Grateful Dead 12/31/1983
Set I
Jack Straw
Peggy-O
New Minglewood Blues
Candyman
My Brother Esau
Tennessee Jed
Hell In A Bucket >
Don't Ease Me In [
Peggy-O
New Minglewood Blues
Candyman
My Brother Esau
Tennessee Jed
Hell In A Bucket >
Don't Ease Me In [
Set II
NYE Countdown
Sugar Magnolia >
Touch Of Grey
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Throwing Stones >
Not Fade Away >
Brokedown Palace
Sugar Magnolia >
Touch Of Grey
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Throwing Stones >
Not Fade Away >
Brokedown Palace
Set III
Big Boss Man > $
Iko Iko $ %
In The Midnight Hour $ #
Goodnight Irene $ % *
Iko Iko $ %
In The Midnight Hour $ #
Goodnight Irene $ % *
Comment
The Band opened
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums, Cowbell #
Rick Danko - Acoustic Guitar, Vocals $
Maria Muldaur - Vocals, Tambourine $
Terry Cagle - Tambourine %, Drums #
John Cipollina - Guitar *
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums, Cowbell #
Rick Danko - Acoustic Guitar, Vocals $
Maria Muldaur - Vocals, Tambourine $
Terry Cagle - Tambourine %, Drums #
John Cipollina - Guitar *
Sources
SHNID
6102
sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed; Brokedown missing; Jack Straw beginning cut; upgrade in circulation
SHNID
13963
SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN)
Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD
Dat -> SHN Transfer Done By Charlie Miller
charliemiller87@earthlink.net
8/27/02; upgrade in circulation
SHNID
14948
(Bertha Remaster)
SBD>>MR>>DAT>>M-Audio2448>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A-
Brokedown Palace Source: Pre-FM>Cm>Cass>Dat>CD - Sound C-
SHNID
18737
3 Beyer M160 FOB> Sony TCD5M Master Cassette>shn; Seeded to abgd by Walstib
SHNID
32514
flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)
Transferred and Edited By Charlie Miller
SHNID
34968
flac16; FOB Sennheiser 421s > Sony D5 > TDK MA90 MACs. Recorded by R.Lipton using B.Koucky's deck/blanks.
Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8).
Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner
SHNID
79383
flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
SHNID
90059
flac16; Set 3 only - National FM Broadcast > FM (93.3 WMMR) > unknown tape deck > TDK SA90 (Master Cassette) Transfer: Master FM Cassette > Nakamichi Cassette Deck 2 > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper FLAC16
SHNID
96185
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
SHNID
112282
flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
SHNID
126610
flac16; Matrix 3 Source Mix - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
SHNID
134901
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID
134902
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
SHNID
137700
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
SHNID
137701
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
SHNID
148207
flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
148208
flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
SHNID
151338
flac16/48khz Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID
151339
flac24/96khz Source Info:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID
155215
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin
SHNID
164336
flac1648 im Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (Maxell UDXLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID
164337
flac2496 Jim Vita's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (Maxell UDXLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID
169117
flac1648; Source Info: Candace Brightman's Master Soundboard Cassettes > Sony TC-D5M (TDK MA-R90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor .wav 24/96 > Adobe Audition 2024 > TLH flac2496. This is a 16/48 file set. 24-bit > 16-bit via dBpoweramp.
SHNID
169118
flac2496; Source Info: Candace Brightman's Master Soundboard Cassettes > Sony TC-D5M (TDK MA-R90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor .wav 24/96 > Adobe Audition 2024 > TLH flac2496
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