Capitol Theater, Port Chester, NY
| Recording |
SHNID 85912 |
| Source |
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) |
| Media |
FLAC 2 discs |
| Notes |
AT244
Grateful Dead
02/20/1971
Capitol Theater
Port Chester, NY
Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT.
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT for transfer.
Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, June 2007.
Disc I - Set I
01 tuning
02 Casey Jones
03 Me And My Uncle
04 Hard To Handle
05 Bertha
06 Playing In The Band
07 Bird Song
08 Big Boss Man
09 Cryptical Envelopment >
10 Drums >
11 The Other One >
12 Wharf Rat
13 Sugar Magnolia
Disc II - Set II
01 tuning
02 Truckin'
03 Loser
04 Next Time You See Me
05 Greatest Story Ever Told >
06 Johnny B. Goode
07 Ripple
08 Not Fade Away >
09 Goin' Down The Road Feeling Bad > Jam >
10 Not Fade Away >
11 Turn On Your Lovelight
12 Pigpen Rap (Female companionship rap > Jam > Business rap > Jam) >
13 Lovelight
Comments:
Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files.
FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering.
SHNTOOL LEN OUTPUT:
length expanded size cdr WAVE problems filename
1:19.74 14109692 --- -- ---xx gd1971-02-20d1t01.flac
5:29.49 58150892 --- -- ---xx gd1971-02-20d1t02.flac
4:28.45 47381084 --- -- ---xx gd1971-02-20d1t03.flac
8:37.23 91252940 --- -- ---xx gd1971-02-20d1t04.flac
6:55.01 73208396 --- -- ---xx gd1971-02-20d1t05.flac
4:49.30 51050204 --- -- ---xx gd1971-02-20d1t06.flac
9:19.54 98734652 --- -- ---xx gd1971-02-20d1t07.flac
5:26.40 57600524 --- -- ---xx gd1971-02-20d1t08.flac
1:57.06 20652956 --- -- ---xx gd1971-02-20d1t09.flac
3:53.38 41190620 --- -- ---xx gd1971-02-20d1t10.flac
10:56.13 115749020 --- -- ---xx gd1971-02-20d1t11.flac
8:28.10 89634764 --- -- ---xx gd1971-02-20d1t12.flac
5:41.53 60277100 --- -- ---xx gd1971-02-20d1t13.flac
1:17.26 13643996 --- -- ---xx gd1971-02-20d2t01.flac
8:29.48 89900540 --- -- ---xx gd1971-02-20d2t02.flac
9:08.60 96808364 --- -- ---xx gd1971-02-20d2t03.flac
4:27.11 47124716 --- -- ---xx gd1971-02-20d2t04.flac
4:10.09 44121212 --- -- ---xx gd1971-02-20d2t05.flac
5:03.22 53500988 --- -- ---xx gd1971-02-20d2t06.flac
5:41.20 60199484 --- -- ---xx gd1971-02-20d2t07.flac
4:43.73 50092940 --- -- ---xx gd1971-02-20d2t08.flac
8:04.52 85499948 --- -- ---xx gd1971-02-20d2t09.flac
1:44.63 18493820 --- -- ---xx gd1971-02-20d2t10.flac
7:18.73 77434940 --- -- ---xx gd1971-02-20d2t11.flac
11:48.40 124985324 --- -- ---xx gd1971-02-20d2t12.flac
6:05.38 64475420 --- -- ---xx gd1971-02-20d2t13.flac
155:26.71 1645274536 B (totals for 26 files, 0.4813 overall compression ratio)
gd1971-02-20d1t01.flac:f6ac794687d03a4124dd0be04e7d981f
gd1971-02-20d1t02.flac:1388c72241b34b8a051516bd0a1049e2
gd1971-02-20d1t03.flac:0a2a71c3a64040bc52226e7e05319ecd
gd1971-02-20d1t04.flac:f71ccaf9929109fc6e04173b833d511a
gd1971-02-20d1t05.flac:d5e505036c7d0c4afdf7dc43af2a3842
gd1971-02-20d1t06.flac:6bbf0c49edcfc81cd318644b8d2c4aea
gd1971-02-20d1t07.flac:8c54c7668d82deba11ab79d74cd4de53
gd1971-02-20d1t08.flac:67db9d0c32c1c4e69aa4d8a64c070eaf
gd1971-02-20d1t09.flac:ff02558feffccb7f64de32d84f5b2f01
gd1971-02-20d1t10.flac:48bf0c285d756478bcf27c9c59788a8b
gd1971-02-20d1t11.flac:de223b59d65a89591dc81883af90cdcd
gd1971-02-20d1t12.flac:6bfdcf8b662d6b0b8b6525b8fc3b035e
gd1971-02-20d1t13.flac:c42bb25136417417c7322c3954e5bb81
gd1971-02-20d2t01.flac:6d84865d30924837547c54b1987378d6
gd1971-02-20d2t02.flac:f161494b2880736fa1ba6695595e1051
gd1971-02-20d2t03.flac:b3a05004dbf3e6d9f6f2b67b6972c57a
gd1971-02-20d2t04.flac:2b653652627245986b67dd319ea59010
gd1971-02-20d2t05.flac:4c99eaed8d803527a2a7142a95bd595b
gd1971-02-20d2t06.flac:4211d16965612fc707d61b08454c002e
gd1971-02-20d2t07.flac:dffd879cb59ea04c41862ce86bf1aee9
gd1971-02-20d2t08.flac:982ecfeace74dcad2d41e372da274613
gd1971-02-20d2t09.flac:40cebbf695bad3affbdf826289058518
gd1971-02-20d2t10.flac:35f118ca6337a16d9a83b7d475dbad3b
gd1971-02-20d2t11.flac:ed30390d0fea32c68bf944b9fda626d0
gd1971-02-20d2t12.flac:da06c879323de6dee869fd5f164250be
gd1971-02-20d2t13.flac:048c50dfeaa16f55d2b9d791f219bd04
Size: 755 MB |
| Trades Allowed |
Yes |
| Lists |
grateful dead |
SHNID 85912
<b>flac16</b>; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
Owned by
Jeff
· Last Updated Sep 22, 2007