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Music List for Wyatt Last Update: Apr 12, 2026 |
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As you can see below, I'm a huge Allman Brothers fan, and I have a lot to share, so don't hesitate to ask if you need anything, I am more than happy to send whatever you need. All my audio recordings are in FLAC. I mostly trade online, as that's where all my files are, but I'm also cool a snail mail trade or b&p if that's the only option, otherwise, my email is wyatt612655@gmail.com if you have any further questions. I'm currently looking for these Alllman Brothers videos, so If anyone has them please let me know, and I'll give you whatever you want on my list in return. Well obviously not whatever you want becuase I don't want people taking advantage of me, but I will be very generous with whatever I give in return since I am desperate for these videos and they are:
July 8, 1980 (Audience)
I'm also looking for these 3 Gregg Allman And Friends Videos since I'm also a fan of his personal work too as you can see below, but nothing compared to ABB: March 11, 1994 audience December 14, 1994 audience December 27, 1997 audience
And as you can also see, I'm also a fan of Dickey Betts personal work too, but again, nothing compared to ABB, but still, if anyone has the entire pro shot video of him and the Dickey Betts Band on November 1, 1988 please let me know, because it would be so cool if it were to see the light of day. Otherwise, that's it, thank you for reading my page.
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Allman Brothers Band
--- Approximate Hours: 1672.5
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| Show Date | Venue | Media Type | Media Count | Sound Quality | Notes | |
| 03/30/69 | Jacksonville Armory | 16-bit flac | 1 | Excellent stereo soundboard remastered by PR | ||
| 05/02/69 | Capricorn Demos | 16-bit flac | 1 | cdr>eac>wav>shn | ||
| 05/04/69 | Central City Park | 16-bit flac | 1 | Remastered by PR | ||
| 05/04/69 | Central City Park | 16-bit flac | 1 | Unknown audience recording remastered by SirMICK February 2011 | ||
| 01/16/70 | Fillmore West | 16-bit flac | 1 | No source given. Possible SBD > Bootleg CD. | ||
| 01/20/70 | University Of California At Riverside | 16-bit flac | 1 | No source given | ||
| 01/24/70 | Whiskey A-Go-Go | 16-bit flac | 1 | unknown sbd | ||
| 02/11/70 | Fillmore East (Early Show) | 16-bit flac | 1 | MOTB Remaster | ||
| 02/13/70 | Fillmore East | 16-bit flac | 1 | Master Soundboard Reel > Cassette > DAT > CDR > SHN > EAC > FLAC | ||
| 02/13/70 | Fillmore East | 16-bit flac | 1 | MOTB Remaster | ||
| 02/14/70 | Fillmore East | 16-bit flac | 1 | No Source given. Probable SBD > Bootleg CD > EAC > FLAC. | ||
| 03/13/70 | The Warehouse | 16-bit flac | 1 | cdr>eac>wav>mkw>shn | ||
| 03/13/70 | The Warehouse | 16-bit flac | 1 | MOTB Remaster | ||
| 04/04/70 | Ludlow's Garage | 16-bit flac | 1 | MR > R > CDR > FLAC | ||
| 04/04/70 | Ludlow's Garage | 16-bit flac | 1 | MR > R > BASF reels @7.5 ips | ||
| 04/11/70 | Ludlow Garage | 16-bit flac | 1 | Cass Unknown Gen>WAV>CoolEdit Pro>CDR>Flac | ||
| 04/28/70 | SUNY Gym | 16-bit flac | 1 | unknown soundboard | ||
| 04/29/70 | Aliotta's Lounge | 16-bit flac | 1 | Original Mono Reel to Reel -> Minidisc -> This | ||
| 06/14/70 | Piedmont Park | 16-bit flac | 1 | CD-R(x) > EAC > FLAC | ||
| 07/17/70 | Love Valley Festival | 16-bit flac | 1 | Lineage unknown | ||
| 07/19/70 | Love Valley Festival | 16-bit flac | 1 | Unknown Lineage Aud | ||
| 07/26/70 | S.U.N.Y. Gym | 16-bit flac | 1 | SBD-> CDR-> EAC-> Flac | ||
| 07/26/70 | S.U.N.Y. Gym | 16-bit flac | 1 | sbd > ??? > shn > wav > flac remastered by SirMICK December 2007 | ||
| 09/04/70 | The Scene | 16-bit flac | 1 | unk aud avg | ||
| 09/23/70 | Fillmore East | 16-bit flac | 1 | Unknown Soundboard > ??? > CDR remastered by SirMICK October 2011 | ||
| 09/27/70 | Piedmont Park | 16-bit flac | 1 | CD-R(x) > EAC > FLAC | ||
| 11/13/70 | Ludlow's Garage | 16-bit flac | 1 | CDR>EAC>WAV.>MKW>SHN | ||
| 12/13/70 | Leonard Gym, American University | 16-bit flac | 1 | Excellent soundboard remastered by PR | ||
| 12/31/70 | The Warehouse | 16-bit flac | 1 | Aud (mics/source unk.) > DAT > Tascam DA-20 MKII > M-Audio Audiophile > Wavelab > FLAC frontend Transferred by Jules Fothergill | ||
| 01/17/71 | Syria Mosque | 16-bit flac | 1 | Soundboard remastered by PR | ||
| 01/23/71 | Capitol Theatre | 16-bit flac | 1 | unknown aud. average quality. | ||
| 01/23/71 | Capitol Theatre | 16-bit flac | 1 | Master tape > cd-r > cd-r > Bias Peak 5 Pro >flac | ||
| 01/23/71 | Capitol Theatre | 16-bit flac | 1 | CASSETTE AUD MASTER > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC | ||
| 01/28/71 | Fillmore West | 16-bit flac | 1 | Aud > ? > Skip remaster > CD > EAC (secure, offset corrected) > Wav > FLAC (Flac Frontend 1.7.1 - Level 6) EAC > Wav > FLAC by Ron Bruder | ||
| 01/30/71 | Fillmore West | 16-bit flac | 1 | unk sbd > ? | ||
| 01/31/71 | Fillmore West | 16-bit flac | 1 | unk sbd? | ||
| 01/31/71 | Fillmore West | 16-bit flac | 1 | Unknown sbd ripped from Johnny Hance's audio CD's by yubah 1-30-2011. This is a major upgrade in audio quality from the version circulating, the only downfall is that it's missing the Statesboro opener. | ||
| 02/01/71 | Whisky A Go-Go | 16-bit flac | 1 | AUDIENCE UNKNOWN LINEAGE > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC | ||
| 02/28/71 | Brewer Field House | 16-bit flac | 1 | SBD > cassette (gen unk) > soundcard > Total Recorder> CD Wav > FLAC | ||
| 03/20/71 | The Warehouse | 16-bit flac | 1 | SBD > ? > cd > flac | ||
| 03/20/71 | The Warehouse | 16-bit flac | 1 | SBD > ? > DATs Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac | ||
| 03/20/71 | The Warehouse | 16-bit flac | 1 | unknown sbd * > ??? > dat (48k) - from the collection of David Gans Transfer: Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - transferred by Charlie Miller. Lineage: iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648 | ||
| 03/25/71 | St. Catherine's | 16-bit flac | 1 | unknown source, Cptn. Skipper Remaster | ||
| 06/05/71 | Warehouse | 16-bit flac | 1 | unknown aud. Remastered by PR | ||
| 06/16/71 | Municipal Auditorium | 16-bit flac | 1 | unk. aud | ||
| 06/27/71 | Fillmore East | 16-bit flac | 1 | Excellent stereo soundboard | ||
| 07/21/71 | Central Park (Late Show) | 16-bit flac | 1 | Aud>??>Silver>CD-R(low)>Audacity (remastering & interpolaton)>Roxio Jam (burning)>CD-R>EAC>WAV>FLAC | ||
| 07/24/71 | Superball Fest | 16-bit flac | 1 | unk aud | ||
| 08/26/71 | A&R Studios | 16-bit flac | 1 | FM > ? > "New York City Blues" Bootleg CD-R > EAC > FLAC | ||
| 08/26/71 | A&R Studios | 16-bit flac | 1 | FM (via WPLJ) | ||
| 09/03/71 | Palace des Nations | 16-bit flac | 1 | Audience Recording | ||
| 10/15/71 | Syria Mosque | 16-bit flac | 1 | u/k aud * > ??? > cdr > eac > wav > flac remastered by SirMICK April 2007 | ||
| 10/17/71 | Painters Mill Music Fair | 16-bit flac | 1 | Audience recording Transfer: CD-R > EAC > WAV > Nero Wave Editor > CDWave > FLAC Frontend > FLAC | ||
| 12/31/71 | Warehouse | 16-bit flac | 1 | Unknown Aud rec. | ||
| 01/02/72 | The Warehouse | 16-bit flac | 1 | Audience recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 03/23/72 | Price Hall | 16-bit flac | 1 | unk sbd | ||
| 04/07/72 | Manley Fieldhouse | 16-bit flac | 1 | Bootleg CD RIP | ||
| 04/16/72 | Academy of Music | 16-bit flac | 1 | rtr>CDr>skip remaster>CDr>eac>wav>shn | ||
| 04/18/72 | Memorial Stadium | 16-bit flac | 1 | ? > cassette trade circa 1993 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! | ||
| 04/18/72 | Memorial Stadium | 16-bit flac | 1 | Unknown generation cassette > Harmon Kardon tape deck > Pioneer Stand Alone Burner > wav > TLH > flac level 8 | ||
| 06/09/72 | Memorial Auditorium | 16-bit flac | 1 | unknown audience recording | ||
| 07/12/72 | The Spectrum | 16-bit flac | 1 | SBD > gens? > CDR > cdrparanoia > WAV > retracking > FLAC | ||
| 07/13/72 | Gaelic Park | 16-bit flac | 1 | CD-R(x) > EAC > FLAC | ||
| 07/17/72 | Gaelic Park | 16-bit flac | 1 | CASSETTE AUD MASTER > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC | ||
| 07/28/72 | Fairgrounds Speedway | 16-bit flac | 1 | Unk aud | ||
| 08/06/72 | Hollywood Bowl | 16-bit flac | 1 | Audience recording of unknown origin (bootleg cd) ripped to FLAC files | ||
| 12/31/72 | Warehouse | 16-bit flac | 1 | a Captn Skipper Remaster received in trade from Skip Littlewood himself | ||
| 03/03/73 | Palace Theatre | 16-bit flac | 1 | Soundboard FLAC >WAV >Audacity (Remove TAO Gaps, Split Original Tracks 2 & 4 Into Separate Tracks, Minor Edits) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr | ||
| 03/15/73 | Municipal Auditorium | 16-bit flac | 1 | Soundboard | ||
| 03/17/73 | Memorial Coliseum | 16-bit flac | 1 | Soundboard | ||
| 03/24/73 | Tarrant County Convention Center | 16-bit flac | 1 | Unknown Recording | ||
| 04/06/73 | Civic Center | 16-bit flac | 1 | Fairly pristine SBD | ||
| 06/02/73 | The Omni | 16-bit flac | 1 | SBD-MR-DAT-CDR | ||
| 06/09/73 | RFK Stadium | 16-bit flac | 1 | sbd>?>cdr lineage: trade cdr(x?) > wav (plextor PX504A/eac offset correct) > flac (flac frontend 1.7.1/verify/align on sb/level 6) | ||
| 06/10/73 | Robert F. Kennedy Stadium | 16-bit flac | 1 | SBD>MR>Cassette>DAT>CDR>SHN | ||
| 07/27/73 | Grand Prix Racecourse | 16-bit flac | 1 | Sound check for the 28th. Broadcast on WBAI FM. | ||
| 07/28/73 | Watkins Glen Grand Prix Circuit | 16-bit flac | 1 | aud of unknown origin. lineage: aud>cassettes nak dragon>hd-p2 24/96>pc>cd wave> adobe audition 2.0 16/44.1>flac transferred & seeded by Rob Berger 7/10 | ||
| 07/28/73 | Watkins Glen Grand Prix Circuit | 16-bit flac | 1 | (homeboy remaster/re-edit) | ||
| 07/28/73 | Watkins Glen Grand Prix Circuit | 16-bit flac | 1 | Various SBD/AUD (unk equipment)>CDR | ||
| 07/28/73 | Watkins Glen Grand Prix Circuit | 24-bit flac | 1 | Sony Stereo ECM ->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 | ||
| 09/10/73 | Grand Opera House | 16-bit flac | 1 | SBD CDR>EAC>FLAC6 | ||
| 09/16/73 | Pacific Coliseum | 16-bit flac | 1 | Audience | ||
| 09/26/73 | Winterland Ballroom | 16-bit flac | 1 | sbd>?>cdr | ||
| 12/28/73 | The Spectrum | 16-bit flac | 1 | SBD > ? > CD > EAC > FLAC | ||
| 12/31/73 | Cow Palace | 16-bit flac | 1 | Master Reel(MSR) -> DAT-> CDR-> SHN | ||
| 01/01/74 | Cow Palace | 16-bit flac | 1 | Good Morning '74 Columbia Records 2002 #CD 0122-2002 Ripped EAC from silver discs > WAV > FLAC via TLH | ||
| 06/04/74 | Civic Centre | 16-bit flac | 1 | Audience Mono Sony TC-55 with built in condenser mic and auto level control Master Cassette > CDR > EAC secure > Audacity (edits) > CD Wave (tracks) > FLAC | ||
| 06/05/74 | Civic Centre | 16-bit flac | 1 | Audience Mono Sony TC-55 with built in condenser mic and auto level control Master Cassette > CDR > EAC secure > Audacity (edits) > CD Wave (tracks) > FLAC | ||
| 06/05/74 | Civic Centre | 16-bit flac | 1 | External Mono Microphone > unknown model dictation style Tape Recorder > Scotch cassettes Master audience recording taped by Dan Lampinski | ||
| 06/23/74 | Mile High Stadium | 16-bit flac | 1 | unk aud ? avg | ||
| 07/20/74 | Knebworth Festival | 16-bit flac | 1 | Uher CR 210 CD> BASF cassette > transfer to digital > CD > 2013 Extract to Mac pro | ||
| 07/20/74 | Knebworth Festival | 16-bit flac | 1 | AUD? > ? > CD > EAC > FLAC | ||
| 07/26/74 | Boston Garden | 16-bit flac | 1 | AUD > MC | ||
| 08/17/74 | Orange Bowl | 16-bit flac | 1 | AUD MC > DAT Transfer: SV-3700 > Tascam DA-3000 > WAV @ 16/44 Master: Wavelab 12 (tracking) > FLAC 1644 | ||
| 08/20/74 | Bosse Park | 16-bit flac | 1 | Soundboard | ||
| 09/21/75 | Boston Garden | 16-bit flac | 1 | aud>sony ecm99>sony tc-152 cassette master>7" reel @ 3.75 ips, dolby b transfer: (sony reel was baked to cure squeeling) technics rs-1506>teac an-180>hd-p2 24/96>hd>adobe audition 2.0 (levels, dither, edits)>cd wave>tlh flac | ||
| 10/20/75 | Forum | 16-bit flac | 1 | Unknown Aud Recording | ||
| 10/20/75 | Forum | 16-bit flac | 1 | Sony TC-40>MXL-UD MC>Teac A-550RX>Hard Drive>Nero Wave Editor>Wav>TLH>Flac6 Recorded by Sal Capitano | ||
| 10/24/75 | Coliseum | 16-bit flac | 1 | SBD | ||
| 11/25/75 | Providence Civic Center | 16-bit flac | 1 | SBD/FM>?>CDR | ||
| 11/25/75 | Providence Civic Center | 16-bit flac | 1 | Cptn Skipper remaster analyzed & tested for sbe's 11/27/2010 w/ Trader's Little Helper | ||
| 01/12/76 | Hemisphere Arena | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 01/24/76 | Carolina Coliseum | 16-bit flac | 1 | SBD>Cass>CD>Shn | ||
| 01/24/76 | Carolina Coliseum | 16-bit flac | 1 | Soundboard recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 03/13/76 | Nassau Coliseum | 16-bit flac | 1 | WLIR-FM LIVE BROADCAST > TEAC 2300 REEL @ 3-3/4 IPS > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC | ||
| 04/30/76 | Expo Center | 16-bit flac | 1 | SBD -> ? -> CDR -> XLD -> Tagged FLAC | ||
| 08/24/78 | Central City Park | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 04/18/79 | Baltimore Civic Center | 16-bit flac | 1 | partial? FM bdcast or sbd | ||
| 04/20/79 | Capital Theatre | 16-bit flac | 1 | FM unknown gen | ||
| 04/21/79 | Civic Centre | 16-bit flac | 1 | Aud > Unknown equipment > Cassette > CDR > me > EAC > THL level 8 > flac 16 > you > enjoy | ||
| 04/24/79 | Palladium | 16-bit flac | 1 | Aud > Unknown equipment > Cassette > CDR > me > cdwave > CDR > EAC > THL level 8 > flac 16 > you > enjoy | ||
| 04/26/79 | Civic Center | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 05/13/79 | San Diego Sports Arena | 16-bit flac | 1 | FM | ||
| 06/10/79 | Veterans' Memorial Coliseum | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 07/15/79 | Carowinds Paladium | 16-bit flac | 1 | FM-SBD | ||
| 07/18/79 | William and Mary College | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 07/19/79 | Merriweather Post Pavilion | 16-bit flac | 1 | FM > Master Cassette > CD | ||
| 07/21/79 | Madison Square Garden | 16-bit flac | 1 | A just little distant Audience recording | ||
| 08/26/79 | Music Inn | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 08/29/79 | Spectrum | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 09/05/79 | Dothan Civic Center | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 12/30/79 | Nassau Coliseum | 16-bit flac | 1 | SBD or FM | ||
| 12/31/79 | Coliseum | 16-bit flac | 1 | WPLR FM New Haven | ||
| 12/31/79 | Coliseum | 16-bit flac | 1 | Soundboard | ||
| 01/06/80 | Nassau Coliseum | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 05/07/80 | SUNY Stony Brook | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 05/08/80 | Alumni Hall, St. Johns University | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 07/07/80 | Palladium | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 07/09/80 | Palladium | 16-bit flac | 1 | fm broadcast editing : Joe D'Amico ''aka'' Joebeacon | ||
| 07/09/80 | Palladium | 16-bit flac | 1 | fm broadcast > ? > cd > EAC > flac Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon | ||
| 07/09/80 | Palladium | 24-bit flac | 1 | FM reel master taped by Jerry Moore | ||
| 08/06/80 | Greek Theater | 16-bit flac | 1 | Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC | ||
| 09/16/80 | Circus Krone | 16-bit flac | 1 | this came listed sbd | ||
| 09/17/80 | Walter Kobel Halle | 16-bit flac | 1 | FM > CD > FLAC | ||
| 09/21/80 | Congresgebouw | 16-bit flac | 1 | Digital radio > MD > WAV > FLAC | ||
| 09/23/80 | Sporthalle | 16-bit flac | 1 | Send to me as SBD | ||
| 09/24/80 | Congress Centrum Hamburg | 16-bit flac | 1 | Aud. | ||
| 10/23/80 | Sunrise Theater | 16-bit flac | 1 | nice recording (SBD or FM) | ||
| 10/30/80 | Municipal Auditorium | 16-bit flac | 1 | AUD > CD > FLAC | ||
| 12/07/80 | Pershing Auditorium | 16-bit flac | 1 | aud>?>cdr | ||
| 01/04/81 | Capitol Theater | 16-bit flac | 1 | FM | ||
| 05/16/81 | Fox Theater | 16-bit flac | 1 | FM>?? | ||
| 08/30/81 | Zoo Amphitheater | 16-bit flac | 1 | Soundboard | ||
| 09/01/81 | Santa Fe Downs | 16-bit flac | 1 | AUD | ||
| 09/03/81 | Red Rocks Amphitheatre | 16-bit flac | 1 | Aud > Unknown equipment > Cassette > CDR > me > EAC > THL level 8 > you | ||
| 10/15/81 | Austin City Limits | 16-bit flac | 1 | SBD > ? > me > EAC > TLH Level 8 > Flac 16 > You > enjoy | ||
| 11/14/81 | Fox Theater | 16-bit flac | 1 | sbd or fm | ||
| 11/18/81 | Bell Auditorium | 16-bit flac | 1 | analog SBD recording > ? > CD-R > EAC > FLAC | ||
| 12/04/81 | Convention Center | 16-bit flac | 1 | SBD > CD > FLAC | ||
| 12/15/81 | Broome County Arena | 16-bit flac | 1 | SBD > CD > FLAC | ||
| 12/16/81 | Capitol Theatre | 16-bit flac | 1 | WNEW. FM LIVE BROADCAST > OFF THE AIR REEL MASTER > M. AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC | ||
| 12/19/81 | Boston Garden | 16-bit flac | 1 | SBD > ? > me > EAC > TLH Level 8 > Flac 16 > You > enjoy | ||
| 12/28/81 | Market Sq. Arena | 16-bit flac | 1 | SBD > ? > me > EAC > TLH Level 8 > Flac 16 > You > enjoy | ||
| 12/29/81 | Civic Arena | 16-bit flac | 1 | analog SBD recording > ? > CD-R > EAC > FLAC | ||
| 10/31/86 | Madison Square Garden | 16-bit flac | 1 | KBFH promo CD | ||
| 10/31/86 | Madison Square Garden | 16-bit flac | 1 | FM | ||
| 12/20/86 | Paramount Theater | 16-bit flac | 1 | low gen aud > Nakamichi Dragon Dolby B on > Edirol UA-5 (Busman BM2p+mod) 24/48 > USB > PowerMac G5 Amadeus for tracking, Logic Pro X 16/44.1 conversion | ||
| 06/28/89 | Chautauqua Amphitheater | 16-bit flac | 1 | unknown aud. | ||
| 06/30/89 | Avery Fisher Hall | 16-bit flac | 1 | unknown aud. | ||
| 07/03/89 | Great Woods Center For The Performing Arts | 16-bit flac | 1 | FOB Nak 700 > PCM by Steve Rolfe Transfer: PCM > Sony SLV-M20HF VHS > Behringer Ultramatch Pro > Tascam DA-3000 (WAV @ 16bit/44.1kHz) Master: Wavelab 10.0 (remove DC offset; levels/panning; drop-out removal and error correction; tracking) > FLAC 16/44 | ||
| 07/05/89 | Garden State Arts Center | 16-bit flac | 1 | Soundboard > ? > CD > EAC > FLAC | ||
| 07/07/89 | Jones Beach Music Theater | 16-bit flac | 1 | Audience recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 07/07/89 | Jones Beach Music Theater | 16-bit flac | 1 | aud > ? > flac | ||
| 07/08/89 | Merriweather Post Pavilion | 16-bit flac | 1 | Recorded by Popskull with AT9400 Stereo Mic> Sony WM-D6c Dolby off Row F Seat 27 LC Transfer: Nakamichi 700ZXE Cassette deck> Apogee Mini ME @ 16/44> Coax Dig Out> M Audio Microtrack II> Wav Assembly: Wav> AA3 for Fades on cass flips, CDWav for tracking, TLH for flac7, Foobar2000 for flac tags | ||
| 07/10/89 | Pine Knob Music Theatre | 16-bit flac | 1 | 2 DAK-5245 Mics>Sony D6c Portable Stereo Cassette Recorder(Dolby C on) >Master Cassette'(s) (TDK-SA-X90's)>Yamaha Natural Sound Stereo Cassette Deck K-902 (Dolby C off)>CD Wave Editor (tracking)>THL flac level 8. | ||
| 07/11/89 | Poplar Creek Music Theater | 16-bit flac | 1 | unknown audience cassette | ||
| 07/12/89 | Blossom Music Theater | 16-bit flac | 1 | sbd cassette master | ||
| 07/14/89 | Spectrum | 16-bit flac | 1 | unknown aud. | ||
| 07/15/89 | AJ Palumbo Center | 16-bit flac | 1 | sbd cassette master | ||
| 07/16/89 | Lakeside Amphitheater | 16-bit flac | 1 | unknown aud. | ||
| 07/17/89 | New York State Fairgrounds | 16-bit flac | 1 | Aiwa electret condenser headphone mics (worn on head) > Sharp semi-pro cassette recorder (c. 1980) Transfer: MC > Technics M222 (azimuth adjust) > Dell laptop (line in mode) > Audacity > WAV Mastering: Wavelab 6.01 (x-fade tape flips, patch small glitches, tracking, fades) > FLAC > tagging Recorded and transfered by Jeff Silverberg | ||
| 07/19/89 | Deer Creek Music Center | 16-bit flac | 1 | sbd cassette master | ||
| 07/21/89 | Coliseum | 16-bit flac | 1 | sbd cassette master | ||
| 07/21/89 | Coliseum | 24-bit flac | 1 | "AUD" > Cass Taper unknown, tape provided by Brendan McGill | ||
| 07/22/89 | Metropolitan Park | 16-bit flac | 1 | unknown aud. | ||
| 07/23/89 | Lakewood Amphitheater | 16-bit flac | 1 | unknown aud. | ||
| 07/27/89 | Riverbend Music Center | 16-bit flac | 1 | unknown aud. | ||
| 07/28/89 | Central Park Ballroom | 16-bit flac | 1 | unknown aud. | ||
| 07/31/89 | Red Rocks Ampitheatre | 16-bit flac | 1 | Aiwa stereo mic > Sony D6 *> Hi-Fi VHS Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 07/31/89 | Red Rocks Ampitheatre | 16-bit flac | 1 | unknown audience | ||
| 07/31/89 | Red Rocks Ampitheatre | DVD | 1 | Audience Shot Video | ||
| 08/02/89 | Starplex | 16-bit flac | 1 | unknown aud. | ||
| 08/03/89 | The Summit | 16-bit flac | 1 | unknown aud. | ||
| 08/04/89 | Lakefront Arena | 16-bit flac | 1 | unknown aud. | ||
| 08/07/89 | Greek Theater | 16-bit flac | 1 | unknown aud. | ||
| 08/10/89 | Concord Pavilion | 16-bit flac | 1 | unknown sbd | ||
| 08/10/89 | Concord Pavilion | 24-bit flac | 1 | "SDB" > Cass Taper unknown, tape provided by Brendan McGill | ||
| 08/10/89 | Concord Pavilion | 24-bit flac | 1 | Schoeps-MK4 > CMC4 @110-ORTF > Aerco(29.5dB) > Sony-TCD5M > Master Cassette Transfer info: 1st Transfer (Aug. ’89) Master Cassette > Sony-TD202 > Sony-PCMF1 > Sony-SL390 (L-750ESX-HFB) 2nd Transfer (Aug. 26th, 2018) Master Cassette > Sony-SL-HF870D > Sony-PCM701ESD > Grace-V3 (24bit/48kHz) > Edirol-R4 Recording by Jeff Birkner & Marcus Buick Transfer, Edited & Mastered by Marcus Buick Additional mastering by Joe Noel (Adobe Audition 2020) August 25, 2020 | ||
| 08/11/89 | Shoreline Amphitheatre | 16-bit flac | 1 | MATRIX SOUNDBOARD transferred on 2008-08-06 Fostex D-5 DAT > Tascam US-144 Audio Device > SoundForge 9.0 tracked & shipped into the *new* basement by BRUNO | ||
| 09/25/89 | Oakdale Theater | 16-bit flac | 1 | nak 300's > sony d5 | ||
| 09/25/89 | Oakdale Theater | 24-bit flac | 1 | nak 300's > sony d5 | ||
| 09/27/89 | Beacon Theater | 16-bit flac | 1 | Unknown audience recording via Joe D'Amico ''AKA'' Joebeacon | ||
| 09/28/89 | Beacon Theater | 16-bit flac | 1 | CASSETTE AUD MASTER > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC | ||
| 09/29/89 | Beacon Theater | 16-bit flac | 1 | ? > cassette trade circa 1997 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! | ||
| 09/30/89 | Beacon Theatre | 16-bit flac | 1 | Taper is unknown. Audience recording. This is the complete show...Joe | ||
| 10/02/89 | Memorial Auditorium | 16-bit flac | 1 | Soundboard | ||
| 10/04/89 | Orpheum Theater | 16-bit flac | 1 | (recorded by Steve Rolfe) AUD (balcony) : Nak700's TRANSFER (transferred by Charlie Miller) PCM (Sony SLV-M20HF VHS) > Behringer Ultramatch Pro > TascamDA-3000 (WAV @ 16bit/44.1kHz) CONVERSION (mastering by Chris Mrachek - January 2019) raw WAV > Wavelab Pro 9.5 (mastering) > CDWav (tracking) > TLH (FLAC level 8) | ||
| 10/05/89 | Orpheum Theater | 16-bit flac | 1 | AUD (balcony) : Nak700's TRANSFER PCM (Sony SLV-M20HF VHS) >Behringer Ultramatch Pro > TascamDA-3000 (WAV @ 16bit/44.1kHz) CONVERSION raw WAV > Wavelab Pro 9.5 (mastering) > CDWav (tracking) > TLH (FLAC level 8) Recorded by Steve Rolfe Transfer by Charlie Miller Mastered by Chris Mrachek January 2019 | ||
| 10/05/89 | Orpheum Theater | 16-bit flac | 1 | Soundboard recording received in a trade as audio cds and ripped to FLAC files | ||
| 10/06/89 | Orpheum Theater | 16-bit flac | 1 | AUD (balcony) : Nak700's TRANSFER PCM (Sony SLV-M20HF VHS) >Behringer Ultramatch Pro > TascamDA-3000 (WAV @ 16bit/44.1kHz) CONVERSION raw WAV > Wavelab Pro 9.5 (mastering) > CDWav (tracking) > TLH (FLAC level 8) Recorded by Steve Rolfe Transfer by Charlie Miller Mastered by Chris Mrachek (January 2019) | ||
| 10/07/89 | Delaware Univ | 16-bit flac | 1 | unknown aud. | ||
| 10/15/89 | Sunrise Theater | 16-bit flac | 1 | SBD > ? > CDR | ||
| 10/15/89 | Sunrise Theater | 16-bit flac | 1 | SBD > ? > 5 gen cassette trade circa 1995 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! | ||
| 06/28/90 | Dress Rehearsal | 16-bit flac | 1 | Soundboard | ||
| 06/30/90 | Johnny Mercer Theater, Civic Center | 16-bit flac | 1 | unknown daud >??> flac trade | ||
| 06/30/90 | Johnny Mercer Theater, Civic Center | 16-bit flac | 1 | Soundboard; 3rd Gen Cassette [XLII] | ||
| 07/01/90 | Chastain Park Amphitheatre | 16-bit flac | 1 | Soundboard > ? > C > DAT | ||
| 07/02/90 | Chastain Park Amphitheatre | 16-bit flac | 1 | Soundboard > ? > CD > EAC > FLAC | ||
| 07/04/90 | Oak Mountain Amphitheatre | 16-bit flac | 1 | sbd>?>cdr | ||
| 07/08/90 | Perf. Arts Center | 16-bit flac | 1 | unknown aud. | ||
| 07/11/90 | Florida Theatre | 16-bit flac | 1 | analog SBD>DAT>CDR>WAV >FLAC 6 | ||
| 07/14/90 | Ovens Auditorium | 16-bit flac | 1 | unknown aud. | ||
| 07/15/90 | Memorial Auditorium | 16-bit flac | 1 | sbd cassette master | ||
| 07/16/90 | City Auditorium | 16-bit flac | 1 | SBD > ? > cdr > cdparanoia > mhwaveedit > shntool > flac | ||
| 07/31/90 | Pavilion | 16-bit flac | 1 | sbd cassette master (only the last few songs were recorded) | ||
| 08/04/90 | Shoreline Amphitheatre | 16-bit flac | 1 | sbd cassette master | ||
| 08/07/90 | Red Rocks Ampitheatre | 16-bit flac | 1 | sbd cassette master | ||
| 08/09/90 | Sturgis Rally | 16-bit flac | 1 | SBD > CD > FLAC | ||
| 08/17/90 | World Music Theater | 16-bit flac | 1 | audience - unknown taper and unknown mics and deck | ||
| 08/18/90 | Alpine Valley Music Theatre | 16-bit flac | 1 | unknown aud. | ||
| 08/19/90 | Deek Creek | 16-bit flac | 1 | FOB, slightly left of center >> Nakamichi CM-300 mics w/ CP-1 Caps (worn in hat) >> Sony WM-D6C >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 >> V2 >> Korg MR-1000 WAV [24/96] | ||
| 08/19/90 | Deek Creek | 16-bit flac | 1 | SBD > ? > 6 gen cassette trade circa 1994 | ||
| 08/24/90 | CNE Grandstand | 16-bit flac | 1 | Unknown SBD | ||
| 08/25/90 | Pine Knob Music Theatre | 16-bit flac | 1 | SBD > ? > cassette trade circa 1996 | ||
| 08/26/90 | Richfield Coliseum | 16-bit flac | 1 | unknown aud. | ||
| 08/30/90 | Waterloo Village | 16-bit flac | 1 | SBD>DAT | ||
| 08/31/90 | Jones Beach Music Theater | 16-bit flac | 1 | unknown aud. | ||
| 09/15/90 | Great Woods Center For The Performing Arts | 16-bit flac | 1 | unknown aud. | ||
| 09/19/90 | Knickerbocker Arena | 16-bit flac | 1 | Master Audience Nakamichi CM300/CP1's > Sony WM-D6 > HHB CDR830 > Eac > FLAC Recorded Stealh, Side Arena Tracks Renamed/Flacked With Audiogate Software Metadata Tagging With Tag&Rename | ||
| 09/19/90 | Knickerbocker Arena | 24-bit flac | 1 | Recorded by Dssman Teac DAT master w/ NAK 700's>CD>Traders Little Helper FLAC conversion | ||
| 09/22/90 | Merriweather Post Pavilion | 16-bit flac | 1 | unknown daud > cdr > cdparanoia > mhwaveedit > wavbreaker > flac cdrs from Mike Springer ripping/editing/flac'ng by Jason Pline | ||
| 09/22/90 | Merriweather Post Pavilion | 16-bit flac | 1 | Senn 441 > DAT by Neil Weinbaum (probably) > DAT(x) via Dr B. Fried | ||
| 09/23/90 | War Memorial Auditorium | 16-bit flac | 1 | Soundboard recording received in a trade as audio cds and ripped to FLAC files | ||
| 09/24/90 | Madison Square Garden | 16-bit flac | 1 | unknown aud. | ||
| 10/27/90 | Worcester Memorial Auditorium | 16-bit flac | 1 | unknown aud. | ||
| 10/31/90 | Louisville Gardens | 16-bit flac | 1 | Stereo Electret MS Condenser Mic > Panasonic Portable Walkman > TDK-SA90 Master Cassettes Transfer: Master Cassettes > Super Bit Mapping >Sony DAT at 44.1 kHz NATIVE > DAT early 90s > s/pdif > Mac > Audacity > 44.1 kHz > FLAC | ||
| 11/01/90 | Veterans' Memorial Hall | 16-bit flac | 1 | unknown aud. | ||
| 11/04/90 | Burruss Auditorium, Virginia Tech. | 16-bit flac | 1 | unknown aud. | ||
| 11/07/90 | The Mosque | 16-bit flac | 1 | sbd > ? > cdr | ||
| 11/09/90 | Lakewood Amphitheater | 16-bit flac | 1 | Audio restoration notes (dbhelm) Pop/click reduction Smoothed level changes Re-tracked | ||
| 11/19/90 | National Video Center | 16-bit flac | 1 | CD > wav > SHN | ||
| 11/19/90 | National Video Center | 16-bit flac | 1 | SOUNDBOARD > ? > DAT transferred on 2008-03-14 Fostex D-5 DAT > Tascam US-144 Audio Device > SoundForge 9.0 tracked, edited & flac'ed by BRUNO | ||
| 11/28/90 | State Fair Coliseum | 16-bit flac | 1 | Source says soundboard, but I'm pretty sure it's audience. | ||
| 01/10/91 | Sun Plaza Hall | 16-bit flac | 1 | incomplete unknown audience source, received in trade over 10 years ago. CDs ripped w/ EAC, wav < flac w/ TLH | ||
| 01/11/91 | Hitomi Mihall | 16-bit flac | 1 | SBD > ? > cassette tape (provided by Steve Portela) | ||
| 01/13/91 | Koseii-Nenkin | 16-bit flac | 1 | Soundboard recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 02/22/91 | Colorado University Fieldhouse | 16-bit flac | 1 | AUD > ? > ? > Cassette Cassette (? gen.) > Nakamichi DR-2 > Tascam DA-P1 > RME Hammerfall 9652 > Sound Forge > CDR > FLAC | ||
| 02/22/91 | Colorado University Fieldhouse | 16-bit flac | 1 | Schoeps cmc4:41's > Koch modified Panasonic sv255(dat) > cd cds from Jeff Travitz & remastered by dbhelm | ||
| 02/23/91 | Rafters | 16-bit flac | 1 | Soundboard + Neumann TLM 170 omnis on stage # > Panasonic SV-3500 > DAT (44k) provided by Rich Gastwirt Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 transferred by Charlie Miller Lineage: iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1644 edited and mastered by SIRMick | ||
| 02/26/91 | Opera House | 16-bit flac | 1 | unknown aud. | ||
| 02/27/91 | Paramount NW Theater | 16-bit flac | 1 | unknown aud. | ||
| 02/28/91 | Schnitzer Hall | 16-bit flac | 1 | unknown gen analog sbd recording tape provided by MF | ||
| 06/19/91 | The Channel | 16-bit flac | 1 | unknown aud. | ||
| 06/24/91 | International 2 | 16-bit flac | 1 | unknown aud. | ||
| 06/25/91 | Hammersmith Odeon | 16-bit flac | 1 | DSBD>DAT>CDR(x?)>WAV(EAC secure/offset correct)> FLAC(Flac Front End/level 6/verify) | ||
| 06/25/91 | Hammersmith Odeon | 16-bit flac | 1 | All Or Nothing [Big Music BG 068/69] (FM Recording) > flac level 8 | ||
| 06/29/91 | Inselwiese | 16-bit flac | 1 | Aiwa recorder, no further info available | ||
| 06/30/91 | Jahnstadian | 16-bit flac | 1 | unknown aud. | ||
| 07/02/91 | La Cigale | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 07/04/91 | E-Werk | 16-bit flac | 1 | unknown aud. | ||
| 07/05/91 | Ohne Filter Show | 16-bit flac | 1 | TV > ? > CD > EAC > Flac | ||
| 07/06/91 | VFB-Waldstadion | 16-bit flac | 1 | unknown aud. | ||
| 07/07/91 | Pferderennbahn | 16-bit flac | 1 | unknown soundboard | ||
| 07/21/91 | Telluride Mid-Summer Music Festival | 16-bit flac | 1 | Sbd/Aud mix with Neumann TLM 170 > DATs Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac frontend | ||
| 07/21/91 | Telluride Mid-Summer Music Festival | 24-bit flac | 1 | Analog Master > 1st Gen (TDK-SA) (Langdon Master Series Vol.129) Transfer: Nak BX-300 > Sony PCM M10 (24/48) > AVS Audio Editor > CD Wave Editor > Transferred & tracked by Wes Meyette | ||
| 08/11/91 | Trout Aire Amphitheatre | 16-bit flac | 1 | unknown aud Remastered by David Helm | ||
| 08/14/91 | Red Rocks Amphitheatre | 16-bit flac | 1 | AUD > ? > ? > Cassette Cassette (1st gen.) > Nakamichi DR-2 > Tascam DA-P1 > RME Hammerfall 9652 > Sound Forge > CDR > FLAC | ||
| 08/14/91 | Red Rocks Amphitheatre | 16-bit flac | 1 | sonic studios DSM6 > Sony D6 > 1 gen cassette trade circa 1991 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 08/14/91 | Red Rocks Amphitheatre | 24-bit flac | 1 | sonic studios DSM6 > Sony D6 > 1 gen cassette trade circa 1991 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (96-24) > Flac (level 8) > you | ||
| 08/18/91 | Champs De Brinne | 16-bit flac | 1 | 13th row center Sonic Studio Binaurals>Sony D5 analog deck> Cool Edit Pro>CDR>SHN | ||
| 08/26/91 | Mann Music Center | 16-bit flac | 1 | unknown aud. | ||
| 08/27/91 | Merriweather Post Pavilion | 16-bit flac | 1 | Unknown audience source | ||
| 08/27/91 | Merriweather Post Pavilion | 16-bit flac | 1 | AKG 451's with CK1 Capsules (Cardioids @ 90 Degrees) > Aiwa HHB I Pro. > Dat Master Location: Row 23 (FOB - DFC)> Recorded By Ron Keyser & Ben Marks | ||
| 08/30/91 | New York State Fairgrounds Grandstand | 16-bit flac | 1 | Tapers section > ? > cassette trade circa 1998 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 08/31/91 | Holman Stadium | 16-bit flac | 1 | unknown audience | ||
| 09/01/91 | Waterloo Village | 16-bit flac | 1 | Jeff Silberman's Neumann U89's (Blumlein) > Sony or Neumann 48 Volt Phantom Supplies (?) > Ron Keyser's Sony D10 Pro Recorded By Jeff Silberman & Ron Keyser Location: DFC / FOB On Stand Transfer: Dat Backup Clone > Modified Sony D10 Pro II > SPDIF > M-Audio Audiophile USB > Sony Vaio PCV-RS410 > Soundforge V7.0 (for fades and resampling) > CDWav > Flac Transferred By Ron Keyser | ||
| 09/03/91 | Jones Beach Marine Theater | 16-bit flac | 1 | unknown SBD ripped from Johnny Hance's Audio CD by yubah on 1-30-2011 | ||
| 09/04/91 | Jones Beach Marine Theater | 16-bit flac | 1 | unknown aud. | ||
| 09/06/91 | Great Woods Center For The Performing Arts | 16-bit flac | 1 | unknown taper/equip Unknown generation cassette>Harmond Kardon tape deck>Pioneer stand alone burner> >wav>flac leve 8 in Traders Little Helper | ||
| 09/07/91 | Lakeside Amphitheater | 16-bit flac | 1 | 2 Nakamichi 300 microphones > Sony TCD5M cassette deck Recorded by John Olsen Conversion: cassette > ? > CD-R > EAC > WAV > TLH > FLAC | ||
| 09/08/91 | Thames River Pavilion | 16-bit flac | 1 | unknown aud. | ||
| 10/04/91 | Concord Pavillion | 16-bit flac | 1 | Audmc/Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac | ||
| 10/05/91 | Cal Expo Amphitheatre | 16-bit flac | 1 | sbd>?>cdr | ||
| 10/05/91 | Cal Expo Amphitheatre | 16-bit flac | 1 | SBD > ? > CD-R > EAC > TLH > FLAC | ||
| 10/05/91 | Cal Expo Amphitheatre | 16-bit flac | 1 | Soundboard > cassette(?) > ? > flac | ||
| 10/05/91 | Cal Expo Amphitheatre | 16-bit flac | 1 | SBD > ? > cassette trade circa 1995 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 10/05/91 | Cal Expo Amphitheatre | 24-bit flac | 1 | audience mics > ? > cassette > TDK SA90 + Maxell XL-II 90 cassettes Transfer: TDK SA90 + Maxell XL-II 90 cassettes > Nakamichi 582 (no NR decode, 70µ EQ) > Zoom F3 > WAV @ 32-bit floating point / 96kHz on 2025-09-11 WAV > Sony Sound Forge Mac v2.5.1 (gain & limit, reduce to 2496) > WAV2496 > Audacity 2.4.2 (tracking & fades) > WAV > xACT 2.57 (FLAC level 8 encode and tag / rename) > FLAC2496 | ||
| 10/06/91 | Shoreline Amphitheatre | 16-bit flac | 1 | SOUNDBOARD > DAT | ||
| 10/07/91 | Rockline | 16-bit flac | 1 | FM Radio -> Silvers -> MAXX (EAC) | ||
| 10/08/91 | Universal Amphitheater | 16-bit flac | 1 | unknown aud. | ||
| 10/11/91 | Pacific Amphitheater | 16-bit flac | 1 | SBD > DAT | ||
| 10/11/91 | Pacific Amphitheater | 16-bit flac | 1 | Digital Soundboard | ||
| 10/11/91 | Pacific Amphitheater | 24-bit flac | 1 | Sony ECM-939LT mic > Sony WM-D6C (Maxell XLII) Marco Moir Master Series Vol.141 Transfer : Nak BX-300 > Sony PCM M10 (24/48) > CD Wave Editor Transferred & tracked by Wes Meyette Editing : Sound Forge (volume) > Wave > dBpoweramp Flac 8 by kingrue | ||
| 10/12/91 | County Bowl | 16-bit flac | 1 | SBD > ? > 4th generation analog tape (provided by Steve Portela) | ||
| 10/13/91 | Starlight Bowl | 16-bit flac | 1 | unknown aud. | ||
| 10/19/91 | Downs at Santa Fe | 16-bit flac | 1 | tapers section > ? > cassette trade circa 1997 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 10/19/91 | Downs at Santa Fe | 24-bit flac | 1 | Analog Master > 1st Gen (TDK-SA) (Langdon Master Series Vol.130) Transfer : Nak BX-300 > Sony PCM M10 (24/48) > AVS Audio Editor > CD Wave Editor Transferred & tracked by Wes Meyette | ||
| 10/20/91 | Six Flags over Texas | 16-bit flac | 1 | unknown aud. | ||
| 10/22/91 | Starwood | 16-bit flac | 1 | unknown aud. | ||
| 10/25/91 | Lakewood Amphitheater | 16-bit flac | 1 | sbd > Nakamichi 5A > ? CD-R Transfer: CD-R > EAC > TLH > FLAC | ||
| 10/26/91 | Walnut Creek Ampitheatre | 16-bit flac | 1 | AUD > ? > Analog? > CD > EAC > FLAC | ||
| 10/26/91 | Walnut Creek Ampitheatre | DVD | 1 | Pro Shot Video | ||
| 10/27/91 | Coliseum | 16-bit flac | 1 | ? > cassette trade circa 1993 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 10/31/91 | Miami Arena | 16-bit flac | 1 | unknown aud. | ||
| 11/16/91 | Patriot Center at G. Mason U | 16-bit flac | 1 | Recorded By Ron Keyser AKG 451's w/CK1 Caspsules 17th Row (DFC- FOB) DIN On Stand> Sony D10 Pro Dat Masters (48kHz/16Bit) | ||
| 11/17/91 | Mosque Theater | 16-bit flac | 1 | SBD > ? > CDR (via Dave Barret) > EAC > FLAC | ||
| 11/19/91 | Salem Civic Center | 16-bit flac | 1 | SBD > DAT(s) > C(s) (probable) > CDR (via Dave Barret) > EAC > FLAC | ||
| 11/26/91 | Memorial Auditorium | 16-bit flac | 1 | unknown aud. | ||
| 11/28/91 | Maple Leaf Gardens | 16-bit flac | 1 | Unverified mic (possibly Sony ECM-101SM) & recorder (likely with auto gain) > Master cassettes (2 x Maxell UDII) Transfer: Master cassettes > Nakamichi LX-5 (azimuth adjusted) > PreSonus AudioBox USB 2X2 USB Recording Interface > Sound Forge Pro 11.0 (Build 299) (HP 8440p Elite Book) > .WAV Mastering: .WAV > Sound Forge Pro 11.0 Build 299 [Splicing; iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 8.0.16 (tagging) Taped by: Kevin Davie Transferred & mastered by: Dennis Orr | ||
| 11/30/91 | Mecca Bruce Hall | 16-bit flac | 1 | FOB AUD(?) > ? > CD (via Dave Barrett) > EAC > FLAC Re-tracked by mgoldey in Wavelab 6.10, December 2012 | ||
| 12/28/91 | Macon City Auditorium | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D. 6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 12/29/91 | Macon City Auditorium | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 12/29/91 | Macon City Auditorium | 16-bit flac | 1 | SBD/AUD Matrix, recorded for New Years Eve FM broadcast>silvers cda>EAC wav>flac | ||
| 12/29/91 | Macon City Auditorium | 16-bit flac | 1 | SBD > cassette (gen unk) > soundcard > Audacity > CD Wav > FLAC | ||
| 12/30/91 | Macon City Auditorium | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 12/30/91 | Macon City Auditorium | 16-bit flac | 1 | Digital source or a master cassette. There is no hiss and this is a complete show. | ||
| 12/31/91 | Macon City Auditorium | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 01/22/92 | Kosei-Nenkin-Kaikan | 16-bit flac | 1 | unknown audience recording > ? > cdr > cdparanoia > flac | ||
| 01/28/92 | Shinen-Kaikan | 16-bit flac | 1 | SBD > CM > CS > WAV > CDR X 2 > EAC > WAV > FLAC | ||
| 03/03/92 | Orpheum Theater | 16-bit flac | 1 | A:DAT (B&K 4011s > Panasonic SV-255); DAT>PCM (betamax; equipment unknown); PCM>PC (Sony SL-HF860D Beta VCR> Sony PCM-601ESD > coax > Delta Dio 2496 > Soundforge 4.5 @ 44.056KHz > resampled to 44.1kHz > CDR; EAC > WAV > SHN | ||
| 03/03/92 | Orpheum Theater | 16-bit flac | 1 | B&K 4011 (ORTF, Row D Seat 205, 6'6" stand) > Neumann PS > SV-255 by Sean Kennedy Transfer: MDAT > SV-3700 > Fostex UR-2 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648 | ||
| 03/03/92 | Orpheum Theater | 16-bit flac | 1 | Custom Mix From Mobile Recording Truck > Dat Master (Panasonic SV-3700/48k) Transfer Info: Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k (2 Discs Audio / 1 DVD FLAC) Mixed and Recorded by Don Pearson Transferred and Mastered by Charlie Miller | ||
| 03/04/92 | Orpheum Theater | 16-bit flac | 1 | Senn ME-80's > TCD-D3 by Dr. B. Fried Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (levels, fades) > FLAC 1648 | ||
| 03/07/92 | Mid Hudson Civic Ctr | 16-bit flac | 1 | AUD > unknown mics > ? > 2nd gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 03/08/92 | F.M. Kirby Performing Arts Center | 16-bit flac | 1 | SBD > unknown > cassette > unknown > flac | ||
| 03/10/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/10/92 | Beacon Theatre | 16-bit flac | 1 | aud cassette master taped by Marc Abramson shure mics > sony d5, maxell xl-IIS90's, no nr 2 rows behind sbd, center orch nakamichi dragon > benchmark adc1 24/96> hd-p2, mac > > fission > adobe audition 2015 16/44.1> xACT Flac transferred & seeded by Rob Berger 1/2016 | ||
| 03/11/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/13/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/14/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/14/92 | Beacon Theatre | 16-bit flac | 1 | B&K 4011 cardiod (100dec ORTF) > Neumann BS 48i-1 power supply > Modified Sony D10 pro DAT Taped by Griff Welton & Clay Brenneke @ row Q DFC | ||
| 03/14/92 | Beacon Theatre | 16-bit flac | 1 | Aud > ? > CD > EAC > FLAC | ||
| 03/15/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/17/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/17/92 | Beacon Theatre | 16-bit flac | 1 | unknown audience recording received in trade lineage: CD > EAC > HD > TLH > FLAC | ||
| 03/18/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/20/92 | Beacon Theatre | 16-bit flac | 1 | unknown audience | ||
| 03/20/92 | Beacon Theatre | 16-bit flac | 1 | Recorded By Ron Keyser with his pair of B&K4011's > Neumann BS 48i-2 Power Supply> Sony D10 Pro (ORTF Front Row Loge DFC) Playback of Dat Masters in Modified Sony D10 Pro II> SPDIF> M-Audio Audiophile USB > Sony Vaio PCV-RS410 > Soundforge V7.0 (for fades and resampling)>CDWav> Flac Frontend | ||
| 03/20/92 | Beacon Theatre | 16-bit flac | 1 | DAT Audience Master FOB Jim Wise AKG 414's-Oade Custom Mic Pre-Amp-Sony TC D-10 Pro DAT Recorder Digital Transfer-Editing-FLAC encoding by Jim Wise: Novenber 2014 DAT Master played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe- WAV [16/48] | ||
| 03/20/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann km 184 mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/20/92 | Lonestar Roadhouse | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon FM Broadcast Harmon Kardon Receiver > Nak Dragon Tape Deck Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/21/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann km 184 mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/22/92 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 727 Mics > Sony D-6 Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/22/92 | Beacon Theatre | DVD | 1 | Audience Shot Video | ||
| 06/11/92 | Roosevelt Hotel | 16-bit flac | 1 | soundboard | ||
| 06/16/92 | Star Lake Amphitheatre | 16-bit flac | 1 | unknown aud. | ||
| 06/17/92 | Blossom Music Theater | 16-bit flac | 1 | Soundboard recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 06/19/92 | Deer Creek Music Center | 16-bit flac | 1 | unknown aud. | ||
| 06/20/92 | World Music Theater | 16-bit flac | 1 | Nak 700's > D5 > HHB800 > CD > EAC > FLAC | ||
| 06/21/92 | Pine Knob Music Theater | 16-bit flac | 1 | ? > analog > CD-R(x) > EAC > FLAC | ||
| 06/22/92 | Kingswood Music Theater | 16-bit flac | 1 | unknown aud. | ||
| 06/27/92 | Summerfest | 16-bit flac | 1 | unknown aud. | ||
| 06/28/92 | Roy Wilkins Auditorium | 16-bit flac | 1 | SBD > ? > CD > EAC > FLAC | ||
| 06/28/92 | Roy Wilkins Auditorium | 16-bit flac | 1 | soundboard | ||
| 06/28/92 | Roy Wilkins Auditorium | 16-bit flac | 1 | Dsbd> Dat (unknown gens) Lineage: Dat > Tascom DA-40 > COAX to COAX cable > M-AUDIO Audiophile 2496 > CD Wave > TLH > flac24 > TLH > wav 24/48 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CDWave > TLH > flac16 | ||
| 06/28/92 | Roy Wilkins Auditorium | 16-bit flac | 1 | DSB > DAT 48 kHz > my DAT clone Transfer : Donnie Loeffler , Jan 2024 NO POST PROCESSING !!!! DAT > s/pdif > Mac > Audacity > 44.1 kHz > FLAC | ||
| 06/30/92 | Starlight Theater | 16-bit flac | 1 | unknown aud. | ||
| 07/01/92 | Fox Theater | 16-bit flac | 1 | unknown aud. | ||
| 07/03/92 | Red Rocks Amphitheatre | 16-bit flac | 1 | FOB: AKG 414's >Panasonic SV-255 DAT (16bit/48khz) | ||
| 07/03/92 | Red Rocks Amphitheatre | 16-bit flac | 1 | SBD/Aud mix > DATs Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave > CDWAV > Flac | ||
| 07/04/92 | Red Rocks Amphitheatre | 16-bit flac | 1 | unknown aud. | ||
| 07/04/92 | Red Rocks Amphitheatre | 16-bit flac | 1 | AKG 414 > SV-2550 AT w/ Nyquist 48V power supply > DAT > DAT via John Adams Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, cross-fade crowd noise) > FLAC 1648 | ||
| 07/14/92 | Paolo Soleri | 16-bit flac | 1 | unknown aud. | ||
| 07/14/92 | Paolo Soleri | 16-bit flac | 1 | Audience Source AKG 414>pansv255 CDRip > Flac | ||
| 07/15/92 | Desert Sky Pavilion | 16-bit flac | 1 | AUD > ? > ? > Cassette Cassette (? gen.) > Nakamichi DR-2 > Tascam DA-P1 > RME Hammerfall 9652 > Sound Forge > CDR > FLAC | ||
| 07/17/92 | Pacific Amphitheater | 16-bit flac | 1 | Senn. 421's Behind SBD | ||
| 07/17/92 | Pacific Amphitheater | 24-bit flac | 1 | Analog Master > 1st Gen (TDK-SA) (Langdon Master Series Vol.131) Transfer : Nak BX-300 > Sony PCM M10 (24/48) > AVS Audio Editor > CD Wave Editor Transferred & tracked by Wes Meyette | ||
| 07/18/92 | County Bowl | 16-bit flac | 1 | 8th row, left: Nakamichi CM-300 CP-1�s (on T-Bar) >Sony WM-D6C (Maxell MX-S Metal, No Dolby) Cassette Master >CDR Via: Sony TC-D5M >HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.35 >Tags Via xACT 2.35 Recorded/Transferred/FLAC�d & Tagged By OldNeumanntapr | ||
| 07/21/92 | Greek Theater | 16-bit flac | 1 | Neumann KM-140's (FOB) > Panasonic SV-255 DAT > cdr taper: Jeff Bowen cd2flac: cds from taper > cdparanoia > mhwaveedit > shntool > flac | ||
| 07/24/92 | Shoreline Amphitheatre | 16-bit flac | 1 | Nakamichi CM-300s w/CP-4 Shotgun Capsules->Sony WM-D6C cassette master->DAT->CDR location: mics on T-Bar, front and center of lawn, duct taped to steel horizontal cables that separate reserved from general admin sections, about 6ft high transfer: Tascam DA-30 DAT->HHb CDR 800 PRO standalone CD recorder via analog i/o taper: Jeff Bowen dat2cd transfer by: Jeff Bowen cd2flac: cdrs from Jeff Bowen > cdparanoia > flac | ||
| 07/25/92 | Cal Expo | 16-bit flac | 1 | Sennheiser 441> Sony D5 (record button was held down so there is no cut on line out)> Sony D3 DAT. Mics were half way between stage and sound board. Mics were 8 ft high. | ||
| 07/26/92 | Pavilion | 16-bit flac | 1 | unknown audience | ||
| 07/28/92 | Lawlor Event Center | 16-bit flac | 1 | unknown (sbd ?)>?>cdr | ||
| 07/31/92 | Plaza of Champions | 16-bit flac | 1 | unknown aud. | ||
| 08/01/92 | Chateau St. Michelle | 16-bit flac | 1 | Nakamichi 700's > Sony D5M (Dolby B on) Taped by: Taperpat | ||
| 08/01/92 | Chateau St. Michelle | 24-bit flac | 1 | "2 GEN : AUD" > Cass Taper unknown, tape provided by Brendan McGill | ||
| 08/14/92 | Holman Stadium | 16-bit flac | 1 | B&K 4011's ORTF > Neumann BS 48i-2 Power Supply > Canare Cable > Sony D10 Pro Modified By Bob Katz Location: 8 feet High On Stand 12th Row DFC Taped by Tim Backstom with Ron Keyser's Gear | ||
| 08/15/92 | Cayuga County Fairgrounds | 16-bit flac | 1 | FOB: Nakamichi CM-300's w/CP-1's >TC-D5M >WM-D3 (Patch) >Cass 1 >WAV >FLAC Cass 1 Transferred: Sony TC-D5M >Tascam DR-100mkII (24/48) >WAV >Audacity (Track Splits, Amplify, Minor Edits, Down Sample / Dither To 16/44.1) >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35 Recorded By Jim Ho, 30 Ft Back From Stage, Front Of Board. [Complete Show]. Cass I Transfer, Audacity, FLAC & FLAC Tags By OldNeumanntapr | ||
| 08/16/92 | Garden State Arts Center | 16-bit flac | 1 | Unknown Taper Unknown Mics And Deck Editing : Joe D'amico ''aka'' Joebeacon | ||
| 08/16/92 | Garden State Arts Center | 16-bit flac | 1 | Sennheiser MD421's > Technics SV-MD1 > DAT Recorded from Orchestra A Center Row J by Keith Litzenberger Transfer: DAT Master > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion) > CDWAV > FLAC Transferred on Jan 21, 2009, previously uncirculated in any form. | ||
| 08/19/92 | Great Woods Center For The Performing Arts | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/21/92 | Stowe Performing Arts Center | 16-bit flac | 1 | FOB: Nakamichi CM-300's w/CP-1's >TC-D5M >WM-D3 (Patch) >Cass 1, XLII Cass I Transferred: Sony TC-D5M >Tascam DR-100mkII (24 bit/48k), WAV >Audacity (Track Splits, Minor Edits, Amplify, Down Sample / Dither To 16 Bit/44.1k) >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35 Recorded By Jim Ho, 40 ft Back From Stage In Front Of Soundboard. Cassette I Transfer, Audacity, FLAC, FLAC Tags By OldNeumanntapr | ||
| 08/22/92 | Mann Center for the Performing Arts | 16-bit flac | 1 | Soundboard > ? > SHN SHN > FLAC by unknown | ||
| 08/22/92 | Mann Center for the Performing Arts | 16-bit flac | 1 | SBD > DAT > WAV > FLAC transferred, tracked & edited by BRUNO | ||
| 08/22/92 | Mann Center for the Performing Arts | 16-bit flac | 1 | unknown audience recording by Tom Hoffman (his first recording ever!). no further infos on mics etc. | ||
| 08/23/92 | Veteran's Memorial Coliseum | 16-bit flac | 1 | A:CM:D, Mics: AKG C451+CK1, 16th row Transfer: Sony D8>CoreSound 7pin cabel>audiophil2496/SPDIF>HDD Flacs generated w/ Trader's Little Helper, level 6 Taped by dcarey, transferred by Rob Berger (DAT tape received from Jim Baadshaug) | ||
| 08/27/92 | Saratoga Performing Arts Ctr | 16-bit flac | 1 | Nak700's > Master DAT > First Generation Cassette (TDK SA-X 100) Tape Supplied By Fitzy Transfer: Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz > Audiogate (Tracking/Sample Rate Conversion To 32/96 kHz Wave) > Korg Aqua (Dithered to 16/44) > FLAC> TLH (SBE Fix) > FLAC (Metadata Tagging With Tag&Rename) Transfer By Keo | ||
| 08/27/92 | Saratoga Performing Arts Ctr | 16-bit flac | 1 | Soundboard recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 08/29/92 | Merriweather Post Pavilion | 16-bit flac | 1 | Recorded By Ron Keyser B&K 4011's ORTF 8 feet High On Stand Row N Seat 114 DFC Neumann BS 48i-2 Power Supply> Canare Cable> Sony D10 Pro Modified By Bob Katz | ||
| 08/30/92 | Meadowlands Arena | 16-bit flac | 1 | Sennheiser MD421's>Technics SV-MD1 downsampled to 44.1KHz with sox > shntool > flac Recorded 7th row Center Recorded By Keith Litzenberger | ||
| 08/30/92 | Meadowlands Arena | 16-bit flac | 1 | AKG 414's On A Mic Stand > Oade Custom Mic Pre-Amp > Sony TC D-10 Pro DAT Recorder Recorded FOB 15'th row center-Row O-Seat#25-Floor Section #2 | ||
| 09/01/92 | Classic Amphitheatre | 24-bit flac | 1 | FOB Nak 701's> Reutleuber> Dat Master Dat> HIFI Tape Fully Restored Sony SLV-R1000 Stero HIFI Flagship Super-VHS VCR> Mixpre 24/48 By Mark Lynn Conversion: CDWAV> TLH> Flac By Levi Hunt | ||
| 09/02/92 | Trask Coliseum, UNC-W | 16-bit flac | 1 | listed as daud | ||
| 09/02/92 | Trask Coliseum, UNC-W | MP4 | 1 | Audience Shot Video | ||
| 09/04/92 | Palladium at Carowinds | 16-bit flac | 1 | AUD > ? > Analog? > ? > CD > EAC > FLAC | ||
| 09/06/92 | Walnut Creek Amphitheater | 16-bit flac | 1 | listed as daud | ||
| 09/06/92 | Walnut Creek Amphitheater | 16-bit flac | 1 | AUD>DAT>CDR | ||
| 09/07/92 | Lakewood Amphitheatre | 16-bit flac | 1 | AUD > ? > CDR > EAC > FLAC | ||
| 09/07/92 | Lakewood Amphitheatre | 16-bit flac | 1 | AUD sourced cdrs acquired in trade | ||
| 09/07/92 | Lakewood Amphitheatre | 16-bit flac | 1 | AUD Schoeps CMC32’s > Oade > DAT > 48 kHz Transfer: Donnie Loeffler Feb 13, 2024 NO POST PROCESSING! DAT > s/pdif > Mac > Audacity > 44.1 kHz > FLAC | ||
| 09/07/92 | Lakewood Amphitheatre | 16-bit flac | 1 | Audience Lineage: Schoeps Cmc32’s > Oade > DAT > Audacity > 16/44.1 > FLAC > Audition > TagScanner > dBpoweramp > FLAC Quality: 8+ Seeded by fz789, May 21 2024 | ||
| 09/07/92 | Lakewood Amphitheatre | 16-bit flac | 1 | daud Jerry Moore’s dat akg d224’s, taper unknown transfer & seed - Rob Berger 2015 | ||
| 09/07/92 | Lakewood Amphitheatre | 16-bit flac | 1 | SOUNDBOARD > DAT INCOMPLETE SHOW | ||
| 05/22/93 | Pacific Amphitheater | 16-bit flac | 1 | aud>?>cdr lineage: trade cdr(x?) > wav (plextor px504-A/eac offset +66) > flac (flac frontend 1.7.1/verify/align on sb/level 6) | ||
| 05/25/93 | Greek Theater | 16-bit flac | 1 | Soundboard recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 05/26/93 | Arlington Theater | 16-bit flac | 1 | Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35 (FLAC’d & Tagged By OldNeumanntapr) | ||
| 05/28/93 | Concord Pavilion | 16-bit flac | 1 | unknown aud. | ||
| 05/29/93 | Laguna Seca Raceway | 16-bit flac | 1 | AUD > ? > CDR > EAC > FLAC | ||
| 05/29/93 | Laguna Seca Raceway | 16-bit flac | 1 | excellent sound audience unknown lineage, cdrs received in trade | ||
| 05/29/93 | Laguna Seca Raceway | 16-bit flac | 1 | Schoeps CMC5 + MK-21 FOB Remastered: volume acoustic set raised by using cooledit2000 | ||
| 05/29/93 | Laguna Seca Raceway | 24-bit flac | 1 | Realistic PZM > recording deck (Marantz PMD430 or Sony D5 or D6?) > 2x Sony Metal Select 90 (no NR) Transfer: Original Sony Metal Select 90 cassettes > Nakamichi LX-3 (no NR) > Zoom F3 > WAV @32float / 96kHz WAV32f96 > Sony Sound Forge Mac 2.5.1 (gain & limit, output to 2448) WAV2448 > Audacity 2.4.2 (tracking and fades) > xACT 2.57 (FLAC encode, tag, and rename) > FLAC @2448 1993 Recording and 2025 transfer by: morst | ||
| 05/29/93 | Laguna Seca Raceway | 24-bit flac | 1 | Kenwood car stereo > RCA outputs > DAT > Sony D5 > 2x Sony Metal-SR 100 (no NR) Transfer: Original Sony Metal-SR 100 cassettes > Nakamichi LX-3 (no NR) > Zoom F3 > WAV @32float / 96kHz WAV32f96 > Sony Sound Forge Mac 2.5.1 (gain & limit, output to 2448) WAV2448 > Audacity 2.4.2 (tracking and fades) > xACT 2.57 (FLAC encode, tag, and rename) > FLAC @2448 1993 Recording and 2025 transfer by: morst | ||
| 05/30/93 | Hilton Amphitheater | 16-bit flac | 1 | Soundboard recording from "Old Coot Shoebox Series" received as audio cds and ripped to FLAC files | ||
| 06/01/93 | Cal Expo | 16-bit flac | 1 | Soundboard recording received in a trade as audio cds and ripped to FLAC files | ||
| 06/02/93 | Paul Paul Theater | 16-bit flac | 1 | Soundboard recording from "Old Coot Shoebox Series", received as audio cds and ripped to FLAC files | ||
| 06/04/93 | Mesa Amphitheatre | 16-bit flac | 1 | Audience recording of unknown origin, received as audio cds and ripped to FLAC files | ||
| 06/24/93 | Summerfest | 16-bit flac | 1 | aud > cass (master) > cass/1 > Tascam DA-20 mkII (dat) conversion: Sony D8 > Oade active digicable > RME Digi 96/8 PST soundcard > CDWav (WavMerge for editing) > mkwact > .shn | ||
| 06/25/93 | World Theatre | 16-bit flac | 1 | unknown aud. | ||
| 06/25/93 | World Theatre | 16-bit flac | 1 | Nak 300's -> D5 -> DAT -> Tascam DA20 -> HHB -> FLAC | ||
| 06/26/93 | Mesker Amphitheater | 16-bit flac | 1 | unknown aud. | ||
| 06/29/93 | Pine Knob Music Theatre | 16-bit flac | 1 | unknown recording > CD-R(x) > EAC > FLAC | ||
| 06/30/93 | Nautica Stage | 16-bit flac | 1 | Schoeps CMC32 Split Omni (8ft spaced on stands) > Oade Pre > Panasonic sv255 Location: Digital FOB Audience Tape - 15th Row Taped By Adam Gross and Bill Pobega (Todd Evans recording gear) | ||
| 07/01/93 | Deer Creek Music Center | 16-bit flac | 1 | unknown aud. | ||
| 07/03/93 | Lakewood Amphitheatre | 16-bit flac | 1 | Soundboard Lineage: Unknown Remastered to fix a number of tracking issues, also removed freq noise 15740 Hz | ||
| 07/03/93 | Lakewood Amphitheatre | 16-bit flac | 1 | Tapers section > ? > cassette trade circa 1993 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 07/03/93 | Lakewood Amphitheatre | 24-bit flac | 1 | "1st AUD:DAT" > Cass Taper unknown, tape provided by Brendan McGill | ||
| 07/04/93 | Walnut Creek Ampitheatre | 16-bit flac | 1 | Audience recording of unknown origin, received as audio cds and ripped to FLAC files | ||
| 07/04/93 | Walnut Creek Ampitheatre | 16-bit flac | 1 | Nakamichi CM-300/CP4 > Sony TCD5M DAT > CD transfer: Sony PCM-R500 > Marantz PMD-671 Transfer by Robbie Dunn | ||
| 07/30/93 | Saratoga Performing Arts Center | 16-bit flac | 1 | unknown aud. | ||
| 07/30/93 | Saratoga Performing Arts Center | 24-bit flac | 1 | Recorded by dssman SONY D5 Master w/ NAK 300's thru CP4 shotguns>CD>Traders Little Helper FLAC conversion | ||
| 07/31/93 | Stowe Performing Arts Center | 16-bit flac | 1 | (ORTF 110^/FOB/DFC/15th Row/6.5' Stand) B&K 4011s > Neumann BS48i-2 > Sony TCD-D3 > DAT(m) > DAT(c) DAT(m) Sourced by John Goodhue Conversion: DA-P1 > ProdifPlus > Samplitude 7.0 Pro > CDWAVE> Flac | ||
| 07/31/93 | Stowe Performing Arts Center | 16-bit flac | 1 | FOB Senn 441 (15th row center) > DTR-80 by Doug Lamarre Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, patch, fades) > FLAC 1648 | ||
| 07/31/93 | Stowe Performing Arts Center | 16-bit flac | 1 | Liberated Boot (Horde Festival 1993) by Triangle Records | ||
| 08/01/93 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Unknown Audience | ||
| 08/01/93 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | unknown lineage Remastered by Derek McCabe | ||
| 08/01/93 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | recorded by Cpt. Joe digital transfer, shn and cd formatting by TM Schoeps (FOB)-->dat-->za2 (48/44.1)-->.wav-->.shn | ||
| 08/01/93 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | AKG 391 > Aerco > Aiwa DAT > 1st Gen Cassette (DAT's Unavailable) Taper: Steve K Transfer: 1st Gen Cassette > Denon DRW 840 (Pass Thru) > Sony R300 SBM > Optical > MeritLine USB Adapter > PC > CD Wave > FLAC Frontend (Level 8) Transfered: Freddie G | ||
| 08/03/93 | Merriweather Post Pavilion | 16-bit flac | 1 | Recorded By Ron Keyser B&K 4011's ORTF 8 feet High On Stand Row N Seat 115 DFC Neumann BS 48i-2 Power Supply> Modified Canare Cable> Sony D10 Pro Modified By Bob Katz | ||
| 08/03/93 | Merriweather Post Pavilion | 16-bit flac | 1 | Soundboard > ? > DAT Transfer: Fostex D-5 DAT > Tascam US-144 Audio Device > SoundForge 9.0 > FLAC Transferred, tracked & edited by BRUNO on 2009-04-16 | ||
| 08/04/93 | Mann Music Theater | 16-bit flac | 1 | schoeps > ? > cd > EAC > flac cds provided by Jeff Travitz EAC & flac'ng by Levi Hunt | ||
| 08/04/93 | Mann Music Theater | 16-bit flac | 1 | Schoeps MK4's>Rbox>Technics SV-MD1 Recorded By Flying Gonz from Orchestra A Center Row A Lineage: DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC | ||
| 08/07/93 | Waterloo Village | 16-bit flac | 1 | Unknown digital audience with Schoeps mics | ||
| 08/11/93 | Kingswood Music Theater | 16-bit flac | 1 | unknown aud. | ||
| 08/12/93 | Lakeside Amphitheater | 24-bit flac | 1 | analog audience recording gen: 1st taper: Joel Gershon cassette provided by: Joel Gershon (unknown mics -> Sony D6) transfer: cassette -> Tascam 202 MK -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2025-06 (24-48) | ||
| 08/14/93 | Thames River Pavilion | 16-bit flac | 1 | unknown aud. | ||
| 08/14/93 | Thames River Pavilion | 16-bit flac | 1 | Nakamichi 300 shotguns > Sony D6 Location: Center just in front of the soundboard Recorded, edited and seeded by Michael Buzzeo | ||
| 08/27/93 | Starplex Amphitheater | 16-bit flac | 1 | unknown aud. | ||
| 08/28/93 | Cynthia Woods Mitchell Pavilion | 16-bit flac | 1 | unknown aud. | ||
| 08/29/93 | The Backyard | 16-bit flac | 1 | unknown aud. | ||
| 08/31/93 | Alexis Park Hotel | 16-bit flac | 1 | unknown aud. | ||
| 09/14/93 | Civic Center | 24-bit flac | 1 | analog audience recording | ||
| 09/15/93 | J.M.U. Convocation Center | 16-bit flac | 1 | Soundboard | ||
| 09/17/93 | Coleman Coliseum | 16-bit flac | 1 | unknown soundboard > FLAC | ||
| 09/18/93 | World's Fair Park | 16-bit flac | 1 | Soundboard | ||
| 11/12/93 | University of Florida Bandshell | 16-bit flac | 1 | sen ME-80/KU-3's X sen 421's > Denon DTR-80P master dat > Tascam CD-RW4U wavelab > flac | ||
| 11/13/93 | South Florida Fairgrounds | 16-bit flac | 1 | Sennheiser ME-40/K3U > Sony TC-D5M (as preamp) > Sony TCD-D7 DAT Location: 90 deg x/y, approx 100yd from stage center Transfer: DAT master > Panasonic SV-3800 DAT > EGO-SYS WT2496 > SF 4.5 > FLAC Recorded and transferred by Dean Grabski | ||
| 11/14/93 | Brevard County Fairgrounds | 16-bit flac | 1 | Audience recording of unknown origin, received as audio tape and ripped to FLAC files | ||
| 11/14/93 | Brevard County Fairgrounds | 16-bit flac | 1 | Audience recording > ? > cassette > ? > FLAC | ||
| 11/14/93 | Brevard County Fairgrounds | 16-bit flac | 1 | FOB AKG 391 > DAT > C by Jim Vita Transfer: C > Nakamichi DR3 > Sound Devices 744T > WAV @ 24/48 wav by Jon Pasternak Master: Wavelab 12 (tracking, fix gaps, resample, Lin dither) > FLAC 1644 | ||
| 03/28/94 | Orpheum Theater | 16-bit flac | 1 | 2x Sennheiser ME 88's (stand, center floor) > Sony TCD-D7 taped by Dan Rogosa Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, levels, remove DC offset) > FLAC 1648 | ||
| 03/28/94 | Orpheum Theater | 16-bit flac | 1 | FOB Senn 441 (Orch Center Row D seat 211) > DTR-80 by Doug Lamarre Transfer: Sony D-100 > Marantz PMD-580 > WAV @ 16/48 Master: Wavelab 12 (tracking) > FLAC 1648 | ||
| 03/29/94 | Orpheum Theater | 16-bit flac | 1 | AKG 460b/ck61 -> custom pre-amp -> Teac DA-P20 Location: fob / Orch Center, Row P, Seat 206 Recorded by: Dave Flaschner Transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6) Transferred by: Chris Davis (5/7/08) | ||
| 03/29/94 | Orpheum Theater | 16-bit flac | 1 | Senn 441 (Mezz Center Row A seat 209) > DTR-80 by Doug Lamarre Transfer: Sony D-100 > Marantz PMD-580 > WAV @16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648 | ||
| 04/01/94 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4 > Apogee PreAmp > DATs Row 7 Taper: unknown Transfer: DAT 60ES > M-Audio Audiophile UsB > WAV > Flac | ||
| 04/01/94 | Beacon Theater | 16-bit flac | 1 | Original Bootleg-> cd-r(1) -> eac095pb5 (PLEXTOR PX-W1210A) -> CDWAVE -> flac frontend (level 8) | ||
| 04/02/94 | Beacon Theatre | 16-bit flac | 1 | unknown aud. | ||
| 04/02/94 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 959's x2 > Sony Mini Disc Master Mini Discs > Sony Mds Jcs500 > Korg Mr 1000 > Audio Gate > Cool Edit > Traders Little Helper | ||
| 04/03/94 | Beacon Theatre | 16-bit flac | 1 | taper : mike springer sony 959's x2 > sony mini disc > tascam cd-rw2000 | ||
| 04/05/94 | Beacon Theatre | 16-bit flac | 1 | AKG 391 > Aerco > DAT > Sony D5 Cassette Master (DAT's aren't available) Location: 1st Row Loge Left Center Transfer: Cassette Master > Nakamichi 1.5 > HHB850 > CD > PC > CD Wave > FLAC Frontend (Level 8) Taper: Steve K Patcher: Freddie G Transfer: Freddie G | ||
| 04/05/94 | Beacon Theatre | 16-bit flac | 1 | taper : mike springer ''aka'' the cowboys suck sony 959's mics > sony mini disc | ||
| 04/06/94 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 959's x2 > Sony Mini Disc Master Mini Discs > Sony Mds Jcs500 > Korg Mr 1000 > Audio Gate > Cool Edit > Traders Little Helper | ||
| 04/08/94 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 959's x2 > Sony Mini Disc Master Mini Discs > Sony Mds Jcs500 > Korg Mr 1000 > Audio Gate > Cool Edit > Traders Little Helper | ||
| 04/09/94 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 959's x2 > Sony Mini Disc Master Mini Discs > Sony Mds Jcs500 > Korg Mr 1000 > Audio Gate > Cool Edit > Traders Little Helper | ||
| 04/10/94 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 959's x2 > Sony Mini Disc Master Mini Discs > Sony Mds Jcs500 > Korg Mr 1000 > Audio Gate > Cool Edit > Traders Little Helper | ||
| 04/28/94 | State Theatre | 16-bit flac | 1 | B&K 4011's (110 degrees ORTF FOB, DFC, On Stand 7'high) -> Neumann BS48i-2 power supply -> Sony TCD D3 line in taper: Alan Schmit cd2flac: cdrs from taper > cdparanoia > mhwaveedit > shntool > flac | ||
| 05/08/94 | Aladdin Theater | 16-bit flac | 1 | Nakamichi CM 100 > Sony DAT D-3 18th row center | ||
| 05/10/94 | Wiltern Theatre | 16-bit flac | 1 | SBD CDRS acquired in trade | ||
| 05/11/94 | Wiltern Theatre | 16-bit flac | 1 | Taper : Unknown Editing : Joe D'Amico ''AKA'' Joebeacon Analog Soundboard | ||
| 05/15/94 | Hyatt Grand Champ | 16-bit flac | 1 | sbd (Old Coot's shoebox series) transferred by Beverly remastered by dbhelm | ||
| 05/17/94 | Warfield Theatre | 16-bit flac | 1 | Unknown Conversion: EAC> WAV> Flac | ||
| 05/18/94 | Warfield Theater | 16-bit flac | 1 | Nakamichi CM300s > D6 Transfer: Cassette Master in Tascam 102 > Sony PCM-R300 @44.1k > Tascam DA-20mkII > S/PDIF > Audiophile USB > Peak 3.21 > WAV > shntool > SHN Taped by Stefan Morosky, Transferred by Jon Seff | ||
| 05/20/94 | Warfield Theatre | 16-bit flac | 1 | Schoeps mics > ? > DAT > CD-R Lineage: CD-R > EAC > FLAC | ||
| 05/20/94 | Warfield Theatre | 16-bit flac | 1 | Neumann KM184's > (preamp unknown) > Teac DA-P20 > Sony TCD-D10PROII Lineage: DAT Master > Tascam DA-30MKII > Sound Devices 702 > Wavelab 5 (Fades, De-Emphasis, Resample to 44.1khz) > CDWAV > FLAC | ||
| 05/21/94 | Warfield Theatre | 16-bit flac | 1 | Unknown Audience Lineage: 48k DAT trade > wav (48kHz,32bit) > CoolEdit2000 > CD-R > EAC > TLH > flac | ||
| 05/21/94 | Warfield Theatre | 16-bit flac | 1 | AKG C460B/CK61-ULS > DATs Taper unknown Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac | ||
| 05/22/94 | Warfield Theatre | 16-bit flac | 1 | Neumann u89i(omni) > NagraD (20bit digital reel to reel) > Lexicon 300 (20 to 16bit digital conversion) > StellaDAT Location: 25' spread, 25' from stage, Taper: Jeff Silberman Transfer: Panasonic sv3200 > Marantz cdr615 (48 to 44.1 conversion) > cd > Plexwriter 12/10/32a > eac > cdwave > mkwACT 0.97beta > SHN Transfer by Daniel Schar | ||
| 05/22/94 | Warfield Theatre | 16-bit flac | 1 | Neumann KM-54 (90 deg.) > Sony D-7 DAT (16/44.1) Location: FOB 8’ on stand - center drink rail Transfer: unknown | ||
| 05/22/94 | Warfield Theatre | 16-bit flac | 1 | AMS Soundfield ST-250 Microphone (Blumlein Pattern) > Nagra-D Digital Reel-to-Reel (20 Bit) > DAT Transfer Info: Dat (Tascam DA-20)-> M-Audio Audiophile 192 -> Soundforge 8.0 44.1k version (48k native resolution available as well) Recorded By Jeff Silberman Dat Supplied By Clay Brennecke Transferred By Todd Evans Edited, resampled, dithered and tracked in Steinberg's Wavelab 5.0 by Jamie Waddell Flac level 6 in Flacfrontend. All files cut on sector boundaries. Verified SBE free for cdr. | ||
| 06/24/94 | Gerald R. Ford Amphitheater | 24-bit flac | 1 | Tapers section > 1 gen cassette trade circa 1994 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (96-24) > Flac (level 8) > you | ||
| 06/25/94 | Tivoli Beer Pavilion | 16-bit flac | 1 | sbd (Old Coot's shoebox series) transferred by Sang remastered by dbhelm | ||
| 06/28/94 | Mud Island Amphitheater | 16-bit flac | 1 | AUD > ? > CDR > EAC > FLAC | ||
| 07/01/94 | Walnut Creek Amphitheatre | 16-bit flac | 1 | Sennheiser ME-88 > Sony D-10 Pro II Recording by Cheddar Transfer: Sony PCM-R500 > Marantz PMD-671 Conversion: 16 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of show with Sound Forge 6.0, FLAC files generated with FLAC front end. Transfer & conversion by Robbie Dunn | ||
| 07/01/94 | Walnut Creek Amphitheatre | 16-bit flac | 1 | A HOT STEAMY SUMMER NIGHT � Superb Sound Board SILVER CD > FLAC FILE | ||
| 07/01/94 | Walnut Creek Amphitheatre | DVD | 1 | Pro Shot Video | ||
| 07/02/94 | Blockbuster Pavilion | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann KM 184 Mics > Tascam DA-P1 Tascam DA-P1 > Computer > Adobe Audition > Ozone > Traders Little Helper | ||
| 07/04/94 | Donaldson Center | 16-bit flac | 1 | Disc one and two: Unknown generation audience tape, excellent sound>Harmon Kardon tape deck>Pioneer stand alone cdr burner>wav>flac level 8 16bit. Disc three Unknown generation audience cdr received in trade to complete the show. Quality drops to only "good", maybe even "fair" as the encores are too hot sounding | ||
| 07/04/94 | Donaldson Center | DVD | 1 | Audience Shot Video | ||
| 07/13/94 | The Flats | 16-bit flac | 1 | unknown aud > ? > cdr Received cdrs from David Bennett on etree Transfer: cdr > cdparanoia > mhwaveedit > wavbreaker > flac Ripping/fixing/flac'ng done by Jason Pline | ||
| 07/15/94 | Deer Creek Music Center | 16-bit flac | 1 | soundboard | ||
| 07/15/94 | Deer Creek Music Center | 16-bit flac | 1 | SBD Transfer: DAT(c) @ 48kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X Suite v12.5.2.284 > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger DAT provided by Steve Mortlock Transfer & edits by Jeff Mitchell | ||
| 07/15/94 | Deer Creek Music Center | 16-bit flac | 1 | SBD > DAT 48 kHz DAT Clone 48k > s/pdif > MAC > Audacity > FLAC | ||
| 07/15/94 | Deer Creek Music Center | 16-bit flac | 1 | SBD>DAT @48kHz Transfer: DAT>CTD8000>datdeck(software)>Audacity(resampled to 44.1 KHz & applied fades)>wavbreaker>flac level 6 transfer done by Jason Pline on December 29th 2005 DAT's provided by Jake Rorschach | ||
| 07/16/94 | Val du Lakes Amphitheater | 16-bit flac | 1 | Soundboard recording of unknown origin, received in a trade as audio cds and ripped to FLAC files | ||
| 07/16/94 | Val du Lakes Amphitheater | 16-bit flac | 1 | (Handheld/ORTF/110^/FOB/DFC) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts | ||
| 07/23/94 | Riverport Amphitheatre | 16-bit flac | 1 | sbd>?>cdr lineage: trade cdr(x?) > wav (plextor premium/eac offset correct) > flac (flac frontend 1.7.1/verify/align on sb/level 6) | ||
| 07/23/94 | Riverport Amphitheatre | 24-bit flac | 1 | Realistic PZM(12v) pair, center of lawn > Marantz PMD430 > 2x Maxell XLII90 Transfer: Original Maxell XLII90 cassettes > Nakamichi LX-3 (no NR) > Zoom F3 > WAV @32f96 WAV > Sony Sound Forge Mac 2.5.1 (gain & limit, output to 2448) > Audacity 2.4.2 (tracking and fades, FLAC encode) > FLAC @2448, tagged and renamed using xACT 2.57 Recording and transfer by: morst | ||
| 07/27/94 | Santa Fe Downs | 16-bit flac | 1 | unknown AUD > D7 @ 48kHz Conversion: DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > SoX > flac16 Patched and DATs provided by: John White Converted by: Mark Domyancich | ||
| 07/29/94 | Compton Terrace | 24-bit flac | 1 | Unknown Soundboard Recording | ||
| 07/31/94 | Shoreline Amphitheatre | 16-bit flac | 1 | DAUD > ? > ? > DAT > ? > Cassette Cassette (? gen.) > Nakamichi DR-2 > Tascam DA-P1 > RME Hammerfall 9652 > Sound Forge > CDR > FLAC | ||
| 07/31/94 | Shoreline Amphitheatre | 16-bit flac | 1 | AUD > ? > CDR > EAC > FLAC | ||
| 08/13/94 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Senn 441 (Sec 6 Row G Seat 31) > DTR-80 by Doug Lamarre Transfer: Sony D-100 > Marantz PMD-580 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades) > FLAC 1648 | ||
| 08/14/94 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Sennheiser 800's > DAT D3 Master (patched out of another deck) Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac | ||
| 08/14/94 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | sbd>?>cdr lineage: trade cdr(x?) > wav (plextor plexwriter-premium/eac offset correct) > flac (flac frontend 1.7.1/verify/align on sb/level 6) | ||
| 08/16/94 | Garden State Arts Center | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Sony 959 Mics > Sony D7 Sony D7 > Computer > Adobe Audition > Ozone > Traders Little Helper | ||
| 08/16/94 | Garden State Arts Center | 16-bit flac | 1 | THE ALLMAN BROTHERS BAND: SONGS FROM THE ROAD (BOOTLEG CD) | ||
| 08/17/94 | Riverside Park | 16-bit flac | 1 | AUD > ? > cassette (unknown gen) > Audacity > my computer > CDWave > FLAC | ||
| 08/17/94 | Riverside Park | 16-bit flac | 1 | Beyer 201 > Sony TCD-D10 Pro (16/48) > Maxell DM Lineage : MDAT > Panasonic SV-3700 > Digital S/PDIF Out > Scarlett 18i20 > Mac Pro > Adobe Audition > WAV (16/48) > CD Wave Editor > WAV (16/48) Recorded By: Ted Dralle Transferred & Mastered By Scott Medeiros Tracked by: Mike Boge From the collection belonging to Toni Fishman, Bill Hoy & Scott Medeiros | ||
| 08/19/94 | The Ballpark | 16-bit flac | 1 | no source info included - probably aud source | ||
| 08/19/94 | The Ballpark | 16-bit flac | 1 | Senn 441 > DTR-80 by Doug Lamarre Transfer: Sony D-100 > Marantz PMD-580 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades) > FLAC 1648 | ||
| 08/20/94 | Lakeside Amphitheater | 16-bit flac | 1 | Maxell XLII 90s (1) > Optimus SCT-57 playback deck > Adobe Audition 1.5 (Recording at 24/96, NR, EQ, peak limiting, splits & fades, conversion to 16/44.1) > TLH (SBE fix, flac 8) | ||
| 08/20/94 | Lakeside Amphitheater | 16-bit flac | 1 | unknown AUD > D7 @ 48kHz Conversion: DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > SoX > flac16 Patched and DAT provided by: John White Converted by: Mark Domyancich | ||
| 08/26/94 | Merriweather Post Pavilion | 16-bit flac | 1 | Recorded By Ron Keyser AMS ST250 (Soundfield) Blumlein Technique 8 feet High On Stand Row F Seat 112 DFC AMS Control Box> Modified Sony D10 Pro II (Modified By Paul Plotnick to Bob Katz specs) | ||
| 08/27/94 | Montage Mountain | 16-bit flac | 1 | Nakamichi 300 Mics W/CP4 Shotguns > Marantz PMD 430 cassette deck cd transfer: MC > Harmon Kardon CDR20 home burner > cd flac transfer: cdrs from taper > cdparanoia > mhwaveedit > shntool > flac taper: David Boedicker (Boedi-taper) location: lawn | ||
| 08/27/94 | Montage Mountain | 16-bit flac | 1 | unknown mics > unknown Nakamichi cassette deck > DAT > Cass/0 Conversion: Cass/0 > Sony TC-K679ES > Audiophile 2496 > Sound Forge > flac16 Recorded by: Dan Petrafessa and John White Cassettes provided by: John White Converted by: Mark Domyancich | ||
| 08/28/94 | Mann Music Center | 16-bit flac | 1 | FOB Schoeps MK4V's> KCY Actives> VMS> SBM-1> Sony D100 PRO Conversion: HP standalone burner > EAC > MKW Taped and Conversion: JEFF TRAVITZ | ||
| 08/28/94 | Mann Music Center | 16-bit flac | 1 | unknown mics > unknown Nakamichi cassette deck > DAT > Cass/0 Conversion: Cass/0 > Sony TC-K679ES > Audiophile 2496 > Sound Forge > flac16 Recorded by: Dan Petrafessa and John White Cassettes provided by: John White Converted by: Mark Domyancich | ||
| 08/30/94 | New York State Fairgrounds Grandstand | 16-bit flac | 1 | SBD > DAT | ||
| 08/31/94 | Jones Beach Amphitheatre | 16-bit flac | 1 | Sony 959's > Sony MD | ||
| 08/31/94 | Jones Beach Amphitheatre | 16-bit flac | 1 | unknown mics > unknown Nakamichi cassette deck > DAT > Cass/1 Conversion: Cass/1 > Sony TC-K679ES > Audiophile 2496 > Sound Forge > flac16 Recorded by: Dan Petrafessa and John White Cassettes provided by: John White Converted by: Mark Domyancich | ||
| 09/01/94 | Jones Beach Amphitheatre | 16-bit flac | 1 | Sony 959's > Sony MD | ||
| 09/01/94 | Jones Beach Amphitheatre | 16-bit flac | 1 | unknown mics > unknown Nakamichi cassette deck > DAT > Cass/1 Conversion: Cass/1 > Sony TC-K679ES > Audiophile 2496 > Sound Forge > flac16 Recorded by: Dan Petrafessa and John White Cassettes provided by: John White Converted by: Mark Domyancich | ||
| 09/03/94 | Saratoga Performing Arts Center | 16-bit flac | 1 | Unknown mics/adc>>Sony TCD-7 DAT @48khz Transfer: Sony AD-7>>Sony rcd w500c EAC: PC w/pentium III 700>>flac v1.7.1 etree ed. Mastered and Transferred by John White Tracked and flac'd by Kyle Holbrook | ||
| 09/03/94 | Saratoga Performing Arts Center | 16-bit flac | 1 | unknown mics > unknown Nakamichi cassette deck > DAT > Cass/1 Conversion: Cass/1 > Sony TC-K679ES > Audiophile 2496 > Sound Forge > flac16 Recorded by: Dan Petrafessa and John White Cassettes provided by: John White Converted by: Mark Domyancich | ||
| 09/04/94 | Byram Township | 16-bit flac | 1 | A:D, SCMS, Mics: Schoeps CMC5, MK-21 | ||
| 09/04/94 | Byram Township | 16-bit flac | 1 | (Audience recording) > FOB Schoeps MK4V's > KCY Actives > VMS > SBM-1 > Sony D100 PRO > DAT master > HP standalone burner > EAC > WAV > mkwACT > FLAC. Taped and conversion: JEFF TRAVITZ | ||
| 09/04/94 | Byram Township | 16-bit flac | 1 | Sennheiser 441>Sony D5>Cassette Master FOB Transfer:Cassette Master>Nakamichi 1.5>HHB850>CD>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 09/04/94 | Byram Township | 16-bit flac | 1 | unknown mics > unknown Nakamichi cassette deck > DAT > Cass/0 Conversion: Cass/0 > Sony TC-K679ES > Audiophile 2496 > Sound Forge > flac16 Recorded by: John White Cassettes provided by: John White Converted by: Mark Domyancich | ||
| 10/29/94 | FM 103.5 | 16-bit flac | 1 | FM Broadcast | ||
| 10/29/94 | FM 103.5 | 16-bit flac | 1 | Pre Fm> Dat >CD Sound Quality Is VG+ | ||
| 10/29/94 | Seattle Center | 16-bit flac | 1 | Unknown Conversion: Richard DiPaola | ||
| 11/11/94 | Sunrise Musical Theatre | 24-bit flac | 1 | FOB AKG 391s > MC by Jim Vita Transfer: MC > Nakamichi DR3 > Sound Devices 744T > WAV @ 24/48 wav by Jon Pasternak Master: Wavelab 12 (tracking, cross fades) > WAV @ 2448 | ||
| 11/12/94 | Florida Expo Park | 16-bit flac | 1 | Soundboard > ? > DAT Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering with iZotope Ozone 4 > CD Wave > TLH > Flac | ||
| 12/10/94 | Sioux City Convention Center | 16-bit flac | 1 | Realistic (Radio Shack) PZM mics> Sony TCD-D3 DAT Transfer: Tascam DA-20mkII> M-Audio Transit Tracking and FLACing: CD Wave, Trader's Little Helper | ||
| 04/21/95 | Miami University | 16-bit flac | 1 | Recorded From Soundboard Area Nakamichi CM-300's W/CP-4 Shotgun Capsules >Sony TCD-D7 Trade DAT (Clone I) Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o. Taiyo Uden CD Masters >FLAC (Level 8) Via xACT 2.28, Tags Via xACT 2.44 Recorded By Unknown Transfer/FLAC & Tags By OldNeumanntapr | ||
| 04/22/95 | Palace Theater | 16-bit flac | 1 | FOB Nak 300's (x/y, 8th row center) > D5 (analog output) > D7 > DAT Transfer #1: DAT(1) > coax > Marantz 650 (48 > 44.1) > coax > Roland vs-880 > internal CDR burner > Nero > CDR Transfer #2: CDR > EAC > WAV > Wavelab 5.01 (fades, dropout repair, L3-Multimaximizer to reduce bass and increase headroom) > FLAC | ||
| 04/23/95 | Lakewood Amphitheater | 16-bit flac | 1 | AUD > unknown mics > ? > 3rd gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 04/23/95 | Lakewood Amphitheater | 16-bit flac | 1 | Discs received from Oldcoot SBD > ? > CDR > EAC > xAct > Flac | ||
| 04/25/95 | Civic Center | 16-bit flac | 1 | unknown audience source; ripped from audio CDs received in a trade | ||
| 04/28/95 | Oak Mountain Amphitheatre | 16-bit flac | 1 | SBD > HiFi VHS > DATs Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave > CDWAVE > flac | ||
| 04/29/95 | Riverfront Amphitheater | 16-bit flac | 1 | unknown audience recording, received in trade | ||
| 04/30/95 | Jackson Zoo | 16-bit flac | 1 | EXC sounding cdrs acquired in trade | ||
| 05/01/95 | House of Blues | 16-bit flac | 1 | sbd>?>cdr | ||
| 05/14/95 | Radio City Music Hall | 16-bit flac | 1 | FROM MASTER & TRANSFERRED BY MIKE SONY 959'S GAIN '7@120 DEGREES > SONY MINI-DISC > TASCAM CD-RW2000 | ||
| 05/15/95 | Radio City Music Hall | 16-bit flac | 1 | Nakamichi CM-300 CP-4’s >Sony TCD-D7 Trade DAT (1st Clone) Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO, Taiyo Uden CD Masters >WAV Via xACT 2.28 >Audacity (Combine Tracks To A One-Track File, Amplify, Minor Edits, Minor Selective Compression, Re-Track On Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.44 Recorded By Unknown Transferred, Audacity, FLAC’d, & Tagged By OldNeumanntapr | ||
| 05/16/95 | Radio City Music Hall | 16-bit flac | 1 | AKG391>Aerco>Sony D5>Cassette Master FOB Transfer:Cassette Master>Nakamichi 1.5>Sony R300>DAT>HHB850>CD>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 05/16/95 | Radio City Music Hall | 16-bit flac | 1 | FROM MASTER & TRANSFERRED BY MIKE SPRINGER SONY 959�S GAIN �7@120 DEGREES > SONY MINI-DISC > TASCAM CD-RW2000 | ||
| 05/18/95 | Radio City Music Hall | 16-bit flac | 1 | FROM MASTER & TRANSFERRED BY MIKE SPRINGER SONY 959�S GAIN �7@120 DEGREES > SONY MINI-DISC > TASCAM CD-RW2000 | ||
| 05/19/95 | Radio City Music Hall | 16-bit flac | 1 | FROM MASTER & TRANSFERRED BY MIKE SPRINGER SONY 959�S GAIN �7@120 DEGREES > SONY MINI-DISC > TASCAM CD-RW2000 | ||
| 05/20/95 | Radio City Music Hall | 16-bit flac | 1 | AKG391 > Aerco > Sony D5 > Cassette Master FOB Transfer: Cassette Master > Nakamichi 1.5 > Sony R300 > DAT > HHB850 > CD > PC > CD Wave > FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 05/20/95 | Radio City Music Hall | 16-bit flac | 1 | FROM MASTER & TRANSFERRED BY MIKE SPRINGER SONY 959�S GAIN �7@120 DEGREES > SONY MINI-DISC > TASCAM CD-RW2000 | ||
| 05/20/95 | Radio City Music Hall | DVD | 2 | Audience Shot Video | ||
| 05/22/95 | Tower Theater | 16-bit flac | 1 | AKG 460 B's w/CK61 Cardioid caplsules > Neumann BS48i-2 > Sony TCD-D10PROII Transfer: DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Sample rate converion, Fades) > CDWAV > FLAC Recorded By Flying Gonz & Carrion Crow From Right Center Row QQ Seats 101-103, Processed By Flying Gonz | ||
| 05/22/95 | Tower Theater | 16-bit flac | 1 | sony 959 mics (gain -7@ 120 degrees) > sony mini disc > tascam cd-rw2000 > cd > cdparanoia > flac-1.1.4 (8) taper: Mike Springer | ||
| 05/23/95 | Tower Theater | 16-bit flac | 1 | Unknown Aud> DAT Lineage: DAT @ 48kHz > Tascam DA-20 MKII > Audiophile 2496 (S/PDIF) > CDWav (recording, tracking, 48kHz->44.1kHz ) > SoundForge 7.0 (Fades) > ShnTool > FLAC FrontEnd (v 1.1.1, Level 7) > FLAC | ||
| 05/23/95 | Tower Theater | 16-bit flac | 1 | sony 959 mics (gain -7 @ 120 degrees) > sony mini disc > tascam cd-rw2000 > cd > cdparanoia > flac-1.1.4 (8) taper: Mike Springer | ||
| 05/25/95 | Tower Theater | 16-bit flac | 1 | FOB Schoeps MK4V's> KCY Actives> VMS> SBM-1> Sony D100 PRO Conversion: HP standalone burner > EAC > Flac Taped and Conversion: JEFF TRAVITZ | ||
| 05/25/95 | Tower Theater | 16-bit flac | 1 | sony 959 mics (gain -7 @ 120 degrees) > sony mini disc > tascam cd-rw2000 > cd > cdparanoia > flac-1.1.4 (8) taper: Mike Springer | ||
| 05/26/95 | Tower Theater | 16-bit flac | 1 | Recorded By Bill Kase with Ron Keyser's Gear AMS ST250 Blumlein FOB DFC AMS Control Box> Mod. Sony D10 Pro II | ||
| 05/26/95 | Tower Theater | 16-bit flac | 1 | sony 959 mics (gain -7 @ 120 degrees) > sony mini disc > tascam cd-rw2000 > cd > cdparanoia > flac-1.1.4 (8) taper: Mike Springer | ||
| 05/27/95 | Tower Theater | 16-bit flac | 1 | aud (Senn 421 @5th row center) DAT > CD-r > EAC > Flac8 | ||
| 05/27/95 | Tower Theater | 16-bit flac | 1 | recorded by Bill Kase who got a patch at the show with his D10 Pro Schoeps (not sure model number) FOB 14th Row | ||
| 05/27/95 | Tower Theater | 16-bit flac | 1 | sony 959 mics (gain -7 @ 120 degrees) > sony mini disc > tascam cd-rw2000 > cd > cdparanoia > flac-1.1.4 (8) taper: Mike Springer | ||
| 06/30/95 | Concert Pavilion | 16-bit flac | 1 | AUD > unknown mics > ? > 2nd gen cassette Transfer: cassette > Nakamichi CR7A > Korg MR2000S > Audacity > FLAC | ||
| 07/01/95 | Shoreline Amphitheatre | 16-bit flac | 1 | Nakamichi CM-300's w/CP-1 Cardioid Capsules > Sony TCD-D7 DAT > cd taper: Jeff Bowen cd2flac: cds from taper > cdparanoia > gnome wave cleaner > mhwaveedit > shntool > flac | ||
| 07/05/95 | Greek Theater | 16-bit flac | 1 | unknown aud. | ||
| 07/07/95 | Mesa Amphitheatre | 16-bit flac | 1 | DAUD > Shure 849 > Sony D7 > DAT > Cassette Cassette (1st gen.) > Nakamichi DR-2 > Tascam DA-P1 > RME Hammerfall 9652 > Sound Forge > CDR > FLAC | ||
| 07/08/95 | Pima County Fairgrounds | 16-bit flac | 1 | AUD > ? > ? > Cassette Cassette (? gen.) > Nakamichi DR-2 > Tascam DA-P1 > RME Hammerfall 9652 > Sound Forge > CDR > FLAC | ||
| 07/09/95 | Aladdin Hotel & Casino | 16-bit flac | 1 | SBD(I am guessing) | ||
| 07/12/95 | Red Rocks Amphitheatre | 16-bit flac | 1 | Unknown Conversion: Richard DiPaola | ||
| 07/12/95 | Red Rocks Amphitheatre | 24-bit flac | 1 | Sonic studios dsm6 > Sony D6 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (96-24) > Flac (level 8) > you | ||
| 07/14/95 | Pinewood Bowl | 16-bit flac | 1 | aud>?>cdr | ||
| 07/28/95 | Blockbuster Pavillion | 16-bit flac | 1 | Nakamichi cm300 cp4 + Sennheiser 441-> sony mixer-> D10 8th row, DFC, Stand Taped by Scott Weilder | ||
| 07/28/95 | Blockbuster Pavillion | 16-bit flac | 1 | Nakamichi cm300 cp4 + Sennheiser 441-> sony mixer-> D10 8th row, DFC, Stand Taped by Scott Weilder | ||
| 07/29/95 | Walnut Creek Amphitheater | 16-bit flac | 1 | DAUD > ? > ? > DAT > ? > Cassette Cassette (3rd gen.) > Nakamichi DR-2 > Tascam DA-P1 > RME Hammerfall 9652 > Sound Forge > CDR > FLAC | ||
| 07/29/95 | Walnut Creek Amphitheater | 16-bit flac | 1 | AUD > unknown mics > ? > 2nd gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 07/30/95 | Nissan Pavilion | 16-bit flac | 1 | recorded by Ron Keyser AMS ST250 > AMS control Box (Blumlein) on stand 5th Row DFC> Modified Sony D10 Pro II Master Dat playback Sony R-500> HHB CDR850 CD>hard drive via EAC | ||
| 07/30/95 | Nissan Pavilion | 16-bit flac | 1 | Master Audience Nakamichi CM300/CP4 Shotguns > Sony D5 > CDx2 (Copied From Master CD) > EAC > Wave 16/44 > AudioGate Software > FLAC Taper: Mr. Baker | ||
| 07/30/95 | Nissan Pavilion | MP4 | 1 | Audience Shot Video | ||
| 08/01/95 | Classic Amphitheater | 16-bit flac | 1 | Master Audience Nakamichi CM300/CP4 Shotguns>SonyD5> CDx2 (From Master CD's)>EAC>Wave>AudioGate Software Used For Metadata Tagging/Flacked Taper:Mr. Baker | ||
| 08/02/95 | Merriweather Post Pavilion | 16-bit flac | 1 | aud (taper/details unknown) received as flac file set without any further info than the date tagged with Foobar2000 | ||
| 08/04/95 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Aud. unknown | ||
| 08/04/95 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Unknown Transfer: Tascam DA-30 MKII > Marantz PMD 561 > Audacity > WAV > Traders Little Helper > FLAC Taped by Steve Barret Transferred & Seeded by Bill Graves | ||
| 08/04/95 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Senn 441 > DTR-80 by Doug Lamarre Transfer: Otari DTR-8S > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, levels, de-clip, correct errors) > FLAC 1648 | ||
| 08/05/95 | The Meadows Music Theatre | 16-bit flac | 1 | AUD > unknown mics > ? > unknown gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 08/06/95 | Finger Lakes Perf Art Ctr | 24-bit flac | 1 | SONY D7 Master w/ NAK 300's w/ CP4 guns>CD>Traders Little Helper FLAC conversion | ||
| 08/08/95 | Garden States Art Center | 16-bit flac | 1 | FOB Neumann KM140's Dat Provided: Ron Keyser | ||
| 08/09/95 | Jones Beach Music Theater | 16-bit flac | 1 | AUD > Nak300s > DAT > 24bit ISP Remaster > CD > SHN > CDR > EAC > FLAC | ||
| 08/09/95 | Jones Beach Music Theater | DVD | 2 | Audience Shot Video | ||
| 08/11/95 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | (fob) AKG 460b/ck61 -> custom pre-amp -> D-7 recorded by: Dave Flaschner transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6) transfer: Chris Davis (4/18/08) | ||
| 08/11/95 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Sony 959's > Sony MD Conversion: Richard DiPaola | ||
| 08/12/95 | Allentown Fairgrounds | 16-bit flac | 1 | Sony 959's > Sony MD Conversion: Richard DiPaola | ||
| 08/26/95 | Saratoga Performing Arts Center | 16-bit flac | 1 | 2 x Nak 301's > D5 by Bruce Barnum Transfer: MC (2x TDK SA-X90) > Nak CR-7A or Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam HRE > PCM @ 2496 Recorded w/ Dolby B on; playback with Dolby off Master: Wavelab 10 (tracking, DDI Codec / Dolby B, fix left channel damage; resample; Mbit+ dither) > FLAC 1648 | ||
| 08/26/95 | Saratoga Performing Arts Center | 24-bit flac | 1 | SONY D7 Master Aud w/ NAK 300's w/ CP4 guns>CD>Traders Little Helper FLAC conversion | ||
| 08/27/95 | NYS Fairgrounds | 16-bit flac | 1 | unknown aud. | ||
| 08/29/95 | Molson Amphitheatre | 16-bit flac | 1 | Sony D3 recording walkman with included stereo mic on stand (8') Lineage: Harmon Kardon TD 102 cassette deck > Zoom H2N > WAV > Flash Drive > Dell Computer > Adobe Audition > FLAC | ||
| 08/30/95 | Pine Knob Music Theatre | 16-bit flac | 1 | B&K 4011's (110 degrees ORTF FOB, DFC, On Stand 7'high) -> Neumann BS48i-2 power supply -> Sony TCD D10 Pro line in taper: Alan Schmit cd2flac: cdrs from taper > cdparanoia > mhwaveedit > shntool > flac | ||
| 09/01/95 | Starlake Amphitheater | 16-bit flac | 1 | Soundboard > ? > DAT Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab @ [16/48] Mastering in WaveLab with iZotope Ozone 4 dithered to [16/44.1] > CD Wave > TLH > Flac Transferred on March 5, 2009 | ||
| 09/01/95 | Starlake Amphitheater | 16-bit flac | 1 | Sony 959's > Sony MD Conversion: Richard DiPaola | ||
| 09/01/95 | Starlake Amphitheater | 16-bit flac | 1 | Sony 959's > Sony MD Conversion: Richard DiPaola | ||
| 09/04/95 | Deer Creek Music Center | 16-bit flac | 1 | AUD > unknown mics > ? > unknown gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 09/04/95 | Deer Creek Music Center | 16-bit flac | 1 | FOB “Front of Board” 15th row > 8 foot Atlas Stand > Stereo MS Condenser Mic Sony D7 DAT at 48 kHz … this file is at 44.1 kHz Sony DAT ZA5ES > s/pdif > Mac > Audacity > 44.1 kHz > FLAC Taped and Transferred by : Donnie Loeffler , Dec. 2023 | ||
| 09/04/95 | Deer Creek Music Center | 16-bit flac | 1 | FOB Nakamichi CM300s w/CP4 shotgun caps/PZMs > Niles Audio Mixer > Sony TC-D5M Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wav > R8 Brain 16/44 wav > TLH > flac16 | ||
| 09/04/95 | Deer Creek Music Center | 16-bit flac | 1 | FOB Nakamichi CM300s w/CP4 shotgun caps/PZMs > Niles Audio Mixer > Sony TC-D5M Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wav > R8 Brain 16/44 wav > TLH > flac16 | ||
| 09/06/95 | Riverbend Amphitheatre | 16-bit flac | 1 | Nakaminchi 300’s > DAT > My DAT | ||
| 09/08/95 | World Theatre | 16-bit flac | 1 | unknown aud > dat | ||
| 09/09/95 | Riverport Amphitheatre | 16-bit flac | 1 | Subterranean PZM Mics > Sony D7 DAT Master (KAO KD4-60m) | ||
| 09/09/95 | Riverport Amphitheatre | 16-bit flac | 1 | FOB 14th Row Sennheiser ME64's> Shure FP 32A Mixer> D7 | ||
| 09/09/95 | Riverport Amphitheatre | 16-bit flac | 1 | The first half of the show is from an audience source, and the second half is from a soundboard source. | ||
| 09/10/95 | Sandstone | 16-bit flac | 1 | unknown aud. | ||
| 10/31/95 | Austin Music Hall | 16-bit flac | 1 | unknown aud. | ||
| 11/02/95 | University of Mississippi | 16-bit flac | 1 | unknown aud. | ||
| 11/03/95 | Auburn University | 16-bit flac | 1 | unknown aud. | ||
| 11/04/95 | O'Connel Center, University of Florida | 16-bit flac | 1 | Unknown Conversion: Richard DiPaola | ||
| 11/04/95 | O'Connel Center, University of Florida | 16-bit flac | 1 | FOB - 11th row / center and rowdy! master: Senn. 421's ~> Sony SBM-1 [48kHz] ~> Sony D-7 transfer: Wavelab 4.0 > CD Wave > flac | ||
| 11/05/95 | Lee County Sports Complex | 16-bit flac | 1 | uknown aud. | ||
| 11/05/95 | Lee County Sports Complex | 16-bit flac | 1 | Master DAT (AKG460's)>CDR taped by Ray DeCosta | ||
| 11/07/95 | Civic Center | 16-bit flac | 1 | unknown aud. | ||
| 11/09/95 | Western Carolina University | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 11/10/95 | Eastern Carolina University | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 11/11/95 | Viking Hall | 16-bit flac | 1 | Shotguns -> DAT -> hard drive (soundcard unknown) CDA -> EAC, (tracked in CDWAV), shn'd, md5'd | ||
| 03/01/96 | Beacon Theatre | 16-bit flac | 1 | Neumann u89's > oade pre-amp > DAT transfer: Jon Riesenfeld lineage: wavs(16/48) > Audacity > Foobar2000 | ||
| 03/01/96 | Beacon Theatre | 16-bit flac | 1 | Neumann KM184>DAP-1>CDR>EAC>SHN | ||
| 03/01/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/02/96 | Beacon Theatre | 16-bit flac | 1 | AKG391>Aerco>Sony D5>Cassette Master 1st Row Loge Center Transfer:Cassette Master>Nakamichi 1.5>Sony R300>DAT>HHB850>CD>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 03/02/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/03/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/05/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/06/96 | Beacon Theatre | 16-bit flac | 1 | Neumann KM 184>DAP-1>CDR | ||
| 03/06/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/06/96 | Beacon Theatre | MP4 | 1 | Audience Shot Video | ||
| 03/08/96 | Beacon Theatre | 16-bit flac | 1 | Center Orchestra B&K 4011s, 5th row > D > D > WAV > FLAC. DAT kindly provided by B.Koucky. Transfer: Playback on Sony PCM R-500 > Presonus Firebox > PC/Wavelab 5 (recorded as 24/96 WAV and rendered to 16/44.1 using Waves L3) > tracking/FLAC'ing with CDWAV 1.9. Transfer by C.Ladner, August 2006 | ||
| 03/08/96 | Beacon Theatre | 16-bit flac | 1 | sennheiser mk 440 mics > tascam DAP1 Taper: unknown Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/09/96 | Beacon Theatre | 16-bit flac | 1 | Schoeps MK4's > Schoeps KCY 250/05I Active Cable > Schoeps VMS02IB > Sony TCD-D10PROII Recorded By Keith Litzenberger from Orchestra Center Row K Seat 108 Lineage: DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion) > CDWAV > FLAC Transferred on Oct 24, 2008 | ||
| 03/09/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/10/96 | Beacon Theatre | 16-bit flac | 1 | Center Orchestra B&K 4011s, Row 5 > DAT (48 KHz) > DAT > WAV > FLAC. DAT kindly provided by B.Koucky. Transfer: Playback on Sony PCM R-500 > Presonus Firebox > PC/Wavelab 5 (recorded as 24/96 WAV and rendered to 16/44.1 using Waves L3) > tracking/FLAC'ing with CDWAV 1.9. Transfer by C.Ladner, August 2006 | ||
| 03/10/96 | Beacon Theatre | 16-bit flac | 1 | shure mics > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/12/96 | Beacon Theatre | 16-bit flac | 1 | On Stage Mikes placed by Nils Lofgren's Guitar Tech | ||
| 03/12/96 | Beacon Theatre | 16-bit flac | 1 | AKG 460>SBM-1>D7 checked for dbe's w/ trader's little helper | ||
| 03/12/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/13/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/15/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/16/96 | Beacon Theatre | 16-bit flac | 1 | unk sbd | ||
| 03/16/96 | Beacon Theatre | 16-bit flac | 1 | AKG 451>Aerco>DAT>Sony D5>Cassette Master 1st Row Loge Center (DAT'S Unavailable) Transfer:Cassette Master>Denon DRW 840>(Pass Thru) Sony R300 SBM>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) Taper: Steve K Patcher: Freddie G Transferred: Freddie G | ||
| 03/16/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 03/17/96 | Beacon Theatre | 16-bit flac | 1 | Recorded by Tom Hoffman Nak CM100>D7>CDR>EAC>FLAC | ||
| 03/17/96 | Beacon Theatre | 16-bit flac | 1 | Nakamichi CM300's w/CP-4 shotguns > Casio DA7 > Maxell DM-Dat. Mics on stand in center Mezzanine. Transfer: MAD > Sony TC-D10P > Coax SPDIF > Audiophile 2496 > Soundforge > (at 48kHz) CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC | ||
| 03/17/96 | Beacon Theatre | 16-bit flac | 1 | FOB, AKG 391 > Aerco > DAT > CD (unknown generations) > EAC > flac | ||
| 03/17/96 | Beacon Theatre | 16-bit flac | 1 | sony 959 stereo mic > sony D7 Taper : Mike Springer Lineage: DAT > cd (1) > cdparanoia > flac 1.1.4 (8) Transfer: unknown | ||
| 04/26/96 | UNO Arena - Jazz Fest | 16-bit flac | 1 | AKG 460 > Stewart PS > DA-P1 Transfer: Panasonic SV-3700 > Marantz PMD-580 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades, glitch removal) > FLAC 1648 | ||
| 04/27/96 | Fairgrounds - Jazz Fest | 16-bit flac | 1 | AKG 460's > ? > DAT > ? > FLAC Location: FoB | ||
| 04/28/96 | World's Fair Park | 16-bit flac | 1 | AUD > ? > cassette > CD > EAC > FLAC | ||
| 04/28/96 | World's Fair Park | 16-bit flac | 1 | soundboard recording of unknown origin | ||
| 05/01/96 | Memorial Auditorium | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 05/03/96 | Oak Mountain Amphitheatre | 16-bit flac | 1 | DSBD>DAT Conversion: DAT @ 48k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC | ||
| 05/04/96 | Tom Lee Park | 16-bit flac | 1 | SBD > DAT > ? > FLAC | ||
| 05/05/96 | The Palace | 16-bit flac | 1 | FOB Newman KM-40's (11th Row) > MDAT > DAT(1) Transfer #1: DAT(1) > coax > Marantz 650 (48 > 44.1) > coax > Roland vs-880 > internal CDR burner > Nero > CDR Transfer #2 CDR > EAC > Wavelab 5.01 (tracking and cross fades) > FLAC | ||
| 05/05/96 | The Palace | 16-bit flac | 1 | Nakamichi CM-300 w/CP-4 / PZM mix -> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8 >CD Wave tracking | ||
| 05/05/96 | The Palace | 16-bit flac | 1 | AT822 > D8 > WAV > SHN 4th Row - right Taper and shn by: Scott Frosch | ||
| 05/07/96 | Riviera Theatre | 16-bit flac | 1 | sbd(?) a lot of crowd aplause between songs, perhaps a matrix? excellent sound quality lineage: trade cdr(x?) > wav (plextor plexwriter-premium/eac offset correct) > flac (flac frontend 1.7.1/verify/align on sb/level 6) | ||
| 05/08/96 | Riviera | 16-bit flac | 1 | Audience recording of unknown origin received in a trade as audio cds and ripped to FLAC files | ||
| 05/09/96 | Riviera | 16-bit flac | 1 | AKG414'S (10 ft split) > Oade supply > Casio DA-7 DAT Location: DFC against the rail on the 1st raised level about 30 feet from the stahe Transfer: Tascam DA-P1 > SP/DIF > MICROTACKii > cf > wav > pc > CDWAV (splits) > TLH > flac (level 6) | ||
| 05/11/96 | Riviera | 16-bit flac | 1 | Unknown Conversion: EAC> WAV> Flac | ||
| 05/12/96 | Riviera Theatre | 16-bit flac | 1 | Digital Soundboard > Trade DAT Lineage: DAT > Tascam DA-30 >S/PDIF >HHb CDR 800 PRO, Tayio-Uden CD Masters > xACT 2.35 > FLAC (8) Transferred & FLAC’d OldNeumanntapr | ||
| 06/22/96 | Lakeside Amphitheatre | 16-bit flac | 1 | sbd > DAT > CDR > EAC > shn > FLAC | ||
| 06/22/96 | Lakeside Amphitheatre | 16-bit flac | 1 | dsbd > ? > DAT (44.1k) Transfer: Sony D8 > CoreSound 7 pin cable > Opcode DATport > HDD > flac | ||
| 06/24/96 | Saratoga Performing Arts Center | 16-bit flac | 1 | SBD > ? > CDR > EAC > FLAC | ||
| 06/25/96 | Garden States Art Center | 16-bit flac | 1 | AKG 398>Aerco>Sony D5>Cassette Master Section B Left Center Row J Transfer:Cassette Master>Denon DRW 840>(Pass Thru) Sony R300 SBM>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 06/26/96 | Sony Blockbuster | 16-bit flac | 1 | AUD > unknown mics > ? > unknown gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 06/28/96 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Unknown AUD (First Gen) Transfer: Cass > Behringer UCA202 > Audacity > WAV > TLH > FLAC Taper Unknown Transfer by Bill Graves | ||
| 06/28/96 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Senn 441 > DTR-80 by Doug Lamarre Transfer: Sony D100 > Marantz PMD 580 > WAV @ 16/48 Master: Wavelab 11 (tracking, levels) > FLAC 1648 | ||
| 06/29/96 | Montage Mt. | 16-bit flac | 1 | Recorded By Ron Keyser AMS ST250 (Soundfield) Blumlein Technique 8 feet High On Stand Row H Seat 19 (8th Row) DFC AMS Control Box> Modified Sony D10 Pro II (Modified By Paul Plotnick to Bob Katz specs) | ||
| 06/30/96 | Star Lake Amphitheatre | 16-bit flac | 1 | unknown mono audience recording | ||
| 07/02/96 | Nissan Pavilion | 16-bit flac | 1 | AUD > DAT > CDR > WAV (EAC) > FLAC Confirmed DAT source via Hans Weber DAE and FLAC encoding by Ron Bruder | ||
| 07/02/96 | Nissan Pavilion | 16-bit flac | 1 | Recorded By Ron Keyser AMS ST250 (Soundfield) Blumlein Technique 8 feet High On Stand Row K Seat 13 DFC AMS Control Box> Modified Sony D10 Pro II (Modified By Paul Plotnick to Bob Katz specs) | ||
| 07/02/96 | Nissan Pavilion | MP4 | 1 | Audience Shot Video | ||
| 07/05/96 | Blockbuster Pavilion | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 07/06/96 | Walnut Creek Amphitheatre | 16-bit flac | 1 | Audience recording of unknown origin, received as audio cds and ripped to FLAC files | ||
| 07/06/96 | Walnut Creek Amphitheatre | 16-bit flac | 1 | SBD > ? > FLAC | ||
| 07/07/96 | Lakewood Amphitheatre | 16-bit flac | 1 | AUD > unknown mics > ? > 2nd gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 07/07/96 | Lakewood Amphitheatre | 16-bit flac | 1 | AKG 463 Hypercardioids > Oade modded Tascam DA-P1> DAT > Cassette - recorded front edge of lawn dead center by Chris Cage and from the collection of Gary Cameron. Digital Transfer by Bryan Carouso June 2023 Linage: wav 16/44.1 > Adobe Audition 3 > Izotope RX 10 Advanced > iXZotope Ozone Maximiser > Cd Wave > Flac 16 | ||
| 07/19/96 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Neumann Kmi86 > Sonosax > D10 > Denon > Tascam > Sony D3 DAT Master (patched digitally) Location: Row 24, Slightly Left of Center Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac | ||
| 07/19/96 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Senn 441 (Sec 5 Row F Seat 18) > DTR-80 by Doug Lamarre Transfer: Sony D100 > Marantz PMD 580 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648 | ||
| 07/20/96 | Merriweather Post Pavilion | 16-bit flac | 1 | Recorded By Ron Keyser AMS ST250 (Soundfield) Blumlein Technique 8 feet High On Stand 8th Row DFC AMS Control Box> Modified Sony D10 Pro II (Modified By Paul Plotnick to Bob Katz specs) | ||
| 07/21/96 | Jones Beach Theater | 16-bit flac | 1 | AKG 398>Aerco>Sony D5>Cassette Master Section B Left Center Row J Transfer:Cassette Master>Denon DRW 840>(Pass Thru) Sony R300 SBM>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 07/21/96 | Jones Beach Theater | DVD | 1 | Audience Shot Video | ||
| 07/22/96 | Long Island University - Federal Field | 16-bit flac | 1 | Neumann KM184's > Oade M-1 > DA-P1 Taped by Mike Springer | ||
| 07/24/96 | Nautica Stage | 16-bit flac | 1 | Unknown Conversion: Richard DiPaola | ||
| 07/24/96 | Nautica Stage | 16-bit flac | 1 | Sony D3 recording walkman with included stereo mic on stand (8') Transfered with Harmon Kardon TD 102 cassette deck output to Zoom H2N WAV > Flash Drive Dell Computer > Adobe Audition > FLAC > YOU | ||
| 07/26/96 | Molson Amphitheatre | 16-bit flac | 1 | unknown aud ripped from Johnny Hance's audio CD's by yubah 2-13-2011 | ||
| 07/27/96 | Pine Knob Music Theater | 16-bit flac | 1 | Oktava MC012 (omni's) > SBM-1> D7 | ||
| 07/28/96 | Deer Creek Music Center | 16-bit flac | 1 | Nakamichi CM-300's with CP-4 caps/PZM mix > D5 > Master Cassette Transfer: Master Cassette > Nak DR-3 > Emu 1212M 24/96 wave > Wavelab 5 > plugins > r8brain > 32/44.1 > wavelab 5 (tracked) > L3 > 16/44.1 wave > flac lvl 8 (TLH) | ||
| 07/30/96 | Polaris Amphitheatre | 16-bit flac | 1 | FOB Schoeps MK4V's> KCY Actives> VMS> SBM-1> Sony D100 PRO Conversion: HP standalone burner > EAC > MKW Taped and Conversion: JEFF TRAVITZ | ||
| 07/31/96 | River Bend Music Center | 16-bit flac | 1 | unknown audience | ||
| 07/31/96 | River Bend Music Center | 16-bit flac | 1 | Stereo Electret MS Condenser Mic > Sony D7 @ 48 kHz , mic is at 90 degrees to combat crowd noise, on six foot stand under pavilion DAT > s/pdif > Mac>Audacity > 44.1 kHz > FLAC NO POST PROCESSING ! Taped and Transferred by : Donnie Loeffler Dec. 2023 | ||
| 08/01/96 | Wisconsin State Fairgrounds Grandstand | 16-bit flac | 1 | SBD > DAT > CDR CD > EAC > FLac by Ron Bruder repairs with mhwaveedit by Jason Pline 2009-07-03 | ||
| 08/01/96 | Wisconsin State Fairgrounds Grandstand | 16-bit flac | 1 | Sonic DSM-6P Mikes > Sony D-6 > Maxell XLII-S 100 tapes Transfer: Master cassettes > CDRW-DA > EAC > WAV > FLAC (level 8) | ||
| 08/01/96 | Wisconsin State Fairgrounds Grandstand | 24-bit flac | 1 | Audio Technica 4051 > D5(?) | ||
| 08/03/96 | Red Rocks Amphitheatre | 16-bit flac | 1 | AKG C460B> DA-P1 | ||
| 08/03/96 | Red Rocks Amphitheatre | 16-bit flac | 1 | Original master recording: Neumann TLM-170 (cardiods) -> Stewart BPS1 power supply -> Teac DAP20 DAT (digital patch) -> Denon DTR-80p (master @ 16/48) DAT playback: Sony R-500 -> Sound Devices 722 digital input (@24/48) Mastered: Soundforge Pro 10.0c - *All file manipulation in Soundforge done at 24 bits*. Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. 24 bit file then processed with SOX 14.4 (as recommended, keeping the file at 24 bits during the processing) to remove pre-emphasis which was applied by the Teac A>D converter. Then back to Soundforge for volume normalization, clap removal, and dithering to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings. Tracked in CDWav. IDV3 tagged using AudioShell V1.3.5 | ||
| 08/05/96 | California Mid State Fair | 16-bit flac | 1 | Nakamichi CM-300 CP-2 Omnis > Sony TCD-D7 (Stealth) Location: SEC. 5, Row B, Seat #4 (2nd Row, Left) Transfer: Master DAT > Tascam DA-30 > HHb CDR 800 PRO Via Analog i/o > Master CDs > xACT 2.35 > FLAC (Level 8) Recorded, Transferred & FLAC’d by OldNeumanntapr | ||
| 08/23/96 | Concord Pavilion | 16-bit flac | 1 | Nakamichi CM-300 CP-1’s > Tascam DA-P1 (FOB) Recorded By Kevin Trilli Transfer: Trade DAT (1st Clone) > Tascam DA-3 > HHb CDR 800 PRO Via Analog i/o > Tayio Uden CD Masters > xACT 2.35 > FLAC (Level 8) Transferred & FLAC’d by OldNeumanntapr | ||
| 08/24/96 | Shoreline Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/25/96 | Reno Hilton Outdoor Pavilion | 16-bit flac | 1 | Nakamichi CM-100 CP-1 Cardioids > Sony TCD-D7 (FOB) Recorded By Jack Hunt Transfer: Trade DAT (1st Clone) > Tascam DA-30 > HHb CDR 800 PRO Via Analog i/o > Tayio Uden CD Masters > xACT 2.35 > FLAC (Level 8) Transferred & FLAC’d by OldNeumanntapr | ||
| 08/25/96 | Reno Hilton Outdoor Pavilion | 16-bit flac | 1 | Neumann KM-54s > Sony SBM-1 (Oade mod) > Sony D-8 DAT (16/44.1) Location: FOB 7' on stand, 40' from stage, center Tapers: Kyle and Evan | ||
| 08/27/96 | Aladdin Imperial Ballroom | 16-bit flac | 1 | Unknown AUD>DAT @48kHz Transfer: DAT>CTD8000>datdeck(software)>Audacity(resampled to 44.1 KHz & applied fades)>wavbreaker>flac level 6 | ||
| 08/29/96 | The Greek Theatre | 16-bit flac | 1 | Neumann KM-184's > Oade M1 Preamp > Tascam DA-P1 Location: 10th Row, DFC Transfer: Trade CDs (via Jason Pline) > xACT 2.35 > FLAC (Level 8) | ||
| 08/30/96 | Summer Pops Bowl | 16-bit flac | 1 | Neumann KM-140’s > Tascam DA-P1 (12th Row Center) Recorded By Unknown, Possibly Kevin Trilli Transfer: Trade DAT (1st Clone) > Tascam DA-30 > S/PDIF > HHb CDR 800 PRO > Tayio Uden CD Masters > xACT 2.35 > FLAC (Level 8) Transferred & FLAC’d by OldNeumanntapr | ||
| 09/01/96 | The Joint/ Hard Rock Hotel & Casino | 16-bit flac | 1 | Core Sound Binaurals > DAT Kevin Trilli's DAT transfered by Levi Hunt track splitting and repairing (clicks, dropouts, etc...) by Jason Pline with wavbreaker, gnome wave cleaner, & mhwaveedit | ||
| 09/03/96 | Fillmore West | 16-bit flac | 1 | Nakamichi CM300>Sony TCD>D8 | ||
| 03/11/97 | Beacon Theatre | 16-bit flac | 1 | Neumann km184 mics > Tascam DAP-1 > cd(1) > cdparanoia > flac 1.1.4 (level 8) | ||
| 03/12/97 | Beacon Theatre | 16-bit flac | 1 | unknown aud. | ||
| 03/12/97 | Beacon Theatre | 16-bit flac | 1 | Schoeps CMC6 MK4 > Aerco > Aiwa DAT > DAT Location: 1st Row Loge Transfer: DAT > Sony R300 > Optical > MeritLine USB Adapter > PC > CD Wave > FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 03/12/97 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann KM184 Mic's > Tascam Dap 1 Master Dat Tape > Tascam Dap 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Traders Little Helper | ||
| 03/14/97 | Beacon Theatre | 16-bit flac | 1 | Audience Recording Lineage: Taper: John Bleich. Nak300's > D6 > Master Cassette > Nak DR-3 > Emu 1212M > 24/96 Wave > wavelab 5 > Plugins > L3 > 16.44.1 Wave > CD Wave > Flac lvl 8 (TLH) | ||
| 03/14/97 | Beacon Theatre | 16-bit flac | 1 | set 1: Neumann km184 mics > Tascam DAP-1 > cd(1) > cdparanoia > flac 1.1.4 (level 8) set 2: Neumann U89 mics > Tascam DAP-1 > cd(1) > cdparanoia > flac 1.1.4 (level 8) Taper: Mike Springer | ||
| 03/15/97 | Beacon Theatre | 16-bit flac | 1 | Schoeps CMC6 MK4 > Aerco > Aiwa DAT > Sony D5 > Cassette Master 1st Row Loge (DAT's Unavailable) Transfer:Cassette Master>Denon DRW 840>(Pass Thru) Sony R300 SBM>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 03/15/97 | Beacon Theatre | 16-bit flac | 1 | set 1: Neumann km184 mics > Tascam DAP-1 > cd(1) > cdparanoia > flac 1.1.4 (level 8) set 2: Sennheiser 4+61 mics > Tascam DAP-1 > cd(1) > cdparanoia > flac 1.1.4 (level 8) Taper: Mike Springer | ||
| 03/16/97 | Beacon Theatre | 16-bit flac | 1 | Neumann km184 mics > Tascam DAP-1 > cd(1) > cdparanoia > flac 1.1.4 (level 8) | ||
| 03/18/97 | Beacon Theatre | 16-bit flac | 1 | DAT Audience Master recorded FOB (row M seat 109 Orchestra Center) AKG 414's-Oade Custom Mic Pre-Amp-Sony TC D-10 Pro DAT Recorder by JW DAT Master played back on a Sony PCM R-500- Digital Audio Labs Carddeluxe-WAV [16/48] Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name) JW:November 2014 | ||
| 03/18/97 | Beacon Theatre | 16-bit flac | 1 | Neumann km184 mics > Tascam DAP-1 > cd(1) > cdparanoia > flac 1.1.4 (level 8) | ||
| 03/19/97 | Beacon Theater | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann KM184 Mic's >Lunatec V2> Tascam Dap 1 Master Dat Tape > Tascam Dap 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Traders Little Helper | ||
| 03/21/97 | Beacon Theatre | 16-bit flac | 1 | Schoeps CMC6 MK4 > Aerco > Aiwa DAT > Sony D5 > Cassette Master 1st Row Loge (DAT's Unavailable) Transfer: Cassette Master > Denon DRW 840>(Pass Thru) > Sony R300 SBM > Optical > MeritLine USB Adapter > PC > CD Wave > FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 03/21/97 | Beacon Theatre | 16-bit flac | 1 | Soundboard Recording | ||
| 03/22/97 | Beacon Theatre | 16-bit flac | 1 | Schoeps CMC6 MK4 > Aerco > Aiwa DAT > Sony D5 > Cassette Master 1st Row Loge (DAT's Unavailable) Transfer: Cassette Master > Denon DRW 840>(Pass Thru) > Sony R300 SBM > Optical > MeritLine USB Adapter > PC > CD Wave > FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 03/22/97 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann KM184 Mic's >Lunatec V2> Tascam Dap 1 Master Dat Tape > Tascam Dap 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Traders Little Helper | ||
| 03/22/97 | Beacon Theatre | 16-bit flac | 1 | sbd > ? > CDR > EAC > shn | ||
| 03/22/97 | Beacon Theatre | MP4 | 1 | Audience Shot Video | ||
| 03/23/97 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon AKG 460 Mics W/CK 61 Capsules > Lunatec V2 > Tascam Dap 1 Master Files > Adobe Audition CS6 > Traders Little Helper | ||
| 03/25/97 | Beacon Theatre | 16-bit flac | 1 | Apogee AD1000 > DAP-1 (set 1) > EAA PS2 pre (set 2) > DATs Transfer: Fostex D-15 > Behringer Ultramatch 2496 > Reaper 6.19 > WAV 16/48 Mastering: Wavlab 10.0 (tracking, levels) > FLAC 1648 | ||
| 03/25/97 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann KM184 Mic's >Lunatec V2> Tascam Dap 1 Master Dat Tape > Tascam Dap 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Traders Little Helper | ||
| 03/26/97 | Beacon Theatre | 16-bit flac | 1 | DAT Audience Master recorded Center Loge(row B seat 103) AKG 414's-Oade Custom Mic Pre-Amp-Sony TC D-10 Pro DAT Recorder by JW DAT Master played back on a Sony PCM R-500- Digital Audio Labs Card deluxe-WAV [16/48] Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015 | ||
| 03/26/97 | Beacon Theatre | 16-bit flac | 1 | MG M210's (hyper) > DATs Transfer: Fostex D-15 > Behringer Ultramatch 2496 > Reaper 6.19 > WAV 16/48 Mastering: Wavelab 10.0 (tracking, levels, patching, remove DC offset) > FLAC 1648 | ||
| 03/26/97 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann KM184 Mic's >Lunatec V2> Tascam Dap 1 Master Dat Tape > Tascam Dap 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Traders Little Helper | ||
| 03/26/97 | Beacon Theatre | MP4 | 1 | Audience Shot Video | ||
| 06/20/97 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | (FOB/20th Row) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) | ||
| 06/22/97 | Lakeside Amphitheatre | 16-bit flac | 1 | unknown audience | ||
| 06/24/97 | Blockbuster-Sony Music Entertainment Centre | 16-bit flac | 1 | unknown audience | ||
| 06/25/97 | Star Lake Amphitheatre | 16-bit flac | 1 | Nakamichi CM-300's (cp4's) > DA-P1 | ||
| 06/27/97 | The Meadows | 16-bit flac | 1 | AUD > unknown mics > ? > 1st gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 06/28/97 | PNC Bank Arts Center | 16-bit flac | 1 | FOB (Row H) Beyer Dynamics TGX 180’s > Zefiro A/D > D7 > MDAT by Dan Sisler Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 10 (tracking, , error correction, increase levels by 5.5db) > FLAC 1648 | ||
| 06/29/97 | Merriweather Post Pavilion | 16-bit flac | 1 | Nakamichi CM 300 with CP-4 capsules > Nakamichi 550 from center row R CDR: Nakamichi BX 300 > Event Gina (+4, +3) > Dell XPST500 > Plextor RX-T820 CDR > FLAC unknown | ||
| 07/03/97 | Walnut Creek Amphitheatre | 16-bit flac | 1 | FOB Sennheiser 441/Nakamichi CM300 > DAP-1 Transfer: Tascam DA20mkII > Delta Dio 2496 > Cool Edit Lite (fades; 48k > 44.1k) > CDWave > .flac | ||
| 07/04/97 | Georgia Int'l Horse Park | 24-bit flac | 1 | tapers section > ? > cassette trade circa 1997 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (96-24) > Flac (level 8) > you | ||
| 07/06/97 | World's Fair Park | 16-bit flac | 1 | FOB Audience Sennheiser ME 64 > DAT Conversion : DAT @ 48k > HT Omega 7.1 Soundcard (Optical Inputs) > WAV (48) > Syntillium Cool Edit Downsample to 44.1 WAV > CD WAV (Track Split) > FLAC A+ Audience Capture | ||
| 07/06/97 | World's Fair Park | 16-bit flac | 1 | akg460b/ck61 > b18 > d8 Location: fob Taper: JK Transfer: DAT master > tascam da20 > microtrackII > audiogate(16/44) > cdwave > tlh > flac Transfer by John M 2012-07-04 | ||
| 08/07/97 | Red Rocks Amphitheatre | 16-bit flac | 1 | unknown digital audience recording encore (notrw) probably from analog source | ||
| 08/07/97 | Red Rocks Amphitheatre | 16-bit flac | 1 | tapers section > Sony D7 (*thanks for the patch*) Transfer: Sony DTC ZE700 > Microtrack II (48-16) > Wavelab (tracking and tweaking) > Flac (level 8) > you | ||
| 08/07/97 | Red Rocks Amphitheatre | 16-bit flac | 1 | Neuman KM-140 (9th row center) > DAT Transfer: Tascam DA-20mkII (@44.1kHz) > Delta Dio 2496 > Cool Edit Lite (fades) > CDWave (tracking) > .flac | ||
| 08/08/97 | Red Rocks Amphitheatre | 16-bit flac | 1 | tapers section > Sony D7 (*thanks for the patch*) Transfer: Sony DTC ZE700 > Microtrack II (48-16) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 08/12/97 | Polaris Amphitheatre | 16-bit flac | 1 | unknown audience recording received as CD-R, ripped w/ EAC checked for sbe's w/ TLH | ||
| 08/13/97 | River Bend Music Center | 16-bit flac | 1 | Nak 300's/cp4's > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT > FLAC EAC'd by Doug Nawrocki | ||
| 08/17/97 | Pine Knob Music Theater | 16-bit flac | 1 | unknown audience recording > ? > CD-R > EAC > FLAC8 EAC/FLAC by Sean Gleason, August 27, 2012 | ||
| 08/22/97 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Senn 441 (Sec 7 Row E Seat 24) > DTR-80 by Doug Lamarre Transfer: Sony D100 > Marantz PMD-580 > WAV @ 16/48 Master: Wavelab 12 (tracking) > FLAC 1648 | ||
| 08/25/97 | State Fair | 16-bit flac | 1 | Gefells 210 mics Transfer: Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend Taper : Unknown Editing : Joe D'Amico ''AKA'' Joebeacon | ||
| 08/25/97 | State Fair | 24-bit flac | 1 | Sony D7 Master w/ NAK 300's w/ CP4 shotguns thru SONY SBM-1>CD>Traders Little Helper FLAC Conversion | ||
| 09/19/97 | Champoeg State Park Amphitheater | 16-bit flac | 1 | Aud (possibly Bob Griesel) > ? > FLAC | ||
| 09/19/97 | Champoeg State Park Amphitheater | 16-bit flac | 1 | SBD > ? > CD-R Transfer: CD-R > EAC > mkwAct > SHN SHN > FLAC Level 6-4-09 | ||
| 09/20/97 | The Gorge Ampitheatre | 16-bit flac | 1 | Nak CM-300/CP-4 > sony DAT > ? > CD-R Taper: Greg Anderson Transfer: CD-R > EAC > MKW > SHN MD5's confirmed for shn's. SBE checked with Shntool Transfer done by Patrick Hayes SHN > FLAC by unknown | ||
| 09/27/97 | Universal Amphitheatre | 16-bit flac | 1 | unknown audience | ||
| 09/27/97 | Universal Amphitheatre | 16-bit flac | 1 | Gefells M210 Mics > Oade M248 Pre Amp > Sony Sbm1 > Sony D-7 Taper : Dan Sisler Transfer: Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend Editing : Joe D'Amico ''AKA'' Joebeacon | ||
| 09/28/97 | Summer Pops Bowl | 16-bit flac | 1 | digital soundboard > ? > cd-r Transfer: cd-r > eac > thl > flac | ||
| 09/30/97 | Paolo Soleri | 16-bit flac | 1 | AKG 422 Stereo Mic > DAT Location: Row 16, 2' RoC Lineage: DAT @ 48kHz > Tascam DA-20 MKII > Audiophile 2496 (S/PDIF) > CDWav (recording) > Sound Forge 7.0 (fades, 48kHz->44.1kHz w/ Anti-Alias) > CDWav (tracking) > ShnTool > FLAC FrontEnd (v 1.1.1, Level 7) > FLAC | ||
| 10/03/97 | Woodlands Pavilion | 16-bit flac | 1 | unknown audience recording | ||
| 10/03/97 | Woodlands Pavilion | 16-bit flac | 1 | 2x Nakamichi CM300 mics w/CP-4 shotgun caps - 2x PZM mics > Niles Audio mixer > Sony D-3 DAT Location - Next to the soundboard - slightly right of center Transfer: (By Jaz & Garageboy) DAT Master -> PCM-R300 -> Coax -> M-Audio Delta 1010Lt -> Wave Lab 5.0 -> 16/48 -> R8Brain dither to 16/44.1 -> TLH > flac level 8 | ||
| 10/04/97 | World Music Theater | 24-bit flac | 1 | Superstar Concert Series broadcast > Sony TCD-D8 @48 kHz Recorded by Paul Beichert Transfer : Tascam DA-30 MKII DAT > Sony PCM-M10 (24/48) Editing : Sound Forge (tracking) > Wave > dBpoweramp Flac 8 Tracked & posted by kingrue October 27, 2024 | ||
| 10/05/97 | Mud Island Amphitheatre | 16-bit flac | 1 | Audience recording of unknown origin | ||
| 03/03/98 | Beacon Theatre | 16-bit flac | 1 | Microtech Gefel 200>Aerco>SBM1>Sony D8>DAT 10th row left center Transfer:DAT>Sony R300>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 03/03/98 | Beacon Theatre | 16-bit flac | 1 | nak 300 mics -> DAT -> CD lineage: 1st gen cd from taper -> EAC -> flac Taper: Joe D'Amico | ||
| 03/03/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Benchmark a/d Converter > Lunatec V2 > Tascam Da-p1 | ||
| 03/04/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics >Lunatec V2 >Benchmark a/d Converter> Tascam Da-p1 | ||
| 03/04/98 | Beacon Theatre | DVD | 2 | Audience Shot Video | ||
| 03/06/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann km 184 mics> Benchmark A/D Converter > Lunatec V2 > Tascam Da-p1 | ||
| 03/07/98 | Beacon Theatre | 16-bit flac | 1 | unknown Taper: unknown Conversion: CD-R > EAC > WAV > FLAC | ||
| 03/07/98 | Beacon Theatre | 16-bit flac | 1 | FOB Schoeps CMC5 MK4 ORTF > SM-M2 > Sonosax > D10 Row C | ||
| 03/07/98 | Beacon Theatre | 16-bit flac | 1 | CMC54 (Row L center) > SX > D-100 Transfer: Panasonic SV-3700 > Marantz PMD-580 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648 | ||
| 03/07/98 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Benchmark A/D Converter > Lunatec V2 > Tascam Da-p1 | ||
| 03/08/98 | Beacon Theatre | 16-bit flac | 1 | unknown audience | ||
| 03/08/98 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics >Lunatec V2> Benchmark A/D Converter > Tascam Da-p1 Master Files > Adobe Audition CS6 > Traders Little Helper | ||
| 03/0?/98 | Peakin' at the Beacon radio show | 16-bit flac | 1 | SBD - Album Network Radio Cds - HHB Professional Stand Alone CD Recorder - EAC - Flac Frontend - YOU | ||
| 03/10/98 | Beacon Theatre | 16-bit flac | 1 | Microtech Gefel 200>Aerco>SBM1>Sony D8>DAT 7th row center Transfer:DAT>Sony R300>Optical>MeritLine USB Adapter>PC>CD Wave>FLAC Frontend (Level 8) Taped & Transfered: Freddie G | ||
| 03/10/98 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics >Lunatec V2 >Benchmark a/d Converter> Tascam Da-p1 Tascam Da-p1 > Korg Mr 1000 @ 1 bit 5/6 Mhz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/11/98 | Beacon Theatre | 16-bit flac | 1 | nak 300 mics > sony sbm1 > sony d8 taper: joebeacon | ||
| 03/11/98 | Beacon Theatre | 16-bit flac | 1 | Taper : Mike Springer Editing: Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Benchmark A/D Converter > Lunatec V2 > Tascam Da-p1 | ||
| 03/13/98 | Beacon Theatre | 16-bit flac | 1 | Tapers section > ? > cassette trade circa 1998 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 03/13/98 | Beacon Theatre | 16-bit flac | 1 | Taper : Joe D'amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 mics > Sony D-5 Nak Dragon Tape Deck > Korg Mr-1000 @ 1 Bit Dsd 5/6 Mhz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/14/98 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/14/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Benchmark a/d Converter > Lunatec V2 > Tascam Da-p1 Tascam Da-p1 > Korg Mr-1000 @ 1 Bit Dsd > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/14/98 | Beacon Theatre | 24-bit flac | 1 | AKG 391's > Sony TC-D5 > Sony TC-D5 by Rick Duro Conversion: Nakamichi BX-100 > Lunatec V3 (A/D) > Tascam DR-100 mkIII > WAV > Sound Studio 4.10.1 > xACT 2.58 > FLAC by Dave Mallick | ||
| 03/14/98 | Beacon Theatre | 24-bit flac | 1 | SONY D7 Master w/ NAK 300's w/ CP4 shotguns thru SONY SBM-1>CD>Traders Little Helper FLAC Conversion | ||
| 03/14/98 | Beacon Theatre | 24-bit flac | 1 | Taper : Joe D'amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony D-5 Nak Dragon Tape Deck > Korg Mr-1000 @ 1 Bit Dsd 5/6 Mhz > Audio Gate > Cool Edit Pro > Master Files > Adobe Audition CS6 > Ozone 5 > Traders Little Helper | ||
| 03/15/98 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/15/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Benchmark a/d Converter > Tascam Da-p1 Tascam Da-p1 > Korg Mr-1000 @ 1 Bit Dsd > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/15/98 | Beacon Theatre | DVD | 2 | Audience Shot Video | ||
| 03/17/98 | Beacon Theatre | 16-bit flac | 1 | a nice digital source that's unfortunately unknown | ||
| 03/17/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Benchmark a/d Converter > Tascam Da-p1 Tascam Da-p1 > Korg Mr-1000 @ 1 Bit Dsd > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/18/98 | Beacon Theatre | 16-bit flac | 1 | nak 300 mics Taper - Joe Beacon | ||
| 03/18/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Benchmark a/d Converter > Tascam Da-p1 Tascam Da-p1 > Korg Mr-1000 @ 1 Bit Dsd > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/20/98 | Beacon Theatre | 16-bit flac | 1 | DAUD: Sennheiser MKH 813s > ?? > TCD-D8 | ||
| 03/20/98 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/20/98 | Beacon Theatre | 16-bit flac | 1 | Taper: Mike Springer Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Benchmark a/d Converter > Tascam Da-p1 Tascam Da-p1 > Korg Mr-1000 @ 1 Bit Dsd > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/21/98 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/21/98 | Beacon Theatre | 16-bit flac | 1 | Taper : PA Mark Editing : Joe D'Amico ''Aka'' Joebeacon AT 822 Mic > Sony D-8 Tascam Da-p1 > Korg Mr-1000 > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 03/22/98 | Beacon Theatre | 16-bit flac | 1 | daud taped by Rob Berger akg 451eb’s > sony d8 loge - mics on ledge sony pcmr-500>tascam hd-p2, mac>fission>adobe audition 2015>xAct flac | ||
| 03/22/98 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/22/98 | Beacon Theatre | 16-bit flac | 1 | AT 822 Mic > Sony D-8 Taper : PA Mark Transfer : Tascam Da-p1 > Korg Mr-1000 > Audio Gate > Cool Edit Pro > Traders Little Helper Editing : Joe D'Amico ''Aka'' Joebeacon | ||
| 06/19/98 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | unknown aud. | ||
| 06/20/98 | Saratoga Performing Arts Center | 16-bit flac | 1 | Unknown (Came via trade stating SBD) | ||
| 06/20/98 | Saratoga Performing Arts Center | 24-bit flac | 1 | SONY D7 Master w/ NAK 300's w/ CP4 shotguns thru SONY SBM-1>CD.Traders Little Helper FLAC conversion | ||
| 06/23/98 | Nautica Stage | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/23/98 | Nautica Stage | 16-bit flac | 1 | Taper : Unknown Editing : Joe D'Amico ''AKA'' Joebeacon Schoeps Cmc 6 Mk 4 Mics >Mit Cables >Sonasax Sx-m2 Pre Amp > Power Supply > Panasonic Sv-255 Dat Tascam Da-p1 > Korg Mr 1000 @ 1 Bit Dsd 5/6 MHz > Audio Gate > Cool Edit > Traders Little Helper Show Was Taped From Section 3 / Row x / Seat 1 | ||
| 06/24/98 | Nautica Stage | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/26/98 | Star Lake Amphitheatre | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/27/98 | Montage Mt. | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/27/98 | Montage Mt. | 16-bit flac | 1 | Nakamichi 300 Mics W/CP4 Shotguns > Sony TC-D5M Casssete Deck > Cassette Master (Maxell XL-2S Cassettes) > Sony TC-D5M Cassette Deck (Playback) > Edirol R-09 HR (24/44.1 KHZ) > Traders Little Helper > Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 100 Section, 11 Rows In Front Of Right Speaker/Stack | ||
| 06/27/98 | Montage Mt. | 16-bit flac | 1 | SONY D7 Master w/ NAK 300's w/ CP4 shotguns thru SONY SBM-1>CD>Traders Little Helper FLAC conversion | ||
| 07/02/98 | Blockbuster-Sony Music Entertainment Centre | 16-bit flac | 1 | unknown aud. | ||
| 07/03/98 | Merriweather Post Pavilion | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 07/04/98 | Blockbuster Pavilion | 16-bit flac | 1 | unknown aud. | ||
| 07/04/98 | Blockbuster Pavilion | 16-bit flac | 1 | AKG Blue Line Mics Dat clone>file cloned in Microtrack using a Tascam Dat deck>Goldwave tracking> TLH8 Produced by Dolphinsmile for the Dolphinsmile Archive | ||
| 07/04/98 | Blockbuster Pavilion | 16-bit flac | 1 | neumann km184's > tascam da-p1 Location: fob, ~ 11th row, center Taper: Al Root Transfer: dat > sek'd prodif + card > sek'd red roaster (tracks & fades only) > plextor cd > eac > mkw > shn cd & shn transfer by dale shepherd seeded to etree july 2001 shn > flac by unknown | ||
| 08/04/98 | Mark of the Quad Cities | 16-bit flac | 1 | aud>?>cdr2 lineage: trade cdr(x?) > wav (plextor px504-A/eac offset +66) > flac (flac frontend 1.7.1/verify/align on sb/level 6) | ||
| 08/07/98 | Deer Creek Music Center | 24-bit flac | 1 | Audio Technica 4051 > ? > D8(?) don't recall the equipment we used that night unfortunately | ||
| 08/09/98 | Pine Knob Music Theater | 16-bit flac | 1 | unknown digital FOB? recording > CD-R(x) > EAC > Audacity (join) > CD Wave (retrack) > FLAC | ||
| 08/11/98 | Wisconsin State Fairgrounds Grandstand | 16-bit flac | 1 | unknown aud. | ||
| 08/11/98 | Wisconsin State Fairgrounds Grandstand | 24-bit flac | 1 | Audio Technica 4051 > Sony D8 | ||
| 08/12/98 | Northrop Auditorium, U. of Minn. | 16-bit flac | 1 | Aud (mics/source unk.) DAT > Tascam DA-20 MKII > M-Audio Audiophile > Wavelab > FLAC frontend Transferred by Jules Fothergill | ||
| 08/14/98 | Red Rocks Ampitheatre | 16-bit flac | 1 | Tapers section > Sony D7 (*Thanks for the patch*) Transfer: Sony DTC ZE700 > Microtrack II (48-16) > Wavelab (tracking and tweaking) > wav (48-16) > Flac (level 8) > you | ||
| 08/14/98 | Red Rocks Ampitheatre | 16-bit flac | 1 | schoeps cmc641v mics > sonosax sx-m2 > tascam dap1 audience 16 rows from the stage, center behind soundboard mastered by bonnie harris DAT provided by Mike Springer transferred by Joe D'Amico edited by Jason Pline | ||
| 08/15/98 | Red Rocks Ampitheatre | 16-bit flac | 1 | Tapers section > Sony D7 (*Thanks for the patch*) Transfer: Sony DTC ZE700 > Microtrack II (48-16) > Wavelab (tracking and tweaking) > wav (48-16) > Flac (level 8) > you | ||
| 08/15/98 | Red Rocks Ampitheatre | 16-bit flac | 1 | schoeps cmc641v mics > sonosax sx-m2 > tascam dap1 audience, 17 rows from stage, center behind soundboard mastered by bonnie harris editing Joe D'Amico | ||
| 08/21/98 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | unknown > cd (see notes) Lineage: cd > cdparanoia > mhwaveedit > wavbreaker > flac CD's provided by Tommy Chin | ||
| 08/21/98 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | Neumann SKM-184 > DA-P1 Transfer: Tascam DA-30 MKII > Marantz PMD 561 > Audacity > WAV > Traders Little Helper > FLAC Taped by David Keller Transferred & Seeded by Bill Graves | ||
| 08/22/98 | Lakeside Amphitheatre | 16-bit flac | 1 | AKG 460s w/ ck61s (5th row, center) > Spmetrix SX202 Pre-amp > Sony SBM-1 > D-10 Pro II Transfer: Tascam DA-20mkII > Delta Dio 2496 > Cool Edit Lite (48 > 44.1) > WAV > FLAC | ||
| 08/23/98 | Molson Ampitheatre | 16-bit flac | 1 | unknown aud. | ||
| 09/01/98 | Fox Theater | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/02/98 | Fox Theater | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/02/98 | Fox Theater | 16-bit flac | 1 | Sennheiser ME80> DAT> M-2496> HD | ||
| 09/04/98 | Fox Theater | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/04/98 | Fox Theater | 16-bit flac | 1 | Taper : Unknown (Might Be Jim Rehill) Editing : Joe D'Amico ''AKA'' Joebeacon Schoeps Cmc6 Mk4 Mics > Sonasax Pre-Amp > Power Supply >Panasonic Sv-255 Dat Dat Clone > Tascam Da-p1 > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper | ||
| 09/05/98 | Fox Theater | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/05/98 | Fox Theater | 16-bit flac | 1 | Neumann KM 184 & Senn MKH 40,> Shure FP 32A Stereo Mixer> Tascam DAP1 DAT> M-2496> HD | ||
| 09/06/98 | Fox Theater | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/08/98 | Moran Theatre | 16-bit flac | 1 | SBD | ||
| 09/09/98 | Coral Sky Amphiteatre | 16-bit flac | 1 | SBD > DAT > CDR(x?) > WAV (EAC secure/offset correct) > FLAC (Flac Front End/level 6/verify) | ||
| 09/12/98 | Walnut Creek Amphitheatre | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/13/98 | World's Fair Park | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/13/98 | World's Fair Park | 16-bit flac | 1 | NAK-300+CP4 > SBM-1 > DAT Transfer: SV-3700 > Marantz PMD-580 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648 | ||
| 09/15/98 | Classic Amphitheatre | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/16/98 | Bryce Jordan Center - Penn State University | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 09/18/98 | Nissan Pavilion at Stone Ridge | 16-bit flac | 1 | unknown digital audience > ? > FLAC Recorded and transferred by unknown Fixup using Audition by PsyKies | ||
| 09/19/98 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | PPV (likely) > DATs via Doug Lamarre Transfer: Otari DTR-8S > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, levels, fades, fix glitch) > FLAC 1648 | ||
| 09/19/98 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | SDB (w/ Audience mix) > Satellite Broadcast > DAT Transfer: Tascam DA-20MkII > Delta Dio 2496 > Cool Edit Lite (minor edits; 48k > 44.1k) > CdWave (tracking) > .flac | ||
| 09/19/98 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | FM > unknown cassette recorder > Maxell XLII-90 master cassettes > Tascam DR-07 > computer > Audacity 1.2.6 (boost volume, tracking) > FLAC 8 (TLH) | ||
| 09/19/98 | Great Woods Center for the Performing Arts | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 03/04/99 | Beacon Theatre | 16-bit flac | 1 | Audio-Technica at822 > Sony TCD-7 | ||
| 03/04/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing: Joe D'Amico neumann km 184 mics > oade pre-amp > benchmark a/d converter > tascam dap1 | ||
| 03/05/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/06/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/06/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/08/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km184 mics > oade pre-amp 248 > benchmark a/d converter . tascam dap1 | ||
| 03/09/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/11/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/12/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/12/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing: Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/13/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/13/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km 184 mics >oade pre-amp 248 > benchmark a/d converter>tascam dap1 | ||
| 03/15/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/16/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/18/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing :Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/19/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/19/99 | Beacon Theatre | 16-bit flac | 1 | nak 300 mics | ||
| 03/19/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter >tascam dap1 | ||
| 03/20/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/20/99 | Beacon Theatre | 16-bit flac | 1 | AKG C480B+CK61>Lunatec V2>Tascam DA-P1, transfer: DAT master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/20/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/23/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/25/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/25/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km-184 mics > oadepre. amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/26/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/26/99 | Beacon Theatre | 16-bit flac | 1 | Schoeps MK4>SBM1 - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/26/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico 1st have no info on . mikes 1st set was all messed up so there was another dat tape with the first set but no info . 2nd set neumann km184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/27/99 | Beacon Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/27/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 03/28/99 | Beacon Theatre | 16-bit flac | 1 | Unknown Conversion: EAC> WAV> Flac | ||
| 03/28/99 | Beacon Theatre | 16-bit flac | 1 | taper : Mike Springer editing : Joe D'Amico neumann km 184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 | ||
| 06/12/99 | Red Rocks Ampitheatre | 16-bit flac | 1 | Schoeps MK22 > Lunatec > Dat > clone to me > File cloned in Microtrack using a Tascam Dat Deck > Goldwave tracking > TLH > FLAC 8 Produced and Processed by Dolphinsmile for the Dolphinsmile Archive | ||
| 06/12/99 | Red Rocks Ampitheatre | 16-bit flac | 1 | Neuman KM140 > Lunatec V2> Apogee AD100 > DAT Lineage: DAT @ 44.1kHz > Tascam DA-20 MKII > Audiophile 2496 (S/PDIF) > Sound Forge 8.0 (fades) > CDWav (tracking) > ShnTool > FLAC FrontEnd (v 1.1.1, Level 7) > FLAC | ||
| 06/13/99 | Red Rocks Ampitheatre | 16-bit flac | 1 | AKG480/ck61 > DA-PA1 Transfer: DAT @ 48kHz > Tascam DA-20 MKII > Audiophile 2496 (S/PDIF) > CDWav (recording, tracking) > SoundForge 7.0 (fades, 48kHz->44.1kHz w/ Anti-Alias) > ShnTool > FLAC FrontEnd (v 1.7.1, Level 7) > FLAC | ||
| 06/16/99 | Sandstone Ampitheatre | 16-bit flac | 1 | Nakamichi CM-300s w/CP-4 Shotgun Capsules->Sony TCD-D8 DAT->DAT 1->CDR location: 10th Row, Right taper: 'Taper Ron' Owensby transfer: Tascam DA-30 DAT->HHb CDR 800 PRO standalone CD recorder via analog i/o dat2cd transfer by: Jeff Bowen cd2flac: cdrs from Jeff Bowen > cdparanoia > mhwaveedit > wavbreaker > flac | ||
| 06/19/99 | Deer Creek Music Center | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 06/19/99 | Deer Creek Music Center | 16-bit flac | 1 | Nak 300's/cp4's > SBM-1 > DA-P1 > CDR > EAC > mkwACT > SHN > FLAC EAC'd/Seeded by Doug Nawrocki | ||
| 06/20/99 | Star Lake Amphitheatre | 16-bit flac | 1 | AKG 480/CK61's> DA-P1 | ||
| 06/22/99 | The Palace Theatre | 16-bit flac | 1 | Unknown Conversion: EAC> WAV> Flac | ||
| 06/25/99 | Sony E-Center | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/25/99 | Sony E-Center | 16-bit flac | 1 | Nakamichi CM300 + CP1 - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 06/26/99 | Tweeter Center | 16-bit flac | 1 | probably audience recording | ||
| 06/27/99 | Meadows Music Theater | 16-bit flac | 1 | AUD > unknown mics > ? > 1st gen cassette > Nakamichi CR7A into Korg MR2000S > Audacity > FLAC | ||
| 06/29/99 | River Bend Music Center | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 06/29/99 | River Bend Music Center | 16-bit flac | 1 | Nak 300/cp4's > SBM-1 > DA-P1 Transfer: D8 > Phillips CDR870 > EAC > Samplitude > CDWave > SHN | ||
| 07/01/99 | Merriweather Post Pavilion | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 07/02/99 | GTE Virginia Beach Amphitheater | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 07/03/99 | Blockbuster Pavilion | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 07/03/99 | Blockbuster Pavilion | 16-bit flac | 1 | Schoeps MK4's > Sony SBM-1 > Sony TCD-D8 Lineage: Silver CD > xACT EAC > FLAC (Verified level 8) | ||
| 07/03/99 | Blockbuster Pavilion | 16-bit flac | 1 | Neumann KM-184 > V2 > DAT Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelavb 12 (tracking, fades) > FLAC 1648 | ||
| 07/04/99 | First American Music Center | 16-bit flac | 1 | Audience recording eceived in a trade as audio cds and ripped to FLAC files. Original lineage is (shnid 7759) FOB 10th row, just left of Gregg Neumann Km184's > Lunatec V2 > Tascam Da-p1 Harmonic Tech cables, 11' stand | ||
| 07/21/99 | Saenger Performing Arts Center | 16-bit flac | 1 | unknown aud. | ||
| 07/23/99 | Woodlands Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 07/27/99 | Mesa Amphitheatre | 16-bit flac | 1 | SM81s > SX-M2 > SBM-1 > D8 Location: LoB Transfer: DAT @ 44kHz > Tascam DA-20 MKII > Audiophile 2496 (S/PDIF) > CDWav (recording, tracking) > SoundForge 7.0 (Fades) > ShnTool > FLAC FrontEnd (v 1.7.1, Level 7) > FLAC | ||
| 07/27/99 | Mesa Amphitheatre | MKV | 1 | Audience Shot Video | ||
| 07/28/99 | The Joint | 16-bit flac | 1 | AKG 480/CK61's> DA-P1 | ||
| 07/30/99 | Centennial Garden Arena | 16-bit flac | 1 | unknown audience > DAT Kevin Trilli's DAT transfered by Levi Hunt track splitting and repairing (clicks, digi-noise, etc...) by Jason Pline with wavbreaker & mhwaveedit | ||
| 07/31/99 | Greek Theater | 16-bit flac | 1 | Taper : Dan Sisler Editing : Joe D'Amico ''AKA'' Joebeacon Akg460b+ck63 >Sx-M2 > Sv-255 > Sony D-7 Tascam Da-p1 > Sony Sbm1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend | ||
| 07/31/99 | Greek Theater | 16-bit flac | 1 | Taper : Wants To Remain nameless Editing : Joe D'Amico ''AKA'' Joebeacon Soundboard No Other Info On Master Dat | ||
| 08/01/99 | Shoreline Amphitheatre | 16-bit flac | 1 | Neumann KM-140s (x/y)->Active Cables->Beyer MV-100->Tascam DA-P1 DAT->CDR location: SEC 202, Row H taper: Jeff Bowen transfer: Tascam DA-30 DAT->HHb CDR 800 PRO standalone CD recorder via analog i/o dat2cd transfer by: Jeff Bowen cd2flac: cdrs from Jeff Bowen > cdparanoia > mhwaveedit > shntool > flac | ||
| 08/01/99 | Shoreline Amphitheatre | 16-bit flac | 1 | Taper : Dan Sisler Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Zefiro > Sony D-7 Tascam Da-p1 > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend | ||
| 08/03/99 | Concord Pavilion | 16-bit flac | 1 | Taper : Dan Sisler Editing : Joe D'Amico ''AKA'' Joebeacon Unknown Mics Tascam Da-p1 > Sony Sbm 1 > Creative Extigy Sound Card > Cool Edit Pro > Flac Frontend | ||
| 08/05/99 | Showplace At Portland Meadows | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/06/99 | The Pier | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/20/99 | Tweeter Center | 16-bit flac | 1 | AKG C480B+CK61ULS>Lunatec V2>Tascam DA-P1 - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 08/21/99 | Darien Lake Amphitheatre | 16-bit flac | 1 | AKG-C1000S->D8 Sony PCM-R500->Soundblaster via digital in @44.1khz->cool Edit Pro sector boundaries aligned using flac frontend | ||
| 08/24/99 | Oakdale Theatre | 16-bit flac | 1 | akg 480's (ck-61's) > oade m248 > sbm1 > sony d8 Taped by Rob Berger & dcarey from 10th row Transferred June 2012 | ||
| 08/24/99 | Oakdale Theatre | 24-bit flac | 1 | Tapers section > ? > cassette trade circa 1999 Lineage: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (96-24) > Flac (level 8) | ||
| 08/25/99 | Oakdale Theatre | 16-bit flac | 1 | akg 480's (ck-61's) > oade m248 > sbm1 > sony d8 Taped by Rob Berger & dcarey from 10th row Transferred June 2012 | ||
| 08/25/99 | Oakdale Theatre | 24-bit flac | 1 | Tapers section > ? > cassette trade circa 1999 Lineage: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (96-24) > Flac (level 8) | ||
| 08/27/99 | Jones Beach Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/28/99 | Saratoga Performing Arts Center | 16-bit flac | 1 | Audience recording of unknown origin received in a trade as audio cds and ripped to flac files | ||
| 08/28/99 | Saratoga Performing Arts Center | 16-bit flac | 1 | Sennheiser ME80 > Marantz PMD700 Transfer: Master DAT->Marantz PMD700->Tascam DR-680mkii->SanDisk Ultra SDHC->Audacity 3.1.3->MP3Tag | ||
| 08/29/99 | PNC Arts Center | 16-bit flac | 1 | unknown audience recording received in trade as CD-R's, ripped w/ EAC checked for sbe's w/ TLH | ||
| 08/31/99 | New York State Fair | 16-bit flac | 1 | Sennheiser ME80 > Marantz PMD700 Transfer: Master DAT->Marantz PMD700->Tascam DR-680mkii->SanDisk Ultra SDHC->Audacity 3.1.3->MP3Tag | ||
| 08/31/99 | New York State Fair | 24-bit flac | 1 | SONY D7 Master with NAK 300’s with CP4 shotguns thru SONY SBM-1>CD>Traders Little Helper FLAC Taped from 10 row Track with mic’s aimed at PA | ||
| 09/03/99 | Oak Mountain Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/04/99 | Lakewood Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/05/99 | Walnut Creek Amphitheater | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/05/99 | Walnut Creek Amphitheater | 16-bit flac | 1 | Sennheiser ME80 > Marantz PMD700 Transfer: Master DAT->Marantz PMD700->Tascam DR-680mkii->SanDisk Ultra SDHC->Audacity 3.1.3->MP3Tag | ||
| 03/09/00 | Beacon Theater | 16-bit flac | 1 | unknown source | ||
| 03/09/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/10/00 | Beacon Theater | 16-bit flac | 1 | Unknown Audience | ||
| 03/10/00 | Beacon Theater | 16-bit flac | 1 | AT815 > Sony D-8 > CDR > Winamp > FLAC | ||
| 03/10/00 | Beacon Theater | 16-bit flac | 1 | AKG C480B+CK61ULS>Lunatec V2>Tascam DA-P1 - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/10/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/11/00 | Beacon Theatre | 16-bit flac | 1 | Earthworks SR-77 > DAT > CD lineage: first gen cd > EAC > flac | ||
| 03/11/00 | Beacon Theatre | 16-bit flac | 1 | AKG C480B+CK61ULS>Symetrix SX-202>Sony SBM-1>Sony D10 Pro II - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/11/00 | Beacon Theatre | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/13/00 | Beacon Theater | 16-bit flac | 1 | unknown source | ||
| 03/13/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/14/00 | Beacon Theater | 16-bit flac | 1 | AKG 460+CK61>Zefiro Inbox - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/14/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/14/00 | Beacon Theater | DVD | 1 | Audience Shot Video | ||
| 03/16/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/16/00 | Beacon Theater | 16-bit flac | 1 | AKG 460+CK61>Zefiro Inbox - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/16/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/16/00 | Beacon Theater | DVD | 2 | Audience Shot Video | ||
| 03/17/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique)> AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/17/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/18/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/18/00 | Beacon Theater | 16-bit flac | 1 | AKG 460+CK61>Zefiro Inbox - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/18/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/20/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/20/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km184 Mics > Lunatec V2 >Benchmark Sonic A/D > Sony D-8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/21/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/21/00 | Beacon Theater | 16-bit flac | 1 | Nakamichi CM300 + CP1 - recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/21/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/23/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/23/00 | Beacon Theater | 16-bit flac | 1 | AKG 460+ + CK61>Zefiro Inbox, recorded by Tom Hoffman transfer: DAT(44.1)>M-Audio Delta Audiophile 2496>HD tracks splitting>burning: Feurio1.6>CD>flac (TLH) | ||
| 03/23/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/24/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/24/00 | Beacon Theater | 16-bit flac | 1 | AKG 460+ + CK61>Zefiro Inbox, recorded by Tom Hoffman transfer: DAT(44.1)>M-Audio Delta Audiophile 2496>HD tracks splitting>burning: Feurio1.6>CD>flac (TLH) | ||
| 03/24/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 03/25/00 | Beacon Theater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Two rows dead center in front of soundboard | ||
| 03/25/00 | Beacon Theater | 16-bit flac | 1 | AKG 460+ + CK61>Zefiro Inbox, recorded by Tom Hoffman transfer: DAT(44.1)>M-Audio Delta Audiophile 2496>HD tracks splitting>burning: Feurio1.6>CD>flac (TLH) | ||
| 03/25/00 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony D8 > Creative Extigy Soundcard > Cool Edit > Flac Frontend | ||
| 05/05/00 | Riverstages - Budweiser Stage | 16-bit flac | 1 | Neumann KM140 > Sonosax SX-M2 > Sony D-100 | ||
| 05/07/00 | Midtown Music Festival | 16-bit flac | 1 | unknown aud. | ||
| 05/07/00 | Midtown Music Festival | 16-bit flac | 1 | Neumann SKM140 > HHd PDR-1000 > Tascam DA-P1 > Sharp MD-MT15 (Analog Patch; Sounds Fine!) Location: Approximately 25' from stage (FOB); dead front and center in the "un-official" tapers section. Transfer: Sony MDS-JB930 > M-Audio DiO 2448 (TOSlink; 44.1KHz) > Cool Edit Pro 1.2 (Normalized) > CD Wave > *.Shn [v3] | ||
| 06/16/00 | GTE Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 06/17/00 | Aberdeen Proving Ground | 16-bit flac | 1 | AMS ST250 > AMS control Box (Blumlein) > Modified Sony D10 Pro II Location: on stand / FOB / DFC Transfer: Master Dat > Sony R-500 > HHB CDR850 > CD > EAC > FLAC Recorded & transferred by Ron Keyser | ||
| 06/17/00 | Aberdeen Proving Ground | 16-bit flac | 1 | mbho 603a>ka200n spread fob>v2>gp adc20>dap1 | ||
| 06/18/00 | Blockbuster Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 06/20/00 | Star Pavilion | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/20/00 | Star Pavilion | 16-bit flac | 1 | from row 16, seat 27, dead center, fob neumann km 184's>lunatec v2@25db> apogee ad1000>tascam da-p1 harmonic tech cables, 11' stand recorded by dale shepherd cd & shn transfer by dale shepherd | ||
| 06/21/00 | PNC Bank Arts Center | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 06/21/00 | PNC Bank Arts Center | 16-bit flac | 1 | AKG 460 + CK61 -> Zefiro Inbox -> D8 | ||
| 06/23/00 | Tweeter Center | 16-bit flac | 1 | Taper : Want To Remain Nameless Editing : Joe D'Amico ''AKA'' Joebeacon Mics On Soundboard No Other Info Dat Master > Tascam Da-p1 > Korg Mr-1000 @ 1Bit Dsd 5/6 Mhz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 06/24/00 | Trump Taj Mahal | 16-bit flac | 1 | Soundfield AMS ST250 > AMS Control Box > Modified Sony D10 Pro II Location: FOB, Blumlein Technique Taped: Mike Gibson with Ron's gear, Ron Keyser Conversion: DA-P1 > ProdifPlus > Samplitude 7.0 Pro > CDWAVE > FLAC | ||
| 06/24/00 | Trump Taj Mahal | 16-bit flac | 1 | unknown audience | ||
| 06/24/00 | Trump Taj Mahal | 16-bit flac | 1 | Taper : Wants To Remain Nameless Editing : Joe D'Amico ''AKA'' Joebeacon Audience From The Mics On The Soundboard ? No Info On The Master Tapes What Was Used Or How Tape Was Recorded Tascam Da-p1 > Korg Mr 1000 @ 1 Bit Dsd 5/6 Mhz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 06/25/00 | Meadows Music Theatre | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/25/00 | Meadows Music Theatre | 16-bit flac | 1 | AKG 460 + CK61 > Zefiro Inbox > DAT Transfer: DAT (44.1) > M-Audio Delta Audiophile 2496 > HD > Feurio 1.6 (tracks splitting/burning) > FLAC Frontend > TLH (SBE check) > FLAC (level 6) Taper: Tom Hoffman Transfer: HO Weber | ||
| 06/25/00 | Meadows Music Theatre | 16-bit flac | 1 | Master: Schoeps CMC6 MK4 (x-y) > Lunatec V2 > Tascam DA-P1 Transfer: Master Dat > R500 > SD744t >PT10 | ||
| 06/25/00 | Meadows Music Theatre | 16-bit flac | 1 | Taper : Wants To Rename Unknown Editing : Joe D'Amico ''AKA'' Joebeacon Mics At Soundboard No Other Info On Master Dats Dat Master > Tascam Da-p1 > Korg Mr-1000 @1 Bit 5/6 Mhz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 06/27/00 | Polaris Amphitheatre | 16-bit flac | 1 | unknown audience | ||
| 06/28/00 | Riverport Amphitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 06/30/00 | Marcus Ampitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 07/01/00 | Saturday In The Park | 16-bit flac | 1 | Taper : Wants To Remain Nameless Editing : Joe D'Amico ''AKA'' Joebeacon this Might Be A board/Audience Mix Either Way Very Good Sounding. Tascam Da-p1 > Korg Mr 1000 @ 1 bit Dsd 5/6 Mhz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 07/01/00 | Saturday In The Park | DVD | 1 | Audience Shot Video | ||
| 07/03/00 | Red Rocks Ampitheatre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 07/21/00 | Star Lake Amphitheatre | 16-bit flac | 1 | DAUD-Mics AKG 480's/CK61's>DA-P1>CDR>EAC(secure)>FLAC Encoding level 6 Recorded By: Tom Ott Encoded By: Bob Thomas | ||
| 07/22/00 | Pine Knob Music Theater | 16-bit flac | 1 | unknown audience recording > ? > CD-R > EAC > FLAC | ||
| 07/23/00 | Blossom Ampitheatre | 16-bit flac | 1 | FOB Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 07/25/00 | Riverbend Music Center | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 07/26/00 | Deer Creek Music Center | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 07/28/00 | Tweeter Center | 16-bit flac | 1 | (fob/dfc 15th row) Neumann TLM 170(subcard setting, ~110 degrees)-> Lunatec V2->Apogee AD-1000 @44.1kHz; DA20mkII->Audio Magic Presto II->ZA2->Soundforge 4.5->CDWav->.shn Recorded by John Bigham (aka Johnny Longwood) Patch(DA-P1) transfer and encoding by Eric McRoberts | ||
| 07/29/00 | Saratoga Performing Arts Center | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II | ||
| 07/29/00 | Saratoga Performing Arts Center | 16-bit flac | 1 | Taper : Want To Remain Nameless Editing : Joe D'Amico ''AKA'' Joebeacon Audience Recording From Mics At The Soundboard . No Other Info On Dat Masters Tascam Da-p1 > Korg Mr-1000 @ 1 Bit Dsd 5/6 MHz > Audio Gate > Cool Edit Pro > Traders Little HelperTaper : Want To Remain Nameless Editing : Joe D'Amico ''AKA'' Joebeacon Audience Recording From Mics At The Soundboard . No Other Info On Dat Masters Tascam Da-p1 > Korg Mr-1000 @ 1 Bit Dsd 5/6 MHz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 07/29/00 | Saratoga Performing Arts Center | 24-bit flac | 1 | SONY D7 Master w/ NAK 300's w/ CP4 guns thru SONY SBM-1>CD>Trader Little Helper FLAC conversion | ||
| 07/30/00 | Molson Amphitheatre | 16-bit flac | 1 | KM184>Lunatec V2 -30db>Apogee AD1000>Tascam DA-P1 Harmonic Tech Cables, 40 Rows Back, dead center FOB Recorded by Chris Shepard, Mastered by Dale Shepard w/ Red Roaster | ||
| 08/01/00 | Seagate Convention Centre | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/02/00 | P & C Stadium | 16-bit flac | 1 | AKG 460s w/ ck61s (4th row, left center in front of stack) > Spmextrix SX202 Pre-amp > Sony ABM-1 > D-10 Pro II Transfer: Tascam DA-20mkII > Delta Dio 2496 > Cool Edit Lite (48 > 44.1) > CD | ||
| 08/02/00 | P & C Stadium | 16-bit flac | 1 | From Row 18, fob, dfc Neumann KM 184's>Lunatec V2 @ 30db>Apogee AD1000>Tascam DA-P1 Harmonic Tech cables, 11' stand Panasonic SV 3800>Prodif+ card> Samplitude Producer 6.0 (fades)>CDWav (tracks)> mkw>shntool (boundaries varified) Recorded by Chris Shepherd DAT>shn transfer by Chris Shepherd May, 2002 | ||
| 08/04/00 | Jones Beach Amphitheater | 16-bit flac | 1 | matrix, onstage or FOB | ||
| 08/05/00 | Darien Lakes PAC | 16-bit flac | 1 | Taper : Want To Remain Nameless Editing : Joe D'Amico ''AKA'' Joebeacon Audience From The Mics On The Soundboard . No Info On The Master Tapes What Was Used Or How Tape Was Recorded Tascam Da-p1 > Korg Mr 1000 @ 1 Bit Dsd 5/6 Mhz > Audio Gate > Cool Edit Pro > Traders Little Helper | ||
| 08/06/00 | Montage Mountain | 16-bit flac | 1 | Schoeps MK-4V>SBM-1 recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 08/06/00 | Montage Mountain | 16-bit flac | 1 | Neumann KM184's > Lunatec V2 > AD1000 > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki | ||
| 08/25/00 | Madison Blues Festival | 16-bit flac | 1 | AT4051 rig> digital patch to Scott T.'s D100 DAT Transfer: DAT> ???> CD-R by Peter Headrick 2016 Transfer: CD-R> EAC> FLAC> SoundForge> foobar2000 + Live Show Tagger | ||
| 08/25/00 | Madison Blues Festival | 16-bit flac | 1 | Microtech Gefell > Lunatec V2 > DAP1 recorded from soundboard | ||
| 08/26/00 | New World Theater | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/27/00 | Northrop Auditorium | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/29/00 | Sandstone Amphitheater | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 08/30/00 | Nebraska State Fair | 16-bit flac | 1 | ? > DAT master > DAT clone trade circa 2000 Transfer: Sony DTC ZE700 > Microtrack II (48-16) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 08/30/00 | Nebraska State Fair | DVD | 1 | Audience Shot Video | ||
| 09/01/00 | Jazz Aspen | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/01/00 | Jazz Aspen | 16-bit flac | 1 | AKG mics > Lunatec V2 > SBM1 > D8 Lineage: DAT > Tascam CDRW - 700 > CD > EAC > FLAC Taped by: Randy Iverson Transferred by: Stu Jones | ||
| 09/03/00 | Konocti Harbor Resort | 16-bit flac | 1 | unknown audience > DAT | ||
| 09/04/00 | Blues Festival | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/22/00 | Nissan Pavillion at Stone Ridge | 16-bit flac | 1 | DPA 4021 > ? > DAT Lineage: Master Dat > Sony R-500> HHB CDR850 CD > EAC > FLAC | ||
| 09/22/00 | Nissan Pavillion at Stone Ridge | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/23/00 | Alltel Pavilion At Walnut Creek | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Taped at the soundboard | ||
| 09/23/00 | Alltel Pavilion At Walnut Creek | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/23/00 | Alltel Pavilion At Walnut Creek | 16-bit flac | 1 | AKG C-3000 Mics, Sound Devices Preamp, Graham Patton A-D Converter, Tascam DAP-1 DAT, Remixed thru Compressor, EQ>CDR>EAC>SHN | ||
| 09/23/00 | Alltel Pavilion At Walnut Creek | 16-bit flac | 1 | Neumann SKM-184's->HHb PDR-1000 Lineage: Sony PCM-R500->Tascam DR-100MKII-> iZotope RX 9-> (Balance,Gain,EQ,Loudness Optimize,Declicker,Fades) CD Wave Editor (tracks)-> DB Poweramp (id tags, FLAC conversion) | ||
| 09/24/00 | Big Spring Jam | 16-bit flac | 1 | AUD > ? > CD > EAC > FLAC | ||
| 09/24/00 | Big Spring Jam | 16-bit flac | 1 | From the front right corner of the sbd area, 75-80 ft. from stage Neumann KM184's>Lunatec V2@30db>Apogee AD1000>Tascam DA-P1 Harmonic Tech Cables 10' stand, mics pointed at the stacks Panasonic SV 3800>SEK'D Prodif+ card>Samplitude Producer 6.0 (fades)>CDWav (tracks)>mkw>shntool (boundaries varified) Recorded by Chris Shepherd DAT>shn transfer by Chris Shepherd June 6, 2002 | ||
| 03/15/01 | Beacon Theater | 16-bit flac | 1 | AUD > unknown mics > DAT > ? > Audacity > FLAC | ||
| 03/15/01 | Beacon Theater | 16-bit flac | 1 | AKG 460 + CK61>Zefiro Inbox recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/15/01 | Beacon Theater | 16-bit flac | 1 | Nak 300 -> SBM1 -> D8 Taper: Joe-Beacon | ||
| 03/16/01 | Beacon Theater | 16-bit flac | 1 | Nakamichi CM300 + CP4 recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/16/01 | Beacon Theater | 16-bit flac | 1 | Nak 300 mics -> SBM1 -> D8 Taper: Joe-Beacon | ||
| 03/17/01 | Beacon Theatre | 16-bit flac | 1 | AUD > unknown mics > DAT > ? > Audacity > FLAC | ||
| 03/17/01 | Beacon Theatre | 16-bit flac | 1 | AKG 460 + CK63>Zefiro Inbox recorded by Tom Hoffman transfer: DAT(44.1) master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/19/01 | Beacon Theater | 16-bit flac | 1 | Dat Master AMS ST250 > AMS control Box (Blumlein) on stand FOB - DFC > Modified Sony D10 Pro II Master Dat playback Sony R-500> HHB CDR850 CD>hard drive via EAC by Ron Keyser | ||
| 03/20/01 | Beacon Theatre | 16-bit flac | 1 | Nakamichi CM300 + CP1>DAT (48Khz) recorded by Tom Hoffman transfer: DAT master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/22/01 | Beacon Theater | 16-bit flac | 1 | Schoeps MK-4V recorded by Tom Hoffman 15th row dead center transfer: DAT master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/22/01 | Beacon Theater | DVD | 1 | Audience Shot Video | ||
| 03/23/01 | The Beacon Theatre | 16-bit flac | 1 | Dat Master AMS ST250 > AMS control Box (Blumlein) on stand FOB - DFC > Modified Sony D10 Pro II Master Dat playback Sony R-500> HHB CDR850 CD>hard drive via EAC by Ron Keyser | ||
| 03/23/01 | The Beacon Theatre | 16-bit flac | 1 | AKG 460 + CK61>Zefiro Inbox recorded by Tom Hoffman transfer: DAT master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/23/01 | The Beacon Theatre | 16-bit flac | 1 | Soundboard Taper : Unknown Editing : Joe D'Amico ''AKA'' Joebeacon Cool Edit > Traders Little Helper | ||
| 03/24/01 | Beacon Theatre | 16-bit flac | 1 | Dat Master AMS ST250 > AMS control Box (Blumlein) on stand FOB - DFC > Modified Sony D10 Pro II Master Dat playback Sony R-500> HHB CDR850 CD>hard drive via EAC by Ron Keyser | ||
| 03/24/01 | Beacon Theatre | 16-bit flac | 1 | AKG 460 + CK63>Zefiro Inbox recorded by Tom Hoffman transfer: DAT master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 03/24/01 | Beacon Theatre | 16-bit flac | 1 | AUD > unknown mics > DAT > ? > Audacity > FLAC | ||
| 03/24/01 | Beacon Theatre | 16-bit flac | 1 | Earthworks SR-77 > Sound Devices MP-2 > Graham Patten ADC-20 > D8 orchestra row J, seat 24 DAT > CD > SHN: Tascam DA-20mkii > Audiowerk2 > PowermacG4/733 burn/extract via plextor 12x4x32 | ||
| 03/24/01 | Beacon Theatre | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm1 > Sony D-8 Sony D-8 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/25/01 | Beacon Theater | 16-bit flac | 1 | AKG 460 + CK63>Zefiro Inbox recorded by Tom Hoffman transfer: DAT master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 06/16/01 | AmSouth Amphitheater | 16-bit flac | 1 | Microtech Gefell SMS2000/M200> Sonosax SX-M2> SBM1> D8 location: row 11, dfc, mic's run about 12' high, ortf 110 degrees | ||
| 06/21/01 | Tweeter Center | 16-bit flac | 1 | AKG 460 + CK63>Zefiro Inbox recorded by Tom Hoffman transfer: DAT master clone>Sony D8>Core Sound 7-Pin Interface Cable>M-Audio Delta Audiophile 2496>Feurio v. 1.68>HD wav>flac: Taper's Little Helper level 6 | ||
| 06/22/01 | Tweeter Center | 16-bit flac | 1 | Neumann U87>Apogee>D7 Section 2 Row P (16th Row) Center SHN > FLAC (level8) via TLH | ||
| 06/23/01 | Merriweather Post Pavilion | 16-bit flac | 1 | FOB 2 Soundfield AMS ST250 (spaced omni's) AMS Control Box> Modified Sony D10 Pro II | ||
| 06/23/01 | Merriweather Post Pavilion | 16-bit flac | 1 | No info provided but believed (although not confirmed) to be the following: Neumann KM 184's > Lunatec V2 > D8 > Archive Python 01931-xxx5.63 SCSI DDS/DAT2WAV > WAV > CD WAV > SHN (MKW) (Direct DAT extraction, no soundcard) Recorded and transferred by Justin Carlson, FOB from seat number 123 FLAC encoding by unknown using xACT 2.50 | ||
| 06/24/01 | Saratoga Performing Arts Center | 16-bit flac | 1 | AKG C1000 (x2,ORTF Stereo) > MD > CD > EAC > Xact > FLAC Recorded and transferred by unknown | ||
| 08/02/01 | GTE Virginia Beach Amphitheater | 16-bit flac | 1 | Soundboard > DAT Lineage : Master DAT > Korg MR1000 > Cool Edit > Traders Little Helper > FLAC Taper : Wants To Remain Nameless Editing : Joe D'Amico ''AKA'' Joebeacon | ||
| 08/03/01 | Alltel Pavilion | 16-bit flac | 1 | Neumann KM-140 > Apogee AD-1000 > Tascam DA-P1 Location: FOB/15th Row/DFC Transfer: DAT(c) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > CDWave > FLAC DAT(c) provided by Steve Mang via Bill Madden Transfer by Terry Watts | ||
| 08/03/01 | Alltel Pavilion | 16-bit flac | 1 | Neumann KM184 > Lunatec V2 > VX Pocket > Apple G3 Laptop > CD Recorded By: Derek McCabe Mastering By: Derek McCabe | ||
| 08/04/01 | Verizon Wireless Amphitheater | 16-bit flac | 1 | Neumann KM140's>Lunatec V2>HHB>DAT @48kHz Transfer: DAT>CTD8000>datdeck(software)>Audacity(resampled to 44.1 KHz & applied fades)>wavbreaker>flac level 6 transfer done by Jason Pline on December 29th 2005 DAT's provided by Jake Rorschach | ||
| 08/05/01 | Lakewood Amphitheater | 16-bit flac | 1 | Neumann KM140 (FOB/DFC/ORTF) > Lunatec V2 > SBM-1 > Sony D8 Taped by: Matt “Lazy Lightning” Lazor Transfer: DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441 Transfer: DiGiHoArDeRs 5/27/17 | ||
| 08/07/01 | Chicago Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Taped at the soundboard | ||
| 08/08/01 | Chicago Theatre | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Taped at the soundboard | ||
| 08/10/01 | Buffalo Chip Campground | 16-bit flac | 1 | Nak 700's(card)>D7, recorded from inside the SDBD fenced off area,dead center recorded by Brian Dyke | ||
| 08/11/01 | Ogden Theater | 16-bit flac | 1 | Scott Minier patched through Tom Hoffman's rig (AKG 460 mics(ck63) > PS2 > Zefiro Inbox > Sony D8) Remastered by Bob Bradshaw Remastering Details: Studer D741 CDR SPDIF out>TC Finalizer>StuderD741(#2)SPDIF in. In insert loop of TC Finalizer:Focusrite Mixmaster Mastering Processor>Studer D19 MicValve Preamp (in insert loop of D19: SPL Vitalizer Psychoacoustic Equalizer)>Emperical Labs FATSO. Edits and fades performed in Alesis MasterLink | ||
| 08/12/01 | Red Rocks Amphitheatre | 16-bit flac | 1 | AUD > unknown mics > DAT > ? > Audacity > FLAC | ||
| 08/12/01 | Red Rocks Amphitheatre | 16-bit flac | 1 | Neumann KM-140s (ORTF) >Lunatec V2 >Tascam DA-P1 > DAT Master Location: 10th Row, Right Transfer: Tascam DA-30 > EQ > HHb CDR 800 PRO Via Analog i/o > CD Masters > xACT 2.35 (conversion & tagging) > FLAC (Level 8) Recorded By OldNeumanntapr and Jack Hunt Transferred/FLAC’d & Tagged By OldNeumanntapr | ||
| 08/14/01 | Fox Theatre | 16-bit flac | 1 | Schoeps CCM4 > Sonosax SXM2 > DAT Transfer: Master DAT > DA30 > SPDIF > SD USBPre > Wavelab6 > CD wave editor > FLAC | ||
| 08/15/01 | Riverbend Ampitheater | 16-bit flac | 1 | 18th row DFC Schoeps CMC4's/MK41's > SBM-1 > D8 > DA-P1 Transfer: DA-P1 > Audiophile 2496 > Sound Forge 5 (48>44.1 w/anti-alias filter) > CDWave > mkwACT Patched/Seeded by Doug Nawrocki SHN > ? > FLAC by unknown | ||
| 08/16/01 | Blossom Music Center | 16-bit flac | 1 | DAUD | ||
| 08/18/01 | Pine Knob Ampitheater | 16-bit flac | 1 | Soundfield AMS ST250 (Blumlein Technique) AMS Control Box> Modified Sony D10 Pro II Taped at the soundboard | ||
| 08/19/01 | Star Lake | 16-bit flac | 1 | AKG480/ck61 > DA-P1 > CD-RW700 via digital > CDR Recording: DAT > CDR production by Tom Ott CDR Extraction via EAC and SHN Encoding by Ron Bruder SHN > FLAC by unknown | ||
| 08/21/01 | Jones Beach | 16-bit flac | 1 | unknown audience | ||
| 08/21/01 | Jones Beach | 16-bit flac | 1 | (FOB 9th row) Senneisher 421's > SBM1 > D100 cd2flac: cdrs > cdparanoia > shntool join > mhwaveedit > wavbreaker > flac | ||
| 08/22/01 | PNC Bank Arts Center | 16-bit flac | 1 | FOB AKG 481's > GP D mic20 > Sony PCM-M1 DAT > CDR Recorded by Ken Doughty Transfer to FLAC unknown | ||
| 08/24/01 | Coors Light Amp. At Montage Mountain | 16-bit flac | 1 | Schoeps CMC6/MK4V's> V2> AD1000> D8 | ||
| 08/24/01 | Coors Light Amp. At Montage Mountain | 16-bit flac | 1 | akg 460+ck63->ps2->zefiro inbox->d8 taped by Tom Hoffman transfer: Sony D8>Core Sound 7pin cable>M-Audio Delta Audiophile 2496>Cooledit2000>HDD channel volume adjustments by Cooledit2000 | ||
| 08/24/01 | Coors Light Amp. At Montage Mountain | 16-bit flac | 1 | Nakamichi 300 Mics W/CP1 cardoids > Sony D8 Dat cd transfer: DAT > Harmon Kardon CDR20 home burner > cd flac transfer: cdrs from taper > cdparanoia > mhwaveedit > shntool > flac taper: David Boedicker (Boedi-taper) | ||
| 08/25/01 | Darien Lake Performing Arts Center | 16-bit flac | 1 | akg 460+ck63->ps2->zefiro inbox->d8 recorded by Tom Hoffman transfer: DAT (44.1)>Sony D8>Core Sound 7pin cable>M-Audio Delta Audiophile 2496>Cooledit2000>HDD channel volume adjustments by Cooledit2000 | ||
| 08/26/01 | Meadows Music Centre | 16-bit flac | 1 | Unknown Mics > MD Lineage: MD > Sony MZ-NH600D > Audacity > Wav (16/44.1) > Adobe Audition > CD Wave Editor > FLAC (Level 8 ) Taped, Tracked, and Mastered By: Mike Bogigian | ||
| 08/26/01 | Meadows Music Centre | 16-bit flac | 1 | AKG C1000s > Inbox > TCD-D100 Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC Taped by Rusty Transferred & Seeded by Bill Graves | ||
| 08/26/01 | Meadows Music Centre | 16-bit flac | 1 | Neumann KM184s->Lunatec V2-> Tascam DA-P1->Oade Active->Sony D8 Jim Rehill's Rig - 13th Row Center Conversion Sony D8->Oade Active->Zefiro ZA2 SP/DIF CDRWIN for recording and sector boundaries shns by mkwACT | ||
| 03/14/02 | Beacon Theater | 16-bit flac | 1 | Oktava Mics>MP-2 Preamp>D8 Transfer to WAV: D8>Oade cable>Midiman Dio 2448>CDWav COnversion to SHN using mkWACT | ||
| 03/14/02 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/15/02 | Beacon Theater | 16-bit flac | 1 | Gefell M210> Oade> SBM1 | ||
| 03/15/02 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/16/02 | Beacon Theater | 16-bit flac | 1 | Gefell M210> Oade> SBM1 | ||
| 03/16/02 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/18/02 | Beacon Theatre | 16-bit flac | 1 | unknown aud ripped from Johnny Hance's audio CD by yubah 2-8-2011 | ||
| 03/19/02 | Beacon Theater | 16-bit flac | 1 | B&K 4021>Aeta preamp (sorry I don't remember exactly which)>Aiwa portable DAT>D8 (via analog cable) Transfer to WAV: D8>Oade cable>Midiman Dio 2448>CDWav Conversion to SHN using mkWACT Taped by Todd Hinden and Yossi Pollak | ||
| 03/19/02 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/21/02 | Beacon Theatre | 16-bit flac | 1 | Taped by Jim Rehill in Row H dead center Neumann KM184>???>DA-P1>D8 Transferred to WAV D8>Midiman Dio 2448>CDWav Encoded to SHN with mkWACT | ||
| 03/21/02 | Beacon Theatre | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/22/02 | Beacon Theater | 16-bit flac | 1 | DPA (B&K) 4022s > Sound Devices MP-2 > Audio Magic Sorcerer XLRs > Sonic AD2k+ @ 16NS3, +20, 44.1khz > Emagic EMI 2|6 > Apple iBook > Coaster > Soundedit16 > shntool Lower Balcony, row A, seat 105 (Dead Center), ORTF clamped to the railing SHN > FLAC (8) via TLH | ||
| 03/22/02 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/23/02 | Beacon Theater | 16-bit flac | 1 | AKG 481s>GP Dmic 20>Sony PCM-M1 Transfer: Fostex D5>HHB 830>CDR>EAC>SHN>flac (converted from original shns) Location: Loge, Row C Left Center Recorded by: Ken Doughty | ||
| 03/23/02 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/23/02 | Beacon Theater | DVD | 1 | Audience Shot Video | ||
| 03/24/02 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 06/08/02 | Wiltern Theatre | 16-bit flac | 1 | AKG 480/CK63 -> Sonosax SX-M2 pre -> Panasonic SV-255 DAT mics at 90 deg, 5cm spacing DAT Dubbing:Panasonic SV-3700-> Sony PCM-2700A Recorded by Eugene Hu Sony DTC-60ES DAT>Ego SysU2A USB Digital Audio Device>Wav(Cool Edit Pro)>WAV> SHN(mkwACT) | ||
| 06/10/02 | Warfield Theatre | 16-bit flac | 1 | From the balcony rail, left center (even with Gregg) Neumann KM 184's>Lunatec V2@30db>Apogee AD1000>Tascam DA-P1 Harmonic Tech Cables...mics NOS 90 degrees Panasonic SV 3800>Prodif+ card>Samplitude Producer 6.0 (fades, non-musical edits)>CDWav (tracks)>mkw>shntool (boundaries varified) Set 1 was recorded at 32 KHz (not on purpose). It was resampled to 44.1 in Samplitude. No additional processing/eq was done. The error was found at set break, so set 2 was recorded at 44.1 KHz. Recorded by Chris Shepherd DAT>shn transfer by Chris Shepherd June 28, 2002 SHN>FLAC by unknown | ||
| 06/11/02 | Warfield Theatre | 16-bit flac | 1 | lower loge rail, center B&K 4021 (xy) > Lunatec V2 > AD2K+ Transfer: DDS audio drive > HD, 32-bit mastering in Steinberg WaveLab; masters burned on SCSI Plextor Recorded and transferred by Bob Greisel Seeded as SHN SHN > FLAC (8) via TLH | ||
| 06/12/02 | Warfield Theater | 16-bit flac | 1 | From the video platform on the balcony rail, dfc (40-50 ft. from stage) Neumann KM 184's>Lunatec V2@25db>Apogee AD1000>Tascam DA-P1 Harmonic Tech Cables NOS 90 degrees Panasonic SV 3800>Prodif+ card>Samplitude Producer 6.0 (fades)>CDWav (tracks)>mkw>shntool (boundaries varified) Recorded by Chris Shepherd DAT>shn transfer by Chris Shepherd June 17, 2002 | ||
| 06/14/02 | The Fillmore Auditorum | 16-bit flac | 1 | AUD > WaveLab > CDR > EAC > flac | ||
| 06/14/02 | The Fillmore Auditorum | 16-bit flac | 1 | unknown mono audience | ||
| 06/15/02 | The Fillmore Auditorum | 16-bit flac | 1 | unknown audience recording | ||
| 06/15/02 | The Fillmore Auditorum | 16-bit flac | 1 | Oktava MC012 (Hypercard) > USBPre 1.5 > Sony Vaio PCG-FXA32 > Sound Forge 5.0 > 24-bit, 48kHz WAV Conversion: 24-bit, 48kHz WAV > Sound Forge 5.0 > 16-bit, 44.1kHz WAV > CD Wave > mkwACT > SHN Taped by: Josh Simpson SHN > FLAC8 via TLH | ||
| 06/16/02 | The Fillmore Auditorum | 16-bit flac | 1 | Schoeps MK4>M222>KS222>NT222DC>Apogee AD1000>Tascam DA-P1> CD Likely recorded by Richard Campbell CD> EAC>FLac by Ron Bruder | ||
| 06/19/02 | Chicago Theatre | 16-bit flac | 1 | AT3035>PS2>AD20>D8 (via 7 pin digital in)>Feurio>CD 0r MKW>Shn | ||
| 06/20/02 | Chicago Theatre | 16-bit flac | 1 | AT3035>PS2>AD20>D8 (via 7 pin digital in)>Feurio>CD or MKW>SHN | ||
| 06/22/02 | Chicago Theatre | 16-bit flac | 1 | AT3035>PS2>AD20>D8 (via 7 pin digital in)>Feurio>CD | ||
| 06/23/02 | Polaris Amphitheatre | 16-bit flac | 1 | AKG C1000s>Sony D8 | ||
| 06/25/02 | Memorial Hall | 16-bit flac | 1 | AKG460/CK63-ULS>Oade enhanced Sony SBM-1>D8 | ||
| 06/27/02 | Target Center | 16-bit flac | 1 | quaility single point stereo mic>V2>D8 | ||
| 06/27/02 | Target Center | 16-bit flac | 1 | unknown AUD CDR Lineage: CDR>>EAC>>wav>>flac frontend>>flac | ||
| 06/28/02 | Marcus Amphitheatre | 16-bit flac | 1 | FOB/ORTF Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN Taped and Transfered by Jeff Kempka SHN > FLAC (8) via TLH | ||
| 06/28/02 | Marcus Amphitheatre | 24-bit flac | 1 | Audio Technica 4051 > Lunatec V2 > Tascam DAP1 | ||
| 06/29/02 | Deer Creek Music Center | 16-bit flac | 1 | Earthworks sr77> V2> AD2K (Joe S.'s rig)> patch to Scott T. 2002 Transfer: WAV> SoundForge> CDRwin> CD 2024 Transfer: CD> foobar2000> FLAC Recorded (patched) and prepped by Scott T. | ||
| 06/29/02 | Deer Creek Music Center | 16-bit flac | 1 | MBHO 603's/ka 200's > Lunatec V2 > DA-P1 Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 w/anti-alias) > CDWave > mkwACT DFC 7 rows behind soundboard X-Y Taped, transferred, seeded by Doug Nawrocki | ||
| 06/30/02 | DTE Energy Music Theater | 16-bit flac | 1 | AKG C1000S mics > Sony D8 Conversion: Tascam DA-20 MK II Home DAT >[coaxial digital patch] > Philips CDR 200 Taped and Converted by Scott Minier | ||
| 07/02/02 | Blossom Music Center | 16-bit flac | 1 | FOB 13th Row Neumann KM184's> V2> ADC20> DA-P1 Stand 9ft... CONVERSION: DA-P1> Prodif Plus> Samplitude 2496> CDWAV> MKW> SHN | ||
| 07/03/02 | Riverbend Music Center | 16-bit flac | 1 | FOB Slightly Right of Center MBHO 603's/KA 200's > Lunatec V2 > DA-P1 Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 w/anti-alias) > CDWave > mkwACT | ||
| 08/09/02 | Meadowbrook Farm | 16-bit flac | 1 | AKGC1000's > MBX1002 > DA-P1 > D8 Transfer: D8 > Behringer UCA202 > Audacity > WAV > FLAC Taped by George Johnson Patched, Transferred & Seeded by Bill Graves | ||
| 08/10/02 | Tweeter Center | 16-bit flac | 1 | AKG c1000s > Sony M-1 Fostec D5 > CDR cd (from taper) > cdparanoia > flac taper: Dan Alteri | ||
| 08/11/02 | Meadows Music Centre | 16-bit flac | 1 | AKG481s(XY)>GP Dmic 20>Sony PCM-M1 Transfer: Fostex D5>HHB 830>Plextor PX-W012A>EAC>SHN Lineage: DAT>CD>EAC>SHN Location: FOB Sec. 200/Row D/Seats 205-206 mic stand @ 10' Taped by: Ken Doughty Seeded by: JBGoode4 | ||
| 08/13/02 | Jones Beach Music Theater | 16-bit flac | 1 | DAUD Lineage AUD>DAT>CD>FLAC | ||
| 08/13/02 | Jones Beach Music Theater | 16-bit flac | 1 | taper: Joe D'Amico editing: Joe D'Amico nak 300 mics > sony sbm1 > sony d8 | ||
| 08/14/02 | PNC Bank Arts Center | 16-bit flac | 1 | AKG481s(XY)>GP Dmic 20>Sony PCM-M1 Transfer: Fostex D5>HHB 830>Plextor PX-W012A>EAC>SHN Lineage: DAT>CD>EAC>SHN Location: FOB Sec. 102/Row G/Seats 130-132 mic stand @ 10' Taped by: Ken Doughty Seeded by: JBGoode4 | ||
| 08/18/02 | Merriweather Post Pavilion | 16-bit flac | 1 | Neumann KM 184�s > Lunatec V2 > D8 > Archive Python 01931-xxx5.63 SCSI DDS/DAT2WAV> WAV> CD WAV>SHN (MKW) (Direct DAT extraction, no soundcard) SHN>FLAC via TLH | ||
| 08/21/02 | The Big Kahuna Summerstage | 16-bit flac | 1 | Tom Hoffman Source: AKG 460->CK63->PS2->Zefiro Inbox->D8 Location: DFC/FOB Transfer: D8->Audiophile 2496->Cool Edit>WAV>CDRWin>CD-R Lineage: DAT>CD2>EAC>FLAC, CD>EAC>FLAC by Ron Bruder | ||
| 08/21/02 | The Big Kahuna Summerstage | 16-bit flac | 1 | Neumann KM 184�s > Lunatec V2 > D8 > Archive Python 01931-xxx5.63 SCSI DDS/DAT2WAV> WAV> CD WAV>SHN (MKW) (Direct DAT extraction, no soundcard) SHN>FLAC via TLH | ||
| 08/23/02 | Verizon Wireless | 16-bit flac | 1 | ??? unknown? > Audio CD | ||
| 08/24/02 | Alltel Pavillion | 16-bit flac | 1 | AT 853 (Cards) -> SP Batt Box (107 Hz rolloff) -> 24 bit mod SBM-1 -> D100 Location: Sec. 3, Row K, Seats 19&20 20 ft from left stack, 11', PAS Conversion: PCM-R300 -> Audiophile 2496-> SoundForge 5.0 -> CD Wave 1.62 > MKWACT (shn) | ||
| 08/24/02 | Alltel Pavillion | 16-bit flac | 1 | Neumann KM-184 > HHb PDR-1000 (recorded from 15th row center) Transfer: Sony PCM-R500 > EgoSys Waveterminal 2496 > Sound Forge 5.0 XP > CDWave (break into tracks) > MKW (shn) > Plextor PX-W2410A (transfer by Robbie Dunn) | ||
| 09/14/02 | Ruth Eckerd Hall | 16-bit flac | 1 | Unknown DAud > DAT > CDR > EAC > FLAC CDR > EAC > FLAC by Ron Bruder | ||
| 09/15/02 | Ocean Center | 16-bit flac | 1 | Schoeps CCM4V cardioids > Schoeps K5LU XLR > Lunatec V2 > Audio Magic Presto II RCA > Tascam DA-P1 Location: 45? ORTF width 16' high, 5th row directly in front of right stack (sec 1 row E seats 1-2) Conversion: Paul Chrostowski DAT > SHN: PCM-R500 > Sek'd Prodif+ > Samplitude Producer 2496 v6.0 > CDWAV v1.71 (resampled from 48KHz by Samplitude using Ultra High 1 setting, no DAE) SHN > FLAC by unknown | ||
| 09/17/02 | Georgia Civic Center | 16-bit flac | 1 | FOB/DFC/ORTF ccm4ug > m148 > modsbm-1 > d8 Recorded by unknown Transfer: d7 > Audiophile 24/96 > Soundforge 6 > Resampled from 48K to 44.1 at Level 4 with A.A.F. applied > CDWave > shn Transfer by Ben Clary SHN > FLAC by unknown | ||
| 09/20/02 | Hi-Fi Buys Amphitheater | 16-bit flac | 1 | Neuman KM-184> Lunatec V2> Graham-Patten ADC-20 (DFC, LAWN) Transfer: DA-P1> S/PDIF> Montego II+> Cool Edit Pro> CDWave> mkwACT Taped and transferred by Sloan Simpson | ||
| 09/22/02 | Mud Island Ampitheater | 16-bit flac | 1 | AKG C-2000B > Edirol UA-5 > USB > IBM Thinkpad 600e Recorded with: Cool Edit Pro Section C, Row 14 Dead Center Mono>Stereo Conversion applied with Cool Edit Pro Taped and seeded by: Jason Carter Wind was present all night | ||
| 09/27/02 | The Backyard | 16-bit flac | 1 | Unknown Audience Recording > CD-R > EAC > FLAC | ||
| 09/29/02 | Woodlands Pavilion | 16-bit flac | 1 | unknown audience | ||
| 03/13/03 | Beacon Theater | 16-bit flac | 1 | Neumann km184 mics > Phantom Power > Sony Sbm1 > Sony Pcm1 | ||
| 03/14/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km184 Mics > Phatom Power > Sony Sbm1 > Sony Pcm1 | ||
| 03/15/03 | Beacon Theater | 16-bit flac | 1 | unknown audience | ||
| 03/15/03 | Beacon Theater | 16-bit flac | 1 | Taper Frank Dawid MBHO 603a/ka500>mp2>dap1>CDR>EAC>FLAC (EAC performed in secure mode with 100% track qualities) | ||
| 03/15/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km184 Mics> Phantom Power > Sony Sbm1 > Sony Pcm 1 | ||
| 03/17/03 | Beacon Theater | 16-bit flac | 1 | lower balcony, row a, seat 107,108 (center section), sennheiser 421's > sony sbm1 a/d converter > sony d8 >CDR>EAC>FLAC (EAC'd in secure mode with 100% track qualities) | ||
| 03/17/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km 184 Mics > Phantom Power > Sony Sbm1 > Sony Pcm1 | ||
| 03/18/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 | ||
| 03/20/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 | ||
| 03/21/03 | Beacon Theater | 16-bit flac | 1 | DPA (B&K) 4022s > Lunatec V3 @ 16/44.1 > Sony D8 Orchestra Row G, seats 107, 108, ORTF DAT > SHN: Tascam DA-20mkii > Emagic EMI 2|6 > Apple PowerBookG4 > Sound Studio 2.0.7 > Bias Peak 3.2 > shntool 1.2.0-rc1 > shn | ||
| 03/21/03 | Beacon Theater | 16-bit flac | 1 | Neumann KM184 > Lunatec V2 > Sony D8 - Orchestra Row H DFC by Justin Carlson Transfer: Archive Python 01931-xxx5.63 SCSI DDS > DAT2WAV > CD Wave > mkwACT | ||
| 03/21/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 | ||
| 03/22/03 | Beacon Theater | 16-bit flac | 1 | unknown audience | ||
| 03/22/03 | Beacon Theater | 16-bit flac | 1 | Recorded by Tom Hoffman Orch L/C row L seat 17 akg460+ck61 (xy at 90 degrees)-> PS2 >zefiro Inbox >tcd-d8 >audiophile2496 Tracking and fade in/out via Sound Studio on a Macintosh G4 | ||
| 03/22/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 | ||
| 03/25/03 | Beacon Theatre | 16-bit flac | 1 | Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 | ||
| 03/26/03 | Beacon Theater | 16-bit flac | 1 | Neumann Km 184 Mics > Phantom Power > Sony Sbm 1 > Sony Pcm 1 | ||
| 03/28/03 | Beacon Theater | 16-bit flac | 1 | Audio Technica 4041's (x-y) > Denecke PS2 > GP ADC20 > M1 > *SHN > *Cool Edit Pro > CDWave > mkwACT | ||
| 03/29/03 | Beacon Theatre | 16-bit flac | 1 | Schoeps CCMMM4>Sonosax preamp>M1>DAP1 (via analog cable) Transfer to WAV:DAP1>Dio2448>CDWAV Normalized with Goldwave Converted to SHN w/mkwACT Taper: Phil ??? Seeded by Yossi Pollak | ||
| 03/30/03 | Beacon Theater | 16-bit flac | 1 | Neumann km184 mics > Phantom Power > Sony Sbm1 > Sony Pcm1 | ||
| 03/30/03 | Beacon Theater | DVD | 1 | Audience Shot Video | ||
| 06/14/03 | Bonnaroo Music Festival | 16-bit flac | 1 | Original Recording: Neumann TLM170(hypercardoids, FOB, center)->Apogee AD1000->Sony D7 or D8 via digi-cable (master@16/48) DAT playback: Sony R-500 -> Sound Devices 722 digital input (@24/48) Mastered: Steinberg Spectralayers 11 to scrub many loud whistles and yells. SoundForge 13.0 for EQ(bass cut, treble boost) volume normalization and clap scrubbing; 24->16 bit dither using POW-r #3 noise shaping. Tracked in CDWav. IDv3 tagged in Tag&Rename 3.9.15 | ||
| 06/14/03 | Bonnaroo Music Festival | 16-bit flac | 1 | AKG 480/ck61 > ad1000 > DA-P1 @ 48 kHz. (fob, dfc) Taped By: Gordon Wilson Transfer : D-8 > Waveterminal 24/96 > WaveLab 4.0 > CDWave > flac frontend (level 6) > .flac Transfered by : Joe Waldron | ||
| 06/14/03 | Bonnaroo Music Festival | 16-bit flac | 1 | (FOB, DFC, XY) Neumann AK50 > LC3 > KM100 > V3 > D8 @ 48k Transfer: Tascam DA-40 > Dio 2448 > Soundforge 4.5 > CDWave > SHN | ||
| 06/14/03 | Bonnaroo Music Festival | 16-bit flac | 1 | AKGc451b's (sterio pair) right side of rail 10' fob, 12' high > MP2 > ADC-20 > PCM-M1 @ 48 KHz > spdif > Sound Blaster Live platinum > cool edit pro > tracks > resampled to 44.1 KHz at highest setting | ||
| 06/14/03 | Bonnaroo Music Festival | 16-bit flac | 1 | DSBD > ? > CD > EAC > FLAC Ripped from Johnny Hance's audio CD's by yubah 2-7-2011 | ||
| 06/26/03 | Jones Beach Theater | 16-bit flac | 1 | recorded from row N, DFC with Rhone Mics > Apogee Mini Duo Pre-Amp/A to D converter > JukeBox 3 taper: Jim Rehill | ||
| 06/27/03 | Nissan Pavilion at Stone Ridge | 16-bit flac | 1 | Digital Audience AKG 481 > MiniMe > DA-P1 (48) > DiO2448 > PCM > SHN | ||
| 06/28/03 | Hilton Casino | 16-bit flac | 1 | unknown audience | ||
| 06/28/03 | Hilton Casino | 16-bit flac | 1 | Soundboard > Tascam DAP1 > ? > FLAC | ||
| 07/01/03 | Riverbend Amphitheater | 16-bit flac | 1 | unknown audience | ||
| 07/01/03 | Riverbend Amphitheater | 16-bit flac | 1 | (FOB DFC) Schoeps CMC6's/MK4's > Sonosax > HHB > D8 Transfer: DA-P1 > Audiophile 2496 > *Sound Forge 6 (48 > 44.1 on 4 w/anti-alias) > CDWave > mkwACT Transferred and seeded by Doug Nawrocki | ||
| 07/05/03 | Soo Pass Ranch | 16-bit flac | 1 | AKG 481 > Oade m248 > mod-sbm-1 > D-100 @ 48 kHz Taped by: Hampton West Transfer: Sony 59ES > Monster s/pdif > Audiophile 2496 >Wave Lab 4.0 > CDWave > mkwACT > shn (seek) Transfer by: Wade Cooper | ||
| 07/09/03 | Molson Amphitheatre | 16-bit flac | 1 | AKG C-414B-ULS (card, ~12' high, w/windscreens on, sec. 203, row D, seats 13&14)-->Apogee mini me-->DA-P1 @48KHz Transfer: DA-P1-->coax-->Midiman Audiophile2496-->Soundforge v5.0-->CD Wave v1.71-->FLAC frontend v1.0.4c-->FLAC Taped by: Karl L & Martin A | ||
| 07/11/03 | Main Stage, Cisco Systems Bluesfest | DVD | 2 | Audience Shot Video | ||
| 07/12/03 | Indian Lookout Country Club | 16-bit flac | 1 | MBHO603a/ka500>mp-2>ad500>dap1 Transfer: ES-60>hhb 850 | ||
| 07/12/03 | Indian Lookout Country Club | 24-bit flac | 1 | Schoeps CCM4 > Grace V3 > Master Dat (Sony D10PII) Location: FOB, directly in front of soundboard. Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 24/48 Master Digital Audience Recording & Transfer by Ray Ackerman Edited & mastered w/ Adobe Audition by Joe Noel October 31, 2019 | ||
| 07/13/03 | Tweeter Center | 16-bit flac | 1 | Schoeps cmc6/mk4 > Lunatec V2 > RME/Nuendo Multiset > n-track (24 bit/88.2 khz) Location: Section 5, Row H Resampled with Wavelab. Dithered with Waves L2 | ||
| 07/13/03 | Tweeter Center | 16-bit flac | 1 | Neumann KM184 mics > Lunatec V3 Pre-amp/A to D > Jukebox 3 hard disk recorder > CDWav > Samplitude 2496 > Plextor > CD Taper: Jim Rehill Transfer: CD > EAC > WAV > FLAC by Keith | ||
| 07/29/03 | Chicago Theater | 16-bit flac | 1 | AT3035>PS2>AD20>D8>AudioPhile2496>CDWave>MKW>SHN 11TH ROW 3' Left OF Center By Scott & Cathie Sterchele | ||
| 07/30/03 | Chicago Theatre | 16-bit flac | 1 | AT3035 > PS2 > AD20 > D8 Transfer: D8 > AudioPhile2496 > CDWave > MKW > SHN Taped & Transferred by Scott Sterchelle | ||
| 08/01/03 | Ford Pavillion at Montage Mountain | 16-bit flac | 1 | Recorded by Tom Hoffman on the lawn, dead center 30� from the repeater akg460+ck61->ps2-.zefiro inbox->d8->pcm-r500->audiophile2496->wav-.shn | ||
| 08/05/03 | Penns Landing | 16-bit flac | 1 | AUD > ? > DAT > ? > Audacity > FLAC | ||
| 08/05/03 | Penns Landing | 16-bit flac | 1 | AKG460+CK61->ps2->zefiro inbox->d8->pcm-r500->audiophile2496->aiff->wav->shn | ||
| 08/08/03 | HiFi Buys Amphitheatre | 16-bit flac | 1 | AKG 483 > Oade 248 > SBM-1 > Tascam DAP-1 Location: FOB DFC Transfer : DAP-1 > HHb 830 > EAC > Cool Edit Pro > CD Wave > MKWact > SHN SHN > FLAC by unknown Taped By Chris Cage Transfered By Melissa Seeded By Melissa and Tommy | ||
| 08/08/03 | HiFi Buys Amphitheatre | 16-bit flac | 1 | Schoeps cmc6/mk4(FOB/DFC/ORTF)->Lunatec V3->Tascam DAP1 Transfer: DAT->Archive Python 01931-XXX5.AC->DAT 2 WAV v1.1-> WAV->CD WAV v1.72(for track splits)->MKW ACT 0.97->SHN SHN ->MKW ACT 0.97->WAV ->SF7.0 (Sony Clipped Peak Restoration*)-> WAV ->FLAC FrontEnd (v 1.1.1, Level 7) > FLAC | ||
| 09/03/03 | Fantasy Studios | 16-bit flac | 1 | soundboard | ||
| 09/05/03 | Greek Theatre | 16-bit flac | 1 | Neumann KM140 (fob) > Lunatec V3 > Tascam DA-P1 Recorded by "Super-Dave" Haaf Transfer: DAT > ? > CD-R > ? > FLAC Transferred by unknown | ||
| 09/07/03 | The Greek Theater | 16-bit flac | 1 | FOB Neumann AK50's(Sec A Row K) > LC3KA> KM100 > Lunatec V2 > Apogee AD-1000 @ 44.1 > DA-P1 Transfer/Encoding: DA-P1 dat(m) > s/pdif coax > Egosys Waveterminal 2496 > PC/Soundforge 4.5 > CD WAVE > MKW > SHN with Seek Tables Appended Recording/Transfer by Andrew Rakow SHN > CD-R > FLAC by unknown | ||
| 09/09/03 | Santa Barbara Bowl | 16-bit flac | 1 | Sennheiser K3U/ME40-> Mini Me-> M1 received flac files from Richard Sheehy (from audio cdrs) flac > wav > mhwaveedit > shntool > flac | ||
| 09/09/03 | Santa Barbara Bowl | 16-bit flac | 1 | Neumann KM-184's->Beyer MV-100->Tascam DA-P1 Location: 8th Row, Center Taper: Jeff Bowen Transfer: received cdrs from Jeff Bowen > cdparanoia > mhwaveedit > shntool > flac | ||
| 09/12/03 | The Joint | 16-bit flac | 1 | Earthworks SR77 > Dmic20 > Da-P1 > D8 Transfer: Sony R300 > CD > EAC > FLAC16 Recorded/transfered: Scott Fraser | ||
| 09/13/03 | Usana Amphitheatre | 16-bit flac | 1 | AKG 480/CK-61 -> Sound Devices MP-2 -> Graham Patten ADC-20 -> Sony-D8 Location: (Section 303, Row C, Seat 27) Transfer: Tascam DA-302 -> SB Audigy 2 -> CEP -> CDWave -> CDR Taped and Transfered by: Russ Minas Retracked by: Scott Byhoffer (CDWave + WAVmerge) | ||
| 09/14/03 | Town Park | 16-bit flac | 1 | Neumann KM184's -> Lunatec V3 -> Tascam DA-P1 Location: (FOB) DFC about 5 ft' Taped by: Stephen Pzynski Retracking: CDR -> EAC -> CDWave + WAVmerge -> mkwACT.97 -> SHN Retracked by: Scott Byhoffer | ||
| 09/17/03 | Anselmo Valencia Tori Amphitheatre | 16-bit flac | 1 | MBHO 603A -> Mini Me -> DA-P1 -> JB3 Location: 8th Row , (DFC) Taped and converted by: Jim Rehill Retracked by: Scott Byhoffer (CDWave + WAVmerge) | ||
| 09/19/03 | Red Rocks Amphitheatre | 16-bit flac | 1 | unknown audience recording | ||
| 09/19/03 | Red Rocks Amphitheatre | 16-bit flac | 1 | AKG C61's ("probably") > DATs via David McGee and Chief Transfer: Panasonic SV-3900 > Tascam SS-CDR200 Master: Wavelab 10 (tracking, patching, remove DC offset ) > FLAC 1648 | ||
| 09/19/03 | Red Rocks Amphitheatre | 16-bit flac | 1 | km140's>mp2>adc20>p1>rme32>cdwav>flac | ||
| 09/21/03 | Puyallup Fair | 16-bit flac | 1 | unknown audience recording | ||
| 03/18/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > apogee-mini-me > coaxial > oade 7pin > sony m1 location: dead center loge front row lineage: cd from taper > EAC > flac | ||
| 03/18/04 | Beacon Theater | DVD | 2 | Audience Shot Video | ||
| 03/19/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > lunatec v3 > coaxial > tascam dpa > coaxial > oade 7 pin > sony d8 location: dead center in front of soundboard lineage: cd from taper > EAC > flac | ||
| 03/20/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > lunatec v3 > coaxial > tascam dpa > coaxial > oade 7 pin > sony d8 location: dead center in front of soundboard lineage: cd from taper > EAC > flac | ||
| 03/22/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > apogee-mini-me > coaxial > oade 7pin > sony m1 location: dead center loge front row lineage: cd from taper > EAC > flac | ||
| 03/23/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > lunatec v3 > coaxial > tascam dpa > coaxial > oade 7 pin > sony d8 location: dead center in front of soundboard lineage: cd from taper > EAC > flac | ||
| 03/23/04 | Beacon Theater | DVD | 2 | Audience Shot Video | ||
| 03/25/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > apogee-mini-me > coaxial > oade 7pin > sony m1 location: dead center loge front row lineage: cd from taper > EAC > flac | ||
| 03/26/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > lunatec v3 > coaxial > tascam dpa > coaxial > oade 7 pin > sony d8 location: dead center in front of soundboard lineage: cd from taper > EAC > flac | ||
| 03/27/04 | Beacon Theatre | 16-bit flac | 1 | neumann km184's > lunatec v3 > coaxial > tascam dpa > coaxial > oade 7 pin > sony d8 location: dead center in front of soundboard lineage: cd from taper > EAC > flac | ||
| 03/28/04 | Beacon Theater | 16-bit flac | 1 | neumann km184's > apogee-mini-me > coaxial > oade 7pin > sony m1 location: dead center loge front row lineage: cd from taper > EAC > flac | ||
| 07/03/04 | The Gorge Ampitheatre | 16-bit flac | 1 | A:ts AKG483's > w-mod UA5 > Sony PCM-M1 Transfer: Sony PCM-M1 -> VX Pocket 2 (s/pdif) > Wavelab 3.03 > CDWave > FLAC | ||
| 07/03/04 | The Gorge Ampitheatre | 16-bit flac | 1 | AKG C1000's{Hypercardiod} > Samson Mixpad 4 > Sony D7@48Khz | ||
| 07/09/04 | Red Rocks Ampitheatre | 16-bit flac | 1 | unknown audience > ? > CDR > EAC > FLAC | ||
| 07/09/04 | Red Rocks Ampitheatre | 16-bit flac | 1 | Tapers section > DAT master > DAT clone Transfer: Sony DTC ZE700 > Microtrack II (48-16) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you | ||
| 07/09/04 | Red Rocks Ampitheatre | 16-bit flac | 1 | TS DFC Neumann TLM170's(hyper's)> V2> MiniMe> DA-P1 Conversion: DA-P1> ProdifPlus> Samplitude 7.0 Professional> CDWAV> MKW | ||
| 07/10/04 | Red Rocks Ampitheatre | 16-bit flac | 1 | unknown audience > ? > CDR > EAC > FLAC | ||
| 07/10/04 | Red Rocks Ampitheatre | 16-bit flac | 1 | MBHO 603a ka200n > tmod UA-5 > JB3 > WaveLab Lite > CDWav > flac | ||
| 07/10/04 | Red Rocks Ampitheatre | 16-bit flac | 1 | MBHO 603a/200->MP2->AD2k+->DA-P1 Transfer: DA-P1->Audiophile 2496->Adobe Audition->CDwave->mkw->wav->flac Taped and Transferred: David Taylor | ||
| 07/12/04 | Uptown Theater | 16-bit flac | 1 | (Modified) AKG 463 > P-Mod UA-5 > Sony M1 Transfer: Sony M1 > Dio 2448 > Cool Edit Pro > wav > flac16 Location: LOC, 3rd row balcony, mics @ 4 ft. DIN Taped/transfered by: KCMoeJoe | ||
| 07/12/04 | Uptown Theater | 16-bit flac | 1 | Nak300(ORTF) > UA-5 > JB3 > Firewire > Wavelab > SHN > TLH > FLAC (8) Location: front row balcony rail | ||
| 07/15/04 | Moondance Ranch | 16-bit flac | 1 | FOBDFC 12'>Oktava MC012/h DIN>d-UA5>Opti JB3 44.1khz Transfer: JB3>FW>Adobe Audition>EQ*>CDWave | ||
| 07/17/04 | Fox Cities Stadium | 16-bit flac | 1 | DPA 4022 (DIN) > PSP2 > ADK1 > Marantz PMD700 Transfer: Panasonic 3800 > HHB850 > CD (x2) > WAV (EAC) > WavMerge > CEP2K (gap removal) > CDWav (tracking) > CD | ||
| 09/28/04 | XM Performance Theater | 16-bit flac | 1 | XM Radio Show | ||
| 03/10/05 | Beacon Theatre | 16-bit flac | 1 | Schoeps Mk4 Caps>CMC-6 bodies>Lunatec V3>Ipaq PD-Audio Lineage: Ipaq PD-Audio > HP Laptop (USB 2.0) > USB Ext. HD > Wave Merge 2.1 > Sound Forge 7.0 (Fades) > CDWav (tracking) > ShnTool > FLAC (Flac Frontend 1.7.1 - Level 6) Recorded by Jim Rehill Location: Loge Row A, Seat 101 | ||
| 03/10/05 | Beacon Theatre | 16-bit flac | 1 | FOB (Neumann KM184 mounted 12 feet up at the front left corner of the sbd console; row N, seat 107) > Lunatec V2 > Tascam DA-P1 (16 bit/44.1 KHz). Thanks to Kirk West for the seats. Transfer: DAT > WAV: DAT(Tascam DA-45HR) > MOTU 896 > WAV (Apple G5; Digital Performer 4.5 recorded as 24 bit/44.1 KHz) WAV > CDR: WAV (P4 2.7 GHz PC; Wavelab 5.0 (crossfades; 24 bit > 16 bit WAV using Waves IDR mastering plugin set for 'Hi Res CD Master' (Dither Type I, Ultra shaping) > CDWave v1.71 (tracking) > FLAC (FLAC frontend). Recorded by Derek McCabe. DAT > WAV Transfer by Derek McCabe. Crossfades, tracking and FLAC encoding by Chris Ladner | ||
| 03/11/05 | Beacon Theatre | 16-bit flac | 1 | Taper: Jim Kelly Recording: Nakamichi 700s > Sony PCM-M1 (DAT) Location: Row BB (2nd row) in front of the stacks on Gregg's side Conversion: Sony PCM-M1> SBLive> Soundforge > CDWav (tracking) > WAV > Mkw > SHN | ||
| 03/12/05 | Beacon Theatre | 16-bit flac | 1 | Neumann KM184>Edirol UA-5>DA-P1 Location:Railing in front of right center aisle-mics aimed at stacks Transfer to WAV:DA-P1>Audiophile 2496 USB>Goldwave Normalized to 99.99% with Goldwave Tracked using CDWAV | ||
| 03/14/05 | Beacon Theatre | 16-bit flac | 1 | Neumann KM184>Edirol UA-5>DA-P1 Location:Clamped to Loge railing, front of Left center aisle, mics aimed at stacks Transferred to WAV:DA-P1>Audiophile 2496 USB>Goldwave Normalized to 99.99 % using Goldwave Tracked using CDWAV Converted to FLAC using FLAC Frontend-"align on sector boundaries" option selected | ||
| 03/15/05 | Beacon Theatre | 16-bit flac | 1 | Schoeps Mk4 Caps>CMC-6 bodies>Lunatec V3>Ipaq PD-Audio Lineage: Ipaq PD-Audio > HP Laptop (USB 2.0) > USB Ext. HD > Wave Merge 2.1 > Sound Forge 7.0 (Normalize @ 99%, 48kHz->44.1kHz) > CDWav (tracking) > ShnTool > FLAC (Flac Frontend 1.7.1 - Level 6) Recorded by Jim Rehill Location: Loge Row A, Seat 101 | ||
| 03/15/05 | Beacon Theatre | 16-bit flac | 1 | FOB (Neumann KM184 mounted 12 feet up at the front left corner of the SBD console; row N, seat 107) > Lunatec V2 > Benchmark ADK2+ > DAT(Tascam DA-P1, 16 bit/44.1 KHz). Thanks to Kirk West for the seats. Transfer: DAT(playback on Tascam DA-45HR) > MOTU 896 > Apple G5 (Digital Performer 4.5 recording as 24 bit/44.1 KHz AIFF > Waves L3 Multimaximizer -flat freq. response curve, threshold: - 4 dB, ceiling -0.1 dB)> 24 bit/44.1 KHz WAV > P4 PC - Wavelab 5.0 (removal of crowd noise with crossfades and 24 > 16 bit WAV using Waves IDR mastering plugin set for 'Hi Res CD Master' (Dither Type I, Ultra shaping) > CDWave v1.71 (tracking) > FLAC (FLAC frontend). Recorded by Derek McCabe and Mike Springer. DAT > WAV Transfer by Derek McCabe. Crossfades, tracking and FLAC encoding by Chris Ladner | ||
| 03/17/05 | Beacon Theatre | 16-bit flac | 1 | Taper Steve Traietta: nakamici cm 100s with cp4 shotgun caps for mics> sony m1 dat recorder> sony sbm1 bitt mapper analog digital converter lineage: trade cdr(x?) > wav (plextor plexwriter-premium/eac offset correct) > flac (flac frontend 1.7.1/verify/align on sb/level 6) | ||
| 03/17/05 | Beacon Theatre | 16-bit flac | 1 | FOB (Neumann KM184 mounted 12 feet up at the front left corner of the SBD console; row N, seat 107) > Lunatec V2 > Benchmark ADK2+ > DAT(Tascam DA-P1, 16 bit/44.1 KHz). Thanks to Kirk West for the seats. Transfer: DAT(playback on Tascam DA-45HR) > MOTU 896 > Apple G5 (Digital Performer 4.5 recording as 24 bit/44.1 KHz AIFF > Waves L3 Multimaximizer -flat freq. response curve, threshold: - 4 dB, ceiling -0.1 dB)> 24 bit/44.1 KHz WAV > P4 PC - Wavelab 5.0 (removal of crowd noise with crossfades and 24 > 16 bit WAV using Waves IDR mastering plugin set for 'Hi Res CD Master' (Dither Type I, Ultra shaping) > CDWave v1.71 (tracking) > FLAC (FLAC frontend). Recorded by Derek McCabe and Mike Springer. DAT > WAV Transfer by Derek McCabe. Crossfades, tracking and FLAC encoding by Chris Ladner | ||
| 03/18/05 | Beacon Theatre | 16-bit flac | 1 | Taper: Jim Kelly Recording: Nakamichi 700s > Sony PCM-M1 (DAT) Conversion: Sony PCM-R500> SBLive> Soundforge > CDWav (tracking) > WAV > Mkw > SHN Location: Orch Row B, Seat 105 | ||
| 03/19/05 | Beacon Theatre | 16-bit flac | 1 | recorded from the Loge using two Neumann KM-150 microphones processed to digital using an Apogee MiniMe converter captured to 24-bit/48kHz audio using Spark ME on an iBook G4 tracked and fades added in Peak 4 on a PowerMac G4 processed to 16-bit/44.1kHz using Roxio Toast SBE's checked and FLAC conversion by X Audio Compression Toolkit | ||
| 03/21/05 | Beacon Theater | 16-bit flac | 1 | Taper: Steve Traietta nakamici cm 100s with cp4 shotgun caps for mics> sony m1 dat recorder> sony sbm1 bitt mapper analog digital converter>??>flac | ||
| 03/21/05 | Beacon Theater | 16-bit flac | 1 | FOB (Neumann KM184 mounted 12 feet up at the front left corner of the SBD console; row N, seat 107) > Lunatec V2 > Benchmark ADK2+ > DAT(Tascam DA-P1, 16 bit/44.1 KHz). Thanks to Kirk West for the seats. Transfer: DAT(playback on Tascam DA-45HR) > MOTU 896 > Apple G5 (Digital Performer 4.5 recording as 24 bit/44.1 KHz AIFF > Waves L3 Multimaximizer -flat freq. response curve, threshold: - 4 dB, ceiling -0.1 dB)> 24 bit/44.1 KHz WAV > P4 PC - Wavelab 5.0 (24 > 16 bit WAV using Waves IDR mastering plugin set for 'Hi Res CD Master' (Dither Type I, Ultra shaping) > CDWave v1.71 (tracking) > FLAC (FLAC frontend). Recorded by Derek McCabe and Mike Springer. DAT > WAV Transfer by Derek McCabe. Crossfades, tracking and FLAC encoding by Chris Ladner | ||
| 03/22/05 | Beacon Theatre | 16-bit flac | 1 | Neumann KM184>Edirol UA-5>DA-P1 Location:Clamped to Lower Balcony railing, front of Left center aisle, mics aimed at stacks Transferred to WAV:DA-P1>Audiophile 2496 USB>Goldwave Normalized to 99.99 % using Goldwave Tracked and converted to FLAC using CDWAV | ||
| 03/22/05 | Beacon Theatre | DVD | 1 | Audience Shot Video | ||
| 05/06/05 | Greek Theatre | 16-bit flac | 1 | 2-Sennheiser ME66/K6->Lunatec V3 (48hz)->Sony TCD-D100 (48hz)->Adobe Audition (dithered to 44.1hz, fades applied to beginning and end of show)->CDWav Editor (tracking) Section: South Terrace, Row S, Seat 1 Tape & Transfer by Lee Ramsey | ||
| 05/10/05 | Sandia Casino Amphitheater | 16-bit flac | 1 | 4th row center 20' 7' on stand Schoeps MK-41 W5D Windscreens 90* ORTF > KCY Active Cable > Schoeps VMS 5u > Kind Kables Belden > Grace V-3 16/44.1 > Optical > Nomad Jukebox 3 > USB > Dell Home Computer > CD Wave Editor (track marks) > CDR | ||
| 05/14/05 | Von Braun Center Arena | 16-bit flac | 1 | Neumann KM140 -> Sonosax SX-M2 -> Digigram VX Pocket V2 -> Fujitsu P2110B using Soundforge 6.0d at 24bit/48kHz from 19th row center on a 15ft stand Resampled and dithered in Soundforge with anti-aliasing filter and enhanced with Waves L2 using WaveLab 4.0g, tracked with CDWav and converted to FLAC Recorded by Big Purple Dog Productions | ||
| 05/15/05 | Mississippi Coliseum | 16-bit flac | 1 | Peavey PVM480s(fob dfc @ sbd rail @ 13')via Canare L-4E3-2P Star Quad cable>Edirol UA-5 @24bit 48khz>Toshiba 2060 CDS | ||
| 05/19/05 | Bancorp South Center | 16-bit flac | 1 | Schoeps mk41 > kc5 > cmc6xt > Nagra V @24/96 Location: FOB, rt side of center aisle, ~ 50' from stage Conversion: Nagra HD > Wavelab 5 (24/96>16/44 w/UV22HR dither) > CDWAV > Flac Frontend > FLAC (level 6) Recorded & converted by John Callery | ||
| 06/10/05 | Great Stage Park | 16-bit flac | 1 | XM Radio | ||
| 07/05/05 | Marcus Amphitheater | 16-bit flac | 1 | DPA 4021's > Sonosax SX-M2 > SBM-1 > TCD-D8 DAT @ 48KHz Taped by The Noodle Man Mics shock-mounted on stands with DPA windscreens, ORTF alignment, approx 11' high, location- Sec 2 Row Y Seat 30 Transfer: DAT > S/Pdif > Audiomedia III PCI card > Powermac Transcribed by morst | ||
| 08/12/05 | Jackpot Junction | 16-bit flac | 1 | (FOB, DFC, ORTF) DPA 4022 > Oade m148 > AD1000 > JB3 Transfer: Nomad JB3 > firewire > Adobe Audition 1.0 > CD Wave > Flac Recorded by Eric Swanson | ||
| 08/16/05 | Molson Amphitheatre | 16-bit flac | 1 | FOB Schoeps MK4V's> KCY Actives> VMS> Edriol R1 Conversion: HP Standalone Burner > EAC > FLAC Taped and Conversion: JEFF TRAVITZ | ||
| 09/23/05 | Zilker Park | DVD | 1 | Pro Shot Video | ||
| 03/09/06 | Beacon Theatre | 16-bit flac | 1 | Neumann KM184 > Edirol UA-5 > PC with CDWAV Location: Loge Dead Center. Mics on goosenecks (approx. 15 inches down from railing), aimed at stacks and split approximately 6 feet apart. Normalized to 100% using Audacity Track splits and converted to FLAC with CDWAV Taper:Yossi Pollak Seeded by Yossi Pollak | ||
| 03/10/06 | Beacon Theater | 16-bit flac | 1 | Schopes MK4 > Lunatec V3 > PD-Audio > Ipaq Taper: Jim Rehill | ||
| 03/11/06 | Beacon Theatre | 16-bit flac | 1 | Schopes MK4 > Lunatec V3 > PD-Audio > Ipaq Taper: Jim Rehill | ||
| 03/13/06 | Beacon Theater | 16-bit flac | 1 | DPA (B&K) 4022s > Lunatec V3 > Audio Magic Illusion QL XLRs > Mytek Stereo 192 ADC @ 24 bit, 96khz > Audio Magic Illusion QL Digital XLR > Sound Devices 722 722 > Apple MacBook Pro > Spark XL 2.8.2 (normalize, tracking, resample to 44.1khz, dither to 16 bit)> xACT 1.56 > shn Location: lower balcony row A, center | ||
| 03/13/06 | Beacon Theater | 16-bit flac | 1 | Neumann KM184 mics>Apogee Mini Me>Coaxial>7 Pin>Sony PCM1>CD(1)>cdparanoia>flac level 6 | ||
| 03/14/06 | Beacon Theater | 16-bit flac | 1 | Neumann KM184 mics > Lunatec V3 > Coaxial > Oade 7 pin > Sony PCM1 > CD(1) > cdparanoia > flac level 6 | ||
| 03/16/06 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4 > Lunatec V3 > Microtrack (Seagate 5gb Microdrive) Taped by Cliff Morse patched from Jim Rehill | ||
| 03/16/06 | Beacon Theater | 16-bit flac | 1 | AKG c393 > Microtrack (16/44.1) Taped by: Rick Odeen | ||
| 03/17/06 | Beacon Theater | 16-bit flac | 1 | DPA 4022s -> Sound Devices 722@24/96 Location: Clamped to the balcony rail, XY, right stack Conversion: SD722 -> CD Wave (tracking) -> Wavelab (resampling, dither, joining split tracks) -> FLAC | ||
| 03/18/06 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4 > Lunatec V3 > Microtrack (Seagate 5gb Microdrive) Taped by Cliff Morse patched from Jim Rehill | ||
| 03/18/06 | Beacon Theater | 16-bit flac | 1 | DPA 4022s -> Sound Devices 722@24/96 Location: Clamped to the balcony rail, XY, right of center Conversion: SD722 -> CD Wave (tracking) -> Wavelab (resampling, dither, joining split tracks) -> FLAC | ||
| 03/20/06 | Beacon Theater | 16-bit flac | 1 | Neumann KM184 mics>Apogee Mini Me>Coaxial>7 Pin>Sony PCM1>CD(1)>cdparanoia>flac level 6 | ||
| 03/20/06 | Beacon Theater | DVD | 2 | Audience Shot Video | ||
| 03/21/06 | Beacon Theater | 16-bit flac | 1 | Neumann KM184 mics>Apogee Mini Me>Coaxial>7 Pin>Sony PCM1>CD(1)>cdparanoia>flac level 6 | ||
| 03/23/06 | Beacon Theater | 16-bit flac | 1 | Neumann KM184 mics>Apogee Mini Me>Coaxial>7 Pin>Sony PCM1>CD(1)>cdparanoia>flac level 6 | ||
| 03/24/06 | Beacon Theater | 16-bit flac | 1 | DPA (B&K) 4026s (wide cardioid) > Lunatec V3, with HPF2 > Audio Magic Illusion QL XLRs > Mytek Stereo 192 ADC @ 24 bit, 96khz > Audio Magic Illusion QL Digital XLR > Sound Devices 722 722 > Apple MacBook Pro > Spark XL 2.8.2 (tracking, resample to 44.1khz, dither to 16 bit)> xACT 1.57 > shn Location: ORCH G, 106. Stand at 11 ft, mics XY | ||
| 03/24/06 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Apogee Mini-Me > Sony Pcm1 Tascam Da-p1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/25/06 | Beacon Theater | 16-bit flac | 1 | Neumann KM184 mics>Apogee Mini Me>Coaxial>7 Pin>Sony PCM1>CD(1)>cdparanoia>flac level 6 | ||
| 03/26/06 | Beacon Theater | 16-bit flac | 1 | DPA (B&K) 4026s (wide cardioid) > Lunatec V3, with HPF2 > Audio Magic Illusion QL XLRs > Mytek Stereo 192 ADC @ 24 bit, 96khz > Audio Magic Illusion QL Digital XLR > Sound Devices 722 722 > Apple MacBook Pro > Spark XL 2.8.2 (tracking, resample to 44.1khz, dither to 16 bit)> xACT 1.57 > shn Location: ORCH E, 105. Stand at 9 ft, mics XY | ||
| 03/20/07 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km184 Mics > Lunatec V2 >Benchmark Sonic A/D > Sony Pcm1 Sony Pcm 1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/20/07 | Beacon Theater | DVD | 2 | Audience Shot Video | ||
| 03/22/07 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4> CMC6 > Sound Design 702, 24/96 Dithering: Audacity > CD Wave Editor | ||
| 03/22/07 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km184 Mics > Apogee-Mini-Me > Sony Pcm1 Sony Pcm 1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/23/07 | Beacon Theater | 16-bit flac | 1 | NAK 100 Shotguns>SBM-1>Sony TCD 100 Location - Loge center row A Patch From Steve Taper - Snuffy | ||
| 03/23/07 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4> CMC6 > Sound Design 702, 24/96 Dithering: Audacity > CD Wave Editor | ||
| 03/23/07 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km184 Mics > Lunatec V2 >Benchmark Sonic A/D > Sony Pcm1 Sony Pcm 1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/24/07 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4> CMC6 > Sound Design 702, 24/96 Dithering: Audacity > CD Wave Editor | ||
| 03/24/07 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km184 Mics > Lunatec V2 >Benchmark Sonic A/D > Sony Pcm1 Sony Pcm 1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/26/07 | Beacon Theater | 16-bit flac | 1 | neumann km184 mics > benchmark sonic a/d 2k plus > lunatec v2 > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 03/27/07 | Beacon Theater | 16-bit flac | 1 | neumann km184 mics > benchmark sonic a/d 2k plus > lunatec v2 > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 03/29/07 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4> CMC6 > Sound Design 702, 24/96 Dithering: Audacity > CD Wave Editor | ||
| 03/29/07 | Beacon Theater | 16-bit flac | 1 | neumann km184 mics > apogee-mini-me > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 03/30/07 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4> CMC6 > Sound Design 702, 24/96 Dithering: Audacity > CD Wave Editor | ||
| 03/30/07 | Beacon Theater | 16-bit flac | 1 | Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km184 Mics > Apogee-Mini-Me > Sony Pcm1 Sony Pcm 1 > Creative Extigy Soundcard > Cool Edit > Traders Little Helper | ||
| 03/31/07 | Beacon Theater | 16-bit flac | 1 | Schoeps MK4> CMC6 > Sound Design 702, 24/96 Dithering: Audacity > CD Wave Editor | ||
| 03/31/07 | Beacon Theater | 16-bit flac | 1 | neumann km184 mics > apogee-mini-me > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 04/02/07 | Beacon Theatre | 16-bit flac | 1 | neumann km184 mics > benchmark sonic a/d 2k plus > lunatec v2 > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 04/03/07 | Beacon Theater | 16-bit flac | 1 | neumann km184 mics > benchmark sonic a/d 2k plus > lunatec v2 > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 04/05/07 | Beacon Theater | 16-bit flac | 1 | Neumann KM184>Canare Star Quad cables>Edirol UA-5>PDAudio(coaxial)>Dell Axim X50v>SD card Location:Lower Balcony, mics split 20 feet, aimed at stacks Normalized to 100% with Audacity Track splits and conversion to FLAC with CDWAV Checked for SBE's with shntool-no errors reported. Recorded and Seeded by Rabbi Yossi Pollak | ||
| 04/06/07 | Beacon Theatre | 16-bit flac | 1 | Octava (hypercards)>m2>D8>MT 2496 (16 bit 44,100HZ) Media: SanDisk 4gb CF Transfer: MT2496 > PC > Soundforge Patched and transferred by Cliff Morse | ||
| 04/06/07 | Beacon Theatre | 16-bit flac | 1 | neumann km184 mics > benchmark sonic a/d 2k plus > lunatec v2 > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 04/07/07 | Beacon Theatre | 16-bit flac | 1 | Recorded and Transferred by Jim Kelly Nak 700s -> Sony PCM M1 Playback Sony PCM R500 -> Soundforge ->TRacks ->CDWav ->FLAC recorded from Orch Left Ctr row P seat 25 | ||
| 04/07/07 | Beacon Theatre | 16-bit flac | 1 | neumann km184 mics > benchmark sonic a/d 2k plus > lunatec v2 > sony pcm1 > cd (1) > cdparanoia > flac-1.1.4 (8) | ||
| 04/08/07 | Beacon Theatre | 16-bit flac | 1 | DPA (B&K) 4026s (wide cardioid) > Lunatec V3 > Audio Magic Illusion QL XLRs > Mytek Stereo 192 ADC @ 24 bit, 88.2khz > Audio Magic Illusion QL Digital XLR > Sound Devices 722 wav > flac: 722 > Apple MacBook Pro > Spark XL 2.8.2 (tracking, resample t0 44.1khz, dither to 16 bit) > xACT 1.60 > flac Location: ORCH H, seat 105 | ||
| 04/13/07 | Spirit of the Suwannee Music Park | MP4 | 1 | Pro Shot Video (720pHD) (Desdemona Only) | ||
| 04/14/07 | Spirit of the Suwannee Music Park | MP4 | 1 | Pro Shot Video (720pHD) (Who To Believe and Good Morning Little School Girl Only) | ||
| 09/09/07 | Randall's Island | 16-bit flac | 1 | XM Broadcast via DirecTV > Phillips DSR6000R01 > Phillips DVDR 3355 > DVD > FLAC Ripped from .VOB to .WAV using Ace DVD Audio Extractor Edited with Cool Edit Pro v.2 Flac Frontend Encoding (level 8) | ||
| 03/12/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/13/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/14/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/16/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/19/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/20/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/23/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/24/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/26/09 | Beacon Theatre | MP4 | 1 | Pro Shot Video (1080pHD) (Upscaled, With Official Soundboard Synced) | ||
| 03/11/10 | United Palace Theatre | MKV | 2 | Pro Shot Video (With Official Soundboard Synced) | ||
| 03/20/10 | United Palace Theatre | MKV | 2 | Pro Shot Video (With Official Soundboard Synced) | ||
| 03/10/11 | Beacon Theater | MP4 | 1 | Pro Shot Video (With Official Soundboard Synced) | ||
| 03/25/11 | Beacon Theater | MKV | 2 | Pro Shot Video (With Official Soundboard Synced) | ||
| 07/27/11 | Beacon Theatre | 16-bit flac | 1 | SiriusXM (Skyfi2>HD-P2) | ||
| 08/10/12 | Toyota Pavilion | MP4 | 1 | Pro Shot Video (With Official Soundboard Synced) | ||
| 08/20/13 | The Chicago Theatre | DVD | 1 | Audience Shot Video (With Official Soundboard Synced) | ||
| 10/28/14 | Beacon Theater | 16-bit flac | 1 | SiriusXM internet radio on PC > Audacity > WAV > TLH > FLAC 6 > foobar2000 (flac tags) | ||
| The Brothers --- Approximate Hours: 3.75 | ||||||
| Show Date | Venue | Media Type | Media Count | Sound Quality | Notes | |
| 03/10/20 | Madison Square Garden | MP4 | 1 | Pro Shot Video (1080pHD) | ||
| 04/15/25 | Madison Square Garden | MP4 | 1 | Pro Shot Video (1080pHD) | ||
| 04/16/25 | Madison Square Garden | MP4 | 1 | Pro Shot Video (1080pHD) | ||
| Dickey Betts & Great Southern --- Approximate Hours: 5 | ||||||
| Show Date | Venue | Media Type | Media Count | Sound Quality | Notes | |
| 10/18/02 | Magnoliafest | DVD | 2 | Audience Shot Video (With Soundboard Synced) | ||
| 08/18/05 | BB King's | DVD | 1 | Audience Shot Video | ||
| 03/09/12 | Jackson Rancheria | DVD | 1 | Amazing Audience Shot Video Filmed By pauldemo05 | ||
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| Show Date | Venue | Media Type | Media Count | Sound Quality | Notes | |
| 12/31/99 | The Roxy | DVD | 3 | Audience Shot Video (With Soundboard Synced) LITTLE MITLON ROCKS! | ||
| Gregg Allman --- Approximate Hours: 1.25 | ||||||
| Show Date | Venue | Media Type | Media Count | Sound Quality | Notes | |
| 10/30/98 | Garde Arts Center | MP4 | 1 | Audience Shot Video | ||
| Gregg Allman & Friends --- Approximate Hours: 2.5 | ||||||
| Show Date | Venue | Media Type | Media Count | Sound Quality | Notes | |
| 03/08/94 | Florida Theater | DVD | 1 | Audience Shot Video | ||
| 12/16/94 | Centerstage | DVD | 1 | Audience Shot Video | ||
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Allman Brothers Band
--- Approximate Hours: 1672.5