Rolling Stones ??/??/1961
Set I
1. Little Queenie
2. Beautiful Deliah
3. Down The Road Apiece
4. I Ain`t Got You
Little Boy Blue & The Blue Boys, recorded Dartford South London Late 1961
The Stones began life as an R&B group, Little Boy Blue and The Blue Boys, in which both Mick Jagger and Keith Richard - who had gone through primary school together, lost contact, and re-met on a train in 1960 - were playing. A reel-to-reel tape containing 13 tracks by the group from two separate sets in 1961 exists and finally 4 appear in this collection.
5. Leave Me Alone
Regent 20 & 21 Nov 1963
6. Goodbye Girl
Chess 8 Nov 1964
7. It Should Be You
8. That Girl Belongs To Yesterday
Regent 20 & 21 Nov 1963
9. Ain`t That Loving You Baby
10. Don`t Lie To Me
11. Mona
12. Walking The Dog
13. Bye Bye Johnny
14. I Wanna Be Your Man
BBC Saturday Club 8 Feb 1964
15. Roll Over Beethoven
BBC Saturday Club 8 Mar 1964
16. Little By Little
17. I Just Wanna Make Love To You
18. I`m Movin` On
Joe Loss Show Apr 10, 1964
19. Not Fade Away
20. Beautiful Delilah
21. High Heeled Sneakers
BBC Saturday Club 18 Apr 1964
22. Meet Me In The Bottom
23. You Can Make It If You Try
24. Route 66
25. Confessing The Blues
26. Down The Road Apiece
BBC Saturday Club 6 June, 1964
27. It`s All Over Now
28. If You Need Me
29. Carol
Joe Loss Show 17 July, 1964
30. Around And Around
31. I Can`t Be Satisfied
32. Crackin` Up
BBC Top Gear 23 July, 1964
2. Beautiful Deliah
3. Down The Road Apiece
4. I Ain`t Got You
Little Boy Blue & The Blue Boys, recorded Dartford South London Late 1961
The Stones began life as an R&B group, Little Boy Blue and The Blue Boys, in which both Mick Jagger and Keith Richard - who had gone through primary school together, lost contact, and re-met on a train in 1960 - were playing. A reel-to-reel tape containing 13 tracks by the group from two separate sets in 1961 exists and finally 4 appear in this collection.
5. Leave Me Alone
Regent 20 & 21 Nov 1963
6. Goodbye Girl
Chess 8 Nov 1964
7. It Should Be You
8. That Girl Belongs To Yesterday
Regent 20 & 21 Nov 1963
9. Ain`t That Loving You Baby
10. Don`t Lie To Me
11. Mona
12. Walking The Dog
13. Bye Bye Johnny
14. I Wanna Be Your Man
BBC Saturday Club 8 Feb 1964
15. Roll Over Beethoven
BBC Saturday Club 8 Mar 1964
16. Little By Little
17. I Just Wanna Make Love To You
18. I`m Movin` On
Joe Loss Show Apr 10, 1964
19. Not Fade Away
20. Beautiful Delilah
21. High Heeled Sneakers
BBC Saturday Club 18 Apr 1964
22. Meet Me In The Bottom
23. You Can Make It If You Try
24. Route 66
25. Confessing The Blues
26. Down The Road Apiece
BBC Saturday Club 6 June, 1964
27. It`s All Over Now
28. If You Need Me
29. Carol
Joe Loss Show 17 July, 1964
30. Around And Around
31. I Can`t Be Satisfied
32. Crackin` Up
BBC Top Gear 23 July, 1964
Set II
Set III
Comment
some of the earliest recordings late 61 - mid 64 - 32 song cd
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| OldNeumanntapr | FLAC / | A- | View | Various SBD / FM Broadcast | ||
| Notes: | Pitch, phase and level corrected, de-thumped and retracked at Remasters Workshop July 16 & 17, 2010 from the 2000 CD on Bad Wizard BW 6134. This CD was pirated by an unidentified label and issued as "Beginning Of The English Blues." It was for sale briefly on Amazon (it's unavailable now and will probably remain so), where a reviewer left these (edited for coherence) comments: A great compilation of obscure 1961-1964 recordings. What will pique the interest of the hardcore Stones aficionado the most are the first eight tracks: the very earliest Rolling Stones recordings, which have rarely, if ever surfaced on other CDs. The first four songs are labeled as dating from a tape of Little Boys Blue, a pre-Rolling Stones lineup of the group, recorded (probably at a private rehearsal) in late 1961. Dick Taylor (later of the Pretty Things), guitarist Bob Beckwith, and Allen Etherington (on maracas) were part of Little Boys Blue on this recording. While the track listings are vague as to what actual future members of the Stones also participated, it's certain that Mick Jagger's on lead vocals, and possible that Keith Richards and Brian Jones are on the guitars. Included are unreleased versions of the Jagger-Richards compositions "It Should Be You" and "My Only Girl" (aka "That Girl Belongs To Yesterday"). There's also "Leave Me Alone," a Jagger-Richards original not released by anyone! There's also the unreleased studio effort "Goodbye Girl," a routine blues-rocker dated as having been recorded in November 1964 and written by Bill Wyman. While these are no doubt fascinating for the Stones fan, as well as historically important, the subsequent 24 BBC session tracks are better music. Those BBC performances include many songs that didn't appear on the group's early releases, such as covers like "Roll Over Beethoven" (a different version than a more commonly circulated one also recorded around this time for another BBC session), "Meet Me In The Bottom," Jimmy Reed's "Ain't That Loving You Baby," "High Heel Sneakers," and Bo Diddley's "Crackin' Up." The fidelity on these is generally very good, with the performances different enough from the studio versions to make them quite interesting! ************ Track 1 was in a sorry state in its original incarnation. It's a mono recording, but the levels on the two tape tracks were wildly varied and would occasionally drop out in one channel or the other. These anomalies were straightened out, gaps filled by cloning and levels fixed so that it sounds as normal as possible. There was also a repeated segment of a couple of lines; I don't know whether the original CD is that way, or it came that way on the recording I received, but I edited it out. This may be the best version of this track available now. All the recordings but two were at the wrong speed - some a little bit and some a lot, and all were out of phase. The makers of this CD added stereo reverb to everything (can't leave a good thing alone), but its effect is negated because after phase correction, the channels were combined to true mono. Levels were all over the place, with volume swells and dips in many places; those are fixed now, too. Occasional thumps that are often heard on tape recordings via microphone from tube radios have been eliminated. The early studio recordings were very, very dull. They have been brightened here so you can tell what's going on. No EQ was applied to the other tracks. All work was performed in 32-bit in Adobe Audition 3, and the tracks were split on sector boundaries in CD Wave. ********************************************************************************* FLAC Tags Via xACT 2.53 By OldNeumanntapr ********************************************************************************* | |||||
| Rick Martin | Flac / 1 | A | View | Rolling Stones - "How Britain Got The Blues" | ||
| Notes: | Rolling Stones - "How Britain Got The Blues" | |||||
| Lester's Soundroom | CDR / 1 | View | ||||
| Notes: | / SHN - How Britain Got the Blues | |||||
| sean hite | / 0 | View | ||||
| Notes: | How Britain Got The Blues Bad Wizard 6134 Lineage: silver / EAC / flac (level 6) Quality: varying - more on the LowFi-end - BUT terrific stuff from the early years. Very rare early recordings including Mick Jagger with the Little Boys Blue in 1961. | |||||
| Gary | CDR / 1 | View | ||||
| Notes: | 1961-1964 Comp | |||||
| A Brian | CDR / 1 | B+ | View | |||
| mike | cdr / 1 | View | ||||
| Notes: | "How Britain Got the Blues" | |||||
| TunaMan | shn / 1 | View | ||||
| ivan | CDR / 1 | View | SBD | |||
| Notes: | "HOW BRITAIN GOT THE BLUES" | |||||
| Travis Autrey | CDR / 1 | A | View | |||
| Tom | cdr / 1 | View | ||||
| David Callaway | SHN / 1 | View | ||||
| Notes: | "How Britain Got the Blues" Some of the earliest recordings '61-'64 | |||||
| Matt Blankman | CDR / 1 | A | A | View | Studio | |
| Notes: | How Britain Got The Blues - studio outtakes and BBC sessions, '61-'64 | |||||
| Bluesthinker | FLAC / 1 | View | ||||
| Notes: | How Britain Got The Blues Bad Wizard 6134 | |||||
| Franck | FLAC/CDR / 1 | A | View | Remasters Workshop 2010 | ||
| Notes: | "Track 1 was in a sorry state in its original incarnation. It's a mono recording, but the levels on the two tape tracks were wildly varied and would occasionally drop out in one channel or the other. These anomalies were straightened out, gaps filled by cloning and levels fixed so that it sounds as normal as possible. There was also a repeated segment of a couple of lines; I don't know whether the original CD is that way, or it came that way on the recording I received, but I edited it out. This may be the best version of this track available now. All the recordings but two were at the wrong speed - some a little bit and some a lot, and all were out of phase. The makers of this CD added stereo reverb to everything (can't leave a good thing alone), but its effect is negated because after phase correction, the channels were combined to true mono. Levels were all over the place, with volume swells and dips in many places; those are fixed now, too. Occasional thumps that are often heard on tape recordings via microphone from tube radios have been eliminated. The early studio recordings were very, very dull. They have been brightened here so you can tell what's going on. No EQ was applied to the other tracks. All work was performed in 32-bit in Adobe Audition 3, and the tracks were split on sector boundaries in CD Wave. Please preserve the lossless quality of this material." | |||||
| Phil | CD/R / 1 | View | ||||
| robert | CDR / 1 | View | ||||
| Stuart Ferguson | CDR / 1 | View | FM and Soundboard | |||
| Notes: | DVD 917; lineage: FM and Soundboard recordings. "How Britain Got The Blues" (Bad Wizard 6134) silver > EAC > flac (level 6) | |||||
| BluesFan | FLAC / 0 | View | ||||
| Tom Bashara/Eric Linstrom | SHN, Audio / 1 | View | silver>Harmon Harden standalone>cd-r>EAC secure>mkw>SHN seek appended | |||
| Notes: | silver>Harmon Harden standalone>cd-r>EAC secure>mkw>SHN seek appended | |||||
| O-Joe | CD-R / 1 | B+ | View | demos and outtakes | ||
| Notes: | Some interesting stuff, though some of it sounds kinda rough. I've rated is a B+ because I think that's kind of the middle ground between the best-sounding and worst-sounding material. | |||||
| Duane Currey | shn / 1 | View | var>??>shn | |||
| Notes: | "How Britain Got The Blues - BW 6134" | |||||
| erik | shn / 1 | View | silver>Harmon Harden standalone>cd-r>EAC secure>mkw>SHN seek appended | |||
| john d. kaminski | cd-r / 1 | a | a | View | ||
Add Show
List Collectors
Wanted By
History