Grateful Dead
--- Approximate Hours: 1473.75
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
02/25/66
|
Ivar Theater |
CDR |
1 |
A |
the filler on this CD is said to be from mid-to-late 1966 |
|
03/25/66
|
Trouper's Hall |
CDR |
1 |
A |
This is all that circulates of this show. |
|
07/16/66
|
Fillmore Auditorium |
CDR |
1 |
A |
|
|
07/17/66
|
Fillmore Auditorium |
CDR |
1 |
A |
|
|
07/29/66
|
P.N.E. Garden Auditorium |
CDR |
1 |
A |
thanks to Daivd Gans who broadcast this on his Dead
to the World KPFA radio show on 11/30/00 and made
this pre-FM cdr available for further distribution;
|
|
11/19/66
|
Fillmore Auditorium |
CDR |
1 |
A |
missing Dancin' In the Streets |
|
11/19/66
|
Fillmore Auditorium |
CDR |
1 |
A |
missing Dancin' In the Streets |
|
10/22/67
|
Winterland Arena |
CDR |
1 |
A |
There is a cut at the end of lovelight, but this is inherent to circulating copies |
|
11/10/67
|
Shrine Exposition Hall |
CDR |
2 |
A |
includes Neal Cassidy "Rap Jam" from Straight Theartre, 07/23/67 |
|
11/11/67
|
Shrine Exhibition Hall |
CDR |
1 |
A |
|
|
01/23/68
|
Eagles Auditorium |
CDR |
1 |
A |
|
|
02/14/68
|
Carousel Ballroom |
CDR |
2 |
A |
MR>DAT>DAT>CD>EAC>SHN
Some portions (Tuning Break->Midnight Hour) may be
from another source, probably the FM broadcast of the show -G
(version C2)
The tracks from "Tuning Break" thru "Midnight Hour" appear to be from a different
source than the rest of the show (which is pretty clean). These tracks have a significant
increase in the amount of tape hiss present. I found it to interfere with my enjoyment
of the music.
I created Hiss Reduced versions of these tracks for this supplement. I also
crossfaded the real change (?) at ~11:40 in Alligator so that it doesn't
blow your tweeters out! If you wish to create a CD using these HR tracks, simply use
them instead of the ones in the main distribution. The main distribution files were
the source for these supplment tracks.
I used Sound Forge Noise Reduction to do the hiss reduction and other "voodoo".
The tracks which were modified are included in the directory with this file.
Here are the tracks that this supplement replaces:
Disc 1
7. Midnight Hour
Disc 2
7. Tuning Break
8. Alligator > Drums > Alligator (reprise) >
9. Caution (Do Not Stop On Tracks)
10. Alligator Underwater Feedback
Enjoy!
Garrett Van Cleef
garrett@everstream.com
garrett@en.com
|
|
03/03/68
|
Haight Street |
CDR |
1 |
A- |
Grateful Dead
Haight Street
San Francisco, CA
3.3.68
DHH pre-FM
Viola Lee Blues
Smokestack Lightnin'
Turn On Your Lovelight
"Mary is looking for Shirley..."
It Hurts Me Too
>From Deadlists:
Viola Lee Blues [21:03] ; Smokestack Lightnin' [11:#57] ; Turn On Your Lovelight [#14:10] ; It Hurts Me Too [3:11#] ; Cryptical Envelopment > The Other One > Cryptical Envelopment ; Dancing In The Streets
RECORDING 60 A? Only Viola Lee Blues thru It Hurts Me Too circulates.
The master tape is incomplete, as the tapers' batteries were low. David Gans played the timed portion on KPFA, minus the That's It For The Other One suite which was recorded, but rendered unlistenable by the battery problem. DeadBase XI reports that the taper remembers that the closer was Dancing In The Streets. It is possible that additional songs were played between the second Cryptical and Dancin'.
Larry, an eyewitness writes: "i remember getting off the bus on haight street That spring day, pushing my way through the crowds to see what all the excitement was about (i didn't know- did anyone? -that the deadwere parking a flat bed truck across haight street to play a free gig!)
|
|
03/16/68
|
Carousel Ballroom |
CDR |
2 |
A |
|
|
03/16/68
|
Carousel Ballroom |
CDR |
2 |
A |
|
|
06/19/68
|
Carousel Ballroom |
CDR |
2 |
A |
|
|
06/19/68
|
Carousel Ballroom |
CDR |
2 |
A |
|
|
08/21/68
|
Fillmore West |
CDR |
1 |
A |
|
|
08/21/68
|
Fillmore West |
CDR |
1 |
A |
|
|
09/02/68
|
Betty Nelson's Organic Raspberry Farm |
CDR |
1 |
A |
Comments:
(1) cuts in at the beginning of the first verse.
(2) is Garcia and drums.
DAT>CD>SHN by Pat Volkerding |
|
12/07/68
|
Bellarmine College |
CDR |
1 |
B+ |
WOZ Tree |
|
12/07/68
|
Bellarmine College |
CDR |
1 |
B+ |
WOZ Tree |
|
12/29/68
|
Gulfstream Park Racetrack |
CDR |
1 |
A- |
|
|
12/29/68
|
Gulfstream Park Racetrack |
CDR |
1 |
A- |
|
|
12/29/68
|
Gulfstream Park Racetrack |
CDR |
1 |
A |
|
|
01/24/69
|
Avalon Ballroom |
CDR |
1 |
A |
|
|
01/25/69
|
Avalon Ballroom |
CDR |
1 |
A |
|
|
02/04/69
|
The Music Box |
CDR |
2 |
B+ |
WOZ Tree |
|
02/04/69
|
The Music Box |
CDR |
2 |
B+ |
WOZ Tree |
|
02/27/69
|
Fillmore West |
CDR |
2 |
A |
|
|
02/27/69
|
Fillmore West |
CDR |
2 |
A |
|
|
02/28/69
|
Fillmore West |
CDR |
3 |
A |
|
|
02/28/69
|
Fillmore West |
CDR |
3 |
A |
|
|
02/28/69
|
Fillmore West |
CDR |
3 |
A |
Great upgrade to previous circulating lineage. |
|
03/01/69
|
Fillmore West |
CDR |
2 |
A |
|
|
04/05/69
|
Avalon Ballroom |
CDR |
2 |
A |
|
|
04/13/69
|
Ballroom, U. of Co. |
CDR |
2 |
A |
|
|
04/20/69
|
Clark University |
CDR |
1 |
A- |
Merry Prankster's Tree, Bear Round. |
|
04/21/69
|
The Ark |
CDR |
2 |
A |
|
|
04/22/69
|
The Ark |
CDR |
3 |
A |
|
|
04/23/69
|
The Ark |
CDR |
3 |
A |
|
|
04/23/69
|
The Ark |
CDR |
3 |
A |
|
|
04/27/69
|
Labor Temple |
CDR |
2 |
A |
|
|
05/23/69
|
Seminole Indian Village |
CDR |
1 |
A |
Reel>PCM>DAT
conversion:Tascam DA-20>Audio Magic Presto>
Prodif Plus>Soundforge>cdwav>shn
1.Morning Dew
2.Me and My Uncle
3.Dark Star>
4.St. Stephen>
5.The Eleven//
//indicates cut
conversion by phunk1@aol.com |
|
05/24/69
|
Seminole Indian Village |
CDR |
2 |
A |
Digital flaws at 3:50 in to drums that
lasts roughly one second.
|
|
05/24/69
|
Seminole Indian Village |
CDR |
2 |
A |
Digital flaws at 3:50 in to drums that
lasts roughly one second.
|
|
05/31/69
|
McArthur Court, University of Oregon |
CDR |
2 |
A |
|
|
06/05/69
|
Fillmore West |
CDR |
2 |
A- |
There are two SBD masters of this show --
reels and cassettes. One master has 6 minutes cut from the Cryptical
reprise; the other master (or circulating copies) cuts in just after the
beginning of The Other One and runs unbroken through to the conclusion of
the set. Between them, the two masters contain the complete show.
Composites circulate, but also many partial combinations and unpatched
fragmentary versions of That's It For The Other One. Collector beware.
The Eleven analyzes: St. Stephen > 1st vocals 1:06 > transition jam 2:25 >
Eleven jam 3:21 > Eleven vocals 0:42 > Eleven jam 2:53 > 2nd theme jam 1:41
> transition 0:48 > Lovelight.
SBD of parts of this show have circulated for years, sometimes mislabeled
"Family Dog 8/29/69." About an hour of FM excerpts were broadcast in the
early 90s. Copies of one of the masters only emerged recently and optimal
complete composites are finally beginning to circulate.
Rob Bertrando writes: "The partial reel master of 6/5/69" is plagued by
'scrape flutter.'" Eaton's list reads:
06/05/69 The Fillmore West, San Francisco Ca - complete
4.3, 139min, Sbd, A1D0, Cass M->Cass 1->Dat 0, 48k,
Ampex C-90 Master Cass/no dolby->Tascam 122mkIII Cass 1st Gen->3800 x 0
RECORDING 120 SB reels 50 FM 139 SB cassette
CONTRIBUTORS Jim Powell Eric Doherty Nathan Wolfson Dick Latvala
Michael Goetz Rob Eaton Rob Bertrando |
|
06/21/69
|
Fillmore East (Late) |
CDR |
2 |
A- |
Merry Prankster's Tree, Bear Round |
|
06/28/69
|
Veterans Auditorium |
CDR |
1 |
A |
Source: sbd>mr>cass>dat>cd
Conversion: Kenwood TrueX>EAC>shn V3 (seekable)
Seed: Brian Cole cole7007@yahoo.com 3/02/01
|
|
07/07/69
|
Piedmont Park |
CDR |
2 |
A |
|
|
08/23/69
|
Pelletier Farm |
CDR |
2 |
A- |
Merry Prankster's Tree, Bear Round. |
|
08/28/69
|
Family Dog at the Great Highway |
CDR |
2 |
A- |
|
|
09/07/69
|
Family Dog at the Great Highway |
CDR |
1 |
A |
|
|
09/07/69
|
Family Dog at the Great Highway |
CDR |
1 |
A |
|
|
09/29/69
|
Cafe au Go-Go |
CDR |
1 |
B |
|
|
09/29/69
|
Cafe au Go-Go |
CDR |
1 |
B |
|
|
09/30/69
|
Cafe au Go-Go |
CDR |
1 |
B+ |
filler:
08/04&05b/67 |
|
09/30/69
|
Cafe au Go-Go |
CDR |
1 |
B+ |
filler:
08/04&05b/67 |
|
10/25/69
|
Winterland Arena |
CDR |
1 |
A |
* w/ Steven Stills on guitar and vocals |
|
11/02/69
|
Family Dog at the Great Highway |
CDR |
1 |
A |
includes:
Cold Rain & Snow
Midnight Hour
DarkStar
St.Stephen
THe Eleven
Lovelight
Death Don't |
|
11/02/69
|
Family Dog at the Great Highway |
CDR |
1 |
A |
includes:
Cold Rain & Snow
Midnight Hour
DarkStar>
St.Stephen>
THe Eleven>
Lovelight>
Death Don't |
|
12/20/69
|
Fillmore Auditorium |
CDR |
1 |
A |
|
|
12/26/69
|
McFarlin Auditorium, Southern Methodist Univ. |
CDR |
1 |
A |
sounds great, not much info though.
Can you help? |
|
12/29/69
|
Boston Tea Party |
CDR |
1 |
A |
I am not certain about that lineage. |
|
12/31/69
|
Boston Tea Party |
CDR |
3 |
A |
|
|
12/31/69
|
Boston Tea Party |
CDR |
3 |
A |
|
|
01/02/70
|
Fillmore East early show |
CDR |
3 |
A |
|
|
01/02/70
|
Fillmore East early show |
CDR |
3 |
A |
|
|
01/23/70
|
Honolulu Civic Auditorium |
CDR |
2 |
A |
|
|
01/23/70
|
Honolulu Civic Auditorium |
CDR |
2 |
A |
|
|
02/11/70
|
Fillmore East (late show) |
CDR |
2 |
A |
|
|
02/11/70
|
Fillmore East (late show) |
CDR |
2 |
A |
|
|
02/14/70
|
Fillmore East |
CDR |
1 |
A |
|
|
02/14/70
|
Fillmore East |
CDR |
1 |
A |
|
|
03/01/70
|
Family Dog at the Great Highway |
CDR |
2 |
A |
this is the complete show as per Deadlists:patched with AUD:
3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD
"Total time 2:13:40 +. Timings are based on the AUD tape
supplemented by the SBD. The AUD tape was mastered by Harry Ely. This tape
cuts in during the "New Speedway Boogie jam," which sounds like Bobby
playing the comp to this song over & over while the audience claps along and
the equipment crew tries to get the rest of the band up & running. After
4:15 this cuts to another couple minutes of tuning, soundcheck activity and
bitching about the sound system. The show proper finally kicks in with
Casey Jones, though the circulating SBD only starts with Big Boy Pete. The
circulating AUD is missing Me And My Uncle and King Bee, but they appear on
the SBD. On the AUD tape China Cat cuts in at "kimono like a crazy-quilt
star gown," and the 2nd stanza of Rider is clipped. These defects aside,
AUD tape is quite a decent job of audience recording. The circulating SBD
breaks off after Uncle John's Band. It's possible that Baby Blue was the
conclusion of the show."
patch by H.B., 7/01
thanks to Uli for the AUD and Matjaz for the SBD |
|
05/07/70
|
Dupont Gymnasium, MIT |
CDR |
4 |
A- |
NOTES
AudMC > ? > 7" R > DAT > HD > SHN > CD
Taper, mics, and deck unknown
A > D transfer by Noah Weiner - noahbw@home.com
Audience Devotional Tree Round 4 - September, 2001
* from alternate audience master (MC>C>D>CD):
Disc 1:
track 01 (Intro)
track 12 (New Speedway Boogie) from 7:08 to 10:40
track 14 (Uncle John's Band) last 14 seconds
Disc 3:
track 02 (Cold Rain) first 20 and last 29 seconds
track 03 (Dire Wolf) first 25 seconds
track 04 (Easy Wind) first 22 seconds
track 05 (BIODTL) first 1:09
track 06 (High Time) first 39 seconds
track 07 (Cryptical) first 6 seconds
Disc 4:
track 02 (Frozen Logger)
track 03 (Drums)
track 04 (NFA) first 1:09
** from a different copy of the main recording (MC>?>C):
Disc 2:
Tracks 01 through 10
note: There is intermittent static clicking running from
the end of "Henry" through "Fair Chance To Know." This
clicking is present on two known cassette copies of the
NRPS set, and does not stem from the digital processing
of this version.
Disc 4:
track 05 (Lovelight) from 4:36 through the end of show
Known flaws:
d1t03 06:31 - static
d1t04 00:15 - static
d1t14 00:48 - tape drop out
07:17 - tape drop out
d2t01 02:29 - tape drop out
d2t06 03:08 - tape drop out
03:17 - tape drop out
d3t03 01:36 - reel thud - level normalized
d3t04 00:47-->00:48 - intermittent static
01:09-->01:18 - intermittent static
02:31 - reel thud - level normalized
09:51 - reel thud - level normalized
d3t12 02:54 - static
03:59 - tape warble
d4t04 06:59-->07:02 - tape warble
note: Soundforge was used for normalization and pitch
correction. The 7" reel contained many glitches associated
with an old tape. Most were removed, or subdued. There
are, no doubt, occasional reel flaws that have gone unnoted.
Some digital errors remain as it proved unrealistic to
re-transfer the reel due to circumstances including the
physical condition of the tape itself.
|
|
05/15/70
|
Fillmore East (Late Show) |
CDR |
6 |
A |
Note by Leigh Orf, who uploaded this show to orp.etree.org: I did
some very minor editing to this show, mostly putting tasteful fades
where there were cuts in the original. No NR whatsoever was applied! I
also removed the mysterious double-strum near the beginning of Don't
Ease Me In (sounded like a digital thing)... Thanks again to the
aforementioned folks, plus David Finney for hunting the show down in its
best form... |
|
06/06/70
|
Fillmore West |
CDR |
2 |
A |
Notes:
D1t01 (Morning Dew): Fades in
D2t04 (Jam): dropout @ 14:06
D2t05 (Lovelight): splice/dropout @ 15:55 |
|
06/07/70
|
Fillmore West |
CDR |
3 |
A |
|
|
07/16/70
|
Euphoria Ballroom |
CDR |
1 |
A |
Janis and Pig on Lovelight!
The lieage I have says: SBDMR>C>C>CDR>SHN
I cannot believe that there are tow cassette gens on this recording, it is far to clean, so unless someone can tell me otherwise, or has an idea about the lineage of the circulating copies, I will say lineage unkown. |
|
02/18/71
|
Capitol Theater |
CDR |
3 |
A |
The Sound Forge noise reduction was used to attenuate a very
narrow frequency band (in the vicinity of 8000 Hz) which
was present as interference on the original reels. See
http://members.home.net/orf/notch.html for details.
Remastered by Leigh Orf <orf@mailbag.com> |
|
02/19/71
|
Capitol Theatre |
CDR |
3 |
A |
genealogy of this recording:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >
Cool Edit Pro (filtering and sample rate conversion) > SHN data files
(seed)
The recording is in mono, and reflects very occasional analog tape
flaws such as bursts of flutter. These flaws are from the master. The
lineage information available states that Dolby A decoding was not
performed, but the sound is nevertheless very good and does not sound
compressed.
As with the other Port Chester recordings, a slight whine comes and
goes throughout the recording. We have applied a very light notch
filter as needed. The filtering was accomplished using Cool Edit Pro,
and consisted of a sequence of notch filters at and around 8k, approx
1k wide and only 2db in depth. The filtering was mainly during the
in-between banter but also on the songs where required - more so the
2nd set. In The Other One there were two short bursts of static that
appear to have come from the stage, and these were reduced in level.
No other filtering was performed.
As indicated in the set list, Bird Song is cut. There are also
several cuts on the master during crowd noise before Truckin' starts
the first set, but who cares? |
|
03/14/71
|
Camp Randall Field House, University of Wisconsin |
CDR |
2 |
A |
Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3
|
|
04/05/71
|
Manhattan Center |
CDR |
3 |
A |
|
|
04/06/71
|
Manhattan Center |
CDR |
3 |
A |
|
|
04/07/71
|
Music Hall |
CDR |
2 |
A |
|
|
04/24/71
|
Wallace Wade Stadium, Duke University |
CDR |
2 |
A |
|
|
04/26/71
|
Fillmore East |
CDR |
2 |
A |
|
|
04/26/71
|
Fillmore East |
CDR |
2 |
A |
|
|
04/27/71
|
Fillmore East |
CDR |
3 |
A |
|
|
04/27/71
|
Fillmore East |
CDR |
3 |
A |
|
|
04/28/71
|
Fillmore East |
CDR |
3 |
A |
|
|
04/28/71
|
Fillmore East |
CDR |
3 |
A |
|
|
04/29/71
|
Fillmore East |
CDR |
4 |
A |
|
|
04/29/71
|
Fillmore East |
CDR |
4 |
A |
|
|
07/31/71
|
Yale Bowl, Yale University |
CDR |
3 |
A- |
I: AudMR > CD > EAC > WAV > SHN
II: AudMR > C > DAT > CD > EAC > WAV >SHN
single AKG 190E mic > Uher 4000 Report-L 5" Reel deck
Taper: Marty Weinberg
Analog to Digital Transfer: 1/2 track tapes on a
Revox A-700 (tweaked the head azimuth to match the original
recording). Signal fed into DigiDesign Pro Tools on a
Macintosh with Audio Media III sound card. The only post
processing was normalization.
Final digital version assembled by: Noah Weiner - noahbw@home.com
note: Weinberg recorded each set of this show on its own
reel. Both were in very delicate condition at the time
of the transfer (Summer 2001). The set two reel was
degraded so much in sound quality (a tremendous loss of
high end frequencies) that it proved better to used an older
cassette copy of the set two reel for this new distribution.
Also, Sing Me Back Home, Sugar Magnolia, and Casey Jones
had been recorded over on the master reel at some point
prior to the Summer 2001 digital transfer. Evidence of the
current state of the set two reel can be heard on the set two
intro, the first 23 seconds of Bertha, and the set two outro,
which do come from the master reel.
Also, the track list for set one differs from what prior
record keeping indicated. However, this new track order is
direct off the master reel. The old order seems to indicate
that songs were possibly rearranged to fit them more
comfortably onto cassette.note: there are some very slight digital ticks on
tracks d2t12, d2t13 and d3t01. These are confirmed
on the DAT that the transfer came from.
|
|
08/06/71
|
Hollywood Palladium |
CDR |
2 |
A |
|
|
08/14/71
|
Berkeley Community Theater |
CDR |
2 |
A |
|
|
08/14/71
|
Berkeley Community Theater |
CDR |
2 |
A |
|
|
10/19/71
|
Northrop Auditorium, U. of Minn. |
CDR |
3 |
A |
Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time,
One More Saturday Night and Ramble On Rose are performed
for the 1st time.
|
|
10/29/71
|
Allen Theatre |
CDR |
2 |
A |
|
|
12/04/71
|
Felt Forum, Madison Square Garden |
CDR |
2 |
A |
missing JB Goode, Cumberland fades in at ?help you with your trouble? |
|
12/05/71
|
Felt Forum, Madison Square Garden |
CDR |
3 |
A |
thankyou merrypranksters!! |
|
12/06/71
|
Felt Forum, Madison Square Garden |
CDR |
3 |
A |
Extraction and Shortening by Seth Kaplan via EAC and MKW.
Correct sector boundaries verified via .shntool |
|
12/07/71
|
Felt Forum, Madison Square Garden |
CDR |
2 |
A |
|
|
12/15/71
|
Hill Auditorium |
CDR |
1 |
A |
Defects:
d1t1 0:24 - static (Dark Star)
d1t1 12:20-12:24 - ticks or percussion?
d1t5 8:02 - static (Lovelight)
d1t8 2:17 - tick (Lovelight reprise)
Note from Ben: Taper's Compendium lists song 7 as "Mannish Boy".
Extraction/SHN by John Oleynick <johno@computer.org> |
|
03/21/72
|
Academy Of Music |
CDR |
2 |
A |
There is the slightest bit of digi noise, sounds like DAT static, at 3:33 of truckin' |
|
03/21/72
|
Academy Of Music |
CDR |
2 |
A |
There is the slightest bit of digi noise, sounds like DAT static, at 3:33 of truckin' |
|
03/23/72
|
Academy of Music |
CDR |
1 |
A |
|
|
03/23/72
|
Academy of Music |
CDR |
1 |
A |
|
|
04/08/72
|
Wembley Empire Pool |
CDR |
3 |
A |
|
|
04/14/72
|
Tivoli Theater |
CDR |
3 |
A |
|
|
05/03/72
|
Olympia Theater |
CDR |
4 |
A |
|
|
05/04/72
|
Olympia Theater |
CDR |
4 |
A |
|
|
05/10/72
|
Concertgebouw |
CDR |
4 |
A |
Extraction and SHN encoding by Seth Kaplan |
|
05/13/72
|
Lille Fairgrounds |
CDR |
3 |
A |
encore missing (one more saturday night) |
|
05/18/72
|
Kongressaal Deutsches Museum |
CDR |
3 |
A |
|
|
05/23/72
|
Lyceum Ballroom |
CDR |
3 |
A |
End of Comes a Time is Cut |
|
05/25/72
|
Lyceum Ballroom |
CDR |
1 |
B+ |
Uncle John's through Sugar Magnolia
WOZ Tree
This sounds rough, but to the best of my knowledge, is the best this show sounds, in regards to what is in circulation. |
|
05/25/72
|
Lyceum Ballroom |
CDR |
1 |
B+ |
Uncle John's through Sugar Magnolia
WOZ Tree
This sounds rough, but to the best of my knowledge, is the best this show sounds, in regards to what is in circulation. |
|
07/18/72
|
Roosevelt Stadium |
CDR |
3 |
A |
|
|
07/26/72
|
Paramount Theater |
CDR |
4 |
A |
|
|
08/24/72
|
Berkeley Community Theater |
CDR |
3 |
A |
MR problems in right channel for first
2:30 of Sing Me Back Home; MR glitch
at start of One More Saturday Night |
|
08/24/72
|
Berkeley Community Theater |
CDR |
3 |
A |
MR problems in right channel for first
2:30 of Sing Me Back Home; MR glitch
at start of One More Saturday Night |
|
08/27/72
|
Old Renaissance Faire Grounds |
CDR |
3 |
A |
|
|
08/27/72
|
Old Renaissance Faire Grounds |
CDR |
3 |
A |
|
|
08/27/72
|
Old Renaissance Faire Grounds |
CDR |
3 |
A |
Note: This is *not* the Betty Board source which has circulated before.
Lineage:
SBDMR(two-track)>DAT>Sonic Solutions>CDR>EAC>
Sound Forge Edit (analog pop removal using pencil tool)>
Sound Forge Pitch Shift (antialias filter followed by pitch shift
of +19 cents)
David Gans seeded the show (SBD->MR->DAT->Sonic Solutions->CDR).
Adam Jerugim obtained a CDR copy, EAC'd and uploaded it to orf.cx.
Leigh Orf did all the post-processing (Sound Forge stuff).
This source came from a different two-track master reel (made by the
folks filming the Sunshine Daydream movie) and is mixed differently. |
|
09/26/72
|
Stanley Theatre |
CDR |
3 |
A |
|
|
09/26/72
|
Stanley Theatre |
CDR |
3 |
A |
|
|
10/17/72
|
Fox Theatre |
CDR |
3 |
A |
Set One
(Missing Tennessee Jed)
Set Two
(missing Jack Straw)
(missing Friend Of The Devil)
(Missing Beat It On Down The Line)
(missing Ramble On Rose)
EAC/SHN by Darrin -- dnsacks@usa.net, thanks to Jack Warner for this fine show.
Seeded to etree on 11/16/00 |
|
10/18/72
|
Fox Theatre |
CDR |
3 |
A |
|
|
10/18/72
|
Fox Theatre |
CDR |
3 |
A |
|
|
12/15/72
|
Long Beach Arena |
CDR |
3 |
A |
*according to Tiedrich's site, the speed was off on the master reel for
Transfer: rumored to be leaked by Gans
SHN encode and upload: Ben Yerys
Thanks to M. Wienke for this excellent show!
Truckin'and that portion of the song was subsequently edited out before reaching circulation |
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University |
CDR |
3 |
A |
|
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University |
CDR |
3 |
A |
|
|
02/15/73
|
Dane County Coliseum |
CDR |
3 |
A-* |
This show sounds really good,
except for the flaws, and they
are as follows:
Loose Lucy has a drop-out at 5:15;
Jack Straw has static at 2:01;
Playin' In The Band has diginoise at
12:31 and at 12:48;Casey Jones fades
out at 2:35;Here Comes Sunshine has
a drop-out at 1:59 and 8:37;
They Love Each Other has static at 2:26;
Both encores are missing.
|
|
02/15/73
|
Dane County Coliseum |
CDR |
3 |
A-* |
This show sounds really good,
except for the flaws, and they
are as follows:
Loose Lucy has a drop-out at 5:15;
Jack Straw has static at 2:01;
Playin' In The Band has diginoise at
12:31 and at 12:48;Casey Jones fades
out at 2:35;Here Comes Sunshine has
a drop-out at 1:59 and 8:37;
They Love Each Other has static at 2:26;
Both encores are missing.
|
|
02/26/73
|
Pershing Municipal Auditorium |
CDR |
3 |
A |
notes: D3T02 (EYES), spice at 3:25. VTree Round4 |
|
03/16/73
|
Nassau Veterans Memorial Coliseum |
CDR |
3 |
A |
Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN
Set 2: MSR > Reel > DAT > CD > EAC > SHN
Known flaws (many are due to the usual '73 sound system problems or
waterlogging of the set 1 reels):
D1t02 (Rider): brief bits of static/diginoise @ 2:37, 2:39, 4:34, 4:36
D1t03 (Jack Straw): some hum in right chanel at beginning (sound system problem); some
mix problems
D1t08 (BIODTL) some mix problems
D2t04 (Playin'): dropout @ 19:03
D2t05 (Promised Land): bit of staticky sound first minute
D2t09 (Big River): dropout/splice @ 1:21
D3t03 (Dark Star): brief minor bit of diginoise @ 5:00;
brief dropout @ 18:18.
D3t04 (Truckin'): reel splice @ 7:37 |
|
03/22/73
|
Utica Memorial Auditorium |
CDR |
3 |
A |
|
|
03/31/73
|
Buffalo Memorial Auditorium |
CDR |
1 |
A |
Filler: 5/1/70 (acoustic)
Alfred College, Alfred, NY
Genealogy could be: MR > DAT > CDR
9. The Race Is On
10. Wake Up Little Suzie
11. Uncle John's Band |
|
04/02/73
|
Boston Garden |
CDR |
3 |
A* |
There is a qualitative difference between the sound from Ramble on Rose and Me and My Uncle. The first part of the show is very crisp and clear, while the latter half is of a higher gen and has more bass, though both are excellent. This is consistent with the description in Taper's Compendium, in regards to circulationg copies of this show.
Known flaws:
There are some mix problems in promised land and a bit of distortion in a few places, particularly in Deal. There is a brief dropout at 2:39 in Greatest Story. There is a dropout at 11:46 in Here comes Sunshine. |
|
04/02/73
|
Boston Garden |
CDR |
3 |
A* |
There is a qualitative difference between the sound from "Ramble on Rose" and "Me and My Uncle." The first part of the show is very crisp and clear, while the latter half is of a higher gen and has more bass, though both are excellent. This is consistent with the description in Taper's Compendium, in regards to circulationg copies of this show.
Known flaws:
There are some mix problems in "promised land" and a bit of distortion in a few places, particularly in "Deal." There is a brief dropout at 2:39 in "Greatest Story." There is a dropout at 11:46 in "Here comes Sunshine." |
|
05/20/73
|
Campus Stadium, UCSB |
CDR |
4 |
A- |
"Sets I and II were taped from mid-field, and there is some wind noise --evident on the first song, especially. Also some airplane noises at times. Set III we moved closer, and the recording quality improves .... and that is an excellent jam, one of the seminal trucking/other one's in my personal experience. :)"
"5/20/73 was recorded using a sony Condensor mike and a small mono Sony -- possibly a TC-3 -- onto BASF casettes. My copy was from the casette
masters, playback deck unknown, recorded onto a reel of Sony tape upon my Sony TC-366, at 3-3/4 IPS single-track. Your copy |
|
06/10/73
|
Robert F. Kennedy Stadium |
CDR |
4 |
A |
Hot Damn!! |
|
06/10/73
|
Robert F. Kennedy Stadium |
CDR |
4 |
A |
Hot Damn!! |
|
06/22/73
|
P.N.E. Coliseum |
CDR |
4 |
A |
Master Audience Reel > DAT source supplies patch
in "The Other One" (d4t04) from 22:20 thru 29:27.
Master Audience Reel > ?? > DAT source supplies
the final 0:33 of Casey Jones (d4t07), as well as
the "Johnny B. Goode " encore (d2t08) - which is placed
at the end of the 1st set.
CD Mastering/ EAC'ed / SHN'ed by Scott Clugston 9/15/01
Disc 4 requires an 80 minute disc
Notes:
Throughout the 1st Set there is minor intermittent static,
mostly on the left channel, which is believed to be present on the master
reels.
D1t01 (Bertha): beginning cut; sound system problems for first
couple of minutes
D1t07 (Race Is On): beginning cut
D2t04 (Rider): splice/cut @ 1:58
D4t06 (Wharf Rat): splice or subsecond discontinuity @ 2:38 |
|
06/24/73
|
Memorial Coliseum |
CDR |
1 |
B+ |
DarkStar through China Doll
WOZ Tree |
|
06/24/73
|
Memorial Coliseum |
CDR |
1 |
B+ |
DarkStar through China Doll
WOZ Tree |
|
07/01/73
|
Universal Amphitheatre |
CDR |
3 |
A |
Set I: Mississippi Half-Step, Me And My Uncle, Sugaree, The Race Is On, Brown Eyed Women, Looks Like Rain, Don't Ease Me In, Big River
China Cat Sunflower I Know You Rider, Around And Around
**
Set II: Playing In The Band, Row Jimmy, El Paso, Loose Lucy
Truckin' The Other One Wharf Rat Me And Bobby McGee, Casey Jones |
|
07/01/73
|
Universal Amphitheatre |
CDR |
3 |
A |
Set I: Mississippi Half-Step, Me And My Uncle, Sugaree, The Race Is On, Brown Eyed Women, Looks Like Rain, Don't Ease Me In, Big River
China Cat Sunflower > I Know You Rider, Around And Around
**
Set II: Playing In The Band, Row Jimmy, El Paso, Loose Lucy
Truckin' > The Other One > Wharf Rat > Me And Bobby McGee, Casey Jones |
|
07/27/73
|
Grand Prix Racecourse |
CDR |
2 |
A |
Note: Master Reel contains minor pops and noise. Promised Land contains MR glitches
Merry Go Round Broke Down tunning after Tennessee Jed
Half Step contains MR cut |
|
07/27/73
|
Grand Prix Racecourse |
CDR |
2 |
A |
Note: Master Reel contains minor pops and noise. Promised Land contains MR glitches
"Merry Go Round Broke Down" tunning after Tennessee Jed
Half Step contains MR cut |
|
07/28/73
|
Grand Prix Racecourse |
CDR |
4 |
A- |
Majority of this recording is SBDMRDATCDR
HCSS,LLRain are from:
fm?c5DATCDR
Row Jimmy, Jack Straw, Around&Around and NFA are from:
[a:mc:?:c:DAT:CDR]
encores are from:
SBDMR?CDATCDR
|
|
07/28/73
|
Grand Prix Racecourse |
CDR |
4 |
A- |
Majority of this recording is SBDMR>DAT>CDR
HCSS,LLRain are from:
fm?>c5>DAT>CDR
Row Jimmy, Jack Straw, Around&Around and NFA are from:
[a:mc:?:c:DAT:CDR]
encores are from:
SBDMR>?>C>DAT>CDR
|
|
08/01/73
|
Roosevelt Stadium |
CDR |
3 |
A |
This is the one and only, you'll have to take the good with the bad.
*The Race Is On - mic cable drop out cross faded at 0:37
*Bird Song - mic cable drop out cross faded at 1:28
*Casey Jones - mic cable drop out cross faded at 2:31
*Around And Around - mic cable drop out cross faded at 3:08
*Dark Star - first 1:06 supplied by alternate AUD/? and cross
faded at that point into the start of the main source recording.
This alternate source was on the 7" reel that Jeff Siniawsky
supplied for the transfer. He used it to fill the portion of
the start of Dark Star missing from his 5" reel master when he
created the 7" reel we have here.
*One More Saturday Night - mic cable drop out cross faded at 0:27 |
|
09/07/73
|
Nassau Veterans Memorial Coliseum |
CDR |
3 |
A |
There's some fuzz. It is a beautiful show though. |
|
09/07/73
|
Nassau Veterans Memorial Coliseum |
CDR |
3 |
A |
There's some fuzz. It is a beautiful show though. |
|
09/08/73
|
Nassau Veterans Memorial Coliseum |
CDR |
3 |
A |
|
|
09/08/73
|
Nassau Veterans Memorial Coliseum |
CDR |
3 |
A |
|
|
10/25/73
|
Dane County Coliseum |
CDR |
2 |
A |
|
|
10/25/73
|
Dane County Coliseum |
CDR |
2 |
A |
|
|
11/21/73
|
Denver Coliseum |
CDR |
3 |
A |
|
|
11/21/73
|
Denver Coliseum |
CDR |
3 |
A |
|
|
11/30/73
|
Music Hall |
CDR |
3 |
A |
Protions of this were released as Dick's Picks #14, this however, is the complete soundboard |
|
12/02/73
|
Music Hall |
CDR |
3 |
A |
Grateful Dead
12/2/73
Music Hall
Boston, MA
Master Soundboard Reel > Cassette > DAT > CDR
There are a few seconds of overlap between Discs 2 and 3
EAC'ed / SHN'ed by Scott Clugston
Circulated 2/01
Disc 1
1st Set
1. CR & S
2. BIODTL
3. Dire Wolf
4. The Race Is On
5. BEW
6. "Merry Go Round Broke" & "Beer Barrel Polka" tunings
7. Jack Straw
8. Ramble On Rose
9. El Paso
10.Row Jimmy
11.Big River
12.Deal
Disc 2
1. WRS Prelude>
2. Part 1>
3. Let It Grow
2nd Set
4. Wharf Rat>
5. Half-Step>
6. Playin'>
7. Mind Left Body Jam>
Disc 3
1. He's Gone>
2. Truckin'>
Nobodies Fault Jam>
3. Stella Blue
4. Sugar Magnolia
Encore
5. Morning Dew |
|
12/06/73
|
Public Hall |
CDR |
2 |
A |
|
|
02/23/74
|
Winterland Arena |
CDR |
3 |
A |
Notes:
Missing Big River, Ramble On Rose, Me And
My Uncle, Casey Jones
|
|
02/24/74
|
Winterland Arena |
CDR |
4 |
A |
SBDMR>PCM->DAT->Fostex D5 DAT->Marantz Professional
PMD-320 CD Master->Ricoh MP-6200 series CD-R->
HP 8200i CDRW Drive (EAC)->SHNCD
This is not sourced from the current 2-24-74 tree.
There is no dropout in the China->Rider Segue.
[GSH NOTE: Disc 4 does NOT require an overburn, as stated in
the original info file. The length of disc 4 is 73:52, not 74:06.]
My subjective quality grade: A-
No Dropouts, Clicks, or Digital Noise are present
as far as i know.There is a small amount of guitar
distortion in Cumberland Blues in Garcia's solo.
EAC extracted, verified and shorten encoded by
stephen windsor swindsor@wesleyan.edu
|
|
02/24/74
|
Winterland Arena |
CDR |
1 |
A |
|
|
05/12/74
|
University Of Nevada |
CDR |
3 |
A |
|
|
05/14/74
|
Adams Field House, University Of Montana |
CDR |
3 |
A |
|
|
05/17/74
|
P.N.E. Coliseum |
CDR |
3 |
A |
|
|
05/19/74
|
Portland Memorial Coliseum |
CDR |
3 |
A |
|
|
05/21/74
|
Edmundson Pavilion, University Of Washington |
CDR |
3 |
A |
Samplitude2496, retracked and normalized(added + 1.8dB) > .shn
Playin? has no cassette generation, and is patched with 26 seconds of audience, at reel flip.
|
|
06/18/74
|
Freedom Hall |
CDR |
3 |
A |
Please enjoy this tasty tidbit from Louisville, KY June 18, 1974 courtesy of some anonymous sources, as well as the collective efforts of Darrin Sacks and David Hollister
Here's what we have...Lineage: S:MR>1 cass>DAT>ZA2>SHN [revised from original info file]
This version sounds nothing like the previously-circulating "sbd>reel>reel>dat" version and represents a MAJOR upgrade.
The music actually comes to us from two different tapes with very similar qualities. However, one tape had about the first 1 minute and 40 seconds missing on Promised Land, so I spliced it in from the other tape. The other tape had some other problems, not to mention a good portion of the between song banter cut out, so needless to say, we used the good tape for that.
|
|
06/20/74
|
The Omni |
CDR |
3 |
A |
|
|
06/22/74
|
Jai-Alai Fronton |
CDR |
3 |
A |
filler: 5-22-77 is MRDATDATCD
everything that was left off dick's pick |
|
06/22/74
|
Jai-Alai Fronton |
CDR |
3 |
A |
filler: 5-22-77 is MR>DAT>DAT>CD
everything that was left off dick's pick |
|
06/23/74
|
Jai-Alai Fronton |
CDR |
3 |
A |
|
|
06/23/74
|
Jai-Alai Fronton |
CDR |
3 |
A |
|
|
07/19/74
|
Selland Arena |
CDR |
1 |
A |
truly excellent |
|
07/21/74
|
Hollywood Bowl |
CDR |
3 |
A |
|
|
07/21/74
|
Hollywood Bowl |
CDR |
3 |
A |
|
|
07/31/74
|
Dillon Stadium |
CDR |
4 |
A |
Known Anomalies:
1. Beginning of Scarlet is clipped -- slight bit of diginoise too
2. Reel flip in the middle of Row Jimmy
3. Warble/ Mixing problems in Jack Straw
4 Cut in the beginning of WRS Prelude
Seed provided by Ziggy and Jack Warner
EAC>SHN by Chalupa
|
|
07/31/74
|
Dillon Stadium |
CDR |
3 |
A |
let it be know:
this is an audience recording, not for the faint of heart. There are rough moments, but it captures a wonderful live feeling that cannot be found on the circulating soundboard.
AudMC > 7" Reel > DAT > WAV > SHN
Recorded by Bill Degen. Master cassette lost in fire.
A>D transfer from reel by Noah Weiner (noahbw@attbi.com) April, 2000
missing:
Scarlet Begonias
Me And My Uncle
Brown Eyed Women
Beat It On Down The Line
|
|
08/04/74
|
Philadelphia Civic Arena |
CDR |
3 |
A |
|
|
08/06/74
|
Roosevelt Stadium |
CDR |
4 |
A |
*MR>R>DAT>HD>Soundforge>SHN>CD
Recorded by Neil Merin using an unknown mic (mono) onto a
Uhrer 5" reel deck. Neil's batteries were showing signs of
failing in set two so he tried to conserve power by not taping
a few mid set songs. Even so, by the end of Truckin' the
recording tape speed slowed and thus the playback pitch rises.
The end of the show plus other missing parts from Neil's tapes
are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD>
Soundforge>SHN>CD). Ihor recorded with AKG d190e mics
onto a Sony TC-152sd deck.The use of Ihor's master is
indicated with an asterisk (*).
Analog to digital transfers done by Noah Weiner.
|
|
08/06/74
|
Roosevelt Stadium |
CDR |
4 |
A |
|
|
09/11/74
|
Alexandra Palace |
CDR |
1 |
A |
|
|
09/11/74
|
Alexandra Palace |
CDR |
1 |
A |
|
|
10/18/74
|
Winterland Arena |
CDR |
2 |
A |
|
|
03/23/75
|
Kezar Stadium |
CDR |
1 |
A |
aprox. 45min set, due to festival setting. First Blues for Allah.
*with Merle&Ned |
|
03/23/75
|
Kezar Stadium |
CDR |
1 |
A |
aprox. 45min set, due to festival setting. First Blues for Allah.
*with Merle&Ned |
|
06/17/75
|
Winterland Arena |
CDR |
2 |
A |
Sony ECM-280 Mic's Sony TC-152 SD cassette master playback on Nak Dragon DAT,it's a FOB Aud,about 30-35' back,just left of dead center... |
|
06/17/75
|
Winterland Arena |
CDR |
2 |
A |
Sony ECM-280 Mic's > Sony TC-152 SD cassette master > playback on Nak Dragon > DAT,it's a FOB Aud,about 30-35' back,just left of dead center... |
|
09/28/75
|
Lindley Meadows, Golden Gate Park |
CDR |
2 |
A |
|
|
06/03/76
|
Paramount Theatre |
CDR |
3 |
A |
Notes:
Missing Saturday Night and Wheel (Encore) after Franklin's Tower. |
|
06/09/76
|
Boston Music Hall |
CDR |
3 |
A |
Location: fob
Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone
Taper: Steve Hopkins
Audience Master Cassettes > DAT > DAT clone by Dave Minor
DAT clone > CDR by Dave Handrich
CDR > SHN conversion by mvernon54@home.com
CDR > WAV's (EAC secure with offsets enabled) >
add fades & soundboard patch with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable)Noted flaws:
D1T1 squeaks at 00:18, 00:21, 00:28, 01:11, 08:05, 08:20
D1T3 very minor partial dropout 00:29
D1T4 squeaks at 06:52
D1T5 squeaks at 01:13, 04:00, 05:34, 12:30
D2T5 squeaks at 01:22, 02:58, 03:00, 03:12, 10:57
D3T3 squeaks at 02:05, 07:11
D3T4 squeaks at 01:42, 01:51
D3T7 squeaks at 00:57, 09:58
|
|
06/10/76
|
Boston Music Hall |
CDR |
3 |
A |
Location: fob
Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone
Taper: Steve Hopkins
Audience Master Cassettes > DAT > DAT clone by Dave Minor
DAT clone > CDR by Dave Handrich
CDR > SHN conversion by mvernon54@home.com
CDR > WAV's (EAC secure with offsets enabled) >
add fades with Cool Edit 2K > track boundaries CDWave > SHN's
Known imperfections:
D1T1 ~02:56 brief subsecond partial drop out
D1T4 ~01:00 microphones are adjusted so there is audible, minor change in volume, balance
D3T2 ~00:30 crowd stands or mic position changed so there is audible, minor change in volume, balance
D3T2 ~01:41 audible noise in both channels that was on source tape, not a pop
D2T2 ~05:24 crowd stands or mic position changed so there is audible, minor change in volume, balance
|
|
06/11/76
|
Boston Music Hall |
CDR |
3 |
A |
Location: fob
Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone
Taper: Steve Hopkins
Audience Master Cassettes > DAT > DAT clone by Dave Minor
DAT clone > CDR by Dave Handrich
CDR > SHN conversion by mvernon54@home.com
CDR > WAV's (EAC secure with offsets enabled) >
add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's
Notes:
(*) Tape flip at start of Looks Like Rain was completed using 36 seconds from the circulating soundboard.
Minor Flaws:
There are several places noted below where a very short duration "squeak" is heard. It is not known if this is an artifact of the recording or an actual sound at the event.
D1T2 00:32 squeak
D1T2 01:54 onset of setting balance
D1T2 05:37 squeak
D1T6 01:16 squeak
D1T6 02:46 squeak
D1T10 01:40 squeak
D1T10 03:49 squeak
D2T3 00:38 squeak
D2T6 00:14 squeak
D2T6 00:15 squeak
D2T6 01:49 squeak
D2T6 03:19 squeak
D2T7 07:56 squeak
D2T7 ~09:30 sound changes (mics lowered?)
D2T8 ~01:00 sound changes (mics raised?)
D2T8 ~01:24 sound changes (mics briefly lowered?)
D2T8 ~02:10 sound changes (mics raised?)
D3T1 11:31 squeak
D3T3 ~01:00 mic direction changed
D3T4 00:05 squeak
D3T4 01:23 squeak
D3T5 00:22 squeak
|
|
06/12/76
|
Boston Music Hall |
CDR |
3 |
A |
Location: fob
Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone
Taper: Steve Hopkins
Audience Master Cassettes > DAT > DAT clone by Dave Minor
DAT clone > CDR by Dave Handrich
CDR > SHN conversion by mvernon54@home.com
CDR > WAV's (EAC secure with offsets enabled) >
add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact)
Noted flaws:
D1T7 6:46, 6:50 brief partial drop out during song pause
D1T8 0:21 squeak
D1T9 2:44 static
D2T2 5:40 between song tape flip
D2T4 3:45 squeak
D3T6 7:30 between song tape flip
D3T6 7:34 squeak
D3T7 ~5:46 sound volume decreases then resumes previous level ~6:00
|
|
06/14/76
|
Beacon Theatre |
CDR |
3 |
A |
|
|
06/14/76
|
Beacon Theatre |
CDR |
3 |
A |
|
|
06/21/76
|
The Tower Theatre |
CDR |
3 |
A |
s:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Some sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors
D1T1 - Fade-in during music
D1T1 1:10 thru ~3:00 amplitude of right channel was adjusted up to compensate for low and slowly varying volume level.
D1T1 had a repeating section of music ~ 6:21 that was removed
D1T2 4:22 brief skip or garbled section mostly fixed
D1T6 1:14 pop removed
D2T7 6:27 skip partially removed/lessened
D3T1 Roses was out of order on the seed disks. It was put into the Compendium song order as seamlessly as possible.
D3T3 start of Wharf Rat has a few notes missing
|
|
06/22/76
|
The Tower Theatre |
CDR |
3 |
A |
Notes:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Some sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors
5. Normalized by sets to 98%
Flaws:
D1T1 Fade-in during music
D1T1 ~0:43 brief noise left channel fixed
D1T2 ~0:56 drop out fixed
D1T4 1:57 brief drop out fixed
D1T7 Last note(s) cut short
D3T1 8:50 skip/cut ~11:39 cut (tape flip?)
eac, Cool Edit's, shns done by mvernon54@attbi.com
thanks to doug ferguson for supplying the source cds
seeded to etree ~1/02 |
|
06/23/76
|
The Tower Theatre |
CDR |
3 |
A |
Notes:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Some sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors
Flaws:
D1T3 ~ 0:07 skip/cut
D2T4 ~ 2:00 cut/flip
D3T2 - removed maybe one repeat of refrain to cover skip
eac, Cool Edit's, shns done by mvernon54@attbi.com
thanks to doug ferguson for supplying the source cds
seeded to etree ~1/02 |
|
06/24/76
|
The Tower Theatre |
CDR |
2 |
A |
Notes:
1. Tracking redone to coincide with start of songs (crowd noise & tuning attached to prior track)
2. Sections of crowd noise had been removed between songs on the source cds
3. Minor flaws typical of aud tapes not noted (soundfield changes from crowd standing/sitting, occasional very brief skips/drop outs)
4. shntool confirms tracks cut on sectors
eac, Cool Edit's, shns done by mvernon54@attbi.com
thanks to doug ferguson for supplying the source cds
seeded to etree ~1/02 |
|
06/29/76
|
Auditorium Theatre |
CDR |
3 |
A |
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN |
|
07/12/76
|
Orpheum Theatre |
CDR |
1 |
A |
|
|
07/12/76
|
Orpheum Theatre |
CDR |
3 |
var |
Disc One: SBDMR>R>R>R>DAT>CDR
Disc 2&3: SBDMR>DAT>Sonci Solutions>CDR
Audience patch(unkown source) in Tenn Jed |
|
07/16/76
|
Orpheum Theatre |
CDR |
3 |
A |
Front of Balcony recording By Dr. Rob Bertrando - |
|
07/16/76
|
Orpheum Theatre |
CDR |
3 |
A |
Front of Balcony recording By Dr. Rob Bertrando - |
|
07/17/76
|
Orpheum Theatre |
CDR |
3 |
A |
audience recording by Dr. Rob Bertrando - Front of Balcony |
|
07/17/76
|
Orpheum Theatre |
CDR |
3 |
A |
audience recording by Dr. Rob Bertrando - Front of Balcony |
|
09/24/76
|
College Of William & Mary Hall |
CDR |
3 |
A |
Awesome audience recording |
|
09/25/76
|
Capital Centre |
CDR |
3 |
A* |
Known Flaws:
<1 second of distortion @ 6:22 of Sunshine Daydream and cut @ 0:27 |
|
10/09/76
|
Oakland-Alameda County Coliseum |
CDR |
2 |
A |
Filler on disc 1:
05/01/70 : Alfred College : Alfred, NY
The Race Is On, Wake Up Little Suzie, Uncle John's Band
Source: S:MR>DAT>Satellite feed>DATx2>ZA2>CD
Comments: Just part of acoustic set, small glitch during UJB. First 2 tunes
w/John Dawson
missing: (Half Step, Cassidy, Tennessee Jed, Looks Like Rain,)
Complete audience of first set circulates, but not SBD of 1st, correct me if I am wrong : )
|
|
10/10/76
|
Oakland-Alameda County Coliseum |
CDR |
2 |
A |
|
|
02/26/77
|
Swing Auditorium |
CDR |
3 |
A* |
One instance of DAT noise on second disc.
Notes from Walter:
The source, on both sets, was Betty Board Reel PCM (Beta) DAT (48k). This was my first sample rate conversion, but it came out great once I figured out how to do it right. I recorded the DAT digitally from my SONY PCM-M1 into my Wave 8/24 card with Cool Edit SE. I then down-sampled it to 44.1 with the high quality filter setting. The edits were made in Cakewalk Pro Audio 8, and it was mastered with Adaptec EZ CD creator to a Panasonic scsi CD-R.
|
|
02/26/77
|
Swing Auditorium |
CDR |
3 |
A* |
One instance of DAT noise on second disc.
Notes from Walter:
The source, on both sets, was Betty Board > Reel > PCM (Beta) > DAT (48k). This was my first sample rate conversion, but it came out great once I figured out how to do it right. I recorded the DAT digitally from my SONY PCM-M1 into my Wave 8/24 card with Cool Edit SE. I then down-sampled it to 44.1 with the high quality filter setting. The edits were made in Cakewalk Pro Audio 8, and it was mastered with Adaptec EZ CD creator to a Panasonic scsi CD-R.
|
|
02/27/77
|
Robertson Gym, U.C.S.B. |
CDR |
3 |
A |
audience master by Rob Bertrando |
|
02/27/77
|
Robertson Gym, U.C.S.B. |
CDR |
3 |
A |
audience master by Rob Bertrando |
|
03/19/77
|
Winterland Arena |
CDR |
3 |
A |
|
|
03/19/77
|
Winterland Arena |
CDR |
3 |
A |
|
|
04/23/77
|
Springfield Civic Center |
CDR |
3 |
A |
d3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks)
to cover missing SBD source due to reel flip. No other known flaws.
Discs #1 and #2 have tuning tracks between songs.
Special thanks to Sam Esla for providing the seed. Enjoy!
Aud patch & CD->EAC->SHN conversion & upload by AJ - a2k@pacbell.net - September 26th 2000 |
|
05/07/77
|
Boston Garden |
CDR |
3 |
A |
AudMC > DAT > Soundforge > CDWAV > SHN
Taper: Steve Rolfe
Sony ECM 33P mic > TC-152 deck
A > D transfer by Noah Weiner (noahbw@home.com) - November, 2001
AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only)
Soundforge was used for normalizing and editing.
* master tape flip in Wharf Rat at 8:16 repaired by
cross fade in Soundforge.
|
|
05/08/77
|
Barton Hall, Cornell University |
CDR |
3 |
A |
|
|
05/08/77
|
Barton Hall, Cornell University |
CDR |
3 |
A |
|
|
05/19/77
|
Fox Theatre |
CDR |
3 |
A |
SOURCE: supplied by Jim Wise - Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN
(DAE and re-tracking by DireWolf_)
COMMENTS No encore.
|
|
05/21/77
|
Lakeland Civic Center |
CDR |
3 |
A |
|
|
05/25/77
|
The Mosque |
CDR |
3 |
A |
|
|
05/26/77
|
Baltimore Civic Center |
CDR |
3 |
A |
|
|
05/28/77
|
Hartford Civic Center |
CDR |
3 |
A |
*************** NOTE: disc three requires an 80 minute disc
(unless the encore is placed at the end of disc 2)********
Notes:
Approximate 2 second splice in Bertha.
The following edits were performed:
Seth Kaplan eliminated the 2 second gap/dropout @ 05:19 through 05:21 in Bertha and normalized the first thirty seconds or so of Bertha in Cool Edit to fix low levels.
Jack Warner patched the 25 second reel flip between Playing in the Band & Terrapin Station & the 32 second reel flip during One More Saturday Night using an AUD source with the following lineage:
Master Recording by Steve Rolfe (fob)
Cassette: Maxell UD XLII C-90
Sony ECM 99a?s->Sony TC-152
Analog to DAT: Nakamichi BX-300->Sony PCM-R500
DAT to CD: Sony PCM-R500->HHb-800
|
|
06/04/77
|
The Forum |
CDR |
3 |
A |
by Rob Bertrando, 17th row, just right of center |
|
06/04/77
|
The Forum |
CDR |
3 |
A |
by Rob Bertrando, 17th row, just right of center |
|
10/01/77
|
Paramount Theatre |
CDR |
2 |
A |
|
|
10/02/77
|
Paramount Theatre |
CDR |
3 |
A |
|
|
10/02/77
|
Paramount Theatre |
CDR |
3 |
A |
|
|
10/16/77
|
Assembly Center, Louisiana State University |
CDR |
3 |
A |
|
|
10/16/77
|
Assembly Center, Louisiana State University |
CDR |
3 |
A |
|
|
11/01/77
|
Cobo Arena |
CDR |
2 |
A |
|
|
11/04/77
|
Cotterell Gym, Colgate University |
CDR |
3 |
A |
|
|
11/04/77
|
Cotterell Gym, Colgate University |
CDR |
3 |
A |
|
|
11/06/77
|
Broome County Arena |
CDR |
3 |
A |
|
|
01/22/78
|
McArthur Court, University Of Oregon |
CDR |
3 |
A |
1-22-78 sbd, set 1, Set2p
(Terrapinend of show)
set 1 - SBDM?-C-PCM-Sound Forge Remaster-CD
set 2 - SBDM?-R-an old reel-PCM-Sound Forge Remaster-CD
1-22-78aud, set 1, set 2p
(Bertha Samson)
Recorded by Reinhardt Hollwein
FOB - AKG 224's-Sony TC-158-PCM-DAT
Master Cassette played on a Nakamichi Dragon-Sony PCM 601 (VHS)-Radio
Shack Gold Video Cable-Sony PCM-R500 DAT
Tape info from Jim Wise, April 1999:
I got my new 1/22/78. This is a gift
from a dedicated professional man of
high esteem, who prefers to remain
anonymous. I'd like to get this out to
as many people who have an interest in
it. I doubt there'll be any objections
by Dick or Rob. In fact, I think they'll
be quite happy for anyone who gets a
chance to hear this amazing show.
|
|
01/22/78
|
McArthur Court, University Of Oregon |
CDR |
3 |
A |
1-22-78 sbd, set 1, Set2p
(Terrapin>end of show)
set 1 - SBDM?->C->PCM->Sound Forge Remaster->CD
set 2 - SBDM?->R->"an old reel"->PCM->Sound Forge Remaster->CD
1-22-78aud, set 1, set 2p
(Bertha > Samson)
Recorded by Reinhardt Hollwein
FOB - AKG 224's->Sony TC-158->PCM->DAT
Master Cassette played on a Nakamichi Dragon->Sony PCM 601 (VHS)->Radio
Shack Gold Video Cable->Sony PCM-R500 DAT
Tape info from Jim Wise, April 1999:
"I got my new 1/22/78. This is a gift
from a dedicated professional man of
high esteem, who prefers to remain
anonymous. I'd like to get this out to
as many people who have an interest in
it. I doubt there'll be any objections
by Dick or Rob. In fact, I think they'll
be quite happy for anyone who gets a
chance to hear this amazing show.
|
|
04/24/78
|
Horton Field House, Illinois State University |
CDR |
3 |
A |
Ahhhhh. Normal Illinois.
Long one of my favorite shows;
for some unknown reason it doesn't circulate much.
This show came to me on a DBX encoded reel in 1979.
I was told at the time that it was an edited dub off
the master reel, but listening to it critically,
there's too much hiss for that. I still have that reel,
transfered from it directly to dat. From Dat, it went
through a Digi96 card to my hard disk.
Sound Forge was used to normalize, anti-alias and resample to 44.1,
then CD WAV to track it out. Those WAV files were directly
converted to SHN.
I hope that spreading this copy causes an even better one to
arise out there, because this show deserves some attention.
It has never failed to stop the conversation at any gathering
where I've played it.
Enjoy!
Mike McCaw |
|
05/16/78
|
Uptown Theater |
CDR |
3 |
A |
AUDMC >R>DAT>CDWAV>SHN |
|
05/17/78
|
Uptown Theater |
CDR |
3 |
A |
AUDMC>R>DAT>CDWAV>SHN |
|
07/07/78
|
Red Rocks Amphitheatre |
CDR |
3 |
A |
|
|
07/08/78
|
Red Rocks Amphitheatre |
CDR |
3 |
A |
|
|
07/08/78
|
Red Rocks Amphitheatre |
CDR |
3 |
A |
|
|
09/16/78
|
Gizah Sound and Light Theater |
CDR |
3 |
A |
no sunrise on this lineage |
|
09/16/78
|
Gizah Sound and Light Theater |
CDR |
3 |
A |
sunrise is not on this lineage |
|
12/12/78
|
Jai-Alai Fronton |
CDR |
3 |
A |
|
|
12/12/78
|
Jai-Alai Fronton |
CDR |
3 |
A |
|
|
12/19/78
|
Memorial Coliseum, Mississippi State Fairgrounds |
CDR |
3 |
A |
|
|
12/19/78
|
Memorial Coliseum, Mississippi State Fairgrounds |
CDR |
3 |
A |
|
|
12/31/78
|
Winterland Arena |
CDR |
4 |
A |
(*) First Three Tracks and Patches Are:
FMMR(TANDBERG-TD20ASE)>>SONY(SBM-1)>>CDA(TASCAM-CDRW700) |
|
01/15/79
|
Springfield Civic Center |
CDR |
3 |
A |
Was recorded by Steven Rolfe,
Section61(front middle)Row S Seat 7
$8.50 admission
One mike was pointed at the
PA(left or right)and the other at
the drums. |
|
01/15/79
|
Springfield Civic Center |
CDR |
3 |
A |
Was recorded by Steven Rolfe,
Section61(front middle)Row S Seat 7
$8.50 admission
One mike was pointed at the
PA(left or right)and the other at
the drums. |
|
05/08/79
|
Recreation Hall, Penn State University |
CDR |
3 |
A |
Audience recording by Barry G.
Source: FOB Nakamichi 700's>MC(Sony TC-158)
Analog to Digital:
MC(Tascam 112mkII)>Sony PCM-R700@44.1 kHz
DAT TO CDR:
DAT@44.1kHz>ZA2>Soundforge>Master CDR
Editing of .wav files limited to crossfading cassette flips betwen songs, no music was disturbed.
Known flaws:
Speed Warbles in Row Jimmy on master cassette, missing Shakedown encore.
|
|
08/14/79
|
McNichols Sports Arena |
CDR |
3 |
A |
(audience recording by Rob Eaton)
All three of these shows were supposed to be at Red Rocks, just west of Denver in the foothills but due to very bad weather the venue was moved. I didn't record the 8/12/79 Red Rocks show due to the weather, but did record both 8/13 and 8/14 from virtually the same location with the same setup. Although the 13th is maybe a better show, the 14th is much less common in the trading world. In 79' for reasons unknown to me today I would pause my deck between songs. That policy changed as the years went on but for the most part I was into getting as few song cuts as possible and somehow i had better tape management by pausing. This show is no exception as the only comes during drums/space. I got in later than normal for the 14th and really didn't get settled until Easy To Love You. I raised the mic's as the show progressed as was the custom for FOB taping in the late 70's. There is a small tape artifact early in Jack A Roe that happened after the show in the car. It is very slight and not really a problem.
|
|
08/14/79
|
McNichols Sports Arena |
CDR |
3 |
A |
(audience recording by Rob Eaton)
All three of these shows were supposed to be at Red Rocks, just west of Denver in the foothills but due to very bad weather the venue was moved. I didn't record the 8/12/79 Red Rocks show due to the weather, but did record both 8/13 and 8/14 from virtually the same location with the same setup. Although the 13th is maybe a better show, the 14th is much less common in the trading world. In 79' for reasons unknown to me today I would pause my deck between songs. That policy changed as the years went on but for the most part I was into getting as few "song cuts" as possible and somehow i had better tape management by pausing. This show is no exception as the only comes during drums/space. I got in later than normal for the 14th and really didn't get settled until Easy To Love You. I raised the mic's as the show progressed as was the custom for FOB taping in the late 70's. There is a small tape artifact early in Jack A Roe that happened after the show in the car. It is very slight and not really a problem.
|
|
10/24/79
|
Springfield Civic Center |
CDR |
3 |
A |
(audience recording by Rob Eaton FOB Center)
This was one of those shows that getting the decks in and staying set up was even harder. As with most up-front recordings the crowd was slightly out of control. I had to raise and lower the mic's as the night progressed depending on security. It's not the best recording I've made but for a 79' it's not bad. Again like the 8/14 show I was pausing in between songs and I used 3 tapes to keep from getting cuts, which is a good thing with this show since it was over 50 minutes before drums on set 2. The other tapers I knew at the time all had to flip at Playin! At any rate I hope you enjoy it!
|
|
10/24/79
|
Springfield Civic Center |
CDR |
3 |
A |
(audience recording by Rob Eaton FOB Center)
This was one of those shows that getting the decks in and staying set up was even harder. As with most up-front recordings the crowd was slightly out of control. I had to raise and lower the mic's as the night progressed depending on security. It's not the best recording I've made but for a 79' it's not bad. Again like the 8/14 show I was pausing in between songs and I used 3 tapes to keep from getting cuts, which is a good thing with this show since it was over 50 minutes before drums on set 2. The other tapers I knew at the time all had to flip at Playin! At any rate I hope you enjoy it!
|
|
10/27/79
|
Cape Cod Coliseum |
CDR |
3 |
A |
*Reel Flip @end of Cauion Jam
DAT->HD via ZA2.
48k->44.1kHz Resampling via Sound Forge 4.5
-B.Clark 02-19-01 |
|
11/29/79
|
Cleveland Public Hall |
CDR |
2 |
A |
%First seconds of Shakedown missing
DAT>HD via ZA2
-B.Clark 02-20-01 |
|
12/04/79
|
Uptown Theatre |
CDR |
3 |
A |
known flaws:
Static (from SBDMC) in d1t3 0:32-0:35, 2:06
Static (from SBDMC) in d1t6 3:30-3:33, 4:01
Special thanks to Scott Clugston for helping get this seed out.
|
|
12/10/79
|
Soldiers & Sailors Memorial Hall |
CDR |
3 |
A |
Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN
Set 2 SBD>Cm>?>Dat>CD>EAC>SHN
notes:
D1T8 Franklins: 1:40-2:00 Right Channel Reduction
Audience Patch:
All of Scarlet Begonias and the
first 1:20 of Fire on the Mountain
DAT>CD Transfer by the usual
gang you c around the community
CD>EAC>SHN Transfer by Saint Stephen
EAC=copy and test,offsets configured
wav>shn done with MKW tool.
uploaded to etree 4/2/01 - enjoy
stepheneleven@altavista.com
|
|
05/01/80
|
Greensboro Coliseum |
CDR |
2 |
A |
*Note: Disc 1 is 74:47, which requires either an 80 min. disc or an overburn on a 74*
Source:
Audience Recording by Barry G.
FOB (Nakamichi 700)> Master Cassette(Sony TC-D5)
A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>
D>CD: DAT>MASTER CDR on HHB CDR 850>Duped to CD(1) on Tascam CD-D4000MKII
CD>SHN: EAC in Secure mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended
A>D>CD Conversion by Jim Wise, 2/2000
CD>SHN by Jamie Lutch, 2/2000
Editing of .wavs was limited to crossfading cassette flips between songs, no music was disturbed
Known Flaws:
The sound on Alabama Getaway is a bit muffled, but gradually gets better
____________ |
|
05/02/80
|
Hampton Coliseum |
CDR |
2 |
|
Source:
Audience Recording by John Hance (Set 1) & Jim Wise (set 2)
FOB (NAK 700 (set 1) & AKG 1000E(set 2))> Master Cassette(Sony TC-D5)
Master Cassette (Nakamichi Dragon)>A/D Conversion via Sony R700>COAX to ZA2>Soundforge>MASTER CDR>EAC in Secure Mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended
A>D>CD Conversion by Jim Wise, 2/2000
CD>SHN by Jamie Lutch, 2/2000
Known Flaws:
First few notes of Music never stopped were missing on the master cassette
Two flaws existing on the master cassette were edited using the second pass on soundforge. The first was a 1.5 second snippet of Mama Tried (~2:23 into the track), which was patched cleanly from another verse of the song. The second is abrupt level change near the end of Music Never Stopped (6:30 into the track). This was normalized somewhat, however audible artifacts do exist on this one. Both original snippets are incluided in the 'covers+archive' folder on the shn discs. All other editing was crossfading of cassette cuts and flips, all of these fell in crowd noise, and no music was disturbed
|
|
05/12/80
|
Boston Garden |
CDR |
3 |
A |
Nak 700's > Sony TC158 Master Cassette
recorded by Steve Rolfe, front row balcony
A>D by Noah Weiner (noahbw@home.com) October, 2001
AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only)
Soundforge was used for normalizing and editing.
|
|
05/12/80
|
Boston Garden |
CDR |
3 |
A |
AudMC > DAT > Soundforge > CDWAV > SHN
Nak 700's > Sony TC158 Master Cassette
recorded by Steve Rolfe, front row balcony
A>D by Noah Weiner (noahbw@home.com) October, 2001
AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only)
Soundforge was used for normalizing and editing.
note: master tape flips repaired at 9:22 in He's Gone
and 7:19 in Drums
|
|
06/08/80
|
Folsom Field, University Of Colorado |
CDR |
3 |
A |
Recorded by Unknown Taper |
|
08/24/80
|
Grand Center |
CDR |
3 |
A |
Recorded by Rob Eaton |
|
08/30/80
|
The Spectrum |
CDR |
2 |
A |
Waiting on the first CD.
|
|
08/30/80
|
The Spectrum |
CDR |
2 |
A |
Waiting on the first CD.
|
|
08/31/80
|
Capital Centre |
CDR |
3 |
A |
AD transfer done Nakamichi DragonSony PCM R-700
Recorded by Jim Wise, at the soundboard with Sennheiser 421 microphones mounted on a pole, into a Sony TC-D5 cassette deck.
3x 74min
CD ONE: AlabamaDeal
CD TWO: GSETDrums
CD THREE: DrumsBrokedown
|
|
08/31/80
|
Capital Centre |
CDR |
3 |
A |
A>D transfer done Nakamichi Dragon>Sony PCM R-700
Recorded by Jim Wise, at the soundboard with Sennheiser 421 microphones mounted on a pole, into a Sony TC-D5 cassette deck.
3x 74min
CD ONE: Alabama>>Deal
CD TWO: GSET>>Drums
CD THREE: Drums>>Brokedown
|
|
09/02/80
|
Community War Memorial Auditorium |
CDR |
3 |
A |
Recorded by Jeff Silberman, at the soundboard with Nakamichi CM300 microphones into a Nakamichi 550 cassette deck.
3x 74 min
CD ONE: MinglewoodAll Over Now + E: Alabama
CD TWO: China CatShip of Fools
CD THREE: EstimatedSugar Magnolia
|
|
09/02/80
|
Community War Memorial Auditorium |
CDR |
3 |
A |
Recorded by Jeff Silberman, at the soundboard with Nakamichi CM300 microphones into a Nakamichi 550 cassette deck.
3x 74 min
CD ONE: Minglewood>>All Over Now + E: Alabama
CD TWO: China Cat>>Ship of Fools
CD THREE: Estimated>>Sugar Magnolia
|
|
09/03/80
|
Springfield Civic Center |
CDR |
3 |
A |
AD transfer done Nakamichi DragonSony PCM R-700
Recorded by Jim Wise and Eddie Claridge, 10th row left of center, with Sony ECM-280 microphones into a Sony TC-D5 cassette deck.
3x 74 min
CD ONE: Half-StepDeal
CD TWO: StrangerSpace
CD THREE: DrumsBrokedown |
|
09/03/80
|
Springfield Civic Center |
CDR |
3 |
A |
A>D transfer done Nakamichi Dragon>Sony PCM R-700
Recorded by Jim Wise and Eddie Claridge, 10th row left of center, with Sony ECM-280 microphones into a Sony TC-D5 cassette deck.
3x 74 min
CD ONE: Half-Step>>Deal
CD TWO: Stranger>>Space
CD THREE: Drums>>Brokedown |
|
09/04/80
|
Providence Civic Center |
CDR |
3 |
A |
AD transfer done Nakamichi DragonSony PCM R-700
Recorded by Jim Wise and Eddie Claridge, front of stage center, with Sony ECM-280 microphones into a Sony TC-D5 cassette deck.
2x 80 min or 3x 74 min
CD ONE: StrangerRamble On Rose
CD TWO: Supplication JamUS Blues |
|
09/04/80
|
Providence Civic Center |
CDR |
3 |
A |
A>D transfer done Nakamichi Dragon>Sony PCM R-700
Recorded by Jim Wise and Eddie Claridge, front of stage center, with Sony ECM-280 microphones into a Sony TC-D5 cassette deck.
2x 80 min or 3x 74 min
CD ONE: Stranger>>Ramble On Rose
CD TWO: Supplication Jam>>US Blues |
|
09/06/80
|
State Fairgrounds |
CDR |
3 |
A |
The Master Cassette from Jim Wise was recorded FOB using Nak 700 mics-- Sony TC D-5.
The transfer to digital: Playback deck Nak Dragon--Sony PCM r-500 DAT. The DAT was processed by Jim with
his Sound Forge software then burnt onto CD-R. The seed DAT's are 2nd clones from Jim's CD-R re-mastered
master... |
|
09/06/80
|
State Fairgrounds |
CDR |
3 |
A |
The Master Cassette from Jim Wise was recorded FOB using Nak 700 mics--> Sony TC D-5.
The transfer to digital: Playback deck Nak Dragon-->Sony PCM r-500 DAT. The DAT was processed by Jim with
his Sound Forge software then burnt onto CD-R. The seed DAT's are 2nd clones from Jim's CD-R re-mastered
master... |
|
10/09/80
|
Warfield Theater |
CDR |
3 |
A |
The source info given was SBD>R>DAT>CD, but Tiedrich lists a cass gen.
The weird thing is the acoustic sounds like it could be from reels with no
cass. -very clean, while the electric has a slight touch of hiss - nothing major
at all.
|
|
10/10/80
|
Warfield Theater |
CDR |
1 |
A |
Acoustic |
|
10/10/80
|
Warfield Theater |
CDR |
1 |
A |
Acoustic |
|
10/14/80
|
Warfield Theater |
CDR |
3 |
A |
No encore and no acoustic set |
|
10/27/80
|
Radio City Music Hall |
CDR |
3 |
A |
Senn 441d-5 center lower balcony several rows back
Playback through Nakamichi DragonSony PCM r-700ZA2hard discCDR
Problems:
Very start (maybe 1 second) of New Minglewood Blues cut off.
Some master cassette problems (channel instability) in set 2, especially towards the end.
Cut in drums at 4:00.
|
|
10/27/80
|
Radio City Music Hall |
CDR |
3 |
A |
Senn 441>d-5 center lower balcony several rows back
Playback through Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR
Problems:
Very start (maybe 1 second) of New Minglewood Blues cut off.
Some master cassette problems (channel instability) in set 2, especially towards the end.
Cut in drums at 4:00.
|
|
10/29/80
|
Radio City Music Hall |
CDR |
3 |
A |
Sony ECM 280d-5 center lower balcony front rail
Playback through Nakamichi DragonSony PCM r-700ZA2hard discCDR |
|
10/29/80
|
Radio City Music Hall |
CDR |
3 |
A |
Sony ECM 280>d-5 center lower balcony front rail
Playback through Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR |
|
10/30/80
|
Radio City Music Hall |
CDR |
3 |
A |
Sony ECM 280d-5 center lower balcony front rail
Playback through Nakamichi DragonSony PCM r-700ZA2hard discCDR |
|
10/30/80
|
Radio City Music Hall |
CDR |
3 |
A |
Sony ECM 280>d-5 center lower balcony front rail
Playback through Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR |
|
10/31/80
|
Radio City Music Hall |
CDR |
3 |
A |
Sony ECM 280d-5 center lower balcony front rail
Playback through Nakamichi DragonSony PCM r-700ZA2hard discCDR
|
|
10/31/80
|
Radio City Music Hall |
CDR |
3 |
A |
Sony ECM 280>d-5 center lower balcony front rail
Playback through Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR
|
|
11/29/80
|
Alligator Alley Gymnasium, University Of Florida |
CDR |
3 |
A |
FOB -by Jime Wise - mics were on a 15' pole at the SBD |
|
11/29/80
|
Alligator Alley Gymnasium, University Of Florida |
CDR |
3 |
A |
FOB -by Jime Wise - mics were on a 15' pole at the SBD |
|
11/30/80
|
Fox Theater |
CDR |
3 |
A |
Source: MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II)
Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show) |
|
12/06/80
|
Mill Valley Recreation Center |
CDR |
1 |
A |
|
|
12/13/80
|
Long Beach Arena |
CDR |
2 |
A |
* with Flora Purim and Airto Moriera
|
|
02/26/81
|
Uptown Theater |
CDR |
3 |
A |
Source Info:
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick)
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise)
CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
Known Flaws:
reel splices at 5:04 & 8:40 in Stranger (untouched)
reel splice 11:52 into He's Gone (untouched)
reel splice in Black Peter> GDTRFB segue (2 sec crossfade)
______________
EAC Logfiles: |
|
02/27/81
|
Uptown Theater |
CDR |
3 |
A |
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise)
CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
Known Flaws:
reel flip in Wharf Rat> Sugar Magnolia segue, crossfaded slightly
All other edits and crossfades were between songs with no music disturbed
______________
EAC Logfiles:
______________
EAC extraction logfile from 10. April 2001, 20:38 for CD
Unknown Artist / Unknown Title
Used drive : PLEXTOR CD-ROM PX-40TS Adapter: 3 ID: 5 LUN: 0
Read mode : Secure with NO C2, accurate stream, NO disable cache
Read offset : 676
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Range status and errors
Selected range
Filename D:\gd81-02-27d1a.org.wav
Peak level 100.0 %
Range quality 100.0 %
CRC 5571ECF2
Copy OK
No errors occured
End of status report
_____________
EAC extraction logfile from 10. April 2001, 20:49 for CD
Unknown Artist / Unknown Title
Used drive : PLEXTOR CD-ROM PX-40TS Adapter: 3 ID: 5 LUN: 0
Read mode : Secure with NO C2, accurate stream, NO disable cache
Read offset : 676
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Range status and errors
Selected range
Filename D:\gd81-02-27d1b.org.wav
Peak level 100.0 %
Range quality 100.0 %
CRC 5571ECF2
Copy OK
No errors occured
End of status report
_____________
EAC extraction logfile from 10. April 2001, 20:59 for CD
Unknown Artist / Unknown Title
Used drive : PLEXTOR CD-ROM PX-40TS Adapter: 3 ID: 5 LUN: 0
Read mode : Secure with NO C2, accurate stream, NO disable cache
Read offset : 676
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Range status and errors
Selected range
Filename D:\gd81-02-27d2a.org.wav
Peak level 98.8 %
Range quality 100.0 %
CRC 10875E7C
Copy OK
No errors occured
End of status report
_____________
EAC extraction logfile from 10. April 2001, 21:11 for CD
Unknown Artist / Unknown Title
Used drive : PLEXTOR CD-ROM PX-40TS Adapter: 3 ID: 5 LUN: 0
Read mode : Secure with NO C2, accurate stream, NO disable cache
Read offset : 676
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Range status and errors
Selected range
Filename D:\gd81-02-27d2b.org.wav
Peak level 98.8 %
Range quality 100.0 %
CRC 10875E7C
Copy OK
No errors occured
End of status report
_____________
EAC extraction logfile from 10. April 2001, 21:21 for CD
Unknown Artist / Unknown Title
Used drive : PLEXTOR CD-ROM PX-40TS Adapter: 3 ID: 5 LUN: 0
Read mode : Secure with NO C2, accurate stream, NO disable cache
Read offset : 676
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Range status and errors
Selected range
Filename D:\gd81-02-27d3a.org.wav
Peak level 100.0 %
Range quality 100.0 %
CRC D1482F57
Copy OK
No errors occured
End of status report
_____________
EAC extraction logfile from 10. April 2001, 21:25 for CD
Unknown Artist / Unknown Title
Used drive : PLEXTOR CD-ROM PX-40TS Adapter: 3 ID: 5 LUN: 0
Read mode : Secure with NO C2, accurate stream, NO disable cache
Read offset : 676
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Range status and errors
Selected range
Filename D:\gd81-02-27d3b.org.wav
Peak level 100.0 %
Range quality 100.0 %
CRC D1482F57
Copy OK
No errors occured
End of status report
|
|
02/28/81
|
Uptown Theater |
CDR |
3 |
A |
Source Info:
SBDMC> DAT(0) (Reel>DAT transfer by Dick)
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master(by Jim Wise)
CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
|
|
03/09/81
|
Madison Square Garden |
CDR |
3 |
A |
audience master by Jim Wise
|
|
03/09/81
|
Madison Square Garden |
CDR |
3 |
A |
audience master by Jim Wise
|
|
03/10/81
|
Madison Square Garden |
CDR |
3 |
A |
|
|
03/10/81
|
Madison Square Garden |
CDR |
3 |
A |
|
|
03/13/81
|
Utica Memorial Auditorium |
CDR |
3 |
A |
Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appendedLevel Flux at beginning of Jack-A-Roe - smoothed a bit in Soundforge
Cassette Flip Drums>Space- crossfaded
Cassette Flip beginning of Sugar Magnolia - crossfaded
Cassette Flip beginning of Eyes - crossfaded
|
|
03/21/81
|
Rainbow Theatre |
CDR |
3 |
A |
Frank Streeter recording Senn 421's>Sony TC-D5 @ SBD
A>D by Rich Gastwirt D>CD Sony R-700>HHB CDR 800 by Jim Wise
EAC/SHN by Charles Hogan --- ckh@mediaone.net Uploaded to etree 4/01 |
|
05/12/81
|
Veterans Memorial Coliseum |
CDR |
3 |
A |
|
|
09/11/81
|
Greek Theatre, University Of California |
CDR |
3 |
A |
There is a bit more crowd noise than the 12th. Apparently, security was a
pretty tight the for the first and third nigts of this run and Jim Wise had to keep his mics a little lower. Still, a fabulous audience recording. |
|
09/11/81
|
Greek Theatre, University Of California |
CDR |
3 |
A |
There is a bit more crowd noise than the 12th. Apparently, security was a
pretty tight the for the first and third nigts of this run and Jim Wise had to keep his mics a little lower. Still, a fabulous audience recording. |
|
09/12/81
|
Greek Theatre, University Of California |
CDR |
3 |
A |
Recorded by Jim Wise |
|
09/12/81
|
Greek Theatre, University Of California |
CDR |
3 |
A |
Recorded by Jim Wise |
|
10/03/81
|
Rainbow Theatre |
CDR |
3 |
A |
DAE(EAC) and SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net or lost_sailor1620@hotmail.com |
|
10/15/81
|
Club Melk Weg |
CDR |
0 |
A- |
|
|
10/16/81
|
Club Melk Weg |
CDR |
2 |
A- |
SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes |
|
12/03/81
|
Dane County Coliseum |
CDR |
3 |
A |
SHN discs provided by Peter Gallagher
Seeded to etree by Willy
willy@junkiesplace.com |
|
12/09/81
|
Events Center, University Of Colorado |
CDR |
3 |
A |
Comments:
* He's Gone cuts just before Drums, picks up there on Disc 3
(May be due to a tape flip on master.)
From Jim Wise (posted to DNC on 08/05/2000):
Not only was I there, but I recorded one of the only 3 HQ masters made
at the show that I am aware of this particular evening was
(along with the greek 9/81's) the hardest venue of all time to get
gear into & 99% of the tapers I knew at the time just simply could
not get the goods in. I sneaked my recording equipment into the events
center in the afternoon while the GD were setting up & I had access,
then I stashed my back pack in a plumbing closet & retrieved it after
I went out and re-entered at show time. It's funny you should mention
this cause Dick went off on this show big time (as only he could)
& Rob B. can attest to this fact.
Good news is that there were reels ran (a rarity at this point in time)
the sbd has a bad cut in the "other one" and another in the 1st set,
but my pretty darn good aud is relatively flawless & its an enjoyable
performance to boot
shn'ed by Jason Holden <jholden@du.edu> Enjoy!! |
|
02/19/82
|
Golden Hall, Community Concourse |
CDR |
3 |
A |
WOW!! |
|
02/19/82
|
Golden Hall, Community Concourse |
CDR |
3 |
A |
WOW!! |
|
02/20/82
|
Golden Hall, Community Concourse |
CDR |
3 |
A |
|
|
02/20/82
|
Golden Hall, Community Concourse |
CDR |
3 |
A |
|
|
04/11/82
|
Nassau Coliseum |
CDR |
3 |
A |
|
|
05/21/82
|
Greek Theatre, University Of California |
CDR |
2 |
A |
|
|
05/21/82
|
Greek Theatre, University Of California |
CDR |
2 |
A |
|
|
05/22/82
|
Greek Theatre, University Of California |
CDR |
3 |
A |
|
|
05/22/82
|
Greek Theatre, University Of California |
CDR |
3 |
A |
|
|
08/08/82
|
Alpine Valley Music Theatre |
CDR |
3 |
A |
|
|
08/10/82
|
University Of Iowa Fieldhouse |
CDR |
4 |
A |
RECORDINGS: Kenny M. - (4th row) AKG CE-1 > UHER CR-240 > Playback
on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter
(44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV) |
|
09/20/82
|
Madison Square Garden |
CDR |
3 |
A |
Jim Wise |
|
09/21/82
|
Madison Square Garden |
CDR |
3 |
A |
Jim Wise |
|
10/09/82
|
Frost Amphitheatre |
AUD |
3 |
A |
Sony ECM 220T Sony D5 no dolby
Master tape played back on a Nak DR1 using Azimuth control Sony PCMR500 DAT @48KHz with SBM ON.
|
|
10/09/82
|
Frost Amphitheatre |
AUD |
3 |
A |
Mics 20ft and center from stage
Sony ECM 220T > Sony D5 no dolby
Master tape played back on a Nak DR1 using Azimuth control > Sony PCMR500 DAT @48KHz with SBM ON.
|
|
10/10/82
|
Frost Amphitheatre |
CDR |
3 |
A |
Sony ECM 220T Sony D5 no dolby
Master tape played back on a Nak DR1 using Azimuth control Sony PCMR500 DAT @48KHz with SBM ON.
|
|
10/10/82
|
Frost Amphitheatre |
CDR |
3 |
A |
Sony ECM 220T > Sony D5 no dolby
Master tape played back on a Nak DR1 using Azimuth control > Sony PCMR500 DAT @48KHz with SBM ON.
|
|
05/14/83
|
Greek Theatre, University Of California |
CDR |
3 |
A |
|
|
06/20/83
|
Merriweather Post Pavilion |
CDR |
2 |
A |
|
|
09/11/83
|
Santa Fe Downs |
CDR |
3 |
A |
Source:
SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN
DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below)
WAV was edited in Soundforge (crossfading of cuts between songs, and the edits listed below:)
First three minutes of Alabama Getaway patched from aud
Beginning of Dire Wolf (0:08) patched from aud
Beginning (0:54) of Althea patched from aud
End of Althea (6:20) to beginning of CC Rider (0:17) patched from aud
Middle of Wang Dang Doodle (6:05-7:35) patched from aud
16:56:23- 43:01:62 click removal, slope sensitivity=400, proximity=80
Some pop removal and smoothing of analog noises (via pencil) in Althea and Wang Dang Doodle
Known flaws:
Cassette flip drums
Minor analog noise in Althea at 2:18, 3:39-3:41,
Some static and pops remain in CC Rider from 7:38-7:45
PA noise in Wang Dang Doodle 2:04-2:07, 2:17, 4:17,4:22, and 4:
|
|
10/11/83
|
Madison Square Garden |
CDR |
2 |
A |
Taper: Jeff Silberman |
|
10/18/83
|
Cumberland County Civic Center |
CDR |
3 |
A |
Thanks be to Matt Caffrey for lineage info and his efforts to increase circulation of this fantastic show! |
|
10/18/83
|
Cumberland County Civic Center |
CDR |
3 |
A |
Thanks be to Matt Caffrey for lineage info and his efforts to increase circulation of this fantastic show! |
|
10/22/83
|
Carrier Dome, Syracuse University |
CDR |
2 |
A |
This show sound excellent, fine audience recording. |
|
12/27/83
|
San Francisco Civic Auditorium |
CDR |
3 |
A |
|
|
04/13/84
|
Hampton Coliseum |
CDR |
3 |
A |
|
|
04/14/84
|
Hampton Coliseum |
CDR |
2 |
A |
by Rob Eaton |
|
04/19/84
|
Philadelphia Civic Center |
CDR |
3 |
A |
|
|
06/30/84
|
Indianapolis Sports and Music Center |
CDR |
2 |
A |
first set: Sailor > Saint
second set: complete |
|
04/07/85
|
The Spectrum |
CDR |
2 |
A |
|
|
06/22/85
|
Alpine Valley Music Theatre |
CDR |
2 |
A |
|
|
06/24/85
|
River Bend Music Center |
CDR |
3 |
A |
at 2:55 in Samson until 3:35 in He's Gone, the right channel drops way down. Goldwave was use to boost the right channel durring this section. NOt perfect, but as good as it gets! |
|
06/27/85
|
Saratoga Performing Arts Center |
CDR |
3 |
A |
Source: Amy's Soundboard VHS > Cassette > DAT> CDR
CD Re-Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
11/04/01 |
|
06/30/85
|
Merriweather Post Pavilion |
CDR |
3 |
A |
|
|
09/03/85
|
Starlight Theater |
CDR |
2 |
A |
|
|
10/31/85
|
Carolina Coliseum, University Of South Carolina |
CDR |
2 |
A |
|
|
03/19/86
|
Hampton Coliseum |
CDR |
2 |
A |
|
|
03/20/86
|
Hampton Coliseum |
CDR |
2 |
A |
|
|
03/21/86
|
Hampton Coliseum |
CDR |
2 |
A |
|
|
03/24/86
|
The Spectrum |
CDR |
2 |
A |
|
|
04/01/86
|
Providence Civic Center |
CDR |
2 |
A |
|
|
04/03/86
|
Hartford Civic Center |
CDR |
3 |
A |
|
|
04/04/86
|
Hartford Civic Center |
CDR |
2 |
A |
|
|
12/16/86
|
Oakland-Alameda County Coliseum |
CDR |
2 |
A |
Neville Brothers? |
|
12/31/86
|
Henry J. Kaiser Convention Center |
CDR |
3 |
A |
|
|
03/27/87
|
Hartford Civic Center |
CDR |
2 |
A |
|
|
03/30/87
|
The Spectrum |
CDR |
3 |
A |
|
|
05/03/87
|
Frost Amphitheatre |
CDR |
3 |
A |
65%Digital Sound Board, Pre-FM>PCM>DAT>CDR
35% FOB Schoeps CMC325>Grace P.S.>Sony PCM 601 ES > DAT > CDR
|
|
07/06/87
|
Civic Arena |
CDR |
2 |
A |
|
|
09/09/87
|
Providence Civic Center |
CDR |
2 |
A |
|
|
09/12/87
|
Capital Centre |
CDR |
3 |
A |
|
|
09/18/87
|
Madison Square Garden |
CDR |
2 |
A |
Portion's of this show broadcast on Farm Aid |
|
09/18/87
|
Madison Square Garden |
CDR |
2 |
A |
Portion's of this show broadcast on Farm Aid |
|
03/27/88
|
Hampton Coliseum |
CDR |
3 |
A |
Last minute if Let It Grow is cut, this is iherent to circulating copies. |
|
04/30/88
|
Frost Amphitheatre |
CDR |
2 |
A |
|
|
06/25/88
|
Buckeye Lake Music Center |
CDR |
3 |
A |
|
|
07/02/88
|
Oxford Plains Speedway |
CDR |
3 |
A |
|
|
07/03/88
|
Oxford Plains Speedway |
CDR |
2 |
A |
|
|
07/17/88
|
Greek Theatre, U. Of California |
CDR |
3 |
A |
|
|
07/31/88
|
Laguna Seca Recreation Area |
CDR |
2 |
A |
Requires on eighty and one 74min CDR |
|
09/30/88
|
Shoreline Amphitheatre |
CDR |
1 |
A |
|
|
10/01/88
|
Shoreline Amphitheatre |
CDR |
2 |
A |
thankyou shn perma-loop |
|
10/02/88
|
Shoreline Amphitheatre |
CDR |
3 |
A |
|
|
12/31/88
|
Oakland-Alameda County Coliseum |
CDR |
3 |
A |
|
|
02/12/89
|
Great Western LA Forum |
CDR |
2 |
A |
With Bob Dylan and Spencer Davis |
|
04/02/89
|
Civic Arena |
CDR |
2 |
A |
|
|
04/02/89
|
Civic Arena |
CDR |
2 |
A |
|
|
04/06/89
|
Crisler Arena |
CDR |
3 |
A |
Analog to Digital by Brett Clark |
|
04/06/89
|
Crisler Arena |
CDR |
3 |
A |
Analog to Digital by Brett Clark |
|
05/06/89
|
Frost Amphitheatre |
CDR |
3 |
A |
|
|
05/07/89
|
Frost Amphitheatre |
CDR |
2 |
A |
|
|
08/05/89
|
Cal Expo |
CDR |
2 |
A |
80min x 2 |
|
10/15/89
|
Meadowlands Arena |
CDR |
2 |
A |
|
|
10/23/89
|
Charlotte Coliseum |
CDR |
3 |
A |
Source: SBD>DAT>Sonic Solutions>CD>FM>DAT>CDR>EAC>SHN
DAE(EAC) and SHN Encoding by Jeff M. fy1220@aol.com or lost_sailor1620@hotmail.com |
|
10/25/89
|
Miami Arena |
CDR |
3 |
A |
|
|
10/25/89
|
Miami Arena |
CDR |
3 |
A |
|
|
10/26/89
|
Miami Arena |
CDR |
3 |
A |
|
|
10/26/89
|
Miami Arena |
CDR |
3 |
A |
|
|
03/28/90
|
Nassau Coliseum |
CDR |
2 |
A |
Flaws-
Easy to Love You has a cut at start of tune
High Time has a cut during tuning segueing into tune at start
Tuning and silences between tracks have been edited in several spots |
|
03/29/90
|
Nassau Coliseum |
CDR |
2 |
A |
"This is a truly outstanding AUD. Definitley taped from one of the very front rows, could be easily mistaken for a SBD, but with the audience presence like a matrix. My all-time favorite AUD -- Ripped, Encoded and Posted to abgd 3/2000 by Skankweed"
After further listening, this must be a Healy Matrix Mix or someones. Sound quality much like 09/20/90 set II.
Seeded to etree on 8/15/00 by Darrin -- Dnsacks@usa.net
Darrin's Notes: Amazing sounding source. Personally, I think this is a dmatrix, any additional info/comments welcome at dnsacks@usa.net.
enjoy! |
|
04/02/90
|
The Omni |
CDR |
3 |
A |
|
|
07/21/90
|
World Music Theatre |
CDR |
2 |
A |
|
|
09/14/90
|
Madison Square Garden |
CDR |
3 |
A |
|
|
09/20/90
|
Madison Square Garden |
CDR |
1 |
A |
|
|
09/20/90
|
Madison Square Garden |
CDR |
1 |
A |
|
|
10/28/90
|
The Zenith |
CDR |
3 |
A |
Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum >
CoolEdit WAV > CDWav WAV > SHN (mkw)
Shns Produced by JamPhan@nyc.rr.com
|
|
06/14/91
|
Robert F. Kennedy Stadium |
CDR |
3 |
A |
|
|
06/24/91
|
Sandstone Ampitheatre |
CDR |
3 |
A |
|
|
08/16/91
|
Shoreline Amphitheatre |
CDR |
3 |
A |
|
|
08/16/91
|
Shoreline Amphitheatre |
CDR |
3 |
A |
|
|
08/17/91
|
Shoreline Amphitheatre |
CDR |
3 |
A |
|
|
08/17/91
|
Shoreline Amphitheatre |
CDR |
3 |
A |
|
|
08/18/91
|
Shoreline Amphitheatre |
CDR |
3 |
A |
Truly excellent sound in these discs! |
|
08/18/91
|
Shoreline Amphitheatre |
CDR |
3 |
A |
Truly excellent sound in these discs! |
|
09/04/91
|
Richfield Coliseum |
CDR |
3 |
A |
|
|
09/05/91
|
Richfield Coliseum |
CDR |
3 |
A |
|
|
09/06/91
|
Richfield Coliseum |
CDR |
3 |
A |
|
|
09/08/91
|
Madison Square Garden |
CDR |
3 |
A |
|
|
09/09/91
|
Madison Square Garden |
CDR |
3 |
A |
|
|
09/10/91
|
Madison Square Garden |
CDR |
3 |
A |
|
|
09/18/91
|
Madison Square Garden |
CDR |
3 |
A |
|
|
09/22/91
|
Boston Garden |
CDR |
2 |
A |
|
|
09/24/91
|
Boston Garden |
CDR |
3 |
A |
|
|
09/26/91
|
Boston Garden |
CDR |
3 |
A |
|
|
10/27/91
|
Oakland-Alameda County Coliseum |
CDR |
3 |
A |
Carlos Santana and Gary Duncan sat in for this one, First Conscert after Bill G passed |
|
10/31/91
|
Oakland-Alameda County Coliseum |
CDR |
3 |
A |
|
|
06/20/92
|
Robert F. Kennedy Stadium |
CDR |
3 |
A |
|
|
12/11/92
|
Oakland-Alameda County Coliseum |
CDR |
3 |
A |
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR |
|
12/12/92
|
Oakland-Alameda County Coliseum |
CDR |
2 |
A |
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
|
|
12/13/92
|
Oakland-Alameda County Coliseum |
CDR |
2 |
A |
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR |
|
12/16/92
|
Oakland-Alameda County Coliseum |
CDR |
3 |
A |
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR |
|
12/17/92
|
Oakland-Alameda County Coliseum |
CDR |
3 |
A |
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
|
|
03/10/93
|
Rosemont Horizon |
CDR |
3 |
A |
|
|
03/16/93
|
Capital Centre |
CDR |
3 |
A |
|
|
03/17/93
|
Capital Centre |
CDR |
2 |
A |
comments: //tape flip on master cassette.
fade out @ 5:46 of ROR, fades back in with 4:33 left in eternity.
(1) first time played.
EAC: high secure mode, offsets in place.
tracking using CDwave.
thanks to cm for the seed.
uploaded to etree by C. Ladner, 6/2001. |
|
06/09/93
|
The Palace |
CDR |
3 |
A |
|
|
06/23/93
|
Deer Creek Music Center |
CDR |
3 |
A |
This Recording is absolutely bristling with energy! |
|
08/21/93
|
Autzen Stadium, University of Oregon |
CDR |
3 |
A |
Conversion:
Exact Audio Copy Cool Edit '96
(removed digipop prior to music in beginning of D1T1) CDWav by Doug Nawrocki |
|
08/21/93
|
Autzen Stadium, University of Oregon |
CDR |
3 |
A |
Conversion:
Exact Audio Copy > Cool Edit '96
(removed digipop prior to music in beginning of D1T1) > CDWav by Doug Nawrocki |
|
08/22/93
|
Autzen Stadium, University Of Oregon |
CDR |
3 |
A |
|
|
08/22/93
|
Autzen Stadium, University Of Oregon |
CDR |
3 |
A |
|
|
09/13/93
|
The Spectrum |
CDR |
2 |
A |
|
|
09/16/93
|
Madison Square Garden |
CDR |
3 |
A |
|
|
09/18/93
|
Madison Square Garden |
CDR |
3 |
A |
FOB/DFC
Sec. 2 - Row R - Seats 1 & 2
2 AMS St-250s run Blumlein on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN
recorded by Clay Brennecke, Jamie Young and Jeff Silberman
DAT > SHN via: Clone of master DAT played through Sony PCM-M1 >
active 7 pin cable > Zoltrix Nightingale > recorded and tracked with CDWAV SHN encoding with MKW-ACT (seeking)
|
|
09/20/93
|
Madison Square Garden |
CDR |
2 |
A |
FOB/DFC
Sec. 2, Row S - Seat 5
Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 >
Sony D-7
recorded by Clay Brennecke and Jamie Young
DAT > SHN via:
master DAT played through Sony PCM-M1 > Oade active cable >
Midiman CO2 s/pdif format converter > Zoltrix Nightengale >
recorded/downsampled on PC with Cool Edit 2000
tracked with CDWAV
SHN encoding with MKW-ACT |
|
09/21/93
|
Madison Square Garden |
CDR |
2 |
A |
FOB/DFC
Sec. 2 - Row M - Seat 1
AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod
recorded by Clay Brennecke and Jamie Young
DAT > SHN via:
master DAT played through Sony PCM-M1 > Oade active cable >
Midiman CO2 s/pdif format converter > Zoltrix Nightengale >
recorded/downsampled on PC with Cool Edit 2000
tracked with CDWAV
SHN encoding with MKW-ACT
|
|
09/22/93
|
Madison Square Garden |
CDR |
3 |
A |
FOB/DFC
Sec. 2 - Row M - Seat 1
AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod
recorded by Clay Brennecke and Jamie Young
DAT > SHN via:
master DAT played through Sony PCM-M1 > Oade active cable >
Midiman CO2 s/pdif format converter > Zoltrix Nightengale >
recorded/downsampled on PC with Cool Edit 2000
tracked with CDWAV
SHN encoding with MKW-ACT
|
|
07/23/94
|
Soldier Field |
CDR |
3 |
A |
|
|
10/09/94
|
USAir Arena |
CDR |
3 |
A |
Transfer via D8 > Montego II > CDWAVE |
|
10/11/94
|
USAir Arena |
CDR |
3 |
A |
Transfer via: D8>Montego II>CDWAVE |
|
12/18/94
|
Sports Arena |
CDR |
3 |
|
Transfer via:
DA-20mkII>Hosa S/PDIF>Delta I/O 2496 > Peak > WAV @ 44.1k > SHN > .wav > CDR |
|
03/23/95
|
Charlotte Coliseum |
CDR |
3 |
A |
|
|
05/26/95
|
Memorial Stadium |
CDR |
3 |
A |
|
|
06/25/95
|
Robert F. Kennedy Stadium |
CDR |
3 |
A |
|
|
07/09/95
|
Soldier Field |
CDR |
3 |
A |
|
|
07/09/95
|
Soldier Field |
CDR |
3 |
A |
|