Capitol Theater, Port Chester, NY
| Recording |
SHNID 87134 |
| Source |
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) |
| Media |
FLAC 2 discs |
| Notes |
AT245
Grateful Dead
02/21/1971
Capitol Theater
Port Chester, NY
Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT for transfer.
Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
Seeded by the Green Mountain Bros. at bt.etree.org, September 2007.
Disc I - Set I
01 Cold Rain And Snow
02 Me And Bobby McGee
03 "Where's Mickey Hart?" >
04 Loser
05 Easy Wind
06 Playing In The Band
07 Bertha
08 Me And My Uncle
09 Ripple, take 1
10 Ripple
11 Next Time You See Me
12 Sugar Magnolia
13 Greatest Story Ever Told >
14 Johnny B. Goode
Disc II - Set II
01 China Cat Sunflower >
02 I Know You Rider
03 Bird Song
04 Cumberland Blues
05 I'm A King Bee
06 Beat It On Down The Line
07 Wharf Rat
Disc III - Set II (cont'd)
01 Truckin'
02 Casey Jones
03 Good Lovin' >
04 Drums >
05 Good Lovin' >
06 Uncle John's Band
Comments:
There are two anomalous frequency peaks throughout both sets and on previous sources. The first is centered between 7 and 8K with a second between 15.5 and 16.3K. The exact frequencies varied between each song during the first set while there were only differences between reel flips in the second set. This required mastering each section with a separate Waves Q10 paragraphic eq setting with supernotch set for the involved frequencies. Also there is some degradation in tape quality around the margins of the tape flip during Wharf Rat. The flip in Wharf Rat was crossfaded. All editing and mastering was done on 24/96 file sets prior to cd-audio rendering with MBIT+.
SHNTOOL LEN OUTPUT:
length expanded size cdr WAVE problems filename
7:21.35 77874764 --- -- ---xx gd1971-02-21d1t01.flac
6:48.71 72138236 --- -- ---xx gd1971-02-21d1t02.flac
1:29.14 15732572 --- -- ---xx gd1971-02-21d1t03.flac
7:36.57 80572508 --- -- ---xx gd1971-02-21d1t04.flac
9:21.52 99082748 --- -- ---xx gd1971-02-21d1t05.flac
5:32.15 58600124 --- -- ---xx gd1971-02-21d1t06.flac
6:38.08 70226060 --- -- ---xx gd1971-02-21d1t07.flac
4:56.61 52357916 --- -- ---xx gd1971-02-21d1t08.flac
1:30.55 16005404 --- -- ---xx gd1971-02-21d1t09.flac
6:30.45 68901884 --- -- ---xx gd1971-02-21d1t10.flac
5:24.15 57188924 --- -- ---xx gd1971-02-21d1t11.flac
7:54.09 83634812 --- -- ---xx gd1971-02-21d1t12.flac
4:21.61 46183916 --- -- ---xx gd1971-02-21d1t13.flac
3:22.09 35654012 --- -- ---xx gd1971-02-21d1t14.flac
4:44.74 50271692 --- -- ---xx gd1971-02-21d2t01.flac
6:49.06 72161756 --- -- ---xx gd1971-02-21d2t02.flac
6:40.41 70656476 --- -- ---xx gd1971-02-21d2t03.flac
5:07.37 54241868 --- -- ---xx gd1971-02-21d2t04.flac
9:44.26 103078796 --- -- ---xx gd1971-02-21d2t05.flac
5:04.45 53731484 --- -- ---xx gd1971-02-21d2t06.flac
10:51.32 114911708 --- -- ---xx gd1971-02-21d2t07.flac
8:12.35 86871164 --- -- ---xx gd1971-02-21d3t01.flac
6:24.34 67817612 --- -- ---xx gd1971-02-21d3t02.flac
2:08.43 22680380 --- -- ---xx gd1971-02-21d3t03.flac
4:40.21 49441436 --- -- ---xx gd1971-02-21d3t04.flac
9:47.32 103622108 --- -- ---xx gd1971-02-21d3t05.flac
7:24.62 78467468 --- -- ---xx gd1971-02-21d3t06.flac
166:29.20 1762107828 B (totals for 27 files, 0.5166 overall compression ratio)
gd1971-02-21d1t01.flac:e1d6eefef9ded2dd6af7b272bcaefc3f
gd1971-02-21d1t02.flac:ee708b6933daa15ca80aa021c6301d45
gd1971-02-21d1t03.flac:e4c3eeb77763fd14c75bfb3d374154b5
gd1971-02-21d1t04.flac:a12ceec378ac2cf191de83ac7afffb19
gd1971-02-21d1t05.flac:edd995c105a755d23fd47f0e8431e240
gd1971-02-21d1t06.flac:e800f3ad151a74588f35b1f11f6bd87a
gd1971-02-21d1t07.flac:0fd4ae6d2656adc56630c6eac0029c18
gd1971-02-21d1t08.flac:2831d3232fcd0ac0084ad558404b24ff
gd1971-02-21d1t09.flac:e4a6a00f1a82ee92e495702d69dca8af
gd1971-02-21d1t10.flac:73e204070531597be311de564f133ffe
gd1971-02-21d1t11.flac:deedf7a896e2dbbdf28358176021ba5b
gd1971-02-21d1t12.flac:cd50e8254d1d1487fcd114f2f23d0a76
gd1971-02-21d1t13.flac:0d2a72a68094f491b302dd0239b20f57
gd1971-02-21d1t14.flac:93a5f5b636b00371e4dac487d04543ea
gd1971-02-21d2t01.flac:d059b2bcf7df8f4911b47ad0ac948405
gd1971-02-21d2t02.flac:0a4c06377c83f7b7ec0c0ce6df60795c
gd1971-02-21d2t03.flac:5e98077978092d87a488551004583e4a
gd1971-02-21d2t04.flac:95237f5b35936858e14d6788296bc2d4
gd1971-02-21d2t05.flac:7861ece52ea8f8017561315a40eccdef
gd1971-02-21d2t06.flac:6b6b0b50fe53b09039268e76945aaedc
gd1971-02-21d2t07.flac:b11c864bf648db49d9b7fa9be89588a8
gd1971-02-21d3t01.flac:e20b76acab3bb631a53f920a4637694f
gd1971-02-21d3t02.flac:be04e092dd2550959ff41b86c52dafc1
gd1971-02-21d3t03.flac:54c888afdf827600c974e48b12a2653b
gd1971-02-21d3t04.flac:793af749ae4c1d313f4a30c781efe536
gd1971-02-21d3t05.flac:9200dbff28c16b08516c735b8f46797a
gd1971-02-21d3t06.flac:6925b70e2467b23c0188c2c34a62d775
Size: 868 MB |
| Trades Allowed |
Yes |
| Lists |
grateful dead |
SHNID 87134
<b>flac16</b>; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
Owned by
Jeff
· Last Updated Sep 22, 2007