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Mike Langen's Collection

Phish   04/18/1992

Wilbur Field, Palo Alto, CA
Recording SHNID 94394
Source SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Media cdr   2 discs
Notes Phish
Wilbur Field
Stanford University
Palo Alto, CA
April 18, 1992

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

Disc 1 - Set 1

01 [05.28] Wilson
02 [12.17] Divided Sky
03 [05.42] Guelah Papyrus
04 [02.45] Poor Heart
05 [07.24] Split Open and Melt
06 [08.39] Esther
07 [09.19] Possum
08 [08.50] It's Ice
09 [04.09] Sparkle
10 [03.06] All Things Reconsidered
11 [11.01] Antelope
TT [78.41]

Disc 2 - Set 2

01 [04.04] Glide
02 [01.47] Oh Kee Pah Ceremony
03 [05.35] Suzy Greenberg
04 [08.14] Rift
05 [00.32] Manteca
06 [07.52] Bathtub Gin
07 [00.31] Manteca Reprise
08 [10.12] Lizards
09 [06.00] Mound
10 [05.24] Llama
11 [03.59] TMWSIY
12 [02.12] Avenu Malkenu
13 [01.34] TMWSIY Reprise
14 [03.33] Dinner and a Movie
15 [13.40] Harry Hood
16 [01.38] Outro
TT [77.51]

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Source Info

SBD (ShnID = 4524)
Source: DSBD > Cass? > DAT
Transfer: D8 > Active Oade > cmi8738 spdif in > Sforge 4.5 @48khz
(resampled with highest settings and Anti-Alias) > CDWAV > SHN

AUD (ShnID = 85404)
Source: Neumann KM140s (90'xy,FOB) > Sony D3
Transfer: Tascam DA30MK2 > AudioPhile 2496 spdif in > Samplitude
Pro7 @48khz(resample ultra high 44.1k) > CDWAV > FLAC

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Notes on the Source Material

SBD (ShnID = 4524)
Source is marked as Cass? but I would bet anything it is from a
master source. The consistent speed throughout with very small,
almost no hiss present at all. Great sound, nicely balanced
with a bit more bass (Mike) in the mix.

AUD1 (ShnID = 31211)
Good sounding AUD. It does not have much crowd in the recording
which would indicate it was made at the SBD but still sounds as
if it was close to the stage (FOB). While this AUD doesn't do
much in adding crowd reaction and energy it to the matrix it does
a great job at adding a depth and richness to the straight SBD.

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Tech Notes

FLAC/SHNs decoded and Wavemerge was used to reassemble the entire
show back to 1 long wave. CEP2.0 was used to align & synch all
of the sources. CEP2.0 was used for the multitrack mixdown.
This is a 60%-SBD, 40%-AUD mix.
- Mixed by dan@am-dig.com
- FLAC conversion done 03-SEPT-2008
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper. Design for use in a 2CD clear, slim CD case.

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Multitrack Mixdown Settings

Stereo Matrix
SBD +1db
AUD +1.5db

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Notes

Entire show is seamless.

SBD was missing "Love You", "Rocky Top", "Contact" and "BBFCFM" and
therefore is not included on any of the Matrix or 5.1 versions.

AUD source had several, maybe even 100, tiny clicks/ticks/pops. These
were all meticulously removed by hand.

d1t07 "Possum" first few seconds clipped on SBD source. This was
patched using the AUD. Several techniques were used to make this patch
as seamless as possible (EQ, volume adjust and crossfades). The result
is very smooth and most likely completely undetectable.

d1t07 "Possum" had a tiny amount of digi noise on the AUD source. This
was seamlessly repaired.

d1t11 "Antelope" had a few seconds of digi noise on the AUD source. This
was patched using the SBD source. The result is very smooth and most
likely completely undetectable.

d2t03 "Suzy Greenberg" had an approx 10 second cut near the beginning. This
was patched using the SBD source. Several techniques were used to make this
patch as seamless as possible (EQ, volume adjust and crossfades). The result
is very smooth and most likely completely undetectable.

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Lineup

Trey Anastasio (guitar, vocals)
Mike Gordon (bass, vocals)
Page McConnell (keyboards, vocals)
Jon Fishman (drums, percussions)
Trades Allowed Yes
SHNID 94394
SBD + AUD Matrix Mix; Mixed by Dan
Owned by Mike Langen · Last Updated Jan 1, 2015