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Matthew Kupchinsky's Collection

Grateful Dead   12/28/1979

Oakland Auditorium Arena, Oakland, CA
Recording SHNID 94267
Source Matrix: SBD: Source: SBD > MR > PCM > DAT > WAV > FLAC AUD: Source: nak 700's > d5 > DAT > cdr Full source info in Notes section
Media CDR-FLAC   2 discs
Notes *Matrix*

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SBD:

Source: SBD > MR > PCM > DAT > WAV > FLAC. DAT provided by B.Koucky/B.Fried.
Transfer/mastering: DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL.
Seeded by the Green Mountain Bros. at bt.etree.org, September 2007.

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AUD:

Taper: Steve Rolfe 1st row balcony left side about a 1/4 to 1/3 back from the stage.
Source: nak 700's > d5 > DAT > cdr
Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable) by mvernon54@attbi.com

Thanks to Dave Minor for the cd's

Part of The Music Never Stopped Project 2003

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Thank you to Chris Ladner, Bill Koucky, and B. Fried for the SBD transfer;
to Steve Rolfe for recording the show;
to Matt Vernon for the AUD transfer;
and to Dave Minor for the CD's that beheld the AUD.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
August 30, 2008




Notes:

1) Fades were used to create a "seamless" (i.e. continuous) AUD track.

2) The transition between discs is seamless.
Trades Allowed Yes
SHNID 94267
<b>flac16</b>; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
Owned by Matthew Kupchinsky · Last Updated Sep 30, 2008