC 2 lineage: analog master -> DAT -> edit (see notes) -> FLAC - DAT from the Dutch Masters Archives; "XP" tape - Transfer: DAT played on Sony DTC-790 deck -> S/PDIF cable -> Terratec Aureon 5.1 soundcard -> Adobe Audition -> WAV -> CDWave -> WAV -> FLAC - Mastering done in Adobe Audition; fixed some levels, repaired some loud claps and ticks, pitch fixed
07/23/93 Foro Italico CDR/FLAC 2
08/12/93 Civic Auditorium CRD/FLAC 2
08/14/93 Marcus Amphitheater CDR/FLAC 2
08/15/93 World Amphitheater CDR/FLAC 2 DAT master (unknown mics/equipment) > CDR > eac/flac Master: F.Z.
08/16/93 Pine Knob Music Theater CDR/FLAC 2 (handheld/ORTF/110^/Row NN/DFC) B&K 4011s > Neumann BA48i-2 > Sony TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC
08/18/93 CNE Central Grandstand CDR/FLAC 2 Source: Cassette Master> SONY TC-RX410 cassette player > MacBook Pro> CD Spin Doctor 3.0.2t > xAct 1.5 (for flac conversion/ sector boundary check/ md5 checksums & flac fingerprint) Recorded using SONY WA-55 stereo cassette-corder and 2 SONY ECM-16T clip-on microphones. Recorded from Section 55, Row 29, Seat 10
08/20/93 Jones Beach CDR/FLAC 2 Dat Master --> cassette --> Pro Tools --> wav --> flac
08/22/93 Garden State Arts Center CDR/FLAC 2 2nd gen cassette --> Pro Tools --> wav --> flac
08/23/93 Great Woods Center for the Performing Arts CDR/FLAC 2 "AUD" Master analog tapes (??unknown transfer equipment??) to CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
08/25/93 Blossom Music Theater CDR/FLAC 2 DAT master (unknown mics/equipment) > CDR > eac/flac Master: F.Z.
08/26/93 Star Lake Amphitheatre CDR/FLAC 2 DAT master (unknown mics/equipment) > CDR > eac/flac Master: F.Z.
08/28/93 Walnut Creek Ampitheatre CDR/FLAC 2 Source: Analog 3rd generation Transfer: Transfer: JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (normalization, tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8) Bad sound; for completists
08/29/93 Lakewood Amphitheatre CDR/FLAC 2 Source: DAT master > DAT clone (unknown taper/equipment) Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWave (tracking) > flac(8)
09/01/93 Fiddler's Green CDR/FLAC 2 Analog master > DAT clone(s) except where indicated Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, edits, level adjustments w/Waves L3, sample rate conversion) > CDWave (tracking) > flac(8)
09/04/93 B.C. Place CDR/FLAC 2 Source: Analog 4th gen > wav /Edirol R-09 > Adobe Audition (normalize, fades i/o) > CDWav (tracking) > flac(8)
09/05/93 The Gorge Ampitheatre CDR/FLAC 2 Source: DAT master > DAT clone(s) (unknown taper/equipment) Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion) > CDWave (tracking) > flac(8)
09/06/93 The Meadows CDR/FLAC 2 Source: Audience DAT Master > DAT clone (recorded 20' from left stack) Transfer: DAT clone > Tascam DA-20 > Mbox > ProTools > xACT2.18 > flac(8)
09/08/93 Shoreline Amphitheatre CDR/FLAC 2 Recorded from 102 Center Section, Row M Seat 19. Schoepes MK4 w/Reutelhuber Mod Not sure of DAT used to master Either Panasonic SV250 DAT or Sony D3. One of many shows we recorded from section 102 row K, L, M or N thanks to a little help with the tickets and VIP parking. DAT clone from master tranferred on Panasonic SV3800 to Tascam CD-RW700->Wav->Flac
09/09/93 Pacific Amphitheater CDR/FLAC 2 Source: BR archives. Sony D7 DAT w/ Sony ECM 939T. 12th row, centre. Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, normalization, sample rate conversion to 44.1kHz) > CDWave (tracking) > flac
09/11/93 Sports Arena CDR/FLAC 2 Lineage: from Silver CDs: Red Line RFCD 22805 unknown audience > ? > Silver CD > EAC > Flac > You
09/14/93 Desert Sky Pavilion CDR/FLAC 2 Analog 2nd gen source thanks to A.V.
09/16/93 Cynthia Mitchell Woods Pavilion CDR/FLAC 2 Source: Analog 1st gen. Maxell XLII-S tapes. Taper: L.G. Transfer: JVC tape deck > Edirol R-09 (16/44.1) > wav > Adobe Audition (tape-flip edits, fades i/o) > CDWave (tracking) > Flac(8)
09/17/93 Erwin Center CDR/FLAC 2 Lineage: unknow - J.H. master > 1st gen tape - 2 Maxell XL II 90 Transfer 2011 - 07 - 12 by zuma66 Technics RS-T55R > M-Audio Microtrack 24/96 > CompactFlash card reader > PC > Gold wave > WAV tracks split with CD Wave > Traders Little Helper level 8
09/19/93 Starplex Arena CDR/FLAC 2 Source: Audience DAT master Transfer: DAT Master > DAT > CDR > EAC > xACT2.18 Thanks to FZ
09/18/94 Louisiana Superdome CDR/FLAC 1 Source: FM broadcast (?) Lineage: Audio (Taiyo Yuden CD-r) > dBpowerAMP (Philips-SPD3400CC) [AccurateRip] > .flacf (level 8) Digital Audio Extraction Log included. SBEs checked. Frequency analysis done.
10/01/94 Shoreline Amphitheatre CDR/FLAC 1 An audience recording, which sounds excellent, and which was cleaned up to sound as good as possible. This is an especially excellent show featuring the famous acoustic feedback version of Change Your Mind.
10/02/94 Shoreline Amphitheatre CDR/FLAC 1
10/22/94 Hamilton Warren Amphitheater CDR/FLAC 1
01/01/95 The European Concerts CDR/FLAC 3 "The European Concerts" (3cd) Liberated Boot Lineage: silver cd's -> EAC -> FLAC
01/14/95 Constitution Hall CDR/FLAC 1 dat master>burn to cd by taper and sent to me
01/15/95 Constitution Hall CDR/FLAC 1
06/24/95 Golden Gate Park CDR/FLAC 2 Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2) Generation: DAT(M) -> DAT(1) 48khz -> FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC
08/12/95 Sjohistoriska Musset CDR/FLAC 2 Sjöhistoriska Muséet - Stockholm, Sweden - August 12, 1995 Original silver discs - dBpoweramp secure rip - flac level 6
08/13/95 Heyday 2 CDR/FLAC 2 Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down level of some Microphone & Crowd noises Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with BBE D82 Sonic Maximizer >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
08/14/95 Waldbuehne CDR/SHN 2 OKM > Sony TCD-D7 CONVERSION: 1st gen DAT clone > standalone burner > CDR > EAC > dEdit > MKW
08/18/95 Residenplatz CDR 2
08/19/95 Gampel Festival CDR/FLAC 2 Recorded from Audience by ZUMA66 Equipment used : SONY D5 - ECM microphones - Analog Tapes = 2 x Maxell XL II Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Level of both channel balanced, pitch adjusted> Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO>Equalization & processed with BBE D82 Sonic Maximizer >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
08/22/95 Sultan's Pool CDR/FLAC 2 Audience recording > CDR from trade > EAC > wav > flac
08/26/95 Royal Society Showgrounds CDR/FLAC 2
08/27/95 Reading Festival CDR/FLAC 2 Source: Unknown Source > CD-R > EAC > .wav > .flac
10/01/95 Cardinal Stadium CDR/FLAC 1
03/18/96 Old Princeton Landing CDR/FLAC 2
03/19/96 Old Princeton Landing CDR/FLAC 2 Schoeps MK 4 > Bill Reutalhuber Mic power/preamp box > Denon DTR 80p DAT @ 44.1/16 Master DAT > 1 to 1 clone > Panasonic 3800 > OSX Peak 7 editing > xACT(flac, tags)
03/20/96 Old Princeton Landing CDR/FLAC 2 Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav -> CoolEdit (treble boost, fading) -> wav -> WavePad (tracking) -> wav -> flac
03/21/96 Old Princeton Landing CDR/FLAC 2 "The Last Night with the Echos" Changes made (Nero 7): Cross mixed channels(70:30), LR balance corrected, instruments / voices clearer Evened volume levels between tracks
04/09/96 Old Princeton Landing CDR/FLAC 2 Source : Audience DAT Master > DAT Clone(s) > CDR Transfer : CDR > EAC > Pro Tools (retracking) > xACT1.5b3 > flac(8)
04/10/96 Old Princeton Landing CDR/FLAC 2 Source : Audience Schoeps DAT Master > DAT Clone(s) > CDR Transfer : CDR > EAC > Pro Tools (retracking) > xACT1.5b3 > flac(8)
04/13/96 Old Princeton Landing CDR/FLAC 2 Source : Audience Schoeps DAT Master > DAT Clone > CDR Transfer : CDR > EAC > Pro Tools (retracking) > xACT1.5b3 > flac
04/14/96 Old Princeton Landing CDR/FLAC 2 ineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav -> CoolEdit (editing, normalizing, fading, treble boost) -> wav -> WavePad (tracking) -> wav -> flac
05/08/96 Catalyst CDR/FLAC 2 Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav -> CoolEdit (editing, fading) -> wav -> WavePad (tracking) -> wav -> flac
05/09/96 Catalyst CDR/FLAC 2
05/22/96 Old Princeton Landing CDR/FLAC 2 Schoeps mics>DAT>DAT (48K)>AudioMedia III>Pro Tools (48K > 44.1K)>Peak>WAV>SHN>wav>FLAC
05/23/96 Old Princeton Landing CDR/FLAC 2 source: Tascam PE125s > Sony D7 transfer: DAT clone > HHb CDR830 > EAC/wavlab > FLAC
06/04/96 Old Princeton Landing CDR/FLAC 3
06/05/96 Old Princeton Landing CDR/FLAC 2 Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav -> CoolEdit (editing, fading, treble boost) -> wav -> WavePad (tracking) -> wav -> flac
06/06/96 Old Princeton Landing CDR/FLAC 2 Lineage: audience DAT master -> DAT clone -> Hucht Copyprocessor -> standalone Philips CD burner -> CDR -> EAC -> wav -> CoolEdit (editing, fading, treble boost) -> wav -> WavePad (tracking) -> wav -> flac
06/09/96 Old Princeton Landing CDR/FLAC 2 Source: AUD Schoeps DAT Master > DAT clones Transfer: DAT > PCM-R500 > MBox > ProTools > xACT1.5b3 > flac(8)
06/23/96 Duren Badesee Festival CDR/FLAC 2
06/25/96 Royal Naval Museum CDR 2
06/27/96 Roskilde Festival CDR/FLAC 2
06/30/96 Isle Of Calf Festival CDR/FLAC 2 Lineage: Sony D7 DAT -> Pioneer 700 Standalone burner -> HDD -> wav -> CD-R - EAC -> wav -> Flac Frontened (level)-> Flac
07/04/96 Bercy Sportspalace CDR/FLAC 2 Recorded from Audience by ZUMA66 Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some claps , Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> Level of left channel balanced & processed with BBE D82 Sonic Maximizer >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
07/06/96 Torhout Rock Festival CDR/FLAC 2
07/07/96 Werchter Rock Festival CDR/FLAC 2 Recorded from Audience by ZUMA66 Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire>FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Level of both channel balanced,>Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO>Equalization & processed with BBE D82 Sonic Maximizer>GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with LAC FRONTED + TLH Md5 & Fingerprint
07/09/96 Waldbuehne CDR/FLAC 2
07/12/96 Olympiahalle CDR/FLAC 2 Recorded from Audience by ZUMA66 Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - both channel balanced Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with BBE D82 Sonic Maximizer >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
07/13/96 Trabrennbahn CDR/FLAC 2 Tascam PE-125s > Sony D7 >> HHb CDR830 > EAC > Audition > CD Wave > FLAC16
07/22/96 The Point Depot CDR/FLAC 2 Source: CSB's w/ battery box (flat, no bass roll-off) > Sony D7 DAT FOB, about 5 meters from stage, dead centre. Transfer: DAT master > DAT deck 1 > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > DAT deck 2 > DAT clone MASH DAT SV DA10>COAXIAL>M AUDIO Audiophile Firewire>FIREWIRE>GOLDWAVE 16/48>Track Split - No Editing or EQ - No Resample. (Agovigli's source used for this mastering) Flac > wav > Adobe Audition (fades i/o, level adjustments w/Waves L3 maximizer, slight eq, 48kHz>44.1kHz convertion) > CDWav (tracking) > Flac(8)
08/09/96 Blockbuster Pavilion CDR/FLAC 2
08/10/96 Lakewood Amphitheater CDR/FLAC 2 audience recording: (unknown equipment) DAT master(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, downsampling to 44,1kHz)
08/12/96 Walnut Creek Ampitheatre CDR/FLAC 2 Source: Schoeps CMB-1 > DAT > DAT clone Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (fades i/o, level adjustments, sample rate conversion) > CDWav (tracking) > flac(8)
08/15/96 Virginia Beach Amphitheatre CDR/FLAC 2
08/16/96 Sony Music Entertainment Center CDR/FLAC 2
08/18/96 Finger Lakes CDR/FLAC 2
08/19/96 Madison Square Garden CDR/FLAC 2
08/21/96 Great Woods Center for the Performing Arts CDR/FLAC 2
08/23/96 Hershey Park Stadium CDR/FLAC 2 Joesphson C603's w/KA 500 capsules>Neumann BS48i/2>Aiwa DAT
08/25/96 Saratoga Performing Arts Center CDR/FLAC 2
08/26/96 Jones Beach CDR/FLAC 2 audience recording: (unknown equipment) DAT master(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, downsampling to 44,1kHz)
08/29/96 Polaris Amphitheatre CDR/FLAC 2 audience recording: (unknown equipment) analog master > DAT(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, BBE Sonic Maximizer processing, downsampling to 44,1kHz)
09/03/96 Star Lake Amphitheatre CDR/FLAC 2 Analog 2nd generation tape > Edirol R-09 (16bit/44.1kHz) > Adobe Audition (level adjustments, edits, fades i/o) > CDWav (tracking) > Flac
09/04/96 Blossom Music Center CDR/FLAC 2 Source: Sony stereo mic > Sony WM-D6 > Maxell XLII Lineage: Cass 1 > Marantz SD-57 > Cool Edit Pro > wav
09/06/96 World Music Theater CDR/FLAC 2 audience recording: (unknown equipment) DAT master > CDR > EAC > wav > Adobe Audition* > wav > CD Wave Editor(tracking) > wav > TLH > flac (* edits, fades, volume adjustments)
09/07/96 Target Center CDR/FLAC 2
09/09/96 Fiddler's Green Amphitheatre CDR/FLAC 2 DAT master > CDR (unknown equipment) Master: A.C.
09/11/96 Great Western LA Forum CDR/FLAC 2
09/12/96 Irvine Meadows CDR/FLAC 2
09/14/96 The Gorge Ampitheatre CDR/FLAC 2 audience recording: (unknown equipment) DAT master(48kHz) > DAT clone(s) > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, downsampling to 44,1kHz)
09/16/96 Cal Expo CDR/FLAC 2 Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 1 Neumann KMF4 microphone > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
09/17/96 Concord Pavillion CDR/FLAC 2 "Concord the Killer" CoreSound BiNaurals -> Sony TCD-D7 Transfer (8/14/2011): Tascam DA40->COAX->M-Audio AUDIOPHILE 2496->Sound Forge 10 Pro->Flac Front End level 8 Taping Location: Sec 101 Row E Seat 9 (Extreme Stage Right 5th row) Taper: Don O (normal_dude)
10/22/96 GM Place CDR/FLAC 2
10/24/96 Edmonton Coliseum CDR/FLAC 2
10/25/96 Olympic Saddledome CDR/FLAC 2
10/28/96 Winnipeg Arena CDR/FLAC 2
10/31/96 Copps Coliseum CDR/FLAC 3
11/02/96 Corel Centre CDR/FLAC 2
11/07/96 Molson Centre CDR/FLAC 2
11/08/96 The Meadows CDR/FLAC 2
11/10/96 Marine Midland Arena CDR/FLAC 2
05/08/97 The Trocadero CDR/FLAC 2 Rust's Trade > EAC > WAV > FLAC Frontend > FLA
05/19/97 Catalyst CDR/FLAC 2 audience recording: (unknown equipment, taper: most likely B.R.) DAT master(48kHz) > DAT clone > optical cable > Adobe Audition* > wav > CD Wave Editor (tracking) > wav > TLH > flac (* edits, fades, volume adjustments, sample rate conversion) Unfortunately this recording is missing the first verse of "Big Time" so I patched the first 2 minutes from a different source (DAT master > CDR)
07/11/97 Shoreline Amphitheatre (Early) CDR/FLAC 1 DAT AUD recordings of unknown lineage. DAT > Sony DTC-690 > Marantz CDR-500 > EAC > Soundforge (to make fades) > CD-Wave (for tracking) > TLH (for SBE-OK, compression & checksums) > FLAC
07/11/97 Shoreline Amphitheatre (Late) CDR/FLAC 2 Early and Late Shows Schoeps MK4 w/ RBox 16 Bit 48K. Do not recall DAT used to master this show. Recorded from section 102 rows K,L, M or N dead center Transferred by Nick C using Sony D7>Edirol R-44 via coax digital Processed using Soundforge 10b, resample, to 16bit 44.1K and split tracks TLH to convert to Flac
07/13/97 Portland Meadows CDR/FLAC 1 Late show
07/15/97 Wolf Mountain (Early) CDR/FLAC 1 Master Audience Recorded By Mr. White, Transfer By Keo Early Show; Beyer M 201's >SonyD5 Pro, Maxell XL-II 100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz Metadata Tagging With Tag&Rename
07/17/97 Irvine Meadows Amphitheatre (Late) CDR/FLAC 2 Early and Late Shows: Lineage: audience DAT master -> DAT clone(s) -> optical cable -> CoolEdit (downsampling to 44,1 kHz, normalizing, editing, fading) -> wav -> WavePad (tracking) -> wav -> flac The Early Set is missing the first part of "Buffalo Springfield Again" The Late Set audience recording is a really special one: it's recorded ON STAGE, what you hear is the monitors. Thanks to the taper B.R. for this recording!
07/18/97 Desert Sky Pavilion (Early) CDR/FLAC 1
07/18/97 Desert Sky Pavilion (Late) CDR/FLAC 1
07/20/97 Fiddlers Green CDR/FLAC 2 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
07/23/97 Sandstone Ampitheatre CDR/FLAC 1 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
07/24/97 Riverport Amphitheatre CDR/FLAC 1 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
07/25/97 Deer Creek Music Center CDR/FLAC 2 Lineage: audience DAT master -> DAT clone(s) -> optical cables -> WavePad (fading, tracking) -> wav -> flac
07/27/97 Pine Knob Music Theater (Late) CDR/FLAC 1 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
07/29/97 Riverbend Amphitheater (Late) CDR/FLAC 2 Both Early and Late Show - Lineage: audience DAT master -> DAT clone(s) -> CDR -> EAC -> wav -> flac
08/01/97 River's Edge Park CDR/FLAC 2 Early and Late Shows
08/02/97 Alpine Valley Music Theatre CDR/FLAC 2 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
08/03/97 New World Music Theatre (Late) CDR/FLAC 2 Early and Late Shows: Audience DAT > AudioMedia III > Pro Tools > WAV > SHN > FLAC
08/05/97 Vernon Downs CDR/FLAC 1 Source:Sony D7 Dat Master>Sony SBM-1>Nakamichi 100 Mics W/CP4 Shotguns>1st Generation Cassette> Sony TC-D5m Cassette deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders little helper.Taped By Dave S.
08/08/97 Great Woods Center For The Performing Arts CDR/FLAC 2 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
08/10/97 Saratoga Performing Arts Center CDR/FLAC 2
08/15/97 Blockbuster Pavilion CDR/FLAC 2 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
08/16/97 Nissan Pavillion CDR/FLAC 1 Master: (2) Nakamichi CM 300 > Nakamichi 550 CDR: Nakamichi DR-2 > Event Gina soundcard > Soundforge 4.5 > CDRWav > mkwACT > WAV > FLAC
08/17/97 Blockbuster-Sony Music Entertainment Centre CDR/FLAC 1 1st gen cassette>stand alone burner>wav>flac
08/19/97 PNC Bank Arts Center CDR/FLAC 1 Master Audience Recorded By Mr. White, Transfer By Keo Beyer M201>Sony D5 Pro>Tape Maxell XLII-100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
08/23/97 Suwannee Park CDR/FLAC 2 Neumann mics>Oade pre-amp>Panasonic SV-250 recorded and transferred by Doug Oade
08/24/97 Coral Sky Amphitheatre CDR/FLAC 2 Source: Neumann KM-184 - Aerco Pre Amp - Sony D8 DAT Master Transfer: DAT Master > PC Optical In > wav file > coolEdit > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB Recording Location: 10th row right Recorded by: Datfly
10/18/97 Shoreline Amphitheatre CDR/FLAC 1
10/19/97 Shoreline Amphitheatre CDR/FLAC 1
01/03/99 The Complete 1999 Solo Tour Companion (5-CD's) CDR/FLAC 5
03/02/99 Queen Elizabeth Theatre CDR/FLAC 2 Lineage: Coresound Binaurals > DAT Master Sony TCD-D the tape you have is my master - I was seated right of center 8th row by Dan Gale Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
03/05/99 Paramount Northwest Theater CDR/FLAC 2 Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free
03/06/99 Paramount Northwest Theater CDR/FLAC 2 Lineage: Coresound Binaurals > DAT M Sony TCD-D > DAT Clone directly from master Recorded by friend Cor van der Giessen from Germany who had much better seats he was down in the "Gold Circle" zone in the first 3-4 rows from Dan Gale Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free
03/08/99 Arlene Schnitzer Concert Hall CDR/FLAC 2 Lineage: Coresound Binaurals>DATM Sony TCD-D > DAT Clone directly from master made by another friend on tour who had front row dead center seat he was sitting right in front of one of the front fill speakers, hence the stunning sound quality from Dan Gale Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free
03/09/99 Arlene Schnitzer Hall CDR/FLAC 2
03/11/99 Opera House CDR/FLAC 2 Notes on Sound Quality: EX audience recording Lineage: audience recording: DAT-master -> DAT clone(s) -> CDR -> wav -> fading & removal of some loud clapping using Cool Edit -> flac
03/17/99 Sacramento Memorial Auditorium CDR/FLAC 2 Schoeps>DAT>CDR>EAC>wav>FlacFrontend>flac
03/20/99 Paramount Theatre CDR/FLAC 2 "Down by the River" Liberated bootleg CDR->Flac->Dime
03/23/99 Wiltern Theatre CDR/FLAC 2 Source: DAT master > DAT clone Schoeps CMC641 Taper: B.W. Transfer: DAT > wav w/ Opcode DATport > Cool Edit Pro (level adjustments, normalization,fade i/o, sample rate convertion) > CDwav (tracking) > flac(8)
04/14/99 Fox Theatre CDR/FLAC 2 Source: (FOB) B&K 4021's > DA-P1 Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC Taper Unknown Transferred from DAT by Bill Graves
04/18/99 Orpheum Theater CDR/FLAC 2
04/19/99 The Theatre at Madison Square Garden CDR/SHN 2 Source: FOB Section 102 Row I. Schoeps MK4s->Reutelhuber Pow2er Supply-> Sony SBM1@44.1kHz->Sony D8(m) Lineage: D(m)->Audiomedia II Digidesign Card-> Mac Power PC. Selective Compression of Audience with Digisound Sound Designer II Adaptec Jam->Plextor4x Plexwriter -> 2 CDRs. CDR->EAC->WAV->Mkw 0.97B1->shn
04/21/99 The Theatre at Madison Square Garden CDR/SHN 2 Source: FOB Section 100 Row S DFC. B&K4021s->EAA PSP2->Sony PCM-M1(m)@44.1kHz Transfer: CDR->EAC->MKW V.0.97B1->SHN
04/22/99 The Theatre at Madison Square Garden CDR/SHN 2 Source: FOB Section 102 Row I. Schoeps MK4s->Reutelhuber Pow2er Supply-> Sony SBM1@44.1kHz->Sony D8(m) Lineage: D(m)->Audiomedia II Digidesign Card-> Mac Power PC. Selective Compression of Audience with Digisound Sound Designer II Adaptec Jam->Plextor4x Plexwriter -> 2 CDRs. CDR->EAC->WAV->Mkw 0.97B1->shn
04/24/99 The Tower Theatre CDR/FLAC 2 source: Schoeps MK4Vs>Schoeps VMS02IB>Sony SBM-1>Sony TCD-D100
04/25/99 The New Oakdale Theatre CDR/FLAC 2
04/27/99 Thomas Hall CDR/FLAC 2 Source: CSB's > DAT > DAT clone Taper: M.G. Transfer: DAT > optical > Hutch DAT copyprocessor mkII (scms bypass) > coax > PC (s/pdif in @ 48kHz) > Adobe Audition (edits, level adjustments, Waves L3 ultramaximizer, fades i/o, sample rate conversion to 44.1kHz) > CDWave (tracking) > flac(8)
04/28/99 Rosemont Theatre CDR/FLAC 2 DAT CLONE Master : I.G.
05/01/99 Rosemont Theatre CDR/FLAC 2 audience recording: DAT-master -> DAT clone(s) -> CDR -> wav -> fading & removal of some loud clapping using Cool Edit -> flac
05/23/99 Orpheum Theater CDR/FLAC 2 Source: Core Sound Binaurals>Sony D7. Front row in the pit, slightly to the left. Transfer/lineage: DAT master > wav w/Opcode DATPort>Cool Edit Pro (level adjustments, fades i/o, resampling from 48kHz to 44.1kHz)> CDR > wav w/EAC > flac(8)
05/29/99 Bass Concert Hall SHN/CDR 2
06/01/99 Aerial Theatre CDR/FLAC 2
08/08/00 GTE Amphitheatre CDR/FLAC 2 Source: Audience > ? > CDR > EAC > .wav > FLAC Frontend > FLAC > DVD+R
08/09/00 E Center Amphitheatre CDR/FLAC 2
08/11/00 Hersheypark Stadium CDR/FLAC 2
08/12/00 Tweeter Center CDR/FLAC 2 ALD>DAT>CDR(0)>CDR clone>EAC>.WAV>TLH>.FLAC>CEP (phase inversion right channel)>.FLAC
08/14/00 Meadows Music Theater CDR/FLAC 2 Source: DAT master > CDR > eac > flac Master: J.B. DPA4021 > PSP-2 > Sony M1
08/15/00 Performing Arts Center CDR/FLAC 2 Source: DAT master > CDR > eac > flac Master: F.Z. Sonic Studios DSM mics > Sony D8 DAT 15th row centre
08/17/00 Jones Beach CDR/FLAC 2 DM>CDR>EAC (secure mode) encoded in FLAC (Level 6) with FLAC Fronted + TLH md5 + Fingerprint
08/19/00 PNC Arts Center CDR/FLAC 2
08/20/00 Star Lake Amphitheatre CDR/FLAC 2
08/22/00 Chastain Park CDR/FLAC 2 DAT master > CDR Master: S.W. row U, DFC Schoeps MK4 (ortf) > KC5's > CMC6 > Sonosax > Sony D8
08/23/00 Alltel Pavillion CDR/SHN 2 CD-R->EAC->Wav->Mkw V.097 B1->SHN
08/25/00 Polaris Amphitheatre CDR/FLAC 2 Soundprofessional Cardiods>AIAWA AMF70>Adaptec Spin Doctor>AIFF>xACT>Flac
08/26/00 Pine Knob Music Theatre CDR/FLAC 2
08/28/00 Riverbend Music Center CDR/FLAC 2 CSB's 14th row centre Sony D8 DAT > CDR > CDR > flac EAC rip note: Problems secure ripping d2t01. Used burst mode and repaired a gap @ 3:55
08/29/00 Blossom Music Center CDR/FLAC 2
08/31/00 Molson Amphitheatre CDR/FLAC 2 Source: Cassette Master> transfer on stand alone CD recorder > copied to iMac G5 > minor editing with Audacity to rejoin two tracks (d1t09 and d2t09) > xAct 1.5 (for flac conversion/ md5 checksums & flac fingerprint)
09/02/00 New World Music Theater CDR/FLAC 2 DM > CDR > flac Master: S.B. FOB (section 103, row CC, seat 37) DPA4021 > EAA PSP2 > AB1000 > Sony M1
09/03/00 Marcus Amphitheatre CDR/FLAC 2 DAT master > DAT > CDR > flac Master: M.S. Soundprofessionals mics of unknown type.
09/06/00 Mesa Del Sol Amphitheatre CDR/FLAC 2 Lineage unknown>CD-R>EAC>FLAC
09/08/00 Idaho Center CDR/FLAC 2 Master: Kurt Schubert AT853 w/65hz bass roll-off filter > Sony M1 5th row DAT master > CDR > CDR > flac
09/09/00 The Gorge Ampitheatre CDR/FLAC 2 Master: Schoeps ccm4's > Aerco MP-2 > Sony SBM-1 > DATM ( Sony TCD-D8 ) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
09/11/00 Greek Theatre CDR/FLAC 2 Master: Schoeps ccm4's (from 4th row center) > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
09/12/00 Greek Theater CDR/FLAC 2 Master: Schoeps ccm4's (from 14th row center) > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
09/14/00 Greek Theatre CDR/FLAC 2 lineage: DAud DAT Master > VHS > DAT (44.1KHz) > WAV > SHN > WAV > Adobe Audition (see below) > WAV > FLAC - Downloaded this from an FTP server back in March 2001. - Adobe Audition used to make disks seamless, and fix quite a number of 'channels swaps'. A channel swap in Dance Dance Dance also caused a number of dropped samples, which I've repaired (or at least tried to). - Re-tracked the intro of d1t06 (Tonight's The Night) - There's a minor skip in d2t08 (Mellow My Mind) at 1:52 - Converted to FLAC, fixed SBEs. - This recording is pretty hissy, and there is some audience chatter here and there. (for example during: Buffalo Springfield Again, Razor Love)
09/22/00 Red Rocks Ampitheatre CDR/FLAC 2 Audience > ? > CDR > EAC > . wav > FLAC Frontend > FLAC > DVD+R
09/22/00 Red Rocks Ampitheatre CDR/FLAC 2 Master: Schoeps ccm4's (from 2nd row, in front of right PA stack) > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
09/24/00 Desert Sky Pavillion CDR/FLAC 2 DAT master > CDR > flac AT853's > Sony M1 Cowgirl In The Sand - last part spliced in from R.W. minidisk master Mellow My Mind - from different master: DPA4061 > Sony D8 w/Oade mod
09/27/00 County Bowl CDR/FLAC 2 DAT master > CDR > flac Master: C.C. CSB's mics.
09/28/00 County Bowl CDR/FLAC 2
09/30/00 Rose Garden CDR/FLAC 2
01/10/01 Warfield Theatre CDR/SHN 2 Lineage: unknown master > (probably audio cd > extraction) > audio cd > extraction w/ Roxio Toast on Mac G3 > shn > aiff > shn (Note: I shnned these back in 2001. For some reason I cant get the md5's from that to run, but the files all open properly, so I decoded and then re-encoded using XACT on a mac mini running OS 10.4.3 to get a current md5. extracted, shnned, and uploaded by John Siegel
01/11/01 Warfield Theater CDR/SHN 2 Lineage: unknown master > (probably audio cd > extraction) > audio cd > extraction w/ Roxio Toast on Mac G3 > shn > aiff > shn (Note: I shnned these back in 2001. For some reason I cant get the md5's from that to run, but the files all open properly, so I decoded and then re-encoded using XACT on a mac mini running OS 10.4.3 to get a current md5. extracted, shnned, and uploaded by John Siegel
01/18/01 Campo de Polo CDR/FLAC 1 Incomplete show; Lineage: AUD(1)>Philips FW790P >RCA Cables > Sony NH700 MD > Rca Cables > SB PCI 128 > Cool Edit Pro (Parametric EQ) > WAV > FLAC Frontend > FLAC (Level 8)
01/20/01 Cidade do Rock CDR/FLAC 2 Source: Audience > ? > CDR > EAC > . wav > FLAC Frontend > FLAC
03/01/01 Hollywood Palladium CDR/FLAC 1 "A Night For Gloria" (Benefit for drug counselor Gloria Scott) audience recording (unknown equipment): DAT master -> CDR -> EAC -> wav -> Adobe Audition * -> wav -> CD Wave Editor -> wav -> TLH -> flac * edits, fades, BBE Sonic Maximizer processing(settings: contour:1/process:2/output:-4)
04/21/01 Scott Stadium CDR/FLAC 1 8th Row Center Neumann TLM-170's>Schoeps VMS5u>Sony SBM-1>HHB PDR1000 Recorded And tranferred by Wklitz
06/09/01 Sheffield Arena CDR/FLAC 2 Master: Schoeps ccm4's > Aerco MP-2 > Sony SBM-1 > DATM (Sony TCD-D8) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
06/15/01 NEC Arena CDR/FLAC 2 Source: AUD Schoeps CCM4 > Aerco > SBM-1 > D8 Transfer: Sony PCM-R500 > MBOX > ProTools > xACT > FLAC(8) Taper: zuma11
06/16/01 Finsbury Park CDR/FLAC 2 Lineage Sonic Studios DSM mics > Sony D7 DAT machine... Tascam DA-20 Mk 2 DAT machine > HHb burnit CDr recorder...no EQ CDr > EAC > Traders Little Helper > Flac8 sector aligned
06/18/01 Flanders Expo CDR/FLAC 2 Source: Core Sound Binaural microphones + Sony TCD-D8 DAT recorder Recording: Young Dutch Master Transfer and editing by Reel Records A Reel Dutch Masters production for Reel Records using the Sonic Maximizer process. JvV-2001- 026 -a/b
06/20/01 Festhalle CDR/FLAC 2 DAT Master > CDR AT853 > Denecke AD20 > Sony M1 Master: KS FOB dead centre, 30 yards from stage CDR>eac>flac 2009 Note: Skips @ 1:12 in Gateway Of Love and @ 6:04 in Like A Hurricane It's on the original, not an exctracting error.
06/21/01 Ahoy Hall CDR/FLAC 2 Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x Maxell XL II S 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> equalization + processed with BBE D82 Sonic Maximizer >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
06/23/01 Arena CDR/FLAC 2 Recorded by Zuma11 and edited by Reel Records. Schoeps (TH) > Sony D8 > RR-Edit > JvV-2001-031-a/b A Hambone production for Reel Records using the Sonic Maximizer Process
06/24/01 Bercy CDR/FLAC 2 Recording & editing: Young Dutch Master Source: Core Sound Binaural microphones + Sony TCD-D8 DAT recorder ( I can not recal if I used the Core Sound Binaural mikes or the Sennheisser MKE 40/6 microphones as used by Reel Records) 2012 Transfer Sony ZA5ES > Edirol R09 > harddisk. Editing: Sound Forge 4.5 + several Plug Ins / Sonic Maximizer process. ( deleting of some clapping and nearby yelling, 3db volume boost on songs 6 - 11 on disc 1.) + Red Roaster Samplitude Studio V 5.58
06/26/01 Waldbuehne CDR/FLAC 2 SOURCE: Core Sound Binaurals > Sony TCD-D100 (~3 meters from right groundstack; mics plugged into line input) DAT > SHN conversion: DAT master on Sony TCD-D7 > Sony POC-DA12 > Midiman Delta DiO 2448 > Cool Edit Pro 1.2a > CDWAVE > MKW
07/01/01 Hartwall Arena CDR/FLAC 2 MiniDisc master > CDR > CDR > eac (no errors occured) > wav > flac(8) Master: A.M.
07/03/01 Globe Arena CDR/FLAC 2 Source: A GREAT audience recording, released on 'Like A Musical Ride' CDR (Piggham Records 101-102) Lineage: original CDR's > XLD (secure mode, cue, log) > FLAC (level 6) > ffp (xACT)
07/06/01 Stadtpark CDR/FLAC 2 Source: Sennheiser MKE 40/6 (2) + TCD D8 Location: Somewhere in the first 10 rows, left of center Taper: Reel Records Transfer: DAT > Pioneer D-05> DAL Digital Only > PC > WAV > flac Editing: Reel Records (Soundforge, Magix Samplitude, BBE Sonic Maximizer, sev. Plug-Ins > WAV > FLAC)
07/07/01 Messehalle CDR/FLAC 2 Core Sound Binaural microphones + Sony TCD-D8 DAT recorder Recording: Young Dutch Master Transfer and editing by Reel Records using the Sonic Maximizer process.
07/10/01 Montreux Jazz Festival CDR/FLAC 2 Source Info: okmIIr > a3 > d100 > HarBal 2.3
07/12/01 Coliseum CDR/FLAC 2 Test TAU Analizer: All tracks CDDA (Look Spectrum & Frequency files.) (Do not ask me, please. I do not understand that. I follow advices of Dime's mod.) Test Audiochecker: All files 100% CDDA (look AUCK.txt)
07/15/01 Circuito de Jerez CDR/FLAC 2 Location: first row, near left speaker Source: Original tape Basf CEII>CasioTP3>Audacity Tapers: Street Brothers Missing 4 of last 7 tracks
07/17/01 Théàtre Antique (a.k.a. "Roman Theatre") CDR/FLAC 2 Lineage: KM140 > SD-MP2 > SBM > D8 > CD-R Audio CDRs (Mitsui) rec'd in trade > EAC > HD (wav) > Trader's Little Helper (encoding level 8) > flac
07/19/01 JazzFest Wiesen CDR/FLAC 2
07/21/01 Piazza Napoleone CDR/FLAC 3 Equipment used : SONY WM-D6C - AIWA CN30 microphone - Analog Tapes = 2 x TDK SA 90 Lineage of transfer : by AV Analog Master Tapes>TECHNICS STEREO DECK 3 HEAD RS BX601>RCA COLD cable>M-AUDIO Audiophile firewire> FIREWIRE>PC>GOLDWAVE (24 bit 96 Khz)>Edits Cuts and fade in - out - Down Level of some claps , Resample at 16 bit 44.1 Khz (entire WAVE FILE)>MAGIX AUDIO STUDIO> processed with BBE D82 Sonic Maximizer >GOLD WAVE>Tracks splits>Encoded in Flac (level 6) with FLAC FRONTED + TLH Md5 & Fingerprint
07/22/01 Town Marketplace CDR/FLAC 2 Aiwa cm30-->sony d7...my aiwa was fixed to a pillar near the stage.. dat master-->marantz DR 700--> cdr-->EAC-->wav-->flac
07/24/01 Ahoy Hall CDR/FLAC 3
07/28/01 Fuji Rock Festival CDR/FLAC 2
09/29/01 Verizon Wireless Music Center CDR/FLAC 1 Source 1: Unknown AUD>CDR FROM TAPER>EAC>WAV>FLAC Source 2: Pre-FM Westwood One CD>CDR>WAV>Cool Edit Pro>WAV>FLAC
05/10/02 Fox Theater CDR/FLAC 2
05/18/02 Rock am Ring CDR/FLAC 2
05/21/02 Brixton Academy CDR/FLAC 2 Trade cd-r > EAC > Wav > TLH > Flac > Bittorrent > Dime > You
01/04/03 2003/2004 Encores compilation (Crazy Horse) CDR/FLAC 4 Master audience recordings > CD-Rs > EAC > WAV > Cool Edit > FLAC. Compiled by Shawn McCorkle
04/22/03 Cirkus CDR/FLAC 2
04/23/03 Oslo Konserthus CDR/FLAC 2 Location: Audience. 3rd row centre Source: CSB's (flat response, no bass roll-off) > Sony D7 DAT > Opcode DATPort > WAV Sample rate conversion, hard-limiting and eq with Cool Edit Pro wav > shn > flac
04/25/03 Grieghallen CDR/SHN 2 Source: Audience recording > Core Sound Binaural mics (flat response, no bass roll-off) > Sony D7 > DAT master > Opcode DATPort > WAV > Cool Edit Pro (sample rate conversion, normalization and eq) > SHN. Location: Audience. Front row centre
04/27/03 Falconer Salen CDR/FLAC 2 Source: Audience Recording Conversion: CDR -> wav -> mkw -> shn. -> wav -> Cool Edit Pro 2.0 -> mkwACT 0.97 B -> shn -> flac
04/29/03 Congress Centrum Hamburg CDR/FLAC 3 ***Revision A*** (see below) Aud: OKM/IIP > A3 > Sony D100 > CDR > SHN > WAV(edit) > SHN(seekable) > flac (not originally documented) taped 2nd row Edit by Timbo zumanyshn@yahoo.com 20-JUN-03
04/30/03 Tempodrom CDR/FLAC 2 Source: Audience > ? > CDR > EAC > .wav > FLAC Frontend > FLAC > DVD+R Quality: Very Good
05/01/03 Alte Oper CDR/FLAC 2 Source: Audience > ? > CDR > EAC > .wav > FLAC Frontend > FLAC > DVD+R Quality: Very Good
05/03/03 Teatro Smeraldo CDR/FLAC 2 recorded from 3rd row left, in front of the speakers with CORE sound binural mics + Sharp MD 831 -> Philips CDR 770 cd burner standalone -> cd audio -> extracted with EAC -> Nero equalize-> FLAC level 8 aligned on sector boundaries
05/04/03 Brucknerhaus CDR/FLAC 2 unknown lineage > Trade > eac (secure) > wav > flac (level8)
05/05/03 Philharmonie CDR/FLAC 2 Lineage Unknown > CDR > flac
05/07/03 Liederhalle CDR/FLAC 2 Aud: Soundman AKM III (?) -> Sony TCD-D100 ->Sony Digital I/O Adapter RMR-D100 -> Harddisc (mastered mit Wavelab - volume only)->CD taped 3rd row, seat 50
05/08/03 Heineken Music Hall CDR/FLAC 2 Shure MX185 mics --> SP-PREAMP --> Sony TCD-D100 DAT --(coaxial)--> M-Audio CO2 --(optical)--> Terratec EWX24/96 --> Cool Edit Pro 2.1 --> CD Wave --> Shorten 3.5.1 Taped from 16th row, dead center.
05/09/03 Kuppelsaal CDR/SHN 2 Source: Audience recording > DPA 4060's > DPA MPS6020 p/s > Sony SBM-1 > Sony TCD-D100 (floor, 6th row, ~5m from right hanging P.A.) > DAT > Sony PCM-R300 > coax > Midiman Delta DiO2448 > Cool Edit Pro v1.2a (resampling, fade in/out) > T-Racks 24 v2.0 (mastering) > CD Wave v1.6 (trackmarks) > mkwACT v0.97 b1 > SHN
05/11/03 Vicar Street CDR/FLAC 3 Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
05/12/03 Vicar Street CDR/FLAC 2 Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
05/13/03 Vicar Street CDR/FLAC 1 2nd second only; 1st set was released as Greendale bonus DVD. Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
05/17/03 Carling Apollo Hammersmith CDR/FLAC 2 lineage: ? -> CDR -> WAV -> MKW -> SHN -> FLAC
05/18/03 Carling Apollo Hammersmith CDR/FLAC 2 Master: Schoeps ccm4's > Aerco > DATM (Sony TCD-D8) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
05/19/03 Carling Apollo Hammersmith CDR/FLAC 3 Master : TH DM>D Track split whit CD wave edition Fade in e out whit Goldwave FLAC files encoded whit Trader's Little Helper 8
05/21/03 Apollo Theatre CDR/FLAC 2
05/24/03 Palais des Congres CDR/FLAC 3 Source: Sony ECM 727P mictophone > Sony TCD-D8 DAT recorder (due to technical problems with the Coresound binaural microphones which I used (1996 - 2007) I used this Sony microphone: I'm not unhappy with the result.) Transfer: Sony ZA5ES> optical cable > Creative Soundblaster Audigy soundcard > Soundforge 4.5 + SEKD Red Roaster (fading, removal of some clapping, overall Volume boost, Sonic Maximizer) Recorded from 2 Block B from right speaker stack Recording : Young Dutch Masters
06/09/03 St. Petersburg Times Forum CDR/FLAC 2 Lineage: ALD/SBD > D8 (listen box--from the parking lot) DAT > CDR > TheCommish, then: CDR > EAC > Wave files > Editing (see below) > FLAC Frontend > FLAC
06/11/03 Chastain Park Amphitheater CDR/FLAC 2 DAT master > CDR > eac > flac Taper: S.S. Sonic Studios DSM6 > Sony D8 DAT
06/13/03 Bonnaroo Music Festival CDR/FLAC 2 (Directly FOB ORTF)AKG 393’s>UA-5pmod>24/48(SF5.0)Toshiba Portege 3480>16/44(SF6.0)>CDWave Editor>Nero Captured Live and Domesticated by Rhys Herrmann
06/19/03 Marcus Amphitheatre CDR/FLAC 2 CoreSounds Cardiods with bass filter > D100 > CDR > EAC > flac
06/20/03 Target Center CDR/FLAC 2 DM > CDR > eac > flac(8) Main floor, row 12, center aisle. Unknown source/equipment
06/22/03 DTE Energy Music Theatre CDR 2
06/28/03 Mohegan Sun Arena CDR/FLAC 2 DAT master > CDR > eac > flac Master: F.Z. Sonic Studios mics > Sony D8
06/29/03 Jones Beach CDR/FLAC 2 DAT master > CDR > eac > flac Master: F.Z. Sonic Studios mics > Sony D8
07/18/03 Shoreline Amphitheatre CDR/FLAC 2
07/20/03 Chronicle Pavilion at Concord CDR/FLAC 2 Source: DM > CDR > eac > flac(8) Neumann KM54 > D8 Taper: K.P.
07/25/03 Greek Theatre CDR/FLAC 2
07/26/03 The Joint - Hard Rock Casino CDR/FLAC 2
07/29/03 Red Rocks Amphitheatre CDR/FLAC 3 Master: AKG CK91 caps > JK Labs ECMS > DATM (Sony TCD-D8) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
07/30/03 Red Rocks Ampitheatre CDR/FLAC 3 Master: AKG CK91 caps > JK Labs ECMS > DATM (Sony TCD-D8) > CDR CDR>FLAC Transfer: CDR > MacBook Pro > AIFF > xACT (V. 1.62) > FLAC
08/09/03 Starlight Theatre CDR/FLAC 2 DAT master > CDR > CDR > eac > flac Unknown taper/equipment
08/10/03 UMB Bank Pavilion CDR/FLAC 3 DAT master > CDR. Unknown taper/equipment.
08/31/03 Jazz Aspen Snowmass CDR/FLAC 2 Powderfinger - missing Love And Only Love - missing Rockin' In The Free World (missing intro)
09/09/03 Verizon Arena CDR/FLAC 2
09/13/03 Taj Mahal Arena CDR/FLAC 3 source: cds in a trade > eac > wav > flac
09/19/03 San Diego Sports Arena CDR/FLAC 2 DAT master (unknown mics/equipment) > CDR > eac/flac Master: B.R.
09/28/03 Crossroads Meadow - Firestone Vineyards CDR/FLAC 1 Neil Young set only; Primary source: recording: Schoeps CMC641 > Sonosax > D8 (two rows from the stage - right hand side - in reserved section). transfer: Tascam DA-P1 > SPDIF > MOTU > firewire > Sony VAIO > Vegas 3.0 > CDWave > CDR Three skips and a few flaws repaired using a different source: recording: Schoeps CCM4 > Aerco > SBM1 > D8 (stage left, about five rows from left stack). mastering: Audiomedia III > Pro Tools > Adaptec Jam > Plextor > CDR Editing: levels, eq, BBE Sonic Maximizer (only Neil Young's set), clicks, pops and annoyances removed (if possible), skips and flaws repaired with careful splicing: EAC > Cool Edit > CD Wave > shn > Fireburner > LiteOn LTR 48246S > CDR.
11/06/03 Hong Kong Harbour Festival CDR/FLAC 2 Audience digital master tape>cdr>cdr(my digital copy)>xACT>flac
11/10/03 Osaka-Jo Hall CDR/FLAC 3 Source: "Hide" recording Equipment: COS-11PTs > CPS161(Pre amp) > TCD-D100 (16bit/44.1kHz) Lineage: DAT master > DTC-ZE700 > RPD-500 > CD-Rs > PC(WAV) > TLH > FLAC (level 6)
11/12/03 Sun Palace Hall CDR/FLAC 2 Excellent audience recording by RideMyLlama Transfer: AT853 mic's>DAT>Soundforge 4.5 for slight editing>CD Wave Location: 6th row right PA Stack Originally extracted to HD using EAC (secure mode) and compressed using FLAC level 6.
11/14/03 Nippon Budokan Hall CDR/FLAC 2 Recording Info : 1st Balcony 3rd Row Dead Center Sennheiser MKE 40-60 > SONY TCD 8 (16 bit/48kHz) > DAT Master (Maxell DM 180) Transfer Info : DAT Master (TASCAM DA-P1) > Coaxial Cable > Marantz PMD 661 > USB > PC > AudioGate (16 bit / 44.1kHz) > WAV > xACT > FLAC 8
02/19/04 Queen Elizabeth Theater CDR/FLAC 3 Origin: Audience recording Source: Trade Lineage: A) Schoeps MK4 > Sonosax SX-M2/LS > M1 DAT > CDRW700 > EAC > CDWAV > CDR B) CDR > EAC > WAV > TLH > FLAC
02/20/04 Rose Garden Arena Theater in the Clouds CDR/FLAC 2 Nakamichi CM-300's>D8 2nd Row, 300 level, Center Taped & Transferred by Chris McGrath
02/23/04 Memorial Auditorium CDR/FLAC 3 Source: Neumann KM140's -> SD-MP2 -> SBM1 -> D8 Lineage: DAT master > optical > HHb CDR-830 > EAC > WAV > CDR > EAC > WAV > FLAC > AUD
02/24/04 Shrine Theater CDR/FLAC 3 Location: row 16, right stack Lineage: AT853 mics -> Sony M1 DAT (Line In) -> WAV -> shntool (fix boundaries) -> FLAC Taper: a Northern Californian Rustie
02/28/04 Tingley Coliseum CDR/FLAC 3 Location: row 4, center Lineage: CSB > Sony D8 > Sony DGD120P > optical Tascam > WAV > Fujifilm CDR > EAC > CoolEdit (recut) > FLAC
02/29/04 World Arena CDR/FLAC 3 Lineage: AKG CK91s -> D8 -> CDR trade > EAC > WAV > TLH > FLAC
03/02/04 Milwaukee Theatre CDR/FLAC 3 lineage: main floor behind board -> DAT -> CDR -> CDR -> EAC -> Adobe Audition (recut) -> FLAC
03/04/04 Rosemont Theatre CDR/FLAC 3 Source: audience recording (unknown equipment) Lineage: Digital master > CDR > EAC > wav > TLH > flac
03/05/04 Rosemont Theatre CDR/FLAC 3 Source: audience recording (unknown equipment) Lineage: Digital master > CDR > EAC > wav > TLH > flac
03/07/04 Mark Of The Quad Cities CDR/FLAC 3 Source: Audience (row 4, seat 15) Equipe: Coresound Binaural Mics > Bass Roll-off Filter > Sony D100 DAT Lineage: Master DAT > digital > Tascam Standalone > CDR > Normalization + split with CDWAV > CDR 3CD > EAC > WAV > FLAC
03/11/04 CSU Convocation Center CDR/FLAC 2 Location: 6th row center section floor, left side facing stage Lineage: CSB > roll-off filter -> M1 DAT -> CDWave -> WaveLab -> CDR -> EAC -> WAV -> FLAC
03/12/04 GIANT Center CDR/FLAC 3 Digital master > CDR > EAC > wav > TLH > flac
03/15/04 Oakdale Theatre CDR/FLAC 3 audience recording (unknown equipment) Digital master > CDR > EAC > wav > TLH > flac
03/17/04 Radio City Music Hall CDR/FLAC 3 Audience recording. Location: 5th row, right Recording: Schoeps CCM4's > Billbox > M1 DAT Mastering: M1 DAT > LynxOne Card equipped with XLR digital input (custom built 7 pin > XLR cable from the M1) > dedicated mastering computer > Sound Forge (indexing) > CD Architect software > Plextor Plexwriter 12/4/32 SCSI burner > Mitsui discs > EAC > CoolEdit (recut) > FLAC (PS at this time no mastering info is know from DAT to CD..) Lineage: CDR > EAC > WAV > TLH > FLAC
03/18/04 Radio City Music Hall CDR/FLAC 3 DAT master > CDR > eac > flac(8) Master: F.Z. DPA4061's
03/20/04 Radio City Music Hall CDR/FLAC 3 Lineage: Sonic Studios > DAT > ? > CD > EAC > CoolEdit (recut) > FLAC
03/21/04 Mullins Center, University of Massachusetts CDR/FLAC 2 Audience. Location: front row, far left side Lineage: CSB > M1 > Tascam DA20MKll > Tascam CD RW-5000 > EAC > CDR > EAC > WAV > FLAC (level 7)
09/15/04 Berkeley Community Theatre CDR/FLAC 1 lineage: Schoeps CCM4 -> Aerco -> SBM1 -> D8 -> WAV -> CoolEdit -> FLAC
09/17/04 Cowichan Theatre CDR/FLAC 1 lineage: AT853 > DAT > WAV > CoolEdit (levels, clicks) > FLAC
09/18/04 White River Amphitheatre (Farm Aid) CDR/FLAC 2 Source: Audio Technica 853's > SP Battery Box (16hz-no rolloff) > Sony M1 DAT (44.1khz) Left Section 100 level, row 12. Transfer: Sony M1-> Delta Dio 24/96 via Core Sound 7Pin Coax Cable-> Soundforge 5.0 Pro (No Resampling)-> CDWave for track splits-> FLAC
10/15/04 Century Plaza Hotel CDR/FLAC 1 w/ Paul McCartney
08/18/05 Ryman Auditorium CDR/FLAC 2
10/18/07 Velma Morrison Center CDR/FLAC 2 Lineage: source: Schoeps > Nbox > Edirol R-09 at 16bit/44.1k transfer: Soundforge> flac DFC close to stage
10/20/07 INB Performing Arts Center CDR/FLAC 2
10/22/07 Keller Auditorium CDR/FLAC 2 Lineage: Neumann KM140s (fob/main floor) > SD-MP2 > SBM1 > TCD-D7 > DAT > HHb CDR830 > EAC/wavlab > FLAC
10/23/07 WaMu Theatre CDR/FLAC 2 Source: Countryman Isomax II (Cardiods) -> Denecke PS-2 -> Sony PCM-M1 (Taped from the 8th row, directly in front of the left stacks) Transfer: DAT MASTER -> Tascam DA-20 MK-II -> Coax -> Phillips PDR555-RW -> .WAV (Ripped via Foobar 2000) -> .FLAC
10/30/07 Nokia Theatre CDR/FLAC 2 DSM6 -> PACLC -> M1 DA20 -> CDRW700 -> EAC -> Soundforge -> FLAC Frontend Level 8
11/02/07 Nokia Live Theater CDR/FLAC 2 Source: Core Sound HEB's (DPA 4061)>Sony D8 DAT (Master/transfer: B.R.) Lineage: CD-R's in trade from the taper>eac>wav>Adobe Audition/CDWav*>flac(8)
11/05/07 Wells Fargo Theatre CDR/FLAC 2 Schoeps mk4 caps> active cables> N box> Sound Devices 722 Recorded and FLAC'ed by Remnant
11/06/07 Wells Fargo Theatre CDR/FLAC 2 Lineage: Edirol R-09 > ? > Flac > WAV > Flac Recorded from 2nd Row right side of stage with Edirol R-09 by Duckman2
11/08/07 Northrop Auditorium CDR/FLAC 2 Source: DPA 4061s > DPA MMA6000 > Edirol R-09 (24/48). Recorded from Main Floor sec 3 row 23 seat 9. Transfer: R-09 > USB > CDWave (tracking and resampling) > FLAC16
11/10/07 Fox Theater CDR/FLAC 2 Notes on Sound Quality: Very good audience recording Lineage: Recorded w/CSB -> M-Audio Microtrack 24/96 -> USB -> Cool Edit -> WAV -> FLAC 16 Bit Version
11/12/07 Chicago Theatre CDR/FLAC 2 Source: Schoeps MK4 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz) Transfer: R-09 > USB > Adobe Audition (normalizing, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8)
11/13/07 Chicago Theater CDR/FLAC 2 Notes on Sound Quality: Excellent audience recording Lineage: source: sonic studios dsm-6s> zefiro> iriver H120 transfer: iriver H120> usb>audio cleaning lab> flac level 6 location: just right of center 2nd row of loge
11/15/07 DAR Constitution Hall CDR/FLAC 2 Recording notes: Source/lineage: Unknown>CDR>eac>wav>flac8 Recording notes: Edits between songs in acoustic set Skips at the beginning of From Hank To Hendrix
11/16/07 DAR Constitution Hall CDR/FLAC 2 Recording notes: Source/lineage: Unknown>CDR>eac>wav>flac8 Recording notes: Edits between songs in both sets The Loner missing
11/18/07 The Fabulous Fox Theatre CDR/FLAC 2 Notes on Sound Quality: Excellent audience recording (despite a couple of persistent coughers/sneezers nearby) Lineage: Source: CSBs (with battery box) > Edirol R-09 > Sound Forge 8.0d > CD Architect 5.2 > EAC > FLAC (8)
11/26/07 Massey Hall CDR/FLAC 2 Notes on Sound Quality: VG+ audience recording (Massey's acoustics make this one sound somewhat distant and boomy) Lineage: Church Audio B-99A > iRiver H320 (Rockbox) > Pc > Soundforge 7 & cdwav for editing and fades etc... Recorded & processed by BurnBoy
11/29/07 Massey Hall CDR/FLAC 2 Notes on Sound Quality: EX audience recording Lineage: Core Sound HEB > R-09 > Pc Soundforge 7 & cdwav for editing and fades etc... Recorded & processed by BurnBoy
11/30/07 Shea's Performing Arts Center CDR/FLAC 2 Notes on Sound Quality: GD audience recording Lineage: Cassette Master > Nakamichi MR-2 cassette player > MacBook Pro > CD Spin Doctor 3.0.2t > xAct 1.5 (for flac conversion/ sector boundary check/ md5 checksums & flac fingerprint) Recorded by Keef The Human Mic Stand using SONY D6 stereo cassette recorder and Sony ECM-929 stereo microphone from various locations in the balcony
12/02/07 Orpheum Theater CDR/FLAC 2 Notes on Sound Quality: EX audience recording Lineage: Csource: Schoeps > Nbox > Edirol R-09 at 16bit/44.1k Transfer: Soundforge> flac
12/03/07 Orpheum Theater CDR/FLAC 2 Notes on Sound Quality: EX+ audience recording Lineage: source: Schoeps > Nbox > Edirol R-09 at 16bit/44.1k Transfer: Soundforge> flac Location: Very close To Stage
12/06/07 Orpheum Theatre CDR/FLAC 2 Notes on Sound Quality: EX audience recording Lineage: source: ? Location: 3rd row, center
12/07/07 Chevrolet Theater CDR/FLAC 2 Location: about 10 rows back and straight on with one of the monitors.
12/12/07 United Palace Theatre CDR/FLAC 2 Notes on Sound Quality: EX+ audience recording Lineage: Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. Location: Recorded from the 8th Row, Right of Center, 6 Rows FOB.
12/13/07 United Palace Theatre CDR/FLAC 2 Lineage: source : schoeps mk-4 > actives > nbox+ > korg mr-1 dsd recorder (dff 1 bit/2.8mhz) macintosh > audiogate 1.0.1 > 16/44 wav > dsp-quattro x (volume,tracking & fades) > xACT 1.59 > flac taper : edtyre
12/15/07 The United Palace Theater CDR/FLAC 2 Lineage: source: schoeps mk-4 > actives > nbox+ > korg mr-1 dsd recorder (dff 1 bit/2.8mhz) macintosh > audiogate 1.0.1 > 16/44 wav > dsp-quattro x (eq,volume,tracking & fades) > xACT 1.59 > flac
12/16/07 United Palace Theatre CDR/FLAC 2 Notes on Sound Quality: EX+ audience recording Lineage: source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8)
12/18/07 United Palace Theatre CDR/FLAC 2 Notes on Sound Quality: EX+ audience recording Lineage: source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8)
12/19/07 United Palace Theatre CDR/FLAC 2 Notes on Sound Quality: EX+ audience recording Lineage: source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8) torrented by zuma11 (2007) *due to noisy late arrivers and problems with seat homesteaders the first half of Sad Movies is from edtyre's alternate source: source : schoeps mk-4 > actives > nbox+ > korg mr-1 dsd recorder (dff 1 bit/2.8mhz) macintosh > audiogate 1.0.1 > 16/44 wav > dsp-quattro x (volume,tracking & fades) > xACT 1.59 > flac taper : edtyre
02/14/08 Le Grand Rex CDR/FLAC 2 Crystal Cat boot Superb audience recording Silver CDs > EAC > wav > FLAC 8
02/17/08 RAI Theater CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Edirol > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster
02/18/08 RAI Theater CDR/FLAC 2 Equipment: Edirol R-09 + Sound Professionals SPS-cmc-8 microphones Edirol > digital transfer > harddisk. Editing: Redroaster 4.5 + plugins Due to a very loud clapper in front of the microphones I used the 'Click and Crackle removal'to delete him from the recording. Graphiq fading on all the applause parts between songs to make it listenable. Recording: Old Dutch Master Editing: Young Dutch Master
02/24/08 Teatro degli Arcimboldi CDR/FLAC 2 Taped by LC Editing & Track split by LC DAT recording
02/26/08 I.C.C. Saal 1 CDR/FLAC 2 Recording Info: SP-BMC-12 (AT) >SP-SPSB-8 >M-Audio Microtrack 2496 USB > WAV > Adobe Audition (EQing) > CDwave (tracking) > FLAC frontend (level 8, verify, with align on sector boundaries)
02/29/08 Falconer Salen CDR/FLAC 2 Source: Schoeps MK41 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz) 7th row, dead centre. Transfer: R-09 > USB > Adobe Audition (level adjustments, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8)
03/05/08 Hammersmith Apollo CDR/FLAC 3 Source: Schoeps MK4 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz) Transfer: R-09 > USB > Adobe Audition (mastering w/ Waves L3, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8)
03/06/08 Hammersmith Apollo CDR/FLAC 2 source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/48k transfer: Pro Tools > 16bit/44.1k > xACT1.5b3 > flac(8)
03/09/08 Hammersmith Apollo CDR/FLAC 2 Schoeps MK4 > Actives > Nbox+ > Edirol R-09 (24bit/44.1kHz) Transfer: R-09 > USB > Adobe Audition (mastering w/ Waves L3, fade i/o, dithering to 16bit w/Ozone Mbit+) > CD Wave (tracking) > flac (level 8)
03/11/08 Apollo Theatre CDR/FLAC 2 Source: DPA 4060(SP-SPSB-8 battery box)>Microtrack Lineage: Microtrack>[USB]>Wavelab>CDWave>FLAC Taper: Yousef
07/08/08 Arena CDR/FLAC 2 Recorded by zuma 66 Lineage: M-Audio Microtrack 24/96 > Microphone Core Sound whit Battery box CompactFlash card reader > PC > WAV editing with goldwave > Traders Little Helper level 8 Recording & editing: Zuma66
07/09/08 Koenig-Pilsener-Arena CDR/FLAC 2 Recorded by zuma 66 Lineage: M-Audio Microtrack 24/96 > Microphone Core Sound whit Battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity beta 1.3 Traders Little Helper level 8 Editing: Zuma66 Recorded right of stage sitting place
08/15/08 Parc Des Expositions CDR/FLAC 2 CC Silver discs < Audiograbber < TTL (wav<FLAC - checksum file) "Big Moon Over Colmar" CC 915-16
08/17/08 Lovely Days Festival CDR/FLAC 2 Source: SP-CMC-u4 >SP-SPSB-10 >iRiver H120 (rockbox)...and Beer ;-) Transfer: H120 >USB >PC >CDwave >FLAC Taped&Transfer: Die/Wal
11/01/08 Reno Events Center CDR/FLAC 2 source : Schoeps CCM4 > Sonosax M-2 > Edirol R-09 (24/48 down to 16/44.1) taper : calrust
12/13/08 DCU Center CDR/FLAC 2 Source: Audio Technica at853rx(card caps) > Beyer MV-100 > Zoom H-4 @ [16/44.1] FOB 30” from stage center Mastering in WaveLab with Nomad Factory Mastering Plugins > CD Wave > TLH > Flac
12/15/08 Madison Square Garden CDR/FLAC 2 source : schoeps mk-41> actives > nbox > edirol r-09 > 24/44.1 wav > adobe audition > ozone 5 > xACT 2.20 > flac 24 taper : edtyre
12/16/08 Madison Square Garden CDR/FLAC 2
01/16/09 Mt Smart Stadium CDR/FLAC 2 Lineage: Giant Squid mics/9V battery box/Edirol R-09 @24bit/44.1/PC/Audicity > Normalise & convert to 16bit/ Flac 8/you Recorded by Fenderboy
01/18/09 Parklands, Southport CDR/FLAC 2 "audiowhore recording" taping = SP-CMC-8 mics > Samson PM-4 > Sony MZ-NH1 Hi-MD transfer = Sony mds-je780 > Soundblaster Premium HD > Adobe Audition > FLAC > Dime Taped from inside the D-barrier, but up the back close to the sound desk. Minimal crowd noise, mics had foam protectors for the wind but sound a little swirling at times (outdoor festival and all). Neil was the headline act for the 2009 Big Day Out festival across Australia and New Zealand. See- http://bigdayout.com/vault/2009 From memory his slot was 9-10.30pm, the last act on the main stages. Arctic Monkeys were on beforehand. It seemed that Neil enjoyed the festival shows on this short tour more than his side-shows. Young crowds jumping around and other acts showing him love as opposed to 'oldies' sitting in their chairs with arms folded...
01/21/09 Brisbane Entertainment Centre CDR/FLAC 2 "audiowhore recording" SP-CMC-8 mics > Samson PM-4 > Sony MZ-NH1 Hi-MD > Adobe Audition > FLAC Taped from the back of the floor, left side of the sound desk. Very quiet crowd around me throughout, one of my best sounding recordings ever. The sharing of a video from this show here last week has inspired me to dig out this tape. This version is a new 2012 transfer using upgraded equipment so it should sound better than the previous version.
04/10/09 Metro Centre CDR/FLAC 2 Source: Microtrack T mic (Sect 32-Row Q-Seat 6) > Microtrack 2 (24bit) Lineage: Microtrack 2 > USB > Soundforge v6.0(Fades,16bit,EQ) > CD Wave Editor v1.76 > shorten-3.5.1 > shn > aiff > xACT > flac
04/22/09 Prospera Place CDR/FLAC 2 Schoeps>Nbox>Edirol R-09>Soundforge for slight editing
04/25/09 Enmax Centre CDR/FLAC 2
05/03/09 Jazzfest Fair Grounds - Acura Stage CDR/FLAC 2 Lineage: Zoom H4 Digital Recorder > Sandisk 2G Soundcard > PC > Protools (Used for converting audio into WAV files (48 HZ, 24 bit stereo), smoothing and breaking into tracks) > 48 HZ WAV Files > Flac > Flac files posted to IDisk > Downloaded Files From I Disk > HD > TLH, Decode Flac Files > 48 HZ WAV (24 Bit) > Goldwave, Batchprocessing > 44.1 KHZ WAV (16 bit) > Flac Frontend, Encoding Options, Level 8, Align On Sector Boundaries > Flac (All Tracks Tested With TLH, No Errors Occurred) Original Taper: Amdewstu Recorded from the 1st row of the VIP section, dead center stage.
06/03/09 Le Zénith CDR/FLAC 2 Lineage: Sony TCD-8 + unknown type of Sony microphone DAT > CDR > Harddisk > Soundforge + SEKD Red Roaster > Traders Little Helper > FLAC Editing: A lot of clapping near the taper removed as much as possible. BBE maximizer process. Recording : XP from Paris Editing: Young Dutch Master
06/04/09 Le Zénith CDR/FLAC 2
06/06/09 Sportpaleis CDR/FLAC 2 Lineage: zoom H-2 (thanks LC) whit his microphones > CompactFlash card reader > PC > WAV editing with goldwave > flac level 8
06/09/09 Messehalle CDR/FLAC 2 Source: SP-CMC-u4 >SP-SPSB-10 >iRiver_H120 (rockbox)...NO Beer ;-( Transfer: H120 >USB >PC >CDwave >FLAC Taped&Transfer: only -> Wal
06/11/09 Frognerbadet CDR/FLAC 2
06/16/09 O2 World CDR/FLAC 2 Source: Zoom intern mics, player in the top pocket Front of stage center Transfer: Flacs sending from the taper, I was standing right beside him Device1_ Zoom Micro1_ intern Taper_ Erk Rec-Mode_ WAV 16bit-44.1kHZ
06/21/09 The O2 CDR/FLAC 2 Source info: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Lineage: Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer and overall volume boost. Recording & editing: Young Dutch Master Location: In front of the left speaker stack.
06/23/09 Trent FM Arena CDR/FLAC 2 Source info: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Lineage: Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer and overall volume boost on acoustic set Recording & editing: Young Dutch Master Location: Front row, left from the centre, microphones directed to the speakers at the front of the stage.
05/18/10 Palace Theatre CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: loud and nearby clapping and yelling has been removed , 6db volume boost on the acoustic songs, BBE Maximizer. Recording & editing: Young Dutch Master
05/19/10 Shea's CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some clapping has been faded, BBE Maximizer. Recording & editing: Young Dutch Master
05/23/10 Oakdale Theatre CDR/FLAC 2 Location: Left stack reserved seating Source: Schoeps>Nbox>Edirol R-09>Soundforge for slight editing
05/26/10 Palace Theatre CDR/FLAC 2 Source: Core Sound Binaural mics (Bass Filter On) > Sony D8 (Row M, Right side) Transfer: DAT > Sony Standalone CD Burner > dbpoweramp (FLAC-level 8) > Trader's Little Helper (FFP)
06/05/10 Bass Concert Hall CDR/FLAC 2
07/29/10 Northrop Auditorium, Univ. Of Minnesota CDR/FLAC 2
09/26/10 Saenger CDR/FLAC 2 Location: loge,right. In front of right hanging stack. Source: SP-CMC-8( Audio Technica cards) >SP-SPSB-6(power, line in)>Edirol R-09HR@24/48wav Transfer: USB>Computer> 16-bit resample/dithered CEP> CDwav(tracking)>flac L8 >Traders Little Helper Recorded, Tracked and Flac'ed by KooterB Tweaks: Loud clapping and yelling between songs was lowered, then entire wav was amplified in CEP@24bit.
04/15/11 The Durham Performing Arts Center (DPAC) CDR/FLAC 2
04/17/11 Landmark Theater CDR/FLAC 2 Peaks reduced at 1:45, 3:24, 35:21, 42:55, 43:56, 1:32:57-1:32:58. Clapping reduced from 1:24:21-1:24:36. The "coda" part of Cinnamon Girl amplified -1db due to crowd.
04/25/11 Avery Fisher Hall CDR/FLAC 2 Recorded from Center Orchestra Row HH. Core-Sound High-End Binaurals (DPA-4060's) - Sony PCM-M1 DAT - OPtical Link - Philips Stand Alone CD Burner - Gold Wave used to patch in 48 seconds from TaperAdvocat's 3rd Row recording, reduce oversaturated portions of Hitchhiker and Cinnamon Girl, pop/click reduction to make closeby clapping less intrusive, and other assorted magic to make a Frankenshow matrix recording to sound as close as possible to the acoustics of Avery Fisher Hall for this particular performance - Sweet, Sad, and Sonically Spectacular!
05/01/11 Tower Theatre CDR/FLAC 2 source : schoeps mk-4 > actives > nbox plus > m1 dat > cdr xACT 2.12 > wav > xACT 2.12 > flac
05/07/11 Chicago Theatre CDR/FLAC 2 Mics: DPA 4022 Recorder: Sound Devices 722 Location: Center left 22 rows in front of stage. Recorded @: 24 bit 44.1K frequency recorded Dithered to 16b using Izotopes Advance FLAC to you guys
08/05/12 Red Rocks CDR/FLAC 2 Source - Olympus LS-10 (16 bit - 44 kHz) -> SD card -> Nero Wave Editor -> CD Wave Editor -> Traders Little Helper -> Flac
08/06/12 Red Rocks Amphitheatre CDR/FLAC 2 Source - Olympus LS-10 (16 bit - 44 kHz) -> SD card -> Nero Wave Editor -> CD Wave Editor -> Traders Little Helper -> Flac Recorded from 4th row, stage left
08/09/12 Harveys' Outdoor Amphitheatre CDR/FLAC 2 DPA 4061's >SP-SPBB10>Sony PCM M-10 @ 24/44.1 50 feet away , 15 feet left of center M-10>Goldwave>Soundforge 9.0>CDWave>TLH
08/10/12 Golden Gate Park CDR/FLAC 2 Source: Schoeps CCM4 > Naiant Tinybox > PCM-M1 DAT > HHB > CDR > AIFF Transfer: AIFF > ProTools (slight retracking) > xACT 2.20 > flac(8)
09/29/12 Global Citizen Festival 2012, Central Park Great CDR/FLAC 1 Source: Palladia HD Broadcast > Harman Kardon CD Burner (Optical) > dbpoweramp (16/44 WAV) Transfer: PC > Audacity (Edits, Fades, Amplify, Tracking) > T.L.H. (FLAC 8, FFP)
10/03/12 WFCU Centre CDR/FLAC 2 Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz) Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.20 > flac(8) Taper: AM
10/03/12 WFCU Centre CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer Recording & editing: Young Dutch Master Sound is excellent. Recorded, under the left speaker stack
10/05/12 KRC CDR/FLAC 2 CAFS> CA-9100> Edirol-09HR (24bit/96kHz)>Sound Forge 10 (eq & limit),tracks & fades, dither & resample to 16bit/44.1kHz> TLH (flac)
10/05/12 KRC CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer Recording & editing: Young Dutch Master Sound is excellent. Recorded, from section 113, near the left speaker stack
10/06/12 Budweiser Gardens (John Labatt Centre) CDR/FLAC 2 Source: Edirol R-09 Version 3.01 digital recorder with two Core Sounds Hi-end binaural microphones > iMac > CD Spin Doctor 3.0.2t > Toast 10 Titanium > CD > xAct 1.5 (for flac conversion/ sector boundary check/ md5 checksums & flac fingerprint) Recorded by The Axis from General Admission Floor, standing quite close to the stage.
10/06/12 Budweiser Gardens (John Labatt Centre) CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer Recording & editing: Young Dutch Master
10/08/12 Wolstein Center, Cleveland State University CDR/FLAC 2 Source: Core Sound HEBs (dpa 4061s) > Core Sound Battery Box (Bass Filter On) > Sony PCM-M10 (@24/44) (GA Floor @ 2/3 back, FOB) Transfer: PC > Audacity (Edits, Fades, Bass Boost, Amplify, Tracking, >16/44 WAV) > T.L.H. (FLAC 8, FFP)
10/09/12 Peterson Events Center CDR/FLAC 2 Taper: ninjadave Mastering: ninjadave Artwork: Cameraeye_34 Location: Floor GA, 25 Feet in front of Soundboard, DFC Config: Audience stealth - Mics mounted up high Source: Milab VM-44 Link Cardioids [pair] ~> Marantz PMD661 (Oade CM) [Mic in ~ P48 ~ WAV 24bit/44.1kHz] Conversion: Audience Digital Master ~> PC ~> Audio Editing ~> Dither to 16bit ~> CDwav for Tracking ~> FLAC
10/11/12 United Center CDR/FLAC 2 Taper: Alzeppelin Location: Section 204 Club Level Gear: Coresound CSB Mics > Bass Roll-off box > Tascam DR-2D 16/44 Transfer: Tascam DR-2D > USB > Cooledit Pro (EQ and Normalize levels) > CDWav > Traders Little Helper FLAC Level 8
10/14/12 Tulsa Convention Center CDR/FLAC 2 Source: Schoeps MK4 / CMR > Naiant Tinybox > Sony PCM-M10 @ 48 kHz / 24-bit Lineage: 48/24 WAV > Audacity 2.0.0 (split tracks, resample to 44.1 kHz, dither to 16-bit) > Traders Little Helper (convert to flac - level 8)
10/17/12 Hollywood Bowl CDR/FLAC 2 Source info: AT853 hypers(4.7k mod)>CA-9100>Sony PCM-M10(24/96)>Adobe Audition 3(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac Taper: David Sell(Falconidave) Location: Section G2
10/20/12 Shoreline Amphitheatre CDR/FLAC 1 Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: Section 102 Center-Nice recording Recorded By: ridemyllama
10/21/12 Shoreline Amphitheatre CDR/FLAC 1
10/25/12 Tuscaloosa Amphitheater CDR/FLAC 2 Location: second row stage left of center Source - Edirol R-09 (WAV 16 bit - 44 KHz) -> Audacity for editing -> Flac
11/10/12 Key Arena CDR/FLAC 2 Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: immersed in right stack Recorded By: ridemyllama
11/11/12 Rogers Centre CDR/FLAC 2 Taper: LeifH Source: CSBs (filter) > Sony WM D6C (Dolby B) > Maxell MX 110 (x2) Transfer: Master cassettes > Modified Sony TC-WE475 (Dolby off; azimuth adjusted) > H/K 3500 > Creative X-Fi Soundblaster > Wavepad Master's Edition @ 48000kHz (edits, tracking, downsample to 16/44.1) > flac (8) via Frontend
11/13/12 Scotiabank Saddledome CDR/FLAC 2 Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 4.5 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: left stack Recorded By: ridemyllama
11/14/12 Credit Union Centre CDR/FLAC 2 Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: immersed in right stack Recorded By: ridemyllama
11/16/12 MTS Centre CDR/FLAC 2 Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > Wavlab 6.0 saved to 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: right stack
11/19/12 Air Canada Centre CDR/FLAC 2 Source: SP-CMC-8 (Cards) > R-05 > 24-96 > Soundforge 10 > 16-44 > Cdwav > Flac 8. Recorded & Edited by BurnBoy
11/20/12 Memorial Auditorium CDR/FLAC 2 Memorial Auditorium, Kitchener, ON - Audience(Master) Source: SP-CMC2's-> Edirol R-09 (24/48 bit)-> Digital Performer-> (16/44.1 bit)-> xACT-> FLAC 8 Recorded: Section Red 6 Taper: SHEFF
11/24/12 Scotiabank Place CDR/FLAC 2 source 1: SP-CMC-4U >CA STC-9000 Pre-Amp >Edirol R-09 at 16/44.1 >USB >Sonic Foundry 16 bit/41.1>Sonic Foundry edit> FlacFrontend source 2: (encore) mic: ECM-719 > Sony MZ-RH10 > Sony 1GB HD MD >USB > SonicStage > WAV >Sonic Foundry edit > shntool > FLAC
11/26/12 TD Garden CDR/FLAC 2 Recorded and transferred by musicjaime Club Seats stage left close to stage Sony ECM907 stereo mic -> Edirol R09 -> Sound Forge (normalized) -> FLAC
11/27/12 Madison Square Garden CDR/FLAC 2 Lineage: Stealth recorded and minimally produced by mrsaureus, standing center floor thirty feet back from the stage. Core-Sound High End Binaurals (DPA-4060 capsules) to Sony PCM-M10 (48 kHZ, 24 bit), WavePad Sound Editor to chop and FLAC only.
11/29/12 Wells Fargo Center CDR/FLAC 2 source : schoeps mk-4 > actives > naiant tinybox > sony pcm-m10 > 24/96 wav > adobe audition > ozone 5 > korg aqua > xACT 2.20 > flac 15 taper : edtyre location : floor - 30 feet from right side stac
11/30/12 Patriot Center CDR/FLAC 2 Recorded full econo-mode, straight to Edirol R-09's built in mics. Copied from SD card to Mac and cut into tracks exported to FLAC with Amadeus Pro. Fingerprints created with xACT; Torrent file ands upload facilitated with Transmit. Recorded from the floor, off left by Neil's piano maybe 25-30 ft back, in line with the left flying PA stack.
12/03/12 Barclays Center CDR/FLAC 2 Zoom H2 (onboard mics), Goldwave for EQ and volume tweaks
12/04/12 Webster Bank Arena CDR/FLAC 2 Source: Schoeps MK4's->Zoom H2 Transfer:Cd Wave Editor->TLH
12/06/12 Borgata Hotel Casino & Spa CDR/FLAC 2 source : schoeps mk-4 > actives > nbox+ > sony pcm-m10 > 24/96 wav > adobe audition > ozone 5 > korg aqua > xACT 2.20 > flac 16 taper : edtyre location : vip ga - 15 feet from left stack
03/02/13 Perth Arena CDR/FLAC 2 lineage: Church Audio CA-11 > CA Ugly pre-amp > Sony M10 > 24bit/96Khz WAV > Audacity (editing) > FLAC notes: - taped by Stringman - edited by rdvdijk
03/05/13 Adelaide Entertainment Centre CDR/FLAC 2 lineage: Church Audio CA-11 > CA Ugly pre-amp > Sony M10 > 24bit/96kHz WAV > Audacity (editing) > FLAC
03/07/13 Entertainment Centre CDR/FLAC 2 lineage: Church Audio CA-11 > CA Ugly pre-amp > Sony M10 > 24bit/96kHz WAV > Audacity (editing) > FLAC notes: - taped by Stringman - edited by rdvdijk - Stringman had some problems with his cables during recording. This is noticable at the start of both Love And Only Love and Powderfinger, and during Roll Another Number. There are some crackles and moments on mono sound. - The sound overall is very good. - This is the 16-bit version
03/10/13 Sydney Entertainment Centre CDR/FLAC 2 ZOOM H2 > AUDACITY >CDWAV >FLAC>YOU philandjenny recordings no.14 Recorded on the floor, dead centre, about 30 m from the stage
03/13/13 The Plenary CDR/FLAC 3 Track Info: The Plenary, Melbourne, VIC, Australia Source Info: AUD>LPCM>WAV>FLAC [2x Countryman B3s > Tinybox > Sony PCM-M10] Mastering: Adobe Audition Amplify (~20 main set -25 DB acoustic set), track split and down sample to 16 bit 44khz Taper: Roman79 ~ 40m LOC (seated) Sound Rating: B+ Length: 172:07 Sound Comments/Faults?: Good quality, some echo on the vocals but not overly distant, audience noise is negligible. However low recording level caused by taper error has generated background hiss which is quite significant on the solo acoustic section.
03/15/13 Rod Laver Arena CDR/FLAC 2 Location: Floor (Standing), on the Rail, two Rusties to the right of dead centre, staring into the eyes of the Horse... Sound Quality: PDG...Pretty Darn Good considering the position. Lineage: > Church Audio STC-11 cardoid mics > Church Audio ST-9100 preamp > Edirol R-09 (Line In / WAV, 48000 Hz, 24 bit / Input Level: 15 / AGC: Off / Ext Mic Type: Stereo / Low Cut: Off / Mic Gain: Off) > 16GB SanDisk SDHC Card > USB > iMac > Audacity 1.3.13 ( fades, tracksplits, labels, tags) > WAV, 44100 Hz, 16 bit, stereo > xACT 1.71 (Fixed SBE’s) > FLAC (Level 8) > Verified & created Fingerprint
03/16/13 Hill Winery CDR/FLAC 2 Lineage Edirol R-09HR internal mics >Cool Edit Pro 2.0 >Traders Little Helper
03/19/13 TSB Bank Arena CDR/FLAC 2 Incomplete; AT-853 (cardioid caps) -> SPSB-11 - > Sony PCM-M10 (24/48) -> Audition (fades / amplify / 90Hz HPF / convert sample rate) -> CDWAVE (tracking) -> TLH (flac)
03/21/13 Vector Arena CDR/FLAC 2 Recorded with a Tascam DR2D with internal mics. Taper: Bernard Shakey
06/02/13 Waldbuhne CDR/FLAC 2 DAUD master, downsampled to 16 Bit/44.1 kHz; audience > recording gear > transfer > editing gear > TLH > FLAC
06/03/13 02 World Arena CDR/FLAC 2 Lineage: Sony ECM-121 => iRiver H340 (ROCKboxed) => USB => SoundBlaster X-Fi => Adobe Audition 3.0 => FlacFrontend (level 6 - Align on sector boundaries) Recording position: 15 meters from the stage, center.
06/05/13 Ziggo Dome CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer Recording & editing: Young Dutch Master Sound is excellent. Recorded, under the left speaker stack
06/06/13 Palais Omnisports de Paris CDR/FLAC 2 Lineage: MM-BSM-6 > CA-9100 > Edirol R-09 > HD (via USB) > Sony SoundForge 7.0 > CD Wave (FLAC plugin - level 6)
06/08/13 Vorst Nationaal CDR/FLAC 2 Source: DPA SMK 4060 > DPA MMA 6000 > Sony PCM-M10 Mastering: Soundforge (Near Clap Killing/EQ/Compression//Fade In-Out/Track Splits/Resampling 96kHz-24b to 44.1kHz-16b) > TLH > Flac
06/10/13 Metroradio Arena CDR/FLAC 2 Source: Schoeps MK41 > Nbox+ > Edirol R-09 Location: On the rail, dead centre, right in front of Neil's mic stand Transfer: USB > Adode Audition: Slight eq(HP filter), Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8) Taped and transfered by tbugsett
06/11/13 LG Arena CDR/FLAC 2 Source: Schoeps MK41 > Nbox+ > Edirol R-09 Location: Very close to the stage, dead centre Transfer: USB > Adode Audition: Slight eq(hp filter), Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8) Taped and transfered by tbugsett
06/13/13 SECC CDR/FLAC 2 Lineage : ROLAND CS-10EM - EDIROL R09 4GB SD CARD TO AUDICITY 24 bit-16 bit-TLH-FLAC -YOU A Digital Hobbit Recording 2013
06/15/13 RDS Arena CDR/FLAC 2 CA14(omnis)>CA9200>Edirol RO9HR>Adobe audtion(levels etc)>tlh>flac8>you DFC, about 40 meters from the stage.
06/17/13 The O2 Arena CDR/FLAC 2 Equipment: SP-CMC-25 mics > SP-SPSB-11 battery box (no bass roll-off) > Sony PCM-M10 > 16GB SanDisk MicroSDHC Lineage: WAV (24-bit, 48 kHz) > Audacity v2.0.0 (edit; selective hard limit; transient peak reduction; normalise; amplify tracks 8-11 between +3 and +6 dB; fade in/out; tracking; resample to 16-bit, 44.1 kHz) > xACT v2.23 (fix SBEs) > FLAC level 8 (add tags, create checksums) Taper: stepeanut
07/11/13 Rockhal. CDR/FLAC 2 Lineage: Edirol R-09 + Sound Professionals SP-CMC-8 microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer Recording & editing: Young Dutch Master
07/12/13 Lanxess-Arena CDR/FLAC 2 minimax master-series #287 Master - Audience recording Equipment: Zoom H4N - Sound professional microphones SP-CMC-8 - SP-SPSB-8 Sound Professionals Mini Battery Module
07/14/13 Piazza Grande CDR/FLAC 2 Lineage: IRIVER H320+ Sony Ecm717mic>WAV>FLAC(LEVEL 8) Taped and mastered by Oldgringo
07/17/13 Les Arènes de Nîmes CDR/FLAC 2 Sony MZ RH10 / Sony ECM - DS70p
07/18/13 Big Festival, Stade Aguilera CDR/FLAC 2 Source: audience (PH66) Taping gear: SP-TBF2+SP-SPSB1+TASCAM DR07. Lineage: TASCAM DR07>CEP>CDwave>Flac Open air recording position:about 25 meters facing left PA.
07/18/13 Big Festival, Stade Aguilera CDR/FLAC 2 2 x AT 831 mics connected to 2 x AT 8531 power modules, to R05 (24/48). Downsampled 16/44 wav tracks to PC, Audacity (volume, a bit of EQ, tracks), FLAC (TLH).
07/20/13 Festival Vieilles Charrues CDR/FLAC 2 ECM 719 + Olympus LS11 Auto level --> USB transfer --> Adobe Audition +6db --> Flac level 8 Just cut a technical problem on Stage between the track 2 and 3 And still +6db for A Singer without a Song
07/22/13 Hanns-Martin-Schleyer-Halle CDR/FLAC 2 Equipment: Zoom H4N - Sound professional microphones SP-CMC-8 - SP-SPSB-8 Sound Professionals Mini Battery Module
07/23/13 Paleo Festival CDR/FLAC 2 source: Neumann KM140 > Naiant TinyBox > Sony PCM M10 > HarBal 2.3 (slight EQ) taper: anonymous
07/25/13 Piazza Napoleone CDR/FLAC 2 lineage: recorded about 10 meters from the stage, in front of Poncho Edirol 09 internal mics -> Goldwave -> adjust levels -> Audacity Sonic Maximizer -> Track split -> TLH -> flac -> DIME Taper GP
07/26/13 Ippodromo le Capannelle CDR/FLAC 2 Disclaimer: This recording has some flaws and doesn't meet normal Llama standards. Since there is no recording of this show I'm putting it up for archival purposes. If there was a taper rulebook I must have broken every rule. I decided to bail out of where I was standing after Love & Only Love because the crowd around me was terrible. Powderfinger was ruined because I bailing during the song. That being said there there are some very nice sounding songs. Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: All over venue Recorded By: ridemyllama
08/05/13 Kaisaniemen Puisto CDR/FLAC 2 Source: Edirol R-09 w/internal mics Location: On the rail, right in front of Neil's upright piano. Transfer: USB > Adode Audition: Eq(hp filter), normalization, Waves L3 UltraMaximizer, fade out, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8) Taped and transfered by tbugsett
08/07/13 Oslo Spektrum CDR/FLAC 2 Source: Schoeps MK41 > Nbox+ > Edirol R-09 Location: About 5 meters from the stage, dead centre Transfer: USB > Adode Audition: Slight eq(hp filter), Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8) Taped and transfered by tbugsett
01/06/14 Carnegie Hall CDR/FLAC 2 This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT; I am providing the highest quality file I have and these will convert back to 24/48 audio.
01/06/14 Carnegie Hall CDR/FLAC 2 Source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/44.1k (lower right) Transfer: Pro Tools (cleanup) > 16bit/44.1k > xACT2.24 > flac(8) Torrrented by: zuma11
01/07/14 Carnegie Hall CDR/FLAC 2 This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT; I am providing the highest quality file I have and these will convert back to 24/48 audio.
01/07/14 Carnegie Hall CDR/FLAC 2 Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: Tier 2 right stack.
01/09/14 Carnegie Hall CDR/FLAC 2 This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT; I am providing the highest quality file I have and these will convert back to 24/48 audio.
01/09/14 Carnegie Hall CDR/FLAC 2 Lineage: Schoeps MK4> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > 16 bit>Soundforge 7.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: Row 20 Center
01/10/14 Carnegie Hall CDR/FLAC 2 This set was recorded full econo-mode, straight to my Edirol R-09's built in mics. The copied from SD card to my Mac and cut into tracks and exported to FLAC with Amadeus Pro. Fingerprints created with xACT; Torrent file ands upload facilitated with Transmit. I am providing the highest quality file I have and these will convert back to 24/48 audio.
01/10/14 Carnegie Hall CDR/FLAC 2 Source: Schoeps CCM4 > Aerco > Edirol R-09 at 24bit/44.1k (first tier, right) Transfer: Pro Tools (cleanup) > 16bit/44.1k > xACT2.24 > flac(8)
01/16/14 Centennial Concert Hall CDR/FLAC 2 Source: CA-14(cards) > CA9100 > Zoom H4n 24/48 Transfer: SD > iZotopeRx (gain,ozone 4, resample,dither 16/44) > CDWave(tracks) > Frontend (FLAC level 8) > TLH (ffp) > MD5Sum
01/17/14 Conexus Arts Centre CDR/FLAC 2 Source: Zoom H4n > WAV > CD WAVE (tracked) > WAV > FLAC
03/29/14 Dolby Theatre CDR/FLAC 2 Source info: AT853 sub-cards>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac Taper: David Sell Location: Mez 1, row F Sound Quality: Very Good
03/30/14 Dolby Theatre CDR/FLAC 2 Source info: AT853 sub-cards(3-wire)>Naiant Tinybox>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac Taper: David Sell Location: Mez 1, row E Sound Quality: Excellent+
04/01/14 Dolby Theatre CDR/FLAC 2 Source: Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44.1 Location: PAR Center, Row F Transfer: M10 > usb > MacBook Pro > Adobe Audition > Izotope Ozone 5 > WavePad > xACT > FLAC Taper: BLG
04/02/14 Dolby Theatre CDR/FLAC 2 Source: Schoeps CCM4s > Tinybox > Sony PCM-M10 16/44 Mastering (BLG): Adobe Audition > Izotope Ozone 5 > WavePad > xACT > FLAC
04/17/14 Morton H. Meyerson Symphony Center CDR/FLAC 2 Dress Circle F Row A seat 9> CSB>EdirolR-09HR a "time was just a joke" production
04/21/14 Chicago Theater CDR/FLAC 2 "It's a Beatnik Love Poetry Moment" Recorded from Row NN, Sec 4R. I attended the show and on a whim recorded it on my android smartphone. This recording is single channel - monaural. HTC Rezound Android Smartphone > EasyVoiceRecorder App > 16bit 44kHz Mono WAV > Audacity Peak Compressor > CD Wave > FLAC Fully lossless. This recording captures Neil's performance quite well. KLB-Moezer2112
07/07/14 Laugardalshöllin CDR/FLAC 2 Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz) Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.29 > flac(8) Taper: SC
07/10/14 The Marquee CDR/FLAC 2 Source: Schoeps MK41 > Nbox+ > Edirol R-09 Location: One row from the rail, to the left. Right in front of one of the filler speakers on stage. Transfer: USB > Adode Audition: Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion(dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8) Taped, transfered and torrented by tbugsett
07/12/14 Hyde Park CDR/FLAC 2 Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz) Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.29 > flac(8) Taper: SC
07/13/14 Echo Arena CDR/FLAC 2 Source: Schoeps MK41 > Nbox+ > Edirol R-09 (24bit/48kHz) Location: FOB, dead centre. About 10 meters/yards from the stage. Transfer: USB > Adode Audition: Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion (dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
07/20/14 Münsterplatz CDR/FLAC 2 Source: Master Aud with Sony M10 + CA14 Linage: CA14--> Battery Box CA --> Sony M10 --> Adobe Auditon (fade, normalize)--> CD Wave --> Traders little helper
07/21/14 Collisioni Festival CDR/FLAC 2 Audience recording Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
07/23/14 Stadthalle CDR/FLAC 2 AUD Master Recording Sony ECM-719 --> Sony Hi-MD MZ-RH1 --> Sonic Stage --> HD --> tracked and flaced in CD Wave Recorded by elric66
07/25/14 Warsteiner HockeyPark CDR/FLAC 2 Recording: SP - CMC-8 microphones + Roland Edirol R-09 NY show nr. 99. Recorded by the Young Dutch Master Recorded from the rail: in front some 5 meters left of the center. sound from the speakers at the front of the stage. Lineage: Edirol > USB > harddisk. Red Roaster + Soundforge 4.5 + using the Maximizer process. (6db volume boost on acoustic songs) No further editing as fade in and fade outs. Traders Little Helper Wav > flac.
07/26/14 Filmnächte am Elbufer CDR/FLAC 2 Taper: TOM MOORE Microphones: dpa 4061 + DAD4099 Recorder: M-Audio Microtrack II + APC Powerpack
07/28/14 Zollhafen - Nordmole CDR/FLAC 2 Recording & editing: Zuma66 Recorded center left 3th row Lineage: Edirol R09-HR > core sound binaural + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 Cd wave > Traders Little Helper level 8
07/30/14 Forum København CDR/FLAC 2 dpa4061>st9100>m10>wav>waves l2>flac
08/01/14 Bergenhus Festning - Koengen CDR/FLAC 2 Source: Schoeps MK4 > Nbox+ > Edirol R-09 (24bit/48kHz) Location: Leaning over the rail, to the left. Transfer: USB > Adode Audition: Waves L3 UltraMaximizer, fade i/o, 16bit/44.1kHz conversion (dithering w/ Ozone Mbit+) > CDWave (tracking) > Flac(8) Taped by tbugsett
08/03/14 Skeppsholmen CDR/FLAC 2 48V phantom-powered mic preamps>T-shaped stereo electret microphone Microtrack II>HdFlac
08/05/14 Festivalterrein aan de Grote Kaai 'Lokerse Feesten CDR/FLAC 2 Recording: SP - CMC-8 microphones + Roland Edirol R-09 NY show nr. 101. Recorded by the Young Dutch Master Recorded from approx. 10m. in front of the left speaker stack. Lineage: Edirol > USB > harddisk. Red Roaster + Soundforge 4.5 + using the Maximizer process. (6db volume boost on acoustic songs) Deletion of a lot of nearby clapping fade in and fade outs. Traders Little Helper Wav > flac.
08/07/14 Salle des Etoiles CDR/FLAC 2 Lineage: Soundman OKM II Studio Rock (Without adapter) > Edirol R-09HR (mic-in) Wav-16bit - 44.1 KHZ (input level at the beginning: 53, progressively decreased to 48), limiter off, low cut off, mic gain: high, plug-in power: on) > PC > track separation with Nero WaveEditor version 12 > SBEs fixed with TLH > flac(8) with TLH Recorded from row 4, center/slightly to the right (standing)
08/08/14 Theatre de plein air CDR/FLAC 2 a hanwaker audience recording left side 10 m in front of stack dpa4061 -> edirol09 some level corrections in audacity
04/16/15 SLO Brewing Company CDR/FLAC 2 Source: Zoom H1 w/internal mics (16/44.1) > CD Trade Transfer Lineage: CD-R > Soundforge 9.0 > WAV > TLH (Sector Boundary aligned) Flac level 6 Balanced, Edited and Tracked by kingrue upload 463
07/05/15 Marcus Amphitheatre CDR/FLAC 2 Recording & editing: zuma66 Recorded row DD seat 22 right of stage Lineage: Edirol R09-HR > core sound binaural + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 Cd wave > Traders Little Helper level 8
07/08/15 Red Rocks Amphitheatre CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) - MONO Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8) Recorded By: ridemyllama (Transferred by: zuma11) Note: This is a mono recording. There was a problem with one of the channels during the recording, so this is just one channel duplicated into both channels.
07/09/15 Red Rocks Amphitheatre CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-09 (16bit/44.1 Khz) Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8) Transferred by: zuma11 Recorded By: ridemyllama
07/11/15 Pinnacle Bank Arena CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8) Recorded By: ridemyllama (Transferred by: zuma11)
07/13/15 Riverbend Music Center CDR/FLAC 2 Source: Sound Professionals CMC-08s->SP-SB10 (no bass roll-off)->Roland R05-> CoolEditPro->CD Wave->TLH Taper: ironchef
07/14/15 DTE Energy Music Theatre CDR/FLAC 2 Recording & editing: zuma66 Recorded row O seat 5 left of stage Lineage: Edirol R09-HR > core sound binaural + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 Cd wave > Traders Little Helper level 8
07/17/15 Bethel Woods Center For The Arts CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8) Recorded By: ridemyllama (Transferred by: zuma11)
07/19/15 Champlain Valley Exposition CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8) Recorded By: ridemyllama (Transferred by: zuma11)
07/21/15 Nikon at Jones Beach Theater CDR/FLAC 3 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > aiff > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8) Recorded By: ridemyllama (Transferred by: zuma11)
10/04/15 WaMu Theater CDR/FLAC 3 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama
10/05/15 Rogers Arena CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama
10/07/15 Chiles Center CDR/FLAC 3 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama
10/08/15 Matthew Knight Arena CDR/FLAC 3 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (16bit/44.1 Khz) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama
10/10/15 Santa Barbara Bowl CDR/FLAC 3 Source info: AT943 cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac Taper: David Sell Location: GA Floor DFC 60' from stage Sound Quality: Excellent
10/11/15 The Chelsea at The Cosmopolitan of Las Vegas CDR/FLAC 3 Source: SP-CMC-8 > Edirol R-09 (16bit/44.1 Khz) Transfer: wav > ProTools (cleanup, fades & tracking) > xACT 2.36 > flac(8) Taper: AM Transfer: zuma11
10/13/15 RIMAC Arena - U. of California San Diego CDR/FLAC 3 Source: DPA 4060’s > CSBox > Sony PCM-M10 24/48 Mastering (BLG): Adobe Audition > iZotope Ozone 5 > MBIT+ > WavePad > xACT > FLAC Taper: MH
10/14/15 The Forum CDR/FLAC 3 Source info: AT853 sub-cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, track, resample/dither to 16/44.1)>TLH>Flac(8) Taper: David Sell (Falconidave) Location: GA Pit, right of center Sound Quality: Excellent
10/17/15 Greek Theatre - University of California CDR/FLAC 3 Source: Schoeps CCM4’s > Tinybox > Sony PCM-M10 16/44.1 Mastering (BLG): Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC
10/24/15 Shoreline Amphitheatre CDR/FLAC 1 Lineage: Schoeps MK40> Tinybox> Edirol R-05 Transfer: SD/USB > Soundforge 10.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: Section 102 Recorded By: ridemyllama
10/25/15 Shoreline Amphitheatre CDR/FLAC 1 Lineage: Schoeps MK40> Tinybox> Edirol R-05 Transfer: SD/USB > Soundforge 10.0 for slight editing > CD wave 1.93 split > Traders Little Helper 2.4.1 > flac Location: Section 102 Recorded By: ridemyllama
??/??/15 Compilation CDR/FLAC 6 DISC ONE After The Goldrush 10.13 LA JOLLA Comes A Time 10.05 VANCOUVER Heart Of Gold 10.13 LA JOLLA Long May You Run 10.11 LAS VEGAS My My Hey Hey 10.13 LA JOLLA Old Man 10.17 BERKELEY Helpless 10.17 BERKELEY Mother Earth 10.13 LA JOLLA Hold Back The Tears 10.13 LA JOLLA Out On The Weekend 10.11 LAS VEGAS Human Highway 10.08 EUGENE Here We Are In The Years 10.04 SEATTLE Unknown legend 10.17 BERKELEY From Hank To Hendrix 10.13 LA JOLLA Field Of Opportunity 7.09 MORRISON Peace Of Mind 7.09 MORRISON DISC TWO Lookin’ For A Love 7.21 WANTAUGH Only Love Can Break Your Heart 10.11 LAS VEGAS Flying On The Ground Is Wrong 7.11 LINCOLN Harvest Moon 10.13 LA JOLLA Wolf Moon 10.13 LA JOLLA Moonlight In Vermont 7.19 ESSEX JUNCTION September Song 10.13 LA JOLLA Western Hero 10.07 PORTLAND Bad Fog Of Loneliness 7.11 LINCOLN Words 10.13 LA JOLLA Are You Ready For The Country? 10.17 BERKELEY Alabama 10.17 BERKELEY Southern Man 10.07 PORTLAND Burned 10.11 LAS VEGAS Winterlong 10.05 VANCOUVER DISC THREE Time Fades Away 10.1 SANTA BARBARA L.A. 10.14 INGLEWOOD Don’t Be Denied 7.14 CLARKSTON Walk On 10.08 EUGENE The Loner 10.11 LAS VEGAS Mr. Soul 10.17 BERKELEY Cinnamon Girl 7.13 CINCINNATI Everybody Knows This Is Nowhere 10.17 BERKELEY Down By The River 10.13 LA JOLLA DISC FOUR Cowgirl In The Sand 10.11 LAS VEGAS Cortez The Killer 7.21 WANTAUGH Powderfinger 10.11 LAS VEGAS Mansion On The Hill 10.14 INGLEWOOD White Line 7.08 MORRISON Country Home 10.05 VANCOUVER Fuckin’ Up 10.07 PORTLAND DISC FIVE A New Day For Love 7.21 WANTAUGH People Want To Hear About Love 10.17 BERKELEY Big Box 7.11 LINCOLN A Rock Star Bucks A Coffee Shop 10.17 BERKELEY Monsanto Years 10.11 LAS VEGAS Workin’ Man/CA Seed Law 10.13 LA JOLLA I Won’t Quit 10.13 LA JOLLA If I Don’t Know 7.09 MORRISON Rules Of Change 10.17 BERKELEY DISC SIX Ohio 7.13 CINCINNATI Love And Only Love 10.07 PORTLAND Double E 7.05 MILWAUKEE Hippie Dream 7.11 LINCOLN Roll Another Number 7.17 BETHEL Vampire Blues 10.14 INGLEWOOD
04/26/16 Whitewater Amphitheatre CDR/FLAC 2 Audience->Schoeps MK4-Tinybox-Sony PCM-M10-cdwav->Traders Little Helper->mp3tag for tagging->recorded by seedy
04/28/16 Ascend Amphitheatre CDR/FLAC 2 Recorded with Roland Edirol R-09 using SP-CMC-8 mics with STC-9000 Preamp. Track separation with CDWave. Recorded from front center of lawn.
04/29/16 Tom Lee Park CDR/FLAC 2 Source: Sonic Studios DSM-6P w/3-way lo-cut filter > Tascam DR-2d (-6 dB copy) @ 16 bit/44.1 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) (minor edits, normalize, & fades) > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: FAR from the stage, by "electrical box 5", at least 150-200 yards from the stage Recorded by: Steve "ballsdeep" Hagar Mastered by: Dennis Orr
06/05/16 SSE Hydro CDR/FLAC 3 Location: GA, Directly FOB, DFC, 20m from stage. Source: Schoeps mk4 > Nbob Actives > TinyBox2.5 w/output transformers(+18db) > DarkTrain Cable > Sony M10(Lin-in@+5) @ 24bit/48khz WAV > SD Card Transfer: WAV > Adobe Audition (limit aud noise, BBE Sonic Maximiser, Normalise to -1db, Fades, track markers, export to flac) > Tagging, Embedded Art-Foobar Live Show Tagger > TLH (Checksum) A Mayhem Inc. Recording.
06/07/16 The SSE Arena CDR/FLAC 3 Source: Schoeps MK41 > Nbox+ > Roland R-05 (24bit/48kHz) Location: Close to the rail, dead centre. Transfer: USB > Adode Audition (cleanup) > 16bit/44.1k w/ Ozone Mbit+) > CDWave (tracking) > Flac(8)
06/08/16 3Arena CDR/FLAC 2 Recorded by zuma66 1st row dead center Lineage: Roland R-05 > core sound binaural + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 > Track Split whit CD Wave Editor Traders Little Helper level 8 Recording & editing: Zuma66
06/10/16 First Direct Arena CDR/FLAC 2 Lineage: Schoeps MK40 Recorded By: ridemyllama
06/11/16 O2 Arena CDR/FLAC 2 Recording: SP - CMC-8 microphones + Roland Edirol R-09 Recorded by the Young Dutch Master Recorded : left site of stage near paino from 4th row (standing) near speaker on front of stage + main speakers. Lineage: Edirol > USB > harddisk. Red Roaster + Soundforge 4.5 + using the Maximizer process. (3db volume boost overall on acoustic songs) No further editing as fade in and fade outs. Traders Little Helper Wav > flac.
06/13/16 Le Zenith CDR/FLAC 2 Lineage: Edirol R-09 + Sound Proffesional SP-CMC-8 Mics. Editing with Adobe Audition. Encoded to flac level 8, with align on sector boundaries
06/15/16 Halle Tony Garnier CDR/FLAC 3 Recorded by zuma66 2nd row left center Lineage: Roland R-05 > core sound binaural + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 > Track Split whit CD Wave Editor Traders Little Helper level 8 Recording & editing: Zuma66
06/16/16 Le Dome CDR/FLAC 3 Recorded from the seats, 6th row, on the right facing stage using : "Soundman OKM II Studio Rock" microphones (actually including Sennheiser capsules) and Roland Edirol 09 recorder (level 41 throughout). Original raw files-Audacity (clicks removing, eq, volume, tracks, FLAC export)-md5with TLH. As the raw sound was a bit bassy, i did some separate adjustments on each channel and also settings on the volume of the songs.
06/18/16 La Caja Magica CDR/FLAC 3 Audience Recording: Sony MD NZ-M707 + Sony stereo microphone ECM-717 Location: center of the rail, firts row, several meters Neil Transfer: MD > Audacity > PC (analog) Process: Audacity (just cut tracks) > Flac > Torrent Taper: Bossano
06/20/16 Poble Espanyol CDR/FLAC 3 RECORDING.AUD MASTER REC. LOCATION:5-8 METERS BETWEEN MIXIN DESK LEFT SIDE ON STAGE.I'M MOVED TWO TIMES SOME METERS CAUSE PEOPLE TALK AND SMOKE. EQUIPEMENT:EDIROL R-09HR WITH EXTERNAL SONIC STUDIOS MICROPHONE LINAGE:master WAV>PC>audacity>cd wave edt.>TLH>FLAC(8)
06/21/16 Le Zenith CDR/FLAC 3 Recorded from the seats, 4th row, just above the standing section, facing right stacks with : 2 x DPA 4099 supercard mics - DAD6001 - Zoom H5 (48/24), phantom on. Downsampled 44/16 wav to PC, Audacity (tracks, volume, just a bit of eq), FLAC 8 (TLH).
06/23/16 AccorHotels Arena CDR/FLAC 3 SOURCE ------ AT853 > SP Preamp > Olympus LS-10 GENERATION ---------- .WAV[16/44.1kHz] > .FLAC [16/44.1kHz] TRANSFER -------- USB > iZotope RX 4 > CD Wave Editor 1.98 > Trader's Little Helper 2.7.0
06/24/16 Sportpaleis CDR/FLAC 3 Recording: SP - CMC-8 microphones + Roland Edirol R-09 Recorded by the Young Dutch Master Recorded : left site of the stage near piano, on the rail, sound from the stage speaker in front of us. Lineage: Edirol > USB > harddisk. Red Roaster + Soundforge 4.5 + using the Maximizer process. (3 db volume boost overall + 6db boost on acoustic songs ( 1-6) ) Some clapping removedfade in and fade outs. Traders Little Helper Wav > flac.
07/03/16 Hartwall Arena CDR/FLAC 3 Lineage: audience recording (unknown digital master) Transfer: unknown editing > wav files (16/44.1) > ProTools (bass reduction) > xACT2.38 > flac(8) Recorded By: TomA
07/05/16 Dalhalla CDR/FLAC 3 Source: Schoeps MK4 > Nbox+ > Roland R-05 (24/48) Transfer: USB > Adobe Auduition (cleanup) > dithering to 16bit w/ Ozone Mbit+ > CDWave (tracking) > flac Location: On the rail. Sound from the stage monitor right in front of the mics. Recording, transfer & upload by tbugsett
07/07/16 Stavernfestivalen CDR/FLAC 3 Source: Schoeps MK4 > Nbox+ > Roland R-05 (24/48) Transfer: USB > Adobe Auduition (cleanup) > dithering to 16bit w/ Ozone Mbit+ > CDWave (tracking) > flac Location: On the rail. Sound from the stage monitor right in front of the mics. Recording, transfer & upload by tbugsett
07/09/16 Ziggo Dome CDR/FLAC 3 Recording: SP - CMC-8 microphones + Roland Edirol R-09 Recorded by the Young Dutch Master Recorded : left site of the stage near piano, sound from the stage speaker in front of us. Lineage: Edirol > USB > harddisk. Red Roaster + Soundforge 4.5 + using the Maximizer process. (3 db volume boost overall + 6db boost on acoustic songs ( 1-6) ) Some clapping removed and a yeller removed in between songs. Some speaking around us can be heard, hardly during the songs. fade in and fade outs. Traders Little Helper Wav > flac.
07/12/16 Auditorium Stravinski CDR/FLAC 3 Source: Schoeps CCM4 > Aerco > Edirol R-09 at 16bit/44.1k Transfer: Pro Tools (cleanup) > 16bit/44.1k > xACT2.28 > flac(8)
07/13/16 Anfiteatro Camerini CDR/FLAC 3 Recorded by zuma66 at the rail in front of Lucas Nelson Lineage: Roland R-05 > core sound binaural + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 > Track Split whit CD Wave Editor Traders Little Helper level 8
07/15/16 Teatro delle Terme di Caracalla CDR/FLAC 3 Recorded by zuma66 at the rail in front of Lucas Nelson Lineage: Roland R-05 > core sound binaural + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 > Track Split whit CD Wave Editor Traders Little Helper level 8 Recording & editing: Zuma66
07/16/16 Piazza Napoleone CDR/FLAC 3 Recording: SP - CMC-8 microphones + Roland Edirol R-09 Recorded by the Young Dutch Master Recorded : from the seats near the statue Lineage: soundcard > harddisk. Red Roaster + Soundforge 4.5 + using the Maximizer process. (3 db volume boost overall + 6db boost on acoustic songs ( 1-5) ) Traders Little Helper Wav (level 8)> flac.
07/18/16 Estathe Market Sound CDR/FLAC 3 Audience recording Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
07/20/16 Völkerschlachtdenkmal CDR/FLAC 3 recorder: Roland R-05 microphone: Sony ECM-TS125 running time: 185 minutes recorded by Ronny
07/21/16 Waldbühne CDR/FLAC 3 This recording sounds awesome, a must have for the Neil Young collector! No audience in between the microphones and the sound sources. Crystal Clear recording. Recording: SP - CMC-8 microphones ( AT943) + Roland Edirol R-09 Recorded by the Young Dutch Master Recorded : from the rail in front of speakers left side of the stage Lineage: soundcard > harddisk. Red Roaster + Soundforge 4.5 + using the Maximizer process. (6 db volume boost on acoustic songs / 4db on all other songs) Traders Little Helper Wav (level 8)> flac.
07/23/16 Burg Clam CDR/FLAC 3 Lineage: Roland R-05 CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 > Track Split whit CD Wave Editor Traders Little Helper level 8 Recording & editing: Zuma66
09/18/16 The Pavilion at Montage Mountain CDR/FLAC 2 source : schoeps mk6 (c) > actives > nbox platinum > 24/44.1 wav adobe audition > ozone 5 > xACT 2.38> flac 16 taper : edtyre location : 10th row dfc
09/30/16 Town Park CDR/FLAC 3 Source- Schoeps Mk41(dina)>kc5>cmc6>Oade warm mod PMD661 @24/48 Location- FOB, 80 feet from stage, FOHMS (front of Human Mic Stand) Processing- SD Card>PC>Audacity(downsampled to 16/44)>TLH(FLAC 8) Recorded by a friend and processed by billydee (a Team Four Corners Production)
10/01/16 Town Park CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama
10/06/16 AVA Amphitheater CDR/FLAC 3 Audience Recording Recorded and transferred by panador Equipment\lineage: Sound Professionals SP-CMC-25 external mics (croakies mounted on eyeglasses) > Sound Professionals SP-SPSB-10 microphone power supply > Tascam DR-05 Recorder (wav) > PC > Cool Edit Pro 2.0 (editing) & CD Wave Editor (track splitting) > TLH flac level 8 Settings: Medium mic sensitivity (Medium Gain) Notes: Recorded from Row FF (22 rows back) not far from the aisle across from the middle section
10/08/16 Empire Polo Club CDR/FLAC 2 Audience Tape: A- (Festival, Crowd Noise) Mikes: Schoeps mk4 > Actives > NBox Platinum> Recorder: Sony M-10 Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8) Location: Left Center Recorded by Scooter123
10/12/16 FoxTheater CDR/FLAC 2 Source: Schoeps CCM4 > Tinybox > Sony PCM-M10 16/44.1 Transfer: aiff > Pro Tools (minor cleanup and tracking) > xACT2.38 > flac(8)
10/13/16 Fox Theater CDR/FLAC 2 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama
10/15/16 Empire Polo Grounds CDR/FLAC 2 Recorded by Daspyknows Recorded from back wall of the Pit Dead Center Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac
10/22/16 Shoreline Amphitheatre CDR/FLAC 1 Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama
10/23/16 Shoreline Amphitheatre CDR/FLAC 1 Recorded dead center 102. Sound is very good. Lineage: Schoeps MK40> Tinybox> Edirol R-05 (24 bit/48 Khz convertrd to 16/44.1 Bit with dBpPoweramp) Transfer: SD/USB > WAV > Soundforge 10 (cleanup, fades & tracking) > TLH > flac(8) Transferred by: ridemyllama Recorded By: ridemyllama

Neil Young & The Stray Gators --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/11/73 Civic Auditorium CDR/FLAC 2

Neil Young Compilations --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/71 1970-1971 Solo Tour Compilation CDR/FLAC 3 SOURCE: Audience, Soundboard & TV LINEAGE: unknown lineage, Agostino Viglione compilation > CD-R (trade) > EAC wav (hard drive) > Trader's Little Helper flac level 8 & torrent > Dime
11/??/76 Complete Joel Bernstein Tapes CDR/FLAC 2

Nirvana --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/23/91 Vooruit CDR/FLAC 2 GENERATION ----------------- ANA(M) -> WAV [48kHz] -> WAV [44.1kHz] -> FLAC [Level 8] SOURCE (AUD#1) ----------------- Sony PC-62 -> Sony WM-D3 TRANSFER ----------------- Nakamichi CR-7A -> Hosa RCA cable -> LynxONE analog-in -> Adobe Audition 2.0 -> CD Wave 1.95 -> FLAC Frontend 1.7.1
01/08/94 Seattle Center Arena CDR/FLAC 2 SOURCE: Stereo Audience DAT QUALITY: 9.5 TOTAL TIME: 101:47 Original Lineage: DAT1>CDR3>FLAC (AUD#1) Lineage For This Torrent: WAV->WAVMERGE->COOLEDIT->CDWAVE->FLAC (Level8) REMASTERING NOTES: Re-equalization Channels & Levels balanced Errors Fixed Compression/Limiting
02/22/94 Palaghiaccio di Marino CDR/FLAC 1 Lineage: RAI RadioUno > JVC VHS recorder > Master tape > Teac Tape Deck AD-RW900 > Creative Sound Blaster Audigy > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6)
03/01/94 Terminal Einz CDR/FLAC 2 SOURCE (AUD #1): Aiwa (supplied) > Aiwa HS-JX707 TRANSFER: Nakamichi DR-8 > Echo Layla24 > Adobe Audition 1.5 > CD Wave 1.93 beta > FLAC frontend 1.7.1 GENERATION: ANA(M) > WAV [48kHz] > WAV [44.1kHz] > FLAC [Level 8] LENGTH: 85:14 NOTES: - "Come As You Are" starts over because of a power outage at the venue. - "School" is cut due to a tape flip.

Page & Plant --- Approximate Hours: 122.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/28/95 The Omni CDR 2
03/07/95 Centroplex CDR 2 "Celebration Day"
03/11/95 Lake Front Arena CDR 2 Carouselambra tease during In The Evening. Very nice show.
03/23/95 USAir Arena CDR 2 "Tangerine"
03/31/95 Palace of Auburn Hills CDR 2
04/10/95 Boston Garden CDR 2
05/06/95 Kiel Centre CDR 2 "Cabala"
05/08/95 McNichols Arena CDR 2
05/13/95 San Diego Sports Arena CDR 2 "Ramble into the 90's"
05/20/95 San Jose Arena CDR 2
06/28/95 Naval Museum CDR 2
07/12/95 Glasgow SE and CC CDR 2
07/15/95 Cornwall Coliseum CDR 2 "Get Rid of the Smoke"
07/16/95 Poole Arts Centre CDR 2
07/23/95 Birmingham NEC CDR 2
07/26/95 Wembley Arena CDR 2
09/24/95 Palacio De Las Depotes CDR 2
10/03/95 Irvine Meadows CDR 2
10/07/95 Shoreline Amphitheatre CDR 2
10/10/95 Delta Center CDR 2 Delta Blues
10/24/95 The Spectrum, CDR 2
10/27/95 Madison Square Garden CDR 2
02/05/96 Budokan Hall CDR 2 "Ten Days"
02/06/96 Budokan Hall CDR 1 "Ten Days" Looking for Disc 2
02/08/96 Budokan Hall CDR 2
02/09/96 Budokan Hall CDR 2 "Ten Days"
02/12/96 Budokan Hall CDR 2
02/13/96 Budokan Hall CDR 2
02/15/96 Festival Hall CDR 2
02/17/96 Century Hall CDR 2
02/19/96 Castle Hall CDR 2
02/20/96 Marine Messe CDR 2 "Ten Days"
02/25/96 Sydney Entertainment Centre CDR 2
03/01/96 Flinders Park CDR 2 "Night Flight of the Swan"
02/21/98 Dom Sportova CDR 2
02/25/98 Sparta Prague Sports Hall CDR 2 "Most High In Prague"
03/06/98 Bostanci Center CDR 2
05/22/98 Miami Arena CDR 2
07/03/98 Gund Arena CDR 2
07/14/98 Great Woods Center for the Performing Arts CDR 2 "Flying Dreamers"
07/16/98 Madison Square Garden CDR 2
08/23/98 Butzweiler Hof CDR 2
08/28/98 Reading Festival CDR 2
09/16/98 Red Rocks Ampitheatre CDR 2
09/21/98 Cox Arena (San Diego State University) CDR 2
09/23/98 MGM Grand Garden CDR 2
10/01/98 Lakefront Arena CDR 2 "Hurricane Rock Cajun"
10/30/98 University Of London Union CDR 2
11/13/98 Stadthalle CDR 2
07/07/01 Stravinsky Auditorium CDR 1 "Good Rocking Tonight"

Paul McCartney --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/15/04 Century Plaza Hotel CDR/FLAC 1 w/ Neil Young
10/08/16 Empire Polo Grounds CDR/FLAC 2 Mikes: Schoeps mk4 > Actives > NBox Platinum> Recorder: Sony M-10 Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8) Location: Left Center Recorded by Scooter123

Pearl Jam --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/23/90 Studio [First Week Rehearsals] FLAC/CDR 1 Source: Master Reel > DAT(M) > ANA Lineage: ANA > CD > EAC > WAV > FLAC (encoding level 8)
03/16/92 Kaufman Astoria Studios CDR/SHN 1 Source: dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn
03/16/92 Kaufman Astoria Studios [Soundcheck] CDR/SHN 1 Source: dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn
10/02/04 Sports Arena CDR/FLAC 2 Originally compiled by alex@kabella.org on 10/05/2004 Source: Schoeps > DAT Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 > Flac Frontend > FLAC Discs: 2 Quality: ***** Format: FLAC
10/30/13 Time Warner Cable Arena CDR/FLAC 2 Bluntforcetrauma aka wave Lineage: Schoeps CCM41>tinybox>Edirol r-09 Conversion: PB>Peak>24bit/96.0khz dithered>16bit/44.1khz>SBE>xact

Pink Floyd --- Approximate Hours: 410
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Saarlandehalle CDR/FLAC 1 Wish You Were Here: Some great unreleased studio versions from 1975, before the release of Wish You Were Here. 1975-xx-xx Abbey Road Studios, London, England Track 1: Studio version 1975 in one complete piece. Never previously issued in this format. Track 2: Studio demo, 1975 Track 3: Studio demo, 1975 Animals: Previously unheard alternate studio versions from 1976. 1976-xx-xx Britannia Row Studios, London, England Track 4: (different studio version) Track 5: (different studio version) Track 6: (different studio version
11/13/67 Ahoy Hallen CDR/FLAC 1 Lineage: 3rd Gen Cassette (Maxell XLII90)(Dolby On) > *Technics RS-B965-M (Dolby Off) > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz) ----> Adjustments (32bit float/96kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC (16bit/44kHz) *The Technics RS-B965-M is a deck heavily modified by expert tapehead A.N.T.- for details see the Tapeheads.net forum
??/??/67 What Syd Wants (Harvested HRV CDR 032) CDR/FLAC 2 "What Syd Wants" Harvested Records (HRV CDR 032) dat(master)>eac>flac
03/27/69 St. James' Hall CDR/FLAC 1 Sound Resounds Around
04/14/69 Royal Festival Hall CDR/FLAC 2 lineage:cass(m)>eac>flac
05/09/69 University Of Southampton CDR/FLAC 1 Source: Audience (Mono) Generation: Master Reel > DAT (48Khz) > WAV (48Khz) The owner of the master reels (Lord Snooty) kindly ran off a 48Khz DAT of this for the specific purpose of sharing the closest source to the master tapes as possible. The DAT was played back on a Tascam A60 MKII DAT deck and digitally fed into ProTools to create these 48Khz/16 bit wave files.
06/26/69 Royal Albert Hall CDR/FLAC 2 master > 1st gen > DAT > CD-R > flac (files made with xACT 1.4b28)
12/06/69 AFAN Lido Indoor Sports Centre CDR/FLAC 1 source: audience / cass[2]>DAT[3]>cdr[1] 2nd gen tape
01/18/70 Fairfield Hall CDR/FLAC 2 AUDIENCE SECOND GENERATION>DAT(CLONE-2)>CDR>EAC>FLAC
01/23/70 Theatre des Champs-Elysees  CDR/FLAC 2 The Godfatherecords - G.R. 867/868 Matrix Disc 1: G.R. 867 - 868 CD 1 Matrix Disc 2: G.R. 867 - 868 CD 2 (P) 2013 Made In Europe lineage: silver cd>eac>flac Trifold Cardboard Sleeve / Soundboard Source
01/23/70 Theatre des Champs-Elysees  CDR/FLAC 2 Audience->Philips EL-3302->Master Cassette ->Nakamichi DR-1 (azimuth adj.)->Thomson/Hama Scenium KD4112 cable->Roland Edirol R-09HR ->WAV 96000Hz 24bits->Adobe Audition: * Right Channel: +4dB * Manual clicks removal * Hiss Reduction (different on left and right channels) * Volume (left: +9dB, right: +10dB) * Conversion to 44100Hz 16bits ->split to CD WAV->FLAC->MP3Tag
02/11/70 Town Hall CDR/FLAC 2 “Atomic Heart Beat In The Hall” The Godfatherecords GR 786-787 Lineage: silvers. EAC (secure mode) > WAV (& spectrograms included) Trader’s Little Helper > FLAC Level 08
03/13/70 Audimax der Technische U CDR/FLAC 2 Lineage: Master Cassette > CDR(x) > EAC > WAV > FLAC
04/29/70 Fillmore West CDR/FLAC 2 Westworld (Sigma 4) Lineage: sbd > eac > flac
06/27/70 Bath & West Showground CDR/FLAC 1 CD Reference: Bath Festival 27.6.70, Bath Festival of Blues & Progressive Music Wanna Take A Bath?, Bath, Animals Over Europe, Paris Fete de L'Humanite LP Reference: Lineage: cass (unknown) > cd > eac > flac
07/18/70 Hyde Park CDR/FLAC 1 'Atom Hyde Park' Godfather Records (G.R.) 320 Silver CD > FLAC
09/12/70 Fete de L'Humanite CDR/FLAC 1 Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor and Adobeaudition-> TLH -> flac
09/16/70 Paris Cinema CDR/FLAC 1 FM Broadcasting > Technics SA-GX390 > SB Audigy > Sony Soundforge (44100 Hz, 16bit wave) > CD-wave editor > FLAC8
09/26/70 Electric Factory CDR/FLAC 2 Reel to Reel > dat > hhb 850 > cdr > nero > wav > flac
10/23/70 Santa Monica Civic Auditorium CDR/FLAC 2 Lineage: master 5" reels @ 7.5 ips (recorded by Dub Taylor) -> gen1 7" reel @ 3.75 ips Revox B77 w/Dolby (copied by Mike Martin) -> gen2 Maxell XLII in unknown cassette deck (copied by Rick Sheehy) -> Nakamichi MR-1 (balanced) -> Apogee PSX-100SE at 24 bit 96KHz (by JFE) Mastering in ProToolsHD2 Files are mono 24 bit, 96KHz FLAC (level 8 with internal checksum). Tags include lineage comment. (FYI: Computer media players and disc burning apps will automatically put a mono file in both stereo channels).
11/07/70 De Doelen CDR/FLAC 2 Cass(1)>DAT(5)>WAV>FLAC Astronomy Domine through to The Enbryo was in 44.1 on my DAT and Green Is The Colour to the end of the recording was in 48 kHz. I transferred to 16 bit WAV using an Edirol UA-1D and Audacity @ 44.1 kHz, normalized, split the WAV into the individual tracks, then exported to FLAC.
11/12/70 Falkoner Centret CDR/FLAC 2 Master to Dat Clone 2 to Cdr from the krw_co collection Lineage Audience Master transferred to Dat/DAT Clone 2 Fiber Optic Transfer to CDR CDR Clone To EAC Secure Mode to WAV 16/44.1 to TLH Flac Level 8 Gear Shure SM 57 Mics/Philips Cassette Deck
11/12/70 Falkoner Centret CDR/FLAC 2 RDWM & DGY-REM 2015 REVISION
12/22/70 City Hall CDR/FLAC 2 "A Final Breakfast at the Gates of Dawn" It has been many years since the December 1970 Sheffield gig has been in circulation, collectors know of this tape since it contains the only know live version of Alan’s Psychedelic Breakfast.
06/05/71 Berliner Sportpalast CDR/FLAC 2 "Vierundzwanzig Teile Von Nichts" Harvested CDR029 CDR>FLAC Level 8 Extraction w/Xact Harvested Art Included This is without doubt possibly the finest recording of the finest concert that Pink Floyd played in 1971, at least in the top 5. The ambience is perfect ("pin drop silence" during performance)
06/26/71 Amsterdamse Bos CDR/FLAC 1 Lineage: Maxell XLII-S 60 3rd gen cassette > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz) *The Technics RS-B965-M is a modified deck
08/06/71 Hakone Aphrodite CDR/FLAC 2 Lineage: Sony HF-370 1st Gen RtR > AKAI GX-635D > PC > CMC Magnetics CD-R > EAC V1.0 beta 3 > Adobe Audition 3.0 (restore to mono) > Trader's Little Helper > Flac Tape Info: Sony HF-370 7.5 ips (19.05 cm/s) 1st Generation Reel-to-reel Duophonic Stereo Recorded by T. Kuroshima In 2015, an astonishing source has been discovered: A new recording of the first day of Hakone Aphrodite. Since there are already other three sources available, I name this "Recorder 4." It should be noted that unlike the other sources, "Echoes" is totally uncut and includes Roger's words "This is the new piece, it's called Echoes" at the beginning. Also, "Set The Controls For The Heart Of The Sun" is included for the first time ever. The source, originally recorded in mono, was cut down to 60 minutes during the duplication and given to the original taper's cousin. Unfortunately, the edited copy was improperly mixed into fake stereo (Time delay one channel slightly), which caused the jumpiness in the audio. Though "Recorder 4" has already been released by a bootlegger under the title of "HAKONE APHRODITE 1971: MASTER RECORDING (Sigma 138)," here I release it again with my best restoration of the above problem. My remaster uses the same digital copy as that of the bootleg. The box of the tape says "August 7th, 1971," but this date must be wrong because the taper of Recorder 3 including the same performance said he had attended only the first day of Hakone Aphrodite. In addition, according to the cousin of the taper of Recorder 4, he attended just one day, which means that "Set The Controls For The Heart Of The Sun" in this source is from the first day.
09/30/71 Paris Cinema CDR/FLAC 1 "Meddled" Harvested CDR 001
10/16/71 Civic Auditorium CDR/FLAC 2 Lineage: Low gen TDK SA90 cassettes (1987-89) > Technics RS-565 > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz) xACT used to create FFP
11/06/71 Emerson Gym CDR/SHN 2 "For Reasons I Don't Understand" Free Range Pigs (FRP CDR-022/23)
11/10/71 Pavillon de la Jeunesse CDR/FLAC 2 Lineage: CD Silvers>EAC>WAV>TLH>FLAC>You Taken from the Japanese CD Bootleg 'Labyrinths' on the Highland label (HL269/270).
11/12/71 Irvine Auditorium CDR/FLAC 1 Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.5 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac
11/20/71 Taft Auditorium CDR/FLAC 2 Source 1: g_b_c, "Embryonic Madness" PinkRoioShn-CDR-026 (PRS-CDR-026) Lineage: Recorder 1 / cass[M] > cdr(?) > shn > wav > Adobe Audition 1.5 (minor editing) > cd wav (tracking) > TLH > flac Source 2: Recorder 2 Lineage: Cass/1 > DAT/2 > cdr/? > EAC > wav > shn
01/20/72 The Dome CDR/FLAC 2 Original Lineage: A(0)->HiFi VHS->DAT(2)->SHN New Lineage: A(0)->HiFi VHS->DAT(2)->SHN-->Wav->ACL11->Wav->Flac7 Considered best source for this date. This source ran slow and had an occasional tick/crackle that apparently is not unusual for HI-FI VHS sources. Also, when Breathe first kicked in the taper was readjusting his levels which was a bit disruptive. Speed corrected +3.0%, Removed most of the occasional ticks/crackles, smoothed levels of first 12 seconds of Breathe. Applied very slight EQ, very slight NR, and smoothed a few tape starts since taper was stopping between some tracks. Also ended Set1 after AHM since this is where they took their break.
01/21/72 The Guildhall CDR/FLAC 2 "ECLIPSED BY THE MOON" Liberated bootleg Highland HL206/207 Live at the Guildhall, Portsmouth, Hampshire, UK, January 21, 1972 (disc 1 + disc 2, tracks 1 + 2) and the Dome, Brighton, Sussex, UK, January 20, 1972 (disc 2, tracks 3 - 8) Quality ------- Good audience recording (Portsmouth) Very good audience recording (Brighton) Conversion ---------- Original silver CDs -> EAC (V0.95 prebeta 4) -> wav -> mkw (V0.97 beta 1) -> shn -> flac
01/23/72 The Guildhall CDR/FLAC 2 Sound quality straddles the G and VG ranges. Give it a G++, 'cause it's not quite good enough to merit a VG, but not bad enough to be Good.
01/27/72 City Hall CDR/FLAC 2 "Waiting For The Moon - Remastered"
01/28/72 Town Hall CDR/FLAC 2 You Are Number Six Free Range Pigs (FRP CDR-030/31)
02/12/72 City Hall CDR/FLAC 2 "Live for Today Gone Tomorrow" a bit hissy. volume up and down sometimes. quite enjoyable SQ. Echoes unfortunately is cut before the end
03/06/72 Taiikukan CDR/FLAC 2 Source: Aud Lineage: cas(M)>DAT(3)44.1 > DAT 60ES > M-Audio Audiophile USB > WAV >CD Wave > FLAC (level 7) Quality: Ex-
03/07/72 Taiikukan CDR/FLAC 2 "Live in Tokyo 1972" Catalog: Zeus Records (Z907001) From the original master tapes Setlist: (2CDR)
03/08/72 Festival Hall CDR/FLAC 2 Osaka Master Rec 2 Source: M > DAT[2] > SHN@48KHz > FLAC
03/09/72 Festival Hall CDR/FLAC 2 "Echoes from Osaka" Source: Audience / unknown>cdr[?]>shn > flac
03/10/72 Taisyougun Furitsu Taiikukan CDR/FLAC 2 "Home Again" Label: TOP PF 72010 D Source: AUD[LOW]>CDR(x?)>EAC>SHN>FLAC Quality: VG+/EX-
04/15/72 The Sportatorium CDR/FLAC 2
04/20/72 Syria Mosque Theatre CDR/FLAC 2 cuts after a few seconds of Brain Damage, no Eclipse; Echoes cuts out - no 3rd verse
04/27/72 Ford Auditorium CDR/FLAC 2 "Born into Shadow"
04/28/72 Auditorium Theater CDR/FLAC 2 Master Aud. Cass.>DAT2x>Delta DI/O 2496 soundcard>Soundforge 7.0>CD Wave Editor>Flac
05/02/72 Carnegie Hall CDR/FLAC 1 This is a very nice surprise, minimal hiss, no distortions, right speed. Marked upgrade for real to the common version. Tape flip near the end of Echoes. -
05/04/72 Music Hall CDR/FLAC 2 Source: very good to excellent audience recording Lineage: MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4) -> mkw -> shn -> flac Taped by: Joe Maloney (maloneyjoe68_at_aol.com) Transfered by: Jamie Salerno (jjs4_at_po.cwru.edu) Bootleg Title: "Boston Music Hall, May 4, 1972", no label
05/18/72 Deutschlandhalle CDR/FLAC 2 Source Audience (recorder 2 + recorder 1 for fills) Generation cass[Master] > CDR(4) > SHN > WAV > Cool Edit Pro (remaster + 2nd source fills)
05/21/72 Insel Grün CDR/FLAC 1 New High Definition transfer from Marbal's own 1st Generation Safety Cassette. Artwork production by Beechwoods. Lineage History: -Master Recording (1972-05-21): Telefunken Magnetophon 300 reel to reel -R2R to Cassette (1981-09-18): ASC AS 5000 reel to reel > unknown cassette deck > Maxell UDXLII C90 cassette (Dolby 'On') -1st Gen Cassette (2011-07-18): Nakamichi CR7A > Maxell UDXLII C90 cassette (Dolby 'On') > Tascam HD-P2 (WAV 24bit/96kHz) ===> Adjustments (WAV 32bit float/96kHz) > WAV (16bit/44kHz) > CDWave (1.98) > FLAC
09/22/72 Hollywood Bowl CDR/FLAC 2
11/10/72 KB Hallen CDR/SHN 2 "Dr Who in Denmark"
12/01/72 Palais des Sports CDR/FLAC 2 Lineage: 2nd gen Maxell XLII cassette 1988/1989 > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Reaper v4.61 > FLAC (16bit/44.1kHz)
12/05/72 Vorst Nationaal CDR/FLAC 2 Uher Report Stereo tape recorder and AKG microphones -> CD-ROM -> SOUNDSCAPE mastering -> Speed correction with Serato in ProtoolsHD -> FLAC (level 8 with internal checksums and tags)
12/07/72 Palais des Sports CDR/FLAC 2 Telefunken tape recorder, external mic (mono) > Audacity (1.2.6) no Filter > WAV (48Khz/24bits) > remastering / cleaning / restoration (MOB "touch") > FLAC (44.1Khz/16bits)
12/09/72 Hallenstadion CDR/FLAC 2 Lineage: Unknown recording device > low generation 2xc60 maxell XL II-S > Aiwa Tape Deck TC-WE475 > Audigy SE Soundblaster > HD > SoundForge 10.0 Pro > CD Wave > FLAC Frontend (level 6)
03/07/73 International Amphitheatre CDR/FLAC 2 Sources: 07 Mar 1973, 06 Mar 73, 08 Mar 73 Disc 1, Disc 2 1-11, 07 Mar 1973, International Amphitheatre in Chicago, Illinois Disc 2 12, 6 Mar 1973, Kiel Auditorium in St. Louis, Missouri Disc 2 13, 8 Mar 1973, University Fieldhouse in Cincinnati, Ohio Lineage: silver cd>eac>flac Bookmark as: http://www.pf-roio.de/roio/roio-cd/childhood_end.cd.html Format: 2CDR Catalogue: Hip Cat Records Misc.: CDRs Produced: December 1997
03/10/73 Gymnasium CDR/FLAC 1 Shorter of Breath: Only DSOTM set (what a pity) is available from this source. A big upgrade to the circulating versions - great sound indeed. From rare audience master tape. The same material (more or less - different rip) is available on bootleg known as "Master". Lineage: A Sony TC50>Cass[Master]>CDR[0]>CDR>EAC>FLAC.
03/14/73 Music Hall CDR/FLAC 2 Analog Master > WAV > FLAC Changes made (Nero 8) - Converted to true mono, using better sounding right channel (disk 1) and left channel (disk 2) - Fixed the tape flip at 10:27 on Track03 seamlessly joined original Track04 (at 10.27 if you're interested) - Fixed the rough transition between tracks 04 & 05 - Fixed the applause cut between tracks 13 & 14 - Fixed more than 2000 volume fluctuations - Very slight EQ, +1dB bass & +2dB treble, much less than you can do with amp tone controls - Added flac tags for digital streamer replay, note altering files in any way will destroy these - Minor re-tracking
03/17/73 Radio City Music Hall CDR/FLAC 2 Source: Liberated Bootleg (SBD?)> EAC> .shn >.flac RoIO: "Dake Side of Radio City"
03/18/73 Palace Theater CDR/FLAC 2 'Obscured by Father Time' Radio City Music Hall, New York March 18th 1973 Godfather Records (G.R. 340 / 341) Silver CD > FLAC Much confusion has surrounded these recordings from March 18th, 1973 in recent years; Pink Floyd were scheduled to perform in Waterbury, Conneticut on the date in question, and thus, many of the tapes from this date were attributed to the Palace Theater in Waterbury for that reason. However, the band actually performed twice on the 18th; although the tickets for Pink Floyd's March 17th 1973 concert at New York's Radio City Music Hall had been printed with the March 17th date, the band didn't actually take to the stage until 1 A.M. the following morning, hence he difficulty in accurately identifying this show. Early tape traders originally determined that the origin of these recordings was the Radio City Music Hall, but as new sources emerged with the March 18th date, and subsequently compared to the older Radio City sources, determined to all be of the same show, based upon the bands tour schedule, they were then attributed to Waterbury! Ultimately, it is unlikey that 5+ sources could originate from one show in a small Connecticut city in 1973, yet none from the famous Radio City Music Hall in New York, and given this fact, along with other details found within the recordings themselves, we can finally clear up this confusion once and for all! We proudly present to you the silver debut of Pink Floyd's excellent 1973 performance at New York's Radio City Music Hall, in support of the "Dark Side Of The Moon" album! The eleventh concert of the bands first North American tour for 1973 includes "When You're In" and "Obscured By Clouds" from the soundtrack of the same name. - these songs would only be performed live in 1973, and make documents such as this even more valuable. Additionally, this would be the last year "Set The Controls For The Heart Of The Sun" would be performed on a Pink Floyd tour, and the other long time fature "Careful With That Axe, Eugene" would soon be retired the following year to make way for newer material. Of course, the centrepiece of this collection is the complete "Dark Side of the Moon" suite, marking the first time the New York audience would experience the final, post-LP release version of the epic, which had transformed significantly since the bands last visit in May of 1972. Without question, this is one of the most important concerts the band performed in 1973 that directly contributed to the changing fortunes of the band!
05/18/73 Earls Court Exhibition Hall CDR/FLAC 2 "The White Bootleg" Source: Audience (recorder 2/patch from rec1 low gen) Generation: cass[M] > DAT(3) > WAV > CDR > FLAC > WAV > patch job > FLAC Sound Quality: EX+ for a 1973 recording From the master tapes of what is known as recorder 2 (same recorder as the source called '4th Gen'). This recorder is cut at the very end of ACYL, missing the end of this song and BD/Eclipse, so i patched those missing bits from the low generation source i have from recorder 1. One of These Days remains from the main source, the only bit edited out was 1:11m of audience/tunings before OOTD because it sounded very bad, as if the tape was very damaged really (some kind of channel dropping, or maybe just very heavy mic bumps). Sound is really good, an EX+ for a 1973 recording, one of the best from that year (if not the best), performance is good also. The patch job was made using SoundForge and CDWave to split the tracks, and encoding/md5 was done on Trader's Little Helper. No EQ/NR applied to this, apart of the patch job and some minimum fade in/out, this is as raw as russian winters.
05/19/73 Earls Court Exhibition Hall CDR/FLAC 2 Pink Floyd - Live At Earls Court 1973 Label: None All tracks: Earls Court Exhibition Hall, London. May 19th, 1973 Quality: EX- Source: Audience Lineage: Silver CD > Wav via EAC > Shn via MKWact > FLAC via TLH
06/16/73 Roosevelt Stadium CDR/FLAC 2 Lineage: cass(low)>eac>flac
06/16/73 Roosevelt Stadium CDR/FLAC 2 "A.Werblun Tape" Verdi - 001a Lineage: Master/1st Gen Recorder 2 > HDD > FLAC 8 > Audacity (joined) > Traders Little Helper > FLAC 8 Comparisons: Vegetated's 1st Gen - [This] Sounds better, and is complete Doinker's Reel - [This] Sounds the same, but is complete StCftHotS/JFG - [This] Far superior.
06/17/73 Saratoga Performing Arts Center CDR/FLAC 2 Notes: Audience recording. From master tape. Lineage: A Cass[Master]>DAT[?]>CDR> EAC>FLAC
06/20/73 Merriweather Post Pavilion CDR/FLAC 2 Pink Floyd 1973-06-20 Breaking Bottles In The Hall Label: Liverpool Records 2000 LR-45/46 Source: AUD[1]>CDR>FLAC
06/22/73 Memorial Auditorium CDR/FLAC 2 Pink Floyd Title: The Return Of The Yeeshkul! Disc(s): 2 Release: - Date/Venue: 1973 June 22 - Memorial Auditorium , Buffalo, NY Source: audience / cass[2]>CDR[?]>EAC>WAV>SHN>WAV>FLAC(8) Length: 132:20 Overall SQ: VG+
06/28/73 The Sportatorium CDR/FLAC 2 "INTO LITTLE PIECES" Album notes: Great upgrade to previous versions. From unique master source. Irrespective of very good sound, this is the longest version available. Revised and very carefully indexed. Audience recording. From master tape. Lineage: A Cass[Master]>DAT>CDR>EAC>FLAC
06/29/73 Tampa Stadium CDR/SHN 2 Source: excellent audience recording Lineage: master -> CD -> EAC -> WAVLab -> shn -> mkw (V0.97 beta 1) -> wav (fixing SBEs using shntool V2.0.3) -> mkw -> shn (further details see below) Taped by: John Tsalikes Transfered by: John Tsalikes / Carl Morstadt Bootleg Title: "Tampa Stadium, June 29, 1973", no label
10/12/73 Olympiahalle CDR/FLAC 2 PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy This is the 4th of 5 shows in the set (discs 7 & 8)
10/13/73 Stadthalle CDR/FLAC 2 "The Lunatics on the Run" Liberated bootleg Highland HL591/592 Original silver CDs -> EAC (V0.95 prebeta 3) -> wav -> mkw (V0.97 beta 1) -> shn Additional lineage: shn -> foobar2000 v0.8.3 -> flac 8 (verified to be bit identical to the original shn files)
11/04/73 Rainbow Theatre (early show) CDR/FLAC 1 Revealed At The Rainbow Digital Floyd Project (DFP-323) Notes: This particular performance was the early performance of Pink Floyd from the Rainbow Theatre on November 4. This performance has been remastered from a low generation analogue tape of the performance. The sound quality is quite good. -
11/04/73 Rainbow Theatre CDR/FLAC 1 Late Show - Recorder 2 (Different recorder than "Obscured at the Rainbow") Source: "Reeling In Pink Floyd "DVD 4 - Tape 13 Lineage: cass[low] > DAT@48khz > wav > shn@48khz --> Wav > ACL14 > Wav44 > CDWave > Flac Objective was to use the channel with the best SQ, level a very large number of volume fluctuations, repair drop outs/downs, remove many distortions/crackles, as well as other targeted modifications. Artwork included.
06/22/74 Parc des Expositions CDR/SHN 2 PINK FLOYD : Live in COLMAR, This mastering was a "tour de force" as the master had a very important speed problem. But with a long and slow labour, we were able to correct most of the problems. This maybe the first ever performance of "Shine on you crazy diamond". This CD is also a little bit more complete than the "Harvested" release. Recording history : 3rd gen analog tape. Recording process : some noise reduction. lot of speed correction (some variations are still listenable)
11/04/74 Usher Hall CDR/FLAC 2
11/09/74 The Odeon CDR/SHN 2 source: audience - generation: unknown Cass(?)>HIFIStereoPhilips>SBLive>WAV>CEPro>WAV>CDWave>WAV>CDR(0) released by Mr. Pinky
11/15/74 Empire Pool, Wembley CDR/FLAC 2 "How Time Flies" new unknown aud source: VG+
11/16/74 Empire Pool CDR/FLAC 1
11/17/74 Empire Pool, Wembley CDR/SHN 2
11/19/74 Trentham Gardens CDR/FLAC 2 CD Reference: LP Reference: British Winter Tour 74, Raving And Drooling Comments: The complete recording: Quality: VG+
12/14/74 Colston Hall CDR/FLAC 2 PF - The Massed Gadgets Of Hercules 1970 – 1974 - Godfather GR BOX 09 Several Species Of Some Unique Performances Gathered Together In A Box And Making A Joy This is the 5th of 5 shows in the set (discs 9 & 10)
04/08/75 PNE Exhibition Park CDR/FLAC 2 Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac
04/10/75 Seattle Center Coliseum CDR/FLAC 2 Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS
04/13/75 Cow Palace CDR/FLAC 3 release: YGBC (speedcorrected and resampled by Rudy) date/venue: 1975 April 13 - Cow Palace, San Francisco, CA source: audience / recorder 1 / TDK-D90x2 cass[low]>Philips(FCD485) playback>SBL>wav@48KHz> speedcorrection > CD WAVE > wav@48KHz/44.1KHz > FLAC
04/21/75 Sports Arena CDR/FLAC 1 Bootleg Title: California Soundboard Label: SD75 A1/B1/C1 Source: Soundboard (mixing desk) Lineage: My vinyl > Philips 903 stereo music centre > Sony PCM-M10 > WAV 24bit-96kHz > Soundforge for conversion to 16-44 > TLH > FLAC.
04/26/75 Sports Arena CDR/FLAC 2
04/27/75 Sports Arena CDR/FLAC 2 Also include video LA Sports Arena 27 April 1975 (16:26) Video: 8mm > S-VHS > NTSC DV (avi) > Vegas (CBR 6) MPEG-2 Audio: Master > DAT > CDR > Vegas (PCM Stereo) The actual lineage for the audio of 8mm should be: Master>Film Run Copy>DAT>CDR>Vegas (PCM Stereo). The sync and transfer of this material was done professionally in the early to mid 1980's, and was widely circulated at one point in time. I have a copy of the “8mm” material on VHS, also. The audio portion of my torrent is of a much higher quality, IMO. The video portion of my torrent is another matter entirely. Although I believe it can be much improved by someone with the knowledge to do so (anyone want to tackle black levels?), it's presented for quite another reason. It's to prove that my version of events is true, and is the only version of events, and that there is no other version of events. The audio master used in the Harvested torrent is in fact a poorer quality copy of the original reel. How do I know this to be fact? I actually know the original filmer and taper, and the method by which the films were made, plus he gave me the master of the audio. Hold on, I'll tell you the whole, depraved story as to how we met ... but first you have to promise to remove the kiddies from in front of the computer because some of the stuff following is truly awful. If you *are* under 18 and you choose to read further, well, yer uncle Doinker warned you
04/27/75 Sports Arena CDR/FLAC 2 Theory Of Ruin Value - Sigma 46 Matrix Disc 1-3: SIGMA 46 DISC 1-3 - (P) 2009 Made In Japan Lineage: silver cd>eac>flac
06/09/75 Capital Center CDR/FLAC 3 Source: audience / cass[low] > CDA[0] > flac Raw rip from a super nice low generation cassette, sounds amazing. No dehissing of artifacts used here, frequencies are all intact, sounds bright and crispy (other versions around have poor NR) The show was pretty good and the output result sound after the raw rip from the old cassette. You will surely add this one to your '75 collection.
06/16/75 Nassau Coliseum CDR/FLAC 2 "Pandora's Slowing Down" Pandoras Box was always a strong source for this show, but the super fast speed made the Floyd sound like chipmonks on crack. Also it was incomplete as was "Random Precision" which most of U&T is from 18/06/75. Raving Crazy Diamond Moon is complete but isn't as defined or clear as "PB" or "RP". IMHO this makes for the best complete version of this show. Enjoy. All Sources: ACL2005>CDR>EAC>FLAC Source1: "Pandoras Box" Silver: Speed Corrected, very slight EQ on some tracks. Source2: "Random Precision" Silver: 2nd half of D1 Tr5, EQ to match "Pandoras Box" segment. Source3: "Raving Crazy Diamond Moon" CDR: audience & 1st half of U&T, EQ and level adjustments to match "Pandoras Box" segments. For Free Trade Only - Not For Sale Little Pieces Production (LLP) Artwork Layout By Little Pieces
06/17/75 Nassau Veterans Memorial Coliseum CDR/FLAC 2 Pink Floyd, 1975-06-17 Nassau Coliseum Godfather Records GR 267/268 'Wishes, Echoes and Desires'
06/18/75 Boston Garden CDR/SHN 2
06/22/75 County Stadium CDR/FLAC 1 Name: Heavy Rain Label: Ayanami Lineage: silver cds>eac>flac Comments: The show was interrupted by heavy rain and Pink Floyd only played "Dark Side Of The Moon" and "Echoes". The sound quality is better than the circulated one in collectors' circles.
06/24/75 Olympia Stadium CDR/FLAC 3 Pink Floyd-All Due Respect (Siréne #219) Lineage:silver>eac>flac Pink Floyd-All Due Respect pressed silver 3cd set (Sirene #219)>EAC (secure mode/offset corrected)>Traders Little Helper(flac level 8/test/fingerprints)
06/28/75 Ivor Wynne Stadium CDR/FLAC 2 "Holes in the Sky" Matrix: Disc 1: IFPI IC72 HL097 517320 IFPI L601 Disc 2: IFPI IC02 HL098 517325 IFPI L601 Cover: Slim double jewel case. Single two-sided front insert says PINK FLOYD - HOLES IN THE SKY at top on outside with picture of band on stage in top half and man standing in hot springs on bottom half (from WYWH postcard); on inside of front cover is picture of inflated pig from 1977 tour, with names of four Floyds and their instruments. Back cover is also a single insert printed front and back; inside has same picture of band on stage; outside has pig from 1977 tour with set list and times, also says "Recorded live at Ivor Wynne Stadium, Hamilton, Canada, 6/28/75", and white Highland logo in bottom right corner. Discs: The CDs are painted grey with black letters, HIGHLAND above the hole and HOLES IN THE SKY below the hole. Sources: 28 Jun 1975, Ivor Wynne Stadium, Hamilton, Ontario Lineage: silver cd>eac>flac
07/05/75 Knebworth Park CDR/FLAC 2 "Wish Roy Were In Knebworth" Original Silvers>EAC Secure>Flac Level 8 Album Art Included
01/23/77 Westfalenhalle CDR/SHN 2 Animals Premiere 23-JAN-77 [1] Remastered, bass enhanced, with speed-corrected Pigs (3 d.o.)
01/24/77 Westfalenhalle CDR/FLAC 2 source: audience/cass[2]>DAT[?]>CDR[?]>EAC>WAV>FLAC
01/27/77 Festhalle CDR/FLAC 2
01/30/77 Deutschlandhalle CDR/SHN 2 Source: Unknown Comments: Entire show, very little audience noise. It even has the announcements and intermission.
02/01/77 Stadthalle CDR/FLAC 2
02/03/77 Hallenstadion CDR/FLAC 2 Pink Floyd - Zürich 1977 (Siréne-271) Matrix Disc 1: SN - 271 D1 Matrix Disc 2: SN - 271 D2
02/04/77 Hallenstadion CDR/FLAC 1 Pink Floyd - Zürich 1977 (Siréne-271) Matrix Disc 3: SN - 271 D3
02/17/77 Sportpalais Ahoy CDR/FLAC 2 title: SCHAAP EN ZWIJN disc/s: 2 release: - date/venue: 1977 February 17 - Oude-Ahoy Hallen, Rotterdam source: audience - recorder 2 / cass[master]>remaster?>cdr[?]>flac tot length: 111:32 overall: VG+
02/18/77 Sportpalais Ahoy CDR/FLAC 2 Bleating and Babbling Oude Ahoy-Hallen, Rotterdam (2nd night) Source: recorder one, complete and unprocessed Lineage rec1 (low)>eac>flac Identification: Roger shouts 11 after the 2nd verse of P3DO SQ: VG-
02/19/77 Sportpalais Ahoy CDR/FLAC 2 Lineage: Unknown gen cassettes (TDK SA) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > WAV (24bit/96kHz) > r8brain PRO > WAV (16bit/44.1kHz) > CDWave (1.98) > FLAC (16bit/44.1kHz) xACT used to create FFP * The Technics RS-B965-M is a modified deck - for details see the Tapeheads.net forum A raw transfer of this mono recording that is a modest upgrade to the digitally de-noised version that is generally available. It is one of the weakest tapes in circulation from the 1977 tour - one I am keeping in the hope that a better copy turns up. The recording was processed as two channel stereo as is often the case. The right channel was a lot stronger than the left throughout. The left side contained no additional musical content and was noticeably hissier, quieter and less dynamic, so I dropped it. WTTM has a slight repeat from SOYCD which I have left in.
02/20/77 Sportpaleis CDR/FLAC 2
02/22/77 Pavillon de Paris CDR/FLAC 2 "Dragged Down By the Stone" Lineage: AUD > CDR(x) > EAC > WAV > FLAC Quality (F/G/VG/EX): VG-EX
02/23/77 Pavillon de Paris CDR/FLAC 2 Source: Audience Comments: Roger shouts '14' during Pigs (Three Different Ones) -3rd verse CD Reference: Paris 1977 (pigeon), Paris-The Pavillion LP Reference: Quality: Very Good DISC QTY: 2CD CATALOGUE #: pp1960 PRODUCED: 1999 Pigeon Productions SOURCE(S): Paris, Pavillion, February 23, 1977 QUALITY: VG Audience Recording DATE: February 23, 1977 LINEAGE: SILVER>EAC>FLAC
02/25/77 Pavillon de Paris CDR/FLAC 2 Recorded by GD 1st gen cassette provided by Finkployd49 Transfer by Neonknight Remastering by MOB Quality Control by RonToon Artwork by Ediskrad Studios Produced by Harvested Records Lineage: AKG mics & Uher reel-to-reel recorder > Europe Type I tapes > Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > FLAC (24bit/96kHz) > MOB Remastering > FLAC (16bit/44.1kHz) This is a fabulous audience recording of the last of 4 consecutive nights in Paris during the In The Flesh 1977 tour. These Parisian concerts were performed at the Pavillon de Paris, which was a concert hall built at the place of an ancient slaughterhouse ("Abattoirs de la Villette" in French). The idea to bring the Animals Tour to a slaughterhouse is kind of ironic, hence the title of this release. An excellent 1st gen tape provided by Finkployd49 was transferred by Neonknight in 2011, and the present Harvested release is a remastered version of this 1st gen tape transfer. The remastering addressed mainly 3 aspects. First, on the rough transfer the speed was not consistent, the pitch increasing slightly as the show progressed. The speed of the first part of the Animals set is correct but it begins to accelerate during Dogs resulting in a 1.7% increase at the end of Pigs. A similar accelerating effect occurs for the second set, with 1.2% correction needed at the beginning of SOYCD 1-5 and 2% correction at the end of SOYCD 6-9. During Money, the acceleration is even more obvious where the first verse is 2% too fast and the last verse is 3% too fast. These speed fluctuations can be explained by batteries slowly losing power during the taping of the show. The present remaster corrects all of these speed issues. Another aspect was the raw sound of the original transfer with some annoying saturation of particular frequencies during the loud parts and a kind of "narrow" spectrum due to prominent medium. Careful EQ was applied in order to reduce the annoying frequencies, and to let the music breathe more with a "fuller" sound. For instance, the depth of Roger's bass can be heard in its full glory on this remaster. Another example is the barking interlude in the middle of Dogs where the bass drum kicks now sound as they were likely to sound in the Pavillon that night. Last but not least, the original recording was plagued with hundreds of mic bumps, probably caused by GD (the taper) moving during the show and touching his microphones. Every bump was carefully eliminated or attenuated manually in order to appreciate the music without these disturbances. This was the biggest challenge for this remaster, since it took dozens of hours to get rid of these mic bumps. Other restoration work during this remastering process was to correct some tape drop-outs here and there, adjusting the levels of each channel and creating continuity (avoiding the cut due to tape flip) between Pigs On the Wing Pt.2 and Pigs, and between Welcome To The Machine and Have A Cigar. There was no NR applied for this remaster.
02/27/77 Olympiahalle CDR/FLAC 2
03/15/77 Empire Pool, Wembley CDR/FLAC 2 Master>CDR>FLAC
03/16/77 Empire Pool, Wembley CDR/FLAC 2 Lineage: cass(unknown)>eac>flac
03/18/77 Empire Pool, Wembley CDR/FLAC 2 Animals On Empire (Godfather Records GR439/440) Godfather Silver > EAC WAV > FLAC
04/30/77 Jeppesen Stadium CDR/FLAC 2 "Deaf, Dumb And Blind" - label/origin unknown Lineage: silver cd>eac>flac
05/09/77 Oakland Coliseum CDR/SHN 2 Animal Instincts rev B (HRV-CDR-014)
05/10/77 Oakland Coliseum CDR/FLAC 2 X-ref: „Spit In The Fan”, „Oakland Coliseum 10.5.77”. Media: 2 CDR Source: Audience Recorder I Venue: May 10th, 1977 – Alameda Coliseum, Oakland, California, USA. Notes: A part of the nort american leg of the 1977 "In The Flesh" world tour. Roger Waters didn't yell any number during "Pigs". Very good technical quality (much better than „Spit On The Fan”). Discs' division compatible with the course of the show. Absolutely error-free version (no digital clicks). Revised copy. Balanced. Speed corrected.
06/15/77 County Stadium CDR/FLAC 2 Lineage: Cass(2) > DAT(0) > FLAC (16bit/44.1kHz) > Reaper v4.61 > FLAC (16bit/44.1kHz) xACT used to create FFP
06/27/77 Boston Garden CDR/FLAC 2 Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger
07/01/77 Madison Square Garden CDR/SHN 2 Where Have You Been? (MPPP-004) Audience Recorder I cass[low] > CDR(?) > SHN
07/03/77 Madison Square Garden CDR/SHN 2 Name: Fireworks On The Wing Format: shn
07/04/77 Madison Square Garden CDR/FLAC 2 Analogue Master Recording aud - a2>cdr3
07/06/77 Stade du Parc Olympique CDR/FLAC 2 Lineage: unknown gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac
02/25/80 Nassau Veterans Memorial Coliseum CDR/FLAC 2
02/28/80 Nassau Veterans Memorial Coliseum CDR/FLAC 2 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell XLII Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
08/06/80 Earls Court Exhibition Hall CDR/FLAC 2 BARS IN THE WINDOW FA005 Source: Analog Audience recording Lineage: cass[M] > WAV > Remaster > CDR(1) > EAC > SoundForge 7 (just for indexing) > FLAC (level 8, align on sector bound.) Sound Quality: EX+
08/09/80 Earls Court Exhibition Hall CDR/FLAC 2 "Soundboard on the Wall" (PFR-CDR-001) Source: Soundboard Label: PFR Lineage: SBD > Cassett Tape Master > CD > WAV > FLAC (Other additional Lineage unknown.)
02/15/81 Westfalenhalle CDR/FLAC 2 Linage: CDR (Gen??) > Amadeus II > WAV > xACT > FLAC
02/18/81 Westfalenhalle CDR/FLAC 2 Pink Floyd Dortmund 'The Sixth German Show' Westfalenhalle, Dortmund, West Germany February 18th 1981 Godfather Records (G.R.) 382/383 Silver CD > FLAC
06/14/81 Earls Court Exhibition Hall CDR/FLAC 2 Lineage: Unknown gen. cassette -> Sony HCD-EH26 and Creative SB Audigy SE -> wave 96/24 -> AdobeAudition (Eq and wave 44/16) -> NeroWaveEditor (split only) -> TLH -> flac
06/17/81 Earls Court Exhibition Hall CDR/FLAC 2 This is a cd burnable edition at 44kHz sample rate. The sound quality is Ex- and not quite as good as Nigel's 6th Aug 1980 recording. Taper: Nigel Bradder Recording made from Block 5, Row U seat 27 Equipment Used to record the show: - Technics Single Point Stereo Microphone->Sony TC-153SD Cassette Deck->TDK AD-120 cassette The transfer was made on the 11th September 2006 from the Master TDK AD-120 cassette (see photo). The transfer was made using the following equipment: - Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback. Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs. Transfer made at 48KHz 16bit resolution to two wav files. The two wav files from the 120 min cassette were concatenated into a single wav using Adobe Audition. The 48kHz source was split into individual wav files, downsampled to 44kHz and saved in FLAC format. The resulting wave files have NOT been re-mastered or changed in ANY way this is a direct copy of the master tape. This is an excellent quality recording in stereo and I believe it is an upgrade on the other versions of this show that have circulated.
06/17/81 Earls Court Exhibition Hall CDR/FLAC 2 "The Handwriting on the Wall" (mastered directly from the source tape) Lineage:cass(m)>eac>flac Mastered to CD from the original tape and speed corrected by Danalog of Man of Leisure Music (MoLM) www.molm.org. It's likely the original tape recording machine's calibration was slightly off. MoLM got the master tape on loan from Carzi, who got it from the taper. Recorded with a Technics Single Point Stereo Microphone and a Sony TC153SD Cassette deck. This recording has less audible background audience than the more common Golden Stars/MoLM source. It tends to have a fuller range of sound, but slightly less bass than the more cirulated source from this date. This is the same taper who is known to have recorded 04Nov73, 16Nov74, 17Nov74, 06Aug80 and 17Jun81.
09/19/87 John F. Kennedy Stadium CDR/FLAC 2 Lineage: unknow gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> NeroWaveEditor and AdobeAudition -> TLH -> flac New recording. Very good audience reconding, this is the tape with the longer soundcheck, that I put here too. Some music of Comfortably Numb is miss for change tape.
09/25/87 Rosemont Horizon CDR/FLAC 2 Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac Recorder 1 from my tape. Sound is brighter than The Final Echoes, the more known roio from this date with this recording.
10/03/87 Carrier Dome CDR/FLAC 2 Cassette of unknown generation > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition (level boost/hiss removal) > NeroWaveEditor > TLH > flac
10/12/87 Brendan Byrne Arena CDR/FLAC 2 source: audience / SonyD-3 Walkman using stock external stereo mic >cass[Master]-TDK-HX-S90>cdr[0]>EAC>WAV>CD-Wave(indexing) > flac(level8)
10/14/87 Civic Center CDR/FLAC 2 Source : Audience /Recorder 1 My Lineage: Cass[low]>CDR[?]>WAV>EAC>SHN. "Atom Heartford Mother"
10/25/87 Dean E. Smith Center CDR/FLAC 2 Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac
10/30/87 Tampa Stadium CDR/FLAC 2 Lineage: low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac
11/01/87 Orange Bowl CDR/FLAC 2
11/03/87 The Omni CDR/FLAC 2 Lineage: Vinyl -> ? -> low gen. cassette -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.4 -> wave -> NeroWaveEditor -> TLH -> flac
11/04/87 Omni Coliseum CDR/FLAC 2 Lineage: unknow gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> NeroWaveEditor -> TLH -> flac
11/30/87 Sports Arena CDR/FLAC 2 PRRP025- PINK FLOYD MONEY GOES WEST This show is taken from the master cassette used to record the concert. To our knowledge, this show has never been available before in any form. The cassettes were digitized using 24 bit resolution and 32 bit formatting. Harmonics were detected up to 11,000 Hz. Hiss was quite high and needed a major reduction. Bass was quite deficient and was universally boosted. Inconsistent dynamic variations were adjusted to make for a more flowing presentation. With a low volume recording this allowed enough room to make tonality adjustment before final normalization. A few patches were needed during tape flips but should not be too noticeable as outside sources were not necessary. Audience applause and other noises were reduced in volume as much as possible with respect to the music; these included applause, yells and a bit of colorful language. During the processing we detected that an audience member yells one slip to announce the performance of this rarely played song. We also noticed a bit of improvisation at the end of welcome to the machine. The show was balanced between the two discs as a final step. PRRP Staff
12/08/87 Kingdome CDR/FLAC 3 Source : Audience /Recorder 1 My Lineage: Sennheiser mics>SonyWM PRO>Cass[M]>CDR[1]>WAV>EAC>SHN.
12/10/87 P.N.E. Coliseum CDR/FLAC 2 Recorder 2 master tapes unknown recorder (mono?) Transfer: borrowed master cassettes > Nakamichi BX-2 (azimuth adjusted) line out > Radio Shack gold rca plugs to 3.5mm stereo plug > Zoom H2 line in @ 24 bit 96 khz > SDHC memory card > computer HDD Restoration: Adobe Audition 3 automatic phase correction tool: to repair most of the phasing caused by master tape azimuth drift. The source recording appears to be from a machine with a mono microphone, but the low quality of the master recording machine caused a certain amount of WOW and flutter to be recorded on the master tapes. Not only did the tape wobble a bit during the show, but it sounds like the tape shifted from side to side as the taper flipped over his recording deck. In other words, the tape that passed over the recording heads of the machine during the concert didn't do it evenly. The tape kind of wiggled and squiggled a little bit, so the track of the recording on the actual tape isn't quite in a perfectly straight line like it should be - it slowly drifts back and forth across the tape, causing some strange audible phasing in the mono recording original master transfer. The playback azimuth was calibrated to a best average for each tape side, but the extremes of tape tension at the start and end of each tape side caused more wobble. The Audition APC tool corrected a lot of this problem, but some audible artifacts of this analog tape "error" remain... Enhancements: *Waves Q10 Paragraphic EQ: to tonally balance the frequency spectrum. I set this plug-in up to minimize a low-mid spike, enhance the entire top end, and find the nearly hidden bass! It was only minor cosmetic surgery EQ that I applied with a very light touch... *SHEPPi Free Spatial Enhancer Open Ambience Project: to enhance the immersive effect of sound that surrounds the listener. My opinion of all those reflected sounds seemed to be a thick wall of low mid mush. The original master kind of sounded a little to me like I was listening to this show in this cavernous stadium through a 50 foot long Christmas wrapping paper tube that was stuck into a hole drilled into the wall of BC Place! haha. All that sound coming through this one tiny pinhole, basically. All those different random delayed reflected sounds bouncing off all the walls and floor and domed roof and seats and stunned faces of the standing spectators, all mixing down together in the air and covering up and masking over the direct sounds from a straight line from the speakers to that single point microphone, all down to that one signal! Yikes! I set this plug-in up to split and move a lot of that lower-mid end reflected natural reverb echo mushiness to the sides a little bit, allowing the upper end clarity to cut through a little bit more and fall into it's proper place in the middle. I believe firmly that it sounds a lot more "like you're there" with SHEPPi properly applied, on headphones especially. I think I hear more stuff in the music, more detail. It feels like I'm now in the building rather than listening to the show through a series of tubes... *BBE D82 Sonic Maximizer: to strengthen the impact of the sound upon the listener. Adds "focus" to a final mix. Enhances tonality without E.Q., it is used sparingly here to give the kick drum a bit of "oomph" and to clean up the highs... Editing, mastering and tracking: Wavelab 5.01b Processing for RedBook CD Ready 16/44.1 files: > SoX ReSampler via Foobar2000 for resampling from 96 khz to 44.1 khz (passband 95.2% disabled aliasing 25% phase response very high quality) > iZotope RX for dithering from 24 bit to 16 bit (MBIT+ ultra noise shaping high dither) > Trader’s Little Helper > FLAC8 > FooBar2000 for FLAC tagging with Discogs tagger > mystery file transport mechanisms
01/27/88 Entertainment's Center CDR/FLAC 2 IFWT-CDR-041 - Pink Floyd - 1988-01-27 - The Time Is Gone Lineage: Unknown gen. cassette -> Sony HCD-EH26 -> wav -> NeroWaveEditor -> TLH -> flac
02/19/88 Tennis Center CDR/FLAC 2 Anything Can Happen Moonage Daydream Records Matrix Disc 1: MELB-88-1 Matrix Disc 2: MELB-88-2 Barcode: 5708566206446 (P) 2008 Made In The EU 24-Bit-Remastered Cult-Status-Live Recordings Great Concert with extremly good Sound Soundboard/Excellent
05/06/88 Sullivan Stadium CDR/FLAC 3 "Deafening Sound of Audience"
05/26/88 Arrowhead Stadium CDR/FLAC 3 Rare bootleg from north american leg of the second part of 1988 "A Momentary Lapse Of Reason" world tour. Complete show. Three discs version. Low gen source. Very good quality.
06/16/88 Reichstagsgelände CDR/FLAC 2 PINK FLOYD - Berlin! 1988 Platz Der Republik Cape Music CM827 Matrix Disc 1: CAPE CAPE CAPE 827 one 1 1 1 Matrix Disc 2: CAPE 827 2 16.8.88 Disc 2 (P) 2010 Made In South Africa
07/31/88 Gentofte Stadium CDR/FLAC 2 FROM THE COLLECTION OF SMORES KRW&CO TRANSFER AUDIENCE ANALOG 1ST GENERATION TRANSFERRED USING A NAKAMICHI DR-3 CASSETTE DECK INTO CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 TO WAV 24/48 TO MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND TAPE FLIP EDITS TO WAV 16/44.1 TO TLH FLAC (LEVEL 8)
05/17/89 Roman Arena CDR/FLAC 3 Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Balanced. Speed corrected. Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN
06/28/89 Palais Omnisport de Paris Bercy CDR/FLAC 3 PARIS BERCY 2nd night Album notes: A part of european „Another Lapse” 1989 tour, promoting album „A Momentary Lapse Of Reason”. Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Balanced. Speed corrected. Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN
06/29/89 Palais Omnisport de Paris Bercy CDR/SHN 3 PINK FLOYD PARIS BERCY 3rd night X-ref: No info. Venue: June 29th, 1989 – Palais des Sports de Paris Bercy, Paris, France. Album notes: A part of european „Another Lapse” 1989 tour, promoting album „A Momentary Lapse Of Reason”. Recording mastered from genuine low generation analog tape. Discs' division compatible with the course of the show. Carefuly indexed. Revised copy. Balanced. Speed corrected. Lineage: A[Low]>SBLive>WAV>CoolEditPro>EAC>SHN
07/01/89 Palais Omnisport de Paris Bercy CDR/FLAC 2 PARIS BERCY 5TH NIGHT REC. 1 Media: 3 CD-R Source: AUD X-ref: 'Paris Bercy 89', 'Paris Bercy 5th Night Rec. 2'. Notes: The last from 5 shows, performed in 1989 at Paris Bercy in France. A part of European 'Another Lapse' tour, promoting 'A Momentary Lapse Of Reason' album. Very good quality, material comes from CDR copy of very nice low generation tapes from Recorder 1. Loud and enthusiastic crowd... but not extremely loud in general. As usual in Francophonian countries Dave hosted the show in French. Discs' division compatible with the course of the show. Very carefully indexed. Audience recorder 1. From low generation tapes. Revised version (normalized, speed corrected, reindexed). Lineage: A1 Cass [Low]>CDR>EAC>WAV>Cool Edit Pro>TLH>FLAC.
07/10/89 Goffert Park CDR/FLAC 2 Generation cass[low] > SBLive > WAV > CoolEditPro > EAC > SHN
06/30/90 Knebworth Park CDR/FLAC 1 PINK FLOYD - Afterglow OHM 026 (P) 1993 by Midas Touch
03/30/94 Joe Robbie Stadium CDR/FLAC 2 "The Live Bell" CONTRAST CLAUSE: While I know that lots of people have this recording, this is a fresh, flawless/error-free rip from the mint silver CDs using Exact Audio Copy (EAC) using the most strenuous mode. EAC log files made contemporaneously with the rip are included. Also, all CD artwork was scanned in at 600 dpi (high resolution). While a soundboard version of "Astronomy Domine" allegedy from this show appeared as a B-Side to the "Take it Back" CD single, it is clearly a different performance than the one captured live that night as evident here. Purchased at Generation Records in New York City in our about 1996. LINEAGE: Audience > ? > Silver CDs (EAC most strenuous mode)(with logs) > > FLAC Frontend Level 8 > Traders Little Helper
04/05/94 Rice University Stadium CDR/FLAC 2 Audience tape, B+ quality Taken from silvers, original title "Moonlight Tunes" This is an interesting performance because the rain was coming down so hard that it actually shorted out the equipment during the second set, which forced David Gilmour to end the show. The crowd did not seem very pleased by that. A very interesting 1994 document to be sure.
04/22/94 Oakland Coliseum Stadium CDR/FLAC 2 Recorded from Front of Board Center Section Schoepes MK4 w/Reutelhuber Mod This is a transfer from my master recroded with Panasonic SV250 DAT. This is a source new to circulation. Panasonic SV250 DAT master tranferred on Panasonic SV3800 to Tascam CD-RW700->Wav->Flac
05/06/94 Tampa Stadium CDR/FLAC 1 Live at Tampa Stadium, Tampa, Florida, USA Soundcheck Rehearsals Soundboard From Original Silver Disc OCTOPUS 055 silver/gold CD>EAC>FLAC
06/11/94 Yankee Stadium CDR/FLAC 2 Originally: The Bell Gets Louder Lineage: cass(low)>eac>flac Remaster 1. Repair clipped segments. 2. Adjust tonality/EQ attenuating excessive frequencies. 3. Manually adjust excessive peaks. 4. Adjust dynamics. 5. Repair clicks and bumps. 6. Re-track and adjust track names.
07/05/94 C.N.E. Stadium CDR/FLAC 2 This is a flac version of ROIO CDR 019 shn conversion to flac and FFP created with TLH on July 5, 2014 by Digby
07/09/94 Robert F. Kennedy Stadium CDR/FLAC 2 Recorded by R. Jones & wklitz Source: Schoeps MK4's>Rbox>Sony TCD-D10 Pro (Mod) This source comes from a back-up copy of the Master DAT
07/12/94 Soldier Field CDR/FLAC 2 Main floor centre about 30 rows front of mixing board. Recorder: Sony TC-D5M analog cassette: Tape: Sony UX-Pro 100 minute tape recorded side A only! Mics: AKG 414 ULS-B (cardioid) Using AKG B-18 48-volt Phantom Power boxes **Played back on identical machine>** Pre-amp: Naim NAC 52 CDR Recorder: Marantz CDR-600 (original Philips). CDR: Taiyo Yuden Gold Satin 74-ZY PC Drive: UltraPlex40max SCSI EAC (1.8X speed extract OR slower)> FLAC>
07/22/94 Estadio Jose Alvalade CDR/FLAC 2 Lineage: very low gen. cassette -> Sony HCD-EH26 -> Creative SB Audigy SE -> wave -> NeroWaveEditor and AdobeAudition -> TLH -> flac
07/23/94 Stadium Alvalade CDR/FLAC 2 Lineage: low gen. cassette (BASF Chrome) -> Sony HCD-EH26 + Creative SB Audigy SE + Audacity 2.0.5 -> wave -> NeroWaveEditor -> TLH -> flac
09/21/94 Cinecitta CDR/FLAC 2 "The Nights of Wonder" ARC 013-014 Alternative Recording Company INCLUDING ARTWORK The website http://www.pf-roio.de/roio/roio-cd/nights_wonder.cd.html tells us that: Disk 1 is from 21 Sep, except track 11 which is 19 Apr. Disk 2 is from 19 Sep, except tracks 1&2 which are 21 Apr. LINEAGE: Sony TCD-D3 Digital Studio Mobile > ? > Silver CDs (EAC most strenuous mode)(with logs) > > FLAC Frontend Level 8 > Traders Little Helper

Queen --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
09/19/80 Rosemont Horizon CDR 1

Robert Plant --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
06/30/90 Knebworth Park CDR 1 "Let the Good Times Roll"
07/07/90 Spectrum CDR 2
08/03/02 Madison Square Garden CDR 1

Roger Waters --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/27/84 National Exhibition Centre CDR/FLAC 2 w/ Eric Clapton
02/15/12 Allphones Arena CDR/FLAC 2 Equipment: Tascam DR-07 MK II using the internal microphones. Location: 42 rows behind the Soundboard and a little to the left.
10/16/16 Empire Polo Grounds CDR/FLAC 3 Recorded from back wall of the Pit Dead Center Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac

Rolling Stones --- Approximate Hours: 37.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/09/69 Oakland Coliseum (2nd Show) CDR/FLAC 1 This is an incomplete soundboard recording of the Rolling Stones at the Oakland Coliseum, November 9, 1969, 2nd show. By coincidence, it's the exact same show which was recorded from the audience by the guys who would go on to start the TMOQ record label. When their record came out, "Liver Than You'll Ever Be," people thought it was a soundboard recording because the quality was so good. Read the provided Rolling Stone Magazine review; they speculated that it must have been recorded "by someone involved in setting up the Stones' own sound system." They were wrong. "Liver Than" was just a great audience recording for the time. But maybe the reviewer somehow heard about this recording and got his stories mixed up. This soundboard recording was supposed to be broadcast around 10PM on October 28, 1972; see provided flyer. A friend of mine recorded this off the air. He told me it was actually broadcast early in the morning of October 29, and that people were disappointed because a lot of the other material played was actually from records, not the concerts listed. At one time I had a tape with some spoken words from Bill Graham about how Mick Jagger sounds "younger" but it's not on this version and I've misplaced my old tape. When I got this recording on CDR back in 2003, it ran too fast. My friend said that's the way they broadcast it. I matched the pitch to my low gen. of the audience recording. The complete lineage is something like this: SB (1969) -> FM (1972) -> reel (1972) -> CDR (2003) -> PC editing (2003, EAC, Cool Edit Pro) -> CDR (2003, EAC) -> WAV (2011, EAC) -> PC editing (2011, Adobe Audition) -> FLAC I don't know how my friend transferred from his reel to CDR, but he has good equipment. I've EQ'ed the last four songs a little for 2011 so that they sound more like the first five. Presented in FLAC 1.2.1. I provided Vinyl Gang's artwork, which is based on a German LP from 1984, the first "release" of this material. This is better than that LP; I haven't heard either of VGP's versions. I have heard CD3 of DAC-116, and it's comparable in quality, but I don't like its noise reduction.
12/06/69 Altamont Speedway CDR/FLAC 2
09/23/70 Palais Des Sports CDR/FLAC 1 THE ROLLING STONES - SECRETS TRAVEL FAST (Scorpio/Bad Wizard) LINEAGE: Original Scorpio CD -> WAV (EAC v. 0.99 beta 4 - secure, Offset "actual") -> FLAC (Traders Little Helper)
06/03/72 Pacific Coliseum CDR/FLAC 2 Source: Audience Lineage: 1st gen reels>Wav(96/24)>Wav(44.1/16)>flac Transfer: 1st gen reels>Revox A77>Wavelab 96/24 Taping Gear: unknown mics>combo radio/tape recorder Taped By: Dave Departee and Donn Amick Transferred By: JEMS D & D Archives Master Series Volume 3
06/04/72 Coliseum (2nd Show) CDR/FLAC 2 Late Show Source: Audience Lineage: master cassette & 1st gen reel>Wav(96/24)>Wav(44.1/16)>flac Transfer: master cassette>Nakamichi 670>Wavelab 96/24 Transfer: 1st gen reel>Revox A77>Wavelab 96/24 Taping Gear: unknown mics>combo radio/tape recorder Taped By: Dave Departee and Donn Amick Transferred By: JEMS D & D Archives Master Series Volume 4
06/24/72 Tarrant County Convention Center FLAC 2
07/04/72 R.F.K. Stadium CDR/FLAC 1 "Jack Daniel's On Tour" VGP-111 Original silver > EAC Wave (secure mode) > TLH Flac level 6 No need for sector alignment. Released: March 1997. Origin: Japan. Very Good audience quality."All Down The Line" taken from two different sources. Complete show and in better quality than Grass Widow (Black N' Blue RSBB-1006) and Washington '72 (IMP-CD 043-044).
??/??/72 I Gave You Diamonds, You Give Me Disease CDR/FLAC 1 CDR (from trade) -> EAC (secure mode, offsets corrected) -> WAV --> FLAC 1.1.3 (level 6) -> FLAC
01/21/73 International Center Arena (1st Show) CDR/FLAC 2 Lineage: HJ3009’s silvers. (Brand new / not listened to before extracting the files) EAC (secure mode) > WAV (& spectrograms included) Trader’s Little Helper > FLAC Level 08 (checksums included)
09/01/73 Stadthalle CDR/FLAC 2 The Rolling Stones - Complete '73 Affair The Godfatherecords [G.R. 334/335] 2CD Many mistakes on the cover-artwork's info. Lineage CD-R>HDD>TLh Checksums
06/23/75 Madison Square Garden CDR/FLAC 2 Bootleg CD: "Cherry Oh Baby" VGP-310 Original silvers > EAC Wave (secure mode) > TLH Flac level 6 No need for sector alignment
10/04/81 Folsom Field, U. of Colorado CDR/FLAC 2 "Welcome To Boulder" Source: Empress Valley Supreme Disc 2005 CDRs -> EAC -> WAV -> FLAC Frontend -> FLAC -> Dime Excellent mono soundboard recording (first two tracks very good audience recording).
06/30/82 Festhalle FLAC 2
05/30/15 Ohio Stadium CDR/FLAC 2 Source: Sound Professionals CMC-08s->SP-SB10 (no bass roll-off)->Roland R05-> CoolEditPro->CD Wave->TLH Taper: ironchef
06/17/15 LP Field CDR/FLAC 2
07/01/15 Carter-Finley Stadium CDR/FLAC 2 Recorded by Markbot CSB HEB's DPA 4061->battery box bass roll off on-> Tascam DR-2d 24bit 96 Khz->Sound Forge Pro 11->16bit 44.1 Khz-> TLH->tagged
07/04/15 Indianapolis Motor Speedway CDR/FLAC 2 Schoeps MK41V's>Schoeps KCY 250/05i>Naiant PFA>Marantz PMD661 MKII (Oade Concert Mod) PMD661MKII>Sound Forge Pro 11 (Fades,iZotope 64 Bit Sample Rate Conversion/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) FOB 35 Feet From Stage on front of right PA stack in VIP General admission section

Simon & Garfunkel and Neil Young --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/01/93 Dorothy Chandler Benefits CDR/FLAC 1

Stevie Wonder --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/07/80 The Cow Palace CDR/FLAC 2 lineage: Nakamichi cm300 microphones > unknown model Akai cassette recorder. transfer: Nakamichi Dragon > Pro Tools (minor "nip and tuck" edits, normalization & tracking) > Aiff files > xACT (Flac level 8 files with sector boundaries verified)

Stills-Young Band --- Approximate Hours: 17.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/23/76 Pine Knob Music Theatre CDR/FLAC 2 Audience Master > CDR > CDR > EAC > wav > flac
06/26/76 Boston Garden CDR/FLAC 2 Audience Stereo Sony ECM-99A > Sony TC-152SD FOB, microphone hand-held Nakamichi MR-1 > Tascam DA-20 MKII > Tascam CD-RW900 Master Cassette > DAT > CD > EAC secure > FLAC Dolby B decoded, no processing or EQ
06/27/76 Springfield Civic Center CDR 2
06/27/76 Springfield Civic Center CDR/FLAC 2 Audience Stereo Sony ECM-99A > Sony TC-152SD FOB, microphone hand-held Nakamichi MR-1 > Tascam DA-20 MKII > Tascam CD-RW900 Master Cassette > DAT > CD > EAC secure > FLAC Dolby B decoded, no processing or EQ Total Time - 97:36
07/04/76 Convention Center CDR/FLAC 2
07/14/76 Riverfront Coliseum CDR/FLAC 2 Analog 3rd gen > CDR
07/17/76 War Memorial Coliseum CDR/FLAC 2

Tedeschi Trucks Band --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/21/13 Beacon Theater CDR/FLAC 2 Unknown audience recording, received as trade CD-R's Lineage: trade CD-R's>EAC>tracks combined, small gaps removed> tracked and edited with Audacity>flac level 8 & checksums with traderslittlehelper

Tom Petty & The Heartbreakers --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/23/99 Docks CDR 2

Traffic --- Approximate Hours: 82.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/20/68 Fillmore East CDR/FLAC 1
04/30/70 Paris Cinema CDR/FLAC 1
06/11/70 Fillmore East CDR/FLAC 1 Lineage: Master>dat>cd-r(2)>EAC (secure with C2)>WAV>TLH (with Align)>FLAC(7)
06/19/70 Aragon Ballroom CDR/FLAC 1 This show is actually 6/19/70, but has incorrectly circulated as 6/14/70
06/27/70 Capitol Theater CDR/FLAC 1 Lineage: unknow gen>cd-r(?)>EAC (secure with C2)>WAV>TLH (with Align)>FLAC(7)
06/30/70 Fillmore West CDR 2
07/01/70 Fillmore West CDR/FLAC 2
07/02/70 Filmore West CDR/FLAC 2 Aud remaster from 2nd Gen Tape- Early and Late Show
11/06/70 Chicago Coliseum CDR/FLAC 1 Lineage: unknown gen cassette>Pioneer Stand Alone Burner>EAC>Soundforge 9.0>CD Architect 5.2>Wav>Flac>wav>cdwave (track split>flac(7)
11/11/70 Boston Tea Party CDR 2
11/18/70 Fillmore East CDR 1
10/07/71 Arie Crown Auditorium CDR/FLAC 2 This release is sourced from a reel-to-reel tape recorded at 7 1/2 ips. that I got in trade in 1972. It's one of the first shows I got when I started trading. It's a 1st generation audience recording. Mics and Recorder unknown > unknown > 1st generation Reel to Reel 7 1/2 ips > Playback Deck: Akai GX-747 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > HHB CDR-800 Compact Disc Recorder > CDR > WAV > Audacity > CD Wave Editor > FLAC
10/09/71 Public Hall CDR/FLAC 2
10/14/71 Boston Music Hall CDR 1
10/20/71 Earlham College CDR/FLAC 1 Lineage: "AUD" (2000 Trade) CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
10/28/71 Winterland CDR/FLAC 2 Conversion = Unknown gen cassette>Pioneer Stand Alone Burner PDR-609> EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac
??/??/71 Olympic Studios CDR/FLAC 1 Lineage- Liberated Boot "Low Spark of High Heeled Boys Sessions" purchased several years ago> EAC disc extraction> TLH Wav to flac formatting>
01/14/72 Academy Of Music CDR/FLAC 2 Early and Late Show (Some speculation about the Late Show...most likely from Oct 1971); 5th gen cassette>Pioneer Stand Alone Burner PDR-609>EAC>Soundforge 9.0>CD Architect 5.2>Wav>Flac
02/21/72 Santa Monica Civic Center CDR 1
01/19/73 Tarrant County Convention Center CDR 2
01/20/73 Spectrum CDR/FLAC 1 Unknown gen cassette>Pioneer Stand Alone Burner PDR-609> EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac
01/25/73 Winterland CDR/FLAC 2 1st gen. analog tape > Dat tape. Transferred with Panasonic 3700 > Macintosh with AudioMedia III card > DigiDesign Pro Tools > xAct (Flac level 8 files with sector boundaries verified). md5 file created with checkSum+.
01/26/73 Winterland CDR/FLAC 2 Soundboard recording of unknown lineage > Dat tape. Transferred with Panasonic 3700 > Macintosh with AudioMedia III card > DigiDesign Pro Tools (Remastered - Speed adjusted, dropouts fixed by pasting in from other channel & gradually panning between stereo & mono) > xAct (Flac level 8 files with sector boundaries verified). md5 file created with checkSum+.
02/03/73 Baltimore Civic Center CDR/FLAC 2 CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
02/11/73 Music Hall CDR/FLAC 1 1st generation audience tape (Maxell XLII 90 min. cassette) > played on Nak. 300 into soundforge (wav) > flac (sb's aligned) Recorded by J.K.
03/21/73 York University CDR/FLAC 2 Trade CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
03/31/73 Palasport CDR/FLAC 2 "OUT OF THE GRIDLOCK"
04/08/73 Unknown CDR/FLAC 2 Trade CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
04/10/73 Musikhalle CDR/FLAC 2 2nd Gen.Cassette-BX 300-EQ-EAC-Cool edit-Flac
03/11/74 Münsterlandhalle CDR/FLAC 2 ITT Schaub-Lorenz cass.recorder w/int. mono mic.>2x AGFA SUPER C60+6s>Pioneer CT-S910>Tascam DA-20@44.1khz>PC>SHN
03/18/74 Jahrhunderthalle CDR/FLAC 2 Trade CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
03/23/74 Stadsschouwburg CDR/FLAC 2 Trade CDR (2ND) > EAC (secure) > FLAC (level 7)
04/08/74 Palazzo dello Sport CDR/FLAC 2 "AUD" (2000 Trade) CDR> 2011 DAE (wav) EAC (secure mode)> JAJ Remastering (CDWave & Wave Joiner)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
05/08/74 Town Hall CDR/FLAC 2 Mics and Recorder unknown > unknown > Reel to Reel 7 1/2 ips > Playback Deck: Akai GX-747 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > HHB CDR-800 Compact Disc Recorder > CDR > WAV >CD Wave Editor > FLAC
05/14/74 City Hall CDR/FLAC 1 Lineage: "AUD" (2000 Trade) CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
05/17/74 Rainbow Theatre CDR 2
08/24/74 Reading Festival CDR/FLAC 2 "AUD" (2000 Trade) CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
09/19/74 Academy Of Music CDR/FLAC 2 Last Time Around: Moonchild Vulcan - Late Show
10/12/74 Tarrant County Convention Center CDR/SHN 2
10/21/74 Olympia Stadium CDR/FLAC 2

Van Halen --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/09/76 Goldenwest Ballroom CDR 1
02/03/84 Greensboro Coliseum CDR/FLAC 2
05/10/84 Cow Palace CDR/FLAC 2 Notes Audience recording. Master>CDR There is a cut (tape flip?) before "I'll Wait". There is a cut between "Panama" and "You Really Got Me". There is a cut between "You Really Got Me" and "Ain't Talkin' 'Bout Love". Disc 1, Track 1 contains an automated message from Valerie Bertinelli (as Valerie Van Halen) promoting the upcoming Cow Palace show(s). "Ain't Talkin' 'Bout Love" includes "Happy Trails". Released in February 2005.

The War on Drugs --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/04/14 Troubadour CDR/FLAC 2 Source: Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 24/44.1 Transfer: M10 > usb > MacBook Pro > Adobe Audition > Izotope Ozone 5 > WavePad > xACT > FLAC Taper: BLG
09/22/14 First Avenue - Mainroom CDR/FLAC 2 Source: Schoeps MK5's > active cables > Nbox > Edirol R-05 @ 24/48. Transfer: Emtec 16GB SDHC card > Dell PC > 24bit WAV > Sony Sound Forge 9.0e > CDWave Editor > Trader's Little Helper > FLAC16. Recorded and transferred by perks.
07/01/15 Roskilde Festival CDR/FLAC 1 Source: ca11->sony pcm-m10 Transfer: sony pcm-m10->hd->cep->cdwav->flac
08/22/15 Pukkelpop 2015 Festival FLAC 1 Studio Brussel FM Broadcast - only a few songs + DJ banter Tracks 01 - 03 : Live Broadcasted on Studio Brussel (Stereo FM, Belgium), 2015-08-22, 18h06-18h12. Tracks 04 - 12 : Live Broadcasted on Studio Brussel (Stereo FM, Belgium), 2015-08-22, 18h18-18h44. Complete Studio Brussel Broadcast. Incomplete show. Recording Gear: Marantz M-CR610 with an additional external antenna homemade --> Roland Edirol R09HR v.1.04 (16bit/44kHz) input level at 41 --> PC with USB cable Post production: volume adjusted (+ 2,55 dB), fade in (track 01) / fade out (track 12), tracks created and tagged with SoundForgePro. Tracks in wav --> Flac 8, Align on sector boundaries using fix and .ffp with Trader's Little Helper
10/08/15 Radio City Music Hall CDR/FLAC 2 Schoeps MK41V>tinybox v2(OT)>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ, image, exciter, compression)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )
10/16/15 Greek Theatre CDR/FLAC 2 Sound Pros CMC-19 mics>Sony TCD-D100 DAT>Audacity>AIFF>FLAC (except Under the Pressure - *YouTube>iPhone6>Audacity>AIFF>FLAC)

Warren Haynes --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/08/02 Harmony Park Music Garden CDR 2

The Who --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/18/67 Monterey County Fairgrounds CDR 1
02/14/70 Leeds University CDR 2

Yardbirds --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/30/68 Anderson Theatre CDR 1