Canyon 's Collection
Grateful Dead 06/10/1973
Robert F. Kennedy Stadium, Washington, DC
| Source | SBD see tech notes |
| Media | audio 4 discs |
| Notes | hd1 |
| Tech Notes | Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC (4 Discs Audio / 3 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 29, 2008 Patch Info: (FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies: Eyes Of The World (6:54 - 6:56) Notes: -- All disc changes are seamless -- This is a fixed version of shnid=89640 -- Cleaned up many flaws and fixed the levels -- It may not be perfect, but it's a lot better -- Patch source recorded by Bill Gadsden -- Patch source transferred by Charlie Miller and Neil Sturtevant -- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks -- Beginning of Beat It On Down The Line is cut -- There are some flaws in The Race Is On that still remain -- Reel flip in GDTRFB patched with alternate SBD source -- Thanks to Jeremy Humphreys for the GDTRFB patch Patched using: AUD1 (shnid = 90351) Source: -- Sony TC 110 cassette deck -- single-point stereo mic, hand-held on mic-stand shaft -- FOB center infield, between sbd platform and stage platform Lineage: -- MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 -- Taping, transferring, and remastering done by Monte Barry Notes: -- This show is complete -- Most track changes are seemless -- Patches are cross-faded -- SBD patches have "concert hall" echo/delay effects applied -- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23 -- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched -- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16 -- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58 -- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01 This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte AUD2 (shnid = 89681) Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller and Neil Sturtevant charliemiller87@earthlink.net January 26, 2008 Notes: -- Disc change is seamless -- Recorded by Bill Gadsden SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC (4 Discs Audio / 3 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 29, 2008 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 22-MAR-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 23.658 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. This includes the cymbal leadin to Morning Dew. 2) Also between Morning Dew and Beat It On Down The Line, 1 minute and 26.758 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. This includes almost the 1st minute of BIODTL. 3) At the beginning of set 2, 16.685 seconds were missing from the SBD source and was filled in with audio from the AUD2 source. 4) 12 minutes into He's Gone, 48.325 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. 5) At the beginning of set 3, 47.419 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. 6) 1 minutes into Drums, 10.014 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. 7) 4 minutes into Drums, 17.652 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. 8) Concerning speed correction - I released my matrix of this show where I had used the soundboard as the reference mainly because it had 20 less times where the tape was stopped and then restarted. The actual difference was approximately .5% which is fairly small all things considered but still noticeable. A person who's opinion I respect greatly sent me a PM stating: "I haven't listened to your matrix, but I think CM's soundboard of this runs 0.5-0.7% fast, so maybe the AUDs were actually correct." After getting this, I re-listened to the sbd and had to agreed. So, I went back and reversed all the times so basically synced this sbd to the audience. Thanks to R.B. for his help in the matter. As most time corrections are very subjective, I really appreciate any and all help I get in these matters. Brokedown House Production |
| Trades Allowed | Yes |
Owned by Canyon
· Last Updated May 23, 2023
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