x poordevil's Collection
Grateful Dead 07/19/1989
Alpine Valley Music Theatre, East Troy, WI
| Recording | SHNID 125855 |
| Media | BDR 1 disc |
| Tech Notes | Blue Ray video 2013 C sp data disc is BDR 904 sp 9 has audio options Grateful Dead 7/19/89 Alpine Valley Music Theatre East Troy, Wi Set 1 Hell in a Bucket Sugaree Mama Tried Mexicali Blues Althea Victim or the Crime West LA Fadeaway Desolation Row Deal Set 2 Box of Rain Foolish Heart Looks Like Rain Terrapin Station Drums Space The Other One The Wheel Morning Dew Encore Lovelight Video Source: Proshot in-house feed>1st or 2nd gen vhs>stand alone>ripped with dvd decrypter>TMGEnc dvd author 1.6>vegas 6.0>dvd architect 3.0> dvd > TMPGEnc MPEG Editor 2.0 > DVD Architect Pro 6.0 I got this video from a guy who is a major filmer / seller in the Chicago area back in 1990 or so. After talking to him he told me he got this video a few days after the gig. He claimed he had the master tapes. When DVD came out he transferred his video to DVD with a standalone and I grabbed a DVD copy from him. So this DVD is either off the master tapes or a 1st or 2nd gen. copy. I then took the DVD’s and created menus and chapters. They are some annoying voice overdubs between a few songs which makes me believe that this is either a 1st or 2nd gen. copy. No music was affected by the overdub voice. Enjoy. Audio Source Information Audio Track 1: SBD shnid = 437 (upgraded shnid = 125855) Recording Info: DSBD -> DAT -> CD -> eac -> SHN Seeded by Walstib download from tol with much appreciation Audio Track 2: Matrix shnid = 125861 SBD + AUD Matrix 2 Source Mix (52%-AUD/48%-SBD) Mix of Sbd and Audience tracks listed here --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0.5 AUD 0 SET TWO Stereo Matrix SBD -0.5 AUD 0 --------------------------------------------------------- Audio Track 3: Audience shnid = 92447 (updated shnid = 125856) Recording Information: Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 Notes: Crossfades applied at tape flip after Althea and before Lovlight. Most of the Drums were cut and the Space was cut into. For this reason no crossfade was applied and drums were faded out and Space faded in. Audio problems at beginning of Hell In A Bucket from PA. Beer Barrel Polka Tuning after Althea Audience (alt) - used to patch Drums shnid = 106492 TAPER: GREG HOLTZ "Third night we were in the pavilion...we were in THE FIRST ROW in front of the SBD. SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename Audio Track 4: DTS 5.1 shnid = 125861 DTS-Audio-48khz 5.1 Mix Please refer to notes below for playing this track - you need a 5.1 complient system with digital connection to your dvd player. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db MTX Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db MTX -------------------------------------------------------------- Audio Patches: 1) Before the start of Hell In A Bucket, 2 minutes and 46.987 seconds were missing from the soundboard and was filled in with audio from the video. 2) Between Sugaree and Mama Tried, 1 minute and 55.227 seconds were missing from the soundboard and was filled in with audio from the video (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). First notes of Mama Tried were missing. 3) Between Mexicali Blues and Althea, 55.227 seconds were missing from the soundboard and was filled in with audio from the video. 4) Between Althea and Victim Or The Crime, 1 minute and 25.596 seconds were missing from the soundboard and was filled in with audio from the video. 5) Between Althea and Victim Or The Crime, 47.722 seconds were missing from the audience and was filled in with audio from the video. 6) Before the start of Box Of Rain, 3 minutes and 31.754 seconds were missing from the soundboard and was filled in with audio from the video. 7) Before the start of Box Of Rain, 1 minutes and 47.132 seconds were missing from the audience and was filled in with audio from the video. 8) About 2 minutes into Drums, 9 minutes and 57.53 seconds were missing from the audience and was filled in with audio from the alternate audience. This included most of Drums and a good portion of Space. 9) Before the start of Lovelight, 2 minutes and 41.658 seconds were missing from the soundboard and was filled in with audio from the video. 10) Before the start of Lovelight, 2 minutes and 58.722 seconds were missing from the audience and was filled in with audio from the video. 11) Speedwise the soundboard was slightly slower than the video at about .300 seconds per minute while the audience was extremely faster at about 2 seconds per minute. 12) Choice of the audience sources - considering that hansokolow has already done a matrix of this show, it was a tough choice as the Holtz audience (which I used as the alternate for the drums) is a wonderful recording but the GMB version's vocals were stellar and it is a clean recording so after much thought, I used it for most of the show. Video Patches: None Notes - Video assets courtesy of the ween4me - thank you very much -SBD downloaded from tol many many years ago -Both audiences were downloaded from LMA with many thanks. -Audio synchronization by BHP using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches (if needed) created with Ulead VideoStudio 11 by BHP. -Multiplexing via TMPGEnc MPEG Editor by BHP. -DVD authoring via DVD Architect 6.0 by BHP Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 Frame Rate : 29.99 Source picture letterboxed : Not letterboxed Bitrate : BD: 6,000 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 8 Number of Audio streams : 4 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Production Do NOT buy or sell this video |
| Trades Allowed | Yes |
| Lists | Default · DVD's · GD 80's data · Blue Ray HD |
SHNID 125855
<b>flac16</b>; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin
Owned by x poordevil
· Last Updated Oct 12, 2013
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