Thomas Frank's Collection
Phish 03/06/1992
Portsmouth Music Hall, Portsmouth, NH
| Recording | SHNID 23973 |
| Source | SBD > Cass/1 > DAT |
| Media | FLAC 2 discs |
| Notes | Phish 3/6/1992 Portsmouth Music Hall - Portsmouth, NH Source: Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr (benjamin.mohr@ce.gatech.edu) Pitched-corrected on 7/16/2004 by Mike Wren (mw@mikewren.com) FLAC metadata and replaygain added on 7/16/2004 by mw@mikewren.com ------------------------------------------- Disc 1 ------------------------------------------- -Set 1- 01. Intro 02. Rift * 03. Cavern 04. Sparkle 05. It's Ice 06. Oh Kee Pah Ceremony 07. Divided Sky 08. Guelah Papyrus 09. Maze * 10. Reba 11. All Things Reconsidered ------------------------------------------- Disc 2 ------------------------------------------- -Set 1 cont.- 01. David Bowie -Set 2- 02. My Friend, My Friend * 03. Poor Heart 04. Secret language Instructions ** 05. Stash 06. Mound * 07. Llama 08. Bouncing Around the Room 09. In an Intensive Care Unit * 10. Possum -Encore- 11. Sleeping Monkey * * First time played ** First ever secret language instructions Originally seeded as: http://bt.etree.org/details.php?id=5186 Notes: -Tape flips: d1t07 12:07 (39:40) d2t01 13:52 (40:58) d2t07 04:24 (49:49)/d2t08 03:11 (53:00) -Two areas of tape warble at beginning of d2t09 Fixes: - Removed DC offset from entire show - Smoothed skip d1t02 0:58.009 - Replaced L channel static d1t06 1:55.013-1:55.325 with R channel - Smoothed diginoise d2t01 11:00.905-11:00.946 - Remove whine d2t02-d2t11 in Samplitude v6 using FFT Filter/Spectrum Analyzer centered at 16020Hz by 33dB (range=15515-16520Hz) and modified slightly for each track - with anti-alias filtering and interpolation accuracy of 4 Pitch Correction: - Entire show was 75 cents sharp, so I adjusted accordingly in Sound Forge 6 (pitch shife quality level 3) --- This added about 3 minutes to the length of each set - Knocked down the annoying 130Hz rumble by 4dB - Added friendly fades at the start and end of sets - Retracked in CD Wave -------------------------------------------------------------------------- From: Shelly Culbertson Subject: sing any note Date: Sat, 7 Mar 92 12:26:18 PST One thing I was really excited to read about was the audience participation aspect of the show. This particularly intrigued me because I had suggested to Trey on the phone that they might try this! That conversation came about as a result of something he said during the post-Somerville interview, that they'd like to tour with a choir, who could (for example) sing a dissonant chord during the jam in Tweezer. I suggested having the audience do it, in response to some sort of signal from the band, and sent him a copy of an interview with Brian Eno where he talks about trying something like this: "I noticed this when I worked on this Cornelius Cardew piece a long time ago called `The Great Learning'. The first instruction is `Sing any note'. You choose randomly. And you do it with a big group of people. And the first chord they hit is very dense and beautiful because people really are singing every note. But they very quickly slide into a few families of notes. And I always liked that first note when you have this beautiful, dense, breathy sound." -------------------------------------------------------------------------- |
| Trades Allowed | Yes |
SHNID 23973
SBD > Cass/1 > DAT; CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CDWav > shntool > FLAC; Primary transfer by Robert Brown; Resampling, tracking and fixes by Ben Mohr
Owned by Thomas Frank
· Last Updated May 19, 2006
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