Joe Breault's Collection
Phish 08/16/1996
Plattsburgh Air Force Base, Plattsburgh, NY
| Recording | SHNID 34812 |
| Media | cdr 4 discs |
| Tech Notes | 16 bit / 44.1 kHz INFO FILE ************************************************************ Phish Clifford Ball Day 1 Plattsburgh Air Force Base Plattsburgh, NY August 16, 1996 SBD + AUD Matrix Mix (65%-SBD/35%-AUD) Disc 1 01 [03:20] Captain Sanity Intro 02 [06:21] Chalkdust Torture 03 [10:30] Bathtub Gin 04 [08:51] Ya Mar 05 [06:25] AC/DC Bag 06 [09:09] Esther > 07 [13:08] Divided Sky TT [64:08] Disc 2 01 [07:16] Halley's Comet > 02 [14:04] David Bowie 03 [13:29] Split Open & Melt 04 [03:49] Sparkle 05 [08:47] Free 06 [10:45] The Squirming Coil 07 [05:05] Waste * 08 [03:51] Talk * 09 [03:11] Train Song * 10 [03:54] Strange Design * 11 [01:29] Hello My Baby * TT [75:48] Disc 3 01 [15:59] Mike's Song > 02 [06:00] Simple > 03 [06:12] Contact > 04 [09:48] Weekapaug Groove TT [38:02] Disc 4 01 [07:55] Makisupa Policeman > 02 [06:26] Also Sprach Zarathustra > 03 [15:20] Down With Disease > 04 [05:20] NICU 05 [03:20] Life On Mars 06 [20:17] Harry Hood Encore 07 [01:55] Amazing Grace TT [60:36] * acoustic, mini-stage --------------------------------------------------------- Source Info SBD Source: SBD > DAT (99% of the show) Transfer: Tascam DA40 DAT@48kHz > REBA > Wavelab 4.0e > 44.1kHz Wav > CD Wave > SHNv3 **NO DAE WAS INVOLVED** Via: The immortal, unstoppable Marmar AUD Source: FOB: AKG 460B/ck61 > Sonosax SX-M2 > DA-P1 (@ 48kHz) recorded FOB on a stand Transfer: Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave > FLAC Recorded by Dave Flaschner Transferred by Jason Sobel --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 65% SBD, 35% AUD mix. - Mixed by dan@am-dig.com - FLAC conversion done 01-JAN-2006 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear quad jewel case. --------------------------------------------------------- Notes (new approach) The SBD source had some sector boundary issues. At every track change there was approx. 0.025 seconds of music dropped. This although completely inaudible, made things difficult to synch. I had the option to either trim the exact same amount from the AUD or "add" the missing portion with a patch from either the SBD or the AUD. In the end I did a combination of all 3. Because this is only a fraction of a second edit the patches are smooth and completely undetectable. This is interesting, check your SBD copies. This SBD source was mysteriously missing approx 1min 56sec of Davied Bowie. This was done with a very clever splice. I went ahead and patched this missing portion with a DAT SBD copy I have had for years. I applied 6 second crossfades at each end. This patch is smooth and most likely undetectable. Besides the missing material in the middle of the jam in David Bowie the is a source change at approx 10min 35sec. This source is sitill SBD but much more "narrow" although still stereo. I went ahead and patched this with my DAT SBD copy. Under very close scrutiny this source switch may be detectible. Split Open and Melt uses 3 diffent sources, all in the very first minute. It starts off with approx 37 seconds from an FM DAT source some kind unknown person sent me a year or so ago. Then switches to approx 25 seconds of a 2 AUD source matrix mix. This AKG source plus the AUD source that originally patch the whole first minute. Then at approx 1min 3sec it switches to the FM DAT source to complete the song. These source switches are obvious to the listener but is not in jarring or disruptive. Several second crossfades were used btwn sources to make the transitions as smooth as possible I applied a gradual step up increase of +8db to the SBD and the AUD sources on the acoustic numbers in set 2. Then a gradual step down to the original recording levels. This is so you can enjoy the acoustic numbers without increasing the volume and then blowing your speakers when Mike's Song starts. This entire show can be rejoined seamlessly on longer media. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The straight DSBD and FOB: Schoeps MK4 2. SBD + AUD Matrix Mix at 16/44 CD-Audio 3. SBD + AUD Matrix Mix at 24/48 DVD-Audio 4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound 5. SBD + AUD DVD-Audio 5.1 Surround Sound --------------------------------------------------------- |
| Trades Allowed | Yes |
| Lists | Phish |
SHNID 34812
SBD + AUD Matrix Mix (65%-SBD/35%-AUD) - (NOTE: both 16 bit / 44.1 kHz & 24 bit / 48 kHz versions are available)
Owned by Joe Breault
· Last Updated Mar 22, 2009
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