Red's Music Trading List
Last Updated: July 21, 2005

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  Widespread Panic
Date Venue City State Type wav/shn Rating Sound Source Notes
02/17/89 Cotton Club Atlanta GA Shn Soundboard > DAT @ 48 kHz Soundboard copy
11/08/91 Ziggy's Winston Salem NC Flac unknown Tascam DA302 > Antex SC2000 > Samplitude 6.0 > CD Wave > FLAC **known flaws" -beginning of Mercy is missing(suspected tape flip). no lyrics affected. -very beginning of fishwater is missing. houser's intro is still there & no lyrics affected
10/05/92 Georgia Theatre Athens GA Flac Source: SBD > DAT @ 48 kHz
07/16/93 World's Fair Knoxville TN Flac : Nakimichi-CM300/CP1 > DAT(master)
07/17/93 Mud Island Amphitheater Memphis TN Flac SoundBoard > DAT Soundboard Copy
09/02/93 Greenville-Pickens Speedway Easley SC Flac SBD > DAT(clone from master) > AIFF(Peak) > FLAC(MacFLAC) Soundboard Copy
09/26/93 River Walk Amphitheater Augusta GA Flac SBD > DAT > S/PDIF >24/48.AIFF > 16/44.AIFF > FLAC Soundboard Copy
10/28/93 The Cat's Paw Bozeman MT Flac : SoundBoard > DAT transfer: DAT(Tascam DA20) > Acoustic Research Coax > S/PDIF(audiophile24/96[rev.B]) > SoundBoard copy
11/02/93 EMU Ballroom Eugene OR Flac SoundBoard > DAT(clone from master) Soundboard Copy
11/21/93 Rockafella's Houston TX Flac SoundBoard > DAT(clone from master) transfer: DAT(Tascam DA20) > Acoustic Research Coax > S/PDIF(audiophile24/96[rev.B]) > SoundBoard Copy
03/23/95 Stepan Center, University of Notre Dame South Bend IN Flac 391 > b18 > d7 Transfer : Sony R500 > Datport > Samplitude > Red Roaster > WAV > FLAC
03/24/95 Michigan Theater Ann Arbor MI Flac AKG451 > SV-250 Transfer: R500 > Datport > Samplitude > Red Roaster > WAV > FLAC
03/31/95 Memorial Auditorium Burlington VT Flac/Cdr SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC(level 6) Missing Encore Can't Find My Way Home > Get Up Early In The Morning
04/13/95 Lisner Auditorium, George Washington University Washington DC Flac/Cdr AKG's(no other source information known) Tascam DA-20mkII>Audio Magic X-stream Digi-Coax>DiO2448>Cool Edit Pro v2.0>CDWav>FLAC(level 6)
06/03/95 Backyard Bee Cave TX Flac/Cdr Source: DSBD -> PCMR300 -> DiO24/96 -> Soundforge 6 -> CDWave -> FLAC Frontend -> .flac
12/29/95 Soldiers and Sailors Memorial Auditorium Chattanooga TN Flac AKG391>Oade PS>SV 250 Transfer: D8>MAudio 2496>SF 4.5(record and convert to 44.1)>CDWav>FLAC
06/16/96 American Theater St. Louis MO FLac Subterranean PZM Mics->Spny TCD-D7@48khz Tascam DA20mkII->VX Pocket V2->Wavelab (resampled to 44.1khz)->CDWAV(tracking)->Flac 16
06/16/96 American Theater St. Louis MO FLac Subterranean PZM Mics->Spny TCD-D7@48khz Tascam DA20mkII->VX Pocket V2->Wavelab (resampled to 44.1khz)->CDWAV(tracking)->Flac 16
03/27/97 Reno Hilton Reno NV Flac DSBD (@48kHz) Set ii only
09/08/97 Club Soda Montreal QC SHN Audio Technica 4051 TRANSFER: Fostex D5 > Opcode DATPort > CDWav > Soundforge 4.5c > CDWav (tracking) > MKWAct 0.97b (STA) BY: J.Kollath, 29 January 2003
03/19/98 Chesterfield Café Paris France cdr Neumann KM140 > Beyer MV100 > SBM-1 @ 44.1 KHz (fob)
03/20/98 Chesterfield Café Paris France Flac/Cdr Neumann KM140 > Beyer MV100 > SBM-1 @ 44.1 KHz (fob)
03/21/98 Chesterfield Café Paris France Flac/Cdr Neumann KM140 > Beyer MV100 > SBM-1 @ 44.1 KHz (fob)
03/24/98 Chesterfield Café Paris France Flac/Cdr Microtech Geffell m210 > Oade m248 > SBM-1 > Sony D100 @ 44.1 KHz (fob)
03/25/98 Chesterfield Café Paris France cdr Microtech Gefell m210 > Oade m248 > SBM-1 > Sony D100 @ 44.1 KHz (fob)
03/26/98 Chesterfield Café Paris France cdr Microtech Gefell m210 > Oade m248 > SBM-1 > Sony D100 @ 44.1 KHz (fob)
03/27/98 Chesterfield Café Paris France cdr Microtech Gefell m210 > Oade m248 > SBM-1 > Sony D100 @ 44.1 KHz (fob)
03/28/98 Chesterfield Café Paris France cdr Microtech Gefell m210 > Oade m248 > SBM-1 > Sony D100 @ 44.1 KHz (fob)
10/20/98 City Auditorium Colorado Springs CO Shn B&K 4011 > Lunatec V2 > AM Sorc. Cables > AD1000 > HHb
06/26/99 Red Rocks Ampitheatre Morrison CO SHN AKG 482 (split 15') > Lunatec V2 > GP ADC-20 > DA-P1
06/25/00 Red Rocks Ampitheatre Morrison CO Shn AKG-481s>Sonosax SX-M2>SBM-1
12/01/00 Southern Illinois University Arena Carbondale IL Flac/Cdr Neumann KM140 > Lunatec V2 > AD2K > Zefiro ZA2 > CDwav > shn > shntool (fix SBE's on d1t09, d2t06, and d3t07) > wav > FLAC
04/26/02 Oak Mountain Amphitheatre Pelham AL Flac Schoeps mk4v>KC5>M222>NT222>AD1000>HHb ['Werewolves of London' played during a full moon; 'Night People' rap during 'Fishwater'; 'You Better Run' rap by JoJo during 'Junior'; 'Mercy Mercy Me (The Ecology)' rap by JB during 'Bowlegged Woman'; Robert Randolph & the Family Band opened; Last 'Werewolves of London' - 06/01/96, 591 shows]
04/27/02 Oak Mountain Amphitheatre Pelham AL Shn/Cdr (FOB/DFC/NOS) Schoeps mk21->kc5->cmc6->Oade m248->AD1000@48khz Conversion: Sony D8->EgosysWaveterminal 2496->Cool Edit Pro(48khz->44.1khz)->.wav->MKWact->.shn (by disco@runbox.com)
08/06/03 Ex'pression Center for New Media Emeryville CA Flac/Cdr Pre-FM CDR"> EAC Secure > FLAC This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. The quality is simply amazing. Thanks to all involved.
03/25/05 Fox Theatre Atlanta GA Flac Schoeps mk41 > kc5 > cmc6xt > m248 > 722 (24/96 kHz.) [First - 'Cows Come Home']
04/14/05 Radio City Music Hall New York NY flac 2Sennheiser MD421's>D7
05/01/05 Brady Theater Tulsa OK Flac/Cdr ortf mk4>kc5>cmc6>m148>ad1000>jb3 Transfer: jb3>IEEE1394>CDWav>Wavelab5>flac(level6)
05/03/05 Starlight Amphitheater Kansas City MO Flac/Cdr Set1: (fob/dfc/Orch 1/Row B/mics @ 7') Microtech Gefell m200 > Lunatec V2 > G-P ADC-20 (Eric Weiner) Set2: (fob/dfc/Orch 1/Row B/mics @ 7') AKG 481 > Oade m248 > mod-SBM-1 (BobbyHurley) Transfer: DAT (m) > Sony 59ES > Audiophile
06/11/05 Bonnaroo Music Festival (What Stage) Manchester TN Flac/Cdr Neumann u89i(subcard/NOS)>v3>d8 FOB DFC
06/12/05 Great Stage Park Manchester TN Flac/ AKG483's(din,fob,dfc)>oade w-mod+UA-5>Sony D8 Transfe: Sony D7>edirol UAD-1>CDwave (16/44.1)
06/12/05 Great Stage Park Manchester TN Flac/Cdr AKG483's(din,fob,dfc)>oade w-mod+UA-5>Sony D8 Transfe: Sony D7>edirol UAD-1>CDwave (16/44.1) There was no set break, so I had to "hot swap" dats at the begining of the "drums" fades in and out to help smooth the transition.
06/24/05 Red Rocks Ampitheatre Morrison CO Flac/Cdr Jecklin Disk: AKG ck62> JKLabs ECMS-22> V3(optical)> JB3> PlayCenter> CoolEdit> CDWav> FLAC
06/25/05 Red Rocks Ampitheatre Morrison CO Flac/Cdr Jecklin Disk: AKG ck62> JKLabs ECMS-22> V3(optical)> JB3> PlayCenter> CoolEdit> CDWav> FLAC
06/26/05 Red Rocks Ampitheatre Morrison CO Flac/Cdr Neumann ak40 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 48.0khz
06/28/05 Snow King Center Jackson Hole WY Flac/Cdr B5D>MK4>ORTF>KC5>CMC6>KindKables>V3>Optical>JB3 (HPF 0) Transfer: JB3>Firewire>CDWave>Fades with Soundforge 4.5>FLAC (level 7)
06/29/05 Big Sky Brewing Amphitheatre Missoula MT Flac/Cdr AKG483(90deg.XY Right of Board)>V3(24/48)>PMD671>Audiophile24/96>Wavelab6.0 (resample, dither) >cdwave (tracks)>flac
07/01/05 Brundage Mountain Amphitheatre McCall ID Flac AKG 481 > V3 > D8 HPF set on 2 on the V3.
07/02/05 The Gorge Ampitheatre George WA Flac/Cdr AT ES943_Cs » JKLabs PP9 Pre(+4db, Roll @ 4Hz) » UA-5(Oade wmod) » JB3
07/03/05 The Gorge Ampitheatre George WA Flac KG 481 > V3 > D8 (fob) HPF set on 2 on the V3. * with Johnny Hickman on harmonica ** with David Lowery on guitar/vocals, Johnny Hickman on harmonica *** with Frank Funaro on percussion **** with Johnny Hickman on harmonica, Steve Lopez on percussion [Only 'None of Us Are Free'; 'Get Up Stand Up' jam at the end of 'Slippin' Into Darkness']
07/03/05 The Gorge Ampitheatre George WA Cdr AKG 481 > V3 > D8 (fob) HPF set on 2 on the V3
07/05/05 Caesar's Tahoe Showroom Lake Tahoe NV flac Neumann ak40 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 48.0khz * with Jerry Joseph on guitar/vocals ['Time Waits' rap by JB during 'Stop-Go']
07/06/05 Caesar's Tahoe Showroom Lake Tahoe NV flac Neumann ak40 > lc3 > km100 > Lunatec V3(analog out) > 744T @ 24bit/96khz *with Eric McFadden on guitar **with Eric McFadden on guitar, Wally Ingram on percussion, & Brad Rosen on percussion ***with Wally Ingram on percussion & Brad Rosen on percussion
07/08/05 Greek Theatre Berkeley CA cdr Neumann ak40 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 48khz
07/09/05 Greek Theatre Berkeley CA cdr Neumann ak40 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 48.0khz
07/10/05 Greek Theatre Berkeley CA cdr Neumann ak40 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 44.1khz set I & 48khz set II

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