Capitol Theater, Port Chester, NY
| Recording |
SHNID 85912 |
| Source |
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT |
| Media |
CDR 2 discs |
| Notes |
Grateful Dead
02/20/1971
Capitol Theater
Port Chester, NY
gd71-02-20.sbd.cantor-crouch-dieber.85912.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) >
PCM501ES analog out > Dolby A decoder > Apogee filter >
analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 >
WBOTB Master DAT.
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and
Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT for transfer.
Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output >
Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at
96 KHz, AES digiout) > AES digital input, professional mode/sync -
LynxTwo soundcard in E6400 dual core processor-based PC > HD as
24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV >
CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and
mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio
XLR cables. All components in the transfer/mastering chain were powered
from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power
supply. Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, June 2007.
_________________________________________________________________________
--Set 1--
101-d1t01 - tuning
102-d1t02 - Casey Jones
103-d1t03 - Me & My Uncle
104-d1t04 - Hard to Handle
105-d1t05 - Bertha
106-d1t06 - Playing in the Band
107-d1t07 - Bird Song
108-d1t08 - Big Boss Man
109-d1t09 - Cryptical Envelopment ->
110-d1t10- Drums ->
111-d1t11 - The Other One ->
112-d1t12 - Wharf Rat
113-d1t13 - Sugar Magnolia
--Set 2--
201-d2t01 - tuning
202-d2t02 - Truckin'
203-d2t03 - Loser
204-d2t04 - Next Time You See Me
205-d2t05 - Greatest Story Ever Told ->
206-d2t06 - Johnny B. Goode
207-d2t07 - Ripple
208-d2t08 - Not Fade Away ->
209-d2t09 - Goin' Down the Road Feeling Bad -> Jam ->
210-d2t10 - Not Fade Away ->
211-d2t11 - Turn on Your Lovelight
212-d2t12 - Pigpe Rap (Female companionship rap -> Jam -> Business rap -> Jam) ->
213-d2t12 - Lovelight
_________________________________________________________________________
Comments:
Reel flips and short segments of missing music (Casey Jones, Bird Song,
Lovelight) were crossfaded to stealthy seamlessness by sampling the
2-3 missing beat(s) from the same measure in a preceding/following
verse/chorus. All audio editing was done on 24 bit files.
FFT of waveform showed 2 distinct peaks resulting in an annoying whine.
First peak broadly centered around 8100 and a second at roughly 15700 Hz.
These were attenuated using the SuperNotch notch filter preset of Waves
Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior
to Ozone mastering and MBIT 16 bit rendering.
_________________________________________________________________________
|
| Trades Allowed |
Yes |
SHNID 85912
<b>flac16</b>; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.