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Grateful Dead 06/03/1976

Paramount Theatre, Portland, OR
SHNID 7825
Source Summary
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
Entered by dr.unclear
Checksums orig-shn-md5, shn-md5, st5
Disc Counts 2 / 3
Media Size
Date Circulated
Date Added
02/25/02
07/12/2003
Downloads Download Text | Download Zip
Archive Identifier gd76-06-03.aud.vernon.7825.sbeok.shnf ↗

Other Sources
SHNID 7555 last 2 songs missing; MR > Reel > PCM > DAT >...
SHNID 7719 SBD > RTR > PCM > ? > Illegal Bootleg CD > D>...
SHNID 14263 AUDMC > DAT > WAV > SHN Recorded by Pat Lee,...
SHNID 17266 Bertha Remaster of the Master Reel/Reel source....
SHNID 20004 SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN...
SHNID 86745 SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN...
SHNID 91912 MATRIX MIX: SBD/AUD (About 60%/40%): SBD:...
SHNID 99910 flac16 ; aud 1st gen reel; unknown...
SHNID 123464 flac16 ; Updated Recording Info: Sony ECM-280...
SHNID 123607 flac16 ; Recording Info: SBD -> Cassette...
SHNID 123608 flac24 ; Recording Info: SBD -> Cassette...
SHNID 123898 flac16 ; Matrix by Hunter Seamons using Final...
SHNID 139643 flac16 ; Source Info: 7" two track Betty reels...
SHNID 148567 flac16/48kHz ; Source Info: Pat Lee's Master...
SHNID 148568 flac24 ; Source Info: Pat Lee's Master (FOB)...
Grateful Dead
06/03/76
Paramount Theatre
Portland, OR
  
unknown aud > ? > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) >
Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
No dae, no normalizing, no eq, no signal processing.

Dat > shn transfer by Dale Shepherd
Source dats from Matt Vernon
Seeded to etree February 2002

Originally Seeded to etree February 2002 - decoded for Dolby 7/4/2003

Disc 1 [58:24]
Set 1    
01-[05:33] Might As Well
02-[04:40] Cassidy
03-[10:47] Row Jimmy
04-[08:20] Looks Like Rain
05-[07:47] They Love Each Other
06-[02:58] Lazy Lightnin' >
07-[04:59] Supplication
08-[07:07] Candyman
09-[06:10] The Music Never Stopped

Disc 2 [68:24]
Set 1- cont'd
01-[11:42] Scarlet Begonias
02-[12:28] Dancing In The Street
Set 2    
03-[05:44] Samson And Delilah
04-[11:26] Crazy Fingers  >
05-[12:51] Wharf Rat  >
06-[06:40] Let It Grow  >
07-[00:35] Drums  >
08-[07:30] Let It Grow

Disc 3 [53:57]
Set 2- cont'd
01-[07:50] It Must Have Been The Roses
02-[06:35] Around And Around
03-[04:55] Help On The Way >
04-[13:05] Slipknot >
05-[11:47] Franklin's Tower
06-[05:00] One More Saturday Night  
ENCORE  
07-[04:43] The Wheel

known flaws
d1t05 left channel drops in volume for 00:45 during "they love each other"
d1t09 right channel drops in volume for 02:45 during "music never stopped" 53:06 > 55:51
          modified volume to mask this
d2t01 left channel drops in volume for 00:16 during "scarlet begonias" starting at
d2t07 right channel drops in volume during "drums" 00:12 > 00:16
d3t01 right channel drops in volume during "it must have been the roses" 03:55 > 05:29
d3t02 left channel drops in volume for 00:12 during " around & around" 02:19 > 02:31
d3t04 right channel drops in volume during "slipknot" 08:37 > 11:32

in addition, there is some intermittent ticking, mostly all between songs

editing
d1t02 removed a glitch after"cassidy" with a crossfade.
d1t07 removed 2 slight stutters, a tape flip, & a start/stop, right after "supplication", with crossfades
d2t03 added fade in beginning of set 2
d2t03 removed a stutter after "samson & delilah" with a crossfade
d2t03/04- samson was on the first dat tape and there was a fadeout after the song. i cut out the fadeout and patched in d2t "crazy fingers" from dat tape 2. the fadeout didn't sound right and it now matches the flow of the rest of the show. it sounds like a start/stop betwen songs.
d2t06 after "let it grow", there was a slight fadeout a start/atop between songs. i removed the fadeout.
ticking removed using Cool Edit
most volume drops fixed using the good channel
    

Comments

Date: 07/11/2003
This aud is from a different source than the Pat Lee source seeded by Noah Weiner. It has less audience pickup and sounds closer to the "speakers" than the Pat Lee source (which was FOB). Perhaps the mics were higher up above the crowd or maybe at the front of the balcony or loge (if that theater had one) so that the PA was more directly in-line.