|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/07/74 |
Michigan Palace
Detroit, MI |
1 |
|
|
1st gen. FM broadcast tape (master from statsfax) |
A this and that, Smith & Jones Production.
(where we jones for old smith every day).
FM master recorded by statsfax >
my copy (Maxell XLII 90 min. cassette) >
played on Nak 300 into soundforge (wav) >
flac (sb's aligned) > torrentially yours.
comments:
this is the complete show, apparently from a reel master tape
since there is no flip cut. I have edited out a couple of short
sections of the encore break and ending applause to make it all fit
well on one 80 minute CD. no songs or stage talk is cut. it's not
a super crisp high fi recording but it is stereo, only a little
of the most barely noticable FM static in a couple of spots and it
sounds pretty good for a 36 year old recording. |
|
07/01/78 |
Cotton Bowl
Dallas, TX |
1 DVD |
|
|
Mastered from the 1" VTR tape used for laserdisc pressing (Presence Production) |
NTSC, PCM, 49 minutes. |
|
08/18/90 |
Castle Donington
Donington, UK |
1 |
|
B+ |
|
|
|
08/20/90 |
Marquee Club
London, UK |
1 DVD |
|
|
|
Two days before the Castle Donnington show of that year, Aerosmith played the Marquee Club with Jimmy Page.
This DVD was shot at the rehersals for that gig. It was shot by David Robertson, who worked for Smith's manager,
Tim Collins.
He shot the entire making of the Pump album, using an old regular 8mm video camera with a mono mike.
Taken from the master tape, this DVD is a fascinating look at two great forces at ease. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/08/75 |
Memphis Coliseum
Memphis, TN |
1 |
|
|
"2 Kings: featuring Bobby 'Blue' Bland" |
low quality SBD |
|
09/26/76 |
The Bottom Line
New York, NY |
1 |
|
|
|
|
|
07/28/81 |
Maintenance Shop Blues Iowa State Univ.
Ames, IA |
1 DVD |
|
|
|
|
|
05/23/83 |
Unknown
Unknown, Unknown |
1 |
|
|
|
|
|
03/09/89 |
O.T. Price's Music Hall
Soquel, CA |
2 |
|
|
|
DATE IS ACTUALLY 3/9/89. This upgrade is combined from 2 different versions that were both from the same original source.
Lineage:
Source 1 listed transfer info: DAT @ 48k > HT OMega 7.1 Soundcard (Optical Inputs) > WAV (48) > Syntillium Cool Edit Downsample to 44.1 WAV > CD WAV (Track Split) > FLAC.
Source 2 (my old copy): Sony TCD-D10 Dat master > playback on Sony TCD-D10 master deck > Sony Beta PCM tape recorded on SL-HF900 at Beta II speed > playback on same deck (Sony SL-HF900) > Macintosh with Digidesign Audiomedia III sound card > Pro Tools > merge with source 1 > Aiff > xACT (Flac level 8 files with sector boundaries verified) |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
12/06/83 |
CHCH Studios
Hamilton, ON |
2 Audio + DVD |
|
|
OFFICIAL RELEASE: "In Session - Deluxe Edition" |
|
|
12/06/83 |
CHCH Studios
Hamilton, ON |
1 MPG |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
Studio recordings
Unknown, Unknown |
1 |
|
|
Beginnings (Mickboy Remaster) |
|
|
??/??/39 |
ABB Vol. 1 Back Where It All Began
Various, Various |
1 DVD |
|
|
|
Necessary for any ABB collection |
|
03/30/69 |
Jacksonville Armory
Jacksonville, FL |
1 |
|
|
Second Coming |
Goldtone
GT-002
Tracks 1-4:
The Allman Brothers Band: Studio demos 1969-1970.
Tracks 6-8:
The Second Coming: Recorded live at the Jacksonville Armory, Jacksonville, FL |
|
01/24/70 |
Whiskey A-Go-Go
Los Angeles, CA |
1 |
|
|
|
SBD |
|
02/11/70 |
Fillmore East (Early Show)
New York, NY |
1 CD-R |
B |
A |
SBD |
Greg's voice appears to be sore |
|
02/14/70 |
Fillmore East
New York, NY |
1 |
|
|
|
|
|
02/??/70 |
Unknown
Unknown, Unknown |
1 |
|
A |
|
At Fillmore East Feb 1970. GD Records release - Out of Print and RARE
1.In Memory of Elizabeth Reed
2.Hoochie Coochie Man
3.Statesboro Blues
4.Trouble No More
5.Outskirts of Town
6.Whipping Post
7.Mountain Jam |
|
04/04/70 |
Ludlow's Garage
Cincinnati, OH |
2 |
|
|
Official Release |
disc 2 is a 44 minute "Mountain Jam"! |
|
04/28/70 |
SUNY Gym
Stonybrook, NY |
1 |
|
|
Soundboard |
Statesboro Blues, Trouble No More, Dreams, Black Hearted Woman, (edit)Whipping Post>Mountain Jam (edit). missing Liz Reed. mediocre sound. |
|
05/02/70 |
Swarthmore College
Swarthmore, PA |
2 |
|
|
|
|
|
07/03/70 |
Middle Georgia Raceway
Byron, GA |
2 |
|
|
|
OFFICIAL RELEASE |
|
07/05/70 |
Atlanta International Pop Festival
Byron, GA |
2 |
|
|
"Official" Release |
This is the more complete show, though the sound quality is not anywhere near the official Sony release. That one has the Mountain Jam with Johnny Winter edited down about 10 minutes to fit on one CD. This is the complete show - hence two discs. |
|
07/09/70 |
State University of New York
Stony Brook, NY |
1 |
A |
A |
Incredible 2017 SBD find - lovingly remastered by Masahiko Yamaura for the ABB.com forum faithful. Special thanks. |
|
|
07/17/70 |
Love Valley Festival
Love Valley, NC |
2 |
|
|
|
|
|
07/26/70 |
S.U.N.Y. Gym
Stony Brook, NY |
1 |
|
|
|
|
|
09/04/70 |
The Scene
Milwaukee, WI |
2 |
|
|
|
|
|
09/23/70 |
Fillmore East
New York, NY |
1 mpeg |
|
|
|
34 Minute video |
|
10/23/70 |
State Univerity of New York
Stonybrook, NY |
1 |
|
|
|
Soundboard |
|
11/13/70 |
Ludlow's Garage
Cincinnati, OH |
1 |
|
|
|
|
|
11/19/70 |
Boston Tea Party
Boston, MA |
1 |
|
|
|
SBD |
|
12/13/70 |
Leonard Gym, American University
Washington, DC |
1 |
|
|
|
Official Release |
|
12/31/70 |
The Warehouse
New Orleans, LA |
3 |
|
|
|
|
|
??/??/70 |
Peach Cobbler Volume One
Republic Of Tea, AZ |
1 |
|
|
|
"Peach Cobbler" (A Captain Skipper Production) Best of The Allman Brothers Band Live 1970-1972 |
|
??/??/70 |
Peach Cobbler Volume Two
Republic Of Tea, AZ |
1 |
|
|
|
"Peach Cobbler" (A Captain Skipper Production) Best of The Allman Brothers Band Live 1970-1972 |
|
??/??/70 |
Peach Cobbler Volume Three
Republic Of Tea, AZ |
1 |
|
|
|
"Peach Cobbler" (A Captain Skipper Production) Best of The Allman Brothers Band Live 1970-1972 |
|
01/17/71 |
Syria Mosque
Pittsburgh, PA |
1 |
|
|
|
famous soundboard |
|
01/23/71 |
Capitol Theatre
Port Chester, NY |
1 |
|
|
|
|
|
01/28/71 |
Fillmore West
San Francisco, CA |
2 |
|
|
|
|
|
01/31/71 |
Fillmore West
San Francisco, CA |
2 |
|
|
soundboard |
rough start in the opening notes of Statesboro Blues. Hissy throughout the first disc |
|
02/28/71 |
Brewer Field House
Columbia, MO |
1 |
|
|
SBD |
partial show? |
|
03/12/71 |
Fillmore East (Early)
New York, NY |
1 |
|
SBD |
OFFICIAL RELEASE: 1971 Fillmore East Recordings (6 CD Box) |
|
|
03/12/71 |
Fillmore East (Late)
New York, NY |
1 |
|
|
OFFICIAL RELEASE: 1971 Fillmore East Recordings (6 CD Box) |
SBD |
|
03/13/71 |
Fillmore East (Late)
New York, NY |
3 |
|
|
OFFICIAL RELEASE: 1971 Fillmore East Recordings (6 CD Box) |
|
|
03/20/71 |
The Warehouse
New Orleans, LA |
3 |
|
|
Soundboard |
|
|
04/??/71 |
Unknown Rehearsal
Gatlinburg, TN |
1 |
|
|
|
The Gattinburg Tapes |
|
05/02/71 |
CCNY
New York, NY |
2 |
|
|
|
|
|
06/27/71 |
Fillmore East
New York, NY |
1 |
|
|
Official Release - Eat A Peach Deluxe Edition |
|
|
07/17/71 |
Municipal Auditorium
Atlanta, GA |
2 |
|
|
|
|
|
07/21/71 |
Central Park (Late Show)
New York, NY |
1 |
|
|
|
|
|
08/15/71 |
Academy of Music
New York, NY |
2 |
|
|
|
|
|
08/17/71 |
Boston Common
Boston, MA |
1 |
|
|
Official Release - Archive # 5 |
|
|
08/26/71 |
A&R Studios
New York, NY |
1 |
|
|
Official Release |
SBD - Amazing "You Don't Love Me" with tribute to King Curtis |
|
09/16/71 |
The Warehouse
New Orleans, LA |
3 |
|
|
|
Great show with a "Blue Sky" featuring Duane Allman. Great jams in "You Don't Love Me" and "Mountain Jam" |
|
09/19/71 |
Gym - State University of NY (SUNY) at Stony Brook
Stony Brook, NY |
2 |
|
|
Official ABB website release |
Buy It!! "Blue Sky" is killer. |
|
09/28/71 |
Austin Municipal Auditorium
Austin, TX |
1 |
|
|
|
|
|
10/15/71 |
Syria Mosque
Pittsburgh, PA |
1 |
|
|
Dreams And Nightmares |
|
|
12/13/71 |
Fillmore East
New York, NY |
2 |
|
|
Hot 'Lanta |
|
|
??/??/71 |
Duane Allman Dialogs
Various, Various |
2 |
|
|
|
|
|
??/??/72 |
Peach Cobbler 7D2 Volume 4
Republic Of Tea, AZ |
1 |
|
|
|
"Peach Cobbler" (A Captain Skipper Production) Best of The Allman Brothers Band Live 1970-1972 |
|
09/10/73 |
Grand Opera House
Macon, GA |
1 VCD |
|
|
|
|
|
12/31/73 |
Cow Palace
Daly City, CA |
4 |
|
|
|
|
|
11/19/90 |
National Video Center
New York, NY |
2 |
|
|
|
|
|
07/05/91 |
Ohne Filter Show
Baden Baden, Germany |
2 |
|
VCD |
|
|
|
10/11/91 |
Pacific Amphitheater
Costa Mesa, CA |
2 |
|
|
|
|
|
10/12/91 |
County Bowl
Santa Barbara, CA |
2 |
|
|
|
|
|
06/11/92 |
Roosevelt Hotel
Hollywood, CA |
1 |
|
|
|
|
|
08/01/93 |
Great Woods Center for the Performing Arts
Mansfield, MA |
2 |
|
|
|
|
|
03/22/97 |
Beacon Theatre
New York, NY |
3 |
|
|
|
|
|
09/19/98 |
Great Woods Center for the Performing Arts
Mansfield, MA |
2 VCD |
|
|
|
|
|
09/04/99 |
Lakewood Amphitheatre
Atlanta, GA |
3 |
|
|
|
|
|
06/16/00 |
GTE Amphitheatre
Virginia Beach, VA |
3 |
|
|
|
|
|
06/12/02 |
Warfield Theater
San Francisco, CA |
2 |
|
|
|
|
|
08/18/02 |
Merriweather Post Pavilion
Columbia, MD |
2 |
|
|
|
|
|
03/14/03 |
Beacon Theater
New York, NY |
2 SHN |
|
|
|
|
|
03/29/03 |
Beacon Theatre
New York, NY |
2 |
|
|
|
|
|
07/26/03 |
Post Gazette Pavillion
Burgettstown, PA |
3 |
|
|
|
My copy comes with "Layla" and "Whipping Post" as encores. Filler maybe? |
|
07/29/03 |
Chicago Theater
Chicago, IL |
2 |
|
|
|
|
|
08/08/03 |
HiFi Buys Amphitheatre
Atlanta, GA |
3 |
|
|
|
|
|
08/09/03 |
Verizon Wireless Amphitheatre
Charlotte, NC |
3 |
|
|
Instant Live |
SBD |
|
08/10/03 |
Alltel Pavillion
Raleigh, NC |
3 |
|
|
Instant Live |
SBD |
|
09/07/03 |
The Greek Theater
Los Angeles, CA |
2 |
|
|
|
|
|
09/19/03 |
Red Rocks Amphitheatre
Morrison, CO |
3 |
|
|
|
|
|
03/19/04 |
Beacon Theater
New York, NY |
2 |
|
|
|
|
|
03/26/04 |
Beacon Theater
New York, NY |
3 |
|
|
|
|
|
08/23/08 |
Susquehanna Bank Center
Camden, NJ |
2 |
|
|
|
They play "Dazed and Confused"! |
|
03/19/09 |
Beacon Theatre
New York, NY |
2 DVD |
|
|
|
First night with Eric Clapton - Thanks for the videos Joe! |
|
03/19/09 |
Beacon Theatre
New York, NY |
2 |
|
|
Officially Released |
Neumann Km 184 Mics > Lunatec V2 > Korg Mr 1000 |
|
03/19/09 |
Beacon Theatre
New York, NY |
4 |
|
|
Southern Comfort by Mid Valley |
3/19 and 3/20 - 2 CD and 2 DVD |
|
03/20/09 |
Beacon Theatre
New York, NY |
3 |
A+ |
|
Official Release |
Second Night w/ Eric Clapton |
|
03/20/09 |
Beacon Theatre
New York, NY |
2 DVD |
|
|
|
w Eric Clapton - Thanks for the videos Joe! |
|
03/20/09 |
Beacon Theatre
New York, NY |
3 |
|
|
Instant Live |
|
|
03/26/09 |
Beacon Theatre
New York, NY |
2 DVD |
|
|
|
|
|
10/28/14 |
Beacon Theater
New York, NY |
4 |
|
|
Instant Live |
SBD |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/11/87 |
Arcadia Theatre
Dallas, TX |
1 |
|
|
SBD |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
09/16/67 |
Monterey Fairgrounds
Monterey, CA |
1 |
|
|
|
Boot comes with performance from T-Bone Walker. Also has filler from Prague Jazz Festival of 1966 with Otis Rush, and Buddy Guy with Junior Wells. |
|
08/31/69 |
Texas International Pop Festival
Dallas, TX |
1 |
|
|
|
"Texas International Pop Festival" |
|
05/30/71 |
Paramount Theatre
Seattle, WA |
1 |
|
|
FM (Over The Air) |
Here is an excellent sounding and complete FM broadcast of B.B. King at the Paramount Theatre courtesy of taperpat. The recording was done by his friend Dick who recorded this off of KISW-FM using a Sony R-2-R deck when it was originally broadcast sometime in 1972. This is really hot performance by B.B. King and especially his backing band. The backing band's rendition of Fa-Fa-Fa-Fa-Fa (Sad Song) by Otis Redding almost steals the show before B.B. can even get on stage. |
|
11/08/75 |
Tennessee International Blues Festival
Memphis, TN |
1 |
|
|
"2 Kings: featuring Bobby 'Blue' Bland" |
Last two tracks feature Albert King and Bland. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/31/94 |
Falkoner Theatre
Copenhagen, Denmark |
2 |
|
|
|
MP3 SOURCED |
|
06/01/94 |
Circus
Stockholm, Sweden |
2 |
|
|
|
"Live in Stockholm" |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
12/25/62 |
The Star Club
Hamburg, Germany |
2 |
|
|
The Beatles - Star Club (FIXED) [Purple Chick / DarthDisc |
|
|
06/30/66 |
Nippon Budokan Hall
Tokyo, Japan |
1 VCD |
|
|
|
|
|
05/??/68 |
George Harrison's House
Esher, Surrey, England |
1 |
|
|
|
Acoustic White Album |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
Unreleased 2nd LP
Unknown, Unknown |
1 |
|
|
WORKING VERSION (ITS-1001) |
|
|
10/03/72 |
Voorst National Hall
Brussels, Belgium |
1 |
|
|
Liberated Black & White bootleg |
Upgrade in sound. SBD |
|
10/08/72 |
Jahrhunderthalle
Frankfurt, Germany |
1 |
|
|
|
audience reel master > DAT > CD >
cd extractor (wav) > flac (sb's aligned). This is a rather nice sounding audience tape for a BBA show and appears to be
almost the full show. there's a flip cut in the middle of let me love you. I think
the rest of this show is in here. |
|
10/09/72 |
Kennington Oval
London, UK |
1 |
|
|
|
Excellent sound quality - SBD |
|
10/28/72 |
Hofstra University
Hempstead, NY |
1 |
|
|
Triangle Boogie |
|
|
11/01/72 |
Ford Auditorium
Detroit, MI |
1 |
|
|
ANA(1)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] |
Setlist:
01. Superstition
02. Livin' Alone
03. Tonight I'll Be Staying Here With You
04. People Get Ready
05. Lady
06. Morning Dew ->
07. Drum Solo
08. Plynth ->
09. (I Know) I'm Losing You/Jam/Plynth (reprise) (incl. guitar solo) (cut in middle due to tape flip)
10. Let Me Love You
11. Jeff's Boogie
12. Why Should I Care?
Length: 70:04
Notes:
1st gen cassette from the JEMS archives. Here is a recording from the archives of BBA's stop in Detroit. The recording is oversaturated by the bass when it kicks in so this particular archives release has been mastered to try to correct that and make this otherwise almost unlistenable recording a listenable one instead. |
|
05/14/73 |
Budokan
Tokyo, Japan |
2 |
|
|
"Train Kept a Rollin'" |
|
|
05/17/73 |
Unknown
Unknown, Japan |
2 |
|
|
|
Official Release - a must have. |
|
06/09/73 |
Messezentrum Halle A
Nuremberg, West Germany |
2 |
|
|
"Raw" and edited versions - one disc each |
** from audience MASTER, MWM 0153 **
>> ! RAW and EDITED files ! - THE REAL ONE, COMPLETE - IN THIS QUALITY UNCIRCULATED |
|
06/12/73 |
L'Olympia
Paris, France |
2 |
|
|
Unknown mics ->UHER reel recorder-> low gen Maxell UDXL II type II cassette-> Nakamichi Dragon (with auto-azimuth) Dolby Off-> Zoom H2 -> Goldwave v.5.08 for tracks splitting, edits, maximizing AT 80%-> TLH 2.4.1 (build 160) -> FLAC |
VG low gen stereo audience tape |
|
01/22/74 |
City Hall
Sheffield, UK |
1 |
|
|
"Get Ready" |
|
|
01/26/74 |
Rainbow Theatre
London, England |
2 |
|
|
Original BBC FM broadcast>cassette>PC transfer to wav>trader cd-r |
Low quality soundboard - Complete early show and 4 tracks from the late show. Early show runs a little fast.
Setlists:
Early Show
1. Satisfied
2. Livin' Alone
3. For Lovely Ladies
4. Lady
5. Jizz Whizz
6. ....continued
7. ....continued (drum solo)
8. ....continued (guitar solo)
9. Prayin'
10.Superstition
11.(Get Ready) Your Lovemaker's Comin' Home
12.Blues Deluxe - You Shook Me
13...Rainbow Boogie (begins in previous track)
Late Show
1. Satisfied (cut at beginning)
2. Livin' Alone
3. For Lovely Ladies (cut at beginning)
4. Lady |
|
01/26/74 |
Rainbow Theatre
London, England |
1 |
|
|
At Last Rainbow |
Incomplete. Set list: 1. For Lovely Ladies
2. Lady
3. Morning Dew (incomplete "Jizz Whizz")
4.Superstition
5.(Get Ready) Your Lovemaker's Comin' Home
6.Blues Deluxe - You Shook Me
7.Rainbow Boogie |
|
01/26/74 |
Rainbow Theatre
London, England |
2 |
|
|
The Last Boogie |
Audience recording. Missing track 4 on disc 2 (You Shook Me~Rainbow Boogie) because it's been released officially on "Beckology." |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/06/77 |
Tilles Center, Long Island Univ., C.W. Post Campus
Brookville, NY |
2 |
|
|
WLIR F.M. broadcast |
great sound, great show |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/02/96 |
Soldiers & Sailors Memorial Hall
Kansas City, KS |
2 |
|
|
|
|
|
07/10/00 |
Jones Beach
Wantagh, NY |
1 DVD |
|
|
Pro-shot |
with Jimmy Page performing Zep tunes. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
12/20/70 |
L'Olympia
Paris, France |
1 DVD |
|
|
Pro shot |
|
|
08/03/75 |
Civic Center
Providence, RI |
2 |
|
|
Mastered and FLAC'ed by Carl Morstadt |
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
|
|
08/05/75 |
Convention Hall
Asbury Park, NJ |
1 |
|
|
**Remastered** by thir13en |
SBD |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/07/69 |
Hyde Park
London, England |
1 |
|
|
"Live in Hyde Park" (Mid Valley) |
Runs a bit slow |
|
06/07/69 |
Hyde Park
London, England |
1 |
|
|
Rated X (Mid Valley - MV 29/30) |
disc 2 - soundboard: Runs about 7% too fast |
|
06/18/69 |
Konserthallen Liseberg, Liseberg Nöjespark
Göteborg, Sweden |
1 |
|
|
"The Undertaker" (Mid Valley 388) |
As always, Mid Valley nails it down. There are numerous versions of this radio broadcast in circulation, and this is very good and quite listenable. |
|
06/18/69 |
Konserthallen Liseberg, Liseberg Nöjespark
Göteborg, Sweden |
1 |
|
|
Rated X (Mid Valley - MV 29/30) |
disc 1 - soundboard |
|
06/18/69 |
Konserthallen Liseberg, Liseberg Nöjespark
Göteborg, Sweden |
1 |
|
|
Gothenburg 1969 (Moby Dick) |
Boot incorrectly lists the date as 3/6/69 |
|
07/26/69 |
Wisconsin State Fair Park Grounds
West Allis, WI |
1 |
|
|
|
"The Lost Concert Performance" |
|
08/16/69 |
Earl Warren Showgrounds
Santa Barbara, CA |
1 |
|
|
"Noblesse Oblige" (Mid Valley) |
|
|
11/25/04 |
35th Anniversary Celebration, WSUM-FM
Madison, WI |
3 |
|
|
"Anthology - 35th Anniversary Celebration" |
This radio documentary celebrates the 35th Anniversary of Blind Faith.
Broadcast on November 25, 2004 on Madison, Wisconsin's WSUM Radio, it was hosted by Dave Black and longtime fan/archivist/all 'round good-guy KJ Bleus (http://www.angelfire.com/wi/blindfaith/).
Lots of rarities, outtakes, and live cuts make this a fun listen. Recommended. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
01/14/00 |
Sun Theatre
Anaheim, CA |
3 |
|
|
DSBD DAT > CD-R > EAC > FLAC |
|
|
01/15/00 |
Belly Up Tavern
San Diego, CA |
3 |
|
|
|
|
|
01/20/00 |
The Birchmere
Alexandria, VA |
3 |
|
|
|
|
|
02/11/00 |
Tipitina's
New Orleans, LA |
3 |
|
|
|
|
|
02/12/00 |
Variety Playhouse
Atlanta, GA |
3 |
|
|
SBD |
|
|
02/21/00 |
House of Blues
Chicago, IL |
4 |
|
|
|
|
|
10/07/01 |
Warner Theatre
Erie, PA |
2 |
|
|
Sbd -> Behringer 8024 (gain adj.) -> Apogee PSX-100 -> Sony D8 DAT Recorder@48kHz/16bit |
This is the only Blue Floyd show with Prairie Prince on drums. Overall, this is a very sweet recording with the best two-track lineage possible. |
|
01/17/02 |
BB King's Bar & Grill
New York, NY |
1 |
|
|
B&K 4021>EAA PSP3>Marantz PMD 660>Sony D8>DAT>Sony R300>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/25/97 |
Utica Auditorium
Utica, NY |
3 |
|
|
|
SBD recording. First track starts with pre-show tunes played by DJ.
Good show, even better acoustic set. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
DVD Compilation #01 - "Just a Song and Dance Man"
unknown, unknown |
1 DVD |
|
|
|
|
|
??/??/39 |
DVD Compilation #02 - "Moving With a Simple Twist
Unknown, Unknown |
1 DVD |
|
|
|
|
|
05/14/66 |
Odeon Theatre
Liverpool, England |
1 |
|
|
A Nightly Ritual |
with two tracks from May 19, 1966 as filler. |
|
11/15/80 |
Fox Warfield Theatre
San Francisco, CA |
2 |
|
|
AUD from CDR & Tape sources |
Compiled from two best sources available. More complete than what is listed here on etree. Sources were mono and the Right Channel was found to be slightly cleaner than Left, therefore Right was fed to both channels. Left not used.
Disc One:
1. If I got my ticket Lord
2. It's Gonna Rain
3. Come on in this House
4. Saved by the Grace of your Love
The rest matches etree. "Like a Rolling Stone" features Mike Bloomfield. "Till I get Right" features Regina McCreary on vocals. |
|
10/15/92 |
"Bobfest" Rehearsals
New York, NY |
2 |
|
|
"Bobfest Rehearsals" (Wilbury Records) |
|
|
10/16/92 |
Madison Square Garden
New York, NY |
2 DVD |
|
|
Pioneer CLD-D606 > DataVideo TBC-1000 > Sigma RealMagic PCI > PC > Vitec Video Clip Professional > Ulead Movie Factory 2.0 |
Simply one of the finest groups of musicians assembled, ever! Everyone puts forth a great effort, with special praise heaped upon Neil Young for his incendiary "All Along the Watchtower", and Eric Clapton who brought down the house with "Don't Think Twice, It's Alright" in what may be his single best performance of the 1990s. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/27/73 |
Leeds Polytechnic
Leeds, UK |
1 |
|
|
OFFICIAL RELEASE: "Burnin'" Deluxe Edition |
|
|
07/03/75 |
The Boarding House
San Francisco, CA |
1 |
|
|
|
Great show, great sound. |
|
07/07/75 |
The Boarding House
San Francisco, CA |
1 |
|
|
|
|
|
04/23/76 |
Tower Theater (Late Show)
Upper Darby, PA |
2 |
|
|
soundboard |
|
|
11/25/79 |
Santa Barbara County Bowl
Santa Barbara, CA |
2 |
|
|
soundboard |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/25/00 |
BBC TV Studios - Later With Jools Holland show
London, UK |
1 |
|
|
Broadcast > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
with Eric Clapton |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
08/24/68 |
Philadelphia Folk Festival
Schweksville, PA |
1 |
|
|
|
|
|
07/09/77 |
Montreux Jazz Festival
Montreux, Switzerland |
1 |
|
|
|
ACTUALLY FROM 1978. Offical Release: "Everything Gonna Be Alright" + The Chicago Blues All-Stars feat. Hubert Sumlin |
|
04/14/86 |
Lone Star Cafe
New York, NY |
2 |
|
|
CASSETTE SB MASTER > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC |
Late Show features Stevie Ray Vaughn |
|
09/22/86 |
Four Queens Hotel and Casino
Las Vegas, NV |
1 |
|
|
SBD |
Junior Wells guests on "All Your Love" |
|
07/30/89 |
The Legends Club
Chicago, IL |
1 |
|
|
|
with Stevie Ray Vaughn. Sublime jamming |
|
07/04/92 |
Crystal Palace
London, England |
1 |
|
|
|
|
|
03/23/95 |
House of Blues
West Hollywood, CA |
2 |
|
|
|
|
|
08/15/95 |
Pier 62/63
Seattle, WA |
2 |
|
|
|
|
|
05/06/00 |
Rhythm & Blues Night
Groningen, Netherlands |
1 |
|
|
|
|
|
05/16/01 |
Buddy Guy's Legends
Chicago, IL |
2 |
|
|
|
|
|
01/14/04 |
Buddy Guy's Legends
Chicago, IL |
1 |
|
|
|
SBD show, great quality. |
|
??/??/06 |
Can't Quit the Blues
Unknown, Unknown |
4 CD + DVD |
|
|
Official Release |
3 Audio and 1 DVD. Outstanding box set, highly recommended |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/05/73 |
Shaboo Inn
Mansfield, CT |
1 |
|
|
FM Broadcast |
|
|
09/20/84 |
Cotati Cabaret
Cotati, CA |
1 |
|
|
SBD |
|
|
04/10/88 |
Lost Horizon
Syracuse, NY |
2 |
|
|
AUD |
This is from the Master tapes. Not sure what I used to record this. Most likely a Sony cassette deck with stereo built in mics. Not bad sound but not great. Crowd is a bit loud at times. But this is Buddy & Junior, when they toured together they were one of the best blues duo's ever! |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
Colour Blind
BBC, Radio 2 |
10 Flac |
A+ |
|
|
The most complete unnofficial set out there, put together lovingly by fans. |
|
??/??/39 |
Colour Blind
BBC, Radio 2 |
1 DVD |
|
|
Purple Chick |
Compilation of all known video footage |
|
??/??/95 |
What You Been A Missin'
Vigotone 4cd Box Set, Studio |
4 |
|
|
|
rarities from the man himself, Buddy Holly. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
08/28/73 |
Music Hall
Boston, MA |
2 |
|
|
|
|
|
09/01/73 |
Chicago Amphitheatre
Chicago, IL |
2 |
|
|
"A Live Supreme Brothers of the Spirit" |
The original source is a bootleg CD made from a very nice-sounding sbd, which however has one major problem throughout: a crackling noise that appears with higher levels, mostly in the drums and Santana's guitar. This is not too difficult to remedy with the appropriate software (ProTools LE with various pro-level plug-ins). In order not to degrade the audio unnecessarily, I applied three different levels of filtering and reassembled the music from the three versions according to my ears, always choosing the one with just as much filtering as necessary to remove the noise. I manually removed a few minor glitches and, lastly, did a pitch correction (from 38 to 48 cent on CD 1, 52 cent on CD 2), the original source running slightly flat.
This is an amazing performance (check out Mr. Cobhams drumming!) which well deserves a little polish. |
|
|
Cream
Number of shows: 48
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/15/66 |
Klook's Kleek R&B Club, Railway Hotel London-West
Hampstead, London, UK |
1 |
B |
B- |
|
Cream Remasters - "Renovating the Blues" |
|
??/??/66 |
Fresh Outtakes & Acetates
Various, Various |
2 |
|
|
Remasters |
Outtakes & Alternates incl BBC Sessions |
|
03/07/67 |
Konserthuset
Stockholm, Sweden |
1 |
|
|
Remasters - Renovating the Blues |
|
|
04/22/67 |
Ricky Tick
London, England |
1 |
A |
B+ |
|
Cream Remasters -Cream Remasters - "Renovating the Blues" |
|
05/07/67 |
Wembley Empire Pool
London, UK |
1 |
|
|
"Star Shines" (Mid Valley) |
Tracks 1-5 recorded at Konserthuset, Stockholm, on May 7, 1967.
Tracks 6-8 recorded at Sports Arena, San Diego, on October 20, 1968.
|
|
05/23/67 |
Marquee Club
London-Soho, England |
1 |
|
|
Two Sources: Remasters - Disraeli Gears Live + Trinity (Mid Valley) |
|
|
05/29/67 |
Tulip Bulb Auction Hall
Spaulding, England |
1 |
|
|
|
Cream Remasters - "Disraeli Gears Live" |
|
09/03/67 |
Fillmore Auditorium
San Francisco, CA |
1 |
A |
B |
|
Cream Remasters - "Live at the Fillmore" |
|
09/04/67 |
Whiskey A Go Go
West Hollywood, CA |
2 FLAC |
|
|
"Whiskey A Go Go" by Mid Valley |
Great show. Surprisingly good sound for the time period. |
|
09/10/67 |
Psychedelic Supermarket
Boston, MA |
1 |
|
|
Remasters - East Coast 1967 |
At this venue from the 10th - 16th |
|
10/15/67 |
Grande Ballroom
Detroit, MI |
2 |
A+ |
A+ |
Cream Remasters series |
An absolute must-have. |
|
10/15/67 |
Grande Ballroom
Detroit, MI |
2 |
|
|
"Blues Addict" (Tarantura 2004) |
|
|
10/15/67 |
Grande Ballroom
Detroit, MI |
2 |
A |
A |
Sun Vanishes: Birth of the Six Strings God (Mid Valley) |
|
|
11/14/67 |
Konserthuset
Stockholm, Sweden |
1 |
A+ |
A- |
Two sources: Cream in Europe - Remasters & "Steppin' Razor" (Mid Valley) |
"Sleepy Time Time" and "Sunshine of Your Love" are standouts. |
|
11/??/67 |
Europe
Europe, Europe |
1 |
B |
B+ |
Cream in Europe boot |
Remasters |
|
??/??/67 |
BBC Studios
London, England |
2 |
|
|
Remasters - BBC Sessions |
|
|
03/03/68 |
Fillmore Auditorium
San Francisco, CA |
1 |
|
|
Remasters - Live at the Fillmore |
A great show, full of improvisation. "NSU" is particularly jazzy. |
|
03/07/68 |
Fillmore Auditorium
San Francisco, CA |
1 |
|
|
Remasters - California Days |
|
|
03/08/68 |
Winterland
San Francisco, CA |
2 |
|
|
Wheels of Ice - Tarantura |
|
|
03/09/68 |
Winterland
San Francisco, CA |
1 |
|
|
Officially Released |
A compilation of all known soundboard recordings made in San Francisco between March 7-9, 1968. Tracks:1.Rollin' and Tumblin' 2.Sunshine of Your Love 3.Toad 4.Traintime 5.NSU 6.Sunshine of Your Love 7.Sleepy Time Time 8.Steppin' Out |
|
03/10/68 |
Winterland
San Francisco, CA |
2 |
|
|
Live at Winterland - Cream Remasters series |
|
|
03/18/68 |
Convention Center
Anaheim, CA |
1 |
|
|
Remasters - California Days |
|
|
03/23/68 |
Shapiro Gym, Brandeis University
Waltham, MA |
2 |
|
|
AUD Mono MASTER CAS > DAT > CD-R > EAC v. 0.99 Prebeta 4 (Secure, Offset Correct) > FLAC (8) |
from Masters! |
|
03/23/68 |
Shapiro Gym, Brandeis University
Waltham, MA |
2 |
|
|
REMASTERS Ripped from 1st. generation Gold CD-R, using EAC (v0.95 prebeta 5)> WAV > FLAC-16 using Flac Frontend 1.71 (Etree edition), Level-6, Align on Sector Boundaries |
Instruments better balanced with the bass much clearer and improved attack on the guitar. Vocals remain undermixed but clearer. Drums remain clear as the recording was centre stage. Volume variations and mike repositioning effects have been smoothed. Noise levels especially tape hiss significantly reduced. Final quality is not as good as Grande Ballroom but very listenable especially in conjunction with the excellence of the performance. |
|
03/23/68 |
Shapiro Gym, Brandeis University
Waltham, MA |
2 |
|
|
"Cream Your Jeans" (Tarantura) |
Misidentified as September 9, 1967. |
|
04/05/68 |
Back Bay Theater
Boston, MA |
2 |
A |
B- |
Remasters - Back Bay Theatre |
This one has a powerhouse 18-minute "Sunshine of Your Love" as an opener. Clapton blasts the place. |
|
04/05/68 |
Back Bay Theater
Boston, MA |
2 |
|
|
Lineage: Audience Mono Master Cassette > DAT > CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 4 (Secure, Offset Correct) > FLAC (8) |
Disc 1:
1. Sunshine of Your Love (17:31)
2. tuning (0:57)
3. Spoonful (17:12)
4. tuning (0:56)
5. Sleepy Time Time (8:01)
6. tuning & talk (1:41)
7. Steppin' Out (12:46)
Disc 2:
1. Train Time (cut in) (7:10)
2. Toad (17:09)
This has been mastered, remastered, sliced, diced, and sauteed over the years ... here you go, courtesy of the taper, direct from the master! |
|
05/25/68 |
Civic Auditorium
San Jose, CA |
1 |
B |
B |
Two sources: Remasters - California Days & "Bogue" - Tarantura (Tarantic) 2004 |
|
|
06/11/68 |
Paul Sauve Arena
Montreal, QC |
1 |
B |
C+ |
"Ulysses" boot |
Another hard to find show. EC is on fire in this one. |
|
06/15/68 |
Oakdale Music Centre
Wallingford, CT |
1 |
|
|
Big Black Loading Zone |
Geetarz rip |
|
06/15/68 |
Oakdale Music Centre
Wallingford, CT |
1 |
|
|
"Firebird" (Tarantura) |
|
|
10/04/68 |
Alameda County Coliseum
Oakland, CA |
1 |
B |
A |
Remasters - Final Tour USA |
|
|
10/07/68 |
Civic Opera House
Chicago, IL |
2 |
|
|
|
"At the Opera House" |
|
10/11/68 |
New Haven Arena
New Haven, CT |
1 |
|
|
disc 1 of "Goodbye and Farewell" |
comes together with 11/04/68 show |
|
10/11/68 |
New Haven Arena
New Haven, CT |
1 |
|
|
Audience > Cassette > Snail Mail Trade > Carver TDR 2400 > Hard Drive > Audacity > Dime [flac] |
Apparently a new more complete source (8/7/10). From the taper: This is a show that's been buried in my collection for years but I've never seen it before anywhere. There are plenty of pretty good sounding Cream shows around ( see geetarz) but this isn't one of them. The only reason I traded for it was because I live in the New Haven area and remember this show but didn't attend. (my parents wouldn't let me). Honestly, the show isn't that bad, I've heard plenty worse, but it is many generations from the original and there are cuts between the tracks. But it is rare. Help with titles for tracks 3 & 6 would be great.
SETLIST
01 - Politician
02 - I'm So Glad
03 - Sittin on Top of the World
04 - Crossroads
05 - Sunshine Of Your Love
06 - Traintime
07 - White Room
08 - Spoonful
09 - Toad |
|
10/13/68 |
Coliseum
Chicago, IL |
1 |
|
|
|
|
|
10/19/68 |
The Forum
Los Angeles, CA |
2 |
|
|
"California '68" by Perfect Blue Music Co. |
Disc 1 is Oakland 68 show. Second disc is the LA show. |
|
10/20/68 |
Sports Arena
San Diego, CA |
1 |
|
|
Remasters - Final Tour USA |
|
|
10/24/68 |
Sam Houston Coliseum
Houston, TX |
1 |
B |
C |
|
Marked as 10-23-68, which cannot be possible b/c they did not play that date. This may be a duplicate of another show - will check it out. |
|
10/25/68 |
Memorial Auditorium
Dallas, TX |
2 |
A |
A |
Two Sources: "Farerwell Tour" on silvers & Mid Valley's "Blow Up!" |
An amazing show, good sound too.
Watch out for Bruce's impromptu bass solo in "I'm so Glad" after Clapton's amp gives out. |
|
11/04/68 |
Rhode Island Auditorium
Providence, RI |
1 |
|
|
"Heavy Gauge" (Mid Valley) |
|
|
11/26/68 |
Royal Albert Hall (Late show)
London, England |
1 |
|
|
disc 2 of |
The complete second show. Unfortunatley, its a pretty bad audience recording. 1st disc: 11-4-68 Rhode Island |
|
01/12/93 |
Century Plaza Hotel Ballroom
Los Angeles, CA |
1 |
|
|
"Reunion Party" Mid Valley |
Rock n' Roll Hall of Fame performance |
|
05/02/05 |
Royal Albert Hall
London, UK |
2 |
|
|
"Maximum" (Mid Valley 311/312) |
|
|
05/03/05 |
Royal Albert Hall
London, UK |
2 |
|
|
"Maximum" (Mid Valley 313/314) |
|
|
10/24/05 |
Madison Square Garden
New York, NY |
1 DVD |
|
|
"Macrocosm" [Part 1/3] (Mid Valley DVD) |
|
|
10/25/05 |
Madison Square Garden
New York, NY |
1 DVD |
|
|
"Macrocosm" [Part 2/3] (Mid Valley DVD) |
|
|
10/26/05 |
Madison Square Garden
New York, NY |
1 DVD |
|
|
"Macrocosm" [Part 3/3] (Mid Valley DVD) |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/04/71 |
Fillmore West
San Francisco, CA |
1 |
|
|
soundboard |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/53 |
Outtakes And Rarities
Unknown, Unknown |
1 |
|
|
Apple Jam (Amstel) |
George Harrison with Derek and the Dominos. Track List:
1. Jam 1
2. Jam 2
3. Jam 3 / Apple Jam
4. Brian's Favorite
5. Wah Wah (Live)
6. My Guitar Gently Weeps (Live)
7. Awaiting On You All (Instrumental Demo)
8. Let it Roll (Demo)
9. What is Life (Instrumental Demo)
10. My Sweet Lord (Demo)
11. Everybody, Nobody (Acoustic Demo)
12. Let it Down (Acoustic Demo)
13. I Don't Wanna Do It (Acoustic Demo)
14. Isn't it a Pity (Demo) |
|
08/11/70 |
Marquee Club
London, England |
1 |
|
|
disc 1 of "Nightclubbing" (Mid Valley 525) |
First and Second Shows |
|
08/14/70 |
Winter Gardens
Malvern, UK |
1 |
|
|
disc 2 of "Nightclubbing" (Mid Valley 526) |
|
|
08/18/70 |
Pavilion Bournemouth
Dorset, England |
1 |
|
|
disc 3 of "Nightclubbing" (Mid Valley 527) |
|
|
10/16/70 |
Electric Factory
Philadelphia, PA |
1 |
|
|
disc 1 of "The Majestic Stand" (Mid Valley) |
SHOW HAS A VERY RICH AND FULL SOUND THAT ONLY A SMALL CLUB CAN PROVIDE. LONG JAMS EVERYWHERE, AND AN EXCELLENT VERSION OF "WHY DOES LOVE GOT TO BE SO SAD." IF YOU WANT TO HEAR CLAPTON PLAY AT ALL LIKE JIMI HENDRIX, THIS IS THE CLOSEST THING I HAVE COME ACROSS. ERIC'S GUITAR IS VERY WILD, BUT NOT DRIVEN BY MANY EFFECTS LIKE HENDRIX. A MUST HAVE FOR COLLECTORS.
|
|
10/16/70 |
Electric Factory
Philadelphia, PA |
1 |
|
|
"1st Gen Aud Source" > CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5 (Secure Mode, Offset Correct +6, 0, 24 bytes) > FLAC |
Geetarz Comments:
This is a legendary Dominos show, and a personal favorite. Some older reference guides inexplicably refer to this as a soundboard, but it's clearly a marginal to average recording.
Luckily a fantastic performance makes for any drawbacks of the source material.
"Ramblin" features some of EC's best ever slide playing. EC can at times play slide a little too precisely - but in this performance, he exhibits loopy, "out of the box" playing that clearly shows Duane Allman's influence as he dances around all the notes. I don't recall EC performing "Ramblin'" in this arrangement again, which alone makes it unique.
This performance is also notable for an incredible, mind bending, tour-de-force performance of "Why does Love...", which is in my Not-So-Humble opinion, not only the finest performance of this song of all time, but has to be one of EC's top performances of any song, ever. If I were making a list of the "Top 25 songs EC ever played" or something like that, this song would be on that list.
And it's not just EC here. If you listen to some of the very early gigs, the band were a little loose, but here they play as a single organism, rising and falling, playing off each other for all they are worth. "Why Does..." has always had a demanding and unusual bass line, and Gordon holds it down, driving the song in the same way that Entwhistle would actually drive the rhythm of The Who as Moon, or in this case Jim Gordon, lays out some 15+ minutes of drum madness, and Bobby Whitlock holding it all together with a shimmering B3 and his incredible vocals.
This performance of this song is indeed "epic", and unforgettable.
This show also features the first-ever live performance of "Motherless Children", albeit in raw form, which in a way adds to its charm.
Up until 2000, the best extant version was the one best identified by its length, 73:08.
In mid-2000, a new version was discovered, which was labeled "1st Generation Audience Source".
One way to identify this source, is that it clocks in at 72:54, whereas the inferior source clocks in at 73:08, with the additonal time on the inferior source being extra space on the tape where it was copied along the way.
Sonically, this is a vast improvement over the 73:08 version, I'd say at least 2, perhaps as many as 4 generations' improvement.
It goes without saying that this is also a real improvement over the commercial RoIO "Electric Factory" CD (Deep-6, Deep6-5).
In the years since 2000, this low gen recording has been traded a bit, first among a circle of the pretty serious collectors and then likely used as the source for some of the tweaked and remastered versions later released on various ROIO labels. |
|
10/23/70 |
Fillmore East
New York, NY |
2 |
|
|
Fillmore Double Night (Mid Valley) |
Great SBD |
|
10/23/70 |
Fillmore East
New York, NY |
6 |
|
|
"Complete Fillmore Tapes" (Paddington) |
Evening and Late shows - audience and soundboard sources |
|
10/24/70 |
Fillmore East
New York, NY |
2 |
|
|
Fillmore Double Night (Mid Valley) |
Great SBD |
|
10/24/70 |
Fillmore East
New York, NY |
4 |
|
|
"Complete Fillmore Tapes" (Paddington) |
Late Show - audience and soundboard sources |
|
11/18/70 |
Community Theater
Berkeley, CA |
1 |
|
|
"EC Shuffle Blues" (Buffalo Stomp-002-1DD) |
Derek and the Dominos played two consecutive nights at the Community Theatre in Berkeley, California, and this recording represents the first of those two nights.
Sitting in with the band that night was a 16 year old Neal Schon.
Overall, this is an exceptional performance, and a worthwhile listen for those intrepid enough to brave a fair to poor audience recording. Once again I invoke Geetarz' Law, which states "The best performances are usually captured by the worst recordings, and vicey versa". |
|
11/19/70 |
Community Theater
Berkeley, CA |
2 |
|
|
Knights In Blue Denim (Mid Valley 076/077) |
|
|
11/19/70 |
Community Theater
Berkeley, CA |
2 |
|
|
"Journeymen" (Arms 43/44 PR) |
With Neal Schon, As it says on the back cover,
' new upgrade from master source' |
|
11/20/70 |
Santa Monica Civic Auditorium
Santa Monica, CA |
3 |
|
|
"Stormy Monday" (Paddington Records - PADD 040/041/042) |
Special Guests:
Delaney Bramlett on all songs, except "Everyday I have the blues"
Toe Fat on "Everyday I have the blues"
Geetarz: The Mid Valley release of "The Majestic Stand" (Mid Valley 068-071) is subtly remastered, and from that point on it's up to personal preference which version a listener will prefer, the Mid Valley or this Paddington version. The Mid Valley version is a little warmer and darker, the Paddington trades off being a bit brighter for a little more overall volume and hiss. |
|
11/20/70 |
Santa Monica Civic Auditorium
Santa Monica, CA |
3 |
|
|
discs 2-4 of "The Majestic Stand" (Mid Valley) |
Afternoon and Evening Shows |
|
11/26/70 |
Music Hall
Cincinnati, OH |
2 |
|
|
"G" (Mid Valley - MVR-113-2) |
Geetarz Comments:
As usual, Mid Valley takes aim and knocks the ball out of the park with another stunning remaster that leaves all previous releases in the dust.
An audience recording but very listenable, probably the most so of any of the Dominos' audience recordings.
But the real treat here is in the jam at the end with B.B. King, on "Every Day I Have the Blues", which is wonderfully rearranged with a punchy R&B type feel. |
|
11/26/70 |
Music Hall
Cincinnati, OH |
2 |
|
|
"Reverse G" (Mid Valley 192/193) |
An upgrade over Mid Valley's previous release. |
|
11/27/70 |
Kiel Auditorium
St. Louis, MO |
1 |
|
|
"Speed Freaks" (Mid Valley) |
Geetarz Comments:
A Mid Valley remaster and release of an otherwise very rare (and previously hoarded) recording.
A rare version of 'Layla' is also a welcome surprise on this set. The Dominos setlist would change every night, which is something that would never happen today sadly.
There are at least three versions of this in circulation ... the original (previously hoarded) version from the master, this Mid Valley release which "broke" the show into circulation, and a "fan remaster" (2 versions) that has some more aggressive noise and hiss reduction. In the end, they're your ears, and you should choose which version *you* prefer. |
|
11/29/70 |
Painters Mill Music Fair
Owings Mills, MD |
2 |
|
|
Remastered by Masahiko Yamaura |
Original Lineage:
Unknown (low) Gen. Reel->Revox B77->PDR05->EAC-> FLAC > CDR....
Remastering:
CDR > QuickTime( converted to 96kHz/24bit) > Audacity (remastering and down converted again to 44.1kHz/16bit) > xACT > FLAC16 |
|
11/29/70 |
Painters Mill Music Fair
Owings Mills, MD |
2 |
|
|
"Seven Pulsating Notes" (Mid Valley) |
Geetarz Comments:
Even the Mid Valley folks can't shine up this poor recording all that much, but still a fascinating document of one of the better Dominos' shows.
As usual, the people who can deal with the limitations of a marginal audience recording will be well rewarded for the effort. |
|
12/01/70 |
Curtis Hixon Hall
Tampa, FL |
2 |
|
|
"Soul Mates 2" (Mid Valley) |
Tracks 3-13 on disc 2 are outtakes for the Dominos' Second Album recorded at Criteria studios during August and September 1970, and Olympic Studios in London, England on April 14, 1971.
This disc sounds much different than 'Soul Mates'. The parts of 'Layla' where you can hear people in the crowd talking are gone, but there is a bit of background hiss, and there isn't any on 'Soul Mates'. So I went and dug up 'Live at Tampa', and made an astonishing discovery....SM2 is a cleaned up version of the better source tape!!! It still has a bit of the hiss present on 'Live at Tampa', but is much more listenable. |
|
12/01/70 |
Curtis Hixon Hall
Tampa, FL |
2 |
|
|
"Soul Mates Twin Flames" - Mid Valley Release |
Only show with EC & Duane Allman together. |
|
12/01/70 |
Curtis Hixon Hall
Tampa, FL |
2 |
|
|
Beta 2 remaster by MasahikoYamaura |
Lineage:
ARMS "In The Skydog" silver > iMac > QuickTime (up converted to 24bit/96kHz) > Audacity ( correct sound volume to keep in same level, interpolate cut out part of "Key To The Highway" from another source, enhanced bass & guitars frequency, added a bit wider image, down convert to 16bit/44.1kHz, split into each tracks ) > xACT > FLAC8.... |
|
12/05/70 |
Capitol Theater
Port Chester, NY |
3 |
|
|
"Last Stand Dominos" (Mid Valley MV 495-497) |
Disc 1: Early Show
Discs 2 & 3: Late Show |
|
12/06/70 |
Suffolk Community College
Selden, NY |
1 |
|
|
"Last Stand Dominos" (Mid Valley MV 498) |
Disc 4 of set |
|
??/??/70 |
Criteria Studios
Miami, FL |
5 |
|
|
"Complete Studio Sessions" (Paddington) |
Geetarz Comments:
This nicely done set collects many Dominos studio tracks in one attractive package.
Silvers > Kodak Gold CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
|
01/01/71 |
"Layla and Other Assorted Love Songs" Remaster
Studio, Studio |
1 |
|
|
Torn & Frayed / Mickboy Remaster (2002) |
Geetarz: Here we have, the infamous "Mickboy" remaster of the classic "Layla" album. There are various mixes out there - the original vinyl mix, the CD mix, the 20th Anniversary edition, the MFSL edition, and added to that pantheon, this "Mickboy Remaster". Best version, IMHO. |
|
01/01/71 |
"Layla and Other Assorted Love Songs" Remaster
Studio, Studio |
2 |
|
|
Layla Super Disk (SD-2 16629) [Mid Valley] |
|
|
05/??/71 |
2nd Album Sessions
London, England |
1 |
|
|
|
The second album, never released. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
12/11/92 |
Ten Years After
Hickory, NC |
2 |
|
|
|
|
|
08/04/03 |
WFMU Radio Broadcast
Jersey City, NJ |
1 |
|
|
|
Acoustic show |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/14/01 |
Northern Lights
Albany, NY |
3 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/14/96 |
The Rock & Roll Hall Of Fame
Cleveland, OH |
1 |
|
|
|
"Blue Sky" is interesting played acoustic, and "Liz Reed" is just killer. RIP Woody |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
03/07/67 |
The Matrix
San Francisco, CA |
2 |
|
|
|
|
|
03/10/67 |
The Matrix Club
San Francisco, CA |
2 |
|
|
|
|
|
01/17/70 |
The Felt Forum
New York, NY |
2 |
|
|
Early and Late Shows |
Excellent SBD |
|
01/18/70 |
The Felt Forum
New York, NY |
2 |
|
|
"Live in New York" |
Early and Late Sets - excellent SBD |
|
06/06/70 |
Pacific Coliseum
Vancouver, BC |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/19/74 |
Don Kirshner's Rock Concert
Unknown, Unknown |
1 DVD |
|
|
|
|
|
04/24/94 |
MTV Studios
Burbank, CA |
2 |
|
|
SBD |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
10 Days Boxset Bonus DVD
Compilation, Various |
1 DVD |
|
|
|
|
|
??/??/63 |
Furthur up the Crossroads - 4 cd box set
Various, various |
4 |
|
|
|
|
|
01/13/73 |
Rainbow Theatre
London, England |
4 |
|
|
Eric Clapton's Rainbow Concert - 25th Anniversary Edition (Empress Valley) |
w/ Pete Townshend, Steve Winwood, and others. |
|
07/04/74 |
St. John Arena
Columbus, OH |
2 |
|
|
|
"Bottle Rocking" |
|
07/10/74 |
Providence Civic Center
Providence, RI |
1 |
|
|
|
|
|
07/18/74 |
ASU Diablo Stadium
Tempe, AZ |
1 |
|
|
|
|
|
07/19/74 |
Long Beach Arena
Long Beach, CA |
2 |
|
|
461 Ocean Boulevard Tour 1974 (Mid Valley) |
|
|
07/19/74 |
Long Beach Arena
Long Beach, CA |
2 |
|
|
461 Ocean Boulevard Tour 1974 (Mid Valley Bonus Discs) |
Audience Source |
|
07/20/74 |
Long Beach Arena
Long Beach, CA |
2 |
|
|
461 Ocean Boulevard Tour 1974 (Mid Valley) |
|
|
07/25/74 |
Kiel Auditorium
St. Louis, MO |
2 |
|
|
"St. Louis Blues" [Tarantura - TCDEC-8-1/2 (Limited Edition of 200 Silvers)] |
Geetarz Comments:
A nice, clean soundboard - tape hiss detracts from this a bit, taking the rating down to a "SB 5", but still a very nice soundboard and a fun show!
A November 2006 Tarantura release.
Lineage: Silver > CD-R (Trade) > Plextor PX-712A > EAC v. 0.99 Prebeta 4 (Secure) > FLAC (Level 5) |
|
12/04/74 |
Hammersmith Odeon
London, UK |
2 |
|
|
461 Ocean Boulevard Tour 1974 (Mid Valley) |
|
|
12/05/74 |
Hammersmith Odeon
London, England |
2 |
|
|
461 Ocean Boulevard Tour 1974 (Mid Valley) |
|
|
08/14/75 |
The Fabulous Forum
Inglewood, CA |
2 |
|
|
|
|
|
10/29/75 |
Sunpukaikan
Shizuoka, Japan |
2 |
|
|
"Eyesight to the Blind" (Dirty 13 - D13-013(A)/(B)) |
Geetarz Comments:
There are several inaccurate song titles listed on the CD jacket.
EC assumes a mock Japanese accent during parts of the show.
From the Slowhand Bootography (http://pages.infinit.net/ronfaith/):
""So Many Roads" (15-minute version ) is incorrectly listed as "Stormy Monday" and "Keep On
Growing" and "Teach Me To Be Your Woman" are listed, but do not appear on the CD. EC
breaks into a mock Japanese accent on several occasions during the show, saying such things as
"Herro", and introducing a "robrey rady . . . Marcy Revy"! (R.B.)"
It's a train wreck of a show, with EC drunk and mocking his hosts ... what fun! |
|
11/15/76 |
Convention Center
Dallas, TX |
1 |
|
|
|
"The Guitar World" |
|
04/26/77 |
Shepherds Bush Empire
London, England |
1 VCD |
|
|
|
from "Whistle Test" TV show. Great quality VCD. |
|
04/27/77 |
Hammersmith Odeon
London, England |
2 |
|
|
"Live in Great Smoke" (Tarantura) |
|
|
??/??/78 |
Rolling Hotel Unreleased 1978 Tour Documentary
Various, Various |
1 DVD |
|
|
Tarantura |
"EC Master Version" (75 minutes) and "Alternate Longer Version" (105 minutes) |
|
06/18/82 |
Broome County Arena
Binghamton, NY |
2 |
|
|
Panasonic Stereo Cassette Recorder w/ Auto Record Level RQ-J36. (Built in Mics Used)>Master cassettes (Unknown Type/Brand)>Unknown 12 Band Equalizer>Unknown Cassette Deck>1st Generation 90 Min. Cassette (Maxell UDXLII)> Yamaha K-902 Casset |
Here is a recording of Eric Clapton that came out better than we expected with the
equipment used to record. I had recently obtained the above mentioned Panasonic RQ-
336 Stereo Cassette recorder, and while at a good friends house (dave L.), a
friend of his visited, who worked at the local university. The conversation got to
Eric Clapton as we all happened to have tickets, but at different locations. This
friend of Dave's wanted to borrow my new recorder and record as his seats were near
the stage left speakers. Dave and our group were on the floor about half-way back
as I recall. This was ok with me as I had never actually snuck in any equipment,
and was not experienced at "stealth" recording methods...yet.
We transfered the master through a 12 band equalizer, and omitted the Alvin Lee song
that was right after the 1st Ramblin'. We wanted to fit the recording on to a 90 min.
cassette (please forgive our ignorance!). So here is an apparently rare Eric Clapton
recording that I did not record, but my equipment was involved. A special thanks to
that friend of Dave's (Dave can't remember the guy's name as I contacted Dave and
asked him) who had the smarts to get this show recorded! |
|
02/07/83 |
Cow Palace
Daly City, CA |
1 |
|
|
"Rock and Roll Heart" (3BR Records) |
Geetarz Comments:
An excellent, if incomplete, soundboard. This is a slightly "tweaked" version of "Got Milk", a fairly obscure ROIO release. |
|
04/20/83 |
Stadthalle
Bremen, Germany |
2 |
|
|
|
"Wonderful Tonight Vol. 2" |
|
07/16/83 |
Red Rocks Amphitheatre
Morrison, CO |
1 FLAC |
|
|
"Camels With Bourbon on the Rocks" |
Upped by Geetarz |
|
06/28/85 |
Garden State Arts Center
Holmdel, NJ |
1 |
|
A |
Starting from the Roots |
Soundboard |
|
07/05/85 |
Poplar Creek Music Theatre
Hoffman Estates, IL |
2 |
|
|
"Chicago No Bad Blues" (Tarantura) |
Geetarz Comments:
The 1985 tour was pivotal, as it marked EC's reemergence as a "Guitar God". This was one of the shows preceding Clapton's career-changing performance at "Live Aid", with one of his best band lineups as well.
Can it get any better? Oh, yeah ... it's a perfect, close miked soundboard!
This is the premier release on the Tarantura label, catalog number TECD-001, 002, "Stereo Soundboard", "Original Master Recording". |
|
07/10/86 |
Le Casino
Montreux, Switzerland |
2 |
|
|
|
Live Volume 2 & 3 Unauthorized (Joker) |
|
07/10/86 |
Le Casino
Montreux, Switzerland |
3 |
|
|
"Get Plugged In" (Mid Valley) |
Disc 1 is Otis Rush's set; Clapton on tracks 6-9. Incomparable release of this classic show. |
|
07/15/86 |
National Exhibition Center
Birmingham, England |
2 |
|
|
"Ring Trick" boot |
SBD |
|
11/20/86 |
The Metro
Boston, MA |
2 |
|
|
Hotclubbin' (3BR Records - 3BR 183) |
Recorded in Boston's "Metro Club", the first of a two night stand. First public performance of "It's in the Way That You Use It."
This is definitely one of the "essential" recordings, and a great document of a time when EC's career was really changing. -Geetarz |
|
11/23/86 |
The Ritz
New York, NY |
2 |
|
|
"Blood Brother" (Tarantura - 2001) |
|
|
03/27/87 |
Cranleigh Golf Club
Cranleigh, Surrey, England |
2 |
|
|
"Black Magic Woman" |
|
|
04/27/87 |
Madison Square Garden
New York, NY |
2 |
|
|
"Slowhand in the Garden" (3Br Records) |
Here's a personal favorite, featuring the band many of us refer to as "The Dream Team".
* Robert Cray (Guitar, Vocals) on "Further on up the road."
Not only is this a great, hot performance, but probably the best show in one of EC's best years - one that featured quality over quantity.
There are a bunch of different releases of this show, a few years after that Igor at 3BR was kind enough to send me this one for review. What can I say, as usual Igor and The Professor do great work. -Geetarz |
|
10/06/87 |
Ronnie Scott's Jazz Club
London, England |
2 |
|
|
"Ronnie Scott's '87" (BG 321/368) |
Bonus Tracks, Dingwalls on December 3, 1985
3) Someday Baby
4) Early In the Morning
5) Rock Me Baby
The Band at Ronnie Scott's:
Eric Clapton
Buddy Guy
Greg Rzab
Gerry Porter
Chris Stainton
Geetarz Comments:
A stunning performance, highly recommended.
Several sources refer to this disc as a soundboard but it's actually an excellent quality audience recording. Recorded in a small club, it does not have the "boominess" associated with many audience recordings.
Buddy Guy's guitar is clearly audible, and at the same volume level in the mix as EC's - this is not the case with the soundboard material recorded and broadcast from the show, in which Guy's guitar is very low in the mix and almost inaudible.
A careful listen during quiet passages reveals that all instruments have some room reverb, as opposed to the "close" sound associated with being close-miked. In particular, listen carefully on headphones during the (stunning) performance of "Wanna Make Love to You" and the room echo on all instruments is easy to identify during quiet passages.
"Wanna Make Love" is one of the down-and-dirtiest, funky, greasy blues numbers you will ever hear - this is one that will grow hair on your chest.
Lineage:
Silvers > LiteOn iHAP322 > EAC v. 0.99 Prebeta 5 (Secure Mode, Offset Correct) > FLAC |
|
10/06/87 |
Ronnie Scott's Jazz Club
London, England |
1 DVD |
|
|
"The Clapton Sessions" |
Easily one of EC's finest performances ever, filmed at Ronnie Scott's club in London with Buddy Guy for the "South Bank Show" TV program.
Only parts of the sessions were shown in the special, and later this longer, more complete excerpt was broadcast.
Interestingly, the title of the show claims that this is "The Full Concert Filmed in October 1987..." when as we all know it is woefully incomplete.
This recording seems to be one of those elusive ones that beg the question "where the bloody hell are the decent quality masters?" and this one certainly does not answer that question.
Quality is good - better than most will have seen - but still sourced from multi generation VHS, with attendant glitches and problems.
'Tis a pity, considering that this was definitely one of EC's standout performances of the 1980s, if not his career. |
|
10/09/87 |
Dingwalls Club
London, UK |
2 |
|
|
|
"Strange Brew Blues" with Buddy Guy. |
|
02/07/88 |
Guildford Civic Hall
Guildford, England |
2 |
|
|
"Guild" (Tarantura TCDEC 22 [show #5]) |
The final concert in this collection is the February 7th, 1988 show
at the Civic Hall. This masterpiece occurs right after a nine night
run at the Royal Albert Hall in London. There was no new album
associated with this tour (the latest studio album August was released
in 1986), but rather these shows were a celebration of twenty-five
years in the music industry. Mark Knopfer of Dire Straits joined him
for the entire year and comes close, as in this show, to blowing Clapton
off the stage. This would be the last concert until two shows in June
for the Prince’s Royal Trust, a US tour in September and a short
tour of Japan with Elton John playing in the band. The sound quality
of this tape is nearly identical to the one from 1985 but with a bit
more bass. |
|
11/02/88 |
Korakuen Dome
Tokyo, Japan |
1 DVD-R |
|
|
|
|
|
11/02/88 |
Korakuen Dome
Tokyo, Japan |
2 |
|
|
"Les Trois Mousquetaires 1988" (Mid Valley) |
Geetarz Comments:
The second performance in a special 4-night run in Japan with Elton John and Mark Knopfler, this performance was broadcast both on Japanese radio and television.
The radio and television broadcasts each had a slightly different mix, and for this, Mid Valley was able to source the pre-FM audio mix that would later be used for the radio broadcast.
This broadcast mix features a bit more "atmosphere" and crowd noise, the sort of thing I've always nicknamed the "live radio show mix". In the past I've described some other shows as "crispy", "crunchy", "hot close-miked SBD" ... and this isn't any of those. It's a far more "open" sounding recording, as the engineers try to balance the soundboard and audience recordings.
All presented and packaged in typical Mid Valley quality, par excellence.
|
|
02/03/89 |
Royal Albert Hall
London, England |
3 |
|
|
"Beetle Clasher" (Tarantura) |
Incredible soundboard recording, complete show. Superior in quality to other releases of this performance such as "The Twelfth Night" (Silver Rarities). |
|
05/09/89 |
Bottom Line
New York, NY |
1 |
|
|
"The Bottom Line Rendez Vous" |
comes with performances guesting Jack Bruce 10/11/88, John Mayall 4/24/65 + 3/19/66, and Jimmy Page 6/65. |
|
07/06/89 |
Statenhal
Den Haag, Netherlands |
2 |
|
|
Roomful of Blues REMASTERED |
|
|
02/03/90 |
Royal Albert Hall
London, England |
2 |
|
|
|
"First Blues Night"
Great, great show; the duets with Buddy Guy and Robert Cray are fabulous. |
|
02/03/90 |
Royal Albert Hall
London, England |
1 DVD |
|
|
|
|
|
02/03/90 |
Royal Albert Hall
London, England |
2 |
|
|
"Blues Night" (Journeyman) |
Best SBD source for this show. |
|
02/05/90 |
Royal Albert Hall
London, England |
2 |
|
|
"Blues Night - London" (Blue Moon) |
Excellent Soundboard |
|
02/07/90 |
Royal Albert Hall
London, England |
1 |
A+ |
|
A Blues Evening |
First four numbers are from 2-3-90 |
|
02/10/90 |
Royal Albert Hall
London, England |
2 |
|
|
|
|
|
02/23/90 |
Grugahalle
Essen, Germany |
2 |
|
|
|
Transfer from LP, some clicks and pops from the vinyl source but a very good, listenable audience recording.
Excellent vocal performance from EC, especially on White Room, his phrasing and vocal range are excellent.
On "Can't Find My My Way Home" EC introduces Nathan East as "perhaps the worst dressed man in show business ... but otherwise impeccable." What the heck was Nate wearing?
This performance also features a neat version of Sunshine - not EC's best performance, but a real neat jazzy intro to the song, and the band is really into it.
The band also goes into some unknown riff before the drum solo on "Sunshine" |
|
05/01/90 |
The Forum
Los Angeles, CA |
2 |
|
|
"L.A. FORUM 1990" (Beano) |
Aud |
|
10/03/90 |
Estadio Centenario
Montevideo, Uruguay |
2 |
|
|
Complete Montevideo 1990 (Paddington 044/045/046) |
|
|
12/05/90 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
Unknown AUD > Fujifilm (Japan) CD-R > EAC v. 0.99 Prebeta 5 (Secure Mode, Offset Correct) > FLAC |
Good audience recording. Neat version of Crossroads / Sunshine of Your Love. EC starts off the encore with the "Boom Boom" riff and jams for a few minutes, then goes into "Crossroads".
Then, in Sunshine, before the drum solo, he runs back into the riff, and runs into "Boogie Chillin" - he must have been in a "John Lee Hooker" kinda mood.
IMO, if you're gonna be in a mood, that's a good one to have! |
|
02/17/91 |
Royal Albert Hall
London, England |
2 |
|
|
Play With Fire (2005 Remaster) |
Original Silvers > EAC (Secure) > WAV > FLAC Frontend (Level 6, Align on SB's, Verify) > BootCity |
|
02/17/91 |
Royal Albert Hall
London, England |
2 |
|
|
"Play With Fire REVISITED" (Mid Valley 005/006) |
A really ridiculously righteously remastered rock 'n roll reissue of "Play With Fire" (Blues Power) on the Mid Valley label. |
|
02/25/91 |
Royal Albert Hall
London, UK |
2 |
|
|
"An Evening of the Blues" (Imperial) |
"EC has played HYELAW countless times. You get it in two flavors: the rough and sorrow version (check 1970-10-24 or 1974-07-19); or in a mature and delightfully restrained style (1990-02-05 or 1991-02-25). Here the rendition becomes outstanding because of the tasteful fillings that the late Albert Collins' Gibson plays around the gaps left by EC's Stratocaster." - Pascual |
|
02/28/91 |
Royal Albert Hall
London, England |
3 |
|
|
"The Slowhand Masterfile - Part 19" (Antrabata) |
Soundboard, all blues performance. |
|
12/10/91 |
Osaka Jo Hall Castle Hall
Osaka, Japan |
2 |
C |
A |
|
With George Harrison. |
|
01/16/92 |
Bray Studios
Windsor, Berkshire, England |
2 |
|
|
|
Complete MTV Unplugged session |
|
01/16/92 |
Bray Studios
Windsor, Berkshire, England |
2 DVD |
A+ |
A+ |
Acoustic Waltz (Mid Valley) |
Complete MTV Unplugged - good stuff |
|
02/01/92 |
Brighton Centre
Brighton, England |
2 |
|
|
|
"Another Page" |
|
02/01/92 |
Brighton Centre
Brighton, England |
2 |
|
|
"High Geared" (Mid Valley) |
Geetarz Comments:
The premier show of the 1992 Tour.
Although an audience recording, it is of exceptional quality.
Many of the instruments sound close-miked, in particular the percussion, tambourine, etc. are exceptionally clear, better than on many soundboard recordings!
One of the most listenable audience recordings I have ever heard - and a great performance to boot.
Also important for more "historic" reasons, this show marked the first public performances of some of the new work showcased at the "Unplugged" taping 2 weeks prior.
After opening with a blistering "Anything For Your Love", and following with some of the "Journeyman" material, EC gives the first public performance of "My Father's Eyes", six years before its release on the 'Pilgrim' album. This performance features an early, more agressive arrangement of the song, with an interesting bridge section that isn't found in the Pilgrim-era rendition of the song.
After a supercharged "She's Waiting", the band settles down to a short acoustic set, showcasing "Circus Left Town", "Tears in Heaven", and "Signe".
As the "MTV Unplugged" show had yet to be broadcast when this show was performed, it's interesting to compare this recording with performances later in the tour, where the first few notes of "Tears" would generate tremendous applause - at this performance the audience is politely receptive, but clearly unfamiliar with the material.
A complete recording of the entire show, including the drum solos during "Sunshine of Your Love." |
|
02/04/92 |
National Indoor Arena
Birmingham, UK |
2 |
|
|
Master AUD > CD-R (trade with taper) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
A good audience recording. An especially nice performance of "Layla" and check out Chuck's piano on "Crossroads" - tasty! |
|
05/06/92 |
Civic Centre
Hartford, CT |
2 DVD |
|
|
Trinidad Productions |
Audience shot /
NTSC /
LPCM Audio |
|
05/06/92 |
Civic Centre
Hartford, CT |
2 |
|
|
"For Your Love" (Geetarz 094/095) |
This is a hot, on the money performance. EC comes out riffing away, and kicks into a blistering version of "White Room", great backing vocals and chorus, and finishes off with one of his finest solo breaks ever.
Not missing a beat, the band launches into "Pretending", a version with a different feel than that played in the 1990-1991 tours, this one driven by Ferrone's massive drums. Here, too, EC's solo work is great, as he gives his Vox wha a workout and really gets "into" the solos.
But the real killer here is a moving version of "Anything For Your Love", my personal favorite for this often-overlooked song. EC's first solo is brilliant, and cutting, but it's the second solo that just tears the place down.
Unfortunately, on audio you don't get to watch EC dance during the intro to "Sheriff" but you can imagine - a nice version, with a more authentic reggae feel than many of the 1990-1991 performances.
EC breaks a string at the intro to the extended "Sheriff" solo and goes over to Lee to swap guitars, and doesn't miss a beat.
"Running On Faith" is notable as EC and Nathan kick into a neat little riff at the end that was only performed on some of the 1992 dates that really "bumps up" the end of the song.
A straight ahead rock-and-roll version of "She's waiting" precedes an intimate stand-up version of "Circus".
The crowd's reaction to "Tears in Heaven" is of course huge, given that it's one of ECs first public performances since the airing of the "unplugged" broadcast. It's interesting to compare this to the reaction from the earlier shows on the tour, where the audiences were clearly unfamiliar with the material.
A great version of "Before You Accuse Me" starts up the electric set again, with a different "string bending" riff than EC usually plays.
After a nice solo break by Andy and extending soloing by EC, the band "kicks down" real soft and EC takes up the beat, with quiet "chickin pickin", the band then kicks into an uptempo jazzy feel, moving towards a "blues" feel again, and then, with another tempo change, EC and band kick into a blistering finale. Easily one of EC's best performances of the song.
For "Tearing Us Apart", EC paces the stage, rounding the bandstand while soloing, and for the finale strolling the the edge of the stage, slamming down into a massive chord as he whips around before a blistering closing solo - one of my favorite versions of this song.
"Old Love" features great performances by all, but on the finale EC breaks ANOTHER string and really struts his stuff, doesn't miss a beat at all, playing around the missing notes.
Chuck Leavell's piano work really sets off an energetic "Badge", capped off by one of the few Andy Fairweather-Low electric solos I've ever liked!
Even "Wonderful Tonight" isnt' that bad, with Leavell's nice piano work and a sweet solo by EC. Holy shit, did I just write that? Good grief, I need a Tylenol.
No 'A Remark You Made' Jaco interlude here, EC begins with a torrid solo and then the band explodes into "Layla", marred only by Andy's inability to play the riff well.
For the encore, EC comes off and kicks into one of my favorite "jams", riffing along before beginning the band introductions.
They then proceed into a version of "Crossroads" with a definite "Bo Diddly" beat, quite different from the "rock" style arrangement. The band really rocks out the evening with "Sunshine of Your Love". A favorite part, before the drum solo EC gets into a great jam, riffing away.
A great, high-octane show - highly recommended.
Sourced from an audience shot video and remastered, this version is slightly better than that found on "Fascinating Night" (ECDR). |
|
05/25/92 |
Miami Arena
Miami, FL |
2 |
|
|
Unknown AUD > DAT > Mitsui Silver CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure) > Sound Forge 9.0e (Trims, fades) > CDWav (Tracking) > FLAC (Level 8) |
Geetarz 244/245 (Editing) - Aud 5 |
|
07/12/92 |
Montreux Jazz Festival
Montreux, Switzerland |
2 |
|
|
"So Much Guitar" (Mid Valley 013/014) |
|
|
09/03/92 |
Shoreline Amphitheatre
Mountain View, CA |
2 |
|
|
Unknown AUD > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
A rough audience recording. Another great performance from the 1992 tour.
Of particular note is perhaps EC's best rendition of "Before You Accuse Me" - this is one occasion where the band really nail the "Bo Diddley Beat" rather than using more of a shuffle style.
Sound is listenable, but nothing special. |
|
02/20/93 |
Royal Albert Hall
London, UK |
2 |
|
|
"RAH 1993 First Performance" |
Geetarz Comments:
The first of twelve performances in the 1992 run at the Royal Albert Hall.
Nice clear audience recording - quite listenable.
Bitchin' version of "Goin' Away". |
|
02/21/93 |
Royal Albert Hall
London, UK |
2 |
|
|
"Hear Me Calling" |
Disc 1:
1.Hey Hey
2.Walking Blues
3.Long Distance Call
4.Blow Wind Blow
5.Key to the Highway
6.Tell Me Mama
7.Juke
8.How Long
9.Alabama Women
10.Terraplane Blues
11.From Four Until Late
12.Kidman Blues
13.County Jail
14.32-20
15.Chicago Breakdown
Disc 2:
1.Blues Leave Me Alone
2.Goin' Away
3.Coming Home
4.Meet Me in the Bottom
5..44
6.It's My Life
7.Love Her With a Feeling
8.Tore Down
9.Born Under a Bad Sign
10.Let Me Love You Baby
11.All Your Love
12.Groaning the Blues
13.Hear Me Calling
14.Ain't Nobody's Business
15.Sweet Home Chicago
^Audio quality is a little poor, but this is a one-of-a-kind performance! |
|
02/23/93 |
Royal Albert Hall
London, UK |
2 |
|
|
"Kid Men Blues" |
Geetarz Comments:
The cover art lists "Groaning the Blues" as "unknown blues" and also lists the label as "Eddie Clapton Archives Vol. 1".
Another typically excellent show from the 1993 run at the Royal Albert Hall, quite enjoyable. |
|
02/26/93 |
Royal Albert Hall
London, UK |
2 |
|
|
"In the Albert Hall" |
Geetarz Comments:
The fifth of twelve nights in the 1993 run at the Royal Albert Hall.
After the first four nights, there was a break while EC attended the Grammy Awards, on 24 February 1993, winning big. This was the performance immediately following that award ceremony.
Think of this set as a graduate level class in the blues, as performed by Professor Clapton. As EC quips before "Walking Blues", "This is a Muddy Waters song, in a Robert Johnson style". Say what you will ... the man knows his blues!
|
|
03/02/93 |
Royal Albert Hall
London, England |
2 |
|
|
"Welcome to the Albert Hall" |
Geetarz Comments:
One of the best of the "all blues" shows, with a magnificent setlist, more varied than on the 1994/1995 blues tours.
Half acoustic, half electric, the performance starts off quietly and then bursts into a rowdy electric set with a blistering, if abbreviated, version of "Going Away".
Of note, "Hear Me Calling" features a defining riff which would be used on the later blues tours as a framework to "Crossroads".
Not to be confused with "RAH 1993" (Beano 002). The Beano release is easily distinguished from this version as it has 19 tracks on the first CD, versus 16 on this release.
Lineage:
Unknown AUD > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC.
Artwork, checksums, info file, and EAC logs included. |
|
03/03/93 |
Royal Albert Hall
London, England |
2 |
|
|
"It's My Life" |
The ninth of twelve shows at the Royal Albert Hall in 1993 |
|
03/06/93 |
Royal Albert Hall
London, UK |
2 |
|
A |
"Ain't Nobody's Business (If I Yell)" (Geetarz 046-047) |
Great recording, good performance. Many songs he would not perform again. Recorded on Sony Metal Master Type IV ceramic composite tapes on a handheld Sony recorder with a stock mic.
Geetarz Comments:
Mastered by Geetarz (1998) : Master CAS > Tascam CD-A700 > HHb CDR800.
Artwork by Geetarz.
Artwork, checksums, info file, and EAC extraction logs included. |
|
03/07/93 |
Royal Albert Hall
London, England |
2 |
|
|
"Slowhand Blues" |
|
|
06/15/93 |
Apollo Theatre
New York, NY |
1 |
|
|
Gunfight At The Apollo (QR-3) |
four bonus tracks: * Eric Clapton with Buckwheat Zydeco, August 1988
** Eric Clapton with Jack Bruce, February 15/16, 1987
*** Derek & the Dominos Rehearsals at Criteria Studio, Miami, Florida, August 1970 |
|
10/14/93 |
Rainbow Hall
Nagoya, Japan |
2 |
|
|
|
"Rainbow Night" |
|
10/17/93 |
Fukuoka International Center Hall
Fukuoka, Japan |
2 |
|
|
"Live in Fukuoka" (3SR Records) |
A nice audience recording.
Interestingly, EC adds a little echo/delay to his outro solo on "Ain't Nobody's Business" - he rarely if ever uses this effect! |
|
10/18/93 |
Osaka Jo Hall
Osaka, Japan |
2 |
|
|
Unknown AUD > DAT > Unknown DAT Gen > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
Geetarz Comments:
Another excellent show from the unique blues/rock hybrid shows from Japan in the fall of 1993.
Received in trade some years ago (1996?). Details lost to history!
Not to be confused with "Blues Roots" (Craze Music Entertainment, 1998) which was a ROIO version of this show from this master, with remastering/tweaking. |
|
10/19/93 |
Osaka Jo Hall Castle Hall
Osaka, Japan |
2 |
|
|
"Stone Free Night II" (ECDR-933/934) |
Geetarz Comments:
Nice piano on "Kidman Blues", and there is a bit of DAT source diginoise in "County Jail".
The show really takes off with a blistering "White Room", one of the best performances of the song.
"Badge" is powerful as well, with great soloing.
"Stone Free" lives up to its title billing, with a molten solo.
Recommended.
|
|
10/21/93 |
Budokan
Tokyo, Japan |
2 |
|
|
"Behind The God" (Tarantura) |
|
|
10/22/93 |
Budokan
Tokyo, Japan |
2 |
|
|
"Tokyo '93" |
Geetarz Comments:
Very listenable - powerful 32-20. Runs slightly fast. |
|
10/23/93 |
Kanagawa Yokohama Arena
Yokohama, Japan |
2 |
|
|
"Blue Lights" |
|
|
10/25/93 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"Front Row 2" (Badge 2003-1/2) |
Cover art claims "Limited Editon of 300 set".
Excellent binaural audience recording, must be listened to on headphones for maximum binaural effect, as with most binaural recordings it can sound far worse on speakers.
Left channel suffers from a tiny bit of overload distortion at the beginning of the set, otherwise crisp and clear.
Killer version of "White Room", but the intriguing thing here is the addition of a harmonica solo on "Cocaine" - something that just isnt' quite normal.
Good show - recommended. |
|
10/26/93 |
Budokan
Tokyo, Japan |
2 |
|
|
"Twenty One and Three Live" (ECD 93103/4) |
|
|
10/27/93 |
Budokan
Tokyo, Japan |
2 |
|
|
"Into The Fire" (Mid Valley) |
Recorded over 10/25/93 - 10/27/93. Great show, amazing sound - apparently made to be released officialy. A definite must-have. |
|
10/27/93 |
Budokan
Tokyo, Japan |
2 |
|
|
"The Next Big Step" (3BR) |
The 3BR version is a remastered version of the Mid Valley release "Into the Fire". This wasn't some quickie "tweak" job, as The Professor reportedly spent 50+ hours on this recording (I heard, he liked it! haha). The important thing, check it out and let YOUR ears be the judge. |
|
10/27/93 |
Budokan
Tokyo, Japan |
2 |
|
|
"Stone Free Night" (ECDR-931/932) |
Great audience recording. This is the actual night's show, not a compilation! |
|
10/30/93 |
Kanagawa Yokohama Arena
Yokohama, Japan |
2 |
|
|
Lineage: Unknown AUD > CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
|
|
10/31/93 |
Kanagawa Yokohama Arena
Yokohama, Japan |
2 |
|
|
1993 Final Night (Masterport-038) |
|
|
02/20/94 |
Royal Albert Hall
London, England |
2 |
|
|
"Royal Albert Hall 1994" (Blackie - 01/02) |
Geetarz Comments:
An excellent audience recording, with a super quiet crowd.
What really shines on this disc are the acoustic blues numbers, not quite as "polished" as the performances would be later on the tour.
The "rock" set on disc 2 is a bit lifeless, EC's performance on "White Room" is fairly uninspired and sloppy.
"Stone Free" features a nice little snippet of "Third Stone From the Sun" on the outro, but is otherwise forgettable.
The electric rock set really doesn't take off until the end, with a rousing performance of "Groaning the Blues", which finally brings some applause from the lifeless audience.
Second show of the UK Tour, after a warm-up show in Manchester, and the first of the 1994 run at the RAH.
The Premier release on the "Blackie" label, Blackie 01/02.
This is a different capture / source than "Live at the Royal Albert Hall" (Banzai), and a definite improvement IMO. One minor quibble ... this recording is missing EC's spoken introduction to the evening, which the Banzai version contains. |
|
02/21/94 |
Royal Albert Hall
London, England |
2 |
|
|
|
"Back Again 1994" |
|
02/21/94 |
Royal Albert Hall
London, England |
2 |
|
|
"Eye of the Hurricane" (Mid Valley 204/205) |
Geetarz Comments:
Another sterling Mid Valley release, also includes a nice booklet insert.
www.geetarz.org Visitor Comments:
"There seems to be some disagreement on the quality of this recording. Readers should note that it is rated "5+" on the Where's Eric site." |
|
02/22/94 |
Royal Albert Hall
London, UK |
2 |
|
|
CAS > CAS > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC (Geetarz) |
EC throws the riff from "Third Stone From the Sun" into the outro solo of "Stone Free". |
|
02/28/94 |
Royal Albert Hall
London, UK |
2 |
|
|
"The 100th Show" (Live Storm - LSCD 52578) |
|
|
02/28/94 |
Royal Albert Hall
London, UK |
1 DVD |
|
|
Geetarz |
"100th Show at RAH" |
|
03/05/94 |
Royal Albert Hall
London, UK |
2 |
|
|
"Blues at the Albert Hall" |
Geetarz Comments:
Very listenable. EC begins with what, for him, is a speech: "I won't talk much after this ... just play my heart out ...".
First public performance of "Kindhearted Woman" since the 1970s.
Great performance of "It Hurts Me Too", where EC begins the riff solo, then the band joins in, with a sweet piano solo by Chris Stainton. |
|
03/05/94 |
Royal Albert Hall
London, UK |
2 |
|
|
"Kind Hearted Woman Blues" (Beano) |
|
|
03/06/94 |
Royal Albert Hall
London, UK |
2 |
|
|
"The Last Night" |
EC makes an interesting speech before the performance, some of which is "... the last two weeks have been wonderful ... not everybody's cup of tea but I'm glad you like it ... back to the blues, which has been what's been keeping me going all these years ...".
This was the Last night of the 1994 RAH run.
|
|
05/02/94 |
Avery Fisher Hall
New York, NY |
1 |
|
A |
|
"Influential Blues"
1) Malted Milk
2) How Long
3) Kidman Blues
4) County Jail
5) .44
6) Blues All Day Long
7) Going Away
8) Standing Around Crying
9) Hoochie Coochie Man
10) It Hurts Me Too
11) Blues Before Sunrise
12) Third Degree
13) Someday After a While
14) Tore Down
15) Five Long Years
16) Born under a Bad Sign
17) Groaning the Blues
18) Crossroads |
|
05/02/94 |
Avery Fisher Hall
New York, NY |
2 |
|
|
"Nothing But Benefit" (Tarantura) |
|
|
08/09/94 |
Fillmore
San Francisco, CA |
2 |
|
|
|
THIS IS REALLY NOV. 8-9, 1994. ALSO CALLED "NUTHIN' BUT THE BLUES" |
|
09/28/94 |
Sony Studios
New York, NY |
1 |
|
DVD |
|
Blues tour Rehearsals |
|
09/28/94 |
Sony Studios
New York, NY |
1 Audio |
|
|
Live Rehearsals (Home Records / Sizzling Music HR 6001-7) |
Ripped from Silvers. Here we have the rehearsals for the "Nothing But the Blues" US Tour. These were broadcast in the U.S. on VH1, and on VH1 Europe and Japan as well. |
|
09/28/94 |
Sony Studios
New York, NY |
1 DVD |
|
|
2 edits of the tour rehearsals |
Geetarz Comments:
The final day of rehearsals for the "Nothing But the Blues" tour was filmed for release in various markets on various iterations of the VH-11 channel.
As with most programs of this type, VH1 contracted out the recording and editing to Ken Erlich Productions.
Several edits were produced for approval from the network, and broadcast in different markets.
This master tape recording contains two such edits. Astute observers will note the lack of a broadcast "VH1" watermark on the screen.
The first edit, "From the Heart / The Last Rehearsal", has superb stereo audio, and is intercut with "talking head" interviews with the band and crew.
The second edit, later broadcast in the U.S. on VH1, is edited very differently, with most interview segments featured as overdubs.
Although the two edits are similar in length, the interview content doesn't duplicate much, as each version has material not featured in the other.
Overall, a fascinating, pro-shot look at the final tour rehearsals, and from a pre-broadcast VHS source. |
|
10/05/94 |
Maple Leaf Gardens
Toronto, ON |
2 |
|
|
Geetarz |
Trade Discs > Sony DRU-840A > EAC v 0.99 Prebeta 4 (Secure, of course) > FLAC (Level 5). |
|
10/08/94 |
Madison Square Garden
New York, NY |
1 DVD |
|
|
|
|
|
10/08/94 |
Madison Square Garden
New York, NY |
2 |
|
|
"Big Apple Blues" (Aplay - Geetarz 048-049 |
Recording Comments:
Recording by Aplay;
Section 111, Row D, Seat 15 > Sonic D6M Mics - Sony D3 (Sonic MOD2 for increased headroom) > DAT > DAT (2)
DAT > CD Mastering by Geetarz:
DAT > Tascam DA-20MkII > HHb CDR-800 > Mitsui Silver CD-R
Tracking etc. "on the fly" with the HHb, no PC involved, around 1998.
Extraction:
CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC
|
|
10/08/94 |
Madison Square Garden
New York, NY |
1 DVD |
|
|
"Sweet Home NYC" (Geetarz DVD #312) |
NTSC. Geetarz Comments:
Well filmed with a tripod from almost directly opposite the stage, nice and
steady and fun to watch.
About half the show is filmed from the screens, quite nice!
The first version of this (Geetarz #235), had the original audio and video from the VHS reference tape.
For this new version, the original audio was replaced and synchronized, using Aplay's original DAT master recording from this performance (Geetarz 48/49). For clarity's sake, this new version with replaced audio is titled "Sweet Home NYC". |
|
10/09/94 |
Madison Square Garden
New York, NY |
2 |
|
|
"Big Apple Blues 2" (Aplay Recording - Geetarz 050-051) |
Recording Comments:
Recording by Aplay;
Section 57D, Row A, Seat 1 > Sonic D6M Mics - Sony D3 (Sonic MOD2 for increased headroom) > DAT > DAT (2)
DAT > CD Mastering by Geetarz:
DAT > Tascam DA-20MkII > HHb CDR-800 > Mitsui Silver CD-R
Tracking etc. "on the fly" with the HHb, no PC involved, around 1998.
Extraction:
CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC (6)
|
|
10/09/94 |
Madison Square Garden
New York, NY |
2 |
|
|
"It Hurts Me Too" (EC94001/2) |
|
|
10/10/94 |
Madison Square Garden
New York, NY |
2 |
|
|
"Big Apple Blues 3" (Aplay Recording - Geetarz 052-053) |
Geetarz Comments:
My favorite recording from the 3-night blues run at Madison Square Garden in 1994.
I've always loved the combination of the Sonic Mics and a D3 or D7, especially with the preamp mod. It's a rich, warm sound that today's "all digital" recordings seem to lack. Which might simply be due to the fact that the DAT decks of that day were expensive, especially in relation to the relatively "cheap" (in design and build quality) solid state recorders today.
As with most binarural recordings, this sounds great on speakers but fantastic on headphones.
Recording Comments:
Recording by Aplay;
Section 4, Row R, Seat 7 > Sonic D6M Mics - Sony D3 (Sonic MOD2 for increased headroom) > DAT > DAT (2)
DAT > CD Mastering by Geetarz:
DAT > Tascam DA-20MkII > HHb CDR-800 > Mitsui Silver CD-R
Tracking etc. "on the fly" with the HHb, no PC involved, around 1998.
Extraction:
CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
|
10/12/94 |
USAir Arena
Landover, MD |
1 DVD |
|
|
Geetarz |
|
|
10/13/94 |
Hartford Civic Center
Hartford, CT |
2 |
|
|
"Clapless" |
Geetarz Comments:
A far superior recording to that found on "Nothing But the Clap" - thus, the title.
Lineage:
Unknown AUD > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
|
10/14/94 |
The Centrum
Worcester, MA |
2 |
|
|
"Blues All Day Long" |
|
|
10/16/94 |
Civic Arena
Pittsburgh, PA |
2 |
|
|
AUD, clone of analog master. > CAS > Kodak Gold CD-R (trade with taper) > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
|
|
10/24/94 |
Bradley Center
Milwaukee, WI |
2 |
|
|
All Inspiration (American Fly - AF010) |
|
|
10/28/94 |
Kemper Arena
Kansas City, MO |
2 |
|
|
Master cassette > H/K TD4200 > Edirol UA-5 > optical > Nomad JB3 > USB > wav > CoolEdit96 (normalize, edit) > CDWAV (track) > FLAC Frontend (level 8) |
taper: All of the instruments are clear and well balanced. This audience recording can easily
stand up to any soundboard Clapton recording that I own. Clapton's guitar playing is,
at certain points, truly mind-blowing. For example, Clapton's solos on "Five Long Years"
are some of the best guitar playing I've ever heard by any artist.... the kind that will
have you shaking your head in disbelief! Luckily I was standing it the "sweet spot" of
the arena, so the sound quality and balance are great. |
|
11/03/94 |
The Forum
Los Angeles, CA |
2 |
|
|
Kind of Blues (Mid Valley Records 326/327) |
|
|
11/03/94 |
The Forum
Los Angeles, CA |
2 |
|
|
"BLUESMN" (EC is Here / DJ Copy) |
An incredible recording. Check this one out on headphones ... the stereo seperation provides a huge, 3-D soundfield.
An absolutely essential cornerstone of any EC collection - and packaged in an uber-cool license plate sized package.
Highly recommended. |
|
11/07/94 |
The Fillmore
San Francisco, CA |
2 |
|
A |
"Blues at the Fillmore" (3BR Records) |
|
|
11/07/94 |
The Fillmore
San Francisco, CA |
1 DVD |
|
|
Fillmore Blues Night |
Scorsese rehearsals |
|
11/07/94 |
The Fillmore
San Francisco, CA |
2 |
|
|
"From The Cradle to the Fillmore West (Moonlight Records) |
|
|
11/08/94 |
Fillmore
San Francisco, CA |
2 |
|
|
DAT > DAT (2) > CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
Fascinating - this is one of the two shows recorded for the unreleased "Nothing But the Blues" film, and it's quite interesting to hear both the songs chosen for release as audience recordings, as well as hear the versions that weren't chosen.
Among the recordings from this performance used in the documentary were "Every Day I Have the Blues", "Five Long Years", and "Ain't Nobody's Business". |
|
11/09/94 |
The Fillmore
San Francisco, CA |
2 |
|
|
DAT > DAT (2) > CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
The second of two performances recorded at San Francisco's legendary Fillmore by Martin Scorcese for the unreleased "Nothing But the Blues" documentary.
Quite interesting to hear the recordings from the perspective of the audience - in some cases, like the version of "Crossroads" which made its way into the film, the audience recording has even more power and majesty than that found in the soundboard recording - you can feel the dust coming off the guitar amps, the reverberation of the bass, the snap of the horns.
Also used from this show in the film were "Early in the Morning", "Someday After a While", "Have You Ever Loved a Woman", and last but certainly not least, the blistering version of "Driftin'", which apparently was only performed twice (the other performance being at Irving Plaza on November 27th (thanks Mike!) on the blues tour.
"Too Bad" was also included in this show, which wasn't played much at all.
An absolutely essential audience recording, and highly recommended. |
|
11/11/94 |
House Of Blues
Los Angeles, CA |
2 |
|
A |
|
"House of Blues(I)"
Stellar show, Clapton on fire. |
|
11/11/94 |
House Of Blues
Los Angeles, CA |
2 |
|
|
"House of Blues Triple Nights" (Paddington - PDCD 013-018) |
|
|
11/12/94 |
House Of Blues
Los Angeles, CA |
2 |
|
|
|
"House of Blues (II)" Also a great show, the solo in "Groaning the Blues" is killer. |
|
11/12/94 |
House Of Blues
Los Angeles, CA |
2 |
|
|
"House of Blues Triple Nights" (Paddington - PDCD 013-018) |
|
|
11/13/94 |
House Of Blues
Los Angeles, CA |
2 |
|
|
"House of Blues Triple Nights" (Paddington - PDCD 013-018) |
|
|
11/17/94 |
The Legends
Chicago, IL |
2 |
|
|
|
Lost Club shows |
|
11/22/94 |
House Of Blues
New Orleans, LA |
2 |
|
|
|
Lost Club Shows |
|
11/23/94 |
House Of Blues
New Orleans, LA |
2 |
|
|
|
Lost Club Shows |
|
11/26/94 |
Irving Plaza
New York, NY |
1 |
|
|
|
Only 16 tracks - but it's an Audience taping that sounds like a Soundboard |
|
11/26/94 |
Irving Plaza
New York, NY |
2 |
|
|
Blue: NBTB 1994 |
Slightly inferior sound quality to the single disc version. |
|
11/27/94 |
Irving Plaza
New York, NY |
2 |
|
|
Blue: NBTB 1994 |
|
|
11/27/94 |
Irving Plaza
New York, NY |
2 |
|
|
"Blues at the Plaza" (Slunky 24 A/B) |
|
|
11/28/94 |
Irving Plaza
New York, NY |
2 |
|
|
Blue: NBTB 1994 |
Great show, very inspired. Also have the shorter (but with better audio clarity) "Club Full of Blues" |
|
11/??/94 |
Fillmore West
San Francisco, CA |
6 |
|
|
Red NBTB '94 (Mid Valley 257/258/259/260/262/262) |
November 7/8/9 1994. Audience Recordings - outstanding quality. |
|
11/??/94 |
Fillmore West
San Francisco, CA |
1 DVD |
|
|
"Nothing But the Blues" by Martin Scorsese (Remaster) |
|
|
11/??/94 |
Fillmore West
San Francisco, CA |
2 |
|
|
"Hear My Guitar Weeping" (Dr. Gig) |
Better sound quality, but briefer version of "Nuthin' but the Blues." Includes 3 songs with Keith Richards, recorded at "The Ritz", New York, on November 23, 1986. |
|
11/??/94 |
Fillmore West
San Francisco, CA |
2 |
|
|
"Nuthin' But the Blues" (Tuff Bites 95/1021) |
Geetarz: Worth acquiring if only for the wonderful caricature on the front cover - but as if that wasn't enough, this remastered compilation actually manages to sound better than the legendary KTS "The Blues Concert".
Fold out cover, purple jacket with yellow and black leopard print CDs - if this set was a car it would *have* to have fuzzy dice hanging from the rear view mirror. Hard to find but worth the effort.
Not only is this a "Top 10 Essential" recording, but the bonus tracks are a nice addition, and they fit in well with the set. |
|
??/??/94 |
Nothing But My Soul To Save
N/A, N/A |
1 DVD |
|
|
|
VH1 Broadcast (cable) > Geetarz VHS (master) > Samsung SV5000 VCR > DataVideo TBC1000 Time Base Corrector > Sigma DVR2000 PCI Card in the Big Kahuna "FAT MAN" DVD PC (R.I.P.) > VCM Pro 2.2 (frame accurate editing, no re-encoding) > Ulead DVD Movie Factory 2.0 (DVD Authoring) > You ! |
|
??/??/94 |
VH1 Through The Ages
Compilation, Compilation |
1 DVD |
|
|
|
|
|
02/19/95 |
Royal Albert Hall
London, England |
2 |
|
|
"Blues In The Hall" |
|
|
02/20/95 |
Royal Albert Hall
London, UK |
2 |
|
|
|
"Cradle Music"
A solid performance, above-average sound quality. |
|
02/21/95 |
Royal Albert Hall
London, England |
2 |
|
|
|
"Sings for CDC" |
|
03/05/95 |
Royal Albert Hall
London, UK |
2 |
|
|
"The Lost Club Shows" (ZigZag Records) |
Please note that the packaging for the set claims the first set of discs is from the performance at Buddy Guy's "Legends" in Chicago in 1994, this was an error on the part of the label! The first show in the set is actually the last performance from the run at the Royal Albert Hall in London, England on March 5, 1995. That Legends show was later released on the bootleg "The Real Legends" on another label.
Repeat ... THIS SHOW IS FROM FEBRUARY 23, 1995 THE COVER ART IS *WRONG*. |
|
04/05/95 |
Spektrum
Oslo, Norway |
2 |
|
|
"Fourty Four and Five" (Shout to the Top - STTP 053/054) |
Same source recording, but lightly reworked / remastered, as found on "Blue's" (Banzai).
One of the best blues shows from 1995, and one of the best recordings, too ... recommended. |
|
04/13/95 |
Deutschlandhalle
Berlin, Germany |
2 |
|
|
Unknown AUD > BF Remaster > Mitsui Silver CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
Great performance, especially the 335 set on the second disc, where EC is really on fire and has tone for days.
2002 remaster by Bill Fleming makes this a "must have" blues show. |
|
04/18/95 |
Ahoy Hall
Rotterdam, Netherlands |
2 |
|
|
|
"Happy Birthday, dear Gatemouth" |
|
04/19/95 |
MECC
Maastricht, Netherlands |
2 |
|
|
|
|
|
04/24/95 |
Festhalle
Frankfurt am Main, Germany |
2 |
|
|
"Bring Me No More Blues" (Slowhand - SG 002/3) |
"In order to enjoy the subtleties of "Double Trouble" you need a quiet, disciplined and appreciative audience. This happens only in Japan (check for instance the December 3rd 1979 version at the budokan hall). It is impossible with an american or latin crowd. However here the germans managed pretty well to behave and you will hear the magic of EC's guitar crying... " - Pascual |
|
04/28/95 |
Hallenstadion
Zürich, Switzerland |
2 |
|
|
|
"Addicted to Blues" Mid Valley 2006 Remaster |
|
05/04/95 |
Palau Sant Jordi
Barcelona, Spain |
2 |
|
|
|
|
|
05/05/95 |
Palau Sant Jordi
Barcelona, Spain |
2 |
|
|
Unknown AUD > CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
Yet another excellent show from the 1995 "blues tour", and the final show from the European run. |
|
09/05/95 |
Miami Arena
Miami, FL |
2 |
|
|
Sonic Solutions DSM-6 > Sony D7 (Sonic MOD-2) > DAT Master > Tascam DA20MkII (Playback) > PC (Optical) > Sound Forge 9.0e (Normalize / Trim) > CDWAV (Tracking) > FLAC (Level 5) |
A really solid audience recording best enjoyed with a nice set of studio headphones. The Sonic mics are really optimized for this - to me, the mics sound like they have the clarity of digital but the warmth of analog.
Working on APlay's (in)famous "box of DATs", most of these shows are un-or-under-circulated. This one has been out there in various forms over the years, here it is directly from the master.
A little history ... back "in the day", I received a clone of these dats and mastered them to CD as "Ocean Boulevard Blues" (http://www.geetarz.org/reviews/clapton/oceanboulevardblues.htm). Copies of these recordings also circulated on analog cassette, and I've seen them posted elsewhere incorrectly using the artwork I created for the digital set, which obviously leads to some confusion. With this release, you have the definitive, easily identifiable version of this show.
APlay tends to run his levels right up near the 0dB mark, so there really wasn't much to do here other than format it for CD. This recording was NOT "Tweaked with Audacity" ... no digital bits were harmed in the making of this set. |
|
09/06/95 |
Miami Arena
Miami, FL |
2 Flac |
|
|
Geetarz |
"701 Arena Blvd." |
|
09/07/95 |
Thunderdome
St. Petersburg, FL |
2 |
|
|
|
sub-par audio quality. |
|
09/13/95 |
The Spectrum
Philadelphia, PA |
2 VCD |
|
|
|
a good show, although the camera is a little distant. |
|
09/15/95 |
The Centrum
Worcester, MA |
2 |
|
|
"In God We Trust" (Geetarz 060/061) |
Good performance - "Crossroads" is unusually aggressive, with the amp cranked!
CD Mastering by Geetarz: DAT (Mas) > DAT (clone) > Tascam DA20Mk2 > HHb CDR800.
|
|
09/18/95 |
Madison Square Garden
New York, NY |
2 |
|
|
|
"Clapton's Blues" |
|
09/21/95 |
Memorial Auditorium
Buffalo, NY |
2 |
|
|
Unknown AUD > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
Sweet, sweet string-squeezing solo on "Sinner's Prayer". |
|
10/01/95 |
Yoyogi Olympic Pool
Tokyo, Japan |
2 |
|
|
"Every Day I Have the Blues" (ZA 86/87) |
Excellent audience recording, excellent performance. Sounds better than a soundboard after the acoustic set.
|
|
10/05/95 |
Yoyogi Olympic Pool
Tokyo, Japan |
2 |
|
|
|
"Just Blues Night" - another excellent peformance and an equally good audience recording. |
|
10/13/95 |
Budokan
Tokyo, Japan |
2 Audio |
|
|
|
Oct. 13, Budokan Hall, Tokyo, Japan, 55:37/ 64:28
Motherless Child/ Malted Milk/ From Four Till Late/ How Long Blues/ Kidman Blues/ I'm Gonna Cut Your Head/ .44/ Blues Leave Me Alone/ Standing Round Crying/ Hoochie Coochie Man/ It Hurts Me Too/ Third Degree/ Reconsider Baby/ Sinner's Prayer/ Everyday I Have The Blues/ Double Trouble/ Before You Accuse Me/ Someday After A While/ I'm Tore Down/ Have You Ever Loved A Woman/ Crossroads/ Five Long Years/ T'ain't Nobody's Bizness |
|
12/31/95 |
Woking Leisure Centre
Woking, UK |
1 |
|
|
Filler on |
|
|
02/18/96 |
Royal Albert Hall
London, England |
2 |
|
|
|
|
|
02/18/96 |
Royal Albert Hall
London, England |
1 DVD |
|
|
Slowhand Club Collectors Video > DVD MovieWriter > PC |
Audience video footage. Clarity is Ok, sound is a little boomy. Approx: 120mins NTSC 3.76GB |
|
02/20/96 |
Royal Albert Hall
London, England |
2 |
|
|
|
|
|
02/22/96 |
Royal Albert Hall
London, UK |
2 |
|
|
|
"Nobody's Business" |
|
03/01/96 |
Royal Albert Hall
London, UK |
2 |
|
|
|
"Presence of the Lord" |
|
03/03/96 |
Royal Albert Hall
London, UK |
2 |
|
|
DAT > DAT(2) > CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
Geetarz Comments:
A crisp, near perfect digital audience recording.
Only the size of the venue prevents this from being an 'Aud 6'.
Crowd noise is distant and not intrusive at all, and the sound is full and clear, without any top-end harshness or boominess.
The best recording available from EC's 1996 run at the Royal Albert Hall.
Not to be confused with the analog recording of this show in circulation. |
|
05/09/96 |
Roseland Ballroom
New York, NY |
1 DVD |
|
|
VH1 Duets 005 (Spanky) |
Lineage:
Sony T30 In-House Reference Master VHS (*) > Samsung SV-5000 > Sony GX-257 > DVD.
I could tell you where I got the VHS ... but I've have to kill you, sorry. Let's say it's good to have low friends in high places !
|
|
05/09/96 |
Roseland Ballroom
New York, NY |
1 CD-R |
|
|
Eric Clapton and Dr. John - Duets |
SBD - great performance |
|
06/29/96 |
Hyde Park
London, England |
2 |
|
|
"Live in Hyde Park" (3BR Records) |
Nearly thrity years after the legenday free concert that marked the first public performance of Blind Faith, Clapton returned to London's Hyde Park for his participation in the 1996 Prince's Trust series, performing a full set with his hybrid band. The 1996 tour was an odd one - he used his 'blues tours' band, added his pop band singers, and performed a 'hybrid' set of his pop and blues shows. Hyde Park was cold and blustery that day, and EC and band find it slow going to get 'warmed-up'. Nonetheless, once the show is moving, some great sparks fly - "Five Long Years" is one of his best readings, "Tearing Us Apart" finally gets the soul muscle he was looking for, "Every Day I Have The Blues" just roars and swings. This is taken from the Japanese laser disc (longer than USA laser and VHS) and carefully remastered by 3BR. It's one of those that you'd put on for casual listening, and recommended - especially if you were never able to locate the Japanese edition of this release. |
|
07/03/97 |
Auditorium Stravinsky
Montreux, Switzerland |
2 |
|
|
"Knights of the Round Table" (Mid Valley) |
Geetarz: The concert of the 3rd, the first "public" outing, is by far the superior performance of the two at Montreux. The band is loose, having a ton of fun, and under much less pressure than the public debut the following night which would be televised.
Musically, this group hits on all cylinders, and it's clear that while the jazz greats take Clapton out of his safe zone - to great effect - he does the same to them.
This group is decidely one of the underappreciated higlights of EC's career. True, there are people who don't care for "music without words", but isn't that sort of like people who only read books with pictures??
A stunning performance on all counts, and a superb audience recording. Highly recommended. |
|
07/04/97 |
Montreux Jazz Festival
Montreux, Switzerland |
2 |
|
|
"Monotheistic Stages" (Zig Zag Records) |
Excellent soundboards |
|
07/05/97 |
Jazz a Vienne Festival
Vienne, France |
2 |
|
|
"Jazz a Vienne" (DJ Copy 24/25) |
Geetarz Comments:
The best sounding audience recording of the Legends performances, and definitely one of the best shows.
All are in top form. EC's playing on "Snakes" is blistering, this was the third performance of the tour and everyone is clearly getting a little more comfortable and stretching out a bit. Try and think to when you have *ever* heard EC play a solo of this nature, it's very "un-Claptonish".
Disc 2 features a version of "Put it Where You Want it" that is so funky you can SMELL it. Hot stuff. |
|
07/08/97 |
Wiener Stadthalle
Wien, Austria |
2 |
|
|
"Crossing Over Festival" (EC Is Here / DJ Copy 90/91) |
A nice, crisp, close-miked soundboard, albeit in mono, with some compression that keeps this from a "SB 6" rating - excellent nonetheless.
Packaged in a license-plate sized and shaped cardboard folder, with the CDs packaged in a small pouch.
The fourth public performance (fifth overall) of the "Legends" summer tour of jazz festivals.
As the shows continued, the band kept stretching out more each night. Some of the "jam band" type fans complain about having the same setlist every night, but what's the point of playing different songs if they're always played the same boring way when they are played? One thing about these guys ... none of them have ever played the same solo twice, ever. It doesn't matter if they've played a song 1,000 times, every time it's a new direction.
Fantastic to have this as a nice soundboard! |
|
07/11/97 |
North Sea Jazz Festival
Den Haag, The Netherlands |
1 VCD |
|
|
|
|
|
07/11/97 |
North Sea Jazz Festival
Den Haag, The Netherlands |
2 |
|
|
|
"Legends at the North Sea Jazz Festival" |
|
07/11/97 |
North Sea Jazz Festival
Den Haag, The Netherlands |
1 |
|
|
"Jazz Festivals TV Performances" (PHR-990104) |
A Mix of excellent soundboard recordings:
Tracks 1-2: Recorded at the Montreux Jazz Festival on July 4, 1997. Soundboard recordings from Swiss TV (TSR).
Tracks 3-4: Recorded at the Jazz Festival, Vienna, on July 8, 1997. Soundboard recordings from Austrian TV (ORF). Previously unreleased.
Tracks 5-6: Recorded at the North Sea Jazz Festival, The Hague, on July 11, 1997. Soundboard recordings from German TV (ARD).
Track 7: Recorded at the North Sea Jazz Festival, the Hague, on July 11, 1997. FM radio recordings from Dutch Radio Broadcast. The Robert Cray Band featuring Eric Clapton. |
|
07/17/97 |
Polideportivo Mendizorroza
Victoria, Spain |
1 |
|
|
"Vitoria 1997" (DSP-EC-510) |
Excellent stereo soundboard although incomplete. |
|
07/17/97 |
Polideportivo Mendizorroza
Victoria, Spain |
2 |
|
|
"Monotheistic Stages" (Zig Zag Records) |
the final show of the tour, in excellent mono soundboard quality |
|
10/10/97 |
Olympic Gymnasium
Seoul, South Korea |
2 |
|
|
|
Great AUD recording |
|
10/24/97 |
Green Arena
Hiroshima, Japan |
2 |
|
|
Blue Dart CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
A different recording than "In the West of Japan (G&H)" (Wow Wow Wow), this has a bit more presence and is louder in overall level.
Nice crowd participation on "Layla" - Joe Sample's piano solo is particularly tasty.
Same on "Nobody Knows You".
"Broken Hearted" is quite interesting, as Andy's rhythm playing is quite loud and distorted (in a good way, of course). |
|
10/27/97 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"102797-ECB" (E.C. IS HERE 79/80) |
Missing "Broken Hearted" and "Pilgrim" from the night's performance. |
|
10/27/97 |
Budokan Hall
Tokyo, Japan |
1 DVD |
|
|
|
Lineage: Broadcast > S-VHS > Standalone DVD Recorder (I think, Pioneer DVR-7000, as that was the first machine to market) > DVD-R > You ! |
|
10/27/97 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
Standing In The Shadows (Mid Valley) |
|
|
10/27/97 |
Budokan Hall
Tokyo, Japan |
1 DVD |
|
|
Standing In The Shadows (Mid Valley) |
Video - Approx: 99mins NTSC 2.91GB |
|
10/27/97 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"Budokan Blues" (3BR Records) |
A nice hot, remastered soundboard. Edge in sound quality, but missing "Broken Hearted" and "Pilgrim".
This was an unusual tour for EC. After the "Legends" jazz tour in the summer of 1997, his playing was really out of its normal groove, and this performance features really off the hook playing. |
|
10/27/97 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"Wonderful Night" (ECLAP97-1/2) |
Best version of this great show. Thanks Geetarz! |
|
04/09/98 |
United Center
Chicago, IL |
2 |
|
|
"Twilight" (Mid Valley) |
Taken directly from the master ALD recording and then remastered, the Mid Valley release as usual blows away the competition, namely the DJ Copy release "The Supreme Being".
Interestingly, the Mid Valley folks did come to the same decision 3BR came to when they remastered "The Supreme Being" as "Pilgrimmage to Chicago", namely in that MV did edit out a small segment of "Have You Ever Loved a Woman" to eliminate distortion present in the master ALD recording.
Sound quality wise, I must say that the MV release does edge out the 3BR release, which is understandable since they did work from the source and not the DJ Copy release.
Bonus tracks on the end of Disc 2 flesh this one out nicely. |
|
04/10/98 |
United Center
Chicago, IL |
2 |
|
|
"Spiritual Home" (Geetarz 139/140) |
A blistering show, and off to a great start. During the third number, "One Chance", EC's then-manager, Roger Forrester, got up from his seat near the soundboard and walked forward, motioning downward with his hand as if to say "hold it back". EC quips "I've got to be careful, I've just been warned to slow down a bit...".
Overall, it's certainly one of those shows, where EC and band were really in top form and having to hold back at times in early parts of the set in order to keep the show well paced.
One of the reasons that everyone was so excited becomes apparent at the end of the show, where EC states "well I haven't said much since we've been here tonight ... since I've been 14 or 15 years old, this has been my Spiritual Home ... and one of the reasons ... is the man standing on the side of the stage right now ... he was my hero then, he's my hero now ... please welcome to the stage, Buddy Guy!".
Guy then joins the band on "Sweet Home Chicago" (who would have guessed?) and "Watch Yourself".
This is a different source than "Spiritual Home" (lun), this was recorded to Minidisc and transferred from a first-generation cassette copy to CDR:
Lineage:
MD Master > CAS > Tascam CD-A700 > HHB-CDR800 > Kodak Gold CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC |
|
04/15/98 |
Corestates Center
Philadelphia, PA |
2 |
|
|
|
|
|
09/05/98 |
San Jose University, Event Center
San Jose, CA |
2 |
|
|
"Supreme Being Again" (EC is Here / DJ Copy 54/55) |
Geetarz Comments:
Bow down to the six-string God, WOW! What a performance ...
This was a private concert at the 27th World Convention of Narcotics Anonymous, WCNA-27.
EC's heart and soul was clearly in this performance, and to cap it off, it's an exceptionally good audience recording.
The 1998 tour likely had the best recorded shows of any EC tour, and this is one of the best. Plus, it's a special occasion.
Definitely an essential show from that tour, if not overly representative - unlike the majority of shows on that tour, this one did not feature the 20-pc orchestra that had been present on the earlier shows in the tour. |
|
09/11/98 |
Edmonton Coliseum
Edmonton, AB |
2 |
|
|
|
|
|
06/30/99 |
Madison Square Garden
New York, NY |
2 DVD |
|
|
MSG 1999 10th Anniversary Edition |
Complete Proshot + AUD video. Picked this up at Happy Jack's in Kyoto 3/30/16 |
|
11/15/99 |
Castle Hall
Osaka, Japan |
2 |
|
|
|
|
|
11/24/99 |
Kanagawa Yokohama Arena
Yokohama, Japan |
2 |
|
|
11/24 Yokohama Arena (Mobile Reality Sound Lab MRCD-039/040) |
rip from 24K Gold Disc, Direct Recorded Bootleg, limited edition 250. Stunning SBD |
|
11/24/99 |
Kanagawa Yokohama Arena
Yokohama, Japan |
2 VCD |
|
|
|
satellite TV quality, great show. |
|
11/24/99 |
Kanagawa Yokohama Arena
Yokohama, Japan |
1 DVD |
A+ |
|
Broadcast > S-VHS > Standalone DVD Recorder |
4.3 Gig |
|
11/24/99 |
Kanagawa Yokohama Arena
Yokohama, Japan |
2 DVD |
|
|
|
Several versions of this broadcast exist. This one I received in trade in 2007 (in my pre-torrenting days), and represents an upgrade to the single disc version as the bitrate is higher. I would say it's perhaps a 20% improvement over the single-disc version.
If you have the single disc version, whether or not you need this version is up to you ... if you've a regular TV, you likely won't see any difference. If you have a large TV, you will notice the difference.
Discs are authored with no menus and no chapter points ... please, no whining. They are presented as I received them, and if that ain't good enough for you, kindly move on.
One can only hope that this broadcast sees official release at some point ... until then, here ya go!
~Geetarz, February 2010
www.geetarz.org |
|
11/26/99 |
Budokan
Tokyo, Japan |
2 |
|
|
|
|
|
11/27/99 |
Budokan
Tokyo, Japan |
2 |
|
|
|
"Before You" boot |
|
11/30/99 |
Budokan
Tokyo, Japan |
2 |
|
|
|
|
|
03/28/00 |
O'Henry Studios
Hollywood, CA |
1 |
|
|
|
"Buddy Holly Tribute" -only 3 songs with the original Crickets and Clapton |
|
06/15/01 |
HSBC Arena
Buffalo, NY |
2 |
|
|
unknown AUD |
|
|
10/13/01 |
Praça da Apoteose
Rio De Janeiro, Brazil |
1 DVD |
|
|
TV |
|
|
12/04/01 |
Nippon Budokan Hall
Tokyo, Japan |
2 |
|
|
|
Amazing SBD recording! |
|
08/03/02 |
Brands Hatch
Formula 1 Race Track, England |
2 |
|
|
|
|
|
11/15/03 |
Green Arena
Hiroshima, Japan |
2 |
|
|
|
"Once a Dream" |
|
11/24/03 |
Saitama Super Arena
Omiya, Japan |
2 |
|
|
|
"Turn out the Lights at SSA" |
|
11/29/03 |
Nippon Budokan Hall
Tokyo, Japan |
2 |
|
|
|
"This Kingdom we had Made" |
|
12/03/03 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"The Reason" |
|
|
12/05/03 |
Grande 21
Sendai, Japan |
2 |
|
|
"Like Lemon Drops" |
|
|
12/13/03 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
|
Nobody knows you when you're down and out (Acoustic)
When you got a good friend (Acoustic)
Crossroads
I shot the sheriff
Bell bottom blues
Reconsider baby
Can't find my way home
White room
I want a little girl
Got my mojo working
Hoochie coochie man
Change the world
Bright lights big city
Kind hearted woman
Badge
Holy mother
Lay down Sally
Wonderful tonight
Cocaine
Layla
Sunshine of your love (Encore)
Somewhere over the rainbow (Encore) |
|
04/17/04 |
Parken
Copenhagen, Denmark |
2 |
|
|
God's Favorite (Tarantura TCDEC-17-1,2) |
|
|
04/17/04 |
Parken
Copenhagen, Denmark |
2 |
|
|
Happy Valentine (Mid Valley) |
|
|
04/24/04 |
Odyssey Arena
Belfast, Northern Ireland |
2 |
A |
A |
"The Geetarz Guide to Easy Air Guitar v. 2.0 (Featuring Eric Clapton)" |
Soundboard + Stunning Performance = A Must HAVE |
|
05/04/04 |
Royal Albert Hall
London, England |
2 |
|
|
"Multi Colored" (Tarantura) |
|
|
05/04/04 |
Royal Albert Hall
London, England |
2 |
|
|
No Retiring At RAH [Mid Valley Records (MVR 266-277)] |
Excellent audience |
|
05/05/04 |
Royal Albert Hall
London, England |
2 |
|
|
"Where's Derek?" (Tarantura Label TCDEC-7-1/2) |
|
|
05/05/04 |
Royal Albert Hall
London, England |
2 |
|
|
No Retiring At RAH [Mid Valley Records (MVR 266-277)] |
|
|
05/07/04 |
Royal Albert Hall
London, England |
2 |
|
|
No Retiring At RAH [Mid Valley Records (MVR 266-277)] |
Excellent audience recording |
|
05/08/04 |
Royal Albert Hall
London, England |
2 |
|
|
No Retiring At RAH [Mid Valley Records (MVR 266-277)] |
Excellent audience recording |
|
05/10/04 |
Royal Albert Hall
London, England |
2 |
|
|
No Retiring At RAH [Mid Valley Records (MVR 266-277)] |
Excellent audience recording |
|
05/11/04 |
Royal Albert Hall
London, England |
3 |
|
|
No Retiring At RAH [Mid Valley Records (MVR 266-277)] |
Bonus Disc-Robert Randolph And The Family Band (RAH - May 2004)
01-Introduction
02-Jam
03-Voodoo Child
04-You Got To Move
05-Going In The Right Direction
06-Shine A Light
07-I Need More Love |
|
06/05/04 |
State Fair Grounds
Dallas, TX |
1 |
|
|
Crossroads Guitar Festival (Mid Valley 303) |
The All-Star Blues Jam |
|
06/06/04 |
Cotton Bowl
Dallas, TX |
1 DVD |
|
|
Crossroads Guitar Festival (Mid Valley) |
Bonus DVD: 01. Crossroads Guitar Festival
02. Tsunami Relief Cardiff - January 22, 2005
03. Tsunami Aid - A Concert of Hope - January 15, 2005
04. Jools Holland Hootenanny - December 31, 2004 |
|
06/06/04 |
Cotton Bowl
Dallas, TX |
4 |
|
|
Crossroads Guitar Festival (Mid Valley 304-307) |
With B.B. King, J.J. Cale, Santana, and the solo show. |
|
06/15/04 |
Office Depot Center
Sunrise, FL |
2 |
|
|
Recording by Aplay; mastering by Geetarz |
Lineage: Sonic Solutions DSM-6 (Sonic Mod-2) -> Sony D7 DAT -> PC -> SoundForge -> CDWav > FLAC (Level 5) |
|
06/23/04 |
Pepsi Arena
Albany, NY |
2 |
|
|
Geetarz |
A very good audience recording, and an excellent performance, one of the finest of the 2004 tour.
Of special note here is the second-best-ever performance of "I Want a Little Girl", where EC uncharacteristically digs into the solo with vigor.
EC's passionate playing this night was no doubt in part because this was the last night he played the "Crash 3" guitar, which was sold at charity auction the next day for $321,100.
Also of note here, one of the best performances from the 2004 tour of "Got to Get Better", "Kindhearted Woman", and "Have You Ever Loved a Woman".
Overall, I'd put this in the Top 5 shows from that tour |
|
06/29/04 |
Madison Square Garden
New York, NY |
2 |
|
|
"Vanishing Point" (Mid Valley) |
|
|
06/29/04 |
Madison Square Garden
New York, NY |
1 DVD |
|
|
Vanishing Point (Mid Valley Bonus DVD) |
2-Cam Audience Shot video. 120mins 4.24GB NTSC |
|
07/12/04 |
Nationwide Arena
Columbus, OH |
1 DVD |
|
|
Scratchmonkey |
|
|
07/31/04 |
HP Pavilion
San Jose, CA |
2 |
|
|
Delta Blues (Mid Valley 280/281) |
|
|
05/05/06 |
La Palestre
Le Cannet, France |
2 |
|
|
Le Cannet Night (Mid Valley MVR-363/364) |
|
|
05/22/06 |
The Royal Albert Hall
London, England |
1 DVD |
|
|
Aud |
|
|
05/23/06 |
Royal Albert Hall
London, UK |
1 DVD |
|
|
Southern Harmony Plus (Mid Valley Limited Sampler) |
|
|
06/09/06 |
Hampton Court Palace Festival
Surrey, UK |
2 |
|
|
In the Court of King Eric (2008 remaster) - Mid Valley |
|
|
06/10/06 |
Hampton Court Palace
Surrey, England |
2 |
|
|
In the Court of King Eric (2008 remaster) - Mid Valley |
|
|
07/07/06 |
Piazza Napoleone
Lucca, Italy |
2 |
|
A+ |
Lucca Night (Mid Valley 381/382) |
Bonus Tracks -
3. Run Home to Me (*recorded at SECC Glasgow on May 8, 2006)
4. Revolution (*recorded at SECC Glasgow on May 8, 2006)
5. Bell Bottom Blues (**recorded at Antwerp, Belgium on May 31, 2006).
Robert Cray Opening Set (***recorded at Stuttgart, Germany, on June 4, 2006)
Track 6 to 12 |
|
07/07/06 |
Piazza Napoleone
Lucca, Italy |
2 |
|
|
FM SBD |
|
|
07/22/06 |
Olympiahalle
Munich, Germany |
2 |
|
|
On My Way Back Home |
Special Guest
Robert Cray (Guitar) on "Old Love" and "Crossroads"
Lineage: okmstyle earmics – Sony MD NZ-NH700 –sonicstage - wav conversion with -HIMDrenderer- nero audio editor – flac frontend – flac>eac>audacity>flac frontend level 6 |
|
07/28/06 |
Viking Serenade Spektrum
Oslo, NORWAY |
2 |
|
|
"Viking Serenade" |
fair Audience recording |
|
10/03/06 |
TD Banknorth Garden
Boston, MA |
2 |
|
|
|
Source: Sony WMD3> master cassette (Sony chrome bias)> technics rs-t60r> phillips cdr 760> EAC> TLH> flac 8. |
|
11/11/06 |
Osaka-Jo Hall
Osaka, Japan |
2 |
|
|
The Road To Osaka 1st Night (ARMS) |
three bonus tracks from Osaka Jo Hall, Rehearsal on 9th November, 2006 (Ex Stereo Soundboard Recording) |
|
11/11/06 |
Osaka-Jo Hall
Osaka, Japan |
1 DVD |
|
|
The Road To Japan (ARMS Bonus DVD-R) |
audience shot |
|
11/12/06 |
Osaka-Jo Hall (Castle Hall)
Osaka, Japan |
2 |
|
|
The Road To Osaka 2nd Night (ARMS) |
|
|
11/12/06 |
Osaka-Jo Hall (Castle Hall)
Osaka, Japan |
1 DVD |
|
|
The Road To Osaka |
Source: Ex Audience Shot
Lineage: Heartwood Edge Boot DVD-R > PC > Vob files. Apporox: 116mins 4.14GB Wide Screen Vision |
|
11/14/06 |
Osaka-Jo Hall (Castle Hall)
Osaka, Japan |
2 |
|
|
The Road To Osaka 3rd Night (ARMS) |
|
|
11/14/06 |
Osaka-Jo Hall (Castle Hall)
Osaka, Japan |
2 |
|
|
The Flame Still Burns (E&C World Star EC-0040) |
|
|
11/15/06 |
Osaka Castle Hall
Osaka, Japan |
2 |
|
|
The Road To Osaka 4th Night (ARMS) |
|
|
11/15/06 |
Osaka Castle Hall
Osaka, Japan |
1 DVD |
|
|
"Stardust" by Mid Valley |
|
|
11/20/06 |
Tokyo Budokan
Tokyo, Japan |
2 |
|
|
Topaz (Tinker Bell) |
Filler: 2 tracks from Osaka Castle Hall, Osaka Japan 14th Nov, 2006 |
|
11/21/06 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"Nice Audio Recordings" |
Aud 5 - high quality |
|
11/23/06 |
Budokan
Tokyo, Japan |
1 DVD |
|
|
"Beautiful Day" (Mid Valley) |
|
|
11/23/06 |
Budokan
Tokyo, Japan |
2 |
|
|
Anyday At The Budokan Hall Japan Tour 2006 (Domino Records DR-0061A/B) |
Filler:
November 09, 2006 - Osaka Jo Hall (Press Public Rehearsal FM-Broadcast)
08: Futher On Up The Road (Bonus Track)
09: Wonderful Tonight (Bonus Track)
10: Anyday (Bonus Track) |
|
11/26/06 |
Sapporo Dome
Sapporo, Japan |
2 |
|
|
Stardust (Mid Valley) |
|
|
11/29/06 |
Budokan
Tokyo, Japan |
2 |
|
|
"Down To The Station" (E&C World Star EC-0047) |
|
|
12/05/06 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"Here Comes the Soul" (Cross Border Records / See No Evil Records) |
Good audience recording |
|
12/06/06 |
Budokan Hall
Tokyo, Japan |
1 DVD |
|
|
Beautiful Day (Mid Valley) |
|
|
12/06/06 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
Beautiful Day (Mid Valley) |
|
|
12/06/06 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"Here Comes the Soul" (Cross Border Records / See No Evil Records) |
Good audience recording |
|
12/08/06 |
Nippon Budokan Hall
Tokyo, Japan |
1 DVD |
|
|
Fairy Tales Bonus DVD (Mid Valley) |
1) Little Wing
2) Why Does Love Got To Be So Sad?
3) Interview w JJ Cale |
|
12/08/06 |
Nippon Budokan Hall
Tokyo, Japan |
2 |
|
|
Silver Feather (Mid Valley 391/392) |
Filler on disc 2:Tracks 5 & 6: November 11, 2006 Osaka
Track 7: November 18, 2006 Nagoya
Track 8: November 20, 2006 Budokan
Track 9: November 17, 2006 Nagoya
Track 10: November 11, 2006 Osaka
Track 11: November 26, 2006 Sapporo |
|
12/09/06 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
Fairy Tales (Mid Valley 386/387) |
|
|
03/15/07 |
ipay One Center
San Diego, CA |
2 |
|
|
"The Road To Point Loma"
now an Official Release |
5 tracks with J.J. Cale. Encore with Robert Cray |
|
03/18/07 |
HP Pavillion
San Jose, CA |
3 |
|
|
Derek's Last Stand (Mid Valley) |
|
|
07/28/07 |
Toyota Center
Bridgeview, IL |
2 DVD |
|
|
Pro-shot |
Crossroads Guitar Festival |
|
05/05/08 |
Seminole Hard Rock Hotel & Casino
Hollywood, FL |
2 |
|
|
"Vaya Con Dios On Cinco de Mayo" |
The Geetarz-approved show:
1) Geetarz intro on D1
2) D1 contains the electric set ONLY
3) Fade in on D2
4) Cody Woo at the end of D2.
Lineage:
Core Sound CSB > Battery Box (flat) > Edirol R-09 >
Sound Forge 9.0 > Geetarz Magic (tm) > CDWAV > FLAC (Level 5) |
|
05/31/08 |
Blossom Music Center
Cuyahoga Falls, OH |
2 |
|
|
Geetarz #176/177 |
|
|
06/05/08 |
Nikon at Jones Beach Theatre
Wantagh, NY |
2 FLAC |
|
A |
Geetarz |
Adrift at Jones Beach |
|
06/23/08 |
Trent FM Arena
Nottingham, England |
2 |
|
|
Delta Queen (Tarantura) |
Encore with Robert Randolph |
|
06/28/08 |
Hyde Park
London, England |
2 |
|
|
Hard Rock Calling (Mid Valley Records 474/475) |
Excellent Audience + 5 Songs Soundboard
|
|
06/28/08 |
Hyde Park
London, England |
1 DVD |
|
|
Bonus DVD (NTSC) "Hard Rock Calling" (Mid Valley) |
Pro Shot And Audience
Tell The Truth /
Interview /
Driftin' /
Motherless Child /
Layla /
Cocaine (listed on cover art-Not present on DVD) /
Crossroads /
Tell The Truth/Motherless Children-Audience (Hyde Park) /
Tell The Truth-Audience (Jones Beach June 5th 2008) |
|
08/19/08 |
Bowling Green
Wiesbaden, Germany |
2 |
|
|
Season! 2 (Mid Valley) |
|
|
08/20/08 |
Hallenstadion
Zurich, Switzerland |
2 |
|
|
Season! 2 (Mid Valley) |
|
|
02/15/09 |
Nippon Budokan
Tokyo, Japan |
2 |
|
|
"Party Like A Rockstar" (Mid Valley Records 563/564) |
Good audience recording |
|
02/18/09 |
Nippon Budokan
Tokyo, Japan |
2 |
|
|
"Party Like A Rockstar" (Mid Valley Records 565/566) |
Aud |
|
02/19/09 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
"Party Like A Rockstar" (Mid Valley Records 567/568) |
Aud |
|
02/24/09 |
Budokan Hall
Tokyo, Japan |
1 DVD |
|
|
Party Like A Rock Star (Mid Valley Bonus DVD) |
audience shot |
|
02/25/09 |
Nippon Budokan
Tokyo, Japan |
1 DVD |
|
|
God Meets Buddha |
Official release? |
|
02/27/09 |
Budokan
Tokyo, Japan |
2 |
|
|
"Party Like A Rockstar" (Mid Valley Records 571/572) |
Excellent audience |
|
02/27/09 |
Budokan
Tokyo, Japan |
1 DVD |
|
|
"Party Like A Rockstar" (Mid Valley) |
Audience shot / NTSC |
|
02/28/09 |
Nippon Budokan
Tokyo, Japan |
2 |
|
|
"Party Like A Rockstar" (Mid Valley Records 573/574) |
aud |
|
02/28/09 |
Nippon Budokan
Tokyo, Japan |
1 DVD |
|
|
"Party Like A Rockstar" (Mid Valley) |
|
|
06/12/09 |
Wachovia Center
Philadelphia, PA |
2 |
|
|
Exotic Summer - Bonus [Mid Valley Records 630 ~ 653 (24 CD Set)] |
w Steve Winwood |
|
06/13/09 |
Verizon Center
Washington, DC |
2 |
|
|
Exotic Summer - Bonus [Mid Valley Records 630 ~ 653 (24 CD Set)] |
AUD - w Steve Winwood |
|
06/23/09 |
American Airlines Center
Dallas, TX |
2 |
|
|
"Live From Texas 2009" (Mid Valley 555/556) |
With Steve Winwood |
|
06/24/09 |
Toyota Center
Houston, TX |
2 |
|
|
"Live From Texas 2009" (Mid Valley 557/558) |
|
|
08/03/09 |
Sydney Entertainment Centre
Sydney, Australia |
2 |
|
|
|
|
|
02/18/10 |
Madison Square Garden
New York, NY |
2 DVD |
|
|
|
Video Attributes:
Video compression mode: MPEG-2
TV system: 525/60 (NTSC)
Aspect Ratio: 16:9
Display Mode: Both Pan&scan and Letterbox
Source picture resolution: 720x480 (525/60)
Frame Rate: 30.00
Source picture letterboxed: Not letterboxed
Bitrate: 5.32Mbps.....
Audio Attributes:
Audio Coding mode: Dolby Digital
Sampling Rate: 48kHz
Audio application mode: Not Specified
Number of Audio channels: 2.0
Bitrate: 192 Kbps
Number of Audio streams: 1 |
|
05/18/10 |
LG Arena at the NEC
Birmingham, United Kingdom |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
|
|
05/20/10 |
Wembley Arena
London, England |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
|
|
05/21/10 |
Wembley Arena
London, United Kingdom |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
|
|
05/23/10 |
Sportpaleis
Antwerp, Belgium |
1 DVD |
|
|
Downloaded from alt.binaries.boneless, checked using IfoEdit, Added info file and MD5 |
This is a very good audience shot video. It looks like a few guys are involved and at times the quality borders on pro-shot :)
Definitely one of the better quality bootleg DVDs I have seen of late. |
|
05/23/10 |
Sportpaleis
Antwerp, Belgium |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
|
|
05/31/10 |
Malmo Arena
Malmo, Sweden |
2 |
|
|
"Malmö Masterpiece" |
Linage: CA14 > CA9100 > Tascam DR-1 > SD-card 8gb > eac > TLH >CDWAV>EAC>FLAC LEVEL 6...
CD Mastering by ml13 |
|
06/03/10 |
Colorline Arena
Hamburg, Germany |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
|
|
06/05/10 |
Koenigsplatz
Munich, Germany |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
|
|
06/07/10 |
Stadhalle
Vienna, Austria |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
|
|
06/09/10 |
Belgrade Arena
Belgrade, Serbia |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
w Steve Winwood |
|
06/11/10 |
Rugby Park
Bucharest, Romania |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
w Steve Winwood |
|
06/13/10 |
Turkcell Kurucesme Arena
Istanbul, Turkey |
2 |
|
|
Exotic Summer [Mid Valley Records 630 ~ 653 (24 CD Set)] |
w Steve Winwood |
|
07/02/10 |
Verizon Wireless Music Center
Noblesville, IN |
2 |
|
|
Sound Professionals CMC-08s->SP-SB11(no bass roll-off)->Edirol R09HR-> CoolEditPro->CD Wave->TLH |
Recorded from the fourth row behind the soundboard and moved around a couple times. The fight that almost broke out near the end of track 10 is audible.
Nevertheless, this is a very good recording of a terrific performance. Eric was more energetic and demonstrative than I recall ever seeing him before.
His playing was just perfect, and the band was rock solid as well. |
|
02/20/11 |
Olympic Park Gymnastics Gymnasium
Seoul, South Korea |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/13/10 |
O2 Arena
London, England |
3 |
|
|
"First 02 Arena Night" |
Disc 1: Jeff Beck's set
Disc 2: Clapton's set
Disc 3: Beck and Clapton's set |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/25/10 |
Palais Omnisports de Bercy
Paris, France |
2 |
|
|
Blind Faith In Paris Night 2010 |
Lineage: ZOOM H2-->24 Bit 48 K -->Adobe Audition 3.0 Resample To 16 Bit 44.1K --> CD Wave Editor : Split Track -->dBpoweramp -->Flac |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/26/71 |
Paris Theater
London, UK |
1 DVD |
|
|
BBC Crown Jewels, Vol 2 "Sounds For Saturday: The Faces" (Presence Production) |
Professional Recording
Digital Satellite Broadcast > DVD |
|
06/04/73 |
Edmonton Sundown
London, England |
1 DVD |
|
|
unknown generation VHS but must be low judging from the quality |
Pro-shot in color
Great quality
VHS (Low gen.) -> Mitsubishi VCR -> ATI Capture card
Edited using Vegas, authored using DVD Architect |
|
11/27/74 |
Cobo Hall
Detroit, MI |
1 |
|
|
The Swingin' Pig label; "Real Good Time" boot CD - Excellent SBD |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
08/13/67 |
Windsor Racecourse
Windsor, UK |
1 |
|
|
|
|
|
08/15/67 |
Marquee Club
London, UK |
1 |
|
|
|
OFFICIAL RELEASE |
|
04/27/68 |
Polytechnic of Central London
London, England |
1 |
|
|
|
|
|
06/07/68 |
Carousel Ballroom
San Francisco, CA |
2 |
|
|
|
|
|
07/06/68 |
Fillmore
San Francisco, CA |
2 |
|
|
Fillmore Aud 68 boot |
comes together with short performance on July 5/7, 1968. OK audio quality |
|
07/13/68 |
The Space
New York, NY |
1 |
|
|
|
|
|
11/17/68 |
Falkoner Teatret
Copenhagen, Denmark |
1 |
|
|
|
|
|
01/25/69 |
Shrine Exposition Hall
Los Angeles, CA |
1 |
|
|
|
OFFICIAL RELEASE |
|
02/28/69 |
Concertgebouw
The Hague, Holland |
1 |
|
|
Unknown transfer, taped from radio, tracked with CD Wave and encoded to flac |
Recorded and broadcast by Dutch radio at an unknown date (20 April?)
-
Additional source lineage:
Flacs decoded to wav with TLH, appended and speed corrected (- 5.8%) with Adobe Audition 3.0.1
Wav tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified.
These represent excerpts of the show performed at the Concertgebouw in Amsterdam, broadcast on Dutch
radio at an unknown date and captured during FM's short tour over there in February 1969. It seems only
the beginning and end of the show have been captured. From a tape source, unknown capture and transfer.
Very good sound, full spectral but with some analogue (radio) interference.
Strange atmosphere, Greeny is in a bizarre frame of mind but in very very fine form. Don't miss this. |
|
03/01/69 |
Concertgebouw
Amsterdam, Holland |
1 |
|
|
|
1. Merry Go Round
2. One-sided Love Affair
3. Dust My Broom
4. Got to Move
5. instrumental
6. Sugar Mama
7. Can't Hold Out
8. Tallahasse Lassie |
|
03/14/69 |
College Of Distributive Arts & Trades
London, England |
1 |
|
|
1st Gen Reel-> Revox B77-> PDR-05-> EAC-> flac |
Date may actually be March 14 or 19 |
|
03/31/69 |
Kulttuuritalo
Helsinki, Finland |
1 |
|
|
Tape reel -> Tape reel -> PC -> Audacity -> TLH (SBEs, FLACs) |
Mr. G: I call this version "recorder #2" since another recorder ("#1") from this date also exists. An incomplete version of "Recorder #1" has been torrented (and banned for being lossy) in the past as a part of a 2-CD "Helsinki 1968/1969" set.
Corrections to the setlist are welcome.
Previously uncirculated. |
|
04/20/69 |
Concertgebouw
Amsterdam, The Netherlands |
1 |
|
|
|
|
|
09/24/69 |
Kulttuuritalo
Helsinki, Finland |
1 |
|
|
|
|
|
11/06/69 |
Konserthuset
Örebro, Sweden |
1 |
|
C |
|
|
|
11/11/69 |
Kulttuuritalo
Helsinki, Finland |
1 |
|
|
3rd gen cassette>Pioneer Stand Alone Burner PDR-609>EAC>Soundforge 9.0>CD Architect 5.2>Wav>Flac |
Sound Quality 7 out of 10.
azimuth aligned.
.A Bargain Basement Tape Production.
A good show with a smokin' Rattlesnake Shake. |
|
01/02/70 |
Fillmore West
San Francisco, CA |
2 |
|
|
|
|
|
01/04/70 |
Fillmore West
San Francisco, CA |
1 |
|
|
|
|
|
01/04/70 |
Fillmore West
San Francisco, CA |
1 |
|
|
Combined from 3 different unknown lineage audience sources. |
The primary source just seeded here is the longest and best
sound quality, but fades between songs and is missing the last 2 songs.
The applause between songs and extra encores have been restored from
the alternate sources. The sound quality changes a bit, but the transitions
are smooth and I think that it all sounds good together. |
|
01/07/70 |
Eagle Auditorium
Seattle, WA |
1 |
|
|
|
"The Last Goodbye" |
|
01/17/70 |
Eagle Auditorium
Seattle, WA |
2 |
|
|
FM SBD ?, reel to reel source, longer version, better sound |
*The first minute of track 12 is the same of the last minute of track 11, cause track 12 start
on the side 2 of the reel to reel, so i left it like that, don't want to mess up with the cut.
Ok guys, here are the differences between this version and all the previous ones in circulation :
1. this tape has around 7 minutes more compare to all the others tapes in circulation.
2. the fades in at the beginning of some songs are the same of all the previous ones in circulation, i did not specified track by track in the text file, you'll just hear it.
3. the sound is better compare to all the previous ones in circulation, much brighter.
4. i guess this is an FM Broadcast, on my reel box i've FM Soundboard, so i just reported that.
First generation reel to reel (revox) > behringer ultra curve pro deq 2496 audio equalizer > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac.
Transfered, remastered & uploaded by 38f on Dime 2006. |
|
01/29/70 |
The Warehouse
New Orleans, LA |
1 |
|
|
|
Not really a separate date, but an inferior version of 1/30/70 |
|
01/30/70 |
The Warehouse
New Orleans, LA |
1 |
|
|
|
|
|
01/30/70 |
The Warehouse
New Orleans, LA |
1 |
|
|
Liriodendron Remaster |
- Bonus Track -
112 - Jam with Fleetwood Mac & Eric Clapton (Feb. 5 1970 Boston, MA).
From the Original Notes Regarding the Bonus Track:
Announcer (at end): "That's Eric Clapton ... Peter Green ... Fleetwood Mac".I received this in a trade years ago. It is Fleetwood Mac from the Boston run of shows in February 1970 -- the tape said Feb. 5th, 1970. It is one jam song with Eric Clapton. This jam is NOT released on any of the Boston Tea Party releases, or any of the older releases of those concerts. Both Vol. 2 & Vol. 3 of the Tea Party releases contain a jam sequence, but they are NOT this jam. The officially released jams (one is with Joe Walsh) are uninteresting compared to this one between the guitar masters. It is a rare and a one-of-a-kind recording. |
|
01/31/70 |
The Warehouse
New Orleans, LA |
1 |
|
|
|
|
|
02/05/70 |
Boston Tea Party
Boston, MA |
1 |
|
|
|
Amazing show, one of the best I've heard. OFFICIAL RELEASE |
|
02/06/70 |
Boston Tea Party
Boston, MA |
1 |
|
|
|
OFFICIAL RELEASE |
|
02/07/70 |
Boston Tea Party
Boston, MA |
1 |
|
|
|
Green takes it to another dimension on "Jumping at Shadows". OFFICIAL RELEASE |
|
02/15/70 |
Sporthalle
Böblingen, Germany |
2 |
|
|
|
|
|
03/25/70 |
Wiener Konzerthaus
Vienna, Austria |
2 |
|
|
|
audience recording, distant sounding, vocals difficult to make out, lead guitar clear, some hiss |
|
03/26/70 |
Sporthalle
Böblingen, West Germany |
1 |
|
|
|
|
|
03/26/70 |
Sporthalle
Böblingen, West Germany |
2 |
|
|
2 sources - master tapes>cassette (speed corrected, tracks sequence corrected)>CD-R>EAC>FLAC |
Sound quality: 3-4 out of 6/vg+
The recording has been assembled from two different tapes that were done by different tapers. The first's tape contained the largest bulk of the show but obviously ran out and did't capture the last number (a medley of "Twist & Shout and The Beatles' "Come Together"); the second taper's recording is a bit inferior (and only partial, IIRC), but does come with Mac's last number, so we added this portion. |
|
04/01/70 |
Koncerthuset
Stockholm, Sweden |
2 |
|
|
|
|
|
08/07/70 |
Fillmore West
San Francisco, CA |
1 |
|
|
|
No Peter Green |
|
08/28/70 |
Fillmore East
New York, NY |
1 |
|
|
|
No Peter Green, but does have Danny Kirwan |
|
03/24/71 |
Swing Auditorium
San Bernardino, CA |
1 |
|
|
|
|
|
09/23/75 |
Trodd Nossel Studios
Wallingford, CT |
1 |
|
|
4 Combo SBD Source |
Combination of 4 unknown lineage FM sources - 1 CD received in trade, 2 cassettes received in trade and a 4th source downloaded from Dime, sourced from the "Who's The New Girl" bootleg CD.
Original broadcast: WPLR-FM, New Haven Connecticut.
Primary rebroadcast source: "Who's The New Girl" bootleg.
Secondary rebroadcast source: from WXRT-FM Chicago, Illinois.
Cassette transfers: Nakamichi Dragon
> Pro Tools ("nip and tuck" edits to combine sources, normalization, clicks and dropouts removed manually) > AIFF > xACT (Flac level 8 files with sector boundaries verified).
This show has circulated widely but all versions I've heard have been incomplete - missing either the beginning or the end. And because most recordings are from rebroadcasts, they do not include the opening announcer from the original broadcast. The content was rebroadcast in many forms, with and without some of the applause and spoken intros. In fact some spoken intros were re-recorded before rebroadcast to rework statements like "from our new album" when it wasn't new anymore. The quality is very good to excellent FM, with tape hiss and minor FM transmission noise in some spots but nothing too bothersome. The minor glitches that were previously in the song transitions have been cleaned up. Some major dropouts in "Oh Well" and Green Manalishi" now are spliced from one of the alternate sources, etc. |
|
10/17/75 |
Capital Theatre
Passaic, NJ |
1 |
|
|
FM Show |
|
|
04/14/77 |
Le Zenith
Paris, France |
1 |
|
|
SBD |
|
|
05/18/77 |
Fairgrounds Arena
Oklahoma City, OK |
1 |
|
|
SOUND BOARD > ORIGINAL SILVERS > EAC > WAV > Flac |
|
|
05/21/77 |
Nashville Municipal Auditorium
Nashville, TN |
2 |
|
|
SBD>?>Cassette>wav>cdr>eac>wav>flac Level 6 |
This is a recent cassette transfer and the sound on it is outstanding. I think it's the best sounding soundboard of the Rumours tour - and an upgrade from what I've previously heard of this recording. It's a seemless recording meaning there are no cuts or edits between tracks. There is a very slight cut at the end of disc one, but it's right at the end of Gold Dust Woman,no vocals are cut. There is also a slight cut in at the beginning of disc two, but again no vocals are sliced off. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
09/29/08 |
KLRU Studios
Austin, TX |
1 DVD |
|
|
HDTV > HDTV TUNER CARD > HDD > TRANSPORT STREAM > HDTV2DVD > MPG > AUTHORING |
VIDEO: MPEG-2, 720X480, 16/9, NTSC, 29.97 fps,
AUDIO: Dolby Digital 5.1, stereo, 384 kbps, 48 khz |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/09/57 |
Seattle Civic Auditorium
Seattle, WA |
1 |
|
|
SBD |
|
|
12/02/61 |
Sydney Stadium
Sydney, Australia |
1 |
|
|
Low quality SBD |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/66 |
The Beat TV show
Dallas, TX |
1 DVD |
|
|
Official Release |
|
|
09/03/70 |
Fillmore West
San Francisco, CA |
1 |
|
|
|
|
|
09/07/72 |
Whiskey-A-Go-Go
Los Angeles, CA |
1 |
|
|
|
|
|
07/24/74 |
Antibes-Juan les Pins Jazz Festival
Antibes, France |
1 |
|
|
|
"Live in Antibes 74" |
|
11/25/74 |
The Bottom Line
New York, NY |
1 |
|
|
FM Broadcast |
|
|
04/15/75 |
Cain's Ballroom
Tulsa, OK |
2 |
|
|
|
|
|
10/19/75 |
Onkel Pö´s Carnegie Hall
Hamburg, Germany |
1 |
|
|
|
|
|
04/20/76 |
Texas Opry House
Houston, TX |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
08/30/70 |
East Afton Farm
Isle Of Wight, England |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/14/84 |
Apollo Theatre
Glasgow, Scotland |
2 |
|
|
|
|
|
07/07/90 |
Montreux Blues Festival
Montreux, Switzerland |
2 |
|
|
|
"Back to the Blues" |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/12/94 |
The Palamino
Hollywood, CA |
1 |
|
|
|
|
|
12/28/94 |
Be Here Now
Asheville, NC |
2 |
|
|
Likely SBD -> Master Cassette -> CDR -> Cool Edit Pro -> CDR |
|
|
12/30/95 |
Morristown Community Theater
Morristown, NJ |
2 |
|
|
|
|
|
03/27/96 |
Granny Killam's
Portland, ME |
1 Flac |
|
|
|
|
|
04/11/96 |
Georgia Theater
Athens, GA |
2 VCD |
|
|
|
|
|
04/11/96 |
Georgia Theater
Athens, GA |
2 |
|
|
OFFICIAL RELEASE: "The Georgia Bootleg Box" |
|
|
04/12/96 |
The Roxy
Atlanta, GA |
2 |
|
|
OFFICIAL RELEASE: "The Georgia Bootleg Box" |
|
|
04/13/96 |
Elizabeth Reed Music Hall
Macon, GA |
2 |
|
|
OFFICIAL RELEASE: "The Georgia Bootleg Box" |
|
|
05/30/96 |
Nescafe & Blues Music Festival
São Paulo, Brazil |
1 DVD |
|
|
|
Proshot - Incomplete show |
|
06/11/96 |
The Bottleneck
Lawrence, KS |
1 DVD |
|
|
|
|
|
06/14/96 |
Cain's Ballroom
Tulsa, OK |
1 DVD |
|
|
|
|
|
06/18/96 |
Marrz
Raleigh, NC |
2 |
|
|
|
|
|
08/14/96 |
Humpty's
Tahoe City, CA |
1 DVD |
|
|
|
|
|
12/31/96 |
Wetlands Preserve
New York, NY |
3 |
|
|
|
|
|
07/15/97 |
House Of Blues
New Orleans, LA |
1 DVD |
|
|
|
|
|
07/30/97 |
8 X 10 Club
Baltimore, MD |
2 |
|
|
|
|
|
08/30/97 |
The Fillmore
San Francisco, CA |
3 |
|
|
|
Set I
1. John The Revelator * >
2. Thelonius Beck >
3. Game Face
4. Don't Step On The Grass Sam
5. Temporary Saint >
6. Thorazine Shuffle
7. Birth Of The Mule
Disc 2
Set I cont.
1. Dolphineus > Painted Silver Light
2. I Shall Return
3. Pygmy Twylyte > Blind Man in the Dark
4. Mother Earth
5. Left Coast Groovies > Drums >
Left Coast Groovies
6. She Said She Said >
Tomorrow Never Knows jam >
7. Mule > I've Been Workin' > Mule
Disc 3
Encore
1. I Shall Be Released **
2. Midnight Rider ***+
3. Done Somebody Wrong ***+
4. Crossroads ***+
5. Goin' Out West ****
6. Young Mule Blues >
Good Morning Lil' Schoolgirl >
Young Mule Blues
* Allen Woody - mandolin
** Bob Sheehan (Blues Traveler) - bass &
Allen Woody - mandolin
*** Gregg Allman - guitar & vocals
**** David Schools (WSP) - bass &
Allen Woody - guitar
+ 1st time played |
|
11/14/97 |
Lynaugh
Lexington, KY |
2 |
|
|
|
|
|
12/31/97 |
Hard Rock Cafe
Atlanta, GA |
2 |
|
|
|
|
|
02/27/98 |
The Roxy
Atlanta, GA |
2 |
|
|
|
|
|
02/28/98 |
Ziggy's
Winston Salem, NC |
3 |
|
|
|
|
|
03/27/98 |
The Fillmore
San Francisco, CA |
3 |
|
|
|
This has got to be on of the best shows Gov't Mule ever performed. Hard hitting intro numbers, an amazing acoustic set highlighted by "Afro Blue" and a strong set of outro numbers performed electrically. Good stuff. |
|
05/23/98 |
Outback Lodge
Charlottesville, VA |
2 |
|
|
Schoeps mk4 > cmc6 > HHb Portadat @ 48 kHz |
|
|
07/19/98 |
Pine Knob Music Theater
Clarkston, MI |
2 |
|
|
|
|
|
09/12/98 |
Irving Plaza
New York, NY |
3 |
|
|
|
|
|
09/18/98 |
Mama Kin Music Hall
Boston, MA |
2 |
|
|
|
The famous Hendrix tribute show. Must-have for any Hendrix fan. Check out their rendition of "Little Wing" - comes closer to Hendrix original than anyone else. |
|
09/20/98 |
On The Green
Danbury, CT |
2 |
|
|
|
|
|
11/20/98 |
The Fillmore
San Francisco, CA |
3 |
|
|
|
|
|
12/31/98 |
Roxy Theater
Atlanta, GA |
4 |
|
|
|
Official Release: "Live with a little Help from our Friends" |
|
03/10/99 |
A1A Sandbar & Grill
Lexington, KY |
2 |
|
|
|
|
|
03/11/99 |
Copper Dragon
Carbondale, IL |
2 |
|
|
SBD |
|
|
03/27/99 |
The Webster Theatre
Hartford, CT |
2 |
|
|
|
|
|
06/18/99 |
9:30 Club
Washington, DC |
2 |
|
|
|
|
|
07/02/99 |
Aggie Theatre
Fort Collins, CO |
1 DVD |
|
|
|
|
|
07/20/99 |
Sisko's On The Boulevard
Taylor, MI |
2 |
|
|
|
great acoustic show |
|
09/23/99 |
The Roxy
Atlanta, GA |
2 |
|
|
|
|
|
09/26/99 |
328 Performance Hall
Nashville, TN |
2 |
|
|
|
|
|
10/23/99 |
The Fillmore
San Francisco, CA |
2 |
|
|
|
with Greg Allman guesting. Great show |
|
10/24/99 |
House Of Blues
West Hollywood, CA |
2 |
|
|
|
|
|
10/29/99 |
Deep Ellum Live
Dallas, TX |
1 DVD |
|
|
|
|
|
12/31/99 |
The Roxy
Atlanta, GA |
3 |
|
|
|
|
|
12/31/99 |
The Roxy
Atlanta, GA |
2 DVD |
|
|
|
|
|
03/01/00 |
Vernon Center
Hartford, CT |
1 |
|
|
|
|
|
03/07/00 |
Irving Plaza NY
Irving Plaza, NY |
3 |
|
|
|
|
|
07/21/00 |
The Blue Note
Columbia, MO |
2 |
|
|
|
|
|
08/19/00 |
Croton Point Park
Croton-On-Hudson, NY |
2 |
|
|
|
|
|
04/01/01 |
Peace Center Auditorium
Greenville, SC |
2 |
|
|
|
|
|
05/13/01 |
Avalon
Boston, MA |
2 |
|
|
|
|
|
09/02/01 |
Van Hoy Music & Arts Festival
Union Grove, NC |
2 |
|
|
|
Great show with Chuck Leavell, Dave Schools, and Derek Trucks. Watch out for "Soulshine" and its double guitar attack. |
|
09/14/01 |
The Fillmore Auditorum
Denver, CO |
3 |
|
|
|
|
|
09/20/01 |
The Warfield
San Francisco, CA |
3 |
|
|
|
|
|
02/08/02 |
House of Blues
New Orleans, LA |
2 |
|
|
|
|
|
02/10/02 |
Florida Theater
Gainesville, FL |
2 |
|
|
|
|
|
02/23/02 |
Landmark Theatre
Syracuse, NY |
2 |
|
|
|
|
|
02/27/02 |
State Theatre
New Brunswick, NJ |
3 |
|
|
|
|
|
04/20/02 |
State Theater
Minneapolis, MN |
2 |
|
|
|
|
|
10/23/02 |
The Record Plant
Sausalito, CA |
2 |
|
|
Radio Broadcast |
Two versions: one featuring radio banter, the other without. |
|
12/30/02 |
Beacon Theater
New York, NY |
3 |
|
|
|
|
|
12/31/02 |
Beacon Theater
New York, NY |
4 |
|
|
|
|
|
05/03/03 |
Saenger Theatre
New Orleans, LA |
5 |
|
|
|
|
|
07/05/03 |
Soo Pass Ranch
Detroit Lakes, MN |
2 |
|
|
|
|
|
10/15/03 |
Center for the Arts - SUNY Buffalo
Buffalo, NY |
3 |
|
|
|
|
|
10/18/03 |
Danforth Music Hall
Toronto, ON |
2 |
|
|
|
|
|
11/13/03 |
The Fox Theatre
Boulder, CO |
3 |
|
|
|
|
|
01/28/04 |
Newport Music Hall
Columbus, OH |
3 |
|
|
|
|
|
02/13/04 |
Cricket Arena
Charlotte, NC |
1 |
|
|
|
|
|
04/17/04 |
The Wilshire Theater
Los Angeles, CA |
2 |
|
|
|
I was at this show! First concert I've been to of theirs. They put on one heck of a show. Nice and loud and rocking. |
|
06/22/10 |
Le Kursaal
Limbourg, Belgium |
3 |
|
|
SP-CMC-10 mics > battery SP-SPSB- 1 (107 hz) > Edirol R-09 > PC > EAC > wav > Trader’s Little Helper > flac |
6 songs are missing, but an excellent audience recording. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/00 |
"Since I've Been Loving Mule"
compilation, compilation |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/22/67 |
Winterland Arena
San Francisco, CA |
1 |
|
|
Official Release, "Anthem Of The Sun 50th Anniversary Limited" |
|
|
02/14/68 |
Carousel Ballroom
San Francisco, CA |
1 |
|
|
|
|
|
12/07/68 |
Bellarmine College
Louisville, KY |
2 |
|
|
|
|
|
01/18/69 |
Playboy Club
West Hollywood, CA |
1 DVD |
|
|
Playboy After Dark, Episode #23 |
Taken from the VHS master tape of a 1992 rebroadcast.
Transfer via Canon ZR65 with passthrough>
Firewire cable> Sony Vegas 5.0.
Brightness & contrast adjusted in Vegas,
video noise reduction and de-ghosting
performed in TMPGEnc. Plus 2.5.
Audio processed in Soundforge 6.0. |
|
02/27/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
16 Track SBD |
|
|
03/01/69 |
Fillmore West
San Francisco, CA |
1 |
|
|
|
Set II only |
|
03/02/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
16 Track SBD |
|
|
04/22/69 |
The Ark
Boston, MA |
3 |
|
|
|
|
|
09/07/69 |
Family Dog at the Great Highway
San Francisco, CA |
1 |
|
|
|
|
|
11/07/69 |
Fillmore Auditorium
San Francisco, CA |
2 |
|
SHN |
|
|
|
11/08/69 |
Fillmore Auditorium
San Francisco, CA |
3 |
|
|
Dick's Picks 16 |
|
|
12/10/69 |
Thelma Theater
Los Angeles, CA |
2 |
|
|
|
The tapes of the 10th come in two parts, both in excellent quality. Most of what we have from this date comes from a MSR > D containing nearly all of one set. The other tape, containing That's It For The Other One > Cosmic Charlie#, most often circulates labeled "12/10/69," as the second half of a cassette side, following the 12/11/69 Dark Star. (For more on this curious piece of tape, see DeadLists for 12/10/69.) Probably they played 2 sets on the 10th, as on the other nights, and probably That's It comes from the other set from the material on the MSR > D, but the evidence does not show which set is which and can be argued both ways.
|
|
02/11/70 |
Fillmore East
New York, NY |
1 |
|
|
|
SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC
--- mastered to CD by Matt Smith --- Transfer info.: AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH)
--- SBD MR > DAT (source for disc 1 through the first part of Dark Star)
--- MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight)
--- SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2)
|
|
02/11/70 |
Fillmore East (late show)
New York, NY |
2 |
|
|
with Gregg and Duane Allman and Peter Green! |
• Gregg “slides onto the organ bench” during Spanish Jam
• “Peter Green from the Mac plugs in just as I’m pulling the music into the dominant minor … he and Duane seem more comfortable in this space.”
• Butch joins on drums
• Mickey attacks his gigantic gong
• Mick Fleetwood and Danny Kirwan “find room to join the festivities”
• “it’s a surprisingly coherent free-for-all, with five guitarists , four drummers, organ, and – Pigpen roaring over it all”
• “Gregg takes a verse … Sounding like a fifty-year-old black man even then.”
• Pig and Gregg trade vocals
• Berry Oakley takes over on bass about halfway through Lovelight as Phil just wants to listen |
|
02/13/70 |
Fillmore East
New York, NY |
1 |
|
|
|
|
|
02/13/70 |
Fillmore East (Late Show)
New York, NY |
3 |
|
|
|
|
|
02/14/70 |
Fillmore East
New York, NY |
1 |
|
|
|
Missing first track: "Cold Rain and Snow" |
|
02/14/70 |
Fillmore East
New York, NY |
2 |
|
|
|
|
|
05/02/70 |
Harpur College
Binghamton, NY |
3 |
|
|
|
|
|
05/14/70 |
Meramec Community College
Kirkwood, MO |
1 |
|
|
Bonus Disc from Road Trips Vol. 3, No. 3 |
|
|
05/15/70 |
Fillmore East (Late Show)
New York, NY |
4 |
|
|
Road Trips Vol. 3, No. 3
Official Release |
|
|
06/07/70 |
Fillmore West
San Francisco, CA |
3 |
|
|
|
|
|
04/17/71 |
Dillon Gym, Princeton University
Princeton, NJ |
3 |
|
|
MOTB Release: 013? 16/44.1: SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) |
|
|
04/28/71 |
Fillmore East
New York, NY |
4 |
|
|
|
Recording Info:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit ->
Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Transfer Info:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k)
Mastering Info:
WAV -> Samplitude Professional v11.03 -> FLAC/16
(4 Discs Audio / 1 DVD FLAC)
Patch Info:
SBD -> 16 Track Master Reel -> Dat supplies:
Bird Song (1:16 - 1:17) (2:58 - 5:39)
Bertha (5:02 - end of track)
That's It For The Other One (11:06 - end of track)
Wharf Rat (complete track) |
|
04/29/71 |
Fillmore East
New York, NY |
3 |
|
|
|
Recording Info:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit ->
Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Transfer Info:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k)
Mastering Info:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC) |
|
08/06/71 |
Hollywood Palladium
Hollywood, CA |
1 |
|
|
Dick's Picks 35 |
Official Release |
|
08/07/71 |
Golden Hall Community Concourse
San Diego, CA |
2 |
|
|
Dick's Picks 35 |
Official Release |
|
08/24/71 |
Auditorium Theatre
Chicago, IL |
2 |
|
|
Dick's Picks 35 |
Official Release |
|
12/07/71 |
Felt Forum, Madison Square Garden
New York, NY |
2 |
A |
A |
|
Sets I and II - No track separations |
|
08/27/72 |
Old Renaissance Faire Grounds
Veneta, OR |
3 |
|
|
Bertha Remaster of the Braverman/Dank 16 track source |
|
|
06/16/74 |
Des Moines State Fair Grandstand
Des Moines, IA |
3 |
|
|
Road Trips, Vol. 2 No. 3: Wall Of Sound
Official Release |
|
|
06/18/74 |
Freedom Hall
Louisville, KY |
3 |
|
|
Road Trips, Vol. 2 No. 3: Wall Of Sound
Official Release |
|
|
08/13/75 |
Great American Music Hall
San Francisco, CA |
1 |
|
|
"One from the Vault" Official Release |
|
|
12/31/77 |
Winterland Arena
San Francisco, CA |
3 |
|
|
|
|
|
12/31/78 |
Winterland Arena
San Francisco, CA |
2 DVD |
|
|
Official Release |
|
|
12/31/78 |
Winterland Arena
San Francisco, CA |
0 4 |
|
|
Radio Broadcast
First set: FMMR> R @3.75 ips Pat Lee reel
Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/18/94 |
Aragon Ballroom
Chicago, IL |
1 DVD |
|
|
Proshot |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/28/87 |
The Marquee
London, England |
1 |
|
|
|
SBD |
|
02/02/88 |
The Ritz
New York, NY |
1 DVD |
|
|
Italian "Rock TV" broadcast > digital capture > PAL DVD. Conversion to NTSC and video rendering by Jason Peterson @ Cohesion Sound |
Amazing performance. Amazing quality. Only downside is curse words are bleeped. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/23/69 |
Key Largo
Chicago, IL |
2 |
|
A |
SBD > Reel To Reel > ? > CDR > EAC > FLAC > WAV > Cool Edit Pro |
This recording had all the vocals, drums, and keys in the left channel and all the guitar and bass in the right channel, making for an odd mix. I took each channel, converted it to stereo, then mixed it all together to have a balanced mix. It's much easier to listen to now. - RandyB Jan. 2, 2010 |
|
08/23/73 |
Ebbets Field
Denver, CO |
1 |
|
A |
pre-FM > Converted & verified on FLAC Frontend 1.7.1, sector aligned, L8 |
fades in "Killing Floor" |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/12/69 |
Whisky a Go Go
Los Angeles, Ca |
1 |
|
|
|
|
|
08/23/69 |
Paradiso
Amsterdam, Netherlands |
1 |
|
|
|
pretty bad sound quality, for collectors only. |
|
09/20/70 |
Paris Theatre
London, England |
1 |
|
|
|
With the great Peter Frampton!
Missing "I'm Ready" |
|
12/03/71 |
Academy Of Music
New York, NY |
1 |
|
|
UPGRADE EDITION |
Speed corrected. The exact lineage of this show is unknown but it must
have been from a low gen audience cassette tape. |
|
03/16/72 |
Orpheum Theater
Boston, MA |
1 |
|
|
2nd Gen Analog Cassette>CDR>EAC>WAV>TLH>FLAC>DIME |
Incomplete Audience recording. |
|
04/21/72 |
Winterland
San Francisco, CA |
1 |
|
|
|
|
|
09/12/72 |
Arie Crown Theatre
Chicago, IL |
1 |
|
|
|
|
|
09/17/72 |
Music Hall
Boston, MA |
2 |
|
|
AUDIENCE ANALOG MASTER>CDR>EAC>FLAC |
|
|
05/06/73 |
Winterland Arena
San Francisco, CA |
1 |
|
|
|
|
|
06/23/73 |
The Country Club
Reseda, CA |
2 |
|
|
Liberated Bootleg "Route 66" |
|
|
09/27/74 |
Rhein-Neckar-Halle
Eppelheim, West Germany |
1 |
|
|
REEL 2 REEL Master>1ST GEN REEL>DAT>CDR |
In less then a year Humble Pie would be no more.
They disbanded in the spring of 1975.
But back on this night in September of 74 they are still on fire.
Gone are the female backing singers "The Blackberries", and even thou they have a recent release,
THUNDERBOX. They only play one song from it.
They'ed rather still play half of SMOKIN' released 2 years earlier.
And what great versions we get again of "Sweet Peace And Time" & "The Fixer" among others. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/14/00 |
Parque Agua Azul
Guadalajara, Mexico |
2 |
|
|
"Guadaljara 2000" bootleg |
|
|
03/03/01 |
Estadio Azteca
Mexico City, Mexico |
1 ISO |
|
|
Not the best quality - appears to have a few glitches. |
|
|
04/16/01 |
Estudio "A" en Orbita 105.7 FM
Morelia, MI |
2 |
A+ |
A++ |
Radio transmission |
Rock en Espa?ol at its acoustic finest. SBD recording. |
|
08/17/01 |
Auditorio Nacional
Mexico City, Mexico |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/24/68 |
Fillmore West
San Francisco, CA |
1 |
|
|
|
SBD recording. Great show |
|
10/22/68 |
Boston Tea Party
Boston, MA |
1 |
|
|
1st Gen Audience Tape>cd-r>Bias Peak Pro 5>flac |
This is the first of another three-night stand at the Tea Party by the band. All three nights are first gen tapes. Quality is nice (VG++), similar to the 1969 Tea Party shows, but even a tad better. There is some distortion from Wood's bass and Stewart's vocal mix low. |
|
10/23/68 |
Boston Tea Party
Boston, MA |
1 |
|
|
|
from "Boston Two Days" boot |
|
10/24/68 |
Boston Tea Party
Boston, MA |
1 |
|
|
|
"Boston Two Days" |
|
08/22/71 |
Ruisrock Festival
Turku, Finland |
1 |
|
|
soundboard |
|
|
06/29/72 |
Paris Theatre
London, England |
1 |
|
|
|
|
|
06/29/72 |
Paris Theatre
London, England |
1 |
|
|
"Raw Orc" Scarecrow-104 |
soundboard |
|
08/13/72 |
Hollywood Palladium
Hollywood, CA |
1 |
|
|
"He Was Playing On The Floor!" - The Jeff Beck Group |
Lineage: MR reel to reel ->Sound Forge 6.0 ->FLAC via FLac Frontend, level 6, sectors aligned and verified |
|
??/??/72 |
Beat Club TV Studio
Bremen, Germany |
1 DVD |
|
|
Pro-Shot (japan TV) |
Audio: LPCM 1536Kbps...
Video: 7,35 Mbps...
Lineage: CS-TV > DVD MovieWriter > DVD-R > PC....
TT: 35:45 |
|
05/03/75 |
Music Hall
Boston, MA |
1 |
|
|
master tape transfer by C. Morstadt |
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing. |
|
06/02/99 |
Tokyo International Forum
Tokyo, Japan |
2 VCD |
|
|
|
|
|
09/12/02 |
Royal Festival Hall
London, England |
2 |
|
|
|
|
|
06/26/05 |
Meltdown Festival - Royal Festival Hall
London, UK |
1 |
|
|
Jeff Beck Plays Jimi Hendrix |
Unknown source.
01. Hey Joe
02. Wind Cries Mary
03. Red House
04. All Along The Watchtower
05. Manic Depression |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/12/69 |
Laurel race Course / Pop At Laurel Festival
Laurel, MD |
1 |
|
|
Second Gen tape>dat>cd-r>flac |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/25/69 |
Winterland Ballroom
San Francisco, CA |
2 |
|
|
|
|
|
09/14/70 |
Fillmore West
San Francisco, CA |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
Blues Outtakes
Studio, Compilation |
2 |
|
|
"Raw Blues" |
Outtakes 1968-70 [Tracks prepared and / or considered for the CD “Blues” - quality is OK, but obviously the official releases are better. |
|
10/18/66 |
l'Olympia
Paris, France |
1 |
|
|
rebroadcast on French radio, 1992-10-28 |
Soundboard - amazing quality |
|
03/16/67 |
Speakeasy - 48 Margaret Street
London, England |
1 |
|
|
CONVERSATION BETWEEN JIMI HENDRIX & ERIC CLAPTON |
RUNNING TIME: 39'47.
QUALITY: FAIR/GOOD.
LINEAGE: MASTER > LOW G. TAPES > CDR > EAC > WAV > FLAC (via dBpower AMP, low compression) |
|
03/18/67 |
Studio 1 - NDR Funkhaus
Hamburg, West Germany |
1 |
|
|
Radio Broadcast -> ? -> CD -> EAC -> SHN |
|
|
04/01/67 |
Gaumont St. Helen Street
Ipswich, Suffolk, UK |
1 DVD |
|
|
|
8:37 minutes -
B&W -
NTSC -
Filmed for the French tv show "Bouton Rouge".
First broadcast: 21 May 1967, "Bouton Rouge" (Piece 6547), France...
Setlist:
1. Purple Haze (complete)
2. Wild Thing (complete) |
|
06/18/67 |
Monterey International Pop Festival
Monterey, CA |
1 |
|
|
Official Release |
|
|
08/27/67 |
Saville Theatre
London, England |
1 |
|
|
|
|
|
09/04/67 |
Stora Scenen - Grona Lund, Tivoli Garden
Stockholm, Sweden |
2 |
|
|
|
First and Second shows. |
|
09/05/67 |
"Tonarskvall" - Radiohuset Studio 4
Stockholm, Sweden |
1 |
|
|
|
|
|
10/09/67 |
L'Olympia
Paris, France |
1 |
|
|
|
Great show, great sound. Can't wait for Experience Hendrix to release the full show. |
|
11/10/67 |
Vitus Studios
Bussum, Holland |
1 |
|
|
|
|
|
11/25/67 |
Opera House
Blackpool Lancashire, England |
1 |
|
C- |
|
|
|
01/07/68 |
Tivolis Konsertsal
Copenhagen, Denmark |
1 |
|
|
|
|
|
01/29/68 |
L'Olympia (late show)
Paris, France |
1 |
|
|
|
Amazing blues show. "Catfish Blues" features some of the most amazing blues playing I've ever heard. Needless to say, "Red House" is also a gem. |
|
02/04/68 |
Fillmore Auditorium
San Francisco, CA |
1 |
|
|
Dagger Records official release (Amazon.com Exclusive) |
This bonus disc (sold as an amazon exclusive together with the Winterland deluxe
box set) features an amateur stereo recording made of Jimi's sold out
February 4, 1968 Winterland performance.
This official bootleg recording showcases Jimi's love for the blues and includes
versions of Howlin' Wolf's "Killing Floor," the Muddy Waters influenced "Catfish Blues"
as well a majestic rendition of "Red House". The recording also features an impromptu,
extended rendition of Traffic's "Dear Mr. Fantasy" with Buddy Miles sitting in for Mitch Mitchell.
"Dear Mr. Fantasy" is presented here in two separate parts. When the recording was
originally made, the first side of the tape ended abruptly and came off the spool.
The tape operator then hurriedly flipped the reel over, rethreaded the tape and
snapped on the record button.
Fortunately, this rough hewn, soundboard recording survived and provides another
compelling chapter in Jimi's rich legacy.
This was available for a limited time only. |
|
02/16/68 |
State Fair Music Hall
Dallas, TX |
1 |
|
|
Master > cassette x2> CDR >Soundstudio > Shorten > SHN |
Stereo audience recording |
|
02/28/68 |
The Scene
Milwaukee, WI |
2 |
|
|
|
both sets |
|
03/07/68 |
The Scene
New York, NY |
1 |
|
|
|
with Jim Morrison |
|
03/17/68 |
Sound Center
Unknown City, Unknown |
1 |
|
|
|
|
|
03/19/68 |
Capitol Theatre (late show)
Ottawa, ON |
1 |
|
|
|
|
|
04/15/68 |
Generation Club
New York, NY |
1 |
|
|
"The Kings' Jam" boot |
My boot says its 4-9-68. Who knows? |
|
05/16/68 |
Gulf Stream Race Track
Miami, FL |
1 |
|
|
|
SBD |
|
05/18/68 |
Gulfstream Park
Hallandale, FL |
1 |
|
|
Master > DAT > CDR > Soundstudio > Shorten > SHN |
partial SBD |
|
08/11/68 |
Col Ballroom
Davenport, IA |
1 |
|
|
|
|
|
08/23/68 |
Singer Bowl
Queens, NY |
1 |
|
|
|
|
|
08/23/68 |
Singer Bowl
Queens, NY |
1 VCD |
|
|
|
-video: silent 16mm with dubbed in sound, in colour -playing time: 23.15min -Songs-Are You Experienced? >Hey Joe >Wild Thing >Fire |
|
10/10/68 |
Winterland Ballroom
San Francisco, CA |
2 |
|
|
|
|
|
10/11/68 |
Winterland Arena
San Francisco, CA |
1 |
|
|
|
|
|
10/11/68 |
Winterland Arena
San Francisco, CA |
1 |
|
|
|
|
|
10/12/68 |
Winterland Arena (Early and Late Show)
San Francisco, CA |
2 |
|
|
|
|
|
11/16/68 |
Boston Garden
Boston, MA |
1 |
|
|
|
|
|
11/30/68 |
Cobo Arena
Detroit, MI |
1 |
|
|
|
|
|
01/09/69 |
Konserthuset (Early & Late Shows)
Stockholm, Sweden |
2 |
|
|
|
|
|
01/09/69 |
Konserthuset
Stockholm, Sweden |
1 VCD |
|
|
|
Jimi looks like he's really strung out on something, so the show lacks a little fire and inspiration. However, the audio and video quality are great. |
|
01/10/69 |
Falkoner Centret
Copenhagen, Denmark |
1 |
|
|
|
"Welcome to the Electric Circus" Sound quality is OK, vocals low - Guitar takes center stage. The jamming in this show is extraordinary, recalling to my mind King Crimson's style, especially in "Tax Free". |
|
01/13/69 |
Sporthalle
Cologne, Germany |
1 |
|
|
"Live at the Köln" (Scorpio JH-011369) |
Excellent audience |
|
01/13/69 |
Sporthalle
Cologne, Germany |
1 |
|
|
|
This is the second source for this show.
It turned up within the past couple of years and up until
fairly recently had only limited circulation amongst a few collectors.
It is taken directly from the master.
There has been another source for this show circulating
in poorer quality for a number of years now and you will
often find it wrongly listed as being from the Jan 19th show
at the Liederhalle, Stuttgart. That source lasts only 28 minutes
and is missing Voodoo Chile. |
|
01/22/69 |
Konzerthaus
Vienna, Austria |
2 |
|
|
|
|
|
02/24/69 |
Royal Albert Hall
London, England |
2 VCD |
|
|
|
Extremely hard to find, video dissapointing because of all the 'psychedelic' editing |
|
02/24/69 |
Royal Albert Hall
London, England |
2 |
|
|
"The Last Experience" |
|
|
03/25/69 |
The Record Plant
New York, NY |
1 |
|
|
|
|
|
04/26/69 |
The Forum
Inglewood, CA |
1 |
|
|
|
One of my personal favorite shows. To start off, a really good soundboard recording; add to that my favorite rendition of "Tax Free" and "Purple Haze"(Watch out for the solos on this one!) and a superb "Voodoo Child". Long jams, and extended improvisation everywhere. |
|
04/26/69 |
The Forum
Inglewood, CA |
1 DVD |
|
|
Jamminjimi Resync |
Size: 63.1 MB -- 1 minute, 24 secs. |
|
04/27/69 |
Oakland-Alameda County Coliseum
Oakland, CA |
2 |
|
|
|
|
|
05/18/69 |
Madison Square Garden
New York, NY |
1 mpg |
|
|
Jamminjimi Resync |
5 minutes and 50 seconds worth of the performance |
|
05/24/69 |
San Diego Sports Arena
San Diego, CA |
1 |
|
|
|
|
|
05/25/69 |
Santa Clara County Fairgrounds
San Jose, CA |
1 |
|
|
|
|
|
06/20/69 |
Newport 1969 Pop Festival
Northridge, CA |
1 |
|
|
|
|
|
06/22/69 |
San Fernando Valley State College
Devonshire Downs, CA |
1 |
|
|
|
|
|
06/29/69 |
Mile High Stadium
Denver, CO |
1 |
|
|
|
|
|
08/14/69 |
Jimi's Rental House
Shokan, NY |
1 |
|
|
|
"Rehearsals for Woodstock" |
|
08/18/69 |
Woodstock Festival
Bethel, NY |
2 |
|
|
|
The COMPLETE Eddie Kramer mixes. The official releases are trimmed down. |
|
08/18/69 |
Woodstock Festival
Bethel, NY |
1 DVD |
|
|
Japanese Release |
|
|
09/09/69 |
The Dick Cavett Show
New York, NY |
1 |
|
|
|
comes as filler with "Rehearsals for Woodstock" |
|
12/22/69 |
BOG Rehearsals
New York, NY |
1 |
|
|
|
|
|
12/31/69 |
Fillmore East
New York, NY |
3 |
|
|
|
Box of Gypsys |
|
12/31/69 |
Fillmore East (Late Show)
New York, NY |
2 |
A+ |
A+ |
Vibratory's 69 Merge Final Version 2.01 |
3 source merge - Fantastic sound. This merge was compiled from the best sources available.
The Hellman tape(3rd source) was de-hissed above 13Khz untill 13:40 into Stone Free,
above 15Khz after 13:40 into Stone Free.
2nd Source was de-hissed above 12500Hz
The Soundboard source wasn't touched.
The audience sources were used complimentary to the
soundboard source.
It sounds less claustrophobic due to hall acoustics.
Last three songs were not recorded on soundboard.
These songs are audience tape only.
2nd source (The-Forget-About-It tape)right channel.
3rd source (Hellman tape) left channel.
Soundboard Stereo in the middle.
588 sector boundaries have been taken into account, so
you can safely burn the tracks without zero data gaps. |
|
??/??/69 |
Jimi Hendrix & Traffic - A Session
Unknown, Unknown |
0 |
|
|
A Session (Oh Boy 1-9027) |
1. "Jam Thing" - Jimi, Dave Palmer, Chris Wood and (maybe) Jack Casady
Electric Lady; New York City, NY 6/15/70
2. "Guitar Thing" (Lonely Avenue Part 1) - solo (maybe with Buddy Miles)
Record Plant; New York City, NY 11/14/69
3. "Session Thing" - Jimi & Traffic
Electric Lady; New York City, NY June 1970 |
|
01/01/70 |
Fillmore East
New York, NY |
3 |
|
|
|
Box of Gypsys |
|
01/28/70 |
Madison Square Garden
New York, NY |
1 |
|
|
|
|
|
04/25/70 |
The Forum
Inglewood, CA |
2 |
|
|
LA Forum '70 (ATM 048-049) |
Archives Traded Material series of the highest quality Hendrix recordings available in traders' circuits.
All recordings in the ATM series are taken from the lowest generation masters available, and they have all been digitally restored unless otherwise indicated. A good AUD recording |
|
04/26/70 |
Cal Expo
Sacramento, CA |
1 |
|
|
(ATM 048-049) |
Archives Traded Material series of the highest quality Hendrix recordings available in traders' circuits.
All recordings in the ATM series are taken from the lowest generation masters available, and they have all been digitally restored unless otherwise indicated. |
|
05/03/70 |
Civic Center
St. Paul, MN |
1 |
|
|
|
|
|
05/16/70 |
Temple University Stadium
Philadelphia, PA |
1 |
|
|
|
|
|
05/30/70 |
Berkeley Community Theater
Berkeley, CA |
3 |
|
|
"Protest Songs from Berkeley" (Rattlesnake 107/108/109) |
Disc One: first show...
Disc Two: track 1: first show, tracks 2-13: soundcheck...
Disc Three: second show |
|
05/30/70 |
Berkeley Community Theater
Berkeley, CA |
1 DVD |
|
|
Official Release |
|
|
06/27/70 |
Boston Garden
Boston, MA |
1 |
|
|
|
|
|
07/04/70 |
Middle Georgia Raceway
Byron, GA |
2 |
|
|
|
Great Audio |
|
07/04/70 |
Middle Georgia Raceway
Byron, GA |
1 VCD |
|
|
|
|
|
07/17/70 |
Downing Stadium
Randall's Island, NY |
1 |
|
|
|
|
|
07/30/70 |
Haleakala Crater, Seabury Hall
Maui, HI |
2 |
|
|
|
"Rainbow Bridge Vibratory Color / Sound Experiment" |
|
07/30/70 |
Haleakala Crater, Seabury Hall
Maui, HI |
1 VCD |
|
|
|
Video compilation from both shows: Intro, Hey Baby (New Rising Sun)-> In From The Storm, Foxy Lady, Hear My Train A Coming, Fire, Purple Haze
Set 2 Dolly Dagger-> Villa Nova Junction, Beginnings-> Straight Ahead, Hey Baby (New Rising Sun
|
|
07/30/70 |
Haleakala Crater, Seabury Hall
Maui, HI |
2 |
|
|
"The Maui Concerts" |
|
|
08/30/70 |
East Afton Farm
Isle Of Wight, UK |
2 |
|
|
|
|
|
08/30/70 |
East Afton Farm
Isle Of Wight, UK |
1 AVI |
|
|
|
"Wild Blue Angel" DVD. OFFICIAL RELEASE |
|
09/03/70 |
K. B. Hallen
Copenhagen, Denmark |
1 |
|
|
|
I have a merge of 3 know AUD sources done by Hendrix Hub faithful "Vibratory". Thanx Vib |
|
??/??/05 |
VH-1 Legends
Studio, CA |
1 AVI |
|
|
|
|
|
01/03/18 |
Acoustic Jams
Sphinx Records SX CD 001, Compilation |
2 |
|
|
|
|
|
01/17/18 |
"Black Gold" (Midnight Beat) 5CD
MB CD 058/59/60/61/62, Compilation |
5 |
|
|
|
|
|
02/18/18 |
Crash Landing- Unreleased Version
Watchtower WT2004118, Compilation |
1 |
|
|
Watch Tower (WT 2004118) |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
09/10/67 |
Stora Salen
Akademiska Foreningen Lu, Sweden |
1 |
|
|
master > DAT > CDR > xACT > FLAC |
Just about all the Swedish shows have been uncovered thanks to the hard work and dedication of one particular Swedish collector. When he found this show the owner stipulated that he would be allowed to make a DAT copy on the understanding that no copies were made. He did however make up a couple of CDR copies which he sent to about four Hendrix collectors around the world for safe keeping but with the request that they were not put into circulation. I've held onto my copy ever since he sent me it. However the situation has now changed so I am free to pass this on. It was first widely circulated last year but for those who like master recordings here is your chance. It's a short show weighing in at about 39 minutes but I do consider it to be a very clear recording. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/04/15 |
Brooklyn Bowl
Brooklyn, NY |
2 |
|
|
FLAC - SBD Matrix |
|
|
03/18/17 |
Brooklyn Bowl
Brooklyn, NY |
3 |
|
|
FLAC - SBD Matrix |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
The Making of A Love Supreme
Unknown, Unknown |
2 |
|
|
master broadcast compact discs > Audiophile 2496/HD > Soundforge 6.0 (minor edits, norm'd to peak) > flac |
Hosted by Mos Def. This recording is taken directly from the two master CDs sent to
public radio stations around the country for limited broadcast between
Nov 1, 2002 and Oct 31, 2003. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/30/95 |
House of Blues
West Hollywood, CA |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/10/92 |
Shoreline Amphitheatre
Mountain View, CA |
1 |
|
|
"Native American Indian Benefit" w Ry Cooder |
SBD [Toshiba SD-3950 DVD > Coax Out > HBB CDR 800 PRO] |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/24/65 |
BBC Studios
London, UK |
1 |
|
|
|
|
|
??/??/66 |
BBC
London, England |
1 Aud |
|
|
"Bluesbreaking" bootleg |
|
|
04/02/03 |
Werk 2
Leipzig, Germany |
2 |
|
|
|
|
|
07/19/03 |
King's Dock Arena
Liverpool, United Kingdom |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/24/01 |
The Shelter
Detroit, MI |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/03/72 |
Österåker Prison
Stockholm, Sweden |
1 |
|
|
|
Official Release |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
09/01/69 |
Texas International Pop Festival
Lewisville, TX |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/10/88 |
Lost Horizon
Syracuse, NY |
2 |
|
|
|
This is from the Master tapes. Not sure what I used to record this. Most likely a Sony cassette deck with stereo built in mics. Not bad sound but not great. Crowd is a bit loud at times. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/12/99 |
The Tabernacle
Atlanta, GA |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
Film Noir Interviews And More
Various, Various |
1 DVD |
|
|
LABEL: HERCULES |
Aprox 130 minutes |
|
??/??/39 |
Film Noir Vol.1
Various, Various |
2 DVD |
|
|
Hercules |
Aprox 230 minutes |
|
??/??/39 |
Film Noir Vol. 2
Various, Various |
2 DVD |
|
|
Hercules |
Aprox 210 minutes |
|
??/??/39 |
VH1 Legends
New York, NY |
1 DVD |
|
|
Chaptered |
|
|
??/??/39 |
Studio
Various, Unknown |
12 |
|
|
Studio Sessions Ultimate (Scorpio) |
Lineage: Original silver CD boxset>EAC test & copy using external compression software>convert to FLAC 8 |
|
??/??/39 |
Various
Various, Various |
1 DVD-DL |
|
|
Assemblage II 1969-1980 (Cosmic Energy) |
Loads of new video/audo synchs! Thanks Smagin. |
|
??/??/39 |
Early Visions
Various, Various |
2 DVD |
|
|
Celebration label |
Must have for fans. |
|
??/??/39 |
The Mighty Arms of Atlas
Compilation, Compilation |
2 |
|
|
FM (BBC Radio 1 FM Broadcast) |
|
|
??/??/39 |
Mr. Rock 'N Roll Documentary
Unknown, Unknown |
1 DVD |
|
|
(Pre-Broadcast version) Frontier Post Digital Post Production (1999) |
Original transmission date September 26th 1999, Channel 4 television (UK).
This was a four part series looking at the lives and careers of the most powerful, most outrageous and most astute managers in the history of Rock and Roll. The series featured the stories of Colonel Tom Parker, Don Arden, Peter Grant and Tom Watkins. |
|
??/??/39 |
Dazed And Confused BioChannel Documentary
Unknown, Unknown |
1 DVD |
|
|
Bio.Channel>Philips stand alone DVD rec.>Menu,chapters & burned using Magix video edit pro. |
A Documentary in 10 chapters.(advertisment breaks edited out).
Run-time :- 00:46:35.
Features some live footage and the ramblings of Robert Plant,Jimmy Page,John Paul Jones,Peter Grant,Richard Cole,Ozzy Osbourne,Ahmet Ertegun and various other Zeppelin experts.
ps. There is an end credit for "Instrumental and Incidental music by Steve McNerney"(Black Dog?).Also I have made this video 16:9 ratio,the original was 4:3 letterbox with the bio channel logo in the top void (now cut). |
|
??/??/39 |
MTV Rockumentary
Documentary, Unknown |
1 DVD |
|
|
|
|
|
??/??/73 |
Latter Visions
Various, Various |
2 DVD |
|
|
|
This 2 DVD compliation from Celebration is a very handy gathering of rare footage, which has not been covered by the official DVD. Therefore it is a very valuable collection of the later part of Led Zeppelin. (Jules McTrainspotter Dec 03 - Underground Uprising)
With this DVD set you can throw out a lot of the mpegs currently circulating [and that awful 1980 footage] !!! |
|
12/30/68 |
Gonzaga University
Spokane, WA |
1 |
|
|
|
|
|
12/30/68 |
Gonzaga University
Spokane, WA |
1 DVD-A |
|
|
Lifetime Guarantee Revisited 2008 (Empress Valley) |
Note: 192KHZ/24Bit DVD-Audio |
|
01/05/69 |
Whisky A Go Go
Los Angeles, CA |
1 |
|
A |
"Live At Whisky A Go-Go!!!" (Empress Valley) |
|
|
01/05/69 |
Whisky A Go Go
Los Angeles, CA |
1 |
|
|
"Whisky And Tea", [Part 1 of 2] (A Group/Personal Project) |
What we've done to make this project:
- We've reduced the volume of the raw recording a bit, the raw tape was originally running too hot, so we've brought the volume down to a more reasonable level.
- We've tried to balance the instruments as best we could, originally the guitar, and drums were a little more up front in the mix than the bass and vocals were, so we've tried to balance the sound as best we could.
- We've tried to reduce as much tape hiss as possible. |
|
01/10/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
Presence |
Master > Cassette > Cassette (2nd generation) |
|
01/11/69 |
Fillmore West
San Francisco, CA |
1 |
A |
A- |
Presence |
From Master reel. |
|
01/12/69 |
Fillmore West
San Francisco, CA |
1 |
A |
B- |
Presence |
Master > Cassette > Cassette |
|
01/23/69 |
Boston Tea Party
Boston, MA |
1 |
|
|
|
|
|
01/23/69 |
Boston Tea Party
Boston, MA |
1 |
|
|
"Whisky And Tea", [Part 2 Of 2] (A Group/Personal Project) |
This is a decent sounding recording, taped from a slight distant from the stage, a little muddy in some places, but does have some moments of clarity, and is quite enjoyable.
The tape is a little more heavy on treble than it is on low end, the bass and drum fills are a little low in the mix.
The goal of this project was to try and bring out some more low end in the recording, and create more balance to the instruments.
What we've done to make this project:
- We've reduced the volume of the raw recording a bit, the raw tape was originally running a little hot, so we've brought the volume down to a more reasonable level.
- We've tried to balance the instruments as best we could, originally the guitar was the most up front in the mix than the bass and drums were, so we've tried to balance the sound as best we could.
- We've tried to reduce as much tape hiss as possible. |
|
01/26/69 |
Boston Tea Party
Boston, MA |
2 |
|
|
Master>1st gen>2nd gen>CDR2 |
|
|
01/26/69 |
Boston Tea Party
Boston, MA |
2 |
|
|
"A Sudden Attack Boston" (Shout To The Top) |
An amazing show ... this could be quite possibly one of the the best Led Zeppelin concert from 1969. The sound is vibrant and crisp and the playing is amazing. Jimmy's soloing throughout is nothing short of breathtaking and Jones' thundering bass and Bonham's amazing drums only add to it, as does Robert's crystalline and wonderful voice. An incredible show ... one of the very best! Some sources reports that another set of rock 'n' roll medleys was performed but a big care must be taken with these statements.
- Argenteum Astrum |
|
01/31/69 |
Fillmore East
New York, NY |
1 |
|
|
Drive Me Insane (Scorpio) |
|
|
02/01/69 |
Fillmore East
New York, NY |
1 |
|
|
Drive Me Insane (Scorpio) |
|
|
02/14/69 |
Thee Image Club
Miami, FL |
2 |
|
|
weedwacker |
Lineage: 1st gen Maxell XLII-S90 > cdr4 > EAC > WAV > FLAC > REM > TLH > Tested for SBE's > FLAC Level 8 |
|
02/14/69 |
Thee Image Club
Miami, FL |
2 |
|
|
1st gen Maxell XLII-S90>cdr4>EAC>WAV>FLAC>dadgad remaster |
|
|
02/14/69 |
Thee Image Club
Miami, FL |
2 |
|
|
Master->Sony TC-WE475->Sony RCD-W500C->Easy CD-DA Extractor->Flac->T fix |
This show was recorded by Matt who is a friend of Floridian. Floridian bought the master from Matt in 1990. Floridian asked me if I would edit and master the recording. He provided the recording to me as 10 FLAC files 16 bit 44.1 kHz..
The main problem with the recording was low volume in most sections. Sometimes this involved both tracks and sometimes only one at a time.
I converted to wav, used Audacity to put all the tracks back together and to correct the volume problems. I removed a few "stretch sounds" caused by the pause being used while recording the original. I used the equalizer in Roxio.
I split into individual tracks, renamed and converted to FLAC. |
|
03/15/69 |
Brondby Pop-Club
Brondby, Denmark |
1 |
|
|
Led Zeppelin is a Gas - Empress Valley |
|
|
03/16/69 |
Tivolis Koncertsal
Copenhagen, Denmark |
2 |
|
|
Presence |
Audience and Soundboard sources |
|
03/17/69 |
Unknown
Gladsaxe, Denmark |
1 |
A+ |
A+ |
DVD rip |
|
|
04/24/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
"Dancing Avocado Supreme" (AJD / JAMESKG) |
Remastered and Raw files. This is as close as you'll ever get the high speed reel master source. This originally came from Bill Graham's vault. The original PCM is the now definitive source, but was not widely circulating until now. This is the most complete tape circulated in this quality to date.
This is more complete and better quality than the original "Dancing Avocado". When I put that one out, the source I was given had been through more DAT and CDR gens.
|
|
04/25/69 |
Winterland Ballroom
San Francisco, CA |
1 |
|
|
Presence |
2nd Gen>DAT>CDR |
|
04/25/69 |
Winterland Ballroom
San Francisco, CA |
1 |
|
|
Bonus material on "Sonic Youth" (A Group/Personal Project) |
acapulcogold: another excellent performance from the group, and this recording does capture the show quite nicely, although it does pale in comparison to their performances at the Fillmore on (4-24-69), and (4-27-69).
I think there are a few reasons why this show isn't as well recieved as the concerts on the 24th and 27th.
One issue is the quality of this recording compared to those dates, this show has a decent sound and distribution of instruments, but sounds like it was taped at a slight distance, while the 24th was recorded with mics right on the stage, and the 27th has an excellent soundboard, and FM radio broadcast.
You can't get any closer to the band then taping them right on the stage, and you can't get a better experience than a soundboard tape.
Another reason why this show isn't as well recieved as the 24th and 27th is probably due to the tapes incompleteness, this recording is missing the majority of the show, and even what is here is incomplete (the taper caught the song "As Long As I Have You", but didn't capture it all).
So completeness is probably a factor as well.
This is what we've done to the tape:
- We've tried to balance the instruments as best we could.
- We've tried to bring out some of the acoustics of the venue to give the listener an experience of being in the audience.
- We've fixed some issues regarding the volume of the show, the volume of this performance was a little too low, so we've given the files a gentle volume boost to make the sound stand out a little more.
- We've reduced as much tape hiss as possible. |
|
04/26/69 |
Winterland Ballroom
San Francisco, CA |
2 |
|
|
Graham's Superb Vol. 1 |
|
|
04/27/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
Simplistic Atmosphere (Jelly Roll) |
|
|
04/27/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
The Devil's Blues (Genuine Masters GM-LZ-27.04.1969-DVD-A-10) |
Stunning version. Soundboard/audience combo |
|
04/27/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
dadgad production |
Audience lineage: low gen Analogue>CDr(x)>FLAC
Soundboard lineage: unverified Reel Master>DAT(x)>CDr(x)>FLAC |
|
04/27/69 |
Fillmore West
San Francisco, CA |
2 |
|
|
"The Jimmy Page Experience" |
Source info: this full show was constructed from two sources.
Soundboard source: Master Reel > DAT > CDR.
Audience source: 2nd gen Cassette > DAT > CDR.
The entire soundboard source was used, merging in the missing sections with the audience source. |
|
05/25/69 |
Merriweather Post Pavillion
Columbia, MD |
1 |
|
|
Maxell XL-II gen 1 Cassette > Wav > Adobe Audition (fades, normalize) > CD Wave (tracking) > TLH > flac @24bit/48kHz > Flac > wav > Adobe Audition 3.0.1 (speed correcting (+1.8%) and downsampling) > wav > Flac Frontend > |
a tape trading friend had access to the masters in the early 1990's and ran both
himself & me a gen1 cassette off the masters. not a perfect master by any means, being
littered with assorted tape pauses, microphone bumps, off balance imaging, and the bands
themselves 'coloring out of the lines' a bit at times. the tape pauses were left
intact, which leaves the occasional tape speed change @ the pause point. im far from
the person who has the ability to correct those speed changes, although they are less
than 1 second long each. for the life of me i cant find my specific notes, which included
if it was a cassette or reel 2 reel master tape. my hunch (& lack of memory) leads me
to think they were cassettes. note the tapers' "no no!!!" right @ the end of 'magic bus'
when the tape runs out. no idea why only 'whole lotta love' was recorded from the zeppelin
set. perhaps (& obviously) they just didnt bring enough tape to record both bands, &
chose to just capture a taste of the opener, which is one of the earliest known live
versions of 'whole lotta love'. on a positive note, the atmosphere is captured nicely
and there isnt too much clapping or other audience distractions during the tape.
the who's set tracked out to the best of my ability. |
|
05/28/69 |
Boston Tea Party
Boston, MA |
2 |
|
|
THE LEGENDARY BOSTON TEA PARTY TAPES VOLUME 1 EVSD 498/499 (2008) |
Very good mono audience |
|
05/29/69 |
Boston Tea Party
Boston, MA |
2 |
|
|
Masters of Excess - The Symbols |
|
|
05/30/69 |
Fillmore East
New York, NY |
1 |
|
|
Drive Me Insane (Scorpio) |
|
|
06/27/69 |
Playhouse Theatre
London, England |
1 |
A |
A+ |
"White Summer" (Swinging Pig) |
|
|
07/06/69 |
Newport Jazz Festival
Newport, RI |
1 |
|
|
Zeppelin Digital Volume 5 |
|
|
07/06/69 |
Newport Jazz Festival
Newport, RI |
1 |
|
|
"Jazz But Rock" (Tarantura) |
|
|
07/06/69 |
Newport Jazz Festival
Newport, RI |
1 |
|
|
MR->R->??R??->Sound Forge ->16 cent slowdown (enough to be really noticeable)-> Resampling and Bit Depth Conversion ->FLAC via Flac Frontend level 6, sectors aligned and verified |
The phrase "blows away any previous version" refers to any previous version of rec1. There are three known recorders of the Led Zeppelin set, and this is the best rendition of the best recording of this show. It isn't the longest recording, but it is the best, and yes, it does blow the previous version back to 1969. |
|
07/06/69 |
Newport Jazz Festival
Newport, RI |
1 DVD |
|
|
MR->R->??R??->Sound Forge ->16 cent slowdown (enough to be really noticeable)->FLAC via Flac Frontend->Lplex |
This is a DVD-r, which was created with the Sourceforge.net program Lplex. It was done as a DVD-r instead of a DVD-a as there aren't as many people who can play DVD-a (I can't). What you are getting is a regular NTSC DVD with a black screen. This has several advantages to a 24 bit/48K FLAC transfer... one of them is that you can actually hear the recording in higher resolution through your DVD player (on a home theatre system it is even better). If it's FLAC files you really want, the program will reverse the multiplexing if you tell it to. |
|
07/20/69 |
Music Hall
Cleveland, OH |
1 |
|
|
The Destoyer (Tarantura) |
|
|
07/21/69 |
Schaefer Music Festival
Central Park, NY |
1 |
|
|
Twister - TDOLZ |
|
|
07/21/69 |
Schaefer Music Festival
Central Park, NY |
1 |
|
|
Disc 1 of "Summer of Love" (Beelzebub) |
mediocre sound quality; excellent show. |
|
07/25/69 |
Midwest Rock Festival
Milwaukee, WI |
1 |
|
|
Stroll On - TDOLZ |
|
|
07/25/69 |
Midwest Rock Festival
Milwaukee, WI |
2 |
|
|
Disc 2 of "Summer of Love" (Beelzebub) |
Sound is nice and clear, powerful and punchy, with very good bass. Whilst the performance is not quite as good as the one in New York a few days previously, any concert from 1969 is pretty amazing. |
|
08/18/69 |
Rock Pile
Toronto, ON |
1 |
|
|
FBO Remaster Tree #1 |
Late Show |
|
08/18/69 |
Rock Pile
Toronto, ON |
1 |
|
|
Audience Recording Master > DAT |
2nd show, source 1. |
|
08/18/69 |
Rock Pile
Toronto, ON |
2 |
|
|
Audience Master Reel>CDR>EAC>Flac |
2nd show, 2nd source. |
|
08/31/69 |
Texas International Pop Festival
Lewisville, TX |
2 |
|
|
The Only Way to Fly - Empress Valley |
Stunning Show |
|
10/10/69 |
Olympia Theatre
Paris, France |
1 |
|
|
OFFICIAL RELEASE - Led Zeppelin I (2014 Deluxe Edition) |
|
|
10/12/69 |
The Strand Lyceum
London, England |
1 |
|
|
Triumphant UK Return - Empress Valley |
|
|
10/30/69 |
Kleinhans Music Hall
Buffalo, NY |
1 |
|
|
"Headliner" |
|
|
10/30/69 |
Kleinhans Music Hall
Buffalo, NY |
2 |
|
|
"When A Glass Was Thrown" (Tarantura) |
|
|
11/05/69 |
Soldiers' and Sailors' Memorial Hall
Kansas City, KS |
1 DVD-A |
|
|
Lineage: Shure mic>Ampex C-60 cassette Master(Karl R.)>dat(0)(Charley C.)>pc>16/48 wav>dvd(lplex) |
|
|
11/06/69 |
Winterland Ballroom
San Francisco, CA |
2 |
|
|
Steel Mill Blues (Winston) |
1-11-69 filler on disc 2.
Lineage: 1. AUD Main - Master R2R > CDRx > Remaster
Lineage: 2. AUD Patching - 1stGen > VHS > DAT > CDRx > Remaster |
|
11/06/69 |
Winterland Ballroom
San Francisco, CA |
2 |
|
|
"Sonic Youth" (A Group/Personal Project) |
Remastered Audience Recording, (A Group/Personal Project)...
Lineage:
Main Recording: "Winterland Ballroom, Master Reel > CD-R", (No Label), Master Reel > CD-R > EAC > WAV > FLAC > TLH, Decode > WAV > Remaster > Flac Frontend, Level.8, Align On SBE's > Flac (All Tracks Tested With TLH, No Errors Occured) -- This is what we've done to the tape:
- We've tried to balance the instruments as best we could.
- We've tried to bring out some of the acoustics of the venue to give the listener an experience of being in the audience.
- We've fixed some issues regarding the volume of the show, the 1st disc of material was too loud, and the 2nd disc was a little too low, so we've tried to make the volume of both discs even.
- We've reduced as much tape hiss as possible.
- We've taken out the tape cuts in the recording, and have tried to make the transitions from song to song as smooth as possible. |
|
11/06/69 |
Winterland Ballroom
San Francisco, CA |
2 |
|
|
"Winterland Party" (WENDY WECD2 23/24) |
The audience tape used
for the November 6th show is clear and very good.
It does, however, contain tape hiss. The sound,
and level of tape hiss, are very similar to the
audience tape of the April 26th show at the
Winterland Ballroom (same taper?). The same tape
source was used for Blow Up (Immigrant), Punk (Tarantura)
and its CD clone, The End of 69 (Whole Lotta Live). I
passed on acquiring Blow Up after listening to it. It
is from a higher generation tape and I doubt if it is
any more complete. The tape used for Punk was electronically
processed and the sound slightly enhanced. Normally, this
would be a good thing if handled properly. But you can
hear when the processor was turned on as the hiss suddenly
vanishes at the beginning of Communication Breakdown. The
processor also opens and closes around the music, making
quiet passages more pronounced. For better or worse, the
tape used for Room 2/3 was left alone. Punk does not have
the cut near the end of White Summer (possible edited out).
Punk lacks Plant's introduction before How Many More Times.
There is a 3% speed difference between the two releases.
I'm sure that Wendy's is the best title of this show."
I've been told that "What Is And What Should ..." is from
another tape source, for what that's worth. |
|
11/06/69 |
Winterland Ballroom
San Francisco, CA |
2 |
|
|
Audience source 2 Master Reel>CDR>Eac>Wav>FLAC [Zeppelin Digital (Returns) Vol.6] |
|
|
??/??/69 |
WBCN interview
Boston, MA |
4 |
|
|
The Complete British Broadcasting Corporation Radio Sessions (Empress Valley Supreme Discs, EVSD 410-413) |
Actual Silvers |
|
01/08/70 |
Colston Hall
Bristol, England |
2 |
|
|
Master Reel-to-Reel>2cdr(3)>wav(raw untracked reel sides)>wav(speed corrected/tracked out using cdwave)>flac |
Direct transfer from master reels, raw untracked reel sides. Each wav file was speed corrected and tracked afterwards. Wav files were speed corrected -5.9% using audacity. The recording is still poor to fair but is the best sounding version available and a major upgrade to previous circulated copies sourced from analog sources no lower than 4th gens. CDR copy used here is courtesy of Blackmikito. |
|
01/08/70 |
Colston Hall
Bristol, England |
2 |
|
|
"Bristol Bombers" (A Group/Personal Project) |
This project was a bit of a difficult tape to work with, it was hard trying to find a balance in the instruments without making one instrument or musician dominate over the others, but we do hope that everyone here enjoys what we've done to the tape.
It was also quite hard to work with because the tape suffers from periods of distortion in the channels due to Jimmy's guitar work, it's slightly peaking, it was hard trying to balance the instruments, create an ambiant sound to the recording, and try to buffer out some of the distortion in the recording, we did the best we could, and we hope that everyone here likes what we've done.
So to summerize, we've done the following things to make this project:
- We've tried to bring out things that were missing in the raw recording (low end), and have tried to balance the instruments as best we can.
- We've tried to reduce some of the distortion in the channels as best we could.
- We've tried to bring out as much of a feeling of ambiance as best we could.
- We've tried to bring out things that were buried under the raw recording (clapping, cheering, commentary) as best we could.
- We've tried to reduce as much tape hiss as possible.
- We've given the recording a gentle volume boost, I apologize if the volume is a little low in the mix, we tried to make the recording a little louder but that made it run a little hot, and caused distortion, so we figured the best thing to do was to give it a lighter touch than a heavy handed one. |
|
01/09/70 |
Royal Albert Hall
London, England |
4 |
A+ |
A+ |
"Mystical Spirit Remastered" (Royal Record Productions) |
This is the DEFINITIVE boot for this show; made by Zep lovers for Zep lovers. First two discs are DVD+AUD to make the most complete show available. Discs 3 and 4 are a straight DVD rip. Hella hard to find, and well worth the trouble. |
|
01/09/70 |
Royal Albert Hall
London, England |
1 mp4 |
|
|
A Bigger Boom (ledzepfilm project) |
**THIS PROJECT IS NOT TO RIP OFF THE WORK SSELLERS DID. THIS IS JUST AN IMPROVEMENT.**
This project is to represent (almost) all available footage from the Albert Hall by using splitscreens.
As for the songs that are not featured on the bootleg footage (Dazed, What is and What Should Never Be, Moby Dick, Heartbreaker, Organ Solo), they will be included, and some even have splitscreens! |
|
01/09/70 |
Royal Albert Hall
London, England |
2 |
|
|
A Bigger Boom (ledzepfilm project) |
This audio version of the show features all available audio from the show. Artwork and tracks will be included. It's not perfect, but it's as complete as possible.
Times will be listed on the album artwork. |
|
01/09/70 |
Royal Albert Hall
London, England |
1 |
|
|
AM BBC Broadcast
2nd Gen-DAT
-dadgad |
Phase corrected, some flaws removed, retracked, unaltered sound. |
|
01/09/70 |
Royal Albert Hall
London, England |
2 |
|
|
Winston Remaster |
SBD - All songs are from the Shirley Pre DVD multi-tracks but have been Remastered. Added inbetween chatter fillers
using Cosmic Energy Video audio, 2ndGen>DAT>CDRx, and EVSD "Jimmy's Birthday Party" to make it complete as
possible. Transitions are not perfect. Its the best I could do. |
|
01/09/70 |
Royal Albert Hall
London, England |
2 |
|
|
"Jimmy's Birthday Party" (Empress Valley Supreme Disc) |
Only discs 3/4 which are a rip from the officially released DVD. |
|
01/09/70 |
Royal Albert Hall
London, England |
1 DVD |
|
|
Albert Hall Alternate Video cuts |
Audio based on Winston Remaster's version of the show (multi-track recording filled with mono soundboard). Has all video not used in the official release, plus a two screen comparison of the official video and edits. NTSC |
|
02/23/70 |
Kulttuuritalo
Helsinki, Finland |
2 |
|
|
Reel Master > EQ > cassette > CD-R |
Audience |
|
02/28/70 |
K.B. Hallen
Copenhagen, Denmark |
2 |
|
|
"Dancing With The Snow Queen" (Babyface) |
|
|
02/28/70 |
K.B. Hallen
Copenhagen, Denmark |
2 |
|
|
Lineage: Master > DAT > CDR(x) > EAC > WAV > CD WAVE > WAV > FLAC Frontend > FLAC 8 |
Edits:
Removed 23 seconds overlap at the end of Disc 1.
Removed 5 seconds silent gap at the end of Disc 2 Track 1 (small cut remaining, no music affected) |
|
02/28/70 |
K.B. Hallen
Copenhagen, Denmark |
2 |
|
|
"The Nobs!" (Tarantura) |
|
|
03/07/70 |
Casino
Montreux, Switzerland |
3 |
A |
A- |
Intimidator (Empress Valley Supreme Disc) |
|
|
03/07/70 |
Casino
Montreux, Switzerland |
1 DVD |
|
|
Radio Broadcast > Open reel > 48 kHz DAT > Audio DVD (Presence Production) |
Mastered by Jason Peterson |
|
03/07/70 |
Casino
Montreux, Switzerland |
3 |
|
|
Intimidator Complete (EVSD) |
I added the "complete" Whole Lotta Love at the end of Disc 2 as extra track, as provided by dadgad. It clocks in at 5:29 while on Intimidator it cuts at 3:05. Replace Disc 2 track 6 with this track and you get it as complete as it's available at the moment.
Dadgad's notes:
"1970.03.07 Montreux
- Whole Lotta Love 5'29" (complete)-
Sources:
From beginning to 3'01" - "Intimidator" EVSD
From 3'01" to end - Unknown gen SBD source.
The unknown gen SBD source was kindly provided @Presence's Server on August 2004.
This source is not intact soundwise however.
The two fragments have been seamlessly spliced with Audobe Audition 1.5
FLAC file.
dadgad prod. |
|
03/07/70 |
Casino
Montreux, Switzerland |
2 |
|
|
Le Grand Casino (Tarantura 2001) |
|
|
03/09/70 |
Wiener Konzerthaus
Vienna, Austria |
2 |
|
|
Audience Source 2 Master>Dat(x)>cdr(x)>eac(secure mode/read offsets corrected)>wav>flac(level 7) |
This is the main source used for the majority of Vienna 1970. Major difference between the both is on the high end. Vienna 1970 is distorted sounding on really loud passages and can induce headaches listening to it(at least it does for me the way it was eq'd). This source is cleaner sounding on the high end and untouched eq wise. |
|
03/09/70 |
Wiener Konzerthaus
Vienna, Austria |
2 |
|
|
Audience Source 1 Reel Master > 1st Gen (dubbed 1977-79) > DAT(2) > CDR(1) >WAV > FLAC > TLH > wav > Adobe Audition 3.0.1* > wav > CD Wave > wav > Flac Frontend > flac 8 |
speedcorrection - 3.1% |
|
03/10/70 |
Festhalle
Hamburg, Germany |
2 |
|
|
"Hamburger Helper" (A Group/Personal Project) |
What we've done to make this project:
- We tried to balance the instruments in the recording as best we could. Originally the bass and cymabals were the most dominant instruments on the tape.
- We've tried to reduce some of the distortion that was on the recording as best we could.
- We've tried to bring out some of the acoustics of the venue to try and capture the experience of being there as best we could.
- We've tried to bring out things that were buried in the recording like crowd comments, and cheers.
- We've tried to reduce tape hiss as best we could. |
|
03/10/70 |
Festhalle
Hamburg, Germany |
2 |
|
|
'Lili Marleen' Tarantura2000 (4CD set) |
silvers>wav>flac |
|
03/11/70 |
Musikhalle
Hamburg, Germany |
2 |
|
|
'Lili Marleen' Tarantura2000 (4CD set) |
silvers>flac |
|
03/12/70 |
Rheinhalle
Düsseldorf, Germany |
2 |
|
|
"Dusseldorf 1970 Raw Master" (Wardour Records) |
Good+ audience recording |
|
03/12/70 |
Rheinhalle
Düsseldorf, Germany |
1 |
|
|
"Rheinhalle, 3rd Tape Source, Master Reel > DAT > CD-R" |
Acapulcogold: While this recording isn't as stellar, or as complete as the 4th tape source, this is a pretty good recording, a little heavy on the bass, but otherwise quite enjoyable.
It's sadly incomplete, missing quite a bit of the performance, but even with all the missing material, this source is the 2nd most complete tape recording of this show that's available, the most complete tape source is source 4.
I recieved this show on a DVD-R, and the audio was one whole file, so I had to run the show through Goldwave to split the show into proper tracks before posting.
I haven't done any remastering to this recording at all. |
|
03/12/70 |
Rheinhalle
Düsseldorf, Germany |
6 |
|
|
"The Baron" (A Group/Personal Project) |
Raw and Remastered versions of the 4th and 2nd tape sources.
Acapulcogold: The last show of the bands 1st European tour, this is another great performance by the group, but unlike other shows from this tour where they're a little more fierce, this concert is a little looser, and more laid back.
This show is definitely an excellent way to close out that tour, the band is good form, they do a lot of experimentation on stage, and they seem to be in good spirits.
I think this show deserves more attention and respect than what I think it gets, a boot label hasn't picked up this show up and given it a remaster treatment, or have tried to breathe new life into it since Wardour/Reel Masters released their versions in the 90's, so we wanted to try our hands at trying to breathe new life into this tape.
An interesting moment happens after the band wraps up "Moby Dick", as Plant is trying to get the audience to applaud for Bonham after he finishes, he says to the audience "36 minutes of tape, John Bonham", which makes me wonder if he's referring to bootleggers in the audience, or if he knows that there are bootleggers in the audience.
I think it might be a bootleg reference, I recall in an interview with Peter Grant on the BBC radio documentary "For One Night Illegally" that the group had run into quite a few people trying to tape in Germany, Grant stated that they caught people in the crowd taping right out in the open, with mics taped to the end of broom sticks trying to capture the best sound possible.
For those that may not know, there are 4 tape sources of this recording in circulation, 3 are incomplete fragments of the concert, and one is the complete performance.
The recording that's been used for our main tape is what I've always known to be the 4th tape source, it's the complete recording of the 4 tape sources, and it's sound quality is very good.
It sounds like it was taped from a slight distance from the stage, and has a decent balance of instruments, although the bass is heaviest in the mix.
There is also quite a bit of tape hiss on the recording, and there are moments during the show where the sound becomes muffled from the taper either hiding the equipment, or from fiddling with the equipment.
The source that we've added on as "bonus material" or a "bonus track" is what I've always known known to be the 2nd tape source, it's the most incomplete recording of the 4 (all the taper captured was "How Many More Times"), but I personally find it to be the most superior sounding recording of the 4, and if this source was complete, I think it would be considered to be the best version of the show.
The 2nd source sounds like it was taped much closer to the stage, and has a much fuller, more dynamic sound to it.
We just wanted to include it on to the project as "a little something extra" for collectors, we were thinking about the collectors who might be trying to track down some of the harder to find tape sources of this show. |
|
03/12/70 |
Rheinhalle
Düsseldorf, Germany |
4 |
|
|
|
Lineage Source 1: Reel Master>1st gen>1cdr(x)>wav>flac.
Lineage Source 2: Reel Master>dat(4)>wav(16/48)>wav(16/44)>flac.
Lineage Source 3: unknown gen>1cdr(x)>wav>flac.
Lineage Source 4: Reel Master>2cdr(x)>wav>flac.
Low gen sources for all 4 known circulating recordings. Source 4 is supposed to be a low gen version of the reel master/wardour source, the sound is identical to the Wardour release. All 4 sources have been speed corrected. |
|
03/21/70 |
P.N.E. Coliseum
Vancouver, BC |
1 |
|
|
Mudslide (TDOLZ) |
|
|
03/21/70 |
P.N.E. Coliseum
Vancouver, BC |
1 |
|
|
"Mudslide" Pre-bootleg source |
Lineage: Maxell Type II (5th gen) > Wavelab > CD-R> EAC > Flac |
|
03/21/70 |
P.N.E. Coliseum
Vancouver, BC |
1 |
|
|
"Pb" (Tarantura 2000 [Limited Millennium Edition of 300 Copies]) |
Source: Pre-broadcast Low Gen. Tape |
|
03/21/70 |
P.N.E. Coliseum
Vancouver, BC |
1 DVD-A |
|
|
"Pb" (GM-LZ-21-03-1970-DVD-A-23) |
pre-broadcast tape and TMOQ vinyl source. |
|
03/21/70 |
P.N.E. Coliseum
Vancouver, BC |
1 |
|
|
master Cass > PC > flac |
Newly surfaced audience tape of the famous Pb gig.
Only a short segment of the concert but contains previously unreleased versions of ICQYB and D&C.
Minimally processed save for removing gaps, adjusting volume fluctuations and speed corrected. This is as close to a raw tape transfer as it gets. |
|
03/21/70 |
P.N.E. Coliseum
Vancouver, BC |
1 |
|
|
Pernod's complete show |
Soundboard (FM?) / Audience mix (Rev. B)
Soundboard recording speed corrected, cleaned up, speed corrected (+ 3.4%) and retracked by Pernod
Soundboard / Audience recordings merged, phase corrected and EQ'd by ssellers.
Soundboard Recording source:
Mudslide - Flying Disc CD6-808
Lineage: Silver > EAC > Wav > Flac > Wav > Adobe Audition 1.5 > Wav > CD Wave (re-tracking) > Wav > TLH > Flac 8.
Audience Recording source:
Master Cassette, transferred by nech
Lineage: Master Cass > PC (gaps removed, volume fluctuations adjusted and speed corrected) > Flac
Additional lineage: Flac > Wav > merging, phase correction and EQ > Wav > Flac 8 |
|
03/25/70 |
Denver Coliseum
Denver, CO |
2 |
|
|
|
|
|
03/27/70 |
Great Western LA Forum
Inglewood, CA |
2 |
|
|
Everybody Feel Alright (Empress Valley) |
|
|
03/27/70 |
Great Western LA Forum
Inglewood, CA |
2 |
|
|
2nd gen Reel-to-Reel (Bill B. Tape) ->Sound Forge ->channel balancing ->track splitup ->Flac |
According to Dime member Acapulcogold, this is rec2. Missing from this recording are "Since I've Been Loving You", "Bring It On Home", and "White Summer/Black Mountainside", which were also performed that night.
What sets this show apart is the fact that the great blues medley has been stripped from "Whole Lotta Love" and is now part of "How Many More Times". Also, there's that organ playing throughout the concert. "WLL" actually includes an organ solo (imagine that one!) During "HMMT", Robert Plant stops the concert dead to lead the audience in a rendition of "I Got You In The Sights Of My Loving Gun". The version of "WLL" is the closest to the album version I've ever heard (but it's not really that close because of the organ). |
|
03/28/70 |
Dallas Memorial Auditorium
Dallas, TX |
1 |
|
|
"Texas, Two Steps" (TDOLZ) |
Distant audience recording. disc 1 of 2 |
|
03/29/70 |
Hofheinz Pavilion
Houston, TX |
1 |
|
|
Type II Cass (unknown gen) > X-Fi > WaveLab > Flac |
Not the greatest of tapes, but the How Many More Times medley is a bit unusual. Definately one just for the die-hard collectors. Revisions:
Speed corrected + 4.9%
Removed 12 Secs repeat 19:33 into the HMMT Medley
Although hissy and distant sounding, this is an upgrade to the bootleg releases out there, especially TDOLZ's Texas, Two Steps. The Original Master Series's Ultimate Mudslide does sound better than TDOLZ but it's been amplified and noise reduced to the point that it brings up background noise and that familiar, artificially sounding metallic ring.
Additionally, this tape has 2 secs more at the beginning for those who keep track of those things. |
|
04/05/70 |
Baltimore Civic Center
Baltimore, MD |
2 |
|
|
"Baltimore Blues" bootleg |
|
|
04/07/70 |
Dorton Arena
Raleigh, NC |
2 |
|
|
American Accents - Babyface |
|
|
04/08/70 |
Dorten Arena
Raleigh, NC |
2 |
|
|
1st Gen > Panasonic SW Cassette Deck, Evolution Patch Chord > Goldwave > 24 Bit, 48 KHZ WAV > Goldwave > 16 Bit, 44.1 KHz > Flac Frontend > Flac 6 > Flac > Wav > CEP (appending Wavs, speed correction + 5.25%) > Wav > C |
history of this show:
This tape came into my possession about 15 years ago, back when this show was still uncirculated.
The taper of the show contacted my friend, (how they knew one another is beyond me) and told him about the show he taped, then handed him his master.
Copies of the master were made for a select few people, my copy was one of the last ones made from the master.
The recording captures that feeling, and has an even distribution of all the instruments, the only problem the tape has is that there is some tape hiss in the left channel. |
|
04/08/70 |
Dorten Arena
Raleigh, NC |
2 |
|
|
"World Champion Drummer" (Empress Valley) |
|
|
04/08/70 |
Dorten Arena
Raleigh, NC |
2 |
|
|
"Carolina Hurricane" (A Group/Personal Project) |
After listening to the recording, we noticed that while there's a pretty decent balance of the instruments, and a lovely "sharpness" to it, some instruments aren't as present as others (bass), and there are things that are buried under the recording (i.e: cheers, commentary, etc) that are drowned out by the instruments.
Also, the tape suffered from some tape speed issues, running a little too fast.
So, our goal(s) for this project was to try and balance the instruments of this tape, without losing that beautiful "sharpness" in the mix, bring out the things buried in the tape, and correct the tape speed issues.
What we've done to make this project:
- We've tried to balance the instruments as best we can, without losing the sharpness in the tape. Originally, the raw recording had more guitar, vocals, and drum fills in the mix than bass, which probably made the recording so sharp, but it needed a little smoothing/rounding out. So we've done our best to try and balance all the instruments out for a more evenly distributed, yet still sharp, mix.
- We've done some tape speed correction on the raw recording, originally the tape was running a little fast, and so we slowed the tape down about 5%, and now it's running at it's correct tape speed.
- We've tried to bring out things that were buried under the instruments and hiss (i.e: crowd cheers, clapping, commentary, etc). After we finished the remastering we could actually hear things we didn't pick up on before, (i.e: the echo effects used by Plant at the end of "Heartbreaker", and the extra little ad-libs at the end of "Thank You").
- We've tried to reduce as much tape hiss as possible. The raw recording had quite a bit of tape hiss in both channels, we've pushed the tape as far as we can without dulling the sound quality.
- We've tried to create a feeling of ambiance for the listener as best we can. |
|
04/09/70 |
Curtis Hixon Hall
Tampa, FL |
2 |
|
|
"Who's Birthday" (Tarantura) |
|
|
04/17/70 |
Mid-South Coliseum
Memphis, TN |
2 |
|
|
2nd gen tape > CDR |
Good audience recording |
|
04/18/70 |
Arizona Coliseum
Phoenix, AZ |
2 |
|
|
"Desert Storm" by Empress Valley |
|
|
06/28/70 |
Bath Festival
Shepton Mallet, England |
2 |
|
|
(Sean the Bootlegger) Type II Cass (unknown gen) > wav > flac > wav (revisions, see right) > flac |
Revisions:
- Speed corrected + 3.2% (last 3 tracks an additional 2.5%) with Adobe Audition 3.0.1
- Phase corrected How Many More Times Medley with Adobe Audition 3.0.1
- Removed repeat of 2 minutes and 10 secs 6:58 into Thank You and a small one (1 sec) at the cut at the end edited out with Adobe Audition
- Retracked with CD Wave
+ two tracks from "Taken From The Legendary Analogue Label On KRISHNA Label"
05. Heartbreaker
06. That's The Way |
|
06/28/70 |
Bath Festival
Shepton Mallet, England |
2 |
|
|
dadgad remaster of Coops2009's 2nd gen source |
2st Gen analog tape>FLAC>A.A. 3.0 remaster and speed/pitch correction.
Average speed and pitch correction (-4.5%) settled with Transcribe! 7.05.0 |
|
06/28/70 |
Bath Festival
Shepton Mallet, England |
2 |
|
|
"Bath Festival" (dadgad Remaster) |
|
|
06/28/70 |
Bath Festival
Shepton Mallet, England |
2 |
|
|
2nd Gen > flac |
New, more complete source. Way better sound, though it runs a little fast. |
|
06/28/70 |
Bath Festival
Shepton Mallet, England |
2 |
|
|
2 Source Mix |
Upgraded copy of the commonly circulating source 1 recording upped at dimeadozen (June 2010) by the taper Coops2009. This is the best sounding copy of this recording currently available in it's raw state. I've made a few improvements to the original posting. The missing intro to the Organ Solo was patched in from an alt source recording, speed correction was applied using a gliding stretch to best match the gradual change in speed. Also silent gaps were deleted and the overall volume level of the recording was bumped up a few db's. No eq, noise or hiss reduction was applied to the recording. This should be the most complete presentation available of this show from audience sources. |
|
06/28/70 |
Bath Festival
Shepton Mallet, England |
1 |
|
|
Krishna Lp>cassette>SonyTCWE435>PioneerPDR-4>CDR>EAC>WAV>Trader'sLittleHelper>FLAC |
2 songs only: Heartbreaker and That's The Way |
|
07/12/70 |
Deutschlandhalle
Berlin, Germany |
2 |
|
|
Checkpoint Charlie - Immigrant Records |
|
|
07/19/70 |
Deutschlandhalle
Berlin, Germany |
2 |
|
|
"Achtung Baby" (A Group/Personal Project) |
Remastered Audience Recording, Lineage: "Intimate..Almost Mysterious!", (Equinox), Trader CD-R > EAC > WAV > Remaster > Flac, Level.8, Align On Sector Boundaries > Flac (All Tracks Tested With TLH, No Errors Occured) |
|
08/21/70 |
Assembly Center
Tulsa, OK |
2 |
|
|
Sharky Goes West |
|
|
08/21/70 |
Assembly Center
Tulsa, OK |
4 |
|
|
"Where The Wind Come's Sweepin' Down The Plain" (A Group/Personal Project) |
Raw & Remastered Versions.
What we've done to make the remaster:
- We've brought the volume down slightly, the raw recording was running a little too hot, creating some slight distortion/peaking, so we've tried to reduce that in the remaster.
- We've tried to balance the instruments as best we could. Originally, the vocals and guitar were coming in a little stronger than the other instruments, we've tried to create more of a balanced sound to the recording.
- We've tried to bring out things that were buried in the raw recording, (comments, clapping, cheering).
- We've tried to bring out more of the ambiance of the recording, to try and give listeners a sense of the venue, and what the taper experienced.
- We've tried to reduce as much tape hiss as possible. |
|
08/21/70 |
Assembly Center
Tulsa, OK |
2 |
|
|
Reel to Reel (> Cass) > DAT(4) > wav(16/48) > DVD(lplex) >VD Audio Extractor > wav@16/48 > Adobe Audition 3.0.1 > wav@16/44.1 > Flac 8 |
Mono AUD. Notes by the original uploader weedwacker:
16 bit 48000kHz dvd audio. Recording speed corrected.
Additional comments by the taper, posted at TapeCity in 2009:
"it was recorded on a realistic 5 inch reel to reel using cheap radio shack mics, the copies that have circulated have come from a cassette copy I made for trading (many moons ago), the 5 inch reels no longer will play. I have seen many versions of this recording with various cd titles, gotta love it." |
|
08/21/70 |
Assembly Center
Tulsa, OK |
2 |
|
|
Audience Master>DAT>CDR.wav>Multi frontend v0.983 beta[Level 6]>Flac |
|
|
08/28/70 |
The Olympia
Detroit, MI |
1 |
|
|
unknown > master tape > cd > dime > flac > wav > cool edit pro > wav > flac |
partial show |
|
09/02/70 |
Oakland-Alameda County Coliseum
Oakland, CA |
2 |
|
|
Presence DVD-A remaster by martin66 (48 kHz -> 44.1 kHz SRC only) |
Lineage: master -> open reels -> 48 kHz DAT -> audio DVD files ->
DVD Audio Extractor (V3.5.0) -> wav -> WaveLab 6 (V6.00b) ->
wav (44.1 kHz) -> shntool (stripping file header) -> wav ->
EAC (V0.95 beta 4, fixing SBE and disc splitting by cue
sheet) -> wav -> shntool (zero padding at the beginning and
end of discs) -> wav -> EAC (track splitting by cue sheet) ->
wav -> FLAC frontend (V1.7.1 Etree edition) -> FLAC |
|
09/02/70 |
Oakland-Alameda County Coliseum
Oakland, CA |
2 |
|
|
(AUD Src 1) 3rd gen > DAT > CDRn > flac |
|
|
09/03/70 |
San Diego Sports Arena
San Diego, CA |
1 |
|
|
Screaming to the Ocean - Beelzebub |
|
|
09/04/70 |
The Forum
Inglewood, CA |
2 |
|
|
Live on Blueberry Hill (Sanctuary) |
|
|
09/04/70 |
The Forum
Inglewood, CA |
2 |
|
|
Live on Blueberry Hill (Godfather) |
|
|
09/04/70 |
The Forum
Inglewood, CA |
9 |
|
|
Live on Blueberry Hill - The Complete 1970 LA Forum Tapes (Empress Valley Supreme Disc) |
All known sources for this famous show. |
|
09/04/70 |
The Forum
Inglewood, CA |
2 |
|
|
"Individually and Collectively, Led Zeppelin" - a slumpymatrix Production |
Source 1 - Blueberry Hill [Genuine Masters]
Source 2 - Blueberry Hill [5th source]
Source 3 - Blueberry Hill [Rubber Dubber] - patches only.
An excellent matrix. |
|
09/04/70 |
The Forum
Inglewood, CA |
9 |
|
|
Live on Blueberry Hill (Tarantura) |
|
|
09/04/70 |
The Forum
Inglewood, CA |
1 DVD-A |
|
|
Live on Blueberry Hill (Genuine Masters DVD-A) |
Best version by far |
|
09/04/70 |
The Forum
Inglewood, CA |
2 |
|
|
Cobra Premium Series 001 |
|
|
09/04/70 |
The Forum
Inglewood, CA |
1 |
|
|
"Led Zeppelin Live at the Los Angeles Forum 9-4-70" LP (Rubber Dubber) |
Restored from Eddie E. Vinyl>DAT>CDr transfer. Easily the best circulating source of the various "Blueberry Hill" that we have so far. |
|
09/06/70 |
International Center
Honolulu, HI |
1 |
|
|
Holiday in Waikiki (The Gold Standard) |
|
|
09/06/70 |
International Center
Honolulu, HI |
1 |
|
|
Screaming to the Ocean - Beelzebub |
|
|
09/06/70 |
International Center
Honolulu, HI |
2 CD-R + MPG |
|
|
"Book 'Em, Danno!" |
Remastered Audience Recording + Concert Video Footage, (A Group/Personal Project) |
|
09/09/70 |
Boston Garden
Boston, MA |
2 |
|
|
Come Back to Boston - Holy |
|
|
09/09/70 |
Boston Garden
Boston, MA |
2 |
|
|
"Absolute Hysteria" (Beelzebub) |
An excellent release from the cdr label Beelzebub. It's a tough , kick ass concert .... a bit raw at times, with a somewhat wild and edgy feel to it. There are a couple blunders here and there, Plant sings the last verse of Heartbreaker just before the key change to the guitar solo but he recovers okay and Jimmy has a rather large clam early in SIBLY but proceeds to play one of the most impassioned versions from the tour. Plant's voice is just amazing , and the band's interaction is so spontaneous and fresh sounding. The crowd were apparently a little rowdy, (good ol' Beantown) and the tension was apparent. Plant makes several comments during the show to try to cool off the crowd and security. The crowd around the taper also have a case of the "clap" which gets annoying at times....especially on What Is....and Moby D. The sound quality of this source is quite good, better to my ears than Come Back to Boston which may come from a different source(?). Beelzebub has a tendency to over EQ their releases sometimes to the point of distortion but they didn't overdo it this time. The remastered tape sounds clear and strong, very dynamic and full from top to bottom. |
|
09/19/70 |
Madison Square Garden (evening show)
New York, NY |
2 |
|
|
"Funeral For A Friend" (A Group/Personal Project) |
What we've done to make this remaster/project:
- We've brought the volume down slightly, the raw recording was running a little too hot, creating some slight distortion/peaking, so we've tried to reduce that in the remaster.
- We've tried to balance the instruments as best we could. Originally, the vocals and bass were coming in stronger than the other instruments, we've tried to create more of a balanced sound to the recording.
- We've tried to bring out things that were buried in the raw recording, (comments, clapping, cheering, etc). After we cleaned up the recording, we discovered a very funny conversation that happens during "Bring It On Home" where either the taper (or someone near the taper) asks a woman in the audience "would you mind if you could sit down", and she replies "yes I would mind", and there's a moment of heated discussion.
- We've tried to bring out more of the ambiance of the recording, to try and give listeners a sense of the venue, and what the taper experienced.
- We've tried to reduce as much tape hiss as possible. |
|
09/19/70 |
Madison Square Garden (evening show)
New York, NY |
2 |
|
|
One More For The Road: 2005 Edition (Presence/Darth Disc) |
Audience Recording --
Cassette > Open reel > SoundForge > CD > ProTools > FLAC ---
The taper writes:
Darth9neo wrote:
I taped this show on a borrowed Bell and Howell cassette recorder, and transferred it the next day to open reel tape. For its time, and the technology used, it is a very good sounding tape. I was in the first 10 rows -- that is, from about the middle of "Immigrant Song." When that song started, I was in the 83rd row.
A few technical details in the spirit of full disclosure: 1) When I made the cassette-to-reel transfer, I had the daft idea of trying to simulate the spatial effects I heard at the concert during some of Page's solos, and during the Page/Plant call and response sections. I know -- hey, I was 16, and this wasn't for general consumption. In the intervening years I had tried various times to restore the tape to mono, but those attempts always resulted in a dulling of the highs, and I was never able to find an EQ that I liked. When I transferred the open reel tape to my hard drive, circa 1999, I did what I could to mitigate the panning, or at least see to it that it wasn't as abrupt as it is on the original reel. What you're hearing, believe me, is an improvement. 2) I also made two edits for the sake of flow. The first is during the guitar solo in Heartbreaker. In 1972, some moron at a party erased a few seconds of the solo. I joined what was left. Similarly, there was a cassette side change during the drum solo in Moby Dick.
This is a fantastic show, with some killer performances, including a SIBLY that, to me, has something that no soundboard has been able to capture. Enjoy!
Presence writes:
As Darth9neo stated, earlier this year we discussed doing a new transfer of his open reel source. While that did not come to pass, we subsequently learned that the discs used for the initial release were at least two CD generations away from the shelf masters and that during these generations is when the index boundary errors and other clicks were introduced. While I managed to do a pretty good job cleaning those up for my initial "Presence version" it was difficult to do and left several repair artifacts that could just not be cleaned up. After that release Eddie Edwards pointed out that the pitch needed correction, thus "Born To Please" came about.
The shelf master discs are largely free and clear from the clicks and pops found before. There were about three sector boundary errors, but these were generated by splitting tracks in SoundForge and thus are easily restored. For this release I also used parametric equalizing to lower the 250Hz frequency, the hollow reverb of the auditorium, ever so slightly, just enough to allow the other instruments to come through. I then applied a pitch correction of +1.5%, but not to the entire source. Some sections of the tape were at the correct pitch, but most was not. I also cleaned up the source a bit by trying to remove some of the crackle. All in all, it turned out very nice and I hope everyone enjoys it as it is arguably one of the best shows Led Zeppelin ever turned out.
|
|
09/19/70 |
Madison Square Garden (afternoon show)
New York, NY |
2 |
|
|
"Have You Ever Experienced" (Tarantura) |
comes with the evening show. |
|
09/19/70 |
Madison Square Garden (evening show)
New York, NY |
2 |
|
|
Have You Ever Experienced (Tarantura 2004, The Acrobat Edition) |
|
|
03/05/71 |
Ulster Hall
Belfast, Ireland |
2 |
|
|
Master Cassette > CDRn > EAC (secure mode, offset corrected) > Flac Frontend (Level 8) |
|
|
04/01/71 |
Paris Theater
London, England |
2 |
|
|
Japanese FM rebroadcast > DAT > 2 CDRs |
|
|
04/01/71 |
Paris Theater
London, England |
2 |
|
|
Prefm Broadcast Reel*>Dat(x)>wav(16/48)>DVD> DVD Audio Extractor > wav@16/48 > Adobe Audition 3.0.1 > wav@16/44.1 |
Sourced from an edited Japanese radio broadcast, early 90s, around the time of the official release. Music is complete. Best sounding unofficial version of this show. |
|
05/03/71 |
KB Hallen
Copenhagen, Denmark |
2 |
|
|
Wonderful Copenhagen (Wendy) |
Boot says the date is 5-5-71 |
|
05/03/71 |
KB Hallen
Copenhagen, Denmark |
2 |
|
|
Audience Master>DAT>cdr>cdr(x)>eac(secure mode/read offsets corrected)>wav>flac(level 7) |
Very good/excellent audience recording. IMHO better sounding than Poles And Sticks or Previews And Novelties of which i both have. There is a cut during Dazed And Confused. Recommended for the casual fan and completist based on sound quality and rare songs played this night (Four Sticks and Gallows Pole). Original rip had index clicks fixed by the following method. Joined each track one by one editing the clicks out in soundforge. Shntool used to edit sbes created during the joining and editing process. Cdwave used to resplit the tracks afterward. |
|
07/05/71 |
Vigorelli Stadium
Milan, Italy |
1 |
|
|
Cassette Recorder Philips K7 > Cassette > Eurorack MX 802A Professional Equalizer > Philips Standalone Burner CDR560 > CDR > EAC > wav > flac > TLH > wav > Adobe Audition 3.0.1 (appending wavs, speed correction -3.3%) > w |
here is a treat, for you all zep lovers: the infamous vigorelli concert, taped by myself in the evening of july 5 1971,
in a stormy, crowded velodrome, in a previously uncirculated version (i have never traded this).
there are many sources, in the net, where you will find that Zep had played a more complete set, that evening,
including immigrant song and heartbreaker.
that is not true: i was there, and the only songs played were the songs that remain on tape.
reason is, probably the band wanted to shorten the setlist, as the riots outside the velodrome had begun in the
early afternoon.
last song ends abruptly, cause at one moment a smoke bomb hit near the stage, and the band stopped playing and went away.
in all, an historic document, more than musical, but it has its moments, especially during "dazed and confused" |
|
08/07/71 |
Casino Royale
Montreux, Switzerland |
2 |
|
|
"The Robert Plant Experience" (Eddie Edwards production) |
From Eddie: "The work I did on the recording was to balance the channels, speed-correct the portion from GTC to WLL and remove any obvious unwanted clicks, pops and other noises. I did not apply any EQ, noise reduction or anything like that."
Immigrant Song drop-out patched by jameskg.
This is the best quality, most complete version of this show available to date.
This is one of Robert Plant's best performances.
TMP notes that this may be the first recording of Celebration Day played live, maybe even the first time played live.
Black Dog is exceptionally good on this night (both Jimmy & Robert are on fire)
Robert doesn't quite yet know the order of the verses in Stairway.
Points of this release that are of note:
1) Much less hiss. Better transfer.
2) SIBLY is complete, for the first time.
3) Speed corrected & balanced out by Eddie Edwards |
|
08/07/71 |
Casino Royale
Montreux, Switzerland |
2 |
|
|
"Going To Montreux" [Gardener Remaster] |
The original source of this recording was the "Robert Plant Experience". Many Thanks to all those who had already made a tremendous work creating this one.
This is most certainly one of Robert Plant's best night ever. The original lacked a little presence and definition, and Robert's voice was often drowned under the rest when it deserved to be loud and clear. In this version you can hear him in all his glory, hope you'll like it.
|
|
08/07/71 |
Casino Royale
Montreux, Switzerland |
2 |
|
|
AGFA Fe Master cassette>Nakamichi 682 ZX Cassette Tape deck(normal eq/no noise reduction)>Sony CDR-W66 Standalone CD Burner w/"super bitmapping on">CDR>Plexwriter Premium II CD-Transport>WAW>DVDR>WAV>TLH>FLAC |
This recording is from the actual "tapers" MASTER and there is no DAT source in the lineage. Thanks to Judge Free and William Tell. |
|
08/07/71 |
Casino Royale
Montreux, Switzerland |
2 |
|
|
"William Tell's Overture" (A Group/Personal Project) |
What we've done to make this project:
- We've tried to balance the instruments as best as possible, originally the vocals and guitar were the most dominant in the mix, we've tried to add more things that were missing from the raw tape source (low end from bass and drum fills).
- We've reduced as much tape hiss as possible.
- we've increased the volume of the entire recording, the raw tape sources volume was originally a little low, so we've brought up to make the sound a little fuller and more well rounded. We hope it isn't too loud for everyone.
- We've removed all silent portions and drop outs from the raw recording with the exception of the one during "Immigrant Song" because traces of the song are actually still there.
|
|
08/21/71 |
The Forum
Inglewood, CA |
2 |
|
|
Lineage: MR Reel To Reel ->Reel(BillB)->Sound Forge->Light EQ and channel balancing->Flac via Flac Frontend, level 6, sectors aligned and verified |
A Doinker Tape - Audience Source 1 --- Flac decoded to wav, appended and speed corrected (+ 3.3%) with Adobe Audition 3.0.1, tracked with CD Wave by pernod. |
|
08/21/71 |
The Forum
Inglewood, CA |
2 |
|
|
"Firecrackers Explosions" (Empress Valley EVSD 305/306) |
|
|
08/21/71 |
The Forum
Inglewood, CA |
2 |
|
|
"Wild Weekend" (TDOLZ Vol. 038) |
|
|
08/21/71 |
The Forum
Inglewood, CA |
2 |
|
|
Meltin' the Forum |
Source: Audience.
Lineage:AUD > Norelco Portable Cassette Recorder w/ adjustable recording levels > MCass > PC Soundcard > CD-R > EAC (read offset correction, secure mode, test & copy) > WAV >mkwACT (SHN) > WAV > SoundForge 6(tracking and 3 instances of clipping smoothed out) > SHNTool(SBE's corrected) > mkwACT(SHN) > WAV > FLAC (Level 8) |
|
08/22/71 |
The Forum
Inglewood, CA |
2 |
|
|
"Walk Don't Run" (Tarantura 2008) |
|
|
08/22/71 |
The Forum
Inglewood, CA |
2 |
|
|
Lineage: reel-to-reel master>reel-to-reel>Sound Forge (light EQ and channel balancing)>FLAC, level 6, sectors aligned and verified |
Sound: AUD 7/10 |
|
08/22/71 |
The Forum
Inglewood, CA |
2 |
|
|
2nd gen > CDR > EAC > Flac > Wav Speed corrected +3.5% with CEP, re-tracked with CD Wave by KRW CO & Sean the bootlegger |
Patch: unknown gen Cass > Flac > Wav
Speed corrected +4% with CEP.
The 2nd gen had a cut between Celebration Day and That's The Way which Sean's unknown gen (same audience source but different transfer) didn't have. I've patched the missing fragment in between the two songs as separate track. Both sources were running fast and have been speed corrected. Apart from this the original sources have been left unaltered. |
|
08/23/71 |
Tarrant County Convention Center
Fort Worth, TX |
1 |
|
|
Sony ECM-99>Sony TC-110A>Cass. master> CD-R > EAC > WAV > Flac (Level.8,Align On SBE's) > Flac |
Audience fragment superior to the TDOLZ boot. |
|
08/23/71 |
Tarrant County Convention Center
Fort Worth, TX |
2 |
|
|
Hot August Night (TDOLZ) |
Great sound quality, though Plant's voice is a little hoarse. Still way better than anything post-1972, in my opinion. |
|
08/23/71 |
Tarrant County Convention Center
Fort Worth, TX |
1 |
|
|
Pernod's "Hot August Night," TDOLZ (speed corrected) |
|
|
08/26/71 |
Sam Houston Coliseum
Houston, TX |
1 DVD |
|
|
|
Approx. 9 minutes of 16mm original film shot on a Pathe PR-16 using prime lenses (3 on a turret) and high speed Ektachrome film:7242. This show is listed at several sites as having been on Aug 25th at Hoffeinz Pavillion (Houston) but it changed at short notice to the following night, Aug 26th, Sam Houston Coliseum. |
|
08/31/71 |
Orlando Sports Stadium
Orlando, FL |
2 |
|
|
Florida Sunshine (Empress Valley) |
SBD and AUD mix. Very nice sound, good show. |
|
08/31/71 |
Orlando Sports Stadium
Orlando, FL |
1 DVDR-A |
|
|
Orlando You Really Got Me (Genuine Masters GM-LZ-31.08.71-DVD-A-13) |
|
|
09/03/71 |
Madison Square Garden
New York, NY |
3 |
|
|
How've Ya Been - TDoLZ |
|
|
09/03/71 |
Madison Square Garden
New York, NY |
2 |
|
|
ANALOG 1ST GEN TO DAT ARTIE SOURCE KRW_CO TRANSFER |
LINEAGE AUDIENCE ANALOG FIRST GENERATION TO DAT ARTIE SOURCE
TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8
NO EQ OR ANY OTHER TAMPERING |
|
09/03/71 |
Madison Square Garden
New York, NY |
3 |
|
|
"Listen To This Artie" (A Group/Personal Project) |
Audience Recording Merge + Remaster
Lineage:
Main Recording Source: "Madison Square Garden,2nd Tape Source, Type II Cassette", (No Label), Type II cass. > X-Fi>WaveLab > Flac > TLH, Decode > WAV > Remaster > Flac Frontend, Encoding Options, Level.6, Align On Sector Boundaries > Flac
Patching Recording Source (1): "Madison Square Garden,1st Tape Source, 1st Gen > CD-R", (No Label), Master Cassettes > Cassettes (1st Gen) > CD-R's (2) > EAC > WAV > Remaster > Flac Frontend, Encoding Options, Level.8, Align On Sector Boundaries > Flac
Patching Recording Source (2) (Used for "Black Dog","Dazed And Confused", "Whole Lotta Love", and "Communication Breakdown:):
"How've Ya Been?", (TDOLZ), Trader CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache > WAV > Remaster > Flac Frontend, Encoding Options, Level.8, Align On Sector Boundaries > Flac
|
|
09/04/71 |
Maple Leaf Gardens
Toronto, ON |
2 |
|
|
"Maple Leaf" |
|
|
09/04/71 |
Maple Leaf Gardens
Toronto, ON |
1 |
|
|
"Jennings Farm Blues" |
|
|
09/04/71 |
Maple Leaf Gardens
Toronto, ON |
1 |
|
|
SBD source **Remastered** by thir13en |
|
|
09/04/71 |
Maple Leaf Gardens
Toronto, ON |
1 DVD-A |
|
|
2nd gen Audience Cassette>PC>CD Wave>Flac>?>DVD-A (Presence) |
This is a 48,000 rate sample rate as opposed to the CD sample rate of 44,100
The tape was entered into the computer via audigy sound card with an external box with phono jack inputs for the cassette deck. Sound forge 6 was used to record the wave files, but CD wave was used to split the tracks and to trim the tape. |
|
09/04/71 |
Maple Leaf Gardens
Toronto, ON |
1 |
|
|
Master Soundboard > Open Reel |
Presence |
|
09/06/71 |
Boston Garden
Boston, MA |
2 |
|
|
|
|
|
09/07/71 |
Boston Garden
Boston, MA |
2 |
|
|
Listen To Me, Boston, 2cd by Tarantura (#BOS-1,2) |
|
|
09/09/71 |
Hampton Coliseum
Hampton, VA |
2 |
|
|
High Healed Sneakers (Godfather) |
|
|
09/09/71 |
Hampton Coliseum
Hampton, VA |
2 |
|
|
"Led Zeppelin Inspired" (Antrabata) |
|
|
09/09/71 |
Hampton Coliseum
Hampton, VA |
1 DVDR-A |
|
|
Presence Production |
Soundboard Recording
Master > Open Reels > 48 kHz DAT > Audio DVD |
|
09/09/71 |
Hampton Coliseum
Hampton, VA |
2 |
|
|
Cassette Master>DAT(16 bit/48kHz)>DAT(16 bit/48kHz)>DAT(16 bit/48kHz)>WAV(16 bit/48kHz)>FLAC(16 bit/48kHz) |
Mastering Information: DAT converted to Wave optically via a Prodiff 96 digital
soundcard into Wavelab. Individual Wave tracks created in CD Wave Editor. Wave files
converted to FLAC (level 8) using FLAC Frontend. |
|
09/11/71 |
Community War Memorial Auditorium
Rochester, NY |
2 |
|
|
Giants of the Sky (Tarantura) |
|
|
09/11/71 |
Community War Memorial Auditorium
Rochester, NY |
1 |
|
|
Live at Leeds 1971 - ZA label |
|
|
09/11/71 |
Community War Memorial Auditorium
Rochester, NY |
1 |
|
|
dadgad production |
Unverified low gen.(TDK D60)>Teac W-460c Deck(azimuth pre-aligned with MFSL Geo Tape)
>Realtek High Definition Audio>Adobe Audition 2.0>WAV>FLAC |
|
09/11/71 |
Community War Memorial Auditorium
Rochester, NY |
2 |
|
|
lineage: 3rd gen>DAT>CDR>EAC>Flac |
As previously posted of this same show, there was a compilation of 3-4 recordings. These are the two sources from low generation tapes that were used.The other sources used in the compilation of that title were from bootleg CD's.
From what I understand there was also a compilation of sources of the Rochester 71 show by some guy calling himself "Fathead". I have no idea who this or what this Fathead guy is. I have no knowledge or heard what that version of the show consisted of.
What I was hoping to accomplish here was post my raw low gen sources of this show. I was hoping if someone came up with a low gen and non bootleg source of the middle part of the show, they could post it hear as well. |
|
09/13/71 |
Berkeley Community Theatre
Berkeley, CA |
2 |
|
|
Mencke MOTB Release: 0127 16/44.1 |
|
|
09/14/71 |
Berkeley Community Theater
Berkeley, CA |
2 |
|
|
Godfatherecords "Berkeley Daze - 2nd Night" |
|
|
09/14/71 |
Berkeley Community Theater
Berkeley, CA |
2 |
|
|
Pollution Alert - Beelzebub |
|
|
09/14/71 |
Berkeley Community Theater
Berkeley, CA |
1 DVD |
|
|
Going To California [Remastered vinyl rip by dadgad prod.] |
dadgad: May 2010 vinyl rip of "Going To California" 2 sets LP
from original TMOQ plates on "Mammary Presentation" label.
Thorens TD280 (Ortofon 2M Red cartridge)>Marantz PM-45>M-Audio Delta 2496>A.A. 3.0 32/96>A.A. 3.0 24/96
24/96 FLAC files
Transferred restored and remastered with Adobe Audition 3.0 at 32 Bit.
(24 bit >32 bit >24 bit conversion is lossless, when the same algorithm is used in both directions. That's usually the case within single applications.) |
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09/23/71 |
Budokan Hall
Tokyo, Japan |
3 |
|
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First Attack Of The Rising Of The Sun (Empress Valley) |
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09/23/71 |
Budokan Hall
Tokyo, Japan |
3 |
|
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"King Of The Monsters" (A Group/Personal Project) |
Fan-made combo and remaster of the best sources for every single song. Simply THE ultimate version of this show.
Lineage Of Tapes Used:
Source 1: " Rock Carnival" ( Watchtower) , Audience Recording, Trader CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache, C2 > WAV > Goldwave > Nerowaveditor > Flac Frontend, Enconding Options, Level.6, Align On sector Boundaries > Flac > Traders Little Helper, Fix SBE's
Source 2: " Front Row" ( Tarantura), Audience Recording, Trader CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache, C2 > WAV > Goldwave > Nerowaveditor > Flac Frontend, Encoding Options, Level.6, Align Sector Boundaries > Flac > Traders Little Helper, Fix SBE's
Source 3: " Tales Of Storms: The Tokyo Tapes", Audience Recording, ( Empress Valley) CD-R > EAC, Secure Mode, accurate Stream, No Disable Cache, C2 > WAV > GoldWave > Nerowaveditor > Flac Frontend, Encoding Options, Level.6, align On Sector Boundaries > Flac > Traders Little Helper, Fix SBE's
Source 4: " Budokan Hall, Uncirculated 7th Source: The Tokyo Tapes", Audience Recording, ( Empress Valley) CD-R > EAC, Secure Mode, accurate Stream, No Disable Cache, C2 > WAV > GoldWave > Nerowaveditor > Flac Frontend, Encoding Options, Level.6, align On Sector Boundaries > Flac > Traders Little Helper, Fix SBE's
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09/23/71 |
Budokan Hall
Tokyo, Japan |
1 |
|
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SOURCE 7: "Led Zeppelin's Rock Carnival" (Watch Tower) |
Best source of this show, but only has the first seven songs of the set. |
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09/23/71 |
Budokan Hall
Tokyo, Japan |
3 |
|
|
Flying Rock Carnival 1971 Complete (2011 Remaster) |
removed cracking sounds and correct phase shifting
and the loudness balance. Neither equalizing nor noise reduction was done. |
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09/24/71 |
Nippon Budokan Hall
Tokyo, Japan |
3 |
|
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Light and Shade - TDoLZ |
|
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09/24/71 |
Nippon Budokan Hall
Tokyo, Japan |
4 |
|
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"Lost in Translation" (A Group/Personal Project) |
Fan compilation and remastering of the following sources: "Live In Japan, 1971, Budokan Hall", "Timeless Rock, 2nd Edition, Tokyo, Japan, (9-24-71), Source 3 Bonus Disc", ( Watchtower), " Pretty Woman", ( TDOLZ), " Light And Shade, Disc One", (TDOLZ) |
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09/24/71 |
Nippon Budokan Hall
Tokyo, Japan |
3 |
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Live In Japan 1971 (Last Stand 49-51) |
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09/27/71 |
Municipal Gymnasium
Hiroshima, Japan |
2 |
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Zingi - Tarantura2000 |
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09/27/71 |
Municipal Gymnasium
Hiroshima, Japan |
2 |
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Complete concert mix of S1 (2010 transfer) and S2 (dadgad) |
Main Source (S1):
Unverified Low-Gen Analogue Cassettes (2x TDK D 90)>TEAC W-460C (pre-aligned azimuth)>
M-AUDIO Delta 2496>Adobe Audition 3.0>FLAC.
Alt. Source (S2)
3rd gen>CDr1.
Source 2 merged and supplied by weedwacker. |
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09/27/71 |
Municipal Gymnasium
Hiroshima, Japan |
2 |
|
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"Love & Peace in Hiroshima" (Bumble Bee) |
Very enjoyable release of a great show. Not a bad recording, just a bit overloaded at times. Bonzo's tom seems to be especially problematic for tapers on this tour ! Bumble Bee did a tasteful EQ job, not as bright as Last Stand Disc, better sounding than Zingi to my ears. Hope you enjoy it! |
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09/27/71 |
Municipal Gymnasium
Hiroshima, Japan |
2 |
|
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Source #1 Unverified Low-Gen Analogue Cassettes (2x TDK D 90)>TEAC W-460C (pre-aligned azimuth)> M-AUDIO Delta 2496>Adobe Audition 3.0>FLAC |
dadgad: Unaltered transfer straight from the D 90 cassettes with warts and all.
I just tracked it, removed gaps, repetitions and interruptions and added fades where needed.
This particular source, that I would call S1, misses Black Dog and Communication Breakdown
but has an almost complete Dazed And Confused. |
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09/28/71 |
Festival Hall
Osaka, Japan |
3 |
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Please Please Me (Tarantura) |
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09/28/71 |
Festival Hall
Osaka, Japan |
3 |
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The Bachelor Boys First Stand In Osaka (Empress Valley) |
Audience Source 1&2 |
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09/28/71 |
Festival Hall
Osaka, Japan |
3 |
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Weedwacker's 2nd gen cassette>dat(n)>wav(16/48)>wav(16/44)>flac |
2 source mix. Source 2 kicks in for C'mon Everybody until the end of the show. Recordings speed corrected and edited to remove repeats and long pauses between cuts. This low gen mix is the source of all bootleg versions of this show with the encores. |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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"929" (TDOLZ) |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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weedwacker's Unknown gen cassettes>wav(24/96)>wav(16/44.1)>flac |
There are umpteenth millions of versions of this show so here is another one to throw in to the fray. These tapes presented a real challenge to repair and transfer but the end results are worth were worth the labor. The sound quality varies throughout but with some mastering this particular tape source has a shine to it that is missing from other sources along with a proper transfer of an analog source. The tapes cut out like most every source towards the end of Rock And Roll so a different tape source of the same soundboard recording was used to complete the show. All other cuts where left as is. |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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dadgad's remaster: 2ndGen>DAT3>[Tascam DA20>SPDIF>Echo MIA] WAV (48KHz)>Flac |
Remastered from the DAT>WAV transfer at 48000Hz. This one is made out of two different transfers of (probably) the same source that makes
a total of 4 different parts with two of them supposed to have a 32Khz DAT involved.
This is the stage source aka SBD source with several stops and cuts throughout the whole recording
I managed to smooth them out the best I could. |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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"Fatally Wanderer" (Wendy) |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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"Smoke Gets in Your Eyes" (Mad Dog) |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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'Fatally Wanderer' Definitive Version (Wendy) |
Audience Recording
Silvers>EAC(offset corrected)>WAV>FLAC...
More balanced than the original release by Wendy. This doesn't have the overloaded cymbals. Plus, the band's chatter is more obvious.
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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2nd gen>dat3>cdr3>eac>wav>flac |
Nonbootleg source of the soundboard, aka stage recording. All cuts common with circulating bootleg sources. This particular source is missing Rock and Roll. |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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"Common Complaint In Osaka, Rice In Hair" (Eddie Edwards) |
Known Lineage: Unknown Gen Cdr(pinkrudy) > Unknown Gen Cdr(pernod) > Same Unknown Gen Cdr from Pernod (paul) > Eac > Wav > TLH > Flac 6 |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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Otoko Doahou 929 (Empress Valley) |
SBD + Aud Mix |
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09/29/71 |
Festival Hall
Osaka, Japan |
2 |
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"Spirited Away" (A Group/Personal Project) |
Remastered Audience Recording From Vinyl LP, (A Group/Personal Project).
Lineage: "Live In Japan 1971", (OG Records, 1st Pressing), 2 Vinyl LP > WAV > FLAC > TLH, Decode > Remaster > Flac (Level.8, Align On SBE'S) |
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09/29/71 |
Festival Hall
Osaka, Japan |
3 |
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"Arigatou Osaka" [Winston Remaster]
Sources:
Main - (Stage/SBD)
1.Various Vinyl sources from trades
2.(From Trade Labeled "Best ever") 2ndGen Tape source.
Patching (AUD)
3.(Labeled as AUD source 1)3rd gen (2 x TDK SA 90 & 60 cassette)>CDR(3)>FLAC>CDR
4.(Labeled as Source 3) Master>DAT>CDr
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Remaster Notes: Hardest show I ever worked on. Used the best possible audio for each song.
Each of the Stage/SBD sources ran at different Sound/Pitch/Speed. It was like putting a jigsaw puzzle together, a BIG THANK YOU to Blackmikito, He really helped me get it right!
Sound: This is more of a Restoration than a Remaster, So I decided to try and give each source tonal balance and clarity.
It seemed the less I did the better it sounded. If your looking for a beefed up in your face version this isn't it, I would recommend Wendy's Fatally Wanderer instead.
Also would like to thank Pernod for his help early on.
So.. Is it Perfect? NOPE. But its the best I could do. |
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11/11/71 |
Newcastle City Hall
Newcastle, England |
2 |
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Good Bad Or Indifferent (Tarantura) |
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11/13/71 |
Caird Hall
Dundee, Scotland |
2 Flac |
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Presence Server |
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11/16/71 |
St. Mathew's Bath's
Ipswich, England |
3 |
|
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Feelin' Groovy Definitive Edition (Empress Valley) |
|
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11/16/71 |
St. Mathew's Bath's
Ipswich, England |
2 |
|
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Internationally Famous (A Group/Personal Project) |
Audience source merge + Remaster...
Lineage: Main Source Recording:"Gallows Pool", (Gusto), Trader CD-R > EAC > WAV > Remaster > Flac, Level.8, Align On Sector Boundaries > Flac, (All tracks tested with TLH, No Errors Occured)///
Patching Source Recording: "Feelin' Groovy, Definitive Edition", (EVSD), Silvers > EAC > WAV > Flac > TLH, Decode > WAV > Remaster > Flac Frontend, Encoding Options, Level.8, Align On Sector Boundaries > Flac |
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11/16/71 |
St. Mathew's Bath's
Ipswich, England |
2 |
|
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Audience source mix |
Special thanks to "tt" for compiling the best sources!
"Featuring for the first time the best available sources with the rare encores "Gallow's Pole" and Eddie Cochrane's "Weekend", this new compilation finds Led Zeppelin near the peak of its concert history, marching across their homeland during the Winter of 1971, with the soon-to-be famous fourth album just hitting the record stores.
The sources used for this mix are:
master>cdr(1) S1
master>dat(x)>cdr(1) S2
master>cdr(1) S3 with the encores
master>cdr(2) S3 longer source |
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11/20/71 |
Wembley Empire Pool
London, England |
3 |
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"Empire Strikes Back" (Tarantura) |
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11/25/71 |
Leicester University
Leicester, England |
3 |
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"Mystical Majesties Request" (Electric Magic) |
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11/25/71 |
Leicester University
Leicester, England |
3 |
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"Best For Hard 'N' Heavy" (Empress Valley) |
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11/25/71 |
Leicester University
Leicester, England |
3 |
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"The Diploma" (Tarantura) |
Discs 4, 5, & 6 equalized, edited and speed-corrected version |
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11/25/71 |
Leicester University
Leicester, England |
7 |
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"Bad Muthafuckers" (A Group/Personal Project) |
What got the ball rolling on this project was that I did a trade with a collector a little while ago who stated that they had a copy of the Leicester performance who's lineage came from the master tapes, and were transferred to CD-R's.
I asked them if they meant that they were " The Diploma" raw master tapes, ( the release " The Diploma" is actually a boxset, that includes raw transfers of the master tapes to CD-R's, with no remastering or tape speed correction done to them at all, it's order is broken up in a way that matches the tapers original cassettes), and they said that they weren't from a bootleg source, which intrigued me.
So we did a trade, and as soon as I recieved the Leicester show from the " supposed masters", I started digging out my other versions of this show, and started to compare them, in track times, and sound quality to the other versions of this show I have in my collection, " Her Mystical Majesties Request" ( Electric Magic), and " The Diploma: Tape Speed corrected And Remastered Edition" ( Tarantura 2000).
Here's what I discovered:
This " supposed Master" tape was unfortunately incomplete, it was sent to me missing " Going To California", " That's The Way", and " Bron-Yr-Aur Stomp" from the first disc of audio material, so that's why I've used the material from " The Diploma", to patch up the holes in the recording.
However, although the recording is incomplete due to it's missing audio material on the first disc, the second and third disc of my " supposed master" have MORE audio material then the second and third discs of BOTH " Her Mystical Majesties Request", and " The Diploma".
As I've stated , the show came with some material from Munich ( 3-17-73), I've included in the torrent as some " bonus material".
The choice is up to you whether or not you wish to keep it, I mostly included it to make the recording " somewhat complete", meaning that since my original's came with the material from Munich, everyone else here can have what I have.
I tried to get in touch with the person I did the trade with and ask them about the material from Munich, and if they possibly knew the lineage of that material, but haven't heard anything back.
They probably added it on to compensate for sending me an incomplete tape.
In terms of the sound quality of the recording, I'm basing my opinions on how my raw masters compare to the sound quality of the other releases in my collection, not to my remaster.
I'm not including my remaster because I think that would be partisan, I'll leave the judgements on how my remaster compares to the other releases up to everyone here in the community.
Here's a breakdown of the sound quality of the three sources:
" Her Mystical Majesties Request", it's an excellent sounding recording, but the vocals and guitar dominate over the bass and drums,there's a touch too much volume, and there's no feeling of ambiance and warmth.
" The Diploma", has more distribution in the instruments, I can hear things that were buried under the guitar and vocals, the volume isn't excessively loud, and it gives the listener the feel of the venue, but it lacks the " punch" of " Her Mystical Majesties Request"
My " Master Source", has a bit of even distribution of the instruments, and I can hear some bass, but the volume is a little too powerful, and the vocals and guitar drown out the drums and bass a bit.
So the goal of this project was to create a remaster with balance in the instruments, yet still keeping it's " punch".
There's some soft hiss in the left channel throughout the recording, I've tried to buffer it out as well as I can without dulling the recording, the same goes for some digital noise during " Dazed And Confused" and " Stairway To Heaven", every attempt I've tried kind of dulls the recording, which is something I wanted to avoid.
This performance is one of my favourites of the 1971 tour, .fantastic playing all around by all the members of the group.
Jimmy and Bonham are especially lively at this performance, they seem to be playing off one another, and are being quite creative and experimental with the setlist infusing little snippets of soul music into their songs.
Plant was under the weather with the flu, he was complaining of the flu the previous night in Manchester.
Even though he was under the weather, he was still able to tear it up at this show, hitting high notes and not showing any strain in his voice.
The title is a reference to the band's ( sadly rare) instrumental Isaac Hayes " Theme From Shaft" inserted into " Dazed And Confused". |
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12/02/71 |
Starkers Royal Ballroom
Bournemouth, UK |
3 |
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Rock and Roll Magic (Electric Magic EMC -014 A/B/C) |
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02/19/72 |
Memorial Drive
Adelaide, Australia |
2 |
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Oooh My Ears Man! (TDOLZ) |
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02/19/72 |
Memorial Drive
Adelaide, Australia |
1 DVD |
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Memorial Adelaide (Genuine Masters GM-LZ 19.02.1972-DVD-A-14) DVDR-A |
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02/19/72 |
Memorial Drive
Adelaide, Australia |
2 |
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|
Master > DAT |
Audience Recording - Royal Orleans |
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02/20/72 |
Kooyong Tennis Courts
Melbourne, Australia |
2 |
|
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The Wet Head is Dead (Empress Valley) |
|
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02/20/72 |
Kooyong Tennis Courts
Melbourne, Australia |
4 |
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"Kooyong Tennis Courts, 2nd Tape Source, (3rd Gen > CD-R) + 4th Tape Source, 2 Versions (Master > CD-R)" (A Group/Personal Project) |
Lineage:
2nd Tape Source: 3rd Gen > CD-R (2) > EAC > WAV > Flac Frontend, Encoding Options, Level.8, Align On Sector Boundaries > Flac.....
4th Tape Source, (Version One):
Master > CD-R (1) > EAC > WAV > Flac Frontend, Encoding Options,Level.8, Align On Sector Boundaries > Flac.........
4th Tape Source, (Version Two):
Master > CD-R (1) > EAC > WAV > Flac Frontend, Encoding Options,Level.8, Align On Sector Boundaries > Flac............
Both tape sources sound very good, and have a nice balance of instruments, very little tape hiss, sound close to the stage, but are both sadly riddled with tape cuts and are incomplete.
The 2nd tape source has all of the tracks played at that show, but is missing almost all of the Plantations inbetween songs, most likely due to the taper trying to conserve as much tape as possible.
The 4th tape source is very incomplete, missing the majority of the show, but for what the tape lacks in completeness it makes up for in sound quality.
There are 2 different versions/transfers of the 4th tape source, the 2nd version is more complete than the 1st version.
The 1st version clocks in at 64:29, and the 2nd version clocks in at 65:19, making the 2nd version longer by 90 seconds.
The 2nd tape source has audio material that isn't found on the 1st version, like the fragment of "Stairway To Heaven", and more plantations between numbers. |
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02/25/72 |
Western Spring Stadium
Auckland, New Zealand |
2 |
|
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"Going to Auckland" (Remastered) |
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02/25/72 |
Western Spring Stadium
Auckland, New Zealand |
2 |
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Royal Orleans |
2005.05.11 - Radio Hauraki, New Zealand, 'Led Before Bed'
Radio documentary broadcast of Led Zeppelin at Western Springs Stadium, Auckland, New Zealand. |
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02/25/72 |
Western Spring Stadium
Auckland, New Zealand |
2 |
|
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"Lord Of The Strings: One Riff To Rule Them All" (A Group/Personal Project) |
Fan-made remaster of 1st tape source.
The raw recording we were working from was quite nice on it's own, there was a nice distribution of the instruments had hardly any tape hiss in the channels, but it did have a few issues that could use a little tweaking:
- There was a bit of bass distortion in the channels.
- The volume of the recording was amplified a touch too much, drowning out a few things in the recording, like crowd comments.
- There were some instruments that were a little more up front then others (bass, and vocals are more present then guitar and drum fills)
- The whole recording was running at the incorrect tape speed, the raw source was running about 3% fast. |
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02/25/72 |
Western Spring Stadium
Auckland, New Zealand |
8 |
|
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"Lord Of The Strings II: The Two Tapers" (A Group/Personal Project) |
New, more complete, 2nd tape source. Discs 1/2 are the raw files from this new tape. Discs 3/4 same tape remastered. Discs 5/6 are Remastered 2nd Tape Source (Main) With Remastered 1st Tape Source Patches. Discs 7/8 are Remastered 1st Tape Source (Main) With Remastered 2nd Tape Source Patches. |
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02/25/72 |
Western Spring Stadium
Auckland, New Zealand |
2 |
|
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1st Gen (Paul C.) > 2nd Gen > CDR(2) > WAV > FLAC |
This comes from the same tape (generation) that Tarantura and Genuine Masters have used for their releases "Going to Auckland" and "Kiwi Express". However, this tape was put out just prior to the Tarantura release. This tape has no type of noise reduction/EQ and is a straight transfer to CDR. |
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02/27/72 |
The Showgrounds
Sydney, Australia |
2 |
|
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"Ayers Rock" (Tarantura TCD 2-1/TCD 2-2) |
|
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02/27/72 |
The Showgrounds
Sydney, Australia |
2 |
|
|
The Rover's Return - DVD Extracted audio |
Audience source 2
Lineage: Original silver Digital Line DVD (DL 602) (clone of GM) > DVD Audio Extractor > 48kHz wav (one file) > Cool Edit Pro (with pre/post filtering set to highest quality) > 44.1kHz wav > Cool Edit Pro (speed correction -1%, resample with high precision) > wav > CD Wave (tracking) > wav > TLH > flac level 8
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02/27/72 |
The Showgrounds
Sydney, Australia |
2 |
|
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"Balloon Goes Up On Led Zeppelin" (Empress Valley) |
|
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02/27/72 |
The Showgrounds
Sydney, Australia |
1 DVD |
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'Down Under in Sydney 1972' |
This DVD presents the different video sources covering the Sydney concert on February 27th 1972. Also included are the press party which took place on the 22nd, and an interview recorded on the 28th, along with a slideshow of pictures from the concert and the press party. An Australian promo clip of Whole Lotta Love (with no Zeppelin-related footage) is also included.
The first 8mm source is the famous footage that was used for the clip "Immigrant Song" on the official 2003 DVD. It was shot with several cameras running at different speeds. Apparently, some of the footage was shot at 18 fps, some other at 24 fps, and everything was transferred to video with no frame rate conversion. As a result, the raw transfer runs way too fast. It's presented here speed corrected and synched to audience audio recordings.
The second and third 8mm films, as seen on "Assemblage II", are likely sourced from a high gen video tape, hence in poor quality. They have been synched when possible.
All 8mm films on this DVD use sound from the Sydney show, with a little help from audience recordings of the Aukland (February 25th) and Brisbane (February 29th) shows. A full recording of the Sydney show is not available at present time.
The 16mm concert film is the black and white footage partially shown on "DVD". It's presented here speed-corrected, in the right order, with the sync at the end of WLL fixed.
The press party footage is the same as on "DVD". |
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02/29/72 |
Festival Hall
Brisbane, Australia |
2 |
|
|
"Brisbane Boogie" Genuine Masters GM-LZ-29.02.1972-DVD-A-03 |
Lineage: GM DVD-A>MPEG Streamclip>AIFF>FLAC8 |
|
05/27/72 |
RAI
Amsterdam, Netherlands |
2 |
|
|
"ZD returns source"; master > DAT > CDRn (ZD vol. 6) |
CDRs > EAC (secure mode, offset corrected, test & copy) > WAV > Flacfrontend > FLAC (tested and verified) |
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05/27/72 |
RAI
Amsterdam, Netherlands |
2 |
|
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"Dancing Bear" (Tarantura) |
VG+ Aud |
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05/28/72 |
Voorst National
Brussels, Belgium |
2 |
|
|
"The Belgian Triple" (Empress Valley) |
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05/28/72 |
Voorst National
Brussels, Belgium |
2 Flac |
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Presence Server |
|
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06/07/72 |
Forum
Montreal, QC |
3 |
|
|
Montreal Gazette (Wendy) |
two audience sources |
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06/09/72 |
Charlotte Coliseum
Charlotte, NC |
2 |
|
|
Knees Up Mother Brown boot |
|
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06/09/72 |
Charlotte Coliseum
Charlotte, NC |
2 |
|
|
Master>DAT>CDr Remastered by dadgad |
One of the best audience recordings and a very consistent
performance, Plant's voice is at its best.
Includes the only known rendition of Celebration Day from the 1972 US Tour
probably due to a broken string on the Les Paul with which Page started the concert. |
|
06/09/72 |
Charlotte Coliseum
Charlotte, NC |
2 |
|
|
Charlotte 1972 (TDOLZ vol.80) (Pernod Revision) |
The TDOLZ label released quite a few crappy bootlegs of Led Zeppelin shows but this one is the best sounding source I have of this show, including 3 different transfers from Master > DAT and a remaster. It sounds natural, bright and clear with almost no hiss and has only a few minor channel issues, its fault was that it ran slow and had a small repeat, I corrected those issues here. There are several cuts throughout, I left these alone. I had goosebumps listening to this show, in my opinion this reveals best what a great recording and show this is. Hope you enjoy the ride as much as I did. |
|
06/11/72 |
Baltimore Civic Center
Baltimore, MD |
3 |
|
|
Sony TC-110 w/ext. Condenser mics > Cass (M) (2x Sony C-120s) > playback recording w/Tascam CC-222 CD-RW Cass. Combo > 3CDR(x) |
This is one of the best recordings from the USA '72 tour. All tracks complete. |
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06/11/72 |
Baltimore Civic Center
Baltimore, MD |
3 |
|
|
Hifi High and the Lights Down Low (Liriodendron Remaster) |
Liriodendron's Notes:
The recording is very nice, it's a bit distant and at times muffled sounding when played to loud, but overall still a nice recording and a nice listen. In the remaster I attempted to clear up some tape hiss, balance the channels and adjust the volume levels that fluctuated through out the original source. EQ work was done to bring as much balance and clarity to the music as I could. The acoustic set sounds particularly nice and Whole Lotta Love is just phenomenal, awesome medley's.
Enjoy. |
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06/14/72 |
Nassau Coliseum
Uniondale, NY |
3 |
|
|
"...Do You Remember Laughter?" (dadgad production) |
Lineage: Master>Cassette(3)>CDr>REM.Remastered using Adobe Audition 2.0 -- This is epic despite the mediocre quality of the recording.
First recording with Plant's "Remember laughter?" quote. |
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06/14/72 |
Nassau Coliseum
Uniondale, NY |
3 |
|
|
1st Gen-> CDR4 |
|
|
06/14/72 |
Nassau Coliseum
Uniondale, NY |
3 |
|
|
"The Ultimate Power Blues" (Tarantura) |
From "Whole Lotta Led - Get The Led Out" Box Set TCD 99,100.
Listed Lineage: master cassette(3 x ampex c60 via panasonic portable recorder)>cdr>digital remastering>cdr>pressing cd |
|
06/15/72 |
Nassau Coliseum
Uniondale, NY |
2 |
|
|
1st gen tape>CDR>EAC>Flac |
|
|
06/17/72 |
Portland Memorial Coliseum
Portland, OR |
2 |
|
|
Cassette3>DAT>CDr>EAC>WAV>FLAC |
|
|
06/18/72 |
Seattle Center Coliseum
Seattle, WA |
1 |
|
|
Presence Server |
Audience Recording
Master > DAT |
|
06/18/72 |
Seattle Center Coliseum
Seattle, WA |
1 DVD-A |
|
|
Master > 48kHz DAT > Audio DVD |
|
|
06/19/72 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
'Dancing Again' Empress Valley SD 2006 |
|
|
06/22/72 |
Swing Auditorium
San Bernardino, CA |
2 |
|
|
"Berdu" (Cobra Standard) |
|
|
06/22/72 |
Swing Auditorium
San Bernardino, CA |
2 |
|
|
Excellence in San Bernardino (Winston Remasters) |
Lineage: MasterReel>Cassette>CDR>Remaster
Sources Digitally Enhanced with Samplitude.
Please Note: Stairway to Heaven had a very small cut. I used a 2ndGenCass>CDR of the same source to patch it.
|
|
06/25/72 |
The Forum
Inglewood, CA |
3 |
|
|
"Burn Like A Candle" [Genuine Masters-LZ-25.02.1972-DVD-A-02] |
|
|
06/27/72 |
Long Beach Arena
Long Beach, CA |
2 |
|
|
SyrinxTemple production |
Audience/Soundboard recording...
Audience master>vhs>dat>cdr>SHN
Dazed and Confused is cut after 1:48,
All of the available soundboard source has been used, with the audience source to fill the gaps. |
|
06/27/72 |
Long Beach Arena
Long Beach, CA |
1 |
|
|
Soundboard Recording Master quads > DAT |
3 tracks only |
|
06/27/72 |
Long Beach Arena
Long Beach, CA |
2 |
|
|
Wild Beach Party (Led Note) |
audience recording combination (incomplete) |
|
06/27/72 |
Long Beach Arena
Long Beach, CA |
3 |
|
|
Godfatherecords "Welcome Back" |
|
|
06/27/72 |
Long Beach Arena
Long Beach, CA |
3 |
|
|
How The West Was Redone [Winston Remasters] |
"How The West Was Won," remastered using the six channels from the DVD-Audio, by Winston Remasters. "used the DVD-Audio files, loaded them in Samplitude as a 6 channel mix, turned them all down -6db, and played with the surround channels. I brought the bass up in the mix in its placement on the surround scope. Also mixed in the CD version at -16db .. just enough to help dynamically separate things. After mixing, EQ'd the bass less to the point where I can play it loud and it doesn't bleed the ears." Overall, a very enjoyable mix that is less taxing on the ears, and brings Jones more prominently into the fold. |
|
06/28/72 |
Community Center
Tucson, AZ |
3 |
|
|
"'Neath The Arizona Skies" (A Group/Personal Project) |
Fan remaster of "Crashing Revelry" (EVSD). Good stuff |
|
06/28/72 |
Community Center
Tucson, AZ |
3 |
|
|
Runar Valley Suprise Disc |
Lineage: optimus dual deck>master cassette>pioneer rt701 reel to reel (7.5 inch per sec.)>
pc (remastered)>cdr(3)>eac safe mode>wav>mkw>shn |
|
06/28/72 |
Community Center
Tucson, AZ |
2 |
|
|
Analog master cassette>PC>CDR>WAV>FLAC |
|
|
10/02/72 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
No Use Greco [The Campaign - 1972 Japan Tour (Tarantura Box Set)] |
|
|
10/03/72 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
2nd Night in a Judo Arena [The Campaign - 1972 Japan Tour (Tarantura Box Set)] |
|
|
10/03/72 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
Unknown Gen Cassette > CD-R (2) > EAC > WAV > Goldwave (WAV files joined and split into individual tracks) > Flac (Level.8, Align On SBE'S) > Flac (Tracks Tested With TLH, No Errors Occured) |
8th (!) tape source |
|
10/04/72 |
Festival Hall
Osaka, Japan |
2 |
|
|
Dancing Geisha [The Campaign - 1972 Japan Tour (Tarantura Box Set)] |
|
|
10/04/72 |
Festival Hall
Osaka, Japan |
2 |
|
|
Audience Master > DAT Clone > Tascam DA-40 > Audiophile USB > Cool Edit to downsample > CD Wave to cut tracks > Flac16 (Level 8 & Align on SB) |
|
|
10/05/72 |
Kokaido
Nagoya, Japan |
2 |
|
|
Cherry Blossom [The Campaign - 1972 Japan Tour (Tarantura Box Set)] |
|
|
10/09/72 |
Festival Hall
Osaka, Japan |
2 |
|
|
Live [The Campaign - 1972 Japan Tour (Tarantura Box Set)] |
|
|
10/09/72 |
Festival Hall
Osaka, Japan |
3 |
|
|
Last Stand, LSD - 65-76 (12CD box set) |
|
|
10/10/72 |
Kyoto Kaikan Hall
Kyoto, Japan |
2 |
|
|
Last Campaign [The Campaign - 1972 Japan Tour (Tarantura Box Set)] |
|
|
10/10/72 |
Kyoto Kaikan Hall
Kyoto, Japan |
2 |
|
|
The Last Night in Japan (TDOLZ) |
|
|
12/04/72 |
Green's Playhouse
Glasgow, Scotland |
2 |
|
|
Presence Server |
Audience Recording - Unknown generation. |
|
12/04/72 |
Green's Playhouse
Glasgow, Scotland |
2 |
|
|
Stuck On You (Diagrams Of Led Zeppelin) |
Linage>Dvd Data Disc(zeptrades 72 vine)>H/D>Torrent>You.
All Flac's Tested With TLH>No Error's Ocurred>FFP File's Inc'ed For TC Posting Rule's.
|
|
12/08/72 |
Hard Rock
Manchester, UK |
3 |
|
|
Eddie Edwards remaster of 1st gen sources |
Some tape problems, noticeably on Disc 3 during the Whole Lotta Love Medley but this is a very enjoyable show and maybe, just maybe, the definitive edition out there.
Thanks ofcourse to Eddie Edwards and all he's done for us Zep fanatics. |
|
12/08/72 |
Hard Rock
Manchester, UK |
3 |
|
|
"The Rovers Return" (EVSD 124/125/126) |
|
|
12/12/72 |
Capital Club
Cardiff, Wales |
1 |
|
|
"Detroit Rock City" Lemon Song LS 7220 |
|
|
12/22/72 |
Alexandra Palace
London, UK |
2 |
|
|
Unverified Analogue low-gen tapes>CDr>EAC>A.A. 3.0>FLAC (dadgad) |
Remastered and speed corrected (Adobe Audition 3.0) low gen source S#2
+ low gen Source S#1(Organ intro/Thank You) |
|
12/23/72 |
Alexandra Palace
London, UK |
2 |
|
|
Master > Cassette |
"A Presence Production" mastered by Jason Peterson.
Originally mastered at 96kHz 24bit, sample conversion to CD completed with ProTools utilizing highest quality pre and post filtering and 0.7bit dithering.
Despite what is in circulation labeled "Master>DAT", a digital transfer of this show has never been done. 1st generation is the best available, and is now presented as a Presence Production. |
|
01/07/73 |
New Theatre
Oxford, England |
2 |
|
|
Ascension in the Wane |
|
|
01/07/73 |
New Theatre
Oxford, England |
2 |
|
|
dadgad production |
1st Gen>DAT(5)>CDr(x)>EAC>WAV>FLAC
Remastered with A.A. 3.0.
Cut in The Rain Song edited out. |
|
01/07/73 |
New Theatre
Oxford, England |
2 |
|
|
British Story (Wendy) |
with filler from 1/27/73 and 1/22/73 rehearsals. |
|
01/07/73 |
New Theatre
Oxford, England |
2 |
|
|
cassette>Revox B-215>Audiophile 192>Adobe Audition 3.0 |
Two Versions: 44.1/16 cd quality flac files & 24/96 for the Hi-Fi crazy.
Tape source used here is Sean the bootleggers tape. Sean's tape I believe is no more than 2-3 gens away from one of the root tape sources for this recording. |
|
01/14/73 |
The Empire
Liverpool, U.K. |
2 |
|
|
"Phony Beatlemania Has Bitten The Dust" (A Group/Personal Project) |
Remastered Soundboard Recordings --
Lineage: Source One: "Days Of Heaven", (Tattytura), CD-R > WAV > Flac > TLH,Decode > WAV > Remaster > Flac Frontend,Encoding Options, Level.8, Align On Sector Boundaries > Flac....
Source Two (Used to patch the gap in "Baby,I Don't Care"): "Good Evening Liverpool", (Blizzard),
Silvers > EAC > WAV > FLAC > TLH,Decode > WAV > Remaster > Flac Frontend,Encoding Options,Level.8, Align On Sector Boundaries > Flac |
|
01/14/73 |
The Empire
Liverpool, U.K. |
2 |
|
|
Ascension in the Wane |
|
|
01/14/73 |
The Empire
Liverpool, U.K. |
2 |
|
|
"The Fabulous Four" [Tarantura (FF-1/2)] |
|
|
01/14/73 |
The Empire
Liverpool, U.K. |
2 |
|
|
2 different SBD sources |
Lineage Source1: 2nd gen cassette>dat(2)>wav(16/48)>wav(16/44)>flac.
Lineage Source2: 1st gen cassette>dat(0)>wav(16/48)>wav(16/44)>flac.
The 2nd gen source is the longest version available for this recording containing the most music before and after all cuts. The 1st gen fragment is the best sounding source for this recording but unfortunately this is all that is currently available from this source. Both sources have been speed corrected since both ran fast. |
|
01/15/73 |
Trentham Gardens
Stoke, England |
2 |
|
|
Ascension in the Wane (Godfather) |
|
|
01/15/73 |
Trentham Gardens
Stoke, England |
2 |
|
|
Voodoo In The Gardens (Winston Remaster) |
1stGenCassette>DAT>CDR3>Remaster>Flac.
Remaster Notes - Declicked, Dehissed, & Enhanced with EQ, Dynamics I do this as a hobby.
If your not into digitally enhanced material please pass on this one. My main goal in remastering is
balance, to make everything heard.
There are a few spots of Tape crunch. mostly during Whole Lotta Love. |
|
01/15/73 |
Trentham Gardens
Stoke, England |
2 |
|
|
Soundboard > 1st gen cassette>dat(2)>cdr(2)>eac>wav>flac |
weedwacker: Best sounding commonly available low gen version of this particular show. Each tape side was individually speed corrected and retracked afterwards. |
|
01/18/73 |
St George's Hall
Bradford, U.K. |
1 |
|
|
Bonus on 1/22/73 "The Great Lost Live Album" (Nasty Music - Deluxe Edition 3CD) |
See details below. |
|
01/18/73 |
St George's Hall
Bradford, U.K. |
1 |
|
|
Royal Orleans Server |
1. Dazed and Confused (cuts in)
2. Whole Lotta Love (cuts in & very end cut)
3. Immigrant Song (cuts in, is more muffled) |
|
01/22/73 |
Old Refectory
Southampton, England |
2 |
|
|
Ascension in the Wane (Godfather) |
|
|
01/22/73 |
Old Refectory
Southampton, England |
2 |
|
|
Winston Remaster |
From the files liberated on Royal Orleans. Cleaned up the digital clicks best I could.
No Noise reduction used. Enhanced with Samplitude. |
|
01/22/73 |
Old Refectory
Southampton, England |
3 |
|
|
"The Great Lost Live Album" (Nasty Music - Deluxe Edition 3CD) |
This Boot Contains:Soundcheck & Bonus from Bradford,UK
Date: 1973.01.18
Day: Thursday
Venue: St. George's Hall
Location: Bradford
Disc 3 (Rehearsal)
01 Drum/Mellotron Tuning
02 Love Me
03 Frankfurst Special
04 King Creole
05 Love Me
Bonus Tracks:
06 Dazed And Confused
07 Whole Lotta Love
08 Immigrant Song |
|
01/22/73 |
Old Refectory
Southampton, England |
2 |
|
|
(CMI > TomP REMASTER) |
Changes made (Nero 8 unless indicated):Corrected -0.03msec phase shift.
Cross-mixed all tracks (ratio 96:4).
Noise print NR at very low setting, to take edge off hiss & fix slight buzz without affecting SQ.
Very slight EQ, +2dB treble
Slight expansion (from 0dB @ 0dB to -2dB @ -20dB) undoing over-compression (Audition 3).
Minor clip reduction in a few places (Audition 3).
Fixed hundreds of volume and balance fluctuations.
Fixed lots more glitches, clicks, mic bumps, feedback squeels and drop-outs.
Combined tracks for editing, cut a few short periods of complte silence and Re-tracked to avoid SBEs.
Flac > Nero > TLH > you!
My original source was remastered by CMI, with whom I'm not familiar to me but did a great job, except
for over-enthusiastic compression that pumped up levels and made it difficult to separate instruments.
I was able to undo some of this, along with other significant editing (above). |
|
01/22/73 |
Old Refectory
Southampton, England |
1 |
|
|
British Story (Wendy) |
Disc 2 Track 6-9. Tour Rehearsals At The Gaumont Theatre Southampton Hampshire 22nd Jan. 1973 |
|
01/22/73 |
Old Refectory
Southampton, England |
2 |
|
|
Swastika (Tarantura) |
|
|
01/22/73 |
Old Refectory
Southampton, England |
2 |
|
|
"Any Port in a Storm" (Godfather Records) |
|
|
01/22/73 |
Old Refectory
Southampton, England |
2 |
|
|
"School House Rock" (A Group/Personal Project) |
What we've done to make this project:
- We've tried to balance the instruments as much as possible.
- We've tried to bring out things that were buried in the raw recording (i.e: cheering, clapping, acoustics of the venue) to make this recording sound less like a rehearsal and more like a live show.
- We've tried to fix the channel shifts as best we could. |
|
01/27/73 |
Caird Hall
Dundee, Scotland |
1 |
|
|
1stGen Cassette>DAT2>Flac |
|
|
01/27/73 |
Caird Hall
Dundee, Scotland |
1 |
|
|
British Story (Wendy) |
Disc 2 Tracks 3-5 of the compilation. |
|
01/28/73 |
King's Theatre
Edinburgh, Scotland |
1 |
|
|
Master > DAT(2) > CDR(3) > EAC > WAV > FLAC Frontend > FLAC 8 |
Total Time 48:00 |
|
01/30/73 |
Guildhall
Preston, UK |
2 |
|
|
Plant's Influenza (Empress Valley) |
|
|
03/14/73 |
Messehalle
Nuremberg, Germany |
2 |
|
|
2nd gen>CDR>EAC>Flac |
I am pretty sure this is the same tape source that is floating around. If someone has a different recording, let me know. The cuts in The Song Remains The Same and Stairway To Heaven appear to be caused from tape flips during the concert.Transferred to CD, Spring 2006 |
|
03/14/73 |
Messehalle
Nuremberg, Germany |
1 DVD |
|
|
2nd gen>PC (48Kz)>Nero 7>VOB (pernod) |
I am pretty sure this is the same tape source that is floating around. If someone has a different recording, let me know. The cuts in The Song Remains The Same and Stairway To Heaven appear to be caused from tape flips during the concert. |
|
03/14/73 |
Messehalle
Nuremberg, Germany |
2 |
|
|
2nd gen > PC (16bit/48kHz) > Nero 7 > Vob > DVD Audio Extractor > Wav@16/48 > Adobe Audition 3.0.1 > Wav@16/44.1 > CD Wave > Wav > Flac Frontend > Flac 8 (tagged and verified) |
|
|
03/16/73 |
Stadthalle
Vienna, Austria |
1 |
|
|
Led Poisoning (Flying Disc) |
rip to flac from silvers. |
|
03/16/73 |
Stadthalle
Vienna, Austria |
2 |
|
|
Vienna 1973 (TDOLZ) |
TDOLZ |
|
03/16/73 |
Stadthalle
Vienna, Austria |
2 |
|
|
Danke! Vienna (Winston Remasters) |
Very good to Excellent mono/stereo audience-Excellent stereo soundboard. |
|
03/16/73 |
Stadthalle
Vienna, Austria |
2 |
|
|
"The Matrix Leded" (Tarantura) |
Slightly superior to the Winston Remaster, in my opinion. |
|
03/16/73 |
Stadthalle
Vienna, Austria |
2 |
|
|
2nd or 3rd.Gen Audience Source |
Rasensteine: I got the tape in trade 17 or 18 years ago.
Here is most of the missing part
from the begin of the show. |
|
03/17/73 |
Olympia Halle
Munich, West Germany |
2 |
|
|
"Live in Moon Chin" (Winston Remasters) |
AUD - Cassette Master > DAT 1 > 3CDR4 > Remaster.
Source and Remastering notes: I thought I had 2 sources for this show. Mono CassM>DAT1>3CDR which I believe was made by
the Zeppelin Digital guys & Stereo CassM>PC>2CDR taped by W.W. D&C was divided on 2 discs. After close listening and
comparing I came to the conclusion that the ZD guys used the W.W. Stereo source and made it mono using the Right Channel.
THe left channel on the stereo source had weak levels and a constant clicking noise. I think they made the right choice
making it mono. I used the Mono version for this remaster and just tried to add some low end for tonal balence using
some MS mastering, Waves Maxxbass and alittle cut in the upper mid level. I made the show 2CD's rather than 3.
The quality of the recording I would rate VG+ it is alittle distant but very clear. Thanks to the Taper for sharing it
and thanks to the ZD guys for their mastering. |
|
03/17/73 |
Olympia Halle
Munich, West Germany |
2 |
|
|
Going Down Slow (Tarantura 2008) |
audience recording |
|
03/17/73 |
Olympia Halle
Munich, West Germany |
2 |
|
|
"The Fourth Reich" (Evermore Music Limited Edition) |
Recording: CD1-2 Very good stereo audience |
|
03/17/73 |
Olympia Halle
Munich, West Germany |
2 |
|
|
"The Ides Of March" (A Group/Personal Project) |
Notes about the quality of this recording:
This recording is taped fairly close to the stage with very little audience noise and small hiss.
The balance is very good but a little chaotic at times and has Jonesy low in the mix.
The proximity to the stage and the high quality of the recording make for a thoroughly enjoyable listening experience.
What we've done to make this project:
- We've tried to bring out the instruments that were buried in the mix of the raw recording (low end), and have tried to balance the instruments as much as possible.
- We've brought the volume down to a more reasonable level, originally the raw recording was running a little too hot, so we've brought it down to a more listenable level.
- We've tried to bring out the presence of the venue, and things that were buried in the raw recordings mix (cheers, claps, comments, etc). |
|
03/19/73 |
Deutschlandhalle
Berlin, Germany |
2 |
|
|
Audience (Source 1) Reel Master>2nd gen cassette>cdr(2)>flac |
All tracks speed and sbe corrected. Variable corrections done for each track. |
|
03/19/73 |
Deutschlandhalle
Berlin, Germany |
2 |
|
|
Happy Times - AUD/SBD Matrix (Winston Remasters) |
Source and Remastering notes: Audience - I have 2 copies of the same source. Alleged 1stGen>DAT and 2ndGen>DAT.
2ndGen sounded alot better so it was used. However it contained a small cut during Song Remains the Same.
I used the inferior alleged 1stGen to patch it. Both copies have a small cut/glitch near end of Rain Song,
SBD - sadly only 23 mins of Whole Lotta Love exist for this show. I made a test "matrix" mix with the AUD and
it sounded decent so I mixed all 23 min. SBD does have some small dropouts/glitches. Bootledz says all SBD bootleg
copies have the glitches. They could not be fixed. Both sources Enhanced with Samplitude.
No encores exist for this show. Guess you had to be there to know if they played any. |
|
03/19/73 |
Deutschlandhalle
Berlin, Germany |
2 |
|
|
"The Fourth Reich" (Evermore Music Limited Edition) |
CD3-4 Very good to Excellent stereo audience. |
|
03/19/73 |
Deutschlandhalle
Berlin, Germany |
2 |
|
|
Alternative Aud Src 1 w SBD matrix |
Audience (source 1)
Soundboard (a soundboard platter scorpio 2007)
lineage-audience- Reel Master>2nd gen cassette>cdr(2)>flac>cdr>eac wav>tlh flac level 8
-soundboard- silver CD>eac>flac>cdr>eac wav>tlh flac level 8
-whole lotta love- tlh>wav>NCH wavepad sound editor(http://www.nch.com.au/wavepad/index.html)>eac wav>flac level 8 |
|
03/21/73 |
Musikhalle
Hamburg, Germany |
1 |
|
|
Analogue 1st Gen>CDr (dadgad) |
Quality: Excellent Soundboard.
Unlike the common circulating Master>DAT source this one
runs at the correct speed and is in perfect pitch, the listening gains quality to my ears. This is Led Zeppelin at their peak. |
|
03/21/73 |
Musikhalle
Hamburg, Germany |
2 |
|
|
audience recording (2nd source) 2nd gen complete show: reel > cassette > cassette > wav >flac |
olvator: I got these two cassettes from the original taper about 15 years ago. As far as I remember, my cassettes were dubs from his 1st gen safety copies (cassettes) he had made at some point during the Seventies. If the original reels still exist I don«t know, I have completely lost touch with that guy, and only vaguely remember his name.
Anyway, I had always thought, that all the existing bootlegs from this show were probably also sourced from his tapes, and that my copy might actually be just some tapes of worse quality transfers than the known bootleg releases. Which is why I never treated my cassettes with much repect, they have already been lying in the dirt of my cellar without covers for years (!!!). Yes, they have suffered.
But while revisiting them today, I found out (with the help of DIME member "acapulcogold"), that this is actually a different source altogether, and an uncirculated one, too!
The recording runs slow and has tempo issues from time to time, but someone experienced might be able to remaster it. The sound is much more bassy than the 1st source and muddy as well. There are hardly any cuts throughout the tape, only one in Dazed and Confused. I have left Dazed and Confused as two tracks. If you burn without pauses between tracks or just paste this into your player, you will nonetheless hear it exactly as it was on my tapes.
Rain Song and Stairways To Heaven are both complete and uncut.
I am not the TOTAL Led Zeppelin nut, but it seems like this is one of the better March 73 performances and I am happy to give you this new, historic recording. |
|
03/21/73 |
Musikhalle
Hamburg, Germany |
2 |
|
|
Hamburg (It's Complete) [dadgad prod.] Re-do |
**Low Gen AUD/Excellent Soundboard mix**
AUD: Analogue 2nd gen (IQ "Suspended Animation" rip for AUD portion of "Whole Lotta Love")
SBD: Analogue 1st gen.. New complete AUD source mixed with SBD
for the available songs. |
|
03/22/73 |
Gruga Halle
Essen, Germany |
4 |
|
|
"It's Been Very Nice" (Winston Remasters) |
|
|
03/22/73 |
Gruga Halle
Essen, Germany |
1 |
|
|
Type II Cassette (unknown gen)>Wav>Flac |
1. Dazed & Confused
2. Whole Lotta Love
A Superb soundboard. Unfortunately, both songs start about halfway through, so this is probably better considered "soundboard fragments". This, as with my Vienna board, are of unknown lineage, but I suspect they're somewhere around 4th or 5th gen. Both were obtained from Paul C. Anyway, a must have for any Zeppelin collector. |
|
03/22/73 |
Gruga Halle
Essen, Germany |
3 |
|
|
"Gracias!" (Empress Valley) |
SBD+Aud Mix. |
|
03/24/73 |
Orthenauhalle
Offenburg, West Germany |
2 |
|
|
Presence Server |
Lineage: 2nd gen>DAT>CDR>SHN |
|
03/24/73 |
Orthenauhalle
Offenburg, West Germany |
2 |
|
|
Eddie Edwards Remaster |
|
|
03/24/73 |
Orthenauhalle
Offenburg, West Germany |
2 |
|
|
LED ZEPPELINS TRIUNPH-ZUG (Beelzebub BSD 66/67) |
Some people aren't too keen on Beelzebub's remastering work. I happen to be a big fan - best version of this show, IMO. |
|
03/24/73 |
Orthenauhalle
Offenburg, West Germany |
2 |
|
|
"Now Is The Time Of Reckoning" (A Group/Personal Project) |
This project is a straight remaster of the first tape source of the bands performance.
For this project, we decided to use a version of the first tape source called "Original Cassette used for Custard Pie boot", which is a phrasing that's not as clear as what some people might think.
Saying that this version is "the original cassette" used for the bootleg LP and CD-R releases "Custard Pie" clearly means that this tape was used for those bootleg releases, but when they say it's the "original cassette", does that mean that it's the taper's master cassette?, and does it mean that all versions of the first tape source come from this cassette copy?.
These are the kind of questions a phrasing like "original cassette" raise, and unfortunately, the textfile wasn't very clear about the recordings complete history.
The raw tape source is a very good recording on it's own (it's clear and well balanced, with a tremendous sense of atmosphere), but it does suffer from a few slight channel fluctuations.
What we've done to make this recording:
- we've tried to balance the instruments as much as possible.
- we've tried to correct the channel balance issues as best we could.
- we've brought down the volume to a more reasonable level, originally the raw tape source was running too hot, so we've brought the volume down to a more reasonable level for everyone. |
|
03/26/73 |
Palais Des Sport
Lyon, France |
1 |
|
|
"DC" source fragment + Sean's Type II Cassette (Unknown gen) fragment |
1 Dazed And Confused (cut) 12:24
1. Whole Lotta Love (last 1/3 of song) 10:17
2. Heartbreaker 7:20....
Combination of sources: a "low gen" from DC and an "unknown gen" as circulated by Sean the Bootlegger at BC in 2005.
Sean's tape is a big upgrade over the DC source, it's listenable whereas the DC source is probably the worse sounding I've ever come across when it comes to live Zep. Sean's tape doesn't have the incomplete DAC which the DC source has so I've included it here as a bonus. wLL on Sean's tape is half a minute longer and there's a french comment (from the taper?) at the beginning which has been cut out of the DC source. |
|
03/27/73 |
Parc Des Expositions
Nancy, France |
2 |
|
|
dadgad's Master(Philips C120)>ext. A/D>Lynx One>HDD>CDR[(1)R's]>CDR(2) EAC(secure m./offset corr.)>WAV>FLAC(level7/verify/test) |
Recently surfaced low gen from the taper. A good audience recording |
|
04/01/73 |
Palais Des Sports
Paris, France |
2 |
|
|
pernod 2 source mix |
Audience recording (a combination of 2 separate sources) - cleaned up, segued and smoothed. It's seamless - the intention for me was to put it onto a DVD-Audio. The best place to split it for CDs would be before "Stairway to Heaven", whose start is missing.
Source 2 is pretty rough sounding, and source one is reasonable, but very hissy.
Moby Dick is probably missing after Dazed and confused. Hurrah!
Lineage: Analogue Master(s) (Reel(s)?) > Reel (Paul C.) > Maxell XLII Cass > Nakamichi Deck > Philips CDR778 Standalone > CDR(5) > EAC > WAV > CDWave (tracking) > wav > Additional lineage: CEP (speed correction)/EAC's integrated WAV editor (edits) > wav > TLH (sbes fix) > wav > CD Wave (tracking) > wav > flac Frontend > FLAC 8 > wav > Cool Edit Pro 2.1 > wav > DiscWelder Chrome II > DVD-Audio
Source 1: speed corrected by + 6.5%
Source 2: speed corrected by + 2.5%
"Disclaimer: this slightly edited and speed corrected version of these chopped-up recordings is not meant to be definite, but an attempt to make this show more enjoyable to listen to. The sound has not been altered apart from the speed correction. I do not claim to have hit the exact right speed/pitch. The French spoken announcements (by a guy calling himself Laurent, who may have been the actual taper of one or both sources, his announcements though have only been inserted at the end or beginning of the tracks from source 1) have been tracked separately so you can leave them out if you want." |
|
04/02/73 |
Palais Des Sports
Paris, France |
2 |
|
|
Vive Le Zeppelin (Empress Valley SD) |
|
|
04/02/73 |
Palais Des Sports
Paris, France |
2 |
|
|
"Je suis très fatigué maintenant" (A Group/Personal Project) |
What we've done is:
- Balance the instruments as best we can, and bring out instruments that were lost in the mix originally (low end).
- We've brought the volume down to a more reasonable level for everyone, originally it was running too hot, we just hope that it's not running too low now.
- we've tried to bring out even more of the ambience in the recording to give listeners as much of the live experience as possible. |
|
05/05/73 |
Tampa Stadium
Tampa, FL |
2 |
|
|
Audience Source 2 (Cal source) Master > DAT > CDR(5) > EAC > wav > flac |
Additional source lineage:
Flacs decoded to wav, appended and speed adjusted with Adobe Audition 3.0.1 (97.6 shrink)
Tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified. |
|
05/13/73 |
Memorial Auditorium
Mobile, AL |
2 |
|
|
Zeppelin Digital Project Volume 1 |
Lineage: 1stgen reel>DAT>CDR>SHN>Presence Server |
|
05/13/73 |
Memorial Auditorium
Mobile, AL |
4 |
|
|
"The Night They Drove Old Dixie Down" (A Group/Personal Project) |
Raw + Remastered Soundboard Recordings. Lineage: Source One/Disc One: " Mobile Auditorium, Master > CD-R", ( No Label), Master > CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache > WAV > Remaster > Flac Frontend, Encoding Options, Level.6, Align On Sector Boundaries > Flac.
Source Two/Disc Two: " Mobile Auditorium, Master Reel > 1st Gen Reel > DAT > CD-R",(ZeppelinDigital/FBO), 1stgen reel> DAT> CDR> SHN > TLH, Decode > WAV > Remaster > Flac Frontend, Encoding Options, Level.6, Align On Sector Boundaries > Flac. |
|
05/13/73 |
Memorial Auditorium
Mobile, AL |
2 |
|
|
"US Tour 1973" - dadgad remaster |
dadgad's Comments: Remastered from an unverified gen analog tape>DAT>CDr transfer.
This is not Sean's tape nor Presence's DD source. This flawless concert has one of the most untypical
No Quarter ever played and one of the best ever recording of Bonham's drums both in terms of sound
and performance. Too bad the final section of the show is still missing. |
|
05/13/73 |
Memorial Auditorium
Mobile, AL |
2 |
|
|
2nd gen cassettes(Maxell UDS-II)>wav(24/96)>flac |
Incomplete but excellent+ sounding recording. This was at the time a brand new transfer done from Sean_the_bootlegger's cassettes which are the root set for every copy and bootleg source of this particular soundboard fragment in general circulation. These are as of July 2010 the lowest gen circulating set of cassettes for this particular sbd fragement. Concerning the generation of the cassettes they have been called everything from 1st gens to 3rd gens, I am calling them as they are stated by the documentation Sean provided me a copy of from the person he originally received the tapes from. Your actual generational lineage mileage may vary but the fact these cassettes are the root tapes are not in question. This is a hi-resolution version in it's raw form with only speed correction applied to the recording, phase correction to recenter the stereo signal and fades added at the beginning and end of the recording. |
|
05/14/73 |
Municipal Auditorium
New Orleans, LA |
3 |
|
|
SBD w/ AUD Filler (Winston Remaster) |
SBD - 1stGenCass>DAT2>Remaster.
AUD - CassM>Tascam 302>Tascam 750>3CDR2>Remaster |
|
05/14/73 |
Municipal Auditorium
New Orleans, LA |
6 |
|
|
Bourbon Street Renegades (Empress Valley Supreme Disc) |
Limited Edition 6CD Set.
Disc 1-3 Soundboard w/ audience patches.
Disc 4-6 Audience |
|
05/14/73 |
Municipal Auditorium
New Orleans, LA |
3 |
|
|
The Drag Queen (Tarantura DG 001-003) |
Stereo Soundboard |
|
05/16/73 |
Sam Houston Coliseum
Houston, TX |
1 |
|
|
"Going Down" (Watchtower) |
Disc 1 - SBD fragment |
|
05/16/73 |
Sam Houston Coliseum
Houston, TX |
1 |
|
|
|
Lineage: Master Reel > Reel > DAT > CDRx.
Wavs extracted with EAC, encoded to FLAC 8 with FLAC Frontend |
|
05/18/73 |
Dallas Memorial Auditorium
Dallas, TX |
2 |
|
|
"Dallas Remains the Same" (Bertha Remaster) |
Lineage: SBD > Master > Cass > DAT > CDead (Bertha Remaster) > DVD-A > DVD-A Extractor > WAV > Flac (7) |
|
05/19/73 |
Tarrant County Convention Center
Fort Worth, TX |
2 |
|
|
Tympani for the Butter Queen (Midas Touch) |
Soundboard |
|
05/19/73 |
Tarrant County Convention Center
Fort Worth, TX |
2 |
|
|
Unverified Analogue low gen soundboard source>DAT>CDr>WAV>FLAC (dadgad prod.) |
The analogue source doesn't not belong to Sean The Bootlegger's tapes route.
I received it as 1st Gen>DAT>CDR along with the Mobile SBD.
Considering the saga that surrounds these SBD tapes I prefer to list it as unverified
but it does sounds cleaner than weedwacker's december 2008 24/96>16/44 transfer of Sean's cassettes,
like/believe it or not. Speed Pitch corrected and Remastered by dadgad. |
|
05/19/73 |
Tarrant County Convention Center
Fort Worth, TX |
2 |
|
|
weedwacker's 2nd gen cassettes>wav(24/96)>wav(16/44)>flac |
Incomplete but excellent+ sounding recording. This is a brand new transfer done from Sean_the_bootlegger's cassettes which are the root set for every copy and bootleg source of this particular soundboard fragment in general circulation. These are as of September 2009 the lowest gen circulating set of cassettes. This copy has been mastered to remove some excess hiss. No alteration was done to the music itself. |
|
05/19/73 |
Tarrant County Convention Center
Fort Worth, TX |
2 |
|
|
"Mr. Soundman" (Winston Remaster) |
Source: 1stGenCass>VHS>Remaster>FLAC.
Samplitude Professional with Waves plugins used to enhance the sound. |
|
05/25/73 |
Denver Coliseum
Denver, CO |
1 |
|
|
"Going Down" (Watchtower) |
disc 2 - SBD fragment. |
|
05/26/73 |
Salt Palace
Salt Lake City, UT |
2 |
|
|
"A Memento of Salt Lake City" (Matrix by Slumpy) |
A combination of "Georgia On My Mind" [sbd] and "Dirty Trick" [aud] to give as near as possible a complete show. Not intended to polish up a poor quality audience recording, just to breathe life into an otherwise 'flat' soundboard tape. The soundboard recording was left untouched. |
|
05/26/73 |
Salt Palace
Salt Lake City, UT |
2 |
|
|
'Salt Lake On My Mind' (DrumJ Productions 2008) |
Lineage SBD: Master>DAT>CDR(3)
Lineage AUD: 'The Dirty Trick' (Empress Valley)//Complete show, audience recording used to patch cut in from the Introduction/Rock And Roll, cut near the end of The Rain Song, and fill in for the rest of the show after Whole Lotta Love cuts out. |
|
05/28/73 |
San Diego Sports Arena
San Diego, CA |
2 |
|
|
Three Days Before (Empress Valley - EVSD 153/154) |
soundboard |
|
05/31/73 |
The Forum
Inglewood, CA |
2 |
|
|
Bonzo's Birthday Party (Watchtower) |
|
|
05/31/73 |
The Forum
Inglewood, CA |
3 |
|
|
"Bonzo's Birthday Matrix" - A slumpymatrix Production |
A combination of:
Bonzo's Birthday Party Definitive Edition [EVSD]
Bonzo's Birthday Party [Cobla]
Bonzo's Birthday Party [TDOLZ].. Mainly a combination of two tracks at a time but occasionally supplemented with a third source, until the soundboard tape runs out after STH.
From then on a combination of two audience recordings at different pitch and tempo. Not amusing, but surprisingly not too bad sounding considering. |
|
05/31/73 |
The Forum
Inglewood, CA |
2 |
|
|
dadgad production |
Speed & Pitch corrected 2nd gen raw transfer -
the original transfer runs too fast. |
|
05/31/73 |
The Forum
Inglewood, CA |
5 |
|
|
"Bonzo Bangs His Balls Out" (A Group/Personal Project) |
One of the bands greatest shows of all time, the legendary "Bonzo's Birthday Party" performance.
Everyone in the group is playing exceptionally well, they're firing on all cylinders, but both Jimmy and Bonham are giving just a little bit more for the crowd.
Jimmy is doing some amazing guitar and solo work while playing with a broken finger, (Plant makes mention of this to the audience near the end of the show), and Bonham is probably playing better than usual because it is after all his "special day".
For those that may not know, there are 3 audience recordings of this show in circulation.
The tape source we've used to make this project is what I've always known to be the 2nd tape source, some collectors agree to this, and some list this source as the 3rd tape source.
This recording is very good, has very little to almost no tape hiss in the channels, and sounds like it was recorded very close to the stage, but it is unfortunately incomplete.
The tape isn't missing very much music, (the taper only missed "Communication Breakdown"), it's mostly missing the commentary between Plant and the audience, most likely the taper was trying to conserve as much tape as possible to record as much music as possible.
For this project, we decided to do what we did with our other Inglewood project "Heavy Vibraphones", offer collectors a straight raw transfer of the tape, and a remastered version of the tape.
The reason why the raw version is 3 discs worth of material, and the remastered version is just 2 discs is because the show was sent to this way.
All of the show (both raw and remastered) can fit on to 2 discs, it was indeed unescessary to burn the show on to 3 discs when it can all easily fit on to 2, but I'm offering collectors the raw recording in the original format in which I recieved it.
If you'd like to save yourself a disc, then please feel free to burn the raw version of the show on 2 discs, and in the same order as the remaster.
We hope that whoever picks this up will enjoy both versions.
What we've done to make the remaster:
- We've tried to balance the instruments as much as possible.
- We've tried to bring out things that were buried in the recording (cheers, clapping, commentary).
- We've tried to create a sense of acoustics, and a feeling of ambience in the recording.
- We've tried to reduce as much tape hiss as possible.
- We've split the show on to 2 discs instead of 3.
|
|
06/02/73 |
Kezar Stadium
San Francisco, CA |
3 |
|
|
Imperial Kezar - Electric Magic |
|
|
06/02/73 |
Kezar Stadium
San Francisco, CA |
1 |
|
|
"Led Five" (Empress Valley) |
Set List: Moby Dick/Heartbreaker/Whole Lotta Love/ Communication Breakdown/The Ocean.
Sounds superb - crystal clear quality soundboard. It runs for 61 mins 49 secs and is the complete last third of the show from Moby Dick onwards. The "Five" refers to Plant saying those were the best vibes since the Fillmore 5 years earlier. |
|
06/02/73 |
Kezar Stadium
San Francisco, CA |
2 |
|
|
Slumpy's Remaster (Updated speed corrected version) |
Lineage: Master Tape>DAT>CDR>SHN>MWK>WAV>FLAC>WAV>REMASTERED WAV>FLAC |
|
06/02/73 |
Kezar Stadium
San Francisco, CA |
3 |
|
|
pernod source mix - Royal Orleans |
Source: AUD - Master > DAT2 > 2CDR3.
SBD - JP's cass > DAT1 > CDR5.
*Fixed small 16000kz spike with FFT EQ
*Sound is Unaltered
Additional lineage: flacs > Adobe Audition 3.0.1* > wav > CD Wave (tracking) > wav > Flac Frontend > flac 8 (tagged and verified).
* Appending wavs, speed correction + 3.3%, removing 11 secs repeat after Moby Dick
|
|
06/02/73 |
Kezar Stadium
San Francisco, CA |
1 |
|
|
dadgad |
Lineage: Cass Master(JP?)>DAT>CDR(4)>EAC>WAV>FLAC /// speed/pitch corrected (-3.518%).
unaltered sound |
|
06/03/73 |
Great Western LA Forum
Inglewood, CA |
3 |
|
|
"Wipe With A Rolling Stone" ( Winston Remasters) |
Lineage: Trader CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache, C2 > WAV > Flac Frontend, Encoding Options, Level.6 > Flac |
|
06/03/73 |
Great Western LA Forum
Inglewood, CA |
2 |
|
|
Master Cassettes>Dat(0) 32/16>aiff 32/16>wav 44.1/16>flac |
From the deep dark depths of the archives JEMS presents you with a dat(0) copy of this recording they dubbed directly off the master cassettes back in 1993. This dat tape is the root copy of all master transfer lineaged copies of this recording circulating from 1993 on up(and probably the root tape transfer used for every bootleg release that is not the old vinyl release from the 70s). Unfortunately the dat tape was sampled at 32000kHz but this is as of Aug 2009 the best copy available sourced directly from the master cassettes. This recording's problems are already well documented but to restate, the major problems are the following; The right channel drops in and out for long periods of time on the first few songs up until Since I've Been Loving You and sporadically afterwards until towards the end of Dazed and Confused which is pretty much error free until the end of the recording. There are major wow/flutter issues that start in the middle of No Quarter and persist until the end of The Rain Song and show back up for about a minute during the bow solo section of Dazed And Confused and during the audience applause after Whole Lotta Love and the first encore. With that said this is an absolutely wonderful sounding recording when the issues clear up 32kHz sourced audio or not and a killer performance by the band with one of highlights being them playing Goin Down by Jeff Beck during Whole Lotta Love.This may possibly be the best of all the 73 US tour shows and includes a rare appearance of Thank You on this leg of the tour as the final encore.
|
|
07/06/73 |
Chicago Stadium (soundcheck)
Chicago, IL |
1 |
|
|
Master>Presence's DAT>FLAC |
One generation lower than the Antrabata release. |
|
07/06/73 |
Chicago Stadium (soundcheck)
Chicago, IL |
3 |
|
|
Grandiloquence (Antrabata) |
Discs 7-9 Desktapes |
|
07/06/73 |
Chicago Stadium (soundcheck)
Chicago, IL |
2 |
|
|
SBD source combo |
(Tracks 1-8 only) Unknown gen cassette //
(tracks 9-15 only)Maxell Type II (3rd Gen)>X-Fi>Clean!>Wave Lab>Mkw.
All tracks sbe corrected, speed corrected and converted to .flac.
Minor edit from original the first note of The Rain Song was appended to the end of TSRTS because it is from the unknown gen cassette for purposes of a clean split between the sources. |
|
07/07/73 |
Chicago Auditorium
Chicago, IL |
3 |
|
|
sony tc110a sony mono mic>memorex master cassettes>reworked cdr(3)>cdr(n)>EAC safe mode test and copy>WAV>MKW>SHN>FLAC |
|
|
07/09/73 |
St. Paul Civic Center
St. Paul, MN |
3 |
|
|
Master > DAT > CDRn > EAC > WAV > FLAC > WAV > CEP (speed correction -4.5%) > WAV > CD Wave (tracking) > WAV > FLAC Frontend > FLAC |
|
|
07/10/73 |
Arena
Milwaukee, WI |
2 |
|
|
dadgad remaster |
remastered from "One More For The Road" Red Hot CDr copy.
Index clicks,tics, gaps and repetitions present on the original source completely removed.
Tracks index rearranged.
SBEs checked and fixed with Shntool.
Sound equalized with Adobe Audition 1.5 parametric equalizer (upgrade of Cool Edit Pro 2.1).
Denoised using a noise sample taken from a sound gap present on the original source.
Little ambience added with StereoPlate reverb control. |
|
07/12/73 |
Cobo Hall
Detroit, MI |
3 |
|
|
"Rock And Roll Ever" (Akashic AKA-MILLENIUM 1-1 Audience Recording) |
|
|
07/12/73 |
Cobo Hall
Detroit, MI |
3 |
|
|
Reel Master(Lloyd 8-track rec. w/ext Lloyd mic.)>VHS 1st gen.>DAT 2nd gen.>CDr>EAC>WAV>FLAC |
Raw untouched transfer, some VHS little disturbing in places. |
|
07/13/73 |
Cobo Hall
Detroit, MI |
1 |
|
|
Presence Server |
Soundboard Recording.
Master > Cassettes > DAT |
|
07/13/73 |
Cobo Hall
Detroit, MI |
1 |
|
|
Monsters Of Rock (Tarantura) |
Disc 3. Soundboard |
|
07/15/73 |
Buffalo Auditorium
Buffalo, NY |
1 |
|
|
Soundboard lineage: Maxell Type II (3rd Gen)>X-Fi>Clean!>Wave Lab>Flac |
|
|
07/15/73 |
Buffalo Auditorium
Buffalo, NY |
3 |
|
|
Transfer to CDR from 2nd gen. audience tapes |
|
|
07/15/73 |
Buffalo Auditorium
Buffalo, NY |
2 |
|
|
"Shuffle Off To Buffalo" (A Group/Personal Project) |
What we've done to make this project:
- We've tried to bring out instruments that were originally buried in the raw tape source (low end and drum fills), and balance the instruments as best we could.
- We've tried to bring out things that were originally buried in the raw soundboard tape (i.e: cheers from the audience, commentary on stage, clapping) to make the recording sound less flat and more open.
- We've given the recording a gentle volume boost, we hope that it isn't too loud for everyone here. |
|
07/17/73 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
Winston Remasters |
Disc 1&2 Matrix Sources
AUD - ext. mic>Tandberg mono R2R @ 7 1/2ips-reelm>VHS1>MATRIX Remaster
SBD - unconfirmed low gen very clean analog>DAT1>MATRIX Remaster.
Disc 3
AUD - cass4>DAT2>PCM>Remaster |
|
07/17/73 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
JEMS master recording |
Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac
Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic
Taped and Transferred By: JEMS --- Very good to excellent sounding recording until The Ocean and then the recorder starts to malfunction causing flutter and dropout problems. Other than that the recording is virtually complete minus a small cut at the end of No Quarter. |
|
07/17/73 |
Seattle Center Coliseum
Seattle, WA |
2 |
|
|
"Grandiloquence" (Antrabata) 9 cd set limited to 325 copies, this is #141 |
Lineage: Silvers > EAC > FLAC..
Discs 4&5 Seattle Desktape - amazing soundboard |
|
07/17/73 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
Grandiloquence (Antrabata) |
Audience tapes |
|
07/17/73 |
Seattle Center Coliseum
Seattle, WA |
2 |
|
|
"V 1/2 +" (Last Stand Disc) |
Disc 3 of the boot has not been included because the tracks are from different 1973 shows, namely the second Detroit show and the first MSG show. |
|
07/18/73 |
Pacific Coliseum
Vancouver, BC |
2 |
|
|
stereo master>reel-to-reel>cd-r>.wav>Multi frontend v0.983 beta[Level 6]>Flac |
Another Ton185 source, so this is the lineage provided to him.
This is also the show cut short after Plan't LSD trip gets to him! |
|
07/20/73 |
Boston Garden
Boston, MA |
2 |
|
|
"Boston Gardens, July 20, 1973" |
Tape flip during last verse of d01t07; flip cuts off sustained bass
note ending d02t02. No noise reduction or expansion.
Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B
portable reel to reel recorder. Original cassettes were transferred
to a Mac DAW using a Nakamichi 480.The analog signal was first run
through a SAE 2800 parametric equalizer to bump the highs slightly.
Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz
(-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak.
Bias Deck used to splice tape flips & even out volume levels. Bias
Peak again used to transfer SDII files to WAV files for shn
compression. xACT used to fix SBEs & encode to SHNs.
This recording is one of literally dozens of concerts recorded by Joe
Maloney in the late '60s - late '70s to be released to the live
recording community. The bulk of the concerts recorded were in the
Boston area, with some in Maine venues.
Winston's improvements:
- Splicing in an alternate source during the cuts mentioned above |
|
07/21/73 |
Providence Civic Center
Providence, RI |
2 |
|
|
Winston Remasters |
My first gen cassettes-Nak BX300-Echo Mix Soundcard
Samplitude-96khz 24bit Speed Corrected and Down Sampled
using Soundforge with anti alias filtering-Dithered to 16bit using POW-R
CD's made with CD Architect. |
|
07/21/73 |
Providence Civic Center
Providence, RI |
2 |
|
|
taper's CD-R>EAC>WAV>My cdr>EAC>WAV>FLAC |
Obtained this though a local friend who traded directly with
the taper. Trade was done around 10 years ago. My cdr's were copied from my friends. I can not say for sure what the taper used when he made my friends cdr..so I'll leave the generation info an unknown, but it is low. |
|
07/21/73 |
Providence Civic Center
Providence, RI |
2 |
|
|
"LZ Rider" (Tarantura) |
|
|
07/23/73 |
Baltimore Civic Center
Baltimore, MD |
3 |
|
|
Philips handheld recorder with internal condenser microphones > 2TDKd120 Cassettes > DAT1 > CDR3 > EAC (with proper settings) > WAV > FLAC |
Unaltered except the silent gaps between discs which have been removed with EAC's integrated Wave editor.
Encoded to FLAC level 8 with FLAC Frontend, aligned on sector boundaries |
|
07/23/73 |
Baltimore Civic Center
Baltimore, MD |
3 |
|
|
"A Bloody Act" (dadgad production) |
This has been a challenge to me to get the best out
of the recording, I did what I could, I hope you all will enjoy this in the same way that I enjoyed it during the remastering process.
Great performance despite some faults in the first section of the set.
Dazed and Confused sections are played out of the classic sequence
giving a weird feeling to the song.
The STH solo has a part in it that incredibly enough sounds very similar
to one played two years later at the Earl's Court. |
|
07/24/73 |
Three Rivers Stadium
Pittsburgh, PA |
2 |
|
|
Source #3 2nd gen tape (David's tape)>wav>FLAC |
some of you have probably noticed that the beelzebub label is
announcing a new, third source for Pittsburgh July 24, 1973. Well, I
bought this source years ago & admit to hoarding it for rare trades,
looks like one of my recipients has sent this to the bootleggers, so
I am now offering the "original" 2nd gen tape>CDR of source 3. I'd like this spread out fast & perhaps
cut into beelzebub's sales |
|
07/24/73 |
Three Rivers Stadium
Pittsburgh, PA |
2 |
|
|
Source #1 AUD > Cass/2 > CDR/1 > EAC > FLAC |
|
|
07/24/73 |
Three Rivers Stadium
Pittsburgh, PA |
2 |
|
|
"Good Good Steady" (Beelzebub) |
|
|
07/27/73 |
Madison Square Garden
New York, NY |
1 |
|
|
2nd gen cassette SBD(Maxell UDII-S 90)>wav(24/192)>wav(16/44)>flac |
The sound quality on this is excellent on par with the best sounding soundboards for the US leg of the 73 tour. This is a direct transfer of sean_the_bootlegger's 2nd gen cassette. |
|
07/27/73 |
Madison Square Garden
New York, NY |
2 |
|
|
Lineage: 1st gen>CDR>EAC>Flac |
audience recording |
|
07/27/73 |
Madison Square Garden
New York, NY |
2 |
|
|
Something Completely Different (The Garden Tapes part I) [Eddie Edwards] |
SBD Source - various tape and CD sources used but mostly from
Grandiloquence (Antrabata)
AUD SOurce - 1st->DAT->CDR--
Show lineage CDR(from Eddie)>EAC>FLAC..
Eddie's releases are always from the best sources available.
They always run at the correct speed, perferct source splices,
proper leveling and are error free.
The sound is unaltered. |
|
07/27/73 |
Madison Square Garden
New York, NY |
1 |
|
|
Grandiloquence (Antrabata) |
Disc 6 - Desktape (soundboard) |
|
07/28/73 |
Madison Square Garden
New York, NY |
3 |
|
|
It Doesn't Get Any Cooler (The Garden Tapes part II) [Eddie Edwards] |
SBD Source - 1st->DAT->CDR..
AUD SOurce - 4th->DAT->CDR..
Show lineage CDRs(from Eddie)>EAC>FLAC -
Eddie's releases are always from the best sources available.
They always run at the correct speed, perferct source splices,
proper leveling and are error free.
The sound is unaltered.
Ive been told EVSD used this source for "Effect is Shattering" |
|
07/29/73 |
Madison Square Garden
New York, NY |
1 mp4 |
|
|
proshot synced to correct audio |
Aprox. 28 minutes of video - thanks ledzepfilm! |
|
07/29/73 |
Madison Square Garden
New York, NY |
3 |
|
|
Missing Doll (Tarantura) |
Source: SBD+AUD..
Lineage: Silver CD > EAC > WAV > Trader's Little Helper > FLAC(level 7) |
|
??/??/73 |
The Song Remains The Same - Fan Edition
New York, NY |
1 DVD-DL |
|
|
Presence |
|
|
01/12/75 |
Voorst National
Brussels, Belgium |
2 |
|
|
lineage: 2nd gen>DAT(3)>CDR(x)>EAC>FLAC |
VG+ audience recording. "When The Levee Breaks" was performed. |
|
01/20/75 |
Chicago Stadium
Chicago, IL |
2 |
|
|
dadgad audience source 1 |
2nd Gen Cassette>PC>CDr2 (2003 transfer)>EAC(secure m./read offset corr.)>WAV>FLAC(verify/test/level7)...Good to very good AUD recording.
Raw unaltered tape transfer. |
|
01/20/75 |
Chicago Stadium
Chicago, IL |
2 |
|
|
Audience Source 2 |
Lineage: 1st gen cassettes>wav(24/96)>wav(16/44)>flac(level 8) |
|
01/21/75 |
Chicago Stadium
Chicago, IL |
2 |
|
|
"Luftschiffe" (Tarantura) |
AA: The show isn't all that bad although Robert's voice is severely damaged by the flu. The band is fine, although Jimmy has some problems with timing and solos due to his broken finger. Still, not as bad as many people make it out to be. |
|
01/29/75 |
Greensboro Coliseum
Greensboro, NC |
2 |
|
|
"A Quick Getaway" (TDOLZ / VOL.68) |
|
|
02/06/75 |
Forum
Montreal, QC |
3 |
|
|
2nd gen>CDR>EAC>Flac>TLH > Tested for SBE's > Re-encoded to FLAC Level 8 |
good audience recording |
|
02/12/75 |
Madison Square Garden
New York, NY |
3 |
B |
A+ |
Flying Circus (Remastered) [Empress Valley Supreme Disc] |
|
|
02/12/75 |
Madison Square Garden
New York, NY |
3 |
|
|
Definitive Flying Circus |
Soundboard with audience patches to make complete show. Sources:
Soundboard
Flying Circus (Empress Valley)
Audience (taper: Jerry Moore)
Master > DAT > CDR |
|
02/12/75 |
Madison Square Garden
New York, NY |
3 |
|
|
Four Blocks in the Snow V.2 (Bluecongo matrix) |
SB Source: Heartbreakers Back in Town..
Aud Source: Can’t Take Your Evil Ways..
This is the all new, extended & repaired version of this show. All SBE's have been fixed, and I have added in more in between song banter and changed a few transitions. This was my first attempt at a matrix, and I learned a lot since then. You can discard my previous attempts at matrixing this show, this is the definitive version Bluecongo matrix for this show. |
|
02/13/75 |
Nassau Coliseum
Uniondale, NY |
3 |
|
|
Fighting Back At The Coliseum (EVSD) |
|
|
02/14/75 |
Nassau Coliseum
Uniondale, NY |
3 |
|
|
Grame Remaster of EVSD's "St. Valentine's Day Massacre" |
The remaster involved the following:
1) the original mix with slight compression
2) a compressed and eq'd feed of the original mix to an impulse of the ambience of an onstage environment
3) a feed to an impulse of the ambience of a japanese concert hall. the low end and high end is reduced on this feed
4) 2 and 3 are then added to 1 and then slightly compressed to glue the whole thing together.
Went easy on the limiting to retain dynamics |
|
02/14/75 |
Nassau Coliseum
Uniondale, NY |
3 |
|
|
dadgad's source merge based on Empress Valley's "St. Valentine's Day Massacre" |
Lineage SBD: EVSD 507/508/509 Silvers>EAC>WAV>FLAC
Lineage AUD: 1st gen>3cdr |
|
02/16/75 |
The Arena
St. Louis, MO |
3 |
|
|
Bertha Remaster of "St. Louis Blues" (Empress Valley Supreme Disc) |
Notes by Jay:
Digitally remastered using a custom built, Dual-DAW, nicknamed "Bertha", by jashley@deadacated.com.
Completed on January 11, 2005. Under Spectral and Wav analysis, the original source was found to have
excessive audio compression applied, and some type of noise reduction.
By listening test only, the original source was found to have excessive high end eq applied.
Together, the audio compression and eq have resulted in a highly abrasive sound at flat setting.
The noise reduction was well done and did not affect the "Bertha" process.
Most "Bertha Remasters" are done using original, unprocessed sources.
The less that has been done to an original source the better the results.
Reversing the effects of a highly processed source such as this one is very difficult.
I did not expect much, but I am pleased with the results.
The original track timings were used for retracking.
This is the first Non GD related "Bertha Remaster". |
|
02/28/75 |
Assembly Center, Louisiana State University
Baton Rouge, LA |
3 |
|
|
Rampaging Cajun (Empress Valley EVSD-534/535/536) |
|
|
02/28/75 |
Assembly Center, Louisiana State University
Baton Rouge, LA |
3 |
|
|
Rampaging Cajun (EVSD) - Grame Remaster |
The remaster involved the following:
1) the original mix with slight compression
2) a compressed and eq'd feed of the original mix to an impulse of the ambiance of an onstage environment
3) a feed to an impulse of the ambiance of a Japanese concert hall. the low end and high end is reduced on this feed
4) 2 and 3 are then added to 1 and then slightly compressed to glue the whole thing together.
Went easy on the limiting to retain dynamics |
|
03/03/75 |
Tarrant County Convention Center
Fort Worth, TX |
3 |
|
|
Empress Vally Supreme Disc "Rock Super Stars" |
SBD |
|
03/04/75 |
Memorial Auditorium
Dallas, TX |
3 |
|
A |
"Chasing The Dragon" (Empress Valley) |
|
|
03/05/75 |
Memorial Auditorium
Dallas, TX |
3 |
|
|
Days Confused SB (EVSD 458/459/460) |
EVSD pressed silver 3cd soundboard portion of 6 cd set > EAC (secure mode, offset corrected) > WAV >
FLAC level 8 (v1.1.2a with FLAC Frontend v1.7.1 align/verify) > wav (removing gaps, details see below) >
FLAC level 8
Led Zeppelin - Days Confused (3/#/75 Dallas SB) 6 CD Ltd Edition Empress Valley Label
Empress Valley's Soundboard Revolution Series presents for the very first and only time, the complete
second Dallas show in perfect stereo soundboard! As an extra special bonus, the initial 300 copies only
will include an extra 3 CDs featuring a Huge Upgrade of the audience source of this show. This Limited
Edition set is presented in a special digi pack with slip case similiar in packaging to Snow Jobs
previously released by Empress Valley label.
Additional comments:
The original silvers contained micro-gaps near the track transitions. Here is what I did to remove them:
- Renaming tracks to comply with etree naming convention
- Removing micro-gaps near the track transitions using EAC's integrated wave editor
- Fixing resulting sector boundary errors with shntool |
|
03/05/75 |
Memorial Auditorium
Dallas, TX |
3 |
|
|
Grame Remaster of EVSD's "Days Confused SB" |
*The remaster involved the following:
1) the original mix with slight compression
2) a compressed and eq'd feed of the original mix to an impulse of the ambience of an onstage environment
3) a feed to an impulse of the ambience of a japanese concert hall. the low end and high end is reduced on this feed
4) 2 and 3 are then added to 1 and then slightly compressed to glue the whole thing together.
Went easy on the limiting to retain dynamics |
|
03/11/75 |
Long Beach Arena
Long Beach, CA |
3 |
|
A+ |
"Long Beach Californication - Mastered" (Empress Valley Supreme Disc) |
This is a speed-corrected version, courtesy of dadgad prod, of Empress Valley's latest
soundboard release. Props to dadgad for his efforts! |
|
03/11/75 |
Long Beach Arena
Long Beach, CA |
3 |
A |
A+ |
Godfather Records (GR/478/479/480) |
My personal favorite of the '75 American Tour - Plant's voice is good, Jimmy is playing well, and Bonzo+JPJ are really holding down the groove. Not to mention a drop-dead soundboard recording, done right by Godfather Records. |
|
03/11/75 |
Long Beach Arena
Long Beach, CA |
3 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
JEMS: Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. |
|
03/11/75 |
Long Beach Arena
Long Beach, CA |
3 |
|
|
"The Beachcombers" (A Group/Personal Project) |
Remasterd SBD.
What we've done to make this project:
- We've corrected the tape speed issues that plagued the raw recording, the whole tape was originally running about 2% fast.
- We've reduced some of the "hotness" in the recording, bringing the volume to a more reasonable level.
- We've fixed the click found near the end of "Moby Dick".
- We've tried to balance the instruments as best we could.
- We've tried to bring out things that we're buried in the raw recording (cheers, comments, clapping, etc)
- We've tried to recreate a better sense of ambience and a feel of the acoustics of the venue as best we can. |
|
03/12/75 |
Long Beach Arena
Long Beach, CA |
3 |
|
|
Mix and transfer of source 3 audience tapes done by David E. |
Complete show based on the newly discovered 3rd source recording. The new source is an excellent sounding recording but incomplete. The Millard source which is also an excellent recording is used to fill in the missing sections with the old lesser quality source used to fill in the gaps missing in source 2 and 3. The version of source 3 used here is a direct transfer from the master cassettes. |
|
03/12/75 |
Long Beach Arena
Long Beach, CA |
3 |
|
|
"Taking No Prisoners Tonight" (Badgeholders-BH004-01-02-03) |
listenable audience. |
|
03/12/75 |
Long Beach Arena
Long Beach, CA |
2 |
|
|
"The Summer of My Smiles" (Beelzebub) |
|
|
03/12/75 |
Long Beach Arena
Long Beach, CA |
1 |
|
|
Lineage: 1st gen cassette(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
reviously uncirculated unmarked tape for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) this tape has ever been digitized. The sound is completely unaltered except for pitch correction and fades put at the beginning and end of the recording. This was the show Millard got into a car accident and wound up missing most of it. This was all he was able to capture this night. |
|
03/12/75 |
Long Beach Arena
Long Beach, CA |
2 |
|
|
Dedicated To Anyone Who Got Divorced Today (#TCOLZ 040/041) |
3rd source: disc 5&6 of set |
|
03/14/75 |
Sports Arena
San Diego, CA |
3 |
|
A |
"Mystic San Diego" - Genuine Masters (GM.LZ.14.03.1975.DVD.A.11) |
Audio-Rip from DVD-A. Lineage: Original Silver > DVD Decrypter > DVD Audio Extractor (WAV 16/48) > r8brain (WAV 16/44.1) > TLH (Fix SBEs) > FLAC
|
|
03/17/75 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
"Blow-Jobs" (Tarantura) |
|
|
03/17/75 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
"The Dinosaur In Motion" (Empress Valley) |
|
|
03/17/75 |
Seattle Center Coliseum
Seattle, WA |
1 mpg |
|
|
8mm video with sound synched |
3:23 of various snippets from an audience cam |
|
03/17/75 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
"Haven't We Met Somewhere Before?" (Empress Valley) |
The much balley-hooed soundboard. Meh... |
|
03/17/75 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
Stan Gutoski AUD source |
Stan Gutoski's master reels x 3 @ full-track mono @ 3 3/4 ips >
Bill Bratton's 1st gen reels x 3 @ full-track mono @ 3 3/4 ips > wav (24/96) > wav (16/44) > FLAC. An excellent but incomplete mono recording. Unfortunately Stan wasn't able to document the first half hour of the set due to getting into a car accident on the way to the show but what he did capture is of excellent sound quality with almost no audience noise. Of the two Zeppelin shows Stan taped in 1975 this is the better of the two recordings. |
|
03/17/75 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
"Godfathers Of Grunge" (A Group/Personal Project) |
What we've done to make this project:
- We've tried to balance the instruments as much as possible, and bring out instruments that were buried in the raw recording. Originally, Jimmy's guitar work was a little low in the mix, while Jones bass was coming in more strongly, which is a unique thing because usually Jonesy needs to be brought up more than any other member of the band. So we wanted to bring Jimmy up in the mix without losing that beautiful low end.
- We've corrected the tape speed issues that plagued the raw tape source, originally the whole show was running a little too fast on all 3 discs of material.
- We've brought the volume down to a more reasonable level and made it easier on listeners ears, originally the volume on the raw tape source was running a bit too hot.
- We've tried to bring out more of the audience presence in the recording, giving the soundboard less of a flat sound to it, and more of a feeling of actually being the audience at the concert. |
|
03/19/75 |
Pacific Coliseum
Vancouver, BC |
3 |
|
|
"Rocky Mountain Hop" (Godfather Records) |
|
|
03/19/75 |
Pacific Coliseum
Vancouver, BC |
4 |
|
|
Canadian Crunge (Beelzebub) |
Disc 4 backstage interview with Robert Plant for US Army Reserve Radio Station, Pacific Coliseum, Vancouver, British Clumbia, Canada Mar. 19 '75. |
|
03/19/75 |
Pacific Coliseum
Vancouver, BC |
3 |
|
|
Snow Jobs (Empress Valley Supreme Disc) |
|
|
03/19/75 |
Pacific Coliseum
Vancouver, BC |
3 |
|
|
Snow Jobs (Empress Valley Supreme Disc) **Remastered** by thri13en |
thir13en: Had some fun with this one, a good raw source that I felt needed some touch-ups. I'd certainly recommend it for all, but it might be best for diehard 13 fans only, as the changes are subtle, more what a general mastering job should be.
As I said, raw, and I've been meaning to play around with one like this, adding a bit of spatial-simulator reverb to try to recreate some ambience of the venue. Not far off from blending with an AUD, just not as obvious. Mostly it gives the rawness a smoother edge and helps to warm up some of the brittle crunch (and eliminate the need for de-noising). Then the spectrum was tightened up as the highs were too bright, the lows were undefined and the mid's (especially Page) needed a slight boost.
I like it, I like it a lot. |
|
03/21/75 |
Seattle Center Coliseum
Seattle, WA |
4 |
|
|
'Head-Job' (Tarantura) |
|
|
03/21/75 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
Audience (Source 1) |
Lineage: Stan Gutoski's master reels x2 @ full-track mono @ 7.5 ips > Bill
Bratton's 1st gen reels x2 @ full-track mono @ 7.5 ips > wav (24/96) > wav (16/44) > flac
Taped By: Stan Gutoski in association with JEMS |
|
03/21/75 |
Seattle Center Coliseum
Seattle, WA |
4 |
|
|
"The Dinosaur In Motion" (Empress Valley) |
|
|
03/21/75 |
Seattle Center Coliseum
Seattle, WA |
4 |
|
|
"The Marathon" (dadgad Remaster) |
Full concert compiled with two remastered sources,
- the first one from RR to the first 2 mins of STH (that I left included at the end of Disc3)
- the second for the whole Disc4 and a small patch of the intro.
The raw transfer os the Stan G. source has some speed and pitch issues and the sound is way too bright with not much bottom end.
The other source is nice sounding overall but runs too slow and has parts where the sound is duller. |
|
03/21/75 |
Seattle Center Coliseum
Seattle, WA |
4 |
|
|
Two Source Mix (JEMS) |
Source 1 Lineage: Stan Gutoski's master reels x2 @ full-track mono @ 7.5 ips > Bill
Bratton's 1st gen reels x2 @ full-track mono @ 7.5 ips > wav (24/96)
Source 1 Taped By: Stan Gutoski in association with JEMS
Source 1 Transferred By: weedwacker (Andy R.) //
Source 2 Lineage: Mike Tate's master cassettes x4> Bill Bratton's 1st gen reels x2 ( reel 1 @ 3 3/4 ips and reel 2 @ 7 1/2 ips) > wav (24/96)
Source 2 Taped By: Mike Tate and Mark Gorelick
Source 2 Transferred By: Presence (Jason P.)
//
Both sources mixed and edited at 24bit / 96000kHz. Finished wav files downsampled to 16 bit / 44100kHz cd quality wav files and sbe corrected.
One of the marathon shows of the 75 tour and one of the longest shows and longest versions of Dazed And Confused they ever played. The complete show is presented here from the best possible sources and transfers available to date(July 2008). Both sets of reels for each source can be considered the defacto masters since the originals for both sources are MIA or no longer exist. Both sets of reels used here are Bill's safety copies he dubbed from the actual masters themselves and have sat unplayed for at least 20+ years and in the case of Source 1(Stan G.) almost 30 years to the day until these transfers were done. |
|
03/21/75 |
Seattle Center Coliseum
Seattle, WA |
2 mpgs |
|
|
8mm videos with sound synched |
About ten minutes-worth of hand-held video synched with audience sound. |
|
03/21/75 |
Seattle Center Coliseum
Seattle, WA |
3 |
|
|
"Deus Ex Machina" (EVSD) SBD source, remastered and retracked by dadgad |
|
|
03/24/75 |
The Forum
Inglewood, CA |
3 |
|
|
"Deep Throat I" [Empress Valley Supreme Disc (EVSD 156~164)] |
audience recording |
|
03/24/75 |
The Forum
Inglewood, CA |
3 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. |
|
03/25/75 |
The Forum
Inglewood, CA |
3 |
|
|
"Deep Throat II" [Empress Valley Supreme Disc (EVSD 156~164)] |
audience recordings |
|
03/25/75 |
The Forum
Inglewood, CA |
1 DVD |
|
|
"Deep Throat" (Empress Valley) |
Total disc time 67 minutes. The footage from 03-25 are in 2 segments. |
|
03/25/75 |
The Forum
Inglewood, CA |
3 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. |
|
03/27/75 |
The Forum
Inglewood, CA |
3 |
|
|
"Deep Throat III" [Empress Valley Supreme Disc (EVSD 156~164)] |
audience recordings |
|
03/27/75 |
The Forum
Inglewood, CA |
3 |
|
|
AUD 2 source: Mike Millard & Unknown analog patch |
Source 1 (Main) - Taper: Mike Millard...
Lineage: Master > HiFi-VHS > 96000hz 24bit > 44100 16bit > FLAC===
Source 2 (Patching) - Taper: Unknown...
Lineage: Unknown Analog > 4CDR2---
*Sound is Unaltered |
|
03/27/75 |
The Forum
Inglewood, CA |
3 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. |
|
05/18/75 |
Earls Court Arena
London, UK |
4 |
|
|
Argenteum Astrum (Tarantura) |
|
|
05/18/75 |
Earls Court Arena
London, UK |
3 |
|
|
Remastered from the master cassettes |
he transfer was made using the following equipment: -
Playback via Nakamichi ZX-7 cassette deck with manual adjustment to height and azimuth of playback head to match that of the original tape recorder to optimise the sound during playback.
Direct connection to analogue input of Audiophile 2496 soundcard via high quality Clicktronic interconnects with 24K gold plugs.
Transfer made at 48KHz 16bit resolution to four wav files then re-sampled at 44.1kHz.
This version of this show has been re-mastered. |
|
05/18/75 |
Earls Court Arena
London, UK |
3 |
|
|
Audience Source 2 Sony TC-153SD Cassette Deck-> BASF LH 120 cassettes (2 off used) > Flacs > TLH > wavs > Adobe Audition (appending wavs, speed correction - 2.8%) > wav > CD Wave (tracking) > wav > Flac Frontend > flac 8 (ta |
Sound quality is very good stereo.
There is a small cut in The Song Remains The Same due to the tape getting buckled.
This is a direct transfer of the show from the original BASF LH 120 cassettes used to tape the show by Nigel Bradder. |
|
05/23/75 |
Earls Court Arena
London, UK |
4 |
|
|
"Friday Night Zeppelin Express" (A Group/Personal Project) |
Audience Recording Merge + Remaster |
|
05/23/75 |
Earls Court Arena
London, UK |
4 |
|
|
"Thunderstorm" - Tarantura 1994 (T4CD-5-1~4) |
3hrs. Notes: There are a total of 3 audience sources for this show.
Source 1 is the most commonly used source by the labels. Many labels
fill missing gaps using one of the alternate sources, this release
does not.
Original notes:
Ripped with EAC in burst mode but error free. Trampled Underfoot fades
out at 7:51-55 and cuts out 11 secs too soon, misses 2 dozen of secs of
tape after the song. Moby Dick is cut at 14:23, disguised by fade out-in,
missing 2 dozen of seconds. Disguised cut 12:39 into Stairway To Heaven.
These are the only cuts I noticed, there might be more.
Pernod's notes:
Sound quality wise this is an upgrade to EVSD's Demand Unprecedented,
EVSD's release is more complete by using source 2 but sounds dull in
comparison. Tarantura obviously used a source close to or equal to the
analogue Master tapes but decided to amplify the sound which, because
the acoustics of the venue are boomy and echoey in itself, doesn't
really benefit the overall sound at all, luckily they didn't compress
it to death like some other recently released bootlegs and still allowed
it to breathe. Anyway, even with the amplification it doesn't come up
with much background noise, evidence of the low gen Tapes they used. |
|
05/24/75 |
Earls Court Arena
London, UK |
2 DVD |
|
|
"Heavy Metal Kids" (Empress Valley) |
Region: All
NTSC: Color
5.1 Digital Surround
Dolby Digital
|
|
05/24/75 |
Earls Court Arena
London, UK |
2 DVD |
|
|
In The Court Of King James (Empress Valley SDVD-021/022) |
|
|
05/24/75 |
Earls Court Arena
London, UK |
2 DVD |
|
|
Knights Of The Court (Genuine Masters) |
Better sound quality than EVSD's release, and no watermark like the aforementioned has throughout. |
|
05/24/75 |
Earls Court Arena
London, UK |
4 |
|
|
To Be A Rock And Not To Roll "Remastered" (Watchtower) |
|
|
05/24/75 |
Earls Court Arena
London, UK |
4 |
|
|
Earl's Court 2405 matrix |
Lineage:
first source : Evoluzione (Empress Valley) : Silvers>wav>shn>cdr>wav>flac
second source : Fourthcoming (Image Quality) : Silvers>CDR(x)>EAC>WAV>flac
both sources : dBPowerAMP>wav>Audacity>wav>flac (level 8).
Notes : "Fourthcoming" provides a good stereo audience recording for the whole show except No Quarter and a part of Moby Dick. For No Quarter, an inferior audience source was used (also matrixed with the soundboard). Going To California and the beginning of That's The Way are only covered by the audience source. |
|
05/25/75 |
Earls Court Arena
London, UK |
4 |
|
|
Conquistador (Watch Tower 2002097/98/99/100) |
|
|
05/25/75 |
Earls Court Arena
London, UK |
1 DL DVD |
|
|
Demand Unprecedented In The History Of Rock Music (Empress Valley Supreme Disc) |
Dual Layer DVD |
|
05/25/75 |
Earls Court Arena
London, UK |
4 |
|
|
King Jimmy & the West Bromwich Blues Band (A Bluecongo Matrix Production) |
To celebrate the 30th Anniversary of this tremendous concert, here is Zeppelin’s mammoth 3 hour 45 minute final night performance presented in an all new Soundboard & Audience audio matrix. |
|
05/25/75 |
Earls Court Arena
London, UK |
4 |
|
|
"When We Were Kings" (Empress Valley Supreme Disc) |
|
|
05/25/75 |
Earls Court Arena
London, UK |
4 |
|
|
"Keep Taking the Pills" (Liriodendron) |
Lineage : "When We Were Kings" (EVSD) FLAC Files from DVD Vine > Adobe Audition 3.0 (Edits Made) > TLH (SBE Test & Correction + Checksums Created) > FLAC-8..
Liriodendron's Notes:
Thirty Five Years ago Led Zeppelin took the stage for nearly 4 hours playing a remarkable show, one of, even some may say the best shows of the 1975 tour. The best or not, it is truly an epic show, the last Dazed and Confused and it was the last show before a series of changes for the band on both personal and professional levels that would continue to follow them until the end.
Anyone listening to the Official DVD release in 2003 of the Earl’s Court portion compared to the circulating bootlegs of Earl’s Court clearly hears the difference in clarity and power. Obviously only so much can be done with a bootleg source, but I tried really hard to get the most out of the bootleg. I attempted to bring all the instruments to the forefront, give them balance, while bringing as much of the power out as I could, so that you could feel as well as hear the music...... play it loud. |
|
04/25/77 |
Freedom Hall
Louisville, KY |
3 |
|
|
"Kentucky Colonels" (A Group/Personal Project) |
Remastered Audience Recording, Lineage: "Louisville Slugger, Raw Tape Source", (DADGAD), Master cassettes > BonhamFan cassettes >Nak BX300 w/azimuth adjustment > HHB standalone CDR > EAC > CDWav > NTI > EAC > FLAC > TLH, Decode > WAV > Remaster > Flac Frontend, Encoding Options, Level.8, Align On Sector Boundaries > Flac (All Tracks Tested With TLH, No Errors Occured) |
|
04/27/77 |
Richfield Coliseum
Richfield, OH |
3 |
|
|
Lineage: Master Cassettes>1st gen reels(Maxell XLII)>pc>wav(24/96)>wav(16/44 w/Adobe Audition)>tracking(cd wave)>flac |
Transferred by: weedwacker |
|
04/27/77 |
Richfield Coliseum
Richfield, OH |
3 |
|
|
The Maximum Destroyer [Empress Valley Supreme Disc 503/504/505] |
|
|
04/27/77 |
Richfield Coliseum
Richfield, OH |
3 |
|
|
"Dr. Who" (Winston Remasters) |
Lineage: Master Cassette>HiFi-VHS>DAT>Remaster |
|
05/21/77 |
The Summit
Houston, TX |
3 |
|
|
Bertha Remaster of Empress Valley's "The Dragon Snake" |
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@eadacated.com.
Completed july 30, 2005.
The original source is from a monitor mix with a very narrow stereo channel.
The narrow stereo effect is common to monitor or house mixes.
The original source has audio level compression applied, as well as noise reduction.
Both were done well and did not result in any noticeable artifacts. |
|
05/22/77 |
Tarrant County Convention Center
Fort Worth, TX |
3 |
|
|
Texas Hurricane Fort Worth 1977, by Empress Valley |
Soundboard |
|
05/22/77 |
Tarrant County Convention Center
Fort Worth, TX |
3 |
|
|
It'll Be Zep (Silver Rarities) |
Special guest on "It'll Be Me" with Mick Ralphs |
|
05/26/77 |
Capital Centre
Landover, MD |
3 |
A+ |
|
"Refreshing Mistakes" (Beelzebub # BSD 43*45) |
|
|
05/26/77 |
Capital Centre
Landover, MD |
3 |
|
|
Bringing The House Down (Empress Valley) |
soundboard |
|
05/28/77 |
Capital Centre
Landover, MD |
3 |
|
|
"The Powhatan Confederacy" (Empress Valley SD 496) |
soundboard |
|
06/07/77 |
Madison Square Garden
New York, NY |
3 |
|
|
"Treading The Boards" (A Group/Personal Project) |
Lineage: "Magical Sound Boogie", (EVSD), Silver CD > EAC > WAV > TLH > Flac (Level.8) > TLH, Decode > WAV > Remaster > Flac Frontend, Encoding Options, Level.8, Align On SBE'S > Flac (All Tracks Tested With TLH, No Errors Occured).
What we've done to make this recording:
- We've tried to balance the instruments as much as possible, and bring out some instruments that were buried in the mix, this is probably the 1st Zeppelin tape I've ever heard where I've hardly heard any cymbals in the mix, I could hear drum fills, but no high hat, so we wanted to bring out those buried instruments in raw tape.
- We've tried to bring out some of the ambience of the venue, and bring out more of the crowd.
- We've tried to reduce as much tape hiss as possible.
- We've reduced some of the "hotness" found in the recordings, and have tried to make the volume a little easier on the ears. |
|
06/19/77 |
San Diego Sports Arena
San Diego, CA |
3 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
weedwacker: Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. |
|
06/21/77 |
The Forum
Inglewood, CA |
3 |
|
|
Listen to This Eddie - Collectors Edition (Genuine Masters) |
audio only |
|
06/21/77 |
The Forum
Inglewood, CA |
3 |
|
|
Mike the Mike 6-21-77 (Winston Remasters) |
1stGenCassette>Remaster>Flac
Analog unknown>DAT>Remaster>Flac - Ten Years Gone snippet only.
Remaster Notes - transfered 1st gen Maxell XLII 90s > Nak BX300 > Echo Mia Soundcard > Samplitude
Professional 7.2 @ 24bit 48hz. Speed corrected, slight hiss reduction(using noise samples from each Cassette).
Down sampled to 44.1 hz using soundforge 6 prof with anti-alias.
Samplitude Prof 7.2 with Waves plugins used for EQ & Dynamics @ 24bit used to enhance the sound.
Dithered to 16bit with POW-R |
|
06/21/77 |
The Forum
Inglewood, CA |
6 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
JEMS: Alternate set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. This particular version was patched with an alt source to fill in the missing music during Ten Years Gone.
MIX OF BOTH MILLAR SOURCES ALSO INCLUDED. |
|
06/22/77 |
The Forum
Inglewood, CA |
3 |
|
|
Thirty Years Gone, 3cd (EVSD 468/469/470B*) |
*EVSD 470B: replacement disc.
The first press (EVSD 470) has digital errors. A new corrected disc was consequently released. |
|
06/22/77 |
The Forum
Inglewood, CA |
3 |
|
|
Audience (4 source mix) Rev 0.1 |
Variable speed corrections done where needed and all tracks sbe corrected afterwards.
Runtime: 207:41.
Notes:
Complete show minus small cut between Kashmir/Over The Top that is not available on any existing sources. Minor cleanup was done to fix overly harsh hiss levels on source 2 and source 4. No remastering was done to the actual music itself.
Rev 0.1 - pops and clicks fixed in original mix. This version supercedes any previous versions. |
|
06/23/77 |
The Forum
Inglewood, CA |
1 DVD-A |
|
|
For Badgeholders Only (Genuine Masters DVD-A) |
|
|
06/23/77 |
The Forum
Inglewood, CA |
2 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
this is a clean unaltered transfer of Mike's recording that sounds as his master(which was recorded with Dolby B on) would with the transfer work and digitization done correctly and faithfully as possible to the masters. |
|
06/23/77 |
The Forum
Inglewood, CA |
3 |
|
|
Audience (3 source mix) |
Patch sources
Lineage Goldberg Source: 1st gen>dat(x)>wav(16/44)>flac
Lineage Millard Source: unmarked 1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac ----- Low gen 3 source mix used for the Good Night Moon Light (Tarantura) release. This source has been augmented with some better pieces for part of Goldberg recording and the Millard portion using the newly surfaced 1st gen cassette transfer(May 2010). The original mix is left intact. |
|
06/23/77 |
The Forum
Inglewood, CA |
3 |
|
|
Vinyl rip from 4LPs set "For Badge Holders Only" on LZ 1234 & LZ 7 labels (Remastered by dadgad prod.) |
Thorens TD280 (Ortofon 2M Red cartridge)>Marantz PM-45>M-Audio Delta 2496>A.A. 3.0
Transferred restored and remastered with Adobe Audition 3.0 |
|
06/23/77 |
The Forum
Inglewood, CA |
3 |
|
|
"Three Hours Of Lunacy" (Beelzebub) |
|
|
06/25/77 |
The Forum
Inglewood, CA |
3 |
|
|
Lineage: 1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. |
|
06/26/77 |
The Forum
Inglewood, CA |
3 |
|
|
That's All Right Mama (Empress Valley SD 477/478/479) |
[from the boxset: For Badge Holders Only, 18cd+1dvd by Empress Valley (EVSD 465~482 & EVSDVD 016)] |
|
06/27/77 |
The Forum
Inglewood, CA |
3 |
|
|
Mike the Mike 6-27-77 (Winston Remasters) |
Lineage: Master>VHS>DAT2>SHN>REMASTER>FLAC
Taper: Mike Millard.
Remaster Notes - I got this source from an FBO Download, Thanks to "wizzy" for posting it and "Riverside Productions"
for the initial mastering. The sound was unaltered and sounded "bland" and just really needed to be balanced & beefed up.
I added a few seconds of Plantations after Dancing Days that was missing from another Millard Source. You will be able to
tell the difference of the sources. |
|
06/27/77 |
The Forum
Inglewood, CA |
3 |
|
|
1st gen cassettes(TDK SA 90)x3>Nakamichi 670 pitch & azimuth-adjusted playback deck>Nakamichi Outboard Dolby B Unit>Wavelab 96/24>Izotope 44.1/16>flac |
Previously uncirculated set of unmarked tapes for this show transferred with Dolby B on as per Mike's notes on the tape labels using an adjustable outboard Dolby B unit. This is the 1st time (May 2010) these tapes have ever been digitized. The sound is completely unaltered except for pitch correction during playback and fades added for each of the tape flips. |
|
07/17/77 |
The Kingdome
Seattle, WA |
3 |
|
|
video soundtrack |
Complete show, audience patches used to fill missing sections. |
|
07/17/77 |
The Kingdome
Seattle, WA |
1 DL DVD |
|
|
The Year Of The Dragon "The Definitive Edition" (Empress Valley Supreme Disc) |
Dual Layer DVD |
|
07/17/77 |
The Kingdome
Seattle, WA |
3 |
|
|
"Jupiter & Saturn" (Tarantura) |
from the actual soundboard, not the video soundtrack source |
|
07/17/77 |
The Kingdome
Seattle, WA |
2 DVD |
|
|
Supersonic Seattle (Genuine Masters GM-LZ-17.07.1977-DVD-04) |
|
|
07/17/77 |
The Kingdome
Seattle, WA |
1 DVD-A |
|
|
DRAGON SLAYERS (Genuine Masters) |
This show has been available before as a soundboard recording, but those releases were taken from the video soundtrack.
This new release from Genuine Masters uses a proper soundboard recording rather than the video audio track. There is a fair amount of difference as well.
This new soundboard source has a really clear and sharp top end, which is an improvement over the video source. There is not quite so much bottom end on
this new source however. Previously Empress Valley released the video soundtrack as Year Of The Dragon on 4 (rather than 3) CDs.
This new release clocks in at 210 minutes, and incredibly has been fitted onto one 4.7 Gig DVDR. One problem with the soundboard source is that
Plant's vocals are a bit harsh or shrill. That has been corrected on this release and we now have a far nicer sound to the vocals.
Robert Plant talks about the band's legendary concerts in the Seattle Center Coliseum in previous years, especially the one on 19 June 1972 when they gave
so many encores. Just before The Battle Of Evermore Plant coughs and says "Arsenal", which was a catchphrase of comedian Eric Morecambe at the time on
British TV. The concert at this new venue was rather erratic, and there are some mistakes in a few songs.
It is however one of the few soundboards available for the 1977 Tour and overall it is an excellent sounding release and
highly recommended to all fans of this tout. Stunning full colour cover art and a nice colour picture disc combine with the excellent sound,
to make this a tremendous release. (Jules McTrainspotter March 06) |
|
07/24/77 |
Oakland-Alameda County Coliseum
Oakland, CA |
2 |
|
|
dadgad production: Master>Cassette1>PC>CDr>EAC(secure m./offset corr.)>WAV>FLAC(level7/verify/test) |
This is the best and rarely circulated source of the last Led Zeppelin's USA show.
The taper, Bob Whitfield, did put some marks in it.
I smell noise/hiss reduction but no traces of any diginoise anywhere. |
|
08/04/79 |
Knebworth Festival
Stevenage, England |
3 |
|
|
video soundtrack |
Complete show, audience patches used to fill missing sections (Phil's Knebworth source used). 1979 Knebworth festival. 30th anniversary version. |
|
08/04/79 |
Knebworth Festival
Stevenage, England |
1 DVD-DL |
|
|
"Past, Present And Future" - Empress Valley (#EVSDVD-019/020) |
FROM G SPOT:
Video Attributes
-Video Format: DVD-9, double-layer, Pro-shot
-Video Compression mode: MPEG-2
-Format: NTSC
-Display Aspect Ratio: 4:3
-Resolution: 720 x 480
-Frames Per Second: 29.97
-Ave Bit Rate of Video Stream: 5232 kbps
-Interlaced
-Bottom Field First
-Chaptered and Menued
Audio Attributes
-Audio Coding mode: AC-3 (Dolby Digital)
-Sampling Rate: 48kHz
-Number of Audio channels: 6 chnls (3/2 .1)
-Bitrate: 448 Kbps |
|
08/04/79 |
Knebworth Festival
Stevenage, England |
3 DVD |
|
|
Secrets Revealed (A Winston & Bluecongo joint production) |
Here it is, Zep’s historic show at Knebworth August 4th, 1979 in all of it’s glory featuring the best matrix ever by Mr Winston himself. Crank the subs and feel Bonzo & Jonesy rock the joint. Special feature on this DVD is an exclusive “Bluecongo” cut of Heartbreaker, using the existing footage from the DVD, plus a pristine, uncirculated version of the distant cam video cut together for an all new version. Special thanks to Presence for graciously providing this video.
The audio has been mastered in lossless PCM stereo for maximum impact, thus the need for 3 DVD’s. Fitting it on two would have required audio & video compression. The extra wait to download this monster will be worth it, I promise. |
|
08/04/79 |
Knebworth Festival
Stevenage, England |
3 DVD |
|
|
Knebworth Masters - 30th Anniversary Edition |
NTSC PRO-DVD Video featuring WINSTON's AUD-SBD Matrix |
|
08/11/79 |
Knebworth Festival
Stevenage, UK |
1 DL DVD+R |
|
|
Genuine Bastard Release 2004 |
Upgrade of this show consolidated onto one Dual Layer DVD+R. Also, this release does not have the black hole in White Summer/Black Mountain Side the other release has.
Quality is on par to the 3 DVD version listed here. Some grain is evident. Worthy for its completeness. |
|
08/11/79 |
Knebworth Festival
Stevenage, UK |
2 DVD |
|
|
"Return Of The Dinosaurs" (Genuine Masters) |
2-DVD set, LPCM Stereo
Lineage:
Trade DVDRs > HD > HungerCity Tracker |
|
08/11/79 |
Knebworth Festival
Stevenage, UK |
3 DVD |
|
|
Knebworth Festival 1979 (unknown label) 3 DVDR, NTSC |
Jules McTrainspotter August 04: From the very start of disc 1 you know that this is going to be an exceptional release. The second Knebworth video has been doing the rounds for a while now, and previously Cosmic Energy did a splendid job with their Second Night In The Park. However this new release, by an unknown/unnamed label, sets a new standard for both the quality of the video and the soundtrack. I am informed by a very reliable and qualified source that this looks like a second generation video source. There is more video footage as the MC announces the band, as the camera zooms in to the stage the picture quality is much improved and sharper. The clarity, sharpness and cleaness of the picture and the colour is much improved, and the soundtrack is powerful and prominent. A good test of picture quality is how well you can see all the strings on Jimmy's guitar. Here, on the opening song (The Song Remains The Same), Jimmy plays the Gibson double neck, and you can count every one of the 12 strings, and the 6 strings below as well. Another very good example of the exceptional quality of this release is during In The Evening on disc 3, the close-ups of Robert's face are perfect quality, as is the picture quality of Jimmy's guitar. This release has been spread over three DVDRs, to ensure the highest quality transfer to disc. Burning a DVDR this way produces 60 minutes running time, as opposed to a slightly lesser quality transfer of 2 hours. Clearly a great deal of trouble has been taken in ensuring sourcing the best quality video, and the transfer to DVDR. Unfortunately there are no bells and whistles on this release regarding an opening menu, song title index, etc. This is a minor gripe, but if each of the discs had this then it would have made this release even better. The packaging is nice too. It comes in a fatboy jewel case, nice artwork front and back, and the discs are printed with black and white photos taken at the two concerts. All in all this is now the definitive release of the complete concert, and well worth seeking out. Highly recommended. Following a second watching of this superb quality release, I can only reiterate my comments and say that this is the finest quality unofficial DVD release of Led Zeppelin ever. At times you think that you are watching the official complete concert release. Probably one of the all time great Led Zeppelin official or unofficial releases. The Knebworth concerts have often been criticised (by critics and reviewers and 'armchair experts'), but this second Knebworth concert remains an extremely important and highly emotional one, being the last time the group ever played on home soil. |
|
08/11/79 |
Knebworth Festival
Stevenage, UK |
3 |
|
|
30th anniversary edition (video soundtrack) |
|
|
06/18/80 |
Sporthalle
Cologne, Germany |
2 |
|
|
Winston Matrix |
SBD Source 1stGenCass>DAT2.
AUD Source Master>DAT1>2CDR2.
Mixed and Mastered with Samplitude. Waves Plugins used to Enhance the Sound.
I hope the boot labels leave this one alone. Alot of work went into this. |
|
06/20/80 |
Voorst National
Brussels, Belgium |
2 |
|
|
Live Omega Series #3 (Winston Remaster) |
SBD Source - 1stGenCassette>DAT2>Remaster
AUD Source - 1stGenCassette>DAT Unknown>Remaster |
|
06/24/80 |
Messehalle
Hanover, Germany |
2 |
|
|
"1980 Tour Over Europe" (Tarantura 2004) |
Soundboard |
|
06/24/80 |
Messehalle
Hanover, Germany |
2 |
|
|
Gracias (Antrabata) Disc1,2 |
Soundboard |
|
06/24/80 |
Messehalle
Hanover, Germany |
2 |
|
|
3rd gen>cdr>wav>flac |
Very good audience recording, but the drums are boomy sounding. The phase on the recording was fixed so it no longer sounds flat and speed correction was applied. |
|
06/29/80 |
Hallenstadion
Zürich, Switzerland |
2 |
|
|
"The European Championships" (Bluecongo Matrix) |
SB Source: Conquer Europe EVSD.
Aud Source: Master Cassette>DAT>CD-R Audio edited using Pro Tools>Wav>CD Wave>Flac Level 8 Verified.
Bluecongo's Comments:
I made this mix very "wet & nasty". I really wanted to capture the energy of the crowd and the band reacting to it. This new version I believe will cast a new light on the 1980 tour. I did my best to include as much in between song banter as possible. The Aud taper often paused his recorder in between songs to save tape apparently. The warts of the Aud & SB recordings have been left in. Drop outs, crackles, etc. Kashmir switches from SB to Aud source midway through the song.
Regarding Kashmir, I have taken the unprecedented step of offering two versions of the song. One version has the tremendous screw up in the middle of the song edited out. The other version is the "warts & all" version. I leave it up to you to decide which you want to listen to. I think you'll prefer the edited version.
Mustardpie's comments:
The uncut Kashmir could not be inserted into the original track ordering without a noticeable click at the beginning. A very tiny bit of sound from the trailing note of Black Mountain Side had been clipped from the uncut Kashmir. I restored this tiny bit of data from the beginning of the edited Kashmir back to the beginning of the uncut Kashmir. Now the tracks flow seamlessly into each other.
Also, CD Wave introduced some sector boundary errors at the end of each disk and in the uncut Kashmir. I encoded the complete Kashmir back to flac level 8, named it to fit the track listing above, and fixed SBEs with shntool with the output set to flac level 8.
Bluecongo gave me his approval to torrent this show. I offer my thanks to him for the hard work he put into this show. I certainly enjoy this version better than the plain soundboard recording. |
|
06/29/80 |
Hallenstadion
Zürich, Switzerland |
1 mpg |
|
|
Audience 8mm film > MPEG2 |
The 8mm film was originally silent; here it has been synched by ssellers with Bluecongo's soundboard-audience matrix for an "authentic" audience experience. |
|
06/29/80 |
Hallenstadion
Zürich, Switzerland |
2 |
|
|
Gracias (Antrabata) Disc3,4 |
Source: SBD...
Lineage: Silver CD > EAC > WAV > Trader's Little Helper > FLAC(level 7) |
|
06/30/80 |
Festhalle
Frankfurt-am-Main, West Germany |
2 |
|
|
Bertha Remaster of 1st gen SBD |
SBD>???>>CASS>>CDA>>FLAC>>DAW(Bertha)>>CDA/FLAC |
|
06/30/80 |
Festhalle
Frankfurt-am-Main, West Germany |
2 |
|
|
Tour Over Europe (Last Stand Disc) |
soundboard |
|
07/03/80 |
Eisstadion
Mannheim, Germany |
2 |
|
|
"Mannheim Steamroller" (Bluecongo Matrix) |
SB: JP Cass>1st Gen Cass>Master DAT>DAT>CD-R.
Aud: 3rd Gen > DAT > CDRx > EAC > FLAC |
|
07/07/80 |
Eissporthalle
Berlin, Germany |
2 |
|
|
"The Last Flight" (An Achilles-Cooleyez Production) |
Both sources: EVSD Eternal Magic Discs 1-4>EAC>WAV>FLAC>BitTorrent>WAV>Audacity 1.2.3>WAV>FLAC Level 8 (options used: Verify, Align on sector boundaries). |
|
07/07/80 |
Eissporthalle
Berlin, Germany |
5 |
|
|
Eternal Magic (Empress Valley) |
2 SBD / 2 AUD / 1 Radio Report of Bonzo's Death |
|
07/13/85 |
JFK Stadium
Philadelphia, PA |
1 DL-DVD |
|
|
"Reunions - Full Circle (1985-2007)" (Cosmic Energy) |
NTSC DVD includes:
LIVE AID July 13th, 1985 (FM broadcasted used for soundtrack).
Atlantic 40th Anniversary May 14, 1988 (FM broadcasted used for soundtrack).
Rock & Roll Hall of Fame, January 12, 1995.
Ahmet Ertegun Tribute, December 10th, 2007 (multi-cam source).
Knebworth Festival June 30th, 1990.
Montreux Festival July 7th, 2001 |
|
12/10/07 |
O2 Arena
London, England |
1 DL DVD |
|
|
"A Work in Progress" |
More than 15 sources were used to create this multi-angled version.
SIZE: 6.84 GB Dual-Layer DVD
Audio: PCM Audio track & Dolby Digital 5.1 |
|
12/10/07 |
O2 Arena
London, England |
1 DVD |
|
|
BBC Report from the O2 |
|
|
12/10/07 |
O2 Arena
London, England |
2 |
|
|
"For Trainspotters Only" (A Group/Personal Project) |
Lineage: Sony D7 DAT recorder and Sony ECM-717 microphone (Maxell 180 minute DAT tape) > playback on a Fostex D5 DAT recorder via AES/EBU pro coaxial digital lead into a Fostex CR200 > recorded onto TDK CDRs > PC > wave (using Adobe Audition 3) > Megaupload > Download > HD > Remaster > Flac (Level.8, Align On SBE'S) |
|
12/??/07 |
Shepperton Studios
Surrey, UK |
2 |
|
|
"The Triumph Rehearsals (Guitar on Version)" (Tarantura) |
|
|
12/??/07 |
Shepperton Studios
Surrey, UK |
2 |
|
|
Presence |
No lineage information or exact date.
But, in contrast to the ever funny "not from internet download!" selling point bootleggers in Japan loved to use, this release is "NOT FROM ANY BOOTLEG!" Untampered and pure, as it circulated prior to the bootleggers pressing their versions. Big ups to Presence!! |
|
??/??/09 |
The Song Remains The Same (2009 Expanded Ed.)
New York, NY |
2 |
|
|
CMI's The Song Remains The Same (2009 unofficial expanded edition) |
Recorded live at Madison Square Garden, New York, USA
on 27th-29th July 1973 --- When the original soundtrack was released in 1976, it featured only two thirds of the whole live set
and sound quality and editing was far from perfect. Even Jimmy Page was not so pleased with the result
and have not remastered it in the early 90's promising to completely recreate it in the future.
In 2003, the Led Zeppelin DVD was released which features Madison Square Garden 1973 segment
with four tracks, two of which have never been released previously on any format.
In 2007, a Special Edition of The Song Remains The Same movie with completely remixed soundtrack
and videos of all other songs from the live set as bonus material was finally released.
New remixed edition of OST was also released, which includes complete live set list.
But most of the songs which were edited for the movie are presented here in the same form.
Even the old 1976 OST has unedited pieces of these songs.
Overall sound is very warm and friendly for ears, but overproduced VST effects has completely destroyed some parts of the tracks.
It needs to say the soundtrack recreation work was done with fair quality and care.
Great opportunity to present this live recording in full its glory was lost... again.
This compilation was made to compensate the lack of attention and care on original recording from the creators of both official releases.
The main aim is to create the longest and most complete soundtrack from all officially released live material recorded at these 3 shows at Madison Square Garden.
The result is extra 6 minutes in comparison with duration of 2007 remixed CD reissue.
There are four sources were used to compile this version:
1) 1976 OST CD source
2) 2003 Led Zeppelin DVD LPCM stream
3) 2007 OST CD reissue
4) 2007 TSRTS DVD reissue LPCM stream
2007 OST CD reissue source was used as a bulk. All other sources were used for patches and fixes.
1976 OST CD source was speed corrected to match the speed of 2007 remix source.
1976 OST CD source and 2003 Led Zeppelin DVD LPCM stream were equalized to match the sound of remix as close as possible.
Main fixes:
1. Black Dog: hugely edited version was removed with LZ DVD version from 28th July 1973.
2. No Quarter: edited piece was restored from 1976 CD OST source.
3. The Ocean: the song was moved to the right place in the set as the second encore.
4. Rain Song: extended audience cheering after the song was restored from the 2007 TSRTS DVD LPCM stream for proper ending of CD1.
5. Dazed And Confused: timing anomaly due to poor editing around 23:00 was repaired using 1976 OST CD source.
6. Moby Dick: the whole poorly edited and effects-overproduced drum solo section was replaced with the one on 1976 OST CD source.
7. Whole Lotta Love: edited 'The Crunge' section was replaced with complete version from 1976 OST CD source. |
|
05/31/10 |
Internet
BBC Radio, UK |
1 |
|
|
Lineage: BBC 6 internet broadcast > Adobe Audition 3.0 44/16 > CD Wave 1.98 44/16 > FLAC lvl 8, sbe's aligned (TLH) |
Presented by none other than 'Nirvana', 'Foo Fighters' and 'Them Crooked Vultures' star Dave Grohl, this programme takes the listener through Bonham's extraordinary life, to his legendary playing with Led Zeppelin to his tragic and untimely death. Not only does Grohl offer rock star profile, he also brings a real and deep understanding of the subject, both as a fellow drummer and a Zeppelin fan, and enormous musical credibility amongst his peers and his audience. Also includes the Jimmy Page and John Paul Jones interviews that took place on BBC 6 prior to the "The John Bonham Story" but were broadcast 12:30am Tuesday 1st June 2010. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/04/97 |
Stravinski Auditorium
Montreux, Switzerland |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
09/20/92 |
Unknown
Cleveland, OH |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/18/73 |
The Record Plant
Sausalito, CA |
1 |
|
|
FM broadcast > ? > SHN > CDR > xAct > FLAC |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/19/97 |
Theatre St. Giles
La Reunion Island, France |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/29/72 |
Skytop Lounge
Syracuse, NY |
1 DVD |
|
|
Skytop Upgrade |
NTSC format.
B & W / 3 camera
+ Bonus footage(John Mclaughlin solo) |
|
05/15/72 |
Hunter College
New York, NY |
1 DVD |
|
|
"Azrael Presents" |
chapter 1 of 3 part DVD
Film of the Mahavishnu Orchestra from a columbia records unreleased promo for an unknown single release
(you see the cover at the end of the clip.... anyone ever seen it ?) it had very badly synced audio with audience
cheering covering the mismatch it would appear in putting together the promo the video editor columbia used
got confused with the sound mix of the groups electric guitar, moog syntheiser, electric violin sounds and got lost
trying to match them to the video for the promo to a different song (Noonward Race) and then some parts were
speeded up, the film is of the band playing at Hunter College in New York May 15, 1972 which was broadcast
by radio station WABI 99.5 FM. The project must have then got shelved but a copy with this timecode was shown
on possibly a pilot episode of an unknown TV show.
The video was recently placed in the video-editing timeline along with the audio from Hunter College FM broadcast
and moved around untill a good match was found during this part of " Dance of Maya "
**note** it is possible the film columbia used is from grabs taken from several different songs from the concert and
it is only a coincidence it best fits this part of "Dance of Maya"
|
|
03/15/73 |
Bananafish Garden
New York, NY |
1 DVD |
|
|
"Azrael Presents" |
chapter 2 > 5
For the first time decent video of the "in-concert" TV show has been synced to an FM recording of the simulcast
from a VHS tape the "in concert " TV show filmed at Bananafish Garden in Brooklyn New York
the most likely date is believed to be March 15 1973
This copy is about 2nd or 3rd generation off the taper who apparently still has his Betamax tape somewhere but in storage.
It was first synced to the audio off the Japanese bootleg " Mourning of the Eternal Five" and then sent to a McLaughlin
collector for an opinion the collector had since heard of a better recording on Dime by "merday" then when that was synced
another slightly better recording of the simulcast uploaded first on TTD then Dime of " bpthree " which is a little better
and so this was synced and although not perfect is quite acceptable and now for first time the video has stereo audio. |
|
03/17/73 |
SUNY New Paltz
New Paltz, NY |
1 |
|
|
|
SBD>???>CDR>EAC>FLAC 6 (w/ sector align)
01. Meeting of the Spirits> Miles Beyond 23:57
02. Vital Transformation 06:53
03. Sanctuary 07:09
04. The Dance Of Maya 14:33
05. One Word 11:58
Billy Cobham - drums
Jerry Goodman - violin
Jan Hammer - keyboards
Rick Laird - bass
John McLaughlin - guitar |
|
07/21/73 |
Music Inn
Lenox, MA |
2 |
|
|
|
soundboard |
|
11/07/73 |
Palace Theatre
New York, NY |
1 DVD |
|
|
"Azrael Presents" |
chapter 6 > 7
Filmed for D.K.R.C at the Palace Theatre in New York on November 7, 1973 video sourced from 2 VHS tapes
(one was slightly longer) only B quality but better than what most people have, the first 30 seconds is B- then the
quality improves but alas to only B quality,
there is supposed to an even better quality copy of the video around but I don't have it
the good thing it has now been synced to a nice soundboard audio from the show. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/15/84 |
Keystone
Berkeley, CA |
1 DVD |
|
|
|
First Megadeth Show Ever (with Kerry King from Slayer) |
|
03/06/87 |
Hammersmith Odeon
London, England |
1 |
|
|
Transfer direct from FM master tape (original broadcast recording made 24/4/87 onto Maxell UDII chrome C90 cassette tape- except trx 1 and 2 which were in later broadcast 1988)>Ion Tape 2 PC>Audacity>Wav>(SBE corrected- Trader's Little Helper |
The first two tracks of this were from a second broadcast and were spliced onto the beginning- slight edts, therefore- but sounds pretty good. All FM master material. Not a bad performance- I can't remember what it may have all been about (I vaguely remember references to it in the music press at the time), but some members of the crowd were evidently somewhat hostile- hence Dave's comments in the last track re: someone spitting at him.
Track 3- one channel slightly cuts out for a second or two a couple of minutes in. |
|
12/05/90 |
Palace of Auburn Hills
Auburn Hills, MI |
1 DVD |
|
|
House Feed >Fuji HQ 120 SP mode > VHS Sony SLV-660HF > Firewire > Studio 11 (Authoring) >DVD |
This is my master of the house feed from The Palace of Auburn Hills in Michigan from December 5th,1990. This is the complete show from Megadeth,there were opening for Judas Priest.Just as with my audio feed,there is a glitch at the begining of Hanger 18. |
|
12/04/92 |
Cow Palace
San Francisco, CA |
1 |
|
|
|
|
|
??/??/92 |
European Headbangers Ball
Paris, France |
1 |
|
|
"Basic Dreams" (SBD) |
|
|
06/05/93 |
National Bowl
Milton Keyes, England |
1 |
|
|
"Punishment Is Due" w/Bonus Tracks |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/39 |
Various
B-Sides, B-Sides |
3 |
|
A |
|
Various live b-sides; excellent sound |
|
??/??/39 |
Compilation #3 - 25 Clips
Compilation, Compilation |
2 |
|
|
|
Includes Hamburg 11-15-97 & Philly 11-23-98 - both are radio broadcasts; Philly show is incoomplete; [Label: Euro Boots /EB-35] |
|
??/??/39 |
The Real No Life Til Leather
Compilation, Compilation |
1 |
|
|
|
|
|
03/14/82 |
Ron McGovney's Garage, 13004 Curtis & King Rd
Downey, CA |
1 |
|
|
|
Released in '94 via a collaboration between KNAC and Ron McGovney, a number of these demos were debuted during the CLASSIC and ORIGINAL Mandatory Metallica show on 105.5 KNAC. They did a whole week with Ron McGovney in the studio and some of these gems were played on the air. Pat O'Connor, one of the DJ's from the Mandatory show, had his hand in putting out numerous Silver Bootleg CD's and promptly released Sucking My Love between '94 and '95 and than released Things That Should Not Be in late '95. Always an interesting listen... they had a long way to go. |
|
10/18/82 |
Old Waldorf
San Francisco, CA |
1 |
|
A- |
"Night of the Rivit Heads" |
SBD |
|
03/05/83 |
The Stone
San Francisco, CA |
1 |
|
|
|
|
|
03/19/83 |
The Stone
San Francisco, CA |
1 DVD |
|
|
Version of Bleixmaster |
Duration: 53:14.
The very first bootleg group shot on two cameras. Second presentation for Burton and the last for Dave Mustaine. |
|
03/19/83 |
The Stone
San Francisco, CA |
1 DVD |
|
|
3rd gen AUD (Phantom) |
|
|
04/09/83 |
L'Amour
Brooklyn, NY |
1 |
|
|
AUD MASTER: Maxell90>Sony HCD551>Sony RCD W3>CDR>EAC>Flac |
|
|
07/25/83 |
Studio
San Francisco, CA |
1 |
|
|
Megaforce Records MRCD |
|
|
11/07/83 |
The Stone
San Francisco, CA |
2 |
C |
|
|
|
|
12/15/83 |
Broadway Jack's
Chicago, IL |
1 |
|
|
|
|
|
02/09/84 |
Espace Ballard
Paris, France |
1 |
|
|
1st source, 2nd version [transfer from cassette] |
|
|
02/11/84 |
Ijsselhal
Zwolle, Holland |
1 |
|
|
|
VG+ Aud source |
|
03/27/84 |
Marquee
London, England |
1 |
|
B |
Aud |
|
|
04/08/84 |
Marquee
London, England |
1 |
|
|
|
|
|
07/20/84 |
Mabuhay Gardens
San Francisco, CA |
1 |
|
|
Secret Show AUD |
|
|
11/18/84 |
Espace Ballard
Paris, France |
2 |
|
B- |
AUD > Unknown Gen Cassette > WAV (SB Live/CEP) > FLAC |
Kirk's B-Day |
|
11/23/84 |
Salle Des Fêtes Du Grand Parc
Bordeaux, France |
1 |
A |
B+ |
Tape (1st GENERATION) > TEAC W600R > minidisc MZ-NH700 > Sonicstage > wav > DBpoweramp > flac |
|
|
12/05/84 |
Stadthalle
Cologne, Germany |
1 |
A |
B |
Aud source from silvers "Capn's of Krunch" |
|
|
12/12/84 |
Gota Lejon
Stockholm, Sweden |
1 |
|
B |
"Win, Lose, or Draw" boot |
|
|
12/20/84 |
Lyceum Ballroom
London, England |
1 |
|
|
|
SBD |
|
01/15/85 |
The Spectrum
Montreal, QC |
1 |
|
|
1st gen Cass > Sony TCW-305 > Roxio 6.0 > WAV > CDR(M) > EAC(secure) > WAV > FLAC |
AUD; This is a NICE upgrade! This 1st gen sounds better then the current version that is circulating. This is simply an AMAZING aud recording that has held up nicely on this 1st gen cass. |
|
02/01/85 |
Royal Oak Ballroom
Detroit, MI |
1 |
|
|
Sony D-6 >Realistic Microphone> Maxell 90 > Sony HCD551 > Pioneer PDR 555 RW > CDR > EAC > Flac |
Taper: This was the 1st time I saw Metallica. I had a friend who convinced me to go(I think he just wanted it recorded)I had no idea who/what/where Metallica was,I tried listening but couldn't understand a word they were singing...yes I know,but I wasn't into that speed metal stuff back then,but anyway I enjoyed the hell out of watching all these people headbanging while I stayed near the back recording,but it was worth it to get this show...Glad I did it...This is from my Master Cassette |
|
02/05/85 |
Headliner's Pub
Madison, WI |
1 |
|
|
Unknown generation (low?) analog cassette > Nakamichi DR-1 (azimuth manually adjusted) > Creative Sound Blaster X-fi Elite Pro > Cool Edit Pro (amplify) > CDWAV > FLAC |
|
|
03/03/85 |
Grand Central Station
Albuquerque, NM |
1 |
|
|
1st gen AUD: Aiwa TPS30>digital>PC |
|
|
03/10/85 |
Hollywood Palladium
Hollywood, CA |
1 |
|
B |
AUD > Unknown Gen Cassette > WAV (SB Live/CEP) > FLAC |
|
|
03/15/85 |
Kabuki Theater
San Francisco, CA |
1 |
A |
A |
"Demonic Invocation" (Ironic) |
Amazing soundboard. Outstanding performance. |
|
08/17/85 |
Donington Park
Donington, England |
1 |
|
|
|
|
|
08/24/85 |
Ruthie's Inn
Berkeley, CA |
2 |
|
B+ |
cassette master > 1st gen cassette > DAT(1) > CDR(1) > flac |
secret benefit gig , billed as "The Four Horsemen" , drunk!! |
|
08/31/85 |
Oakland Coliseum
Oakland, CA |
1 |
C |
|
"Day on the Green" (Roamer's) |
AUD |
|
08/31/85 |
Oakland Coliseum
Oakland, CA |
1 DVD |
|
|
Pro Shot [Fex-] |
From "Cliff Em All" |
|
09/14/85 |
Metal Hammer Festival
Rheine, Germany |
1 DVD |
|
|
AUD (Badmotherfucker) |
|
|
09/14/85 |
Metal Hammer Festival
Rheine, Germany |
1 |
|
|
FM Sourced? |
|
|
12/31/85 |
Civic Center
San Francisco, CA |
2 |
|
|
AUD > ?? > WAV > CDR(M) > EAC (secure) > WAV > FLAC |
This is the real San Francisco show. James says during Seek and Destroy: "Scannin' the scene at Home tonight" There is a tape flip after the Four Horsemen, no music is lost, also the last song Blitzkrieg seems to be missing. |
|
04/04/86 |
Joe Louis Arena
Detroit, MI |
1 DVD |
|
|
2nd gen upgrade |
Previously unreleased show and featured on CEA. Slight upgrade to the existing source out there. |
|
04/04/86 |
Joe Louis Arena
Detroit, MI |
1 |
|
|
|
|
|
04/16/86 |
Capital Centre
Landover, MD |
1 |
|
|
|
|
|
04/28/86 |
Nassau Coliseum
Uniondale, NY |
1 DVD |
|
|
Oryo Productions |
|
|
04/28/86 |
Nassau Coliseum
Uniondale, NY |
1 DVD |
|
|
AUD Master [Sabkisscrue / No Leaf Clover] |
|
|
05/03/86 |
Freedom Hall
Johnson City, TN |
1 |
|
|
Sony WM-W800 w/supplied stereo condenser mic > TDK AD-120 > Sony TC-WR570 > Phillips CDR200 > CDR > EAC > Flac |
Taped by Jerry B. aka "The Govner" |
|
05/12/86 |
Coliseum
El Paso, TX |
1 |
|
|
|
|
|
05/24/86 |
A.C. Brase Arena Building
Cape Girardeau, MO |
1 |
|
|
SBD > ANA(?) > CDR > EAC(secure) > FLAC |
It is mentioned in the lineage that this is from a analog source, plus if you listen closely imo it sounds that at times the tape may have been degrading or having some other issues. |
|
05/25/86 |
Aragon Ballroom
Chicago, IL |
1 |
|
B+ |
AUD |
|
|
05/28/86 |
Orpheum Theatre
Minneapolis, MN |
1 |
|
|
3rd gen AUD: 3rd Gen Cass>Sony TC-WE305>Roxio 9.0 Deluxe>WAV>CDR>EAC(secure)>WAV>FLAC |
|
|
05/28/86 |
Orpheum Theatre
Minneapolis, MN |
1 |
|
|
3rd Gen Cass>Sony TC-WE305>Roxio 9.0 Deluxe>WAV>CDR>EAC(secure)>WAV>FLAC>WAV>Audacity (Speed Edit, -6%)>WAV>FLAC8 |
Speed corrected version - outstanding Cliff-era show |
|
05/30/86 |
Coliseum Ballroom
Davenport, IA |
1 |
|
|
|
SBD |
|
07/06/86 |
Roskilde Dyrskueplads
Roskilde, Denmark |
1 DVD |
|
|
fromthenosebleeds / infernal |
|
|
07/21/86 |
Pine Knob Music Theatre
Clarkston, MI |
1 |
|
|
Sony D-6 >Realistic Microphone> Maxell 90 > Sony HCD551 > Sony RCD W3 > CDR > EAC > Flac |
|
|
08/30/86 |
Civic Coliseum
Knoxville, TN |
1 |
|
|
Sony WM-W800 w/supplied stereo condenser mic > TDK AD-X 90 > Sony TC-WR570 > Phillips CDR200 > CDR > EAC > Flac |
Taped by Jerry B. aka "The Govner" |
|
09/14/86 |
S.F.X.
Dublin, Ireland |
1 |
|
C |
rare |
|
|
09/18/86 |
City Hall
Sheffield, England |
2 |
A |
A- |
AUD source |
John Marshall on guitar |
|
09/24/86 |
Olympen
Lund, Sweden |
2 |
|
B |
Almost The Last Gig |
|
|
09/26/86 |
Solnahallen
Stockholm, Sweden |
2 |
|
|
"The Final Gig" 2LP (MD 2690-1) |
Some fades between certain tracks, those are just the exact fades that are on the vinyls themselves when one side ends/starts. Also some vinyl crackling but that's the vinyl sound. This is the best version of this gig. |
|
09/26/86 |
Solnahallen
Stockholm, Sweden |
1 |
|
|
from silver, "Today's hero tomorrows lost" |
|
|
11/09/86 |
Jezebel's
Anaheim, CA |
1 DVD |
|
|
1st gen (Sabkisscrue/Hellawaits77) |
|
|
11/09/86 |
Jezebel's
Anaheim, CA |
1 |
|
|
|
Aud |
|
12/01/86 |
Felt Forum
New York, NY |
2 |
A |
A |
AUD analog master > ? > CDR2 > eac [secure, offset corrected] > wav > flac fronted v1.7.1 > flac level 8 |
"this has a story behind it, let's just say it was recorded by a
pro, made into a bootleg album (Assassin) by an inferior source (master tape
to boom box to vinyl), this it from the master tape transferred correctly
(i.e. not vinyl)...Felt Forum, NY, I don't have the info on his deck/mic,
but I know he did use a stand..." |
|
12/05/86 |
Pavillion De La Jeunesse
Quebec City, QC |
2 DVD |
|
|
DamageInc777 |
Converted from a true 1st gen source. Video is a little dark, but crystal clear. Great audio. |
|
12/09/86 |
Maple Leaf Gardens
Toronto, ON |
1 DVD |
|
|
|
|
|
12/09/86 |
Maple Leaf Gardens
Toronto, ON |
2 DVD |
|
|
VideoPete/WVMonster |
Converted from a 1st gen VHS source and authored with 3 audio sources. Video quality is somewhat grainy, but the audio is fantastic. |
|
12/13/86 |
Playhouse Theatre
Winnipeg, MB |
1 |
|
|
"The Metal Masters" |
Good Aud recording |
|
??/??/86 |
1986 - 2004 TV Shit: Binge and Purge
various, various |
9 DVD |
|
|
|
WVMonster's incredible 9 disc collection of US TV appearances |
|
01/18/87 |
Pabellón Del Real Madrid
Madrid, Spain |
1 |
|
|
Unknown AUD -> Unknown Gen Cass -> ?? -> WAV -> FLAC |
|
|
01/25/87 |
Grugahalle
Essen, Germany |
1 |
|
|
audience rec > shn > wav > Adobe > TLH > flac8 |
|
|
02/08/87 |
Ijsellhall
Zwolle, Holland |
1 |
|
|
"BEYOND THE WALL OF SOUND" (1994 OCTOPUS RECORDS, ITALY) |
Excellent "raw" soundboard. |
|
02/13/87 |
Frolundaborg
Gothenburg, Sweden |
2 DVD |
|
|
NWOBHM version, 2 cam mix with soundboard audio on 2 DVDs |
|
|
02/13/87 |
Frolundaborg
Gothenburg, Sweden |
2 |
|
A |
"Fanatic Battery" [Label: META 2001-2] |
Includes 3 "And Justice For All" demos at the end of Disc 2. |
|
02/13/87 |
Frolundaborg
Gothenburg, Sweden |
1 |
|
|
"Tower of Strength"; [Label: Big Music - Big 060] |
SBD |
|
08/20/87 |
100 Club
London, England |
1 DVD |
|
|
Black and white/close shot from side |
|
|
08/20/87 |
100 Club
London, England |
1 |
|
|
|
|
|
08/20/87 |
100 Club
London, England |
2 DVD |
|
|
2nd gen AUD (color) |
Secret gig as Damage Inc. and the live debut of Leper Messiah. This was also the only performance ever of Crash Course in Brain Surgery. Audio is decent, but has a constant hissing to it and there is some obstructions too. Mainly the security on stage blocking the view of the band. |
|
08/29/87 |
Messegelaende
Nuremberg, Germany |
1 |
|
|
"Nuremberg Trials" |
SBD |
|
08/30/87 |
FCP Stadion
Pforzheim, Germany |
1 |
|
|
FM-broadcast ("Hey, Let´s Go To The Arena!" @ Südfunk 3 (= SF3)) > unknown portable stereo system > analog master (Scotch BX-60) > Kenwood KX-W6060 > Audacity > HDD > WAV > Audacity (normalizing and tracking) > FLAC |
Low quality SBD |
|
08/30/87 |
FCP Stadion
Pforzheim, Germany |
1 |
|
|
"Look At Me Germany" [Label: Crowley Records] |
FM broadcast from the Monsters of Rock festival. Good sound quality and a great performance, although there are a few slight skips [like the middle of Leper Messiah].
***mp3 sourced*** |
|
05/24/88 |
Troubadour
West Hollywood, CA |
2 |
|
|
SBD |
lower quality SBD - vocals high in mix. Complete show |
|
05/28/88 |
Alpine Valley Music Theatre
East Troy, WI |
1 |
|
|
AUD 1st Gen Cass -> Sony TCW-305 -> Roxio 9.0 Deluxe -> CDR(M) -> EAC(secure) -> WAV -> FLAC Frontend 1.7.1 -> FLAC(lvl8) |
|
|
06/04/88 |
Orange Bowl
Miami, FL |
1 DVD |
|
|
1st gen AUD |
|
|
06/12/88 |
Sullivan Stadium
Foxboro, MA |
1 |
|
|
Master in AKAI deck > Goldwave Sound Editor > WAV > FLAC |
|
|
06/26/88 |
Giants Stadium
East Rutherford, NJ |
1 DVD |
|
|
shot from GA pit, clear video, but obstructions |
|
|
06/26/88 |
Giants Stadium
East Rutherford, NJ |
1 DVD |
|
|
(2 cam mix)(Thomasbiglow) |
|
|
06/26/88 |
Giants Stadium
East Rutherford, NJ |
1 DVD |
|
|
2nd Source [Sabkisscrue / Metallifreak27] |
Transferred from the original master Sony Video 8 tape. Uncirculated 2nd source. Great recording from the side of the stage, nice and clear. There is a bit of an obstruction during Fade on the left and the right of the cam, but you can still see Metallica, just about. |
|
07/03/88 |
Cotton Bowl
Dallas, TX |
1 DVD |
|
|
2nd gen AUD [Sabkisscrue/Norbinho] |
|
|
07/16/88 |
Candlestick Park
San Francisco, CA |
1 DVD |
|
A- |
AUD - Thomasbiglow/Unforgiven |
Shot from the side of the stage. Excellent Audio |
|
07/24/88 |
Los Angeles Memorial Coliseum
Los Angeles, CA |
1 DVD |
|
|
AUD - Thomasbiglow/Unforgiven |
Shot from the side of the stage. |
|
09/18/88 |
Casa De Campo
Madrid, Spain |
2 |
|
|
|
|
|
09/22/88 |
Plaza de Toros
Barcelona, Spain |
1 DVD |
|
|
1st gen VHS tape>SA DVD-recorder (Panasonic DMR-E50)>HDD |
Filmed from balcony (back of venue), center-stage. Very nice and totally unobstructed view
with great & frequent close-ups. Audio is pretty good for an audience-recording at that time, however rather distorted in the low range. |
|
10/10/88 |
Hammersmith Odeon
London, England |
1 DVD |
|
|
"Justice is Done", NTSC; Pro Shot; Menu & Chapters; includes compilation of 10/10/88 partial concert/interviews; partial 1/23/24/04, Sydney, Australia; and partial 11/7/03 |
|
|
10/11/88 |
Hammersmith Odeon
London, England |
1 DVD |
|
|
Pro Shot |
Partial show |
|
10/18/88 |
Skedsmohallen
Lillestrom, Norway |
1 DVD |
|
|
Metallican/No Anger |
Incomplete and quite a few head / hand obstructions. Still great to have a master sourced 1988 show though! Very good quality show.
Extras and bonus material:
1984.11.17 Belgium: Backstage Interview (High Gen)
1991.08.10 Copenhagen, Pro Shot: One, Bellz, Whiplash (Master)
1992.11.04 Birmingham: Justice Medley (1st Gen) |
|
10/29/88 |
Forest National
Brussels, Belgium |
2 DVD |
|
|
1st gen AUD |
A bit shaky, but filmed from pretty close. Audio is heavily distorted. |
|
11/30/88 |
Myriad
Oklahoma City, OK |
2 DVD |
|
|
1st gen AUD [Sabkisscrue/Hellawaits77] |
|
|
01/28/89 |
Expo Square Pavilion
Tulsa, OK |
2 DVD |
|
|
Video Pete's Copy |
|
|
02/03/89 |
Frank Erwin Center - University of Texas
Austin, TX |
2 |
A |
A |
"Texas '89" (Red Devil) |
with filler from the 1991 tour. |
|
02/05/89 |
Reunion Arena
Dallas, TX |
1 |
A+ |
|
Fan Can 4 (Official) |
Great Show |
|
02/05/89 |
Reunion Arena
Dallas, TX |
2 |
|
|
SBD - most complete version |
Whiplash is missing. Off the master cassette, transferred to PC, tape hiss removed. |
|
02/10/89 |
Civic Centre
Lakeland, FL |
2 DVD |
|
|
Master AUD [Sabkisscrue / No Leaf Clover] |
last 6 songs weren't taped, audio quality sucks though. There is no known alternate audio source. Video quality is great, especially since its a true master. A lot of head obstruction most of the show, but visibility improves as the show goes on.
Coverted directly from the taper's 8mm master. |
|
02/15/89 |
Auditorium
West Palm Beach, FL |
2 DVD |
|
|
Sabbkisscrue/Hellaawaits77 UPGRADE from 1st gen VHS tapes |
|
|
02/19/89 |
Coliseum
Greensboro, NC |
1 |
|
|
AUD 1st Gen. Cass > Sony TCW-305 > Roxio 6.0 > WAV > CDR(M) > EAC(secure) > WAV > FLAC(lvl8) |
|
|
03/04/89 |
Civic Arena
Pittsburgh, PA |
2 DVD |
|
|
1st gen AUD (Sabkisscrue / Damage Inc.) |
A very good 1st gen upgrade. You can clearly make out the band member's face (no more ghost face). Audio still sucks though. |
|
03/08/89 |
Nassau Coliseum
Uniondale, NY |
1 DVD |
|
|
both sources on one disc, low generation |
|
|
03/12/89 |
The Spectrum
Philadelphia, PA |
1 DVD |
A |
B+ |
3rd gen AUD |
|
|
03/13/89 |
War Memorial Auditorium
Buffalo, NY |
2 DVD |
|
|
1st gen AUD [Videopete] |
|
|
03/15/89 |
R.P.I. Fieldhouse
Troy, NY |
2 DVD |
|
|
1st gen AUD [Sabkisscrue] |
SA authored from a true 1st gen copy off the 8mm master. One of the best audience recordings from this period. |
|
03/17/89 |
Hartford Civic Center
Hartford, CT |
2 DVD |
|
|
1st generation, Damage Inc version |
|
|
04/04/89 |
Metro Center
Halifax, NS |
2 DVD |
|
|
1st gen AUD [Sabkisscrue-DamageInc777] |
|
|
04/07/89 |
Maple Leaf Gardens
Toronto, ON |
2 DVD |
|
|
AUD 2 Cam Mix |
|
|
04/07/89 |
Maple Leaf Gardens
Toronto, ON |
2 DVD |
|
|
1st gen AUD - 2nd source [Sabkisscrue / Metallifreak27] |
Uncirculated 2nd source. Taper starts out on the left side and deals with head obstructions. He later moves more towards the center and looks like uses a tripod. The new spot is much better with no obstructions and smoother filming. Video is kinda dark at times. |
|
04/08/89 |
Copps Coliseum
Hamilton, ON |
1 DVD |
|
|
"Justice On Wheels" - Jasta II Productions |
Filmed April 8, 1989. Broadcast sometime in 1989. "Enter Sandman" - Filmed some time in 1991. Broadcast August 12, 1991 |
|
05/14/89 |
Yoyogi Olympic Pool
Tokyo, Japan |
2 |
|
|
Sony D6 >Condenser Mic > Maxell Hi Bias XLII-S 90/60 > Sony HCD551 > Pioneer PDR 555 RW > CDR > EAC > Flac |
|
|
05/24/89 |
Neil Blaisdell Center
Honolulu, HI |
2 |
|
|
|
|
|
07/14/89 |
Orange County Fairground
Middletown, NY |
1 DVD |
|
|
low generation w/ Disposable Heroes from Germany 9/14/85 |
|
|
07/14/89 |
Orange County Fairground
Middletown, NY |
2 DVD |
|
|
1st gen AUD [WVMonster] |
|
|
07/16/89 |
Cayuga County Fairgrounds
Weedsport, NY |
2 |
|
|
AUD > analog microcassette > WAV > CDR > EAC > WAV > FLAC Frontend > FLAC (lvl 7, SB aligned) |
This show was taped by digital_rich on an Aiwa microcassette recorder from the back of the grandstand center stage. Not exactly a hifi recording, but I did manage to capture the show. The only track that's missing is Breadfan, I was on my way out of the arena when the band returned to stage. :( |
|
07/29/89 |
Fairgrounds
Allentown, PA |
2 DVD |
|
|
1st gen AUD w/ audio upgrade [Sabkisscrue / Krzych] |
Video quality is outstanding for a show this old, the show is now much more enjoyable with a lossless audio upgrade. Audio source provided by DealGoDown. |
|
08/07/89 |
Stone Balloon
Newark, DE |
2 |
|
B |
AUD 2nd Gen cass -> Sound Forge 6.0 -> WAV -> FLAC |
Amazing show featuring cuts from "Kill 'Em All" that had not been played for a while. |
|
08/29/89 |
Seattle Coliseum
Seattle, WA |
1 DL-DVD |
|
|
Pro Shot |
|
|
09/21/89 |
Irvine Meadows Amphitheatre
Irvine, CA |
2 |
|
|
AUD Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC |
|
|
10/06/89 |
Projeto SP
São Paulo, Brazil |
2 DVD |
B |
A |
Audience NTSC 2nd gen [Deadbase] |
James and Lars switch instruments during Am I Evil. Video has DAT Audio added to it as well. Really enjoyable show. |
|
10/07/89 |
Projeto SP
São Paulo, Brazil |
2 |
|
A- |
"The Last Heavily Damaged" |
**mp3 sourced** |
|
??/??/89 |
Justice on Wheels
Compilation, Compilation |
1 |
|
|
"In For The Kill" [Label: Imperium - IMP 007] |
Demos |
|
??/??/89 |
Justice on Wheels
Compilation, Compilation |
2 DVD |
|
|
|
NTSC; AUD Shot; Menus & Chapters; 2 Dvd Compilation of Shows from Germany, Belgium, and the Netherlands from 2003-2004 tour. Quality Varies from show to show but overall good. |
|
??/??/89 |
Justice on Wheels
Compilation, Compilation |
1 DVD |
|
|
Ultimate Collection Vol. 1 - Early Years |
Live at Hammersmith Odeon, U.K. (1988): Sanitarium; Seek And Destroy; One; And Justice For All; Interview with Lars (31 min.)
Much Music Canadian TV "Justice On Wheels Tour Special (June-1-89): Interviews with Lars and Kirk; Behind The Scenes; Live footage from the tour. (55 min.)
Japanese TV "Pure Rock" (1988): Interview; Master Of The Puppets (live in L.A. on the Monsters Of Rock Tour). (9 min.)
Buffalo, New York News (March-13-1989): Interview; live footage (2 min.)
MTV Metal Mania (June-15-1986): Interview; Ride The Lightning (live in Long Island, New York). (4 min.)
Japanese TV "Music Tomato" (1986): Interview; Master Of The Puppets (live in rehearsal when Jason first joined the band). (8 min.)
Japanese TV "Bang Up Rock (Aug-26-1995): Parts of Harvester Of Sorrow; One; Enter Sandman (live at Castle Donnington Festival. (6 min.)
Video Quality: Good quality
Running Length: 114 minutes
Disc Format: 1 NTSC DVD |
|
05/16/90 |
IJsselhal
Zwolle, Holland |
2 DVD |
|
|
AUD [Cobain94] |
very good low gen source with Tri-audio |
|
05/20/90 |
Groenoordhallen
Leiden, Holland |
2 DVD |
|
|
ThomasBiglow 2 Cam Mix |
Very good quality 2cam mix, audio is decent though. |
|
05/20/90 |
Groenoordhallen
Leiden, Holland |
2 DVD |
|
|
Master AUD [APRO] |
Previously NFT |
|
06/29/90 |
CNE Grandstand
Toronto, ON |
2 DVD |
|
|
1st gen AUD [Sabkisscrue/Metfan91] |
2nd source, left angle and a 1st gen NTSC upgrade. Tripod shot as well. Taper does a nice job with his zooms considering how far away he is. But unfortunately the camera doesn't have quite a powerful zoom to see their faces clearly. |
|
11/09/90 |
Hollywood Paladium
Hollywood, CA |
1 DVD |
|
|
Pro |
RIP magazine party, pretty unique performances by GNR, Metallica, and Skid Row. The singing by Axl and Sebastian is atrocious. James and Slash tore up the guitars pretty good though. |
|
08/10/91 |
Gentofte Stadium
Copenhagen, Denmark |
1 DVD |
|
|
Master Left angle source |
left angle. a few minor obstructions, amazing video and audio quality.I believe this is tripod shot. A partial proshot also exists. |
|
08/17/91 |
Donington Park
Donington, UK |
1 DVD |
|
|
PAL format. Lacky9203, 3 Cam Mix |
|
|
09/01/91 |
Goffert Stadium
Nijmegen, The Netherlands |
1 DVD |
|
|
2 Cam Mix [Dusan] |
|
|
09/17/91 |
Westfalenhalle
Dortmund, Germany |
1 DVD |
|
|
Greystroke's Audio Upgrade |
Audio has been replaced with the audio taken from a silver CD source. It is much better than the original audio. "One" and "Whiplash" weren't on the silver CD though, so their audio wasn't replaced. |
|
09/18/91 |
Westfalenhalle
Dortmund, Germany |
1 DVD |
|
|
2 Cam AUD mix [The Commader] |
One of the angles is excellent quality while the other is taken from a mid/high gen source. The mix itself is very good though. |
|
09/28/91 |
Tushino Air Field
Moscow, Russia |
1 DVD |
|
|
arff productions 2004 |
Proshot |
|
09/28/91 |
Tushino Air Field
Moscow, Russia |
1 DVD |
|
|
[NTSC][Aud][1st Gen][HorstKirk PageKian/ARFF/Damage Inc] |
|
|
10/28/91 |
Peoria Civic Center - Rehearsal
Peoria, IL |
1 DVD |
|
|
Out of Sewer Productions |
|
|
10/29/91 |
Peoria Civic Center
Peoria, IL |
3 DVD |
|
|
DamageInc777 |
master upgrade to the 3rd source |
|
11/01/91 |
LC Walker Arena
Muskegon, MI |
3 DVD |
|
|
1st gen AUD [Sabkisscrue/DamageInc777] |
|
|
11/03/91 |
The Palace of Auburn Hills
Auburn Hills, MI |
1 DVD |
|
|
House Feed > VHS Sony SLV-660HF > Firewire > Studio 11 (Authoring) > DVD |
Total Running Time 58 minutes
Video Bitrate: 29.970 frms/sec- kbps 6006
Audio Codec: DVD_LPCM_AUDIO
1. MetalliMovie
2. Ecstacy Of Gold
3. Master Of Puppets
4. Seek And Destroy
5. Last Caress
6. Am I Evil
7. Battery
8. Stone Cold Crazy
|
|
11/03/91 |
The Palace of Auburn Hills
Auburn Hills, MI |
2 |
|
|
AUD Master Sony DX2-13 > Line In > House Feed > Maxell Hi Bias XLIIS > Sony HCD551 > Pioneer PDR 555 RW > CDR > EAC > Flac Frontend > |
|
|
11/12/91 |
Brown County Arena
Green Bay, WI |
2 DVD |
|
|
1st gen AUD [Belexes/WVMonster] |
This is an 1st gen upgrade to the current mid-gen source of this show. Tape was purchased from the filmer back in '91. The show was unfortunately recorded in LP mode and is a old tape, so there are tracking issues on occasion. That said, the quality is not bad at all. A nice mix of stage and screenshot. Only complaint is that the taper doesn't zoom in while filming the stage.
Contains 2 audio sources, DAT Audio and Cam audio. The DAT audio greatly improves the original sound. |
|
11/15/91 |
Maple Leaf Gardens
Toronto, ON |
2 DVD |
|
|
Master AUD [Bill G. / WVMonster] |
|
|
11/27/91 |
Civic Center
Omaha, NE |
2 DVD |
|
|
AUD Master Tripod shot [Rob H] |
Totally uncirculated, tripod shot, great picture and sound. Filmed from dead center in the taper's section. No obstructions and really smooth filming. |
|
12/19/91 |
Nassau Coliseum
Uniondale, NY |
3 DVD |
|
|
1st source AUD (DamageInc/Sabkisscrue) |
|
|
12/20/91 |
Nassau Coliseum
Uniondale, NY |
2 |
|
|
"Angels From Hell" [Label: Live Live - LL 25449] |
Excellent AUD recording |
|
12/20/91 |
Nassau Coliseum
Uniondale, NY |
2 DVD |
|
|
WVmonster |
The video on this show is crisp and clear. 2nd time Of Wolf And Man had been played live. |
|
12/23/91 |
The Centrum
Worcester, MA |
4 DVD |
|
|
DamageInc777 [AUD] |
Generation: 1st
Video format: NTSC
Aspect ratio: 4:3
Total running time: 160 min
Audio quality: VG+ |
|
01/04/92 |
Thomas And Mack Center
Las Vegas, NV |
2 DVD |
|
|
1st gen AUD [Dr. Butcher] |
A nice 1st gen upgrade. Filmed from the Tapers section. Metallica's first US show of 1992. The taper did a pretty decent filming job getting some screen shots mixed in there too. It's a little shaky at times, but the overall quality is pretty good. |
|
01/06/92 |
Great Western Forum
Inglewood, CA |
3 DVD |
|
|
2nd gen AUD [Sabkisscrue/DamageInc777] |
Almost entirely screenshot. When he does film the stage, there are occasional head obstructions. Very good video quality though! Audio is only decent, though. |
|
01/08/92 |
Great Western Forum
Inglewood, CA |
2 DVD |
|
|
JTCelica |
A few screen shots, mostly stage shot. Some heads and hands in the way, crowd is really pumped and into the show. |
|
01/10/92 |
Arco Arena
Sacramento, CA |
3 DVD |
|
|
Master AUD [Sabkisscrue / fromthenosebleeds] |
|
|
01/18/92 |
UNO Lakefront Arena
New Orleans, LA |
3 |
|
|
"Seeing Red" [Label: Goregon Music - GM-2] |
AUD. D1T8 has errors |
|
01/24/92 |
Myriad Convention Center
Oklahoma City, OK |
3 DVD |
|
|
Master AUD [2nd source - David E.] |
Great quality tripod shot show. |
|
02/13/92 |
Great Western Forum
Inglewood, CA |
4 DVD |
|
|
1st gen AUD [Sabkisscrue/Metfan91] |
Almost entirely screenshot. |
|
02/16/92 |
Lawlor Events Center
Reno, NV |
2 DVD |
|
|
2nd gen AUD [WVMonster] |
Yet another great performance from '92. Like New Orleans '92, this was a rare general admission (floor) show and there's a nice big pit right in front of the stage for the entire show. The show has optional alternate audio source on 9 songs, marked with an * |
|
02/28/92 |
Knickerbocker Arena
Albany, NY |
2 DVD |
|
|
1st gen AUD [WVMonster] |
|
|
02/29/92 |
Civic Center
Providence, RI |
3 DVD |
|
|
1st gen AUD [Sabkisscrue/DamageInc777] |
Tripod shot |
|
03/05/92 |
Assembly Hall
Champaign, IL |
2 DVD |
|
|
1st gen AUD |
Minor audio distortion and video is a bit dark. Overall, a kick ass show! |
|
03/07/92 |
Thompson-Boling Arena
Knoxville, TN |
2 |
A |
A |
AUD Master Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Sony DT-120 Sony PCM-R300 > Sony STR-DE945 > PC > WavePad > TLH > Flac |
|
|
03/24/92 |
Civic Center
Pensacola, FL |
2 DVD |
|
|
[Sabkisscrue/WVMonster][Master upgrade] |
Sjmike: This is a master upgrade to the TJ/No Anger source that Sabkisscrue transferred from the master Hi8 tapes. This is a stage shot version. Unfortunately the master tape was damaged during a few songs at the end of disc 1 and beginning of disc 2. I had WVMonster replace those songs with the lesser quality TJ/No Anger version. |
|
04/02/92 |
Capital Centre
Landover, MD |
1 DVD |
|
|
Mid gen AUD [Sebas] |
|
|
04/04/92 |
Brendan Byrne Arena
East Rutherford, NJ |
4 DVD |
|
|
1st gen AUD (Sabkisscrue/DamageInc777) |
A Sabisskure / DamageInc Classic Series and great upgrade. |
|
04/08/92 |
Brendan Byrne Arena
East Rutherford, NJ |
3 |
|
|
AUD source ripped from silvers "The four horseman" |
*Guitar solo, Orion jam, Bass solo, Whole lotta rosie jam, Dazed and confused jam & The call of ktulu jam not listed on cover, included on this recording
**The ecstasy of gold listed as Intro on cover & Drum solo Lars, Drum solo James, Drum duel, War pigs jam, Raining blood jam & One jam listed as Drum solo on cover |
|
04/08/92 |
Brendan Byrne Arena
East Rutherford, NJ |
3 DVD |
|
|
1st gen AUD [Sabkisscrue / Damageinc777] |
|
|
04/08/92 |
Brendan Byrne Arena
East Rutherford, NJ |
2 DVD |
|
|
Master AUD [Breadfan_GER] |
Audio dubbed with Silver CD audio. Mix of stage and screen shot. Great quality. |
|
04/12/92 |
Broome County Arena
Binghamton, NY |
4 DVD |
|
|
Sabkisscrue/DamageInc777 |
|
|
04/14/92 |
Copps Coliseum
Hamilton, ON |
2 |
|
|
"Naughty Vol. I & II" [Label: CROCODILE BEAT - CB53010-1/2] |
SBD - this version is missing Welcome Home (Sanitarium), Through the Never, and Damage Inc. This is only one of 13 different silver boolegs of this show. |
|
04/16/92 |
Civic Center Arena
Hartford, CT |
4 DVD |
|
|
1st gen AUD (Sabkisscrue/DamageInc) |
|
|
04/20/92 |
Wembley Stadium
London, England |
1 DVD |
|
|
Proshot, 1st gen (WVMonster) w/ audio upgrade |
|
|
05/06/92 |
Coliseum
Pullman, WA |
3 DVD |
|
|
(2 cam mix) AUD Master/1st gen |
|
|
05/09/92 |
Cow Palace
Daly City, CA |
3 DVD |
|
|
fromthenosebleeds / Sabkisscrue / Krzych |
|
|
05/09/92 |
Cow Palace
Daly City, CA |
2 |
|
|
AUD MASTER Sony ECM-990 stereo mic -> Panasonic RQ-L335 cassette recorder/Supertape MIV-90 -> Audacity -> Flac (level 8) |
|
|
05/10/92 |
Cow Palace
Daly City, CA |
4 DVD |
|
|
Damage Inc Classic Series |
|
|
05/10/92 |
Cow Palace
Daly City, CA |
4 DVD |
|
|
fromthenosebleeds / Sabkisscrue / Krzych |
Master upgrade |
|
05/27/92 |
Coliseum
Seattle, WA |
2 |
|
|
Silver Pressed CD > EAC > WAV > Flac Frontend > FLAC (lvl 8) |
|
|
05/27/92 |
Coliseum
Seattle, WA |
3 DVD |
|
|
(2 cam mix) AUD Master/1st |
|
|
05/28/92 |
Coliseum
Seattle, WA |
2 DVD |
|
|
8mm -> VHS -> SA DVD |
Lee Bunn version |
|
06/05/92 |
Casper Events Center
Casper, WV |
2 DVD |
|
|
|
This is actually a low gen sourced video, but some traders may claim its a 1st gen, it is not. The source authored by Fex- is the exact same as this one except with a proper menu and chapters. Audio is somewhat muffled. Still a very cool show. |
|
06/14/92 |
Civic Center
Mobile, AL |
2 |
|
|
Meteorite - MR-01-1-2: AUD(?) > CD Silver > EAC (wav) > FLAC (level 8) |
|
|
06/16/92 |
Mississippi Coliseum
Jackson, MS |
3 DVD |
|
|
DamageInc777 Screenshot source |
Generation: 1st
Video format: NTSC
Aspect ratio: 4:3
Total running time: 167 min.
Killer 1st gen upgrade to the screenshot source. Much more enjoyable to watch. Only downside is that the video is somewhat dark.
This is the real full version of Jackson, MS. |
|
07/22/92 |
The Hoosier Dome
Indianapolis, IN |
1 |
|
|
AUD Master Maxell DM-120 > Sony PCM-R300 > Sony STR-DE945 > Sony D-3 DATman > Realistic 33-1065 Stereo Electret Microphone > Maxell DM-120 > Sony PCM-R300 > Sony STR-DE945 > Wavepad > TLH > FLAC |
|
|
10/22/92 |
Flanders Expo
Gent, Belgium |
2 DVD |
|
|
1st gen AUD |
|
|
11/01/92 |
Sheffield Arena
Sheffield, UK |
3 DVD |
|
|
Master AUD [Gig Addiction/Damage Inc.] |
Tripod shot with a nice mix between filming the stage and screen. |
|
11/04/92 |
NEC
Birmingham, UK |
2 DVD |
|
|
2nd source |
Horrible quality due to the video generation. Audio is pretty crappy as well. The filming itself is very good though, nice tripod shot. |
|
11/05/92 |
N.E.C.
Birmingham, England |
3 DVD |
|
|
Master AUD [Gig Addiction/Damage Inc.] |
Another great masterpiece by Simon. Tripod shot from the tapers section. Great use of zooms to capture all the action. Occasionally films the screen. |
|
11/20/92 |
Wiener Stadthalle
Vienna, Austria |
2 DVD |
|
|
AUD [Het2006] |
Bonus material:
MTV tour report '92
MTV tour report '93
MTV tour report '95
MTV tour report '96 |
|
11/24/92 |
Westfalehalle
Dortmund, Germany |
3 DVD |
|
|
NTSC 2nd gen AUD [Sabkisscrue/Damageinc777] |
3rd source |
|
11/26/92 |
Festhalle
Frankfurt, Germany |
1 |
|
|
"Enter Mainhattan/Warriors Rule" [Label: APPELWOI-BEMBEL Records - MORBY092] |
SBD |
|
11/26/92 |
Festhalle
Frankfurt, Germany |
2 DVD |
|
|
Low gen AUD [Arthuro] w/ audio upgrade by Greystroke |
Nice low gen upgrade, for some reason disc 2 looks way better than disc 1. Disc 1 looks to be a mid gen Tripod shot. A nice mix of stage and screen shot. Very good audio / video quality. This is not a 1st gen.
audio is from the silver CDs Thunderdome 1&2 (audience) and Enter Mainhattan (soundboard).
About the synching: I've got mixed feelings about this one. The sbd portion was a huge pain in the ass to synch in some parts, while the aud portion fitted like a glove (or at least it sounded like that). I think it's mostly synched fine with a couple of moments where it isn't.
Disc 1 has 2 audio tracks, sbd & aud, disc 2 has only one (the thunderdome boot has all the disc 2 songs except Seek, and that one is the only song from disc 2 on enter mainhattan |
|
11/27/92 |
Frankenhalle
Nuremberg, Germany |
2 DVD |
|
|
Audience PAL Low gen [Arthuro] |
|
|
12/07/92 |
Brabanthallen
Den Bosch, The Netherlands |
2 DVD |
|
|
|
Proshot |
|
12/07/92 |
Brabanthallen
Den Bosch, The Netherlands |
3 DVD |
|
|
PRO Shot (MASTER) [FeX-] |
|
|
12/12/92 |
Scandinavium
Gothenburg, Sweden |
1 DVD |
|
|
[PAL][AUD][3 CAM Mix] |
A really good mixed show, previously unreleased. 3cam mix. One of the angles is from the right hand side and other 2 appear to be from the taper's section center stage. |
|
12/14/92 |
The Spektrum
Oslo, Norway |
2 DVD |
|
|
Master AUD (No Anger) |
|
|
12/16/92 |
Ishall
Helsinki, Finland |
2 DVD |
|
|
PAL |
Transferred from VHS-C mastertapes. Beautiful tripod shot show with smooth and steady filming. |
|
01/22/93 |
Wings Stadium
Kalamazoo, MI |
3 |
|
|
AUD MASTER Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Maxell DM-120 Sony PCM-R300 > Sony STR-DE945 > PC > WavePad > TLH > Flac |
|
|
01/26/93 |
Hershey Park Arena
Hershey, PA |
3 DVD |
|
|
[AUD][NTSC][Master] |
|
|
02/04/93 |
Freedom Hall
Johnson City, TN |
3 |
|
|
AUD MASTER Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Maxell DM-120 Sony PCM-R300 > Sony STR-DE945 > PC > WavePad > TLH > Flac |
|
|
02/12/93 |
Forum
Montreal, QC |
2 |
|
|
SBD |
Remastered by Nun Wrangler - All tracklisting errors and track markers are corrected. Sound is MUCH heavier; PLEASE NOTE - THIS SHOW IS MISSING NOTHING ELSE MATTERS IS (DISC2/Track6). |
|
02/13/93 |
The Forum
Montreal, QC |
2 DVD |
|
|
Tiny E |
Included the accident-shortened show recorded live on 8 August 1992 in Montreal, Quebec, Canada. |
|
02/15/93 |
Mullins Center
Amherst, MA |
2 DVD |
|
|
Hi 8 Camcorder > Master VHS > Panasonic Stand Alone DVD Burner > DVD > DVDFab Decrypter |
|
|
02/19/93 |
Bayfront Center Arena
St Petersburg, FL |
4 DVD |
A |
A |
1st gen Audience [Sabkisscrue/Damageinc777] |
Stunning show |
|
02/20/93 |
Lee Civic Center
Fort Myers, FL |
3 DVD |
|
|
Fromthenosebleeds/Metallifreak27 |
Previously uncirculated video, liberated by the members of Metfuk. There was No tapers section at this show so the taper was slightly further back and off to the side. Tripod shot with great closeups. Very cool setlist. |
|
02/21/93 |
Leon County Civic Center
Tallahassee, FL |
3 DVD |
|
|
2nd source [Master] fromthenosebleeds |
|
|
03/01/93 |
Palacio De Los Deportes
Mexico City, Mexico |
2 DVD |
|
|
(KRZYCH/Sailing Home) |
Pro shot w/ chapters. Simply Stunning |
|
03/01/93 |
Palacio De Los Deportes
Mexico City, Mexico |
3 |
|
|
AUD |
|
|
03/22/93 |
Castle Hall
Osaka, Japan |
3 DVD |
|
|
1st gen AUD [Deadbase / Hambone] |
"Don't Send Back to Japan" |
|
03/23/93 |
Century Hall
Nagoya, Japan |
2 |
|
|
|
SBD - confirmed lossless |
|
03/31/93 |
Entertainment Centre
Sydney, Australia |
3 DVD |
|
|
Master AUD [BobMetallicaFreak] |
Grainy video due to taper making a lot of 1st gen VHS copies over the years. Still a nice video. |
|
04/03/93 |
National Tennis Centre
Melbourne, Australia |
2 DVD |
|
|
2nd gen Tri-pod shot AUD |
|
|
04/04/93 |
National Tennis Centre
Melbourne, Australia |
2 DVD |
|
|
Master AUD (1st source) |
Killer tripod shot show. Great closeups as well.
Extras and bonus material: 1988.10.10 - Hammersmith Odeon: London, UK |
|
04/08/93 |
Entertainment Centre
Perth, Australia |
2 DVD |
|
|
Master AUD |
Great quality tripod shot with killer closeups. Nice and steady with very good audio as well. Highly recommend. |
|
05/01/93 |
Palmeiras Stadium
São Paulo, Brazil |
2 DVD |
|
|
Master AUD [PAL] (Roberto) |
A nice master source upgrade. Video quality is very good with steady filming. |
|
05/04/93 |
Velódromo Del Estadio Nacional
Santiago, Chile |
1 DVD |
|
|
Sebas Version |
Video format: NTSC
Aspect ratio: 4:3
Total running time: 152:46 min.
Audio quality: B+
Video quality: Proshot |
|
05/04/93 |
Velódromo Del Estadio Nacional
Santiago, Chile |
2 DVD |
|
|
Pro Shot [Metalikart] |
|
|
05/08/93 |
Valez Sarsfield Stadium
Buenos Aires, Argentina |
2 |
|
A- |
"Live in Argentina" (Big) |
SBD - **mp3 sourced** |
|
05/08/93 |
Valez Sarsfield Stadium
Buenos Aires, Argentina |
4 DVD |
|
|
Pro Shot (Master) [Leomet_2000] |
|
|
06/05/93 |
National Bowl
Milton Keynes, England |
2 |
|
|
"Tearing Your Insides Out" (KTS) |
SBD - amazing show |
|
06/05/93 |
National Bowl
Milton Keynes, England |
2 DVD |
|
|
Proshot Master (LeperMessiah26) |
3 extra songs form Moscow 91 (I think!) |
|
06/20/93 |
St. Jacob Stadium
Basel, Switzerland |
3 |
|
A+ |
"Destroyer" |
One of highest quality recordings I have in my entire audio collection, this is a must for any Metallica fan. There is no doubt that this was recorded on a DAT soundboard. The recording itself is unbelievable. However, since there are no audience mics, there is zero audience noise (even when James requests shouting). As a result, the band's instruments are crystal clear; so clear, that you can hear Lars resting his drumsticks on the snare!
The Thing That Should Not Be has a few slight dropouts, but I confirmed with someone that owns the original bootleg that the error is supposed to be there. Disposable Heroes is a different version, with Kirk's mini-solo before the chorus not being played, and one other change which I can't remember. Seek and Destroy lasts nearly 20 minutes. The last couple seconds of Last Caress are cut. |
|
06/20/93 |
St. Jacob Stadium
Basel, Switzerland |
1 DVD |
|
|
(PRO)menu with song selection |
|
|
06/22/93 |
Alpi Stadium
Turin, Italy |
2 |
|
|
Silver Pressed CD > EAC > WAV > Flac Frontend > FLAC (lvl 8) |
|
|
06/27/93 |
Panionios Stadium
Athens, Greece |
2 |
|
|
unknown gen cassette > Adobe Audigy Platnium > Goldwave > CDWAVE > WAV (transferred by Jeff S) |
MISSING: Battery and So What - unsure if those were played. |
|
07/04/93 |
Achiel Eeckloo Rockweide
Torhout, Belgium |
2 DVD |
|
|
(2 cam mix) AUD 1st gen |
|
|
05/30/94 |
Darien Lake Amphitheatre
Darien Center, NY |
2 |
|
|
MTX of two sources |
Lineage:
Source #1: AUD > "Earthquake in buffalo" Silver CD > FLAC > Traders Little Helper > WAV 44k/16 bit > Audacity > Nero Wav Editor
Source #2: AUD > Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Maxell DM-120 Sony PCM-R300 > Sony STR-DE945 > PC > WavePad > TLH > Flac > TLH > WAV 44k/16bit > Audacity > Nero Wav Editor
MTX: Nero Wav Editor > Master MTX file WAV 44k/16bit > Audacity > Traders Little Helper > FLAC 44k/16bit Level 8 |
|
06/05/94 |
New York State Fair Grandstand
Syracuse, NY |
3 DVD |
|
|
1st gen AUD [Sabkisscrue/DamageInc777] |
Tripod shot, audio is really amazing. |
|
06/08/94 |
Jones Beach Amphitheater
Wantagh, NY |
3 DVD |
|
|
Sabkisscrue/DamageInc777 |
|
|
06/15/94 |
Williams Grove
Mechanicsburg, PA |
3 DVD |
|
|
Sabkisscrue/DamageInc777 |
Known issues with this version (not just my copy): loss of picture and sound on disc 2 |
|
06/15/94 |
Williams Grove
Mechanicsburg, PA |
3 DVD |
|
|
2nd source [Nick/Damageinc777] |
Known issues with this version (not just my copy): picture freezes through out but the sound keeps playing |
|
06/17/94 |
Orange County Fairgrounds
Middletown, NY |
2 |
|
|
SBD > CDR > EAC > WAV 44k/16bit > FLAC Level8 |
|
|
06/21/94 |
Pine Knob Music Theatre
Clarkston, MI |
2 DVD |
|
|
1st gen Audience [Sabkisscrue/Damageinc777] |
|
|
06/28/94 |
Riverport Amphitheatre
St Louis, MO |
3 DVD |
|
|
Master AUD (B.S) |
Master source of this gig,way better as the one whats out there yet in video and audio... allthough it stays a dark recording.
Tapers Comment: borrowed a camera to do this one, its kinda grainy and the screens suck at that venue" |
|
07/23/94 |
California Exposition Amphitheater
Sacramento, CA |
2 DVD |
|
|
1st gen or Master (?) |
|
|
08/06/94 |
Southpark Meadows
Austin, TX |
2 DVD |
|
|
1st gen AUD SHOT |
NTSC; Menu & Chapters, 110 and 35 min. There's only one thing wrong with this fantastic DVD, and that's the tripod the filmer uses tends to wobble for a few seconds after each time the camera is moved to focus on something different. Other than that, it's perfect. There's a lot of James. Not much Jason, but there's less Lars. Kirk is probably the only one with any significant coverage.
|
|
08/09/94 |
Fairgrounds Arena
Oklahoma City, OK |
1 DVD |
|
|
(Invaders) AUD 1st gen |
|
|
08/13/94 |
Winston Farm
Saugerties, NY |
2 |
|
|
"Enter Mudman" (KTS) |
SBD |
|
08/13/94 |
Winston Farm
Saugerties, NY |
1 DVD |
|
|
(PRO) menu with song selection (Audio upgrade version) |
|
|
08/17/94 |
Starwood Amphitheater
Antioch, TN |
2 DVD |
|
|
AUD low gen (Deadbase/Hambone) |
|
|
08/23/95 |
Astoria 2
London, England |
2 DVD |
|
|
1st gen AUD [Invaders/SBV/Krzych] |
|
|
08/26/95 |
Donington Park
Donington, England |
2 |
|
|
|
|
|
08/26/95 |
Donington Park
Donington, England |
2 DVD |
|
|
AUD - 5 CAM MIX |
|
|
08/26/95 |
Donington Park
Donington, England |
1 |
|
|
"Donnington" |
SBD - incomplete show |
|
12/14/95 |
Whisky A Go-Go
West Hollywood, CA |
1 |
|
|
"The Lemmies" silver CD |
|
|
06/04/96 |
Tower Records parking lot
San Jose, CA |
1 DVD |
|
|
2 Cam Mix [WVMonster] |
This show is a combination of two sources for the June 4th, 1996 Truckload show in Sacramento, CA. The first source is the "upgrade" version of this show, which is shot using a straight on angle of the stage. Generation on this source is low (2nd gen?). The other source is shot from the left side of the stage, right up front.
The video also includes three pro shot songs from the PBS show "On Tour". The three songs are from the Lollapalooza tour in Irvine, CA. |
|
06/09/96 |
Slim's
San Francisco, CA |
2 |
|
|
AUD source |
|
|
06/09/96 |
Slim's
San Francisco, CA |
2 DVD |
|
|
AUD Master (pillgrimsprogress / Metallifreak27) |
Coverted directly from the taper's Hi8 master tape. Killer tripod shot show with some nice closeups and dual audio sources. |
|
06/10/96 |
Slim's
San Francisco, CA |
1 |
A |
A |
Fan Can 2 (Official Release) |
Outstanding show, taken at a pace slower than normal - but it works. |
|
06/10/96 |
Slim's
San Francisco, CA |
2 DVD |
|
|
AUD Master (pillgrimsprogress / Metallifreak27) |
Converted directly from the taper's Hi8 master tape. Killer tripod shot show with some nice closeups and dual audio sources |
|
06/10/96 |
Slim's
San Francisco, CA |
2 |
|
|
AUD source |
|
|
06/10/96 |
Slim's
San Francisco, CA |
1 |
|
|
Sony D7 > M-Audio Audiophile > CD Wave > Shorten32 |
SBD - Possibly rough mix from multitrack source. These tracks are from DAT tape that was left behind in the studio either just before, or just after the LOAD album. The story was that these were demo tracks for a then upcoming fan club release. Part of the track selection process. This transfer is from the original DAT which, somehow, ended up in my possesion. I am not totally familiar with most of Metallica's material so I am next to useless on the song titles. I think these are from more than one show. Note some of the tracks fade or end abruptly on segues. I made no edits.
|
|
06/23/96 |
The Phoenix
Toronto, ON |
2 |
|
|
AUD MASTER Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Maxell RM-120 > Philips CDR-200 > CDR >EAC > FLAC |
|
|
07/10/96 |
Downing Stadium
Randall's Island, NY |
1 DVD |
|
|
1st gen AUD |
|
|
08/03/96 |
Irvine Meadows Amphitheatre
Laguna Hills, CA |
1 |
|
|
AUD MASTER CSB -> D7 -> DAT -> CDRW -> EAC -> FLAC |
|
|
09/16/96 |
Bercy
Paris, France |
2 DVD |
|
|
1st gen AUD multi-cam mix [Metallifreak27 / Toxic Trio] |
Extras and bonus material:
French TV interview including Pro-Shot footage from this gig. |
|
09/29/96 |
Palastampa
Turin, Italy |
2 DVD |
|
|
1st gen AUD [APRO] |
left angle source |
|
11/07/96 |
Hallenstadion
Zürich, Switzerland |
2 DVD |
|
|
Schultz169 / Norbinho |
Show is filmed pretty well. Nice to see a full color upgrade instead of the Black and white version. Quality is still pretty crappy though. |
|
11/09/96 |
Frankenhalle
Nuremberg, Germany |
2 DVD |
|
|
2nd gen AUD [Invaders] |
Very good quality show. Nice upgrade. |
|
11/12/96 |
Jaarbeurs
Utrecht, Holland |
2 |
|
|
"CUT THE CRAP" (1997 KISS THE STONE, ITALY) |
Another excellent soundboard with a great mix (excellent bottom end). Bonus tracks: Studio Recording, 16th November 1996 - 10. Wasting My Hate
11. Mama Said
12. King Nothing |
|
11/16/96 |
Globe Arena
Stockholm, Sweden |
2 DVD |
|
|
Whoracle PAL DVD |
Killer video quality, with FM-SBD Audio!
Chapters: Yes
Menus: Yes
Number of camera angles: 1
Number of audio selections: 2 |
|
11/16/96 |
Globe Arena
Stockholm, Sweden |
2 |
|
|
FM Source |
|
|
11/23/96 |
Spectrum
Oslo, Norway |
3 DVD |
|
|
AUD [LeperMessiah26-Metallifreak27 2nd Source] |
Killer video quality, with SBD Audio! |
|
11/23/96 |
Spectrum
Oslo, Norway |
2 DVD |
|
|
2 Cam Mix [WVMonster] |
|
|
12/19/96 |
Selland Arena
Fresno, CA |
3 DVD |
|
|
1st gen AUD [Sabkisscrue/DamageInc777] |
|
|
12/30/96 |
Cow Palace
Daly City, CA |
3 DVD |
|
|
fromthenosebleeds |
|
|
12/30/96 |
Cow Palace
Daly City, CA |
2 DVD |
|
|
(2 cam mix) AUD 3rd gen |
|
|
12/30/96 |
Cow Palace
Daly City, CA |
3 DVD |
|
|
Master AUD [Fromthenosebleeds/Sabkisscrue/Krzych] |
Previously uncirculated single cam source. |
|
12/31/96 |
San Jose Arena
San Jose, CA |
3 DVD |
|
|
1st gen AUD [Sabkisscrue/Hellonearthinc] |
Transferred from a true 1st gen VHS tape. A slight improvement in quality over the VideoPete source. |
|
01/29/97 |
Target Center
Minneapolis, MN |
3 DVD |
|
|
Sabkisscrue/Damage Inc. Classic |
AUD. NTSC |
|
01/29/97 |
Target Center
Minneapolis, MN |
2 DVD |
|
|
(2 cam mix) AUD Low |
|
|
02/05/97 |
The Mark
Moline, IL |
2 DVD |
|
|
Master AUD [Deadbase / Metallifreak27] |
Deadbase Master version upgraded with DAT Audio. Deadbase gave Dylan his permission to upgrade his release. Video and now audio are fantastic! |
|
02/05/97 |
The Mark
Moline, IL |
2 |
|
|
AKG 414 > Stewart BPS-1 pre-amp > Sony TCD-D7 |
lineage: DAT master > DAT(1) > CDR(1) > .flac
transfer: Tascam DA20mkII > Sony CDRW33 > EAC > FLAC frontend > .flac
edits: none
eq: none
encoded: cps 02/06/07 |
|
02/08/97 |
Rosemont Horizon
Rosemont, IL |
2 DVD |
|
|
AUD Master [Deadbase] |
Converted from DV Master. Amazing show! |
|
02/09/97 |
Rosemont Horizon
Rosemont, IL |
2 DVD |
|
|
AUD (HAMBONE PRODUCTION) |
NTSC; AUD Shot; Menu & Chapters; Good Closeups and steady camera work. Audio muffled a bit. Believe filmer was in glass booth. |
|
02/09/97 |
Rosemont Horizon
Rosemont, IL |
1 DVD |
|
|
NTSC; AUD Shot with Tripod; Basic Menu with random chapters |
Good Closeups; Shows girls flashing at beginning.
Awesome shot show. Like a lot of DVDs from the Load Tour very good quality and very clear. Also the set contains the shortest straw which is awesome and the first live performance of "Fuel". Audio is also very good. |
|
02/16/97 |
Market Square Arena
Indianapolis, IN |
2 DVD |
|
|
1st gen AUD [JTCelica] |
Excellent video quality, a little shaky at times. Filmed from the upper level, great use of zooms as well. |
|
02/28/97 |
Nassau Coliseum
Uniondale, NY |
2 DVD |
|
|
RCSGUY664 |
|
|
02/28/97 |
Nassau Coliseum
Uniondale, NY |
3 DVD |
|
|
AUD Master Tripod shot [Sabkisscrue/DamageInc777] |
|
|
03/01/97 |
Worcester Centrum
Worcester, MA |
2 DVD |
|
|
2 Hi 8 Camcorders > DAT audio dub > NTSC Master VHS > Panasonic DVD Stand Alone Burner > DVD Master > DVDFab Decrypter |
NTSC; 2 CAM AUD MIX; No Menu or Chapters; Excellent quality with amazing closeups; Close, Clear and Steady; Very rare |
|
03/07/97 |
Corestates Center
Philadelphia, PA |
2 DVD |
|
|
1st gen AUD |
Some head obstructions Great video quality with some really good zooms. |
|
03/08/97 |
Corestates Center
Philadelphia, PA |
2 DVD |
|
|
Master AUD (Metallifreak27) |
An amazing 3 cam mix with killer 3 audio sources. Mixing makes it almost look professionally shot. |
|
03/10/97 |
Madison Square Garden
New York, NY |
2 DVD |
|
|
Hi 8 Master > NTSC VHS > Panasonic DVD Stand Alone Burner > DVD > DVDFab Decrypter |
NTSC; 1 CAM AUD; No Menu or Chapters; DAT dubbed audio; Close, Clear & Steady picture. Metallica played 2 nights at the "Garden". This is the 1st night.
The band was up for NYC! An outstanding performance.
Close, Clear & Steady!
TT: 130 minutes
Video Bitrate: 4166 kb/s
Codec: AC3
Audio Bitrate: 384 kb/s 2 channel stereo |
|
03/11/97 |
Madison Square Garden
New York, NY |
3 DVD |
|
|
Sabkisscrue/DamageInc777 |
Filming type: Audience
Source information: PC
Taper(s): NYBG
Generation: 1st
Video format: NTSC
Aspect ratio: 4:3
Total running time: 132 min |
|
03/25/97 |
Marine Midland Arena
Buffalo, NY |
3 |
|
|
AUD MASTER Realistic and Shure stage mics>Tascam mixer>DAT(M)>Cassette(1)>Adobe Audition>Flac |
|
|
04/01/97 |
Continental Arena
East Rutherford, NJ |
3 DVD |
|
|
Sony GV-D200 > firewire > Premiere Pro CS3 > TMPGEnc Authoring Works 4 Sony D8 > 7-pin > M-Audio Delta > GoldWave 5.21 [rcsguy664] |
Converted directly from the 8mm master. Tripod shot show in amazing quality, the taper really knows how to work his camera for the best shots! Authored with DAT audio as well. |
|
04/04/97 |
Civic Center Arena
Hartford, CT |
1 DVD |
|
|
AUD - 3 CAM MIX |
|
|
04/09/97 |
USAir Arena
Landover, MD |
2 DVD |
|
|
AUD (WvMonster) |
|
|
05/14/97 |
Lawlor Events Center
Reno, NV |
3 DVD |
|
|
fromthenosebleeds |
|
|
08/23/97 |
Cannstatter Wasen Park
Stuttgart, Germany |
1 DVD |
|
|
(PRO)PAL menu with song selection |
|
|
08/23/97 |
Cannstatter Wasen Park
Stuttgart, Germany |
1 DL-DVD |
|
|
ARD1 Eurovision Broadcast > Swedish Public Service terrestrial TV Bdcst > Master (stereo) VHS > Pioneer NV-HD640 Hifi-video > Key West Technology BVTBC Time base corrector > BT878 > MJPG > Avisynth magic/VirtualDub > TMPGEnc 2.510 |
v0n's phenomenal proshot show! A must have for your collection. |
|
08/24/97 |
Reading Festival
Reading, UK |
1 DVD |
|
|
Proshot VHS 1 Gen > PC |
|
|
10/18/97 |
Shoreline Amphitheatre
Mountain View, CA |
1 DVD |
|
|
|
A nice 1st gen upgrade. Entirely screenshot acoustic show…picture is pretty dark though. |
|
11/11/97 |
The Corestates Parking Lot
Philadelphia, PA |
1 DVD |
|
|
"Banned In Philly" - Parking Lot Show |
|
|
11/11/97 |
The Corestates Parking Lot
Philadelphia, PA |
1 DL-DVD |
|
|
pillgrimsprogress / DamageInc777 |
Rare single cam source. Tripod shot so its very steady filming, but still quite a few obstructions at times since the camera isn't quite high enough above the crowd. Cam audio is pretty good, SBD audio would have improved it. |
|
11/15/97 |
Hamburg Docks
Hamburg, Germany |
1 |
|
|
SBD |
|
|
03/21/98 |
Baker Hamilton Square
San Francisco, CA |
1 |
|
|
"Reload Rehearsal Requested" [Label: Met On Tour - MET21398] |
|
|
03/21/98 |
Baker Hamilton Square
San Francisco, CA |
1 DVD |
|
|
Proshot (tittytwister productions) |
|
|
04/24/98 |
Olympic Gymnasium
Seoul, South Korea |
1 DVD |
|
|
Pro Shot [LeperMessiah26] |
One of my favorite proshot shows of all time. The quality is incredible, and I really enjoy the setlist. |
|
05/06/98 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
CDR>WAV>EAC>FLAC |
|
|
05/07/98 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
CDR>WAV>EAC>FLAC |
|
|
05/08/98 |
Yoyogi Olympic Hall
Tokyo, Japan |
2 |
|
|
CDR>WAV>EAC>FLAC |
|
|
11/19/98 |
Aragon Ballroom
Chicago, IL |
2 |
|
|
Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Maxell DM-120 > Philips CDR-200 > CDR > EAC > FLAC |
Good AUD recording. Taped By Jerry B aka "The Govner" |
|
11/20/98 |
The State Theater
Detroit, MI |
2 |
|
|
Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Maxell DM-120 > Philips CDR-200 > CDR > EAC > FLAC |
|
|
11/20/98 |
The State Theater
Detroit, MI |
1 DVD |
|
|
AUD tripod shot |
Single cam incomplete pro shot. Taper never zooms in. Remixed with FM-SBD audio |
|
11/23/98 |
Electric Factory
Philadelphia, PA |
2 DVD |
|
|
1st gen AUD [Dave / DamageInc777] |
Killer 1st gen upgrade with FM-SBD audio. |
|
11/24/98 |
Roseland Ballroom
New York, NY |
1 DL-DVD |
|
|
Digital Satellite Broadcast > SVHS (Cohesion Sounds Production) |
|
|
11/24/98 |
Roseland Ballroom
New York, NY |
2 DVD |
|
|
Sabkisscrue/DamageInc777 |
Best source. Outstanding |
|
05/12/99 |
Pista Atlética Del Estadio Nacional
Santiago, Chile |
2 DVD |
|
|
1st gen (Despodricio Productions) |
PAL |
|
05/23/99 |
Dynamo
Eindoven, Holland |
2 |
|
|
SBD > ? > Silver CD > EAC > WAV > Flac Frontend > FLAC |
Also has:
10 Lars Ulrich Interview at Dynamo Open Air
11 Fuel (demo at Lar's Dungeon 16-01-95) |
|
06/09/99 |
National Stadium
Bucharest, Romania |
1 DVD |
|
|
Skymaster |
|
|
06/11/99 |
Plovdiv Stadium
Plovdiv, Bulgaria |
1 DVD |
|
|
Pro Shot |
Has a high gen look to it. |
|
06/19/99 |
Irvine Meadows
Irvine, CA |
1 DVD |
|
|
Proshot [PAL] |
|
|
06/25/99 |
St. Gallen Open Air Festival
St. Gallen, Switzerland |
2 |
|
|
SBD Source |
|
|
07/08/99 |
Eurockeennes Festival
Belfort, France |
1 DVD |
|
|
1st gen upgrade |
Transferred in LP mode onto 1 DVD. Filmed from the pit area. |
|
07/15/99 |
Parque El Soto, Madrid, Spain
Madrid, Spain |
1 DVD |
|
|
[1st gen upgrade][PAL] (Apro) |
Supposed 1st gen upgrade, too bad its transferred in LP mode onto 1 DVD which hurts the quality. Video is somewhat shaky and times with quite a few obstructions. |
|
07/24/99 |
Griffiss Airforce Base
Rome, NY |
1 DVD-DL |
|
|
Woodstock 99 PAL(proshot) [Boguspomp] |
Satellite TV / Germany / Live > Master VHS (TDK or Sony) > LG DVD Burner > HDD > Vegas 9.0 Platinum > DVD Architect 5.0 |
|
11/23/99 |
Madison Square Garden
New York, NY |
3 DVD |
|
|
Sabkisscrue/DamageInc777 |
With Symphony!! Killer true 1st gen upgrade with SBD audio. Video is crystal clear and a blast to watch! A must have for any collection! |
|
11/23/99 |
Madison Square Garden
New York, NY |
2 |
|
|
FM Radio Broadcast > MD > CDR > PC > FLAC [NO EQ] |
|
|
07/04/00 |
PSINet Stadium
Baltimore, MD |
1 DVD |
|
|
Proshot |
|
|
07/04/00 |
PSINet Stadium
Baltimore, MD |
3 DVD |
|
|
Sabkisscrue * DamageInc777 |
|
|
07/20/00 |
Giants Stadium
East Rutherford, NJ |
2 DVD |
|
|
Sabkisscrue / Hellawaits77 |
|
|
01/19/03 |
Oakland Coliseum Parking Lot
Oakland, CA |
1 DVD |
|
|
Fan Can 5 |
Mini show at Raiders-Titans NFL game.
Killer bonuses: 2002.07.06 San Raf, 2003.05.18 Fillmore, 2002.06.04 San Fran |
|
05/01/03 |
San Quentin Federal Prison
San Quentin, CA |
2 |
|
|
Full Show AUD |
The existing source only had 5 songs.
Disc 1
Kirk Interview
James Interview
Soundchecks
James Speech
Warden Speech
Band Takes Stage
Creeping Death
For Whom The Bell Tolls
Seek And Destroy
Fade To Black
Fuel
Disc 2
Sad But True
Master Of Puppets
Puppets Conclusion
One
Enter Sandman
Battery
Prisoner Interview |
|
05/03/03 |
MTV Icon - Universal City Studios
Universal City, CA |
1 DVD |
|
|
Pro shot |
|
|
05/18/03 |
The Fillmore
San Francisco, CA |
2 |
|
|
AUD |
|
|
05/19/03 |
The Fillmore
San Francisco, CA |
2 |
|
|
AUD |
|
|
05/21/03 |
The Fillmore
San Francisco, CA |
2 |
|
|
AUD |
|
|
05/22/03 |
The Fillmore
San Francisco, CA |
2 |
|
|
AUD |
|
|
05/31/03 |
Riverside Studios
London, England |
1 DVD |
|
|
Pro - Master Source |
|
|
06/08/03 |
Rock am Ring
Nürburgring, Germany |
1 DVD |
|
|
(PRO)PAl menu with song selection |
|
|
06/11/03 |
Various
Paris, France |
3 |
|
|
All three shows taped by Trabendo |
High Quality AUD |
|
07/05/03 |
SkyDome
Toronto, ON |
1 DVD |
|
|
Master AUD [NTSC] |
This show really defines what a quality Summer Sanitarium Tour video is. The filmer knows what he's doing, with excellent filming and closeups. The video itself is crystal clear and the audio is just about as perfect as you can get with an audience source. |
|
08/17/03 |
Ferropolis
Grafenhainichen, Germany |
2 DVD |
|
|
The Commader source |
Seems to be a different authoring of The Commader source, at least thats what I was told when I acquired it a few years ago.
Full show. Filmed from the left hand side. The taper is pretty far back but makes great use of zooms. Images are a little blurry since he has to zoom in from so far away. Almost no obscrtuctions and fairly steady recording. Audio is decent. |
|
12/09/03 |
Palais Omnisports De Bercy
Paris, France |
1 DVD |
|
|
2nd Source (Master) |
PAL. Extras and bonus material: Damage Inc. from Le Bataclan on 2003.06.11 (Bercy Beaucoup) |
|
12/17/03 |
Sportpaleis
Antwerp, Belgium |
1 DVD |
|
|
Master AUD |
Nice zooms and close ups of band,and decent sound |
|
12/20/03 |
Earls Count Arena
London, England |
2 DVD |
|
|
Master AUD [Hellawaits77] |
Overall a good all round video, nice sound and video footage |
|
01/18/04 |
Parklands
Gold Coast, Australia |
3 DVD |
|
|
sss666 |
Previously unreleased show. Very good quality show, steady filming. |
|
01/23/04 |
Big Day Out Festival
Sydney, Australia |
1 DVD |
|
|
Channel V Incomplete Broadcast (Pro shot) |
Thi is the 16:9 Broadcast that Channel V did around the time Death Magnetic came out. Unfortunately Bellz is missing from the broadcast and they played the songs all out of order, so I've put them back into their original order. So not a huge deal, but if you have a Widescreen TV, will be a better watch:
Frantic
Sad But True
Fade To Black
Battery
Nothing Else Matters
Master Of Puppets |
|
04/20/04 |
Nassau Coliseum
Uniondale, NY |
2 DVD |
|
|
2cam mix, with LiveMet SBD audio |
|
|
04/21/04 |
Nassau Coliseum
Uniondale, NY |
2 DVD |
|
|
NYC Shows |
Same amazing quality, same amazing filming, amazing setlist. This filmer just works magic with the camera, and it's so evident when you watch it. The video is crystal clear and the audio sounds just a step below soundboard with no flaws evident. |
|
06/04/04 |
Rock In Rio
Lisbon, Portugal |
1 DVD |
|
|
Pro Shot PAL |
It's the same awesome show as the two disc set, but this one is from a silver pressed DVD. It's got nice menus and nice quality too! The video has the slightest grain to it (because it's compressed to one disc) and the audio sounds excellent with no flaws whatsoever. One of the best proshots ever. |
|
06/06/04 |
Donington Festival
Donington, England |
1 |
|
|
Metallica Live download (official) |
No Lars on drums! Band friends Joey Jordison from Slipknot, Dave Lombardo from Slayer, and Lars' trusty right hand man and drum tech for 19 years, Flemming Larsen, stepped in to make sure there still was a show. FLAC source |
|
06/06/04 |
Donington Festival
Donington, England |
1 DVD |
|
|
Elmoz V1 [PAL] (Master) |
AUD |
|
06/16/04 |
Weserstadion
Bremen, Germany |
1 DVD |
|
|
Pro Shot [Bluefalcon] |
This is the screen feed. What makes this unique is that the majority of the show shows the 4 screens at once. Occasionally it'll split in half and for No Leaf Clover it goes to full screen which is awesome. |
|
06/29/04 |
Stadio Euganeo
Padova, Italy |
2 DVD |
|
|
(8 cam mix) AUD Masters |
|
|
11/06/04 |
Office Depot Center
Fort Lauderdale, FL |
2 DVD |
|
|
Master AUD [WVMonster] |
Killer video quality with LiveMet SBD audio |
|
06/03/06 |
Rock Am Ring Festival
Eifel, Germany |
1 DVD-DL |
|
|
Proshot |
|
|
06/06/06 |
Waldbuhne Amphitheatre
Berlin, Germany |
2 DVD |
|
|
Fey-Metallica / LeperMessiah26 |
|
|
06/08/06 |
Gelredome
Arnhem, Netherlands |
2 DVD |
|
|
WVMonster |
Absolutely amazing 3cam mix! The 3 sources are Sepu`s Pit cam, NYC Shows Screen cam, and Ledmax`s Right side Cam. |
|
06/08/06 |
Gelredome
Arnhem, Netherlands |
3 DVD |
|
|
Fey-Metallica / LeperMessiah26 |
|
|
06/10/06 |
Donington Park
Donington, England |
2 |
|
|
MetLive Release |
|
|
06/10/06 |
Donington Park
Donington, England |
2 DVD |
|
|
metallifreak27 |
Killer 5cam mix by metallifreak27 with livemet audio and custom intro movie. |
|
06/15/06 |
Pannonia Fields II
Nickelsdorf, Austria |
3 DVD |
|
|
Master AUD [Christophe] |
The Audio is great...you Get Livemet, Audience, and a Mix of both. Taper films a mix of stage and screens depending on obstructions from the crowd. Very steady shot, one of the best audience videos from this year. |
|
06/17/06 |
Heineken Jammin Festival
Imola, Italy |
2 DVD |
|
|
(5 cam mix) AUD Master |
|
|
08/15/06 |
Olympic Stadium
Seoul, South Korea |
2 DVD |
|
|
Pro Shot [Deadbase] |
Killer proshot broadcasted and captured in High Definition, authored by Deadbase |
|
??/??/06 |
A Retrospective - Kill em All to St Anger
Compilation, Compilation |
1 DVD |
|
|
|
|
|
??/??/06 |
Master of Puppets - Biography & Rare Demos
Various, Unknown |
1 DVD |
|
|
|
|
|
07/05/07 |
Rotundenplatz
Vienna, Austria |
2 DVD |
|
|
Metallicoxxx |
PAL. Best source out there so far! Filmed from the pit, but quite steady, amazing close ups, synced with LM audio. |
|
07/07/07 |
Wembley Stadium
London, England |
1 DVD |
|
|
Proshot [HD source] |
|
|
07/08/07 |
Wembley Stadium
London, England |
2 DVD |
|
|
13 Cam Mix [Neorrr] |
|
|
07/15/07 |
Olympic Stadium
Helsinki, Finland |
1 DVD |
|
|
(1st source) AUD Master |
|
|
07/18/07 |
Luzhniki Stadium
Moscow, Russia |
4 DVD |
|
|
Master AUD (Oip-Emilianium) |
|
|
10/27/07 |
Shoreline Amphitheatre
Mountain View, CA |
1 |
|
|
Official Release |
Fantastic Acoustic show |
|
10/27/07 |
Shoreline Amphitheatre
Mountain View, CA |
1 DVD |
|
|
(2-Cam Mix) [by Thomasbiglow] |
Very poor quality video. More than likely YouTube or digital camera sourced. |
|
10/28/07 |
Shoreline Amphitheatre
Mountain View, CA |
1 |
|
|
Official Release |
Acoustic Show |
|
10/28/07 |
Shoreline Amphitheatre
Mountain View, CA |
1 DVD |
|
|
Kowies/Krzych |
AUD shot |
|
10/28/07 |
Shoreline Amphitheatre
Mountain View, CA |
1 DVD |
|
|
Multi-cam Mix |
|
|
??/??/07 |
Halcyon Days
Various, Unknown |
2 DVD |
|
|
|
|
|
06/07/08 |
Rock Am Ring-Nurburgring
Eifel, Germany |
1 DVD |
|
|
Pro Shot [Fex-] |
Recorded in a wide screen mode |
|
07/22/08 |
Parco Nord
Bologna, Italy |
2 DVD |
|
|
Multicam Mix [ShortestStraw/Ktulu] |
Pro/AUD show mix. |
|
07/27/08 |
Ali Sami Yen Stadium
Istanbul, Turkey |
2 DVD |
|
|
Master AUD [TayfunRaider] |
|
|
08/09/08 |
Pizza Hut Park
Frisco, TX |
2 |
|
|
Metallica Live (Official Site release) |
at Ozzfest. Helluva good show. |
|
09/12/08 |
O2 Arena
Berlin, Germany |
2 DVD |
|
|
Master AUD [the doctor] |
Full show. Killer show, killer filmed, killer sound, enough said! |
|
10/21/08 |
Jobing.com Arena
Glendale, AZ |
2 DVD |
|
|
Master AUD [NYC Bitch Committee] |
|
|
11/23/08 |
New Orleans Arena
New Orleans, LA |
2 DVD |
|
|
Master AUD (Ryan Bowman) |
Good closeups. LiveMet audio. |
|
12/01/08 |
Key Arena
Seattle, WA |
2 DVD |
|
|
Master AUD (Ryan Bowman) |
Better closups. LiveMet audio |
|
??/??/08 |
The Complete Story
Unknown, Unknown |
2 DVD |
|
|
|
NTSC; PRO Shot; Menu & Chapters. OFFICIAL RELEASE from Chrome Dreams. This dvd set is a re-edit of the following two films using some new footage: "Metallica - Dark Souls" & "Aural Amphetamine: Metallica & The Dawn of Thrash." It's an in-depth documentary review concentrating on Metallica's music and career. |
|
??/??/08 |
Making of Death Magnetic
San Francisco, CA |
1 DL-DVD |
|
|
|
|
|
01/17/09 |
Wachovia Center
Philadelphia, PA |
1 DVD |
|
|
NYC Bitch Committee |
|
|
01/29/09 |
Nassau Veterans Memorial Coliseum
Uniondale, NY |
2 DVD |
|
|
NYC Bitch Committee VII |
Version I |
|
03/07/09 |
Globe Arena
Stockholm, Sweden |
2 DVD |
|
|
Thornblom/LeperMessiah26 |
3nd source, also digital camera sourced. Great video quality for a digicam source though. Not much zooming though, but fairly steady recording. Contains LM audio. |
|
03/25/09 |
LG Arena (NEC)
Birmingham, UK |
2 DVD |
|
|
Master AUD (Simon_LTD) |
|
|
03/28/09 |
O2 Arena
London, England |
2 |
|
|
MetLive Release |
|
|
04/04/09 |
Cleveland Public Hall
Cleveland, OH |
1 DVD |
|
|
Full Presentation |
|
|
05/09/09 |
Hanns-Martin-Schleyerhalle
Stuttgart, Germany |
2 DVD |
|
|
Santos/LeperMessiah26 |
Absolutely great quality, one of the best sources out there. |
|
05/11/09 |
Festhalle
Frankfurt, Germany |
2 DVD |
|
|
Master AUD [Stoff] |
Killer quality show, I wish we had more shows like this. A must have for your collection. |
|
05/16/09 |
König Pilsener Arena
Oberhausen, Germany |
2 DVD |
|
|
FrantikFreak |
Stunning video quality! Audio is fantastic as well. A few obstructions at times, but with some amazing closeups. |
|
05/17/09 |
Lanxess Arena
Cologne, Germany |
1 DVD |
|
|
PAL; AUD Shot; No menu or seekable chapters. Mostly stage shot. Fairly steady picture. Not sure of source. |
|
|
05/17/09 |
Lanxess Arena
Cologne, Germany |
2 DVD |
|
|
FranticFreak |
Killer quality show. Occasion head obstructions and somewhat shaky at times. Filmed from the upper level. |
|
05/17/09 |
Lanxess Arena
Cologne, Germany |
2 DVD |
|
|
3 Cam Mix |
|
|
07/04/09 |
Sonisphere
Hockenheim, Germany |
2 DVD |
|
|
Het2006 |
|
|
07/07/09 |
Antic Arena
Nimes, France |
1 DVD |
|
|
"Francais pour une Nuit" |
Proshot |
|
07/07/09 |
Antic Arena
Nimes, France |
2 DVD |
|
|
Norbinho |
|
|
07/13/09 |
Palacio de Deportes
Madrid, Spain |
2 DVD |
|
|
Santos / LeperMessiah26 |
much better quality, there is still the shakey camera though :( |
|
07/16/09 |
Hallenstadion
Zurich, Switzerland |
1 DVD |
|
|
Santos/LeperMessiah26 |
Awesome video quality, crystal clear and nice colours. Filmed in HD. Its slightly shakey, but not bad. Cut short due to security.
Audio is livemet, with a choice of audience and a mix also. |
|
07/27/09 |
Forum
Copenhagen, Denmark |
2 DVD-DL |
|
|
Fan Can 6 |
Contains bonus songs from 7/20-28 |
|
07/28/09 |
Forum
Copenhagen, Denmark |
2 |
|
|
Metallica Live download (official) |
Only performance of "Ecstasy of Gold" live. FLAC source |
|
07/28/09 |
Forum
Copenhagen, Denmark |
2 DVD |
|
|
Master AUD w/ livemet audio [ladislav] |
Outstanding video - great closeups. |
|
09/17/09 |
Conseco Fieldhouse
Indianapolis, IN |
1 DVD |
|
|
Post Toasted |
Lineage: Sony DCR-HC20 NTSC Mini DV Handycam>Maxell Mini DV cassette (LP Mode)>DVD Xpress> Ulead DVD Factory>DVD>DVD Decrypter>TLH>you |
|
10/03/09 |
St. Pete Times Forum
Tampa, FL |
2 DVD |
|
|
munozfl / No Leaf Clover |
HD digicam sourced filmed from near the rail. Video quality is excellent with great closeups and virtually no obstructions, but the filming is very shaky at times |
|
01/22/10 |
Estadio Monumental Antonio Vespucio Liberti
Buenos Aires, Argentina |
1 DVD |
|
|
Pro shot [Flequi] |
Argentinian TV broadcast of the show. Very good quality |
|
03/14/10 |
Coliseo de Puerto Rico Jose Miguel Agrelot
San Juan, PR |
2 DVD |
|
|
Master AUD [archNagel/ No leaf clover / Sailing Home] |
Filmed in 720p. Excellent quality show, one of the best digicams I've seen. The filming quality is incredible. |
|
04/13/10 |
Telenor Arena
Oslo, Norway |
2 DVD |
|
|
Multicam AUD mix [Krzych/Blasphemer] |
|
|
04/13/10 |
Telenor Arena
Oslo, Norway |
1 DVD |
|
|
MCS version |
|
|
04/14/10 |
Telenor Arena
Oslo, Norway |
2 DVD |
|
|
IngoausNorwegen / Metallican |
Filmed in stunning HD quality. Very nice filming with no obstructions and great closeups. |
|
04/14/10 |
Telenor Arena
Oslo, Norway |
2 DVD |
|
|
AUD [Master][Multicam][Krzych] |
|
|
04/24/10 |
SK Olimpiisky
Moscow, Russia |
2 |
|
|
Metallica Live download (official) |
FLAC source |
|
04/25/10 |
SK Olimpiisky
Moscow, Russia |
2 |
|
|
Metallica Live download (official) |
FLAC source |
|
05/12/10 |
Odyssey
Belfast, Ireland |
2 DVD |
|
|
8 cam mix [thomasbiglow] |
|
|
05/14/10 |
Puskás Ferenc Stadion
Budapest, Hungary |
2 |
|
|
Metallica Live website download (Official) |
FLAC source |
|
05/18/10 |
Pavilhao Atlantico
Lisbon, Portugal |
2 DVD |
|
|
Jorge / Norbinho |
|
|
05/19/10 |
Pavilhao Atlantico
Lisbon, Portugal |
2 DVD |
|
|
Jorge / Norbinho |
|
|
06/14/10 |
Rock In Rio
Arganda Del Rey, Spain |
1 DVD |
|
|
DVB-T (KWorld) -> TMPGEnc Authoring Works -> DVD |
PAL - complete set. Re-authored version. |
|
06/24/10 |
Terra Vibe Park
Athens, Greece |
3 DVD |
|
|
4 Cam Aud Master mix w/ SBD audio [Ancientmetalhead/Fotografass/Kostas/Tromster/Zarko] |
notes by zarko:
It took me several months to have it completed and watchable.
I used four sources, 2 full (Tromster/right angle & ancientmetalhead/left angle) and 2 incomplete (Kostas & Fotografass).
Due to the shakey filming of the 2 first, the rain and the obstructions, it wasn't always possible to get the best result but I did my best.
All audio is replaced with livemet. As extras, I 've added the meet & greet along with the Metontour videos and a slideshow.
I also made an introductory video for the 4 Metallica shows in Greece.
The cover art is included. |
|
06/27/10 |
BJK Inonu Stadium
Istanbul, Turkey |
2 DVD |
|
|
Master AUD [Wizard * MF27 * Unforgiven] |
HD Digicam sourced. Filmed from the far left side. Video quality is great, but the filming could be much better and more enjoyable. If the taper would have just stayed zoomed in the entire time it would be a much better show but he keeps zooming back and forth so at times you can't even see the band. A little shaky at times, but nothing bad. |
|
09/15/10 |
Rod Laver Arena
Melbourne, Australia |
3 DVD |
|
|
Master AUD[bobmetallicafreak/Metallifreak27] |
Killer quality show filmed in HD. Filmed from pretty close with great zooms. Somewhat shaky recording with quite a few obstructions since he's filming between fans. |
|
09/16/10 |
Rod Laver Arena
Melbourne, Australia |
3 DVD |
|
|
AUD Master [bobmetallicafreak/Metallifreak27] |
|
|
10/23/10 |
Burswood Dome
Perth, Australia |
2 DVD |
|
|
Metallifreak27 / WVMonster |
|
|
04/23/11 |
Empire Polo Club
Indio, CA |
2 |
|
|
Metallica Live download (Official) |
Great show. FLAC source |
|
07/02/11 |
Veltins-Arena
Gelsenkirchen, Germany |
1 DL-DVD |
|
|
multicam mix [FranticFreak] |
|
|
07/03/11 |
Ullevi Stadium
Gothenburg, Sweden |
1 DVD-DL |
|
|
Digital Cable signal > WinTV v7 USB TV Tuner > HD > TMPGEnc Authoring Works 4 (PAL) > VIDEO_TS > torrent |
DVD is fully chaptered and comes with a simple menu.
According to TMPGEnc, my stream has these specifications:
PAL 16:9
MPEG-2 Video, 720x576, 25fps, 15000 kbp/s
MPEG-1 Audio Layer II, 48000 Hz, 2 ch, 256 kbp/s |
|
07/03/11 |
Ullevi Stadium
Gothenburg, Sweden |
2 |
|
|
Digital Satellite > Blu Ray DVD Recorder > Blu Ray Disc > Playstation 3 > Dazzle > Pinnacle Studio > DVD 9 > DVD Audio Ripper > Wav 96k/24 bit > Audacity (slight EQ & dithering) > Wav 44k/16 bit > TLH > FLAC (Level 5) |
Excellent SBD. Fantastic show. |
|
07/06/11 |
Arena Fiera Milano
Rho, Italy |
2 DL-DVD |
|
|
milanicachannel multi-cam |
Phenomenal multi-cam mix put together lovingly by Italian fans. |
|
07/08/11 |
Knebworth House
Knebworth, UK |
1 DVD |
|
|
Master AUD [Matt Walker/ Zarko] |
|
|
07/09/11 |
Sonisphere France - Snowhall Parc
Amneville, France |
1 DL-DVD |
|
|
AUD - Nobinho |
|
|
07/09/11 |
Sonisphere France - Snowhall Parc
Amneville, France |
3 DVD |
|
|
[AUD][PAL][2cam mix][Norbinho/Ingo/Terje/Kris] |
|
|
09/14/11 |
Yankee Stadium
New York, NY |
2 DVD |
|
|
NYC Bitch Committee |
Filmed almost entirely from the big screens, although there is an annoying flicker from the screens. One of Metallica's best performances of the year.
At the end of Battery the screen source version changes into a two cam mix 'till the end of Seek & Destroy (one source from the pit and one from right angle). |
|
09/25/11 |
Rock in Rio: Cidade Do Rock
Rio de Janeiro, Brazil |
1 DVD-DL |
|
|
Rock In Rio Festival [HD] |
Resolution: 1280 x 720
Vídeo Codec: x264
Audio Codec: AC3 |
|
12/05/11 |
The Fillmore
San Francisco, CA |
2 |
|
|
Live Metallica official release |
|
|
12/05/11 |
The Fillmore
San Francisco, CA |
1 DVD |
|
|
hellstorm79 |
Compilation of HD YouTube |
|
12/05/11 |
The Fillmore
San Francisco, CA |
1 DVD |
|
|
Milanica |
This "Mini-DVD" was created using stuff sent to us from two mexican guys (original sources, not youtube). Video quality varies between "excellent" and "sufficient". In this DVD there are also animated menu and extra stuff (slideshow pics from metallimuseum and backstage and a 15 mins clip with the funniest moments from all the four nights). Hope you like it.. |
|
12/07/11 |
The Fillmore
San Francisco, CA |
2 |
|
|
Official Release |
|
|
12/07/11 |
The Fillmore
San Francisco, CA |
1 DVD |
|
|
hellstorm79 |
Compilation of HD YouTube |
|
12/09/11 |
The Fillmore
San Francisco, CA |
2 |
|
|
Official Release |
|
|
12/09/11 |
The Fillmore
San Francisco, CA |
1 DVD |
|
|
hellstorm79 |
Compilation of HD YouTube |
|
12/10/11 |
The Fillmore
San Francisco, CA |
2 |
|
|
Live Metallica official release |
w/ Dave Mustaine on four tracks! |
|
12/10/11 |
The Fillmore
San Francisco, CA |
1 DVD |
|
|
hellstorm79 |
Compilation of HD YouTube |
|
12/10/11 |
The Fillmore
San Francisco, CA |
2 DL-DVD |
|
|
milanicachannel multi-cam (youtube HD sourced) |
Highlights from all four nights - amazing work here |
|
06/24/12 |
Bader Field
Atlantic City, NJ |
3 DVD |
|
|
Pro Shot |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/03/90 |
Estadio Centenario
Montevideo, Uruguay |
1 |
|
|
Complete Montevideo 1990 (Paddington 044/045/046) |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/64 |
Big John's
Chicago, IL |
1 |
|
|
|
"If You Love These Blues" bootleg |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/02/69 |
Fillmore West
San Francisco, CA |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/02/59 |
CBS-TV Studio 61
New York, NY |
1 VCD |
|
|
|
|
|
03/21/60 |
L'Olympia Theatre
Paris, France |
2 |
|
|
|
Miles and Coltrane at their best. This show is notorious for the traditionalist Paris audience booing Coltrane's solo in "Bye Bye Blackbird" |
|
03/24/60 |
Tivoli Konsertsal
Copenhagen, Denmark |
1 |
|
|
Royal Jazz RJ-501 [JEAL Records Denmark (1989)] |
FM or SBD > ? > Silver Boot RJ-501 > EAC (4x, secure) > FLAC (level 6, with sector align)...
total time: 44:10 |
|
04/08/60 |
Kongresshaus
Zürich, Switzerland |
1 |
|
|
|
|
|
10/11/60 |
Olympia Theatre
Paris, France |
2 |
|
|
|
|
|
10/13/60 |
Konserthuset
Stockholm, Sweden |
2 |
|
|
|
|
|
??/??/60 |
Stockholm Concert Hall
Stockholm, Sweden |
4 |
|
|
|
Great box set, available very expensivley as an import, so I'm willing to trade it. Complete Collection 3/22 with John Coltrane (Disc 1 and track 1 of Disc 2) and 10/13 with Sonny Stitt of 1960. Has my absolute favorite rendition of "On Green Dolphin Street" and "All Blues" - Miles is cool and relaxed, while Coltrane just lifts off to the stars... |
|
07/26/63 |
La Pinède
Juan-les-Pins, France |
1 |
|
|
|
|
|
07/14/64 |
Shinjuku Kohseinenkin Hall
Tokyo, Japan |
1 |
|
|
|
"Miles in Tokyo" OFFICIAL RELEASE |
|
10/28/67 |
Konigin Elizabethzaal
Antwerp, Belgium |
1 |
|
|
"Sorcery in Antwerp" |
FM broadcast show.
Bonus Tracks:
Saturday Night Live
NBC-TV
10/17/81 & Late Night with David Letterman
NBC-TV
12/11/87
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
12/31/70 |
Fillmore East
New York, NY |
2 |
|
|
|
Great show, amazing SBD quality. |
|
06/27/71 |
Fillmore East
New York, NY |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
12/18/93 |
w/ Lars Ulrich
Various, Various |
1 DVD |
|
|
|
NTSC; PRO Shot; SA Menu with 15 min chapters. From VHS transfer, LP Mode. Episode hosted by Riki Rachtman and interview with Lars Ulrich about the release of Live Shit: Binge & Purge Box Set. Commercials have been edited out. Picture quality has some line distortion to it. Running time 2 hours. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/22/86 |
w/ Metallica and Bobcat Goldthwait
Various, Various |
1 DVD |
|
|
|
NTSC; PRO Shot; Menu & Chapters. Very good quality for its age. Bright and extremely clear picture. Interview at CMJ in NY with the band about "Master of Puppets." Rare footage of Cliff Burton. DVD also includes an episode from 4/17/86 with Ron Keel and behind the scenes footage of Hear N' Aid. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/26/63 |
Copacabana Club
Chicago, IL |
1 |
|
|
|
Vocals and guitar distant - which is a shame |
|
11/04/68 |
L'Olympia
Paris, France |
1 |
|
|
|
Excellent Soundboard |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
01/10/92 |
MTV Studios
New York, NY |
1 DVD |
|
|
Digital Satellite Broadcast > MiniDV > DVDR |
Transferred By: Jason Peterson
Video: 720x480 NTSC 29.97fps 8.0MbpsCBR
Audio: PCM 48kHz 16bit |
|
12/13/93 |
Pier 48
Seattle, WA |
1 DVD |
A |
A |
|
Probably my favorite Nirvana show ever. This is the broadcast portion only, but even that edited glimpse is mandatory viewing for any serious fan. The band is on fire, Kurt's voice sounds incredible, and the whole package is professionally filmed. You won't find much footage better than this, and the sound is better than on any of the officially released live stuff the band (Courtney?) has put out. Full menu and chapters. Amazing. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/27/10 |
Glastonbury Festival
Somerset, England |
1 DVD |
|
|
BBC FOUR Digital Broadcast DVB-T > TV Card > Mpeg - Hard Drive > TMPGEnc DVD Authoring Works 4 > Video TS |
PAL format |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/04/67 |
Konserthuset
Stockholm, Sweden |
1 |
|
|
SBD |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/17/82 |
Long Beach Arena
Los Angeles, CA |
1 |
|
|
CAPTURED LIVE (FM BROADCAST) |
with Randy Rhoads. ORIGINALLY A VINYL BOOT WHICH HAS BEEN DIGITALLY REMASTERED AND PRODUCED TO FACTORY SILVER CD |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/25/95 |
Glastonbury Festival
Glastonbury, England |
1 DVD |
|
|
"Glastonbury 25th June 1995 'Deluxe'" (Yellow Cow Records) |
Audio Ch1 is the original soundtrack patched with the BBC Radio 1 FM broadcast where neccessary (they're essentially the same recording and mix).
Audio Ch2 is a lovely, dry audience recording (available in full as 'Get Rid Of The Smoke') for those who prefer the "down the front" vibe.
4 minutes of extra footage transcoded to NTSC and cut in from the UK Channel 4 broadcast (VHS source). |
|
10/03/95 |
Irvine Meadows
Irvine, CA |
2 |
|
|
Z.E.P.P.E.L.I.N (Midas Touch) |
Stereo Soundboard Recording |
|
10/03/95 |
Irvine Meadows
Irvine, CA |
1 DVD |
|
|
Live at Irvine Meadows (Woodstock Tapes) |
Lineage: Pro Shot --> Silver DVD --> DVD Decrypter --> HDD --> TTD
Video System: NTSC 29.97 fps
Video Biterate: 4499 kbps
Picture: 4:3 720x480
mpeg 2
Audio Codec: AC3
Audio Bitrate: 192 kbps
Running Time: 2:03:18
Region Code: All.
Subtitles: No
Chapter breaks on each song. No real menu to speak of, just an intro for Woodstock Tapes. |
|
02/13/96 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
Made In Occupied Japan (Tarantura 2001 TCDPP~1) |
|
|
02/13/96 |
Budokan Hall
Tokyo, Japan |
1 DVD |
|
|
one shot camera (Tarantura) |
|
|
02/15/96 |
Festival Hall
Osaka, Japan |
2 DVD |
|
|
Third Eye Production with Soundboard recording |
|
|
02/17/96 |
Century Hall
Nagoya, Japan |
2 |
|
|
Made In Occupied Japan Part 3 (21st Century Tarantura 2001 TCDPP~3 ) |
excellent soundboard |
|
03/25/98 |
Shepherds Bush Empire
London, England |
2 |
|
|
|
|
|
03/25/98 |
Shepherds Bush Empire
London, England |
2 DVD |
|
|
Special Dual Camera Mix (Block's DVD Productions 2010) |
PAL VHS 3rd Gen sources > MPEG-2 > PAL DVD -- 6.43 GB |
|
07/07/01 |
Stravinsky Auditorium
Montreux, Switzerland |
2 |
|
|
Candy Store Montreux |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/10/66 |
The Fillmore Auditorium
San Francisco, CA |
2 |
|
|
|
|
|
10/14/66 |
Fillmore Auditorium
San Francisco, CA |
2 |
|
|
|
"Droppin' in with"
selections from 1965 Newport Jazz Festival, 10/14/66 FillmoreWest, and spring 1966 Chicago |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/24/02 |
MCI Center
Washington, DC |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/07/74 |
Ultrasonic Studios
Hempstead, NY |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/14/99 |
Worcester Centrum Centre
Worcester, MA |
2 |
|
|
|
with additional tracks from 11/15/199 Barton Hall:
Mr. Charlie
Cold Rain and Snow
Goin' Down the Road feeling Bad
We Bid You Goodnight
all featuring Jorma Kaukonen on guitar. |
|
05/27/00 |
Calaveras County Fairgrounds
Angels Camp, CA |
1 |
|
|
|
|
|
07/28/01 |
Tweeter Center
Camden, NJ |
1 DVD |
|
|
|
|
|
08/02/01 |
Virginia Beach Amphitheatre
Virginia Beach, VA |
2 |
|
|
|
|
|
07/12/02 |
PNC Bank Arts Center
Holmdel, NJ |
3 |
|
|
|
Some skips and clicks, hoping to replace with a clean copy |
|
09/25/03 |
Warfield Theater
San Francisco, CA |
3 |
|
|
|
|
|
12/04/03 |
Beacon Theater
New York, NY |
3 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
01/18/79 |
WDR Studio "Musikladen"
Bremen, Germany |
1 DVD |
|
|
|
|
|
02/21/79 |
Hatfield Polytechnic
Hatfield, England |
1 DVD |
|
|
BBC Crown Jewels, Vol 3 "Rock Goes To College: The Police" [A PRESENCE PRODUCTION] |
Digital Satellite Broadcast > DVD. 8Mbps NTSC, 48kHz PCM audio. |
|
11/29/79 |
The Palladium
New York, NY |
2 |
|
|
WNEW-FM Broacast. LINEAGE: PIONEER 747 RECEIVER> DOKORDER CASSETTE DECK> MY ORIGINAL TDK SA TAPE> |
Nevinsrip Basement Tapes: I seeded this back in 2005. I figured that it was time to start re-seeding many of the shows that I recorded throughout the years. Back in the heydays of FM radio, I lived in Flushing Queens, and at the time, I had an FM antennae on my roof that picked up WLIR, WNEW, WPIX, WPLJ and WFUV at their optimum. My equipment was pretty good at the time of these recordings and it's time for me to start sharing what I have again. I probably have 400 or so FM shows. Quite a few of them are from the WLIR Tuesday Night Concert series.
I'll start off with a white hot show that the Police did when they did some small clubs back in 1979 before they hit it big. On most of the shows I recorded I always started the tape a few minutes before the show actually started to get the DJ's comments and lead in. I did the same thing at the end. I include them here for anyone who wants to hear them just to put things in historical context. If you are not a fan of that sort of thing then just don't download them or burn them to disc. Easy enough.
Some notes about the lineage. I sent my original tape and a second source (from DADDY 515) to a guy known as SERIUSJOE. He re mastered the whole show and spliced in DADDY 515's "Cant Stand Losing You" where I had a tape flip break on my version. He also used DADDY 515's DJ comments for some unknown (to me) reason. This is direct from the disc I received back from him in FLAC format. |
|
08/22/80 |
Les Arenes
Beziers, France |
1 |
|
|
Remastered by NoSpEx |
SBD |
|
11/01/80 |
Markthalle-Rockpalast
Hamburg, Germany |
1 DVD |
|
|
|
comes on the same DVD as 1-18-79 |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/01/75 |
Nippon Budokan Hall
Tokyo, Japan |
2 |
|
|
Young Nobles Of Rock (Tarantura TCDQ 1-1, 2 - August 2007) |
A new, third audience recording from the May 1st Budokan show. Whereas the other two tapes are fair to good mono recordings, this is in superb, excellent three dimensional stereo. I think this is the best audience recording from the early Queen to surface. And of course a great show too.
This concert has been released before on vinyl (incomplete), and on 2cd's 'First Live Attack'.
Original bootleg, 'new' tape source. First time this tape is released. |
|
01/30/76 |
Boston Music Hall
Boston, MA |
2 |
|
|
Dan Lampinski tape |
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger |
|
02/09/77 |
Boston Garden
Boston, MA |
2 |
|
|
|
Audience Recording (Incomplete)
Total Time: 80:35
1. Overture
2. Tie Your Mother Down
3. Ogre Battle
4. White Queen
5. Somebody to Love (Channel Drops out-switch to mono briefly)
Medley:
6. Killer Queen->
7. The Millionaire Waltz->
8. You're My Best Friend->
9. Bring Back That Leroy Brown
Cassette Flip before Champaigne toast
10.Sweet Lady
11.Brighton Rock->
Guitar Solo->
Brighton Rock(Reprise)
12.' 39 (Channel Drops out-mono almost entire song)
Cassette Flip
13.You Take My Breath Away
14.White Man
15.Bohemian Rhapsody
16.Stone Cold Crazy (Speed issues??)
17.Keep Yourself Alive (Speed issues??)
18.Liar (Speed issues??)
Audience Recording:
Extended stage
1st row far right
Recorded on a (2) Maxell UD90's
w/ Sony TC-152 Portable Cassette Deck / Tape Position 'Normal' / Dolby 'B' in
using Sony ECM-99A (hand held one point stereo mic)
Playback:
Sony TC-152 Cassette Deck / Tape Position 'Normal' / Dolby 'B' out --> / Revox B-77 (Maxell UD35-90 7 1/2 ips) / Tascam CD-RW2000 --> EAC --> Goldwav --> FLAC 8
Heads were aligned for optimum playback. Nothing has been edited out or EQ'd!! Hezekiahx2 |
|
11/24/81 |
Forum
Montreal, QC |
1 DVD |
|
|
"Queen Rock Montreal" |
|
|
07/21/86 |
Stadthalle
Vienna, Austria |
2 |
|
|
Vienna Magic (Wardour) |
discs 1&2 |
|
07/22/86 |
Stadthalle
Vienna, Austria |
2 |
|
|
Vienna Magic (Wardour) |
discs 3&4 |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/31/93 |
Pinkpop Festival Grounds
Landgraaf, The Netherlands |
1 DVD |
|
|
on Pinkpop Festival Compilation |
PAL format |
|
06/10/93 |
Milan City Square
Milan, Italy |
1 |
|
A |
"America's Most Wanted" |
|
|
05/23/94 |
Pinkpop Festival
Landgraaf, Holland |
1 DVD |
|
|
on Pinkpop Festival Compilation |
PAL format |
|
05/27/96 |
Draf- En Renbaar; Pinkpop Festival
Landgraaf, Holland |
1 DVD |
|
|
on Pinkpop Festival Compilation |
PAL format |
|
06/12/10 |
Donington Park
Castle Donington, England |
2 |
|
|
Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8 |
Sound Professionals SP-CMC-8 Microphones.
Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (69Hz)
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
09/06/63 |
The Sands Hotel
Las Vegas, NV |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/04/99 |
Södra Teatern
Stockholm, Sweden |
1 |
|
|
SBD > silver cd > EAC> FLAC |
|
|
01/09/00 |
Nippon Budokan
Tokyo, Japan |
1 |
|
|
|
|
|
04/29/06 |
The Alcatraz
Milan, Italy |
1 DVD |
|
|
Pro shot MHD Broadcast > DVD [Presence Production] |
16:9 Anamorphic Widescreen. Downresolution performed with TMPGEnc and Canopus codecs. 8Mbps NTSC, 48kHz PCM audio, 45min 07sec. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/05/69 |
Hyde Park
London, England |
1 VCD |
|
|
|
|
|
11/09/69 |
Oakland Coliseum (2nd Show)
Oakland, CA |
1 |
|
|
Live’R Than You’ll Ever Be [Tarantura] |
Disc 2 of set |
|
11/09/69 |
Oakland Coliseum (1st Show)
Oakland, CA |
1 |
|
|
Live’R Than You’ll Ever Be [Tarantura] |
Disc 1 of set |
|
11/09/69 |
Oakland Coliseum (1st Show)
Oakland, CA |
1 |
|
|
"Even More Liver Than You'll Ever Be" (Beelzebub) |
excellent audience recording |
|
11/09/69 |
Oakland Coliseum (2nd Show)
Oakland, CA |
2 |
|
|
"Even More Liver Than You'll Ever Be" (Beelzebub) |
Disc 1 - excellent audience. Disc 2 - partial Soundboard. |
|
12/06/69 |
Altamont Speedway
Livermore, CA |
2 |
|
|
The Killer Festival "Altamont 1969" (VGP-113) |
|
|
09/22/70 |
L'Olympia
Paris, France |
1 |
|
|
|
FM broadcast w/commentary; This tape comes from a French radio broadcast, but the catch is the announcer apparently did the recording by holding up his microphone.
The recording is certainly no better than an audience tape, and the between song commentary is annoying. |
|
??/??/70 |
Acoustic Motherfuckers
Compilation, Unknown |
1 |
|
|
|
|
|
03/06/71 |
Coventry Theatre (2nd Show)
Coventry, England |
1 |
|
|
Farewell Tour 1971 (VGP 095) |
excellent audience |
|
03/13/71 |
Leeds University
Leeds, Yorkshire |
1 |
|
|
"Get Your Leeds Lungs Out!" (Mighty Diamonds MD 2004) |
Roll Over Beethoven is from 9/14/70 AUD. |
|
03/14/71 |
Chalk Farm Roundhouse (2nd Show)
London, England |
1 |
|
|
LONDON ROUNDHOUSE (TMOQ Vinyl) |
A Very Good Audience recording
PERFORMANCE:
Excellent plus - a LOT better than the more famous Leeds concert, the day before, which was broadcasted on BBC |
|
03/26/71 |
Marquee Club
London, England |
1 Audio |
|
|
|
|
|
03/26/71 |
Marquee Club
London, England |
1 DVD |
|
|
|
|
|
06/24/72 |
1972 Tour Rehearsals
Dallas, TX |
2 |
|
|
Optimal merge of three sources |
1st and 2nd shows.
CD 1: 1st show
01 Brown Sugar*
02 Bitch*
03 Rocks Off*
04 Gimme Shelter***
05 Dead Flowers***
06 Sweet Black Angel*
07 Happy*
08 Tumbling Dice**
09 Love In Vain**
10 Sweet Virginia**
11 You Can't Always Get What You Want**
12 All Down The Line*
13 Midnight Rambler**
14 Rip This Joint**
15 Jumpin' Jack Flash**
16 Street Fighting Man**
Sources:
* Ain't No Angel On Main Street (VGP-133) (very good audience)
** Touring Party 1972 (Rattlesnake RS 048-54) CD 1 (exc. stereo soundboard)
*** You Can't Do That Baby (VGP-314)(exc. stereo soundboard)
CD 2: 2nd show
01 Brown Sugar**
02 Bitch***
03 Rocks Off**
04 Gimme Shelter**
05 Don't Lie To Me***
06 Love In Vain**
07 Sweet Virginia**
08 You Can't Always Get What You Want**
09 Tumbling Dice**
10 Happy*
11 All Down The Line*
12 Midnight Rambler***
13 Band Introductions**
14 Bye Bye Johnny**
15 Rip This Joint**
16 Jumpin' Jack Flash**
17 Street Fighting Man**
Sources:
* Ain't No Angel On Main Street (VGP-133) (very good audience)
** Touring Party 1972 (Rattlesnake RS 048-54) CD 2 (exc- stereo soundboard)
*** Plug In Flush Out (VGP-259) CD1 track 12-14 (exc stereo soundboard) |
|
06/24/72 |
Tarrant County Convention Center
Fort Worth, TX |
2 |
|
|
Mick Taylor We Miss You (VGP-092) |
|
|
07/04/72 |
R.F.K. Stadium
Washington, DC |
1 |
|
|
JACK DANIEL'S ON TOUR (VGP 111) |
QUALITY:
Good - Very Good Audience
PERFORMANCE:
"EXCELLENT plus" performance - they were really smoking this night; despite (or maybe BECAUSE) of the bomb threats surrounding this concert. Every band member is shining here - including Taylor.....his solo on "You Can't Always Get..." this night, is among his very best solos
COMMENTS:
This VGP release (this torrent) is (still) the best source for this concert
It's a must have. It's among my top 3 1972 audience recordings (when combining quality with performance)....which is saying quite a lot. |
|
07/22/72 |
Civic Arena
Pittsburgh, PA |
1 SBD |
|
|
The Royal Dragon (Vinyl Gang Product 083) - 2nd edition |
better sound, different bonus-track ---
1-16 stereo soundboard recording, 17. Brown Sugar (Paris, 23/09/1970)
|
|
07/25/72 |
Madison Square Garden (2nd Show)
New York, NY |
2 DVD |
|
|
"Madison Square Garden 1972" (Idol Mind Production IMP-508V) |
Disc 1
Part1
Madison Square Garden 1972
25.07.1972
Mega-rare pro-shot 1 cam silent films synched with original live sound
1. Opening (2nd show)
2. Brown sugar (2nd show)
3. Bitch (2nd show)
4. Rocks off (2nd show)
5. Happy (2nd show)
6. Tumbling dice (2nd show)
7. Sweet Virginia (2nd show)
8. You can' t always get what you want (2nd show)
9. All down the line (1st & 2nd show)
10. Midnight rambler (1st & 2nd show)
11. Bye Bye Johnny (1st show)
12. Rip this joint (1st show)
13. Jumpin' Jack Flash (1st & 2nd show)
14. Street fighting man (1st & 2nd show)
Part 2
The rest of MSG 1972
25.07.1972
Mega-rare pro-shot 1 cam silent film synched with original live sound + 2
1. Opening - Happy (1st show)
2. Street fighting man (2nd show)
3. Uptight - (I can' t get no) Satisfaction (2nd show)
Note: Tracks 2 & 3 taken from Cocksucker Blues movie
Part 3
MSG & more 1972
25.07.1972
Multi-cam pro-shot compilation 1972
Live from MSG + 2
1. Opening (1st show)
2. Brown sugar (1 show)
3. Happy (L&G outtake)
4. All down the line (L&G outtake)
5. Street fighting man (1st show)
Disc 2
Dick Cavett Show 1972
Complete RS version with original CM' s - Bobby Fletcher part is cut off
1. Title
2. Opening M. C.
3. CM in 1972 #1
4. Interview with Fans
5. CM in 1972 #2
6. Backstage of MSG - interview with MJ
7. CM in 1972 #3
8. Interview with BW
9. CM in 1972 #4
10. Interview with MJ
11. CM in 1972 #5
12. Backstage of MSG
13. Brown sugar (Live)
14. CM in 1972 #6
15. Ending M.C.
16. Street Fighting Man (Live)
17. CM in 1972 #7
18. Ending
US ABC TV
Telecasted on August 11th, 1972
with Japanese subtitles (can be turned off) |
|
07/25/72 |
Madison Square Garden (2nd Show)
New York, NY |
2 |
|
|
"The Great Lost Live Album" (Dog N Cat Records DAC-047) |
|
|
07/26/72 |
Madison Square Garden
New York, NY |
1 SBD |
|
|
"Welcome To New York" - Swinging Pig |
|
|
??/??/72 |
Cocksucker Blues - The Movie
Compilation, Compilation |
1 DVD |
|
|
|
|
|
??/??/72 |
Ladies and Gentlemen
Various, Various |
2 |
|
|
|
June 24 & 25, 1972 |
|
02/24/73 |
Western Australia Cricket Ground
Perth, Australia |
1 |
|
|
|
Also has the '72 U.S. Tour Rehearsals in Dallas. |
|
02/24/73 |
Western Australia Cricket Ground
Perth, Australia |
1 |
|
|
**Remastered** by thir13en Productions |
|
|
02/26/73 |
Royal Randwick Racecourse
Sydney, Australia |
1 |
|
|
|
stereo soundboard recording, nice mix from start - all instruments & vocals sound good, guitars right & left , better quality than "Happy Birthday Nicky" with 2 more songs and full beginning of Brown Sugar |
|
02/27/73 |
Royal Randwick Racecourse
Sydney, Australia |
1 |
|
|
"ALL YOU CAN EAT" |
Inferior SBD |
|
09/08/73 |
Wembley Stadium (1st Show)
London, England |
1 |
|
|
Devil's Breath DB 002, pitch corrected. |
This is a very nice audience recording of the Rolling Stones one week into their 1973 European tour, their last with Mick Taylor. I rate it as one of the top 5 recordings of the tour. The Stones are playing in front of their home town crowd and Mick J. is obviously pleased to be there. Great performance.
This recording has been previously released on at least 3 other CDs but this 2007 version on the "Devil's Breath" label is the best. It's supposedly from the master tape. Unfortunately Devil's Breath got the speed wrong and the silver CD runs too fast. In 2007 I cut the speed by 3% but after some comments on my July 2009 reseed, I have further cut the pitch an additional 2.5% to match the otherwise-inferior DAC release, which does run at about the right speed. |
|
09/30/73 |
Festhalle (2nd Show)
Frankfurt, West Germany |
1 |
|
|
AUDIENCE ANALOG MASTER>DAT CLONE>CDR>EAC>FLAC |
Mick Taylor at the front of this recording |
|
10/17/73 |
Forest Nationale (1st Show)
Brussels, Belgium |
1 |
|
|
The Lost Brussels (VGP-088) |
Excellent stereo soundboard recording, except Star Star in good audience quality |
|
10/17/73 |
Forest Nationale (1st Show)
Brussels, Belgium |
2 |
|
|
Brussels Affair Definitive Edition |
Mick Taylor, what more can I say? |
|
10/17/73 |
Forest Nationale (1st Show)
Brussels, Belgium |
1 |
|
|
**Remastered** by thir13en |
I only used the portion of the Brussels show that was soundboard quality, leaving off the horrible AUD recording of "Starfucker". As for the other decent tracks that surround this broadcast, you'll have to wait...
I couldn't resist this one, the performance, the setlist, just the whole damn thing was awesome from top to bottom. A quality recording that needed the xtra boost of a proper mastering job, which it got and responded to very nicely. Check it for yourself, you won't be disappointed. Much warmer, bigger, brighter. The Stones in '73. Need I say more? |
|
10/17/73 |
Forest Nationale (2nd Show)
Brussels, Belgium |
1 |
|
|
Stones Archive Official Release |
Cobbling of both night's shows. Outstanding sound |
|
07/11/75 |
Great Western LA Forum
Inglewood, CA |
1 DL-DVD |
|
|
4Reel/Top Of The Line |
Proshot. |
|
12/14/81 |
Kemper Arena
Kansas City, MO |
2 |
|
|
MICK TAYLOR WE LOVE YOU AND WE'LL ALWAYS DO! (Empress Valley Supreme Disc 210-211) |
EXCELLENT SOUNDBOARD RECORDING !!!
Recorded live at Kemper Arena, Kansas City
Dec. 14th 1981 during an only reunion concert
featuring Keith Richards, Ron Wood, and Mick Taylor !!
on guitars. |
|
12/19/89 |
Convention Center
Atlantic City, NJ |
3 |
|
|
"Atlantic City '89" (The Swingin' Pig - TSP-CD-075) |
Guests: Axl Rose, Eric Clapton, and John Lee Hooker...
Geetarz comments: Perfect soundboard, from PPV broadcast. Far, far better than the horrid release "Terrifying", which has truly "terrifying" sound quality. Essential if only for Eric Clapton's blistering performance on "Little Red Rooster" - best to watch the video, to catch the look Mick gives Keith after EC's solo, as if to say "DAMN!!!" - and these guys don't impress easily. Then, John Lee Hooker comes out and simply tears the place down. An essential part of any Stones collection.
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
??/??/72 |
Mick Taylor Is In The Mix Vol. 1
Compilation, Compilation |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/20/74 |
Hippodrome, Golders Green
London, England |
1 |
|
|
|
|
|
02/08/76 |
Bottom Line
New York, NY |
1 |
|
|
Live at The Bottom Line |
Excellent FM broadcast...includes the rarely played "Ain't Too Good" |
|
12/04/76 |
Boston Music Hall
Boston, MA |
1 |
|
|
Mastered and FLAC'ed by Carl Morstadt |
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
06/??/77 |
Live In Japan
Compilation, Japan |
3 |
|
|
|
Good stuff, complete with great sound. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/13/68 |
The Matrix
San Francisco, CA |
1 |
|
|
|
"Live in Matrix" |
|
10/21/69 |
Ludlow's Garage
Cincinnati, OH |
2 |
|
|
|
|
|
04/12/70 |
Fillmore East
New York, NY |
1 |
|
|
|
Source: Vg+ Soundboard Recording
Lineage: The Early Years 02-CD-3332 1CD > WAV > FLAC |
|
08/18/70 |
Tanglewood Music Center
Lenox, MA |
1 DVD |
|
|
|
This DVD is a combination of a low gen VHS tape that had time codes on it and was redone with audio from the best available soundboard of the same show.
[exact details of the lineage of the video and audio are unknown]
Uploader's note: This is the best quality of this material I have seen, and the performance itself is a *very strong* example of the original lineup's power. |
|
10/14/70 |
Capitol Theatre
Port Chester, NY |
1 |
|
|
SBD or FM>?>CDR>EAC>FLAC LEVEL 6 |
|
|
11/18/70 |
Wally Heider Studios
San Francisco, CA |
1 |
|
|
Santana Band with Eric Clapton Village Recorders Tapes (Mid Valley) |
|
|
03/22/71 |
The Forum
Los Angeles, CA |
2 |
|
|
|
|
|
03/22/71 |
The Forum
Los Angeles, CA |
2 |
|
|
sbd(stereo)>?>cd>eac(secure)>shn(EZT BT)> pitch lowered >seekable shn |
eburks edits: I downloaded the torrent 8-20-2004 -
Cooledit Pro 2.0 pitch bend at perfect quality level
lowered pitch by 1.25 semitones |
|
04/03/71 |
Fillmore East
New York, NY |
1 |
|
|
|
SBD - Guitar is a little low in the mix |
|
04/20/71 |
Zirkus Krone
Munich, Germany |
1 |
|
|
|
|
|
07/04/71 |
Fillmore West
San Francisco, CA |
2 |
|
|
"Santana & Closing Jams" |
SBD |
|
09/28/71 |
Denver Coliseum
Denver, CO |
2 |
|
|
|
|
|
11/05/71 |
Sports Arena
San Diego, CA |
1 |
|
|
|
|
|
11/05/71 |
Sports Arena
San Diego, CA |
1 |
|
|
sbd(stereo)>?>cd>eac(secure)>shn(EZT BT)> pitch lowered >seekable shn |
eburks edits: I downloaded the torrent 8-20-2004 -
Cooledit Pro 2.0 pitch bend at perfect quality level
lowered pitch by 1.25 semitones |
|
10/28/72 |
Cherry Hill Arena
Cherry Hill, NJ |
2 |
|
|
SBD>?>CDR>EAC>FLAC |
nother rare 72' SBD gem from my buddy, agalli. It appears to be from a low gen source, pretty well mixed & hopefully running at the proper speed.
Since Haiti was so heavily in the news last month, I studied up a bit on its history. Did you know that Toussaint L'Overture was the slave who organized the rebellion to drive Napoleon's Army out of Haiti to create the first nation of freed slaves? Now what's the deal with Incident At Neshabur? |
|
11/17/72 |
Scandinavium
Göteborg, Sweden |
1 |
|
|
|
|
|
07/07/73 |
Budokan
Tokyo, Japan |
1 DVD |
|
|
|
This is an UPGRADE to the DVD uploaded on march 13, 2010 a dimer mailed a
shorter better version and the missing parts were joined in an mpeg-editor without any encoding. |
|
04/28/00 |
Budokan Hall
Tokyo, Japan |
2 |
|
|
|
with Eric Clapton!! |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
03/28/83 |
The Woodstock
Anaheim, CA |
1 DVD |
|
|
Uncirculated Master |
includes 1983-03-21 |
|
07/01/83 |
The Roxy
San Francisco, CA |
1 DVD |
|
|
Master |
|
|
08/12/83 |
The Woodstock
Anaheim, CA |
1 DVD |
|
|
Audience Recorded, VHS transfer to DVD |
|
|
01/21/84 |
Roxy Theater
Los Angeles, CA |
1 DVD |
|
|
Audience Recorded Panasonic Beta Camera, transfer to DVD |
|
|
04/03/85 |
Studio 54
New York, NY |
1 DVD |
|
|
"Ultimate Revenge" |
Outstanding VHS transfer. Features Venom and Exodus as well. |
|
05/28/85 |
Dynamo Club
Eindhoven, Holland |
2 |
|
|
|
|
|
05/28/85 |
Dynamo Club
Eindhoven, Holland |
1 DVD |
|
|
1 cam audience (from master) |
|
|
06/14/85 |
Ruhrersaal
Nuremburg, Germany |
1 |
|
|
|
|
|
09/06/85 |
The Country Club
Reseda, CA |
1 DVD |
|
|
|
Video mixed from 2 tapes (low and partial higher gen), audio taken from soundboard. |
|
12/06/86 |
The Ritz
New York, NY |
1 DVD |
|
|
AUD |
|
|
??/??/86 |
"Killing For A Living"
Unknown, Germany |
1 |
|
|
bootleg |
Recorded live In Germany |
|
02/09/87 |
The Music Hall
Cleveland, OH |
1 DVD |
|
|
VHS2 > SA > TMPGenc (Phantom Creations) |
|
|
07/23/88 |
Headbangers Ball
London, UK |
1 DVD |
|
|
(PRO)alexander de large productions |
|
|
09/08/88 |
Fryhuset
Stockholm, Sweden |
1 DVD |
|
|
VHS1 >SA-FR > TMPGenc (menu music removed) [Phantom Creations] |
I received this from a brilliant trader overseas. He really made me work for it, since it was very rare at the time. I promptly put the finishing touches on it by authoring it and spreading it. It was converted from a VHS1 source and is killer! Amazing setlist, though it appears to be missing Angel of Death and Live undead. |
|
12/12/90 |
Festival Hall
Osaka, Japan |
1 DVD |
|
|
1st Gen VHS->Sony VHS Player->Phillips SA |
Mine is dated 12/13. |
|
11/23/91 |
Forest National
Brussels, Belgium |
1 DVD |
|
|
|
GSPOT:
DVD PAL
720x576
MPEG2
Audio: AC3 |
|
08/22/92 |
Donington Park
Derby, England |
1 |
|
|
"Devil's Desciples" |
from silvers |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/06/84 |
Dingwalls
London, UK |
1 |
|
|
|
OFFICIAL RELEASE |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/25/08 |
Madison Square Garden
New York, NY |
2 |
|
|
"Blind Faith" (Mid Valley MVR 452/453) |
|
|
02/26/08 |
Madison Square Garden
New York, NY |
2 |
|
|
"Blind Faith" (Mid Valley 454/455) |
|
|
02/28/08 |
Madison Square Garden
New York, NY |
2 |
|
|
"Blind Faith" (Mid Valley 456/457) |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
11/22/79 |
Knickerbocker Cafe
Westerly, RI |
1 |
|
|
|
|
|
04/01/80 |
Steamboat Club
Austin, TX |
1 SHN |
|
|
|
|
|
07/11/81 |
Manor Downs
Manor, TX |
1 |
|
|
Manor Downs |
Soundboard |
|
10/03/81 |
Steamboat 1874
Austin, TX |
2 |
B |
|
Audience recording>believed to be 1st or 2nd gen cassette>Creative>EAC>FLAC |
SRV's Birthday -
Billed as a Benefit for the Palmer Drug Abuse Program (ironically). note: I got both these tapes from the person I believe to be the taper. I believe this to be a 1st gen source, but I can't 100% guarantee this. This is an upgrade from an earlier tape I had of only the 1st 2 sides, and that was a source I got when SRV was living, so it was pretty good and not that gen'd down, but this is better and longer.
To my ears, the sound improves from Hideaway on, which is a new set.
|
|
07/17/82 |
Casino
Montreux, Switzerland |
1 |
|
|
|
|
|
07/17/82 |
Casino
Montreux, Switzerland |
1 DVD |
|
|
|
5 songs only, not the complete show:
1.Pride and Joy
2.Texas Flood
3.Love Struck Baby
4.Dirty Pool
5.Give me back my Wig |
|
03/03/83 |
Rehearsal Studio
Ontario, ON |
1 VCD |
|
|
|
Not entirely sure if this is the correct date. This is the Canadian TV show "In Session" with Albert King. |
|
03/26/83 |
Fitzgerald's
Houston, TX |
2 |
|
|
|
|
|
07/11/83 |
El Mocambo
Toronto, ON |
1 |
|
|
|
|
|
07/11/83 |
El Mocambo
Toronto, ON |
1 DVD |
|
|
Official Release |
|
|
10/02/83 |
Ripley's Music Hall
Philadelphia, PA |
1 |
|
|
|
|
|
10/20/83 |
The Spectrum
Philadelphia, PA |
1 |
|
|
Testify |
Soundboard |
|
10/30/83 |
The Hollywood Palace
Los Angeles, CA |
1 |
A+ |
A+ |
Last Child |
Amazing Soundboard |
|
??/??/83 |
Mega Rare Trax, Vol. 1
Various, Various |
1 |
|
|
|
"Unplugged and Jamming" Go Here for boot info:
http://www.willmot.com/SRV/CD/unplugged_and_jamming.html |
|
03/19/84 |
CBS Record Convention
Honolulu, HI |
2 |
|
|
|
|
|
08/17/84 |
Le Spectrum
Montreal, QC |
2 |
|
|
|
|
|
11/28/84 |
Freeborn Hall
Davis, CA |
1 |
|
|
Out Of The Shadows [Rocks (92119)] |
Excellent SBD recording |
|
01/24/85 |
Shiba Yubinchokin Hall
Tokyo, Japan |
1 DVD-DL |
|
|
Presence Production |
Mastered from the 1" VTR tape used for laserdisc pressing.
NTSC, PCM, 87 minutes. Encoded for double/dual layered DVD.
This release is "version 2.0," remastered with new codecs with improved settings.
|
|
06/19/85 |
Red Rocks Amphitheatre
Morrison, CO |
1 |
|
|
"Stilleto Rain" |
|
|
06/19/85 |
Red Rocks Amphitheatre
Morrison, CO |
1 |
|
|
Tracks 1 and 2: Cass (unknown gen.) > PC sound card > Cool Edit Pro* > FLAC (aligned on sector boundaries) |
Complete show with missing first tracks in Audience taping. Tracks 3-11 are SBD. |
|
07/07/85 |
Skeppsholms Festivalen
Stockholm, Sweden |
1 |
|
|
FM >Marantz SD74>Tape: Sony HF-S120>Yamaha K-540>Audigy2>Goldwave>Flac 1.2.1b |
|
|
07/15/85 |
Casino
Montreux, Switzerland |
1 |
|
|
|
|
|
02/22/86 |
Royal Oak Theater
Detroit, MI |
2 |
|
B+ |
CASSETTE (UNKNOWN GEN)> CDR > EAC > WAV> FLAC |
Audience |
|
03/10/86 |
Dunedin Town Hall
Dunedin, New Zealand |
1 |
|
|
CASSETTE (UNKNOWN GEN)> CDR > EAC > WAV> FLAC |
Encore with Jimmie Vaughn. Good sound quality, excellent show. |
|
07/11/86 |
Harriet Island Riverfest
St. Paul, MN |
1 |
|
B+ |
CASSETTE (UNKNOWN GEN)> CDR > EAC > WAV> FLAC |
Setlist:
1. Scuttle Buttin' - 3:46
2. Say What! - 4:54
3. Ain't Gone 'N' Give Up On Love - 12:24
4. Looking Out The Window - 4:25
5. Look At Little Sister - 5:19
6. Mary Had A Little Lamb - 5:33
7. Pride And Joy - 4:03
8. Texas Flood - 9:20
9. Voodoo Chile (Slight Return)* - 9:27
10. Life Without You - 12:45
Total time: 71:56 |
|
07/17/86 |
Austin Opry House
Austin, TX |
2 |
|
|
SBD |
|
|
09/16/86 |
Stadhalle
Offenbach, Germany |
2 |
|
|
|
Excellent audience recording. Please note: This is said to be the best of the shows from the German leg of this tour.
Stevie stops mid-song during "Look At Little Sister" to break up a fight in the audience. |
|
11/26/86 |
Radio City Music Hall
New York, NY |
2 |
|
|
Joe Beacon: NAK 300 MICS > SONY D5 |
Both sets - SRV is smokin' |
|
03/03/88 |
Fox Theater
St. Louis, MO |
2 |
|
|
CASSETTE (UNKNOWN GEN) > CDR > EAC > WAV > FLAC |
F****N' Rockin' Show! SRV always KILLS at the Fox Theater! Killer versions of Voodoo Couldn't Stand The Weather/Life Without You/Pride and Joy! |
|
12/29/88 |
The Stone Pony
Asbury Park, NJ |
2 |
|
|
|
|
|
08/26/90 |
Alpine Valley Music Theatre
East Troy, WI |
2 |
|
|
|
With Eric Clapton and Jimmy Vaughan, Buddy Guy and Robert Cray.
source:
feed to video board<?>cassette(3rd gen.?>CDR-DA>WAV>FLAC |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
03/04/73 |
Berkeley Community Theater
Berkelely, CA |
2 |
|
|
|
Source: BGP SBD > Open reel Ampex videotape or to conventional RtR (unclear which equipment was used)
Transfer #1: (c. 1988) re-anneal master tapes (if needed) > D (probably a Sonic Solutions ADC @ 24/48) > PCM tape
Remaster #1: (c. 1988) PCM > hiss & artifact removal > "sonic solutions process" > DAT (or other digital medium > DAT)
Transfer #2: (1990) MDAT > Nakamichi deck> XLII-S/90 > MC
Transfer #3: (1990) MC > Nakamichi deck (playback) > Nakamichi deck (record) > XLII-S/90 > C(1)
Transfer #4: (2005) C(1) > Aiwa AD-F850 > THC Cables > Edirol U-A5 > USB > Wavelab 5.01a @ 24/96 > WAV
Final Mastering: WAV > Wavelab 5.0a (X-noise to reduce hiss; 192 KhZ resampler > 44.1k;
L3 Multimaximizer to increase gain and dither to 16 bits) > FLAC.
Remastered 2007: Volume boosted, evened out, and EQ applied. There was a 50 second spot in track 3 that was one channel only,
that was repaired by overwriting that portion with the other channel. There were some other low volume spots that were fixed. |
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|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/??/67 |
Studio
Belfast, Ireland |
1 |
|
|
|
|
|
09/18/70 |
Konserthuset
Stockholm, Sweden |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/27/90 |
Fastnachtfestival
Mainz, Germany |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
05/10/61 |
Casino
Bern, Switzerland |
1 |
|
|
original Magnetic Silver Disc bootleg > EAC > TLH (FLAC8) |
sounds like an FM or SBD source |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
08/28/09 |
Reading Festival
Reading, UK |
1 DVD |
|
|
Broadcast: BBC Two 00.50-01.30 21st November 2009, http://www.bbc.co.uk/programmes/b00p1knj |
Duration: 00:40:49.23
Format: DVB-S digital satellite TV (Astra 28ºE) -> BLACK GOLD BGT3540 PCI-E card -> MPEG-TS -> VideoRedo (Elementary streams) -> TMPGEnc DVD Author -> PAL DVD (no re-encoding)
Video: 720x576 16:9 PAL MPEG-2 (original broadcast bitstream)
Audio: 256kbps/48KHz MPEG-1, Layer II (original broadcast bitstream)
The source file (TS) is confirmed to be free of reception/recording errors i.e. no dropped frames. |
|
09/30/09 |
Austin City Limits
Austin, TX |
1 DVD |
|
|
HD Broadcast>SD Standalone DVD XP>DVD Decrypter |
Video: MPEG2 Video 720x480 (4:3) 29.97fps 9558Kbps ---
Audio: Dolby AC3 48000Hz stereo 256Kbps |
|
12/04/09 |
Canal +
Paris, France |
1 DVD-DL |
|
|
|
Size: 4.96 GB ---
Video: PAL 4:3 (720x576) VBR ---
Audio: AC3, 2/0 ch, 224Kbps, 48.0KHz., 2 channel, AC-3 |
|
12/08/09 |
Palladium
Köln, Germany |
1 DL-DVD |
|
|
TV Channel: WDR Broadcast |
Source: Digital TV (DVB-S) > Nokia d-box 2..
Video Format: DVD PAL 16:9, MPEG-2 720 x 576 pixels @ 25 fps, 7.47 Mbps..
Audio Format: AC3, stereo, 48.0 kHz, 448 kbps..
MPEG Layer 2, stereo, 48.0 kHz, 192 kbps.
Length: 01:36:34;00
|
|
01/26/10 |
Hordern Pavillion
Sydney, Australia |
1 |
|
|
FM Triple J > Sat Feed > WAV > CDWave > TLH > FLAC8 > wav > Cool Edit Pro > wav > flac |
|
|
02/08/10 |
Roseland Ballroom
New York, NY |
2 |
|
|
|
Source: AUD > CA-11 > SP-SPSB-8 > R-09 (WAV @ 24-bit/48kHz)
Lineage: R-09 > USB > PC > Adobe Audition > WAV (16-bit/44.1kHz) > Trader's Little Helper > FLAC (level 8)//
Recorded by: Johnny Fried Chicken Boy |
|
04/17/10 |
The Joint @ Hard Rock Hotel And Casino
Las Vegas, NV |
2 |
|
|
DAUD Master(24/96)>wav(16/44)>flac |
Band Members:
Josh Homme - guitar, vocals
David Grohl - drums, backing vocals
John Paul Jones - bass (4,8 and 10 string), mandolin, bass mandolin, bass lap steel, keytar, keyboard, violin, backing vocals
Alain Johannes - guitar, keyboard, bass, backing vocals ---
Excellent recording and show. Expanded setlist with a new yet untitled tracked they debuted a few days earlier in Las Angeles featuring John Paul Jones on violin and electric piano. They also play a new improve piece during Warsaw here along with the long jam improv they've been playing during Scumbag Blues. |
|
05/17/10 |
Egyptian Room
Indianapolis, IN |
1 |
|
|
Sound Professionals CMC-08s->SP-SB11(no bass roll-off)->Edirol R09HR-> |
The show was sold out, and a few chatterboxes nearby made it a bit of a challenge at times.
I moved a few times, and despite what little chatter there is, it's a pretty solid recording. |
|
05/18/10 |
Aragon Ballroom
Chicago, IL |
2 |
|
|
AT831 > h120 > Audacity > TLH |
First five numbers are intense. Energy dwindles slightly after |
|
05/18/10 |
Aragon Ballroom
Chicago, IL |
2 |
|
|
AUD source matrix #1.wav + AUD #2.wav -> Sony ACID Pro 7.0 -> Sony Sound Forge 10.0 -> FLAC (Level 8) |
I started by turning each source into one file in Sound Forge, then I EQ'd both sources. AUD #1 (jonohull's recording) was very nice and clear but still sounded a little thin. I made it clearer and a little louder, also turned up the mids very, very little. One problem with this source is that it seems to go out of phase back and forth a little during the first two songs. AUD #2 (ademotte's recording) required a little bit more work. The problem with this source is that it was too muddy and somewhat distorted, also it was kinda roomy (which sounded bad with the other source.) After some work in Sound Forge, it sounded pretty alright.
I added both sources to ACID, adjusted the levels, synced up both tracks then mixed down to a single track. Opened it in Sound Forge, made some more minor adjustments and split it into FLACs. I spent nearly a whole month working on this and testing how it sounds like with headphones, speakers and my car's speakers and this the final result. There's a few more things in the recording i'd like to fix but I cant because it's an audience recording and there's only so much you can do. |
|
06/06/10 |
Rock Am Ring
Nürburg, Germany |
1 DVD |
|
|
|
Pro-shot |
|
07/02/10 |
Animal Showgrounds
Roskilde, Denmark |
1 |
|
|
MR2 Peföfi, FM broadcasted 26-11-2010 |
The broadcast of the Hungarian natianal radio includes 2 extra tracks (Elephant + Spinning In Daffodils) which were not broadcasted
by Sveriges Radio 'P3 Live' broadcast. |
|
07/02/10 |
Animal Showgrounds
Roskilde, Denmark |
1 DVD |
|
|
Recorded From Danish Television |
DVB-C TV (Dr K)/DVB-C Recorder/PC/DVD Authoring
DVD PAL 16:9
VIDEO CODEC: MPEG2
VIDEO BITRATE: 3907
FRAMERATE: 25.000
RESOLUTION: 720 x 576
AUDIO CODEC: MPEG-1 Layer 2
AUDIO BITRATE: 48000Hz 256 kb/s Stereo
Menu Incl.
Artwork NOT! Incl.
1,65 GB |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
12/12/69 |
studios
New York, NY |
1 |
|
|
|
|
|
11/18/70 |
Fillmore East
New York, NY |
1 |
|
|
Source SBD > Master Reel > CD > EAC > WAV > FLAC |
Superb Recording |
|
11/23/70 |
Anderson Theatre
New York, NY |
1 |
|
|
|
|
|
02/21/72 |
Santa Monica Civic Center
Santa Monica, CA |
1 DVD |
A+ |
|
Presence Production |
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
02/05/93 |
The Ritz
New York, NY |
3 |
|
|
|
|
|
06/26/97 |
Atomic Studio (Early Show)
Clinton, NJ |
1 |
|
|
|
|
|
06/26/97 |
Atomic Studio (Late Show)
Clinton, NJ |
1 |
|
|
|
|
|
07/05/02 |
GOTV, Indian Lookout Country Club
Mariaville, NY |
1 |
|
|
|
SBD |
|
07/05/02 |
GOTV, Indian Lookout Country Club
Mariaville, NY |
1 Real Vid |
|
|
|
Great video in RM format |
|
06/15/03 |
Bonnaroo Music Festival
Manchester, TN |
2 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
04/04/73 |
Stadthalle
Vienna, Austria |
1 |
|
|
unknown microphone > unknown portable Cassette-Recorder (without any NoiseReduction) > Cassette Master > Unknown Cassette Deck Transfer (NO HIGH SPEED DUBBING, NO DOLBY) > 1st gen. Cassette (TDK SA 90, 1-7/8ips Super Avilyn, High Bias (CrO2) |
NO additional NoiseReduction or EQ'ing was used here,
and none of those compressors, Sonic Maximizers or other psychoacoustic
processors - just some of the instrumental plug-ins reduced, balanced
the stereo channels (just a touch) and finally normalized.
THERE IS SOME TAPE HISS AUDIBLE (not too distracting...) !
this upload here comes directly from the "Men With Microphones" archives. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
10/01/02 |
Union Square
New York, NY |
1 |
|
|
|
|
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
08/31/69 |
Isle of Wight
Ryde, UK |
1 DL-DVD |
|
|
4 Reel dvd |
+ Woodstock footage. All officially released. |
|
02/14/70 |
Leeds University
Leeds, England |
2 |
|
|
OFFICIAL RELEASE: "Live at Leeds" (Deluxe Edition) |
|
|
11/20/75 |
The Summit
Houston, TX |
1 DVD |
|
|
TV Source |
|
|
12/13/75 |
Providence Civic Center
Providence, RI |
2 |
|
|
Master audience recording taped by Dan Lampinski |
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
A 24-bit/96-KHz flac24 version of this recording is also available. |
|
|
|
| Date |
Venue |
Type |
Rating |
Sound |
Source |
Notes |
07/04/64 |
St. George's Hall
London, England |
1 |
|
A |
OFFICIAL RELEASE [import]: Live Blues Wailing: St George's Hall July 1964 |
featuring Eric Clapton |
|
03/30/68 |
Anderson Theatre
New York, NY |
1 |
|
|
|
|
|
05/31/68 |
Shrine Exposition Hall
Los Angeles, CA |
1 |
|
|
Reel Master > 2nd gen (?) > DAT(2) > CDR(1) |
This is the first night out of two at the Shrine for the Yardbirds. The recording itself is pretty good, better than most from this era. Jimmy would have been playing his Telecaster at this point and you can deffinently hear some shades of early Zeppelin in his playing. Note the use of the bow during I'm A Man and parts of Smokestack Lighting that are note for note HMMT. Also an interesting almost complete covers of the Velvet Underground's I'm Waiting for the Man as well as Donovan's Hey gyp (dig the slowness). |
|
blues custom color classic by thumper
|