Grateful Dead 04/01/1984
Set I
Jack Straw
Friend Of The Devil
Me & My Uncle >
Mexicali Blues
Big Railroad Blues
Cassidy
Tennessee Jed
My Brother Esau >
Don't Ease Me In
Friend Of The Devil
Me & My Uncle >
Mexicali Blues
Big Railroad Blues
Cassidy
Tennessee Jed
My Brother Esau >
Don't Ease Me In
Set II
Help On The Way >
Slipknot! >
Franklin's Tower >
Samson & Delilah
Terrapin Station >
Drums >
Space >
Morning Dew >
I Need A Miracle >
Goin' Down The Road Feeling Bad >
Good Lovin'
Encore:
Touch Of Grey
Slipknot! >
Franklin's Tower >
Samson & Delilah
Terrapin Station >
Drums >
Space >
Morning Dew >
I Need A Miracle >
Goin' Down The Road Feeling Bad >
Good Lovin'
Encore:
Touch Of Grey
Set III
Comment
Rex Foundation Benefit
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
7366
Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation
SHNID
9064
Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN; To abgd via Acquiesce; upgrade in circulation
SHNID
30828
flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression.
SHNID
32535
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
SHNID
32797
flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk
SHNID
79458
flac16; Source: *Nakamichi CM304's>Sony D5M>Sony D5M Location: ^At SBD/Stand at 7 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
SHNID
95693
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller
SHNID
105822
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
SHNID
111291
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
SHNID
176250
flac1648 Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
SHNID
176251
flac2496 Bill Bradt's Master Audience Cassettes: Sennheiser 421 mics > Sony D5M (TDK MA90)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
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