Etree - Marc Deardorff - 270 shows
Last Update: Wednesday May 06, 2026

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  Date Venue - City, State Comments Media  
1. 04/20/76 Mickey's Barn - Novato, CA flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
2. 05/18/76 Studio - Unknown, CA Master Reel > ? > Cassette > Harman Kardon Dc5300 > Sound Devices 788t (24 > Peak Pro 5 Izotope Rx Advanced > Xact > Flac24 flac24/96  
3. 05/28/76 Orpheum Theatre - San Francisco, CA Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon 1 shn notes
4. 05/28/76 Orpheum Theatre - San Francisco, CA flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details) 2 flac notes
5. 06/03/76 Paramount Theatre - Portland, OR last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive 2 shn notes
6. 06/03/76 Paramount Theatre - Portland, OR Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation 2 shn notes
7. 06/03/76 Paramount Theatre - Portland, OR SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. 2 shn notes
8. 06/03/76 Paramount Theatre - Portland, OR SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation 2 shn notes
9. 06/03/76 Paramount Theatre - Portland, OR AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on 2 shn notes
10. 06/03/76 Paramount Theatre - Portland, OR Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003] 2 shn notes
11. 06/03/76 Paramount Theatre - Portland, OR SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07) 2 shn notes
12. 06/03/76 Paramount Theatre - Portland, OR MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 3 flac notes
13. 06/03/76 Paramount Theatre - Portland, OR flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller 2 flac16  
14. 06/03/76 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller 2 flac16  
15. 06/03/76 Paramount Theatre - Portland, OR flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) 2 flac16  
16. 06/03/76 Paramount Theatre - Portland, OR flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel" 0 flac16  
17. 06/03/76 Paramount Theatre - Portland, OR flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller flac24  
18. 06/04/76 Paramount Theatre - Portland, OR SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman 2 shn notes
19. 06/04/76 Paramount Theatre - Portland, OR unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon 2 shn notes
20. 06/04/76 Paramount Theatre - Portland, OR flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1 flac16  
21. 06/04/76 Paramount Theatre - Portland, OR flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 flac16/48  
22. 06/04/76 Paramount Theatre - Portland, OR flac24/96 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 flac24/96  
23. 06/04/76 Paramount Theatre - Portland, OR flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller flac24  
24. 06/04/76 Paramount Theatre - Portland, OR flac1644Analog Audience Source: ECM 280 mics Front row Loge on 152SD Medium Stock Brands: MAC = Maxell UD c 120's Analog Sound Preservation: MAC > Nak Dragon -> Audio Techica ATM 400 Line Amp/ Mixer-> Korg at 5.6 mhz flac16/44  
25. 06/09/76 Boston Music Hall - Boston, MA set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman 1 shn notes
26. 06/09/76 Boston Music Hall - Boston, MA set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs 1 shn notes
27. 06/09/76 Boston Music Hall - Boston, MA flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell 2 flac notes
28. 06/09/76 Boston Music Hall - Boston, MA FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes. 2 shn notes
29. 06/09/76 Boston Music Hall - Boston, MA flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
30. 06/09/76 Boston Music Hall - Boston, MA set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen 1 shn notes
31. 06/09/76 Boston Music Hall - Boston, MA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064. flac16  
32. 06/10/76 Boston Music Hall - Boston, MA FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. 2 shn notes
33. 06/10/76 Boston Music Hall - Boston, MA Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches. 2 shn notes
34. 06/10/76 Boston Music Hall - Boston, MA Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches. 2 shn notes
35. 06/10/76 Boston Music Hall - Boston, MA Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN 2 shn notes
36. 06/10/76 Boston Music Hall - Boston, MA SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller 2 shn notes
37. 06/10/76 Boston Music Hall - Boston, MA flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell 2 flac notes
38. 06/10/76 Boston Music Hall - Boston, MA DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin 3 DTS Audio notes
39. 06/10/76 Boston Music Hall - Boston, MA flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin 2 flac notes
40. 06/10/76 Boston Music Hall - Boston, MA ??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation 1 shn notes
41. 06/10/76 Boston Music Hall - Boston, MA flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller flac16  
42. 06/11/76 Boston Music Hall - Boston, MA SBD> ?> liberated bootleg; via Alan McCarty 2 shn notes
43. 06/11/76 Boston Music Hall - Boston, MA Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches 2 shn notes
44. 06/11/76 Boston Music Hall - Boston, MA MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] 2 shn notes
45. 06/11/76 Boston Music Hall - Boston, MA FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. 2 shn notes
46. 06/11/76 Boston Music Hall - Boston, MA SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com 2 shn notes
47. 06/11/76 Boston Music Hall - Boston, MA flac16/48kHz; Source Info: Betty's Master Soundboard Reels > PCM > DAT (16/48); Transfer Info: DAT (Sony R500 16/48)> Tascam DA-3000 16/48 > Adobe Audition> TLH flac1648; Transferred by Charlie Miller; Mastered by Scott Clugston 0 flac16/48  
48. 06/11/76 Boston Music Hall - Boston, MA flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) flac16  
49. 06/11/76 Boston Music Hall - Boston, MA flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source Flac16  
50. 06/12/76 Boston Music Hall - Boston, MA FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min. 2 shn notes
51. 06/12/76 Boston Music Hall - Boston, MA SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file 2 shn notes
52. 06/12/76 Boston Music Hall - Boston, MA flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09 2 flac notes
53. 06/12/76 Boston Music Hall - Boston, MA flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD) 2 flac16  
54. 06/12/76 Boston Music Hall - Boston, MA flac16/48kHz; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked)(Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp 0 flac16/48  
55. 06/12/76 Boston Music Hall - Boston, MA flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger flac16  
56. 06/12/76 Boston Music Hall - Boston, MA flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
57. 06/12/76 Boston Music Hall - Boston, MA flac24; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked) Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 flac24  
58. 06/14/76 Beacon Theatre - New York, NY SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation 2 shn notes
59. 06/14/76 Beacon Theatre - New York, NY S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2 0 notes
60. 06/14/76 Beacon Theatre - New York, NY Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon 2 shn notes
61. 06/14/76 Beacon Theatre - New York, NY S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2 2 shn notes
62. 06/14/76 Beacon Theatre - New York, NY flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool 1 flac notes
63. 06/14/76 Beacon Theatre - New York, NY flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell 2 flac notes
64. 06/14/76 Beacon Theatre - New York, NY flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308) Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw 2 flac16  
65. 06/14/76 Beacon Theatre - New York, NY flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 flac16  
66. 06/15/76 Beacon Theatre - New York, NY SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG 2 shn notes
67. 06/15/76 Beacon Theatre - New York, NY Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD 2 shn notes
68. 06/15/76 Beacon Theatre - New York, NY SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes 2 shn notes
69. 06/15/76 Beacon Theatre - New York, NY Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon 2 shn notes
70. 06/15/76 Beacon Theatre - New York, NY flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky 2 flac notes
71. 06/15/76 Beacon Theatre - New York, NY flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw 2 flac16  
72. 06/15/76 Beacon Theatre - New York, NY flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
73. 06/15/76 Beacon Theatre - New York, NY flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 flac16  
74. 06/17/76 Capitol Theater - Passaic, NJ Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon 2 shn notes
75. 06/17/76 Capitol Theater - Passaic, NJ flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
76. 06/17/76 Capitol Theater - Passaic, NJ MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN) 2 flac notes
77. 06/17/76 Capitol Theater - Passaic, NJ flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source flac16  
78. 06/17/76 Capitol Theater - Passaic, NJ flac1648 Source Info: Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes Transfer Info: 1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496 flac16/48  
79. 06/17/76 Capitol Theater - Passaic, NJ flac2496 Source Info: Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes Transfer Info: 1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496 flac24/96  
80. 06/18/76 Capitol Theater - Passaic, NJ AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation 2 shn notes
81. 06/18/76 Capitol Theater - Passaic, NJ Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon 2 shn notes
82. 06/18/76 Capitol Theater - Passaic, NJ flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes) 1 flac notes
83. 06/18/76 Capitol Theater - Passaic, NJ Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd 2 shn notes
84. 06/18/76 Capitol Theater - Passaic, NJ flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 flac24  
85. 06/18/76 Capitol Theater - Passaic, NJ flac1644 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 155902 2496 > 1644 Flac16/44  
86. 06/19/76 Capitol Theater - Passaic, NJ FM > ? > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN; via Jon Seff 2 shn notes
87. 06/19/76 Capitol Theater - Passaic, NJ PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder 2 shn notes
88. 06/19/76 Capitol Theater - Passaic, NJ PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
2 shn  
89. 06/19/76 Capitol Theater - Passaic, NJ Source: FM>MC>DAT>WAV>SHN via Cousinit 1 shn notes
90. 06/19/76 Capitol Theater - Passaic, NJ flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) flac16  
91. 06/19/76 Capitol Theater - Passaic, NJ flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
92. 06/19/76 Capitol Theater - Passaic, NJ flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
93. 06/21/76 The Tower Theatre - Upper Darby, PA Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson 2 shn notes
94. 06/21/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; This is a cleaned up version of source ID 112191 2 flac16  
95. 06/21/76 The Tower Theatre - Upper Darby, PA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a cleaned up version of the previous matrix (shnid=121045), using Soundtrack Pro. 2 flac16  
96. 06/21/76 The Tower Theatre - Upper Darby, PA flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) flac16  
97. 06/21/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
98. 06/21/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation flac16  
99. 06/22/76 The Tower Theatre - Upper Darby, PA Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson 2 shn notes
100. 06/22/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
101. 06/22/76 The Tower Theatre - Upper Darby, PA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) flac16  
102. 06/22/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
103. 06/22/76 The Tower Theatre - Upper Darby, PA flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches flac16  
104. 06/23/76 The Tower Theatre - Upper Darby, PA Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min 2 shn notes
105. 06/23/76 The Tower Theatre - Upper Darby, PA AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon 2 shn notes
106. 06/23/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
107. 06/24/76 The Tower Theatre - Upper Darby, PA Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min 2 shn notes
108. 06/24/76 The Tower Theatre - Upper Darby, PA Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley 1 shn notes
109. 06/24/76 The Tower Theatre - Upper Darby, PA Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004 2 shn notes
110. 06/24/76 The Tower Theatre - Upper Darby, PA WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus 2 shn notes
111. 06/24/76 The Tower Theatre - Upper Darby, PA flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin 2 flac notes
112. 06/24/76 The Tower Theatre - Upper Darby, PA DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin 2 flac notes
113. 06/24/76 The Tower Theatre - Upper Darby, PA flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin 2 flac notes
114. 06/24/76 The Tower Theatre - Upper Darby, PA flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 0 flac16  
115. 06/24/76 The Tower Theatre - Upper Darby, PA flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller flac16  
116. 06/24/76 The Tower Theatre - Upper Darby, PA flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com flac16  
117. 06/26/76 Auditorium Theatre - Chicago, IL Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon 2 shn notes
118. 06/26/76 Auditorium Theatre - Chicago, IL flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
119. 06/26/76 Auditorium Theatre - Chicago, IL flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
120. 06/26/76 Auditorium Theatre - Chicago, IL flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
121. 06/26/76 Auditorium Theatre - Chicago, IL flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 flac24  
122. 06/26/76 Auditorium Theatre - Chicago, IL flac1644 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156062 2448 > 1644 Flac16/44  
123. 06/27/76 Auditorium Theatre - Chicago, IL aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon 2 shn notes
124. 06/27/76 Auditorium Theatre - Chicago, IL flac16; 2 source matrix: Soundboard (shnid:112295) Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:98796) Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips); 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 2 flac16  
125. 06/27/76 Auditorium Theatre - Chicago, IL flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller flac16  
126. 06/27/76 Auditorium Theatre - Chicago, IL flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction flac16  
127. 06/28/76 Auditorium Theatre - Chicago, IL AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon 2 shn notes
128. 06/28/76 Auditorium Theatre - Chicago, IL Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches. 2 shn notes
129. 06/28/76 Auditorium Theatre - Chicago, IL flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller flac16  
130. 06/28/76 Auditorium Theatre - Chicago, IL flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) flac16  
131. 06/28/76 Auditorium Theatre - Chicago, IL flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller flac16  
132. 06/29/76 Auditorium Theatre - Chicago, IL 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness 2 shn notes
133. 06/29/76 Auditorium Theatre - Chicago, IL CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive 2 shn notes
134. 06/29/76 Auditorium Theatre - Chicago, IL flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 2 flac notes
135. 06/29/76 Auditorium Theatre - Chicago, IL DVD VA; (Video format, audio only) SBD>>MR>>PCM(Analog)>>DAT>>CDA>>SHN>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel Betty Board source shn id 1812; audio only, no video 1 DVD-Audio notes
136. 06/29/76 Auditorium Theatre - Chicago, IL flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston 0 flac16  
137. 06/29/76 Auditorium Theatre - Chicago, IL flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller flac16  
138. 06/29/76 Auditorium Theatre - Chicago, IL flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) flac16  
139. 06/29/76 Auditorium Theatre - Chicago, IL flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller flac16  
140. 06/29/76 Auditorium Theatre - Chicago, IL flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 flac16  
141. 07/12/76 Orpheum Theatre - San Francisco, CA Includes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR; 2 shn notes
142. 07/12/76 Orpheum Theatre - San Francisco, CA Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree 2 shn notes
143. 07/12/76 Orpheum Theatre - San Francisco, CA Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. 2 shn notes
144. 07/12/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller 2 flac16  
145. 07/12/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1 flac16 notes
146. 07/12/76 Orpheum Theatre - San Francisco, CA flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC flac24  
147. 07/12/76 Orpheum Theatre - San Francisco, CA flac16/44 AUD SOURCE: Analog Audience Source: Aud Master Cassettes (MAC)
Analog Lineage: Sony ECM 270's => Sony TC-152SD >> MAC
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Bob Menke
SBD SOURCE: SHN # 10362
Matrix & Mastering By: Derek McCabe
flac16/44  
148. 07/13/76 Orpheum Theatre - San Francisco, CA Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA 2 shn notes
149. 07/13/76 Orpheum Theatre - San Francisco, CA MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon 2 shn notes
150. 07/13/76 Orpheum Theatre - San Francisco, CA Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. 2 shn notes
151. 07/13/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller 2 flac16  
152. 07/13/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05 flac16  
153. 07/13/76 Orpheum Theatre - San Francisco, CA flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753 flac24  
154. 07/13/76 Orpheum Theatre - San Francisco, CA flac1644 Analog Soundboard Source: gd76-07-13.18480.sbd.vernon.flac16 Analog Audience Source #1: ECM 280's 152 - center balcony Medium Stock Brands #1: MAC = TDK SA c90's Analog Audience Source #2: Sony 152 ECM 280's - fob floor Medium Stock Brands #2: MAC = Maxell UD C120 (2 of em) Analog Sound Preservation : MAC > Nak DR-1 > Korg at 5.6 mhz AUD Source #1 Taped By: Bob Menke AUD Source #2 Taped By: Reinhart Hohlwein Transfer By: Bob Menke Matrix & Mastering By: Derek McCabe flac16/44  
155. 07/13/76 Orpheum Theatre - San Francisco, CA flac16/44.1khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 (1 DVD FLAC) Patch Info: Sony ECM-270 > Cassette Master > DAT (shnid=123475) supplies: Crazy Fingers (13:44-14:07) The Music Never Stopped (0:19-1:07) Saint Stephen (9:02-9:43) Transfer & Mastering by Charlie Miller November 11, 2020 Notes: -- This is a Dolby decoded version of shnid=150847 -- Thanks to Dennis Koda for the cassettes -- Thanks to Bob Menke for the patch source -- Thanks to Joe B. Jones for the pitch correction settings - Dither info: WAV (24-bit/48k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Nov 27, 2020 flac16/44  
156. 07/13/76 Orpheum Theatre - San Francisco, CA flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; This is a Dolby decoded version of source ID 150847 Flac24  
157. 07/13/76 Orpheum Theatre - San Francisco, CA flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1 Flac16/44  
158. 07/13/76 Orpheum Theatre - San Francisco, CA flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1 Flac16/44  
159. 07/13/76 Orpheum Theatre - San Francisco, CA flac24/48khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 flac24/48  
160. 07/14/76 Orpheum Theatre - San Francisco, CA SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation 2 shn notes
161. 07/14/76 Orpheum Theatre - San Francisco, CA MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon. 2 shn notes
162. 07/14/76 Orpheum Theatre - San Francisco, CA SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon 2 shn notes
163. 07/14/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller 2 flac16  
164. 07/14/76 Orpheum Theatre - San Francisco, CA flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644 flac16  
165. 07/14/76 Orpheum Theatre - San Francisco, CA SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
flac24/48  
166. 07/16/76 Orpheum Theatre - San Francisco, CA AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD 2 shn notes
167. 07/16/76 Orpheum Theatre - San Francisco, CA Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs 2 shn notes
168. 07/16/76 Orpheum Theatre - San Francisco, CA Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Patched By Charlie Miller; See txt file for patch detail 2 shn notes
169. 07/16/76 Orpheum Theatre - San Francisco, CA   1 shn notes
170. 07/16/76 Orpheum Theatre - San Francisco, CA Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames 1 shn notes
171. 07/16/76 Orpheum Theatre - San Francisco, CA Set 2 DTS-Audio-CD 5.1 Mix via Dan 2 flac notes
172. 07/16/76 Orpheum Theatre - San Francisco, CA flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan 1 flac notes
173. 07/16/76 Orpheum Theatre - San Francisco, CA Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon 2 shn notes
174. 07/16/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller 2 flac16  
175. 07/17/76 Orpheum Theatre - San Francisco, CA SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker 2 shn notes
176. 07/17/76 Orpheum Theatre - San Francisco, CA Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches 2 shn notes
177. 07/17/76 Orpheum Theatre - San Francisco, CA Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN) 2 shn notes
178. 07/17/76 Orpheum Theatre - San Francisco, CA flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008) 2 flac notes
179. 07/17/76 Orpheum Theatre - San Francisco, CA flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell. 2 flac notes
180. 07/17/76 Orpheum Theatre - San Francisco, CA flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller flac16  
181. 07/17/76 Orpheum Theatre - San Francisco, CA flac1644 Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152 Medium Stock Brands: MAC = TDK SA c90's Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz flac16/44  
182. 07/18/76 Orpheum Theatre - San Francisco, CA SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut 3 shn notes
183. 07/18/76 Orpheum Theatre - San Francisco, CA S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. 2 shn notes
184. 07/18/76 Orpheum Theatre - San Francisco, CA flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues) flac16  
185. 07/18/76 Orpheum Theatre - San Francisco, CA flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger flac24  
186. 07/18/76 Orpheum Theatre - San Francisco, CA flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020) Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC) flac16  
187. 08/02/76 Colt Park - Hartford, CT K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim 2 shn notes
188. 08/02/76 Colt Park - Hartford, CT flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick 2 flac notes
189. 08/02/76 Colt Park - Hartford, CT flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick 2 flac24 notes
190. 08/02/76 Colt Park - Hartford, CT flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm flac16  
191. 08/02/76 Colt Park - Hartford, CT flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files flac24  
192. 08/04/76 Roosevelt Stadium - Jersey City, NJ SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman 2 shn notes
193. 08/04/76 Roosevelt Stadium - Jersey City, NJ Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon 2 shn notes
194. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin 2 flac notes
195. 08/04/76 Roosevelt Stadium - Jersey City, NJ MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation 2 shn notes
196. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac 2 flac notes
197. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac 6 flac24 notes
198. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin flac16  
199. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin flac16  
200. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012 flac16  
201. 08/04/76 Roosevelt Stadium - Jersey City, NJ flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin flac16  
202. 08/04/76 Roosevelt Stadium - Jersey City, NJ DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin dts audio 5.1  
203. 08/26/76 Club Front Studio - San Rafael, CA flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac 0 flac16  
204. 09/23/76 Cameron Indoor Stadium, Duke University - Durham, NC Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus 2 shn notes
205. 09/23/76 Cameron Indoor Stadium, Duke University - Durham, NC flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material.
A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).
flac16  
206. 09/24/76 College Of William & Mary Hall - Williamsburg, VA AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn 2 shn notes
207. 09/24/76 College Of William & Mary Hall - Williamsburg, VA flac16; Source: AUD of unknown lineage > lo-gen cassette via Richie & Rip. Transfer: BASF Pro-II Chrome (c.1977/78) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2019 flac16  
208. 09/25/76 Capital Centre - Landover, MD SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20 2 shn notes
209. 09/25/76 Capital Centre - Landover, MD Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke 1 shn notes
210. 09/25/76 Capital Centre - Landover, MD flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged. flac16  
211. 09/25/76 Capital Centre - Landover, MD flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp flac16/48  
212. 09/25/76 Capital Centre - Landover, MD flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496 flac24/96  
213. 09/27/76 Community War Memorial Auditorium - Rochester, NY Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore 2 shn notes
214. 09/27/76 Community War Memorial Auditorium - Rochester, NY flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
215. 09/27/76 Community War Memorial Auditorium - Rochester, NY flac16; DTS-Audio-CD 5.1 Mix of SBD -> Master Reel -> Dat (48k) (shn id 87664 + AUD Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN (shn id 3821) - Mixed by Kevin Tobin 2 flac notes
216. 09/27/76 Community War Memorial Auditorium - Rochester, NY flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin 2 flac notes
217. 09/27/76 Community War Memorial Auditorium - Rochester, NY flac1644 Source Info: FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT Unknown Taper Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1) flac16/44  
218. 09/27/76 Community War Memorial Auditorium - Rochester, NY flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 87664 & 163759. flac16/44  
219. 09/28/76 Onongada County War Memorial - Syracuse, NY Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon 2 shn notes
220. 09/28/76 Onongada County War Memorial - Syracuse, NY Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke 1 shn notes
221. 09/28/76 Onongada County War Memorial - Syracuse, NY Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon 2 shn notes
222. 09/30/76 Mershon Auditorium, Ohio State University - Columbus, OH FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus 2 shn notes
223. 09/30/76 Mershon Auditorium, Ohio State University - Columbus, OH Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller 1 shn notes
224. 09/30/76 Mershon Auditorium, Ohio State University - Columbus, OH SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107 1 shn notes
225. 09/30/76 Mershon Auditorium, Ohio State University - Columbus, OH flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN 2 flac16  
226. 10/01/76 Market Square Arena - Indianapolis, IN sony tc152 w/ 2 AKGD200e mics > 3C > DAT > CDWav; via Raoul Duke, Dave Minor; DAT Transfer by Marc Pujol; Seeded to etree by Matt Vernon 2 shn notes
227. 10/01/76 Market Square Arena - Indianapolis, IN AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON. 2 shn notes
228. 10/01/76 Market Square Arena - Indianapolis, IN flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge 2 flac notes
229. 10/01/76 Market Square Arena - Indianapolis, IN flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller flac16  
230. 10/01/76 Market Square Arena - Indianapolis, IN flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
231. 10/01/76 Market Square Arena - Indianapolis, IN DVD-VA; (Video Audio) SBD>>MR>>Dat>>CD>>FLAC>>Bertha>>Audio DVD; Bertha Remaster of the Master Reel Source; audio only, no video DVD-VA  
232. 10/01/76 Market Square Arena - Indianapolis, IN flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC flac16  
233. 10/01/76 Market Square Arena - Indianapolis, IN flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC Flac16  
234. 10/01/76 Market Square Arena - Indianapolis, IN flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC Flac24  
235. 10/01/76 Market Square Arena - Indianapolis, IN flac1644; Recording info: Vault master reel sourced files (via anon); Mastered by Jim Blackwood; Pitch adjustment by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel flac16/44  
236. 10/01/76 Market Square Arena - Indianapolis, IN flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC & SHN > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 170205 & 14558. flac16  
237. 10/02/76 Riverfront Coliseum - Cincinnati, OH AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner. 2 shn notes
238. 10/02/76 Riverfront Coliseum - Cincinnati, OH ACM>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon 2 shn notes
239. 10/02/76 Riverfront Coliseum - Cincinnati, OH flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details 2 flac  
240. 10/03/76 Cobo Arena - Detroit, MI complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman 2 shn notes
241. 10/03/76 Cobo Arena - Detroit, MI SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner. 2 shn notes
242. 10/03/76 Cobo Arena - Detroit, MI set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation 1 shn notes
243. 10/03/76 Cobo Arena - Detroit, MI set 2 partial; FMSBD -> SBDCM -> DAT -> CD> EAC > SHN; via A. Jerugim; no known flaws; upgrade in circulation 1 shn notes
244. 10/03/76 Cobo Arena - Detroit, MI flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
245. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler 2 shn notes
246. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon 2 shn notes
247. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller 1 shn notes
248. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179) 1 flac notes
249. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179) 1 flac notes
250. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli flac16  
251. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger flac16/48  
252. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 2 shn notes
253. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon 2 shn notes
254. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck)
Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16
flac16  
255. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and remastered SIRMick February 2022 flac16  
256. 10/14/76 Shrine Auditorium - Los Angeles, CA composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman 2 shn notes
257. 10/14/76 Shrine Auditorium - Los Angeles, CA Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon 2 shn notes
258. 10/14/76 Shrine Auditorium - Los Angeles, CA Flac16: Analog Audience Source: Sony ECM 270 Microphones -> Sony TC 152SD
Medium Stock Brands: Nakamichi CRO-2 tapes X 3
Analog Sound Preservation: MAC -> CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg MR 2000 at 5.6 mhz
Recorded by: Bob Menke, Transferred by: Bob Menke, Mastering by: Derek McCabe
flac16  
259. 10/14/76 Shrine Auditorium - Los Angeles, CA SBD MR > C1 > DAT flac16  
260. 10/14/76 Shrine Auditorium - Los Angeles, CA flac2496 Sony ECM-280's on balcony ledge right center> Sony TC-152SD > Sony TC-755 @3.75 ips Playback on Technics 1506 > Tascam DA-3000 @24/96 > AA 3.01 (editing and mastering) Flac24/96  
261. 10/15/76 Shrine Auditorium - Los Angeles, CA MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson 2 shn notes
262. 10/15/76 Shrine Auditorium - Los Angeles, CA Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon 2 shn notes
263. 10/15/76 Shrine Auditorium - Los Angeles, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
264. 10/15/76 Shrine Auditorium - Los Angeles, CA MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251 2 flac notes
265. 10/15/76 Shrine Auditorium - Los Angeles, CA flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe flac16  
266. 10/15/76 Shrine Auditorium - Los Angeles, CA flac2496 Sony ECM-280 mics on balcony ledge next to SBD > Sony TC-152 (Sony chrome tape) > Sony TC-755 reel @ 3.75 ips playback on Technics RS-1506 > Tascam DA-3000 @24/96 > AA 3.01 (mastering) by Rob Bertrando Flac24/96  
267. 12/31/76 Cow Palace - Daly City, CA FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01 2 shn notes
268. 12/31/76 Cow Palace - Daly City, CA PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
[Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.]
2 shn notes
269. 12/31/76 Cow Palace - Daly City, CA Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters
Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source
1 shn notes
270. 12/31/76 Cow Palace - Daly City, CA Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD
Circulating on Furthur in Feb. 2003; upgrade in circulation
2 shn notes

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