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Grateful Dead 08/29/1982

SHOWID 1433

Set I

Jack Straw >
Big Railroad Blues
Mama Tried >
Mexicali Blues
West L.A. Fadeaway
Little Red Rooster
Loser
Cassidy
It Must Have Been The Roses
Let It Grow

Set II

Keep Your Day Job >
Samson & Delilah
He's Gone >
Drums >
Space >
Not Fade Away >
Wharf Rat >
Sugar Magnolia

Encore:
U.S. Blues

Set III


Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources

SHNID 17957
(FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller
SHNID 140735
flac24; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
SHNID 140984
flac16; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
SHNID 142688
flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
SHNID 148747
flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID 148748
flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
SHNID 156588
flac16; Matrix 2 Source Mix - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - matrix mixing by Kevin Tobin
SHNID 156589
DTS-Audio-CD 5.1 Mix; - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - dts mixing by Kevin Tobin
SHNID 156590
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - surround mixing by Kevin Tobin