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Pete Cory's Collection

Phish   09/21/1990

Somerville Theater, Somerville, MA
Recording SHNID 20616
Source Nak 300s>...>FLAC
Media FLAC   2 discs
Notes TAPER: John Redmond
SOURCE Nak 300s > D5

AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)>
Mastering (see notes) > SNHv3

Mastering Notes:
This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade.

The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage.

The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended).

transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003
All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03.
Trades Allowed Yes
SHNID 20616
Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file) > CDWav > SHNv3
Owned by Pete Cory · Last Updated Feb 4, 2011