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mugsy's Music Trading List Last Updated: March 17, 2003 |
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Allman Brothers Band
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 02/11/70 | Fillmore East (Early Show) | New York | NY | 1 | 1 | Master Soundboard Reel > Cassette > DAT> CDR | Master Soundboard Reel > Cassette > DAT> CDR | ||
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 02/14/99 | Aragon Ballroom | Chicago | IL | 2 | 2 | Unkown | CD-R->EAC->MKW | ||
| ??/??/00 | Compilation(s) | Various | Various | 2 | 2 | Various | |||
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| Critters Buggin | |||||||||
| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 09/21/01 | Brick By Brick | San Diego | CA | 2 | 2 | Core Sound Stealth Cardiods > Sony Dat8 > 7 pin Coax > Card D+ >Samplitude Master > CDWav > shn | Source: Core Sound Stealth Cardiods > Sony Dat8 > 7 pin Coax > Card D+ > Samplitude Master > CDWav > shn Taper: Brian Pottenger Seed: Phistory Anyone got a setlist? | * d2t3 fades out and in during the middle missing 1:30 min of the song. Fixed with samplitude master. | |
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| Crusader Rabbit Stealth Band | |||||||||
| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 06/10/01 | Sweetwater Saloon | Mill Valley | CA | 3 | 2 | FOB B&K 4011s > Lunatec V2 > Sonic AD2K > Tascam DA-P1 digitally patched Sony D8 DAT(master | source FOB B&K 4011s > Lunatec V2 > Sonic AD2K > Tascam DA-P1 digitally patched Sony D8 DAT(master) DAT > standalone CDR burner > CDRs > EAC V0.9prebeta seeded by ericv | ||
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Garcia
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 04/27/94 | Warfield Theater | San Francisco | CA | 1 | 0 | SBD > ??? | Set 2 + Filler from Set 1 | ||
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Grateful Dead
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 08/06/71 | Hollywood Palladium | Hollywood | CA | 2 | 2 | AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D | Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro | ||
| 08/27/72 | Old Renaissance Faire Grounds | Veneta | OR | 3 | 2 | SBD>16 Track Master Reels>DAT@44.1K>DAT>DAT>WAV>SHN *Dankseed Certification received 01-07-03* | SBD>16 Track Master Reels>DAT@44.1K>DAT>DAT>WAV>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b Reel>DAT transfer by Dick Latvala DAT clone supplied by Rob Eaton, 6/2001 DAT>SHN by Jamie Lutch, 6/2001 | Known Flaws: the first few notes of Sugar Magnolia were missing and were patched in from the circulating Gans CD source. | |
| 08/06/74 | Roosevelt Stadium | Jersey City | NJ | 4 | 2 | MR > DAT > CD > Sonic Solutions > CD Circulation | From Jim Powell: "The lineage of this copy of 8/6/74 is MR > DAT > CDs. It is the entire show, uncut, including Seastones (and the encore). The flip chop in Scarlet is expertly patched with excellent AUD. It very markedly upgrades the copy that came around a year or so ago, as well as all other circulating copies. Until and unless they release this as a Dick's Picks, and do as good or better a job than we have with the patch, this is the ultimate copy of this alltime great show, hands down, no shit." | ||
| 09/11/74 | Alexandra Palace | London | England | 4 | 2 | SBD | Lineage: Reel master > DAT > CDR > EAC > SHN Extraction and .shn encoding by Seth Kaplan (Sdk022769@aol.com) Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shnning by G.S. Hamilton | ||
| 04/23/77 | Springfield Civic Center | Springfield | MA | 3 | 2 | SBD->MR->DAT->CD | SBD->MR->DAT->CD Discs #1 and #2 have tuning tracks between songs. | d3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks)to cover missing SBD source due to reel flip. | |
| 05/08/77 | Barton Hall, Cornell University | Ithaca | NY | 3 | 3 | Betty Board w/splice- see notes | Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks | ||
| 06/07/77 | Winterland Arena | San Francisco | CA | 3 | 2 | Soundboard -> Vault Reels ->DAT ->David Gans' Sonic Solutions Digital Editing ->CDR -> EAC -> CDR -> EAC -> SHN | Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN | ||
| 11/30/80 | Fox Theater | Atlanta | GA | 3 | 3 | MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II)Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show) | Source: MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II) Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show) | Notes: 1) Digital Static removed from first several seconds of Stranger (thanks Mike Parillo) & level fluxuations in Stranger smoothed (thanks Scott Clugston); 2) First 10 seconds of Lost Sailor>St. patched from unknown audience master>1 cassette gen>cdr source (thanks Scott Clugston); 3) 10 seconds of missing music at the St.->Deal transition spliced in from same audience Source (thanks Scott Clugston); 4) First 0:07 of Scarlet patched from Barry Glassberg's Nak CM700 aud source (thanks Scott Clugston). | |
| 10/16/81 | Club Melk Weg | Amsterdam | Netherlands | 2 | 0 | ||||
| 09/24/82 | Carrier Dome, Syracuse University | Syracuse | NY | 3 | 2 | SBD>Master Cassette>1 Reel>DAT>DAT *Dankseed Certification received 08-06-01* | SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC | All of Ramble On Rose and the first 3 minutes of Minglewood Blues had reel issues, the left channel would come in and out. This was fixed in soundforge using channel converter, The new left channel became a mix of 40% old left and 60% right. Right channel remained 100% right. This greatly reduced the problem without destroying the stereo image. The last 20 seconds were crossfaded back into the normal channels. | |
| 03/27/88 | Hampton Coliseum | Hampton | VA | 3 | 2 | DATSBD (Panasonic 3800)>CD | DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN | Known Flaws - last minute of Let it Grow is cut | |
| 05/06/89 | Frost Amphitheatre | Palo Alto | CA | 3 | 2 | DSBD | |||
| 07/12/90 | Robert F. Kennedy Stadium | Washington | DC | 3 | 2 | SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master | SOURCE: SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master No editing was performed other than cutting the wave into disc-size segments. CONVERSION: CD-R master > EAC > waves > MKW shorten > .shn | ||
| 09/10/91 | Madison Square Garden | New York | NY | 3 | 2 | DSBD | DSBD>DATs>CDRs>EAC>SHN | ||
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| Greyboy Allstars | |||||||||
| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 05/22/97 | 40 Watt Club | Athens | GA | 2 | 0 | ||||
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| Mike Clark's Prescription Renewal | |||||||||
| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 03/10/01 | Park West | Chicago | IL | 2 | 2 | See notes | Source: Schoeps cmc55 (omnis, split 15', on-stage)> snake cable> lunatec v2> & Schoeps mk4 (ortf, stage lip, dfc)> kc5> cmc6> snake cable> schoeps vms 52ub> & 2-channel xlr sbd > >>mackie 1202 vlz> sonic ad2k+> tascam da20 @ 44.1 kHz | ||
| 07/05/01 | High Sierra Music Festival, Grandstand Stage | Quincy | CA | 1 | 1 | pre-FM SBD -> DAT -> CD Master -> EAC -> CDWave -> SHN | pre-FM SBD -> DAT -> CD Master -> EAC -> CDWave -> SHN | ||
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 07/02/01 | Lennie Lodge at the Koss Pavillion @ Summerfest | Milwaukee | WI | 2 | 1 | Schoeps MK4V>KC5>CMC6>V2>AD2K+>D8 @ 48khz | Source: Schoeps MK4V>KC5>CMC6>V2>AD2K+>D8 @ 48khz Taper: Chris Olson (D8 Patch Master edlhubermj18@mail.uww.edu) Location: FOB/DFC/ORTF (12th row in hat) Conversion: Sony PCM-R500 > Audio Magic Presto II Delta Di0 2496 > Soundforge 4.5 (48>44.1) > cdwav > MKWact (SHNv3) (edlhubermj18@mail.uww.edu) If anyone has a setlist please e-mail so I can update this file. Also I dont know any of this bands material so the tracking may be a little rough. | ||
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Phil Lesh & Friends
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 04/15/99 | Warfield Theatre | San Francisco | CA | 4 | 2 | DSBD | DSBD | ||
| 04/16/99 | Warfield Theater | San Francisco | CA | 3 | 2 | SBD > DAT > CD > EAC > SHN | DSBD | first few seconds of MOTM missing | |
| 07/15/00 | Alpine Valley Music Theatre | East Troy | WI | 2 | 1 | no mic source>MD>OPTICAL>CDR | no mic source>MD>OPTICAL>CDR | ||
| 07/07/01 | Red Rocks Ampitheatre | Morrison | CO | 3 | 2 | Neumann KM 184’s > Lunatec V2 > D8 | Neumann KM 184?s > Lunatec V2 > D8 > Archive Python 01931-xxx5.63 SCSI DDS/DAT2WAV > * .wav > Normalized using Cool Edit Pro V 1.2 to 98%> CD Wav >SHN (MKW) (Direct DAT extraction, no soundcard) Recorded in the OTS | ||
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Phish
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 03/21/92 | Chestnut Cabaret | Philadelphia | PA | 2 | 0 | Bootleg CD > EAC > CDR Known Flaws: small skip/pop in Stash at 4:48-49. Tiny flaw in Golgi at 4:07. Rocky Top missing. | |||
| 04/19/92 | The Catalyst | Santa Cruz | CA | 2 | 2 | FOB(20ft from stage, DFC) Nak300's>Panasonic 255(@48K) |
Source: FOB(20ft from stage, DFC) Nak300's>Panasonic 255(@48K)
Transfer: Master DAT on PCM-R300>Optical Cable> Zoltrix
Nightengale>SoundForge v5.0b(resample with anti-alias
filter set at highest setting)>CD Wave v1.61>mkwACT
v.97b1(seek tables appended) *NO DAE*
48KHz DAT Archive SHNs also available
Taped by AJ |
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| 03/31/93 | Roseland Theater | Portland | OR | 3 | 3 | TOA k1's Balcony > DTR-80P | TOA k1's Balcony > DTR-80P > CDR > SHN (Cool Edit 2000 on 3 tracks) Provided by Josh Cohen - josh@shakedown.techlib.org Fixed and seeded by Carl Johnson - carl_ivar@yahoo.com | ||
| 12/30/93 | Cumberland County Civic Center | Portland | ME | 2 | 0 | ||||
| 05/14/94 | Montezuma Hall | San Diego | CA | 2 | 2 | NAK 300 Omnis>D-7>DAT | NAK 300 Omnis>D-7>DAT Technics SV 260A>COAX>WAV>CDWAV>SHN | Disc 1 Track 1(Llama) has a slight hiccup | |
| 06/11/94 | Red Rocks Amphitheatre | Morrison | CO | 3 | 2 | DSBD | DSBD | ||
| 10/29/94 | Memorial Auditorium | Spartanburg | SC | 3 | 0 | ||||
| 12/30/94 | Madison Square Garden | New York | NY | 3 | 2 | See notes | This source is a purported SBD/Aud matrix > cass/0 > DAT (as noted at http://www.freedumb.net/sbd/sbdlist.html), however this lineage is questionable. There is a cut at 45:07 in the first set, however this sounds like a DAT cut or digi dropout, as opposed to an analog tape flip (I left this cut as it existed from the original DAE, rather than editing, because it occurs during a song (Scent of a Mule). Another reason I question the analog generation is because there is zero perceptible analog hiss anywhere in this recording. Also, analog tapes tend to stretch as they are used, and people usually get between 46 and 48 minutes per side of a 90 minute tape. 45:07 is considered an odd place for an analog flip to occur. Also, there is no noticeable cut at around the 90 minute mark in the show (where the next tape flip should occur). As for my skepticism for the SBD/AUD matrix, there are moments when I would swear this source is true, however the noticeable echo and reverb normally associated with audience tapes from indoor arenas (MSG in this case) is quite noticible. If this is not an SBD/Aud Matrix, this source would likely be an FOB, since the audio presence is very "up front." There is a well circulated FOB Schoeps CMC3/mk4 source from 12/29/94. This 12/30/94 source may very well be from the same rig and taper, however this is pure speculation. | ||
| 02/20/97 | Teatro Smeraldo | Milan | Italy | 2 | 2 | DSBD | Source: DSBD > CD > EAC > SHN Posted to alt.binaries.phish on 11/15/2000 by Marco Walsh (etree@condorito.com) Cut: Sweet Adeline, Encore: Julius | ||
| 07/10/97 | Espace Julien | Marseille | France | 2 | 2 | Neumann TLM-170i (hyper setting) -> Sonosax SX-M2 -> HHB Portadat@48k | DAUD - Neumann TLM-170i (hyper setting) -> Sonosax SX-M2 -> HHB Portadat@48k -> DAT -> DAT -> ZA2 (downsample) -> SF 4.0 -> CDWAV -> sHN (w/seek tables appended) DAT>CD by Jamie Lutch 11/2000 Thanks to Eric Pearson for this show way back when Thanks to HPB for setlist *Dankseed Certification received 01-02-26* and posted at http://groups.yahoo.com/group/dankseeds/files/ph97-07-10/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO | ||
| 11/22/97 | Hampton Coliseum | Hampton | VA | 2 | 0 | ||||
| 07/17/98 | The Gorge Ampitheatre | George | WA | 3 | 2 | DAUD (KM84I>Aerco>SBM-1) | DAUD (KM84I>Aerco>SBM-1) | ||
| 08/02/98 | Deer Creek Music Center | Noblesville | IN | 3 | 2 | Schoeps CMK4's > Lunatec V2 > DA-P1 > 7-pin | Source: DAUD Schoeps CMK4's > Lunatec V2 > DA-P1 > 7-pin PCP | ||
| 07/17/99 | Oswego County Airport | Volney | NY | 3 | 0 | ||||
| 07/18/99 | Oswego County Airport | Volney | NY | 5 | 0 | ||||
| 09/14/99 | BSU Pavillion | Boise | ID | 2 | 0 | ||||
| 05/22/00 | Radio City Music Hall | New York | NY | 3 | 0 | ||||
| 06/28/00 | PNC Bank Arts Center | Holmdel | NJ | 3 | 0 | ||||
| 09/08/00 | Pepsi Arena | Albany | NY | 3 | 2 | Neumann u89 (hypercard) > Apogee AD1000 Front Row Center of TS |
Source: Neumann u89 (hypercard) > Apogee AD1000
Front Row Center of TS by Daniel Estrin
Conversion: D8 > Turtle Beach Fiji > CD-WAV > SHN v2
by Mike Wren |
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| 09/17/00 | Merriweather Post Pavilion | Columbia | MD | 3 | 2 | Neumann KM150 > Oade m248 > DA-P1 (NOS) @48khz | Source: Neumann KM150 > Oade m248 > DA-P1 (NOS) @48khz Transfer: Tascam DA20mkII > Event Gina S/PDIF > Cool Edit Pro resampling at maximum quality to 44.1khz Loud pop during Guyute (present on DAT source, sounds like someone smacked the mic) was smoothed with CEP Please notify jamie@treworgy.com if there are any problems found with this transfer | ||
| 09/20/00 | Riverbend Music Center | Cincinnati | OH | 3 | 2 | Neumann KM150 > Sonosax > DAP1 > D8 | Source: Neumann KM150 > Sonosax > DAP1 > D8 Transfer: D8 > Delta DiO 2496 > Soundforge 4.5 > CDWAV > SHN Taper: Jeff Patton Patched, Seeded, and Transferred by: John D'Auria http://sativa.etree.org jcdauria@biology.lsa.umich.edu | ||
| 09/22/00 | Allstate Arena | Rosemont | IL | 3 | 2 | Schoeps cmc6/mk41 > Lunatec V2 > AD2K+ @ 44.1 16ns3 > DA-P1 |
Rig: Schoeps cmc6/mk41 > Lunatec V2 > AD2K+ @ 44.1 16ns3 > DA-P1
By: Eric Stoick |
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| 09/23/00 | Allstate Arena | Rosemont | IL | 2 | 2 | Schoeps cmc6/mk41 > Lunatec V2 > AD2K+ @ 44.1 16ns3 > DA-P1 |
Rig: Schoeps cmc6/mk41 > Lunatec V2 > AD2K+ @ 44.1 16ns3 > DA-P1
By: Eric Stoick |
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| 09/27/00 | Fiddler's Green Amphitheatre | Englewood | CO | 3 | 2 | Schoeps cmc6/mk4v > Lunatec V2 > Apogee AD-1000 @ 48 > Tascam DA-P1 | Rig: Schoeps cmc6/mk4v > Lunatec V2 > Apogee AD-1000 @ 48 > Tascam DA-P1 Cables: Audio Magic Excalibur II DAT>CD: Tascam DA-302 > LynxOne > CEPro v1.2 > 48 > 44.1 > CDWave > mkwACT | ||
| 10/07/00 | Shoreline Amphitheatre | Mountain View | CA | 3 | 2 | OTS Schoeps CMC641v > Lunatec V2 > Sonic AD2k @ 48k | Source: OTS Schoeps CMC641v > Lunatec V2 > Sonic AD2k @ 48k Transfer: Roach > SPDIF > Audiowerk2 > Waveburner @44.1k > Peak > Jam A Cryptical Seed --Andy Gustin: gustin@stanford.edu | ||
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| Steve Kimock Band | |||||||||
| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 04/20/01 | Sancho's Broken Arrow | Denver | CO | 3 | 0 | ||||
| 04/21/01 | Sancho's Broken Arrow | Denver | CO | 3 | 0 | ||||
| 07/05/01 | High Sierra Music Festival | Quincy | CA | 2 | 1 | Nak 700's > D5(pre-amp) > D8 | source: Dr. Bob's Nak 700's > D5(pre-amp) > D8 transfer:1st gen clone > Tascam DA-20 > Prestos > Prodif Plus > Samplitude 5.58 > cdwav > SoftSound> SHN | ||
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| The Word | |||||||||
| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 06/27/01 | Bowery Ballroom | New York | NY | 1 | 1 | B&K 4022's >Sonosax SX-M2 > AD2K > HHB1Pro | Recorded and provided by Curtis Claymont Source: B&K 4022's >Sonosax SX-M2 > AD2K > HHB1Pro | ||
| 08/02/01 | Paradise Rock Club | Boston | MA | 2 | 2 | Neumann TLM170 (on-stage, cardioid setting) | SOURCE: Neumann TLM170 (on-stage, cardioid setting) -> Snake -> Lunatec V2 (+24dB) -> Sonic AD2K+ (+20dB, NS3, @ 48 Khz) -> Tascam DA-P1 @ 48 Khz CONVERSION: CardDeluxe (S/PDIF) -> SoundForge 5.0 -> RMS to -16dB -> Resampled to 44.1 Khz (QTools SR Convert) -> CD Wave -> WAV -> SHN | ||
| 08/03/01 | Lupo's Heartbreak Hotel | Providence | RI | 2 | 2 | Sennheiser K6me64 (NOS, 90 degrees, taped from balcony) > Sony SBM-1 > Sony D8 @ 44.1k | Sennheiser K6me64 (NOS, 90 degrees, taped from balcony) > Sony SBM-1 > Sony D8 @ 44.1k Transfer: Sony D8 > Pioneer PDR-609 > EAC* > CDWave > SHN v3 | ||
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| Date | Venue | City | State | CDR | SHN | Sound Rating | Source | Notes | Tech. Note |
| 02/15/99 | Higher Ground | Winooski | VT | 3 | 0 | ||||