Beacon Theatre, New York, NY
| Recording |
SHNID 11697 |
| Source |
Microtech Gelfell m210>oade m248>sbm-1>d8 @48k |
| Media |
CD-R/SHN 2 discs |
| Notes |
Audience |
| Tech Notes |
SHNtool used verify track boundaries prior to wav>shn
Transfer and edits by Marc Pujol 8/25/2002
Source DAT from Dave Minor via Matt Vernon
Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD
> SoundForge 6.0 (rec,edits,48>44 with anti alias filter) >
CDWav (splits)> mkw > shn (seekable)
editing notes:
There were some loud clappers very near the rig and they clapped a lot at the beginings and ends of songs. I softened the worst of the claps by manually editing the wave file and attenuation the spikes in the claps. Approx 150 different claps throughout were edited. While many claps still remain, I softened the worst and most offensive of them. (Getting them all would have taken days.) The original recording was really good. It sounded very full on it's own so I decided against normalizing or any other post processing other then editing the claps. Marc Pujol 8/25/2002 |
| Trades Allowed |
Yes |
SHNID 11697
Microtech Gelfell m210>oade m248>sbm-1>d8 @48k. Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > SoundForge 6.0 (rec,edits,48>44 with anti alias filter) >
CDWav (splits)> mkw > shn (seekable) by Marc Pujol