Phish
--- Approximate Hours: 63.75
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
11/03/84
|
Slade Hall, UVM |
CDR |
1 |
|
|
|
07/25/91
|
Cat's Cradle |
CDR |
2 |
|
Phish
07-25-1991
Cat's Cradle
Carrboro, NC
Transferred and Encoded by John Cocci
Source info:
Listed as DSBD, but it is most likely an FOB
Transfer Info:
Otari DTR-8s > Lynx Studio Technology Lynx One > Samplitude 7.0 > flac (v1.7.1)
Disc 1
Set 1
1 - My Sweet One
2 - The Sloth >
3 - Foam
4 - Suzy Greenberg
5 - The Divided Sky
6 - Flat Fee
7 - AC/DC Bag
8 - Sweet Adeline*
9 - Cavern
10 - Run Like An Antelope
Set 2
11 - THe Landlady
12 - Golgi Apparatur
Disc 2
Set 2 con't
1 - The Squirming Coil
2 - Llama
3 - Poor Heart
4 - Jesus Left Chicago
5 - Lizards
6 - Stash
7 - Touch Me
8 - Take the A-Train**
9 - Mike's Song >
10 - I am Hydrogen >
11 - Weekapaug Groove
encore
12 - Split OPen and Melt
* - performed without mics, levels are very low
**- beginning is cut
Show is with The GIant Country Horns from Suzy Greenberg on. |
|
10/13/91
|
North Shore Surf Club |
CDR |
2 |
|
Artist: Phish
Date: 1991-10-13
Venue: North Shore Surf Club, Olympia, WA
Set 1: Runaway Jim, Wilson*, Reba, The Landlady, Colonel Forbin's Ascent*-> Fly Famous Mockingbird*, Tela*, AC/DC Bag*, The Sloth*, McGrupp*, Mike's Song-> I Am Hydrogen-> Weekapaug Groove
Set 2: Llama, Bathtub Gin, The Squirming Coil, It's Ice, My Sweet One, Jesus Just Left Chicago, Bouncing Around the Room, HYHU-> Love You-> HYHU, David Bowie
Encore: Eliza, Uncle Pen, Carolina
Show Notes: These songs are part of the Gamehendge saga. Trey tells parts of the story between the songs |
|
11/14/91
|
Cat's Cradle |
CDR |
2 |
|
PHISH
11/14/91
Cat's Cradle - Chapel Hill, NC
AKG>Sony 75ES (FOB)
Disc One
Set I
1. Wilson
2. Uncle Pen
3. Llama
4. Reba
5. Foam
6. Tube
7. Sparkle
8. Brother
9. The Mango Song
10. Golgi Apparatus
11. Runaway Jim
Disc Two
Set II
1. Intro
2. Dinner and a Movie
3. Run Like An Antelope*
4. Fee
5. Paul and Silas
6. It's Ice
7. Glide
8. Tweezer >
9. Take the A Train**
10. HYHU >
11. If I Only Had a Brain
12. HYHU >
13. Lizards >
14. Tweezer Reprise
Disc Three
1. Bouncing Around the Room
2. Good Times Bad Times
Encore
1. Intro
2. You Enjoy Myself
* Sung "Roll like a canteloupe"; with Smells Like Teen Spirit vocal tease
** with Frosty the Snowman tease |
|
03/28/92
|
Variety Playhouse |
CDR |
1 |
|
They were only able to perform half the show due to a sewage line breaking. The last four songs were sung a cappella but weren't recorded because the guy recording didnt want to get close to the poopy. |
|
12/30/93
|
Cumberland County Civic Center |
CDR |
2 |
|
Phish
Cumberland County Civic Center
Portland, ME
December 30, 1993
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Disc 1 - Set 1
01 [12:23] David Bowie
02 [05:21] Weigh
03 [06:20] The Curtain >
04 [05:03] Sample in a Jar
05 [04:19] Paul and Silas
06 [11:55] Colonel Forbin's Ascent >
07 [06:31] Famous Mockingbird >
08 [06:00] Rift >
09 [11:09] Bathtub Gin
10 [04:16] Freebird
TT [73:16]
Disc 2 - Set 2
01 [03:27] Also Sprach Zarathustra >
02 [12:15] Mike's Song->
03 [02:16] The Horse->
04 [04:45] Silent in the Morning
05 [07:11] Punch You in the Eye >
06 [08:53] McGrupp and the Watchful Hosemasters >
07 [07:31] Weekapaug Groove (with Vocal Jam)
08 [05:31] Purple Rain >
09 [01:15] HYHU
10 [10:15] Slave to the Traffic Light
Encore
11 [02:22] Rocky Top >
12 [06:12] Good Times Bad Times
TT [71:51]
---------------------------------------------------------
Source Info
SBD
Source: SBD > DAT > Cassette > DAT
AUD
Taper: Eliot Byron
Source: FOB Schoeps cmc5/mk4 -> Sonosax -> AD500 -> D10
---------------------------------------------------------
Tech notes
I used EAC in secure mode to extract all tracks at 100%
no reported errors. Cool Edit Pro 2.0 was used to align &
synch both of the sources. This is a 50% SBD, 50% AUD mix.
- Mixed by dan@am-dig.com
- Shn conversion done by dan@am-dig.com 9-JLY-2004
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------
Notes
Both sources were recorded quite low. I raised the levels
on the SBD 3db. I raised the levels on the AUD 4.5db.
Fade in/outs applied to the start and end of both discs.
Missing 0:02.888 crowd on SBD source between Weekapaug Groove
and Purple Rain (cassette flip). AUD trimmed accordingly to
match. This is smooth and most likely undetectable.
Missing 02:27.000 crowd on SBD source between last song
and the encores. AUD trimmed accordingly to match with 10
second crossfade. Smooth but ever so slightly detectable.
---------------------------------------------------------
More Info On the SBD Source
Source: SBD > Panasonic 3700 (master DAT);
Master DAT played back on 3700 > Tascam pro analog deck
(1st gen cass); Playback of 1st gen cass on Nak CR3A >
Sony DTC700 @48kHz Master (from Sony DTC700) used in
below transfer
Conversion: R500 > Canare Coax > Sek'd Prodif Plus >
Soundforge 5.0 (fade in/out/edits/48>44.1 at highest
setting[4of4] with anti-alias filter) > CD Wave > SHNv3
via Monkey's/md5sum.exe (shn files have seek tables appended)
**No DAE at all**
Transfer was done twice, then inverted over itself to
determine transfer errors. No errors were present or the
errors that were present were inaudible and due to differing
error correction on the DAT playbacks not transfer errors.
Detailed info: This was the seed for the phish.net tree in
early 1994; see google files (txt) contained in this file
set for more info. During this show there was occasional
distortion in one of the drum channels--due to either a mic
or mixer. This ispresent in all versions of the show, as it
came through the PA. This same noise is also present in the
8/20/93 Red Rocks SBD.
Minor Edits: Fades in/out beg/end of sets--5 sec in all
cases All of the below was done at the 48k level, so there
are edited and unedited 48k archive .shn's for archival:
First set cass flip: patched at the sample level as the
music overlapped on the first gen cass and subsequently on
the DAT--nothing missing at all!
Second set cass flip: cut out 45f and crossfade (duration
of 2s26f) Break between set-2 & encore: cut several frames
of silence and crossfade (duration of 4s45f) All crossfades
were done at: source: -infdb to 0db and the destination:
0db to -infdb. Edits took place after Paul and Silas,
Weekapaug and Slave.
Taper: Paul Languedoc
Huge thanks to Shelly who supplied Mikey Perrott with the
cassettes to make the DATs and to Mikey for sending me the
master DATs for this transfer! Transferred and uploaded by
Jim Raras <jraras@yahoo.com> via Dankseeds. Please contact
me with questions etc. There are also 48k shn's of this seed
for archival.
*Dankseed Certification received 2002-03-22*
and posted at http://groups.yahoo.com/group/dankseeds/
files/ph1993-12-30
Listening test performed by *6* danksters
positive criteria met:
Tracking- OK
Seamless and complete- OK
Lineage listed- OK
negative criteria met:
DAE- NO
Resampled- NO
Diginoise- NO |
|
12/31/93
|
Worcester Centrum |
CDR |
3 |
|
|
|
04/20/94
|
Virginia Horse Center |
CDR |
2 |
|
Phish
Virginia Horse Centre - Lexington, VA
April 20, 1994
Source Info: (FOB) AKG 460/CK61 > Custom Pre-Amp > DAT
DAT > CD > SHN: Mike Vernal <vernal@fas.harvard.edu>
Equip: Sony R500 > Audiomedia III > Pro Tools 4.3.2 >
Panasonic 7502 (burn/extract)
Updates:
This show is the source listed in db.etree.org below only FLAC.
No changes/edits/alterations were made, it is identical (see below).
http://db.etree.org/shninfo_detail.php?shnid=571
SHN>MKWACT>WAV>FLAC V1.71 (with ID Tags) 3/2005
Disc One:
01: Set I Intro - 00:55:32
02: Runaway Jim - 07:40:30
03: Its Ice - 11:30:63
04: Julius - 05:20:12
05: Bouncing Around the Room - 03:46:05
06: Rift - 06:02:73
07: Axilla II - 03:06:45
08: Stash - 12:17:00
09: Suzy Greenberg - 05:45:73
Total: 56:27:33
Disc Two:
01: Set II Intro - 00:49:41
02: Poor Heart - 02:18:09
03: Run Like an Antelope - 12:03:54
04: Magilla - 04:05:29
05: Paul and Silas - 03:31:50
06: Sample in a Jar - 05:00:70
07: Big Ball Jam - 02:42:00
08: Harry Hood - 13:13:14
09: Fee - 05:37:26
10: You Enjoy Myself * - 20:50:72
11: Highway to Hell - 03:43:46
Total: 73:59:16
* - w/ Dave Matthews on trampoline. The entire Dave Matthews Band comes
out and finishes the set onstage with Phish.
Orgional Fileset .wav MD5 that matches db.etree.org for verification (post file rename to etree standards) |
|
04/24/94
|
Grady Cole Center |
CDR |
2 |
|
|
|
06/25/95
|
Mann Center for the Performing Arts |
CDR |
2 |
|
|
|
11/14/95
|
University of Central Florida Arena |
CDR |
3 |
|
Phish
November 14, 1995
University of Central Florida Arena - Orlando, FL
Source: Schoeps MK4V/CMC6>DAT@48kHz
Taper: Unknown
Transfer: Sony PCM-R500>Delta Di0 2496>Soundforge 8.0(resampled 48>44.1 on
highest accuracy setting w/anti alias filter)>CDwav>FLACv.1.7.1
48khz FLACs are available for archival purposes.
Transferred, Encoded, and Seeded by Matt Edlhuber a.k.a. CrazyED <medlhuber@gmail.com>
Set I
01: Intro
02: Chalk Dust Torture
03: Foam
04: Billy Breathes
05: Divided Sky
06: Esther
07: Free
08: Julius
09: I'm Blue I'm Lonesome
10: Cavern
Set II
01: Intro
02: Maze
03: Gumbo
04: Stash->
05: Manteca->
06: Stash->
07: Dog Faced Boy->
08: Stash
09: Strange Design
01: You Enjoy Myself-> Immigrant Song Jam-> You Enjoy Myself
Encore
02: The Wedge
03: Rocky Top
Dog Faced Boy was performed over different instrumentation
than ususal. This fantastic Stash included Esther, Ya Mar
and 25 or 6 to 4 teases and quotes. YEM included Low Rider teases.
Manteca was played for the first time since October 28, 1994
(85 shows).
Thanks to Ucusty for the DATs! |
|
12/31/95
|
Madison Square Garden |
CDR |
3 |
|
Venue Madison Square Garden
City New York
State NY
Set 1 Punch You in the Eye, The Sloth, Reba, The Squirming Coil, Maze, Colonel Forbin's Ascent -> Shine* -> Fly Famous Mockingbird, Sparkle, Chalk Dust Torture
Set 2 Drowned, Lizards, Axilla II, Runaway Jim, Strange Design, Hello Ma Baby**, Mike's Song***
Set 3 Auld Lang Syne# -> Weekapaug Groove## -> Sea and Sand, You Enjoy Myself, Sanity, Frankenstein, E: Johnny B. Goode
Comment * Included narration about "The Recipe for Time"; Tom Marshall sings lyrics to this cover by Collective Soul; First time played
** Acapella
*** Ended with only Trey left on stage creating a series of delay loops to end the set
# Phish Time Phactory Machine; Phish dressed as scientists play with synthesizers while lights flash and Va de Graff generators zap; Fishman (dressed as Father Time) is raised up in a bed and reborn as Baby New Year
## With Auld Lang Syne tease |
|
02/16/97
|
Alter Wartesaal |
CDR |
2 |
|
Source Information File - Download
Phish...
2/16/97 Wartesaal, Cologne, Germany
Source: DSBD > DAT > CDR >
( EACed > MKWact 0.97Beta >SHN )
Disk I
Set I
Beauty of my Dreams
Split open and melt
Bouncing around the room
Crosseyed painless
Guelah Papyrus
Ginseng Sullivan
Tweezer
Waste
Cavern
Chalkdust torture
Set II:
Sample in a Jar
Cars trucks and buses
Disk II
Free
Sparkle
Simple >
Circus Comes To Town
Swept away >
Steep >
David Bowie
Loving cup
Tweezer Reprise
E:
Theme from the Bottom
Johnney B Goode
Special thanks to "shinbone" for this superb {soundboard} source
from a great show during the "Spring Europe Tour... |
|
07/01/97
|
Paradiso |
CDR |
2 |
|
Disc One
set I
1. Ghost 0:21:19.32
2. Horn 0:04:08.36
3. Ya Mar 0:09:58:00
4. Limb By Limb 0:11:40:00
5. Funny As It Seems 0:05:51:00
6. I Saw It Again 0:06:49:00
7. Dirt 0:04:34:50
Disc Two
1. Reba 0:17:36:10
2. Dogs Stole Things 0:05:19:24
Set II
3. Jam*-> 0:02:33:35
4. Timber Ho 0:08:14:44
5. Bathtub Gin->Jam-> 0:14:27:00
6. Cities-> 0:09:33:30
7. Jam 0:15:09:00
Disc Three
1. Loving Cup 0:06:09:11
2. Slave to the traffic Light 0:12:03:00
Encore
3. When the Circus Comes to Town 0:05:05:60
*with Fishman on piano |
|
08/17/97
|
Loring Air Force Base |
CDR |
4 |
|
|
|
11/21/97
|
Hampton Coliseum |
CDR |
2 |
|
Phish 11-16-96 Civic Auditorium, Omaha, NE
Source info: DAUD - Micotech Gefell 300 > Sonosax SX-M2 > DAT > ZA2 > CDR > EAC > SHN
Transferred by John Choe (choey@erols.com)
DAE'ed and Shortened by Jeremy Clark (RubyBroom@Bigfoot.com)
Disc 1:
Set I:
01. Poor Heart [02:56]
02. Down With Disease [07:39]
03. Guyute [10:22]
04. Gumbo [05:43]
05. Rift [05:35]
06. Free [08:28]
07. The Old Home Place [03:01]
08. David Bowie [15:53]
09. Lawn Boy [02:40]
10. Sparkle [03:44]
11. Frankenstein [04:47]
Total time: [70:48]
Disc 2:
Set II:
01. La Grange [07:48]
02. Runaway Jim [14:38]
03. Vibration of Life > Kung > Catapult [08:16]
04. Axilla* [05:43]
05. Harry Hood* [15:54]
06. Suzie Greenburg** [07:19]
07. crowd noise [00:38]
08. Amazing Grace [01:48]
Encore:
09. We're an American Band*** [04:09]
Total time: [66:13]
* With alternate "Leigh Fordham" lyrics
** With La Grange and Axilla teases
*** First time played, Grand Funk Railroad cover
known flaws:
the "crowd noise" track is before the last song of the set, instead of before the encore |
|
11/22/97
|
Hampton Coliseum |
CDR |
3 |
|
Phish
11/22/1997
Hampton Coliseum
Hampton, VA
Schoeps CMC641 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz
Front row/center OTS, by Craig Hillwig
DAT Master; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji >
Soundforge 4.5 > mkwAct 0.97b (seek tables appended); cue sheets
by CDWave by Craig Hillwig
No DAE. Fades added to beginning and end of each set.
Cue sheet applied, show named, and md5sums created by George Lanum <glanum@longwood.lwc.edu>
____________________________________________________________________________
*Dankseed Certification received 2002-03-03*
and posted at http://groups.yahoo.com/group/dankseeds/files/ph1997-11-22
Listening test performed by *5* danksters
positive criteria met:
Tracking- OK
Seamless and complete- OK
Lineage listed- OK
negative criteria met:
DAE- NO
Resampled- NO
Diginoise- NO
___________________________________________________________________________
Disc 1
Set 1
1. Intro
2. Mike's Song >
3. I Am Hydrogen >
4. Weekapaug Groove
5. Harry Hood
6. Train Song
7. Billy Breathes
8. Frankenstein
9. Izabella
Disc 2:
Set 2
1. Intro*
2. Halley's Comet >
3. Tweezer >
4. Black Eyed Katy >
5. Piper >
6. Run Like an Antelope**
Encore:
7. Bouncing Around The Room,
8. Tweezer Reprise
*Before they started the set, the crowd chanted the beginning of "Destiny Unbound"
(in hopes that the band would play it). Trey acknowledged the chant by saying that
he couldn't hear what was being sung; that it sounded like some kind of "death chant";
and asked if this was the point in the show where they do the human sacrifice.
No "Destiny Unbound" was played or teased.
**With "Mike-O-Esquandolas" (instead of "Marco"). |
|
11/26/97
|
Hartford Civic Center |
CDR |
3 |
|
Phish
Hartford Civic Center
Hartford, CT
November 26, 1997
Geffell 210 > Aerco > DAP1 (48)
DAT > Montego II (44.1)
transferred by Aaron Westendorf (westea@rpi.edu)
Disc 1:
1)Tweezer ->
2)Sparkle
3)Gumbo >
4)My Soul
5)McGrupp
6)Dirt
7)Split Open and Melt
Disc 2:
1)The Horse ->
2)Silent in the Morning
3)Taste
4)Character Zero -> (set II)
5)2001 ->
6)Cities ->
7)Ya Mar
Disc 3:
1)PYITE >
2)Prince Caspian
3)Poor Heart
4)Tweezer Reprise
5)Cavern (encore) |
|
12/09/97
|
Bryce Jordan Center |
CDR |
2 |
|
Set 1
Mike's Song, Chalk Dust Torture, My Soul, Stash-> I Am Hydrogen-> Weekapaug Groove, Dogs Stole Things, Beauty of My Dreams, Horn, Loving Cup
Set 2
Julius, Simple*-> Timber (Jerry), Contact, Axilla, Harry Hood-> Axilla (Reprise)-> Harry Hood, E: Fire |
|
12/11/97
|
War Memorial |
CDR |
2 |
|
Phish
War Memorial
Rochester, NY
December 11, 1997
DTS-Audio-CD 5.1 Mix
Set 1
01 [09:36] Punch You in the Eye >
02 [19:48] Down With Disease >
03 [14:57] Maze
04 [04:03] Dirt
05 [10:31] Limb By Limb
06 [07:08] Loving Cup >
07 [02:35] Rocky Top
TT [68:37]
Set 2
01 [21:02] Drowned >
02 [05:25] Roses Are Free* >
03 [08:09] Big Bad Furry Creature From Mars >
04 [16:01] Ghost >
05 [01:45] Down With Disease (Reprise) >
06 [09:32] Johnny B. Goode
Encore
07 [05:47] Waste
TT [67:40]
*Ween cover, first time played
---------------------------------------------------------
Source Info
SBD: DSBD > Cass/0 > D8 (@44.1) - No EAC
Transfer: DA-20 > Delta Dio 2496 > SF 4.5 > CDWAV > SHN
Taper: Dan Haugh
AUD: FOB > Schoeps Mk4 > Sonosax > SBM-1 > TCD-D8
Location: 25th row left, standing on top of penalty box
(9 foot human mic stand) Mics worn as schoeps bowtie
Transfer: DAT > CDRW700 > EAC > CDWAV > FLAC
---------------------------------------------------------
Tech Notes
SHN/FLAC's decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch the SBD & AUD sources. CEP2.0 used to adjust the volume
for the SBD, FOB, center and LFE channels. Surcode CD Pro
DTS was used to encode to DTS.
- Mixed by dan@am-dig.com
- SHN conversion 12-DEC-2003 (1st)
- Remixed and SHN conversion 12-DEC-2004 (2nd)
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------
DTS-Audio-CD Info
Front
Left Channel +4db SBD
Right Channel +3db SBD
Center
SBD Mixed to mono -5db SBD
Surround
Left Channel -2db Schoeps
Right Channel -2db Schoeps
Sub/LFE
SBD Mixed to mono -4db SBD
---------------------------------------------------------
Notes
In most situations I time correct the AUD or rear channel
source to match the speed to the SBD or front channel source.
In this situation the AUD was off DAT and the SBD was off a
cassette. I decided to use the more time accurate source
(DAT>AUD) and time corrected the cassette SBD to match the
speed on the AUD.
The SBD was recorder rather low and uneven. I increased the
levels 4db on the left channel and 3db on the right. The
levels on the FOB were very punchy without overload. I reduced
this by -2db. In my experience louder rear channels is an
undiserable effect.
SBD suffers from moderate distortion during PYITE, Ghost and
probably other spots. As a commentary note, this is not one
of the best SBD recordings. Not bad, not great. I would
give this B/B+ grade, for what that is worth.
02.294 missing on the SBD (cassette flip) btwn Maze and Dirt.
The FOB was trimmed 02.294 btwn 44:13.308 - 44:15.602 to
match. The result is smooth and most likely undetectable.
D2T5 The cassette flip on set two was reported as having
overlapping material. This was not the case. The joining
together or splicing out the cassette flip did result in an
inaudiable splice but material was definately missing. This
made for a bear of a project to synch to the FOB. Regardless,
the result is smooth and most likely undetectable.
D2T6 During the crowd cheer between the last song and the
encore you will hear commentary that "Mike Stanley is on the
stage". This is not referring to any special guest. We ran
several FOB's this tour and the aspect of actually becoming a
human mic stand night after night turned into the nickname
"Mike Stanley".
---------------------------------------------------------
More On DTS
Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any
normal Audio-CD from .shn files. |
|
12/31/97
|
Madison Square Garden |
CDR |
3 |
|
Venue Madison Square Garden
City New York
State NY
Set 1 Emotional Rescue, Ya Mar, My Sweet One, Beauty of My Dreams, Wolfman's Brother, Limb By Limb, The Horse > Silent in the Morning, The Sloth, Fire
Set 2 Timber (Jerry), Mike's Song > Piper > When the Circus Comes > Roses Are Free > Weekapaug Groove*
Set 3 Also Sprach Zarathustra > Tweezer > Maze, Prince Caspian, Loving Cup, E: New York New York**, Tweezer Reprise
Comment * jammed out ~ 18 minutes
** Frank Sinatra cover; First Time Played |
|
11/14/98
|
The Crown |
CDR |
3 |
|
Phish
11-14-1998
The Crown
Cincinnati, OH
Source: M.Gefell m210->Lunatec V2->AD1000->DAP-1 @48khz
Transfer: DAP-1->SB Audigy Platinum->SoundForge XP 5.0 (48->44.1)->
CD Wave->mkwACT->SHNv3
Taped and Transferred by Brian Conner(cbconner@msn.com)
Disk 1
Set I:
1. Funky Bitch
2. My Soul
3. Reba
4. Bouncin
5. Tweezer->
6. Moma
7. Sparkle
8. Character Zero
Disk 2
Set II:
1. David Bowie
2. Something
3. Piper
4. Golgi
5. Guyute
6. HYHU->
7. Sexual Healing->
8. HYHU
Disk 3
Set II(Cont'd):
1. You Enjoy Myself->
2. Julius
3. Hello, My Baby
Encore:
4. So Lonely*->
5. Tweezer Reprise
* Police cover, 1st time played.
|
Trey Anastasio
--- Approximate Hours: 7.5
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
05/07/99
|
American Theater |
CDR |
3 |
|
Trey Anastasio (acoustic/electric)
May 7, 1999
American Theatre, St. Louis, MO
Source: Schoeps CMC6/MK41->Lunatec V2->Tascam DA-P1
CD Transfer: DA-20 > PC via S/PDIF > 48>44.1 resample using SoundForge
at high quality setting > CDWAV > SHN
Transfer by: Lance Stack (stack@umr.edu)
Upload by: Lance Stack (stack@umr.edu)
Hosted by:
Disc One (Acoustic):
1. Get Back on the Train
2. Wolfman's Brother *
3. Farmhouse
4. Dogs Stole Things
5. Bouncing Around the Room
6. Kissed by Mist
7. Mountains in the Mist
8. Guyute
9. Wading in the Velvet Sea ->
10. Prince Caspian
11. Aftermath**
12. AC/DC Bag***
Disc Two (Electric):
1. Further On Up the Road****
2. First Tube
3. Come on Baby Lets go Downtown
4. Gotta Jiboo ->
5. Voodoo Child (slight return)
6. Ooh Child
7. Heavy Things
Disc Three (Electric cont.):
1. Come On (Part 1)
2. Sand ->
3. Drums Duel^
4. Free Thought
5. I Can See Clearly Now
Encore
6. Andre the Giant
7. Will It Go Round in Circles
8. Last Tube ^^
* - Trey started laughing mid-song and stopped playing to tell the crowd about
where the song came from as well as about the first time he met Jon Fishman at
UVM and how every time he plays the song, he thinks about how Jon really is the
"Wolfman's Brother" just as in the Beatles, Paul McCartney was the walrus
** - Trey talked about his friend Roger Hollaway, who got engaged on-stage at
a Phish show at the American Theatre. Roger then joined Trey on-stage and they
played "Aftermath", which Roger had co-written; first time played live; from The White Tape
*** - "Just like Roger, he's a crazy little kid"; also with Roger
**** - Eric Clapton cover, written by Joe Medwick Veasey and Don D. Robey; first time played
^ - with Trey on second drumset
^^ - with "Happy Birthday" tease after Tony Markellis mentioned that it was someone on
the crew's birthday |
|
05/13/99
|
SUNY Binghamton Concert Theatre |
CDR |
3 |
|
Venue SUNY Binghamton Concert Theatre
City Binghamton
State NY
Set 1 Farmhouse, Get Back on the Train, Driver, Guyute, Kissed By Mist*, You'll Know My Name**, Mountains in the Mist, Wading in the Velvet Sea, Brian and Robert, Billy Breathes***, Sleep***, Blue and Shiny****, Waste****
Set 2 Gotta Jiboo, Wind Cries Mary, Will It Go Round In Circles, Windora Bug, Further On Up The Road, First Tube -> Sand, Ooh Child -> Drums Duel^, Smells Like Teen Spirit^^, Silicon Fairy^^^
Encore: I Can See Clearly Now, Last Tube, Come On Baby Let's Go Downtown^^^^
Comment * - again dedicated to Julia Butterfly Hill, with story told about her
** - Trey talks about how he just learned about the "Pub Crawl" last night. It's where all of the seniors who are graduating this weekend, go to every bar in the town, and have one beer from each. He wants to play the seniors something, so he plays this song.
*** - Trey on piano
**** - with Tom Marshall on vocals
^ - with Trey on small kit
^^ - Trey says that they are going to do one more song to close the set, so everyone starts
screaming out their requests. As soon as it's quiet, and they're ready to go into "Silicon Fairy," someone screams out, "Teen Spirit" Trey quietly starts the opening chords, and then the rest of the band follows. They sing and play one verse, then end it laughing. Trey dedicates it to the guy who requested it.
^^^ - They all wish the best of luck to the folks graduating this weekend
^^^^ - dedicated to those Binghamton students participating in the senior pub crawl and would be catching the last hour after the show. |
The Who
--- Approximate Hours: 2.5
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
09/29/69
|
Concertgebouw |
CDR |
2 |
|
The Who - The Complete Amsterdam 1969 - Remastered
Venue: Het Concertgebouw, Amsterdam, Netherlands
Date: September 29, 1969
Disc 1
1) "House announcement"
2) Heaven And Hell
3) I Can't Explain
4) Fortune Teller
5) Tattoo
6) Young Man Blues
7) A Quick One, While He's Away
8) Substitute
9) Happy Jack
10) I'm A Boy
11) Overture
12) It's A Boy
13) 1921
14) Amazing Journey
15) Sparks
16) Eyesight To The Blind (The Hawker)
Disc 2
1) Christmas
2) The Acid Queen
3) Pinball Wizard
4) Do You Think It's Alright?
5) Fiddle About
6) Tommy Can You Hear Me?
7) There's A Doctor
8) Go To The Mirror
9) Smash The Mirror
10) Miracle Cure
11) Sally Simpson
12) I'm Free
13) Tommy's Holiday Camp
14) We're Not Gonna Take It
15) Summertime Blues
16) Shakin' All Over
17) My Generation
Total time: 2h00m00s
---------------------------------------------------------------------------
Source: 2-track soundboard mix for recording > Master Reel-to-Reel > Reel-to-Reel (1) > CDR (1) > SHN (for vine) (0) > Wave (0) > CDR (0) > EAC > Remastering (see below) > CDwave > SHN > BT
(NB; Although not pure, my CDR source comes directly from the first seeder of the 2001 SHN vine mentioned below.
It'll be pretty hard to find a higher generation than this.
Read the quote below for more info about the source.)
Presumably recorded by VPRO
Mastered by Prof. Stoned @ the Soundhouse, 9-10 Dec 2005
---------------------------------------------------------------------------
About the recording:
This recording was made by a dutch radio/tv broadcast.
It's not 100% certain who did it, but it was probably done by the VPRO
who also did the Pink floyd recording the same year at the same venue.
And just like that Pink floyd recording, this one was also bootlegged
a million times from various very good to very poor sources.
Alll of these sources were originated from radio broadcast(s).
Back then, and today still, het concertgebouw was not a place
for rockbands but for opera's and other classic music.
Mixed directly to 2-tracks, this may been one of the reasons why
the mixing engineer had a hard time finding the right
balance. The mix changes oftenly, and sometimes the drums
or the guitar just disappear or get buried for a while.
It also must have been hard for the band to hear each other,
because of the extremely reverbrating acoustics.
Remember, this was 1969 and sound monitoring on stage was
still a thing for the future.
When comparing this one to other Who shows from this period,
this one probably isn't the best.
Roger Daltrey has once said that he didn't think he sang very good
this night. And playing the Tommy album on stage was obviously
not a routine for the band yet.
But, there is more than enough to enjoy here.
It is the only complete soundboard recording from this year.
It is also the only one with complete line age and it has the best sound.
Beside that, all other who '69 board tapes are far from complete
and don't have most of Tommy.
Somewhere around 2000, a Pre-FM source of this show was unearthed.
Funny enough, the same thing happended w/ the above mentioned
Pink floyd recording, but that's another story.
They may have come from the same person though.
Read the quote below:
"My source in Amsterdam worked on a Who anniversary
special, for the same radio station that broadcast the show in
1969. He suggested that the DJ use some of this show, so a
technician produced the original masters. He took the chance
to make a copy on their professional reel-to-reel equipment.
Our cdr was transferred off his 1st generation reels. Although
this show's been booted repeatedly, this is the REAL source.
It sounds amazing, like it was taped off the radio yesterday,
perfect except for a little tape hiss in the very quiet bits.
My source was upset that this show was recently booted from
a copy of his tapes. Even though it contains the complete song
list, he removed key bits of dialogue from every copy he made
and was able to find the source of boot. His "revenge" was to
offer the COMPLETE show to anyone who wanted it and
encouraged someone to do a tape tree to discourage money
from being spent on the bootleg. According to him, the recent
boot "Amsterdam Journey" on the Hiwatt label is the one taken
off his copy."
(For the record: the source used here is the one with the dialogue.)
When this new version came out, it proved to be a dramatical
improvement on every source available before.
And it also made the very hard to find version of 'A quick one'
available for the first time in good audio quality.
Listening to the mix, it sounds like the engineer was working with
with the following channels:
1) Bass Drum
2) Drum Overhead
3) Bass Guitar
4) Guitar
5) Vocal Roger
6) Vocal Pete
7) Vocal John
8) Left Room Ambiance (audience)
9) Right Room Ambiance (audience)
The last channel was faded up (& down) every time the moment seemed right.
Having it faded up in the mix all the time, probably affected the sound badly.
---------------------------------------------------------------------------
About the mastering:
I'm a great Who fanatic, especially of the 1965-1973 period.
The sonics of this recording have been bothering me each time I listened to it.
But I felt that the right mastering treatment could make a world of difference.
I'm aware that for some bootleg collectors a recording such as this one
is a holy cow that should not be altered with.
But then, most people do not have an idea what a proper mastering
can do for a recording like this.
I've been mastering board tapes, studio/live albums and radio broadcasts for years.
I'm not making a full living out of it, but it is a part of my profession.
I have treated this recording with multiband compression and limiting plus some
very minor adjustments with a digital pultec eq.
Only three tools, but these are tools that can either make or break the sound.
Especially the former two are often misused (or rather said overused) in the world
of modern mastering by engineers of great fame.
The newly discovered source still suffered from a sometimes
very shrieky high-end, and a lack of deep bass tones (a.k.a. sub-low).
I adjusted the low-end to make the bass guitar sound like a bass guitar.
Then I worked especially on the sound of vocals and cymbals.
Most of the time the vocals are a bit too loud in the mix,
as they were probably not compressed or limited.
I attempted to bring them back in the mix as closely as possible,
without harming the sound whenever the vocals were not present.
I seperated the complete recording in four pieces and gave them
the treatment they each needed.
I did not use any noise reduction on this recording despite it being hissy.
This is another tool that should be used vey carefully, if at all.
To quote a well known audiophile mastering engineer:
"Hiss is everywhere. It's part of our lives. Without hiss we would all go insane"
The recording has got pops, crackles, distortion & the ocassional technical
difficulties. 'Overture' is an obvious example of this.
There are many flaws in the orginal recording, and these were also heard in
the post-fm sources.
I did not attempt to remove or slighten any of these.
Most of you should know what was on the label of the orginal
Live at Leeds LP: "Crackling noises ok, do not correct".
(NB: This was actually a note to the cutting engineers at the time.)
I did not change the speed of the recording.
I read the arguments of the previous remaster
but I believe that Pete townsend was tuning his guitar by ear, rather than with a tuner.
Listen to the tuning before heaven and hell & especially overture.
When you're tuning your guitar with a tuner, you'll have to take more time per string to get it in tune.
Pete's tuning the strings very fast after one other.
And if Pete was tuning his guitar by ear, then his guitar may not have been tuned in an exact E.
Feel free to disagree but untill I'm proven wrong, this is my theory.
Apart from that, the recording doesn't sound too fast to my ears.
I did some minor editing. The first seconds of "go to the mirror" were
missing on the 'complete dialogue' and all earlier versions.
Because the band plays the same chords for a couple of times,
I was able to copy the missing bit from a few bars further
and disguise the problem considerably.
The 'complete dialogue' version has a bonus feature: 5 tracks & a KM interview
from an unspecified source of a Dutch TV broadcast from 1973.
In my opinion, the soundquality of those tracks is dreadful and only
one track is not already included in the Amsterdam part.
To me, it does not add anything to the mindblowing listening experience
that the Amsterdam concert is.
Therefore, I have scrapped the 1973 part on this remaster.
Still there ? :-)
Hope you enjoy this classic show in new improved soundquality.
Prof. Stoned
Fingerprints:
da6c09e9d1ddf35a16e395a6e8544bba [shntool] who69-CD1-01.shn
3524e8c0fad50fc0039fc502bd428ec5 [shntool] who69-CD1-02.shn
d2557f040bc87e008de42b9b419e152c [shntool] who69-CD1-03.shn
9e96ab505afb047c4ece024f0d78f50e [shntool] who69-CD1-04.shn
25dffdf68597e814f5b4e4c40fe23f2a [shntool] who69-CD1-05.shn
5822a45fc40392851a9f75b0b0b4d149 [shntool] who69-CD1-06.shn
5d0b66a5960b266c2455c503388bb675 [shntool] who69-CD1-07.shn
9f8139a4cae0df018ee293403f7fc41c [shntool] who69-CD1-08.shn
e6eb647136a8ae023a9f8d3555922200 [shntool] who69-CD1-09.shn
6669316cc604e31c4e1f5968918cd58b [shntool] who69-CD1-10.shn
cb5b9dfd2a9abdb04e80aa94bc52d092 [shntool] who69-CD1-11.shn
fb72140a8e9d40fd871203c73392b34b [shntool] who69-CD1-12.shn
0872f7aaec65e3e7b2b72f157f435368 [shntool] who69-CD1-13.shn
4343b16e02f85f4cc3ce41acdda1bb78 [shntool] who69-CD1-14.shn
c416df053aa938ee0f0a340dbd411f9c [shntool] who69-CD1-15.shn
574c9c88ac83de746d72f666abcf250b [shntool] who69-CD1-16.shn
d920dcecb9307b4f85add294f8700ad0 [shntool] who69-CD2-01.shn
4a2ae64a757849ef45705c476e37ce1d [shntool] who69-CD2-02.shn
3c994cf7a64d9a0440db10fd9fd57763 [shntool] who69-CD2-03.shn
348bec440382c3a191a242584814bc87 [shntool] who69-CD2-04.shn
62cadb399b413072c17088a66ef1044d [shntool] who69-CD2-05.shn
22ce715871214449148553411cc853d9 [shntool] who69-CD2-06.shn
abb6383c420289bd134c27400e804a62 [shntool] who69-CD2-07.shn
7ab5180b1ab1adc48a88b564edd428fd [shntool] who69-CD2-08.shn
d4ca37352e543396e864c83279f16e74 [shntool] who69-CD2-09.shn
50c0d44b6c80fcef43b4acc280e76dae [shntool] who69-CD2-10.shn
23274e9d213f9247747caa8fffff3b71 [shntool] who69-CD2-11.shn
e6f33ec6ac004c9298c9cf0d9efb217a [shntool] who69-CD2-12.shn
27e7d2dd74200294cb0b31accd1a2476 [shntool] who69-CD2-13.shn
6594b0fe38f250acc846ea37554b2963 [shntool] who69-CD2-14.shn
4c78035aadf213632612bbb774535814 [shntool] who69-CD2-15.shn
fa8bf879007a9af81bfc5850218f7fb2 [shntool] who69-CD2-16.shn
d00132371afd2614f1d34fa9934b724d [shntool] who69-CD2-17.shn |