Grateful Dead 07/29/1982
Set I
New Minglewood Blues
Friend Of The Devil
Cassidy
Loser
Feel Like A Stranger
Tennessee Jed >
Looks Like Rain
Might As Well
Friend Of The Devil
Cassidy
Loser
Feel Like A Stranger
Tennessee Jed >
Looks Like Rain
Might As Well
Set II
Cold Rain & Snow >
Samson & Delilah
Crazy Fingers >
I Need A Miracle >
Drums >
Space >
The Other One >
Goin' Down The Road Feeling Bad >
Wharf Rat >
Around & Around >
Good Lovin'
Encore:
Brokedown Palace
Samson & Delilah
Crazy Fingers >
I Need A Miracle >
Drums >
Space >
The Other One >
Goin' Down The Road Feeling Bad >
Wharf Rat >
Around & Around >
Good Lovin'
Encore:
Brokedown Palace
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
4981
FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s
SHNID
102039
flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
SHNID
102569
flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
SHNID
129722
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
SHNID
135524
flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger
SHNID
135525
flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
SHNID
135532
flac24; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
SHNID
135533
flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
SHNID
138614
flac16 44.1khz Source Audience Recording: Beyer M 201c
Location: 110 feet from stage|DFC (1st row behind soundboard)
Lineage: Beyer M201's (hyper cardiod)in brim of
straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON
Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96
Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz
& 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost.
set 2 equalized with 3-4 dB overall bass boost below 400Hz
& 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost
Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson
Transferred by Kyle Holbrook
SHNID
138615
flac24 48khz Source Audience Recording: Beyer M 201c
Location: 110 feet from stage|DFC (1st row behind soundboard)
Lineage: Beyer M201's (hyper cardiod)in brim of
straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON
Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96
Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz
& 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost.
set 2 equalized with 3-4 dB overall bass boost below 400Hz
& 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost
Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson
Transferred by Kyle Holbrook
SHNID
142568
flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
SHNID
156430
flac2448; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90s. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
SHNID
167228
flac1648 Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info:
Master Cassettes (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
SHNID
167229
flac2496 Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info:
Master Cassettes (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
SHNID
167264
flac1644 Set 2 partial Master Soundboard Cassette > ? > C > C > PCM
Transfer Info:
Unknown Equipment > .wav 16/44 > Adobe Audition CC2024 > TLH flac16
SHNID
167265
flac1648 Set 2 excerpt Master Soundboard Cassette > Reel To Reel (Otari 5050) > DAT 16/48(Panasonic SV-3800)
Transfer Info:
Unknown Equipment > .wav 16/48 > Adobe Audition 2024 > TLH flac1648
SHNID
172805
flac1648 Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (TDK-MA-C90)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
SHNID
172806
flac2496 Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (TDK-MA-C90)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
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