Blockbuster Pavilion, Glen Helen, CA
| Recording |
SHNID 29245 |
| Media |
DVD aud 2 discs |
| Tech Notes |
BDR 1157, 1158 or close sp 11
not burned, data only
aud shot NEW 2015 added here
Jerry Garcia Band
05-13-1994
Blockbuster Pavilion
Glen Helen, CA
Video Source: Low Generation Audience Stealth of the Big Screen VHS > Sony SLV-D300P >
AVT-8710 TBC > Sony RDR-GX 300 > Vegas 6.0b > DVD Architect 3.0.
Source: AUD (mics unk) > DAT > C2 > playback on Sony TC-KE400S > analog input on Sony
PCM-R500 with Sound Bit Mapping enabled > coaxial S/PIDF output > Audiophile 2496 >
Wavelab 5.0 (recorded as 24 bit/48 KHz WAV > WAV processing > 'hi res CD' rendering
type 1 dither, ultra shaping > 16 bit/44.1 KHz WAV) > CDWave (tracking) > FLAC > WAV >
ADOBE AUDITION.
DVD 1: 720 x 480 29.97fps NTSC 8000Kbps CBR; LPCM 1536 Kbps Stereo 48Khz.
DVD 2: 720 x 480 29.97fps NTSC 7400Kbps VBR, Peak=8268Kbps; LPCM 1536 Kbps Stereo 48Khz.
DVD 1. (58:20).
Set 1.
00:00 How Sweet It Is (1)
07:26 They Love Each Other
16:38 Forever Young
26:35 Run For The Roses
32:03 Dear Prudence
44:48 My Sisters And Brothers
48:52 Deal
DVD 2. (1:07:20).
Set 2.
0:00:00 Harder They Come (2)
0;12:24 Mission In The Rain (2)
0:22:51 And It Stoned Me
0:32:36 Think
0:40:09 Ain't No Bread In The Breadbox
0:51:09 That Lucky Old Sun (Just Rolls Around Heaven All Day)
1:01:05 Midnight Moonlight
Performance Notes:
-Relatively rare appearance (2nd to last) of 'Forever Young'.
Audio Production Notes:
-Source cassette kindly provided by Eric Schwartz.
-Cassette > FLAC transfer by Chris Ladner .
-WAV Processing: Original source material was a second generation cassette and pretty
noisy at that. Ideally we would have the DAT and if anyone comes across one I'd be
more than happy to transfer it, but this will do for now. The final result is definitely
much more listenable athough it will be nice to get the eventual analog-free upgrade.
-The cassette was transferred as a 24 bit/48 KHz WAV file so that the subsequent processing
would be transparent. The original WAV file was subjected to this sequence of plugins
(all at 32 floating bit) while rendering to the 16 bit CD format.
-Plugin Sequence:
1. Sony Pitch transposer: The tape was pitched slow and required an increase of + 1.573 semitones using a video recording soundtrack as a reference.
2. Waves Q6 parametric EQ: Audible hum at 176 Hz selectively attenuated using a -46 dB notch filter.
3. Waves X-Noise: Frequency response curve of tape noise preceding start of master recording "learned" and subtracted at 63%.
Excessive removal was avoided to prevent coloring so there still is some hiss.
4. Spectralizer: Restoration of lost transients either absent to start with or removed by X-noise.
5. Waves L3 Multimaximizer: Boost overall levels without introducing distortion. Flat eq response curve with a threshold of -6 dB and a peak ceiling of -0.02 dB and 'hi res CD' IDR settings (16 bit / type 1 dithering / ultra shaping).
DVD Production Notes:
-VHS provided by Greyful Dave.
-Video capturing & editing, audio synchronization and dvd authoring by
MattMan (mlcole@wayne.edu), August 26, 2005.
(1) Performance footage missing; replaced with stills 00:00-04:05.
(2) Performance footage missing; replaced with Stills of Garcia career retrospective.
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SHNID 29245
Jerry Garcia Band. Source: AUD (mics unk) > DAT > Cass/2 > playback on Sony TC-KE400S > analog input on Sony PCM-R500 with Sound Bit Mapping enabled > coaxial S/PIDF output > Audiophile 2496 > Wavelab 5.0 (recorded as 24 bit/48 KHz WAV > WAV processing (see info file) > 'hi res CD' rendering type 1 dither, ultra shaping > 16 bit/44.1 KHz WAV) > CDWave (tracking) > FLAC.