Boston Garden, Boston, MA
| Recording |
SHNID 24020 |
| Source |
FOB Nak 300 > D5 (Cass/0) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > FLAC > Wavelab (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond |
| Media |
SHN (1) 1 disc |
| Tech Notes |
The taper noted "Nak 300s > DCM-5 - Back left 60ft off stage" on the tape cover.
**Mastering**
24bit 48kHz FLAC > wav > Montage to reconstruct set and add fades over flip > Internal 24bit rendering (no dither) > BBE @ 0/4/0 > Waves Rbass Module +5db @ 35Hz > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > Waves L1+ (24bit, no dither, +2.3 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 1/Low via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3
*Mastering Notes*
- Even though I was able to bring some of the bass back into the mix, if I were to have tried to raise it any more the mid registers would have gotten burried in the mud.
- There is a pause after Runaway Jim. There was no silent part of the wave, it just appears as if the deck was paused and then restarted...I left this *as is*
- The start of Stash was missing from the tape flip...I crossfaded this as best I could...
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends). |
| Microphones |
Nak 300 |
| Trades Allowed |
Yes |
| Lists |
Phish 1992 |
SHNID 24020
FOB Nak 300 > D5 (Cass/0) > Sony TC-WE805S >
Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > FLAC > Wavelab (24>16bit,48>44.1kHz) > SHNv3; Taped by John Redmond