Return to The Taper's Database Music List for Seth
Last Update: Apr 11, 2025
Show Count: 52


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Grateful Dead
Number of shows: 52

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Date  Venue Source

01/24/71

Seattle Center Arena
, Source Detail
flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC

02/18/71

Capitol Theater
, Source Detail
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)

02/18/71

Capitol Theater
, Source Detail
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller

02/19/71

Capitol Theatre
, Source Detail
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers)

02/19/71

Capitol Theatre
, Source Detail
flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell.

02/20/71

Capitol Theater
, Source Detail
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs

02/23/71

Capitol Theater
, Source Detail
SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes)

02/23/71

Capitol Theater
, Source Detail
flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller

02/24/71

Capitol Theater
, Source Detail
via Leigh Orf; WBOTB source > distortion removed digitally (see notes)

03/03/71

Fillmore West
, Source Detail
SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B.

03/03/71

Fillmore West
, Source Detail
flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain

03/14/71

Camp Randall Field House, University of Wisconsin
, Source Detail
Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1

03/18/71

Fox Theatre
, Source Detail
SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke

04/04/71

Manhattan Center
, Source Detail
flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac

04/04/71

Manhattan Center
, Source Detail
flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac

04/05/71

Manhattan Center
, Source Detail
remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3

04/06/71

Manhattan Center
, Source Detail
flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16

04/29/71

Fillmore East
, Source Detail
flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller

05/29/71

Winterland Arena
, Source Detail
source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others

05/29/71

Winterland Arena
, Source Detail
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC)

05/30/71

Winterland Arena
, Source Detail
flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller

07/02/71

Fillmore West
, Source Detail
Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs

08/14/71

Berkeley Community Theater
, Source Detail
flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014

08/15/71

Berkeley Community Theater
, Source Detail
flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014

08/26/71

Gaelic Park
, Source Detail
Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12.

09/29/71

Studio Rehearsals with Keith Godchaux
, Source Detail
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt

09/30/71

Studio Rehearsals with Keith Godchaux
, Source Detail
Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit

09/??/71

Keith rehearsals
, Source Detail
Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp

10/01/71

Studio
, Source Detail
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived].

10/19/71

Northrop Auditorium, U. of Minn.
, Source Detail
PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston

10/19/71

Northrop Auditorium, U. of Minn.
, Source Detail
flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller

10/21/71

Auditorium Theatre
, Source Detail
SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file

10/21/71

Auditorium Theatre
, Source Detail
Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA

10/21/71

Auditorium Theatre
, Source Detail
flac2496 FM Broadcast (WGLD 102.7 FM - Oak Park, IL) > ?? > Don Wolfe's Reels Transfer Info: Don Wolfe's reels (Revox A77 MK4) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 .wav > Adobe Audition 2024 > TLH2496

10/22/71

Auditorium Theatre
, Source Detail
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller

10/23/71

Eastown Theater
, Source Detail
SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman

10/24/71

Eastown Theater
, Source Detail
Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston

10/26/71

The Palestra, U. of Rochester
, Source Detail
Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman

10/27/71

Onondaga County War Memorial
, Source Detail
Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman

10/27/71

Onondaga County War Memorial
, Source Detail
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

10/29/71

Allen Theatre
, Source Detail
Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman

10/29/71

Allen Theatre
, Source Detail
set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD

11/07/71

Harding Theater
, Source Detail
SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan

11/12/71

San Antonio Civic Auditorium
, Source Detail
flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick

11/15/71

Austin Municipal Auditorium
, Source Detail
flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05)

11/17/71

Albuquerque Civic Auditorium
, Source Detail
SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman

11/20/71

Pauley Pavilion, UCLA
, Source Detail
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller

12/02/71

Music Hall
, Source Detail
flac16; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp

12/05/71

Felt Forum, Madison Square Garden
, Source Detail
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller

12/06/71

Felt Forum, Madison Square Garden
, Source Detail
flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller

12/07/71

Felt Forum, Madison Square Garden
, Source Detail
SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones

12/15/71

Hill Auditorium
, Source Detail
flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Blues for Etree by Josh Simpson