Grateful Dead 03/29/1984
Set I
Walking The Dog
Bertha >
Promised Land
It Must Have Been The Roses
Little Red Rooster
Bird Song
My Brother Esau >
Might As Well
Bertha >
Promised Land
It Must Have Been The Roses
Little Red Rooster
Bird Song
My Brother Esau >
Might As Well
Set II
Shakedown Street
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Spanish Jam >
The Other One >
Wharf Rat >
Sugar Magnolia
Encore:
Keep Your Day Job
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Spanish Jam >
The Other One >
Wharf Rat >
Sugar Magnolia
Encore:
Keep Your Day Job
Set III
Comment
Rex Foundation Benefit
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
10559
Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation
SHNID
29645
flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes)
CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program
SHNID
32515
flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90)
Transferred and Edited By Charlie Miller
SHNID
106071
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
SHNID
109112
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
SHNID
148306
flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
148307
flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
SHNID
176071
flac1648 Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M (Maxell UDXL-IIS)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
SHNID
176072
flac2496 Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M (Maxell UDXL-IIS)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
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