Grateful Dead 10/01/1977
Set I
Promised Land
They Love Each Other
Mexicali Blues
Dire Wolf
Cassidy
Deal
Passenger
Tennessee Jed
New Minglewood Blues
Peggy-O
The Music Never Stopped
They Love Each Other
Mexicali Blues
Dire Wolf
Cassidy
Deal
Passenger
Tennessee Jed
New Minglewood Blues
Peggy-O
The Music Never Stopped
Set II
Bertha >
Good Lovin'
It Must Have Been The Roses
Estimated Prophet >
Eyes Of The World >
Dancing In The Street >
Drums >
Not Fade Away >
Black Peter >
Around & Around
Good Lovin'
It Must Have Been The Roses
Estimated Prophet >
Eyes Of The World >
Dancing In The Street >
Drums >
Not Fade Away >
Black Peter >
Around & Around
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals
Sources
SHNID
277
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @
7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder >
analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised
Land cut on either end; TLEO cuts in; Estimated has some mic distortion
for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE.
That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
SHNID
10689
SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com
SHNID
86234
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
SHNID
123090
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
SHNID
123211
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
SHNID
140578
flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
SHNID
140589
flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
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