Grateful Dead 03/26/1983
Set I
Jack Straw
Friend Of The Devil
Little Red Rooster
Brown Eyed Women
Mama Tried >
Mexicali Blues
Althea
My Brother Esau >
Deal >
Promised Land
Friend Of The Devil
Little Red Rooster
Brown Eyed Women
Mama Tried >
Mexicali Blues
Althea
My Brother Esau >
Deal >
Promised Land
Set II
Scarlet Begonias >
Fire On The Mountain >
Estimated Prophet >
Eyes Of The World >
The Other One >
Drums >
Space >
The Other One >
Stella Blue >
Around & Around >
One More Saturday Night
Touch Of Grey
Fire On The Mountain >
Estimated Prophet >
Eyes Of The World >
The Other One >
Drums >
Space >
The Other One >
Stella Blue >
Around & Around >
One More Saturday Night
Touch Of Grey
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
11260
AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd
SHNID
79605
flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8
SHNID
79606
flac16/48; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > Adobe Audition 1.5 > shntool > FLAC lvl8
SHNID
81092
flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
SHNID
137371
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS, mics clamped to balcony rail center, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
SHNID
140315
flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
SHNID
141352
flac16/44.1 Recording Info:
First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC
Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC
Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Recorded By: Kyle Holbrook
Transferred & Processed: Kyle Holbrook
SHNID
141353
flac24/48 Recording Info:
First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC
Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC
Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Recorded By: Kyle Holbrook
Transferred & Processed: Kyle Holbrook
SHNID
157657
flac1648 Source Info:
Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID
157658
flac2496 Source Info:
Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
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