|
Grateful Dead
|
http://www.dead.net
|
| |
Date |
Venue - City, State |
Comments | Media |
|
| 1. |
04/20/76 |
Mickey's Barn - Novato,
CA |
flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
flac16
|
|
| 2. |
05/18/76 |
Studio - Unknown,
CA |
Master Reel > ? > Cassette > Harman Kardon Dc5300 > Sound Devices 788t (24
> Peak Pro 5
Izotope Rx Advanced > Xact > Flac24 |
flac24/96
|
|
| 3. |
05/28/76 |
Orpheum Theatre - San Francisco,
CA |
Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon |
1 shn
|
notes
|
| 4. |
05/28/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details) |
2 flac
|
notes
|
| 5. |
06/03/76 |
Paramount Theatre - Portland,
OR |
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive |
2 shn
|
notes
|
| 6. |
06/03/76 |
Paramount Theatre - Portland,
OR |
Bertha Remaster of the Master Reel/Reel source.
SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+
; upgrade in circulation |
2 shn
|
notes
|
| 7. |
06/03/76 |
Paramount Theatre - Portland,
OR |
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN
(*)Encores included. |
2 shn
|
notes
|
| 8. |
06/03/76 |
Paramount Theatre - Portland,
OR |
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation |
2 shn
|
notes
|
| 9. |
06/03/76 |
Paramount Theatre - Portland,
OR |
AUDMC > DAT > WAV > SHN
Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on |
2 shn
|
notes
|
| 10. |
06/03/76 |
Paramount Theatre - Portland,
OR |
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003] |
2 shn
|
notes
|
| 11. |
06/03/76 |
Paramount Theatre - Portland,
OR |
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07) |
2 shn
|
notes
|
| 12. |
06/03/76 |
Paramount Theatre - Portland,
OR |
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 |
3 flac
|
notes
|
| 13. |
06/03/76 |
Paramount Theatre - Portland,
OR |
flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller |
2 flac16
|
|
| 14. |
06/03/76 |
Paramount Theatre - Portland,
OR |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
2 flac16
|
|
| 15. |
06/03/76 |
Paramount Theatre - Portland,
OR |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) |
2 flac16
|
|
| 16. |
06/03/76 |
Paramount Theatre - Portland,
OR |
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel" |
0 flac16
|
|
| 17. |
06/03/76 |
Paramount Theatre - Portland,
OR |
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
flac24
|
|
| 18. |
06/04/76 |
Paramount Theatre - Portland,
OR |
SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman |
2 shn
|
notes
|
| 19. |
06/04/76 |
Paramount Theatre - Portland,
OR |
unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 20. |
06/04/76 |
Paramount Theatre - Portland,
OR |
flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1 |
flac16
|
|
| 21. |
06/04/76 |
Paramount Theatre - Portland,
OR |
flac16/48 Source Info:
Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips
Transfer Info:
Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 |
flac16/48
|
|
| 22. |
06/04/76 |
Paramount Theatre - Portland,
OR |
flac24/96 Source Info:
Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips
Transfer Info:
Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 |
flac24/96
|
|
| 23. |
06/04/76 |
Paramount Theatre - Portland,
OR |
flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
flac24
|
|
| 24. |
06/04/76 |
Paramount Theatre - Portland,
OR |
flac1644Analog Audience Source: ECM 280 mics Front row Loge on 152SD
Medium Stock Brands: MAC = Maxell UD c 120's
Analog Sound Preservation: MAC > Nak Dragon -> Audio Techica ATM 400 Line Amp/ Mixer-> Korg at 5.6 mhz |
flac16/44
|
|
| 25. |
06/09/76 |
Boston Music Hall - Boston,
MA |
set 1 SBD>MR>R>D>CD>EAC>SHN
with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman
|
1 shn
|
notes
|
| 26. |
06/09/76 |
Boston Music Hall - Boston,
MA |
set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs |
1 shn
|
notes
|
| 27. |
06/09/76 |
Boston Music Hall - Boston,
MA |
flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell |
2 flac
|
notes
|
| 28. |
06/09/76 |
Boston Music Hall - Boston,
MA |
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes. |
2 shn
|
notes
|
| 29. |
06/09/76 |
Boston Music Hall - Boston,
MA |
flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
2 flac
|
notes
|
| 30. |
06/09/76 |
Boston Music Hall - Boston,
MA |
set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen |
1 shn
|
notes
|
| 31. |
06/09/76 |
Boston Music Hall - Boston,
MA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064. |
flac16
|
|
| 32. |
06/10/76 |
Boston Music Hall - Boston,
MA |
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. |
2 shn
|
notes
|
| 33. |
06/10/76 |
Boston Music Hall - Boston,
MA |
Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches. |
2 shn
|
notes
|
| 34. |
06/10/76 |
Boston Music Hall - Boston,
MA |
Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches. |
2 shn
|
notes
|
| 35. |
06/10/76 |
Boston Music Hall - Boston,
MA |
Bertha Remaster of the Master Reel source.
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN |
2 shn
|
notes
|
| 36. |
06/10/76 |
Boston Music Hall - Boston,
MA |
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller |
2 shn
|
notes
|
| 37. |
06/10/76 |
Boston Music Hall - Boston,
MA |
flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell |
2 flac
|
notes
|
| 38. |
06/10/76 |
Boston Music Hall - Boston,
MA |
DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin |
3 DTS Audio
|
notes
|
| 39. |
06/10/76 |
Boston Music Hall - Boston,
MA |
flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin |
2 flac
|
notes
|
| 40. |
06/10/76 |
Boston Music Hall - Boston,
MA |
??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks
removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird
static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46,
d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation |
1 shn
|
notes
|
| 41. |
06/10/76 |
Boston Music Hall - Boston,
MA |
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
flac16
|
|
| 42. |
06/11/76 |
Boston Music Hall - Boston,
MA |
SBD> ?> liberated bootleg; via Alan McCarty |
2 shn
|
notes
|
| 43. |
06/11/76 |
Boston Music Hall - Boston,
MA |
Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches |
2 shn
|
notes
|
| 44. |
06/11/76 |
Boston Music Hall - Boston,
MA |
MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] |
2 shn
|
notes
|
| 45. |
06/11/76 |
Boston Music Hall - Boston,
MA |
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. |
2 shn
|
notes
|
| 46. |
06/11/76 |
Boston Music Hall - Boston,
MA |
SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com |
2 shn
|
notes
|
| 47. |
06/11/76 |
Boston Music Hall - Boston,
MA |
flac16/48kHz; Source Info: Betty's Master Soundboard Reels > PCM > DAT (16/48); Transfer Info: DAT (Sony R500 16/48)> Tascam DA-3000 16/48 > Adobe Audition> TLH flac1648; Transferred by Charlie Miller; Mastered by Scott Clugston |
0 flac16/48
|
|
| 48. |
06/11/76 |
Boston Music Hall - Boston,
MA |
flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
flac16
|
|
| 49. |
06/11/76 |
Boston Music Hall - Boston,
MA |
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source |
Flac16
|
|
| 50. |
06/12/76 |
Boston Music Hall - Boston,
MA |
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min. |
2 shn
|
notes
|
| 51. |
06/12/76 |
Boston Music Hall - Boston,
MA |
SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file |
2 shn
|
notes
|
| 52. |
06/12/76 |
Boston Music Hall - Boston,
MA |
flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09 |
2 flac
|
notes
|
| 53. |
06/12/76 |
Boston Music Hall - Boston,
MA |
flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD) |
2 flac16
|
|
| 54. |
06/12/76 |
Boston Music Hall - Boston,
MA |
flac16/48kHz; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked)(Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
0 flac16/48
|
|
| 55. |
06/12/76 |
Boston Music Hall - Boston,
MA |
flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger |
flac16
|
|
| 56. |
06/12/76 |
Boston Music Hall - Boston,
MA |
flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
flac16
|
|
| 57. |
06/12/76 |
Boston Music Hall - Boston,
MA |
flac24; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked) Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 |
flac24
|
|
| 58. |
06/14/76 |
Beacon Theatre - New York,
NY |
SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation |
2 shn
|
notes
|
| 59. |
06/14/76 |
Beacon Theatre - New York,
NY |
S:MR>PCM>DAT>CD>EAC>SHN
Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with
the complete encore (previously on end of disk 2) and removing it from end disk 2
|
0
|
notes
|
| 60. |
06/14/76 |
Beacon Theatre - New York,
NY |
Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 61. |
06/14/76 |
Beacon Theatre - New York,
NY |
S:MR>PCM>DAT>CD>EAC>SHN
Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with
the complete encore (previously on end of disk 2) and removing it from end disk 2
|
2 shn
|
notes
|
| 62. |
06/14/76 |
Beacon Theatre - New York,
NY |
flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool |
1 flac
|
notes
|
| 63. |
06/14/76 |
Beacon Theatre - New York,
NY |
flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell |
2 flac
|
notes
|
| 64. |
06/14/76 |
Beacon Theatre - New York,
NY |
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308)
Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw |
2 flac16
|
|
| 65. |
06/14/76 |
Beacon Theatre - New York,
NY |
flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 |
flac16
|
|
| 66. |
06/15/76 |
Beacon Theatre - New York,
NY |
SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG |
2 shn
|
notes
|
| 67. |
06/15/76 |
Beacon Theatre - New York,
NY |
Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD |
2 shn
|
notes
|
| 68. |
06/15/76 |
Beacon Theatre - New York,
NY |
SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes |
2 shn
|
notes
|
| 69. |
06/15/76 |
Beacon Theatre - New York,
NY |
Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 70. |
06/15/76 |
Beacon Theatre - New York,
NY |
flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky |
2 flac
|
notes
|
| 71. |
06/15/76 |
Beacon Theatre - New York,
NY |
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw |
2 flac16
|
|
| 72. |
06/15/76 |
Beacon Theatre - New York,
NY |
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
flac16
|
|
| 73. |
06/15/76 |
Beacon Theatre - New York,
NY |
flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 |
flac16
|
|
| 74. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 75. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
2 flac
|
notes
|
| 76. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN) |
2 flac
|
notes
|
| 77. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source |
flac16
|
|
| 78. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
flac1648 Source Info:
Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes
Transfer Info:
1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496 |
flac16/48
|
|
| 79. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
flac2496 Source Info:
Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes
Transfer Info:
1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496 |
flac24/96
|
|
| 80. |
06/18/76 |
Capitol Theater - Passaic,
NJ |
AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation |
2 shn
|
notes
|
| 81. |
06/18/76 |
Capitol Theater - Passaic,
NJ |
Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon
|
2 shn
|
notes
|
| 82. |
06/18/76 |
Capitol Theater - Passaic,
NJ |
flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes) |
1 flac
|
notes
|
| 83. |
06/18/76 |
Capitol Theater - Passaic,
NJ |
Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd |
2 shn
|
notes
|
| 84. |
06/18/76 |
Capitol Theater - Passaic,
NJ |
flac2496 Recording Info:
(FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90)
Transfer Info:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 |
flac24
|
|
| 85. |
06/18/76 |
Capitol Theater - Passaic,
NJ |
flac1644 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 155902 2496 > 1644 |
Flac16/44
|
|
| 86. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
FM > ? > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN; via Jon Seff |
2 shn
|
notes
|
| 87. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder |
2 shn
|
notes
|
| 88. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
|
2 shn
|
|
| 89. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
Source: FM>MC>DAT>WAV>SHN via Cousinit |
1 shn
|
notes
|
| 90. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
flac16
|
|
| 91. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
flac16
|
|
| 92. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
flac16
|
|
| 93. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson |
2 shn
|
notes
|
| 94. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; This is a cleaned up version of source ID 112191 |
2 flac16
|
|
| 95. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a cleaned up version of the previous matrix (shnid=121045), using Soundtrack Pro. |
2 flac16
|
|
| 96. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) |
flac16
|
|
| 97. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
flac16
|
|
| 98. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation |
flac16
|
|
| 99. |
06/22/76 |
The Tower Theatre - Upper Darby,
PA |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson |
2 shn
|
notes
|
| 100. |
06/22/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
flac16
|
|
| 101. |
06/22/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) |
flac16
|
|
| 102. |
06/22/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
flac16
|
|
| 103. |
06/22/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches |
flac16
|
|
| 104. |
06/23/76 |
The Tower Theatre - Upper Darby,
PA |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min |
2 shn
|
notes
|
| 105. |
06/23/76 |
The Tower Theatre - Upper Darby,
PA |
AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon
|
2 shn
|
notes
|
| 106. |
06/23/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
2 flac
|
notes
|
| 107. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min |
2 shn
|
notes
|
| 108. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley |
1 shn
|
notes
|
| 109. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley.
Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004
|
2 shn
|
notes
|
| 110. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus |
2 shn
|
notes
|
| 111. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin |
2 flac
|
notes
|
| 112. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin |
2 flac
|
notes
|
| 113. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin |
2 flac
|
notes
|
| 114. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 |
0 flac16
|
|
| 115. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller |
flac16
|
|
| 116. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com |
flac16
|
|
| 117. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon |
2 shn
|
notes
|
| 118. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
2 flac
|
notes
|
| 119. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
2 flac
|
notes
|
| 120. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
flac16
|
|
| 121. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
flac2448 Recording Info:
AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B)
Transfer Info:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 >
DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 |
flac24
|
|
| 122. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
flac1644 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156062 2448 > 1644 |
Flac16/44
|
|
| 123. |
06/27/76 |
Auditorium Theatre - Chicago,
IL |
aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon |
2 shn
|
notes
|
| 124. |
06/27/76 |
Auditorium Theatre - Chicago,
IL |
flac16; 2 source matrix: Soundboard (shnid:112295) Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:98796) Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips); 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 |
2 flac16
|
|
| 125. |
06/27/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller |
flac16
|
|
| 126. |
06/27/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction |
flac16
|
|
| 127. |
06/28/76 |
Auditorium Theatre - Chicago,
IL |
AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon
|
2 shn
|
notes
|
| 128. |
06/28/76 |
Auditorium Theatre - Chicago,
IL |
Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches. |
2 shn
|
notes
|
| 129. |
06/28/76 |
Auditorium Theatre - Chicago,
IL |
flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller |
flac16
|
|
| 130. |
06/28/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) |
flac16
|
|
| 131. |
06/28/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller |
flac16
|
|
| 132. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness |
2 shn
|
notes
|
| 133. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive |
2 shn
|
notes
|
| 134. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 |
2 flac
|
notes
|
| 135. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
DVD VA; (Video format, audio only) SBD>>MR>>PCM(Analog)>>DAT>>CDA>>SHN>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel Betty Board source shn id 1812; audio only, no video |
1 DVD-Audio
|
notes
|
| 136. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston |
0 flac16
|
|
| 137. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller |
flac16
|
|
| 138. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) |
flac16
|
|
| 139. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller |
flac16
|
|
| 140. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 |
flac16
|
|
| 141. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
Includes Soundcheck;
Soundcheck, SBD>VHS Master>DAT>CDR;
Disc 1 SBD>MR>R>R>R>DAT>CDR;
Disc 2 SBD>MR>DAT>Sonic Solutions>CDR;
Disc 3 SBD>MR>DAT>Sonic Solutions>CDR;
|
2 shn
|
notes
|
| 142. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree |
2 shn
|
notes
|
| 143. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. |
2 shn
|
notes
|
| 144. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
2 flac16
|
|
| 145. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1 |
flac16
|
notes
|
| 146. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC |
flac24
|
|
| 147. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
flac16/44 AUD SOURCE: Analog Audience Source: Aud Master Cassettes (MAC)
Analog Lineage: Sony ECM 270's => Sony TC-152SD >> MAC
MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Bob Menke
SBD SOURCE: SHN # 10362
Matrix & Mastering By: Derek McCabe |
flac16/44
|
|
| 148. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
Jay Ashley (Bertha) Remaster of Multi-Gen Reel source;
SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA |
2 shn
|
notes
|
| 149. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon |
2 shn
|
notes
|
| 150. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. |
2 shn
|
notes
|
| 151. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
2 flac16
|
|
| 152. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05 |
flac16
|
|
| 153. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753 |
flac24
|
|
| 154. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac1644 Analog Soundboard Source: gd76-07-13.18480.sbd.vernon.flac16
Analog Audience Source #1: ECM 280's 152 - center balcony
Medium Stock Brands #1: MAC = TDK SA c90's
Analog Audience Source #2: Sony 152 ECM 280's - fob floor
Medium Stock Brands #2: MAC = Maxell UD C120 (2 of em)
Analog Sound Preservation : MAC > Nak DR-1 > Korg at 5.6 mhz
AUD Source #1 Taped By: Bob Menke
AUD Source #2 Taped By: Reinhart Hohlwein
Transfer By: Bob Menke
Matrix & Mastering By: Derek McCabe |
flac16/44
|
|
| 155. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac16/44.1khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel
Recording Info:
SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Transfer Info:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
(1 DVD FLAC)
Patch Info:
Sony ECM-270 > Cassette Master > DAT (shnid=123475) supplies:
Crazy Fingers (13:44-14:07)
The Music Never Stopped (0:19-1:07)
Saint Stephen (9:02-9:43)
Transfer & Mastering by Charlie Miller
November 11, 2020
Notes:
-- This is a Dolby decoded version of shnid=150847
-- Thanks to Dennis Koda for the cassettes
-- Thanks to Bob Menke for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings
- Dither info: WAV (24-bit/48k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Nov 27, 2020 |
flac16/44
|
|
| 156. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; This is a Dolby decoded version of source ID 150847 |
Flac24
|
|
| 157. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1 |
Flac16/44
|
|
| 158. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1 |
Flac16/44
|
|
| 159. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac24/48khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel
Recording Info:
SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Transfer Info:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
flac24/48
|
|
| 160. |
07/14/76 |
Orpheum Theatre - San Francisco,
CA |
SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation |
2 shn
|
notes
|
| 161. |
07/14/76 |
Orpheum Theatre - San Francisco,
CA |
MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon. |
2 shn
|
notes
|
| 162. |
07/14/76 |
Orpheum Theatre - San Francisco,
CA |
SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon |
2 shn
|
notes
|
| 163. |
07/14/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
2 flac16
|
|
| 164. |
07/14/76 |
Orpheum Theatre - San Francisco,
CA |
flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644 |
flac16
|
|
| 165. |
07/14/76 |
Orpheum Theatre - San Francisco,
CA |
SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 |
flac24/48
|
|
| 166. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT >
DAW (Bertha by Jay Ashley) > CD |
2 shn
|
notes
|
| 167. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs |
2 shn
|
notes
|
| 168. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info:
Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Transferred and Patched By Charlie Miller; See txt file for patch detail |
2 shn
|
notes
|
| 169. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
|
1 shn
|
notes
|
| 170. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames |
1 shn
|
notes
|
| 171. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
Set 2 DTS-Audio-CD 5.1 Mix via Dan
|
2 flac
|
notes
|
| 172. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan |
1 flac
|
notes
|
| 173. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 174. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller |
2 flac16
|
|
| 175. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second
AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J.
Fricker |
2 shn
|
notes
|
| 176. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches |
2 shn
|
notes
|
| 177. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN) |
2 shn
|
notes
|
| 178. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008) |
2 flac
|
notes
|
| 179. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell. |
2 flac
|
notes
|
| 180. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
flac Recording Info:
(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat
Transfer Info:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
Recorded By Bob Menke
All Transfers and Mastering By Charlie Miller |
flac16
|
|
| 181. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
flac1644 Analog Soundboard Source: gd76-07-17.sbd.34708
Analog Audience Source: ECM 280's 152
Medium Stock Brands: MAC = TDK SA c90's
Analog Sound
Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz |
flac16/44
|
|
| 182. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut |
3 shn
|
notes
|
| 183. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. |
2 shn
|
notes
|
| 184. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues) |
flac16
|
|
| 185. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger |
flac24
|
|
| 186. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020)
Recording Info:
(KSAN) Pre-FM > Reel Master > DAT (44.1k)
Transfer Info:
DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
(3 Discs Audio / 1 DVD FLAC) |
flac16
|
|
| 187. |
08/02/76 |
Colt Park - Hartford,
CT |
K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T.
OConnell et al; EAC, shn, upload by A. Jerugim |
2 shn
|
notes
|
| 188. |
08/02/76 |
Colt Park - Hartford,
CT |
flac16; Source: Audience FOB Recording
Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick |
2 flac
|
notes
|
| 189. |
08/02/76 |
Colt Park - Hartford,
CT |
flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick |
2 flac24
|
notes
|
| 190. |
08/02/76 |
Colt Park - Hartford,
CT |
flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm |
flac16
|
|
| 191. |
08/02/76 |
Colt Park - Hartford,
CT |
flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files |
flac24
|
|
| 192. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman |
2 shn
|
notes
|
| 193. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158
Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 194. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin |
2 flac
|
notes
|
| 195. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation |
2 shn
|
notes
|
| 196. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac |
2 flac
|
notes
|
| 197. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac |
6 flac24
|
notes
|
| 198. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin |
flac16
|
|
| 199. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin |
flac16
|
|
| 200. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012 |
flac16
|
|
| 201. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin |
flac16
|
|
| 202. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin |
dts audio 5.1
|
|
| 203. |
08/26/76 |
Club Front Studio - San Rafael,
CA |
flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac |
0 flac16
|
|
| 204. |
09/23/76 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN
Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR.
DAE and shn encoding done by D.Backus |
2 shn
|
notes
|
| 205. |
09/23/76 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material.
A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations). |
flac16
|
|
| 206. |
09/24/76 |
College Of William & Mary Hall - Williamsburg,
VA |
AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn |
2 shn
|
notes
|
| 207. |
09/24/76 |
College Of William & Mary Hall - Williamsburg,
VA |
flac16; Source: AUD of unknown lineage > lo-gen cassette via Richie & Rip. Transfer: BASF Pro-II Chrome (c.1977/78) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2019 |
flac16
|
|
| 208. |
09/25/76 |
Capital Centre - Landover,
MD |
SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20 |
2 shn
|
notes
|
| 209. |
09/25/76 |
Capital Centre - Landover,
MD |
Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke |
1 shn
|
notes
|
| 210. |
09/25/76 |
Capital Centre - Landover,
MD |
flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged. |
flac16
|
|
| 211. |
09/25/76 |
Capital Centre - Landover,
MD |
flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
flac16/48
|
|
| 212. |
09/25/76 |
Capital Centre - Landover,
MD |
flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496 |
flac24/96
|
|
| 213. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore |
2 shn
|
notes
|
| 214. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
2 flac
|
notes
|
| 215. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; DTS-Audio-CD 5.1 Mix of SBD -> Master Reel -> Dat (48k) (shn id 87664 + AUD Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN (shn id 3821) - Mixed by Kevin Tobin |
2 flac
|
notes
|
| 216. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin |
2 flac
|
notes
|
| 217. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
flac1644 Source Info:
FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT
Unknown Taper
Transfer Info:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)->
SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1) |
flac16/44
|
|
| 218. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 87664 & 163759. |
flac16/44
|
|
| 219. |
09/28/76 |
Onongada County War Memorial - Syracuse,
NY |
Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon |
2 shn
|
notes
|
| 220. |
09/28/76 |
Onongada County War Memorial - Syracuse,
NY |
Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke |
1 shn
|
notes
|
| 221. |
09/28/76 |
Onongada County War Memorial - Syracuse,
NY |
Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon |
2 shn
|
notes
|
| 222. |
09/30/76 |
Mershon Auditorium, Ohio State University - Columbus,
OH |
FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus |
2 shn
|
notes
|
| 223. |
09/30/76 |
Mershon Auditorium, Ohio State University - Columbus,
OH |
Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller |
1 shn
|
notes
|
| 224. |
09/30/76 |
Mershon Auditorium, Ohio State University - Columbus,
OH |
SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107 |
1 shn
|
notes
|
| 225. |
09/30/76 |
Mershon Auditorium, Ohio State University - Columbus,
OH |
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN |
2 flac16
|
|
| 226. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
sony tc152 w/ 2 AKGD200e mics > 3C > DAT > CDWav; via Raoul Duke, Dave Minor; DAT Transfer by Marc Pujol; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 227. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON. |
2 shn
|
notes
|
| 228. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge |
2 flac
|
notes
|
| 229. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller |
flac16
|
|
| 230. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:
CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
flac16
|
|
| 231. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
DVD-VA; (Video Audio) SBD>>MR>>Dat>>CD>>FLAC>>Bertha>>Audio DVD; Bertha Remaster of the Master Reel Source; audio only, no video |
DVD-VA
|
|
| 232. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC |
flac16
|
|
| 233. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC |
Flac16
|
|
| 234. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC |
Flac24
|
|
| 235. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac1644; Recording info: Vault master reel sourced files (via anon); Mastered by Jim Blackwood; Pitch adjustment by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel |
flac16/44
|
|
| 236. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC & SHN > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 170205 & 14558. |
flac16
|
|
| 237. |
10/02/76 |
Riverfront Coliseum - Cincinnati,
OH |
AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner. |
2 shn
|
notes
|
| 238. |
10/02/76 |
Riverfront Coliseum - Cincinnati,
OH |
ACM>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 239. |
10/02/76 |
Riverfront Coliseum - Cincinnati,
OH |
flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details |
2 flac
|
|
| 240. |
10/03/76 |
Cobo Arena - Detroit,
MI |
complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman |
2 shn
|
notes
|
| 241. |
10/03/76 |
Cobo Arena - Detroit,
MI |
SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version.
SET TWO: AUD > ? > CASS > DAT > WAV > SHN
A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner. |
2 shn
|
notes
|
| 242. |
10/03/76 |
Cobo Arena - Detroit,
MI |
set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation |
1 shn
|
notes
|
| 243. |
10/03/76 |
Cobo Arena - Detroit,
MI |
set 2 partial; FMSBD -> SBDCM -> DAT -> CD> EAC > SHN; via A. Jerugim;
no known flaws; upgrade in circulation |
1 shn
|
notes
|
| 244. |
10/03/76 |
Cobo Arena - Detroit,
MI |
flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
flac16
|
|
| 245. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC>
SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/
5/1/70 filler; etreed 3/24/00; 5/1/70 filler |
2 shn
|
notes
|
| 246. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 247. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller |
1 shn
|
notes
|
| 248. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN
Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179) |
1 flac
|
notes
|
| 249. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179) |
1 flac
|
notes
|
| 250. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli |
flac16
|
|
| 251. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger |
flac16/48
|
|
| 252. |
10/10/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 |
2 shn
|
notes
|
| 253. |
10/10/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 254. |
10/10/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Recording Info:
(FOB) Unknown Mics > Cassette Master (Uher Deck)
Mastering Info:
WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16 |
flac16
|
|
| 255. |
10/10/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein
Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn
Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16
edited and remastered SIRMick February 2022 |
flac16
|
|
| 256. |
10/14/76 |
Shrine Auditorium - Los Angeles,
CA |
composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman |
2 shn
|
notes
|
| 257. |
10/14/76 |
Shrine Auditorium - Los Angeles,
CA |
Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 258. |
10/14/76 |
Shrine Auditorium - Los Angeles,
CA |
Flac16: Analog Audience Source: Sony ECM 270 Microphones -> Sony TC 152SD
Medium Stock Brands: Nakamichi CRO-2 tapes X 3
Analog Sound Preservation: MAC -> CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg MR 2000 at 5.6 mhz
Recorded by: Bob Menke, Transferred by: Bob Menke, Mastering by: Derek McCabe |
flac16
|
|
| 259. |
10/14/76 |
Shrine Auditorium - Los Angeles,
CA |
SBD MR > C1 > DAT |
flac16
|
|
| 260. |
10/14/76 |
Shrine Auditorium - Los Angeles,
CA |
flac2496 Sony ECM-280's on balcony ledge right center> Sony TC-152SD > Sony TC-755 @3.75 ips
Playback on Technics 1506 > Tascam DA-3000 @24/96 > AA 3.01 (editing and mastering) |
Flac24/96
|
|
| 261. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static
at beginning of Might as well; Mama Tried Cut at beginning; reel flip at
@ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson |
2 shn
|
notes
|
| 262. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152
Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon |
2 shn
|
notes
|
| 263. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
2 flac
|
notes
|
| 264. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
MSR>DATs>CDRs>EAC>SHN
Fixed SBE of shnid=251 |
2 flac
|
notes
|
| 265. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe |
flac16
|
|
| 266. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
flac2496 Sony ECM-280 mics on balcony ledge next to SBD > Sony TC-152 (Sony chrome tape) > Sony TC-755 reel @ 3.75 ips
playback on Technics RS-1506 > Tascam DA-3000 @24/96 > AA 3.01 (mastering) by Rob Bertrando |
Flac24/96
|
|
| 267. |
12/31/76 |
Cow Palace - Daly City,
CA |
FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01 |
2 shn
|
notes
|
| 268. |
12/31/76 |
Cow Palace - Daly City,
CA |
PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
[Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.] |
2 shn
|
notes
|
| 269. |
12/31/76 |
Cow Palace - Daly City,
CA |
Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source |
1 shn
|
notes
|
| 270. |
12/31/76 |
Cow Palace - Daly City,
CA |
Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD
Circulating on Furthur in Feb. 2003; upgrade in circulation |
2 shn
|
notes
|