Grateful Dead 09/15/1982
Set I
Playing In The Band >
Crazy Fingers >
Little Red Rooster
Dupree's Diamond Blues
Beat It On Down The Line
It Must Have Been The Roses >
Let It Grow >
Keep Your Day Job
Crazy Fingers >
Little Red Rooster
Dupree's Diamond Blues
Beat It On Down The Line
It Must Have Been The Roses >
Let It Grow >
Keep Your Day Job
Set II
Shakedown Street >
Lost Sailor >
Saint Of Circumstance >
Drums >
Space >
Not Fade Away >
Stella Blue >
Around & Around >
Good Lovin'
Encore:
Touch Of Grey *
Lost Sailor >
Saint Of Circumstance >
Drums >
Space >
Not Fade Away >
Stella Blue >
Around & Around >
Good Lovin'
Encore:
Touch Of Grey *
Set III
Comment
First time performed *
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
8550
combination SBD (Jim Wise) and FOB Nak shotguns (Tiger Rose, David Howard) - see notes in info file; Patching, tracking and Shn encoding by Sean Cribbs; Upgrade in circulation
SHNID
11881
Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor
SHNID
81690
flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
SHNID
118449
flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
SHNID
118451
flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
SHNID
124586
flac16; Recording Info: SBD -> Master Cassette -> Reel -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 8550
SHNID
134869
flac24; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2015
SHNID
134870
flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015
SHNID
152347
flac16/48 Source Info:
Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
SHNID
152348
flac24/96 Source Info:
Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
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