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Music List for steve
Last Update: Mar 24, 2006
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Cat Power --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/18/00 BBC Radio One Studio CDR 1 1 Sophisticated Lady (Duke Ellington) 2 Hard Times In New York City (Dylan) 3 Wonderwall (Oasis) 4 He Was A Friend of Mine 5 Deep Inside > Come Into My Kitchen (Mary J. Blige) 6 Werewolf (Michael Hurley) 7 Up and Gone 8 Sister > Knocking On Heaven's Door (Bob Dylan) 9 Freebird (Lynyrd Skynyrd) Norah Jones filler (Tracks 10-20)

David Bowie --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/97 Madison Square Garden (rehearsals) Fuji CDR 1

Derek & The Dominos --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/24/70 Fillmore East CDR 2 Disc 1 1. Crowd 2. Got To Get Better In A Little While 3. Blues Power 4. Have You Ever Loved A Woman 5. Key To The Highway 6. Tell The Truth 7. Nobody Knows You When You're Down And Out 8. Let It Rain 9. Why Does Love Got To Be So Sad** Disc 2 1. Crowd 2. Why Does Love Got To Be So Sad** 3. Presence Of The Lord 4. Bottle Of Red Wine 5. Roll It Over 6. Little Wing 7. Unknown Filler 8. Unknown Filler 9. Unknown Filler 10. Unknown Filler **Why Does Love Got To Be So Sad fades out at 36 seconds on disc one, and fades back in on disc 2, track 2.
11/20/70 Santa Monica Civic Auditorium CDR 3 Derek & The Dominoes November 20, 1970 Santa Monica Civic Auditorium Santa Monica, CA Afternoon & Evening shows - audience recordings from 2nd generation copies received in a trade. Remastered with noises, level changes and cuts smoothed out "seamlessly". with guest Delaney Bramlett on all except evening show encore CD #1: 71:47 [afternoon show] 01 Got To Get Better In a Little While [cuts in] 10:14 02 Key To The Highway 7:21 03 Why Does Love Got To Be So Sad? 9:07 04 04 Blues Power 6:26 05 > Have You Ever Loved a Woman? 9:30 06 Tell The Truth 13:58 07 All Night Long [aka "Derek's Boogie" with Delaney Bramlett on vocals] 08 Let It Rain [cuts in] 4:54 09 > drum solo 2:22 10 > Let It Rain 2:40 11 Eric Clapton thanks crowd & Delaney Bramlett + crowd noise 0:09 CD #2: 34:56 [evening show part 1 of 2] 01 tune ups + crowd noise 1:03 02 Got To Get Better In a Little While 13:14 03 Key To The Highway [last note clipped] 9:19 04 Why Does Love Got To Be So Sad? 11:18 CD #3: 49:23 [evening show part 2 of 2] 01 Blues Power 8:39 02 > Stormy Monday 8:47 03 Tell The Truth 12:20 04 Let It Rain [cuts in] 5:59 05 > drum solo 3:24 06 Let It Rain 4:12 encore: 07 Everyday I Have The Blues [w/opening band Toe Fat on this song] 5:42 08 Eric Clapton thanks crowd + crowd noise 0:17 CD extraction with Toast Titanium. FLAC files (level 8) created with xACT (sector boundaries verified). md5 file created with checkSUM+. I split the evening show at a spot that sounded best to me but it could be divided differently if desired. I tracked the drum solos in Let It Rain because that's how I like to do it - sorry, but I like to be able to skip over drum solos easily sometimes.
12/01/70 Curtis Hixon Hall CDR 2 Derek & the Dominos with Duane Allman Curtis Hixon Hall Tampa, FL 12/01/70 "Soul Mates Twin Flames" - Mid Valley Release Boot>CDR>CDR>EAC>WAV>FLAC d1 1. Layla 2. Got to Get Better in a Little While 3. Key to the Highway 4. Why Does Love Got to Be So Sad d2 1. Blues Power 2. Have You Ever Loved a Woman 3. Bottle of Red Wine 4. Let it Rain Notes: Relatively good sound quality for a D&D show. An upgrade over the circulating "Second Source Remix," but it may have some noise reduction in there. And, of course, Duane! ============================================================================= length expanded size cdr WAVE problems filename 8:45.24 92666492 --- -- ---xx d+d1970-12-01d1t01.flac 10:44.42 113700428 --- -- ---xx d+d1970-12-01d1t02.flac 13:28.19 142575932 --- -- ---xx d+d1970-12-01d1t03.flac 15:50.62 167725868 --- -- ---xx d+d1970-12-01d1t04.flac 10:38.59 112682012 --- -- ---xx d+d1970-12-01d2t01.flac 15:13.63 161201420 --- -- ---xx d+d1970-12-01d2t02.flac 8:32.28 90382700 --- -- ---xx d+d1970-12-01d2t03.flac 15:42.26 166229996 --- -- ---xx d+d1970-12-01d2t04.flac 98:56.23 1047164848 B (totals for 8 files, 0.5275 overall compression ratio) ============================================================================== d+d1970-12-01d1t01.flac:ba93cdb7eb72c35a892b9aa7e25c62b4 d+d1970-12-01d1t02.flac:0739445fafb7e9c24c4138dc33d4e4db d+d1970-12-01d1t03.flac:2949cfb47d5a1d84c642c62ddbdc99a1 d+d1970-12-01d1t04.flac:53ba5fba0fa1f9469957b049c69ad424 d+d1970-12-01d2t01.flac:6d20932d9fb128361872448e04f223f3 d+d1970-12-01d2t02.flac:5108f0c5cb5eceea392d64ec66b00e42 d+d1970-12-01d2t03.flac:307fb415f1cf2cd326d49ca93bab0048 d+d1970-12-01d2t04.flac:5f9a7ea3182bff028aab723f501f8dd6 ============================================================================== Enjoy!

Eric Clapton --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/26/90 Alpine Valley Music Theatre CDR 2 Disc 1: Pretending No Alibis Running on Faith I shot the Sheriff White Room Bad Love Before YOu Accuse Me Old Love Disc 2: Badge Wonderful Tonight Cocaine A Remark You Made Layla Sunshine of Your Love Sweet Home Chicago* *w/ Jimmy Vaughn, Buddy Guy, Robert Cray and Stevie Ray Vaughn

Gomez --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/12/04 Bonnaroo Music Festival CDR 1

Grateful Dead --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/21/73 Utica Memorial Auditorium CDR 2 Grateful Dead - 3/21/73 Memorial Auditorium Utica, NY Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 5/15/05 Notes: I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm Set 1: d1t01 - Bertha d1t02 - Me And My Uncle d1t03 - Wave That Flag d1t04 - Looks Like Rain d1t05 - Tennessee Jed d1t06 - Box Of Rain d1t07 - You Ain't Woman Enough d1t08 - Jack Straw d1t09 - Row Jimmy d1t10 - Beat It On Down The Line d1t11 - Here Comes Sunshine d1t12 - The Race Is On d2t01 - Loser d2t02 - El Paso d2t03 - China Cat Sunflower -> d2t04 - I Know You Rider d2t05 - Playing In The Band Set 2: d2t06 - Greatest Story Ever Told d2t07 - They Love Each Other d2t08 - Mexicali Blues d2t09 - Brown Eyed Women d2t10 - Big River d2t11 - Brokedown Palace d3t01 - Me And Bobby McGee d3t02 - Weather Report Suite Prelude -> d3t03 - Dark Star -> d3t04 - Eyes Of The World -> d3t05 - Wharf Rat d3t06 - Sugar Magnolia d3t07 - Casey Jones SHNTOOL OUTPUT: length expanded size cdr WAVE probs filename 3:07.62 33132668 --- -- --- gd73-03-21d1t01.wav 4:23.38 46482620 --- -- --- gd73-03-21d1t02.wav 7:13.20 76428284 --- -- --- gd73-03-21d1t03.wav 8:52.61 93988316 --- -- --- gd73-03-21d1t04.wav 8:42.23 92134940 --- -- --- gd73-03-21d1t05.wav 5:35.06 59108156 --- -- --- gd73-03-21d1t06.wav 3:46.59 40005212 --- -- --- gd73-03-21d1t07.wav 6:21.05 67220204 --- -- --- gd73-03-21d1t08.wav 9:31.28 100790300 --- -- --- gd73-03-21d1t09.wav 4:08.46 43855436 --- -- --- gd73-03-21d1t10.wav 9:59.50 105781244 --- -- --- gd73-03-21d1t11.wav 3:31.12 37248668 --- -- --- gd73-03-21d1t12.wav 8:24.19 88950332 --- -- --- gd73-03-21d2t01.wav 5:24.02 57158348 --- -- --- gd73-03-21d2t02.wav 7:08.08 75518060 --- -- --- gd73-03-21d2t03.wav 7:55.23 83844140 --- -- --- gd73-03-21d2t04.wav 15:55.34 168542012 --- -- --- gd73-03-21d2t05.wav 5:45.03 60865100 --- -- --- gd73-03-21d2t06.wav 6:53.73 73024940 --- -- --- gd73-03-21d2t07.wav 4:24.06 46583756 --- -- --- gd73-03-21d2t08.wav 7:06.39 75238172 --- -- --- gd73-03-21d2t09.wav 4:36.48 48799340 --- -- --- gd73-03-21d2t10.wav 5:40.59 60114812 --- -- --- gd73-03-21d2t11.wav 7:02.02 74445548 --- -- --- gd73-03-21d3t01.wav 1:06.16 11680076 --- -- --- gd73-03-21d3t02.wav 21:44.26 230086796 --- -- --- gd73-03-21d3t03.wav 15:58.46 169099436 --- -- --- gd73-03-21d3t04.wav 11:56.55 126431804 --- -- --- gd73-03-21d3t05.wav 9:12.52 97495148 --- -- --- gd73-03-21d3t06.wav 6:41.73 70908140 --- -- --- gd73-03-21d3t07.wav 228:10.19 2414962008 B (totals for 30 files)

Led Zeppelin --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
05/24/75 Earls Court Arena CDR 4

moe. --- Approximate Hours: 0
Show Date Venue Media Type Media Count Sound Quality Notes
08/23/05 PNC Bank Arts Center CDR 0 Disc 1 01. Intro 02. Bring You Down 03. Okayalright 04. Hi and Lo> 05. The Pit 06. Water> 07. Head Disc 2 01. Good Trip 02. 32 Things> 03. New York City

My Morning Jacket --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/23/05 The Palace Theater CDR 2 My Morning Jacket November 23, 2005 The Palace Theater Louisville, KY Source: Soundboard FM broadcast 91.9 WFPK Louisville, KY Lineage: Sony STR-K840P Receiver> Sound Studio 2.0.7> xACT> FLAC Recorded and tracked by: Kory Johnson - dmb1991@gmail.com disc 1: 01 Wordless 4:02 02 It Beats 4:27 03 Gideon 4:08 04 One Big 6:54 05 Wonderful 2:53 06 Lowdown 4:00 07 I Will Sing 8:07 08 Golden 4:36 09 Sooner 4:52 10 Hell 5:09 disc 2: 01 Lay Low 6:15 02 Off the Record 6:40 03 Dondante 10:19 04 Dancefloorz 5:37 05 Anytime 5:47 06 Louisville Pride 0:56 07 I Wil Be There (Jim) 4:02 08 Bermuda (Jim) 3:33 09 At Dawn 2:41 10 Run Thru 8:40 11 Magheeta 7:58 Notes: Radio host banter removed from between tracks and I tried my best to normalize if there were any changes in volume between his talking. He didn't disrupt any of the tracks except a guitar strum at the beginning of Run Thru (I removed talking with the strum and I don't think that's a big problem). I will be archiving this recording as one large wav file that I recorded from the radio for archives sake. If anyone needs this file for any reason or wants to re-track it, you're more than welcome to contact me to get the file. Thanks to MMJ and my old co-worker Patrick! Flac Fingerprints: MMJ2005-11-23d1t01.flac:94c0f391a28654b5485cfebba553c9b6 MMJ2005-11-23d1t02.flac:0e3fcbb9859ffe0fc6b8f3b476e09020 MMJ2005-11-23d1t03.flac:d7c5f82f09b8c6e6d8d6505e00ead74f MMJ2005-11-23d1t04.flac:d30cdd3c1c279c37463245c5b33d033c MMJ2005-11-23d1t05.flac:121cb770487c16252d5fb65c1806c831 MMJ2005-11-23d1t06.flac:576ad66a768766168c14c51a5e1ddb83 MMJ2005-11-23d1t07.flac:185e2d08409127422c0210fd60081e83 MMJ2005-11-23d1t08.flac:4fad8371c67fd347f274f8de093125de MMJ2005-11-23d1t09.flac:ad7ff2bd3eea110e922c11abf43c8766 MMJ2005-11-23d1t10.flac:516675cd10cbffdcf961108ff932317d MMJ2005-11-23d2t01.flac:02589fe5baf299358bebe8d167ed2bd8 MMJ2005-11-23d2t02.flac:ce79185a31911e4469a0b06bdeb6e958 MMJ2005-11-23d2t03.flac:df545e5435e2157d20cae05f8212737b MMJ2005-11-23d2t04.flac:704b373084b99fa381a084fddee6e578 MMJ2005-11-23d2t05.flac:a646636317a22a55dada2c6778f8f9f6 MMJ2005-11-23d2t06.flac:6a8a6fb18aa29a6a6c60f06db7dac866 MMJ2005-11-23d2t07.flac:f9a315724b9d9c58a0f013e94f6c9a93 MMJ2005-11-23d2t08.flac:f67d510cf9e9e329a691bcf04a4d010e MMJ2005-11-23d2t09.flac:0a4c471c9b753273636d456df2f37f8f MMJ2005-11-23d2t10.flac:49cd0b6b4bd6b27264894fbe5ebef54b MMJ2005-11-23d2t11.flac:ab6002a24ba47504a2d911172296c8ca

Nirvana --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/25/91 Paradiso CDR 1 Drain You Aneurysm School Floyd The Barber Smells Like Teen Spirit About A Girl Polly Lithium Sliver Breed Come As You Are Been A Son Negative Creep On A Plain Blew Love Buzz Territorial Pissings

Pavement --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/21/97 Copper Commons CDR 1

Phish --- Approximate Hours: 63.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/03/84 Slade Hall, UVM CDR 1
07/25/91 Cat's Cradle CDR 2 Phish 07-25-1991 Cat's Cradle Carrboro, NC Transferred and Encoded by John Cocci Source info: Listed as DSBD, but it is most likely an FOB Transfer Info: Otari DTR-8s > Lynx Studio Technology Lynx One > Samplitude 7.0 > flac (v1.7.1) Disc 1 Set 1 1 - My Sweet One 2 - The Sloth > 3 - Foam 4 - Suzy Greenberg 5 - The Divided Sky 6 - Flat Fee 7 - AC/DC Bag 8 - Sweet Adeline* 9 - Cavern 10 - Run Like An Antelope Set 2 11 - THe Landlady 12 - Golgi Apparatur Disc 2 Set 2 con't 1 - The Squirming Coil 2 - Llama 3 - Poor Heart 4 - Jesus Left Chicago 5 - Lizards 6 - Stash 7 - Touch Me 8 - Take the A-Train** 9 - Mike's Song > 10 - I am Hydrogen > 11 - Weekapaug Groove encore 12 - Split OPen and Melt * - performed without mics, levels are very low **- beginning is cut Show is with The GIant Country Horns from Suzy Greenberg on.
10/13/91 North Shore Surf Club CDR 2 Artist: Phish Date: 1991-10-13 Venue: North Shore Surf Club, Olympia, WA Set 1: Runaway Jim, Wilson*, Reba, The Landlady, Colonel Forbin's Ascent*-> Fly Famous Mockingbird*, Tela*, AC/DC Bag*, The Sloth*, McGrupp*, Mike's Song-> I Am Hydrogen-> Weekapaug Groove Set 2: Llama, Bathtub Gin, The Squirming Coil, It's Ice, My Sweet One, Jesus Just Left Chicago, Bouncing Around the Room, HYHU-> Love You-> HYHU, David Bowie Encore: Eliza, Uncle Pen, Carolina Show Notes: These songs are part of the Gamehendge saga. Trey tells parts of the story between the songs
11/14/91 Cat's Cradle CDR 2 PHISH 11/14/91 Cat's Cradle - Chapel Hill, NC AKG>Sony 75ES (FOB) Disc One Set I 1. Wilson 2. Uncle Pen 3. Llama 4. Reba 5. Foam 6. Tube 7. Sparkle 8. Brother 9. The Mango Song 10. Golgi Apparatus 11. Runaway Jim Disc Two Set II 1. Intro 2. Dinner and a Movie 3. Run Like An Antelope* 4. Fee 5. Paul and Silas 6. It's Ice 7. Glide 8. Tweezer > 9. Take the A Train** 10. HYHU > 11. If I Only Had a Brain 12. HYHU > 13. Lizards > 14. Tweezer Reprise Disc Three 1. Bouncing Around the Room 2. Good Times Bad Times Encore 1. Intro 2. You Enjoy Myself * Sung "Roll like a canteloupe"; with Smells Like Teen Spirit vocal tease ** with Frosty the Snowman tease
03/28/92 Variety Playhouse CDR 1 They were only able to perform half the show due to a sewage line breaking. The last four songs were sung a cappella but weren't recorded because the guy recording didnt want to get close to the poopy.
12/30/93 Cumberland County Civic Center CDR 2 Phish Cumberland County Civic Center Portland, ME December 30, 1993 SBD + AUD Matrix Mix (50%-SBD/50%-AUD) Disc 1 - Set 1 01 [12:23] David Bowie 02 [05:21] Weigh 03 [06:20] The Curtain > 04 [05:03] Sample in a Jar 05 [04:19] Paul and Silas 06 [11:55] Colonel Forbin's Ascent > 07 [06:31] Famous Mockingbird > 08 [06:00] Rift > 09 [11:09] Bathtub Gin 10 [04:16] Freebird TT [73:16] Disc 2 - Set 2 01 [03:27] Also Sprach Zarathustra > 02 [12:15] Mike's Song-> 03 [02:16] The Horse-> 04 [04:45] Silent in the Morning 05 [07:11] Punch You in the Eye > 06 [08:53] McGrupp and the Watchful Hosemasters > 07 [07:31] Weekapaug Groove (with Vocal Jam) 08 [05:31] Purple Rain > 09 [01:15] HYHU 10 [10:15] Slave to the Traffic Light Encore 11 [02:22] Rocky Top > 12 [06:12] Good Times Bad Times TT [71:51] --------------------------------------------------------- Source Info SBD Source: SBD > DAT > Cassette > DAT AUD Taper: Eliot Byron Source: FOB Schoeps cmc5/mk4 -> Sonosax -> AD500 -> D10 --------------------------------------------------------- Tech notes I used EAC in secure mode to extract all tracks at 100% no reported errors. Cool Edit Pro 2.0 was used to align & synch both of the sources. This is a 50% SBD, 50% AUD mix. - Mixed by dan@am-dig.com - Shn conversion done by dan@am-dig.com 9-JLY-2004 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes Both sources were recorded quite low. I raised the levels on the SBD 3db. I raised the levels on the AUD 4.5db. Fade in/outs applied to the start and end of both discs. Missing 0:02.888 crowd on SBD source between Weekapaug Groove and Purple Rain (cassette flip). AUD trimmed accordingly to match. This is smooth and most likely undetectable. Missing 02:27.000 crowd on SBD source between last song and the encores. AUD trimmed accordingly to match with 10 second crossfade. Smooth but ever so slightly detectable. --------------------------------------------------------- More Info On the SBD Source Source: SBD > Panasonic 3700 (master DAT); Master DAT played back on 3700 > Tascam pro analog deck (1st gen cass); Playback of 1st gen cass on Nak CR3A > Sony DTC700 @48kHz Master (from Sony DTC700) used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/edits/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all** Transfer was done twice, then inverted over itself to determine transfer errors. No errors were present or the errors that were present were inaudible and due to differing error correction on the DAT playbacks not transfer errors. Detailed info: This was the seed for the phish.net tree in early 1994; see google files (txt) contained in this file set for more info. During this show there was occasional distortion in one of the drum channels--due to either a mic or mixer. This ispresent in all versions of the show, as it came through the PA. This same noise is also present in the 8/20/93 Red Rocks SBD. Minor Edits: Fades in/out beg/end of sets--5 sec in all cases All of the below was done at the 48k level, so there are edited and unedited 48k archive .shn's for archival: First set cass flip: patched at the sample level as the music overlapped on the first gen cass and subsequently on the DAT--nothing missing at all! Second set cass flip: cut out 45f and crossfade (duration of 2s26f) Break between set-2 & encore: cut several frames of silence and crossfade (duration of 4s45f) All crossfades were done at: source: -infdb to 0db and the destination: 0db to -infdb. Edits took place after Paul and Silas, Weekapaug and Slave. Taper: Paul Languedoc Huge thanks to Shelly who supplied Mikey Perrott with the cassettes to make the DATs and to Mikey for sending me the master DATs for this transfer! Transferred and uploaded by Jim Raras <jraras@yahoo.com> via Dankseeds. Please contact me with questions etc. There are also 48k shn's of this seed for archival. *Dankseed Certification received 2002-03-22* and posted at http://groups.yahoo.com/group/dankseeds/ files/ph1993-12-30 Listening test performed by *6* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
12/31/93 Worcester Centrum CDR 3
04/20/94 Virginia Horse Center CDR 2 Phish Virginia Horse Centre - Lexington, VA April 20, 1994 Source Info: (FOB) AKG 460/CK61 > Custom Pre-Amp > DAT DAT > CD > SHN: Mike Vernal <vernal@fas.harvard.edu> Equip: Sony R500 > Audiomedia III > Pro Tools 4.3.2 > Panasonic 7502 (burn/extract) Updates: This show is the source listed in db.etree.org below only FLAC. No changes/edits/alterations were made, it is identical (see below). http://db.etree.org/shninfo_detail.php?shnid=571 SHN>MKWACT>WAV>FLAC V1.71 (with ID Tags) 3/2005 Disc One: 01: Set I Intro - 00:55:32 02: Runaway Jim - 07:40:30 03: Its Ice - 11:30:63 04: Julius - 05:20:12 05: Bouncing Around the Room - 03:46:05 06: Rift - 06:02:73 07: Axilla II - 03:06:45 08: Stash - 12:17:00 09: Suzy Greenberg - 05:45:73 Total: 56:27:33 Disc Two: 01: Set II Intro - 00:49:41 02: Poor Heart - 02:18:09 03: Run Like an Antelope - 12:03:54 04: Magilla - 04:05:29 05: Paul and Silas - 03:31:50 06: Sample in a Jar - 05:00:70 07: Big Ball Jam - 02:42:00 08: Harry Hood - 13:13:14 09: Fee - 05:37:26 10: You Enjoy Myself * - 20:50:72 11: Highway to Hell - 03:43:46 Total: 73:59:16 * - w/ Dave Matthews on trampoline. The entire Dave Matthews Band comes out and finishes the set onstage with Phish. Orgional Fileset .wav MD5 that matches db.etree.org for verification (post file rename to etree standards)
04/24/94 Grady Cole Center CDR 2
06/25/95 Mann Center for the Performing Arts CDR 2
11/14/95 University of Central Florida Arena CDR 3 Phish November 14, 1995 University of Central Florida Arena - Orlando, FL Source: Schoeps MK4V/CMC6>DAT@48kHz Taper: Unknown Transfer: Sony PCM-R500>Delta Di0 2496>Soundforge 8.0(resampled 48>44.1 on highest accuracy setting w/anti alias filter)>CDwav>FLACv.1.7.1 48khz FLACs are available for archival purposes. Transferred, Encoded, and Seeded by Matt Edlhuber a.k.a. CrazyED <medlhuber@gmail.com> Set I 01: Intro 02: Chalk Dust Torture 03: Foam 04: Billy Breathes 05: Divided Sky 06: Esther 07: Free 08: Julius 09: I'm Blue I'm Lonesome 10: Cavern Set II 01: Intro 02: Maze 03: Gumbo 04: Stash-> 05: Manteca-> 06: Stash-> 07: Dog Faced Boy-> 08: Stash 09: Strange Design 01: You Enjoy Myself-> Immigrant Song Jam-> You Enjoy Myself Encore 02: The Wedge 03: Rocky Top Dog Faced Boy was performed over different instrumentation than ususal. This fantastic Stash included Esther, Ya Mar and 25 or 6 to 4 teases and quotes. YEM included Low Rider teases. Manteca was played for the first time since October 28, 1994 (85 shows). Thanks to Ucusty for the DATs!
12/31/95 Madison Square Garden CDR 3 Venue Madison Square Garden City New York State NY Set 1 Punch You in the Eye, The Sloth, Reba, The Squirming Coil, Maze, Colonel Forbin's Ascent -> Shine* -> Fly Famous Mockingbird, Sparkle, Chalk Dust Torture Set 2 Drowned, Lizards, Axilla II, Runaway Jim, Strange Design, Hello Ma Baby**, Mike's Song*** Set 3 Auld Lang Syne# -> Weekapaug Groove## -> Sea and Sand, You Enjoy Myself, Sanity, Frankenstein, E: Johnny B. Goode Comment * Included narration about "The Recipe for Time"; Tom Marshall sings lyrics to this cover by Collective Soul; First time played ** Acapella *** Ended with only Trey left on stage creating a series of delay loops to end the set # Phish Time Phactory Machine; Phish dressed as scientists play with synthesizers while lights flash and Va de Graff generators zap; Fishman (dressed as Father Time) is raised up in a bed and reborn as Baby New Year ## With Auld Lang Syne tease
02/16/97 Alter Wartesaal CDR 2 Source Information File - Download Phish... 2/16/97 Wartesaal, Cologne, Germany Source: DSBD > DAT > CDR > ( EACed > MKWact 0.97Beta >SHN ) Disk I Set I Beauty of my Dreams Split open and melt Bouncing around the room Crosseyed painless Guelah Papyrus Ginseng Sullivan Tweezer Waste Cavern Chalkdust torture Set II: Sample in a Jar Cars trucks and buses Disk II Free Sparkle Simple > Circus Comes To Town Swept away > Steep > David Bowie Loving cup Tweezer Reprise E: Theme from the Bottom Johnney B Goode Special thanks to "shinbone" for this superb {soundboard} source from a great show during the "Spring Europe Tour...
07/01/97 Paradiso CDR 2 Disc One set I 1. Ghost 0:21:19.32 2. Horn 0:04:08.36 3. Ya Mar 0:09:58:00 4. Limb By Limb 0:11:40:00 5. Funny As It Seems 0:05:51:00 6. I Saw It Again 0:06:49:00 7. Dirt 0:04:34:50 Disc Two 1. Reba 0:17:36:10 2. Dogs Stole Things 0:05:19:24 Set II 3. Jam*-> 0:02:33:35 4. Timber Ho 0:08:14:44 5. Bathtub Gin->Jam-> 0:14:27:00 6. Cities-> 0:09:33:30 7. Jam 0:15:09:00 Disc Three 1. Loving Cup 0:06:09:11 2. Slave to the traffic Light 0:12:03:00 Encore 3. When the Circus Comes to Town 0:05:05:60 *with Fishman on piano
08/17/97 Loring Air Force Base CDR 4
11/21/97 Hampton Coliseum CDR 2 Phish 11-16-96 Civic Auditorium, Omaha, NE Source info: DAUD - Micotech Gefell 300 > Sonosax SX-M2 > DAT > ZA2 > CDR > EAC > SHN Transferred by John Choe (choey@erols.com) DAE'ed and Shortened by Jeremy Clark (RubyBroom@Bigfoot.com) Disc 1: Set I: 01. Poor Heart [02:56] 02. Down With Disease [07:39] 03. Guyute [10:22] 04. Gumbo [05:43] 05. Rift [05:35] 06. Free [08:28] 07. The Old Home Place [03:01] 08. David Bowie [15:53] 09. Lawn Boy [02:40] 10. Sparkle [03:44] 11. Frankenstein [04:47] Total time: [70:48] Disc 2: Set II: 01. La Grange [07:48] 02. Runaway Jim [14:38] 03. Vibration of Life > Kung > Catapult [08:16] 04. Axilla* [05:43] 05. Harry Hood* [15:54] 06. Suzie Greenburg** [07:19] 07. crowd noise [00:38] 08. Amazing Grace [01:48] Encore: 09. We're an American Band*** [04:09] Total time: [66:13] * With alternate "Leigh Fordham" lyrics ** With La Grange and Axilla teases *** First time played, Grand Funk Railroad cover known flaws: the "crowd noise" track is before the last song of the set, instead of before the encore
11/22/97 Hampton Coliseum CDR 3 Phish 11/22/1997 Hampton Coliseum Hampton, VA Schoeps CMC641 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz Front row/center OTS, by Craig Hillwig DAT Master; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b (seek tables appended); cue sheets by CDWave by Craig Hillwig No DAE. Fades added to beginning and end of each set. Cue sheet applied, show named, and md5sums created by George Lanum <glanum@longwood.lwc.edu> ____________________________________________________________________________ *Dankseed Certification received 2002-03-03* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1997-11-22 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO ___________________________________________________________________________ Disc 1 Set 1 1. Intro 2. Mike's Song > 3. I Am Hydrogen > 4. Weekapaug Groove 5. Harry Hood 6. Train Song 7. Billy Breathes 8. Frankenstein 9. Izabella Disc 2: Set 2 1. Intro* 2. Halley's Comet > 3. Tweezer > 4. Black Eyed Katy > 5. Piper > 6. Run Like an Antelope** Encore: 7. Bouncing Around The Room, 8. Tweezer Reprise *Before they started the set, the crowd chanted the beginning of "Destiny Unbound" (in hopes that the band would play it). Trey acknowledged the chant by saying that he couldn't hear what was being sung; that it sounded like some kind of "death chant"; and asked if this was the point in the show where they do the human sacrifice. No "Destiny Unbound" was played or teased. **With "Mike-O-Esquandolas" (instead of "Marco").
11/26/97 Hartford Civic Center CDR 3 Phish Hartford Civic Center Hartford, CT November 26, 1997 Geffell 210 > Aerco > DAP1 (48) DAT > Montego II (44.1) transferred by Aaron Westendorf (westea@rpi.edu) Disc 1: 1)Tweezer -> 2)Sparkle 3)Gumbo > 4)My Soul 5)McGrupp 6)Dirt 7)Split Open and Melt Disc 2: 1)The Horse -> 2)Silent in the Morning 3)Taste 4)Character Zero -> (set II) 5)2001 -> 6)Cities -> 7)Ya Mar Disc 3: 1)PYITE > 2)Prince Caspian 3)Poor Heart 4)Tweezer Reprise 5)Cavern (encore)
12/09/97 Bryce Jordan Center CDR 2 Set 1 Mike's Song, Chalk Dust Torture, My Soul, Stash-> I Am Hydrogen-> Weekapaug Groove, Dogs Stole Things, Beauty of My Dreams, Horn, Loving Cup Set 2 Julius, Simple*-> Timber (Jerry), Contact, Axilla, Harry Hood-> Axilla (Reprise)-> Harry Hood, E: Fire
12/11/97 War Memorial CDR 2 Phish War Memorial Rochester, NY December 11, 1997 DTS-Audio-CD 5.1 Mix Set 1 01 [09:36] Punch You in the Eye > 02 [19:48] Down With Disease > 03 [14:57] Maze 04 [04:03] Dirt 05 [10:31] Limb By Limb 06 [07:08] Loving Cup > 07 [02:35] Rocky Top TT [68:37] Set 2 01 [21:02] Drowned > 02 [05:25] Roses Are Free* > 03 [08:09] Big Bad Furry Creature From Mars > 04 [16:01] Ghost > 05 [01:45] Down With Disease (Reprise) > 06 [09:32] Johnny B. Goode Encore 07 [05:47] Waste TT [67:40] *Ween cover, first time played --------------------------------------------------------- Source Info SBD: DSBD > Cass/0 > D8 (@44.1) - No EAC Transfer: DA-20 > Delta Dio 2496 > SF 4.5 > CDWAV > SHN Taper: Dan Haugh AUD: FOB > Schoeps Mk4 > Sonosax > SBM-1 > TCD-D8 Location: 25th row left, standing on top of penalty box (9 foot human mic stand) Mics worn as schoeps bowtie Transfer: DAT > CDRW700 > EAC > CDWAV > FLAC --------------------------------------------------------- Tech Notes SHN/FLAC's decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. CEP2.0 used to adjust the volume for the SBD, FOB, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by dan@am-dig.com - SHN conversion 12-DEC-2003 (1st) - Remixed and SHN conversion 12-DEC-2004 (2nd) - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel +4db SBD Right Channel +3db SBD Center SBD Mixed to mono -5db SBD Surround Left Channel -2db Schoeps Right Channel -2db Schoeps Sub/LFE SBD Mixed to mono -4db SBD --------------------------------------------------------- Notes In most situations I time correct the AUD or rear channel source to match the speed to the SBD or front channel source. In this situation the AUD was off DAT and the SBD was off a cassette. I decided to use the more time accurate source (DAT>AUD) and time corrected the cassette SBD to match the speed on the AUD. The SBD was recorder rather low and uneven. I increased the levels 4db on the left channel and 3db on the right. The levels on the FOB were very punchy without overload. I reduced this by -2db. In my experience louder rear channels is an undiserable effect. SBD suffers from moderate distortion during PYITE, Ghost and probably other spots. As a commentary note, this is not one of the best SBD recordings. Not bad, not great. I would give this B/B+ grade, for what that is worth. 02.294 missing on the SBD (cassette flip) btwn Maze and Dirt. The FOB was trimmed 02.294 btwn 44:13.308 - 44:15.602 to match. The result is smooth and most likely undetectable. D2T5 The cassette flip on set two was reported as having overlapping material. This was not the case. The joining together or splicing out the cassette flip did result in an inaudiable splice but material was definately missing. This made for a bear of a project to synch to the FOB. Regardless, the result is smooth and most likely undetectable. D2T6 During the crowd cheer between the last song and the encore you will hear commentary that "Mike Stanley is on the stage". This is not referring to any special guest. We ran several FOB's this tour and the aspect of actually becoming a human mic stand night after night turned into the nickname "Mike Stanley". --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from .shn files.
12/31/97 Madison Square Garden CDR 3 Venue Madison Square Garden City New York State NY Set 1 Emotional Rescue, Ya Mar, My Sweet One, Beauty of My Dreams, Wolfman's Brother, Limb By Limb, The Horse > Silent in the Morning, The Sloth, Fire Set 2 Timber (Jerry), Mike's Song > Piper > When the Circus Comes > Roses Are Free > Weekapaug Groove* Set 3 Also Sprach Zarathustra > Tweezer > Maze, Prince Caspian, Loving Cup, E: New York New York**, Tweezer Reprise Comment * jammed out ~ 18 minutes ** Frank Sinatra cover; First Time Played
11/14/98 The Crown CDR 3 Phish 11-14-1998 The Crown Cincinnati, OH Source: M.Gefell m210->Lunatec V2->AD1000->DAP-1 @48khz Transfer: DAP-1->SB Audigy Platinum->SoundForge XP 5.0 (48->44.1)-> CD Wave->mkwACT->SHNv3 Taped and Transferred by Brian Conner(cbconner@msn.com) Disk 1 Set I: 1. Funky Bitch 2. My Soul 3. Reba 4. Bouncin 5. Tweezer-> 6. Moma 7. Sparkle 8. Character Zero Disk 2 Set II: 1. David Bowie 2. Something 3. Piper 4. Golgi 5. Guyute 6. HYHU-> 7. Sexual Healing-> 8. HYHU Disk 3 Set II(Cont'd): 1. You Enjoy Myself-> 2. Julius 3. Hello, My Baby Encore: 4. So Lonely*-> 5. Tweezer Reprise * Police cover, 1st time played.

Pink Floyd --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/16/74 Empire Pool CDR 1 Live - Dark Side of the Moon - Live British Winter Tour 1974 7th show of tour

Radiohead --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/04/00 Großer Sendesaal Des SFB CDR 2 Radiohead 7/4/00 Gro?er Sendesaal 01. Optimistic 02. Morning Bell 03. Karma Police 04. The National Anthem 05. In Limbo 06. No Surprises 07. My Iron Lung 08. Dollars and Cents 09. Bishop's Robes 10. Talk Show Host 11. Kid A 12. You and Whose Army 13. Airbag 14. Lucky 15. How to Disappear Completely 16. Paranoid Android 17. Everything in its Right Place ENCORE 18. Egyptian Song 19. Exit Music 20. Knives Out 21. Big Ideas (aborted due to tech problems) 22. Nice Dream

Tea Leaf Green --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/02/05 Byham Theater CDR 1 Tea Leaf Green 2005-12-02 Byham theater Pittsburgh, PA Source: AKGc451b's > MP2 > ADC-20 > 7 pin > PCM-M1 @ 48 KHz Transfer: PCM-M1 > 7 pin > SPDIF > audiophile 2496 > cool edit pro > wav tracks > resampled to 44.1 KHz at highest setting Location: Floor, 1 or 2 seats right of dfc, row M seat 113, stand 6' high Taped/Transferred/Seeded by Bill Weed taperbweed@yahoo.com 1 Taught to be Proud 2 The Garden (Part II) 3 Precious Stone 4 John Brown 5 The Garden (Part III) 6 I'm Waiting for the Man 7 Sex in the 70's notes: opened for Govt Mule

Trey Anastasio --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/07/99 American Theater CDR 3 Trey Anastasio (acoustic/electric) May 7, 1999 American Theatre, St. Louis, MO Source: Schoeps CMC6/MK41->Lunatec V2->Tascam DA-P1 CD Transfer: DA-20 > PC via S/PDIF > 48>44.1 resample using SoundForge at high quality setting > CDWAV > SHN Transfer by: Lance Stack (stack@umr.edu) Upload by: Lance Stack (stack@umr.edu) Hosted by: Disc One (Acoustic): 1. Get Back on the Train 2. Wolfman's Brother * 3. Farmhouse 4. Dogs Stole Things 5. Bouncing Around the Room 6. Kissed by Mist 7. Mountains in the Mist 8. Guyute 9. Wading in the Velvet Sea -> 10. Prince Caspian 11. Aftermath** 12. AC/DC Bag*** Disc Two (Electric): 1. Further On Up the Road**** 2. First Tube 3. Come on Baby Lets go Downtown 4. Gotta Jiboo -> 5. Voodoo Child (slight return) 6. Ooh Child 7. Heavy Things Disc Three (Electric cont.): 1. Come On (Part 1) 2. Sand -> 3. Drums Duel^ 4. Free Thought 5. I Can See Clearly Now Encore 6. Andre the Giant 7. Will It Go Round in Circles 8. Last Tube ^^ * - Trey started laughing mid-song and stopped playing to tell the crowd about where the song came from as well as about the first time he met Jon Fishman at UVM and how every time he plays the song, he thinks about how Jon really is the "Wolfman's Brother" just as in the Beatles, Paul McCartney was the walrus ** - Trey talked about his friend Roger Hollaway, who got engaged on-stage at a Phish show at the American Theatre. Roger then joined Trey on-stage and they played "Aftermath", which Roger had co-written; first time played live; from The White Tape *** - "Just like Roger, he's a crazy little kid"; also with Roger **** - Eric Clapton cover, written by Joe Medwick Veasey and Don D. Robey; first time played ^ - with Trey on second drumset ^^ - with "Happy Birthday" tease after Tony Markellis mentioned that it was someone on the crew's birthday
05/13/99 SUNY Binghamton Concert Theatre CDR 3 Venue SUNY Binghamton Concert Theatre City Binghamton State NY Set 1 Farmhouse, Get Back on the Train, Driver, Guyute, Kissed By Mist*, You'll Know My Name**, Mountains in the Mist, Wading in the Velvet Sea, Brian and Robert, Billy Breathes***, Sleep***, Blue and Shiny****, Waste**** Set 2 Gotta Jiboo, Wind Cries Mary, Will It Go Round In Circles, Windora Bug, Further On Up The Road, First Tube -> Sand, Ooh Child -> Drums Duel^, Smells Like Teen Spirit^^, Silicon Fairy^^^ Encore: I Can See Clearly Now, Last Tube, Come On Baby Let's Go Downtown^^^^ Comment * - again dedicated to Julia Butterfly Hill, with story told about her ** - Trey talks about how he just learned about the "Pub Crawl" last night. It's where all of the seniors who are graduating this weekend, go to every bar in the town, and have one beer from each. He wants to play the seniors something, so he plays this song. *** - Trey on piano **** - with Tom Marshall on vocals ^ - with Trey on small kit ^^ - Trey says that they are going to do one more song to close the set, so everyone starts screaming out their requests. As soon as it's quiet, and they're ready to go into "Silicon Fairy," someone screams out, "Teen Spirit" Trey quietly starts the opening chords, and then the rest of the band follows. They sing and play one verse, then end it laughing. Trey dedicates it to the guy who requested it. ^^^ - They all wish the best of luck to the folks graduating this weekend ^^^^ - dedicated to those Binghamton students participating in the senior pub crawl and would be catching the last hour after the show.

The Who --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/29/69 Concertgebouw CDR 2 The Who - The Complete Amsterdam 1969 - Remastered Venue: Het Concertgebouw, Amsterdam, Netherlands Date: September 29, 1969 Disc 1 1) "House announcement" 2) Heaven And Hell 3) I Can't Explain 4) Fortune Teller 5) Tattoo 6) Young Man Blues 7) A Quick One, While He's Away 8) Substitute 9) Happy Jack 10) I'm A Boy 11) Overture 12) It's A Boy 13) 1921 14) Amazing Journey 15) Sparks 16) Eyesight To The Blind (The Hawker) Disc 2 1) Christmas 2) The Acid Queen 3) Pinball Wizard 4) Do You Think It's Alright? 5) Fiddle About 6) Tommy Can You Hear Me? 7) There's A Doctor 8) Go To The Mirror 9) Smash The Mirror 10) Miracle Cure 11) Sally Simpson 12) I'm Free 13) Tommy's Holiday Camp 14) We're Not Gonna Take It 15) Summertime Blues 16) Shakin' All Over 17) My Generation Total time: 2h00m00s --------------------------------------------------------------------------- Source: 2-track soundboard mix for recording > Master Reel-to-Reel > Reel-to-Reel (1) > CDR (1) > SHN (for vine) (0) > Wave (0) > CDR (0) > EAC > Remastering (see below) > CDwave > SHN > BT (NB; Although not pure, my CDR source comes directly from the first seeder of the 2001 SHN vine mentioned below. It'll be pretty hard to find a higher generation than this. Read the quote below for more info about the source.) Presumably recorded by VPRO Mastered by Prof. Stoned @ the Soundhouse, 9-10 Dec 2005 --------------------------------------------------------------------------- About the recording: This recording was made by a dutch radio/tv broadcast. It's not 100% certain who did it, but it was probably done by the VPRO who also did the Pink floyd recording the same year at the same venue. And just like that Pink floyd recording, this one was also bootlegged a million times from various very good to very poor sources. Alll of these sources were originated from radio broadcast(s). Back then, and today still, het concertgebouw was not a place for rockbands but for opera's and other classic music. Mixed directly to 2-tracks, this may been one of the reasons why the mixing engineer had a hard time finding the right balance. The mix changes oftenly, and sometimes the drums or the guitar just disappear or get buried for a while. It also must have been hard for the band to hear each other, because of the extremely reverbrating acoustics. Remember, this was 1969 and sound monitoring on stage was still a thing for the future. When comparing this one to other Who shows from this period, this one probably isn't the best. Roger Daltrey has once said that he didn't think he sang very good this night. And playing the Tommy album on stage was obviously not a routine for the band yet. But, there is more than enough to enjoy here. It is the only complete soundboard recording from this year. It is also the only one with complete line age and it has the best sound. Beside that, all other who '69 board tapes are far from complete and don't have most of Tommy. Somewhere around 2000, a Pre-FM source of this show was unearthed. Funny enough, the same thing happended w/ the above mentioned Pink floyd recording, but that's another story. They may have come from the same person though. Read the quote below: "My source in Amsterdam worked on a Who anniversary special, for the same radio station that broadcast the show in 1969. He suggested that the DJ use some of this show, so a technician produced the original masters. He took the chance to make a copy on their professional reel-to-reel equipment. Our cdr was transferred off his 1st generation reels. Although this show's been booted repeatedly, this is the REAL source. It sounds amazing, like it was taped off the radio yesterday, perfect except for a little tape hiss in the very quiet bits. My source was upset that this show was recently booted from a copy of his tapes. Even though it contains the complete song list, he removed key bits of dialogue from every copy he made and was able to find the source of boot. His "revenge" was to offer the COMPLETE show to anyone who wanted it and encouraged someone to do a tape tree to discourage money from being spent on the bootleg. According to him, the recent boot "Amsterdam Journey" on the Hiwatt label is the one taken off his copy." (For the record: the source used here is the one with the dialogue.) When this new version came out, it proved to be a dramatical improvement on every source available before. And it also made the very hard to find version of 'A quick one' available for the first time in good audio quality. Listening to the mix, it sounds like the engineer was working with with the following channels: 1) Bass Drum 2) Drum Overhead 3) Bass Guitar 4) Guitar 5) Vocal Roger 6) Vocal Pete 7) Vocal John 8) Left Room Ambiance (audience) 9) Right Room Ambiance (audience) The last channel was faded up (& down) every time the moment seemed right. Having it faded up in the mix all the time, probably affected the sound badly. --------------------------------------------------------------------------- About the mastering: I'm a great Who fanatic, especially of the 1965-1973 period. The sonics of this recording have been bothering me each time I listened to it. But I felt that the right mastering treatment could make a world of difference. I'm aware that for some bootleg collectors a recording such as this one is a holy cow that should not be altered with. But then, most people do not have an idea what a proper mastering can do for a recording like this. I've been mastering board tapes, studio/live albums and radio broadcasts for years. I'm not making a full living out of it, but it is a part of my profession. I have treated this recording with multiband compression and limiting plus some very minor adjustments with a digital pultec eq. Only three tools, but these are tools that can either make or break the sound. Especially the former two are often misused (or rather said overused) in the world of modern mastering by engineers of great fame. The newly discovered source still suffered from a sometimes very shrieky high-end, and a lack of deep bass tones (a.k.a. sub-low). I adjusted the low-end to make the bass guitar sound like a bass guitar. Then I worked especially on the sound of vocals and cymbals. Most of the time the vocals are a bit too loud in the mix, as they were probably not compressed or limited. I attempted to bring them back in the mix as closely as possible, without harming the sound whenever the vocals were not present. I seperated the complete recording in four pieces and gave them the treatment they each needed. I did not use any noise reduction on this recording despite it being hissy. This is another tool that should be used vey carefully, if at all. To quote a well known audiophile mastering engineer: "Hiss is everywhere. It's part of our lives. Without hiss we would all go insane" The recording has got pops, crackles, distortion & the ocassional technical difficulties. 'Overture' is an obvious example of this. There are many flaws in the orginal recording, and these were also heard in the post-fm sources. I did not attempt to remove or slighten any of these. Most of you should know what was on the label of the orginal Live at Leeds LP: "Crackling noises ok, do not correct". (NB: This was actually a note to the cutting engineers at the time.) I did not change the speed of the recording. I read the arguments of the previous remaster but I believe that Pete townsend was tuning his guitar by ear, rather than with a tuner. Listen to the tuning before heaven and hell & especially overture. When you're tuning your guitar with a tuner, you'll have to take more time per string to get it in tune. Pete's tuning the strings very fast after one other. And if Pete was tuning his guitar by ear, then his guitar may not have been tuned in an exact E. Feel free to disagree but untill I'm proven wrong, this is my theory. Apart from that, the recording doesn't sound too fast to my ears. I did some minor editing. The first seconds of "go to the mirror" were missing on the 'complete dialogue' and all earlier versions. Because the band plays the same chords for a couple of times, I was able to copy the missing bit from a few bars further and disguise the problem considerably. The 'complete dialogue' version has a bonus feature: 5 tracks & a KM interview from an unspecified source of a Dutch TV broadcast from 1973. In my opinion, the soundquality of those tracks is dreadful and only one track is not already included in the Amsterdam part. To me, it does not add anything to the mindblowing listening experience that the Amsterdam concert is. Therefore, I have scrapped the 1973 part on this remaster. Still there ? :-) Hope you enjoy this classic show in new improved soundquality. Prof. Stoned Fingerprints: da6c09e9d1ddf35a16e395a6e8544bba [shntool] who69-CD1-01.shn 3524e8c0fad50fc0039fc502bd428ec5 [shntool] who69-CD1-02.shn d2557f040bc87e008de42b9b419e152c [shntool] who69-CD1-03.shn 9e96ab505afb047c4ece024f0d78f50e [shntool] who69-CD1-04.shn 25dffdf68597e814f5b4e4c40fe23f2a [shntool] who69-CD1-05.shn 5822a45fc40392851a9f75b0b0b4d149 [shntool] who69-CD1-06.shn 5d0b66a5960b266c2455c503388bb675 [shntool] who69-CD1-07.shn 9f8139a4cae0df018ee293403f7fc41c [shntool] who69-CD1-08.shn e6eb647136a8ae023a9f8d3555922200 [shntool] who69-CD1-09.shn 6669316cc604e31c4e1f5968918cd58b [shntool] who69-CD1-10.shn cb5b9dfd2a9abdb04e80aa94bc52d092 [shntool] who69-CD1-11.shn fb72140a8e9d40fd871203c73392b34b [shntool] who69-CD1-12.shn 0872f7aaec65e3e7b2b72f157f435368 [shntool] who69-CD1-13.shn 4343b16e02f85f4cc3ce41acdda1bb78 [shntool] who69-CD1-14.shn c416df053aa938ee0f0a340dbd411f9c [shntool] who69-CD1-15.shn 574c9c88ac83de746d72f666abcf250b [shntool] who69-CD1-16.shn d920dcecb9307b4f85add294f8700ad0 [shntool] who69-CD2-01.shn 4a2ae64a757849ef45705c476e37ce1d [shntool] who69-CD2-02.shn 3c994cf7a64d9a0440db10fd9fd57763 [shntool] who69-CD2-03.shn 348bec440382c3a191a242584814bc87 [shntool] who69-CD2-04.shn 62cadb399b413072c17088a66ef1044d [shntool] who69-CD2-05.shn 22ce715871214449148553411cc853d9 [shntool] who69-CD2-06.shn abb6383c420289bd134c27400e804a62 [shntool] who69-CD2-07.shn 7ab5180b1ab1adc48a88b564edd428fd [shntool] who69-CD2-08.shn d4ca37352e543396e864c83279f16e74 [shntool] who69-CD2-09.shn 50c0d44b6c80fcef43b4acc280e76dae [shntool] who69-CD2-10.shn 23274e9d213f9247747caa8fffff3b71 [shntool] who69-CD2-11.shn e6f33ec6ac004c9298c9cf0d9efb217a [shntool] who69-CD2-12.shn 27e7d2dd74200294cb0b31accd1a2476 [shntool] who69-CD2-13.shn 6594b0fe38f250acc846ea37554b2963 [shntool] who69-CD2-14.shn 4c78035aadf213632612bbb774535814 [shntool] who69-CD2-15.shn fa8bf879007a9af81bfc5850218f7fb2 [shntool] who69-CD2-16.shn d00132371afd2614f1d34fa9934b724d [shntool] who69-CD2-17.shn

Widespread Panic --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/21/98 Chesterfield Café CDR 2 A

Wilco --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/08/05 Foellinger Auditorium - University of Illinois CDR 2 A