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Phish 04/18/2026

SHOWID 754175

Set I

Buried Alive, AC/DC Bag, Reba, Colonel Forbin's Ascent > Fly Famous Mockingbird, Sigma Oasis, Walk Away, Bathtub Gin

Set II

Oblivion, Simple, Tweezer, Waste, Twist, Run Like an Antelope

Set III

ENCORE: I Am the Walrus, Tweezer Reprise

Comment

Trey teased Streets of Cairo in Buried Alive. Colonel Forbin's Ascent and Fly Famous Mockingbird featured elaborate Gamehendge-focused animation, including depictions of Icculus, the Lizards, Tela, and a multi-beast. During Sigma Oasis, perspective shifted to place the band in a nest, along with two baby birds, with a majestic mountain view beind them. After a short time, a parent arrived with a meal, with great approval from the babies. As the jam reached a peak, the view followed the young birds as they jumped from the nest and soared through the valley. Before playing Walk Away, Trey acknowledged Joe Walsh, who was in attendance, and told him that his music was some of the first songs the band members ever played and "the basis for everything that we do is you." During Tweezer, the perspective began by following a car on an amusement park ride as it entered a giant mouth and was swallowed. Eventually the view reached the "stomach" where pipes and waterfalls emptied into a central pool containing several rubber ducks. Later in the jam, the scene reached a large room encircled with fans, and a breathing set of lungs suspended from the center. Ultimately the view returned to the mouth, lingering on the tongue which was set with furniture, before a wrecking ball outside shattered the teeth as the jam concluded. During Run Like an Antelope, viewers were taken inside a honeycomb hanging on a tree, passing through corridors to a chamber with honey dripping from the ceiling into a honey lake below. Fish performed the second set and encore wearing a hot pink wig.

Sources

SHNID 177030
flac2496 AKG C460B/CK61 > Sound Devices 744T (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded by Charlie Miller
SHNID 177046
flac2448 Schoeps mk41v>cmc1k>zoom f3 32bit/48khz spread 10" right side 6' OTS sec 20 row 20 seat 19 WAV>Imac>wav>Reaper(fades,tracking,fab filter pro L2,resample/dither 32/48 to 24/48)>XAct(FLAC 8,ffp,tagging) Recorded by Double OG (aka Duncan Oldham) Clamp space and picture thanks to C3B (aka Charlie Miller) Transferred by Andy Murray
SHNID 177051
flac1644 Neumann M49v (Cardoid) > Sonosax SX-R4+ (32/192) > 16/44.1 Taper: Mike Vernal
SHNID 177052
flac24192 Neumann M49v (Cardoid) > Sonosax SX-R4+ (32/192) > 24/192 Taper: Mike Vernal
SHNID 177053
flac2496 DPA 4015c(NOS/OTS)->PSP2->Zoom F3(32bit/96kHz)->FLAC(24bit/96kHz) Recorded and transferred by Scott Schneider
SHNID 177054
flac2496 Taper: Patrick Price Mike Boge tracking and mastering Schoeps MK-21 (NOS) > Schoeps CMC-1K > Sonosax SX-M2D2 > Sonosax SX-R4+ Location: Section 207 Row 21 Seat 13 at 7' high Conversion done in Audacity and Audition Song Tracking done with CD Wave FLAC File Compression done with Traders Little Helper (Level 8) Final Format: FLAC Files, 24 bit @ 96 khz Sample
SHNID 177059
flac2448 Telefunken M62 Hypercards Zoom F3 Sec 207 last row abut 40' right of center 7' high approx DINa rec by Eric Wilkens
SHNID 177071
flac2448 OTS Schoeps MK22 (DIN) > CMC1-L > Zoom F8n Pro @ 32/48 iZotope RX 11 Pro (Balance, Gain, Ozone EQ, DeVerb, DeClicker, Loudness Optimize, Fades, Dither) > CD Wave > FLAC (level 8) > MP3Tag Recorded By: Jason Eison Processed By: Brian Lee
SHNID 177081
flac2448 AKG c34 (xy90 degrees) > AKG S42 (Cardioid/Omni) > SD 788T 24/48. 6' high OTS/ROC Location: Tapers Row at The Sphere Lineage: SD card > Audacity > CD Wave > Foobar2000 (tagging Flac's) Recorded By Chase Smith Processing by: Rich Stoler